Podcasts about streets ahead

Ned and Laura join a bike bus! This celebratory, festive episode of Streets Ahead includes an East End bike ride with tinsel, some Christmas tunes, and a joyful pedal through the streets of West Ham with adults and kids, to Park Primary School.A bike bus is simply a group ride to school, with both adults and kids joining at different points on set days, similar to a school bus. Except everyone pedals, or wheels their way together. Some bike buses are weekly, some fortnightly, some monthly. The idea is to make the cycle, wheel or scoot to school safe and fun - and to spread the word that cycling to school is possible.Bike buses began in earnest in 2019, with a handful of pioneers riding to school in groups. Our own Adam Tranter ran a bike bus with his wife and kids after fellow parents expressed an interest in their cargo bike commute: https://www.forbes.com/sites/carltonreid/2019/10/11/pr-company-bosses-lead-20-child-pedal-posse-to-show-council-that-cycling-to-school-is-unsafe/As pandemic-era school streets were introduced by more and more councils in the UK, restricting motor traffic at the school gates for the start and end of the academic day, more streets felt safe for cycling, and more families formed their own bike buses. There are now an estimated 70 of them - at least those that are publicly advertised.Because a bike bus is simply people riding to school together, not all of them publicise their activities. They can be as informal as a few parents or carers and their kids getting together.Some bike buses are registered on www.bikebus.org - there are an estimated 50 of these, for inspiration.Thank you to Hamish Belding, for his advice for this episode. You can follow Hamish's adventures here: https://bsky.app/profile/bikewalkscoot.bsky.socialFRideDays Bike Bus is hosted by active travel charity Sustrans, and offers support for organisers, with materials like marshal tabards and a free guide. Find out more here: https://www.sustrans.org.uk/campaigns/fridedays-bike-bus/. There are around 20 of these bike buses. Hamish says Cardiff x 8, Swansea, Caerphilly, Pembroke, Plymouth, Cheshire, Lancashire, Yorkshire, Dorset, Reading, London and Edinburgh. There are more Bike Buses in pipeline to be launched during Spring/Summer term – potentially in London, Wolverhampton, Tonbridge and Cardiff.Thank you to Better Streets for Newham for the photo of Ned in action: https://bsky.app/profile/betterstsnewham.bsky.socialThank you for tuning in for 2024! We appreciate all of our listeners and supporters and look forward to more adventures in 2025.If you want ad-free listening, behind-the-scenes and bonus content and to help support the podcast - head to (https://www.patreon.com/StreetsAheadPodcast). We'll even send you some stickers! We're also on Twitter and welcome your feedback on our episode: https://twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think! Support Streets Ahead on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ned and David meet in London, unexpectedly. Plus a bonus episode from Streets Ahead.Redeem your AG1 offer here!Support XO Bikes here!Buy tickets to see Ned here!NSF Merch here! Hosted on Acast. See acast.com/privacy for more information.

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Louise Haigh MP, the Secretary of State for Transport, joins Laura Laker on Streets Ahead for an insightful discussion on the future of active travel in the UK. From her own cycling experiences to the role of walking and cycling in tackling public health and climate challenges, Haigh outlines her vision for a national integrated transport strategy that prioritises active travel and discusses "unprecedented funding", as well as her support for councils implementing Low Traffic Neighbourhoods. Ned, Adam and Laura discuss the interview and what it means for the direction of travel for cycling, walking and wheeling in the UK.By the way, if you want ad-free listening, behind-the-scenes and bonus content and to help support the podcast - head to (https://www.patreon.com/StreetsAheadPodcast). We'll even send you some stickers! We're also on Twitter and welcome your feedback on our episode: https://twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think! Support Streets Ahead on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode Laura travels to Paris, to meet one of the campaigners behind a successful push to put cycling at the heart of the city's transport plans for the 2024 Olympics. Paris en Selle is one of a cohort of campaign groups who staged an 'Olympic relay' protest that inspired Paris mayor Anne Hidalgo to roll out cycleways linking every one of the city's 35 Games venues. This would mean visitors and staff could get to events in a healthy, sustainable way without overwhelming the existing transport network. What followed, within two years, was the rollout of an impressive 34 miles of routes that met, campaigners say, 90% of the brief given to city officials. Even previously reluctant boroughs, they say, were persuaded to do their part. In addition, 20,000 new cycle parking spaces, many but not all temporary, were introduced. Some cycleways are shared bus lanes, but for the most part what's been built is dedicated cycle lanes.We would like to thank Paris en Selle's Corentin Roudaut, who used his lunch break from his day job to give Streets Ahead listeners a tour of the rapid transformation over the last two years. Find out more about Paris en Selle's advocacy work: https://parisenselle.fr. The campaign group even produced their own guide to help Games visitors get around during the Olympics https://parisenselle.fr/2024/07/17/cycle-around-paris-during-the-olympics/ Read Laura's CityLab piece about Paris' Olympic cycling transformation: https://www.bloomberg.com/news/articles/2024-07-24/paris-summer-olympics-2024-cycling-at-the-games-bike-lanes-parking-sharing By the way, if you want ad-free listening, behind-the-scenes and bonus content and to help support the podcast - head to (https://www.patreon.com/StreetsAheadPodcast). We'll even send you some stickers! We're also on Twitter and welcome your feedback on our episode: https://twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think. Support Streets Ahead on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week in the pod, the gang is up to their neck in the fantastic effort by Gord and the Sadies. You're gonna want to check this one out!Transcript: Track 1:[0:00] Hey, it's Craig here, and I just wanted to let you know that Christmastime in.Track 1:[0:03] Toronto is coming early this year. Join me and the Discovering Downey crew for the recording of our podcast finale, live at The Rec Room in downtown Toronto on Friday, July 19th. Long Slice Brewing presents A Celebration of Gord Downey, which will include a special in-person interview with Gord's brother, Patrick Downey. Spend the evening listening to your favorite hip tunes provided by the almost hip and help us raise money for the gourd downy fund for brain cancer research with a silent auction featuring incredible items up for grabs visit discoveringdowny.com for tickets or for more information about the event, let's have a toast for charity wickedness and most importantly hope.Track 2:[1:04] DOS Beauty I name my guitar My Beautiful Behor Everybody's coughing here And music's infiltrating work In the most pleasant way It's a system based on silverware Listening's an extrasensory Perception And talking the only psychic thing and I can dress you in my thoughts until you wear them. I've been taking care of my clothes like they're cattle. Try this shirt. It would look so good on you.Track 1:[1:42] Welcome, music lovers. Long Slice Brewery presents Discovering Downy. Hey, it's J.D.Track 2:[1:52] Here, and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal acrobatics that awed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of The Hip out there, but have you heard these records? Because I'm an inquisitive podcaster, I enlisted my friends Craig, Justin, and Kirk, giant fans in their own right, to discover Downey with me, JD, as their host. Every week we'll get together and listen to one of Gord's records. We're starting with Coke Machine Glow and working from there in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about Gord's fourth record, and his first and only with the Sadies.Track 3:[2:58] Occurring son kirk from chino how the fuck are things with you buddy jd.Track 6:[3:04] I'm uh i'm back home after a little bit of travel it's been good travel um it's allowed me to really kind of soak this album in so i'm excited talking about it with you boys.Track 3:[3:15] Can you confirm this craig i'm kidding yeah how's it going pretty.Track 4:[3:20] Good yeah also looking forward to talking about this album them and it this one took me a little bit of time to get into but we'll talk about that i have been a little under the weather since the last recording it was about halfway through the last podcast i started feeling something coming on and just won't go away just a cold thankfully but yeah other than that things are well.Track 3:[3:41] Well that's good justin you've been a podcasting machine today are you spent or are you ready to talk shop with me i'm.Track 5:[3:49] Just getting started buddy.Track 3:[3:50] Yeah well let's get into it then and the conquering sun is the album we are discussing this week after three consecutive solo outings with some form of the country of miracles gourd wrote and produced this one with the sadies who had just come from supporting the hip on their world container tour Like so many, this marriage was consummated by the CBC, when the Sadies chose Mr. Downey to collaborate with, as was the program's premise. The Sadies are a Toronto-based and road-tested throughout Canada and beyond, with an original lineup consisting of Travis Goode, Sean Dean, Mike Belotiski, and Dallas Goode, who sadly passed away in 2022. This band, as I mentioned, is road-tested with buckets of swagger and chops for days. But how do you talk about The Conquering Sun? After the loose and improvised feeling of the last three records, this record is tight and economical. With a 30-minute runtime, I had to listen twice to get my walk in.Track 3:[4:55] Of the four records we've listened to so far, this one makes my Olympic podium for rock and roll with a hard-fought bronze medal, which is nothing to shake a stick at unless, of course, you're shaking the stick in a complimentary fashion. There is absolutely nothing wrong with this album. In fact, in my opinion, this record is the closest we get to a sound that is reminiscent of the hip, up and down on this record. The songs are screaming for radio play if only radio had been a factor upon its release in 2014. From the rip of Crater right through Saved, there isn't a missed opportunity on this record. I could go on about how much I like this record, na-na-na-na, blah-blah-blah, etc. You might be curious how I'm literally singing this album's praises, yet I've only ranked it third of four. I promise I'm not damning with faint praise. It's more that I loved the ceiling of the country of miracles, particles and the idea that we don't get a fourth effort from that entity bums me out a little bit so it's hard to go into this one with that ripple of bummed outness influencing me a little more than frankly i'd like but who cares what i think let's check in with the crew craig we'll start with you this week.Track 4:[6:04] Yeah this album like i i mentioned took took a few listens to get into um it's definitely not in you know it's not my favorite of the four we've heard so far but it's really just it's drastically different it just has a different vibe and there are a lot of things I really like about it and I think that my biggest realization is this this is a summer album this is a a nice weather taking a drive in the car putting the windows down this it's that kind of album and for the first couple weeks I didn't have that weather but but just past in the past few days we have and it's just it totally changed my outlook of this this album.Track 3:[6:45] I was on mute. Justin, what are your thoughts overall?Track 5:[6:49] Oh, I needed this one. I needed this album to get my headspace back into this. And I think I'm going to rank this number two so far out of the four. I actually really love this album a lot. And like Craig, it took me a minute to get into it, but something clicked and I have been listening to it at least two or three times a day every day since. And in the car, on my phone, with or without earbuds trying to get the different parts of the sound, and it kicks my ass every time. I really just like this album from start to finish. Every song kind of sounds the same, which makes it sound like one big long song, and I really kind of love that.Track 3:[7:28] Interesting. I can't wait till we break it down. What say you, Kirk from Chino?Track 6:[7:32] Like my brethren here, it took me a while. In fact, it took me a while because it almost felt like a divorce and maybe a bit of an affair Was going on with with our buddy Gord. I was so I.Track 6:[7:48] Immersed into what was happening with the country miracles and like you said in the beginning like the ceiling like i wanted more and i was so ready for more i had the vinyl of this one the last ground bounce i didn't and i listened to it and i knew there was something there but i was angry honestly i was angry because i wanted more as we had mentioned but man did it grow and grow row. I'm not going to rank it right now because every time I rank something, a day or two goes by and something happens. And I realized, oh man, that was, you know, the grand bounce. That was Coke machine glow that, and you know, every album that we've had a chance to listen to has been, I think in every slot, if that makes sense, depending on the time of day or what's going on. And and so again it just brings you back to joy because i didn't dive in when it was happening which of course i'm a little sad about but i'm so excited now that i'm like i'm really loving music discovery again i'm really loving listening to albums i'm really loving i don't care if it's in the car if i'm walking the dog if i'm sitting at work if i'm you know working on something on on the computer and I've got the music going.Track 6:[9:11] Like I have not spent this much time with new music. I say that in quotes because it's obviously not new, but it's new to me, new to us.Track 6:[9:23] And I'm just, I'm loving the ride. That's all I got to say. This one is the last two, I mean, like I'm going to be listening to these forever. And I'm going to try and preach the word and get some people to jump on board because it makes me sad when I look at Spotify or something and I see the honestly and don't jump on me. It's like the limited number of listens to the Gord stuff. I have friends that have put stuff out that have more downloads than that. I'm not saying that in a negative, I'm saying that in a like, that shouldn't be. That shouldn't be, so. Right. My diatribe's over, sorry.Track 3:[10:03] No, no. Well, that's why I was mentioning off the top too too, that it screams for radio play to me. It's very radio-friendly. There's nothing over four minutes. And fucking radio just didn't matter in 2014. So of course we were never going to hear this. Unless we were paying very close attention.Track 6:[10:26] Absolutely.Track 3:[10:27] Clearly we were not.Track 6:[10:28] Absolutely. Radio.Track 5:[10:29] Radio still matters to me. I'm a radio guy. I'm going to tell you that right now. Yeah. Love radio.Track 3:[10:34] Radio doesn't love you back though. That's the problem. Like it's getting stripped down and worn down and these formats, you know, like if you've got a, if you've got a local that you love, then by going to stand with it, right?Track 5:[10:47] Yeah, you're right. We have, we have a, I'm going to sidebar here for just a second. We have a great station here in Southern Vermont, WEQX, which is one of the last great independent alternative rock stations in North America. And they discovered No Rain by Blind Melon. They were the first one to play it. And they just got this great pedigree, and they love to play Gord's solo stuff. From 2020 on, there's been a lot of new Gord solo stuff that's really been great.Track 3:[11:19] Get up. Right.Track 5:[11:20] And it's kind of been hard to not listen ahead during this project. Wow. I don't know if they played any of the stuff from this album, but this would totally fit.Track 4:[11:28] Yeah, we once had a really awesome independent radio station down in Bellingham, Washington, which we could pick up in Vancouver. And they actually, their tagline was something like, we don't play Canadian music because we have to. We play it because it rocks or something along those lines. And they would play The Hip and Rush. and yeah that's the only american station i've heard that that played a ton of the hip and yeah of course about 15 years ago they got whatever bought out by chorus or someone and it's now just yeah yeah your standard rock radio well.Track 3:[12:02] Should we eradicate this problem and educate people on this record go through it track by track are we ready let's.Track 5:[12:10] Go sure yeah.Track 3:[12:12] All right we start with track one side a it's the classic rock tinged crater what did you think of this one mr greg.Track 4:[12:25] My dad uh came to vancouver from new zealand in 1965 to to buy a 65 chevy impala and this song crater is a 1965 chevy impala cruising down the road it's just a great rock and roll track yeah um man that snare drum is yes snare snare yeah it is it is there in the mix yeah definitely i didn't dive into the lyrics at all especially um the songs that were more kind of rocking i i just i was just enjoying them and the only thought i had lyric wise was um almost like an idea of like either you're you're the crater or you're the meter meteor And I was kind of thinking along the lines of there's that not so great Dire Straits song, Heavy Fuel, where he says, you know, sometimes you're the windshield and sometimes you're the bug. And that was kind of the... What i got out of the lyrics on this song.Track 6:[13:25] I i wonder in the lyrics and maybe you guys did further research that i didn't see like how much of it was gord how much of it was the gents from the sadies because i i knew the name the sadies but i honestly until this i had not really you know dove into some of their music and i think in one of our you know communications justin had mentioned that as well like he's doing a lot of listening to the sadies and and i try i you know my listening at first it's this is it's going to sound weird um i did a lot of listening at first obviously like through spotify or whatever else but it wasn't until youtube and i got to see these guys and they're wearing like their nudie suits is what it looks like you know and i just i just saw a bunch of them they had a big exhibit at the you know country music uh hall of fame and they were We're talking about that LA country and, you know, very much a country tinge, but, you know, they're using those hollow body guitars. And anyway, so back to lyrics, like what's the balance between Gord and the Sadie's? Did anyone find anything on that?Track 4:[14:30] My understanding is that they, that the Sadie's wrote the songs and Gord wrote the lyrics that, yeah. And it was recorded apparently over a number of years. This wasn't like an album that was done in one session, which I find surprising because like someone said earlier, it's, it sounds just like a, it's a great album. It, it really sounds like it was just tracked in one day or something. It's yeah, there's a.Track 6:[14:53] There's YouTube has a, uh, interview of, I think the Sadie's had just put an album out. It was like 2010 and Gord was with them and they, you know, obviously had some discussions about their, their time together. And in some of the research it talks about, this has definitely been a long-term type of thing. Great song.Track 5:[15:10] Yeah, there was a CBC fuse in 2007 is what put them together. So it took seven years for this album to come out from that first collaboration. Collaboration I really like the sound.Track 6:[15:21] From a musicianship standpoint ethereal is really the kind of the adjective that came to mind on a lot of the the guitar parts that the Sadie's had you know very much a hollow body type guitar going through either a Fender a lot of reverb I really liked that driving sound I really really liked it it was it was pretty prevalent throughout in my opinion anything.Track 3:[15:43] Else on crater i.Track 5:[15:46] Just yeah i mean this is gourd this is like this is a live show on a record um this one song particularly and he is giving it all he has what at the end of the second verse and if we record any of these songs this is the one i'm doing because this is a this is a screamer and it's so much fun to be it you know we don't want to we don't want to do it we want to be it this song is fun to sing, Yeah. So I also, I downloaded an app because I noticed my foot was tapping a lot faster at the end of the song than the beginning. And I, so I, I downloaded an app and it picks up 13 beats per minute from the start to the finish.Track 4:[16:29] Oh yeah. That's something I'm going to be talking about later. Cause I, it was driving me nuts. One of the songs I was trying to actually figure out what was happening mathematically and yeah. Okay. I'm glad I'm not the only one noticed.Track 6:[16:43] I love that. I love the time changes in a variety of different songs. I put them down in a few notes. But the one thing I really want to say before we dive into any more, long live the guitar solo. And there's quite a few guitar solos on this album, specifically Crater. And they're just, they're solos. They're good solos. And on the other albums, we'll call lead lines, but there's not a lot of solos. And I'm digging that, getting that back, because we haven't had that in the first three.Track 5:[17:15] Oh, yes.Track 3:[17:16] Nice. Well, the next one is sort of the titular track, but not quite. The Conquering Sun does what for you, Justin?Track 5:[17:27] When I look out the window and see Audette's Blue Spruce Farm across the street, That's kind of what I think about. I mean, it's getting on time to plant. And here it is as we record this. It's planting season and working the fugitive dust. Nature, please be good to us. You know, we just had this massively wet spring that wiped out a shit ton of the farms around here. That's, you know, before they even got started. For me, that's part of what this song is. There's also the line, she is more than a conqueror. And I wonder if that's a reference to Gord's wife, Laura, with her recent cancer battle. I don't know when this song was recorded in the timeline of all that, like what year this happened. But I interpreted it as possibly something that could be a reference to defeating the cancer. And the other thing that I really, it was a callback to We Are The Same is when Gord's, his vocal run during hearing, ooh, day is your word, night is the glue. He does that exact same thing in The Depression Suite. That very same run, the change, the pitch, the length, I love it.Track 4:[18:41] Yeah, I caught that too. That's great.Track 6:[18:43] Great song. It was one of those. I think I mentioned on the last time we spoke, there was not a definitive MVP for me. This one has fallen in and out of MVP, and it may fall back in at the end of this recording. morning. But that's one of the things that really showed me this was a great album, but specifically this song. I just felt immersed in it. And like I said earlier, Ethereal, again, another great solo, another great, that sound that the Sadies have. They have, these guys, what are they like six, five, six, six, they look like trees and they might be a buck or five soaking wet and the suits are barely hanging on them and he's just playing this you know telecaster like it's a little tiny you know a small ukulele and they just have this they they just have this presence and like i said it really wasn't until i i started seeing them that i i got the sadie's because when i was listening it didn't hit me as much and i was kind of hoping i don't know if i mentioned this earlier because they were on the world container tour and i was wondering if they were the opening band I didn't find anything that showed them specifically, but when I watch the videos, it doesn't bring a memory or recollection that I saw. I think it was Sam Roberts that opened for a lot of the shows that I saw here in California.Track 5:[20:06] I saw Joel Plaskett as the opener on that tour.Track 6:[20:11] Got it. Got it. Yeah. So I was kind of hoping that they were one of the openers. But you know now i'm really excited that you know just in the last couple of days i would say is really when my attention has gone towards them and when you start hearing and seeing how they crafted these songs together and how they worked so well with gourd and his phrasing and and so yeah love this love this yeah.Track 4:[20:38] The the sadies are actually on tour as we record this and i'm hoping to pick to go down to the the vancouver show uh so you might you might want to look at dates they They might be coming down your way.Track 6:[20:48] I hope so.Track 4:[20:48] Yeah, this song, to me, as soon as I heard it, it reminded me of Nico Case. And Nico Case is someone who's worked with the Sadies. And so it is very much that sort of alt-country vibe on this song. And this was probably the song that drew me in right away. Again, like Kirk said, it was in the contention for my MVP track for sure, which, like you, keeps changing. and yeah it's just just a great feel to this song.Track 3:[21:18] Yeah i couldn't agree more i think we're two for two so far on this record and we're gonna find out that let's go pretty even record it's a pretty even fucking record los angeles times has the aforementioned swagger dripping from it, Kirk, did you like this one as much as I did?Track 6:[25:07] I'm going to say yes, absolutely. But it didn't start out that way. This actually was one of my least favorite tunes after the first couple of passes. I just didn't quite get it. It was just kind of like, it was almost too much swagger at first for me. Because remember, I think we're in a divorce right now. I think this is an affair that's going on. So I'm a little adverse to the song and the album and almost everything because I still have his last, you know, that last record that just moved us all. It was still here. So there was this almost a betrayal, swagger, distaste that I had in the beginning. But listening to it, re-listening to it, listening to it in headphones, listening to it on vinyl, listening to it in the car, listening to it in the plane, listening to it in the hotel. The key changes, like we'd mentioned earlier, just another great solo, just great rock. And, hey, I'm an LA guy. So this one definitely turned and has also filtered through multiple times sometimes on the mvp track side so yeah to me it's three for three and i'm just gonna pre-call it for y'all.Track 4:[26:22] Yeah yeah i found this song to be um i was the same way i found the the progression to be a bit generic at first and so i didn't really love it right away but yeah it really grew and i think what makes it work is that this band is just so tight they're so i mean loose but Yeah, the tempo, you know, picks up and, you know, there's the push and push and pull, but they are such a great band that they can pull off anything. Just a simple strumming pattern and make it sound pro. And there's that thing you mentioned off the top, JD, the blah, blah, blah, et cetera, which I was wondering if, I'm sure you guys were thinking the music at work, live, Gord would do the et cetera thing. Did you find anything lyrically, Justin?Track 5:[27:10] Yeah. So there's a dedication at the end of the lyrics for Walter Van Tilburg Clark, who wrote The Oxbow Incident, among many other works. And that became kind of one of the great Western movies of all time. And it's about, the subject is these cowboys thought that one of their buddies got murdered and that somebody stole their cows. And then they found this group of three people that they thought did it and they hanged them. And then they found out that the guy survived and it wasn't them and you know it was just a big mess so it was it was the oxbow incident and uh yeah so it was a complicated story and but this isn't about the story it's about the author there are a lot of references to lines in the book or the movie but it's you know there's a line he was born and raised and moved away and that's about i think walter van tillberg clark who was born in maine but then his parents moved him to nevada and then he moved to in New York and then he went he was kind of all over the place beyond that I don't know it's, There's one thing that is a bit of a departure, I think, on this album is that the lyrics aren't too deep. There's not a lot of mystery in this album with Gord's lyrics. And I was hoping for more of that, but the research was a little easier than I wanted it to be on this.Track 4:[28:26] That was something I noticed too, is like there didn't seem to be as much to dig into.Track 4:[28:31] And once I kind of got past that and just started enjoying it, I really did grow to appreciate the album a lot more. It's funny that you mentioned the Oxbow incident because number one, a couple of weeks ago i was in la and we did did a couple studio tours and this is one of the movies they actually mentioned i forget if it was warner brothers or universal but it was shot at one of those two places in the next song so one good fast job one of my notes here is oxbow incident because of the line it says art shot said wellman to fonda so wellman the director and uh fonda the the star of the show so um nice kind of a neat little tie and i had no idea that the previous song had that reference so i'm glad you caught that this song i really love and this was the one i was um i found really interesting the the progression you've got like almost like a eight bar blues but then they throw in an extra bar so it's like this nine bar which just throws you off off balance a little bit once you once you hear it a few times it makes perfect sense but there's the lyric about drop you know planes dropping paper and dropping scissors and the chimps becoming regular wizards i think it is. And so that made me think of, there's a couple of Simpsons episode that reference like the infinite monkey theorem.Track 4:[29:46] What is it? Infinite monkeys, or give a monkey a typewriter and let it type for infinity. It would create, you know, Shakespeare. And you know, it would just some ridiculous theory that has, you know, been, you know, criticized heavily, but I wonder if there's something to that.Track 6:[30:03] Sorely discredited.Track 4:[30:05] And I really like, there's the line too about something about forget the commas. This is one good fast job. And it almost made me think of this album that they just like banged off this out. Like, let's not, let's just have fun. Let's just write some songs and let's not take ourselves too seriously. So those are my thoughts.Track 5:[30:23] Well, I think there was some controversy over the name of the band. And there are commas in that band name. And I think that they're just saying, you know, screw it. And like, nobody asked for this. We're just doing it. let us enjoy it. I did see a couple of interviews where Gord and members of the band were like, can we not dissect this? This is just rock and roll.Track 4:[30:44] Yeah.Track 6:[30:46] One thing in watching some of those videos that I had mentioned, the last two songs that we discussed that they had played, it was a Greenbelt Harvest Festival thing show that was on. They had almost every song on there and he was playing with the Sadie's and watching the crowd to me was actually quite entertaining because they just sat there and looked in bewilderment right because I don't know they obviously have probably some relationship with with the hip and who knows if they're early hit people or later hit people or die hard all the way but when Gord does the solo stuff and then if they're not familiar with the Sadie's they just sat there and looked like yeah why don't what are we experiencing here what what's what's going on and bewilderment was the note note that i wrote right.Track 3:[31:34] Right i mean this makes no sense to me fuck okay sorry uh continue.Track 6:[31:42] It man one good fast job and almost back to kind of those punk type roots and that driving rocking it it's uh who i jd like this album has everything and, Also, one thing I wanted to mention, I know we're not through it all, but I think they did a great job of tracking. I really felt good about where all the songs were. I needed Crater to get me going, even though I was still mad and angry, like we mentioned, and then Saved at the end that we'll talk about. It just was like, okay, I got a good, nice, warm hug. Thank you. you um which.Track 5:[32:26] You know what's amazing is there were so many reviews about this album that said it was not cohesive and inconsistent and like what the hell are you talking about and.Track 3:[32:36] Uneven and blah blah.Track 4:[32:37] Blah yeah what.Track 3:[32:38] The hell man agree.Track 4:[32:39] Yeah no that's a reviewer who read that it was you know recorded over many years yeah that's ridiculous like maybe if you gave it one or two listens but even then even the first listen i didn't love it but it sounded like an album yeah Yeah. One more thing about this song though, before, before we move on, I love the middle section. There's like a bridge or maybe even call it a chorus. It only goes to it once the, I had to look, I had to go, I had to laugh. And it's really interesting how they go through it once, then there's that extra bar, like they keep doing, and then they change the chord progression and back off a bit. Like if you listen to the way the, you know, they're the same instruments, but they just back off and the feel changes totally. And it's such a great effect. Rather than ramping up a bridge, they almost like pull back a bit. And that really was unique. And it only happens once. It feels like a chorus to me, but it's right smack dab in the middle of the song. And I think it's two minutes and like 23 seconds or something. And this is definitely one of my favorites.Track 3:[33:43] Yeah, it's a good one. And the next one is a good one as well. It's got to hold the record for the longest title in Gord's solo oeuvre. Kirk mentioned a moment ago that there's a bit of everything on this record. And to me, the beginning of this song, just the very beginning, is shoegazy.Track 5:[34:00] Yes.Track 3:[34:00] Or it goes into a real punk sort of vibe. And it didn't start to break my heart until this afternoon. Justin, what have you got for us?Track 5:[34:09] So the line, we fought like two Irons, really stuck out to me. and it goes with Kirk. I don't know that this was the middle of a divorce. I think Gord is just polyamorous at this point because this project took seven years and in the middle of it, he released the third album, Grand Bounce. So he is just sleeping around. I love the punk, the hard driving, just we're going to beat the fuck out of this song.Track 4:[34:38] My first real positive experience with this song was driving to my show last weekend and it was like i said a nice day i was driving along and to me like i said it's a real good driving album and i was coming up to this i guess it was a school zone but it was a weekend so there's no school and there was a uh a flashing like speed limit sign it was like a happy face and as i'm driving by it's like it turns to a sad face because i guess i was a little bit above the limit i'm not a huge speeder but i found that kind of quite funny especially after the i just just listen to the line what is it um something about driving fast oh yeah drive drive it like we stole it yeah it's a great great line that's right and then later on there's the dishwasher loaded which i love because i i wish i could say that most of my music listening was in the car but i only have about a five minute commute to work so most of my listening is actually doing the dishes and so this is just a great song when you're doing the dishes and and dishwasher loaded it and it really really kind of got you know i.Track 5:[35:40] Had the same experience man that's.Track 4:[35:41] Found it pretty funny and i actually the first time i noticed that lyric i was actually had just put this open i was closing the door of the dishwasher and so it was just it was just perfect it's so funny yeah.Track 5:[35:51] That's amazing oh.Track 4:[35:53] And great harmonies too on the chorus like love those harmonies yeah.Track 6:[35:57] That's one thing you'll notice too when you watch those or or you see them like the the harmony part especially especially after what we had just experienced for the last three albums, you know, with the female voice going back to a male voice backing. I love that element that it brought to it. And I'm just gonna jump into the next song, Budget Shoes. This is one that I think has probably held the number one spot for me. I would say it's not necessarily still there, but it's been there more often than not. And maybe I'm far off on this, but being the American, one of the two Americans that really likes Canadian culture, it brought me back to Kids in the Hall for some reason. In fact, so much so, if you think of the Kids in the Hall intro, I actually looked it up to go hoping it was the sadies like that really would have made my day if it was the sadies that had done that song that's the intro to kids in the hall.Track 4:[39:34] There is there is a connection there and i hope i'm correct here but i believe i read that the dallas good the the younger brother who you know passed away recently who.Track 3:[39:44] Was the drummer.Track 4:[39:44] He he played so so the good family was a was a country family like they had like a family band and and the older brother travis actually played with his band and Dallas being younger he he went more towards punk and I believe it said that his first or one of his first bands was with one of the members of uh Shadowy Men is that the name of the band that does the theme yeah yeah.Track 3:[40:11] Shadowy Men oh.Track 6:[40:12] Wow nice it definitely was reminiscent of that uh the entire song to me is just brilliant and it it gives you I mean it It really just digs deep inside my soul going back to the ethereal. When Gord hits those moments of the desperation vocal that we heard a lot, not only in recording, but live when he was with the hip, that brought such a comfort to me, right? Knowing where the hip is at, knowing where Gord is at, knowing what's coming. Like this is three years prior to his passing. And just so thankful that we get another version of Gord. And that's really what it was to me is we got, we have the hip and we love that. We have these first three albums, but now we have another one. And it was, Justin, you mentioned it in his lyrics. It's like, I'm not trying to confuse anyone here. I got this great band. They've given me this good music and I'm just gonna give it, I'm gonna give it what's coming to me at the moment. so when he does his and i call it a desperation vocal i know exactly what.Track 5:[41:22] You mean when you say it though.Track 3:[41:26] Yeah.Track 5:[41:26] Yep. Yep. So I'm going to ask the Canadians in the room here about budget shoes because I did some research on this as well. And apparently there's a tradition in Canada that finance ministers buy a new pair of shoes before presenting the budget and they wear them on the floor. Or if they're pissed off about it, they don't.Track 4:[41:48] Oh, wow.Track 5:[41:48] And it's this thing that has happened since the 1860s.Track 3:[41:53] Jesus. Do they go bare feet? I mean, listen, I was a political science major, and I've never heard of it before, but that doesn't really mean anything.Track 6:[42:01] As the other American, I agree with what you say full-heartedly. Love it. Love that connection.Track 3:[42:10] Yeah, I think it's great.Track 5:[42:11] It was strange, but interesting. And I don't know if this song is a commentary on politics and that, or if it just works well with... I mean, this song sounds like, you know, we're sleeping in a tent in a winter storm unexpectedly in the middle of the desert, you know, and I've got nice shoes and you don't, you know, and I'm going to keep my feet and you're going to lose them to frostbite. I don't know.Track 4:[42:37] What I was thinking was I was imagining almost like an old Western movie. It's like sweltering hot in the desert. And yeah, they're camping overnight. Night and you know the most iconic thing you'll see in a western is that you know the shot of the cowboy boots and the pan up and and i'm just picturing this you know guy sleeping in his budget you know there's cheap shoes and that's kind of what i do balances on yeah yeah.Track 6:[43:04] Ouch shots fired they're.Track 5:[43:05] A great company and they.Track 6:[43:06] Make a fine shoe thank you we're not sponsored by any of these particular shoe brands yeah i mean budget shoes you talk about the westerns it's almost like a spaghetti western type feel just in that uh the guitar riff as well so.Track 3:[43:26] Oh, that's cool. I felt that, too. I wouldn't have put that together. All right, let's move on. Demand Destruction. Is it just me, Justin, or does this song feel very much like the Tragically Hip? Am I crazy?Track 5:[43:38] No, I don't think you're crazy about that at all. And this song is, I think, Gord kind of putting out his own views. Again, there's a notation at the bottom. The last one, Budget Shoes, was dedicated to Evan S. Connell, who was the author of the book about Custer where the title of The Grand Bounce came from. So that's a continuation. And then this one is dedicated to Dr. Helen Caldicott, who was an Australian physicist and anti-nuclear war advocate. And it just feels like a protest song to me. I really don't have a lot of notes about it. It's just a nice, fun tune. But there's definitely a message in there. And I think it's Gord speaking about, let's not fuck this up. and maybe some reverence for Dr. Caldecott. It says, I'm not a fan, I just like what you do. I don't know. I don't have a whole lot to unpack on this one.Track 3:[44:30] Right. Well, no, I think you unpacked quite a bit. Craig, what have you got for us?Track 4:[44:36] One thing I'll say about this song is I found maybe the snare was a little too biting for me. I found that if you if you were listening quietly it it just jumped right out of the mix to the point where you almost couldn't hear anything else and when you turned it up it just had just a little a tinge too much oh yeah you guys know who who mixed the album yeah so bob rock and i think he did a great job overall but it definitely you know he's known for those big huge drums and i just would have liked a little more balance i thought the snare was just a little peeking out a little bit too much the rest of the album i think it it works but maybe the song is the poppiest.Track 5:[45:17] I think of the of the songs on the album it's certainly.Track 4:[45:20] Radio friendly fairly typical like blues rock sort of yeah um riff at the start yeah.Track 3:[45:25] That's what reminds me it reminds me of something off of road apples you know oh yeah yeah that era.Track 4:[45:31] Yeah great great harmonies again especially in the chorus all.Track 3:[45:34] Right from there we get a change of pace with mandolin and organ off the top of devil enough. Am I right? Was it mandolin Craig?Track 4:[45:44] Um, yeah, I believe so. I need to go back and listen again. Um, yeah, this is the song I referenced earlier that was driving me nuts. Even today I was sitting there tapping my toes, like trying to figure out the time change. And I actually had this like theory about what they were doing with it, you know, how they're getting from one tempo to the next. And then I just realized after a while it's just feel it's all feel. And I won't even get into it, because there are some weird things that happen. And I think it is what Justin mentioned earlier, I think it's just that flexibility of, of like, you know, they're really pushing the tempo, bringing it back quite frequently. And so.Track 4:[46:25] Yeah, if anyone wants to transcribe this drum part for me and send it to me, I would love to see that because I would love to know mathematically how it works, but I'm pretty sure it is just like a feel thing. This was a song that really stuck out to me. I love that time change. Having said all that, it really, the first few times just really struck me. The guitar playing at the end, the sort of Nashville picking at the end is just amazing. There's a few songs that have those great guitar solos. I think often it's Travis, according to the videos I watched, although I believe Dallas will trade off solo sometimes too. There's the line, Streets Ahead, which of course is a song name from Now For Plan A. And I had just actually recently been watching Community. And I'm not sure if you guys know that reference, but there's a, you know, it's like a catchphrase of Chevy Chase's character. And I actually found a, I wondered if it was related and I found an interview where someone asked Gord that question and he's just like, what? He was so like, no, like what are you talking about? Which of course makes sense. I mean, you don't write books. All these songs you're not a prolific writer like gourd if you're if you're.Track 6:[47:36] Spending countless hours.Track 4:[47:39] Binging you know sitcoms with 120 episodes.Track 5:[47:44] Well and gourd gourd's a dan akroyd guy not a chevy chase guy.Track 6:[47:48] Yeah true hey going back to that the ending part craig yes uh you know they almost have a bluegrass feel in some of these instrumental type solos there's There's rock going on against a different instrumentation, which I absolutely love the devil enough to me almost was reminiscent of like your seventies kind of, you know, Barracuda and like the big songs that would have a slow intro and then rock out or go to another slow, but very seventies rock and kind of anthemic type of we're going to switch keys. We're going to switch tempos i very much got that but again going back to the swagger you feel the swagger in in the presentation of the lyrics at least from my perspective with gourd on this loved it loved it.Track 4:[48:43] Yeah there are some um really great songwriting techniques on this album that you can tell you know the sadies are just a pro band i think is it uh one of the guys from blue rodeo i believe was was quoted in the in the barclay book about saying that you know they're the world's greatest rock band and there's the little things like in this song they use the little bars of two to set up you know those changes and just lots of little things like that like an extra bar here an extra bar there it's just some really great little songwriting tricks what did you think justin i.Track 5:[49:14] Just this song you know growing up we only had like 10 or 12 channels on on tv and one of them was tnn the nashville network and so the grand ole opry was was on all the time, because we didn't have a choice. If it wasn't Hockey Night in Canada, it was TNN. And just this song, that run with the picking is really cool. It brought me back to late 80s, early 90s, just watching the hoedown.Track 4:[49:42] Not a country fan, but when I hear a great guitar player like that, though, like a great Nashville player, it really is great. This whole album isn't the type of music I would typically listen to. And I think that's why I gravitate more towards an indie rock feel, like the Battle of the Nudes. But man, this album is really, really solid.Track 6:[50:06] Yeah, it has a good... I mean, I know you guys say you don't like country, and I say it too. But I bet you you'd be surprised about what you do like that's country-esque. And so for me, when I think of country, I get turned away by some of the modern country. although I'm really digging some Chris Stapleton and some of these other guys I'm really digging. But like when I hear country, I think Kenny Rogers, Merle Haggard, I think Willie Nelson, I think, and I think we really do dig, even going back Hank Williams and even a little further, like when the, as you listen to, I love this that we're talking like, oh, we only had 10 channels and whatever else. And I'm going hockey night in Canada and the nashville network you know and throw in a little emma daughter's jug band christmas and that's my childhood and i'm happy and i love all that so i i i get what you're saying but this i mean the sadie's i think alt country i heard earlier from one of you guys that's very much the feel from devil enough you roll into i'm free disarray me justin you you inspired me because i I have the vinyl here with me. And so I quick looked at the bottom and I'm like, okay, I gotta catch this one cause I've missed all the other references that you mentioned. So you got Virginia Woolf, who's listed at the bottom of I'm Free Disarray Me. And when you do your research, you think about stream of consciousness.Track 6:[51:31] And that really, I think, kind of sums up your lyrics in this particular song.Track 6:[51:37] Swagger again it's it's it's it's it's the same but it's not i heard us all say that it's the same but it's not i i i loved where it went with this and it's bringing us down now right because we only have one more song we talked about the track listings and the order and now it's given us getting us i think this is kind of setting us up for saved at least me personally uh what you think craig.Track 4:[52:03] This was the first song that actually popped into my head just out of the blue one morning when i woke up because it took quite a long time for that to happen with this album i was still singing grand bounce songs you know every morning waking up and then one day it was that i was like wow okay and and same one thing i want to mention this is kind of, going off of what you're talking about with vinyl i was listening to this you know doing dishes.Track 4:[52:29] With you know on apple and the amount of times in the last few months of doing this you know this show with you guys listening to music and it glitches for just a second when i'm streaming and it just drives me nuts and so just that was one thing that i just had a note note about that that this album needs to be listened to on cd on on on vinyl anyways that was just a little pet peeve of mine and also the the snare again in this song was just a little a little much for me it was it was it was really up front and i i like loud drums typically in a mix but i just I don't know there there was it's almost like with the snare being that loud I'm missing a bit of the kick drum and speaking of which you guys must have noticed that the the bass players you know playing stand-up I had the thought a few times like I wonder and this is not to take away from what he's doing but I just wonder what it would have sounded like if they if they used an electric bass on this album because I found the bass to be not as prominent as on the last three albums you know there it wasn't sticking i don't think that's just part of the style of this band.Track 6:[53:38] Great i have a question though craig in when i look at the watch the videos oh yeah he has an he has an ampeg like he has a bass amp so he's taking a stand-up bass which traditionally you just mic or go straight into the board and he's he's running it through a traditional rock bass you know pickup bass right in through like the standard road hard ampeg so um so it gives it that good gritty sound but i will agree 100 it's not as prominent and i would like it to be a little bit more only just being a musician but it didn't didn't didn't dissuade me from my love for this album yeah.Track 4:[54:21] Not at all and i think it were like sometimes the best bass players are the ones you don't notice like they're just tight to the to the drummer and that's really all that matters but there was really only a couple times on this album where i where i noticed.Track 6:[54:34] Very accurate Accurate statement.Track 5:[54:36] This, I think, is my MVP. As a kid who was raised on prog, you fall into the song and just let it kind of take over. I don't know. I actually found, weirdly, a karaoke version of this on YouTube.Track 3:[54:52] Really?Track 5:[54:53] An instrumental version of this. No way. And I played the piss out of it just today driving. Driving and uh yeah it's it's really odd that this is the one that's an instrumental track for, yeah but just the phrasing of things lyrically and musically like he's it this doesn't sound like any other song that gourd has has put together as far as i'm concerned i.Track 6:[55:17] Love i love that connection with prog rock justin because you've mentioned that multiple times that that's something you love. And when you said it, I had not placed it until you said it. And I agree with you on that's a great, great, great description of it.Track 5:[55:31] There was a lot of references to the Sadie's covering Pink Floyd in live shows. And I'm like, oh, there it is right there. The song is that.Track 6:[55:42] The next one to the next one to could be, you know, Jim Ladd headset session, listening like with Pink Floyd.Track 3:[55:50] Oh, the next one is gorgeous, I think. It's the first slower tempo song that we have on the record called Saved.Track 5:[58:56] Again, I can't believe that the reviews said this album doesn't make sense because about halfway down, the plane starts to land, right? And every song from halfway on is just you're descending and you land perfectly softly unsaved. And this song also sounds a lot like Coke Machine Glow. And it's just really mellow and it's Gord doing his thing. and i i don't know i love it.Track 6:[59:26] Almost every album i feel like has had a an extended version of coke machine glow track to it i i i love that i i hadn't placed it until you just said that because i felt the same way about some of the other the other albums is there that could be on coke machine glow but you're exactly right and then he continues that theme as it goes almost like the uh like his is the poetry book.Track 3:[59:53] Craig is holding up his notes.Track 4:[59:55] Nobody else can see it. I said the exact same thing. Pattern of Ending solo albums and some hip albums with a track with a much different feel is what I had written.Track 5:[1:00:07] Which goes back to Road Apples.Track 4:[1:00:12] I really love the line the music is so loud that it flaps your pant leg. It reminded me a little bit of Yawning or Snarling. Just the line in that.Track 5:[1:00:23] Thank you. I would hold up my notebook if it wasn't typed out. Because that's exactly what I have to.Track 4:[1:00:30] We are, let's see, as of recording this episode, we are, what time is it there? We're about two and a half hours away from the 10 year anniversary of this album. Of the release of this album.Track 3:[1:00:41] Oh, get the fuck out.Track 4:[1:00:42] Yeah. Wow.Track 3:[1:00:44] Oh, wow.Track 4:[1:00:46] I just had to look it up yesterday. I was like, wow, that's pretty cool.Track 5:[1:00:48] Oh, shit.Track 3:[1:00:48] That is cool. Huh. I normally have them all in my calendar, and I don't have that in my calendar. Huh. Good find. Yeah, it's going to be, yeah.Track 6:[1:01:00] Good find, Craig. Great find.Track 5:[1:01:02] J.D., you have about two and a half hours to make a post.Track 3:[1:01:06] Any more unsaved?Track 5:[1:01:09] I don't know. I didn't pick it apart too much. I loved that imagery of the line, Craig, that you just mentioned. The music is so loud, it flaps your pant leg. And there's a really strange, it's almost not, rhythm to the way that he sings it. It would be really hard to transcribe that onto a, onto a sheet of music.Track 4:[1:01:29] I also enjoyed the, um, the, the, the, they finally played a bit without the drums, you know, like this whole album has been very much like a full band. And I mentioned last week, I believe that one of the strengths of, of country of miracles was that they had so many members that they could all just take a break every once in a while. They didn't feel the need to always fill up every space. This band's the opposite because they're, you know, there's just four of them and they, they, you know, they're very much a typical rock band where everyone's playing all the time and so i actually enjoyed that there was a bit of time at the start of the song without drums no no offense to the drummer um but sometimes you just need a break this.Track 6:[1:02:07] Song to me was the you know that that cup of coffee after dessert or you know the cigarette after sex it was that finisher it was uh it was that we're all in good, good, good company. I love the connection back with Coke Machine Glow. I love the connection back with that changing that ending song. But to me, it was, all right, more so than the others. It was like, okay, here's your big warm hug before whatever comes up next.Track 3:[1:02:39] Oh, I like it. It does feel like a warm hug. It's a very comforting song for me. I don't know why, but it chills me right out. It's a great cigarette after sex. Kirk, I love that. It's really tremendous.Track 5:[1:02:55] It sucks that this album was only a half hour long.Track 3:[1:02:58] I know. It's so strange after The Grand Bounce, which was nearly an hour. But again, these guys are just so efficient and economical.Track 5:[1:03:10] It's one good fast job, baby.Track 3:[1:03:12] That's right.Track 6:[1:03:14] So does- Hey, did you know that that is his second highest played single, or at least versus Spotify when I last checked? Does that not totally blow you away? Like at least if you just look in his Spotify category, I believe it's number two behind like the Chancellor, I think is probably the most sense. But now i'm now i'm gonna look sorry i'm gonna i'm gonna see if i can back my own research.Track 5:[1:03:43] So interestingly i i don't have hard copies of any of these albums so i'm i'm strictly listening on streaming i use the youtube music app i don't really care for the interface on spotify and there is zero existence of this album in that in that space so i had to download band camp and buy the album that way which i was happy to do yeah i love band camp but yeah i had to uh that's the only way I could find this lyrics.Track 6:[1:04:07] All right, gents. I did the research. I was incorrect by two. It's Chancellor, the East wind. Oh, I am lost.Track 4:[1:04:15] That's then one good. Mind blowing.Track 5:[1:04:17] No shit.Track 6:[1:04:18] Number four.Track 4:[1:04:19] Yeah.Track 6:[1:04:20] Like that. It's even in the top five to me over like.Track 4:[1:04:23] You know, it's a great song. These songs that I thought were more well-known. Wow.Track 6:[1:04:29] Thank you.Track 4:[1:04:29] Yeah.Track 6:[1:04:30] It's surprising to me that.Track 3:[1:04:32] Yeah.Track 5:[1:04:33] Well, even, Even the opener on this one, Crater, I mean, it has a great video too.Track 6:[1:04:39] Oh, that's right. That's right. It is a really cool video.Track 4:[1:04:43] So the album art's interesting too. Did you catch that there's the different members of the band on the album? There's probably about these portraits of like, I don't know, 50 people. And if you look carefully, you can find all of the members of the band. I did.Track 6:[1:05:01] I did, absolutely. It's, yeah, on the album.Track 5:[1:05:04] And the artwork and the sound and all that, it kind of reminded me of the Beatles. I don't know why. But there was something about it that was familiar.Track 3:[1:05:16] Beatles-esque.Track 5:[1:05:17] Yeah. Yeah.Track 6:[1:05:20] I could see that. I mean, especially from an artistic standpoint. Yeah. Very much can see that.Track 3:[1:05:26] Yeah.Track 5:[1:05:27] Overall, I was super happy that this was the next thing. And I wish that there had been another one to follow it.Track 3:[1:05:33] So does it stay in your rotation then, Justin?Track 5:[1:05:36] Mm-hmm.Track 3:[1:05:37] Yeah, it does. Craig, how about you?Track 4:[1:05:40] A couple of days ago, I probably would have said maybe not. It's an album I'll definitely pull out here and there. But no, I do think I really am enjoying it lately. And like I said, the turn of the weather really helped. This is, to me, a summer album, not a, I think, come winter, I'll put it away again.Track 5:[1:05:59] End but the i'm sorry but i got it before i forget it right we just had the eclipse as we're recording this and i was stuck in traffic it's a 17 minute commute to get home and it took me 90 minutes so i listened to this album three times on the ride home and it's a great even if you're stopped it's a great album to be in the car.Track 6:[1:06:20] It's going to hit the turntable for me on a fairly regular basis for a while. Like I said, Grand Bounce, I couldn't get it out of my head. And finally, it might even have been an I'm Free Disarray Me, just that very methodical line that came through that turned it for me. Me but i love i i love it absolutely love it in fact i'm i'm probably more excited about digging deeper into the sadies once this whole project is done the sadies and several other canadian bands that i'm not as familiar with that you guys have introduced me to and i'm very thankful for but uh yeah this this one's staying in the rotation if you've got any.Track 3:[1:07:02] Bands that are gore adjacent or canadian indie adjacent uh send them our way discovering downy at gmail.com And we'll be sure to read that email on the air.Track 5:[1:07:18] I will say that as much as I've enjoyed this album, I've also really enjoyed the songs that are not on the album that Gordon and Sadie have played together. The cover of Search and Destroy. Holy shit.Track 3:[1:07:32] Right, you sent that to us a few days ago.Track 5:[1:07:35] That song melted my goddamn face off. It was so good. So good. And it was like 7, 12 in the morning or something. I was like, all right, I'm out of bed now. This is awesome.Track 4:[1:07:45] One of the shows I found online was here in Vancouver at the media club. And I actually remember hearing about it. And I'm just kicking myself that I didn't get to that show. This is like a tiny, tiny, like this is where my original band a number of years ago did our CD release party. And yeah, there's maybe room for 80 to 100 people in there. would have been amazing.Track 3:[1:08:10] Oh damn that.Track 6:[1:08:14] Is definitely i don't have a lot of regrets gentlemen but not seeing any iteration of gourd solo is very much i'm glad video was around because but i would have really really really enjoyed.Track 3:[1:08:28] Seeing that feeling thousand percent live yeah.Track 5:[1:08:32] I go back to that sweaty basement uh in me in massachusetts and like dude i went to those shows all the time and I wasn't there.Track 3:[1:08:39] That's crazy so Justin you've already sort of given this away even though we we you know we tease it throughout the show and typically give it away at the end but we'll start with you and your MVP track.Track 5:[1:08:56] Yeah, it's totally I'm free, disarray me, which took me by surprise, but then it didn't totally. You know, after the way that by, you know, the music that my parents played when I was a kid, this song is just cosmic cowboy, trippy shit.Track 3:[1:09:14] Kirk, how about you?Track 6:[1:09:15] All right. Los Angeles Times.Track 3:[1:09:21] Excellent. I love that pick. I liked your pick too, Justin.Track 5:[1:09:25] That's the hometown.Track 6:[1:09:26] Oh, yeah.Track 5:[1:09:27] That's okay.Track 6:[1:09:28] And it definitely is not one that I would have really settled in on had it not been for our discussion today, honestly. Because almost every song on the album has really fallen into near the top. You know, Conquering Sun, Budget Shoes, I would say, of everything, those definitely hit that number one spot for me multiple times. But Los Angeles Times is the one that just kept coming back, and I just kept feeling, and I kept growing further, enamored with on all fronts. So that's my pick, and I'm sticking to it.Track 3:[1:10:03] Very cool. Craig, you?Track 4:[1:10:06] Yeah, I had a hard time picking a song. And I found, kind of like what Kirk said, there was almost less of a range between the songs I enjoyed and the songs I enjoyed less. They were all in roughly the same region, whereas the other albums, there was some tracks that right away really, really got to another level with me. I think this album maybe doesn't quite have quite the emotion that the first three did, which is usually what hits me when I really love a song. Usually it just grabs me emotionally. And this album didn't have that in the same way. my my go-to song here is is going to be uh it didn't start to break my heart until this afternoon, just just a good good punk rock song yeah just nice just a great yeah great driving tune and.Track 3:[1:11:00] Gets the blood flowing, right? And I agree with you about the previous three records. They're just sort of more raw and improvised feeling.Track 4:[1:11:08] And more range to them, right? This just feels... There was more... Yeah, just... More variety. Yeah, more...Track 3:[1:11:15] Dynamics. Yeah. Yeah.Track 5:[1:11:20] There was a point where critics were really starting to tear Gord and the hip down. Yeah. When this album was coming out. And they were like, all right, we get it. The soup's getting cold. It's the same shit over and over, year after year. The performances are boring. It's not great. And I think, I don't know, but I'm thinking that this album was Gord's big middle finger to those guys. I'm still doing this. He's 50 years old.Track 4:[1:11:49] Can you think of another artist that has done what Gord has done? He's now got three bands that are all so amazing. Yeah, that's right.Track 5:[1:12:01] At the same time.Track 3:[1:12:01] At the same time, yeah, you're right.Track 4:[1:12:03] Yeah, mind-blowing how much high-quality work he put out through his whole career, but especially in this middle chunk here.Track 3:[1:12:12] Well, and if you think about it, this is a perfect segue because beginning in 2012, he started work on the record we're going to talk about next week, which is Secret Path. And that record didn't see the light of day until 2016. 16. So even then with that record, he's assembled the band again, and it's a great band as well. So this guy is just producing at a level presumably around the same time he's doing Luster Parfait. Because he's working with Bob Rock pretty exclusively, right?Track 5:[1:12:49] Right.Track 3:[1:12:50] So, God, just fascinating what we're what we've gotten up to so far i can't wait we are halfway done his records we've got one more studio record and then god damn it three posthumous records uh it's going to be tough to get through those ones guys i know it yep anything else you want to say before we wrap things up i.Track 5:[1:13:15] Don't know i love it man i i love this project i feel like we're a broken record because we're all going to say the same thing and we'd say it every episode But this project has gotten me back into, just like you said, Kirk, discovering new music. Or it's new to me. Right. And I am finding so many new things that I didn't know I didn't know.Track 3:[1:13:35] Right.Track 6:[1:13:37] I'm i have been frightened from the beginning because you know you listen because it's your first time listening to a solo stuff for you know i was frightened every single album that, yeah i was going to be disappointed yeah yep and i just keep finding a new way to be enamored and i don't mind being that easy when it comes to gourd and what's going on uh you know i i we talked about, you know, my, my experience with the hip, you know, having to hear about it from friends and not having that, you know, immediate access to everything. So I'm thoroughly loving the fact that the emotion and the feeling that Gord and the hip, all the musicians he's been involved with on the solo, just keep raising the level. So I'm now just like, I'm, I'm, you know, what I like about this, you guys is you're nervous and worried. Now I'm not nervous and worried. I'm I'm just, I'm excited about listening to what's coming up and I'm so excited.Track 5:[1:14:37] If you, if you enter the, if you enter the room knowing it's going to be a mindfuck when you get there, it's perfect

This week in the pod, the gang is up to their neck in the fantastic effort by Gord and the Sadies. You're gonna want to check this one out!Transcript: Track 1:[0:00] Hey, it's Craig here, and I just wanted to let you know that Christmastime in.Track 1:[0:03] Toronto is coming early this year. Join me and the Discovering Downey crew for the recording of our podcast finale, live at The Rec Room in downtown Toronto on Friday, July 19th. Long Slice Brewing presents A Celebration of Gord Downey, which will include a special in-person interview with Gord's brother, Patrick Downey. Spend the evening listening to your favorite hip tunes provided by the almost hip and help us raise money for the gourd downy fund for brain cancer research with a silent auction featuring incredible items up for grabs visit discoveringdowny.com for tickets or for more information about the event, let's have a toast for charity wickedness and most importantly hope.Track 2:[1:04] DOS Beauty I name my guitar My Beautiful Behor Everybody's coughing here And music's infiltrating work In the most pleasant way It's a system based on silverware Listening's an extrasensory Perception And talking the only psychic thing and I can dress you in my thoughts until you wear them. I've been taking care of my clothes like they're cattle. Try this shirt. It would look so good on you.Track 1:[1:42] Welcome, music lovers. Long Slice Brewery presents Discovering Downy. Hey, it's J.D.Track 2:[1:52] Here, and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal acrobatics that awed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of The Hip out there, but have you heard these records? Because I'm an inquisitive podcaster, I enlisted my friends Craig, Justin, and Kirk, giant fans in their own right, to discover Downey with me, JD, as their host. Every week we'll get together and listen to one of Gord's records. We're starting with Coke Machine Glow and working from there in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about Gord's fourth record, and his first and only with the Sadies.Track 3:[2:58] Occurring son kirk from chino how the fuck are things with you buddy jd.Track 6:[3:04] I'm uh i'm back home after a little bit of travel it's been good travel um it's allowed me to really kind of soak this album in so i'm excited talking about it with you boys.Track 3:[3:15] Can you confirm this craig i'm kidding yeah how's it going pretty.Track 4:[3:20] Good yeah also looking forward to talking about this album them and it this one took me a little bit of time to get into but we'll talk about that i have been a little under the weather since the last recording it was about halfway through the last podcast i started feeling something coming on and just won't go away just a cold thankfully but yeah other than that things are well.Track 3:[3:41] Well that's good justin you've been a podcasting machine today are you spent or are you ready to talk shop with me i'm.Track 5:[3:49] Just getting started buddy.Track 3:[3:50] Yeah well let's get into it then and the conquering sun is the album we are discussing this week after three consecutive solo outings with some form of the country of miracles gourd wrote and produced this one with the sadies who had just come from supporting the hip on their world container tour Like so many, this marriage was consummated by the CBC, when the Sadies chose Mr. Downey to collaborate with, as was the program's premise. The Sadies are a Toronto-based and road-tested throughout Canada and beyond, with an original lineup consisting of Travis Goode, Sean Dean, Mike Belotiski, and Dallas Goode, who sadly passed away in 2022. This band, as I mentioned, is road-tested with buckets of swagger and chops for days. But how do you talk about The Conquering Sun? After the loose and improvised feeling of the last three records, this record is tight and economical. With a 30-minute runtime, I had to listen twice to get my walk in.Track 3:[4:55] Of the four records we've listened to so far, this one makes my Olympic podium for rock and roll with a hard-fought bronze medal, which is nothing to shake a stick at unless, of course, you're shaking the stick in a complimentary fashion. There is absolutely nothing wrong with this album. In fact, in my opinion, this record is the closest we get to a sound that is reminiscent of the hip, up and down on this record. The songs are screaming for radio play if only radio had been a factor upon its release in 2014. From the rip of Crater right through Saved, there isn't a missed opportunity on this record. I could go on about how much I like this record, na-na-na-na, blah-blah-blah, etc. You might be curious how I'm literally singing this album's praises, yet I've only ranked it third of four. I promise I'm not damning with faint praise. It's more that I loved the ceiling of the country of miracles, particles and the idea that we don't get a fourth effort from that entity bums me out a little bit so it's hard to go into this one with that ripple of bummed outness influencing me a little more than frankly i'd like but who cares what i think let's check in with the crew craig we'll start with you this week.Track 4:[6:04] Yeah this album like i i mentioned took took a few listens to get into um it's definitely not in you know it's not my favorite of the four we've heard so far but it's really just it's drastically different it just has a different vibe and there are a lot of things I really like about it and I think that my biggest realization is this this is a summer album this is a a nice weather taking a drive in the car putting the windows down this it's that kind of album and for the first couple weeks I didn't have that weather but but just past in the past few days we have and it's just it totally changed my outlook of this this album.Track 3:[6:45] I was on mute. Justin, what are your thoughts overall?Track 5:[6:49] Oh, I needed this one. I needed this album to get my headspace back into this. And I think I'm going to rank this number two so far out of the four. I actually really love this album a lot. And like Craig, it took me a minute to get into it, but something clicked and I have been listening to it at least two or three times a day every day since. And in the car, on my phone, with or without earbuds trying to get the different parts of the sound, and it kicks my ass every time. I really just like this album from start to finish. Every song kind of sounds the same, which makes it sound like one big long song, and I really kind of love that.Track 3:[7:28] Interesting. I can't wait till we break it down. What say you, Kirk from Chino?Track 6:[7:32] Like my brethren here, it took me a while. In fact, it took me a while because it almost felt like a divorce and maybe a bit of an affair Was going on with with our buddy Gord. I was so I.Track 6:[7:48] Immersed into what was happening with the country miracles and like you said in the beginning like the ceiling like i wanted more and i was so ready for more i had the vinyl of this one the last ground bounce i didn't and i listened to it and i knew there was something there but i was angry honestly i was angry because i wanted more as we had mentioned but man did it grow and grow row. I'm not going to rank it right now because every time I rank something, a day or two goes by and something happens. And I realized, oh man, that was, you know, the grand bounce. That was Coke machine glow that, and you know, every album that we've had a chance to listen to has been, I think in every slot, if that makes sense, depending on the time of day or what's going on. And and so again it just brings you back to joy because i didn't dive in when it was happening which of course i'm a little sad about but i'm so excited now that i'm like i'm really loving music discovery again i'm really loving listening to albums i'm really loving i don't care if it's in the car if i'm walking the dog if i'm sitting at work if i'm you know working on something on on the computer and I've got the music going.Track 6:[9:11] Like I have not spent this much time with new music. I say that in quotes because it's obviously not new, but it's new to me, new to us.Track 6:[9:23] And I'm just, I'm loving the ride. That's all I got to say. This one is the last two, I mean, like I'm going to be listening to these forever. And I'm going to try and preach the word and get some people to jump on board because it makes me sad when I look at Spotify or something and I see the honestly and don't jump on me. It's like the limited number of listens to the Gord stuff. I have friends that have put stuff out that have more downloads than that. I'm not saying that in a negative, I'm saying that in a like, that shouldn't be. That shouldn't be, so. Right. My diatribe's over, sorry.Track 3:[10:03] No, no. Well, that's why I was mentioning off the top too too, that it screams for radio play to me. It's very radio-friendly. There's nothing over four minutes. And fucking radio just didn't matter in 2014. So of course we were never going to hear this. Unless we were paying very close attention.Track 6:[10:26] Absolutely.Track 3:[10:27] Clearly we were not.Track 6:[10:28] Absolutely. Radio.Track 5:[10:29] Radio still matters to me. I'm a radio guy. I'm going to tell you that right now. Yeah. Love radio.Track 3:[10:34] Radio doesn't love you back though. That's the problem. Like it's getting stripped down and worn down and these formats, you know, like if you've got a, if you've got a local that you love, then by going to stand with it, right?Track 5:[10:47] Yeah, you're right. We have, we have a, I'm going to sidebar here for just a second. We have a great station here in Southern Vermont, WEQX, which is one of the last great independent alternative rock stations in North America. And they discovered No Rain by Blind Melon. They were the first one to play it. And they just got this great pedigree, and they love to play Gord's solo stuff. From 2020 on, there's been a lot of new Gord solo stuff that's really been great.Track 3:[11:19] Get up. Right.Track 5:[11:20] And it's kind of been hard to not listen ahead during this project. Wow. I don't know if they played any of the stuff from this album, but this would totally fit.Track 4:[11:28] Yeah, we once had a really awesome independent radio station down in Bellingham, Washington, which we could pick up in Vancouver. And they actually, their tagline was something like, we don't play Canadian music because we have to. We play it because it rocks or something along those lines. And they would play The Hip and Rush. and yeah that's the only american station i've heard that that played a ton of the hip and yeah of course about 15 years ago they got whatever bought out by chorus or someone and it's now just yeah yeah your standard rock radio well.Track 3:[12:02] Should we eradicate this problem and educate people on this record go through it track by track are we ready let's.Track 5:[12:10] Go sure yeah.Track 3:[12:12] All right we start with track one side a it's the classic rock tinged crater what did you think of this one mr greg.Track 4:[12:25] My dad uh came to vancouver from new zealand in 1965 to to buy a 65 chevy impala and this song crater is a 1965 chevy impala cruising down the road it's just a great rock and roll track yeah um man that snare drum is yes snare snare yeah it is it is there in the mix yeah definitely i didn't dive into the lyrics at all especially um the songs that were more kind of rocking i i just i was just enjoying them and the only thought i had lyric wise was um almost like an idea of like either you're you're the crater or you're the meter meteor And I was kind of thinking along the lines of there's that not so great Dire Straits song, Heavy Fuel, where he says, you know, sometimes you're the windshield and sometimes you're the bug. And that was kind of the... What i got out of the lyrics on this song.Track 6:[13:25] I i wonder in the lyrics and maybe you guys did further research that i didn't see like how much of it was gord how much of it was the gents from the sadies because i i knew the name the sadies but i honestly until this i had not really you know dove into some of their music and i think in one of our you know communications justin had mentioned that as well like he's doing a lot of listening to the sadies and and i try i you know my listening at first it's this is it's going to sound weird um i did a lot of listening at first obviously like through spotify or whatever else but it wasn't until youtube and i got to see these guys and they're wearing like their nudie suits is what it looks like you know and i just i just saw a bunch of them they had a big exhibit at the you know country music uh hall of fame and they were We're talking about that LA country and, you know, very much a country tinge, but, you know, they're using those hollow body guitars. And anyway, so back to lyrics, like what's the balance between Gord and the Sadie's? Did anyone find anything on that?Track 4:[14:30] My understanding is that they, that the Sadie's wrote the songs and Gord wrote the lyrics that, yeah. And it was recorded apparently over a number of years. This wasn't like an album that was done in one session, which I find surprising because like someone said earlier, it's, it sounds just like a, it's a great album. It, it really sounds like it was just tracked in one day or something. It's yeah, there's a.Track 6:[14:53] There's YouTube has a, uh, interview of, I think the Sadie's had just put an album out. It was like 2010 and Gord was with them and they, you know, obviously had some discussions about their, their time together. And in some of the research it talks about, this has definitely been a long-term type of thing. Great song.Track 5:[15:10] Yeah, there was a CBC fuse in 2007 is what put them together. So it took seven years for this album to come out from that first collaboration. Collaboration I really like the sound.Track 6:[15:21] From a musicianship standpoint ethereal is really the kind of the adjective that came to mind on a lot of the the guitar parts that the Sadie's had you know very much a hollow body type guitar going through either a Fender a lot of reverb I really liked that driving sound I really really liked it it was it was pretty prevalent throughout in my opinion anything.Track 3:[15:43] Else on crater i.Track 5:[15:46] Just yeah i mean this is gourd this is like this is a live show on a record um this one song particularly and he is giving it all he has what at the end of the second verse and if we record any of these songs this is the one i'm doing because this is a this is a screamer and it's so much fun to be it you know we don't want to we don't want to do it we want to be it this song is fun to sing, Yeah. So I also, I downloaded an app because I noticed my foot was tapping a lot faster at the end of the song than the beginning. And I, so I, I downloaded an app and it picks up 13 beats per minute from the start to the finish.Track 4:[16:29] Oh yeah. That's something I'm going to be talking about later. Cause I, it was driving me nuts. One of the songs I was trying to actually figure out what was happening mathematically and yeah. Okay. I'm glad I'm not the only one noticed.Track 6:[16:43] I love that. I love the time changes in a variety of different songs. I put them down in a few notes. But the one thing I really want to say before we dive into any more, long live the guitar solo. And there's quite a few guitar solos on this album, specifically Crater. And they're just, they're solos. They're good solos. And on the other albums, we'll call lead lines, but there's not a lot of solos. And I'm digging that, getting that back, because we haven't had that in the first three.Track 5:[17:15] Oh, yes.Track 3:[17:16] Nice. Well, the next one is sort of the titular track, but not quite. The Conquering Sun does what for you, Justin?Track 5:[17:27] When I look out the window and see Audette's Blue Spruce Farm across the street, That's kind of what I think about. I mean, it's getting on time to plant. And here it is as we record this. It's planting season and working the fugitive dust. Nature, please be good to us. You know, we just had this massively wet spring that wiped out a shit ton of the farms around here. That's, you know, before they even got started. For me, that's part of what this song is. There's also the line, she is more than a conqueror. And I wonder if that's a reference to Gord's wife, Laura, with her recent cancer battle. I don't know when this song was recorded in the timeline of all that, like what year this happened. But I interpreted it as possibly something that could be a reference to defeating the cancer. And the other thing that I really, it was a callback to We Are The Same is when Gord's, his vocal run during hearing, ooh, day is your word, night is the glue. He does that exact same thing in The Depression Suite. That very same run, the change, the pitch, the length, I love it.Track 4:[18:41] Yeah, I caught that too. That's great.Track 6:[18:43] Great song. It was one of those. I think I mentioned on the last time we spoke, there was not a definitive MVP for me. This one has fallen in and out of MVP, and it may fall back in at the end of this recording. morning. But that's one of the things that really showed me this was a great album, but specifically this song. I just felt immersed in it. And like I said earlier, Ethereal, again, another great solo, another great, that sound that the Sadies have. They have, these guys, what are they like six, five, six, six, they look like trees and they might be a buck or five soaking wet and the suits are barely hanging on them and he's just playing this you know telecaster like it's a little tiny you know a small ukulele and they just have this they they just have this presence and like i said it really wasn't until i i started seeing them that i i got the sadie's because when i was listening it didn't hit me as much and i was kind of hoping i don't know if i mentioned this earlier because they were on the world container tour and i was wondering if they were the opening band I didn't find anything that showed them specifically, but when I watch the videos, it doesn't bring a memory or recollection that I saw. I think it was Sam Roberts that opened for a lot of the shows that I saw here in California.Track 5:[20:06] I saw Joel Plaskett as the opener on that tour.Track 6:[20:11] Got it. Got it. Yeah. So I was kind of hoping that they were one of the openers. But you know now i'm really excited that you know just in the last couple of days i would say is really when my attention has gone towards them and when you start hearing and seeing how they crafted these songs together and how they worked so well with gourd and his phrasing and and so yeah love this love this yeah.Track 4:[20:38] The the sadies are actually on tour as we record this and i'm hoping to pick to go down to the the vancouver show uh so you might you might want to look at dates they They might be coming down your way.Track 6:[20:48] I hope so.Track 4:[20:48] Yeah, this song, to me, as soon as I heard it, it reminded me of Nico Case. And Nico Case is someone who's worked with the Sadies. And so it is very much that sort of alt-country vibe on this song. And this was probably the song that drew me in right away. Again, like Kirk said, it was in the contention for my MVP track for sure, which, like you, keeps changing. and yeah it's just just a great feel to this song.Track 3:[21:18] Yeah i couldn't agree more i think we're two for two so far on this record and we're gonna find out that let's go pretty even record it's a pretty even fucking record los angeles times has the aforementioned swagger dripping from it, Kirk, did you like this one as much as I did?Track 6:[25:07] I'm going to say yes, absolutely. But it didn't start out that way. This actually was one of my least favorite tunes after the first couple of passes. I just didn't quite get it. It was just kind of like, it was almost too much swagger at first for me. Because remember, I think we're in a divorce right now. I think this is an affair that's going on. So I'm a little adverse to the song and the album and almost everything because I still have his last, you know, that last record that just moved us all. It was still here. So there was this almost a betrayal, swagger, distaste that I had in the beginning. But listening to it, re-listening to it, listening to it in headphones, listening to it on vinyl, listening to it in the car, listening to it in the plane, listening to it in the hotel. The key changes, like we'd mentioned earlier, just another great solo, just great rock. And, hey, I'm an LA guy. So this one definitely turned and has also filtered through multiple times sometimes on the mvp track side so yeah to me it's three for three and i'm just gonna pre-call it for y'all.Track 4:[26:22] Yeah yeah i found this song to be um i was the same way i found the the progression to be a bit generic at first and so i didn't really love it right away but yeah it really grew and i think what makes it work is that this band is just so tight they're so i mean loose but Yeah, the tempo, you know, picks up and, you know, there's the push and push and pull, but they are such a great band that they can pull off anything. Just a simple strumming pattern and make it sound pro. And there's that thing you mentioned off the top, JD, the blah, blah, blah, et cetera, which I was wondering if, I'm sure you guys were thinking the music at work, live, Gord would do the et cetera thing. Did you find anything lyrically, Justin?Track 5:[27:10] Yeah. So there's a dedication at the end of the lyrics for Walter Van Tilburg Clark, who wrote The Oxbow Incident, among many other works. And that became kind of one of the great Western movies of all time. And it's about, the subject is these cowboys thought that one of their buddies got murdered and that somebody stole their cows. And then they found this group of three people that they thought did it and they hanged them. And then they found out that the guy survived and it wasn't them and you know it was just a big mess so it was it was the oxbow incident and uh yeah so it was a complicated story and but this isn't about the story it's about the author there are a lot of references to lines in the book or the movie but it's you know there's a line he was born and raised and moved away and that's about i think walter van tillberg clark who was born in maine but then his parents moved him to nevada and then he moved to in New York and then he went he was kind of all over the place beyond that I don't know it's, There's one thing that is a bit of a departure, I think, on this album is that the lyrics aren't too deep. There's not a lot of mystery in this album with Gord's lyrics. And I was hoping for more of that, but the research was a little easier than I wanted it to be on this.Track 4:[28:26] That was something I noticed too, is like there didn't seem to be as much to dig into.Track 4:[28:31] And once I kind of got past that and just started enjoying it, I really did grow to appreciate the album a lot more. It's funny that you mentioned the Oxbow incident because number one, a couple of weeks ago i was in la and we did did a couple studio tours and this is one of the movies they actually mentioned i forget if it was warner brothers or universal but it was shot at one of those two places in the next song so one good fast job one of my notes here is oxbow incident because of the line it says art shot said wellman to fonda so wellman the director and uh fonda the the star of the show so um nice kind of a neat little tie and i had no idea that the previous song had that reference so i'm glad you caught that this song i really love and this was the one i was um i found really interesting the the progression you've got like almost like a eight bar blues but then they throw in an extra bar so it's like this nine bar which just throws you off off balance a little bit once you once you hear it a few times it makes perfect sense but there's the lyric about drop you know planes dropping paper and dropping scissors and the chimps becoming regular wizards i think it is. And so that made me think of, there's a couple of Simpsons episode that reference like the infinite monkey theorem.Track 4:[29:46] What is it? Infinite monkeys, or give a monkey a typewriter and let it type for infinity. It would create, you know, Shakespeare. And you know, it would just some ridiculous theory that has, you know, been, you know, criticized heavily, but I wonder if there's something to that.Track 6:[30:03] Sorely discredited.Track 4:[30:05] And I really like, there's the line too about something about forget the commas. This is one good fast job. And it almost made me think of this album that they just like banged off this out. Like, let's not, let's just have fun. Let's just write some songs and let's not take ourselves too seriously. So those are my thoughts.Track 5:[30:23] Well, I think there was some controversy over the name of the band. And there are commas in that band name. And I think that they're just saying, you know, screw it. And like, nobody asked for this. We're just doing it. let us enjoy it. I did see a couple of interviews where Gord and members of the band were like, can we not dissect this? This is just rock and roll.Track 4:[30:44] Yeah.Track 6:[30:46] One thing in watching some of those videos that I had mentioned, the last two songs that we discussed that they had played, it was a Greenbelt Harvest Festival thing show that was on. They had almost every song on there and he was playing with the Sadie's and watching the crowd to me was actually quite entertaining because they just sat there and looked in bewilderment right because I don't know they obviously have probably some relationship with with the hip and who knows if they're early hit people or later hit people or die hard all the way but when Gord does the solo stuff and then if they're not familiar with the Sadie's they just sat there and looked like yeah why don't what are we experiencing here what what's what's going on and bewilderment was the note note that i wrote right.Track 3:[31:34] Right i mean this makes no sense to me fuck okay sorry uh continue.Track 6:[31:42] It man one good fast job and almost back to kind of those punk type roots and that driving rocking it it's uh who i jd like this album has everything and, Also, one thing I wanted to mention, I know we're not through it all, but I think they did a great job of tracking. I really felt good about where all the songs were. I needed Crater to get me going, even though I was still mad and angry, like we mentioned, and then Saved at the end that we'll talk about. It just was like, okay, I got a good, nice, warm hug. Thank you. you um which.Track 5:[32:26] You know what's amazing is there were so many reviews about this album that said it was not cohesive and inconsistent and like what the hell are you talking about and.Track 3:[32:36] Uneven and blah blah.Track 4:[32:37] Blah yeah what.Track 3:[32:38] The hell man agree.Track 4:[32:39] Yeah no that's a reviewer who read that it was you know recorded over many years yeah that's ridiculous like maybe if you gave it one or two listens but even then even the first listen i didn't love it but it sounded like an album yeah Yeah. One more thing about this song though, before, before we move on, I love the middle section. There's like a bridge or maybe even call it a chorus. It only goes to it once the, I had to look, I had to go, I had to laugh. And it's really interesting how they go through it once, then there's that extra bar, like they keep doing, and then they change the chord progression and back off a bit. Like if you listen to the way the, you know, they're the same instruments, but they just back off and the feel changes totally. And it's such a great effect. Rather than ramping up a bridge, they almost like pull back a bit. And that really was unique. And it only happens once. It feels like a chorus to me, but it's right smack dab in the middle of the song. And I think it's two minutes and like 23 seconds or something. And this is definitely one of my favorites.Track 3:[33:43] Yeah, it's a good one. And the next one is a good one as well. It's got to hold the record for the longest title in Gord's solo oeuvre. Kirk mentioned a moment ago that there's a bit of everything on this record. And to me, the beginning of this song, just the very beginning, is shoegazy.Track 5:[34:00] Yes.Track 3:[34:00] Or it goes into a real punk sort of vibe. And it didn't start to break my heart until this afternoon. Justin, what have you got for us?Track 5:[34:09] So the line, we fought like two Irons, really stuck out to me. and it goes with Kirk. I don't know that this was the middle of a divorce. I think Gord is just polyamorous at this point because this project took seven years and in the middle of it, he released the third album, Grand Bounce. So he is just sleeping around. I love the punk, the hard driving, just we're going to beat the fuck out of this song.Track 4:[34:38] My first real positive experience with this song was driving to my show last weekend and it was like i said a nice day i was driving along and to me like i said it's a real good driving album and i was coming up to this i guess it was a school zone but it was a weekend so there's no school and there was a uh a flashing like speed limit sign it was like a happy face and as i'm driving by it's like it turns to a sad face because i guess i was a little bit above the limit i'm not a huge speeder but i found that kind of quite funny especially after the i just just listen to the line what is it um something about driving fast oh yeah drive drive it like we stole it yeah it's a great great line that's right and then later on there's the dishwasher loaded which i love because i i wish i could say that most of my music listening was in the car but i only have about a five minute commute to work so most of my listening is actually doing the dishes and so this is just a great song when you're doing the dishes and and dishwasher loaded it and it really really kind of got you know i.Track 5:[35:40] Had the same experience man that's.Track 4:[35:41] Found it pretty funny and i actually the first time i noticed that lyric i was actually had just put this open i was closing the door of the dishwasher and so it was just it was just perfect it's so funny yeah.Track 5:[35:51] That's amazing oh.Track 4:[35:53] And great harmonies too on the chorus like love those harmonies yeah.Track 6:[35:57] That's one thing you'll notice too when you watch those or or you see them like the the harmony part especially especially after what we had just experienced for the last three albums, you know, with the female voice going back to a male voice backing. I love that element that it brought to it. And I'm just gonna jump into the next song, Budget Shoes. This is one that I think has probably held the number one spot for me. I would say it's not necessarily still there, but it's been there more often than not. And maybe I'm far off on this, but being the American, one of the two Americans that really likes Canadian culture, it brought me back to Kids in the Hall for some reason. In fact, so much so, if you think of the Kids in the Hall intro, I actually looked it up to go hoping it was the sadies like that really would have made my day if it was the sadies that had done that song that's the intro to kids in the hall.Track 4:[39:34] There is there is a connection there and i hope i'm correct here but i believe i read that the dallas good the the younger brother who you know passed away recently who.Track 3:[39:44] Was the drummer.Track 4:[39:44] He he played so so the good family was a was a country family like they had like a family band and and the older brother travis actually played with his band and Dallas being younger he he went more towards punk and I believe it said that his first or one of his first bands was with one of the members of uh Shadowy Men is that the name of the band that does the theme yeah yeah.Track 3:[40:11] Shadowy Men oh.Track 6:[40:12] Wow nice it definitely was reminiscent of that uh the entire song to me is just brilliant and it it gives you I mean it It really just digs deep inside my soul going back to the ethereal. When Gord hits those moments of the desperation vocal that we heard a lot, not only in recording, but live when he was with the hip, that brought such a comfort to me, right? Knowing where the hip is at, knowing where Gord is at, knowing what's coming. Like this is three years prior to his passing. And just so thankful that we get another version of Gord. And that's really what it was to me is we got, we have the hip and we love that. We have these first three albums, but now we have another one. And it was, Justin, you mentioned it in his lyrics. It's like, I'm not trying to confuse anyone here. I got this great band. They've given me this good music and I'm just gonna give it, I'm gonna give it what's coming to me at the moment. so when he does his and i call it a desperation vocal i know exactly what.Track 5:[41:22] You mean when you say it though.Track 3:[41:26] Yeah.Track 5:[41:26] Yep. Yep. So I'm going to ask the Canadians in the room here about budget shoes because I did some research on this as well. And apparently there's a tradition in Canada that finance ministers buy a new pair of shoes before presenting the budget and they wear them on the floor. Or if they're pissed off about it, they don't.Track 4:[41:48] Oh, wow.Track 5:[41:48] And it's this thing that has happened since the 1860s.Track 3:[41:53] Jesus. Do they go bare feet? I mean, listen, I was a political science major, and I've never heard of it before, but that doesn't really mean anything.Track 6:[42:01] As the other American, I agree with what you say full-heartedly. Love it. Love that connection.Track 3:[42:10] Yeah, I think it's great.Track 5:[42:11] It was strange, but interesting. And I don't know if this song is a commentary on politics and that, or if it just works well with... I mean, this song sounds like, you know, we're sleeping in a tent in a winter storm unexpectedly in the middle of the desert, you know, and I've got nice shoes and you don't, you know, and I'm going to keep my feet and you're going to lose them to frostbite. I don't know.Track 4:[42:37] What I was thinking was I was imagining almost like an old Western movie. It's like sweltering hot in the desert. And yeah, they're camping overnight. Night and you know the most iconic thing you'll see in a western is that you know the shot of the cowboy boots and the pan up and and i'm just picturing this you know guy sleeping in his budget you know there's cheap shoes and that's kind of what i do balances on yeah yeah.Track 6:[43:04] Ouch shots fired they're.Track 5:[43:05] A great company and they.Track 6:[43:06] Make a fine shoe thank you we're not sponsored by any of these particular shoe brands yeah i mean budget shoes you talk about the westerns it's almost like a spaghetti western type feel just in that uh the guitar riff as well so.Track 3:[43:26] Oh, that's cool. I felt that, too. I wouldn't have put that together. All right, let's move on. Demand Destruction. Is it just me, Justin, or does this song feel very much like the Tragically Hip? Am I crazy?Track 5:[43:38] No, I don't think you're crazy about that at all. And this song is, I think, Gord kind of putting out his own views. Again, there's a notation at the bottom. The last one, Budget Shoes, was dedicated to Evan S. Connell, who was the author of the book about Custer where the title of The Grand Bounce came from. So that's a continuation. And then this one is dedicated to Dr. Helen Caldicott, who was an Australian physicist and anti-nuclear war advocate. And it just feels like a protest song to me. I really don't have a lot of notes about it. It's just a nice, fun tune. But there's definitely a message in there. And I think it's Gord speaking about, let's not fuck this up. and maybe some reverence for Dr. Caldecott. It says, I'm not a fan, I just like what you do. I don't know. I don't have a whole lot to unpack on this one.Track 3:[44:30] Right. Well, no, I think you unpacked quite a bit. Craig, what have you got for us?Track 4:[44:36] One thing I'll say about this song is I found maybe the snare was a little too biting for me. I found that if you if you were listening quietly it it just jumped right out of the mix to the point where you almost couldn't hear anything else and when you turned it up it just had just a little a tinge too much oh yeah you guys know who who mixed the album yeah so bob rock and i think he did a great job overall but it definitely you know he's known for those big huge drums and i just would have liked a little more balance i thought the snare was just a little peeking out a little bit too much the rest of the album i think it it works but maybe the song is the poppiest.Track 5:[45:17] I think of the of the songs on the album it's certainly.Track 4:[45:20] Radio friendly fairly typical like blues rock sort of yeah um riff at the start yeah.Track 3:[45:25] That's what reminds me it reminds me of something off of road apples you know oh yeah yeah that era.Track 4:[45:31] Yeah great great harmonies again especially in the chorus all.Track 3:[45:34] Right from there we get a change of pace with mandolin and organ off the top of devil enough. Am I right? Was it mandolin Craig?Track 4:[45:44] Um, yeah, I believe so. I need to go back and listen again. Um, yeah, this is the song I referenced earlier that was driving me nuts. Even today I was sitting there tapping my toes, like trying to figure out the time change. And I actually had this like theory about what they were doing with it, you know, how they're getting from one tempo to the next. And then I just realized after a while it's just feel it's all feel. And I won't even get into it, because there are some weird things that happen. And I think it is what Justin mentioned earlier, I think it's just that flexibility of, of like, you know, they're really pushing the tempo, bringing it back quite frequently. And so.Track 4:[46:25] Yeah, if anyone wants to transcribe this drum part for me and send it to me, I would love to see that because I would love to know mathematically how it works, but I'm pretty sure it is just like a feel thing. This was a song that really stuck out to me. I love that time change. Having said all that, it really, the first few times just really struck me. The guitar playing at the end, the sort of Nashville picking at the end is just amazing. There's a few songs that have those great guitar solos. I think often it's Travis, according to the videos I watched, although I believe Dallas will trade off solo sometimes too. There's the line, Streets Ahead, which of course is a song name from Now For Plan A. And I had just actually recently been watching Community. And I'm not sure if you guys know that reference, but there's a, you know, it's like a catchphrase of Chevy Chase's character. And I actually found a, I wondered if it was related and I found an interview where someone asked Gord that question and he's just like, what? He was so like, no, like what are you talking about? Which of course makes sense. I mean, you don't write books. All these songs you're not a prolific writer like gourd if you're if you're.Track 6:[47:36] Spending countless hours.Track 4:[47:39] Binging you know sitcoms with 120 episodes.Track 5:[47:44] Well and gourd gourd's a dan akroyd guy not a chevy chase guy.Track 6:[47:48] Yeah true hey going back to that the ending part craig yes uh you know they almost have a bluegrass feel in some of these instrumental type solos there's There's rock going on against a different instrumentation, which I absolutely love the devil enough to me almost was reminiscent of like your seventies kind of, you know, Barracuda and like the big songs that would have a slow intro and then rock out or go to another slow, but very seventies rock and kind of anthemic type of we're going to switch keys. We're going to switch tempos i very much got that but again going back to the swagger you feel the swagger in in the presentation of the lyrics at least from my perspective with gourd on this loved it loved it.Track 4:[48:43] Yeah there are some um really great songwriting techniques on this album that you can tell you know the sadies are just a pro band i think is it uh one of the guys from blue rodeo i believe was was quoted in the in the barclay book about saying that you know they're the world's greatest rock band and there's the little things like in this song they use the little bars of two to set up you know those changes and just lots of little things like that like an extra bar here an extra bar there it's just some really great little songwriting tricks what did you think justin i.Track 5:[49:14] Just this song you know growing up we only had like 10 or 12 channels on on tv and one of them was tnn the nashville network and so the grand ole opry was was on all the time, because we didn't have a choice. If it wasn't Hockey Night in Canada, it was TNN. And just this song, that run with the picking is really cool. It brought me back to late 80s, early 90s, just watching the hoedown.Track 4:[49:42] Not a country fan, but when I hear a great guitar player like that, though, like a great Nashville player, it really is great. This whole album isn't the type of music I would typically listen to. And I think that's why I gravitate more towards an indie rock feel, like the Battle of the Nudes. But man, this album is really, really solid.Track 6:[50:06] Yeah, it has a good... I mean, I know you guys say you don't like country, and I say it too. But I bet you you'd be surprised about what you do like that's country-esque. And so for me, when I think of country, I get turned away by some of the modern country. although I'm really digging some Chris Stapleton and some of these other guys I'm really digging. But like when I hear country, I think Kenny Rogers, Merle Haggard, I think Willie Nelson, I think, and I think we really do dig, even going back Hank Williams and even a little further, like when the, as you listen to, I love this that we're talking like, oh, we only had 10 channels and whatever else. And I'm going hockey night in Canada and the nashville network you know and throw in a little emma daughter's jug band christmas and that's my childhood and i'm happy and i love all that so i i i get what you're saying but this i mean the sadie's i think alt country i heard earlier from one of you guys that's very much the feel from devil enough you roll into i'm free disarray me justin you you inspired me because i I have the vinyl here with me. And so I quick looked at the bottom and I'm like, okay, I gotta catch this one cause I've missed all the other references that you mentioned. So you got Virginia Woolf, who's listed at the bottom of I'm Free Disarray Me. And when you do your research, you think about stream of consciousness.Track 6:[51:31] And that really, I think, kind of sums up your lyrics in this particular song.Track 6:[51:37] Swagger again it's it's it's it's it's the same but it's not i heard us all say that it's the same but it's not i i i loved where it went with this and it's bringing us down now right because we only have one more song we talked about the track listings and the order and now it's given us getting us i think this is kind of setting us up for saved at least me personally uh what you think craig.Track 4:[52:03] This was the first song that actually popped into my head just out of the blue one morning when i woke up because it took quite a long time for that to happen with this album i was still singing grand bounce songs you know every morning waking up and then one day it was that i was like wow okay and and same one thing i want to mention this is kind of, going off of what you're talking about with vinyl i was listening to this you know doing dishes.Track 4:[52:29] With you know on apple and the amount of times in the last few months of doing this you know this show with you guys listening to music and it glitches for just a second when i'm streaming and it just drives me nuts and so just that was one thing that i just had a note note about that that this album needs to be listened to on cd on on on vinyl anyways that was just a little pet peeve of mine and also the the snare again in this song was just a little a little much for me it was it was it was really up front and i i like loud drums typically in a mix but i just I don't know there there was it's almost like with the snare being that loud I'm missing a bit of the kick drum and speaking of which you guys must have noticed that the the bass players you know playing stand-up I had the thought a few times like I wonder and this is not to take away from what he's doing but I just wonder what it would have sounded like if they if they used an electric bass on this album because I found the bass to be not as prominent as on the last three albums you know there it wasn't sticking i don't think that's just part of the style of this band.Track 6:[53:38] Great i have a question though craig in when i look at the watch the videos oh yeah he has an he has an ampeg like he has a bass amp so he's taking a stand-up bass which traditionally you just mic or go straight into the board and he's he's running it through a traditional rock bass you know pickup bass right in through like the standard road hard ampeg so um so it gives it that good gritty sound but i will agree 100 it's not as prominent and i would like it to be a little bit more only just being a musician but it didn't didn't didn't dissuade me from my love for this album yeah.Track 4:[54:21] Not at all and i think it were like sometimes the best bass players are the ones you don't notice like they're just tight to the to the drummer and that's really all that matters but there was really only a couple times on this album where i where i noticed.Track 6:[54:34] Very accurate Accurate statement.Track 5:[54:36] This, I think, is my MVP. As a kid who was raised on prog, you fall into the song and just let it kind of take over. I don't know. I actually found, weirdly, a karaoke version of this on YouTube.Track 3:[54:52] Really?Track 5:[54:53] An instrumental version of this. No way. And I played the piss out of it just today driving. Driving and uh yeah it's it's really odd that this is the one that's an instrumental track for, yeah but just the phrasing of things lyrically and musically like he's it this doesn't sound like any other song that gourd has has put together as far as i'm concerned i.Track 6:[55:17] Love i love that connection with prog rock justin because you've mentioned that multiple times that that's something you love. And when you said it, I had not placed it until you said it. And I agree with you on that's a great, great, great description of it.Track 5:[55:31] There was a lot of references to the Sadie's covering Pink Floyd in live shows. And I'm like, oh, there it is right there. The song is that.Track 6:[55:42] The next one to the next one to could be, you know, Jim Ladd headset session, listening like with Pink Floyd.Track 3:[55:50] Oh, the next one is gorgeous, I think. It's the first slower tempo song that we have on the record called Saved.Track 5:[58:56] Again, I can't believe that the reviews said this album doesn't make sense because about halfway down, the plane starts to land, right? And every song from halfway on is just you're descending and you land perfectly softly unsaved. And this song also sounds a lot like Coke Machine Glow. And it's just really mellow and it's Gord doing his thing. and i i don't know i love it.Track 6:[59:26] Almost every album i feel like has had a an extended version of coke machine glow track to it i i i love that i i hadn't placed it until you just said that because i felt the same way about some of the other the other albums is there that could be on coke machine glow but you're exactly right and then he continues that theme as it goes almost like the uh like his is the poetry book.Track 3:[59:53] Craig is holding up his notes.Track 4:[59:55] Nobody else can see it. I said the exact same thing. Pattern of Ending solo albums and some hip albums with a track with a much different feel is what I had written.Track 5:[1:00:07] Which goes back to Road Apples.Track 4:[1:00:12] I really love the line the music is so loud that it flaps your pant leg. It reminded me a little bit of Yawning or Snarling. Just the line in that.Track 5:[1:00:23] Thank you. I would hold up my notebook if it wasn't typed out. Because that's exactly what I have to.Track 4:[1:00:30] We are, let's see, as of recording this episode, we are, what time is it there? We're about two and a half hours away from the 10 year anniversary of this album. Of the release of this album.Track 3:[1:00:41] Oh, get the fuck out.Track 4:[1:00:42] Yeah. Wow.Track 3:[1:00:44] Oh, wow.Track 4:[1:00:46] I just had to look it up yesterday. I was like, wow, that's pretty cool.Track 5:[1:00:48] Oh, shit.Track 3:[1:00:48] That is cool. Huh. I normally have them all in my calendar, and I don't have that in my calendar. Huh. Good find. Yeah, it's going to be, yeah.Track 6:[1:01:00] Good find, Craig. Great find.Track 5:[1:01:02] J.D., you have about two and a half hours to make a post.Track 3:[1:01:06] Any more unsaved?Track 5:[1:01:09] I don't know. I didn't pick it apart too much. I loved that imagery of the line, Craig, that you just mentioned. The music is so loud, it flaps your pant leg. And there's a really strange, it's almost not, rhythm to the way that he sings it. It would be really hard to transcribe that onto a, onto a sheet of music.Track 4:[1:01:29] I also enjoyed the, um, the, the, the, they finally played a bit without the drums, you know, like this whole album has been very much like a full band. And I mentioned last week, I believe that one of the strengths of, of country of miracles was that they had so many members that they could all just take a break every once in a while. They didn't feel the need to always fill up every space. This band's the opposite because they're, you know, there's just four of them and they, they, you know, they're very much a typical rock band where everyone's playing all the time and so i actually enjoyed that there was a bit of time at the start of the song without drums no no offense to the drummer um but sometimes you just need a break this.Track 6:[1:02:07] Song to me was the you know that that cup of coffee after dessert or you know the cigarette after sex it was that finisher it was uh it was that we're all in good, good, good company. I love the connection back with Coke Machine Glow. I love the connection back with that changing that ending song. But to me, it was, all right, more so than the others. It was like, okay, here's your big warm hug before whatever comes up next.Track 3:[1:02:39] Oh, I like it. It does feel like a warm hug. It's a very comforting song for me. I don't know why, but it chills me right out. It's a great cigarette after sex. Kirk, I love that. It's really tremendous.Track 5:[1:02:55] It sucks that this album was only a half hour long.Track 3:[1:02:58] I know. It's so strange after The Grand Bounce, which was nearly an hour. But again, these guys are just so efficient and economical.Track 5:[1:03:10] It's one good fast job, baby.Track 3:[1:03:12] That's right.Track 6:[1:03:14] So does- Hey, did you know that that is his second highest played single, or at least versus Spotify when I last checked? Does that not totally blow you away? Like at least if you just look in his Spotify category, I believe it's number two behind like the Chancellor, I think is probably the most sense. But now i'm now i'm gonna look sorry i'm gonna i'm gonna see if i can back my own research.Track 5:[1:03:43] So interestingly i i don't have hard copies of any of these albums so i'm i'm strictly listening on streaming i use the youtube music app i don't really care for the interface on spotify and there is zero existence of this album in that in that space so i had to download band camp and buy the album that way which i was happy to do yeah i love band camp but yeah i had to uh that's the only way I could find this lyrics.Track 6:[1:04:07] All right, gents. I did the research. I was incorrect by two. It's Chancellor, the East wind. Oh, I am lost.Track 4:[1:04:15] That's then one good. Mind blowing.Track 5:[1:04:17] No shit.Track 6:[1:04:18] Number four.Track 4:[1:04:19] Yeah.Track 6:[1:04:20] Like that. It's even in the top five to me over like.Track 4:[1:04:23] You know, it's a great song. These songs that I thought were more well-known. Wow.Track 6:[1:04:29] Thank you.Track 4:[1:04:29] Yeah.Track 6:[1:04:30] It's surprising to me that.Track 3:[1:04:32] Yeah.Track 5:[1:04:33] Well, even, Even the opener on this one, Crater, I mean, it has a great video too.Track 6:[1:04:39] Oh, that's right. That's right. It is a really cool video.Track 4:[1:04:43] So the album art's interesting too. Did you catch that there's the different members of the band on the album? There's probably about these portraits of like, I don't know, 50 people. And if you look carefully, you can find all of the members of the band. I did.Track 6:[1:05:01] I did, absolutely. It's, yeah, on the album.Track 5:[1:05:04] And the artwork and the sound and all that, it kind of reminded me of the Beatles. I don't know why. But there was something about it that was familiar.Track 3:[1:05:16] Beatles-esque.Track 5:[1:05:17] Yeah. Yeah.Track 6:[1:05:20] I could see that. I mean, especially from an artistic standpoint. Yeah. Very much can see that.Track 3:[1:05:26] Yeah.Track 5:[1:05:27] Overall, I was super happy that this was the next thing. And I wish that there had been another one to follow it.Track 3:[1:05:33] So does it stay in your rotation then, Justin?Track 5:[1:05:36] Mm-hmm.Track 3:[1:05:37] Yeah, it does. Craig, how about you?Track 4:[1:05:40] A couple of days ago, I probably would have said maybe not. It's an album I'll definitely pull out here and there. But no, I do think I really am enjoying it lately. And like I said, the turn of the weather really helped. This is, to me, a summer album, not a, I think, come winter, I'll put it away again.Track 5:[1:05:59] End but the i'm sorry but i got it before i forget it right we just had the eclipse as we're recording this and i was stuck in traffic it's a 17 minute commute to get home and it took me 90 minutes so i listened to this album three times on the ride home and it's a great even if you're stopped it's a great album to be in the car.Track 6:[1:06:20] It's going to hit the turntable for me on a fairly regular basis for a while. Like I said, Grand Bounce, I couldn't get it out of my head. And finally, it might even have been an I'm Free Disarray Me, just that very methodical line that came through that turned it for me. Me but i love i i love it absolutely love it in fact i'm i'm probably more excited about digging deeper into the sadies once this whole project is done the sadies and several other canadian bands that i'm not as familiar with that you guys have introduced me to and i'm very thankful for but uh yeah this this one's staying in the rotation if you've got any.Track 3:[1:07:02] Bands that are gore adjacent or canadian indie adjacent uh send them our way discovering downy at gmail.com And we'll be sure to read that email on the air.Track 5:[1:07:18] I will say that as much as I've enjoyed this album, I've also really enjoyed the songs that are not on the album that Gordon and Sadie have played together. The cover of Search and Destroy. Holy shit.Track 3:[1:07:32] Right, you sent that to us a few days ago.Track 5:[1:07:35] That song melted my goddamn face off. It was so good. So good. And it was like 7, 12 in the morning or something. I was like, all right, I'm out of bed now. This is awesome.Track 4:[1:07:45] One of the shows I found online was here in Vancouver at the media club. And I actually remember hearing about it. And I'm just kicking myself that I didn't get to that show. This is like a tiny, tiny, like this is where my original band a number of years ago did our CD release party. And yeah, there's maybe room for 80 to 100 people in there. would have been amazing.Track 3:[1:08:10] Oh damn that.Track 6:[1:08:14] Is definitely i don't have a lot of regrets gentlemen but not seeing any iteration of gourd solo is very much i'm glad video was around because but i would have really really really enjoyed.Track 3:[1:08:28] Seeing that feeling thousand percent live yeah.Track 5:[1:08:32] I go back to that sweaty basement uh in me in massachusetts and like dude i went to those shows all the time and I wasn't there.Track 3:[1:08:39] That's crazy so Justin you've already sort of given this away even though we we you know we tease it throughout the show and typically give it away at the end but we'll start with you and your MVP track.Track 5:[1:08:56] Yeah, it's totally I'm free, disarray me, which took me by surprise, but then it didn't totally. You know, after the way that by, you know, the music that my parents played when I was a kid, this song is just cosmic cowboy, trippy shit.Track 3:[1:09:14] Kirk, how about you?Track 6:[1:09:15] All right. Los Angeles Times.Track 3:[1:09:21] Excellent. I love that pick. I liked your pick too, Justin.Track 5:[1:09:25] That's the hometown.Track 6:[1:09:26] Oh, yeah.Track 5:[1:09:27] That's okay.Track 6:[1:09:28] And it definitely is not one that I would have really settled in on had it not been for our discussion today, honestly. Because almost every song on the album has really fallen into near the top. You know, Conquering Sun, Budget Shoes, I would say, of everything, those definitely hit that number one spot for me multiple times. But Los Angeles Times is the one that just kept coming back, and I just kept feeling, and I kept growing further, enamored with on all fronts. So that's my pick, and I'm sticking to it.Track 3:[1:10:03] Very cool. Craig, you?Track 4:[1:10:06] Yeah, I had a hard time picking a song. And I found, kind of like what Kirk said, there was almost less of a range between the songs I enjoyed and the songs I enjoyed less. They were all in roughly the same region, whereas the other albums, there was some tracks that right away really, really got to another level with me. I think this album maybe doesn't quite have quite the emotion that the first three did, which is usually what hits me when I really love a song. Usually it just grabs me emotionally. And this album didn't have that in the same way. my my go-to song here is is going to be uh it didn't start to break my heart until this afternoon, just just a good good punk rock song yeah just nice just a great yeah great driving tune and.Track 3:[1:11:00] Gets the blood flowing, right? And I agree with you about the previous three records. They're just sort of more raw and improvised feeling.Track 4:[1:11:08] And more range to them, right? This just feels... There was more... Yeah, just... More variety. Yeah, more...Track 3:[1:11:15] Dynamics. Yeah. Yeah.Track 5:[1:11:20] There was a point where critics were really starting to tear Gord and the hip down. Yeah. When this album was coming out. And they were like, all right, we get it. The soup's getting cold. It's the same shit over and over, year after year. The performances are boring. It's not great. And I think, I don't know, but I'm thinking that this album was Gord's big middle finger to those guys. I'm still doing this. He's 50 years old.Track 4:[1:11:49] Can you think of another artist that has done what Gord has done? He's now got three bands that are all so amazing. Yeah, that's right.Track 5:[1:12:01] At the same time.Track 3:[1:12:01] At the same time, yeah, you're right.Track 4:[1:12:03] Yeah, mind-blowing how much high-quality work he put out through his whole career, but especially in this middle chunk here.Track 3:[1:12:12] Well, and if you think about it, this is a perfect segue because beginning in 2012, he started work on the record we're going to talk about next week, which is Secret Path. And that record didn't see the light of day until 2016. 16. So even then with that record, he's assembled the band again, and it's a great band as well. So this guy is just producing at a level presumably around the same time he's doing Luster Parfait. Because he's working with Bob Rock pretty exclusively, right?Track 5:[1:12:49] Right.Track 3:[1:12:50] So, God, just fascinating what we're what we've gotten up to so far i can't wait we are halfway done his records we've got one more studio record and then god damn it three posthumous records uh it's going to be tough to get through those ones guys i know it yep anything else you want to say before we wrap things up i.Track 5:[1:13:15] Don't know i love it man i i love this project i feel like we're a broken record because we're all going to say the same thing and we'd say it every episode But this project has gotten me back into, just like you said, Kirk, discovering new music. Or it's new to me. Right. And I am finding so many new things that I didn't know I didn't know.Track 3:[1:13:35] Right.Track 6:[1:13:37] I'm i have been frightened from the beginning because you know you listen because it's your first time listening to a solo stuff for you know i was frightened every single album that, yeah i was going to be disappointed yeah yep and i just keep finding a new way to be enamored and i don't mind being that easy when it comes to gourd and what's going on uh you know i i we talked about, you know, my, my experience with the hip, you know, having to hear about it from friends and not having that, you know, immediate access to everything. So I'm thoroughly loving the fact that the emotion and the feeling that Gord and the hip, all the musicians he's been involved with on the solo, just keep raising the level. So I'm now just like, I'm, I'm, you know, what I like about this, you guys is you're nervous and worried. Now I'm not nervous and worried. I'm I'm just, I'm excited about listening to what's coming up and I'm so excited.Track 5:[1:14:37] If you, if you enter the, if you enter the room knowing it's going to be a mindfuck when you get there, it's perfect

Adam's left his job, Ned's won an award, Laura's touring the country, oh, and there's a general election in the UK. It's been quite a hectic few weeks at Streets Ahead.By the way, if you want ad-free listening, behind-the-scenes and bonus content and to help support the podcast - head to (https://www.patreon.com/StreetsAheadPodcast). We'll even send you some stickers! We're also on Twitter and welcome your feedback on our episode: https://twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think.Episode edited by Clare Mansell. Support Streets Ahead on Patreon Hosted on Acast. See acast.com/privacy for more information.

This episode of the Connected Leadership podcast takes a unique turn, featuring Laura Laker, a prominent and well-respected travel journalist and co-host of the Streets Ahead podcast. Laura Laker has written for national and specialist titles for well over a decade. Her new book is, Potholes and Pavements: A Bumpy Ride on Britain's National Cycle Network, Laura's journey to becoming a cycling advocate is anything but straightforward. She shares her story with Andy Lopata, of navigating different career paths before discovering her passion for cycling at university. The joy she experienced cycling through London and the opportunity to improve air quality and health through active travel ignited her enthusiasm. The conversation then turns to the impact of shared interests on building and deepening relationships. Andy and Laura reflect on their own friendship, which blossomed through their shared passion for walking and later, their book releases. Laura talks about how cycling has influenced her own friendships and professional networks, emphasising that shared activities like cycling and dancing act as social lubricants, breaking down barriers and allowing individuals to be more themselves. Turning to the book's core topic, Laura explains how the National Cycle Network, despite being composed of asphalt and gravel, is ultimately about people. She highlights the crucial role of volunteers, local and national networks, and organisations like Sustrans in building and maintaining the network. Through anecdotes about the development of cycle paths and bridges, Laura showcases the importance of community involvement, place making, and collaborative efforts. The conversation shifts to the challenges facing the National Cycle Network, including underfunding and a lack of long-term planning. Laura emphasises the need for consistent funding and government leadership to prioritise cycle routes as a strategic infrastructure, akin to high-speed rail projects. The conversation then examines the delicate balance between being a journalist and building relationships with those you cover. Laura shares her approach to ensuring accuracy, fairness, and honesty in her reporting, even when challenging those she interviews. She believes that this approach builds trust and facilitates open communication, leading to constructive change. The episode concludes with a discussion about the contentious relationship between pedestrians, cyclists, and drivers. Laura points out the manufactured conflict that is often fueled by political actors and social media. She advocates for a more holistic approach to urban planning, emphasising the need for safe and dedicated spaces for each mode of transport to reduce conflict and improve safety and the overall quality of life. Laura's book, "Potholes and Pavements," stands as a compelling call for greater investment in active travel and a more people-centred approach to infrastructure. It serves as a reminder of the power of community, the importance of relationships, and the potential for positive change through thoughtful collaboration. Connect with Andy Lopata: Website | Instagram | LinkedIn | X/Twitter| Youtube Connect with Lisa Laura Laker: Website | X/Twitter | LinkedIn | Instagram

This week in the pod, the gang is up to their neck in the fantastic effort by Gord and the Sadies. You're gonna want to check this one out!Transcript: Track 1:[0:00] Hey, it's Craig here, and I just wanted to let you know that Christmastime in.Track 1:[0:03] Toronto is coming early this year. Join me and the Discovering Downey crew for the recording of our podcast finale, live at The Rec Room in downtown Toronto on Friday, July 19th. Long Slice Brewing presents A Celebration of Gord Downey, which will include a special in-person interview with Gord's brother, Patrick Downey. Spend the evening listening to your favorite hip tunes provided by the almost hip and help us raise money for the gourd downy fund for brain cancer research with a silent auction featuring incredible items up for grabs visit discoveringdowny.com for tickets or for more information about the event, let's have a toast for charity wickedness and most importantly hope.Track 2:[1:04] DOS Beauty I name my guitar My Beautiful Behor Everybody's coughing here And music's infiltrating work In the most pleasant way It's a system based on silverware Listening's an extrasensory Perception And talking the only psychic thing and I can dress you in my thoughts until you wear them. I've been taking care of my clothes like they're cattle. Try this shirt. It would look so good on you.Track 1:[1:42] Welcome, music lovers. Long Slice Brewery presents Discovering Downy. Hey, it's J.D.Track 2:[1:52] Here, and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal acrobatics that awed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of The Hip out there, but have you heard these records? Because I'm an inquisitive podcaster, I enlisted my friends Craig, Justin, and Kirk, giant fans in their own right, to discover Downey with me, JD, as their host. Every week we'll get together and listen to one of Gord's records. We're starting with Coke Machine Glow and working from there in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about Gord's fourth record, and his first and only with the Sadies.Track 3:[2:58] Occurring son kirk from chino how the fuck are things with you buddy jd.Track 6:[3:04] I'm uh i'm back home after a little bit of travel it's been good travel um it's allowed me to really kind of soak this album in so i'm excited talking about it with you boys.Track 3:[3:15] Can you confirm this craig i'm kidding yeah how's it going pretty.Track 4:[3:20] Good yeah also looking forward to talking about this album them and it this one took me a little bit of time to get into but we'll talk about that i have been a little under the weather since the last recording it was about halfway through the last podcast i started feeling something coming on and just won't go away just a cold thankfully but yeah other than that things are well.Track 3:[3:41] Well that's good justin you've been a podcasting machine today are you spent or are you ready to talk shop with me i'm.Track 5:[3:49] Just getting started buddy.Track 3:[3:50] Yeah well let's get into it then and the conquering sun is the album we are discussing this week after three consecutive solo outings with some form of the country of miracles gourd wrote and produced this one with the sadies who had just come from supporting the hip on their world container tour Like so many, this marriage was consummated by the CBC, when the Sadies chose Mr. Downey to collaborate with, as was the program's premise. The Sadies are a Toronto-based and road-tested throughout Canada and beyond, with an original lineup consisting of Travis Goode, Sean Dean, Mike Belotiski, and Dallas Goode, who sadly passed away in 2022. This band, as I mentioned, is road-tested with buckets of swagger and chops for days. But how do you talk about The Conquering Sun? After the loose and improvised feeling of the last three records, this record is tight and economical. With a 30-minute runtime, I had to listen twice to get my walk in.Track 3:[4:55] Of the four records we've listened to so far, this one makes my Olympic podium for rock and roll with a hard-fought bronze medal, which is nothing to shake a stick at unless, of course, you're shaking the stick in a complimentary fashion. There is absolutely nothing wrong with this album. In fact, in my opinion, this record is the closest we get to a sound that is reminiscent of the hip, up and down on this record. The songs are screaming for radio play if only radio had been a factor upon its release in 2014. From the rip of Crater right through Saved, there isn't a missed opportunity on this record. I could go on about how much I like this record, na-na-na-na, blah-blah-blah, etc. You might be curious how I'm literally singing this album's praises, yet I've only ranked it third of four. I promise I'm not damning with faint praise. It's more that I loved the ceiling of the country of miracles, particles and the idea that we don't get a fourth effort from that entity bums me out a little bit so it's hard to go into this one with that ripple of bummed outness influencing me a little more than frankly i'd like but who cares what i think let's check in with the crew craig we'll start with you this week.Track 4:[6:04] Yeah this album like i i mentioned took took a few listens to get into um it's definitely not in you know it's not my favorite of the four we've heard so far but it's really just it's drastically different it just has a different vibe and there are a lot of things I really like about it and I think that my biggest realization is this this is a summer album this is a a nice weather taking a drive in the car putting the windows down this it's that kind of album and for the first couple weeks I didn't have that weather but but just past in the past few days we have and it's just it totally changed my outlook of this this album.Track 3:[6:45] I was on mute. Justin, what are your thoughts overall?Track 5:[6:49] Oh, I needed this one. I needed this album to get my headspace back into this. And I think I'm going to rank this number two so far out of the four. I actually really love this album a lot. And like Craig, it took me a minute to get into it, but something clicked and I have been listening to it at least two or three times a day every day since. And in the car, on my phone, with or without earbuds trying to get the different parts of the sound, and it kicks my ass every time. I really just like this album from start to finish. Every song kind of sounds the same, which makes it sound like one big long song, and I really kind of love that.Track 3:[7:28] Interesting. I can't wait till we break it down. What say you, Kirk from Chino?Track 6:[7:32] Like my brethren here, it took me a while. In fact, it took me a while because it almost felt like a divorce and maybe a bit of an affair Was going on with with our buddy Gord. I was so I.Track 6:[7:48] Immersed into what was happening with the country miracles and like you said in the beginning like the ceiling like i wanted more and i was so ready for more i had the vinyl of this one the last ground bounce i didn't and i listened to it and i knew there was something there but i was angry honestly i was angry because i wanted more as we had mentioned but man did it grow and grow row. I'm not going to rank it right now because every time I rank something, a day or two goes by and something happens. And I realized, oh man, that was, you know, the grand bounce. That was Coke machine glow that, and you know, every album that we've had a chance to listen to has been, I think in every slot, if that makes sense, depending on the time of day or what's going on. And and so again it just brings you back to joy because i didn't dive in when it was happening which of course i'm a little sad about but i'm so excited now that i'm like i'm really loving music discovery again i'm really loving listening to albums i'm really loving i don't care if it's in the car if i'm walking the dog if i'm sitting at work if i'm you know working on something on on the computer and I've got the music going.Track 6:[9:11] Like I have not spent this much time with new music. I say that in quotes because it's obviously not new, but it's new to me, new to us.Track 6:[9:23] And I'm just, I'm loving the ride. That's all I got to say. This one is the last two, I mean, like I'm going to be listening to these forever. And I'm going to try and preach the word and get some people to jump on board because it makes me sad when I look at Spotify or something and I see the honestly and don't jump on me. It's like the limited number of listens to the Gord stuff. I have friends that have put stuff out that have more downloads than that. I'm not saying that in a negative, I'm saying that in a like, that shouldn't be. That shouldn't be, so. Right. My diatribe's over, sorry.Track 3:[10:03] No, no. Well, that's why I was mentioning off the top too too, that it screams for radio play to me. It's very radio-friendly. There's nothing over four minutes. And fucking radio just didn't matter in 2014. So of course we were never going to hear this. Unless we were paying very close attention.Track 6:[10:26] Absolutely.Track 3:[10:27] Clearly we were not.Track 6:[10:28] Absolutely. Radio.Track 5:[10:29] Radio still matters to me. I'm a radio guy. I'm going to tell you that right now. Yeah. Love radio.Track 3:[10:34] Radio doesn't love you back though. That's the problem. Like it's getting stripped down and worn down and these formats, you know, like if you've got a, if you've got a local that you love, then by going to stand with it, right?Track 5:[10:47] Yeah, you're right. We have, we have a, I'm going to sidebar here for just a second. We have a great station here in Southern Vermont, WEQX, which is one of the last great independent alternative rock stations in North America. And they discovered No Rain by Blind Melon. They were the first one to play it. And they just got this great pedigree, and they love to play Gord's solo stuff. From 2020 on, there's been a lot of new Gord solo stuff that's really been great.Track 3:[11:19] Get up. Right.Track 5:[11:20] And it's kind of been hard to not listen ahead during this project. Wow. I don't know if they played any of the stuff from this album, but this would totally fit.Track 4:[11:28] Yeah, we once had a really awesome independent radio station down in Bellingham, Washington, which we could pick up in Vancouver. And they actually, their tagline was something like, we don't play Canadian music because we have to. We play it because it rocks or something along those lines. And they would play The Hip and Rush. and yeah that's the only american station i've heard that that played a ton of the hip and yeah of course about 15 years ago they got whatever bought out by chorus or someone and it's now just yeah yeah your standard rock radio well.Track 3:[12:02] Should we eradicate this problem and educate people on this record go through it track by track are we ready let's.Track 5:[12:10] Go sure yeah.Track 3:[12:12] All right we start with track one side a it's the classic rock tinged crater what did you think of this one mr greg.Track 4:[12:25] My dad uh came to vancouver from new zealand in 1965 to to buy a 65 chevy impala and this song crater is a 1965 chevy impala cruising down the road it's just a great rock and roll track yeah um man that snare drum is yes snare snare yeah it is it is there in the mix yeah definitely i didn't dive into the lyrics at all especially um the songs that were more kind of rocking i i just i was just enjoying them and the only thought i had lyric wise was um almost like an idea of like either you're you're the crater or you're the meter meteor And I was kind of thinking along the lines of there's that not so great Dire Straits song, Heavy Fuel, where he says, you know, sometimes you're the windshield and sometimes you're the bug. And that was kind of the... What i got out of the lyrics on this song.Track 6:[13:25] I i wonder in the lyrics and maybe you guys did further research that i didn't see like how much of it was gord how much of it was the gents from the sadies because i i knew the name the sadies but i honestly until this i had not really you know dove into some of their music and i think in one of our you know communications justin had mentioned that as well like he's doing a lot of listening to the sadies and and i try i you know my listening at first it's this is it's going to sound weird um i did a lot of listening at first obviously like through spotify or whatever else but it wasn't until youtube and i got to see these guys and they're wearing like their nudie suits is what it looks like you know and i just i just saw a bunch of them they had a big exhibit at the you know country music uh hall of fame and they were We're talking about that LA country and, you know, very much a country tinge, but, you know, they're using those hollow body guitars. And anyway, so back to lyrics, like what's the balance between Gord and the Sadie's? Did anyone find anything on that?Track 4:[14:30] My understanding is that they, that the Sadie's wrote the songs and Gord wrote the lyrics that, yeah. And it was recorded apparently over a number of years. This wasn't like an album that was done in one session, which I find surprising because like someone said earlier, it's, it sounds just like a, it's a great album. It, it really sounds like it was just tracked in one day or something. It's yeah, there's a.Track 6:[14:53] There's YouTube has a, uh, interview of, I think the Sadie's had just put an album out. It was like 2010 and Gord was with them and they, you know, obviously had some discussions about their, their time together. And in some of the research it talks about, this has definitely been a long-term type of thing. Great song.Track 5:[15:10] Yeah, there was a CBC fuse in 2007 is what put them together. So it took seven years for this album to come out from that first collaboration. Collaboration I really like the sound.Track 6:[15:21] From a musicianship standpoint ethereal is really the kind of the adjective that came to mind on a lot of the the guitar parts that the Sadie's had you know very much a hollow body type guitar going through either a Fender a lot of reverb I really liked that driving sound I really really liked it it was it was pretty prevalent throughout in my opinion anything.Track 3:[15:43] Else on crater i.Track 5:[15:46] Just yeah i mean this is gourd this is like this is a live show on a record um this one song particularly and he is giving it all he has what at the end of the second verse and if we record any of these songs this is the one i'm doing because this is a this is a screamer and it's so much fun to be it you know we don't want to we don't want to do it we want to be it this song is fun to sing, Yeah. So I also, I downloaded an app because I noticed my foot was tapping a lot faster at the end of the song than the beginning. And I, so I, I downloaded an app and it picks up 13 beats per minute from the start to the finish.Track 4:[16:29] Oh yeah. That's something I'm going to be talking about later. Cause I, it was driving me nuts. One of the songs I was trying to actually figure out what was happening mathematically and yeah. Okay. I'm glad I'm not the only one noticed.Track 6:[16:43] I love that. I love the time changes in a variety of different songs. I put them down in a few notes. But the one thing I really want to say before we dive into any more, long live the guitar solo. And there's quite a few guitar solos on this album, specifically Crater. And they're just, they're solos. They're good solos. And on the other albums, we'll call lead lines, but there's not a lot of solos. And I'm digging that, getting that back, because we haven't had that in the first three.Track 5:[17:15] Oh, yes.Track 3:[17:16] Nice. Well, the next one is sort of the titular track, but not quite. The Conquering Sun does what for you, Justin?Track 5:[17:27] When I look out the window and see Audette's Blue Spruce Farm across the street, That's kind of what I think about. I mean, it's getting on time to plant. And here it is as we record this. It's planting season and working the fugitive dust. Nature, please be good to us. You know, we just had this massively wet spring that wiped out a shit ton of the farms around here. That's, you know, before they even got started. For me, that's part of what this song is. There's also the line, she is more than a conqueror. And I wonder if that's a reference to Gord's wife, Laura, with her recent cancer battle. I don't know when this song was recorded in the timeline of all that, like what year this happened. But I interpreted it as possibly something that could be a reference to defeating the cancer. And the other thing that I really, it was a callback to We Are The Same is when Gord's, his vocal run during hearing, ooh, day is your word, night is the glue. He does that exact same thing in The Depression Suite. That very same run, the change, the pitch, the length, I love it.Track 4:[18:41] Yeah, I caught that too. That's great.Track 6:[18:43] Great song. It was one of those. I think I mentioned on the last time we spoke, there was not a definitive MVP for me. This one has fallen in and out of MVP, and it may fall back in at the end of this recording. morning. But that's one of the things that really showed me this was a great album, but specifically this song. I just felt immersed in it. And like I said earlier, Ethereal, again, another great solo, another great, that sound that the Sadies have. They have, these guys, what are they like six, five, six, six, they look like trees and they might be a buck or five soaking wet and the suits are barely hanging on them and he's just playing this you know telecaster like it's a little tiny you know a small ukulele and they just have this they they just have this presence and like i said it really wasn't until i i started seeing them that i i got the sadie's because when i was listening it didn't hit me as much and i was kind of hoping i don't know if i mentioned this earlier because they were on the world container tour and i was wondering if they were the opening band I didn't find anything that showed them specifically, but when I watch the videos, it doesn't bring a memory or recollection that I saw. I think it was Sam Roberts that opened for a lot of the shows that I saw here in California.Track 5:[20:06] I saw Joel Plaskett as the opener on that tour.Track 6:[20:11] Got it. Got it. Yeah. So I was kind of hoping that they were one of the openers. But you know now i'm really excited that you know just in the last couple of days i would say is really when my attention has gone towards them and when you start hearing and seeing how they crafted these songs together and how they worked so well with gourd and his phrasing and and so yeah love this love this yeah.Track 4:[20:38] The the sadies are actually on tour as we record this and i'm hoping to pick to go down to the the vancouver show uh so you might you might want to look at dates they They might be coming down your way.Track 6:[20:48] I hope so.Track 4:[20:48] Yeah, this song, to me, as soon as I heard it, it reminded me of Nico Case. And Nico Case is someone who's worked with the Sadies. And so it is very much that sort of alt-country vibe on this song. And this was probably the song that drew me in right away. Again, like Kirk said, it was in the contention for my MVP track for sure, which, like you, keeps changing. and yeah it's just just a great feel to this song.Track 3:[21:18] Yeah i couldn't agree more i think we're two for two so far on this record and we're gonna find out that let's go pretty even record it's a pretty even fucking record los angeles times has the aforementioned swagger dripping from it, Kirk, did you like this one as much as I did?Track 6:[25:07] I'm going to say yes, absolutely. But it didn't start out that way. This actually was one of my least favorite tunes after the first couple of passes. I just didn't quite get it. It was just kind of like, it was almost too much swagger at first for me. Because remember, I think we're in a divorce right now. I think this is an affair that's going on. So I'm a little adverse to the song and the album and almost everything because I still have his last, you know, that last record that just moved us all. It was still here. So there was this almost a betrayal, swagger, distaste that I had in the beginning. But listening to it, re-listening to it, listening to it in headphones, listening to it on vinyl, listening to it in the car, listening to it in the plane, listening to it in the hotel. The key changes, like we'd mentioned earlier, just another great solo, just great rock. And, hey, I'm an LA guy. So this one definitely turned and has also filtered through multiple times sometimes on the mvp track side so yeah to me it's three for three and i'm just gonna pre-call it for y'all.Track 4:[26:22] Yeah yeah i found this song to be um i was the same way i found the the progression to be a bit generic at first and so i didn't really love it right away but yeah it really grew and i think what makes it work is that this band is just so tight they're so i mean loose but Yeah, the tempo, you know, picks up and, you know, there's the push and push and pull, but they are such a great band that they can pull off anything. Just a simple strumming pattern and make it sound pro. And there's that thing you mentioned off the top, JD, the blah, blah, blah, et cetera, which I was wondering if, I'm sure you guys were thinking the music at work, live, Gord would do the et cetera thing. Did you find anything lyrically, Justin?Track 5:[27:10] Yeah. So there's a dedication at the end of the lyrics for Walter Van Tilburg Clark, who wrote The Oxbow Incident, among many other works. And that became kind of one of the great Western movies of all time. And it's about, the subject is these cowboys thought that one of their buddies got murdered and that somebody stole their cows. And then they found this group of three people that they thought did it and they hanged them. And then they found out that the guy survived and it wasn't them and you know it was just a big mess so it was it was the oxbow incident and uh yeah so it was a complicated story and but this isn't about the story it's about the author there are a lot of references to lines in the book or the movie but it's you know there's a line he was born and raised and moved away and that's about i think walter van tillberg clark who was born in maine but then his parents moved him to nevada and then he moved to in New York and then he went he was kind of all over the place beyond that I don't know it's, There's one thing that is a bit of a departure, I think, on this album is that the lyrics aren't too deep. There's not a lot of mystery in this album with Gord's lyrics. And I was hoping for more of that, but the research was a little easier than I wanted it to be on this.Track 4:[28:26] That was something I noticed too, is like there didn't seem to be as much to dig into.Track 4:[28:31] And once I kind of got past that and just started enjoying it, I really did grow to appreciate the album a lot more. It's funny that you mentioned the Oxbow incident because number one, a couple of weeks ago i was in la and we did did a couple studio tours and this is one of the movies they actually mentioned i forget if it was warner brothers or universal but it was shot at one of those two places in the next song so one good fast job one of my notes here is oxbow incident because of the line it says art shot said wellman to fonda so wellman the director and uh fonda the the star of the show so um nice kind of a neat little tie and i had no idea that the previous song had that reference so i'm glad you caught that this song i really love and this was the one i was um i found really interesting the the progression you've got like almost like a eight bar blues but then they throw in an extra bar so it's like this nine bar which just throws you off off balance a little bit once you once you hear it a few times it makes perfect sense but there's the lyric about drop you know planes dropping paper and dropping scissors and the chimps becoming regular wizards i think it is. And so that made me think of, there's a couple of Simpsons episode that reference like the infinite monkey theorem.Track 4:[29:46] What is it? Infinite monkeys, or give a monkey a typewriter and let it type for infinity. It would create, you know, Shakespeare. And you know, it would just some ridiculous theory that has, you know, been, you know, criticized heavily, but I wonder if there's something to that.Track 6:[30:03] Sorely discredited.Track 4:[30:05] And I really like, there's the line too about something about forget the commas. This is one good fast job. And it almost made me think of this album that they just like banged off this out. Like, let's not, let's just have fun. Let's just write some songs and let's not take ourselves too seriously. So those are my thoughts.Track 5:[30:23] Well, I think there was some controversy over the name of the band. And there are commas in that band name. And I think that they're just saying, you know, screw it. And like, nobody asked for this. We're just doing it. let us enjoy it. I did see a couple of interviews where Gord and members of the band were like, can we not dissect this? This is just rock and roll.Track 4:[30:44] Yeah.Track 6:[30:46] One thing in watching some of those videos that I had mentioned, the last two songs that we discussed that they had played, it was a Greenbelt Harvest Festival thing show that was on. They had almost every song on there and he was playing with the Sadie's and watching the crowd to me was actually quite entertaining because they just sat there and looked in bewilderment right because I don't know they obviously have probably some relationship with with the hip and who knows if they're early hit people or later hit people or die hard all the way but when Gord does the solo stuff and then if they're not familiar with the Sadie's they just sat there and looked like yeah why don't what are we experiencing here what what's what's going on and bewilderment was the note note that i wrote right.Track 3:[31:34] Right i mean this makes no sense to me fuck okay sorry uh continue.Track 6:[31:42] It man one good fast job and almost back to kind of those punk type roots and that driving rocking it it's uh who i jd like this album has everything and, Also, one thing I wanted to mention, I know we're not through it all, but I think they did a great job of tracking. I really felt good about where all the songs were. I needed Crater to get me going, even though I was still mad and angry, like we mentioned, and then Saved at the end that we'll talk about. It just was like, okay, I got a good, nice, warm hug. Thank you. you um which.Track 5:[32:26] You know what's amazing is there were so many reviews about this album that said it was not cohesive and inconsistent and like what the hell are you talking about and.Track 3:[32:36] Uneven and blah blah.Track 4:[32:37] Blah yeah what.Track 3:[32:38] The hell man agree.Track 4:[32:39] Yeah no that's a reviewer who read that it was you know recorded over many years yeah that's ridiculous like maybe if you gave it one or two listens but even then even the first listen i didn't love it but it sounded like an album yeah Yeah. One more thing about this song though, before, before we move on, I love the middle section. There's like a bridge or maybe even call it a chorus. It only goes to it once the, I had to look, I had to go, I had to laugh. And it's really interesting how they go through it once, then there's that extra bar, like they keep doing, and then they change the chord progression and back off a bit. Like if you listen to the way the, you know, they're the same instruments, but they just back off and the feel changes totally. And it's such a great effect. Rather than ramping up a bridge, they almost like pull back a bit. And that really was unique. And it only happens once. It feels like a chorus to me, but it's right smack dab in the middle of the song. And I think it's two minutes and like 23 seconds or something. And this is definitely one of my favorites.Track 3:[33:43] Yeah, it's a good one. And the next one is a good one as well. It's got to hold the record for the longest title in Gord's solo oeuvre. Kirk mentioned a moment ago that there's a bit of everything on this record. And to me, the beginning of this song, just the very beginning, is shoegazy.Track 5:[34:00] Yes.Track 3:[34:00] Or it goes into a real punk sort of vibe. And it didn't start to break my heart until this afternoon. Justin, what have you got for us?Track 5:[34:09] So the line, we fought like two Irons, really stuck out to me. and it goes with Kirk. I don't know that this was the middle of a divorce. I think Gord is just polyamorous at this point because this project took seven years and in the middle of it, he released the third album, Grand Bounce. So he is just sleeping around. I love the punk, the hard driving, just we're going to beat the fuck out of this song.Track 4:[34:38] My first real positive experience with this song was driving to my show last weekend and it was like i said a nice day i was driving along and to me like i said it's a real good driving album and i was coming up to this i guess it was a school zone but it was a weekend so there's no school and there was a uh a flashing like speed limit sign it was like a happy face and as i'm driving by it's like it turns to a sad face because i guess i was a little bit above the limit i'm not a huge speeder but i found that kind of quite funny especially after the i just just listen to the line what is it um something about driving fast oh yeah drive drive it like we stole it yeah it's a great great line that's right and then later on there's the dishwasher loaded which i love because i i wish i could say that most of my music listening was in the car but i only have about a five minute commute to work so most of my listening is actually doing the dishes and so this is just a great song when you're doing the dishes and and dishwasher loaded it and it really really kind of got you know i.Track 5:[35:40] Had the same experience man that's.Track 4:[35:41] Found it pretty funny and i actually the first time i noticed that lyric i was actually had just put this open i was closing the door of the dishwasher and so it was just it was just perfect it's so funny yeah.Track 5:[35:51] That's amazing oh.Track 4:[35:53] And great harmonies too on the chorus like love those harmonies yeah.Track 6:[35:57] That's one thing you'll notice too when you watch those or or you see them like the the harmony part especially especially after what we had just experienced for the last three albums, you know, with the female voice going back to a male voice backing. I love that element that it brought to it. And I'm just gonna jump into the next song, Budget Shoes. This is one that I think has probably held the number one spot for me. I would say it's not necessarily still there, but it's been there more often than not. And maybe I'm far off on this, but being the American, one of the two Americans that really likes Canadian culture, it brought me back to Kids in the Hall for some reason. In fact, so much so, if you think of the Kids in the Hall intro, I actually looked it up to go hoping it was the sadies like that really would have made my day if it was the sadies that had done that song that's the intro to kids in the hall.Track 4:[39:34] There is there is a connection there and i hope i'm correct here but i believe i read that the dallas good the the younger brother who you know passed away recently who.Track 3:[39:44] Was the drummer.Track 4:[39:44] He he played so so the good family was a was a country family like they had like a family band and and the older brother travis actually played with his band and Dallas being younger he he went more towards punk and I believe it said that his first or one of his first bands was with one of the members of uh Shadowy Men is that the name of the band that does the theme yeah yeah.Track 3:[40:11] Shadowy Men oh.Track 6:[40:12] Wow nice it definitely was reminiscent of that uh the entire song to me is just brilliant and it it gives you I mean it It really just digs deep inside my soul going back to the ethereal. When Gord hits those moments of the desperation vocal that we heard a lot, not only in recording, but live when he was with the hip, that brought such a comfort to me, right? Knowing where the hip is at, knowing where Gord is at, knowing what's coming. Like this is three years prior to his passing. And just so thankful that we get another version of Gord. And that's really what it was to me is we got, we have the hip and we love that. We have these first three albums, but now we have another one. And it was, Justin, you mentioned it in his lyrics. It's like, I'm not trying to confuse anyone here. I got this great band. They've given me this good music and I'm just gonna give it, I'm gonna give it what's coming to me at the moment. so when he does his and i call it a desperation vocal i know exactly what.Track 5:[41:22] You mean when you say it though.Track 3:[41:26] Yeah.Track 5:[41:26] Yep. Yep. So I'm going to ask the Canadians in the room here about budget shoes because I did some research on this as well. And apparently there's a tradition in Canada that finance ministers buy a new pair of shoes before presenting the budget and they wear them on the floor. Or if they're pissed off about it, they don't.Track 4:[41:48] Oh, wow.Track 5:[41:48] And it's this thing that has happened since the 1860s.Track 3:[41:53] Jesus. Do they go bare feet? I mean, listen, I was a political science major, and I've never heard of it before, but that doesn't really mean anything.Track 6:[42:01] As the other American, I agree with what you say full-heartedly. Love it. Love that connection.Track 3:[42:10] Yeah, I think it's great.Track 5:[42:11] It was strange, but interesting. And I don't know if this song is a commentary on politics and that, or if it just works well with... I mean, this song sounds like, you know, we're sleeping in a tent in a winter storm unexpectedly in the middle of the desert, you know, and I've got nice shoes and you don't, you know, and I'm going to keep my feet and you're going to lose them to frostbite. I don't know.Track 4:[42:37] What I was thinking was I was imagining almost like an old Western movie. It's like sweltering hot in the desert. And yeah, they're camping overnight. Night and you know the most iconic thing you'll see in a western is that you know the shot of the cowboy boots and the pan up and and i'm just picturing this you know guy sleeping in his budget you know there's cheap shoes and that's kind of what i do balances on yeah yeah.Track 6:[43:04] Ouch shots fired they're.Track 5:[43:05] A great company and they.Track 6:[43:06] Make a fine shoe thank you we're not sponsored by any of these particular shoe brands yeah i mean budget shoes you talk about the westerns it's almost like a spaghetti western type feel just in that uh the guitar riff as well so.Track 3:[43:26] Oh, that's cool. I felt that, too. I wouldn't have put that together. All right, let's move on. Demand Destruction. Is it just me, Justin, or does this song feel very much like the Tragically Hip? Am I crazy?Track 5:[43:38] No, I don't think you're crazy about that at all. And this song is, I think, Gord kind of putting out his own views. Again, there's a notation at the bottom. The last one, Budget Shoes, was dedicated to Evan S. Connell, who was the author of the book about Custer where the title of The Grand Bounce came from. So that's a continuation. And then this one is dedicated to Dr. Helen Caldicott, who was an Australian physicist and anti-nuclear war advocate. And it just feels like a protest song to me. I really don't have a lot of notes about it. It's just a nice, fun tune. But there's definitely a message in there. And I think it's Gord speaking about, let's not fuck this up. and maybe some reverence for Dr. Caldecott. It says, I'm not a fan, I just like what you do. I don't know. I don't have a whole lot to unpack on this one.Track 3:[44:30] Right. Well, no, I think you unpacked quite a bit. Craig, what have you got for us?Track 4:[44:36] One thing I'll say about this song is I found maybe the snare was a little too biting for me. I found that if you if you were listening quietly it it just jumped right out of the mix to the point where you almost couldn't hear anything else and when you turned it up it just had just a little a tinge too much oh yeah you guys know who who mixed the album yeah so bob rock and i think he did a great job overall but it definitely you know he's known for those big huge drums and i just would have liked a little more balance i thought the snare was just a little peeking out a little bit too much the rest of the album i think it it works but maybe the song is the poppiest.Track 5:[45:17] I think of the of the songs on the album it's certainly.Track 4:[45:20] Radio friendly fairly typical like blues rock sort of yeah um riff at the start yeah.Track 3:[45:25] That's what reminds me it reminds me of something off of road apples you know oh yeah yeah that era.Track 4:[45:31] Yeah great great harmonies again especially in the chorus all.Track 3:[45:34] Right from there we get a change of pace with mandolin and organ off the top of devil enough. Am I right? Was it mandolin Craig?Track 4:[45:44] Um, yeah, I believe so. I need to go back and listen again. Um, yeah, this is the song I referenced earlier that was driving me nuts. Even today I was sitting there tapping my toes, like trying to figure out the time change. And I actually had this like theory about what they were doing with it, you know, how they're getting from one tempo to the next. And then I just realized after a while it's just feel it's all feel. And I won't even get into it, because there are some weird things that happen. And I think it is what Justin mentioned earlier, I think it's just that flexibility of, of like, you know, they're really pushing the tempo, bringing it back quite frequently. And so.Track 4:[46:25] Yeah, if anyone wants to transcribe this drum part for me and send it to me, I would love to see that because I would love to know mathematically how it works, but I'm pretty sure it is just like a feel thing. This was a song that really stuck out to me. I love that time change. Having said all that, it really, the first few times just really struck me. The guitar playing at the end, the sort of Nashville picking at the end is just amazing. There's a few songs that have those great guitar solos. I think often it's Travis, according to the videos I watched, although I believe Dallas will trade off solo sometimes too. There's the line, Streets Ahead, which of course is a song name from Now For Plan A. And I had just actually recently been watching Community. And I'm not sure if you guys know that reference, but there's a, you know, it's like a catchphrase of Chevy Chase's character. And I actually found a, I wondered if it was related and I found an interview where someone asked Gord that question and he's just like, what? He was so like, no, like what are you talking about? Which of course makes sense. I mean, you don't write books. All these songs you're not a prolific writer like gourd if you're if you're.Track 6:[47:36] Spending countless hours.Track 4:[47:39] Binging you know sitcoms with 120 episodes.Track 5:[47:44] Well and gourd gourd's a dan akroyd guy not a chevy chase guy.Track 6:[47:48] Yeah true hey going back to that the ending part craig yes uh you know they almost have a bluegrass feel in some of these instrumental type solos there's There's rock going on against a different instrumentation, which I absolutely love the devil enough to me almost was reminiscent of like your seventies kind of, you know, Barracuda and like the big songs that would have a slow intro and then rock out or go to another slow, but very seventies rock and kind of anthemic type of we're going to switch keys. We're going to switch tempos i very much got that but again going back to the swagger you feel the swagger in in the presentation of the lyrics at least from my perspective with gourd on this loved it loved it.Track 4:[48:43] Yeah there are some um really great songwriting techniques on this album that you can tell you know the sadies are just a pro band i think is it uh one of the guys from blue rodeo i believe was was quoted in the in the barclay book about saying that you know they're the world's greatest rock band and there's the little things like in this song they use the little bars of two to set up you know those changes and just lots of little things like that like an extra bar here an extra bar there it's just some really great little songwriting tricks what did you think justin i.Track 5:[49:14] Just this song you know growing up we only had like 10 or 12 channels on on tv and one of them was tnn the nashville network and so the grand ole opry was was on all the time, because we didn't have a choice. If it wasn't Hockey Night in Canada, it was TNN. And just this song, that run with the picking is really cool. It brought me back to late 80s, early 90s, just watching the hoedown.Track 4:[49:42] Not a country fan, but when I hear a great guitar player like that, though, like a great Nashville player, it really is great. This whole album isn't the type of music I would typically listen to. And I think that's why I gravitate more towards an indie rock feel, like the Battle of the Nudes. But man, this album is really, really solid.Track 6:[50:06] Yeah, it has a good... I mean, I know you guys say you don't like country, and I say it too. But I bet you you'd be surprised about what you do like that's country-esque. And so for me, when I think of country, I get turned away by some of the modern country. although I'm really digging some Chris Stapleton and some of these other guys I'm really digging. But like when I hear country, I think Kenny Rogers, Merle Haggard, I think Willie Nelson, I think, and I think we really do dig, even going back Hank Williams and even a little further, like when the, as you listen to, I love this that we're talking like, oh, we only had 10 channels and whatever else. And I'm going hockey night in Canada and the nashville network you know and throw in a little emma daughter's jug band christmas and that's my childhood and i'm happy and i love all that so i i i get what you're saying but this i mean the sadie's i think alt country i heard earlier from one of you guys that's very much the feel from devil enough you roll into i'm free disarray me justin you you inspired me because i I have the vinyl here with me. And so I quick looked at the bottom and I'm like, okay, I gotta catch this one cause I've missed all the other references that you mentioned. So you got Virginia Woolf, who's listed at the bottom of I'm Free Disarray Me. And when you do your research, you think about stream of consciousness.Track 6:[51:31] And that really, I think, kind of sums up your lyrics in this particular song.Track 6:[51:37] Swagger again it's it's it's it's it's the same but it's not i heard us all say that it's the same but it's not i i i loved where it went with this and it's bringing us down now right because we only have one more song we talked about the track listings and the order and now it's given us getting us i think this is kind of setting us up for saved at least me personally uh what you think craig.Track 4:[52:03] This was the first song that actually popped into my head just out of the blue one morning when i woke up because it took quite a long time for that to happen with this album i was still singing grand bounce songs you know every morning waking up and then one day it was that i was like wow okay and and same one thing i want to mention this is kind of, going off of what you're talking about with vinyl i was listening to this you know doing dishes.Track 4:[52:29] With you know on apple and the amount of times in the last few months of doing this you know this show with you guys listening to music and it glitches for just a second when i'm streaming and it just drives me nuts and so just that was one thing that i just had a note note about that that this album needs to be listened to on cd on on on vinyl anyways that was just a little pet peeve of mine and also the the snare again in this song was just a little a little much for me it was it was it was really up front and i i like loud drums typically in a mix but i just I don't know there there was it's almost like with the snare being that loud I'm missing a bit of the kick drum and speaking of which you guys must have noticed that the the bass players you know playing stand-up I had the thought a few times like I wonder and this is not to take away from what he's doing but I just wonder what it would have sounded like if they if they used an electric bass on this album because I found the bass to be not as prominent as on the last three albums you know there it wasn't sticking i don't think that's just part of the style of this band.Track 6:[53:38] Great i have a question though craig in when i look at the watch the videos oh yeah he has an he has an ampeg like he has a bass amp so he's taking a stand-up bass which traditionally you just mic or go straight into the board and he's he's running it through a traditional rock bass you know pickup bass right in through like the standard road hard ampeg so um so it gives it that good gritty sound but i will agree 100 it's not as prominent and i would like it to be a little bit more only just being a musician but it didn't didn't didn't dissuade me from my love for this album yeah.Track 4:[54:21] Not at all and i think it were like sometimes the best bass players are the ones you don't notice like they're just tight to the to the drummer and that's really all that matters but there was really only a couple times on this album where i where i noticed.Track 6:[54:34] Very accurate Accurate statement.Track 5:[54:36] This, I think, is my MVP. As a kid who was raised on prog, you fall into the song and just let it kind of take over. I don't know. I actually found, weirdly, a karaoke version of this on YouTube.Track 3:[54:52] Really?Track 5:[54:53] An instrumental version of this. No way. And I played the piss out of it just today driving. Driving and uh yeah it's it's really odd that this is the one that's an instrumental track for, yeah but just the phrasing of things lyrically and musically like he's it this doesn't sound like any other song that gourd has has put together as far as i'm concerned i.Track 6:[55:17] Love i love that connection with prog rock justin because you've mentioned that multiple times that that's something you love. And when you said it, I had not placed it until you said it. And I agree with you on that's a great, great, great description of it.Track 5:[55:31] There was a lot of references to the Sadie's covering Pink Floyd in live shows. And I'm like, oh, there it is right there. The song is that.Track 6:[55:42] The next one to the next one to could be, you know, Jim Ladd headset session, listening like with Pink Floyd.Track 3:[55:50] Oh, the next one is gorgeous, I think. It's the first slower tempo song that we have on the record called Saved.Track 5:[58:56] Again, I can't believe that the reviews said this album doesn't make sense because about halfway down, the plane starts to land, right? And every song from halfway on is just you're descending and you land perfectly softly unsaved. And this song also sounds a lot like Coke Machine Glow. And it's just really mellow and it's Gord doing his thing. and i i don't know i love it.Track 6:[59:26] Almost every album i feel like has had a an extended version of coke machine glow track to it i i i love that i i hadn't placed it until you just said that because i felt the same way about some of the other the other albums is there that could be on coke machine glow but you're exactly right and then he continues that theme as it goes almost like the uh like his is the poetry book.Track 3:[59:53] Craig is holding up his notes.Track 4:[59:55] Nobody else can see it. I said the exact same thing. Pattern of Ending solo albums and some hip albums with a track with a much different feel is what I had written.Track 5:[1:00:07] Which goes back to Road Apples.Track 4:[1:00:12] I really love the line the music is so loud that it flaps your pant leg. It reminded me a little bit of Yawning or Snarling. Just the line in that.Track 5:[1:00:23] Thank you. I would hold up my notebook if it wasn't typed out. Because that's exactly what I have to.Track 4:[1:00:30] We are, let's see, as of recording this episode, we are, what time is it there? We're about two and a half hours away from the 10 year anniversary of this album. Of the release of this album.Track 3:[1:00:41] Oh, get the fuck out.Track 4:[1:00:42] Yeah. Wow.Track 3:[1:00:44] Oh, wow.Track 4:[1:00:46] I just had to look it up yesterday. I was like, wow, that's pretty cool.Track 5:[1:00:48] Oh, shit.Track 3:[1:00:48] That is cool. Huh. I normally have them all in my calendar, and I don't have that in my calendar. Huh. Good find. Yeah, it's going to be, yeah.Track 6:[1:01:00] Good find, Craig. Great find.Track 5:[1:01:02] J.D., you have about two and a half hours to make a post.Track 3:[1:01:06] Any more unsaved?Track 5:[1:01:09] I don't know. I didn't pick it apart too much. I loved that imagery of the line, Craig, that you just mentioned. The music is so loud, it flaps your pant leg. And there's a really strange, it's almost not, rhythm to the way that he sings it. It would be really hard to transcribe that onto a, onto a sheet of music.Track 4:[1:01:29] I also enjoyed the, um, the, the, the, they finally played a bit without the drums, you know, like this whole album has been very much like a full band. And I mentioned last week, I believe that one of the strengths of, of country of miracles was that they had so many members that they could all just take a break every once in a while. They didn't feel the need to always fill up every space. This band's the opposite because they're, you know, there's just four of them and they, they, you know, they're very much a typical rock band where everyone's playing all the time and so i actually enjoyed that there was a bit of time at the start of the song without drums no no offense to the drummer um but sometimes you just need a break this.Track 6:[1:02:07] Song to me was the you know that that cup of coffee after dessert or you know the cigarette after sex it was that finisher it was uh it was that we're all in good, good, good company. I love the connection back with Coke Machine Glow. I love the connection back with that changing that ending song. But to me, it was, all right, more so than the others. It was like, okay, here's your big warm hug before whatever comes up next.Track 3:[1:02:39] Oh, I like it. It does feel like a warm hug. It's a very comforting song for me. I don't know why, but it chills me right out. It's a great cigarette after sex. Kirk, I love that. It's really tremendous.Track 5:[1:02:55] It sucks that this album was only a half hour long.Track 3:[1:02:58] I know. It's so strange after The Grand Bounce, which was nearly an hour. But again, these guys are just so efficient and economical.Track 5:[1:03:10] It's one good fast job, baby.Track 3:[1:03:12] That's right.Track 6:[1:03:14] So does- Hey, did you know that that is his second highest played single, or at least versus Spotify when I last checked? Does that not totally blow you away? Like at least if you just look in his Spotify category, I believe it's number two behind like the Chancellor, I think is probably the most sense. But now i'm now i'm gonna look sorry i'm gonna i'm gonna see if i can back my own research.Track 5:[1:03:43] So interestingly i i don't have hard copies of any of these albums so i'm i'm strictly listening on streaming i use the youtube music app i don't really care for the interface on spotify and there is zero existence of this album in that in that space so i had to download band camp and buy the album that way which i was happy to do yeah i love band camp but yeah i had to uh that's the only way I could find this lyrics.Track 6:[1:04:07] All right, gents. I did the research. I was incorrect by two. It's Chancellor, the East wind. Oh, I am lost.Track 4:[1:04:15] That's then one good. Mind blowing.Track 5:[1:04:17] No shit.Track 6:[1:04:18] Number four.Track 4:[1:04:19] Yeah.Track 6:[1:04:20] Like that. It's even in the top five to me over like.Track 4:[1:04:23] You know, it's a great song. These songs that I thought were more well-known. Wow.Track 6:[1:04:29] Thank you.Track 4:[1:04:29] Yeah.Track 6:[1:04:30] It's surprising to me that.Track 3:[1:04:32] Yeah.Track 5:[1:04:33] Well, even, Even the opener on this one, Crater, I mean, it has a great video too.Track 6:[1:04:39] Oh, that's right. That's right. It is a really cool video.Track 4:[1:04:43] So the album art's interesting too. Did you catch that there's the different members of the band on the album? There's probably about these portraits of like, I don't know, 50 people. And if you look carefully, you can find all of the members of the band. I did.Track 6:[1:05:01] I did, absolutely. It's, yeah, on the album.Track 5:[1:05:04] And the artwork and the sound and all that, it kind of reminded me of the Beatles. I don't know why. But there was something about it that was familiar.Track 3:[1:05:16] Beatles-esque.Track 5:[1:05:17] Yeah. Yeah.Track 6:[1:05:20] I could see that. I mean, especially from an artistic standpoint. Yeah. Very much can see that.Track 3:[1:05:26] Yeah.Track 5:[1:05:27] Overall, I was super happy that this was the next thing. And I wish that there had been another one to follow it.Track 3:[1:05:33] So does it stay in your rotation then, Justin?Track 5:[1:05:36] Mm-hmm.Track 3:[1:05:37] Yeah, it does. Craig, how about you?Track 4:[1:05:40] A couple of days ago, I probably would have said maybe not. It's an album I'll definitely pull out here and there. But no, I do think I really am enjoying it lately. And like I said, the turn of the weather really helped. This is, to me, a summer album, not a, I think, come winter, I'll put it away again.Track 5:[1:05:59] End but the i'm sorry but i got it before i forget it right we just had the eclipse as we're recording this and i was stuck in traffic it's a 17 minute commute to get home and it took me 90 minutes so i listened to this album three times on the ride home and it's a great even if you're stopped it's a great album to be in the car.Track 6:[1:06:20] It's going to hit the turntable for me on a fairly regular basis for a while. Like I said, Grand Bounce, I couldn't get it out of my head. And finally, it might even have been an I'm Free Disarray Me, just that very methodical line that came through that turned it for me. Me but i love i i love it absolutely love it in fact i'm i'm probably more excited about digging deeper into the sadies once this whole project is done the sadies and several other canadian bands that i'm not as familiar with that you guys have introduced me to and i'm very thankful for but uh yeah this this one's staying in the rotation if you've got any.Track 3:[1:07:02] Bands that are gore adjacent or canadian indie adjacent uh send them our way discovering downy at gmail.com And we'll be sure to read that email on the air.Track 5:[1:07:18] I will say that as much as I've enjoyed this album, I've also really enjoyed the songs that are not on the album that Gordon and Sadie have played together. The cover of Search and Destroy. Holy shit.Track 3:[1:07:32] Right, you sent that to us a few days ago.Track 5:[1:07:35] That song melted my goddamn face off. It was so good. So good. And it was like 7, 12 in the morning or something. I was like, all right, I'm out of bed now. This is awesome.Track 4:[1:07:45] One of the shows I found online was here in Vancouver at the media club. And I actually remember hearing about it. And I'm just kicking myself that I didn't get to that show. This is like a tiny, tiny, like this is where my original band a number of years ago did our CD release party. And yeah, there's maybe room for 80 to 100 people in there. would have been amazing.Track 3:[1:08:10] Oh damn that.Track 6:[1:08:14] Is definitely i don't have a lot of regrets gentlemen but not seeing any iteration of gourd solo is very much i'm glad video was around because but i would have really really really enjoyed.Track 3:[1:08:28] Seeing that feeling thousand percent live yeah.Track 5:[1:08:32] I go back to that sweaty basement uh in me in massachusetts and like dude i went to those shows all the time and I wasn't there.Track 3:[1:08:39] That's crazy so Justin you've already sort of given this away even though we we you know we tease it throughout the show and typically give it away at the end but we'll start with you and your MVP track.Track 5:[1:08:56] Yeah, it's totally I'm free, disarray me, which took me by surprise, but then it didn't totally. You know, after the way that by, you know, the music that my parents played when I was a kid, this song is just cosmic cowboy, trippy shit.Track 3:[1:09:14] Kirk, how about you?Track 6:[1:09:15] All right. Los Angeles Times.Track 3:[1:09:21] Excellent. I love that pick. I liked your pick too, Justin.Track 5:[1:09:25] That's the hometown.Track 6:[1:09:26] Oh, yeah.Track 5:[1:09:27] That's okay.Track 6:[1:09:28] And it definitely is not one that I would have really settled in on had it not been for our discussion today, honestly. Because almost every song on the album has really fallen into near the top. You know, Conquering Sun, Budget Shoes, I would say, of everything, those definitely hit that number one spot for me multiple times. But Los Angeles Times is the one that just kept coming back, and I just kept feeling, and I kept growing further, enamored with on all fronts. So that's my pick, and I'm sticking to it.Track 3:[1:10:03] Very cool. Craig, you?Track 4:[1:10:06] Yeah, I had a hard time picking a song. And I found, kind of like what Kirk said, there was almost less of a range between the songs I enjoyed and the songs I enjoyed less. They were all in roughly the same region, whereas the other albums, there was some tracks that right away really, really got to another level with me. I think this album maybe doesn't quite have quite the emotion that the first three did, which is usually what hits me when I really love a song. Usually it just grabs me emotionally. And this album didn't have that in the same way. my my go-to song here is is going to be uh it didn't start to break my heart until this afternoon, just just a good good punk rock song yeah just nice just a great yeah great driving tune and.Track 3:[1:11:00] Gets the blood flowing, right? And I agree with you about the previous three records. They're just sort of more raw and improvised feeling.Track 4:[1:11:08] And more range to them, right? This just feels... There was more... Yeah, just... More variety. Yeah, more...Track 3:[1:11:15] Dynamics. Yeah. Yeah.Track 5:[1:11:20] There was a point where critics were really starting to tear Gord and the hip down. Yeah. When this album was coming out. And they were like, all right, we get it. The soup's getting cold. It's the same shit over and over, year after year. The performances are boring. It's not great. And I think, I don't know, but I'm thinking that this album was Gord's big middle finger to those guys. I'm still doing this. He's 50 years old.Track 4:[1:11:49] Can you think of another artist that has done what Gord has done? He's now got three bands that are all so amazing. Yeah, that's right.Track 5:[1:12:01] At the same time.Track 3:[1:12:01] At the same time, yeah, you're right.Track 4:[1:12:03] Yeah, mind-blowing how much high-quality work he put out through his whole career, but especially in this middle chunk here.Track 3:[1:12:12] Well, and if you think about it, this is a perfect segue because beginning in 2012, he started work on the record we're going to talk about next week, which is Secret Path. And that record didn't see the light of day until 2016. 16. So even then with that record, he's assembled the band again, and it's a great band as well. So this guy is just producing at a level presumably around the same time he's doing Luster Parfait. Because he's working with Bob Rock pretty exclusively, right?Track 5:[1:12:49] Right.Track 3:[1:12:50] So, God, just fascinating what we're what we've gotten up to so far i can't wait we are halfway done his records we've got one more studio record and then god damn it three posthumous records uh it's going to be tough to get through those ones guys i know it yep anything else you want to say before we wrap things up i.Track 5:[1:13:15] Don't know i love it man i i love this project i feel like we're a broken record because we're all going to say the same thing and we'd say it every episode But this project has gotten me back into, just like you said, Kirk, discovering new music. Or it's new to me. Right. And I am finding so many new things that I didn't know I didn't know.Track 3:[1:13:35] Right.Track 6:[1:13:37] I'm i have been frightened from the beginning because you know you listen because it's your first time listening to a solo stuff for you know i was frightened every single album that, yeah i was going to be disappointed yeah yep and i just keep finding a new way to be enamored and i don't mind being that easy when it comes to gourd and what's going on uh you know i i we talked about, you know, my, my experience with the hip, you know, having to hear about it from friends and not having that, you know, immediate access to everything. So I'm thoroughly loving the fact that the emotion and the feeling that Gord and the hip, all the musicians he's been involved with on the solo, just keep raising the level. So I'm now just like, I'm, I'm, you know, what I like about this, you guys is you're nervous and worried. Now I'm not nervous and worried. I'm I'm just, I'm excited about listening to what's coming up and I'm so excited.Track 5:[1:14:37] If you, if you enter the, if you enter the room knowing it's going to be a mindfuck when you get there, it's perfect

Thousands of protesters hit the roads and streets from Northland to Invercargill today to oppose government policies toward Maori. Lauren Crimp reports.

On this month's tech-focussed episode, Heather Staff, Co-Founder of Street Group, joins host Ben Sellers to discuss some of the technological advancements Street Group have integrated into their platforms to the benefit of businesses and consumers.

Abbey Holmes, David Zaharakis and Jack Heverin give their thoughts on Saturday Twilight becoming the AFL's sexy timeslot for footy. Daniel Curtin will debut in the Showdown tomorrow night, the Battle of the Bridge is the headline act in NSW this weekend.  Zacka compares Brisbane at their lowest to a template the Kangaroos should lean on to build their way back up the ladder and Jack has a theory on Chris Scott being the best coach in the modern era.  -------- Add the show to your favourites on LiSTNR: https://listnr.com/podcasts/footy-talk-australian-rules-podcast  Listen on Apple: https://podcasts.apple.com/au/podcast/footy-talk-daily-australian-rules-podcast/id1673652644  Listen on Spotify: https://open.spotify.com/show/1q5RUW2KTONUoP8KF3ZZHY?si=6798bf7f4a1540be See omnystudio.com/listener for privacy information.

21st April 2024 The Spokesmen Cycling Podcast EPISODE 352: Laura Laker SPONSOR: Tern Bicycles HOST: Carlton Reid GUEST: Laura Laker LINKS: https://www.the-spokesmen.com/ https://www.ternbicycles.com https://twitter.com/CarltonReid https://twitter.com/laura_laker https://www.bloomsbury.com/uk/potholes-and-pavements-9781399406468/ Carlton Reid 0:11 Welcome to Episode 352 of the Spokesmen cycling podcast. This show was engineered on Sunday, April 21 2024. David Bernstein 0:28 The Spokesmen cycling roundtable podcast is brought to you by Tern bicycles. The good people at Tern are committed to building bikes that are useful enough to ride every day and dependable enough to carry the people you love. In other words, they make the kind of bikes that they want to ride. Tern has e-bikes for every type of rider. Whether you're commuting, taking your kids to school or even carrying another adult, visit www.ternbicycles.com. That's t e r n bicycles.com to learn more. Carlton Reid 1:04 I'm Carlton Reid and today's show is a chat with like journalist Laura Laker, author of an excellent new book, Potholes and Pavements. This is a travelogue featuring Laura's travels around the UK, writing on some of the best and worst bits of Britain's National Cycle network. From jaw droppingly gorgeous looking ancient military roads in the Highlands of Scotland to dark and dingy urban back streets blocked with barriers. As the books subhead warns, it's a bumpy ride. Um, so you've written a book. Is this your first? Laura Laker 1:46 Yeah, my first my first book, believe it or not, Carlton Reid 1:49 well done. Congratulations. It's a brilliant first book. One of many. I'm sure it'll be one of many. I noticed you've got a an agent. Yeah, you say in the back and thank him. So I'm guessing you're going to be doing more books? Laura Laker 2:00 Yeah, I guess so. I'm not trying to think about it too much. This one was very long in the gestation. I had an idea back in 2017 to do a basically ring around talking to people. I'd listened to the audiobook of John Steinbeck's Travels with Charlie, in which he travels across the US with his big poodle, and talking to people and he says he's most wonderful conversations, which were later question for their veracity, but it's just, it's just a wonderful format. And I love I'd kind of in that trip to America, I rediscovered my love of talking to strangers, which I had as a kid, and I'm kind of lost over the years, I guess, being British, but spending time in the US where everyone is just willing to talk to you and tell you their life story. I rediscovered this just love of cycling, is brilliant for that, you know, just talking to people you're travelling around, you might stop at some lights, or you might pass someone on a path and just get chatting to them. And it's wonderful people have the most amazing stories, I think Carlton Reid 2:59 Well, there's two teachers that you met, hopefully they will read the book. You weren't avoiding them. Laura Laker 3:07 I know Greg and Norton, they were so brilliant. And the most unexpected encounters and I was up in the Cairngorms and travelling alone and feeling a bit like oh, you know, such a beautiful, it's ridiculously beautiful up there. I'm always just astounded by Scotland, and how how it's possible for somewhere to be so beautiful. And the NCN [National Cycle Network] across the Cairngorms is something else, it's really quite remarkable. A lot of its off road, it's this dedicated path. It was an old military road. And the rest is on fairly quiet country roads. And I was pootling along on my big pink ebike, which I did some of my adventures on and I saw these roadies coming up behind me and I thought well that they're going to overtake me in a bit. And sure enough, they did. We said hello. And then I saw them stopped at this bridge and they were looking over and they just had this wonderful kind of whimsy about them this they weren't they were going a long way actually they're going from kind of Aviemore back to Preston where they were at least one of them lived and doing it over a couple of days in sort of training one of them's an Ironman enthusiastic participants, but on the way they were stopping looking over bridges, that sort of waterfalls over rocks and like looking across the landscape and just enjoying the scenery. And that for me is what cycling is about. It's about appreciating the world around us and the people around us and so they said we'll ride with us for a while and as you know ebike your Aberdeen bought a bike mine included, maxes out at 15 and a half miles an hour which these guys were obviously capable of exceeding quite easily. So but they they rode with me for quite some time and we chatted and they were just fantastic. And then yeah, they they stopped for a week and I had to run inside for a week. And then I came out and they'd gone Carlton Reid 4:51 but it's quite a nice way to say goodbye. Are you are you are you taking notes as you're going along? So you wrote their names and what they did. And or you coding stuff. How are you physically? Laura Laker 5:02 Yeah, so I get back at the end of a ride and write stuff down. And I do think it's best that way, especially with travel writing, because you forget so much so quickly. And the big three Cornwall, I think is, you know, in the early parts of the book, when I first started the exploration, further afield, you know, writing stuff down as you experience it, or very soon after is really important because you lose a lot of the detail and the texture of what you're experiencing. And I think it just makes for much richer story that way, but also difficult to do because you're having to memorise and maybe that's why Steinbeck was getting criticised because he wasn't writing No, no. As he was going along, he's remembering it. Well, memories can do. Memory is really interesting, actually. Because we we probably most of us think that our memories are fairly good, or the way that remember things is correct. But actually, it's very, very subjective. And the longer time goes on, the more we forget, or the memory gets warped, or things get introduced that didn't exist, maybe and it's really very, very subjective. I've got I don't know for some things, I've got quite a good short term memory so I can remember to a certain extent, but obviously, as Homer Simpson once said, you know, one thing comes into your brain another thing has to leave it so. Carlton Reid 6:23 That's 100% me though. So this book Potholes and Pavements, a bumpy ride on Britain's National Cycle network, it comes out May the ninth published by Bloomsbur. £16.99. Excellent, excellent book. I read it yesterday and got up early this morning to make sure I finished it before I spoke with you. Now normally when when I talk to people for this podcast, I always get them to send me a photograph so I can do the you know, the socials and the thing that goes on the show notes. What have you with you, oh, an hour and a half to do that. Because I have ridden with you ridden with you on bits of the ride that you are right that you mentioned in your book. So when you mentioned that, you know the cycle superhighway. You make an item was like, I've got that photograph because I was holding my camera photographing you behind me? Laura Laker 7:20 Yeah, with Brian Deegan. Carlton Reid 7:21 There's knowing smiles when I'm reading your books like I was on that ride. Like I know, Laura. Oh, my word. It's also like me on that ride. And when you describe windmills, yes. But the windmills and it's a cute book for me. Also cute because I know lots of these people who you're describing. And I know in the book, it says he didn't want to be described as a hero. But he is a hero. And because it's about the National Cycle network, then clearly that's got to be the guy who not single handedly founded it, but certainly pushed it through with those with those early innovators. So that's John Grimshaw. So he comes in, he's, he's in at least three or four parts of the book, you've clearly gone to speak to him a number of times wonderful. And it's fantastic that he's in there, because he really doesn't get the recognition he deserves. Laura Laker 8:16 Yeah, it's interesting. I mean, he I obviously have to speak to John Grimshaw. Because a lot of people as he points out, and as I tried to convey in the book, a lot of people and probably, you know, uncountable numbers of people were involved in the foundation of and development of the National Cycle network. And then it's maintenance ever since many of whom are working for very little, in fact, nothing, because they loved it. But John really seemed like, talking to people and talking to him, was the driving this real driving force behind it and his kind of self belief and single minded determination, I think was a major driver and he is such a character. I mean, a bit of a Marmite character, I think, but, you know, it seems like you need people to kind of drive things forward. Carlton Reid 9:05 Cos you need somebody like that. He's a visionary. Yeah, you know. I love Malcolm Shepherd. I love Zavier Brice, the people who are in charge now and Malcolm was the guy who came in after after John. But Malcolm wasn't a visionary. Malcolm was an accountant. And when when the organisation any organisation any business gets big, then you very often need somebody else to take over. And there's lots of faction there at the time. You don't go into it in a great detail. That was enormous friction there and there's still enormous amount of bad blood between people. Laura Laker 9:46 Yeah, and it's interesting because Caroline Lovatt. Here's another key figure from fairly early on and still works with John today. On there, they're still building cycle routes under a different organisation, cycle routes and greenways and Um, she says that, you know, for for years, according to her, John kept disappearing from the kind of record of that of the history of the NCN on Wikipedia, she kept putting him back in. And um, yeah, I mean, the story was, and that was a difficult part of it to tell. But it was one that had to be mentioned, I didn't want to go too into it. But obviously, you know, John, leaving Sustrans under fairly strange circumstances, and really against his will, was was part of the story that needed to be told. And it was a different and I spoke to a number of people and nobody really, I think, you know, there were potentially nondisclosure agreements. And so nobody really talks about what exactly happened, which is why I call I mentioned the omerta. Because it really seems like everyone has a slightly different story, or, and I and again, I, you know, it's memory and it was a painful time. And it was a long time ago. And it's quite common, as you say, with new organisations, you've got this big driving force, but then sometimes they're not the person to carry on leading an organisation once the first major thing is done, and, you know, they might not be great with people is, you know, having a skill to start and drive something is not the same as being a sort of manager of people and diplomats. And it's, yeah, it's quite often it's a painful process, certainly not unique, I think. Carlton Reid 11:16 No, it's very common for that kind of thing to happen. However, saying that it's very important to recognise who was that visionary? And I think he lost an awful lot of that. So, so wonderful to see John. central to that. So that's really nice part of the book because I, you know, John, John is a wonderful, wonderful guy, and absolutely, this would not have happened without him. I know, there's lots of other people you know, David Sproxton, all these kind of people were there at the same time, George Ferguson. So So Sproxton was Aardman Animation. So people who know admire animation, George Ferguson, Mayor of Bristol, at one point, all these individuals were there at the time, but it needed that guiding force that needed that. Just somebody who woulda just said no, and just went ahead and did it. That was that was the ethos of Sustrans in the early days. So that Laura Laker 12:12 Yeah, yeah, because the status quo then as it is, today, is very much stacked against cycling routes happening. And so you kind of need a rebel who's not willing, who's you know, not willing to take no for an answer? Who's going to be able to make things happen? And I think in a way that kind of, I guess, you know, being from a fairly well off upper middle class background, you have the confidence really the education that kind of gives you that confidence and and then the character and self belief to just to drive that forward. Carlton Reid 12:47 Mmm. That you didn't mention not even once Cycling, Touring Club CTC cycling UK. Because the book isn't in all cycling, you are you are laser focused on the National Cycle network. But there was also friction between those two organisations, you know, stranden effect was an upstart organisation, then it got for £42.5 million with Meatloaf handing that over on TV or that kind of stuff. And there was there was an awful lot of friction between still is between strands and and what is today cycling UK. So you haven't got into that at all. What Why didn't you go into that? Is that just because you wanted to just stay laser focused on the cycle network? Laura Laker 13:36 I mean, I mentioned that not everyone felt that Sustrans was being helpful because they felt that cycle route should be delivered by government and charities stepping in. And taking that role almost allows the government to say, well, you know, someone's doing it. Now. We don't need to get involved. But I mentioned the kind of tension between certain types of cyclists. I think I might quote to you, I think I've got you in the references on that. But I mean, I don't know if I just don't know how. I don't know. It's yeah, it's a tricky one. It's how much to include, and you always have to make these decisions, what to include and what not to include, and I guess I just didn't feel like that was a key part of the story at all. There was some thinking at the time around that but and I'm aware that there was tension and I know that Mark Strong for one who gets quite a mention in the book, talked about Sustrans being too successful and not successful enough in that, you know, they were doing this job notionally? No, they were doing a great job for with what they had and who they were and ie not the government and with not very much money but they were doing enough just to allow the government to just say, You know what, well Sustrans is delivering the National Cycle network, tick, job done. Let's get back to the serious business of roads. Carlton Reid 15:01 because there is there is you meant we will get on to the very positive points, you've got like a bunch of what what do you call it in the book where you've got a whole bunch of asks basically? Oh, yeah, the manifesto, the manifesto. There you go. Number one, we'll go through these points. 10 point manifesto. So there's some positive stuff to talk about that. But you don't really mention that there's this that, you know, you're talking about, you know, this should be funded nationally, and there is that struggle, bear with you know, this is a charity, etc, etc. But then you've also got the weakness of you have actually got to at least have British Cycling as well, three competing organisations, going to government and asking for money for various things. And wouldn't it be nicer and more practical and may even get more stuff? If there's only one organisation so there is that there is the absolute fault line running through cycling? That is one of the reasons why it's very easy for the government to not do stuff because they're getting told different things by different organisations and one organisation saying don't back them back us. So there's that kind of friction there. Laura Laker 16:22 I don't know if that's if I see it that way. I mean, Sustrans cycling UK, and British Cycling, and things like livable streets are all part of the walking and cycling Alliance. And I think what that what that's trying to do is to unify the voice, because ultimately they want the same thing. I mean, British cycling's coming at it from a sports point of view. But recognising that its members also need safe roads to cycle on. And that means a whole host of other things, safe protected routes in cities. And that's popular with members. And then cycling UK, originally a touring group, now a charity that lobbies for Safe Routes, safe conditions, and also delivers stuff for government, such as what to fix your ride, and a bunch of other things. And then Sustrans is a National Cycle network and behaviour change programmes. So there are overlaps, but I do think they are distinct. And I don't see I don't see it as I mean, they probably have internal, you know, perspectives on things and perhaps don't always agree with what the other one was doing. But I think I think they tend to present a fairly unified front these days. Carlton Reid 17:30 They're not as bad nowadays. I mean, it's when you get rid of it certainly did not get rid. That's the That's the wrong phrase. When individuals leave organisations, it can change because a new people come in, and you know, those alliances are, that's what you're just used to. But you know, before that alliance was put in place, they were cats and dogs, they were really hating on each other and slagging each other off to government as well. So that's why government was able to go up. This cycling is just mad look, these these, you know, what they, these three cats in a sack just fighting each other. Laura Laker 18:03 And then you saw, I mean, I think I talked about, you know, Malcolm Shepherd, who was the CEO after John Grimshaw. He went to ministers, and he was saying, why aren't we getting the funding we asked for? Or why are we getting taken seriously, I think was the question. And he was told, Well, you don't ask for enough money, basically. So they were thinking and perhaps this kind of historic infighting is also a function of the fact that these were kind of fledgling organisations to an extent for some time, not very much funding. They were run by enthusiasts probably, who all had their own ideas. And of course, let's not forget that there were also the vehicular ISTS who didn't even believe that we needed cycling's of which I think cycling UK early on was one and that might explain why they disagree with Sustrans who were trying to yes, no, there was a whole cohort who stands for that reason, absolutely. 100%. So maybe that, you know, it perhaps is a function of just the whole movement being in its infancy. I mean, it's been going for a good 40 or so years, but I don't know, maybe it was maybe it was just run by enthusiasts for a very long time. And that's why it's taken a while to kind of mature but also I think it was going I mean, our cycling lobby, organisations were kind of leading the way for much longer than a lot of European countries in a nice talk about this in the book in countries like France and in the Netherlands and in Denmark, they all started their calls for National Cycle networks or at least safe routes, thanks to charities and voluntary organisations. And then fairly quickly, were all taken on by the government who saw this as a piece of infrastructure firstly, quite often for leisure, but then they realised people were using these routes for commuting trips, and it was it needed to be part of the infrastructure and was taken up with great enthusiasm and in Sweden as well. By the various local departments and regional governments and delivered quite quickly and at quite a kind of scale. And that hasn't really happened here. And so perhaps those kinds of just the longevity of those cycling groups being so crucial to anything that happens for cycling, has kind of made this whole, I don't know, split more important than it would have otherwise been. Carlton Reid 20:24 Yeah. And like in the Netherlands, the the organization's tried to fight against this, but the government tax cyclists, and cyclists actually paid for the roads. Laura Laker 20:34 They did, that's right. Carlton Reid 20:37 But it's the very fact and this was a cyclist at the time were fighting against, they didn't want to be taxed. In the UK, and the Netherlands, they were taxed. And then cyclists became national infrastructure. And that became critical, as you say, and the fact that you know, there wasn't, there was some national infrastructure, obviously, I've done this the 1930 cycleways project. But the CTC is the British Cycling as of the time fought against all of this, they fought against taxation, they fought against cycle routes. And so there is there is some argument to be made that cyclists have been their own worst enemy. So I know in the book, you're saying, you know, it's just such a no brainer. And it is to back, you know, for want of a better word or phrase active travel. Now, in the book, you've got various people are saying we should call it something different. Laura Laker 21:27 Yeah, Lee Craigie. Carlton Reid 21:27 yeah. Yeah. But, you know, cycling has been difficult, at the same time. And it's like, what's happening in Wales, and in Scotland, is inspiring, possibly, because it's actually coming from above. A lot of it, you know, there's obviously enthusiastic people working on the ground, etc. But a lot of this is coming from government ministers. So that helps. Yeah. And, Laura Laker 21:54 I mean, we have this idea, and I'm sure we're not alone. And this point you just made and the example of the taxing of the cyclists in the Netherlands, which is something I learned during doing the research for the book, I didn't actually know about this, but I, you know, the reason we lost the railways that then became a lot of these greenways was because, you know, we see transport as needing to wash its own face needing to fund itself. And the railways at the time, were losing money for most of the routes. And so that was the reasoning. And, you know, with roads, obviously, drivers are taxed it's not sort of ring fence funding. It's not a road tax, it's, but you know, it is making the Treasury money and cycling has never really done that. And I, I think fundamentally, the way that way of thinking about transport is wrong, because of the benefits, the much wider benefits that transport gives us in terms of, you know, being able to access education and health and social opportunities and for our physical and mental health. And it's, its benefits span far beyond its own kind of silo. But we don't really see it that way. And I'm not really sure actually, if anywhere managers to think of it this way, but I think post pandemic, things like free bus services and in different countries has maybe illustrated that people are starting to think about it differently. But ultimately, I think it's it's a very tricky one. Because like you say, we in a way we weren't, we were own worst enemy in terms of our predecessors in the cycling world. But we were working within philosophy that's that dictated that actually, if you're going to build something, you know, who's making money from it, or, you know, how is the Treasury getting that investment back and not really seeing it as this makes people healthier? Or this gives them opportunities or promotes businesses, local tourism? And all of this? So yeah, I mean, if we'd done it differently, who who knows of cyclists in the UK? So fine, we'll pay a tax. Who knows? We might have an NCN now, but, and even today, it's a little bit of an uncomfortable conversation, isn't it? Because, you know, nobody wants to be taxed. Carlton Reid 24:02 So the book is, it's a polemic in many ways, not not all the way through. But there are definitely bits in there that are strident. And I cannot argue with at all I'm reading it nodding along. And certainly the bits about like the national infrastructure, right, and it's all being spent on roads. And it's it's the so many reasons why that is crazy. Yeah, and why spending even just a fraction of the roads budget on on a national cycle network, you know, genuinely joined up one high quality would bring many more, many more benefits. And then you've got and the irony is, and I did a new story on this is, you have a government minister, who has written the foreword to your book, and he said This is not government minister, a former government minister, a former Transport Minister, Jesse Norman, and then it's like, why don't you do this when you're in power? It's great. You've said it. It's wonderful that you're saying all these things. But you could have done this, you could have pushed for this. And he was also the Financial Secretary of the Treasury. Yeah, he could have released money. Yeah, let me see what he says. But Laura Laker 25:26 it's so difficult, isn't it? And it's, again, it's kind of facing it's the status quo. I mean, it's, I think, maybe important to remember, and I'm not making excuses for anyone. But, you know, he was a junior minister, certainly in his first round is cycling minister. And so he would have had to tow the party line. So I don't know how easy it is for. I mean, he's a very intelligent guy. He cares about cycling. But then he's part of a system, which ultimately, I guess, maintains the status quo doesn't want to upset the applecart. And that's why, in the manifesto, I, you know, I think it's so important that people speak up for these things, because I think until there's an outcry for it, it's very difficult for any one minister, unless we have a cycling Prime Minister, to change all of this. There's a lot of vested interests in maintaining, you know, roads for cars, keeping car manufacturing, going and, you know, taxation on cars is going to be very problematic, because obviously EVs electric vehicles don't pay, you know, drivers with EVs don't pay cortex. So what's gonna happen there? But yeah, I mean, it's difficult, but I think people need to speak up for this kind of thing. We get a lot of kickback pushback from people when there's cycle routes coming. But those are the minority. And one thing I tried to highlight in the book is that most people want this once cycling routes, they they want other options and to drive. And, you know, between two thirds and four fifths of people in representative polls say that they'd support this and many of them, even if it meant taking road space away from motor vehicles. But that's not what politicians listen to. And I think increasingly, politicians are listening to angry people on Twitter. And you know, if Mark Harper's comments about LTNs and 15 minute neighbourhoods is anything to go by, which was straight out of the kind of conspiracy theorists, Twitter playbook, you know, they're listening to the loudest voices. And I think until people say, you know, we actually want choice. We don't want to have to breathe polluted air, we don't want to have our neighbourhoods dominated by motor vehicles. We want our kids to be able to go to school safely. I think it's gonna be difficult for things to change. Carlton Reid 27:45 Hmm. So you have mentioned a variety of routes that are actually pretty good. So yeah, Keswick one is one of them. Laura Laker 27:55 Threlkeld, yes. Carlton Reid 27:58 And that's why I know, I know the route well, as good as now, you know, a cycleway there because that was that was long in gestation. But basically, it's it's it's, it's popular. You know, people say, oh, like, but that's a popular route now, isn't it? Laura Laker 28:15 Yeah, yeah, people drive there. And I mean, that was that was interesting for a number of reasons. I mean, incredibly beautiful. It sort of weaves through Greta gorge, which is just this kind of just this amazing landscape, this sort of rocky river which meanders through this very deep wooded valley. And it's on a former rail line. And it was, which storm was it was it 2015, there was a big storm, which basically crumbled a couple of the bridges with the sheer volume of water that ended up going through this narrow gorge. And then it was out of action for a couple of years. And that was an important, crucial route and a tourist attraction for local businesses. One pub owner apparently offered the local council, I think it was the national parks something like 30 grand out of his own pocket, reopened the route, but it was actually a sort of 2 million pound job. So that wasn't going to go all the way. But you know, this was a really important tourist attraction for people and people drive there because there aren't safe routes to get to and from the ends, so people drive and park and then cycle along it and cycle back. But yeah, it's popular, it's really popular. And they when they put the bridges, the new bridges in Sustrans with various parts of funding, they resurfaced it and there was a big hoo ha about putting tarmac on instead of the gravel that had been there before. But that actually opened up it up to far more people, including people who use wheelchairs and mobility scooters, because any sort of rough surface or uneven ground can tip someone in a wheelchair and it effectively makes these routes unusable. And this is something that I really learned in the book and feel very strongly about now. And there was a big outcry nationally about tarmacking this path because it's in the Lake District and everyone's He has an opinion about the Lake District even if they've just been there once and we all feel like we own it because it's such a beautiful place and I guess rightly so. We all care about it. Carlton Reid 30:07 The Lakers. Laura Laker 30:09 Lakers, my people. Yeah. The people who holidayed in the lakes were known as the Lakers. Yeah, which is brilliant. So yeah, they, you know, they held their ground and they tarmac it and you know, the numbers increased drastically. And this story plays out all over the country, wherever there's a improve surface on a path. Suddenly, it's open to everyone. And this is what this is what cycle rich should be in, in my opinion, it should be open to everyone. Carlton Reid 30:37 Yeah, it's like the cinder path. That's the Sustrans route national cycling group from from Whitby to Scarborough. That was the one that had a load of of people complaining because Cinder path you know, they were going to be tarmacking just parts of it. And lots of people are saying you know but this this this will you know, destroy it or whenever lots of yobs in and it just never got done. And then it's it's impossible for a lot of the year because it's just it gets just too rutted into mud into too horrible. And this is, you know, we discard it would just be so easy. You know, between these two conurbations and small conurbations, if you could ride there on an all year round an all weather path? Laura Laker 31:21 So yeah, I do. I do worry about this, because it's, you know, they say it's an effect gentrification. And you're you're bringing, you know, urban into the countryside yet. There's roads everywhere, and they got tarmac on, and nobody seems to be kicking up a fuss there. What's What's your problem? Yeah, I know. And I think it's just we have this idea about what the cycle routes should be or could be, and we see them as leisure routes quite a lot of the time, we have this kind of set idea about cycling, that it's not, you know, it's not a commuter option, or, but you know, it is, but it goes beyond that. And it is about who can access these parts. And quite often, having an uneven surface will lock a lot of people out. And you know, we're an ageing population in this country. And as we get older, we will all have disabilities, and mobility issues. And it shouldn't be that you know, these paths are any open to a few people. But yeah, it's a difficult one. And we would like to say we've never think twice about it for roads, we've never think about having a road as a dirt path. And I can you know, visually tarmac is not a beautiful thing, but I think if people understood that actually, it's it's not just about the visuals. This is about people and this is what these parts are for they're for people. Carlton Reid 32:34 Well you can make if you want it to be just that colour, you can make the the asphalt you can you can you can dye the asphalt. So it's it's more expensive. But you can you can do all sorts of treatments you can do to make it all weather doesn't have to look, you know, black. Yeah. So anyway, so let's go to another assessment. That's some negative ones. Where they tried to be certain, but then you point out the Polgate one, between Polgate and Glynde, which is almost happened to you by by mistake. Not mistake, but it's certainly a by accident. Yeah. And you're talking about it being just brilliant. So describe that one. Laura Laker 33:11 That's amazing. Yeah. So I was told about this. And then I know someone who lives in Lewis, which is at one end of it. And so we we we met at the station and cycled along this path. And so it's beside the A27, which is a national highways road. And it's right by the sales downs, which is hugely popular with cyclists. And basically, there were so many people cycling on this incredibly terrifying road. It's one of those narrow and winding A roads with huge volumes of traffic. I mean, I went on a walking trip near Louis the other day, and I had to cross it with no crossing and it was it was genuinely terrifying. I can't imagine people cycling on it, because it's, you know, six months. So yeah, anyway, people were being held up in their cars because of people cycling. And so national highways decided it was going to build a path alongside and it's this this was a real eye opener for me because they had done what needs to happen around the country. They had built a path behind the hedge row, which is wide and tarmac and smooze with lots of planting and culverts and bridges over rivers and and they just laid it you know, very little problem. I don't know if they owned the land or perhaps compulsory purchase probably a mixture of I think it was a mixture of both. And so they built this amazing kind of 10 kilometre joyful route, which is just you know, it's just like a road. It's like no stress. You just carry on. There was someone on the mobility scooter the day I was there, a couple of people on bikes, but it was basically hadn't opened yet. And yeah, it was just there. But it's quite funny because at either end, it just stopped because then that's the local councils job to kind of deliver it beyond. But you know, it shows what's possible if you have a national body with the power and the funding, and they have, you know, multi year funding pots which helps plan and deliver this stuff and they just did it, they just sort of swept aside all of the normal problems that I talked about in the book that usually dog these cycle routes. And yeah, it's quite, it was quite marvellous, quite Carlton Reid 35:11 I found it fascinating because one of the things you say is, as we just mentioned there, it, it was an effective bill to get the cyclists off the road. We made enough nuisance of ourselves, that is 1930s to a tee, you know, the transport, you know, built those 500 miles of cycle tracks in the 1930s to Dutch standards laced around the country. Some of them weren't brilliant, but some of them were amazing, you know, 12 foot wide Dutch Dutch level, concrete curbs, you know, perfectly brilliant bits of cycling infrastructure that are now just some of them are white elephants, because they didn't link up to anywhere. But, you know, the government at the time said, Oh, we're doing this for the safety. No, they weren't they were doing it to you know, get cyclists on the road because we're slowing down motorists, but you kind of almost don't care if if if you get a really superlative route behind the hedgerows. Yeah. Okay. It's such a difference. Yeah. That's the difference. It's got to be good. You can't just fob you off with shared route pavement, which is what yeah, the criticism of Sustrans has been is like there's so many shared route pavement. And that's why Sustrans got a bad rap, even though it wasn't their fault. And they were just trying to fill in the gaps. Laura Laker 36:28 That yeah, yeah. And yeah, they just have to use whatever was there, which was quite often a pavement along what would have been a not too busy road in the 70s or 80s. But it's now a sort of thundering highway and being on a pavement with no barrier between you and or no, no sort of space between you and the 60 mile an hour traffic is far from pleasant, and no, no, no parent is going to choose to cycle on that. If they have any other choice, you know, they're going to avoid that like the plague because you know, one little wobble or mistake and then you know, it's horrific there, you know, possible outcomes. But yeah, it's you know, it's, it's fantastic. Because you don't even barely know the roads there. It's just cool. It's just gorgeous. I'd like to go back actually, because it's been a good year, I think since I saw it. At least actually. Maybe Yeah, I think it's at least a year and yeah, let's see how the trees are bedding in and because it was brand new at the time it just been done. But yeah, it is. Ultimately it is possible. And regardless of the motivations it just goes to show what's possible. I liked recently because Andy Streets and his Walking and Cycling Commissioner Adam Tranter he's on my podcast. They announced they're going to deliver the HS2 cycleway alongside in and around HS2 between Coventry and Birmingham. And when they get to Kenilworth, they're basically connecting up to one of their 1930 cycleways into Coventry. So I quite like that, you know, it's sort of linking something that's already there. And Carlton Reid 38:01 yeah, and that's also a John Grimshaw project, wasn't it? That was that was a John Grimshaw. Laura Laker 38:05 Yeah. He cycled the whole thing. Yes. Yes, he's been he's been trying to get that one, you know, for a lot for a long time. And yeah, it does stand alone. No, you need really, you need the HS2, of course, just stand alone without it. Carlton Reid 38:21 It does. Yeah, saying that, it would have absolutely been put in at the same time, that would not have been the difference. So that is point three. So in your 10 Point manifesto, that's basically work together a behind the hedgeroq Act, compulsory purchase orders, all these kinds of things that only government can do. Yeah. needs to be brought in into play. Yeah. And then you you've said and it's very ambitious. But when you think about it's like, yeah, you could do this easily. And that is you know, if if this was done and if money was provided, and compulsory purchase orders were put in like you would do for roads, you can have an unbelievably fantastic truly superlative national cycling in four years. Laura Laker 39:02 Yeah. Yeah. Yeah, Brian Deegan active travel England reckoned reckoned on this, because, you know, they have such a huge amount of power and to take go to build a cycle, which basically takes three years generally you do you have a year to kind of plan it a year to consult and tweak and then a year to build it. And for that you need multi year funding, because without that, you can't plan anything, basically. And that's why we've ended up bits and bobs of improvements, because it's like, you get the money, you have to spend it pretty much immediately. But yeah, I mean, the amount of funding a body like national highways has would be enough to you know, link these existing routes. Sometimes there are quiet roads, you know, I guess, in the Netherlands, you have through roads and access roads, things like low traffic neighbourhoods, in the countryside. That is a that is a kind of measure that you can do. And some of it it doesn't all have to be Are these sort of high quality pieces of massive engineering cycle routes, either behind the hedge row or on main roads? Some of it can just be tweaking kind of existing infrastructure so that it's not not every road as a through road. But yes, it's some it's amazing. And I kind of did a double take when I heard this. But when we put our mind to something, it's amazing what's possible. Carlton Reid 40:24 And potentially, we will see the fruits of this in Scotland, and Wales, Scotland, Wales are putting in some really ambitious stuff. And Mark Drakeford going, you know, will they backtrack on the 20 mile limit? And will they, you know, reverse a lot of stuff that Lee Waters that all this kind of stuff is potentially up in the air? We don't know yet. Yeah. But Scotland does seem to be, you know, putting their money where their mouth is, you know, that the amount of money that's going in there, per head, dwarfs what we see here in England. So the potentially you've got, you've got like, in five years, you could have something incredible. In Scottish cities in Glasgow. Yeah. You're talking about Glasgow? Laura Laker 41:09 Yeah. And yeah, Glasgow was amazing. I mean, that was the first time I'd been to Glasgow, on that trip. And I was blown away, actually. So they're developing a city wide network of routes, they're lowering in bridges across, they've got this very kind of, I guess, I guess they had this, at the time, they were building roads, they had a very ambitious programme of building like highways. And maybe that's about the culture of the city that when something comes along, when an idea comes along, they kind of embrace it. Whereas Edinburgh has historically been much more conservative. And so when, when highways when sort of urban highways came along the bond level load of those, and now cycling is seen as this big sort of saviour of health and climates and all of these important things, they're going all out on cycle routes, which is fantastic. And yeah, I was really blown away by what they're doing really high quality protected routes with planting alongside, you know, for extreme weather, it's really important to have permeable and green planting on tarmac. And, yeah, and these beautiful bridges and this massive bridge that I saw, and you know, they're really, really ambitious, I think, I've got a piece coming out about Edinburgh in the next week or so. And it talks about the difficulties that Edinburgh has faced very, very different than the city very conservative. But similarly, it's had a huge amount of funding. And I think they're finally getting to the tipping point there where they're starting to deliver real change, you know, hopefully. But yeah, it's, you know, the money's there, I think there's still difficulties with politics. So they've got these active freeways, which would be a kind of National Cycle network for Scotland, these rural routes, you know, the plan is there, or at least the idea is there, but it's not being rolled out yet. So who knows what's going to happen with that, but definitely, the funding and having that long term funding does make it much easier. I'd really love to see Scotland, you know, doing big things. And I think Scotland and Wales have been very, very forward thinking and a lot of things got maybe Scotland particularly, and more consistently than Wales, because as you say, there's a bit of a question mark. Now over Wales, they've, you know, they had the active travel act, they arguably took term coined the phrase active travel with the active travel act about a decade ago. And yeah, but stuff, you know, they have the policy, they had the money, but again, it's very, very slow to change. And I don't know, maybe they maybe if Westminster were a bit more proactive and supportive, it will be easier, who knows, but you're always going to come up against these kinds of difficulties, local politics and stuff, but I think money talks, you know, the money's there for it local investment, which Council isn't going to want public realm improvements, and you know, health. Carlton Reid 43:49 Money is number one, in your manifesto, so it's funded, and okay, we get the money from it. Here's what you say, stop expanding road capacity, and we have delivered a comprehensive network of cycling and walking routes. Hallelujah. Yeah, exactly. It's just like, you know, we've got so many roads, why can't we have more and more and more and more, as we know, it just fills up with traffic if we're gonna have build it and they will come Okay, let's do it for bikes. Now. You know, roads have had eighty years of this, let's have 10 years for for bikes, but walking and . It's just, it's a no brainer. And the LTNs thing kind of like it's so frustrating. Because we're only talking like a few streets. We're not we're not talking. That's when you hear you know, the the shock jocks you'd think is every single road in the country is going to be catered and you're going to hand it to cyclists. That's, that's how it's portrayed. And we're actually you know, maybe maybe a fraction of 1% of roads. really, genuinely is all too Talking about is currently got anyway. Yeah, having safe cycle routes, you know, don't get it get blown up by us people like us journalists, Laura, we're to blame for misrepresenting this. That's that's, that doesn't say good things about our profession, does it? Laura Laker 45:22 No. And I think I think I mean, it speaks to the kind of economics of journalism that, you know, people want eyeballs on stories nowadays because it's that's what makes advertising revenue funding for journalism is fallen off a cliff. And I think this is sort of desperation about the industry at the moment. But, you know, I think it's important to remember that the people shouting against this stuff are a minority, and most people want this stuff or are willing to try it and see, and most of us want quiet, safe streets, we want our kids to be able to play out in safety, we want clean air, we want, you know, peace and quiet. And I think because we haven't seen it, a lot of cases, it's difficult to imagine. But you know, ultimately, these things happen. There's, there's a pushback from a handful of people who are noisy, but I think if we have conversations about, you know, what we could, what we could get from these improvements from these schemes, then it's much positive way of talking about it. Of course, that's not how news works. And I think that's why we need leaders who are willing to sort of look beyond that short period in which a lot of journalists are shouting, and a few people, some of whom have genuine concerns and need to be listened to a shouting and listen to them. But you know, this is something that people want actually, and, you know, the benefits so enormous. Once it's happened, I don't think people would want to go back. Carlton Reid 46:46 Yeah, this is the thing. It's like, a good example is Northumberland Street and Newcastle, which is a pedestrianised street used to be the A1, you know, really the central state through the centre of Newcastle. It's I think, outside of central London, Mayfair on Oxford Street. It's the highest grossing per square foot retail zone in the country, because it was pedestrianised. And it just made it easier. And nobody in their right mind would say, we need to make that the a one again, guys, you know, let's get the cars and buses soaring and you just wouldn't do it. But Newcastle spent the best part of 20 years doing this, it wasn't an overnight thing. We had to spend a long time, a lot of angst getting it done, but nobody would wish it away now. And that's what when we're not getting with all these LTNs and all these cycles, if only if we put them in, nobody would complain about them. Not really not once they see it, it's just if people don't like change. Laura Laker 47:47 yeah, none of us like change just a thing. And it's hard to picture. And I think it's easy to dismiss people's concerns. Because you know, it's normal for us not to want change, it's normal to be concerned about something if you can't picture it. And you're, you know, many of these are genuine worries about businesses, and how will I get from A to B and, and all of this, but yeah, I think what's been lacking in this conversation is just some sort of grown up honesty about, you know, this is going to be a change. But ultimately, it's going to be one that's positive for these reasons. We, you know, we are going to listen, but ultimately, this is a an agenda that most of us support. And we know it's beneficial for these reasons. And I think we've I don't know, I think there's too much government in this country, and in many English speaking countries, kind of almost government by fear of what the Daily Mail might say, in response to this policy. And even the the recent announcement by governments about you know, stopping anti motorist measures was all caps. You know, it was like almost a Daily Mail headline. Carlton Reid 48:52 Yeah, it's quite scary and sad. Yeah. But then, you know, like you say, if you know, for the ones that hold their ground, you know, stuff dies down, people say actually, that actually is much better. So you know, where I'm coming from, I know where you're coming from. And you're saying people want this, but I'm gonna play devil's advocate here and say, Well, no, they don't people want to drive around. And if you're a woman at night, and you describe a lot of the routes, the Sustrans routes, the Nationals, you wouldn't want to go there at night, and probably no matter how much lighting security whatever you put in, you probably would still feel that way. In. Yeah, yeah. On a bicycle, you're not protected. Whereas a car, a woman, a single woman can get into a car can lock the door, can maybe have, you know, dark windscreen even so nobody knows who's in there. You then become this powerful individual who can get around in safety at the end of the day. But bicycles aren't like that, Laura. So you're you're basically making it more insecure for women to go about as independent beings. Laura Laker 50:11 Well, so as a as a woman who cycles on her own at nights that that route from Arnhem to Nijmergen in the in the Netherlands, so I ended up leaving that event and it was dark and cycling home on my own however far it was, it's a good hours ride along these routes, but because you don't have to stop, you actually feel safe. It's only when you have to stop that you start to feel unsafe in my experience. I mean, there's certain routes like along the canal, I live in East London, along the Li River that I have cycled at night, but wouldn't do now. Because you know, that is very isolated. And people have been known to jump out with bushes. But I think for the large part, if they're well designed, and other people are using them, then cycling at night for me isn't a problem. You know, you're moving you're Yeah, I don't Yeah, I very rarely felt in danger of cycling through London at night, for example. I mean, it's been the odd park where I felt a bit sketchy, but I think if you design them, well, not every path is going to feel that way safe at night. But I think in urban places where a lot of people will be cycling to and from at night, it will probably be fine. I mean, you probably feel quite safe. It's about kind of eyes on the streets in a way having people they're with you. Yeah, and I think if a route were well used enough, and don't forget, you know, if you're, if you're, you know, you're not going to necessarily, you're not going to drive home after a night out if you've had a drink. And so you will have to sort of walk a section of your journey. Most likely, if you're in a place like London, you hate taking public transport, maybe you take a taxi, but I feel I don't feel like if I'm on a busy road, walking alone at night that I am safe with those other people around me because I don't feel like people who are driving through again to necessarily stop and help me if something did happen. So I think kind of busy streets can feel unsafe, even though they're very highly populated. And, you know, theoretically, and this kind of, there's been research on this, you know, people who live on quiet streets, no more of their neighbours, this sort of social safety element, and people start looking out for each other. Whereas if you have a traffic dominated environment, it's people tend to turn away from the street. Carlton Reid 52:28 Yeah, I don't disagree. But if it is looking at the motivation of many, many people, I mean, humans are generally lazy. Yeah. They generally want comfort. They want their own things, and they want security, all of those things you have in spades in cars. The downside is, because everybody wants that. And everybody's in a car, it means you don't get anywhere. Unknown Speaker 52:57 Yeah, I don't think that's a whole story. I mean, I think a lot of the time people drive because the alternative is either aren't there don't feel possible, or they don't feel safe. So cycling on the road wouldn't feel safe, you wouldn't even most people wouldn't even consider it. But we've seen I grew up in rural West Somerset, and you had to learn to drive as soon as you turn 17, you would take your test, you buy a car, and you drive everywhere, because the buses mean the buses are even worse. Now. They were okay at the time, but not great. But they just took longer, and you couldn't get everywhere you needed to go my friends as a teenager lived in variable kind of communities. And so you had to drive there was just no other option I would have loved to cycle. And you've seen in London, where we've got a growing network of roots, suddenly, all these people from all walks of life, all kinds of demographics. Laura Laker 53:48 genders, you see a much better one gender split, but also all types of people cycling. And that kind of speaks to the fact that actually, people do want to do this and they may want to convenience but they also want to enjoy their journey. They also want to save money. Cycling can be incredibly convenient, no parking worries, it's so much cheaper you know you don't have to stress of finding a parking space or you know, paying vast amounts of money. I think something like I forget the number who in transport poverty in this country because of cars basically. They spend something like 19% of their income on their car with finance lorry, using facts to convince me that's Carlton Reid 54:36 Anybody can convince with facts, come on. At that juncture, I'd like to go across to my colleague David in America. Take it away, David. David Bernstein 54:45 This podcast is brought to you by Tern Bicycles. Like you, the folks at Tern are always up for a good outdoor adventure by bike—whether that's fishing, camping, or taking a quick detour to hit the trails before picking Unknown Speaker 55:00 up the kids from school. And if you're looking to explore new ground by taking your adventures further into the wild, they've got you covered. The brand new Orox by Tern is an all-season, all-terrain adventure cargo bike that's built around the Bosch Smart System to help you cross even the most ambitious itinerary off your bucket list. It combines the fun of off-road riding in any season with some serious cargo capacity, so you can bring everything you need—wherever you go, whenever you go. Plus, it's certified tough and tested for safety so your adventures are worry-free. With two frame sizes to choose from and a cockpit that's tested to support riders of different sizes, finding an adventure bike that fits you and your everyday needs has never been easier with the Orox. Visit www.ternbicycles.com/orox (that's O-R-O-X) to learn more. Carlton Reid 56:04 Thanks, David. And we are back with Laura Laker the Laker people. And she's the author of potholes and pavements a bumpy ride on Britain's National Cycle network. It's not actually out yet, isn't Laura. It's actually middle middle of the next month, middle of night. Hmm. Yeah. So you having a launch day what you're doing? Laura Laker 56:28 Yeah, I've got some. You've got like, You got speaker a bank and tell us tell us what you're doing? Yeah, so I've got I'm having like a bit of a party for some friends and family. And then I've got a talk in Stanford's in Covent Garden. I'm speaking in Parliament. But I think that's more of a parliamentary event. And I have got an event at Stanfords in Bristol with Xavier Bryce, we're going to discuss the future of the NCN. I've got one I'm speaking in Oxford, at a bookshop. I'm going to be interviewed by Emily Kerr, who's a green Councillor there. I have got a there's a literary festival in Wantage in November. And we're looking at other events as we speak. Carlton Reid 57:16 Excellent. And this is two hundred and .... All right, I'm going to deliver the end of the book. We're talking 264 pages, and then you've got references back. I mean, one of them. Thank you very much. Laura Laker 57:32 Yeah. Carlton Reid 57:34 Thanks. as well. Yes, at the back there, but there's, there's lots in this. So who's gonna be? Who's your audience? Who's gonna be reading this? Who do you think will be reading this? And what might actually could it start something big with with in politics? Can we could we get this like your manifesto? Can it get out there? What do you hope to happen with your book? Laura Laker 58:00 Yeah, well, obviously, I want everyone to read it. I mean, my editor at Bloomsbury was saying, you know, it's probably going to be cycling enthusiasts, people who I guess already, maybe listen to your podcast, my podcast, read our articles about cycling. But I would like to think that you know, these people, these two thirds to four fifths of people who want more cycling people who think, you know, why do I have to drive everywhere? Why aren't there safe cycle routes? Why can't my kids cycle to school, and see that might see this book and think, Oh, this is going to tell that story, this is going to explain it to me. And so I hope that it's going to give people a sense of kind of why we are where we're at, with the history of the NCN and the stories, but also, you know, how wonderful it could be if we had this thing, this network of connected routes, if it were possible for all of these people who say they want to cycle and more who maybe don't even know they want to cycle could do so. And I hope that, you know, my perhaps naive hope is that people will read it and think, you know, this could be such a wonderful thing, why aren't we doing it? And how can we get it to happen and I hope policymakers you know, we've got an election coming up I think this speaks to you know, forget the culture wars. I think this speaks to all sides, you know, of politics, I think, you know, individual freedom and choice is a conservative value, right? Cycling, cycling delivers on that. Carlton Reid 59:26 Cycling is so libertarian is a form of transport I've had many conversations This is freedom. Why is this left wing? Why do people always assume it's just this thing? Laura Laker 59:42 Yeah, it's become a cultural thing. And it's only for I think, you know, certain factions of the right perhaps see this as a wedge issue. And a way of you know, rallying people around them on based on kind of outrage like false outrage really, untruthes. and you You know, in terms of the left, this is, you know, great value for money, the Labour Party is very, very keen on showing they're working and proving to people that they can be trusted with the economy. It delivers on the green agenda, it's so beneficial in terms of cutting carbon emissions, it delivers on health, pretty much every department that we can think of this offers people access to work, you know, so many people who are out of work, especially in rural communities can't even afford to go and find work or stay in a job because the transport is too expensive, or it's too patchy doesn't go in and they needed to go. So there's like barely a thing that this doesn't touch. And I really hope that you know, along with kind of griping, which is, I hope not too much of the book, and the polemic side that this shows actually, you know, this is great for tourism, this is great for our mental health. This can bring us together, you know, it's about in Scotland, I saw that a cycle route can be a linear park, it can be about artwork and community. It can bring people together from different walks of life around a space. And, you know, cycling delivers on these things. And, you know, if we kind of dropped the culture was narrative, which is nonsense. You know, we could see all of these benefits fairly quickly and for very little money, and have a far better country for it. Carlton Reid 1:01:18 Many people would baulk at having Boris Johnson back. And you do mention this in the book of what he and Andrew Gilligan were able to do. Hopefully, it doesn't seem like I want him back. But will it that that is what you need. I mean, you do talk about having a cycling Prime Minister, we had a cycling Prime Minister, we had a Prime Minister who said it was me a golden age for cycling. So we need we need him back. Laura, that we just we need we need Boris back. No, we don't like that back there. Are there other other politicians are available? We just need people to believe in it. And you know, I hope that people read the book and think, actually, this is something we can believe in, but don't need one of the good things about Boris Johnson. Not only did he you know, talk, the talk, walk the talk, all that kind of stuff. But he was right wing. So he could he just instantly takes away that that part of this oversight is a left wing things like well, here's this right wing politician who's pushing for this Andrew Gilligan, Telegraph writer. These are not left wing people in any way, shape, or form. So is that what we need we actually need and then we'd like all politicians to do this, but by the same thing, you need somebody almost on the opposite side to be doing this, they've got more chance of pushing this through. So that's why Boris Johnson did so well, because he was right wing and the Mail isn't gonna, you know, rail against what Boris Johnson was doing. They never did. Laura Laker 1:02:46 They did though. They did. They totally did. I don't think they discriminated against him because he was towards their political leanings. I mean, it's unlikely we're going to have another conservative government, right, when we've got the election coming up, it's going to be Labour by all likelihood. And so they're going to be the ones in power delivering. So I don't know, Carlton Reid 1:03:09 But they backtracked over their green policies. I mean, what hope do we have? Laura Laker 1:03:12 I know I know. I know it's incredibly disappointing. And the thing is this this stuff like the green agenda, more broadly investment in insulating homes, for example, is such great return on investment and if they're thinking about finances and showing they're working insulating homes is just a total no brainer. You know, we all pay far too much for our energy bills. We live in draughty leaky homes. So many houses are mouldy because of the cold walls are damp Yeah, I just think you know, and green technology, huge growth industry. Solar and wind where you know, we're windy little island, but a lot of coastline. Offshore wind is fantastic. Carlton Reid 1:03:55 But in your in the book, you show how national highways basically is an organisation set up to build roads. And once you've done something like that, and that's their raison d'etre. Guess what they're going to build roads. Yeah. So yeah, it's that oil tanker you know having to put the brakes on and change a whole culture so we're not talking about you know, Cuz your manifesto is saying you know, stop funding this and yeah. Laura Laker 1:04:28 Wales did this basically with their no more roads or no more roads and less they increased active travel and public transport policy. They basically have kind of repurpose their national highways body around this agenda, you know, fill in the potholes. We've got a road in a dreadful state and, you know, develop use all their skills and power and funding for active travel. You know, public transport in this country is drastically underfunded. Buses are so important, especially in rural areas, especially people on low incomes, especially for women and Do you know buses are so important? We're really, really not kind of reaping the power the massive power of the bus.? Carlton Reid 1:05:08 Yeah, that's in your book as well, because you're talking about how buses, you know, need to be able to carry bikes. Yeah. And that's, you know, that's a small part of what they could do but the broader transport perspective that's that's so impor

In this week's episode of the B2B Marketing Podcast, Kavita Singh, Senior Content Editor, B2B Marketing, spoke with Mark Hodge, Vice President of Marketing, McCain Foods; Gavin Dunn, Managing Director, KERB+ as well as Rebecca Lewis-Stanton, Client Services Director, Omne and Jasmine Preen, Senior Account Manager, Omne to discuss their Bronze win for ‘Best purpose-led program' at the 2023 B2B Marketing Awards. The campaign ‘Streets Ahead' shined a light on the hospitality industry while giving opportunities for cohorts that found themselves marginalized or far removed from entrepreneurship. The group delved deeper into why the street food sector was targeted, how Omne managed to get the messaging right, as well as all the key metrics and incredible highlights from the campaign. Plus, they shared how the campaign tapped into the emotional aspect in B2B marketing. Want more? In just two weeks, we'll be sharing an in-depth report on our main website which outlines all the details to Omne's award-winning campaign.

Molly Rogers is a costume designer and image consultant who styles fashion photo shoots, feature films, television, and commercials.Molly has worked in NYC since 1984 and began her illustrious career in costumes working with legendary costume designer Patricia Field on Michael Mann's TV series “CRIME STORY” on location in Las Vegas. Molly has accumulated an impressive list of iconic TV and film credits including the “SEX AND THE CITY” tv series and both movies, “UGLY BETTY,” “THE DEVIL WEARS PRADA,” “STAR,” “MURPHY BROWN” & “CONFESSIONS OF A SHOPAHOLIC” to name a few.Molly has been nominated 6 times for an EMMY, with one win for Season Three of “SEX AND THE CITY”. She is thrilled to be the Costume Designer, along with Co-Costume Designer Danny Santiago, of the reboot of “AND JUST LIKE THAT,” the sequel to “SEX AND THE CITY” which premiered on HBO MAX in December 2021 and returns for a second season in June 2023.Molly's work has been featured in global fashion publications and on-line media and she had a featured role in the HBO MAX “And Just Like That…the Documentary.” Molly has collaborated with many brands and organizations including Cadillac, SoHo House, SAKS, Streets Ahead, Thred Up and The Willie Garson Fund.Molly graduated from the University of North Carolina at Chapel Hill.When not on production, Molly resides in Miami Beach, Florida.Be sure to join Billy and Frank for this fun episode on January 10th.

And we have reached the end of 2023! What a year that was: we had highs, we had lows, we had some culture wars, we did a podcast in a pub. How was 2023 for you? Ned, Laura and Adam give their perspective.>> Oh, and we're on Patreon! If you'd like to support Streets Ahead, get ad-free listening, behind-the-scenes content AND receive wonderful stickers, please head to:https://www.patreon.com/StreetsAheadPodcast

For this episode, Ned, Adam and Laura navigated east London's cycle lanes and Low Traffic Neighbourhoods to speak in-person, in front of a live pub audience, to Councillor Clyde Loakes, at the Wanstead Tap in Waltham Forest.For the past decade Cllr Loakes has led his borough's transformation for walking and cycling. Waltham Forest is very much no longer a forest, in North-East London, but has become world famous for its Low Traffic Neighbourhoods, people-friendly high streets and for pioneering high-quality cycle lanes and transforming massive car-dominated junctions in outer London for active travel.During the podcast we talk about political courage, and what the borough has achieved since Clyde's team won an unprecedented £27m from Transport for London back in 2013 for its 'Mini Holland' programme. We discuss how ultimately this kind of transformation, while hard, is possible - even in the most car-centric of places. We discuss the role of a range of players, from campaigners on the outside, to the political and officer support within the council - and the importance of listening to genuine concerns from the public.In a speech in 2018, Cllr Loakes said: ‘I spent years talking about encouraging a shift to bikes and walking without actually doing the things that make a difference. If I am honest - I was tinkering with parking schemes and pandering to car owners. I was not delivering for our community. Then I got a chance to do something extraordinary. We won our Better Waltham Forest mini-Holland bid with low traffic neighbourhoods and protected bike lanes . We had signed up to deliver a huge public health implementation at pace.' He added: ‘For too long we, in fact I, as a councillor had been focused on maintaining a status quo that did nothing for anyone. But now we have done something extraordinary, a radical intervention that puts people first.'Thank you to Dan at the Wanstead Tap, to everyone who turned out on a rainy Monday night in December, to join us live, and to Pedal Me who cycled our equipment across London.The Healthy Streets Scorecard, which ranks London boroughs based on people-friendly measures, can be found here: https://www.healthystreetsscorecard.london/*That* coffin picture is here: https://twitter.com/mthrel/status/1402221590167838722Clyde Loakes is on Twitter: www.twitter.com/Labourstone We're also on Twitter and welcome your feedback on our episode: www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think.Episode edited by Clare Mansell. Hosted on Acast. See acast.com/privacy for more information.

Mind Pump Fit Tip: The best results are often NOT visible. (2:31) Gluten and sleep apnea. (9:33) Hospitality vs. entertainment. (14:08) The value for kids hanging out with kids 3-4 years older. (16:40) Vuori has hoodies! (20:37) Sumo & sushi. (22:44) The San Francisco farce. (28:00) There is no honor in destroying people's property. (30:46) Why are girls starting their periods so early? (32:58) The sneaky issues affecting kids in school these days. (38:24) Alarming Adderall statistics. (42:57) Black Friday deals are live! (46:55) Shout out to the Mind Pump Personal Trainer 3-Day Training. (47:40) #ListenerLive question #1 - What training/diet advice would you recommend for someone trying to lose body fat, but keep their gains with limited time? (49:26) #ListenerLive question #2 - What is the best route I should take to make serious progress in my strength gains, while also being a decent endurance athlete? (1:03:10) #ListenerLive question #3 - What is the best way to balance my strength training and jiu-jitsu? (1:10:14) #ListenerLive question #4 - Any advice on how to transition from competition prep to everyday life? (1:22:43) Related Links/Products Mentioned BLACK FRIDAY SPECIAL: ALL MAPS Fitness Products & Bundles 60% off!  **Promo code BLACKFRIDAY at checkout** (Code expires Sunday Nov. 26th) Ask a question to Mind Pump, live! Email: live@mindpumpmedia.com Visit NED for an exclusive offer for Mind Pump listeners! **Promo code MINDPUMP at checkout for 20% off EVERYTHING (From 11/17-12/1)** Visit Vuori Clothing for an exclusive offer for Mind Pump listeners! The Common Rule: Habits of Purpose for an Age of Distraction – Book by Justin Whitmel Earley Sumo + Sushi San Francisco 'Cleaned Up' Streets Ahead of APEC. How? Why Are Girls Getting Their Periods So Young? - Scientific American Annual prevalence of use of Adderall for grades 8, 10, and 12 from 2009 to 2022 Personal Trainer 3-Day Training – Starting Jan. 15, 2024 Visit Organifi for the exclusive offer for Mind Pump listeners! **Promo code MINDPUMP at checkout** Mind Pump #2112: Is 15 Minutes Enough Time For An Effective Workout? Mind Pump #1565: Why Women Should Bulk Reverse Dieting: What Is It and Should YOU Try It?? | MIND PUMP Mind Pump #1915: How To Re-Ignite Your Metabolism Mind Pump #1057: How To Get Stronger For Fat Loss & Muscle Building Mind Pump Podcast – YouTube Mind Pump Free Resources  

In the second of a two-part mini-series on online disinformation Laura, Ned and Adam talk to Shayoni Lynn, whose company specialises in the behavioural science of mis- and disinformation, and how to tackle it. After ministers admitted this autumn making decisions based on ‘online discussions' that veered towards fringe conspiracy theories, around things like 15-minute cities, and as the climate conference COP28 approaches, our guest has some timely insight into the world of disinformation. Shayoni Lynn is founder of Lynn Group, a ‘communications consultancy, powered by behavioural science'. They specialise in helping organisations avoid their work being the subject of disinformation, including those involved in vaccine rollout and mental health services. She authored an article on why sometimes, engaging with disinformation online is the last thing we should be doing, and explains to Streets Ahead other ways of ensuring measures to improve our health and reduce our impact on the environment, aren't foundered by falsehoods.Lynn Global has worked with the Welsh government on the rollout of default 20mph speed limits in built-up areas, the biggest policy the Senedd has enacted so far, and one not without its share of disinformation. Shayoni Lynn explains how our very nature as humans make us susceptible to misinformation and what we can do about it as individuals, as organisations and as nations.This blog discusses why sometimes, engaging with disinformation online is the last thing you want to do: https://lynn.global/the-dangers-of-debating-misinformation/ We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think.Episode edited by Clare Mansell. Hosted on Acast. See acast.com/privacy for more information.

Got an opinion? If you're listening on the iHeartRadio app, tap the red microphone icon to record & send us your thoughts. Don't have the app? Get it free here ---> https://news.iheart.com/apps/ Follow WGY on social media: instagram.com/wgyradio twitter.

In this episode, join hosts Pete and Tim along with special guest Dan as they dissect and analyze the Tragically Hip's 2012 record, "Now For Plan A". They dive into the musical journey, reliving their first experiences and evolving impressions over multiple listens. From highlighting the unique elements of each song to the lyrics and influences behind them, no detail is too small. They examine the guest vocals of Sarah Harmer in 'Look Ahead' and the Rolling Stones-esque 'Modern Spirit', exploring the musical and lyrical details. Listen in as they debate the meaning of the lyrics in 'Take Forever' and uncover the mysterious 'About this Map'. A treat for any Tragically Hip fan, this episode is a deep dive into the iconic band's musical journey.TracksAbout this Map - Studio VersionMan Machine Poem - Toronto 2012Streets Ahead - Ottawa 2011Take Forever - Toronto 2012TranscriptTrack 3:[2:51] Hey, it's JD here, and welcome to Getting Hip to the Hip. [2:54] A weekly podcast where I take my friends on a whirlwind tour of the Tragically Hips discography, one record at a time, week over week. And that is the case with this week, as we're discussing 2012's Now for Plan A, the 12th studio record from the Tragically Hip. I'm joined as always by Pete and Tim, and we've also got Dan from London here. How the hell are you guys doing? Oh good, oh good. Excellent. Well, after that, hold on, let me look at my segment guide here. Uh, introduction, rousing response from the gentlemen. Yep. Check. [3:53] Now we'll move on to the next segment, which is, uh, experience with this record. This is a coming off of, we are the same, a record, which was, uh, roundly dismissed by these two gentlemen, uh, a week ago, Dan, um, it was one that It was one that was not well liked. So we're hoping we've got a comeback on our, in the mids tier. It happens. Bye bye. Pete and Tim Burse, talk to me about where you listened to the record the first time, how you experienced it on multiple listens, and overall vibeage off the top. And then we'll fire it over to you, Dan, to get a similar reaction. Well, I listened to it in multiple places. Listened to it first, I think, I think, working, sitting at the computer, listening to it in the home stereo system, listening to it in the car. [5:02] I love the record. I don't want to say too much because I think we're going to get into a lot of it. But only thing I will say, and in all due respect, I don't want to come off harsh here, but fuck you, Dan, right off the bat, Because you've had this record for some time, and we got a weekto soak it in. A week. Let me tell you, a week wasn't even enough. I mean, I could soak this record in for a year. That's all I'm going to say. I'll agree with that. With all due respect, but I can't fuck you down. Like, with all due respect. Thank you. We had a week with it. We had a week with it. I feel like we had a lifetime with We Are The Same. But we only had a week with Now for Plan A. And I felt a little rushed to let it resonate, but every time I turned it on. [6:00] I don't know. I don't want to say it felt like the first time, but it just clicked with me. There are some good tunes on here that we'll get it. We'll get it. We'll get into it. But I listen to it my usual places. Usual places. I listen to it more, I guess, excitedly with my better headphones on around the house, which always makes for, where's dad? Oh, he's right there. but he's not here. So I, you know, because I wanted to hear it in its entirety. And I can only really do that in the car or with the cans on. So yeah, that was kind of my experience. It was quick for a quick album, right? Yeah, the fastest record in their oeuvre at like 39 minutes or so. And only two singles as well. That was shocking to me as well. Which were those? I didn't think they were at transformation was the first single. Of course. And hold on. I've got it right here. [7:09] Streets ahead. Cool. Cool. Any feedback from Spotify? Did any of you guys look at Spotify? Like where the play counts were? Yeah. I mean, I think that's definitely up there. there. So is, so is that transformation and, and I think the title track. Okay, gee, I just want to get transformation. Judy, do you use the term oeuvre a lot? And I pause it to think that you use that term a lot because it rhymes with your last name and the production company that this that is gifting us with this here podcast oeuvre. Yeah, yeah, that's what it Is that why? It's my last name. [8:00] And Ouvra combined without the D. Yeah, and it's because it's all my work, right? It's my collection of work Right is do. Yeah, so so you don't like the D is what you're saying Hey now Pete told me he thought it might be a extra terrestrial Anatomy that he's not aware of Dan, Dan, he actually said this is thisis this somebody part that I didn't learn Dan's regretting joining this podcast. Dan, what are you, like, well I want to hear from Dan, I want to know what, he's had a wild time. Yeah, yeah, yeah, well listen with this whole thing I'm just along for the ride, you know. I'll let you guys play out in front of me. Um, no, um, yeah, as you say I was really lucky because it was after the last one I was on that I learned that this was the next one I was going to beon. So I had some considerable amount of time and also time to purchase Jan's album and get it imported from Germany I think. [9:09] So I had a real binge at first because I think it's a pretty easy album to get into. There's a, there's a couple of tracks that sort of, you kind of misplace, you know, in the order along the way for various reasons, but, um, I've, I was just listening to on my way to work. So that was always, you know, whilst traveling on the train, um, and, uh, and I had, I had good times of it and I had it all prepared what I was going to say. Um, because it was many months ago, I then moved on and got busy and did different things, forgot it all. And then spent today binge listening and making notes again. So I'm actually catching up with you guys now, which is typical. What can I say? I mean, that represents our week with this album. [9:57] Oh, that's great. Dan's last visit was Trouble at the Hidden House, right? So he's had a couple of good ones. Which we also have in the collection now. Nice. Awesome. Look at that.All right. Look at that guy. Well, what do you say we start this, Son of a Gun, then? We get in, turn the keys, and see where we end up. All right. Analysis of the first song, "At Transformation"[10:16] The first song, we start in with this cancer metaphor right off the bat with At Transformation. Can I go? Sure. This one, I was so happy hearing the first seconds of this song coming off of our last album's experience. [10:39] This one was so fun for me. I was relieved to hear this song. I played it three times before I went on with the album. Literally, just like, OK, let's do that one again. OK, let's do that one again. It's just so I mean you can feel I don't know the, the bass is on fire in this song. You can feel Gord when he does the you know after that transformation towards the kind of the end. I feltthat coming. You knew the woo was coming, right? I don't know, it just... Context aside, it's a killer song and even the The outro loops back everything about the intro. It just was this circle of a song I felt like just could have been a single, been done. OK. Yeah. Great starter. There's some weird, on this album, there's definitely some playfulness with song endings, with distortion and feedback and keys and synthesizers or something, which this one kind ofgives us that first taste of. So I was happy to hear it. Played 128 times live. 128 times live. So they played this one a bit. How about you, Dan? [12:04] I mean, my second favorite track on the album. Yeah. I mean, as soon as that sort of distorted bass kicks in, you know you're in for a bit of a ride. And again, similar to other tracks that we were looking at when I was last in on the Hen House, this does similar things where you've got that not quite, you've got a really good bridge andthen a not quite a chorus, but then it comes in the second time with the, you know, that transformation bit. Well, the I can see it all at once and that transformation bit, and then that bass takes off and does its thing and it just, man, it just takes off. And as we say, it just dissipates into this weird sort of sonic, mad sort of ending. And similar to the start, it's like after that bass is there, the guitars kind of come in in some kind of informal manner, and then it just, bang, picks up when he starts singing the verse. So it's a banger. Yeah, absolutely. Listen to it again and again and again and again and again. [13:04] Contextually, it's weird. I second-guess myself a lot, not just to this song, Especially with the song though, but with the whole record I say because Tim alluded to it a little bit. Dan doesn't have the context of last week's record So I'm like is this fucking record is amazing as I think it is? Or is it, it's like, hey, I've been living in a, you know. In a faraway prison eating rice and stale bread for three years and now I'm sitting down at fucking Ruth Chris, Steakhouse and you know eating a. [13:59] Filet mignon medium rare with a bottle of uh It just comes in like a beat and a half before. It's fucking cool. I'm just looking at the notes. So long, Bob Rock. A Welcome Back to Tragically Hip[14:21] There's a lot of that in these notes, the bass, guitars, chords, voice throughout this entire record. This is just a welcome back, Tragically Hip. [14:37] One thing that I thought of when I was listening to it was I pictured in my mind the whole band on stage playing this song after maybe being through some shit for a while and likeyou know 45 seconds into this tune everybody just looks over at each other and like they don't say shit they don't have to say shit they just say everything with their eyes and they look ateach other and just smile and are just like yep welcome back Welcome fucking back. I mean, what a return. I mean, yeah, I just feel like we drifted so much from last week, again, that listening to this first song was awesome. Loved it. At the same time, you know, in my research and reading about Gord's wife and her breast cancer and him dealing with that and that kind of being a thread through this album, I believe.It's... BOOM! [15:45] You know, it was exciting, listened for me and I love this first song, but at the same time, it's like, oh, fuck. We all in our own ways, our own stories, our own experiences can relate to cancer and probably even breast cancer. And we have a good friend who just went through it all the way and just a couple of days ago found out she was cancer free. So. Oh, wow. You know, this is Gord's. Yeah. Gord's wife, you know, came out. Yeah. In the end and it didn't take her, which is fucking cool, but you know, to read, I don't know, there's one quote, just to get into it real quick. There's one quote from him, um, from Gordon. He says, many of these songs are me trying to help, you know, through the process, mutely the way a man does around breast cancer. So it's, it's some, some heavy conceptual. Oh my God. Themes here going on. But even straight, even straightforward though, I was unaware that a transformation is the term, the medical term for a cell going from malignant tocancerous. That's called a transformation. So that's what, you know, the title of the song is, right? Yeah. Heavy, heavy stuff. And then we move into man-machine. [17:07] Poem. A Bold Statement: My Favorite Hip Song[20:44] I'll tell you. Yeah, I'm going to say right off the bat, I'm going to make a bold statement. This may be my favorite hip song. Oh, wow. I mean, I didn't I. Tim, I'm telling you the whole thing. I was like mourning sort of Tiger the Lion for a minute in a weird way because I was just. I mean, I don't know what to say about this song. Yeah, Yeah, it's cinematic, JD, but it's just so different. And it's funny, because your whole thing that you just said was it's such a return to form. And while it is, it's still melodically nothing like I've heard from the hit before. That when it gets that minor four, that man, it trickles down. Howard's Strained Voice and Unique Guitar Tone[21:37] It's amazing. Howard's voice is like, I feel like he's straining it on purpose. It just sounds like he's screaming, singing with every fiber of his body. And when he gets to the end of a phrase or a word or a breath, it's like, you know, it's out of gas and he's got to take a breath to recharge and say the next line. One thing I thought of when I heard this, the guitar tone on this song is forged from something not of this earth. I don't know what, and there's a lot of really cool effects on this record, but I just don't know what that is. And I don't know if they remember, if they know how they got it, but it just... The keyboards hit in this song too. Like there were so many keyboards in the last record that I think Tim and I and JD as well felt were squandered, overused. [22:45] Like this was just. Did you gotta, you gotta write, you gotta write to Gavin Brown, the producer. I bet he'll know you should. Oh, I mean, you're, you're talking about effects, settings, everything, all the mix to make that sound the way it did just Jesus dude it was wow what a song what a song. [23:11] So this was played at their last show, right? At Air Canada Center, August 14, 2016. Wasn't that it? K-Rock Center is their last show, which was the 16th, I think. Ah. Or the 18th. Either way, towards the end, this was played, and I can't imagine. I mean, did people know Gord had cancer? They did, right? Sure did. Before the end. Yeah. So I just can't imagine hearing this one live, because it's, you know, originally about his wife. And yes him talking about her having cancer and it turns out, you know I just when I heard this and put it all together I just thought this probably just made people cry towards the endwhen he was singing this song when you sorry That's exactly what I is one other thing I put my if I would have seen this song live it would have crushed me it would have physicallyFucking crushed me Yeah, I Mean the the metaphor of the Abbas it and the Peregrine Falcon. [24:13] I mean you're talking a ballerina of a gentle long skinny legged bird versus a fucking Falcon which will swoop down and you know steal a Chipmunk or a squirrel or chicken oranything? You know, there's just the the position in this song is just just so big and heavy. And the first time I listened to it was in the car, and it was just like, you want to scream along with him, the chorus, but I just couldn't do it. And then at the end, it's like this bomb going off. The end is just as explosive as the middle of the song. So. Yeah. I mean, the song, at the end of that transformation, after you've gone through that weird little sporadic, you know, sonic soundscape thing, you get that little percussive knocking,you know, and it's, it's like a little sort of artificial heartbeat. And then, you know, you track that in and it starts the song and then it's there at the end as well. After the everything, you know, that big chord goes away. It's it comes back into that as well. Um, but also within that as well. Um, I mean, Pete was talking about guitars, but there's, there's, there's so much like weird tambourine stuff going on in it amongst all things as well. So that was good. But I mean, man, yeah, what a huge song. And then. [25:40] Yeah. I mean, I say that the, the, the, the chorus is huge, even though it's just three words, absolutely massive. And, um, you know, God singing, as we were saying, it's just the, the first verse just starts off with this kind of declaration, doesn't it? And it's a kind of desperate declaration and it just sort of, yes, this attacking desperation in his voice sort of carries on from there. It's yeah. It was the same. It's just not like anything I've heard before. That was amazing delivery. Yeah. And those lyrics, crazy. Now, Pete, I want to go back to something that you said about, you know, this being something we've never heard before. I feel like this is a band that even on the records that we didn't necessarily like, they do that every record. They, you feel like they're touching the edge of their capabilities and you know, they're sort of, they're sort of, you know, whoa, they're sort of out there, this record, but you can do, youcan go all the way back to Road Apples and say that about Last of the Unplugged Gems, you know, well, this is sort of, uh, out of, out of left field, it doesn't necessarily fit on this record. And then, you know, uh, we are the same. You could say that about the Depression Suite, right? Like holy shit, who knew they had this opus in them? [27:07] So I'm just curious, you know, if you vibe what I'm saying. Yeah, no, it's a good point, JD. And I think the component here that I feel is different, because I agree with you, especially you on the last record, we are the same. And you could you could tick along to every record since. And there's an element of that on there. But Tim said something in the beginning of the pod. I can't remember exactly how you said it, but what I had the feeling that I got was like this record being about his wife and all thatstuff. It's one thing to be elaborate. [27:55] It's one thing to show up to a party or whatever wearing the coolest outfit or dress or suit or whatever. [28:09] But it's another thing if you wear it well. And what I mean by that in terms of this song is that you can feel that there's a feeling behind It's not just, hey, we're going to go fuckingbig and elaborate because, I, don't know, name a hundred reasons why the hip would go big and elaborate. Probably the most used excuse would be that they want to break through the American market. Whatever. That's not what's going on here. This is like organic as hell. Everything about this song. They're going big and elaborate on this tune because they don't have any other choice. They're like, this is the fucking song that's coming out of all of us right now. [28:54] Yeah, it's elaborate. I'm just, this is the song. Fucking take it or leave it. If that makes sense, JD. It's that difference, I feel. OK, gotcha. Well, in the car with this one cranked, I just thought, imagine being in the recording studio with these guys and everybody's kind of listening to Gord belt this one out. Or Idon't know. This song is just a gigantic one. So for song number two, following that transformation to get into this, if we want to jump ahead to the look ahead. I mean, this gave us just a, we shifted gears a little bit and got a little more lighthearted with the look ahead. [29:41] I thought the song packed a punch under three minutes. It's quick. So the bass and the guitars seem a little more in tandem on this one. If I remember right, there's like left riffs throughout. But for me, the lyrics of you weigh a snowflake, the glamour of the sky descending past perfect eyes and hearts leaped. That's just... Poof. I am the look ahead. I first searched it as the look ahead three words and you know couldn't find shit until I realized look ahead was one word and then learned that that means awesomeyou know like I'll say Dan and JD have fucking look ahead shirts on today we Pete and I didn't get the memo where to wear pavement shirts but that that's that's the phrase The text wasnot sent. The Look Ahead: A Beautiful and Uplifting Tragically Hip Song[30:47] Yeah. I don't know. What about you, Dan? What do you think? I think the Look Ahead is my favorite Tragically Hip song by a long shot. And as we were saying, it's just because of those choruses, those words that just hang over between the lines. It's just beautiful. It's just absolutely beautiful. It just does something so amazing to make you feel fantastic. [31:17] That's it, man. If I'm having a bad day, I could stick that on and that's me. Yeah, because I just quickly mentioned that it felt more light-hearted, but I also thought this one is still fucking full of of juice, you know, it's still, I don't know, this is kind of felt like thisgreat tragically hip rock song, but it's it's loaded. And it's under three minutes. So yeah, it's, yeah, I say it just it comes and goes. But as it comes along, it's just magnificent. You know, you can't say more than that. It's just it's fully formed. And this was one of the ones that I just started listening to it. You know, you'd start at the start and the start is just so different to what it evolves into. And you keep thinking you've got the wrong song, but that start section only lasts about 20 odd seconds before it just everything kicks in. And it just, you know, it's one of those songs that you just can't say that much about. It just is what it is. It does what it does to you. And you just recognize that and it's unstoppable. Yeah, it's cool. Yeah, I would, I tend to agree with you. [32:26] It's a banger for sure. Wouldn't be my favorite Tragically Hip song, but it would make my top 20 list, probably. But boy, oh boy, we haven't really commented on the backing vocals of Sarah Harmer in this one. Pete, what did you think about Ms. Harmer's addition to this song? Well, question, is she on the other tunes on this record as well? Or is it somebody different? Yes. Okay. Well, I want to get up. I'm going to kind of save that if that's okay for some other songs. All I'll say about this is that it's crazy. I love that Dan feels it's his favorite tune, because I feel like this song is like, it is formulaic, tragically hip. Yeah, I agree. It's not just like, there's some songs that you feel like it's, yeah, exactly, exactly. There's some songs you feel like, oh yeah, this is a hip tune. But it's not just that, it's fucking great. [33:35] And you know, generally with their records, they come out with two or three bangers to start and they kind of like, or ones that just jaw drop you. And then song three or song four, they just pull it back a little bit. And I feel like in terms of the, they take off the throttle. It's not as crazy. But melodically, this song is just, I mean, you can't not put this song on and enjoy the shit out of it. Like it's a surefire. You know? Yeah, Dan hit the nail on the head. Nail on the head. He's like, if I'm having a bad day, I put this song on and it, you know, helps turn it around for me. I completely agree. [34:24] I read a critique of this song about it being too simple or less prolific or, you know, there are even some other critiques of the album citing the lyrics to be not as complex or, youknow, less poetic. All these kind of harsh critiques. Yeah, fucked. For real, they're out there. I can't even believe that. Yeah, exactly, exactly. And it just made me like this album more, you know, this. This song in particular, it's like, I couldn't agree with you more, Pete. Under three minutes, it just totally packs a punch. It's sure a hip song, but fuck, it's killing it. This is a top five record for me. I figured. Hands down. [35:13] Yeah, yeah. Hence our special guest. Anybody else, anything else to say about The Lookahead featuring Sarah Harmer. Okay, then we go right into the really heavy We Wanna Be In. I don't have a lot on this one, just because it's fucking huge, you know? Like, the drip, drip, drip stayed in my head for days. [35:38] It's so impactful. This is just a fucking loaded song. It was played towards the end of their career live as well, and it was just another one of of those where it was like, what was this like? I think this one was the same show I mentioned, Air Canada Center. So what was it like to hear this in that state of the career of this band and Gord's life? [36:05] Yeah, and I was there for one of the shows at the Air Canada Center. The first one, I can look up what the set list is, what the setlist was, but so can anybody who's listening to this right now. Yeah. A bunch of these, I think half of these songs on this album were played at those last shows of this album. I think it's like four or five songs off of those last shows. Four songs peralbum. And then I selected, you know, six albums a night to play. So, you know, that's, So even if you went to all three nights at the Arcanda Center, you probably didn't get repeats. Um, cool. Yeah. So, I mean, and this is guys just wait, just wait, just wait for the documentaries. Oh my gosh. Oh my gosh. It's crazy town. Crazy town USA. Yeah. So... [37:09] We Want To Be It, Giant Song, You're Right, The Drip Drip Drip. Did you get it right away? For me, it took a bunch of listens before I was like, oh, that's fucking, that's fucking chemo. Yeah, I got it. My mind went to morphine first, but I got it. Oh, morphine. Oh, okay. Maybe that's what it is. Something. I was thinking it was probably chemotherapy. [37:36] I mean, for me, I didn't know anything about the context of this album until just before we started recording, which obviously puts a completely different slant on it for me. So I'minterpreting this as we go along as well. I mean, yeah, an amazing song, absolutely huge. But at the bottom of the page, at the bottom of the lyrics in the album, it says for Alan Arkin and Madeline Khan. And, um, they were in a film together, 1980 called Simon. Anybody seen that where, um, yeah, this is, this is what I came across. So, uh, in this film, Alan Arkin plays a guy who, um, the psychology professor, he gets brainwashed and, um, basically by this company and they, uh, they persuade him that he's from adifferent planet and he escapes from them and attempts to reform American culture by overriding TV signals with a high-powered TV transmitter, becoming a national celebrity in theprocess. But also in that film, he's trying to break this record as well for being a sensory deprivation tank for 80 hours. So I don't know how it relates, but that's something that I found out in relation to this. The Mystery in the Song[38:57] Yeah That is totally crazy because again that means Maybe there was one line in that song that is about that or maybe there's a whole theme. It's you know I don't see it or hear it, but Doesn't mean it's not there. There's there's some I don't I don't know what the relationship is there, but that's that's on the page. Yeah, very strange. So we all need to watch that film anyway, yeah. Yeah. That's crazy. Yeah, when you said that they convince him that he's from another planet, it reminded me of the movie Joe versus the Volcano. I don't know if you ever saw that movie with Tom Hanksand Meg Ryan. It was a bomb at the theaters, but they convinced him that he has something called a brain cloud, like a cancer, but he's going to die. So they get him to jump into this volcano. It's the craziest fucking movie. [39:56] But it reminded me of that. No, I, yeah, this song is, it's huge. There's a bridge part in this song and. You know, my feelings with bridge, it's either good or it's not. Or actually, no, it's either standard, and you're like, OK, that's the bridge. OK. Or it's total shit. And you're just like, man, that just threw the whole fucking tune off. This is a good bridge. I like it. I love it. There's a third layer, you're saying. Yeah, and very few bands are able to pull it off. [40:36] I feel like when you're writing the standard pop song, it's just like there's a formula of verse, chorus, verse, chorus, bridge, chorus, you know, whatever, and bands fall right into it. It's just like this thing that happens and it didn't happen here. And I love it, man. mean, I, I would say this is maybe my third, I don't know, third or fourth best song on this record, because there's just so many good ones. Don't give away the final segment. [41:16] Well, I kind of already gave my whole segment, but but oops, No, if we're going to move ahead to the next street, we'll see what I did. I'm Ted. Yeah, thank you. Ted's just like, you're a fucking idiot, dude. It's just like, you're a fucking idiot, dude. I know. Introduction to the thread of fuzz in the record[44:41] His head is definitely... So this is the first song where I noticed the thread of fuzz in this record. Because then after this, it's wildly apparent on every song. This fuzz and this distortion, it's like a static that's there on every track after this. Incredible Musicianship: Bass and Drums Shining[45:06] The bass, Gordon Sinclair's bass for this one. I know we talked about it taking off in the look ahead, but I really just, it just off the charts, the licks he's throwing. The drums too, the drums are fucking killing it right there. Absolutely. The drum fills. Thank you, Tim. Yeah, I, this must have been, I actually wrote down, holy macaroni, because it just, it just feels like this song, They're hitting on all cylinders. At this point, it's like the car is going. You've gotten to fifth gear and the car is just brrrrrr. [45:50] It's humming along. You can go faster, you can slow it down a little bit. Still in fifth gear, engine is just humming perfect. The car has just been serviced. Oil's changed. Everything's great. 160 or anything going like 150 and it just feels good Yeah, and it feels the same 100% Thank You Tim That's what I got to say about I'll retrieve my Statement a minuteago about the look-ahead meaning. I totally blew it. It's the streets ahead which means cool or awesome So my bad there. Yeah, Streets Ahead, if you wanna say, you know. Oh, okay. Pete's new do is Streets Ahead, he's there. I did get a haircut, thank you for noticing. Oh, Streets Ahead, okay, okay. Well, Look Ahead then, Look Ahead has significance. Look Ahead is something that was said between Gord's wife and him. And it was like sort of what they would say to each other. [46:57] Yeah, I did as well. God, I'm just hacking this up like a big, it's a perfect piece of meat. I've just hacked it into tartare. You cooked it well done. Which is, you know, tartare's delicious, but not, you know, the way I did it. Yeah, it was like all good kind of thing. It was her look, you know, to him as if everything's going to be okay. Yeah. So streets ahead, different. Means awesome. It means really cool. This one I thought it kind of kicked off. It reminded me of Elvis Costello or the Kinks. Kind of had this loud, like, late, I don't know, mid-70s rock kind of love-slash-anthem sound to it. It felt like it could end around two minutes, but there's a bridge and then it takes another lap, which is great because it's still a short song. But it really felt like it just brought me back to, I don't know, middle school and hearing the kinks and those times. It has this crazy, ominous 20-second ending, over 20 seconds, Like, this one's the best. Yeah. I got to give kudos to Gavin Brown, because he really let the band explore intros, outros. Live Experience: Fans' Regret for Missing Their Live Shows[48:23] They got more creative on this album in general. Yeah, I think it makes it harken back to that live sound that we all crave so much with this band, sorry to say, what you guys havebeen saying the last few weeks about like, oh man, I wish I could have seen them live. That's what a lot of people are saying right now. There are a lot of people in that camp. They were renowned for their live show, absolutely. I wonder how many people listening to right now are late to the fucking, got came to the party really late. It's like, Hey, punch bowls empty. There's fucking no K left. And they're just talking to people. Yeah. You know, I never got to see the fucking family. Please send Pete a mail at Pete at getting hip to the hip.com. Yeah. There, there was a blurb from Gord giving some journalists a quick, ah, it's about, dog sledding. [49:35] And that was that's all I gave so who the fuck knows with that guy? I mean, I would love to have been in Gord shoes during interviews because he was all over the place from things I've read. He was all over the place. He would he would give like heartfelt, you know, meanings to stuff and then he'd be like, ah, That's that's that's what somebody said to me on the train one timeand I misheard them. One of my favorites is somebody asked him about Cordelia. What is Cordelia all about? And he's like, well, it's like a metaphor. Just go read King Lear. [50:18] Well, it's like, I feel like that's like as much as we're joking about it, it's got to be, there's got to be an element to that that's true. It's like, you know, at one point a song means something to you. [50:31] And then as time goes on, you're like, yeah, it's just about some shit I heard on a fucking train one day or whatever it is, you know? That's right. I don't think he's poo poo in the bed. Like he's not pulling a Donald Fagan, as I've said before, from Sealy Den or just like, yeah, they're just words written down on a page. They don'tmean anything. You know, he's not pulling that, but he's, you know, was it. Did you ever hear that interview that or that clip? It's a great clip of Jack White from the White Stripes where he says, and whatever you think about the White Stripes is irrelevant, where he said that when he hears Seven Nation Army,which is arguably one of the most overplayed rock songs in the history of rock and roll, that he doesn't even feel like it's his song. He's like, I just wrote it. We recorded it. It was a cool tune. And now it's out there. And it's like, it's like, that's another band. It's not my bad playing that shit It's really cool. It's really cool the way he comes across Hey, he basically said his I've heard some read some of it from him, too And he basically says once once a song is out Yeah, yeah, and, he openshis wallet and cool and looks at that Yeah, oh my god the songs or his Ford Broncos. Jack White's Perspective on Songs and Fame[51:56] Oh my God. That guy is funny. He's he's got some on him. Sure, man. I just recently learned that my wife has a thing for him, which I had no idea about. And I'm like, I'm like, oh, fuck. [52:14] Definitely, definitely not measuring up to that guy. Oh, you just need to write a couple of hit songs that are like global phenomenons. Yeah. Paint my house red. Anything else on the streets ahead? So this next part of the album is where we take a dip in amount of time songs were played. And I'm not really sure why, but now for plan A was only played 10 times live. [52:45] There's no explanation for me, but that's just a data point. But this one I thought was kind of this level of super heaviness, no turning back. This is like you're facing this song, you know? There's nothing short of everything's enough. You know, there's acoustic guitar in here that feels at one point in the song it... I don't want to say it feels forced but it feels like it could be played softer and nicer but it's not, And which is very distinct with acoustic. And I thought I at this point wasn't sure who was on backups, who was singing backups. You know, I didn't know if it was Kate Fenner who we had before. Oh, right. Right. JD, you mentioned it. Who is this gal? This is Sarah Harmer. So she's a... What's her story? Anybody got any data? She's got a pretty good solo career. Gosh, I'm trying to think of what her big song was. That would have been in around 2002, 2003. I'll take some links for those of you out there. TimbyGettingHitToTheHit.com. Please register him as a Republican. Send me some email. I have notifications turned on. And it's... [54:06] Email Pete at GettingHitToTheHit.com if you want the address and phone number. No, she's gorgeous. She has an amazing matchup with Gort. Her voice is, I thought, incredible. Basement of Parliament was a big song in 2000. Okay. [54:28] For the cadence of the album, for this being Song 6, these are my chapters of the book. The chapters of the book. It's a good Song 6. No issues. It's there's also with one point, this lastly, um, when Gord sings, nothing's short of nothing short of everything's enough at one point when he's seeing that in the song that Iheard Johnny Cash, like there was some kind of Johnny Cash coming through. Definitely more growly and Gord ask, but it's, it's a cool song. Only played 10 times life. Thoughts on the length and build-up of the song[55:07] So special. Yeah. I say, this is the, is this the longest song on the album as well? And it's only like five minutes and four, but, um, the, the buildup is such that it's, uh, one minute 16 when the lyrics actually start. So it's just swirly, swirly buildups. And then, uh, yeah. And then you, you get it. I don't, I don't know what to say about this. I say it's, it's one of those tracks that I. [55:40] I just get through. It's one of these things that's just not really on my attention span. I don't know why, because of the, I don't know. I don't know, it's weird. Because of the aesthetics of the song, I don't know. But listening to it again today, I have grown to like it more. It's a dynamite song on great headphones after a joint. The way it settles in the album, It's almost like you've been through a few things and then you get a snowstorm and everything just really sort of settles down and you're sitting sort ofwatching the snow. But for me, I don't know, it doesn't feel like I want to sit down and be there watching the snow. I want to kind of hop on a bit. So I don't know why, it just feels a little bit misplaced for me. But that's how I am with albums. I always want something more. I always want them to sort of build up. I'm not so good when they change down slightly. For me, I don't know, maybe if it was later on in the album. No, we talk about sequencing all the time here, so this is great to think about that. [56:54] That film I was talking about, the Simon film, when I saw trying to delve into what that was about, there was a few little trailer-y bits and a few little segments of it, And there's onewith Alan Arkin doing one of his psychology lectures, you know, and he's with these kids and he's just saying, yeah, one of the greatest Wittgenstein quotes you'll hear is the, I don't knowwhat I don't know, which is fantastic. Oh, yeah. Yeah, there you go. That's the ultimate wisdom. That is the ultimate wisdom. When you can truly think that out your fingertips, fingertips, you know? [57:38] You've got it. You've got it. Made in the shade. I've tried many times to get there, but just can't get that. Oh, wait a minute. That's another podcast. Dan, what you said about it taking a while to come in. I feel that. And I think JD's right. You need a joint and some good cans for it. but I would say this is probably my second favorite song on this record. Inquiry about the woman singing[58:11] JD, you asked me about the woman singing before. Bands featuring female guest vocalists on certain songs[58:19] I feel like nowadays that's a cool thing to do. I think it started in like 2017, 2018 a lot of bands. I know the National's been doing it a lot with their new records, having like female guest vocalists join in on certain songs. Oh, wow. It's cool. I like it. But I feel like when they did this record in 2012, nobody was doing it. Nobody was doing that. You got a band of five guys. That's the fucking band. I know, you know, it's not like a song featuring so-and-so, like bands very rarely do that. That's totally true. Yeah, absolutely. And this this woman's on at least what, three songs? Two for sure. I've only got two, two, maybe, maybe two, sorry. Yeah, I mean, I, I, I. The song is just amazing the way it starts. I got some, production-wise, I got some Beach Boys vibes from this because there's so much production. [59:39] Like, Abbey Road stock level, like we're in the studio sitting around the board like, what do you think if we do this and we throw this in and everybody's talking like that's the levelof this song because the musicianship is just it's gone when you look at the the EP compared to where we're at now everybody is just you know it's not they're not even on the same planetanymore this band um, i would say that just just if you look at this song from production wise whatever you think about it, you know, the song, you like it, you don't like it. I happen to like it, but it's got to be some of their best, most accomplished work because of how well everything is done in it. Whether or not you like the melody, whether or not you like the minute and 17 or 16 seconds without anything, I get that. I get how sequencing wise I could put you in a weird spot, but like, You can't deny that this song is extremely well done, well recorded, produced, written, everything. Yeah, I completely agree with you and you know, again, there would be a lot of people who would argue that the last two records were really well produced as well. [1:01:07] And maybe they're right, I don't know. But to me, it's just more heavy handed. It's, you know, it's much more heavy handed. This record is much more subtle. Yeah, there are still brushstrokes, but it doesn't feel as like they are put on by like a makeup specialist Right, you know difference between a produced record and a well-produced record. Yeah Yeah, or overproduced maybe overproduced So let's get into the modern spirit and we can think about the modern spirit in a couple of different ways We were talking aboutsequencing earlier, and I'm wondering wondering, would Dan, would this have satisfied your palate if the modern spirit had come after Streets Ahead, or was it something more specificyou were looking for, something more to drive it even higher? No, no, I mean, you can link those two together. You can imagine it coming straight in after Streets Ahead. It would have been a good transition. Yeah. But I say, in terms of this track, I mean all of their Rolling Stones cover versions paid off, didn't they? This is Modern Spirit's pure Rolling Stones. It's just, in every aspect, it's just fantastic. Modern Spirit's Rolling Stones influence[1:02:31] Do you get that vibe? Yeah, I can hear that. Even the drum shuffles are just stones. [1:02:42] Yeah, yeah, yeah, there's some wattage in there for sure, 100% and well said. Yeah, it's it's it's it's very sort of modern, late sort of stones, but it's it's it's spot on, even though it's not supposed to be stones. But yeah, you know, versatility and how to do it so well. And his voice is fantastic on this as well. Banga. Yeah. Yeah, hard agree. The way this song starts, I mean, I mean, I listened to this song in a number of different venues. [1:03:26] I'm 100% the way this song starts and it hits. It's a fucking driving song. I mean, And it's just driving down the fucking highway, windows down. You know, I know last time Tim was with us, what record was it? Or Tim? Last time Dan was with us, what record was it? I'm trolling right now. So I don't know if Tim or I don't know if Dan remembers, but Dan, my car, so my car has what you would call, what the layman would call a premium audio sound system. So the listening experience is not what you'd normally get from, you know, even a decent sound system in a car. It's quite advanced and this. The transcendent vocals of Gord and his evolution as a vocalist[1:04:26] I don't know if Dan remembers that from the last listening, but I think I remember you mentioning it. Yeah. Yeah, it's it's it's it's definitely a cut above. I think the backup vocals on this song to the way they come in. Everything about this song is fucking cooks. If you don't have a smile on your face, jamming along to this song, driving, whatever you're doing, then you need a fucking lobotomy or you need something, I don't know. I don't know how you could not absolutely love this song. [1:05:11] The one note I want to bring up here, I feel like Gord's, when it comes to his vocals and everything. This song, I think that it's thematic throughout the record, but this song really makes me realize he's not he's, he's transcended humanity as a vocalist. And I know this is bold words I'm saying here. But I feel like where he was at from the EP and where we've seen it go. It's like he's an evolved, you know, humans evolved from apes. Like Gord has evolved from humans. So they say. Right, so they say, my apologies for all you creationists out there. No, but I feel like Gord is, he's moved past it vocally, he's just, and as a songwriter and as a front man, he's just like, I don't think I've ever seen, you know, no disrespect to the Stones,because we were talking about the Stones, Dan brought up the Stones. You know, mix mic man, you know what you're getting every time. [1:06:15] He's great, and he's consistent, and he's always great. But I wouldn't say the guy's vocals and style and everything has evolved much since Get Off My Cloud to where it's at today. It's the same dude. Gord, I feel like, is just... He's evolved past the normal human Gord. You know, like Megagord or... Okay, you know. Megagord. Mechagord, you know, like... Yeah. He was five lions, and then he converged into one. [1:06:57] I don't know. I'm gonna use Voltron as a verb. He Voltron'd into one giant robot of a lead singer. Tim, what do you think of this one? I thought the same about the open road with this one. The white and open throat. Night slips back with no noise. I mean, that's... Yeah. It's a great song. All right, next. So this next one about this map was last played in Spokane, Washington, 2012. It was only played twice. Oh, Tim, how about Modern Spirit? Was it played more? Feels like a live song. Ah, sorry. Modern Spirit, only 12. Only 12. So as this album goes by, these songs are played less live, which, yeah, it just made me wonder about the band and what, what, what, or why, or, you know, it, was it, was it thetheme of the album and the life and the times that was kind of too heavy to play live or I'm not sure. Well, they only had one sure after this as well. And that was the last tour. How many stops do you think? And we'll, and we'll get into that. Like, I think it was like, it was strictly Canada. Yeah, it was a pretty big deal. [1:08:22] So about this map. The mysterious and unique start of the song "About This Map"[1:08:26] Pete, talk to me about this map. It's a really weird start. And not in a bad way, just in a... About this map. It's kind of a mysterious song. Yeah, very mysterious. But I love the... [1:08:46] This was the song that made me think on the whole record, because again, like Dan said, I didn't know the history of what was going on in Gord's life during this record. But thisis the song where I kind of was like, okay, what the fuck is going on? This is just, everything's just too different, especially when you look at what the previous record was. But I dug it. The chorus and the pre-chorus is so good in this song. I don't have a ton to say, but the melody and the guitar licks are just top notch. I mean, I feel like it would take me a year to come up with that. Being so cool, making guitars sound that cool, and then afterward, I would just like pat myself on the back for the rest of my life because it's just that fucking cool. And fucking Rob Baker probably just did it in like two takes and then just forgot about it and went home and had, I don't know, fucking rotisserie chicken or whatever you guys eat overthere in Canada. We do eat a lot of rotisserie chicken. [1:10:00] What about blue? What about blue? Oh no, I'm really hungry and thirsty. Fuck. Well, what did you think about this map, Dan? Yeah, it's a good track, but as we were saying, yeah, it's a bit of a weird one. The lyrics, the sort of, the sentiment in the lyrics doesn't sort of, like, build, you know? Of stays on this sort of level. Was the sort of guitars and everything kind of rise around it, which I found was pretty fascinating. And again, it's like, yeah, in terms of sort of lyrics, about this map is said 15 times. So there's a there's a lot of that in there, which I think sort of flattens the lyrics out a bit. But a lot of textures in there that I haven't heard in other stuff as well. [1:11:04] It's a grower. It's an absolute grower. It was for me. Again, it was one of those tracks I'd always get to this stage in the album and then think like, oh God, hang on, is that? And then, uh, yeah, it, it, it had come back to me and, um, I dig. It'sgood. Are any other two fuckers going to recognize the irony of the fact that Dan's discussing the song about this map and directly behind him is a gigantic map? Oh yeah. Am I the only one like seeing the irony here? Sorry. Yeah. For those of you listening... We got a theme. Yeah. Tim's got a map up here. Yeah, got a couple. He's got a couple there too. You got Spain and Italy behind you, right Tim? Staring at it every day. [1:11:56] Good ol' EU over there. Sorry. We'll save the tour for another day. Did anybody get the edge vibes? Like from the guitar? Like, from the guitar? 100%! This song and one coming up, 100% got the edge. Well said, JD. Yeah, we've talked about how the latter part of U2's career has sprinkled some seasoning on this band. I've heard that too. Dave's Weed Shop: The Edge's Redemption?[1:12:36] I think the edge is a bit of a cheat though. So I have a hard time talking about him. I forget his real name. It's probably let's let's let's name him. What was his name? It's probably like, I think it's Dave. It's got to have three syllables. I think he's going to open a weed shop. It's going to be called Dave's not here, man. Now if the edge opened a weed shop, I'd probably, I'd probably like him again. Yeah. David Howell Evans. How? See I call him Dave. We're tight. What's the middle name? Let's move on. Dan? Did you have anything to say about this map, Tim? I didn't realize that about this map was said 15 times. That's a lot. I don't have a lot on this one. I thought that it was a bit of a filler, like we've rounded the bend, and we're getting towards the end of the album. You know, the bass, there's areally nice bass guitar through this. It's a little bit more meandering and I don't know. I didn't have a lot on this one. Yeah, it just kind of kept me going. Again, this part, this chunk of the album just felt just stronger than the past couple albums. Okay, let's move on to... Take Forever? Goddamn son, where we going? Take forever. Forever. Song about astronauts and Calgary[1:17:03] Yeah, this one's eight times live. Last played in 13. I, you know, maybe it was a song about astronauts. I'm not sure. It seems like also some statement about Calgary. Is Calgary the, where the wealth is of the roof? He seems to think everyone should have heart attacks there, According to the songs is what I read Yeah You know, I listened to another podcast and they were from Calgary and they tookgreat offense I don't recall as to why right now, but to me I think about it like, you know that beginning part like When I broke down, I always thought I'd go to Calgary. I think that's a nice sentiment But what do I know? But the yeah, there is a lot about Calgary, right? What about you Dan, how does that? [1:17:58] Totally stumped by this track. For some reason it reminds me of a late Blondie track as well, it's got some kind of vibe like that about it. But yeah, the lyrics and the Calgary thing man, yeah, it's crazy. I mean this is what I'm getting from some of these, I like the tracks, but the lyrics when I'm looking at the lyrics, it's just like, whoa, where are you going with that, Gord? Any insight, JD? [1:18:31] I wish. It's like a time bomb, you know? There's so many wires and things in there that you might pull one wire and it might make some progress, but then there's a whole other pack of wires underneath, you know? Yeah. I mean, again, when you do look at the lyrics for this album, there are a few themes that go through I mean this again this has got the whole kind of man machine reference and it's got thiswhole sort of um you know destroying space thing that we've we've heard um quite a few times as well yeah yeah um I I think this song is textbook hip I mean just the sound that it is I Ihear you on the lyrics, I guess they didn't make enough of an impact on me as the instruments of the song, you know, the instrumentation. Love the fucking thumping bass, just Sinclair's all over this record, you know. It's classic hip. [1:19:46] This is a song, especially in terms of chords, vocals, again, not speaking about the lyrics per se, just his singing. I think this is one of the songs where I'm like, God, why does nobody get this band? Just the song that made me think of it. So yeah, not a ton to say about it, but I dug it. I'm not, um, I feel like compared to last week, you could, you could, you know, serve me a shit sandwich and I'll just be like, you know, Can we, can we get into just a little bit about whydidn't this band, blah, blah, blah, make it in the U S or whatever it is. I had a lot of thoughts about this during this listen, which you just reminded me of. And I was kind of neither here nor there. nor there. But this album, I too, Pete, had thought a bit about. The popularity of this band in Canada versus the U.S. and all those things. And it was concurrently during, while listening to this past week, it was concurrently during Coachella that's 

This time Ned, Adam and Laura are talking about roads. Are they good, are they bad, and do we really need to take sides? In a week where the Prime Minister claimed there's a ‘side' where driving is concerned, we look to Wales, where they're taking perhaps a more balanced approach to transport. Lee Waters is Wales' Deputy Minister for Climate Change. He works in a department that brings together society's most polluting sectors and seeks to reduce their carbon emissions, not least for the sake of future generations. In February 2023, following a Roads Review, the Welsh Senedd announced it wouldn't be investing in new roads unless they contribute to a modal shift towards public transport and/or active travel. While this announcement was spun as a 'ban' on all new roads, it in fact simply raised the bar for roadbuilding. Lee Waters talks to Streets Ahead about the thinking behind the move, the challenges, and why giving people clean transport options - and genuine alternatives to driving - is not a party political issue.You can read more about Wales' roads review, and the report on the future of Welsh roadbuilding, here: https://www.gov.wales/future-road-investment-wales. As the chair of the roads review panel, Lyn Sloman, put it: "The challenge of our time is to achieve a prosperous economy and a fairer society whilst protecting and enhancing the environment, for our own well-being and that of future generations." We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think.Episode edited by Clare Mansell. Hosted on Acast. See acast.com/privacy for more information.

Ned and Laura go exploring on foot with Alderman Alison Gowman around the City of London's mid-century raised walkways. Known as Pedways, when they were conceived and built in the 1960s, their architects believed they would be the future of the urban pedestrian experience... except they didn't quite work. More than half a century later, many of them are slightly bleak and under-used spaces, because they failed to meet the needs of pedestrians who, it turns out, will stubbornly take the easiest route.Streets Ahead wanders around the remains of the City of London's Roman walls to find out why a quirk of 1960's public realm design became a dead-end in pedestrian provision...almost. Come along for a journey through the good, the bad and the ugly of the intermittent trend of "getting people out of the way of cars" - and a new, improved addition to the Pedways that nods to the future.Alderman Alison Gowman is the elected official for the City of London's Dowgate Ward. She is the chair of the London Road Safety Council and author of a book The City of London: Who, What, Why? https://shop.cityoflondon.gov.uk/products/the-city-of-london-who-what-why We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think.Episode edited by Clare Mansell Hosted on Acast. See acast.com/privacy for more information.

This week, JPJ and Pluggo chat with Spencer to preview the card for LPW 12: Streets Ahead and review the week in wrestling news! Like, share, subscribe, and most importantly, tune in to each and every episode of Between Two Beards, every Thursday at 8pm ET! ----------------------------------------------------------------------------- HOSTS Pluggo: @Pluggo_ JPJ: @Joseph_PoulinJr ----------------------------------------------------------------------------- LOVE WRESTLING Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

Bronson Reed joins Zak Ralph of Love Wrestling to chat about his return to WWE, his tribute to Bam Bam Bigelow, Vader, unfinished business in WWE, and his thoughts on the 2023 WWE Hall of Fame! --------------------------------------------------------------------------------- UPCOMING EVENTS LPW 12: STREETS AHEAD - https://bit.ly/3IOQs7V --------------------------------------------------------------------------------- STARRING Bronson Reed: @BRONSONISHERE --------------------------------------------------------------------------------- YER HOST Spencer Love: @SpennyLove --------------------------------------------------------------------------------- LOVE WRESTLING Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

The United States Champion is here! Austin Theory joins Zak Ralph to chat about the upcoming Elimination Chamber premium live event, The Way, Johnny Gargano, and favourite United States Champions! --------------------------------------------------------------------------------- UPCOMING EVENTS LPW 12: STREETS AHEAD - https://bit.ly/3IOQs7V --------------------------------------------------------------------------------- STARRING Austin Theory: @_Theory1 --------------------------------------------------------------------------------- YER HOST Spencer Love: @SpennyLove --------------------------------------------------------------------------------- LOVE WRESTLING Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

Raquel Rodriguez joins Spencer Love of Love Wrestling to chat through her impending debut inside the Elimination Chamber, potentially facing Bianca Belair at WrestleMania, the moment she shared with Belair and Rhea Ripley in NXT, the challenge of facing Asuka, matches against Ronda Rousey, and more! --------------------------------------------------------------------------------- UPCOMING EVENTS LPW 12: STREETS AHEAD - https://bit.ly/3IOQs7V --------------------------------------------------------------------------------- STARRING Raquel Rodriguez: @RaquelWWE --------------------------------------------------------------------------------- YER HOST Spencer Love: @SpennyLove --------------------------------------------------------------------------------- LOVE WRESTLING Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

WWE Superstar Nikki Cross joins Spencer Love of Love Wrestling to chat about the upcoming Elimination Chamber pay-per-view, her viral run to the ring at the Royal Rumble, her return to the Elimination Chamber matchup, returning to her roots, shifting gears from Nikki A.S.H, a potential reunion with SAnitY, and more! --------------------------------------------------------------------------------- UPCOMING EVENTS LPW 12: STREETS AHEAD - https://bit.ly/3IOQs7V --------------------------------------------------------------------------------- STARRING Nikki Cross: @WWENikkiCross --------------------------------------------------------------------------------- YER HOST Spencer Love: @SpennyLove --------------------------------------------------------------------------------- LOVE WRESTLING Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

Canadian wrestling royalty joins us today, as Natalya Neidhart chats with Spencer Love about her return to Canada, the New Hart Dungeon, Jason Cade, her return to NXT, facing off with Cora Jade, her viral moment with Roxanne Perez, and more! ----------------------------------------------------------------------------- UPCOMING EVENTS LPW 12: STREETS AHEAD - https://bit.ly/3IOQs7V --------------------------------------------------------------------------------- STARRING Natalya: @NatByNature --------------------------------------------------------------------------------- YER HOST Spencer Love: @SpennyLove --------------------------------------------------------------------------------- LOVE WRESTLING Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

Women of Wrestling star. Trained under Thunder Rosa and Jazz. Some know her as Jennifer Florez. Jasmin Allure is here! You'd be hard-pressed to find a major promotion that Jazmin Allure HASN'T worked for at this point! Signed to Women of Wrestling and with appearances for WWE, AEW, and the NWA under her belt, Allure's quickly become not just a rising star on the independent scene, but a star, period! Tune in as she chats with Spencer Love about her meteoric rise in pro wrestling, signing with W.O.W, taking on the likes of Lacey Evans, Thunder Rosa, Kamille, and more, advice from AJ Lee, the character-based nature of WOW, and more! ----------------------------------------------------------------------------- UPCOMING EVENTS LPW 12: STREETS AHEAD - https://bit.ly/3IOQs7V ----------------------------------------------------------------------------- STARRING Jazmin Allure: @JazminAllure ----------------------------------------------------------------------------------------------------------------------------------------------------------- YER HOST Spencer Love: @SpennyLove ----------------------------------------------------------------------------- LOVE WRESTLING Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

The Honourary Hab is here! Sami Zayn, the #1 contender to the Undisputed WWE Universal Championship, joins Zak Ralph for a chat about his return to Montréal, Laura Jane Grace of Against Me, the origin of the Helluva Kick, the Sami for Syria campaign, and more! ----------------------------------------------------------------------- 00:28 - His main-event matchup at Elimination Chamber 01:54 - Against Me! and Laura Jane Grace 02:34 - The origin of the Helluva Kick 03:32 - Sami for Syria and goals for the organization ----------------------------------------------------------------------- UPCOMING LPW EVENTS LPW 12: STREETS AHEAD - https://bit.ly/3IOQs7V ----------------------------------------------------------------------- STARRING Sami Zayn - https://twitter.com/SamiZayn ----------------------------------------------------------------------- YER HOST Zak Ralph - https://twitter.com/smarkmouth ----------------------------------------------------------------------- LOVE WRESTLING  Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

The audible chocolate behind Love Pro Wrestling. The host of Punk & Piledrivers. The voice of Alberta's pro wrestling scene for nearly two decades. Big Bad Boris is here! Today, one of independent wrestling's premier broadcasters joins us for his first-ever Love Wrestling interview! Find out about his little-known origins in professional wrestling, his match against Andy Anderson, his love of punk rock, becoming the voice of the Prairie Wrestling Alliance, and, of course, everything LPW! ----------------------------------------------------------------------------- UPCOMING EVENTS LPW 12: Streets Ahead! - bit.ly/3IOQs7V ----------------------------------------------------------------------------- STARRING Big Bad Boris: @BBBoris ----------------------------------------------------------------------------------------------------------------------------------------------------------- YER HOST Spencer Love: @SpennyLove ----------------------------------------------------------------------------- LOVE WRESTLING Facebook: https://www.facebook.com/LoveWrestlingCA Twitter: https://twitter.com/LoveWrestlingCA Instagram: https://Instagram.com/LoveWrestlingCA YouTube: https://www.youtube.com/LoveWrestlingCA Twitch: https://www.twitch.tv/lovewrestlingca Podbean: https://lovewrestling.podbean.com/ Patreon: https://www.patreon.com/LoveWrestlingCA Apple Podcasts: https://podcasts.apple.com/ca/podcast/love-wrestling/id1544146794

Anita Bonita has the afternoon's top local stories from the WCBS newsroom.

In this special episode Laura goes to the seaside. It may be pouring with rain but Brighton and Shoreham-by-Sea offer a warm welcome, showing us the good stuff happening for cycling in Brighton, and the latest (largely bad stuff) on the short-lived cycle lane on Upper Shoreham road. This ill-fated cycle lane in West Sussex was removed after a few short weeks, despite huge support and a tripling of cycle trips during its existence. What's next for the frankly terrifying road it once sat on, and for the many children and their families that navigate it every day? And what's the least likely transport combination you can think of? All this and more, in this special episode of Streets Ahead.Thanks to Adam Bronkhorst at campaign group Shoreham-by-Cycle, and to Mark Strong, of transport consultancy Transport Initiatives, for taking the time to show Laura round and sharing their considerable expertise. Here's some background to the Upper Shoreham Road story, which road.cc covered from the start: https://road.cc/show/tags/upper-shoreham-road/189511And more recently, the Argus:https://www.theargus.co.uk/news/19877352.council-acted-illegally-removing-upper-shoreham-road-cycle-lane/https://www.theargus.co.uk/news/20293658.upper-shoreham-road-cycle-lane-not-ruled-out/We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think.Episode edited by Clare Mansell Hosted on Acast. See acast.com/privacy for more information.

Twigs and Stump do a World Cup for Dummies Thing and then do a react to football thing Learn more about your ad choices. Visit podcastchoices.com/adchoices

San Francisco Mayor London Breed is planning to add up to 150 unarmed ambassadors to patrol city streets and keep people from sleeping or using drugs on the street ahead of the holiday shopping season.   For more, KCBS Radio news anchor Melissa Culross spoke with KCBS Radio Insider Phil Matier.

AP correspondent Karen Chammas reports on Britain Royas-Queue

This episode Adam, Ned and Laura meet in person in the grass beside Herne Hill Velodrome. Adam also takes us on an audio journey through South London using a Beeline routing widget to avoid the main roads and discover some quiet gems - and some strange cycleway nomenclature - along the way.As well as pondering the many uses of bollards, not least in creating quiet routes, the Streets Ahead trio discuss the challenges, and solutions, of finding your way by bike, away from the main roads, from paint to decent signage - and the role of private companies in helping create modal shift.Tom Putnam, the cofounder of Beeline, joins Streets Ahead to discuss these issues, and explain how Beeline works to provide quiet routes for people cycling. Beeline's routing is based on Open Street Map, with user feedback helping to constantly improve information around which streets work for cycling, and which ones don't, using simple plus and minus buttons on the routing app or widget. Lighting, low traffic volumes, hilliness and cycle lanes are among the things the algorithm uses to define 'good' routes.The Beeline Velo 2 is the latest widget iteration, and the Beeline routing software is also available via a phone app. You can find out more here: https://global.beeline.co/We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think. See acast.com/privacy for privacy and opt-out information.

In this episode, we speak with Allison Mackenzie, exercise science program director at Manchester Community College in Manchester, CT. She shares her incredible personal and professional life story, and reflects on the importance of community college programs. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/luke-pelton/support

A special edition of Streets Ahead, in which Laura travels to the Isle of Wight to meet Detective Superintendent Andy Cox for day one of his nationwide challenge to cycle and run 30 miles a day for a week, raising awareness of road danger, and money for charity RoadPeace.Andy is on a mission to drive a culture change around roads policing and road danger, having this week revealed, via the Times, a major shakeup in how police record contributory factors in road collisions, which revealed speeding as the number one cause of crashes, contributing to three times more collisions in Manchester and London where a pilot took place. He's pushing data-led policing, taken from his time investigating murders, having targeted the most dangerous roads and drivers in his time as head of Vision Zero in London's Metropolitan Police, and is having a huge impact in his goal of tackling what he insists we call road crime. Andy's challenge is all about raising funds for a charity that does a huge amount of good with not a lot of funding. He's hoping to raise double - or more - than last year, at least £100,000, and police forces around the country are taking part in their own challenges to help the charity help even more people whose lives are changed by road crime. From a clifftop near Lands End, having just fallen waist deep into a nettle-covered rock crevice with a half-eaten cheese sandwich, Laura introduces us to Andy's challenge - while Ned's somewhere in Italy covering the Giro d'Italia, and Adam's working away on the West Midlands' cycling and walking transformation.You can donate money to Andy's challenge here: https://www.justgiving.com/campaign/andycoxchallenge2022 You can read about his shakeup of how contributory factors are recorded, in the Times (paywall) here: https://www.thetimes.co.uk/article/8959cbb4-d3a3-11ec-b39a-dd0cbc8c6f6d We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think. See acast.com/privacy for privacy and opt-out information.

The relationship between humans, bikes, cars and streets is polarizing, but it shouldn't be. Humans are the original autonomous vehicles. UK-based Adam Tranter is working to build a world where people can get around safely and efficiently without fear of a vehicle running them over.  Adam is the West Midlands' first Cycling & Walking Commissioner. Appointed by the Mayor of the West Midlands, Adam works with policymakers and the government to steer the region's cycling and walking policies and plans.  A former national-level elite cyclist, Adam grew up training and racing with riders who have competed in (and won) the Tour de France. He is the founder of the communications agency Fusion Media and co-host of the Streets Ahead podcast on active travel.  Find him on Twitter @adamtranter.

For Streets Ahead's second birthday, Adam, Ned and Laura go rogue - or at least go outdoors - sitting together on the banks of the River Thames to shoot the breeze. We are, for this episode, a pod without portfolio - drifting beside the Thames like an empty crisp packet and seeing where the current takes us.The Streets Ahead trio reveals the topic, if not the title, of Laura's forthcoming book, and a street that's being named after her late dad, as well as discussing e-scooters, e-bikes, the strop that got Ned his own bike racks at City Airport (sort of) and how Adam's dad once broke his arm doing a flying leap and yelling 'who's the daddy'. There is also some minor aircraft trivia, Ned's new book about football, a real-life trip to Paris to see just how many people are velo-ing on its new cycle lanes - and nobody falls in the river.We hope you enjoy this episode of Streets Ahead, a podcast dedicated to the world of active travel, liveable streets and people-focused urban design.We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think.See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information.

Emma is back! The BM Cast crew chat about Emma's time away, some underrated new cards from New Capenna, and how they're going to change Pioneer using treasure and angels... Want to hear the latest episodes before anyone else? You can now get them a day early on our patreon, as well as many other bonus benefits: https://patreon.com/budgetmagiccast The BM Cast is a podcast that explores playing Magic the Gathering on a budget - everything from building affordable mana bases, to cheap alternatives for expensive staples. Patreon: Click Here (https://patreon.com/budgetmagiccast) Twitter: Click Here (https://twitter.com/TheBMCast) YouTube: Click Here (https://youtube.com/channel/UCWETf5gX7-NCCWwumLQ7VvA)

Preview season, baby! We've got gangsters and limousines and prohibition and cool suits and maybe tommy guns? All kinds of stuff! And new cards to talk about! Thanks as always to Wave Sunray for our music.

Cities around the world used quick, cheap materials to transform streets for people during the pandemic, but tactical urbanism can, in theory, be initiated by communities and individuals to transform a bare patch of their neighbourhoods at any time. Laura, Ned and Adam talk about their greening efforts, and Laura shares recordings from her giant planters project, during two weeks of construction and two community planting days. Adam also talks about £254m of funds recently awarded for active travel in the West Midlands.Some links:http://tacticalurbanismguide.com/Adam's van made the news https://www.bbc.co.uk/news/uk-england-coventry-warwickshire-57569344 Possible's campaign to enable more community parklets nationwide https://www.wearepossible.org/actions-blog/get-parklets-on-your-streetsLondon Parklets Campaign: https://londonparkletscampaign.wordpress.com/people-parking-day/ The story of Brenda Puech's People Parking Bay: https://www.peopleparkingbay.com/We hope you enjoy this episode of Streets Ahead, a podcast dedicated to the world of active travel, liveable streets and people-focused urban design.We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think. See acast.com/privacy for privacy and opt-out information.

It may be toward the end of Season 1, but "Contemporary American Poultry" feels like the starting pistol to the REAL Community that we all know and love. From its unabashed homages to gangster movies to iconic moments like "Streets Ahead" and Troy's very special monkey, this chicken run is going to be unlike any other with the CR101 crew! Extra credit: Listen to CR101 on Anchor, Spotify, Breaker, Google Podcasts, Pocket Casts, Radio Public Follow the CR101 crew on Twitter! Thanks to Thomas Field for our theme song! Other CR101 projects: Mutant Reviewers, Thomas Midena YouTube, Battle Bards, Heather's Twitch channel

Ned and Laura chat with Dame Sarah Storey, not only Britain's most successful Paralympian, but the new Cycling & Walking Commissioner for Greater Manchester, having previously held the role for three years in South Yorkshire.We hope you enjoy this episode of Streets Ahead, a podcast dedicated to the world of active travel, liveable streets and people-focused urban design.We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think. See acast.com/privacy for privacy and opt-out information.

This time we're talking all about mapping walking routes. Back in the Autumn, Emma Griffin from the Footways project joined Laura for a stroll around Bow in East London. Footways is a network of quiet and interesting streets for walking in London, with the aim of getting people out on the pavements and walking for transport.Their aim is to make the pedestrian network the top priority when it's often the lowest.View Footways' Google map layer: https://www.google.com/maps/d/u/0/viewer?mid=1djPyfTHyWyHfqVNNIqStpRbvXZ7yabk0&ll=51.51235318211866%2C-0.13645850981252927&z=14 Read Laura's CityLab article on Footways: https://www.bloomberg.com/news/articles/2021-10-27/mapping-london-s-best-walking-streets We hope you enjoy this episode of Streets Ahead, a podcast dedicated to the world of active travel, liveable streets and people-focused urban design.We're on Twitter and welcome your feedback on our episode: http://www.twitter.com/podstreetsaheadIf you're reading this, please can you take 1 minute to give us a rating and write a review? It helps us more than you probably think. See acast.com/privacy for privacy and opt-out information.

Two of your three favorite millennials are here this week to talk about Community! HT and Willoughby discuss their relationship to the show, why it's amazing, and they talk about the live table read video chat that recently occurred. Plus, HT really likes Avatar: The Last Airbender finally coming back to Netflix, and Willoughby has been enjoying a Pixar marathon!