Podcasts about los caprichos

::CW: during the Kathe Kollwitz section, we discuss a print dealing with sexual assault::Jennifer and I are back with our bushel baskets of researched artists of the past to soothe our shattered nerves. Tune in to hear about 6 artists that made exceptional work under strained circumstances: Käthe Kollwitz, John of Arderne - medieval surgeon and margin doodler, Gustav Metzger, William Gropper, David Hammons and Joan Miró.Käthe Kollwitz notes:"Käthe Kollwitz" exhibtion at MOMA May-June 2024Emile Zola's novel "Germinal" 1885"Scene from 'Germinal" 1893"A Weavers' Revolt" series 1893-1897Gerhart Hauptmann's play "The Weavers" 1892"The Mothers" 1918"Never Again" 1924"R-ped" 1907Francisco de Goya's "Disasters of War" series Otto Dix "Der Krieg" 1924John of Arderne notes:Medical Treatises England: c.1376, re-copied and 1475-1500Sp Coll MS Hunter 251 (U.4.9) (see more here and here)Misericord seatrest carvings in English medieval churchesGustave Metzger notes:The Viennese ActionistsArtist, David Bomberg"Auto-destructive Art" 1961 London performance"Flailing Trees" 2009"Remember Nature" 2015"Table" c.1957-8The Fluxus movementDocumentary "Lifeline: Clyfford Still"William Gropper notes:"America: It's Folklore" 1946Francisco de Goya's "Los Caprichos" series 1798French political artist, Honoré Daumier"Blacklist" and "Environment" from Gropper's Capriccios series 1953–57David Hammons notes:"The Melt Goes on Forever: The Art & Times of David Hammons" Documentary 2022Artist, Charles WhiteArtist, Betye Saar"Bliz-aard Ball Sale" Performance New York, NY 1983"Body Prints" 1968–1979"Hair and Wire, Venice Beach" 1977"Untitled" circa 1980s"Higher Goals" 1983; 1986"Untitled (Night Train)" 1989Artist, Rachel WhitereadJoan Miró notes:Ballet RussesArtist, Henri Matisse"Mori el Merma" (Death to Merma) Theatrical collaboration with the Barcelona puppet troupe, La Claca, headed by Joan Baixas 1978 (watch here)"Ubu Roi" by Alfred Jarry 1896 Artist, Meg LipkeCurrent studio daemons: olm, volcano snail, and a rare algae of Blick Mead called HildenbrandiaThank you, Jennifer!Jennifer' website: https://www.jenniferlcoates.com/ Jennifer on IG: https://www.instagram.com/jennifercoates666/All music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠⁠https://www.peptalksforartists.com/⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

Como una declaración de guerra… comercial que amenaza con retrotraer a la economía del siglo XIX. Así se ha recibido globalmente la

El análisis de actualidad económica, todas las mañanas a las 07:30 con Javier Ruiz, jefe de Economía de la SER.

Kam vse še lahko seže človeška domišljija, bi se lahko vprašali ob slikah in skulpturah mladega vizualnega umetnika Miha Majesa. Odslužene predmete, kot so čevlji, konzerve in igrače, sestavlja na primer v živobarvna in skoraj strašljiva bitja. In čeprav je prisotnih toliko fluorescentnih barv, da bi lahko površen pogled opazil le norčavo igro in brezbrižno naivno veselje, je v bistvu prisotna neka zadušljiva teža. To je, kot sam pravi, tudi prikrita groteska in kritika demoralizirane sodobne družbe. Razstavo v ljubljanski Equrni je naslovil Los Caprichos, Hedonic Calculus – spogleduje se s kultnim delom Francisca de Goye ter z odnosom med travmo in užitkom. Kurator Arne Brejc pa dodaja, da ''smo tako navajeni perfekcije, da divjost, brutalnost, neposrednost v umetniškem delu na nas deluje osvežujoče in osvobajajoče. Človek je še vedno človek in se v nepopolnosti prepozna.'' Foto: Žiga Bratoš

Ya estamos de vuelta en esta combinación rara entre Alkimistas y los Sith, para ganarnos hordas y hordas de enemigos. Hoy vamos a hablar de los caprichos innecesarios, de los sufrimientos de los artistas, de los excesos de los directores. Vamos a hablar de ese podrido submundo, en el que cada día se juegan la vida o al menos si esta Rut para presenciarlo. Para toda esta locura nos hemos reunido Rut Villamagna, Javier Coronilla, Carlos Lorenzo, Fer Zaborra y el Mamado Lidel. Esperamos que lo disfrutéis como siempre y si os ha gustado solo teneis que haceros mecenas de La Guarida o de Alkemist Alkemist https://go.ivoox.com/sq/875365 Mas enlaces de La Guarida https://bio.link/laguaridadelsith Hazte mecenas de la guarida https://www.ivoox.com/ajx-apoyar_i1_support_31122_1.html

Ya estamos de vuelta en esta combinación rara entre Alkimistas y los Sith, para ganarnos hordas y hordas de enemigos. Hoy vamos a hablar de los caprichos innecesarios, de los sufrimientos de los artistas, de los excesos de los directores. Vamos a hablar de ese podrido submundo, en el que cada día se juegan la vida nuestros alquimistas. l, Para toda esta locura nos hemos reunido Fer Zaborra, el Mamado Lidel, Rut Villamagna, Javier Coronilla y Carlos Lorenzo. Esperamos que lo disfrutéis como siempre y si os ha gustado solo teneis que haceros mecenas de La Guarida o de Alkemist

Ya estamos de vuelta en esta combinación rara entre Alkimistas y los Sith, para ganarnos hordas y hordas de enemigos. Hoy vamos a hablar de los caprichos innecesarios, de los sufrimientos de los artistas, de los excesos de los directores. Vamos a hablar de ese podrido submundo, en el que cada día se juegan la vida o al menos si esta Rut para presenciarlo. Para toda esta locura nos hemos reunido Rut Villamagna, Javier Coronilla, Carlos Lorenzo, Fer Zaborra y el Mamado Lidel. Esperamos que lo disfrutéis como siempre y si os ha gustado solo teneis que haceros mecenas de La Guarida o de Alkemist Alkemist https://go.ivoox.com/sq/875365 Mas enlaces de La Guarida https://bio.link/laguaridadelsith Hazte mecenas de la guarida https://www.ivoox.com/ajx-apoyar_i1_support_31122_1.html

Manuel Turizo ha ganado un dineral con 'La bachata' y 'El Merengue' y sabemos en qué se lo ha gastado. Aitana, la primera artista en tener su réplica en versión Nancy.  Álvaro de Luna nos descubre los secretos su vídeo 'Hoy festejo'. Chris Martin (Coldplay) le regala a un joven fan una canción improvisada por su cumpleaños. Jaime Lorente, protagonista del estreno de la segunda temporada de 'El Elegido', el podcast del Maestro Joao.

Paola Cabeza señala que Hoy que la Corte Constitucional frena los caprichos de Lasso y sus aliados --- Send in a voice message: https://podcasters.spotify.com/pod/show/hechosecuador/message

Juan Carlos Pichardo, Ñonguito, Harold Diaz, Oscar Carrasquillo, Katherin Amesty, Begoña Guillen y Anier Barros

Juan Carlos Pichardo, Ñonguito, Harold Diaz, Oscar Carrasquillo, Katherin Amesty, Begoña Guillen y Anier Barros

Juan Carlos Pichardo, Ñonguito, Harold Diaz, Oscar Carrasquillo, Katherin Amesty, Begoña Guillen y Anier Barros

Juan Carlos Pichardo, Ñonguito, Harold Diaz, Oscar Carrasquillo, Katherin Amesty, Begoña Guillen y Anier Barros

Colo-Colo se enfrenta a Deportivo Pereira por la ultima fecha de la fase de grupo de copa libertadores, en donde el albo necesita un triunfo para poder clasificar a los octavos de final, un empate solo lo llevaría a jugar copa sudamericana si Monagas pierde frente a Boca Juniors

Escucha los caprichos más absurdos del Rey de Inglaterra Carlos III y los de mucha gente que sin tener sangre real vive una vida de lujos y caprichos.

Hello! Long time no post! Alissa is writing her book and Sam is working on [REDACTED] and we have let this fall by the wayside a little bit in the interest of drawing out the length between episodes, since we have precious little time to record these days. But we really ought to announce that sort of thing in the future, and for this we apologize. We have a very fun episode for you today, a little out of date but none the worse for wear, with the great Mason Mennenga, on James Wan’s faith-based film The Conjuring. We hope you enjoy it.The image on the website is plate 43 from Francisco Goya’s series of 80 aquatint etchings, ‘Los Caprichos.’ The inscription on the stone table where the sleeping figure is resting their head reads translates to “The sleep of reason brings forth monsters.” Via The Met.This episode of Young Adult Movie Ministry is produced by John Kemp. Our theme song is Louis Armstrong and His Hot 5’s Muskrat Ramble, made freely available by the Boston Public Library and audio engineering shop George Blood, LP through the Internet Archive. The Conjuring is copyright 2013 Warner Bros. All other material is copyright 2022 Sam Thielman and Alissa Wilkinson. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit yammpod.substack.com/subscribe

Análisis cómico-musical, de la Mañanera. Con Tere Vale, Jaime Guerrero y un grupo de valientes analistas.

Empezamos hablando de la importancia de ejercer el derecho al voto y terminamos hablando de los caprichos de la genética y, también,

En este capítulo repasamos todos los requerimientos y engreimientos que ponen los diferentes artistas en sus riders cuando hacen un show: Maluma, J-Lo, Madonna, Justin Bieber, Van Halen, Carlos, el Gordo y Mateo, entre otros... ¡Disfruten! ¡HABEMUS SHOOOOOWS!

Nuestro corresponsal en Ucrania, Nico Castellano, invita a La Ventana a Yulia Pidiprígora, profesora universitaria de español en Kiev para hablarnos sobre cómo está gestionando sus clases.

Aunque se suele asociar con Italia, el Renacimiento tuvo también su propio auge en el norte de Europa. La escuela de arte flamenco incorporó las técnicas renacentistas a su propio estilo y temáticas, con un resultado exitoso y original, y el buen clima económico impulsó la cultura y la ciencia.

Lionel Messi es uno con la Selección Argentina y con PSG es otro. Con el primero es la estrella que brilla, juega y se divierte; con el segundo no ha rendido como se esperaba y se ha perdido de encuentros por lesión. Miguel Gurwitz, Juanjo Buscalia y Raoul "Pollo" Ortiz analizan el accionar de Messi con "La Albiceleste" y con el cuadro francés en "Mother Soccer", exclusivo de futvox. Learn more about your ad choices. Visit megaphone.fm/adchoices

EP60 | LOS CAPRICHOS DE FAMOSOS #PorQueTuMamaLoQuiso Porque tu mamá lo quiso llegó básicamente para acompañarlos como cualquier madre acompaña a su hijo, estaremos contigo en todas partes, bien sea en formato de audio o video, como mejor prefieras consumirlo. Conocerán y compartiremos nuestras desgracias, momentos y alguna que otra experiencia. Solo queremos que lo disfrutes y luego nos cuentes la tuya. Escucha Porque Tu Mamá Lo Quiso: Spotify, Anchor, Apple Podcast, Google Podcast, Breaker, Pocket Cast, Pod Bean, Radio Public, Stitcher. Playlist de spotify: https://cutt.ly/UyjhR6d Playlist Apple Music: https://music.apple.com/es/playlist/porque-tu-mam%C3%A1-play/pl.u-PDb4zA4TL55vAZg Host: Juan José Peral @HayUnJuancho https://www.instagram.com/hayunjuancho/ Manuel Balsa @ManuelBalsa https://www.instagram.com/manuelbalsa/ Productor: Williams Martin @WilliamsMartin_ https://www.instagram.com/williamsmartin_/

"Los caprichos de niño rico", es el último editorial de Roberto Caballero en El Destape Radio. Fuerte y al Medio con Roberto Caballero y Giselle Tepper se transmite de lunes a viernes, de 19 a 21hs, por eldestaperadio.com y por la FM 107.3

*Notas del podcast: https://hilandofino.net/daily/711-presupuestando-los-caprichos-futuros/ *Telegram: https://t.me/hilandofino Apoya el Daily, compras afiliadas por aquí: https://amzn.to/2TRrP06

*Notas del podcast: https://hilandofino.net/daily/711-presupuestando-los-caprichos-futuros/*Telegram: https://t.me/hilandofinoApoya el Daily, compras afiliadas por aquí: https://amzn.to/2TRrP06

Cada semana el presidente López Obrador confirma su vocación autoritaria.

Ya estamos encauzados hacia las vacaciones y vamos a salir todas huyendo de nuestras grises ciudades en busca de las excelsas playas de nuestro litoral. Después de un año de arduo trabajo y pandemia , lo mejor es encasquetarse el tanga o el biquini "arrepretao" y rebozarse en la arena gracias a nuestro protector solar 500, porque el sol pica de narices y como nos descuidemos, vamos a parecer todos como si nos hubiera parido una gamba. El turismo es un gran invento. Uno de los mejores comienzos que ha dado el cine español gracias a la canción Me gusta hacer turismo del gran Antón García Abril, creador de muchas bandas sonoras míticas de nuestro cine. "Me gusta hacer turismo, es algo estimulante, es una emocionante manera de aprendeeeerrrrr. La música jacobea encontró también su espacio en la música pop. Un tema emblemático fue “A Santiago voy” de Los Tamara, agrupación gallega que alcanzó una gran popularidad en la década de los 60 y los 70. Otro autor que cantó en gallego fue Andrés Do Barro. Una de las mejores composiciones de Andrés fue “Corpiño xeitoso”. “Estoy de Rodríguez” de Los De La Torre narra la historia de un marido que ha mandado a la parienta y prole de vacaciones. En fin, lo que se llamó un Rodríguez. Pero junto a bodrios tuvieron el acierto de impulsar en España, el nuevo ritmo jamaicano del que pronto se convirtieron en maestros. Rita Pavone , la diva piamontesa es de las más grandes artistas femeninas italianas sólo igualada por Mina o la Carrà, capaz de ser estrellas en la canción, en la televisión y en el cine. Hermanas Benitez fue un pizpireto grupo surgido en la incipiente Cuba castrista, emulando a las dentudas Supremes. Ornella Vanoni, la “señora de la canción italiana” mantuvo un romance en los años sesenta con el gran cantautor y compositor genovés Gino Paoli. Puede que Senza fine sea la canción de amor más bonita del mundo. Las Chic fueron el primer conjunto femenino de nuestro país, de muy breve duración , que nació gracias a la apuesta que la casa Hispavox hizo por ellas en un intento de frenar la invasión en el mercado discográfico hispano de la música nacida de los abundantes conjuntos femeninos sudamericanos. Hay canciones, momentos, imágenes que se nos quedan clavadas en el alma por más tiempo que transcurra, por más que nuestra vida haya cambiado tanto que apenas si nos reconocemos en el blanco y negro de viejas fotografías. Con independencia de los caprichos del azar, Serrat sigue jugando en la playa. Yo canto a la vida, yo canto a la gente, yo canto al amor…yo canto al recuerdo de un tiempo que ya no volvió. Con un comienzo mozartiano arrancaba el primer disco de estudio del cantante de canción ligera Julio Iglesias. Los Gritos grabaron una Cara B con una cumbia playera: “Estoy de vacaciones” de rimas facilonas envueltas en arreglos de percusión e incursiones de flauta y metales de lo más rutinario. Inevitable pensar en Los 3 Sudamericanos y otros artistas de la casposa Belter siempre dispuestos a cantar las bondades del desarrollo turístico español. Aquarius grabaron una versión curiosa del " Hot love " de Tyranosaurus Rex. La ye ye italiana Rita Monico interpreta a Bacharach en nna estupenda versión del tema popularizado por Dionne Warwick, What the World Needs Now.

El periodista en Torreón, Javier Garza Ramos habla sobre el proceso de vacunación al personal médico en el estado. Itzel Granados integrante de la Selección Mexicana de Skateboarding nos cuenta sobre el proceso de calificación para Tokio 2021

Having studied Spanish dance and flamenco since childhood, Susana di Palma continued her apprenticeship with maestros such as Ciro, Manolo Marin, Manolete, Carmen Mora and Merche Esmeralda.   She performed throughout Spain in tablaos and with companies such as La Singla.  In 1985 she founded Zorongo Flamenco Dance Theater in Minneapolis.  Its mission has been to create innovative theater works that expand on traditional flamenco to reflect on controversial contemporary issues. Di Palma’s full length theater-flamenco ballets include:  Flor, Garden of Names, Gernika , Sadja , First, I Dream,  La Virtud Negra, Encuentros, Tales of the Black Legend, Zorro in the Land of the Yellow-Breasted Woodpecker, Convivir, Los Caprichos, Garden of Names among others. Her works have been presented at New York’s Joyce Theater, Miami’s Florida Dance Festival, St. Paul’s O’Shaughnessy Theater’s “Women of Substance Series,” and the Walker Art Center among other venues.   She choreographed Lorca’s “Blood Wedding” for the Guthrie Theater and Bethany Lutheran College.  In 2012, she was curator for the Walker Art Center’s “Choreographers’ Evening”.  In 2016, she choreographed the full-length work Lorca’s Women which was presented at The Cowles Theater.  That work won the Sage Award for Most Outstanding Choreography and was chosen as one of top 10 performances of the year by the StarTribune.In 2017, she was invited to choreograph PiCa, awork on Picasso for the New York company, Flamenco Vivo.  That work was presented at the Brooklyn Academy of Music and is part of the company’s touring repertoire. In 2017, di Palma received a McKnight Fellowship for Choreography which included a Artist Residency at MANCC – Maggie Allesee National Center for Choreography. During that residency, she created Casita, a work on homeless women which was presented at The Lab Theater in 2019 and is scheduled to tour various Minnesota community theaters as part of the Minnesota State Arts Board Touring Grant.  Her puppet theater work for children Tra Ti Ti Tran Tran Toro on immigration has toured over 50 communities and is also scheduled to be part of the 2021 MSAB Touring Program.  Di Palma’s 2020 pandemic response video work Decameron 20:20 included a cast of international flamenco artists and received recognition as one of the noteworthy works of 2020 by the StarTribune. A devoted teacher, di Palma has been part of the Cowles Center’s Distant Learning Program since its’ beginning and continues as one of their Teaching Artists.   She taught at the University of Minnesota Dance Department for over 25 years.  She continues teaching at the Zorongo School where she directs and guides the Majas, apprentice program.Her work has been honored with grants from the McKnight Foundation, Minnesota State Arts Board and a MRAC Next Step Grant among others.

Lucky Episode 7! Francisco José de Goya y Lucientes (aka: Goya) is our focus this episode and boy do we have a lot to say about him. Mara and Baker are big fans! In our sharing is caring segment, we cover the recent “I just wanted to move the Warhol print for a laugh, I wasn’t going to steal it!” guy in Rochester, NY. Plus that dude who found Viking treasure last week, and then Baker explains why Beeple (Mike Winkelmann) is a low key genius who is mainstreaming NFT art sales with Christie’s. We briefly attempt to explain NFTs and what this Beeple auction at Christie’s might mean for the future of art. All of that and lots more Goya talk, including why his Los Caprichos series reminds Baker of an 80’s thrash metal band. Episode References ART The Duke of Wellington, by Francisco de Goya Saturn devouring a Son, by Francisco de Goya Saturn devouring a Son, by Peter Paul Rubens (Baker said Raphael in this episode by accident, sorry!) Essential Worker 2320, by Beeple Emoji Warfare , by Beeple NEWS Local man charged in attempted robbery from Rochester’s Memorial Art Gallery | The Art Newspaper An Amateur Metal Detectorist Has Unearthed a Rare Stash of 1,000-Year-Old Viking Jewelry on the Isle of Man | Artnet News Christie’s to accept cryptocurrency for first time | The Art Newspaper ‘Beeple Mania’: How Mike Winkelmann Makes Millions Selling Pixels, Esquire Magazine Know your meme, Saturn Devouring his Son Beeple-Crap NFTs are transforming the digital art world. | Foundation.appFind Us Instagram: @artcrimepod Twitter: @artcrimepod Show Notes and Blog: ARTCRIME .blog Mara on Instagram: @mjvpaints --- Send in a voice message: https://anchor.fm/artcrimepodcast/message

¿Otra vez escuchando un episodio de Hoy Trasnoche? Vos no aprendés más, eh... En fin. Esta semana, Calu y Flor vieron Borat Subsequent Movie. Y les encantó, ¿para qué mentirte? También discuten sobre ese rumor de que Netflix va a sacar series para escuchar. No, no podcasts: series para escuchar. En el portarretratos: George Mihalka, director de My Bloody Valentine (la original de 1981, no la remake). En el videoclub de Calu: Funny Games, de Michael Haneke (las dos). Y no te pierdas el estreno de una nueva saga en Los Caprichos de Flor. Todo esto, por el mismo precio de siempre. Nuestro CBU es BB.SANZO.ONICE.

País España Dirección Gerardo Herrero Guion Ángela Armero Música Vanessa Garde Fotografía David Omedes Reparto Maribel Verdú, Aura Garrido, Daniel Grao, Antonio Velázquez, Roberto Álamo, Tamar Novas, Ruth Gabriel, Bianca Kovacs, Ginés García Millán, Paula Pielfort, Eduardo Aladro, Laurent D'Elia, Daniel Kovacs, Ana Iglesias Sinopsis Dos policías van tras la pista de un misterioso asesino en serie que escoge a sus víctimas entre la clase pudiente de Madrid y reproduce con sus cadáveres las escenas de los Caprichos de Goya.

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Escrito y narrado por Rafael Castillo Zapata

Conversación acerca de la primera temporada de Death Note junto a Rafiki. Un paseo por sus temas, personajes y simbolismos. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ComentarioSinContexto/support

Teodoro Castañeda - Los caprichos del humano

Teodoro Castañeda - Los caprichos del humano

Teodoro Castañeda - Los caprichos del humano

Amigos, Job Mansilla nos cuenta sobre sus inicios en las tablas, sobre sus referentes, su paso por la tv (El whatsapp de JB) y proyectos para este año.

Programa nº 136 de El podcast de Cinoscar & Rarities. José Antonio Alarcón, Guillermo Navarro y Xavier Vidal analizan la edición nº 52 del Festival de Sitges, con reseñas del cine español exhibido en el certamen. ¡Gracias por darle al play! Guía del programa: 0' Presentación - 1' Análisis 52º Festival de Sitges - 19' Ventajas de viajar en tren - 23' El hoyo - 26' El asesino de los caprichos y Amigo - 30' Paradise Hills - 34' Despedida y canción: "El amor", de Massiel Redes sociales: @CinoscaRarities Blog: https://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Escúchanos en Spotify, Ivoox y Itunes ¡Buscamos colaboradores! ¡Contacta con nosotros!

Por Escuela para mamás Llegaste al kiosco y se desató el caos ¿Cómo le haces entender a un niño que no se puede? Para Connie Ballarini hay que explicarle la Macrisis. Por suerte, Natalia Carulias sabe un poco más. El podcast ¡Comprame, comprame, comprame! ¿Cómo lidiar con los caprichos? de Escuela para mamás se publicó primero en Wetoker.

A group of women taking selfies damaged artworks by renowned Spanish artists in Yekaterinburg / jɛˌkatəˈriːnbəːɡ /, Russia. The exhibit at the International Arts Center Main Avenue featured Francisco Goya's Los Caprichos, a collection of artworks published in 1799. Alongside Goya's work is Salvador Dali's own interpretation of the piece. In the museum's CCTV footage, the temporary wall holding the works of Goya and Dali can be seen falling and almost hitting another museumgoer. One of the women taking selfies is also shown standing beside the collapsed wall. According to reports, the women took their selfies against the paintings' background. The group eventually caused the temporary wall to crash, damaging the paintings on display. Although the women tried to escape from the scene, they were later identified and interrogated by the police. As a result of the incident, the frame and glass containing Goya's artwork broke, but the picture itself remained intact. On the other hand, Dali's piece suffered a 10-centimeter cut. Experts assessed the extent of the damage on the artworks. However, the value of the pieces and the cost of repairs were not revealed. The Ministry of Internal Affairs of Russia conducted an investigation following the event. While being questioned by the police, the women explained that they had only touched the wall by accident while taking selfies. Despite this explanation, the gallery staff claimed that the women had misbehaved. In a written statement, the gallery's deputy director asked that the women be prosecuted for their actions. However, Yekaterinburg does not want to file criminal charges against the women, who are expected to pay an undisclosed amount for damages.

Manuel Burque sale a para preguntar cuáles son los grandes caprichos de la gente. Contamos con José Ruiz, experto en neuromarketing que nos explica cómo funciona nuestro cerebro cuando compramos. Además, Ángela Quintas nos habla de la sangre encebollada, con una cata de El Rincón Murciano de Madrid

La Decisión Dividida Ep 90: Los caprichos de Conor McGregor by Rodrigo Del Campo

En su homilía de la Misa que celebró este lunes en la Casa Santa Marta, el Papa Francisco explicó que el cristiano debe ser paciente como es paciente Dios con cada uno de sus hijos, porque “la persona que no tiene paciencia es una persona que no crece” y se queda en los caprichos de niño. “La paciencia no es resignación, es otra cosa”: el Papa comentó la carta de Santiago donde está escrito: “alégrense profundamente cuando se vean sometidos a cualquier clase de pruebas”. “Parece una invitación a volverse faquir” –observó el Santo Padre según señala Radio Vaticano– pero no es así. La paciencia, soportar las pruebas, ‘las cosas que nosotros no queremos', hace madurar nuestra vida”. “Quien no tiene paciencia quiere todo de inmediato, todo de prisa. Quien no conoce esta sabiduría de la paciencia –subrayó el Santo Padre– es una persona caprichosa, como los niños que son caprichosos” y ninguna cosa les está bien. “La persona que no tiene paciencia –explicó– es una persona que no crece, que se queda en los caprichos del niño, que no sabe tomar la vida como viene: o esto o nada. Ésta es una de las tentaciones: volverse caprichosos”. “Otra tentación de aquellos que no tienen paciencia – afirmó el Pontífice - es la omnipotencia” de querer de inmediato una cosa, como sucedió a los fariseos que piden a Jesús un signo del cielo: “querían un espectáculo, un milagro”. “Confunden el modo de actuar de Dios con el modo de actuar de un brujo. Y Dios no actúa como un brujo, Dios tiene su modo de ir adelante. La paciencia de Dios. También Él tiene paciencia. Cada vez que nos dirigimos al sacramento de la reconciliación, ¡cantamos un himno a la paciencia de Dios! Con cuánta paciencia el Señor nos lleva sobre su espalda, ¡con cuánta paciencia!" "La vida cristiana debe desenvolverse sobre esta música de la paciencia, porque es precisamente la música de nuestros padres, del pueblo de Dios, de aquellos que han creído en la Palabra de Dios, que han seguido el mandamiento que el Señor había dado a nuestro padre Abraham: ‘Camina delante de mí y se irreprensible'”. El pueblo de Dios – constató el Santo Padre citando la Carta a los Hebreos – “ha sufrido tanto, han sido perseguidos, asesinados”, pero tuvo “la alegría de saludar desde lejos las promesas” de Dios. “Ésta es la paciencia” que “nosotros debemos tener en las pruebas: la paciencia de una persona adulta, la paciencia de Dios” que nos lleva sobre la espalda. Y ésta – prosiguió - es “la paciencia de nuestro pueblo”. “¡Cuán paciente es nuestro pueblo! ¡Aún hoy! Cuando vamos a las parroquias y encontramos a aquellas personas que sufren, que tienen problemas, que tienen un hijo minusválido o tienen una enfermedad, pero llevan adelante la vida con paciencia. No piden signos, como aquellos del Evangelio, que pretendían una señal. Decían: ‘¡Danos un signo!'. No, no piden, pero saben leer los signos de los tiempos: saben que cuando el higo florece, llega la primavera; saben distinguir aquello. En cambio, estos impacientes del Evangelio de hoy, que querían una señal, no sabían leer los signos de los tiempos, y por eso no reconocieron a Jesús”. El Papa Francisco alabó luego a la “gente de nuestro pueblo, gente que sufre, que sufre tantas, tantas cosas, pero que no pierde la sonrisa de la fe, que tiene la alegría de la fe”. “Y esta gente, nuestro pueblo, en nuestras parroquias, en nuestras instituciones –tanta gente– es aquella que lleva adelante a la Iglesia, con su santidad, de todos los días, de cada día. ‘Hermanos, alégrense profundamente cuando se vean sometidos a cualquier clase de pruebas, sabiendo que la fe, al ser probada, produce la paciencia. Y la paciencia debe ir acompañada de obras perfectas, a fin de que ustedes lleguen a la perfección y a la madurez, sin que les falte nada'”. Que el Señor, concluyó el Santo Padre, “nos dé a todos nosotros la paciencia, la paciencia alegre, la paciencia del trabajo, de la paz, nos de la paciencia de Dios, ésa que Él tiene, y nos de la paciencia de nuestro pueblo fiel, que es tan ejemplar”.

Tobias is a German composer from Jena. He went to the Musikgymnasium Schloss Belverdere in Weimar. After that he studied composition and guitar at the Hocheschule für Müsik “Franz Liszt” in Weimar. Presently, he works as a composer, sound artist, and guitarist. His pieces are performed by well known ensembles and orchestras at various festivals for contemporary music, such as the Frankfurter Positionen and Klangwerkstatt Berlin. In 2010 Klich won the Bremen Composers Prize. He is the winner of the 2013 Gaudeamus Prize.In our conversation we talk about his first time composing for orchestra, his experience as a composer and classical guitar player, and how he relates visual aspects in the Goya prints Los Caprichos to performing.

The University of Arizona Museum of Art welcomedAndrew Schulz, art history professor from the University of Oregon. Schulz, author of "Goya's Caprichos, Aesthetics, Perception and the Body," gave a lecture on Goya's Los Caprichos in conjunction with "Goya's Mastery in Prints: Los Caprichos," an exhibition currently on view at UAMA. By examining Goya’s Los Caprichos within the context of the artist's career and the intellectual climate of late 18th-century Spain, this lecture will consider how the artist’s contemporaries would have understood the print series and explore how we might understand it today. April 3, 2008.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.

Priscilla E. Muller, Conservadora Emérita, The Hispanic Society of America, Nueva York

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