Podcasts about ubu roi

Today's Parisian revolution is a theatrical performance that produced a riot. David talks to theatre director Dominic Dromgoole about Alfred Jarry's Ubu Roi (1896), which only ran for a couple of nights but left an indelible mark on the culture of the age and has resonated ever since. Why did a play effectively written by children provoke such a storm among the adults? What made it it blow the mind of W. B. Yeats who was in the audience? How can something so bad be so liberating? Next time: Stravinsky's The Rite of Spring Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode is the first of three this week with the theatre director and writer Dominic Dromgoole, exploring revolutionary events in the world of art and theatre, starting with the opening of the Salon des Refusés in Paris in May 1863. How did the Emperor Napoleon end up sponsoring such a counter-cultural event? Why did it provoke such public outrage and astonishment? And in what ways did Manet's Le Déjeuner sur l'herbe revolutionise what was possible in the creation and consumption of modern art? A new edition of our newsletter is out now with guides to the events of the Paris Commune and much more. Sign up to get it every fortnight https://www.ppfideas.com/newsletters Next time: Ubu Roi w/Dominic Dromgoole Learn more about your ad choices. Visit megaphone.fm/adchoices

Ce premier épisode s'intéresse à Ubu Roi d'Alfred Jarry, une pièce révolutionnaire qui a enflammé le public dès sa première en 1886. L'écrivain et compositeur Hélios Azoulay partage son analyse des moments où l'art défie les conventions. L'émission nous transporte également en 1916, à Zurich, au cœur du mouvement Dada et du Cabaret Voltaire, où Tristan Tzara et ses contemporains bousculent les normes. Enfin, le scandale du Sacre du printemps d'Igor Stravinsky en 1913 est évoqué comme un tournant majeur de l'art moderne. Une plongée fascinante dans ces événements où le choc et la provocation redéfinissent la création artistique. Réalisation Axelle Thiry. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Un jour en voiture sur la BBC, Paul McCartney tomba sur la pièce "Ubu Cocu" d'Alfred Jarry qui lui inspira deux chansons. Mais peut être pas de façon assez explicite pour le père Ubu. Alors pour éviter tout malentendu, il lui propose quelque chose qu'il ne pourra pas refuser, le tout sur fond de gidouille (le ventre chez Ubu) et d'andouille... Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:06:40 - L'Instant poésie - Denis Lavant a choisi de nous présenter "Berceuse du mort pour s'endormir" d'Alfred Jarry, un poème aux images sensibles, très éloigné d' "Ubu Roi".

French actor Juliette Binoche is known for her portrayal of emotionally complex characters. Over a forty year career, her films have included Three Colours Blue, Les Amants de Pont Neuf, Chocolat, and The English Patient, for which she won her Academy Award. Her most recent film is The Taste of Things, a French drama about a cook and the gourmet she works for, in which she stars opposite Benoît Magimel.Juliette Binoche talks to John Wilson about an early moment of revelation, watching Peter Brookes' production of Alfred Jarry's play Ubu Roi at in Paris in 1977, which first made her realise she wanted to act. She explains the influence of her acting coach Véra Gregh, who helped her to understand the difference between "acting" and "being". She also recalls her experiences working with some of the most acclaimed film directors; Jean-Luc Godard on Hail Mary; Leos Carax on Les Amants du Pont-Neuf; Krzysztof Kieślowski on Three Colours: Blue; and Anthony Minghella on The English Patient.Producer: Edwina Pitman

In Part II of this series Sawyer and Amber talk about Vernal and Sere Theatre's recent production of LEAR by Young Jean Lee, Sawyer's continued development of THE GLASS ESSAY by Anne Carson, and his translation of UBU ROI. In an effort to uncover the ways Sawyer approaches theatrical storytelling, Amber investigates his process, his approach to audience and how he creates work. Thank you for joining us for this conversation with Sawyer Estes!

In this episode Amber talks with Sawyer Estes, a director, dramaturg, playwright and company member of Vernal & Sere Theatre. Vernal and Sere was founded in Atlanta, Ga in 2016 by five company members: Sawyer Estes, Erin Boswell, Lindsay Sharpless, Erin O'Conner and Katherine Barnes. This team produces new work (like Hurricane Season), adaptations (like the upcoming Glass Essay or Ubu Roi), and powerfully conceived shows like (4:48 Psychosis and Lear). No matter what they are up to, this team of explorers is on a journey I am super enjoying going on with them. They are highly collaborative and bring a special energy to everything they do. I hope you will enjoy this conversation with Sawyer as much as I enjoyed having it. Stay tuned for Part 2!

Welcome back to ParaPower Mapping—to tide you over until the next part of the Rosicrucian Road Trip drops in a few days & to build anticipation for the next installment of the "Fin De Siècle Symbolists, Satanists, & French-British Sex Trafficking Networks" miniseries, it's the very first unlocked EP from the Boston Brahmin Watch Premium Feed! Make sure to subscribe to the Patreon to access the full version of Pt. II & Pt. III when it drops next week. patreon.com/ParaPowerMapping This is Part I of a multipart descent into the Decadent Symbolist, Rosicrucian, and Satanic underground of fin de siècle Paris and Victorian London, as well as the related sex trafficking & pedophilia networks that catered to the abhorrent appetites of the monstrous aristocratic elite of the time. This EP covers: the Symbolist writer, son of diplomats, and possible-occultist Marcel Schwob; Aleister Crowley's connections to Schwob; Oscar Wilde + Schwob once again; J.K. Huysmans; Maurice Maeterlinck; Sar Peladan; Peladan's Catholic Rosicrucian order and "Salon de la Rose + Croix"; Robert Louis Stevenson; Schwob's "syphilitic rectal sores"; Wilde's play Salome (which Schwob translated); the Biblical story of Salome, Herod, & John the Baptist; Crowley's assimilation of Salome into Babalon/ Scarlet Woman and his "Jezebel"; the influence of Decadent & Symbolist misogyny on Crowley's writing and occultism; aristocratic traditions of taboo-breaking and pederasty; Crowleyian Thelemic ideas of "justification by sin"; proto-surrealist Alfred Jarry; Ubu Roi; his semi-Satanic closet play Caesar Antichrist; the first-and-only production of Ubu Roi during his lifetime, which devolved into a riot; the fact that W.B. Yeats was in the audience, demonstrating the interconnectedness between the Victorian British & French occult scenes at the time; Crowley's formative time in France; sonnets for Rodin; Schwob connections; shitting on Oscar Wilde; callback to Levenda; Maeterlinck's connection to the French symbolists & his play serving as inspiration for Sheffield Edward's PROJECT BLUEBIRD (MK-ULTRA predecessor); H. Montgomery Hyde—former spy, protege & biographer of Sir William Stephenson (Little Bill), Ulster Unionist MP, and cousin of Henry James... plus H. Montgomery Hyde's strange proclivity for writing book-length works on pederasts, pornography, and homosexuality; the fact that he was deselected around the time of the Wolfenden Report when calling for the decriminalization of homosexuality in the U.K.; Hyde as the source of the rumor that Marcel Schwob died from constipation caused by syphilis from his book The Love that Dared Not Speak It's Name; Joris-Karl Huysmans apostasy and odyssey from Naturalism to Symbolism to Decadent Satanism to Mystic Catholicism; feuding b/w Symbolist occultists & Emile Zola; J.K. Huysmans' A rebours (Against Nature) and its influence on Wilde's Salome and The Picture of Dorian Gray; especially Huysmans' handling of Gustave Moreau's Salome series; preparation to descend into the Satanic underground of Huysmans' Là-bas(The Damned); and finally, Wilde's allusions in The Picture of Dorian Gray to Thelemic, Rabelaisian "Do What Thou Wilt" hedonism and the Cleveland Street Scandal (a scandal where numerous aristocratic men including Lord Arthur Somerset, Earl of Euston Fitzroy, and Prince Albert Victor of Wales were discovered to be frequenting a male brothel that employed young boys)... Songs:  | Kate Bush - "Waking the Witch" | | Alan Tew - "The Detectives" | | Alain Goraguer - "Ten Et Tiwa" | | Françoise Hardy - "Mon Amie La Rose |  | Nicolas Godin - "Quartier General" |  | Serge Gainsbourg, Charlotte Gainsbourg - "Lemon Incest" | 

Groteske Komödie · Mit Ubu, Inbegriff des bornierten, opportunistischen Spießers, schuf Jarry 1896 eine mythische Gestalt in einer Welt grotesker, archetypischer Bilder. Der Skandalerfolg des Werks beruhte vor allem auf dem Verzicht der traditionellen Handlungsführung, einer obszönen Sprache und absurden Elementen. Mit beißender Ironie stellte Jarry jede Art politischer und sozialer Macht in Frage. Wiener Fassung von H.C. Artmann. // Mit Erwin Steinhauer, Fritz Muliar, Toni Böhm, Rupert Henning, Brigitte Svoboda, Sylvia Lukan, Olivier Lendl, Wolf Bachofner, Thomas Morris, Johannes Larcher, Martin Schwanda, Alexander Kubelka, Sophie Wendt, Paul Fischer, Martin Reinhart, Kathi Brenner, Elke Weisz/ Komposition: Heinz Karl Gruber Bearbeitung und Regie: Heinz Hostnig BR/NDR/ORF 1990 //

Groteske Komödie · König Ubu ist ein gefräßiger Feigling. Weil er Adel und Beamtentum vernichtet, ist er beim Volk zunächst beliebt. Doch in grenzenloser Gier raubt er bald auch das eigene Volk aus. Auch außenpolitisch wird es eng: Nach dem Mord am polnischen König Wenzeslaus, dessen Thron er als Usurpator eingenommen hat, erwachsen ihm gefährliche Gegner, darunter Wenzeslaus‘ Sohn, der russische Zar und ein ehemaliger Mitstreiter. Wiener Fassung von H.C. Artmann. // Mit Erwin Steinhauer, Fritz Muliar, Toni Böhm, Rupert Henning, Brigitte Svoboda, Sylvia Lukan, Olivier Lendl, Wolf Bachofner, Thomas Morris, Johannes Larcher, Martin Schwanda, Alexander Kubelka, Sophie Wendt, Paul Fischer, Martin Reinhart, Kathi Brenner, Elke Weisz/ Komposition: Heinz Karl Gruber Bearbeitung und Regie: Heinz Hostnig BR/NDR/ORF 1990 //

Welcome back to ParaPower Mapping and the first episode of the BOSTON BRAHMIN WATCH Premium Feed! I'm chuffed, Brahmin Watchers, because the Patreon has finally launched, I managed to relocate the keys to the Boston Brahmin Watch Office, and I'm really excited for y'all to get your hands on this newest research (as dark, enervating, & soul-crushing as it may be). Here's the first half of the first premium feed EP for you to enjoy; and here's hoping your interest is piqued! If you're dying to listen to this EP in its entirety, go to Patreon and subscribe to ParaPower Mapping to unlock it and all sorts of extracurricular goodness. This is Part I of a multipart descent into the Decadent Symbolist, Rosicrucian, and Satanic underground of fin de siècle Paris and Victorian London, as well as the related sex trafficking & pedophilia networks that catered to the abhorrent appetites of the monstrous aristocratic elite of the time. This EP covers: the Symbolist writer, son of diplomats, and possible-occultist Marcel Schwob; Aleister Crowley's connections to Schwob; Oscar Wilde + Schwob once again; J.K. Huysmans; Maurice Maeterlinck; Sar Peladan; Peladan's Catholic Rosicrucian order and "Salon de la Rose + Croix"; Robert Louis Stevenson; Schwob's "syphilitic rectal sores"; Wilde's play Salome (which Schwob translated); the Biblical story of Salome, Herod, & John the Baptist; Crowley's assimilation of Salome into Babalon/ Scarlet Woman and his "Jezebel"; the influence of Decadent & Symbolist misogyny on Crowley's writing and occultism; aristocratic traditions of taboo-breaking and pederasty; Crowleyian Thelemic ideas of "justification by sin"; proto-surrealist Alfred Jarry; Ubu Roi; his semi-Satanic closet play Caesar Antichrist; the first-and-only production of Ubu Roi during his lifetime, which devolved into a riot; the fact that W.B. Yeats was in the audience, demonstrating the interconnectedness between the Victorian British & French occult scenes at the time; Crowley's formative time in France; sonnets for Rodin; Schwob connections; shitting on Oscar Wilde; callback to Levenda; Maeterlinck's connection to the French symbolists & his play serving as inspiration for Sheffield Edward's PROJECT BLUEBIRD (MK-ULTRA predecessor); H. Montgomery Hyde—former spy, protege & biographer of Sir William Stephenson (Little Bill), Ulster Unionist MP, and cousin of Henry James... plus H. Montgomery Hyde's strange proclivity for writing book-length works on pederasts, pornography, and homosexuality; the fact that he was deselected around the time of the Wolfenden Report when calling for the decriminalization of homosexuality in the U.K.; Hyde as the source of the rumor that Marcel Schwob died from constipation caused by syphilis from his book The Love that Dared Not Speak It's Name; Joris-Karl Huysmans apostasy and odyssey from Naturalism to Symbolism to Decadent Satanism to Mystic Catholicism; feuding b/w Symbolist occultists & Emile Zola; J.K. Huysmans' A rebours (Against Nature) and its influence on Wilde's Salome and The Picture of Dorian Gray; especially Huysmans' handling of Gustave Moreau's Salome series; preparation to descend into the Satanic underground of Huysmans' Là-bas (The Damned); and finally, Wilde's allusions in The Picture of Dorian Gray to Thelemic, Rabelaisian "Do What Thou Wilt" hedonism and the Cleveland Street Scandal (a scandal where numerous aristocratic men including Lord Arthur Somerset, Earl of Euston Fitzroy, and Prince Albert Victor of Wales were discovered to be frequenting a male brothel that employed young boys)... Songs: | Kate Bush - "Waking the Witch" | | Alan Tew - "The Detectives" | | Alain Goraguer - "Ten Et Tiwa" | | Françoise Hardy - "Mon Amie La Rose | | Nicolas Godin - "Quartier General" | | Serge Gainsbourg, Charlotte Gainsbourg - "Lemon Incest" |

durée : 00:25:00 - Les Nuits de France Culture - par : Albane Penaranda - Une adaptation radiophonique de la pièce d'Alfred Jarry "Ubu roi" dans le cadre de la série "Tyrans et mégères" (1ère diffusion : 21/08/1963 Chaîne Parisienne). Dans une série intitulée Tyrans et mégères, Marguerite Alley et Jean Alley proposaient d'écouter des extraits de pièces répondant à ce thème. Ubu roi en faisait partie, comme La Mégère apprivoisée, Electre ou encore Les Femmes savantes. Précisons qu'il s'agissait d'une série à vocation humoristique. Ubu roi d'Alfred Jarry fut représentée pour la première fois le 10 décembre 1896 par la troupe du théâtre de l'Ouvre au Nouveau-Théâtre. Dans cette adaptation radiophonique de 1963, Père Ubu (cupide et bête) et _Mère Ubu (_perfide et manipulatrice), prennent vie grâce aux voix de Rosy Varte et Jacques Mauclair. Ils sont accompagnés de Robert Murzeau, René Renot et René-Jacques Chauffard, dans une réalisation de Claude Roland-Manuel. Par Marguerite Alley et Jean Alley Réalisation : Claude Roland-Manuel Tyrans et mégères - Ubu roi (1ère diffusion : 21/08/1963 Chaîne Parisienne) Indexation web : Documentation sonore de Radio France Archive Ina-Radio France

Daf Yummy épisode 534. Yevamot 49 : Ubu roi. Le monarque et le prophète. by Myriam Ackermann Sommer

The vibe is real. Playa magic. Secret sauce. Atypical serendipity. Whatever you call it, it's being studied by social scientists around the world and written about in the annals of academia. The vibe is real, but that doesn't mean we must deny our Dada roots. We can celebrate porta-loo beautification, and its absurd juxtaposition, as a legit Burning Man art experience. We can define Burning Man using a random phrase generator. We can yield a toilet plunger like a royal scepter. We can invent a vibe-sensing device that has no sensors. Stuart Mangrum talks with Dr. Graham St John, cultural anthropologist, author of many books and academic articles about Burning Man culture, festival culture, EDM, psychedelics, and other scholarly adjacencies. Listen in and learn the true meaning of “efflorescence” and “ephemeropolis” and “pataphysics.”Burning Progeny ProjectWurst Storm Rising (Journal of Festive Studies)The Big Empty (aeon Magazine)dancecult: Journal of Electronic Dance Music CultureBlack Rock Gazette, Sept 5, 1999Burning Man Phrase Generator, Javier F. BarreraLIVE@BURNINGMAN.ORGLIVE.BURNINGMAN.ORG

durée : 00:25:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Antoine Dhulster - Une adaptation radiophonique de la pièce d'Alfred Jarry "Ubu roi" dans le cadre de la série "Tyrans et mégères" (1ère diffusion : 21/08/1963 Chaîne Parisienne). - réalisation : Virginie Mourthé

Liz Goldberg has taught Fashion Illustration at The Pratt Institute and Drexel University for the past 11 years. Her work is an exploration of the theme of the “diva” – the flamboyantly uninhibited female and the personal and political empowerment she represents. As a painter, graphic artist, and animator, Liz has been inspired by puppets and absurdist theatre, influenced by puppet–like characters reminiscent of Alfred Jarry's forerunner of absurdist theater, Ubu-Roi, the buffoons of modernist playwright Michel de Ghelderode, the existentialist mime plays of Samuel Beckett, and the symbolist and political figures of European puppet theater. Liz has developed these “diva” and puppet-inspired works into experimental animated films in collaboration with filmmaker Warren Bass, broadcast on American Public Television and cable, receiving awards and juried recognition in over 20 countries. The works use animation as an analog to painting, dance and poetry, and are intended to re-define the paradigm of what an animation can be. The process of animation has, in turn, influenced her full-scale paintings and works-on-paper producing diptychs, triptychs, and serial prints with progressive deviations. In 2018, Liz and Warren produced “Vogueing and Other Pleasures” shown at the Film Festival at the Barnes in conjunction with the Musee de Paris. In 2018, the film was also shown as part of “Contexualizing Fashion” at Pratt. A full room installation was created at Joan Shepp where Liz was a resident artist for 3 years 2017- 2020, installing the entire space with 1,750 hand-drawn cells from the animation, as well as paintings and prints.Liz's work was recently part of MINIFEST at Theaterlab - a fun and vibrant event that brought together a variety of artists to share short works throughout Theaterlab's full loft on September 18 and 19 in New York City. MINIFEST is an afternoon of tiny delights, short sparks of new work, and other small surprises. Last produced on March 8, 2020, days before theater closed. This year's MINIFEST focused on Fashion and the Body. Participating artists included Marco Casazza, Liza Cassidy, Blane Charles, Orietta Crispino, Jed Distler, Liz Goldberg, Naoki Iwakawa, Michaela Lind, Stefanie Nelson, Lisa Silvestri, Alex Sollitto, Lesley Ware, Louisa Willis, Ulisespal, Glenna Yu and Lanie Zipoy. ~~~~~~~To explore past episodes of Into the Absurd, visit our Facebook page:https://www.facebook.com/pg/Idiopathi...ORThe IRC's YouTube channel: https://www.youtube.com/playlist...And while you're there, be sure to SUBSCRIBE, so you don't miss any future episodes.

We can hardly believe it, but here it is: our final episode in our Macbeth series (for now)! Before moving on to our next play, we wanted to cover how Macbeth has been adapted for stage and screen and how the myth of the hero turned tyrant continues to shape our world narratives.  Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Additional sound effects from https://www.zapsplat.com Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com Works referenced: Barnes, Todd Landon. “George W. Bush's ‘Three Shakespeares': ‘Macbeth, Macbush', and the Theater of War.” Shakespeare Bulletin, vol. 26, no. 3, 2008, pp. 1–29. JSTOR, www.jstor.org/stable/26347734. Accessed 28 Mar. 2021.  Bickley, Pamela and Jennifer Stevens. “Macbeth.” Studying Shakespeare Adaptation: from Restoration Theatre to YouTube, by Pamela Bickley and Jennifer Stevens, The Arden Shakespeare, 2021, pp. 165–183 Britannica, The Editors of Encyclopaedia. "Theatre of the Absurd". Encyclopedia Britannica, 12 May. 2020, https://www.britannica.com/art/Theatre-of-the-Absurd. Accessed 27 March 2021. Brown, Eric C. “Shakespeare, Class, and ‘Scotland, PA.'” Literature/Film Quarterly, vol. 34, no. 2, 2006, pp. 147–153. JSTOR, www.jstor.org/stable/43797270. Accessed 28 Mar. 2021. Cain, Bill. Equivocation. Dramatists Play Service, Inc., 2014.  HOPKINS, D. J. Theatre Journal, vol. 64, no. 2, 2012, pp. 269–271., www.jstor.org/stable/41679587. Accessed 28 Mar. 2021. Jarry, Alfred, et al. “Ubu Roi.” The Wadsworth Anthology of Drama, by William B. Worthen, Wadsworth Cengage Learning, 2011, pp. 714–731.  Kevin Wetmore. Ecumenica, vol. 3, no. 1, 2010, pp. 65–67. JSTOR, www.jstor.org/stable/10.5325/ecumenica.3.1.0065. Accessed 28 Mar. 2021. Koehler, Robert. “Makibefo.” Variety, Variety, 18 Feb. 2003, variety.com/2003/film/reviews/makibefo-1200543361/. Menon, Sita. “Watch Maqbool. It Is Class!” Rediff, Rediff.com, 30 Jan. 2004, in.rediff.com/movies/2004/jan/30maqbool.htm. Piepenbring, Dan. “An Inglorious Slop-Pail of a Play.” The Paris Review, The Paris Review, 9 Sept. 2015, www.theparisreview.org/blog/2015/09/08/an-inglorious-slop-pail-of-a-play/. Prince, Stephen. “Throne of Blood: Shakespeare Transposed.” The Criterion Collection, The Criterion Collection, 6 Jan. 2014, www.criterion.com/current/posts/270-throne-of-blood-shakespeare-transposed. Rooks, Amanda Kane. “Macbeth's Wicked Women: Sexualized Evil in Geoffrey Wright's ‘Macbeth.'” Literature/Film Quarterly, vol. 37, no. 2, 2009, pp. 151–160. JSTOR, www.jstor.org/stable/43797714. Accessed 26 Mar. 2021. Smith, Alfred Edgar. We Work Again. Performance by Maurice Ellis, and Charles Collins, U.S. Works Progress Administration, 1937. National Film Preservation Foundation, www.filmpreservation.org/preserved-films/screening-room/voodoo-macbeth#. Film notes by Scott Simmon Stevens, Jennifer, and Pamela Bickley. “Macbeth.” Studying Shakespeare Adaptation: from Restoration Theatre to YouTube, by Pamela Bickley and Jennifer Stevens, The Arden Shakespeare, 2021, pp. 165–183. Taylor, Jane, et al. “Ubu and The Truth Commission.” The Wadsworth Anthology of Drama, by William B. Worthen, Wadsworth Cengage Learning, 2011, pp. 1710–1724.

We dined virtually tonight with artist Liz Goldberg and filmmaker Warren Bass, who talked about their artistic collaborations, including Cuban Queens (https://vimeo.com/279495510​).Cuban Queens is an experimental animated collaboration by Warren Bass (direction, animation, music), Liz Goldberg (original graphics), and Lowell Boston (animation). The film deconstructs and explores ninety-nine evolving images of Havana’s street divas. Cuban Queens is a rhythmic study of subliminal hand-drawn portraits that evolve through shifting, transient relationships of image-to-image and image-to-sound.~~~~~~~Warren Bass is an independent filmmaker and former Chair of Film & Media Arts at Temple University where he teaches directing, cinematography, and advanced workshops in documentary, fiction and animation as a full professor. He was trained at the Yale School of Drama in directing (with Honors) and at Columbia University in film as their School of the Arts Scholar. He has taught at Yale, NYU, the State University of California, and the American Film Institute, has chaired university departments in Film, Television, and Theater in New England, served as trustee of the University Film Study Center housed at Harvard/MIT, Vice President of the University Film and Video Association, guest editor of The Journal of Film and Video, and for extended periods as Director of Temple University’s graduate program in Film. His essays on visual style have been published in English, Polish, Chinese and Turkish. His textbook on camcorders is published in seven countries. His art work has been exhibited at the Smithsonian, the National Academy of Design and the Boston Museum of Fine Arts. He has directed theater at Lincoln Center, off-Broadway and in regional professional theater in six cities. His film and video productions have been aired on PBS, syndicated television and cable in the U.S. and on European, Asian and Australian Television. His work has received over 100 regional, national and international awards. Professor Bass is a recipient of both the Great Teacher Award and the Creative Achievement Award from Temple University.Liz Goldberg has taught Fashion Illustration at Pratt and Drexel University for the past 11 years. Her work is an exploration of the theme of the “diva” – the flamboyantly uninhibited female and the personal and political empowerment she represents.As a painter, graphic artist, and animator, Liz has been inspired by puppets and absurdist theatre, influenced by puppet–like characters reminiscent of Alfred Jarry’s forerunner of absurdist theater, Ubu-Roi, the buffoons of modernist playwright Michel de Ghelderode, the existentialist mime plays of Samuel Beckett, and the symbolist and political figures of European puppet theater.Liz has developed these “diva” and puppet-inspired works into experimental animated films in collaboration with filmmaker Warren Bass, broadcast on American Public Television and cable, receiving awards and juried recognition in over 20 countries. The works use animation as an analog to painting, dance and poetry, and are intended to re-define the paradigm of what an animation can be. The process of animation has, in turn, influenced her full-scale paintings and works-on-paper producing diptychs, triptychs, and serial prints with progressive deviations.In 2018, Liz and Warren produced “Vogueing and Other Pleasures” shown at the Film Festival at the Barnes in conjunction with the Musee de Paris. In 2018, the film was also shown as part of “Contextualizing Fashion” at Pratt. A full room installation was created at Joan Shepp where Liz was a resident artist for 3 years 2017- 2020, installing the entire space with 1,750 hand-drawn cells from the animation, as well as paintings and prints.

durée : 00:01:15 - L'Oc Express

Liz Goldberg is a painter, film graphic designer and animator inspired by puppets and absurdist theatre.Her work explores the theme of the “diva” – the flamboyantly uninhibited female and the personal and political empowerment she represents.Liz's images are often drawn from life, influenced by puppet–like characters reminiscent of Alfred Jarry’s forerunner of absurdist theater, Ubu-Roi, the buffoons of modernist playwright Michel de Ghelderode, the existentialist mime plays of Samuel Beckett, and the symbolist and political figures of European puppet theater. "These influences give me considerable license to explore colorist and gestural solutions to the depiction of the contradictions these images embody: awkward yet fluid, wooden yet alive, constrained yet brashly extroverted personalities, often mischievous, egotistical, erotic, even magical exaggerations of human behavior."Rev. Georgiette Morgan-Thomas founded and owns American Hats LLC along with her son, Robert James Morgan III. American Hats LLC. is one of the only US hat factories dedicated to producing couture, dress, and casual women's and men's headwear for wholesale and retail purchase. "Our goal," says Rev. Morgan-Thomas "is to manufacture the highest quality handcrafted, affordable products right here in the USA and to preserve the art of hat making.” Reverend Morgan-Thomas has been featured on The Today Show, in The Entrepreneur, Grow with Google, AARP Magazine, and has been featured on many local media programs.

Daf Yummy Épisode 132. Pesahim 57 : 1984/ Ubu roi. Qui a le pouvoir ? Ou : la mafia des Kohanim by Myriam Ackermann Sommer

Blood, sex, tyranny, and sausages! Declan and Nick join Lucie to discuss Ubu Roi, Alfred Jarry's gruesome and raucous 1896 satire.More information about Cheek by Jowl's production of Ubu Roi here: (https://www.cheekbyjowl.com/productions/ubu-roi/)Series 2 theme music composed by Paddy Cunneen for The Winter's Tale (2016-17)The additional music used in this episode was composed by Davy Sladek for Ubu Roi (2013-15)

The strip-mine crooner burst onto the scene with Tuscaloosa art agitators the Raudelunas Pataphysical Revue, fronting No Wave big band Ron ‘Pate & His Debonaires. Their live record and the subsequent studio albums, “From the One That Cut You” and “Car Radio Jerome,” established them as a mythic presence in the southern underground. Years out of sight and scarcity of the discs heightened the mystery surrounding the singer. Fred Lane’s reemergence after 35 years with the “Icepick to the Moon” album and documentary and the recent cover of his "I Talk To My Haircut" by the Squirrel Nut Zippers has delighted fans and frightened foes from coast to coast. Now he trains his unblinking gaze on the Troubled Men. The hurricane killed the internet, so we strung together two tin cans to record this special episode. Topics include Hurricane Zeta recovery, a celebrity couple, the COVID vaccine, election stress, purple heroin, hospital food, New Orleans drivers, the 4-way stop, sober guests, a personal inventory, a star is born, an alter-ego, “Ubu Roi,” inspiration, a first recording, Davey Williams, LaDonna Smith, whirligigs, Jimbo Mathus, a rat problem, a Shimmy Disc reissue, Goner Records, e-cigarettes, southern-fried surrealists, the Fred Lane newsletter, kindred spirits, a George Carlin story, a Matthew Broderick stalking, Quintron and Miss Pussycat, and much more, Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Additional music: “Fun In the Fundus,” “My Kind of Town,” “From The One That Cut You,” “White Woman,” “Icepick to the Moon,” and “Rubber Room” by Fred Lane

The strip-mine crooner burst onto the scene with Tuscaloosa art agitators the Raudelunas Pataphysical Revue, fronting No Wave big band Ron ‘Pate & His Debonaires. Their live record and the subsequent studio albums, “From the One That Cut You” and “Car Radio Jerome,” established them as a mythic presence in the southern underground. Years out of sight and scarcity of the discs heightened the mystery surrounding the singer. Fred Lane's reemergence after 35 years with the “Icepick to the Moon” album and documentary and the recent cover of his "I Talk To My Haircut" by the Squirrel Nut Zippers has delighted fans and frightened foes from coast to coast. Now he trains his unblinking gaze on the Troubled Men. The hurricane killed the internet, so we strung together two tin cans to record this special episode. Topics include Hurricane Zeta recovery, a celebrity couple, the COVID vaccine, election stress, purple heroin, hospital food, New Orleans drivers, the 4-way stop, sober guests, a personal inventory, a star is born, an alter-ego, “Ubu Roi,” inspiration, a first recording, Davey Williams, LaDonna Smith, whirligigs, Jimbo Mathus, a rat problem, a Shimmy Disc reissue, Goner Records, e-cigarettes, southern-fried surrealists, the Fred Lane newsletter, kindred spirits, a George Carlin story, a Matthew Broderick stalking, Quintron and Miss Pussycat, and much more, Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Additional music: “Fun In the Fundus,” “My Kind of Town,” “From The One That Cut You,” “White Woman,” “Icepick to the Moon,” and “Rubber Room” by Fred Lane

The Aside Podcasts are a free resource supported by Drama Victoria - Australia's oldest Drama Association This is a Script Tease episode where we talk through some of the world's greatest plays. Jump through the major plot points, give some background and of course, spoil the endings – all in less than 5 minutes. We do the hard work so you can do the easy listening. In this episode we do Ubu Roi by Alfred Jarry Please feel free to email asidepodcast@outlook.com to ask a question. We will try answer on a future podcast.

Vernal & Sere Theatre's new adaptation of Alfred Jarry’s notorious Ubu Roi reimagines King Ubu as a headmaster walking the halls of an American high school, UBU is equal parts Shakespearean parody, political satire, and absurdist comedy. Host Edward McNally talks to director Sawyer Estes and company co-founder (and Estes romantic partner) Erin Boswell, who plays Queen Ubu in the riotous new production at the Windmill Art Center in East Point, Feb 13 – Mar 1.

"All of us can take fright, but it requires greatness of soul to laugh at the moment when not merely life, but humanity itself is endangered."   In my ongoing celebration of all things France I am reading a book called 'The Banquet Years' by Roger Shattuck. It is about the origins of the avant-garde in France from 1885 - World War I. From this book I regal you with the story of Henri Rousseau and the ridicule he faced while keeping his childlike innocence intact. Then our July fireworks reach their crescendo with the spectacular story of Alfred Jarry and his groundbreaking play Ubu Roi that created a scandalous riot when it premiered at Theatre L'Oeuvre in Paris in 1896. Alfred Jarry was the precursor to the Dada art movement, surrealism and the Theater Of The Absurd. Learn all about this man who rode his bicycle around Paris with a rifle over his shoulder, two pistols in his belt and tried to make his life a living hallucination.   I talk about the triumph of France at the World Cup and how they did what Napoleon failed to do and that is to be victorious in Russia.   I talk about how Vladimir Putin and the good people of Russia are the real winners of the World cup and how we could all learn to conduct our lives in victory and defeat the way the team of Japan does.   The opposite of Japanese politeness and concern for others is President Trump, who I am now calling the Urine Pawn. Just this week he called Canada and the European Union the enemies of America and stood with Vladimir Putin in Helsinki never mentioning the Russian influence on the 2016 election. When asked directly by a reporter if he had anything to say to Putin about this or the 12 Russians indicted days ago for hacking our election he said that he takes Putin's word for it when he said he didn't do it and asked why no one has found Hillary Clinton e-mail server yet. This is theater of the absurd on the world stage, which makes me think that this video of Trump with Russian prostitutes urinating must be worse than we could ever imagine. Where is the outcry from the American people over this treasonous act at the highest level? Thanks to the Urine Pawn we are now living in a world where our allies are now our enemies and our enemies are now our allies. The tough bully president of America acted like a neutered cat in the lap of the ultimate chess master Putin. And yet, this is somehow Hillary's fault? Back to reasons to be cheerful... TRR Smart Camp * Become our patron and receive podcast goodies! www.patreon.com/tomrhodesradiosmartcamp * Sign up for a conversation with Tom! www.patreon.com/tomrhodesradiosmartcamp * Buy my newest double album All Hail Laughter www.tomrhodes.net

You can’t find nicer dudes in Seattle than the guys in Ubu Roi. They also bring the riffs. Bridging punk rock and metal, these guys just want a place to plug in and less speeding tickets. Listen in as we talk about poop way too much and hear them hum their favorite riffs. Outro music by Cheap Clones.

This week Danny and Joseph are joined by Matt and Sam from Help Yourself Records (Chastity Belt, Wimps, Ubu Roi, Childbirth). They delve into the history of the label, EDM demo submissions, and their upcoming release from Sick Sad World. Plus sweatshorts, The Narx, and of course, "Dollar For Drip". Songs by: Ubu Roi http://uburoi.bandcamp.com/ The Narx http://thenarx.bandcamp.com/album/the-narx Childbirth http://childbirth.bandcamp.com/

Zappa "Burnt Weeny Sandwich" Edgard Varese  John Cage Des extraits d'"Ubu Roi" d'Alfred Jarry

As Yet Unnamed London Theatre Podcast 21-Apr-2013 With T R P Watson  - Gareth James - Nick from Partially Obstructed View - Phil from the West End Whingers  - JohnnyFox - PaulInLondon - Webcowgirl  - Plays Discussed Narrative - Royal Court Upstairs  [00:16] Children of the Sun - Lyttelton Theatre  [11:02] Untold Stories - Duchess Theatre  [19:13] Ubu Roi - Silk Street Theatre   [30:19] Reviews Doktor Glas - Wyndhams Theatre Beautiful Thing - Arts Theatre #aiww: The Arrest of Ai Weiwei - Hampstead Theatre Children of the Sun - Lyttelton Theatre On Approval - Jermyn Street Theatre

San Francisco based improv comedian Sam Shaw more about improv, Crisis Hopkins, the Twilight Zone, Ubu Roi and doing scripted and improvised theatre.

The strip-mine crooner burst onto the scene with Tuscaloosa art agitators the Raudelunas Pataphysical Revue, fronting No Wave big band Ron ‘Pate & His Debonaires. Their live record and the subsequent studio albums, “From the One That Cut You” and “Car Radio Jerome,” established them as a mythic presence in the southern underground. Years out of sight and scarcity of the discs heightened the mystery surrounding the singer. Fred Lane's reemergence after 35 years with the “Icepick to the Moon” album and documentary and the recent cover of his "I Talk To My Haircut" by the Squirrel Nut Zippers has delighted fans and frightened foes from coast to coast. Now he trains his unblinking gaze on the Troubled Men. The hurricane killed the internet, so we strung together two tin cans to record this special episode. Topics include Hurricane Zeta recovery, a celebrity couple, the COVID vaccine, election stress, purple heroin, hospital food, New Orleans drivers, the 4-way stop, sober guests, a personal inventory, a star is born, an alter-ego, “Ubu Roi,” inspiration, a first recording, Davey Williams, LaDonna Smith, whirligigs, Jimbo Mathus, a rat problem, a Shimmy Disc reissue, Goner Records, e-cigarettes, southern-fried surrealists, the Fred Lane newsletter, kindred spirits, a George Carlin story, a Matthew Broderick stalking, Quintron and Miss Pussycat, and much more. Support the podcast [here.](https://www.paypal.com/paypalme/troubledmenpodcast) Shop for Troubled Men's Wear [ here.](https://www.bonfire.com/troubled-mens-wear/) Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Additional music: “Fun In the Fundus,” “My Kind of Town,” “From The One That Cut You,” “White Woman,” “Icepick to the Moon,” and “Rubber Room” by Fred Lane