Podcasts about main title theme

Universal Monster Movies still permeate our pop culture zeitgeist nearly 100 years after their creation. Frankenstein's Monster, The Bride, The Wolf Man, Dracula - each name conjures up monstrous black and white visions. So after a recent visit to Universal Studios Hollywood where we got some face time with Frankenstein and The Bride, and walked on Stage 12 where these famous Monster Movies were filmed, we decided to watch all 8 Frankenstein films! It's the U-MCU (Universal Monsters Cinematic Universe)!   In this episode we go over each Frankenstein film, spanning the years 1931-1948, and share the many fun facts we learned, including revelations on the score and film music in general. How do these films connect with Disney, Star Wars, and The Monkees?? What is their legacy? Let's dive in! IT'S ALIVE! IT'S ALIVE!!!   Movies Discussed   Frankenstein - November 21, 1931 Bride of Frankenstein - April 20, 1935 Son of Frankenstein - January 13, 1939 The Ghost of Frankenstein - March 13, 1942 Frankenstein Meets the Wolfman - March 12, 1943 House of Frankenstein - February 16, 1945  House of Dracula - December 7, 1945 Abbott and Costello Meet Frankenstein - June 1948   Bibliography   https://cinescores.dudaone.com/an-interview-with-franz-waxman https://bachtrack.com/feature-franz-waxman-retrospective-film-game-music-month-may-2017 https://www.sfcv.org/articles/review/franz-waxmans-electrifying-score-bride-frankenstein Main Title Theme: https://www.youtube.com/watch?v=b6YdXvI0IAk Suite: ​​https://www.youtube.com/watch?app=desktop&v=NFeQdpDRYXg Presenting The Bride: https://johndadlez.com/MP3/BrideOfFrankenstein/09_PTB_TE.mp3 https://michaelshapiro.com/frankenstein/#:~:text=Unlike%20The%20Bride%20of%20Frankenstein,badly%20in%20need%20of%20music. https://www.chandos.net/chanimages/Booklets/MP3747.pdf https://www.naxos.com/MainSite/BlurbsReviews/?itemcode=8.570188&catnum=570188&filetype=AboutThisRecording&language=English   Today in Star Wars History - 10/21/1956   We want to wish our princess, Carrie Fisher a Happy 68th birthday!   https://www.youtube.com/watch?v=uLkTyyXplDs   SPONSORS   Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.   SUPPORT THE SHOW   Find out how you can become a part of the Skywalking Force and unlock bonus content.   CONTACT US   Instagram: http://instagram.com/skywalkingpod   Twitter: https://twitter.com/SkywalkingPod   Facebook: https://www.facebook.com/skywalkingthroughneverland   Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.   If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review!   Never Land on Alderaan!

Universal Monster Movies still permeate our pop culture zeitgeist nearly 100 years after their creation. Frankenstein's Monster, The Bride, The Wolf Man, Dracula - each name conjures up monstrous black and white visions. So after a recent visit to Universal Studios Hollywood where we got some face time with Frankenstein and The Bride, and walked on Stage 12 where these famous Monster Movies were filmed, we decided to watch all 8 Frankenstein films! It's the U-MCU (Universal Monsters Cinematic Universe)!   In this episode we go over each Frankenstein film, spanning the years 1931-1948, and share the many fun facts we learned, including revelations on the score and film music in general. How do these films connect with Disney, Star Wars, and The Monkees?? What is their legacy? Let's dive in! IT'S ALIVE! IT'S ALIVE!!!   Movies Discussed   Frankenstein - November 21, 1931 Bride of Frankenstein - April 20, 1935 Son of Frankenstein - January 13, 1939 The Ghost of Frankenstein - March 13, 1942 Frankenstein Meets the Wolfman - March 12, 1943 House of Frankenstein - February 16, 1945  House of Dracula - December 7, 1945 Abbott and Costello Meet Frankenstein - June 1948   Bibliography   https://cinescores.dudaone.com/an-interview-with-franz-waxman https://bachtrack.com/feature-franz-waxman-retrospective-film-game-music-month-may-2017 https://www.sfcv.org/articles/review/franz-waxmans-electrifying-score-bride-frankenstein Main Title Theme: https://www.youtube.com/watch?v=b6YdXvI0IAk Suite: ​​https://www.youtube.com/watch?app=desktop&v=NFeQdpDRYXg Presenting The Bride: https://johndadlez.com/MP3/BrideOfFrankenstein/09_PTB_TE.mp3 https://michaelshapiro.com/frankenstein/#:~:text=Unlike%20The%20Bride%20of%20Frankenstein,badly%20in%20need%20of%20music. https://www.chandos.net/chanimages/Booklets/MP3747.pdf https://www.naxos.com/MainSite/BlurbsReviews/?itemcode=8.570188&catnum=570188&filetype=AboutThisRecording&language=English   Today in Star Wars History - 10/21/1956   We want to wish our princess, Carrie Fisher a Happy 68th birthday!   https://www.youtube.com/watch?v=uLkTyyXplDs   SPONSORS   Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.   SUPPORT THE SHOW   Find out how you can become a part of the Skywalking Force and unlock bonus content.   CONTACT US   Instagram: http://instagram.com/skywalkingpod   Twitter: https://twitter.com/SkywalkingPod   Facebook: https://www.facebook.com/skywalkingthroughneverland   Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.   If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review!   Never Land on Alderaan!

On another podcast favorite, Megan, Joey, and Clarence break down two additional music Emmy categories — Main Title Theme and Music and Lyrics — with small snippets of each nominated entry so you too can follow along at home! As always we close with the flash forward to the media we're most anticipating in the … Continue reading "2024 Emmys: Making Sweet Music With the Emmy Nominated Main Title Themes, Music and Lyrics" The post 2024 Emmys: Making Sweet Music With the Emmy Nominated Main Title Themes, Music and Lyrics appeared first on Awards Daily TV.

“Well, this looks inviting.” For our second look at a Ghostbusters videogame (there are plenty of others that didn't make the cut), we look at - er - Ghostbusters: The Video Game. Leon, Brian, Karl, Tony and community contributors look at the canonical third story - at least it was until the recent movies came along and changed some stuff. We focus on the PS3/360/PC version and its subsequent remaster, rather than the Wii, PS2, PSP, DS incarnations. Did bustin' make us feel good? Listen to find out. http://media.blubrry.com/caneandrinse/caneandrinse.com/podcast/cane_and_rinse_issue_620.mp3   Music featured in this issue: 1. Firehouse Loop 01 by Kyle Richards2. Main Title Theme by Elmer Bernstein Edited by Jay Taylor You can support Cane and Rinse and in return receive an often extended version of the podcast four weeks early, along with exclusive podcasts, if you subscribe to our Patreon for the minimum of $2 per month (+VAT).  Do you have an opinion about a game we're covering that you'd like read on the podcast? Then venture over to our forum and check out the list of upcoming games we're covering. Whilst there you can join in the conversations with our friendly community in discussing all things relating to videogames, along with lots of other stuff too. Sound good? Then come and say hello at The Cane and Rinse forum

Welcome to Episode 114. We actually have a voxel game that we don't think looks terrible. The Game: Ravenlok Intro Song "Letting Go" by Emerge. Title Art by Devious.Pixel. Internet Presence Preamble "In Absentia" by Cherished Ghosts. Podcast Edited by Brian Owsley. Sweet Jams: "Main Title Theme" "Mask Mansion Exploration" "Funicular" "Tea Party" These tracks and more can be found on the Ravenlok OST. The Internet: Twitch Twitter(X) Discord Facebook Instagram Lock Stock Store Patreon Suspension of Disbelief Blake's Story "They Come This Night" 2smokingcontrollers@gmail.com The End --- Support this podcast: https://podcasters.spotify.com/pod/show/twosmokingcontrollers/support

The "Skip Intro" button first got introduced to us through Netflix in 2017, and, I know, a lot of people use it – including me. But, if I can get into old-man, back-in-my-day mode for a second, I have so much fondness for the opening theme music for so many shows. It's a chance to set the mood for everything that you're about to see. One of the intros that I never skip is the animated opening title sequence for Only Murders in the Building, which is a Hulu show that debuted in August 2021, and now is in its third season. It was created by Steve Martin and John Hoffman, and it stars Steve Martin, Martin Short, and Selena Gomez. The three of them play neighbors who live in the same building in New York, and they're all obsessed with the same true crime podcast. And then when someone in their building gets murdered, they decide to start their own true crime podcast, and try and solve the mystery of who the killer is. For this episode, I talked to the show's composer, Siddhartha Khosla, about the show's theme music. Coming up, you'll hear a voice memo that Siddhartha recorded before he'd even heard about the show, which then led to a demo that you'll hear, and eventually, the final theme. For more, visit songexploder.net/only-murders-in-the-building.

We're back with more 2023 Emmy analysis and predictions. This week, we're staying in the music realm with thoughts across a handful of music-related categories. Last year, The White Lotus dominated the Main Title Theme race with its insanely catchy opening title theme. Even though Season Two is a huge Emmy contender, it's not eligible […] The post 2023 Emmy Predictions: Composing Our Thoughts on Main Title Theme, Music and Lyrics appeared first on Awards Daily TV.

The extraterrestrial comedy podcast where we probe real star gates. Yes, star gates that actually exist on earth. Also, some that exist not on earth. Plus some that exist, around the earth. Full disclosure, star gates are legitimately scientifically possible and actually, they do exist. We do a sweep of the world debating which earthly structures may be real, functioning ones (as opposed to those ones in space between the earth and the sun). Amongst all that, Moonwalker and Greybeard disclose their intentions to probe around the country in Extraterrestrial Tent. An important question is also answered - who would walk through the door of heroes? Jokes aside, could a functioning star gate explain the troubles in Iraq during the 1990's or 2003-2011? Remember, these things are legitimately not only possible, but real, they exist in nature. By the way, we definitely do know what astrology is on this show. Finally, it's a MASTODON. All that and more on this week's file.     YouTube link for History's Ancient Aliens, season 10 episode 10: https://youtu.be/ecSoMao17B0     Patreon: https://www.patreon.com/butitwasaliens   Store: https://butitwasaliens.co.uk/shop/     Probe us: Email: butitwasaliens@gmail.com Instagram @ ButItWasAliensPodcast Twitter @ ButItWasAliens Facebook: @ ButItWasAliens - join Extraterrestrial Towers     Music:  Music created via Garageband. Additional music via: https://freepd.com - thank you most kindly good people. As is often the case, a few pop culture references also snuck in during this episode. Firstly, we had the theme from He-Man and the Masters of the Universe composed by Shuki Levy, Haim Saban and Erika Lane courtesy of Mattel. Next up, we had the Superman theme song, or Superman March, composed and conducted by John Williams. We then couldn't resist sticking in a very brief snippet of the wonderful Indiana Jones theme song aka The Raiders March again composed and conducted via the talented John Williams, courtesy of Polygram, Sony Music and Colombia Records. Later, there was a snippet titled Ending Theme from the TV series Hercules: The Legendary Journeys composed via Joseph LoDuca and courtesy of MCA Television, Universal Television Enterprises and Studios USA Television Distribution. That led in to the Main Title Theme from Xena: Warrior Princess, another wonderful show composed via via Joseph LoDuca and courtesy of MCA Television, Universal Television Enterprises and Studios USA Television Distribution. Then not for the first time on this podcast, there was a snippet of the Main Title Theme from Buffy the Vampire Slayer, composed by Nerf Herder. Television was a wonderful thing in the 1990's. By this point you've probably realised that we got carried away with the pop culture this episode, but there was also a snippet of the theme from the Donkey Kong Country animated TV series, composed by Pure West. Here he comes BANANA SLAMMA! Finally, there was a clip from the Teenage Mutant Ninja Turtles original animated series theme, composed by Chuck Lorre and Dennis Challen Brown. Yes, the same Chuck Lorre who went on to create Two and a Half Men and The Big Bang Theory. Thank you.

Marilyn Manson - Resident Evil Main Title Theme 白光 - 等著你回來

Muziek van Trevor Gureckis bij de griezelfilm ‘Old' van M. Night Shyamalan. Een griezelfilm met de nodige jump-scare momenten, dus wel iets voor de echte liefhebber: een familie is op vakantie op een tropisch strand, maar dan ontdekken ze dat de plek behekst is: ieder half uur worden de kinderen een jaar ouder… de kleuters zijn aan het spelen en even later komen ze als pubers weer tevoorschijn… M.Night Shyamalan is de regisseur, en hij staat bekend om zijn films met allerlei bovennatuurlijke plotwendingen. Zijn bekendste film tot nu toe is de film waarmee hij internationaal doorbrak, The Sixth Sense, met Bruce Willis in de hoofdrol. De componist van de muziek is Trevor Gureckis, componist en producer uit New York, die niet alleen voor film schrijft maar ook bekend is als producer van popmuziek en cross overs tussen elektronica en klassieke instrumenten. De score bij deze film is op een paar momenten na echt typische griezelfilmmuziek, erg goed gedaan! 1. Main Title Theme 1'29” 2. Siblings 0'57” 3. Morning Swim 0'55” 4. Slot Canyon 1'40” 6. Feel Different 1'29” 8. Disoriented 1'28” 14. Tell Me 1'32” 15. Need Time 2'25” 17. Now 1'39” 18. Attack 5'09” 19. Last Moments 2'17” 20. Sandcastle 1'11” 24. Looking Back 2'59”

The Legends Of S.H.I.E.L.D. Agent Michelle and Producer of the show Director SP discuss the Disney+ Loki season one finale episode “For All Time. Always.” The Team debriefs you on National Gummi Worm Day, the jet ski disappointment, what a change in the Marvel preroll might mean, what Miss Minutes might really be, the Citadel At The End Of Time, speculate on which Kang variant we saw, the juxtaposition between Destiny and Free Will, if Judge Renslayer already knew He Who Remains, how the Agents received the season 2 cliffhanger, what the Loki Sylvie kiss might actually be, multiverse Avengers character speculation and a general overall plot confusion. Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   Loki S01E06 “For All Time. Always” Weekly Marvel News   LOKI “FOR ALL TIME. ALWAYS.” [4:37]   Loki “For All Time. Always.” premiered on Disney+ on July 14th, 2021.   S1E6 “For All Time. Always.”   Directed By: Kate Herron https://www.imdb.com/name/nm3513341/?ref_=tt_cl_dr_1  15 directing credits starting 2010 5x The Idris Takeover 5x Five by Five 1x Summer Comedy Shorts 1x Halloween Comedy Shorts 4x Sex Education 1x Daybreak 6x Loki   Written by: Michael Waldron (Showrunner) https://www.imdb.com/name/nm5642271/?ref_=tt_cl_wr_1  4 writing credits starting 2019 1x Rick and Morty 2x Loki 8x Heels Doctor Strange in the Multiverse of Madness   Written by: Eric Martin https://www.imdb.com/name/nm3412073/?ref_=ttfc_fc_wr1   4 writing credits starting 2005 Blind Date Tony Caparzzo: SuperCop The Other Mother 2x Loki   Showrunner: Michael Waldron   NEWS [37:18]   TOP NEWS STORY OF THE WEEK   ‘Loki' To Return For Season 2 At Disney+ https://deadline.com/2021/07/loki-renewed-season-2-disney-marvel-tom-hiddleston-1234792655/ Disney+ has renewed its Marvel series Loki for a second season. The renewal was announced midway through the end credits for Loki's Season 1 finale, when the anti-hero's case file is branded with the stamp: “Loki will return in Season 2.”   DISNEY+   Marvel/Disney+ Series Breakthrough At Primetime Emmys With 28 Combined Noms For ‘WandaVision' & ‘Falcon And The Winter Soldier https://deadline.com/2021/07/marvel-disney-series-breakthrough-at-primetime-emmys-with-28-combined-noms-for-wandavision-falcon-and-the-winter-soldier-1234791578/  In total, WandaVision scored 23 noms to Falcon and the Winter Soldier's five nominations. WandaVision notched 23 noms include Limited Series, Actor-Actress and Supporting Actress Limited Series, Production Design for Half Hour Narrative Program, 3 Writing Limited Series nods, Casting, Fantasy/Sci-Fi Costumes, Directing, Two Single Camera Picture Editing, Period/Character Hairstyling, Main Title Design, Period/character non-prosthetic make-up, Original Dramatic Score, Music & Lyrics, Main Title Theme, Music Supervision, Sound Editing and Mixing in a Limited Series and Special VFX. Of the above-the-line noms for Falcon and the Winter Soldier, Don Cheadle scored a Guest Actor in a Drama Series nod.   OUTRO [55:04]   Lauren, Michelle and SP love to hear back from you about how you would rate the episode we just discussed, your top 5 Marvel character lists, your science of Marvel questions, who would you pick in an all-female Avenger team, or which Marvel male you would like to see shirtless. Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871.                    Join Legends Of S.H.I.E.L.D. next time as the hosts discuss the 2021 Marvel Cinematic Universe film Black Widow. You can listen in live when we record Sunday Afternoons 5:00 PM Eastern time at Geeks.live. Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Thursday July 15th, 2021.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by Stargate Pioneer of GonnaGeek.com.

Welcome to another episode of the continuing series of film, TV and video game composer interviews on the CINEMATIC SOUND RADIO NETWORK. Carlos Rafael Rivera is an EMMY Award-winning composer for film and television. A protégé of Randy Newman, he earned a DMA in Composition at USC’s Thornton School, where he studied with Donald Crockett and Stephen Hartke. As a guitarist, he has performed onstage as opening act for The Who at the Hollywood Bowl; recorded studio sessions for Island/Def Jam, and Universal Records; and had songs featured on NETFLIX’ FIREFLY LANE, ABC’s SCRUBS, MTV, and VH-1. As a composer, Rivera has a unique ability to incorporate a large diversity of musical influences into his captivating compositions, which reflect his multi-cultural upbringing in Central America and the United States. He has served as Composer-in-Residence with the Miami Symphony Orchestra and was a musical consultant for “Invitation to World Literature,” an educational series funded by the Annenberg Foundation and produced by WGBH and is a sought out guest composer and lecturer throughout the globe. He is also Assistant Professor and Director of the Media Writing and Production Program at the acclaimed Frost School of Music at the University of Miami, Carlos first met Oscar-nominated film/TV maker Scott Frank over 15 years ago when Scott responded to an ad for music lessons that Carlos had posted at a local Pasadena music store. What started as guitar lessons grew into a years-long friendship, and eventually led to an amazing collaborative partnership beyond the composer’s wildest dreams. Their first collaboration was on the action-drama feature, A Walk Among the Tombstones, starring Liam Neeson. Carlos went on to score Scott’s western drama series GODLESS, for which he won a Primetime Emmy for his "Main Title Theme" and also earned a nomination for his score. Their third and latest collaboration is the Netflix limited series THE QUEEN'S GAMBIT. The psychological drama series is based on the novel of the same name by Walter Tevis and follows an orphan in late-1950s Kentucky named Beth Harmon (Anya Taylor-Joy) who discovers she has an incredible talent for chess. In October 2020, for the CINEMATIC SOUND RADIO NETWORK, Jason Drury talked to Carlos Rafael Rivera via Zoom at his home in Miami, Florida. During the interview, they talked extensively about his score for THE QUEEN'S GAMBIT, his working relationship with Scott Frank and of his other two collaborations with Frank; A WALK AMONG THE TOMBSTONES and GODLESS. Also during the show, you will be hearing music from all 3 productions but extensively from The Queen Gambit, without doubt, one of the best scores of 2020. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

CLICK TO SUBSCRIBE ON the original summer blockbuster, defying all conventional movie business logic and studio conjecture. And all it took was nearly 6 months of shooting, a very young director on the verge of a nervous breakdown, a few stars with egos and tempers as big as their talent, and a very, very temperamental fake shark. Yeah, you probably know which movie this is now, but are you prepared for just how much it took to even get this movie made, let alone how this film became the biggest box office success of all time (for a couple of years)? Do you know how the people of Martha’s Vineyard reacted to this film crew taking over their town for three times as long as expected? Do you know the most epic counter-prank story of all time? Load up your air tanks, shark cage, harpoons and barrels as we talk about the first summer film hit, 1975’s Jaws, on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Journey to the Island” from the Jurassic Park soundtrack, composed and conducted by John Williams. Copyright 1993 MCA Records Inc. Excerpt taken from “Main Title (Theme from Jaws)” from the Jaws soundtrack, composed and conducted by John Williams. Copyright 1975 MCA Records Inc. Clips from the film Jaws are copyright © 1975 Universal Studios. All Rights Reserved. Excerpt taken from "James Bond Theme," written and composed by John Barry, and performed by the John Barry Orchestra. ℗ 1962, 2012 Capitol Records LLC. Clip from the film Close Encounters of the Third Kind is copyright © 1977, 1980 Columbia Pictures Industries, Inc. All Rights Reserved.

This episode of Movie Magic features a little bit of everything, an action movie, some comedies, horror science fiction, romance, a family movie, and a confusing spy movie.  Credits:  1. Movie Magic Opening Theme Produced, Composed & Performed by Corey Gomez. 2. Main Title Theme, composed by Jerry Goldsmith from Basic Instinct OST. Label: Varese Sarabande  See omnystudio.com/policies/listener for privacy information.

Diane and Sean discuss the one that started it all...sort of.1996's Mission: Impossible by Brian De Palma, starring Tom Cruise. Episode music is Danny Elfman's, "Main Title Theme" and "The Heist" from the OST.Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=FDAK8MLABD6SG&source=url)

Topics Covered: 00:02:53 - Halloween Stories of Yore 00:25:05 - Spoopy Movies 00:52:09 - Spoopy Games Email us at: email@saveourprogress.com Follow us on Twitter at: https://twitter.com/SaveOurProgress Or follow the hosts on twitter at: Craig - https://twitter.com/SearosCanoel Paul - https://twitter.com/pomorales Pete - https://twitter.com/EspadaPete Zac - https://twitter.com/AronZacField Produced by Zachary Field Podcast Artwork by Natalie Fang Dai Opening Theme https://www.youtube.com/watch?v=yJEPTk7FLmk Pamgaea by Kevin MacLeod [Check out more of Kevin MacLeod over at http://incompetech.com/] Ending Theme: The Shining "Main Title Theme" by Wendy Carlos and Rachel Elkind

The Creative Arts Emmys, a two-night affair celebrating the technical achievements of the television season such as lighting, editing and cinematography, are this weekend - September 14th and 15th. I am joined by returning champ Amanda Spears on the Creative Arts Emmy winner prediction podcast. The Creative Arts Emmys are also the home of five of the biggest awards of the Emmys: the four Guest Acting categories and Reality/Competition Host. We start the podcast analyzing the guest categories (Can Bradley Whitford win again? Will Adam Sandler be an Emmy-winning actor? Will Phylicia Rashad finally take it?) and that Reality/Host contest. RuPaul Charles stands a very good chance of tying Survivor's Jeff Probst for a 4th win here for RuPaul's Drag Race. We also tackle categories that are often bellwethers for what is going to happen the week after at the Primetime Emmy Awards. Namely, the Casting categories. Casting for a Limited Series is going to be a tough fight between Chernobyl, Fosse/Verdon and When They See Us, one of many between these three nomination giants. Casting for a Drama Series should easily go to Game of Thrones as part of its inevitable sweep (keep an eye out for a GOT article from Amanda, who correctly predicted it would hit 32 nominations, on its potential wins). But it's Casting for a Comedy Series that gives us trouble. Veep won this three times in a row on its way to Comedy Series wins. In its absence last year, The Marvelous Mrs. Maisel won. But we also have huge Emmy hits Barry and Fleabag. Who will win and will that win correlate to a Comedy Series win? The four costume categories (Contemporary, Period, Fantasy/Sci-Fi/Variety, Reality or Competition) and several music categories (Music & Lyrics, Main Title Theme, Score for Series and Limited Series) make up the rest of our Creative Arts Emmy winner predictions. We'll be doing a Primetime Emmy winner predictions podcast just after the Creative Arts Emmys are held this weekend. This podcast runs with music. Opening: HBO's Chernobyl, episode "Please Remain Calm" Closing: "Mein Herr" from FX's Fosse/Verdon

Many believe the case of Jennifer Jackson Floyd, missing since 1988, is connected to that of Leigh Occhi. This episode introduces stunning information about Jennifer's family, plus more insight into the potential sexual leanings of suspects in Leigh's disappearance. Main Title Theme by: Funk's Gate Additional Music by: Funk's Gate, Doc Booger, https://open.spotify.com/artist/6LLRR2R84LTfUwnhSh5jYQ ...and Dinner With the Karloff's. Get "13:2" episodes one week early, along with additional Usry Network content, by becoming a Premium Subscriber here: https://www.patreon.com/search?q=usry%20network Find out more about the other Usry Network podcast feeds here: https://www.usrynetwork.com

Find us at: iTunes Spotify Patreon CW: Violence including violence against women, casual sexism, and sexual harassment. Roger Moore…in a good Bond film? Who knew? Well, most Bond experts, but also Macintosh & Maud Haven’t Seen What?!, now that we’ve seen this arguably classic spy film. There’s giant boats and nuclear submarines, a car that goes underwater, a gorgeous KGB agent and THE HORNIEST JAMES BOND OF ALL TIME. Not creepy horny, just HORNY HORNY. It’s adorable, and we love it. So join us for a discussion of Roger Moore’s best Bond outing, The Spy Who Loved Me! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including two Bond specials, 1967’s Bond spoof Casino Royale and the 1983 non-Broccoli Bond remake Never Say Never Again! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Excerpt taken from "James Bond Theme," written and composed by John Barry, and performed by the John Barry Orchestra. ℗ 1962, 2012 Capitol Records LLC. Clips from The Spy Who Loved Me © 1977 Danjaq, LLC and United Artists Corporation. Excerpt taken from from "Main Title (Theme from Jaws)," written and composed by John Williams. © 1975 Universal Pictures, MCA Records, Inc. Clip from Austin Powers: International Man of Mystery © 1997 Dnew Line Productions, Inc. All Rights Reserved. Excerpt taken from from "Nobody Does it Better," written and composed by Marvin Hamlisch and Carole Bayer Sager, and performed by Carly Simon. © 1977 Elektra Records, United Artists Records. Excerpt taken from “Moonraker” written by John Barry and Hal David, and performed by Shirley Bassey. © 1979 Danjaq, S.A. & United Artists Music and Records Group, Inc.. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

Could a suspect's sexual preferences ultimately factor into the disappearance of thirteen year-old Leigh Occhi? JLU takes you to dark places, to uncover the truth. Main Title Theme by: Funk's Gate Additional Music: Doc Booger www.amazon.com/Picks-Drive-Doc-B…ger/dp/B01LX4WEK1 ...and Dinner With the Karloffs www.facebook.com/Dinner-With-The-…171486592868175/ Also featuring: Kayla Lords itunes.apple.com/us/podcast/lovin…d1034601476?mt=2 Tami Rose romanticadventures.com Kay Mathews www.djournal.com/lifestyle/health…4eb2ae7c493.html James Ellison www.jamespaulellison.com Check out our friend Kayla Thompson's podcast! User-428447651 – Its-a-reboot Become an Usry Network Premium Subscriber here: www.patreon.com/UsryNetworkPremium

You can’t spell “LAZY PODCASTING” without at least a few of the letters in “FILMATION.” And in lieu of a new episode, Bob and Tim are reposting a past one all about the 1983 cartoon classic “HE-MAN AND THE MASTERS OF THE UNIVERSE.” So join previous them in their already past attempt to uncover just who is behind “THE TAKING OF GREYSKULL” (knowing its exactly who you think it is).Watch the same episode Bob and Tim did with THE TAKING OF GREYSKULL as posted on the HE-MAN OFFICIAL Youtube page.Introduce 11 year old Tim to the genre of hip hop with this mid 80’s Masters Of The Universe SPYDOR COMMERCIAL from Mattel.And, while you just felt it THERE, hear it HERE with this original THUNDER-PUNCH HE-MAN COMMERCIAL, also from Mattel.Then experience the “Hall H At Comic-Con”-like screening of this LOST HE-MAN AND THE MASTERS OF THE UNIVERSE COMMERCIAL featuring the first ever animated footage of Eternia.The use of audio and video clips linked from YOUTUBE are for educational purposes and without the expressed permission of their legal holding companies. All rights remain with with their original distributor.This episode of 20TH CENTURY POP! was recorded by CAST, an online audio platform that lets you create and record a multi-guest podcast straight from your web-browser. It was then mastered by AUPHONIC, a web-based post-production service that makes it sound like Bob and Tim are worth listening to. Check out both sights for trial and subscription information.MUSIC FEATURED IN TODAY’S EPISODE:"Reformat The Planet" performed by Bit Shifter from his 2010 EP INFORMATION CHASE available for download at Bandcamp. The use of this song is for entertainment purposes and without the expressed permission of the recording artist."Poupi Great Adventures: The Arcade Game" (closing theme) performed by Komiku from the 2018 album POUPI'S INCREDIBLE ADVENTURES available at Freemusicarchives.org. Cleared for public domain use through Creative Commons under a CCO 1.0 Universal License. “Main Title Theme from She-Ra: Princess Of Power” by Shuki Levi and Haim Saban from the 1985 television soundtrack to FILMATION’S SHE-RA: PRINCESS OF POWERSubscribe to 20TH CENTURY POP! on APPLE PODCASTS, STITCHER and ANDROID or stream it at www.20popcast.com.Like, share and reminisce with 20TH CENTURY POP! on FACEBOOK.Follow whats not 20th Century Fox with 20TH CENTURY POP! @20popcast on TWITTER.And crop a sqaure snapshot with 20TH CENTURY POP!@20popcast on INSTAGRAM.Contact the show with any questions, suggestions or possible topics at 20popcast@gmail.com, #20popcast on Twitter and the POP TALK section of www.20popcast.com.Follow ROBERT CANNING @rhcanning on TWITTER. Read his web-comic on Twitter @ExaggeratedMy and his music blog at superultramegamix.wordpress.com.Follow TIM BLEVINS @subcultist on TWITTER and as @subcultist on INSTAGRAM. 20TH CENTURY POP! will come around next week … with a sense of where we’ll be found.

Last week, Netflix released the fifth season of BoJack Horseman. I wanted to revisit this episode about the show’s Main Title Theme, which was written by Patrick Carney of The Black Keys, and his uncle, Ralph Carney, who passed away unexpectedly in December 2017. BoJack Horseman is a Netflix original series, an animated comedy about a washed up 90s sitcom star who's trying to figure out his life and career without drowning in self-loathing and existential despair. It won the 2016 Critics Choice award for best animated series. The theme song for the show was created by Patrick Carney, who is one half of The Black Keys, and his uncle, Ralph Carney, a multi-instrumentalist who has worked artists like Tom Waits, St Vincent, The B-52s, Galaxie 500, and a lot more. But the track wasn't written for the show, originally; it was just something that Patrick and Ralph made without knowing what it was for. In this episode, the two break down how the song was created, and how it went from their long-distance collaboration to become a TV theme song. songexploder.com/bojack-horseman

I’ll have a beer and talk aboot never leaving the house ever again (to save energy), Voynich secrets REVEALED (sort of), Goodbye Moon Prize, Astronauts with a poop-eating grin, the healing power of tilapia ON BEARS, hello mosquito (and goodbye), and CATS ARE PERFECT JUST THE WAY THEY ARE. Beer: Stillwater Artisanal Ales' On Fleek, a 13% ABV Imperial Stout https://www.beeradvocate.com/beer/profile/22150/212159/ Show Notes: https://docs.google.com/spreadsheets/d/1GSCp4ZjBRosnMlGpamqsxok1HBtZ-zYahwp_r3zwp_c/edit?usp=sharing Music: Polka for Accordion in C-Minor by Steven O'Brien, Licensed under a Creative Commons License https://soundcloud.com/stevenobrien/polka-for-accordion-in-c-minor https://creativecommons.org/licenses/by/3.0/ Call-To-Action music: In Search Of... (Main Title Theme) https://www.youtube.com/watch?v=UM5ucLDERfg Sponsored by: Pulp & Deckle http://pulpanddeckle.com/ Curley Sound http://curleysound.com/ A word from Gary!: PACKERS! alternate title: She made recommendations to the priest, man of the house and me and people.

The show Stranger Things is a Netflix original series. It was first released in July 2016. Season two’s release date: October 27, 2017. After the first season, the show was nominated for 18 Emmys, and won the Emmy for Outstanding Original Main Title Theme Music. The theme music, along with the rest of the show’s score, was composed by Michael Stein and Kyle Dixon of the band SURVIVE. In this episode, they break down how they made the main title theme. songexploder.net/stranger-things

BoJack Horseman is a Netflix original series, an animated comedy about a washed up 90s sitcom star who's trying to figure out his life and career without drowning in self-loathing and existential despair. It won the 2016 Critics Choice award for best animated series. The theme song for the show was created by Patrick Carney, who is one half of The Black Keys, and his uncle, Ralph Carney, a multi-instrumentalist who has worked artists like Tom Waits, St Vincent, The B-52s, Galaxie 500, and a lot more. But the track wasn't written for the show, originally; it was just something that Patrick and Ralph made without knowing what it was for. In this episode, the two break down how the song was created, and how it went from their long-distance collaboration to become a TV theme song.

Episode 3 of AtIB is no longer available, but new episodes are coming out soon. Enjoy the Main Title Theme from from Wendy Carlos and Rachel Elkind's score to Stanley Kubrick's "The Shining" instead.

Transparent is an Amazon original series, created by Jill Soloway. The story centers on a family where the father, played by Jeffrey Tambor, comes out to his children and the to world at large as transgender. The first season was released in September 2014. It was critically acclaimed and won a lot of awards, including an Emmy for Outstanding Main Title Theme Music. In this episode, composer Dustin O’Halloran breaks down how he made the Transparent theme, using an 80-year old piano and channeling his own family nostalgia. This episode is sponsored by Hover, Lagunitas Brewing Company, and MeUndies.

《末代皇帝》由意大利扬科电影公司、英国道奥电影公司、中国电影合作制片公司三家联合摄制，片长218分钟。该片用闪回的手法来表现溥仪的一生，在3小时38分钟内讲述60年的事情。该片在西方上映后。立即掀起了“中国热”。1988年，第60届奥斯卡奖颁奖揭晓，《末代皇帝》一举夺得最佳影片、最佳导演、最佳改编剧本、最佳服装、最佳作曲、最佳剪辑、最佳音响效果、最佳摄影和最佳美工9项奖。 意大利导演贝尔纳多·贝尔托鲁齐为什么要拍摄中国末代皇帝溥仪的一生？1987年，法国《首映》杂志记者在采访贝尔托鲁齐时向他提出了这个问题，他作了肯定的回答，“这是一段令人着迷的故事”，“......溥仪已成为历史，他象征着一种观念，即通过教育，－个人能得到彻底改变。”贝尔托鲁齐在同一天采访的谈话中还直言不讳地谈到“要是我对溥仪没有这种同情，我就不会拍这部影片了。我甚至喜欢那些可憎的人物，我需要爱摄影机前的所有人物。即使他们是恶劣的，我也设法使他们具有某种悲剧性，从而产生一点高贵感。……这些人物虽是可憎的，但他们也是世界的一部分。我并不谅解他，可他们也是命运之神的玩物，他们所体现的是一种人类共通的好斗性。所以，任何人都不过是历史的牺牲品。”

Composer Jeff Beal deconstructs the main title theme music to the Netflix original series House of Cards. The show has been nominated for multiple Emmy Awards, including Outstanding Original Main Title Theme and Outstanding Music Composition. The show was adapted from a British series of the same name by writer Beau Willimon, and director and executive producer David Fincher. Jeff talks about his collaborative process with Fincher, and how they found the mood and musical palette for the show and its theme, and how it changed from season one to season two. A word of warning: if you haven’t watched the first season, there are spoilers about how that season ends.