Podcasts about related media

Dana Stirling is a fine art photographer and the Co-Founder & Editor In-Chief of Float Photo Magazine since 2014. Originally from Jerusalem Israel, Dana is now based in Queens New York. She received her MFA from The School Of Visual Arts in Photography, Video, and Related Media in 2016 and her BA from Hadassah College Jerusalem in Photographic Communications in 2013. Her work has been exhibited in group show including, Candela Books + Gallery VA, The Rockaway Artists Alliance NY, Vermont Center for Photography, Lafayette College PA, Radiator Gallery NY, Fresh Paint Art Festival Israel,  Bezalel Gallery Israel, Inga Gallery Israel, Tel Hai Museum of Photography Israel, Brick Lane Gallery UK, Saatchi Gallery UK and others. Her hand-made artist book is a part of these select library collections, Yale University, Mass Art College of Art and Design collection, Savannah College of Art and Design collection and Goldsmith University, London. Her latest book is Why Am I Sad Resources Dana Stirling Why Am I Sad Websites Photo Workshops Tokyo Exploration Workshop with Ibarionex Perello Sponsors Playpodcast Podcast App Charcoal Book Club Chico Review Photobook Retreat Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Adam Isaacson joins me for two college roomates and some tiger related media. Subscribe to my newsletter ⁠⁠here⁠⁠! check out my other artistic ventures at ⁠⁠aaron-zvi-felder.com⁠ #improv #comedy #improvcomedy #improvpodcast #comedypodcast #longformimprov #nashvillecomedy #humor --- Support this podcast: https://podcasters.spotify.com/pod/show/audio-based-content/support

Photographer, Louis Chavez and I have a conversation about New Intimacies, Louis' photographic study of gay cruising. It is inspired by Peter Hujar's work but takes a more experimental approach with more inspiration by writings of José Esteban Muñoz. We also discuss Louis' work as a curatorial assistant at the George Eastman Museum and, as your teaser, you just might learn a little bit about the Situationist International and Pscyhogeography. Louis was also kind enough to send a video slideshow on the Real Photo Show YouTube channel so you can see the work while listening. https://chavezlouis.com YouTube: https://www.youtube.com/@realphotoshow This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Louis Chavez is a photographer and curator based in New York. Their solo exhibition, New Intimacies, was exhibited at the University of Rochester's Hartnett Gallery in 2021 and at PeepSpace in Tarrytown, NY in 2023. Chavez was a participant in SOILED: The Downtown Dirty Book Fair, curated by Matthew Leifheit in 2022, and was a graduate presenter at the Society for Photographic Education's national conference in 2023. In addition to their visual arts practice, Chavez is a curatorial assistant in photography at the George Eastman Museum in Rochester, NY. They were a guest curator at Visual Studies Workshop in 2020 and a studio assistant to photographer Joshua Rashaad McFadden in 2021. Chavez holds an M.F.A. in Photography and Related Media from the Rochester Institute of Technology and a B.S. (summa cum laude) from SUNY Brockport. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

A game of paranormal investigators, based on books by Ben Aaronovitch. It may seem niche, but we have plenty of relatable media that could inspire your next game. If you're planning on playing Rivers of London, by Chaosium, listen here to see where we recommend familiarizing yourself if you don't want to read the novels! Welcome to Cantrips and Coffee, where each episode we roast up a fresh batch of episodes on different tabletop roleplaying games. In our "anything but D&D" format, we explore different systems and review them to help you decide if they're worth your time and money. Plus, we have plenty of coffee talk along the way. Coffee of the batch: Burgundy, by Birdy Coffee Co., rated 2/5 Good Ghost Doggies. Questions, comments, or crippling criticism? Email us at cantripsandcoffee@gmail.com, or find us on Instagram. Join the Natural 20 Cafe discord! https://discord.com/invite/2M8ehkWKWd --- Send in a voice message: https://podcasters.spotify.com/pod/show/cantripsandcoffee/message

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and educator, Andrew Moore take a deep dive into the history of Andrew's ever evolving processes and practices. Andrew talks about his varied influences from both the modern and post-modern art world movements. Sasha and Andrew also discuss how his photography kept moving him closer and closer to home culminating in work made in the Hudson Valley where he resides. LINKS HERE https://www.andrewlmoore.com https://www.yanceyrichardson.com/artists/andrew-moore American photographer Andrew Moore (born 1957) is widely acclaimed for his photographic series, usually taken over many years, which record the effect of time on the natural and built landscape. These series include work made in Cuba, Russia, Bosnia, Times Square, Detroit, The Great Plains, and most recently, the American South. Moore's photographs are held in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, the Yale University Art Gallery, Museum of Fine Arts Houston, the Smithsonian American Art Museum, and the Library of Congress amongst many other institutions. He has received a fellowship from the John Simon Guggenheim Memorial Foundation in 2014, and has as well been award grants by the National Endowment for the Humanities, the New York State Council on the Arts, and the J M Kaplan Fund. His most recent book, Blue Alabama, with a preface by Imani Perry and story by Madison Smartt Bell was released in the fall of 2019. His previous work on the lands and people along the 100th Meridian in the US, called Dirt Meridian, has a preface by Kent Haruf and was exhibited at the Joslyn Art Museum in Omaha. An earlier book, the bestselling Detroit Disassembled, included an essay by the late Poet Laureate Philip Levine, and an exhibition of the same title opened at the Akron Museum of Art before also traveling to the Queens Museum of Art, the Grand Rapids Art Museum, and the National Building Museum in Washington, DC. Moore's other books include: Inside Havana (2002), Governors Island (2004) and Russia, Beyond Utopia (2005) and Cuba (2012). Additionally, his photographs have appeared in Art in America, Artnews, The Bitter Southerner, Harpers, National Geographic, New York Review of Books, The New York Times Magazine, The New Yorker, TIME, Vogue and Wired. Moore produced and photographed "How to Draw a Bunny," a pop art mystery feature film on the artist Ray Johnson. The movie premiered at the 2002 Sundance Festival, where it won a Special Jury prize. Mr. Moore was a lecturer on photography in the Visual Arts Program at Princeton University from 2001 to 2010. Presently he teaches a graduate seminar in the MFA Photography Video and Related Media program at the School of Visual Arts in New York City. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Today I am joined by Viktorsha and Marielena, two participating artists in ASK's "HERstory" exhibit showing all month in Kingston, NY. Closing ceremony is on March 25th from 3-5pm. We talk about their work, migration, trauma and celebrating women!Viktorsha Uliyanova is a New York artist whose photographic, fiber and installation works investigate loss, cultural identity and trauma narrated through the prism of memory. Uliyanova's practice is informed by her upbringing in the Soviet Union, political repression and the immigrant experience. Although her work is grounded in analog photography, her practice often consists of dialogues between different materials including fabric, video and found objects.Through working with cloth and multimedia installations, Uliyanova registers unrecorded traumatic memories that exist outside of historical archive into physical spaces and form. By working with different textures and alternative processes, she points to what has been hidden or lost and makes it visible.Uliyanova received her BA in English from Hunter College in New York and is currently pursuing an MFA in Photography and Related Media at State University of New Paltz. Her photographs have been featured in publications including Atlas Obscura, Business Insider, Float Magazine, InStyle Russia, Curated by Girls, Susie Magazine. Uliyanova's work has been exhibited at a number of national and international venues including, Lorimoto Gallery in New York, Participant Inc. New York, Samuel Dorsky Museum of Art , 8 Ball Zine at MOMA PS1, Das Gift in Berlin, Collarworks in Troy, among others. Her work has been supported by a number of grants including DiPalo-Williams grant,David Lavallee Grant, Sojourner Truth Fellowship and Research for Creative Projects grant. Uliyanova has taught many workshops over the years and is currently an Instructor of Record at SUNY New Paltz.Marielena Ferrer, my monthly co-host of Politics and Spirituality on I want what SHE has, is an artist and the Executive Director of Humanamente — a diversity and inclusion consulting organization, Chair of the Athena Network New York — a psychosocial support network in the area of social services, health, and specifically in mental health, for immigrants experiencing psychological challenges related to the migratory process, a board member of the Family of Woodstock, a member of the Arts Mid-Hudson Advisory Board, and Kingston's City Arts Commission.Marielena is also showing her Broken Monarch's exhibit at SUNY Ulster March 10th-April 14th.Here's Tanaaz's Moon Report and Cory Nakusue's show the Cosmic Dispatch.Today's show was engineered by Ian Seda of Radio Kingston.Our show music is from Shana Falana !!!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFY | STITCHERITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCASTITCHER: https://www.stitcher.com/podcast/she-wants/i-want-what-she-has?refid=stpr'Follow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcastTWITTER * https://twitter.com/wantwhatshehas 

Discussing “Man's Best Friend” continues in this episode; Megan & Mike discuss with Dave Horrocks what it's like owning a dog, training, naming, dog-related media and more! This week, for part 2, the discussion regarding naming dogs continues, before talking about some negative interactions with dogs, dogs' habits & quirks, fireworks are spoken about, how one should respond to a dog doing something “bad” and how their dogs misbehave, crate training and the conversation draws to a close with a discussion on dog-related media. In case you missed last week, part 1 of these 3 dog lovers' conversation starts with their earliest memories of these furry friends, before recounting how Dave got Tasha and how Megan & Mike got Willow, their experiences of training puppies, going on walks, some fun stories of dog encounters are then recounted before a small movie tangent and a discussion on naming the pups. You can find Dave on Twitter @SeattleDojos or listen to him on Comics In Motion's TV & Movies show here: https://podfollow.com/comicsinmotion as well as on the VHS Strikes Back: https://linktr.ee/vhsstrikesback and Chris & Dave's Reality TV Cast: https://anchor.fm/cdrealitycast Find Megan on Instagram @GrittsGetsFit or on Mike's Patreon - to listen to a completely free Patreon episode, check out the first in Mike & Megan's Tom Hanks rewatch here: https://bit.ly/TomHanks1   To listen to a completely free Patreon episode, check out the first in Mike & Megan's Tom Hanks rewatch here: https://bit.ly/TomHanks1     In the last episode of GCC (169), Mike spoke with Radhika Rao; buddhist, teacher & actor about what Buddhism is to Radhika and how it has become such an integral part of her life. Radhika then talks about how theatrical and improvisational performance has helped her in both her Buddhist journey and in life, she then explains her personal definition of enlightenment, how she perceives the world and spiritual/philosophical topics are discussed! If you enjoyed this episode, please check out Mike's Patreon, where he releases at least 1 episode of his & Megan's “Afterthoughts” a week, plus there's early access to episodes of GCC and more, so if you want to support the show and get more content, check it out at http://patreon.com/genuinechitchat   Intro & outro read by BZ The Voice: http://www.bzthevoice.com      Find Mike's other show; Star Wars: Comics In Canon on Spotify & the other podcast apps on the feed of Comics In Motion or on GCC's YouTube channel. Episodes are out every Saturday; episodes 0-105 are out now, in ep 105 is about the Galactic Starcruiser Tie-In comic; The Halcyon Legacy, in ep 104 Mike continues his Crimson Reign run with volume 2 and in ep 103 Mike delved into 5 more Star Wars horror stories in Return To Vader's Castle! Previous episodes include the War Of The Bounty Hunters crossover (all 34 tie-in issues), every other canon Star Wars comic by Marvel, the Journals of Old Ben Kenobi, full High Republic coverage (book reviews & comics) & much more – https://podfollow.com/comicsinmotion   Mike's guest spots: Mike & Megan both appeared on Femme On Film to talk Sofia Coppola's Marie Antoinette: https://pod.fo/e/1381bf Mike & Megan discussed Jason Statham in Collateral on Back To The Filmography: https://pod.fo/e/1383ea Mike appeared on Spider-Dan & The Secret Bores to talk about Maximum & Absolute Carnage: https://pod.fo/e/13304a Mike appeared on Indie Comics Spotlight, discussing Cavan Scott's Shadow Service with Tony, listen on the feed of Comics In Motion! https://pod.fo/e/1259e4  Instagram – Twitter – Facebook – YouTube – Stitcher – Podbean – Spotify You can also email Mike at GenuineChitChat@outlook.com with any reviews, comments or suggestions.

Renowned Portrait Photographer Ryan Pfluger opens up about the unique struggles faced in his impressive career as a result of the "Queer Photographer" label placed on him, showing up as a true ally for all diverse artists in his field, and his continuing fight for the value of "the full spectrum of what I bring to the table".
Ryan is a born and raised New York photographer with an MFA in Photo, Video & Related Media from the School of Visual Arts. Captivated by nostalgia, their work often deals with recreating memories, memorializing objects and how sexuality and gender influences image making. Exploring what portraiture means presently in our culture, their photographs deal with the subtlety of body posture, the gaze and the role of self-portraiture. Most importantly, as an advocate, they allow their subjects to feel present and seen. An introvert at heart, but photography has allowed them to feel comfortable. Ryan currently resides in Los Angeles with their dog Sarah Connor.Ryan's TEDx Talk - Photography As A Salve For Loneliness

On this week's episode, Carie and Ross unpack a cult classic holiday favorite, Jingle All the Way (1996). Carie shares an anecdote about the day Ross was born, Ross can't believe the absurdity of the film's plot, and the silbings revisit the origins of a disasterous drinking game based on Jingle All the Way.  Related Media;: I AM ALLAH!; 

(CLE = Consistent Life Ethic) In this episode, our hosts Herb and Emiliano are joined by Phil Eddy, who is a member of the Rehumanize International board. Together, they have a wide-ranging chat about the death penalty, imperialism, news about abortion, and more.    —   Learn more about Rehumanize International at rehumanizeintl.org.

Charles H. Traub has been a photographer/educator for over 50 years. His work is represented in major museums and collections all around the world. In 1988, he founded the MFA program of Photography, Video and Related Media at the School of Visual Arts in NYC and still serves as its Chair. Formally, he was a founder of the Museum of Contemporary Photography, Columbia Collage, Chicago. Later he directed New York's prestigious Light Gallery, and for over 25 years was president of the Aaron Siskind Foundation. Traub has received numerous awards including the prestigious ICP Infinity Award for his work on here is new york: A Democracy of Photography. He has published 17 books, including 9 monographs of his own. Recent publications include Dolce Via (2014) Lunchtime (2015), the iBook No Perfect Heroes-Photographing U.S. Grant (2016), Taradiddle (2016), and Tickety-Boo (2021). This diptych were shot in 2020. They are published in the book, Tickety-Boo. This diptych were shot in 2020. They are published in the book, Tickety-Boo.

Elinor Carucci and I talk about her book Midlife, an autobiographical exploration of life, ageing, mortality, and the challenges women face as they get older to not become invisible. We talk about the hard work and stresses involved with making personal and commercial work, raising children, and teaching. Elinor talks about her mentors, and the ways in which she has changed as an educator and how she learns from her students.   http://www.elinorcarucci.com   Born 1971 in Jerusalem, Israel, Elinor Carucci graduated in 1995 from Bezalel Academy of Arts and Design with a degree in photography, and moved to New York that same year. In a relatively short amount of time, her work has been included in an impressive amount of solo and group exhibitions worldwide, solo shows include Edwynn Houk gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others and group show include The Museum of Modern Art New York and The Photographers' Gallery, London.   Her photographs are included in the collections of The Museum of Modern Art New York, the Brooklyn Museum of Art, Houston Museum of Fine Art, among others and her work appeared in The New York Times Magazine, The New Yorker, Details, New York Magazine, W, Aperture, ARTnews and many more publications.   She was awarded the International Center of Photography Infinity Award for Young Photographer in 2001, The Guggenheim Fellowship in 2002 and NYFA in 2010. Carucci has published two monographs to date, Closer, Chronicle Books 2002 and Diary of a dancer, SteidlMack 2005 and MOTHER, Prestel 2013. In fall of 2019 Monacelli Press published her fourth monograph, Midlife.   Carucci teaches at the graduate program of Photography and Related Media at School of Visual Arts and is represented by Edwynn Houk Gallery.

American photographer Andrew Moore (born 1957) is widely acclaimed for his photographic series, usually taken over many years, which record the effect of time on the natural and built landscape. These series include work made in Cuba, Russia, Bosnia, Times Square, Detroit, The Great Plains, and most recently, the American South. His most recent book, Blue Alabama, with a preface by Imani Perry and story by Madison Smartt Bell was released in the fall of 2019. His previous work on the lands and people along the 100th Meridian in the US, called Dirt Meridian, has a preface by Kent Haruf and was exhibited at the Joslyn Art Museum in Omaha. An earlier book, the bestselling Detroit Disassembled, included an essay by the late Poet Laureate Philip Levine, and an exhibition of the same title opened at the Akron Museum of Art before also traveling to the Queens Museum of Art, the Grand Rapids Art Museum, and the National Building Museum in Washington, DC. Mr. Moore was a lecturer on photography in the Visual Arts Program at Princeton University from 2001 to 2010. Presently he teaches a graduate seminar in the MFA Photography Video and Related Media program at the School of Visual Arts in New York City.   Websites Andrew Moore John Lehr Sponsor Charcoal Book Club - Sign up today   Education Resources: Momenta Photographic Workshops   Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

"In classes it was always, oh the road represents ultimate freedom, exuberance, the American dream…I just kept thinking, wait a minute, this doesn't line up for me." For nearly a century, the American road trip has been closely associated with the American dream. The open road is where millions of Americans freely set out to explore the country's beauty, epic landscapes, and diversity of cultures. For a country that claims to be a free and democratic land without roadblocks, the road trip has been and continues to be a fraught endeavor for Black people. With this project, Willett exposes the cracks of this ideal version of American society, pointing out that historically the road represents a collective site of trauma for the Black community. Amani Willett is a Brooklyn and Boston-based photographer whose practice is driven by conceptual ideas surrounding family, history, memory, and the social environment. Working primarily with the book form, his two monographs have been published to widespread critical acclaim. Both books, Disquiet (Damiani, 2013) and The Disappearance of Joseph Plummer (Overlapse, 2017), were selected by Photo-Eye as “best books” of the year and have been highlighted in over 50 publications including Photograph Magazine, PDN, Hyperallergic, Lensculture, New York Magazine and 1000 Words and recommended by Todd Hido, Elisabeth Biondi (former Visuals Editor of The New Yorker), Vince Aletti and Joerg Colberg (Conscientious), among others. Amani's photographs are also featured in the books Bystander: A History of Street Photography (2017 edition, Laurence King Publishing), Street Photography Now (Thames and Hudson), New York: In Color (Abrams), and have been published widely in places including American Photography, Newsweek, Harper's, The Huffington Post, The New York Times, The New York Times Magazine and The New York Review of Books. His work resides in the collections of the Tate Modern, The Museum of Fine Arts, Boston, The Sir Elton John Photography Collection, The Museum of Fine Arts, Houston, Oxford University, and Harvard University, among others. Amani completed an MFA in Photography, Video and Related Media from the School of Visual Arts, NY in 2012 and a BA from Wesleyan University in 1997. In addition to his artistic practice, Amani is an Assistant Professor of Photography at the Massachusetts College of Art and Design in Boston. https://www.amaniwillett.com/ This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.08.27.271056v1?rss=1 Authors: Dick, A. S., Silva, K., Gonzalez, R., Sutherland, M. T., Laird, A. R., Thompson, W. K., Tapert, S. F., Squeglia, L. M., Gray, K. M., Nixon, S. J., Cottler, L. B., La Greca, A. M., Gurwitch, R. H., Comer, J. S. Abstract: As natural disasters increase in frequency and severity (1,2), mounting evidence reveals that their human toll extends beyond death, injury, and loss. Posttraumatic stress (PTS) can be common among exposed individuals, and children are particularly vulnerable (3,4). Curiously, PTS can even be found among youth far removed from harm's way, and media-based exposure may partially account for this phenomenon (5-8). Unfortunately, susceptibility to media effects has been difficult to characterize because most research is initiated post-event, precluding examination of pre-disaster factors. In this study, we mitigate this issue with data from nearly 400 9- to 11-year-old children collected prior to and after Hurricane Irma. We evaluate whether preexisting neural patterns predict degree of media effects on later Irma-related PTS. We show that "dose" of Irma-related media exposure predicted Irma-related PTS, even among children dwelling thousands of kilometers away from the hurricane. Furthermore, we show, using pre-hurricane functional magnetic resonance imaging data, that neural responses in brain regions associated with anxiety and stress confer particular vulnerability to media effects and PTS among certain children. Specifically, right amygdala predicted Irma-related PTS, and bilateral orbitofrontal cortex and right parahippocampal gyrus moderated the association between Irma-related media exposure and PTS. Collectively, these findings run counter to outdated "bullseye" models of disaster exposure that assume negative effects are narrowly circumscribed around a disaster's geographic epicenter (9). In contrast, for some youth with measurable preexisting vulnerability, consumption of extensive disaster-related media appears to offer an alternative pathway to disaster exposure that transcends geography and objective risk. This preventable exposure should be considered in disaster-related mental health efforts. Copy rights belong to original authors. Visit the link for more info

Liz Zito | Mueller Report Fan Fiction "I felt the way to share it with adding the redactions in, it gives you at least a beat to laugh and to kind of take a break and also think about the absurdity…of the political world that we are living in." Liz Zito is a multimedia artist and the Coordinator of Curriculum & Special Projects at the School of Visual Arts MFA Photo, Video, and Related Media. When we recorded Liz was in the middle of doing live performance readings of her piece: Mueller Report Fan Fiction with Liz Zito. It's a fantastic performance that injects humor and entertainment into a noir-style reading of the Mueller Report and it is in keeping with Liz's goal of making art that is accessible to audiences beyond the art world. https://www.instagram.com/otiz.zil/ http://lizzito.com/ This episode sponsored by the School of Visual Arts MFA Photography, Video, & Related Media - Charles Traub, Chair. http://www.mfaphoto.sva.edu/ Visit realphotoshow.com @realphotoshow on Twitter/IG/FB

Lorenzo Triburgo is a Brooklyn-based, multimedia artist employing performance, photography, video, and audio to cast a critical lens on notions of the “natural,” the construct of gender, and the politics of queer representation. Lorenzo has artworks in the permanent collection of the Museum of Contemporary Photography in Chicago, IL, and the Portland Art Museum in Portland, OR. Lorenzo has been featured in Slate, Huffington Post, HuffPo-Live, and the Transgender Studies Reader 2 (Routledge). In 2019 Lorenzo won the Camera Club of New York’s Baxter Street Workspace Residency for Monumental Resistance:Stonewall. Lorenzo has exhibited and lectured in cities throughout the U.S., Europe, and Asia, including Bruce Silverstein, NYC; Photoforum Pasquart, Biel, Switzerland; Kunst und Kulturhaus, Berne, Switzerland; the Dutch Trading Post, Nagasaki, Japan; The Henry Art Gallery, Seattle, WA; the Museum of Contemporary Photography, Chicago, IL; Magazzini del Sale di Palazzo Pubblico, Siena, Italy; and Oude Kerk, Amsterdam, the Netherlands. Lorenzo is a full-time Instructor of Photography and teaches Photography, Critical Theory, and Queer Studies for Oregon State University’s online campus and in the continuing education program at the School of Visual Arts. Lorenzo holds a BA from New York University in Photography and Gender Studies and an MFA in Photography and Related Media from the School of Visual Arts. The curatorial project mentioned in the interview is - CRIMINALIZE THIS! Monumental Resistance: Stonewall, photo/project credit: Lorenzo Triburgo and Sarah Van Dyck. Monumental Resistance: Stonewall, photo/project credit: Lorenzo Triburgo and Sarah Van Dyck.

MFA Photography, Video, and Related Media, in collaboration with El Museo del Barrio, presents the final program in the Scheimpflug Lecture Series of the spring 2019 semester entitled The Culture of Community: A Latinx Photo Symposium. This episode is from a recording of the Latinx Photo Symposium event. The Real Photo Show was part of the early planning for the show. The show was organized by Liz Zito with discussions led by MFA grads Jordan Cruz and Carla Maldonado. The discussion was moderated by El Museo del Barrio Curator, Susanna V. Temkin and the guests were artists Veronica Sanchis Bencomo, founder of Foto-Feminas, and acclaimed artist Perla De Leon. The Culture of Community: a Latinx Photo Symposium could not be possible without the generous support of ADORAMA and GramArt, as well as the collaborative efforts of Charles Traub, Michael Chovan-Dalton, Liz Zito, Jordan Cruz, Carla Maldonado, Susanna V. Temkin and El Museo del Barrio. This episode sponsored by the School of Visual Arts MFA Photography, Video, & Related Media - Charles Traub, Chair. http://www.mfaphoto.sva.edu/ Visit realphotoshow.com @realphotoshow on Twitter/IG/FB Links: http://www.veronicasanchis.com/ https://foto-feminas.com/ http://www.jordancorinecruz.com/ http://www.carlamaldonado.com/ http://lizzito.com/ https://www.elmuseo.org/

The Feathers are back and Plural Activism has got’em! In episode 8, they’ll open the mailbag, take a look at the latest attempts to portray multiple personality on television, and shake out some plural myths and facts. Plus How to Eat Out As a Plural System, history of multiple personality and a look behind the scenes at the making of these podcasts. No interview this time… they’ll have another one in Episode 9. For transcripts of Plural Activism podcasts visit http://multiplicity101.com/?paged=5&cat=3. Your questions and comments are welcome at 101@multiplicity101.com. Support us by buying plural swag at our Cafepress Store, plural_pride – and come join us on Yahoo Groups Plural Activism discussion! It's at https://groups.yahoo.com/neo/groups/Plural_Activism/info .

The Feathers are back and Plural Activism has got’em! In episode 8, they’ll open the mailbag, take a look at the latest attempts to portray multiple personality on television, and shake out some plural myths and facts. Plus How to Eat Out As a Plural System, history of multiple personality and a look behind the scenes at the making of these podcasts. No interview this time… they’ll have another one in Episode 9. For transcripts of Plural Activism podcasts visit http://multiplicity101.com/?paged=5&cat=3. Your questions and comments are welcome at 101@multiplicity101.com. Support us by buying plural swag at our Cafepress Store, plural_pride – and come join us on Yahoo Groups Plural Activism discussion! It's at https://groups.yahoo.com/neo/groups/Plural_Activism/info .

Amani Willett: Disquiet by Amani Willett, is published by Damiani Factory (2013), with an afterward by Marvin Heiferman, 128 pages. “Disquiet’s cinematic look suggests the palpable spaces in which Willett pondered both the depth and fragility of social and family relationships. And as we become immersed in the work, we imagine or remember ourselves in similar places and situations. While many photographic projects about parents and children have, in recent years, adopted a decidedly cool stance to keep sentimentality at bay, Willett takes a risk by so openly acknowledging our reflex to love, desire to protect, and the vulnerability we face once we do. This is the core subject or his work, without apology.” – Marvin Heiferman, excerpted from the essay, “Beneath the Surface in Disquiet.” New York-based photographer Amani Willett weaves intimate family pictures with broader portrayals of American society and its current economic and political instability in his book, Disquiet. Taken between 2010 and 2012, the portraits, landscapes and still lives is his book record the anxieties of starting a family in a time of social unrest, and with the societal challenges posed by the results of the 2016 election, his work takes on a new dimension. Amani draws on his work as a street photographer and visual storyteller to create the images and to construct the books overarching narrative. Amani’s work has been featured in the books Street Photography Now (Thames and Hudson) and New York: In Color (Abrams). Willett’s pictures have been exhibited both nationally and internationally, including at the Howard Greenberg gallery and his work has been featured in such publications as American Photography, Newsweek and The New York Times. He has given talks about his work at institutions including the International Center of Photography. Willett received his MFA in Photography, Video and Related Media from the School of Visual Arts. Amani currently lives in Brooklyn with his family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amani Willett: Disquiet by Amani Willett, is published by Damiani Factory (2013), with an afterward by Marvin Heiferman, 128 pages. “Disquiet’s cinematic look suggests the palpable spaces in which Willett pondered both the depth and fragility of social and family relationships. And as we become immersed in the work, we imagine or remember ourselves in similar places and situations. While many photographic projects about parents and children have, in recent years, adopted a decidedly cool stance to keep sentimentality at bay, Willett takes a risk by so openly acknowledging our reflex to love, desire to protect, and the vulnerability we face once we do. This is the core subject or his work, without apology.” – Marvin Heiferman, excerpted from the essay, “Beneath the Surface in Disquiet.” New York-based photographer Amani Willett weaves intimate family pictures with broader portrayals of American society and its current economic and political instability in his book, Disquiet. Taken between 2010 and 2012, the portraits, landscapes and still lives is his book record the anxieties of starting a family in a time of social unrest, and with the societal challenges posed by the results of the 2016 election, his work takes on a new dimension. Amani draws on his work as a street photographer and visual storyteller to create the images and to construct the books overarching narrative. Amani’s work has been featured in the books Street Photography Now (Thames and Hudson) and New York: In Color (Abrams). Willett’s pictures have been exhibited both nationally and internationally, including at the Howard Greenberg gallery and his work has been featured in such publications as American Photography, Newsweek and The New York Times. He has given talks about his work at institutions including the International Center of Photography. Willett received his MFA in Photography, Video and Related Media from the School of Visual Arts. Amani currently lives in Brooklyn with his family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amani Willett: Disquiet by Amani Willett, is published by Damiani Factory (2013), with an afterward by Marvin Heiferman, 128 pages. “Disquiet’s cinematic look suggests the palpable spaces in which Willett pondered both the depth and fragility of social and family relationships. And as we become immersed in the work, we imagine or remember ourselves in similar places and situations. While many photographic projects about parents and children have, in recent years, adopted a decidedly cool stance to keep sentimentality at bay, Willett takes a risk by so openly acknowledging our reflex to love, desire to protect, and the vulnerability we face once we do. This is the core subject or his work, without apology.” – Marvin Heiferman, excerpted from the essay, “Beneath the Surface in Disquiet.” New York-based photographer Amani Willett weaves intimate family pictures with broader portrayals of American society and its current economic and political instability in his book, Disquiet. Taken between 2010 and 2012, the portraits, landscapes and still lives is his book record the anxieties of starting a family in a time of social unrest, and with the societal challenges posed by the results of the 2016 election, his work takes on a new dimension. Amani draws on his work as a street photographer and visual storyteller to create the images and to construct the books overarching narrative. Amani’s work has been featured in the books Street Photography Now (Thames and Hudson) and New York: In Color (Abrams). Willett’s pictures have been exhibited both nationally and internationally, including at the Howard Greenberg gallery and his work has been featured in such publications as American Photography, Newsweek and The New York Times. He has given talks about his work at institutions including the International Center of Photography. Willett received his MFA in Photography, Video and Related Media from the School of Visual Arts. Amani currently lives in Brooklyn with his family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amani Willett: Disquiet by Amani Willett, is published by Damiani Factory (2013), with an afterward by Marvin Heiferman, 128 pages. “Disquiet’s cinematic look suggests the palpable spaces in which Willett pondered both the depth and fragility of social and family relationships. And as we become immersed in the work, we imagine or remember ourselves in similar places and situations. While many photographic projects about parents and children have, in recent years, adopted a decidedly cool stance to keep sentimentality at bay, Willett takes a risk by so openly acknowledging our reflex to love, desire to protect, and the vulnerability we face once we do. This is the core subject or his work, without apology.” – Marvin Heiferman, excerpted from the essay, “Beneath the Surface in Disquiet.” New York-based photographer Amani Willett weaves intimate family pictures with broader portrayals of American society and its current economic and political instability in his book, Disquiet. Taken between 2010 and 2012, the portraits, landscapes and still lives is his book record the anxieties of starting a family in a time of social unrest, and with the societal challenges posed by the results of the 2016 election, his work takes on a new dimension. Amani draws on his work as a street photographer and visual storyteller to create the images and to construct the books overarching narrative. Amani’s work has been featured in the books Street Photography Now (Thames and Hudson) and New York: In Color (Abrams). Willett’s pictures have been exhibited both nationally and internationally, including at the Howard Greenberg gallery and his work has been featured in such publications as American Photography, Newsweek and The New York Times. He has given talks about his work at institutions including the International Center of Photography. Willett received his MFA in Photography, Video and Related Media from the School of Visual Arts. Amani currently lives in Brooklyn with his family. Learn more about your ad choices. Visit megaphone.fm/adchoices

MFA Photography, Video and Related Media presents Michael Shaw, publisher of Reading the Pictures, discussing how the publication analyzes news and media images for meaning, trends, context and fairness. Shaw will also describe how fluency in pictures is central to engagement in the current information, media and social media sphere.

SVA MFA Photography, Video and Related Media presents "The Backlash Election: Campaign '16 In Pictures, A Lecture by Michael Shaw." To many, the 2016 presidential campaign has only deepened the cynicism about the American political system. In this presentation, Michael Shaw, the publisher of Reading the Pictures, offers a visual grand tour of Campaign '16, from the anger and cynicism to the quirky irony to surprising instances of soundness. Michael Shaw, publisher of the non-profit, ReadingThePictures, is an analyst of news photos and visual journalism, and a frequent lecturer and writer on news imagery, photojournalism and documentary photography. Michael has been referred to as the first full-time news photo critic. Reading the Pictures is the only site dedicated to the daily analysis of news and cultural images. Launched in 2004, RTP is closely followed on multiple platforms (notably it’s own website, as well as Twitter, Instagram, and Facebook by the news and visual media; the photojournalism community; university journalism, photojournalism and communication programs; and citizens interested in politics and visual culture. The site also features the Reading the Pictures Salon, a series that examines how the media and social media visually frame the major news events of our day. An “aha" exercise in media and visual literacy, the Salon invites photographers, editors and visual scholars to analyze an edit of 9-10 individual images either live, or in a live Google Hangout with accompanying audience chat. For more information: http://www.mfaphoto.sva.edu/

Alice Benessia Do we really want and need to be smart? Can we? The imaginaries of the Internet of Things and their inherent contradictions Emergent information and communication technologies (ICT), such as the so-called Internet of Things (IoT), constantly redefine the texture of our culture, society and lifestyle, raising a number of fundamental epistemic, normative and ethical issues, in a constant co-evolution. These technologies are constructed, named, offered, and ultimately regulated, according to and through specific techno-scientific imaginaries, here defined as collections of visual and verbal metaphors that are created and communicated both in the specialized literature and in the mass media for the public at large. Wonder, power, control and urgency can be defined as standard imaginaries of techno-scientific innovation: the fundamental axes defining an ideal space in which the multifaceted vision of the IoT can be projected and analyzed, in terms of what we want (wonder), we can (power and control) and we need (urgency) to be smart. Within this ideal space, we will examine together a variety media available on the web and produced by some of the key actors of the IoT revolution. This exploration leads to an open-ended reflection on the underlying aims and contradictions of the ICT enhancement, in relation to the possible decline of some of the fundamental attributes of our integrity and agency. Bio Alice Benessia holds a PhD in Science Technology and Law, an M.A. in the Philosophical Foundations of Physics and an M.F.A in Photography and Related Media. She is a research fellow on Epistemology of Sustainability at the Interdisciplinary Research Institute on Sustainability (IRIS) based at the University of Torino. She has been appointed expert at the Joint Research Centre of the European Commission. She is a founding member of the Italian Association for Sustainability Science. She also works as a visual artist and has lectured on photography and visual arts in numerous national and international participatory workshops. Her interdisciplinary research deals with epistemological issues arising in the framework of art, science and sustainability with special interest in visual language. http://alicebenessia.it Sara M. Watson Liquid Data: The Power of Seductive Metaphors By examining the dominant metaphors we use to talk about data, Sara M. Watson dissects the industry-centric bias at the core of our cultural understanding of data today. She argues more embodied data metaphors can better animate public consciousness and, in turn, shape policy positions, technology designs, and business models going forward. The power of metaphorical framings feeds into her recent work as a research fellow at the Tow Center for Digital Journalism, examining the rhetoric and ideology of technology on the public imagination. Sara argues that a constructive approach to technology criticism can improve the broader cultural discourse about technology, not only commenting on the technologies we have, but influencing and shaping the technologies we want. Bio Sara M. Watson is a technology critic and a Research Fellow at the Tow Center for Digital Journalism. She is also an affiliate with the Berkman Center for Internet and Society at Harvard University. Her work explores how we are learning to live with, understand, and interpret our personal data and the algorithms that shape our experiences. She investigates the ways that corporations, governments, and individuals use data from wearable sensors, the internet of things, and other digitally processed systems. http://www.saramwatson.com Audio recording Stress.fm

"My father would say, 'son you just don't see it.' What's to see, I would respond. 'It's in the horizon line.' Didn't get it. Flip forward 10 years...I'm a senior in the University of Illinois...and as always the case...photography was in the basement of the basement and as I went down the stairs...above the transom was a long panorama of the Illinois landscape. I looked at it and said, oh my god, what a beauty, that's what my father was fucking talking about." Charlie Traub has an amazing life and career in photography. He has been the MFA Chair of Photography, Video, and Related Media at the School of Visual Arts for almost three decades and that started after he helped transform the photography department at Columbia College in Chicago and after he had been the director of the famous Light Gallery in NYC. All the while he has been making work, publishing books, having shows, writing about photography, and staying open to new ideas and ways of photographing. Part 1 starts out with Charlie's tumultuous beginnings that led him to his career in photography. Hosts: Michael Chovan-Dalton and Kai McBride Links: Website: http://www.charlestraub.com Twitter: @CharlesTraub https://twitter.com/CharlesTraub Visit www.thephotoshow.org Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by @pataphysics-1 on Soundcloud

Pioneering French documentarian Marcel Ophuls in conversation with MFA Social Documentary Film faculty member Thom Powers. Ophuls is best known for his epic films exploring the effects of war, such as The Sorrow and the Pity (1969) and Hotel Terminus: The Life and Times of Klaus Barbie (1988), for which he won an Academy Award. Presented by BFA Film, MFA Photography, Video and Related Media and MFA Social Documentary Film present.

Niko Kallianiotis is an educator and photographer based in Pennsylvania. He started his career as a newspaper photographer, first as a freelancer at The Times Leader, in Wilkes-Barre, Pennsylvania, and then as a staff photographer at The Coshocton Tribune in Coshocton, Ohio, and The Watertown Daily Times in Watertown, New York.    He is currently an Assistant Professor of Photography at Marywood University in Scranton, PA and an Adjunct Assistant Professor at Drexel University in Philadelphia. He is also a contributing photographer for The New York Times. His work has been published and exhibited nationally and internationally.   He holds a B.F.A. and M.A. in photography from Marywood University and an MFA in Photography, Video and Related Media from the School of Visual Arts, in New York.    Resources:   http://www.nikokallianiotis.com/#!/index   http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL535C7T   http://ibarionex.net/thecandidframe/   info@thecandidframe.com    

Discussing stereotypes and media about LGBT in this week's show.