Podcasts about Visual language

Join our next BoldBrush LIVE! Webinar by signing up here:https://register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---For today's episode, we sat down with Sarah Yeoman, a full-time watercolorist and instructor with 45 years of painting experience, who discovered her passion for watercolor after also exploring various artistic mediums like music and sculpture. We discuss her artistic approach which focuses on capturing the essence of subjects through light, shadow, and abstract shapes, particularly evident in her renowned crow and Adirondack series paintings. Sarah emphasizes the importance of consistent practice, encouraging artists to commit to a creative routine and finding their unique visual voice rather than copying others' styles. She tells us about her creative process which involves embracing unpredictability, especially in watercolor, where she uses intentional drips, large brushes, and works on an angle to create dynamic, fluid paintings. For our viewers, Sarah gives us a quick demonstration on how she starts out her crow paintings! Sarah also tells us how she has balanced her art-making with teaching, using workshops and online classes to supplement her income and share her artistic philosophy. Finally, Sarah tell us about her upcoming shows and upcoming workshops including one coming up at the end of this month where she will be teaching how she paints blue poppies!Sarah's FASO site:https://www.sarahyeoman.com/Sarah's upcoming workshops:https://www.sarahyeoman.com/workshopsSarah's social media:https://www.facebook.com/sarahyeomanart/

In this inspiring episode of Art & Cocktails, host Kat sits down with visionary landscape artist Jennifer Peart, whose work explores the intersection of nature, mid-century design, and science fiction. They dive deep into Jennifer's creative inspirations, her experience at the Superfine Art Fair, and how she seamlessly weaves sustainability, community, and imagination into every aspect of her art practice. Grab your favorite drink and join us for this lovely conversation!   Highlights from the episode:   Jennifer's unique path from community college to a "Hogwarts for art" women's college. How teaching art to children transformed her understanding of creativity and brain development. Balancing her day job with her studio practice and the importance of rest and inspiration cycles. The powerful intersection of nature, sci-fi, and visionary storytelling in her stunning artwork.   Books Mentioned:   Octavia Butler's novels – Exploring visionary futures through compelling narratives. Ursula K. Le Guin's works – Imagining alternative societal structures and peaceful anarchies.   Special thanks to our episode sponsor: Create! Magazine – Empowering contemporary artists through opportunities, visibility, and community. www.createmagazine.co   Stay connected with Jennifer: https://www.jenniferpeart.com   Boynes Artist Award Create! Magazine proudly announces the 12th edition of the Boynes Artist Award, dedicated to discovering, supporting, and celebrating visual artists worldwide. Submissions open April 1st, with an early bird deadline of May 30th and a final deadline of July 30th, 2025. The first-place winner receives a double-page spread in Create! Magazine, a $2,000 cash award, a dedicated social media ad campaign, and an exclusive interview. For more information and to submit your art, visit boynesartistaward.com.   Enjoyed this episode? Please subscribe, rate, and leave a review to support the Art & Cocktails podcast!

This dual feature episode explores the legacy of Susan Kare, the designer behind the original Mac icons, with guests Amy and Jennifer Hood, the twin creatives behind Hoodzpah, known for their bold branding and empowering creative business strategies._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources / Links:Susan Kare's Prints: kareprints.comSmithsonian ArticleAmy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodAbout SusanSusan Kare is a graphic designer and pioneering iconographer best known for her work on the original Apple Macintosh in the early 1980s. With a background in fine arts, she had no prior experience in computer graphics when she was hired to design the first digital icons and typefaces for the Mac. Using graph paper and pixel constraints, she created some of the most enduring symbols in tech history, including the Happy Mac, the Command key symbol, and the original Mac fonts like Chicago and Geneva. Her designs humanized technology, making computers intuitive and accessible to non-technical users. After Apple, she continued shaping digital interfaces at NeXT, Microsoft, Facebook, and Pinterest, and today, she serves as a Design Architect at Niantic Labs while selling limited-edition prints of her iconic designs.About Amy & Jen HoodAmy and Jen Hood are the twin sister duo behind Hoodzpah, a Southern California-based branding agency known for its bold, strategic, and personality-driven design work. Since founding Hoodzpah in 2011, they have worked with major brands like Disney, Nike, and 20th Century Fox, creating memorable identities and custom typefaces. Beyond client work, they are passionate about helping creatives build successful careers—they wrote Freelance, and Business, and Stuff, a practical and empowering guide to running a creative business, and have launched resources for designers, including brand identity courses and custom fonts. With a fearless approach to branding and a deep understanding of creative entrepreneurship, Amy and Jen have carved out a distinctive place in the design world while uplifting the next generation of creatives.Amy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodFollow Amy & Jen:Amy's Instagram: @amyhoodlumJen's Instagram: @thegoodhoodStudio Instagram: @hoodzpahdesignWebsite: hoodzpahdesign.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

In this conversation, Greg & Tom interview Ted Forbes, a renowned photographic educator and YouTube creator, about his journey in photography, his new book, and the evolving landscape of visual communication. Ted shares insights from his unconventional career path, the influence of his time working in an art museum, and the importance of understanding visual language in photography. They discuss the impact of social media and AI on photography, as well as the content and purpose of Ted's new book, which aims to educate photographers on the analytical aspects of creating compelling images. In this conversation, Ted Forbes shares insights on the practice of photography, emphasizing the importance of learning to see and understand visual elements in familiar spaces. He discusses the significance of building a relationship with one's own work and the necessity of analyzing past images to improve. Forbes also delves into key principles of composition, the context of photography, and the impact of current trends and technology, including the influence of AI on the industry. In this conversation, Ted Forbes, Tom Barnes, and Greg Funnell discuss the evolving landscape of photography, focusing on the cost of equipment, the importance of simplicity, and the balance between creativity and technical skill. They explore the liberating experience of using manual cameras, the challenges of digital photography, and the significance of making intentional choices in the creative process. The discussion culminates in personal recommendations for favourite cameras and photography books, emphasising the value of inspiration and experimentation in the art of photography. Thank you for listening to The Exposed Negative Podcast. Running this podcast takes a lot of time and effort, and we hope you have found it helpful and interesting. If you would like to support us by buying us a beer or coffee, or by helping with the running costs of the show, we would greatly appreciate it. Please consider signing up for our Patreon (https://www.patreon.com/exposednegative) or making a one-time donation through PayPal (https://www.paypal.me/exposednegative). Thank you for your support! Here are the shownotes; Ted Forbes: https://www.tedforbes.com Ralph Gibson: https://www.ralphgibson.com/ Jason Eskenazi: http://jasoneskenazi.com/ Elliot Erwitt: https://www.elliotterwitt.com/ Henri Cartier Bresson - The Decisive Moment: https://amzn.to/4fZTweI Ansel Adams: https://www.anseladams.com/ John Blakemore: https://britishphotography.org/artists/74-john-blakemore/overview/ Art of Photography episodes on composition: https://www.youtube.com/playlist?list=PLGEE7pGLuppTEjrviNCTwDHA00VsMzsAl Provoke Magazine - Japan: https://www.1854.photography/2018/11/50-years-since-provoke/ Hiroshi Sugimoto: https://www.sugimotohiroshi.com/ William Eggleston: https://egglestonartfoundation.org/ Rick Ruben - The Creative Act: https://amzn.to/3C02ESw Holga panoramic technique: https://shootitwithfilm.com/how-to-shoot-holgaramas/ Teds Desert Island Camera Holga Teds Desert Island Book John Blakemore - Black and White Photography Workshop: [https://onlineshop.oxfam.org.uk/john-blackmores-black-and-white-photography-workshop/product/HD_302460207?pscid=ps_ggl_OOS+-+Performance+Max+-+ROAS+(All)_&crm_event_code=20REUWWS08&gad_source=1&gclsrc=ds](https://onlineshop.oxfam.org.uk/john-blackmores-black-and-white-photography-workshop/product/HD_302460207?pscid=ps_ggl_OOS+-+Performance+Max+-+ROAS+(All)_&crm_event_code=20REUWWS08&gad_source=1&gclsrc=ds)

In this episode of the Perceptive Photographer podcast, we are going to dig a little deeper into the visual language of photography. Before we jump into our topic, I did want to let you know if the energy is a little off it is due to some recent struggles with medication and anxiety, which are hopefully getting resolved. As we jump into our topic, there is a connection between how understanding visual elements—similar to nouns, verbs, and adjectives in language—can enhance our photographic work. Over the course of the episode I hope you get more interested in reading and analyzing your images through this framework. From it you might be surprised how much better you can articulate intentions and emotions in the image. I also hope you have a wonderful and joyful holiday season.

In this episode of the Perceptive Photographer podcast, we are going to dig a little deeper into the visual language of photography. Before we jump into our topic, I did want to let you know if the energy is a little off it is due to some recent struggles with medication and anxiety, which are hopefully getting resolved. As we jump into our topic, there is a connection between how understanding visual elements—similar to nouns, verbs, and adjectives in language—can enhance our photographic work. Over the course of the episode I hope you get more interested in reading and analyzing your images through this framework. From it you might be surprised how much better you can articulate intentions and emotions in the image. I also hope you have a wonderful and joyful holiday season. Gear used in the podcast Rode Boom ArmRode PSM ShockmountRode Podcast MicFocusrite Scarlet 2i2Adobe Audition (part of creative cloud subscription)Macbook ProOWC Thunderbolt 3 dockHeadphones

Celebrity makeup artist Rachel Goodwin is back to answer your questions! Rachel takes on everything from which “clean” products she recommends, how to best apply concealer under your eyes, and how to update your approach so you don't look like you learned to wear makeup in the late 1900s. To leave a voicemail or text for a future episode, reach Doree & Elise at 781-591-0390. You can also email the podcast at forever35podcast@gmail.com.Visit forever35podcast.com for links to everything they mention on the show or visit shopmyshelf.us/forever35.Follow the podcast on Instagram (@Forever35Podcast) and sign up for the newsletter at forever35podcast.com/newsletter. Hosted on Acast. See acast.com/privacy for more information.

Paul Tazewell is the costume designer for the film adaptation of the smash musical hit Wicked, which was released in theaters on November 22. Tazewell is a renowned costume designer celebrated for his contributions to Broadway, television, and film. In fact, in 2016, he won both a Tony for his designs in Hamilton and an Emmy for his creations on The Wiz Live! Today, he joins Who What Wear Entertainment Director Jess Baker to give us a deep dive into the development and creation of Wicked's incredible costumes. They talk about everything from the color palette chosen for Shiz University's uniforms to creating an entirely new pair of silver slippers inspired by 1930s court shoes and tornadoes (of course).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul Tazewell is the costume designer for the film adaptation of the smash musical hit Wicked, which was released in theaters on November 22. Tazewell is a renowned costume designer celebrated for his contributions to Broadway, television, and film. In fact, in 2016, he won both a Tony for his designs in Hamilton and an Emmy for his creations on The Wiz Live! Today, he joins Who What Wear Entertainment Director Jess Baker to give us a deep dive into the development and creation of Wicked's incredible costumes. They talk about everything from the color palette chosen for Shiz University's uniforms to creating an entirely new pair of silver slippers inspired by 1930s court shoes and tornadoes (of course).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Abigail Romanchak was born and raised on Maui and is a native Hawaiian printmaker who conveys the Hawaiian environment–the sounds, bird songs, human footprints across Haleakalā–through the medium of printmaking. She has both a Bachelors and Masters in Fine Art with a specialty in printmaking from the University of Hawai‘i, Mānoa and her work has been shown and collected by museums and institutions throughout the world. She takes her inspiration from uncovering the hidden, sometimes minute patterns in nature and art–from nearly invisible watermarks made by Hawaiian kapa beaters on wauke (or mulberry) to the rings made by trees that mark cycles of drought. Through her bold use of abstract lines and geometric shapes, her work is an intentional departure from commercial representations of the Hawaiian landscape, specifically in the following work: her Kahea series (or the visualization of Hawaiian bird calls), the silence of Haleakalā as represented by sound waves in the Ke Ano series, the Pilina series of prints made with ash from the Kula 2023 fires on Maui, and her Tracked series of human conservation activity.

LEGO Alert! Around the 50-minute mark, Sunni busts out LEGO to answer some questions. ___________________ Hello there! We're Dr. Jane Hession and Ronan Healy. We're a husband and wife team and co-founders of the service design studio How Might We - www.howmightwe.design We're passionate about Play and provide online and in-house training in the LEGO Serious Play method to: 1) Third-level Educators - https://bit.ly/LSP_Ed_Innovators 2) Organisational Innovators - https://bit.ly/LSP_Org_Innovators Episode Twelve It's often tempting to describe a guest as a "Legend," but this label feels especially fitting for Sunni Brown. And we don't just mean legend in the sense of being "famous"- though Sunni deservingly is. We mean legend as in "a story handed down by our ancestors," as we believe Sunni embodies the stories of our ancestors. As the author of The Doodle Revolution, Sunni embodies our ancestors who used cave paintings to communicate hunting tactics, societal values, and intangible spiritual concepts. This connection is particularly strong with Sunni's new venture, the Centre for Deep Spiritual Design. As the co-author of Gamestorming, Sunni represents our ancestors who used games to teach skills, resolve conflicts, and strengthen bonds. These games were vital for transmitting cultural knowledge and identity across generations, and for Sunni across organisations. So there you have it. Sunni Brown. Legend. Sunni Who?  Sunni Brown is a social entrepreneur, bestselling author, keynote speaker, expert collaboration designer and facilitator, and earnest American Zen practitioner. She's the founder of creative consultancy Sunni Brown Ink and The Centre For Deep Self Design, and was named one of the “100 Most Creative People in Business” and one of the “10 Most Creative People on Twitter” by Fast Company. Her TED talk has drawn over 1.6 million views, and her work on visual thinking has been featured in every major U.S. publication, including The New York Times, The New York Post, The Wall Street Journal, Time Magazine, WIRED, and Entrepreneur. She has also been featured twice on CBS Sunday Morning and The TODAY Show. The former CEO of MURAL recruited her to be their first and only Innovator-in-Residence. Sun's two globally beloved books - Gamestorming and The Doodle Revolution have been translated into over 25 languages. She's one of the educators widely credited with the rise of visual thinking as a tool for deeper inquiry. Contact Details LinkedIn https://www.linkedin.com/in/sunnibrown/  Websites www.centerfordeepselfdesign.com www.sunnibrown.com  https://nothingintheway.substack.com/  Email sunni@deepselfdesign.com  Books The Doodle Revolution https://amzn.eu/d/eWjYiKI Timestamps (0:00) - Introduction and Welcome (0:14) - Guest Introduction: Sunni Brown (2:02) - Key Quotes from Sunni Brown (3:28) - Introduction to the Interview (4:04) - Sunni's Childhood and Personality (6:59) - Overcoming Adversity and Resilience (10:00) - Parenting and Play (13:07) - Stories of Vulnerability and Recovery (14:26) - Adult Playfulness and Attributes (17:08) - Primitive Ancestral Wisdom of Play (21:00) - The Value of Being Present (22:26) - Play as a Socializing Function (26:12) - Play in the Workplace (28:21) - The Importance of Play in Preventing Aging (30:00) - Facing the Unexpected (32:21) - Embracing Chaos for Creativity (35:33) - Advice for Young Professionals (39:35) - Explaining Work to a Child (40:54) - Career Evolution and Fuzzy Goals (45:14) - Current Work and Collaboration (48:11) - Doodling and Visual Thinking (49:30) - The Role of Visual Language (50:18) - Using LEGO for Creative Expression (51:00) - What Inspires Your Work (52:00) - Impact of Work on Perception (54:39) - Conceptualizing with LEGO (57:05) - Designing Systems for Collaboration (58:07) - Softening Separation (59:52) - Closing Remarks and Future Collaboration

https://letterboxd.com/needsintro/ mailto:needssomeintroduction@gmail.com   In this episode, the hosts dive into technical recording issues and a rich discussion about the horror film 'Long Legs,' drawing thematic parallels with the iconic 'Silence of the Lambs.' They engage in a spoiler-filled rewatch of 'Silence of the Lambs,' examining its lasting impact and stellar performances. The episode also explores recent and anticipated TV shows like 'Presumed Innocent' and 'Severance.' Additionally, the hosts share their thoughts on Jodie Foster's timeless role and reflect on the state of horror movies, expressing discontent with early 2024 releases compared to 2023. They look ahead to excitement around upcoming horror titles like 'Maxine,' 'The Beast Within,' 'Trap,' 'Alien Romulus,' and 'The Crow,' along with reactions to trailers for 'Smile 2,' 'Heretic,' and a 'Nosferatu' remake. The episode wraps with insights on performance-driven horror and previews future horror series and films. 00:00 Introduction and Apologies for Sound Quality 00:24 Episode Overview: Long Legs and Silence of the Lambs 01:02 Current Events: Attempted Assassination of Donald Trump 02:05 Upcoming Discussions: Presumed Innocent and Severance 03:06 Review: Long Legs Movie Analysis 04:16 Box Office Predictions and Horror Fandom 05:09 Director Oz Perkins and Horror Filmmaking 08:01 Long Legs: Plot and Performances 14:50 Sound Design and Cinematic Techniques 16:27 Spoiler Alert: Breaking Down the Ending 35:57 Rewatching the Classic 'Silence of the Lambs': Initial Impressions 36:14 Character Depth and Performances 37:16 Cultural Impact and Popularity 39:46 Screenplay and Adaptation 40:29 Jonathan Demme's Unique Direction 42:04 Visual Language and Cinematography 43:39 Clarice's Character and Feminist Subtext 49:47 Hannibal Lecter's Escape and Tension 52:10 Comparing to Other Films 01:03:33 Trans Representation and Controversy 01:08:15 Final Thoughts and Takeaways 01:11:21 Hannibal's Dark Side 01:11:39 Reflecting on 2023 Horror Films 01:12:57 The Pope's Exorcist: A Hilarious Horror 01:15:14 Disappointing First Half of 2024 01:16:40 Exciting Upcoming Horror Releases 01:17:17 M. Night Shyamalan's New Film: Trap 01:23:24 The Speak No Evil Remake Controversy 01:28:19 September Horror Highlights 01:30:14 October and Beyond: Anticipated Horror Films 01:37:14 Final Thoughts and Future Discussions    

Welcome to the OT Yourself to Freedom podcast! I'm so happy you made it here. As a Thank You for following me, I'm rewarding all listeners with a free sleep meditation to boost your confidence, self-belief and success! Just click here to access your free copy. I'm a massive believer in the power of our own minds and when programmed we can achieve so much more than we ever thought possible. I believe in following our dreams and I'm literally living inside the dreams I held a few years ago. If you are ready to discuss your business ideas then feel free to book in a call here: Book an Inspiration Call Link with Suzanne Fells here: https://www.suzannefellsphotography.com/ https://www.linkedin.com/in/suzanne-fells-brandingphotographer/ There is so much power in intention. If you want to connect, follow me on these platforms: www.bekieakins.com Instagram: OT Yourself to Freedom My Facebook Group for OTs LinkedIn Check out the membership HERE

In this episode of The Truth in This Art podcast, host Rob Lee converses with Jeronique, an award-winning documentary filmmaker and photographer from Washington DC. They discuss Jeronique's creative journey, discussing her early memories, the impact of community and preservation, and the significance of capturing memories visually through photography and fashion. Jeronique reflects on her childhood, the cultural significance of family photographs, and the influence of local fashion. The episode also touches on the challenges of social media engagement, the storytelling power of fashion, and the importance of preserving cultural identity and community narrativesEpisode Highlights:Early Memories (00:04:10) Jeronique shares her childhood memories and the impact of growing up in a unique community environment.Visual Language and Photography (00:14:45) Jeronique reflects on the development of her interest in capturing memories visually, particularly through photography, and the significance of historical images.Family and Cultural Heritage (00:17:43) The striking image of Jeronique's great-grandmother, her Native American heritage, and the impact of her storytelling on his understanding of family and cultural identity.The Unique Brilliance of Trayvon Green (00:23:00) Jeronique praises Travon Naim's exceptional talent in fashion, photography, and community impact.Navigating Social Media and Artistic Integrity (00:29:03) Jeronique shares her struggle with maintaining artistic integrity while navigating social media and the pressure for likes and shares.D.C.'s Unique Fashion Culture (00:31:22) Jeronique highlights the creativity and diversity of fashion professionals in Washington, D.C., challenging the perception of the city as solely political and transient.Personal Style and Storytelling (00:43:16) Rob and Jeronique share their thoughts on personal style and how it can be used as a form of storytelling.Challenges in Storytelling (00:54:45) This is the part when they explore the difficulty of respectfully and authentically telling the stories of highly creative individuals.Preservation of cultural events through clothing (01:01:11) The significance of clothing from historical events and protests in DC, and how it serves as a way to share personal stories and experiences.Key Takeaways:1. Embrace Change and Growth: Allow your identity to evolve naturally over time, reflecting on your creative journey regularly.2. Document Your Community: Capture the essence of your community through art to preserve memories and stories.3. Tell the Story Behind the Image: Provide context and background stories when sharing photographs to add depth and personal connection.4. Support Local Artists: Actively seek out and support local designers and artists to enrich your creative community and help them gain recognition.Website and Socials:jeronique.comInstagram: jeroniqueYouTube: @Jeronique If you enjoyed today's episode with Jeronique, where we explored the profound impact of memory, family stories, and preservation through photography and fashion, please take a moment to visit and support her website and social media links. Your engagement means the world to us! Don't forget to rate and review this episode to help us reach more listeners. Additionally, consider supporting my Patreon to keep bringing you these inspiring conversations. Your support is invaluable!

Sarah McNeil - Thinking Maps: A Shared Visual Language for Learning. This is episode 674 on Teaching Learning Leading K12, an audio podcast. Sarah McNeil is an experienced educator and consultant with a rich background in the education management industry. Currently serving as the Vice President of Professional Development at Thinking Maps, Inc., Sarah brings over 16 years of experience to her role. Her expertise lies in K-12 education, coaching, educational consulting, and instructional design. Sarah's journey in education began as a teacher in the Los Angeles Unified School District, where she dedicated 16 years to shaping young minds. Her passion for teaching led her to transition into consulting, where she continued to impact education on a broader scale. With a bachelor's degree focused on Psychology from the University of California, Los Angeles (UCLA), Sarah possesses a strong academic foundation that complements her practical experience in the field. She is also National Board Certified, reflecting her commitment to excellence in teaching and learning. So much to learn. Lots to share. Thanks for listening! Before you go... You could help support this podcast by Buying Me A Coffee. Not really buying me something to drink but clicking on the link on my home page at https://stevenmiletto.com for Buy Me a Coffee or by going to this link Buy Me a Coffee. This would allow you to donate to help the show address the costs associated with producing the podcast from upgrading gear to the fees associated with producing the show. That would be cool. Thanks for thinking about it.  Hey, I've got another favor...could you share the podcast with one of your friends, colleagues, and family members? Hmmm? What do you think? Thank you! You are AWESOME! Thanks so much! Connect & Learn More: https://www.thinkingmaps.com/ https://twitter.com/ThinkingMaps https://www.instagram.com/thinkingmaps/?hl=en https://www.facebook.com/ThinkingMaps https://www.youtube.com/user/thinkingmaps/featured https://www.linkedin.com/company/thinking-maps-inc/ https://www.pinterest.com/thinkingmaps/_created/ Length - 37:22

Imtiaz Ali didn't make 'Amar Singh Chamkila'. Yes, you read it right. Stay tuned to find out why. In this episode of 'Do I Like It', Prateek Lidhoo talks about the Diljit Dosanjh and Parineeti Chopra starrer 'Amar Singh Chamkila', based on the life of the Punjabi singer. Going further than a general review, we dive deep into the visual language of the Netflix film, looking at how editor Aarti Bajaj and cinematographer Sylvester Fonseca created a complex portrait of an atist, without spelling out every little detail. Watch till the end and let us know your thoughts in the comments below!

11. Lear in Longford - Sample Answer - The character of Cordelia, quiet, economical, determined in 118 lines of visual language.

Order your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---Today, we sat down with Carolyn Anderson, an artist with a passion for capturing the essence of what she sees and expressing it in an impressionistic and poetic manner. She is also someone who has dived deep into trying to comprehend how visual language affects how we paint and how to use visual language as a tool to create artwork that compels the viewer to look closer. In this episode, we dive into some of Carolyn's fascinating research into visual language, she also gives us excellent advice for how to improve your work, and what she believes is the most underrated element in painting that no one considers. Finally, we talk about her amazing notebook on her website where she shares all of her fascinating insights on painting as well as visual language.Visit Carolyn's FASO site:https://www.carolynanderson.com/Carolyn's Notebook:https://www.carolynanderson.com/page/25818/notebookCarolyn's Book:https://www.carolynanderson.com/page/41629/book

Embark on a captivating journey into the art of sketchnoting with Ashton Rodenhiser, a creative entrepreneur redefining note-taking. From students to executives, discover how drawing can elevate memory and comprehension. Subscribe now for engaging conversations and unleash the power of visual learning!

In this episode, Kathryn Gonzalez walks us through how she built the DoorDash design language as the first designer and frontend engineer. We talk about what it's like designing for a 3-sided marketplace, how to figure out the right level of craft for your product, and get an inside look at how DoorDash structures their design system.Kathryn spent almost 7 years at DoorDash and eventually became the Head of Design Infrastructure so this episode is chalk full of wisdom ✨

This week on our Arts to Hearts Podcast, our host Charuka Arora sits down with Tania Yakunova who is a Ukrainian visual artist, educator and award-winning illustrator. Currently based in London, UK, Tania talks about her art journey, her life experiences, and how she is learning to understand her inner artist. Born and raised in Kieve, Tania Yakunova started as a copywriter, and soon shifted towards the art world. Even as a child, she loved to draw, and even though she has her degree in social science and social technologies, it did not stop her from doing what she truly wanted to do. From working as a full-time illustrator to doing freelance, Tania has worked hard to kick-start her art career in the most organic manner where she has constantly strived to expand her community and grow as an artist. Tania is most interested in minimalistic jet expressive art with a hint of surrealism. Her field of work includes advertising, commercial, branding illustration editorial where she has worked with clients like Google, Apple, Visa Gold, Upwork, and The Washington Post. She has also received multiple awards including World Illustration Awards 2020 and Aplied Arts Awards 2020. Despite all of her success, Tania faces the same struggles as any other artist and often has to combats her imposter syndrome. According to Tania, it's important for an artist to understand what they enjoy doing and are good at, and only then they will be able to find their visual language. Throughout her creative journey, Tania's background and war in Ukraine has had a huge impact on her art and the way she feels. And in the midst of it all, she is constantly trying to set new creative goals for her while following her dreams. So, tune in to this week's podcast and listen to Tania as she shares her wisdom and experiences with fellow artists!   We are calling women artists from around the globe for our upcoming event, the “101 Art Book Contest", which aims to boost recognition, fame, and exposure for female artists. Submit your artwork .' We have another 'call for art' for our Studio Visit Book V.3, where selected artists will have a personalized spread of their work, and it will be juried by the renowned artist Rachel Burke. You can submit your artworks . Order Arts To Hearts Magazine #4 here:  Learn how you can UNLOCK YOUR CREATIVE POTENTIAL in 2023. Sign up for our FREE Mini guide & workbook. Check out the Arts To Hearts Shop at  Join ATH directory for women artists here:  Listen and subscribe on Apple  Artist Services: 

In this episode of Narcissist Apocalypse Q&A, Brandon discusses the role of feelings/body sensation language and how it can help an abuse survivor translate their story more effectively to themselves and to others. Brandon delves into the importance of visual language through metaphors and analogies, helping create a fuller picture of what your emotions will look and feel like. The more visual you can get, the more impact your feelings and body sensation language can be, and for an abuse survivor to leave abuse, get support, and heal. To listen to our Slot Machine/Trauma Bond Analogy episode, click here. If you want to be a guest on our survivor story podcast, please click here or send us an email at narcissistapocalypse@gmail.com To help out our podcast, please fill out our listener survey, click here. Thank you to our sponsor BETTERHELP. If you need online counseling from anywhere in the world, please do go to https://www.betterhelp.com/nap Get started today and enjoy 10% off your first month. If you or someone you know are experiencing abuse, you are not alone. DomesticShelters.org offers an extensive library of articles and resources that can help you make sense of what you're experiencing, connect you with local resources and find ways to heal and move forward. Visit www.domesticshelters.org to access this free resource.  If you need help moving due to domestic violence, Shelter Movers may be able to help you. They operate by referral. Clients may be referred by any person of authority (social worker, doctor, police, crisis counselor, teacher, etc.) or public agency (shelter, hospital, school, workplace, place of worship, sexual assault centre, etc.).  To reach them, click here. Join our new Community Social Network at https://community.narcissistapocalypse.com/ Join our Instagram Channel at https://www.instagram.com/narcissistapocalypse Join our Youtube Channel at https://www.youtube.com/channel/UCpTIgjTqVJa4caNWMIAJllA Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Narcissist Apocalypse Q&A, Brandon discusses the role of feelings/body sensation language and how it can help an abuse survivor translate their story more effectively to themselves and to others. Brandon delves into the importance of visual language through metaphors and analogies, helping create a fuller picture of what your emotions will look and feel like. The more visual you can get, the more impact your feelings and body sensation language can be, and for an abuse survivor to leave abuse, get support, and heal. To listen to our Slot Machine/Trauma Bond Analogy episode, click here. If you want to be a guest on our survivor story podcast, please click here or send us an email at narcissistapocalypse@gmail.com To help out our podcast, please fill out our listener survey, click here. Thank you to our sponsor BETTERHELP. If you need online counseling from anywhere in the world, please do go to https://www.betterhelp.com/nap Get started today and enjoy 10% off your first month. If you or someone you know are experiencing abuse, you are not alone. DomesticShelters.org offers an extensive library of articles and resources that can help you make sense of what you're experiencing, connect you with local resources and find ways to heal and move forward. Visit www.domesticshelters.org to access this free resource.  If you need help moving due to domestic violence, Shelter Movers may be able to help you. They operate by referral. Clients may be referred by any person of authority (social worker, doctor, police, crisis counselor, teacher, etc.) or public agency (shelter, hospital, school, workplace, place of worship, sexual assault centre, etc.).  To reach them, click here. Join our new Community Social Network at https://community.narcissistapocalypse.com/ Join our Instagram Channel at https://www.instagram.com/narcissistapocalypse Join our Youtube Channel at https://www.youtube.com/channel/UCpTIgjTqVJa4caNWMIAJllA

Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, Who Understands Comics?: Questioning the Universality of Visual Language Comprehension (Bloomsbury, 2020) argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics? In this interview, Dr. Cohn discusses some common misconceptions about comics, the ability to read and make comics, and how drawings are at the core of so many creations. Who Understands Comics? was Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work Dr. Niel Cohn is currently an Associate Professor at the Tilburg center for Cognition and Communication at Tilburg University, in the Netherlands, Neil Cohn is an American cognitive scientist best known for his pioneering research on the overlap in cognition between graphic communication and language. His books, The Visual Language of Comics (2013) and the 2021 Eisner-nominated Who Understands Comics? (2020), establish a foundation for the scientific study of comics' structure. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, Who Understands Comics?: Questioning the Universality of Visual Language Comprehension (Bloomsbury, 2020) argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics? In this interview, Dr. Cohn discusses some common misconceptions about comics, the ability to read and make comics, and how drawings are at the core of so many creations. Who Understands Comics? was Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work Dr. Niel Cohn is currently an Associate Professor at the Tilburg center for Cognition and Communication at Tilburg University, in the Netherlands, Neil Cohn is an American cognitive scientist best known for his pioneering research on the overlap in cognition between graphic communication and language. His books, The Visual Language of Comics (2013) and the 2021 Eisner-nominated Who Understands Comics? (2020), establish a foundation for the scientific study of comics' structure. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, Who Understands Comics?: Questioning the Universality of Visual Language Comprehension (Bloomsbury, 2020) argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics? In this interview, Dr. Cohn discusses some common misconceptions about comics, the ability to read and make comics, and how drawings are at the core of so many creations. Who Understands Comics? was Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work Dr. Niel Cohn is currently an Associate Professor at the Tilburg center for Cognition and Communication at Tilburg University, in the Netherlands, Neil Cohn is an American cognitive scientist best known for his pioneering research on the overlap in cognition between graphic communication and language. His books, The Visual Language of Comics (2013) and the 2021 Eisner-nominated Who Understands Comics? (2020), establish a foundation for the scientific study of comics' structure. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, Who Understands Comics?: Questioning the Universality of Visual Language Comprehension (Bloomsbury, 2020) argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics? In this interview, Dr. Cohn discusses some common misconceptions about comics, the ability to read and make comics, and how drawings are at the core of so many creations. Who Understands Comics? was Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work Dr. Niel Cohn is currently an Associate Professor at the Tilburg center for Cognition and Communication at Tilburg University, in the Netherlands, Neil Cohn is an American cognitive scientist best known for his pioneering research on the overlap in cognition between graphic communication and language. His books, The Visual Language of Comics (2013) and the 2021 Eisner-nominated Who Understands Comics? (2020), establish a foundation for the scientific study of comics' structure. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, Who Understands Comics?: Questioning the Universality of Visual Language Comprehension (Bloomsbury, 2020) argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics? In this interview, Dr. Cohn discusses some common misconceptions about comics, the ability to read and make comics, and how drawings are at the core of so many creations. Who Understands Comics? was Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work Dr. Niel Cohn is currently an Associate Professor at the Tilburg center for Cognition and Communication at Tilburg University, in the Netherlands, Neil Cohn is an American cognitive scientist best known for his pioneering research on the overlap in cognition between graphic communication and language. His books, The Visual Language of Comics (2013) and the 2021 Eisner-nominated Who Understands Comics? (2020), establish a foundation for the scientific study of comics' structure. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, Who Understands Comics?: Questioning the Universality of Visual Language Comprehension (Bloomsbury, 2020) argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics? In this interview, Dr. Cohn discusses some common misconceptions about comics, the ability to read and make comics, and how drawings are at the core of so many creations. Who Understands Comics? was Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work Dr. Niel Cohn is currently an Associate Professor at the Tilburg center for Cognition and Communication at Tilburg University, in the Netherlands, Neil Cohn is an American cognitive scientist best known for his pioneering research on the overlap in cognition between graphic communication and language. His books, The Visual Language of Comics (2013) and the 2021 Eisner-nominated Who Understands Comics? (2020), establish a foundation for the scientific study of comics' structure. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience

Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, Who Understands Comics?: Questioning the Universality of Visual Language Comprehension (Bloomsbury, 2020) argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics? In this interview, Dr. Cohn discusses some common misconceptions about comics, the ability to read and make comics, and how drawings are at the core of so many creations. Who Understands Comics? was Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work Dr. Niel Cohn is currently an Associate Professor at the Tilburg center for Cognition and Communication at Tilburg University, in the Netherlands, Neil Cohn is an American cognitive scientist best known for his pioneering research on the overlap in cognition between graphic communication and language. His books, The Visual Language of Comics (2013) and the 2021 Eisner-nominated Who Understands Comics? (2020), establish a foundation for the scientific study of comics' structure. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

We are live, on-location at the TCL Chinese Theatre for AFI FEST 2023 (https://fest.afi.com) as the official podcast partner. These shorter, special episodes are with selected filmmakers. In this episode we interview all graduates from the AFI Conservatory Program: Director and Co-Writer: Radha Mehta Producer: Gabriel Gutierrez Cinematographer: Isue Shin Production Designer: Sandra Rodriguez For their film “Dosh”. They talk about color theory, the communication between the Cinematographer & Production Designer. Logline: When her son's life is put at risk at their family's pre-wedding ritual, a hard-of-hearing mother must decide how to seek help for her husband in order to keep her family safe. They've had a successful festival run so far: They have won best North American film at ISAFF (International South Asian Film Festival), best actress at the New Renaissance Film Festival, and the audience award at the Tasveer film festival, the only Oscar qualifying South Asian film festival. You can also watch all AFI Fest interviews on our YouTube Channel Cinematography for Actors: https://youtube.com/@cinematographyforactors For our listeners, CFA has teamed up with ⁠We Make Movies⁠ to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit ⁠wemakemovies.org/insurance⁠ and use code CFA23 on your intake form for 10% off your quote. Calling all actors! Take 25% off your membership at WeAudition with code: CFA25. Follow us wherever you listen to your podcasts to keep up to date on new episode releases.  A huge thank you to our sponsors: Band Pro Film & Digital, Rosco Laboratories, Deity Microphones & BlackMagic Design Website: https://⁠www.cinematographyforactors.com⁠ Instagram: ⁠https://www.instagram.com/cinematographyforactors⁠ TikTok: ⁠https://www.tiktok.com/@cinematographyforactors⁠ ⁠Cinematography for Actors⁠ is a community aimed at bridging the gap between talent & crew through our ⁠weekly podcast⁠ & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling. Join the CFA Community, sign up to our newsletter: ⁠https://mailchi.mp/e27e1a2bc895/newsletter⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

This week, Director Stephanie Laing joins host Jessica Kantor. She's a prolific filmmaker that tackles subject matter. That's true or deals with fundamental topics. We discuss her most recent project, Apple TV's Physical, and how raising a cinephile entails watching challenging stories.  Stephanie also shares how her children love cinema, and it can be some of the harshest critics.Stephanie Laing is an American filmmaker known primarily for her work on TV. She has worked on shows such as Tracey Takes On..., Tracey Ullman's Visible Panty Lines, Vice Principals, Divorce, Veep, and Eastbound & Down. She has also directed episodes of TV shows like I'm Sorry, Veep, Detroiters, Mixed-ish and Physical.Her feature-length directorial debut, Irreplaceable You, was released worldwide by Netflix on February 16, 2018.Films Discussed: GreasePhantasmHalloweenWhen Harry Met SallyParenthoodPhysicalUPGoodnight MommyKung Fu Panda 2FrozenThe WarriorsJurassic ParkStranger ThingsLast night in Soho (Edgar Wright)Mission ImpossibleKnives OutPoltergeistChuckyCoralineBeetlejuiceEdward ScissorhandsDug DaysWilly Wonka and the Chocolate Factory New Episodes Every Wednesday!EPISODE CREDITS:Host, Producer, Editor: Jessica KantorBooker: Noelia MurphyBe sure to follow and tag Raising Cinephiles on Instagram

In this episode Lars is speaking with Neil Cohn, whose research focuses on how we understand comics and other visual narratives. We discuss how researching our understanding of visual narratives can show us more about how we process information, update our situation models (explained in the episode), and what neuroscience can learn from the study of comics. Are comics from different cultures written in different visual languages, and what does that mean? Neil also discusses what he calls the Sequential Image Transparency Assumption, the common assumption that we all naturally understand and can interpret sequences of images. As it turns out, it's not that simple… Neil's three comic recommendations: Bill Watterson's Calvin & Hobbes Stan Sakai's Usagi Yojimbo Larry Marder's Beanworld Neil Cohn is an associate professor at the Tilburg center for Cognition and Communication at Tilburg University, in the Netherlands https://www.visuallanguagelab.com/neilcohn Books mentioned:  Neil Cohn. (2020). Who Understands Comics? Questioning the Universality of Visual Language Comprehension. Bloomsbury Academic.  — (2013). The Visual Language of Comics: Introduction to the Structure and Cognition of Sequential Images. Bloomsbury.   ---------------------------- Our logo is by Sveinung Sudbø, see his works on originalkopi.com The music is by Arne Kjelsrud Mathisen, see the facebook page Nygrenda Vev og Dur for more info.  Photo of Neil Cohn by Dan Christensen ----------------------------  Thank you for listening. You can contact us on our facebook page or by email: larsogpaal@gmail.com There is no better way for the podcast to gain new interested listener than by you sharing it with friends, so if you find what we do interesting and useful, please consider doing just that. The podcast is still most in Norwegian, but we have a lot of episodes coming out in English.  Our blogs: https://paljabekk.com/ https://larssandaker.blogspot.com/ Alt godt, hilsen Lars og Pål

Hey Friend! I dive deep into the concept of how design communicates to your ideal client. I talk about that you don't need to be a professional graphic designer or hire one to effectively convey your message. With 86% of the population being visual learners, it's crucial to create visual elements that are easy to consume and resonate with your target audience. I share six key factors to consider when creating graphics and designing your brand. From understanding your visual language and selecting the right colors and fonts, to evoking specific emotions and incorporating storytelling, she provides valuable insights. Consistency, simplicity, and personalization are also discussed as essential components for successful design.Take a listen to hear what you can do to make sure that your design is speaking the right message.

In this episode I am joined by acclaimed cinematographer and Columbia University film professor Tal Lazar.Throughout the interview, Tal shares his perspective on the art of cinematography from a storytelling perspective. We discuss visual tactics for directors, how to achieve a specific cinematic vision, and the improtance of developing your own visual language.Tal also shares his philosophy on why cinematography is not inherintly a technical artform, recommendations for buying vs. renting gear, and much more.Links from the show:Latent ImagesSign up for my newsletter for exclusive filmmaking insight each Sunday.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5470278/advertisement

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Frank James Fisher. His work in advertising as a graphic designer has influenced his use of text and printing in his ceramics work. In our interview we talk about using UV plates for printing on ceramics, developing press molds for ultra-thin slab work, and the value of labor in pricing. To find out more about Frank visit www.frankjamesfisher.com.   We are excited to be celebrating the 2nd birthday of the Brickyard Podcast Network with an online auction and fundraiser. Sixteen artists have donated work to help us raise money to support the network. If you are a fan of our podcasts don't miss this chance to buy work from Sarah Pike, Roberto Lugo, Adrienne Eliades, Michael Kline, and many others. Bidding will start on the network's birthday August 16th and ends August 19th.  To find out more visit us at givergy.us/TheBrayBrickbyBrick.   Today's episode is brought to you by the following sponsors:   For the past 100 years, AMACO Brent has been creating ceramic supplies for our community ranging from underglazes to electric kilns, and they have no plans of slowing down. www.amaco.com   The Bray is actively committed to promoting, celebrating, and sustaining the ceramic arts through its residency program, education center, and gallery. www.archiebray.org   The Rosenfield Collection of Functional Ceramic Art is an on-line source for research and inspiration, featuring images of thousands of objects made by over 900 artists. www.Rosenfieldcollection.com.

In this episode, Julia Knyupa shares her visual thinking journey, the war in Ukraine and her journey fleeing war, and how she came to be where she is now. She also shares how the sketchnote community came through for her in her time of need.Sponsored by ConceptsThis episode of the Sketchnote Army Podcast is brought to you by Concepts, a perfect tool for sketchnoting, available on iOS, Windows, and Android.Concepts' infinite canvas lets you sketchnote in a defined area while still enjoying infinite space around it — to write a quick note, scribble an idea, or keep pre-drawn visual elements handy for when you need them most.The infinite canvas lets you stretch out and work without worrying if you'll run out of space. When combined with powerful vector drawing that offers high-resolution output and complete brush and stroke control — you have a tool that's perfect for sketchnoting.SEARCH “Concepts” in your favorite app store to give it a try.Running OrderIntroWelcomeWho is Julia?Origin StoryJulia's current workSponsor: ConceptsTipsToolsWhere to find JuliaOutroLinksAmazon affiliate links support the Sketchnote Army Podcast.Julia's websiteJulia on instagramJulia on LinkedInJulia on FacebookYoutube TEDx Talk in UkrainianNatalia TalkowskaThe Sketchnote Handbook: The Illustrated Guide to Visual Note-Taking by Mike RohdeToolsAmazon affiliate links support the Sketchnote Army Podcast. iPad ProNeuland Marker pensA4 Printer papersProcreateCanvaToonlyDoodlyTipsFake it till you make it. Work-life balance. Just continue learning every day, getting inspiration from everywhere, from your colleagues, traveling, and following people from different industries.Authenticity is the most important value nowadays so allow yourself to be yourself and be very kind o yourself. CreditsProducer: Alec PulianasTheme music: Jon SchiedermayerShownotes and transcripts: Esther OdoroSubscribe to the Sketchnote Army PodcastYou can subscribe to the podcast through iTunes, Google Podcasts, Spotify, Amazon Music, YouTube or your favorite podcast listening source.Support the PodcastTo support the creation, production and hosting of the Sketchnote Army Podcast, buy one of Mike Rohde's bestselling books. Use code ROHDE40 at Peachpit.com for 40% off!Episode TranscriptMike Rohde: Hey everyone, it's Mike Rohde, and I'm here with my friend Julia Knyupa. Did I say that right, Julia?Julia Knyupa: Yeah. More or less. Everyone, even in Ukraine struggle with pronunciation of it, so it's fine.MR: You mentioned that it's even an unusual name in Ukrainian, so maybe you can give it a little tidbit in that, in your origin story, but before we get to that, let's first say, Julia, who are you and what do you do?JK: Yeah. Hello, everyone. Hello, Mike. I'm very happy to be here with you today. My name is Julia Knyupa. I'm 32. I'm Ukrainian, and last year I felt like I became even more Ukrainian. I speak to you from the United Kingdom where I temporarily based, and we'll see where life will bring me next. Originally I'm from Ukraine. I'm a visual practitioner, sketch noter, graphic facilitator, whatever you call it. I help to translate ideas into visual language.MR: An interesting question would be, I know that you use digital tools. Do you also use analog tools like large boards and markers and such? What does your practice look like when you do that work?JK: Actually, I need really to come back in time to talk about this because mostly it happened in Ukraine and before COVID, and of course, before the war. I worked as a graphic recorder on event. Mostly they were conferences and sometimes strategic sessions in organizations. Little and big, no matter. Mostly I worked being most attentive listener in the room and trying to keep all the ideas put on the paper, or like phone board. This is another type of paper I use.This was since 2017, I started my journey in my native town, Turka, and then moved to the Capital of Ukraine, Kyiv. I spent wonderful few years doing this to different conferences and I never, never put any efforts to promoting myself. I still don't have a proper website. It was always word of mouth sharing information in my contact. This is in short.MR: Interesting. Well, I've always believed that word of mouth is always the best kind of advertisement even better than having to send someone to a website. But of course, websites do provide good information and are valuable as well if you wanna branch out.It sounds like you started in the analog space in Ukraine, and now that you're in the UK, are you still doing analog practice? Do you, like many practitioners see a shift towards digital for a variety of reasons? Is that true for you as well?JK: Last year brought me one chance to do analog graphic recording. It was in Moldova in October, two days of educational forum. Mostly, I do now digital sketchnoting and graphic recording. As I still mostly work with clients from Ukraine and sometimes from other countries. But mostly it's very, very convenient for all of us and cheaper for organizers of events. Of course, it kills the magic of being present in the room with other people, but if they're all also are present digitally, so it has no sense.MR: Then the last question I have around this is, have you experienced the case where you're doing your work on the iPad, and then it is being projected on a screen to the side? Is that something you've experienced yourself?JK: Yeah, I tried it with a few organizers, but we found out that it not focuses people, but distracts them. Now I offer organizers both options, but after explanation, most of them come to idea of having it afterwards. Sending participants via email or somehow else. Because if you want to see a person who is talking to you when it's digital because it's so many distractions and it's better to be focused on people, not on drawing. In analog world, I would say the opposite.MR: I wonder too, if it's with the analog world, because you're in the front and the scale is smaller for someone, say in the back. They see someone's doing something, maybe they catch a tidbit here and there, but if you're far enough in the back, you can't really read anything and you're not tempted to. So, you know it's happening, but your focus and attention is on the speaker.Whereas with digital, a lot of times you might have a pretty large screen, and then if you're like me, I'm zooming in to do work. And they're probably seeing this zoom-in and the zoom-out. It can be very distracting in that regard where you can actually sort of see a little more. It almost draws you towards that in a way that analog maybe wouldn't.I'm just asking these questions because as this transition is happening and I encounter graphical recorders, I'm curious to see their experiences 'cause everyone seems to have a little bit different one, and it's really great to hear your perspective on that.Let's shift into, I wanna hear your origin story. How did you become the Julia that we know? That we see your work and you're doing this work, right? You didn't just come out of kindergarten and suddenly you were a graphic facilitator. You had to build up and probably experience a lot of things. Tell us your story from when you were a little girl, what are some of the key moments that directed you to the place where you are?JK: It's a very nice question. Bringing me back in my memories. You said about kindergarten. I never was in kindergarten. I spent my childhood with my granny. It was very calm and nice, and she was very, very nice and creative person. I remember she spent a lot of time with me playing, showing me how to find a way in the forest. Drawing as well as her dream was to become a painter like an artist.Unfortunately, she didn't have this chance in her life. I feel when I'm drawing now that I'm kinda a little bit helping her to fulfill her dream. I had a pretty basic childhood, very common for post-Soviet countries. Nothing really special. And it was pretty boring by the time I became a student.My first degree is in publishing and editing. As when I was a kid, I liked to read books so much. My dream was to create books and to help people to get really interesting and important information in a nice way. I liked to write things, so I was really happy to play with wording, with editing.Of course, when it comes to English, I'm not so good at explanations, but in my native languages, I'm much better. Believe me, just believe me. Also, when I became a student, I found out that there is not much happening in my little hometown. So I started to look for opportunities to grow and to travel as well as my family didn't have a lot of money, so I never left my hometown till the time I was 17, 18.I started to apply for different trainings, projects, and conferences, and that's how I discovered that a lot of youth is participating in something like non-formal civic education. And I was really, really excited about this. That's how I decided, like deeply in my heart that I want to become a facilitator, a trainer, and not to be only a participant of this, but also to guide other people.By the time I finished the uni, I already was a facilitator in youth programs. I'm really, really grateful for this education through Theodore Hoch College. This is a German program. Also, a nice and interesting part of this story is that I was a journalist, a TV presenter, and in newspaper when I was a student.It was a very fun experience for me. Also, my granny was very proud that she can turn on TV and see me on the screen. This was something exciting about this. It also taught me that people really like when information is set up nicely and that time is money. Because on TV you suddenly realize that one minute is very expensive, so you start to put words in short which is also a very useful skill to what I do now.Seven years of facilitation of youth projects gave me a lot of nice opportunities to learn about people, diversity, social projects. It gave me a chance to travel a little bit around the world, not like the world, around eastern Europe, let's say. It was a very great experience when I started to think that the world is something much more interesting than my little hometown.MR: This reminds me a little bit of a interviewee we had last season with Natalia Talkowska who grew up in Poland, in post-Soviet Poland, really similar experience where she was just really hungry to see the world and to get out. Probably a little bit of a similar personality. We'll make sure and put a link in the show notes. If you wanna connect to between Julia and Natalia, you can listen to both of those interviews. Anyway, continue. Please continue.JK: Yeah. Cool. This brought me to the moment of my life when I was practicing, doing seminars with young people. And I saw that my colleagues, especially from Germany, are using wonderful skills, drawing while explaining something. And I was really excited. I never saw anything like this. It was a totally a new world for me, but I thought that it's absolutely impossible to learn how to do this as I never draw before I was 25.It was just kind of a dream, but I never even tried because I didn't believe that it's possible for me. But in 2016, it was my birthday and I was very lonely that day, so I decided to scroll Facebook and I saw that there is a training in Kyiv, in the capital of my city on visual storytelling.It takes three hours to get to Kyiv from my city. So I bought myself a ticket and went to this training and I was so excited. It was the best birthday present I could give to myself. I tried that basically I can do this and I can use it on trainings. I started to put it in practice.At the end of the year, I created my first big visual recording. And participants were excited because in Ukraine that time there was only one person who did this professionally. No one was really acquainted with this kind of, I would say, social art. That was amazing. It gave me an inspiration and gave me confidence that I'm able to do this.I decided from the first day that it's a very difficult thing to do, it's not like hobby so I need to do this for money. So I set up a tiny, tiny price for it, but for me, just to know that I'm doing this to grow and to be a professional and not just to play with it. I took it very seriously. But I didn't get any support from my ex-partner. He saw my first picture, and he said, "Oh, such a shame. I don't think that anyone will pay you for this."MR: Wow.JK: That made me so angry. To be honest, anger is a power which really can bring you very far. So I decided to prove--MR: Him wrong.JK: That he's wrong. Yeah.MR: Good for you.JK: I decided to create visual notes. Now, I do visual notes digitally and if needed offline. I do explainer videos, and animated stories, and I also teach sketchnoting people in Ukraine in the Ukrainian language. For few years, I think few hundreds of people learned it with me. And I always recommend them your books, Mike.MR: Wow, that's great. My book is in Ukrainian, by the way. I think you know this, right?JK: Yeah, yeah. Of course.MR: I don't know how well it's selling. I haven't gotten a report on it, but anyway.JK: I'm sure I was a great promoter of your book, Mike.MR: Thank you.JK: Half of books in Ukrainian are sold because of me--MR: Right. I like it.JK: Lobbying.JK: You may not be wrong, actually. Well, we'd have to see. Along this story, I dunno where this fits in, but we met each other in Portugal when we went to the International Sketchnote Camp. That's when I remember first meeting you and chatting with you really briefly, because a lot of people were talking and stuff. But it was really fun.And I thought that sort of brought full circle for me, knowing that the book had been translated into Ukrainian and I have copies here. Honestly, I'm pretty aware of the world, but Ukraine was sort of a blind spot for me. I just never thought of it separately from Russia simply because when I grew up, they were kind of the same thing, right?MR: That's probably my own blind spot. I was really excited when I learned that there was this, well, there's really like a separate language. Then as the more I learned, like actually this culture is really old, it's a really old culture, and it's this whole different experience. That was kind of my first awareness that. Of course, then I met Yuri Malichenko, who I learned as Ukrainian as well.Then suddenly like all these Ukrainians started popping up in my experience, like you and I think there's some others that I've met. It was kind of a fun awakening for me. Like, wow, there's this whole country. I was not aware of it, and now it is and there's these really cool people.My book is in this language. It was a fun way to be introduced to a country in a really positive way. Anyway, that's somewhere in this story, we met each other, I think that was 2018 in Portugal where we met.JK: Yeah, I think so. This was my first time ever I met visual community.MR: Really?JK: Yeah. Because Ukraine is really, really far from what is happening in Central and Western Europe. Yeah. I felt like I'm really the first person who came from so far to sketch note camp. I was excited. And I remember it was very expensive for me. This was my first time I asked the community for support. I said, "I can volunteer, I can do something there. So please just give me a chance to come. I will be really, really excited to see all of you."Because on the time, I only could follow people on Instagram, and it was unbelievable to see all them offline. That was great. When I saw you, I even didn't have words. I was so scared to approach you, and I was so happy then when you approached me. Like, "Oh my gosh."MR: That's funny. I remember you being very quiet and then we were chatting, I think it was after a session, I don't know which session, maybe it was Michael Clayton's session potentially or something. Anyway, it doesn't matter. I remember we had a good discussion. There are so many people in those camps. You're sort of lucky if you get maybe 30 minutes with somebody unless you intentionally spend time together. So yeah, it was really great to meet you there.JK: Yeah, that's for sure.MR: Well, that's really interesting. Go ahead.JK: Coming back to what you said before about Ukraine and the Ukrainian language, I also had a feeling and in my childhood, it was a very common narrative that Ukraine is a part of brotherhood, of big brotherhood. Also, my family has some roots, or not roots, but history is connected with Russia. My granny and my mom were born in Siberia, which is very far and it's a very cold place.But life circumstances brought them to Ukraine so I was born there, but I always knew a lot of facts about Russia, and Russian culture. We spoke Russian in our family, and even my school studies were in Russian. I grew up on a lot of very propaganda narratives, let's say.It's a very common story, unfortunately, for a lot of citizens of my country, but the good thing, which is happening now, we are finally becoming very, very independent. The freedom of thinking, the freedom of expressing your culture. I would say that being Ukrainian is not about your origin, but about what you feel yourself, about your soul, about your values, and how you identify yourself.Even it came out that I don't have any Russian origin, I'm Jewish, which is another funny story. I feel so much Ukrainian these days. I feel like I'm so much with my country and it is in my heart every day, and it made me even more Ukrainian these days.MR: I can imagine. I can't even imagine what that would be like. It's not even in my ability to imagine what it would be like. I'm so glad that you made it safely. Now, I guess, it's somewhere in this origin story. I'd love for you to tell what happened when you were there and how you got to the UK and all that stuff. It's really important for us to hear.JK: In Feb, on February 24th 2022, like a lot of people in my country, I woke up from explosions and sirens in my city. And the first thing I did, I thought this is a siren of ambulance because I was sleepy and I didn't realize what is going on. And I thought that all the explosions are also happened in my night dream. I didn't take it serious, even I was very worried before.I was anxious. Few months before the war happened, I kinda had a feeling that something gonna happen. The first thing I did, I opened the chat with my friends and then saw a message, "Oh my God, girls, the war has started. I remember that I had a very, very clear thinking, and I managed to do it very quickly.I mean, I realized that I cannot stay there because I'm--in short, I have some mental disorder, which is anxiety and I couldn't stay there because I knew that, unfortunately, I couldn't manage to--MR: Yeah, too much.JK: --be productive, and yeah. So I decided to move from Ukraine the same day.JK: Wow.JK: It was a long journey as I live in the very center of Ukraine. By the way, I think that a lot of listeners even don't realize how big is our country. It's the biggest country in Europe. I don't remember if it's bigger than France or France is bigger, but we are kind of the same size. It's a huge country. It took me one day to get to the border and I spent two days on the border.It was 36 hours in the car with my friend. My friend helped me to escape. She was driving. I spent one month in Poland. And it is an amazing country. Thank you all Polish people who are listening to this now. You are really great and your support of Ukraine is priceless and what you need to help our country is amazing. Not to underestimate the help of other countries, just we could really feel that this is a real friend now to us.Later when the United Kingdom started a governmental program which allowed Ukrainians to come because early it was very, very difficult to get visa to the UK for us. It's really an amazing chance to start your life somewhere in safe place with all the support provided from this country.So they offered local people to host Ukrainians. It is an amazing thing. And all last year was about feeling how world is supporting. A wonderful family in the UK offered to host me. So I still there. I still here. I'm very, very grateful to this amazing family who has eight children in total.MR: Wow.JK: They call me the ninth kid, and I really can feel it. I can tell this. And all other people who I met here, also very supportive and amazing. I even met here an amazing partner, like the best person I ever met in the whole life. Andy, I know you're listening and watching this. This is an amazing journey even it sounds horrible because of all this difficult circumstances like millions of people had to go through.Some of us really suddenly could feel that our dreams came true. A lot of us wanted to travel, and we got this. A lot of us wanted to try something new. We have all this, but unfortunately not in the way we usually plan to have this. It took me half of a year to feel where I am, what is going on in general, to find out myself standing steadily on the ground.And yeah, I started to look for chances to continue what I was doing, because I remember that it's such an amazing thing when you do what you love, it supports you. I don't want to share it as a long story, but what I was doing in Ukraine, like visual facilitation, et cetera, it's helped me to overcome depression. Of course, combined with the help of specialists, but it is an amazing thing.If you can do what you love, it really helps you to be focused on your goals and your dreams. That's how I found out that, oh, my old iPad is not working anymore like it's used to. I dunno how to say this in English. So I cleaned it from the dust, and I found out, oh my gosh, it works only like 30 minutes even being plugged in. I cannot provide quality services to my clients anymore.Unfortunately, it was not so popular last year in Ukraine to have visual facilitation as not so many conference has happened. So I had to start looking for new clients. It was a very stressful moment. However, one day I decided, oh my gosh, why I am struggling so hard trying to earn really little money if I can ask people to help me, because I remembered that if you ask, you have a chance to get it. If you don't ask, you will never get this.I decided I will try. I didn't believe tha it'll be fast. I didn't believe that a lot of people would love to support an unknown person, really stranger. I would say I wasn't a part of English speaking visual community for a long time. I was very focused on Ukraine and people I worked with. It was really needed that time so I never invested a lot of efforts and time to be in touch with English-speaking visual practitioners.However, it was an exciting moment when I realized that, oh, I can message some people I know. And that's how I messaged you and you were so kind to share my request. I created a fundraising campaign on GoFundMe and I just ask people if they will be so kind to support a person who has to start a new life from the scratch. And yeah, it was a magical period of two weeks when I was like sitting and realizing that unknown person from Malaysia sent me $5. A person I don't know.I really was sitting and sending mental love and kindness and gratitude to people I never saw before for the support and help. In two weeks we got the amount I needed and I bought myself an iPad and I was able to create again.It was a wonderful, wonderful experience. It made me think how much community matters and how we can really support each other. In my goal list is one day to pay it back or pay it forward. However, today I need to be focused on helping my country, and I try to do as much I can to work for Ukraine and to donate to support my people.MR: Well, that was a great story. I remember when you reached out and I thought, well, "This is exactly what our community is supposed to be here for. If we can't take care of someone like this, then what are we doing? Why are we even here?" When I posted it and encourage some friends, I just felt like, "Okay, come on, community. You gotta show up here 'cause this is what it's about."Everybody did. I haven't looked at the campaign, but I think we exceeded whatever--you had a a minimum requirement. I think we exceeded it by the end, which was really good feeling and a lot of people contributed. There was a variety of people, quite a list. So that was really encouraging to me to see that.JK: If you're listening now, this wonderful people, I'm sending you my best wishes and gratitude for supporting me. Thank you very much again.MR: It was exciting. It was really fun to see that happen and know that we were making an impact because we could all see what was happening. I think the other thing too was, I did some donations toward Ukraine for food and other stuff, but you feel like, especially in the U.S. maybe not so much in Europe, I guess, you sort of feel like it's so distant.Then the problem of the news cycle means, you know in a week you forget about it because it's not on the front page. The fact that I knew Ukrainians, it was more on my mind pretty often, but you feel a little bit like, how can I have an impact? You can donate, but it still feels like so distance. Having a person who started her life over and needs this help to do the things that we all do, that felt like, wow, I can actually apply something to a person who's doing the work that we do and she's part of our community and I've met her.That was a really great feeling to have that direct impact. Often the donations, you don't see the people getting fed, or the whatever you're donating to is sort of distant. So this was great to see it directly go to you and to help you move forward.As much as it helped you, I think it also helped us. In a community, it's really a win-win situation where you win because you can move forward and we win because we feel like we're making a difference in your life. That's a really great, great way to be.JK: That's like amazing. Since that time using this equipment, I already like finished more than 20 different projects for Ukraine. A few animations, a lot of visual notes. I was surprised, but by the end of the 2022, a lot of conferences had happened and most of them are now devoted to the topic, how can we support each other? How can we develop our country even in these circumstances? How can we rebuild our country?That made me think about what should I do when I come back to Ukraine. What will be my next step to support my country? I decided while I'm here in England, I have a great plan to make a master degree in illustration. It's a very strange choice for a visual practitioner to choose illustration because it's kinda what we are moving from because the idea of illustration is very different from what we are doing.It's about ideas not art, but I found out a very nice program which helps to design your learning path. And showed them what I'm doing and they said, "Okay, we're gonna support you in learning what whatever you need." Now I'm applying for university and this is a dream. I never told anyone except of my few friends about this. And today I'm sharing with everyone about this.I hope that when I come back to Ukraine, I will be able to illustrate something really important. Something about social issues, strategic sessions, how to rebuild the country, et cetera, et cetera. I want to really come back and being well prepared to this and have all the skills to show how much we can do when we work together and think visually.MR: That's really great. That's such a great wrap-up to that story. And it's not the wrap-up, right, because you still have it when you return, that will be the next phase of the story. It's great to hear that story and to hear that you're investing in yourself. 'Cause I think investing in yourself will eventually lead to investing in your country. That's a really great way to think about it long-term, I think.JK: I think every visual practitioner, going into metaphor is kind of a prism which accepts a light and helps to spread the light.MR: Yeah. Yeah. Interesting.JK: If you can be a really sharp prism, you can do a lot of change in the world. I hope to be a nice prism for Ukraine.MR: Great. I love that imagery. I love that imagery. Well, it's hard to shift away. Just wanna keep on enjoying hearing about all the work that you're doing, but I think it's really important that we continue with tools. At this point, talk a little bit about what are your favorite tools. We'll start with analog tools, which I know maybe you're not using as much, but maybe they're still part of your practice. Then, of course, digital tools. What are your favorite software and other things that help you do the work you do?JK: Yeah, of course. Talking about analog tools, I'm not original. I use what master visual practitioners in the world use. I use quality markers like Neuland because they're available in Europe and phone board because I guess it's more thick and it stay longer than paper. I know that some companies I worked with still have this board in their offices. It helps to prolong the effect of session, which is visualized. Also, sometimes I use just usual paper like usual A4 paper and Pilot pen.Nothing really original. I always compare it to like, cooking our favorite Ukrainian dish, borscht. So if you come to a person who, usually it's a woman who made a nice borscht, you don't tell her, "Oh, you maybe have a good pot." Because it's all about skills.The same about visualization. Good equipment is important, but it's mostly dependent on skills and love and knowledge, not about only--when people learn sketchnoting with me, I always say, "No matter which instruments you have today, we'll draw anyway even if it is a toilet paper, I don't care. Please just bring some paper and some pens." When it comes to digital instruments, I use iPad Pro with a pencil and Procreate.I chose them just because a lot of visual practitioners in Facebook community advised it so I just started to use them and never switched to anything else. It's very unusual, but I would recommend a online service Canva, which is for non-designer. Because it's so well developed nowadays that you can really create something visual note style, even without drawing if you don't have anything like a tablet. It's very easy nowadays.For animations, I use Toonly and Doodly, which is kinda the same company who produces them. This is a very basic software. I'm pretty satisfied with what you can create because I didn't want to invest too much because I was not sure if I will continue doing this.But yeah, people are very satisfied with what I produce because it's very quick when you, for example, create an animation with cool animations today, it takes months. But I can really create it in a few days, which is amazing nowadays.MR: That's great. All the power is right there in that iPad with some software, which is great.JK: Yeah, that's true.MR: Cool. Well, I love that you have a simple tool set. I believe in being able to go to the drugstore and find your pens and your paper and be able to work. Again, it's really about your skills and your love and your soul, and not so much about the tools, but good tools do help, right? Bad tools can definitely distract.JK: Yeah.MR: Let's shift into tips now. The way I frame this is, imagine someone's listening who's a visual thinker, whatever that means to them. They feel like they're on a plateau, they're not growing, and they need some encouragement, they need some inspiration. What would be three things that you would tell them, either practical or theoretical to help them think about ways they can move forward?JK: It's a very nice question. I'm a person who needs a boost now because I start to work with absolutely new audience for me, English-speaking audience. I'll give this tips, first of all to myself, and I hope that they will be useful to someone else. The first principle I always use when I try to do something new when I need to learn something is like, fake it till you make it, but I change it a little bit. I do it as a game.You can pretend being a master in this and doing this, or you can think that you are a YouTube vblogger and you're telling to your audience how to do this or teach five-year-kid how to do this. I kinda try to pretend that I already know how to do this because I find it much easier to advice to someone than to do it myself. So I pretend that I'm just advising. So fake it till you make it with the first principle.The second one is about work-life balance. I never understood it earlier, but now I realize how it is important to observe beauty and consume quality content. I really recommend to get inspiration from everywhere, from colleagues, from traveling to follow people from different industries. For example, I found a lot of inspiration in design industry, psychology, coaching, facilitation. Just continue learning every day and follow good people on Instagram. Let's say this is the second tip.And the third one is a very important gift of allowing yourself to be yourself. What I mean by this that for example, I'm a very slow thinker and slow doer, so I give myself permission to do it in my own pace and with my own style is sometimes I think, "Oh my gosh, it's so ugly. Why people at all should like this or should pay for this, even."I know now that authenticity is the most important value nowadays. Authenticity is very important so please allow yourself to be yourself and be very kind to yourself. It's very easy to say, but it's very difficult to do. But it's a moment where you are healing your inner child and be just very kind to what you're doing. Talk to yourself as a caring parent and support yourself. It's wonderful what you can reach when you kind to yourself.MR: Those three are great. I love those tips. All three of those. The last one I especially like, and I often tell people, give yourself grace especially new learners who are doing sketch noting the very first time, like, "Okay, look, you've never done this before, how can you expect to be amazing?" It's gonna take time. Let yourself be yourself, in that sense. So I love that one, especially. Well, Julia, like we thought was gonna go really fast. So here we are at the end of the show. Can you believe it?JK: No, this is crazyMR: Now what I wanna do is let people know where they can find you, your social media. I'm gonna make the bet that your website will be done by the time this episode comes out. If it is, we'll make sure and put all these in the show notes. So if you wanna contact Julia and reach out to her to connect with her, if you've got projects for her. What is the best place to start?JK: Yeah, any social media, like Facebook, Instagram, or LinkedIn, you can find me with the name Julia Knyupa. Hopefully, I will have a working website by the time when this episode will come up. Also, if you want to kinda learn something and to hear some inspiration from me on YouTube, there is my TEDx Talk in Ukrainian, but with English subtitles. It was in 2019, and I talked there about creative confidence. If you want to learn about this place, find this on YouTube.MR: Julia, we'll have you send some links to us and we'll make sure those get into the podcast show notes so people can click on it and watch that as well. Last question is, do you know what your website domain name or URL will be for the website yet?JK: Not yet.MR: Okay. Not yet. Normally, I would've had you give the website and then people would just type it in and go there, and maybe by the time they hear this it would be live, but that's okay.JK: I want to thank you for this wonderful chance to talk to you and to all of your people who are listening to this now. I know that it's tricky, but I want to ask you to continue to support Ukraine because the war is not over and we are fighting for the whole democracy and freedom in the world. So please continue to support Ukraine and I will be absolutely happy to work with people from different countries. Please reach me if you want to support Ukrainian artists.MR: Yes. I love it. I love it. We definitely will. Thank you, Julia, for your time. And for everyone listening, that's another episode of the “Sketch Note Army podcast” wrapping up. And until the next episode, this is Mike and I'll talk to you soon.

In this episode, hosts Sergio Gomez and Drew Harris are joined by special guest Lee Morrison to discuss the journey of finding one's artistic style and creative direction. Lee shares her personal trajectory as an emerging artist and the valuable lessons she has learned along the way to achieving success. The conversation delves into the importance of experimenting with different techniques, materials, and styles in the studio, and the process of discovering what works best for each individual artist. Listeners will gain valuable insights into how to navigate the challenges and uncertainties of the creative journey, and come away inspired to continue exploring and evolving as artists. Whether you are a beginner or a seasoned pro, this episode offers a wealth of practical advice and wisdom for finding your artistic voice and carving out your own unique path to success. Follow Lee Morrison on Instagram at @leemorrisonart

Today we chat with Christina Angelos about her budding art career! We discuss how heritage has inspired her style and so much more! You can learn more about Christina through her website and Instagram. Support the show

On this episode I am delighted to be joined by Cinematographer Karim Hussain! We talk Visual Language, defending provocative art (literally), and how he works with bold performers.Karim Hussain csc was born in Ottawa, Canada. A cinematographer who loves to work in all genres, he is particularly passionate and knowledgeable about the horror, sci-fi and action genres.Starting very young shooting short movies on Super-8 film, he began his first 16mm underground feature at the age of 19, that ultimately was completed after 6 ½ years of hard work, him doing many of the important positions on it, including directing, writing, editing, sound editing, production and of course cinematography. After collaborating on the early years of the Fantasia Film Festival in Montreal and helping make it an international premiere festival, he embarked on his second and third feature, where as well many hats were worn, the films circulating widely on the genre film circuit. He also worked as a screenwriter in Spain. Hussain then decided to fully concentrate on the cinematography aspects of his career, as that was the part of filmmaking that made him most passionate, as well as close collaboration with others. Working very intricately with his directors on the visuals of his projects, his subsequent productions have played around the world to great acclaim, and screened in such film festivals as the Sundance Film Festival, the Cannes Film Festival, the Toronto Film Festival, SXSW Film Festival, Sitges Film Festival and many, many more. Hussain's goal is to continue to collaborate with his directors and production teams in delivering visually stunning, innovative projects that get noticed.https://www.karimhussaindp.com/Support the show

In this episode, host Shiro interviews Dominic Monte, the creative director and design strategist at Ursinus College, and an adjunct instructor on advanced web design and strategy. They discuss the importance of personalization in higher education marketing, and how it can help institutions stand out from the noise of other schools' viewbooks. Dominic also shares his thoughts on the importance of a consistent visual language across all departments, and how it helps simplify and tell the story of the institution. As a smaller school, Ursinus College's communication and marketing team services all departments, from admission marketing to alumni relations, and personalization is a key aspect of their marketing strategy. Tune in to learn more about how personalization and visual language can help institutions succeed in higher education marketing. Connect with Dominic Monte: https://www.linkedin.com/in/dominic-j-monte/ Visit Concept3D.com to learn more about our Interactive Maps, Localist Events Calendar, and 360° Tour solutions

Eileen Clegg has been a long-time pioneer in visual journalism. She is the founder of Visual Insight, and is now also the CEO of vTapestry, which automates the creation of visual summaries of online meetings. She is the author of seven books including Claiming Your Creative Self and Creating a Learning Culture.

In this episode of Beltway Broadcast, your Metro DC Chapter of ATD hosts Connie Malamed. Connie is a learning experience design consultant, mentor, and international speaker. She is the host of the eLearning Coach podcast and the author of Visual Design Solutions: Principles and Creative Inspiration for Learning Professionals and Visual Language for Designers: Principles for Creating Graphics that People Understand. In this episode, Connie explains what it means to create engaging eLearning, describes components of successful eLearning, and shares tips and best practices for practitioners who are new to eLearning. If you'd like to learn more about Connie, visit her website. For more info about the Metro DC Chapter of ATD, visit DCATD.org.  Episode Credits: Series Announcer: Julie Waters Hosts: Christina Eanes, Stephanie Hubka, Laëtitia Gnago, and Halyna Hodges

Melissa Lee, President of Massive Black (one of the leading art outsourcing studios) has joined the 80 Level Podcast. We've talked about the creative challenges, the changes visual art in video games has undergone throughout the years, and its influence on the game's perception.Massive Black Website: https://massiveblack.com/Melissa Lee is a President at Massive BlackLinkedIn: https://www.linkedin.com/in/melissalee3/Follow 80 LEVEL on social media:https://www.facebook.com/LevelEighty https://www.instagram.com/eighty_level/https://twitter.com/80LevelWe are looking for more artists!Join 80 LEVEL Talent for free: https://80lv.pro/join-80lvTalentGet your work noticed by some of the biggest and best developers, publishers, and studios in video games today.This video is sponsored by Xsolla, a global video game commerce company with a robust and powerful set of tools and services designed specifically for the video game industry: http://xsolla.pro/8023

HT1317 - Visual Language How trilogies make it easier to expand meaning and understanding. They are the adverbs and adjectives of visual language.

The art of photography offers boundless potential for altering and enhancing human perception—this is the focus of our conversation on this week's podcast. Listen in as we go down the rabbit hole of visual discovery with alchemist of photography Abelardo Morell. From his early desire to enlighten students by transforming his classroom into a camera obscura to his ever-expanding universe of ideas—and the subsequent tools he uses—to record moments in light, Morell is an undisputed master in conjuring magic from a cross section of art and science, time and space. Guest: Abelardo Morell Photographs © Abelardo Morell, Courtesy of Edwynn Houk Gallery For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/the-camera-obscura-and-recording-time-and-space-in-images-with-abelardo-morell Episode Timeline 3:30: Abelardo Morell's Street Photography Roots 4:29: The Power of a Visual Language 5:50: Creating a Camera Obscura in the Classroom 7:30: Making Pictures Inside the Camera Obscura 7:58: Reciprocity Failure in Film Captures 9:50: Determining Exposure Times When Polaroid Isn't an Option 11:18: Framing Up Compositions Inside the Camera Obscura 11:56: Shifting from Analog to Digital Cameras 12:22: Phase One Digital Allows the Capture of Moments in Light 14:22: From a Pinhole to Projecting an Image Using Diopters and Lenses 17:47: Morell's Digital Workflow and Working with a Digital Tech 18:55: Juggling Multiple Projects, Genres, and Tools   20:33: Picturing Childhood as a Creative Breakthrough   25:20: Episode break   26:04: Conceptualizing the Tent Camera for Use in the Landscape   30:25: Shooting Tethered in the Field 31:18: Developing the Tent Camera's Prism Periscope Lens 32:22: Shifting the Projected Image from the Wall to the Ground 33:00: Patina of the Ground and a Philosophical Meaning 34:00: Channeling Fox Talbot in Cliché Verres 37:42: Morell's Preference: Black and White or Color? 38:43: Becoming a Painter by Photographing Paint Drying 41:04: Composition and Tension in the Hitchock Series 43:35: Morell's Preference Between Studio or Landscape 46:26: The Value of Experience and a Benefits of a Teaching Career 48:00: The Bravery in a Lifetime of Artistic Work 49:10: An Evolving Vision for Alice in Wonderland 51:06: Abelardo Morell's Upcoming Projects and a Residency in Italy 52: 47: Morell's Upcoming Show at the Montclair Art Museum Stay Connected: Personal Website: https://abelardomorell.net Instagram: https://www.instagram.com/abelardomorell/ Twitter: https://twitter.com/abelardomorell Facebook: https://www.facebook.com/AbelardoMorellPhotography LinkedIn: https://www.linkedin.com/in/abelardo-morell-82848827  

“The dancing bears, the steal your face logo, they're probably known on Mars at this point,” says artist ESPO. In this episode, we're asking why these images have such staying power, and Emmett talks to LA streetwear label Online Ceramics, who's Dead-inspired tee shirts have introduced a whole new generation to the psychedelic era. Once you speak the Dead's visual language, you'll see it everywhere. Credits:America's Dead is produced by work by work: Scott Newman, Jemma Brown, Kathleen Ottinger, Alex Kapelman, and Ben Montoya. Additional production from Josh Agajanian. The show is mixed by Sam Bair and Josh Hahn. Our theme music is by Jake Longstreth, John Nixon, Aaron Olson, and Ryan Adlaf of Mountain Brews and Richard Pictures. The show art is created by Andy J. Pizza. Special thanks to Joe Dawson at Sonos. 

Aprende hablar ingles en seis meses con Audio Visual Language.

Today Julia & Erin discuss a term Julia brought up in last week's episode "developing your own visual language", which is really just a creative way of saying branding... And luckily we have an in house branding expert, Erin!   Follow Gesso Girls on instagram at @gessogirls  

Audio Visual Language.