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10 episodes with todd hido
3 episodes with todd hido
6 episodes with todd hido
2 episodes with todd hido
2 episodes with todd hido
2 episodes with todd hido
2 episodes with todd hido
6 episodes with todd hido
2 episodes with todd hido
Walk up to sentimentality but don't become it. -- Larry Sultan If you like something that someone is doing, tell them! -- Todd Hido In this episode, Antonio kicks things off with a hands-on review of the Fujifilm X-M5, a compact, feature-packed mirrorless camera that's quickly become a favorite. He shares his impressions after testing it during the Lunar New Year celebrations in Chinatown, highlighting its speedy autofocus, convenient film simulation dial, and the nostalgic charm of the silver-top design. While the lack of a viewfinder presents some challenges in bright conditions, Antonio praises the camera's versatility—especially when paired with manual lenses and a fun little retro flash he recently picked up. Two thumbs up! Ward recounts a recent encounter with acclaimed photographer Todd Hido, who visited Calgary for a public talk. Ward recounts Hido's approachable, candid style and reveals some interesting behind-the-scenes tricks, like using glycerin on windshields for a rain-soaked effect. They discuss the emotional depth of Hido's work and the compelling presentation of his new book The End Sends Advance Warning, with its large-format images and translucent family-photo insert. The episode wraps with Ward's recap of his trip to Daytona for the 24-hour endurance race, where he had rare access to pit lane and behind-the-scenes action. Armed with a telephoto lens borrowed from Antonio, Ward describes the challenges of capturing high-speed cars at night, with the blur of headlights and motion adding an artistic dimension to the shots. He shares how the event's unique lighting conditions pushed his ISO settings to their limits and gave him a chance to experiment with different shutter speeds and compositions. From sleek Ferraris under the lights to candid moments in the pits, Ward reflects on the thrill of documenting a world where precision and speed are everything—both on and off the track. Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question. ----more---- Ward's Daytona Pix: Show Links: Fujifilm X-M5 + XC15-45mmF3.5-5.6 OIS PZ Lens Kit - Silver TTArtisan 56mm F1.8 Fuji X-Mount TTArtisan 25mm F2 Fuji X-Mount Brightin Star 35mm F0.95 Fuji X-Mount Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website The Unusual Collective Street Shots Facebook Page Street Shots Instagram Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio
Our pal, director Joe Mischo returns to the podcast to give us the scoop on his latest short film, Jade! Joining him are Matt Hoodhood, who did the cinematography and Erin Kobrin who worked on costuming. Jade is currently making its way through the festival circuit and should see a wider release in early 2025. *Thank you to Jim Hall for the music! Check out more of his music here, and if you like what you hear, please consider donating to support his work here! *Thank you to Jim Tandberg/Grant Leitbrouck for the Frankenstein's Podcast artwork! *Shoutout to our Patreon Producer(s), Luke Johnson & Andy Groth! Support us on Patreon! Featured Guests: Joe Mischo is a Los Angeles-based filmmaker who enjoys trail running, subversive cinema, and the sound a combustion engine makes, tearing ass through the 110 tunnels below Dodger Stadium. Born in Indiana and raised in Wisconsin, Joe is a son of the American heartland. As a child, he wasn't pointing a camera or standing in front of one; he was the blabber-mouth recruiting neighborhood talent to help tell his stories. Not much has changed since then. "When I was six, I destroyed my grandfather's brand new Hi8 camcorder by blasting him in the face with a super soaker. This work is my atonement." Matt Hoodhood was born and raised in Grand Rapids, MI where his fascination with light began. He studied Cinematography at Columbia College Chicago and has been living in Los Angeles since 2014 where he enjoys the great outdoors, playing folk music on the banjo, and photography (Todd Hido, Alex Webb, and Diane Arbus are some of his favorites). Erin Kobrin is a Los Angeles-based wardrobe stylist and costume designer known for crafting distinctive looks across fashion campaigns, editorials, music projects, and narrative storytelling. Drawing inspiration from the visionary artistry of Colleen Atwood and the rebellious elegance of Vivienne Westwood, Erin brings a bold and imaginative perspective to every project. Her work seamlessly blends creativity and precision, delivering unforgettable style that captivates and resonates. References: The Sopranos Documentary - Wise Guy: David Chase and the Sopranos Ab-soul Soul Burger Ghost Camera SurrealEstate Godspeed - No Title as of 13 February 2024 28,340 Dead Parable of the Sower - Octavia Butler Pen15 Chad The Substance The Creatures
A 63. adás vendége Láng Péter és Lénárt Gábor fotográfusok, a Tripodcast műsorvezetői. Külön-külön és párban is rendkívül szimpatikus fiatalemberek, az alkalmazott fotográfia kiválóságai, akik rengeteg energiával, alázattal és állandó fejlődni akarással űzik hivatásukat. Hozzáállásuk példával szolgálhat mindazok számára, akik életvitelszerűen szeretnék művelni a fotográfiát. A Tripodcast műsorvezetőiként ráadásul közösséget is építenek, és adásról adásra nyíltan, őszintén osztják meg saját tapasztalataikat, gondolataikat és tanácsaikat a fotó iránt érdeklődők számára. A mai adás egy kötetlen, baráti beszélgetés, mellyel több célom is volt. Először is szerettem volna külön-külön bemutatni őket, megismertetni élettörténetüket. Másodsorban kíváncsi voltam arra, hogyan építették fel magukat a fotó világában és milyen örömök, illetve kihívások szegélyezték számukra ezt a könnyűnek korántsem nevezhető utat. Harmadrészt, mint fellow podcasterek, célom volt elmélyülni a tartalomgyártás rejtelmeiben, és elmerülni egy picit a Tripodcast univerzumban. Mint hallani fogjátok, a célok mind teljesültek, ezeknél azonban sokkal többről volt szó. Beszélgetünk a fotóművészet és az alkalmazott fotó közötti szakadékról, az improvizáció személyiségfejlesztő aspektusairól, inspiráló példákról, életcélokról és egy sor olyan témáról, amiről a fotózás szerelmesei egy kávézás alatt beszélgetni szoktak. Jó szórakozást kívánok hozzá!-------------FONTOS: A wopcast-et támogathatod Patreon-on és egyszerű utalással is. . Patreon: https://www.patreon.com/wopcast . Az utalás ide érkezhet: Kocsány Kornél - CIB Bank 10700495-62634067-51100005 ------------Péterről bővebben:https://www.instagram.com/langpeter.photos/https://www.youtube.com/@hellopeti.Gáborról bővebben: https://www.instagram.com/gabor_lenart/https://gaborlenart.pic-time.com/-portfolio/galleryhttps://gaborlenart.pic-time.com/-weddingselection/gallery.A Tripodcast:https://www.instagram.com/tripodcast_/https://podcasters.spotify.com/pod/show/tripodcasthttps://www.facebook.com/groups/438945583333377------------A Péter által ajánlott fotográfusok:.Kaunitz Tamás.denhoda / Lantos István. Greg Williams.Peter Lindbergh.Joey L------------ A Gábor által ajánlott fotográfusok: . Varga Benedek.Sutus Fanni.William Eggleston .Stephen Shore .Todd Hido.Jason Lee Perry.Cameron Hammond------------- A wopcast, a wonderzofphotography és a wonderzofpainting: https://www.facebook.com/wopcastforlife https://www.facebook.com/wonderzofphotography https://www.tiktok.com/@wonderzofphotography https://www.instagram.com/wopcast_hun https://www.instagram.com/wonderzofphotography https://www.facebook.com/wonderzofpainting https://www.instagram.com/wonderzofpainting ------------- Ha bármi kérdésetek, kérésetek lenne, keressetek bátran a wonderzofphotography@gmail.com emailcímen vagy közvetlenül bármelyik közösségi médián. ------------- Műsorvezető: © Kocsány Kornél https://linktr.ee/kornelkocsany Arculatfelelős: © Kocsány Ákos https://www.instagram.com/wyldebeest
Benedek helyzetjelentést kér, Peti utazást tervez, Gábor pedig nem keres új hobbit. Benedek elmeséli mivel tölti az idejét, amíg pihenteti a fotózást. Az adás linkje: https://tripodcast.hu/134 Támogass minket Patreonon: https://tripodcast.hu/patreon Csatlakozz a Tripodcast Community Facebook csoporthoz! http://tripodcast.hu/community Az adást a Tripont, a Fujifilm és a Nans Studio támogatta! Kövess minket Instán: https://www.instagram.com/tripodcast_ Az adásban elhangzott témák, linkek: - Peak Design outdoor line: https://www.kickstarter.com/projects/peak-design/the-outdoor-line-by-peak-design - Argon18: https://www.argon18.com/en/ Jason Momoa és Todd Hido epizód: https://www.imdb.com/title/tt30984097/ - Gregory Halpern - King, Queen, Knave könyv: https://mackbooks.eu/collections/mack/products/king-queen-knave-gregory-halpern - Max Zerrahn - Musican Chairs könyv https://bildbandberlin.com/products/max-zerrahn-musical-chairs
"Photography books often have titles like The Photographer's Eye or The Vision of So and So or Seeing Photographs — as if photographers didn't have minds, only eyes." -- Duane Michals “A book is like a piece of music; it has a beginning and an end, but what happens in between is up to you.” -- Stephen Shore In this episode, Antonio talks about connecting with his new Fujifilm X100VI camera during a photo walk around New York City. He reflects on how much he enjoys shooting with this camera, which feels just right in his hands and helps him capture the energy of the city. As fall sets in and the days get shorter, he's planning to head back out for some night photography, especially around the bright lights of Times Square. Ward shares his recent experience photographing the Pride parade in Calgary. He usually shoots in black and white but decided to switch things up and capture the parade's vibrant colors. It turned out to be a lively and colorful event, full of energy and emotion, and gave him a new perspective on his work. He also took a vintage Rolleicord camera to a local car show, revisiting the slower, more thoughtful process of shooting medium format film. These experiences got him thinking about how different settings and equipment can change the way you see and capture the world. The guys also talk about their latest finds in photo books. Antonio shares his experience attending the ICP Photo Book Fest in New York City, where picked up some new titles including Todd Hido's "On Landscapes, Interiors, and the Nude", which explores the emotional impact of color and composition, and Trent Parke's "Minutes to Midnight", which offers a stark, striking view of life in Australia. He also discusses his motivations for selecting specific books and how they can aid in teaching photography. Ward also talks about a local photography book launch event he attended, featuring the work of pure mathematician and photographer Arturo Pianzola. He also brings up "Eight Seconds: Black Rodeo Culture" by Ivan McClellan, a book that dives into the unique and underrepresented world of Black rodeo. He describes the vivid color photographs that capture the people, culture, and atmosphere of this often-overlooked part of American life. The book opened his eyes to a new side of rodeo culture, adding another layer to his understanding of photography's role in telling diverse stories. Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question. Show Links: Neat Film Lab The Monochrome Guild Arturo Pianzola Antonio M. Rosario's Website, Vero, Instagram and Facebook page Ward Rosin's Website, Vero, Instagram and Facebook page. Ornis Photo Website The Unusual Collective Street Shots Facebook Page Street Shots Instagram Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio
In this episode of PhotoWork with Sasha Wolf, Sasha interviews photographer Todd Hido about his latest book, "The End Sends Advance Warning," published by Nazraeli Press. They explore how the book defies its title, focusing instead on themes of hope and beauty. Additionally, they discuss the creation of Todd's recent survey show at Casemore Gallery, which is the most extensive presentation of his work to date. Despite being a returning guest, Todd shares fresh insights about his mentors and his deep passion for photography, and he announces a new book towards the end of the episode. http://www.toddhido.com | https://www.nazraeli.com/complete-catalogue/the-end-sends-advance-warning | https://casemoregallery.com/exhibitions/56-todd-hido-some-polar-expiation-an-enormous-cat-a-complete/overview/ Todd Hido (born in Kent, Ohio, 1968) wanders endlessly, taking lengthy road trips in search of imagery that connects with his own memories. Through his unique landscape process and signature color palette, Hido alludes to the quiet and mysterious side of suburban America—where uniform communities provide for a stable façade—implying the instability that often lies behind the walls. His photographs are in over 50 private and public collections around the world, including the Getty, Whitney Museum of American Art, and San Francisco Museum of Modern Art. Pier 24 Photography holds the archive of all of his published works. Hido has published more than a dozen books, including the award-winning monographs House Hunting(2001) and Excerpts from Silver Meadows (2013). His Aperture titles include Todd Hido on Landscapes, Interiors, and the Nude (2014) and Intimate Distance: Twenty-Five Years of Photographs (2016). He returned to the cinematic landscape photography that he first explored with Roaming (2003) with Bright Black World(2018), and followed it up with The End Sends Advance Warning (2024). Hido is also an avid photobook collector, and in the last 30 years has created a notable collection of over 8,500 titles. His work has influenced multiple Hollywood productions, such as Spike Jones's Her, Sam Levinson's Euphoria, Issa López's True Detective: Night Country, and the upcoming directorial project by Jason Momoa, Chief of War. He is also one of the subjects of Momoa's documentary project on creative makers, On The Roam. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com
Erin Hoyt is the Director of Operations at Filter Photo, owns and operates a successful wedding photography studio, and is a cotemporary photography collector, and a photographer. Erin learned photography and business outside of academia through internships, work experience, and just being highly self-motivated. We talk about all of these things and about Erin settling in after her recent move to Atlanta. https://www.filterphoto.org https://erinhoytphotography.com https://www.instagram.com/erinhoytphotography/ https://www.instagram.com/emariehoyt/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Erin Hoyt is the Director of Operations at Filter Photo, a non-profit photography gallery and festival based in Chicago. At Filter, Erin manages an ongoing series of artist lectures, professional development workshops, and portfolio reviews. Since joining the organization in 2010, she has overseen over 90 exhibitions and 13 annual festivals. In that time, she has worked with a range of artists including Carrie Mae Weems, Tarrah Krajnak, Zora J Murff, Todd Hido, Poulomi Basu, and Rodrigo Valenzuela. Erin splits her time between Atlanta and Chicago. Links mentioned in this episode: https://www.mfaphotographyreviews.com https://www.chicoreview.com Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show
In this episode, we will talk about Riccardo's practice in analogue and digital photography, discover his projects in the Netherlands, Italy, Belgium, or Germany, and share the lessons learned from photography masters Massimo Vitali and Todd Hido. Also, we will cover Riccardo's most recent ongoing project “Who is ugly now?”, which is an explorative visual essay on the city of Rotterdam. Pictures of newly built towers, squares, and anti-squat buildings where underground culture is nested, create a unique portrait of Rotterdam.
In this episode of PhotoWork with Sasha Wolf, we rewind to episode 6 where Sasha and photographer, Todd Hido, have a wide-ranging conversation about Todd's roles as an artist and an educator. Todd shares his ideas about how students should follow the John Cage rule and “ Find a place you trust and try trusting it for a while”, and how, as a student himself, he had to push back against a critique to make his work less subjective! Todd and Sasha find common ground through cinematic influences and the desire for hope as a motivator to keep working. There is much to love and learn from in this episode as Hido is extremely generous with his hard won wisdom. http://www.toddhido.com Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, Wired, Elephant, FOAM, and Vanity Fair. His photographs are in the permanent collections of the Getty, the Whitney Museum of Art, the Guggenheim Museum, New York, San Francisco Museum of Modern Art, the de Young Museum, the Smithsonian, the Los Angeles County Museum of Art, as well as in many other public and private collections. Most notably, Pier 24 Photography holds the archive of all his published works. He has over a dozen published books; his most recent monograph titled Excerpts from Silver Meadows was released in 2013, along with an innovative B-Sides Box Set designed to function as a companion piece to his award-winning monograph. Aperture has published his mid-career survey entitled Intimate Distance: Twenty-Five Years of Photographs, a Chronological Album in October of 2016. His latest book, Bright Black World, was released by Nazraeli Press in 2019. In addition to Hido being an artist, he is also a collector and over the last 25 years has created one of the most notable photobook collections. His library was featured in Bibliomania: The World's Most Interesting Private Libraries in 2018 by Random House. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com
Peti terepjáróban átaludta a szilvesztert, másnap viszont kellemetlen meglepetésben volt része. Gábor két ünnep között is dolgozott, Benedek pedig elkészítette első Instagram Reel-jét. Beszélgetünk a Patreon oldalunk fejlesztéséről, jövőbeli tartalom ötletekről. Még mindig visszatekintünk a múlt évbe, és újévi terveket, új tipusú hozzáállásokat is felvázolunk. Az adás linkje: https://tripodcast.hu/93 Műsorvezetők: Láng Péter, Lénárt Gábor, Varga Benedek Támogass minket Patreonon: https://tripodcast.hu/patreon Csatlakozz a Tripodcast Community Facebook csoporthoz! http://tripodcast.hu/community Küldj nekünk hangüzenetben kérdést! http://tripodcast.hu/messages Az adást a Tripont, és a Fujifilm támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: https://tripodcast.hu/oktatas Kövess minket Instán: https://www.instagram.com/tripodcast_ Az adásban elhangzott témák, linkek: - Fujifilm X100V: https://tripodcast.hu/X100V https://tripodcast.hu/f946b - Manfrotto Combi Boom Alumínium: https://www.manfrotto.com/hu-hu/combi-boom-aluminium-allvany-homokzsak-nelkul-fekete-420nsb/ - Manfrotto Combi Boom Acél: https://www.manfrotto.com/hu-hu/combi-boom-acel-allvany-hd-homokzsak-nelkul-420csuns/ - Scott Choucino: https://scottchoucino.com - Todd Hido on Landscapes, Interiors, and the Nude: https://www.bookdepository.com/Todd-Hido-on-Landscapes-Interiors-Nude-Todd-Hido/9781597112970 - Todd Hido: Intimate Distance: https://www.bookdepository.com/Todd-Hido-Intimate-Distance-Katya-Tylevich/9781597113601 - Gábor egyik kedvenc fotója 2022-ből: https://www.instagram.com/p/Cl_WnUZqEQc/ - Benedek kedvenc fotói 2022-ből: https://www.instagram.com/p/Cml1USxoa9q/ https://www.instagram.com/p/CmORD_VI4rR/ https://www.instagram.com/p/Clxzr3SoWsh/
A wonderful talk with a master photographer! Todd Hido graciously shares the story of his personal photographic journey with me, as well as his thoughts on art, life and hope. This is a longer than usual episode, but it's worth every second.Links:Todd Hido website Todd Hido InstagramAbout Larry Sultan's EvidenceEmmet GowinHarry Callahan
“Festival du Regard“ 7ème éditionBonjour la Nuit !à Cergy-Pontoisedu 14 octobre au 27 novembre 2022Interview de Sylvie Hugues, co-directrice artistique du Festival du Regard,par Anne-Frédérique Fer, à Cergy-Pontoise, le 13 octobre 2022, durée 23'52.© FranceFineArt. https://francefineart.com/2022/10/14/3325_festival-du-regard_cergy-pontoise/Communiqué de presseDirection artistique : Sylvie Hugues et Mathilde TerraubeEdito – Bonjour la Nuit ! Festive ou inquiète, solitaire ou fantastique, la nuit – thème aussi ancien que « la nuit des temps » ! – a toujours inspiré les artistes… « Musique de Nuit » composée par Mozart, « Nuit étoilée » peinte par Van Gogh, « l'hymne de la nuit » écrite par Lamartine. Chez les photographes la nuit a d'abord été un défi. Un défi technique, l'étymologie du mot photographie « écrire avec la lumière » étant contraire à l'enregistrement de scènes obscures ou crépusculaires. Et pourtant… La nuit autorise toutes les libertés. Elle s'affranchit du réel pour faire entrer dans une dimension où les couleurs s'émancipent, la perspective s'aplanit et la ligne d'horizon disparaît, altérant notre perception. Les choses deviennent floues, les contours indistincts et dans les villes, les lumières artificielles viennent remplacer la lune et les étoiles, jusqu'à les faire disparaître… Dans l'imaginaire collectif, la nuit est perçue communément comme un autre monde. Le philosophe Michaël Foessel, auteur d'un ouvrage référence sur ce sujet, souligne : « consentir à la nuit c'est accepter de se soumettre aux expériences singulières qu'elle seule rend possibles. Bonne ou mauvaise, intime et sensible, elle ouvre un espace où l'on peut enfin, vivre sans témoin. »Au Festival du Regard, nous avons donc envie de faire de la nuit, non pas simplement l'expression de la fin du jour, mais le début d'une autre expérience. Une expérience à laquelle nous vous convions en vous faisant déambuler à l'intérieur d'une galerie de boutiques abandonnées de la plus ancienne aile du fameux Centre Commercial des 3 Fontaines de Cergy. Un lieu singulier décrit par l'écrivaine Annie Ernaux dans « Regarde les lumières, mon amour » et repris dans son célèbre « Journal du dehors ». Traiter de la nuit dans un lieu dévoué à la consommation où les magasins brillent de mille feux pour attirer les passants, est un défi que nous n'avons pas hésité à relever… Car c'est notre rôle de mettre en lumière les travaux des photographes qui se sont emparés de ce sujet fascinant. Des pionniers de la pose longue, Léon Gimpel ou Brassaï, aux incontournables oiseaux de nuit que sont Anders Petersen, Todd Hido ou Merry Alpern, en passant par des décrocheurs d'étoiles tels que Juliette Agnel et Thierry Cohen, ils ont tour à tour su utiliser le pouvoir de l'obscur, les lueurs de l'ombre, pour nous faire basculer dans une autre dimension qui se résume par notre titre en forme d'oxymore : Bonjour la Nuit !Sylvie Hugues et Mathilde Terraube, Directrices artistiques du Festival du Regard Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Eheti adásunkban egy kis bosszankodással kezdünk a fotótechnikai fejlesztések és a képfeldolgozó szoftverek miatt, utána pedig beszélgetünk a titánium Leicáról. Benedek mesél a két Todd Hido könyvből merített inspirációiról, végül Peti story-ja kapcsán feldolgozzuk a belemosolygás témakörét. Az adás linkje: https://tripodcast.hu/79 Műsorvezetők: Láng Péter, Lénárt Gábor, Varga Benedek Csatlakozz a Tripodcast Community Facebook csoporthoz! http://tripodcast.hu/community Küldj nekünk hangüzenetben kérdést! http://tripodcast.hu/messages Az adást a Tripont, a Manfrotto, a Fujifilm, a Samyang, a NiSi, a Velbon és a Hähnel támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: https://tripodcast.hu/oktatas Kövess minket Instán: https://www.instagram.com/tripodcast_ Támogass minket Patreonon: https://tripodcast.hu/patreon Az adásban elhangzott témák, linkek: - Arri 35 Keynote: https://youtu.be/ovUL2i--3-o - Leica M-A Titanium https://leica-camera.com/en-int/photography/cameras/m/m-a-titan-set - Leica 0-Series Oscar Barnack: https://www.leitz-auction.com/auction/en/auktion34/auction40/article/305.html - Todd Hido: Intimate Distance: https://aperture.org/books/intimate-distance-twenty-five-years-of-photographs-a-chronological-album-hardcover/ - Todd Hido on Landscapes, Interiors, and the Nude: https://aperture.org/books/educational/todd-hido-on-landscapes-interiors-and-the-nude/
Peti vásárolt egy vázat és egy objektívet. Megjelent a Fuji X-H2S, kielemeztük amit eddig tudunk róla. Benedek a téli depresszióról készített egy fotósorozatot, amelyet slideshow formájában prezentált. A sorozatról, a slideshow-ról és azok hatásáról, céljairól beszélgettünk. Peti a legutóbbi akt fotózásáról mesélt. Az adás linkje: https://tripodcast.hu/78 Műsorvezetők: Láng Péter, Lénárt Gábor, Varga Benedek Csatlakozz a Tripodcast Community Facebook csoporthoz! http://tripodcast.hu/community Küldj nekünk hangüzenetben kérdést! http://tripodcast.hu/messages Az adást a Tripont, a Manfrotto, a Fujifilm, a Samyang, a NiSi, a Velbon és a Hähnel támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: https://tripodcast.hu/oktatas Kövess minket Instán: https://www.instagram.com/tripodcast_ Támogass minket Patreonon: https://tripodcast.hu/patreon Az adásban elhangzott témák, linkek: - Benedek Slideshow-ja: https://youtu.be/qWqEaqlSEXg - Tom Cruise Terrifies James in 'Top Gun' Fighter Jet: https://youtu.be/v1iZtBM23bY - Fujifilm X-H2S: https://fujifilm-x.com/hu-hu/products/cameras/x-h2s/ - Arri Alexa 35: https://www.arri.com/en/camera-systems/cameras/alexa-35 - Chripko Lili fotója: http://chripko.com/wp-content/uploads/2020/10/Giro-6052.jpg - Todd Hido: House Hunting: https://www.bookdepository.com/House-Hunting-Todd-Hido/9783923922963 - Todd Hido: Intimate Distance: https://www.bookdepository.com/Todd-Hido--Intimate-Distance/9781597113601 - Todd Hido on Landscapes, Interiors, and the Nude: https://www.bookdepository.com/Todd-Hido-on-Landscapes-Interiors-Nude-Todd-Hido/9781597112970
Gábor tesztnyomatokat készített, megjelent a Canon R10 és R7, Peti elgondolkodott a márkaváltáson és még a Fujifilm X-T4-et és az új 23mm f1.4-et is kipróbálta. Benedek fotóasszisztenskedett egy modell fotózáson, és megosztotta tapasztalatait. Ennek kapcsán a modellekre és általánosságban a nőkre leselkedő veszélyekről, és érdekes életszituációkról beszélgetünk. Innen átevezünk a stranger fotózásra is. Peti újabb lépést tett a saját projektek tervezése felé, így a koncepció kialakításában próbálunk neki segíteni. Gábor "onlyfans lányt" fotózott egy magához képest szokatlan stílusban. Az adás linkje: https://tripodcast.hu/77 Műsorvezetők: Láng Péter, Lénárt Gábor, Varga Benedek Csatlakozz a Tripodcast Community Facebook csoporthoz! http://tripodcast.hu/community Küldj nekünk hangüzenetben kérdést! http://tripodcast.hu/messages Az adást a Tripont, a Manfrotto, a Fujifilm, a Samyang, a NiSi, a Velbon és a Hähnel támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: https://tripodcast.hu/oktatas Kövess minket Instán: https://www.instagram.com/tripodcast_ Támogass minket Patreonon: https://tripodcast.hu/patreon Az adásban elhangzott témák, linkek: Fujifilm Roadshow: https://www.facebook.com/fujifilmHungary/posts/pfbid0A15rqJhh7Q643vbDJWqAFtEyVwceoQpi976npRfYSozzgWKMp3D65HKRqCrfB2F7l Fujifilm 23mm f1.4 R LM WR: https://fujifilm-x.com/hu-hu/products/lenses/xf23mmf14-r-lm-wr/ Canon R10: https://tripodcast.hu/R10 Canon R7: https://tripodcast.hu/R7 Nanlite Forza 60C: https://tripodcast.hu/forza60cproblog Stranger fotós poszt a csoportban: https://www.facebook.com/groups/tripodcast/posts/1101365580424704/ Todd Hido on Landscapes, Interiors, and the Nude: https://www.bookdepository.com/Todd-Hido-on-Landscapes-Interiors-Nude-Todd-Hido/9781597112970?ref=grid-view&qid=1653947145305&sr=1-1 David Bellemere: https://www.instagram.com/davidbellemere/ Nude - The Creative Process of Photographer David Bellemere: https://vimeo.com/448949069
"The eternity I detect in Nature I predicate of myself also. How many springs I have had this same experience! I am encouraged, for I recognize this steady persistency and recovery of Nature as a quality of myself." —Henry David Thoreau, Journal, 1856 CABIN is a series from The Relentless Picnic. It's one story told over 11 episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019, 2020, and 2021. This is the final episode of CABIN. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 11): - Treat: Hotel Room Q&A pt. 3: More Q's, more A's, 8:09–11:26 (Aug. 2019), available to our Patreon supporters: bit.ly/3q1Jl24 ; - The journals of Henry David Thoreau (1837-1861): bit.ly/36Lxavm ; - "Anthony Bourdain on Vices, Humanity, and Foodies" by Khushbu Shah (Eater; Aug. 2014): bit.ly/3q4rtmY ; - season photo: "Untitled #2214" by Todd Hido, 1998.
"In the streets and in society I am almost invariably cheap and dissipated, my life is unspeakably mean. But alone in the distant woods or fields, even in a bleak and, to most, cheerless day, I come to myself, I once more feel myself grandly related, and that cold and solitude are friends of mine. I wish to get the Concord, the Massachusetts, the America, out of my head and be sane a part of every day." —Henry David Thoreau, Journal, 1855 This is the penultimate episode of CABIN, which will conclude with Ep. 11. Cabin is a series from The Relentless Picnic. It's one story told over 11 episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019, 2020, and 2021. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 10): - "Deserter's Song" by Blackout Beach, 2011: spoti.fi/3IukcDJ ; - season photo: "Untitled #2214" by Todd Hido, 1998.
"It is in vain to dream of a wildness distant from ourselves. There is none such. It is the bog in our brain and bowels, the primitive vigor of Nature in us that inspires that dream. I shall never find in the wilds of Labrador any greater wildness than in some recess in Concord, i.e., than I import into it." —Henry David Thoreau, Journal, 1856 Cabin is a series from The Relentless Picnic. It's one story told over 11 episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019, 2020, and 2021. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 9): - Jacques Ellul, The Technological Society (1954): amzn.to/3o2zdmy ; - An anonymous comment submitted to relentlesspicnic.com, Feb. 29, 2020 ; - Plato, Apology (40C-41C); - "The Last Frontier: Homesteaders on the margins of America" by Ted Conover (Harper's; Aug. 2019): bit.ly/3KyesLl ; - season photo: "Untitled #2214" by Todd Hido, 1998.
"So I agree with the anarcho-primitivists that the advent of civilization was a great disaster and that the Industrial Revolution was an even greater one. I further agree that a revolution against modernity, and against civilization in general, is necessary. But you can't build an effective revolutionary movement out of soft-headed dreamers, lazies, and charlatans. You have to have tough-minded, realistic, practical people, and people of that kind don't need the anarcho-primitivists' mushy utopian myth." —T. Kaczynski, "The Truth About Primitive Life: A Critique of Anarcho-Primitivism," 2008. Cabin is a series from The Relentless Picnic. It's one story told over 11 episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019, 2020, and 2021. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 8): - Pandora's Hope: Essays on the Reality of Science Studies, by Bruno Latour (1999): bit.ly/3qxCaxK ; - The Unabomber In His Own Words (2018), dir. Mick Grogan, on Netflix: bit.ly/2DbHkuh ; - Technological Slavery: The Collected Writings of Theodore J. Kaczynski, a.k.a. “The Unabomber”, ed. and introduction by David Skirbina, 2010: amzn.to/2STTFYH ; - Jacques Ellul, The Technological Society (1954): amzn.to/3o2zdmy ; - "Why the Future Doesn't Need Us" by Bill Joy, Wired (4/1/00): bit.ly/3hw5uQD ; - "Harvard and the Making of the Unabomber" by Alston Chase, Atlantic (June 2000): bit.ly/3mISjzh ; - "Eco-terrorists set fire to Vail Mountain 20 years ago, and the response showed how mutual aid could benefit mountain communities" by Randy Wyrick, Denver Post (10/27/18): dpo.st/3EKRHzF ; - season photo: "Untitled #2214" by Todd Hido, 1998.
“I like to see myself as a storyteller. Photography happens to be the way I tell stories. I see the world in a certain way and try to create visual images to take viewers on a journey. I gravitate towards emotional, ethereal and dream-like imagery and I use cameras like pinholes and lenses like the Aero Ektar 178mm as tools to create the look and feel I strive for”. Gordon's links http://www.gordonszetophotography.com/ https://www.instagram.com/bokchoyboy/ Things we chatted about on the show: Photographers who have had an influence on Gordon's work or who he has admired……or maybe random links from Erik. Gordon has made some wonderful night work, so has another photographer. Todd Hido - http://www.toddhido.com Gordon Parks - https://www.gordonparksfoundation.org/ Susan Burnstine - http://www.susanburnstine.com/ Keith Carter - https://www.keithcarterphotographs.com/ Alexi Titarenko - http://www.alexeytitarenko.com/ Portraits…..plain environmental, isolated…..two different approaches. Richard Avedon - https://www.avedonfoundation.org/ Jane Brown - https://photogpedia.com/jane-bown/ John Harding, City College - https://johnhardingphoto.net/ One camera, one lens, standard development………or not? John Blakemore - https://www.johnblakemore.co.uk/ We discussed the topic of story telling with pictures and image sequencing. Niniane Kelly - https://www.analogforevermagazine.com/niniane-kelley Ann Jastrab - https://photography.org/staff/ 81b's photo collective - http://www.81bees.com/ ter LFPP links - https://largeformatphotographypodcast.podbean.com/ ko-fi.com/largeformatphotographypodcast You can join in the fun at our Facebook Group https://www.facebook.com/groups/2296599290564807/ And now our Flikr group curated by Colin Devroe https://www.flickr.com/groups/lfpp/ Get Twitter updates for the show from Andrew – https://twitter.com/warboyssnapper Or from Simon – https://twitter.com/simonfor Email feedback, ideas and questions for the podcast largeformatphotographypodcast@gmail.com Podcast Hosts Social Media presence Simon Forster www.classiclensespodcast.com www.simonforsterphotographic.co.uk https://stores.ebay.co.uk/itsfozzyphotography https://www.flickr.com/photos/125323761@N07/ https://www.facebook.com/SimonForsterPhotographic/ https://www.instagram.com/simonforsterphotographic/ https://twitter.com/SimonFor Andrew Bartram https://anchor.fm/thelenslesspodcast https://andrewbartram.wordpress.com https://www.instagram.com/warboyssnapper https://www.instagram.com/warboyssnapper_pinholes https://www.flickr.com/photos/warboyssnapper/ https://twitter.com/warboyssnapper Erik Mathy A not updated website. https://www.erikmathy.com/about IG probably best for all things including rabbits. https://www.instagram.com/erikhmathy/?hl=en The East Bay Photo Collective https://www.ebpco.org/ Stay Safe
Kev is luxuriating in Bunker Malmesbury, Neale is in the studio, though it’s business as usual with your questions. This week, is there any point to IBIS when films today are as ‘Shaky' as an 80s pop star singing Green Door? We talk about taking on a part time job if wedding work gets shifted again, whether we could return to a time which necessitates shooting with film cameras only, Clubhouse, the banning of street shooting and we debate fine art photography; what is it? The boys tempt a lifelong Nikon shooter with a shopping list, we sort out the black and white simulation options in camera, and discuss perfect pancakes of the lens variety. The book of the week is Todd Hido’s 'On Landscapes, Interiors and The Nude' and our Friend of the Show interview is with Steve Vaughan.
Matt has a great conversation With Cinematographer Carissa Dorson. They talk about some of the joys of filmmaking, What a photographer can bring to a photo, and they also talk about Todd Hido's photo, 1447. Carissa Dorson has a photo book called Conversations With Dad you can order at https://www.carissadorson.com/conversationswithdad
Essayez gratuitement les outils Adobe Creative Cloud pendant 7 jours : https://urlr.me/xz8qh Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. 1m98, une grosse barbe, une voix imposante : le moins que l’on puisse dire, c’est que Thomas Klotz ne laisse pas indifférent. Originaire du Nord de la France, le photographe s’est fait connaître par un premier ouvrage paru en 2019 aux éditions EYD, Northscape, consacré à une série sur les paysages péri-urbains de sa région, dans la lignée du mouvement américain des «New Topographics». Thomas a ensuite sorti tout récemment un deuxième livre intitulé Eve, la montagne et la jeune fille. « Ça paraît simple, mais ça parle de présence dans les lieux, donc une poésie de l’attente, mais attente de quoi ? » Bernard Plossu nous annonce la couleur dans la préface. Avec un travail plus narratif et personnel, Thomas Klotz documente le quotidien de sa fille d’une manière très touchante : les lieux qu’elle traverse, son appartement, son regard, ses amies, ses doutes... Thomas Klotz, c’est une vie haute en couleurs, comme ses photos. Avocat de formation, il a aussi été producteur de film, notamment de La prochaine fois je viserai le cœur, avec Guillaume Canet. Adolescent, il veut devenir photographe, comme son père, mais se « range » finalement en réalisant un métier plus viable. Il revient à la photographie récemment et y consacre désormais la plupart de son temps. Un artiste dont en entendra parler, pour sûr. Dans ce podcast, il se livre sur son approche de l’image, ses multiples références, son rapport à la couleur, son amour pour le Dye Transfer, ses livres et leurs conceptions… Il ne reste plus qu’à vous souhaiter une excellente écoute ! Merci à la galerie Nathalie Obadia pour le lieu d’enregistrement et la mise en relation. Nous soutenir https://visionspodcast.fr/nous-soutenir/ Pour aller plus loin Caroline Champetier, Thomas Hardmeier, Henri Cartier-Bresson, Willy Ronis, Josef Koudelka, William Eggleston, Luigi Ghirri, André Kertész, Man Ray, Sonia Voss, Guy Bourdin, Caroline de Greef, Bettina Haneke (Laboratoire Dye Transfer), Illanit Illouz, Bernard Plossu, Sophie Letourneur, Cédric Anger, Alain Attal, Anne Rapczyk, Three Billboards : Les Panneaux de la vengeance - Martin McDonagh, Coup de cœur - Francis Ford Coppola, Robert Frost, Clémentine Schneidermann, Lucile Boiron, Diana Markosian, Fred Stucin, Todd Hido, Peter Mitchell, Adrien Boyer, Martin Parr, Ute Mahler. Liens https://www.instagram.com/t.h.o.m.a.s_k.l.o.t.z/ https://www.instagram.com/podcastvisions/ https://www.visionspodcast.fr/
¿Tiene la Fotografía analógica, la de toda la vida, sentido en pleno siglo XXI? ¿Por qué complicarse la vida con carretes de solo unas decenas de exposiciones, laboratorio y largas esperas hasta poder ver lo que hemos conseguido? A pesar de sus aparentes limitaciones (que, por cierto, no me parecen necesariamente algo negativo) la Fotografía química tiene mucho que ofrecernos, y precisamente como consecuencia de sus particularidades y de todo aquello que la diferencia de lo digital, puede ayudarnos a mirar y a capturar el mundo que nos rodea de otra manera. En este episodio hablamos de - Todo lo que nos aporta fotografiar en película aunque nos movamos con soltura en el mundo digital. - La posibilidad de empezar por muy poco. - Cómo cambia nuestra forma de vivir el proceso. - Lo sencillo que es montar tu propio laboratorio en casa. - Que fotografiar en analógico no es más caro que lo digital (ni siquiera tanto). - Todas las decisiones que tomamos antes de fotografiar en película. - La enorme cantidad de posibilidades creativas de lo químico. - Cómo dar el paso de forma muy sencilla. - Por qué fotografiar en analógico es sinónimo de control, aunque pueda parecer todo lo contrario. - Y que nos puede hacer mucho mejores fotógraf@s. Y, claro, de muchas otras cosas que han surgido por el camino. Quién me acompaña Chechu, aka Herman Toothtrot es un apasionado de la Fotografía química que se ha montado su propio laboratorio en casa y que ha convertido la difusión de lo analógico en su gran proyecto profesional. Por encima de todo, Chechu defiende otra forma de fotografiar, más pausada y consciente, consecuencia de ralentizar y controlar el proceso en todos sus pasos. Y todo esto con un estilo muy personal y ameno que me enganchó desde la primera vez que me crucé con él en las redes, hasta el punto de tiene gran parte de la culpa de que cada vez me sienta más atraído por la Fotografía como se hacía antes… Y ya os adelanto que este episodio de Calle Oscura no ha hecho que se me pase, precisamente. Localiza y sigue a Chechu en las redes: hermantoothrot.com / www.instagram.com/hermantoothrotanalog/ y en su proyecto con Nico Llasera: Disparafilm.com. También te recomiendo que si eches un vistazo a su Patreon y valores apoyar económicamente su proyecto, como hago yo mismo, en www.patreon.com/hermantoothrotanalog Referencias y enlaces Autores y autoras: - Alex Webb. - Alec Soth (y su curso en Magnum Photo). - Bruce Davidson. - Bernard Plossu. - Carlos Cánovas. - Gabriel Cualladó. - Carlos Pérez Siquier. - Cristina de Middel. - Cristina García Rodero. - Juan Manuel Castro Prieto. - Julia Fullerton-Batten. - Alberto García-Alix. - Alex Prager. - Irving Penn. - Julian Ochoa. - Martin Parr. - Pau Buscató. - Rafa Badia. - Rodney Smith. - Sergio Larraín. - Todd Hido. Páginas web: - carmencitafilmlab.com (laboratorio fotográfico al que puedes enviar tus propios carretes). - kamerastore.com (venta de cámaras y resto de equipo analógico). Libros y trabajos: - Hojas de Contacto, el libro de Magmun: jotabarros.com/libro-fotografia-magnum-contact-sheets/ - The Last Restort, de Martin Parr. - Sleeping by the Mississippi, de Alex Soth. - El magnífico libro Subway de Bruce Davidson, uno de mis favoritos: https://jotabarros.com/libro-de-fotografia-subway-bruce-davidson/ Muchas gracias por tu escucha Si te ha gustado este capítulo de Calle Oscura, deja tu valoración positiva en Ivoox, Apple Podcast y Spotify, donde también puedes encontrar este podcast. No olvides suscribirte a través de cualquiera de esas plataformas para no perderte ningún episodio. Por favor, comparte este contenido entre tus redes para que llegue a más gente, puede suponer una gran diferencia. Y ahí abajo tienes los comentarios, para seguir conversando sobre los temas abordados con Chechu. Muchas gracias por estar ahí, al otro lado. Hasta pronto. Jota.
Il lavoro di Todd Hido ci da la possibilità di esplorare l'ambiguità della fotografia.Ve ne parlo partendo da una poesia di Raymond Carver.Per vedere le immagini andate qui: t.me/otnolQui potete trovare alcuni dei libri di Todd Hido se siete interessati ad approfondire.On Landscapes, interiors, the nude:https://amzn.to/3bXV1N2House Huntinghttps://amzn.to/3aipvGVIntimate Distancehttps://amzn.to/3ctBnIWDOVE SEGUIRE IL PROGETTOVisita il sito del podcast ➡️ http://bit.ly/otnolCanale Youtube ➡️ http://bit.ly/hk-subscribeCanale Telegram ➡️ https://t.me/otnolDiscord ➡️ https://bit.ly/otnol-discordCanale Twitch ➡️ https://bit.ly/otnol-twitchMIEI CONTATTITelegram ➡️ @alessiobottiroliSito Web ➡️ http://bit.ly/hkbwportInstagram ➡️ http://bit.ly/hakuigEmail ➡️ alessio.bottiroli@gmail.com----On The Nature of Light è un progetto di Alessio Bottiroli, realizzato con le migliori intenzioni e senza fini di lucro nella speranza che la fotografia, anche in Italia, possa diventare un giorno argomento di discussione, e non semplicemente un’attività meccanica e tecnica.
“‘Oh!' say the technophiles, ‘Science is going to fix all that! We will conquer famine, eliminate psychological suffering, make everybody healthy and happy!' Yeah, sure. The technophiles are hopelessly naive (or self-deceiving) in their understanding of social problems. Thus it will take a long and difficult period of trial and error for the technophiles to work the bugs out of their Brave New World (if they ever do). In the mean time there will be great suffering.” —T. Kaczynski, Industrial Society and Its Future (1995). Cabin is the new season from The Relentless Picnic. It's one story told over multiple episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019 and 2020. New episodes biweekly—or close to biweekly. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 7): - The Unabomber In His Own Words (2018), dir. Mick Grogan, on Netflix: bit.ly/2DbHkuh ; - Technological Slavery: The Collected Writings of Theodore J. Kaczynski, a.k.a. “The Unabomber”, ed. and introduction by David Skirbina, 2010: amzn.to/2STTFYH ; - Walden; or, Life in the Woods, by H.D. Thoreau (1854): bit.ly/35RyPPQ ; - Patrick Conley: bit.ly/3pGdIIL ; - Ken Baumann: bit.ly/2WUmHK1 ; - Jacques Ellul, The Technological Society (1954): amzn.to/3o2zdmy ; - Eric Hoffer, The True Believer (1951): amzn.to/34TDrFl ; - The History of Violence in America, eds. H.D. Graham & T.R. Gurr (1969): amzn.to/3rCmGsl ; - Chester C. Tan, Chinese Political Thought in the Twentieth Century (1971): amzn.to/3aUNCgQ ; - L. Sprague de Camp, The Ancient Engineers (1963): amzn.to/3o8lavW ; - “Why the Future Doesn't Need Us,” by Bill Joy (WIRED, Apr., 2000): bit.ly/3hw5uQD ; - season photo: "Untitled #2214" by Todd Hido, 1998.
"In classes it was always, oh the road represents ultimate freedom, exuberance, the American dream…I just kept thinking, wait a minute, this doesn't line up for me." For nearly a century, the American road trip has been closely associated with the American dream. The open road is where millions of Americans freely set out to explore the country's beauty, epic landscapes, and diversity of cultures. For a country that claims to be a free and democratic land without roadblocks, the road trip has been and continues to be a fraught endeavor for Black people. With this project, Willett exposes the cracks of this ideal version of American society, pointing out that historically the road represents a collective site of trauma for the Black community. Amani Willett is a Brooklyn and Boston-based photographer whose practice is driven by conceptual ideas surrounding family, history, memory, and the social environment. Working primarily with the book form, his two monographs have been published to widespread critical acclaim. Both books, Disquiet (Damiani, 2013) and The Disappearance of Joseph Plummer (Overlapse, 2017), were selected by Photo-Eye as “best books” of the year and have been highlighted in over 50 publications including Photograph Magazine, PDN, Hyperallergic, Lensculture, New York Magazine and 1000 Words and recommended by Todd Hido, Elisabeth Biondi (former Visuals Editor of The New Yorker), Vince Aletti and Joerg Colberg (Conscientious), among others. Amani's photographs are also featured in the books Bystander: A History of Street Photography (2017 edition, Laurence King Publishing), Street Photography Now (Thames and Hudson), New York: In Color (Abrams), and have been published widely in places including American Photography, Newsweek, Harper's, The Huffington Post, The New York Times, The New York Times Magazine and The New York Review of Books. His work resides in the collections of the Tate Modern, The Museum of Fine Arts, Boston, The Sir Elton John Photography Collection, The Museum of Fine Arts, Houston, Oxford University, and Harvard University, among others. Amani completed an MFA in Photography, Video and Related Media from the School of Visual Arts, NY in 2012 and a BA from Wesleyan University in 1997. In addition to his artistic practice, Amani is an Assistant Professor of Photography at the Massachusetts College of Art and Design in Boston. https://www.amaniwillett.com/ This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. www.charcoalbookclub.com
Nick Tucker is a wedding photojournalist based on the south coast of England. His unique style blends timeless, beautiful photography with quirky, intimate observations and he's been recognised by Rangefinder Magazine as one of the top 30 rising stars in world wedding photography. Our conversation covers how Nick got into photography after working for Banksy, his early influences and how he gained the confidence to shoot weddings his own way. Listen to the show here or on: https://podcasts.apple.com/gb/podcast/view-finders-photography-podcast/id1535018815 (Apple Podcasts) https://open.spotify.com/show/1vm9WE1uSi3etjV1e6WH49 (Spotify ) https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5jYXB0aXZhdGUuZm0vdmlldy1maW5kZXJzLXBob3RvZ3JhcGh5 (Google Podcasts) Amazon Music Stitcher Support Nick at the following links: https://nicktuckerphotography.com (https://nicktuckerphotography.com) https://www.instagram.com/nicktuckerphoto/ (https://www.instagram.com/nicktuckerphoto/) Connect with me and get my free eBook, 3 Steps to Better Photographs, at: http://www.grahamdargie.com/viewfinders (www.grahamdargie.com/viewfinders) Also connect with me here: http://www.instagram.com/grahamdargie (www.instagram.com/grahamdargie) http://www.youtube.com/5minutephotography (www.youtube.com/5minutephotography) http://www.facebook.com/grahamdargiephotography (www.facebook.com/grahamdargiephotography) http://www.grahamdargie.co.uk (www.grahamdargie.co.uk) Additional show links: Nick's Whitstable Wedding - https://nicktuckerphotography.com/whitstable-wedding-photographer/ (https://nicktuckerphotography.com/whitstable-wedding-photographer/) Nick's Monte Carlo Wedding with Immodesty Blaze - https://nicktuckerphotography.com/immodesty-blaize-wedding/ (https://nicktuckerphotography.com/immodesty-blaize-wedding/) Patrice Leconte - https://www.imdb.com/name/nm0496312/ (https://www.imdb.com/name/nm0496312/) Todd Hido - https://www.instagram.com/toddhido_/ (https://www.instagram.com/toddhido_/) Robert Frank - https://en.wikipedia.org/wiki/Robert_Frank (https://en.wikipedia.org/wiki/Robert_Frank) Bella West - https://www.bellawest.co.uk (https://www.bellawest.co.uk) Larry Fink - http://www.larryfinkphotography.com (http://www.larryfinkphotography.com) Leica Q - https://uk.leica-camera.com/Photography/Leica-Q/LEICA-Q (https://uk.leica-camera.com/Photography/Leica-Q/LEICA-Q) Support this podcast
“It may be objected that primitive man is physically less secure than modern man, as is shown by his shorter life expectancy; hence modern man suffers from less, not more than the amount of insecurity that is normal for human beings. But psychological security does not closely correspond with physical security. It is true that primitive man is powerless against some of the things that threaten him; disease for example. But he can accept the risk of disease stoically. It is part of the nature of things, it is no one's fault, unless it is the fault of some imaginary, impersonal demon. But threats to the modern individual tend to be MAN-MADE.” —T. Kaczynski, Industrial Society and Its Future (1995). Cabin is the new season from The Relentless Picnic. It's one story told over multiple episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019 and 2020. New episodes weekly—or close to weekly. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 6): - The Unabomber In His Own Words (2018), dir. Mick Grogan, on Netflix: bit.ly/2DbHkuh ; - Technological Slavery: The Collected Writings of Theodore J. Kaczynski, a.k.a. “The Unabomber”, ed. and introduction by David Skirbina, 2010: amzn.to/2STTFYH ; - Discourse on the Origin and Basis of Inequality Among Men (a.k.a. the “Second Discourse”), Jean-Jacques Rousseau, 1755 ; - Walden; or, Life in the Woods, by H.D. Thoreau (1854): bit.ly/35RyPPQ ; - “Walking,” by H.D. Thoreau (1862): bit.ly/35P4Dor ; - season photo: "Untitled #2214" by Todd Hido, 1998.
Peti tőzsdecápa lett, bejelentették az új iPhone-okat, amiket megvizsgálunk fotós szemmel. Megjelent a Nikon Z6II és Z7II, amikről elmondjuk az első benyomásainkat a specifikációk alapján. Benedek fényképezőgépet vált? Gábor elmeséli mi a legnagyobb probléma a Godox pro szériájával, és kétségbeesetten keresi a megoldást. Végül beszámolunk az aktuális könyv rendeléseinkről. Az adás linkje: https://tripodcast.hu/34 Műsorvezetők: Láng Péter, Lénárt Gábor, Varga Benedek Csatlakozz a Tripodcast Community Facebook csoporthoz! http://tripodcast.hu/community Küldj nekünk hangüzenetben kérdést! http://tripodcast.hu/messages Az adást a Tripont, a Nikon, és a Manfrotto támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: https://tripodcast.hu/oktatas Támogass minket Patreonon: https://tripodcast.hu/patreon Az adásban elhangzott témák és termékek: - Nikon Z6II: https://tripodcast.hu/Z6II - Nikon Z7II: https://tripodcast.hu/Z7II - Cikk a Godox AD400 Pro hibájáról: https://petapixel.com/2020/09/29/how-to-fix-the-biggest-flaw-in-the-godox-ad600-ad400-pro/ - Godox problémáról videó: https://youtu.be/Ae0zdR7ElVU - Nanlite parabola softbox: https://tripodcast.hu/nlite_150 - Broncolor Para reflector: https://tripodcast.hu/5tt - Karl Taylor - Why parabolic lighting: https://youtu.be/femBzU9-hXI - Alex Webb - The Suffering of Light: https://tripodcast.hu/gpa - Matt Stuart - All that life can afford: http://www.mattstuart.com/book/all-that-life-can-afford - Matt Day - Friend of Mine: https://www.mattdayphoto.com - Peter Lindbergh - On Fashion Photography: https://tripodcast.hu/ten - Peter Lindbergh - Images of Women II: https://tripodcast.hu/f140d - Vincent Peters - Selected works: https://tripodcast.hu/rqh - Todd Hido on Landscapes, Interiors, and the Nude: https://tripodcast.hu/1qb - Jacques Henri Lartigue: https://tripodcast.hu/5ba17 - Photographs Not Taken : A Collection of Photographers' Essays: https://tripodcast.hu/1c793 - Mert Alas and Marcus Piggot: https://tripodcast.hu/8aff9
“The Industrial Revolution and its consequences have been a disaster for the human race. The continued development of technology will worsen the situation. There is no way of reforming or modifying the system so as to prevent it from depriving people of dignity and autonomy. If the system breaks down the consequences will still be very painful. But the bigger the system grows the more disastrous the results of its breakdown will be, so if it is to break down it had best break down sooner rather than later. We therefore advocate a revolution against the industrial system. This revolution may or may not make use of violence; it may be sudden or it may be a relatively gradual process spanning a few decades. This is not to be a POLITICAL revolution. Its object will be to overthrow not governments but the economic and technological basis of the present society.” —T. Kaczynski, Industrial Society and Its Future, 1995. Cabin is the new season from The Relentless Picnic. It's one story told over multiple episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019 and 2020. New episodes weekly—or close to weekly. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com . SOURCES (Ep. 5): - The Unabomber In His Own Words (2018), dir. Mick Grogan, on Netflix: bit.ly/2DbHkuh ; - Technological Slavery: The Collected Writings of Theodore J. Kaczysnki, a.k.a. “The Unabomber”, ed. and introduction by David Skirbina, 2010: amzn.to/2STTFYH ; - Discourse on the Origin and Basis of Inequality Among Men (a.k.a. the “Second Discourse”), Jean-Jacques Rousseau, 1755 ; - season photo: "Untitled #2214" by Todd Hido, 1998.
I don't remember how it came up but I was talking to Sean Tucker a while back and we ended up talking about different photographers that we had found recently and he asked me whether I'd seen the work of Maria Lax. Maria is a Finnish photographer based in London who had published a book called Some Kind of Heavenly Fire. Honestly the title alone was enough to pique my interest but what I found beyond it was a fantastic set of images that were inspired by a book her grandfather wrote documenting a series of encounters with UFOs by the locals of the small Finnish town where she grew up. I've always had a fascination with UFOs so I was interested straight away and the work beautifully straddles the line between reality and possibility. Maria takes a little X-Files, a bit of Twin Peaks, and maybe even a dash of Todd Hido and turns it into something uniquely her own —and that combination of style and vision is there in both her personal and her commercial work, which is no easy feat.I'd like to thank Tom Booth Woodger at Setanta Books for not only arranging an introduction to Maria but also for providing me a copy of her wonderful book Some Kind of Heavenly Fire. LINKSSome Kind of Heavenly FireSetanta Books CONNECT WITH MARIAWebsite: https://www.maria-lax.com/Instagram: https://www.instagram.com/maria_lax_/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0
I don't remember how it came up but I was talking to Sean Tucker a while back and we ended up talking about different photographers that we had found recently and he asked me whether I'd seen the work of Maria Lax. Maria is a Finnish photographer based in London who had published a book called Some Kind of Heavenly Fire. Honestly the title alone was enough to pique my interest but what I found beyond it was a fantastic set of images that were inspired by a book her grandfather wrote documenting a series of encounters with UFOs by the locals of the small Finnish town where she grew up. I've always had a fascination with UFOs so I was interested straight away and the work beautifully straddles the line between reality and possibility. Maria takes a little X-Files, a bit of Twin Peaks, and maybe even a dash of Todd Hido and turns it into something uniquely her own —and that combination of style and vision is there in both her personal and her commercial work, which is no easy feat.I'd like to thank Tom Booth Woodger at Setanta Books for not only arranging an introduction to Maria but also for providing me a copy of her wonderful book Some Kind of Heavenly Fire. LINKSSome Kind of Heavenly FireSetanta Books CONNECT WITH MARIAWebsite: https://www.maria-lax.com/Instagram: https://www.instagram.com/maria_lax_/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0Support the show (https://jefferysaddoris.com/#donate)
I don't remember how it came up but I was talking to Sean Tucker a while back and we ended up talking about different photographers that we had found recently and he asked me whether I'd seen the work of Maria Lax. Maria is a Finnish photographer based in London who had published a book called Some Kind of Heavenly Fire. Honestly the title alone was enough to pique my interest but what I found beyond it was a fantastic set of images that were inspired by a book her grandfather wrote documenting a series of encounters with UFOs by the locals of the small Finnish town where she grew up. I've always had a fascination with UFOs so I was interested straight away and the work beautifully straddles the line between reality and possibility. Maria takes a little X-Files, a bit of Twin Peaks, and maybe even a dash of Todd Hido and turns it into something uniquely her own —and that combination of style and vision is there in both her personal and her commercial work, which is no easy feat.I'd like to thank Tom Booth Woodger at Setanta Books for not only arranging an introduction to Maria but also for providing me a copy of her wonderful book Some Kind of Heavenly Fire. LINKSSome Kind of Heavenly FireSetanta Books CONNECT WITH MARIAWebsite: https://www.maria-lax.com/Instagram: https://www.instagram.com/maria_lax_/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Todd Hido, have a wide-ranging conversation about Todd's roles as an artist and an educator. Todd shares his ideas about how students should follow the John Cage rule and “ Find a place you trust and try trusting it for a while”, and how, as a student himself, he had to push back against a critique to make his work less subjective! Todd and Sasha find common ground through cinematic influences and the desire for hope as a motivator to keep working. There is much to love and learn from in this episode as Hido is extremely generous with his hard won wisdom. Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, Wired, Elephant, FOAM, and Vanity Fair. His photographs are in the permanent collections of the Getty, the Whitney Museum of Art, the Guggenheim Museum, New York, San Francisco Museum of Modern Art, the de Young Museum, the Smithsonian, the Los Angeles County Museum of Art, as well as in many other public and private collections. Most notably, Pier 24 Photography holds the archive of all his published works. He has over a dozen published books; his most recent monograph titled Excerpts from Silver Meadows was released in 2013, along with an innovative B-Sides Box Set designed to function as a companion piece to his award-winning monograph. Aperture has published his mid-career survey entitled Intimate Distance: Twenty-Five Years of Photographs, a Chronological Album in October of 2016. His next book titled Bright Black World will be released by Nazraeli Press in the fall of 2018. In addition to Hido being an artist, he is also a collector and over the last 25 years has created one of the most notable photobook collections. His library will be featured in Bibliomania: The World’s Most Interesting Private Libraries forthcoming in 2018 by Random House. http://www.toddhido.com
On today's podcast I speak with photographer Todd Hido. Todd's work has been featured in The New York Times,Wired, Vanity Fair , as well as being in the permanent collections of The Getty, The Whitney Museum, The Guggenheim Museum, and the Smithsonian to name a few. In this interview I speak to Todd about his approach to photography, his experience studying under legendary photographer Larry Sultan, and I also speak to Todd about how he first got his work seen and into galleries. Todd is a photographer who's work I've been following for awhile so I was excited to get a chance to speak with him so I hope you enjoy and thanks for listening. www.toddhido.com Instagram - @toddhido_
“One writer says that Brown's peculiar monomania made him to be ‘dreaded by the Missourians as a supernatural being.' Sure enough, a hero in the midst of us cowards is always so dreaded. He is just that thing. He shows himself superior to nature. He has a spark of divinity in him. They talk as if it were impossible that a man could be ‘divinely appointed' in these days to do any work whatever; as if vows and religion were out of date as connected with any man's daily work; as if the agent to abolish slavery could only be somebody appointed by the President, or by some political party. They talk as if a man's death were a failure, and his continued life, be it of whatever character, were a success.” —H.D. Thoreau, “A Plea For Captain John Brown,” 1859. Cabin is the new season from The Relentless Picnic. It's one story told over multiple episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019 and 2020. New episodes weekly—or close to weekly. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 4): - “A Plea for Captain John Brown,” by H.D. Thoreau (1859): bit.ly/2CPiMHT ; - Walden; or, Life in the Woods, by H.D. Thoreau (1854): bit.ly/3jS0Woq ; - Videos and resources on John Brown, the raid on Harpers Ferry, and its aftermath: youtu.be/EG4ukrMtdNs , youtu.be/bB_kbFAui-U , youtu.be/LPyqE2zpQCg , youtu.be/Ax7KjLUOt8w , youtu.be/roNmeOOJCDY , youtu.be/q-E-ffXl2Uk , youtu.be/MILN_17KH6M , youtu.be/dmyswQs6_Bw . - Henry David Thoreau: A Life, by Laura Dassow Walls (2018): amzn.to/2B22qdw ; - “Civil Disobedience,” by H.D. Thoreau (1849): bit.ly/2OYTQjz ; - Westward, I Go Free: Tracing Thoreau's Last Journey, by Corinne Smith: amzn.to/2OUyYKi ; corinnehsmith.com ; thoreausociety.org ; - Thoreau's letter to Parker Pillsbury, April 10 1861: bit.ly/2WVVdEg [“Blessed are they who never read a newspaper, for they shall see Nature, and through her, God. But alas I have heard of Sumpter, & Pickens, & even of Buchanan, (though I did not read his message)”] ; - Thoreau's journals, 1860-61: bit.ly/2WXHUmI ; - “The Wreckage,” The Relentless Picnic, ep. 27: bit.ly/2By6Md7 ; - Joanna Newsom, “Does Not Suffice” (youtu.be/FkjkT-ohCpQ) & “Good Intentions Paving Company” (youtu.be/KCCl3nzL5PI) ; - Don DeLillo, Mao II (1991): amzn.to/30VqmJc ; - The Unabomber In His Own Words (2018), documentary on Netflix: bit.ly/2DbHkuh ; - season photo: "Untitled #2214" by Todd Hido, 1998.
Todd Hido is an American photographer known for his pictures of suburban landscapes taken during solitary, long drives. He also produced interior photos and portraits using a wide range of pros and amateur cameras. His style is summed up in one of his famous quotes “I shoot like a documentarian, but I print like a painter.” His photographs are in the permanent collections of the Getty, the Whitney Museum of Art, the Guggenheim Museum, New York amongst many more. We’ll discuss here about his creative process under lockdown and his experience with the situation. Moreover he Todd Hido will talk about his vision of photography and today’s society using the examples of Walker Evans or Dorothea Lange. http://www.toddhido.com/ https://www.instagram.com/toddhido_/ Subscribe to the podcast on you favorite platform : https://linktr.ee/artgoeson and Follow our instagram account and ask questions to upcoming guests! https://www.instagram.com/askartgoeson Recorded on May 28th 2020 #ToddHido #Art #artgoeson #Photography #Photographer #Photo
“I perceive that we partially die ourselves through sympathy at the death of each of our friends or near relatives. Each such experience is an assault on our vital force. It becomes a source of wonder that they who have lost many friends still live. After long watching around the sickbed of a friend, we, too, partially give up the ghost with him, and are the less to be identified with this state of things.” —H.D. Thoreau, Journal, 1859. Cabin is the new season from The Relentless Picnic. It's one story told over multiple episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019 and 2020. New episodes weekly. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 2): - Walden; or, Life in the Woods, by H.D. Thoreau (1854) ; - The journals of Henry David Thoreau (1837-1861): bit.ly/36Lxavm ; - Henry David Thoreau: A Life, by Laura Dassow Walls (2018): amzn.to/2B22qdw ; - Letter from N. Hawthorne to H.W. Longfellow (Nov. 21, 1848): bit.ly/3fjSqeP ; - With Walt Whitman in Camden, vol. 1, by Horace Traubel (1906): bit.ly/2YpXhEq ; - “Pierre Menard, Author of the ‘Quixote'” by Jorge Luis Borges (tr. 1962): bit.ly/2UACA7H ; - season photo: "Untitled #2214" by Todd Hido, 1998.
Cabin is the new season from The Relentless Picnic. It's one story told over multiple episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019 and 2020. New episodes weekly. Support us at patreon.com/relentlesspicnic for access to a ton of bonus content. Our web site is relentlesspicnic.com SOURCES (Ep. 1): - The journals of Henry David Thoreau (1837-1861): bit.ly/36Lxavm ; - Walden; or, Life in the Woods, by H.D. Thoreau (1854) ; - Into the Wild (dir. Sean Penn, 2007; based on the 1996 book by Jon Krakauer about Christopher McCandless) ; - Grizzly Man (dir. Werner Herzog, 2005) ; - season photo: "Untitled #2214" by Todd Hido, 1998.
For episode 7 we discuss photographer Todd Hido, his work and learnings we took away from his book on Landscapes, … More
This week's podcast contains in-depth interviews with prolific and enigmatic fine art photographer Todd Hido discussing his early days, his remarkable ascent to the top of the game his influences and process; a valuable conversation with David Fahey, Director of the Los Angeles Mega-photography gallery Fahey Klein and the National Executive Director of American Photographic Artists, Juliette Wolf Robin in which we discuss what the landscape of our profession will look like post Covid 19.
American photographer Ed Panar has a BA from the Indiana University of Pennsylvania and an MFA from the Cranbrook Academy of Art in Michigan. He has published several photobooks including: In the Vicinity (Deadbeat Club, 2018), Animals That Saw Me Volume One and Volume Two (2011 and 2016, The Ice Plant), Nothing Changes If Nothing Changes (Spaces Corners & The Ice Plant, 2013), Salad Days (2012 Gottlund), Same Difference (2010, Gottlund), and Golden Palms (2007, J&L Books). Ed “is a compiler of small moments, a celebrant of the everyday. Nothing dramatic happens in his photographs; nowhere exotic is shown. Rather, his prosaic images force us into a sustained encounter with the ordinariness of urban life, bringing together both meanings of the word pedestrian. In his ongoing body of work Out West, Panar reveals the fluidity of the interaction between the banal and the beautiful. (Panar also has a series, Back East, that produces a similar effect.) Some of the photos do indeed display the striking beauty of Western landscapes, but even this is contained within the bounds of ordinary life: Panar’s views are the kind you might have walking home from somewhere not far away, if you were to take that little detour that goes up the hill just a bit. We are a long way here from the majestic waterfalls and granite domes in Ansel Adams’s work. Panar’s photos seem to be saying that if we pay attention there is no need to venture far and wide, to scale the peaks or traverse the wilds — that something of value is just around the next corner.” (Aaron Rothman) Ed’s photographs have been widely exhibited at venues including The Museum of Contemporary Photography, Chicago, The New York Photography Festival, the Cleveland Museum of Art and Pier 24 Photography in San Francisco. Ed is co-founder - with his partner, photographer Melissa Catanese - of the project space and photography bookshop Spaces Corners, Pittsburgh, Pennsylvania where he currently lives and works. On episode 109, Ed discusses, among other things: Learning from Todd Hido in San Francisco Figuring out how to keep going no matter what Walking Home - his first series, still not a book Golden Palms The importance of editing and how it starts while shooting Animals That Saw Me Volume One and Volume Two His interest in speculative realism The importance of walking… and humour In the Vicinity HIs project space in Pittsburgh, Spaces Corners Referenced: Todd Hido Chris McCall Wolfgang Tillmans (Burg) Nick Waplington William Eggleston Clint Woodside Website | Instagram | Spaces Corners “If I’ve figured anything out it’s how to kinda keep going no matter what. And I think maybe Todd [Hido] instilled that in me, that sort of work ethic. You have to get it done. You have to find a way. Make things now, ask questions later, kind of thing.”
เคยสงสัยมั้ยว่าเราจะเข้าถึงโฟโต้บุ๊กได้อย่างไร หนังสือประเภทนี้เขาอ่าน (หรือดู) กันแบบไหน แล้วทำไมเราถึงควรเสพหนังสือภาพแบบเป็นเล่มๆ ร่วมหาคำตอบไปกับ ‘วิทิต จันทามฤต' ตากล้องและเจ้าของร้านหนังสือ Vacilando Bookshop ที่จะมาจูงมือเราเข้าสู่โลกของโฟโต้บุ๊กกันตั้งแต่ระดับพื้นฐาน ไปสู่เรื่องราวที่ชวนให้คันไม้คันมือจนอยากมีหนังสือภาพไว้ในครอบครองกันสักเล่มสองเล่ม booklist 01. Illuminance โดย Rinko Kawauchi rinkokawauchi.com/en/publications/430/ 02. Sleeping by the mississippi และ Niagara โดย Alec Soth alecsoth.com/photography/projec…by-the-mississippi alecsoth.com/photography/projects/niagara 03. Chiro, My Love โดย Nobuyoshi Araki www.americansuburbx.com/2014/12/araki…-journey.html 04. TTP โดย Hayahisa Tomiyasu www.tomiyasuhayahisa.com/ttp/ 05. Short Cuts โดย Raymond Carver (เวอร์ชั่นภาพปกโดย Todd Hido) www.ahornmagazine.com/issue_6/interv…view_hido.html
Todd Hido is an American photographer born in Ohio and who for many years has been based in the San Francisco Bay Area. He received a BFA from Tufts University in Massachusetts, and an MFA from the California College of Arts and Crafts. He is currently an adjunct professor at the California College of Art in San Francisco. Todd’s images have featured in many publications, have been exhibited widely and are included in various prestigious public and private collections, most notably, Pier 24 Photography in San Francisco which holds the archive of all his published works. He has over a dozen published books to his name, including a mid-career survey entitled Intimate Distance: Twenty-Five Years of Photographs published in 2016 by Aperture, and his most recent monograph is Bright Black World, which was released by Nazraeli Press in 2018 and is already sold out. In episode 103, Todd discusses, among other things: Discovering photography at school as a C and D student BMX as his first subject matter How the houses at night series began as an ‘establishing shot’ Why he values his education as a commercial photographer His mentor, Larry Sultan The joy of being lost in the fog The influence of Jim Dow Collaborating with his female subjects His most recent book Bright Black World Referenced: Robert Frank Larry Sultan Raymond Carver [Robert Adams](https://en.wikipedia.org/wiki/Robert_Adams_(photographer) Sally Mann Tina Barney Jim Dow Website | Facebook | Instagram | Twitter “The thing that I always say about meaning and art is that the meaning of the image resides in the viewer. And I think that’s a really true thing. Like in music, what’s the meaning of a song? It means a thousand different things to a thousand different people. And there’s an intention of the artist, but that’s not always what’s the most important thing.” Episode sponsored by PicDrop, The Charcoal Book Club and Findr.
In this episode of PhotoActive, we have some specific ideas about photographing with constraints. Whether you’re looking to expand your knowledge of individual shooting features (such as aperture or shutter speed) or get out of a creative rut, imposing constraints on yourself can actually turn out to be a freeing exercise. Sponsor Gentlemen Coders RAW Power 2 lets you process raw files on your Mac with full control over Apple’s raw engine, offering features previously available only in Aperture. It has exceptional highlight recovery, as well as noise reduction, capture sharpening, gamut mapping, and more. RAW Power also works with JPEGs, TIFFs, and other standard image formats. RAW Power 2 runs as an extension in Apple Photos or as a standalone app. RAW Power 2 for iOS is a full photo library app that offers the same features, and works with your existing Photos library. Learn more at rawpower.app (https://rawpower.app). Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-36-constraints)) Production Note: We’ve decided to change the frequency of episode releases to fortnightly (every two weeks) due to current commitments we both have. Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) PhotoActive #10 - Quintin Lake’s Long Photo Walk (https://www.photoactive.co/home/episode-10-quintin-lake) Photo: Ripening (https://www.kirkville.com/photo-ripening/) PhotoActive #3 - Black and White (https://www.photoactive.co/home/hbjd5jmzachebladjpsfy37342j4fa) In the Real World (https://www.youtube.com/watch?v=Lq3N2KWAttU), the William Eggleston documentary PhotoActive #8 - Gordon Laing on Taking Great Photos In Camera (https://www.photoactive.co/home/episode-8-gordon-laing) Three Notable New Photobooks: Don McCullin, Michael Kenna, and Todd Hido (https://www.kirkville.com/three-notable-new-photobooks-don-mccullin-michael-kenna-and-todd-hido/) Our Snapshots: Jeff: Using iOS Shortcuts to Import Photos into Lightroom CC Mobile (https://jeffcarlson.com/2019/01/23/using-ios-shortcuts-to-import-photos-into-lightroom-cc-mobile/) Kirk: Bright Black World (http://www.amazon.com/exec/obidos/ASIN/159005475X/kirkmcelhearn), by Todd Hido Subscribe to the PhotoActive podcast mailing list at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed to the mailing list, you’re automatically entered. If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.
Some interesting things happening in photography last week: A Leica store in Scottland is robbed of over $200K worth of Leica cameras and lenses; Kodak starts shipping EKTACHROME out to retailers; Emulsive.org featured an interview of me and my thoughts on why I shoot film and I saved the best for last; I watched an […] The post Photography Matters Ep 46 – Leica Gear Stolen; EKTACHROME ships; Photographer Todd Hido, His Process and Other Stuff appeared first on Photography Matters.
Jeff Carlson and Kirk McElhearn discuss why you want some sort of photo library in place, such as Photos or Lightroom, and their different approaches to managing their images. We dig into software, keywords, machine learning-based search, and the advantages (and annoyances) of cloud-based libraries. Sponsor Charcoal Book Club. Get 10% off a membership to regularly receive photo books. Go to www.charcoalbookclub.com (https://charcoalbookclub.com) and use the coupon code PHOTOACTIVE to get the discount automatically. Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show notes: See the full show notes, including photos, screenshots, and more, here (https://www.photoactive.co/home/episode-2-libraries). Jeff's book Take Control of Your Digital Photos (https://www.takecontrolbooks.com/digital-photos?aff=AFL5392537175) Jeff's book Take Control of Lightroom CC (https://www.takecontrolbooks.com/lightroom-cc?aff=AFL5392537175) iCloud Photo Library (https://support.apple.com/en-gb/HT204264) “I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.” William Eggelston The Next Track (http://www.thenexttrack.com/): a podcast about how people listen to music today iCloud storage plans and pricing (https://support.apple.com/en-gb/HT201238) Adobe Creative Cloud (https://www.adobe.com/creativecloud/plans.html) Luminar 2018 (https://macphun.evyy.net/c/1229768/320119/3255) Affinity Photo (https://itunes.apple.com/us/app/affinity-photo/id824183456?mt=12?uo=4&at=11l6om) PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/); find the secret word you need to join the group at the end of the podcast Our snapshots: William Eggleston: Los Alamos exhibit at the Metropolitan Museum of Art (now closed) (https://www.metmuseum.org/exhibitions/listings/2018/william-eggleston-los-alamos) “I am at war with the obvious." Kirk's review of Los Alamos Revisited (https://www.kirkville.com/photo-book-review-los-alamos-revisited-by-william-eggleston/) Todd Hido, Intimate Distance (https://photos.kirkville.com/photo-book-review-todd-hido-intimate-distance/) If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.
This interview is with Claire Howard, the Assistant Curator of Modern and Contemporary Art at the Blanton Museum of Art here in Austin. The museum is currently hosting a traveling photography exhibit called The Open Road: Photography and the American Road Trip. Claire speaks about the content and images that make up the exhibit and shares what goes on behind the scenes to plan for and integrate an exhibition into a new space. She also had the chance to add elements to the original line up that enhance the conversation and relate to our location and it’s history for the benefit of a local audience. Don’t miss this great exhibition which will be on view from November 25th, 2017 until January 7th, 2018. It was organized by the Aperture Foundation in New York and curated by David Campany and Denise Wolf, supported in part by an award from the National Endowment for the Arts. Photographs by Robert Frank, Inge Morath, Ed Ruscha, Garry Winogrand, Lee Friedlander, William Eggleston, Joel Meyerowitz, Stephen Shore, Victor Burgin, Bernard Plossu, Shinya Fujiwara, Eli Reed, Joel Sternfeld, Todd Hido, Alec Soth, Ryan McGinley, Justine Kurland, Taiyo Onorato and Nico Krebs. Blanton Museum of Art The University of Texas at Austin 200 E. Martin Luther King Jr. Blvd. Austin, TX 78712 PHONE: 512-471-5482 EMAIL: info@blantonmuseum.org Some of the subjects we discuss: The Blanton Claire’s previous work history Austin gallery spaces Prep for The Open Road Origins of the exhibition Hanging the show Photographing america Joel Sternfeld Lee Friedlander Alex Soth Inge Morath Justine Kurland Photography today Robert Frank Claire’s additions Eli Reed Road trip inspiration Walt Whitman quote Claire's Bio Claire Howard is the Assistant Curator of Modern and Contemporary Art at the Blanton Museum of Art. She was the 2016-2017 Vivian L. Smith Foundation Fellow at the Menil Collection in Houston, and from 2010 to 2013, she was a Graduate Research Assistant at the Blanton, where she worked on exhibitions including Through the Eyes of Texas: Masterworks from Alumni Collections, and curated the collection exhibition Cubism Beyond Borders (both 2013). Claire previously worked at the Philadelphia Museum of Art, where, as a Research Assistant for Modern and Contemporary Art, she helped organize special exhibitions including Marcel Duchamp: Étant donnés and Arshile Gorky: A Retrospective (both 2009). Claire has also worked and interned at the Fabric Workshop and Museum (Philadelphia), Cooper-Hewitt, Smithsonian Design Museum (New York), and Wellesley College’s Davis Museum and Cultural Center (Wellesley, MA). She is a PhD Candidate in Art History at The University of Texas at Austin, and is writing her dissertation on the Surrealist movement and its cultural context from 1950-1969. Claire earned an MA in Art History from The University of Texas at Austin and a BA in Art History and English from Wellesley College. She is a native of Philadelphia.
Recorded May 31, 2015 at Stockholm Studios in Bushwick, Brooklyn I'd met Patrick Gookin in 2007/2008 while I was living in Los Angeles but only vaguely remembered the night when he reached out last year to share his work. It's a strange feeling when someone remembers a moment with you that you have trouble retrieving. One of the hazards of getting old I suppose. Patrick was in town for a workshop with Todd Hido, but found enough free time to join us to talk about his book Los Angeles By Car, living and photographing in Japan, taking pictures out his window in Silver Lake, and “men flashing plants.” He has been working on a new project about the California drought and each of the books he brought along were intriguing. As we like to say, we've set up a pretty good scam for checking out photobooks with this podcast. I can safely say that doing this show is how I prefer to experience new photobooks. Each week is a surprise and that makes it fun and interesting for us, and hopefully for you as well. Photobooks/Photography Discussed
This week, we begin with a follow up to last week's discussion about direction and confidence (or lack thereof, as the case may be). All you really control is when you begin and when you ship. Recognizing those things that truly are beyond your control (and letting go of them) can be liberating and just the fuel you need to move forward. Todd Hido is our Photographer of the Week.
This week, we begin with a follow up to last week’s discussion about direction and confidence (or lack thereof, as the case may be). All you really control is when you begin and when you ship. Recognizing those things that truly are beyond your control (and letting go of them) can be liberating and just the fuel you need to move forward. Todd Hido is our Photographer of the Week.
Academy of Art University presents photographer Todd Hido
This Educator Guide corresponds with the "Todd Hido: Photography" video from KQED Spark.
Find out where Todd Hido is lurking to capture his eerie twilight photographs of quiet neighborhoods. Original air date: April 2006.
Find out where Todd Hido is lurking to capture his eerie twilight photographs of quiet neighborhoods. Original air date: April 2006.
GALLERY CRAWL profiles two outstanding solo shows at the 49 Geary building in downtown San Francisco: "Between the Two," Todd Hido's photographs at the Stephen Wirtz Gallery and "systems," Davide Coltro's multi-media work at Mark Wolfe Contemporary Art.
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