Podcast appearances and mentions of Enola Gay

72 minuter tros det ta innan världen som vi känner den går under vid ett totalt kärnvapenkrig. Dan Jönsson reser till Hiroshima och ser hur ingenting tycks ha hänt och allt förändrats. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.AtomvårSom ett förfärligt fossil från något av framtidens naturhistoriska museer ligger den där och ruvar i all sin nakenhet: den suddiga konturen, skuggan av en mänsklig kropp. Fortfarande tydligt urskiljbar efter så många år tecknar den sin svartnade silhuett i det slitna brottstycket av den stentrappa som fram till den 6 augusti 1945 utgjorde entrén till bankkontoret i Hiroshima. På morgonen den dagen, som verkade bli varm och solig, hade någon slagit sig ner på trappan i väntan på att banken skulle öppna; någon, som när atombomben briserade klockan kvart över åtta i likhet med tiotusentals andra invånare i denna storstad helt enkelt försvann, förintades i den extrema hettan. Men skuggan blev kvar. Framtida civilisationer till varnagel och besinning.Nu ingår stenen med skuggan bland artefakterna på Fredsmuseet i Hiroshima, bland föremål som smälta klockor, sönderbrända skor, väggbitar med spåren av det svarta, radioaktiva regn som följde senare på dagen – ett museum som i sin krampaktiga saklighet kramar hjärtat ur besökaren. Plötsligt förstår jag precis vad han menar, den japanske mannen i Alain Resnais film ”Hiroshima, mon amour”, när han gång på gång förnekar att hans tillfälliga franska älskarinna skulle kunna förstå något: ”Tu n'as rien vu a Hiroshima.” Du såg ingenting i Hiroshima. Ute i parken blommar körsbärsträden; vid utgången skriver jag en rad i museets gästbok och hajar till vid något som någon har präntat dit ett litet stycke ovanför. ”If only they had surrendered earlier…” läser jag på engelska. Om de bara gett upp tidigare.Föreställningen att atombomberna över Hiroshima och Nagasaki var moraliskt försvarbara eftersom de gjorde slut på kriget och tvingade fram den japanska kapitulationen några veckor senare, hör till den västerländska historieskrivningens mest långlivade myter. Men sann, det är den inte. Bomben bör kallas för vad den var, en förbrytelse; vill man förklara den bör man förstå den som en maktdemonstration inte bara mot Japan utan kanske främst mot Sovjetunionen, vars röda armé i krigets slutskede avancerade mot de japanska öarna. Men förödelsen i Hiroshima ska också ses som det logiska slutsteget i en process som påbörjats nästan femtio år tidigare, en vetenskaplig omvälvning som redan i grunden hade skakat bilden av vår värld och vår plats i den. Människan hade dyrkat upp naturens lås, sprängt den gamla världsbilden i småbitar. Det återstod att demonstrera.Fram till dess hade naturvetenskapen varit överens om att materiens minsta beståndsdelar utgjordes av ett slags rörliga partiklar, atomer. Ordet atom användes första gången av den grekiske naturfilosofen Leukippos på 400-talet före vår tideräkning och betyder odelbar – när den moderna atomläran formulerades i början av 1800-talet var det alltså ett sätt att hävda just att vetenskapen i dessa elementarpartiklar hade identifierat en materiens orubbliga grund, en fast punkt. Den rubbades 1897, när fysikern Joseph John Thomson lyckades visa att atomen förutom sin positiva kärna också består av en mindre, negativ partikel, elektronen. Året innan hade Henri Becquerel upptäckt det som Marie Curie några år senare skulle ge namnet radioaktiv strålning, och decennierna som följde kom genombrotten slag i slag: makarna Curies utforskande av radioaktiviteten, Ernest Rutherfords kartläggning av atomens inre struktur och hans modell – som sedan utvecklades och förfinades av den danske fysikern Niels Bohr – av hur elektronerna kretsar runt kärnan som i ett litet solsystem.Människan öppnade dörren till atomåldern, och världen var förändrad. ”Upplösningen av atomen,” skrev den ryske konstnären Vassily Kandinsky 1913, ”var för min själ detsamma som upplösningen av världen. De tjockaste murar störtade med ens samman. Allt blev osäkert, instabilt, mjukt.” Det var ungefär samtidigt som Kandinsky gjorde sina första helt abstrakta bilder – och känslan av en värld i upplösning var han knappast ensam om. Kubister, futurister, rayonnister: alla försökte de på olika sätt spegla denna söndersprängda verklighet. ”Jag är en atom i universum,” skrev Hilma af Klint om sina målningar i serien ”Atom”, och i Paris uppförde dansösen Loïe Fuller sin experimentella ”Radiumdans” med fosforescerande kostymer och – enligt uppgift – Marie och Pierre Curie som förundrade åskådare.Men fascinationen för det nya och oerhörda bar redan från början på ett mörkt stråk. 1909 publicerade H G Wells sin autofiktiva roman ”Tono-Bungay” där kvacksalvaren George Ponderevo upptäcker det radioaktiva materialet ”quap”, ett ämne med en outsinlig inre energi som också med tiden drabbar dem som kommer i kontakt med det med en dödlig, lepraaktig sjukdom. Detta kärnfysikens janusansikte var alltså tidigt uppenbart för både forskare och konstnärer, liksom för den breda allmänheten. I USA inleddes mot slutet av 20-talet en rättsprocess när en grupp kvinnliga arbetare i en urfabrik, ”the radium girls”, stämde staten efter att många av dem drabbats av cancer på grund av exponering för fluorescerande radiumfärg. Bävande anade man i den nya fysiken samtidigt lösningen på många av mänsklighetens problem – och fröet till dess slutgiltiga undergång.Men någon väg tillbaka fanns inte. Modernitetens bild av den tekniska utvecklingen som ett framåtskridande till varje pris laddade atomteorin med en ödesmättad förening av utopiska löften och dödliga hot. Dadaisten Hugo Ball förkunnade hur ”elektronteorin orsakat en märklig vibration i alla ytor, linjer och former”, hur ”dimensionerna krökte sig och gränser föll”. Men det slutliga genombrottet kom först 1938 när en grupp tyska fysiker gjorde upptäckten att en urankärna kunde klyvas när den besköts med neutroner. Och hur det då frigjordes extrema mängder energi.Det återstod nu sju år till Hiroshima. Om vetenskapen fram till dess stått på tröskeln till atomåldern togs nu de sista stegen in i den – och som så ofta var det vapenindustrin som gick i bräschen. Redan i januari 1939 tog USA:s president Roosevelt emot en rapport som visade hur man med en nukleär kedjereaktion skulle kunna producera en förödande bomb; samma teknik kunde också användas för att producera fredlig elektricitet, men med det krig som snart bröt ut kom andra prioriteringar. Från nyåret 1943 sysselsatte det så kallade Manhattanprojektet mer än hundratusen personer runt om i USA och efter två och ett halvt år, i juli 1945, gjordes den första provsprängningen. Bara tre veckor kvar: vid tvåtiden på morgonen den 6 augusti lyfte bombplanet Enola Gay från sin bas på ön Tinian i Marianerna. Vid spakarna satt piloten Paul Tibbets och i lastutrymmet fanns en fyra ton tung bomb som kärleksfullt fått namnet Little Boy. Knappt sju timmar senare nådde den sitt mål. Framtidens portar hade sprängts. Och ljuset flödade. AtomsommarDet sägs att det första som sker när en atombomb exploderar är att allt blir vitt. Berättelserna från dem som överlevde och kan berätta är fyllda av en vantrogen bävan, en övertygelse om att ha varit med om något som är omöjligt att beskriva. Ändå måste man försöka. Hisashi Tohara var arton år och satt just på ett tåg i väntan på att det skulle lämna perrongen. Dagen var en måndag, skriver han. Höstterminen hade precis börjat. Eleverna i hans gymnasieklass var mobiliserade vid ett stålverk, men den här dagen hade strömmen slagits ut och arbetarna fått ledigt. Pendeltåget in till centrum skulle alldeles strax gå när plötsligt allt flammade upp i ett bländande ljus – ögonblicket efter var det som om jorden skakade i sina grundvalar och hans nacke blixtrade till av en ohygglig smärta.Hisashi Tohara ägnar nästan en sida åt att försöka ge en föreställning om detta oerhörda ljus. Det var, förklarar han, ett ljus som aldrig slutade att strömma ut: ”oräkneliga partiklar av ljus” – ”bländande, gyllene med röda reflexer” – ”mikroskopiska, finare än ett damm av ljus” – ”en stormflod av ljus som översvämmade världen” – ”himmel och jord flöt i ett rött, gult, gyllene skimmer där man urskilde myriader av partiklar, än mer strålande. Under två eller tre sekunder kanske? Men det tycks mig” – minns han – ”som det varade betydligt längre. Och ändå inte mer än ett ögonblick.”Ögonvittnesskildringarna från Hiroshima har alla det gemensamt att de står mer eller mindre vanmäktiga inför den intensiva intighet som bomben utlöser. Hisashi Toharas minnesbilder är nedtecknade ett år efter bomben, därefter skrev han aldrig något mer. Enligt hans hustru var det heller ingenting han någonsin talade om; först efter hans död 2011 hittade hon berättelsen i en byrålåda. Som hos så många andra som överlevt liknande katastrofer genomsyras den inte bara av försöken att ge konkret gestalt åt det obeskrivliga, utan också av en dov, irrationell skam över att vara den som skonades. De sargade, sönderbrända, fastklämda, drunknande offer som kantar flyktvägen ut ur den förstörda staden hemsöker hans minnen som en kör av tysta, anklagande spöken.Samma dunkla upplevelse av hur skulden på något obevekligt vis faller på de oskyldiga offrens axlar går också som en sugande underström genom den främsta litterära skildringen av katastrofen i Hiroshima: Masuji Ibuses dokumentära kollektivroman ”Kuroi ame” – Svart regn. Ibuse var redan före kriget en av Japans mest uppburna författare, och ”Svart regn” blev bland det sista han skrev. Boken utgavs först 1969 och bygger på ett stort antal vittnesmål som fogats samman till en lågmäld, kollektiv berättelse. Titeln, ”Svart regn”, syftar på det våldsamma skyfall som bröt ut några timmar efter explosionen och som många av de brännskadade offren hälsade med jubel – utan att veta, förstås, att vattnet var radioaktivt och att de som drack det gick en säker död till mötes.Detta historiska markperspektiv är det fina med Ibuses roman. Ingen vet ju riktigt vad som hänt. Men att det är något exceptionellt blir uppenbart redan under de första veckor efter bomben när berättelsen utspelar sig. Ogräsen skjuter fart och blir monsterhöga, mystiska utslag visar sig på de överlevandes kroppar och leder snabbt till döden. Inga förklaringar ges, allt framstår som en obarmhärtig prövning. Frågan är, å andra sidan, om någon alls skulle bli lugnad av att veta vad sådana fenomen beror på, vad som faktiskt sker i en kropp som smittas av akut strålsjuka. Hur vävnaderna i de inre organen faller sönder, hur blodkärlens väggar drabbas av nekros, hur blodet slutar producera antikroppar och immunförsvaret upphör att fungera. Hur vatten tränger ut under huden där det bildar stora blåsor som brister, hur syrebristen i blodet orsakar så kallad cyanos, ett slags lilafärgade utslag som spricker upp och blöder. Hur bakterier från inälvorna tar sig ut och infekterar blodet och leder till akut sepsis.Som sagt, jag vet inte om det gör katastrofen mer begriplig. Men allt detta vet vi idag. Det är helt enkelt några av de nya kunskaper atomåldern fört med sig. Dessutom: med bomben föddes insikter som också utlöste en helt ny etisk diskussion. Den tyske filosofen Günther Anders, som besökte Hiroshima och Nagasaki i slutet av femtiotalet, beskrev det som att det som drabbat dessa båda städer var den första konkreta erfarenheten av hur kärntekniken och dess konsekvenser från och med nu förenar hela mänskligheten i en kuslig ödesgemenskap. Historiefilosofiskt, skriver han, är dessa vapensystem inte längre ett medium utan själva scenen där historien utspelar sig.Efter hemkomsten från Japan tar Anders kontakt med Hiroshimapiloten Claude Eatherly, som vid den här tiden sitter intagen på ett mentalsjukhus för sina samvetsbetänkligheter. Deras korrespondens, som sträcker sig över nästan två år, utkommer så småningom under titeln ”Samvete förbjudet” – och i ett av dessa publicerade brev minns Eatherly hur han på morgonen den 6 augusti slås av den förfärande insikten om vad som är på väg att ske. Han sitter själv inte i bombplanet, utan flyger i förväg för att rekognoscera målet: en järnvägsbro i utkanten av staden. Han ser den tydligt genom de lätta cumulusmolnen. I samma ögonblick som han ger klartecken glider molnen bort, bomben riktas fel och han inser att den nu kommer att träffa stadens centrum.Claude Eatherly kommer så länge han lever aldrig att bli fri från det han varit med om. Samma sak gäller förstås de tusentals överlevande, på japanska hibakusha, som likt offren för de nazistiska förintelselägren bär sitt ofattbara trauma i tysthet mitt i en till synes likgiltig omvärld. Vad är det för mening att berätta? Hur beskriver man det obeskrivliga? Hur förklara skuldkänslorna hos den som överlevt? ”Du såg ingenting i Hiroshima”, som det heter i Marguerite Duras manuskript till Alain Resnais ”Hiroshima, min älskade”. Nej – men på stadens Fredsmuseum finns några konkreta kvarlevor: en bit vägg med långa strimmor av det svarta, radioaktiva regnet, trappstenen med skuggan efter någon som satt och väntade på att banken skulle öppna. Men också mängder med teckningar, utförda av hibakusha under åren efter bomben; bilder som började dyka upp i offentligheten på sjuttiotalet och sedan vuxit till en egen genre av vittnesmål. Enkla, expressiva försök att skildra förödelsen, paniken, massdöden. Mänskliga spöken med håret på ända, kläderna i trasor och skinnslamsor hängande från kroppen. Floden som svämmar över av lik. Vanmäktiga bilder av de första sekundernas intensiva ljus.Barnen som överlevde, skriver Hisashi Tohara, kom att kalla bomben för ”pikadon”: av orden för ”ljus” och ”dån”. Det ljuset, och det dånet, är det som lyser upp och genljuder genom decennierna som följer. Med skuggorna av hundratusen döda. Atomhöst”Din första tanke när du vaknar skall vara 'atom'.” Så inleder Günther Anders sina Atomålderns bud, publicerade i dagstidningen Frankfurter Allgemeine 1957. Den tyske filosofen och författaren hade då sedan ett decennium ägnat sig åt att försöka greppa den moraliska vidden av atombomberna mot Hiroshima och Nagasaki – och kommit till slutsatsen att bombens själva existens i grunden hade förändrat mänskligheten som kollektiv. Som han uttryckte det i sin brevväxling med den olycklige Hiroshimapiloten Claude Eatherly något år senare hade hotet om planetens totala förintelse fört oss alla samman i en ofrivillig ödesgemenskap av ”oskyldigt skyldiga”. Eatherly, med sina förtärande självförebråelser – som till slut drev honom så långt att han upprepade gånger begick våldsbrott och bankrån, bara för att bevisa sig skyldig till något, och slippa ifrån sin roll som krigshjälte – framstod för Anders som en förebild i denna universella olycksgemenskap. Ett offer för bomben, han också.Om någon tycker det här påminner om hur man idag tänker kring klimatförändringarna, ligger det mycket i det. Men detta första decennium efter bomben var det inte många i västvärlden som delade Anders tankar. När han och Eatherly brevväxlade satt piloten inspärrad på ett militärt mentalsjukhus med sina skuldkänslor. I femtiotalets USA fanns ingen plats för sådana som han. Det skulle så småningom förändras – men trots att bilderna och vittnesmålen från Hiroshima nått den amerikanska allmänheten redan 1946, i John Herseys berömda reportage, fick de väldigt liten effekt i offentligheten. Här dominerade den officiella historieskrivningen där det som skett i Hiroshima och Nagasaki var ett nödvändigt ont, närmast framtvingat för att äntligen få den japanska krigsmakten att kapitulera. Den berättelsen gäller till stor del än idag, trots att den faktiskt inte har mycket fog för sig. Som historikern Tsuyoshi Hasegawa kunde visa redan 2005 var Japans kapitulation bara en tidsfråga; det som fick USA att detonera bomberna var att Sovjetunionen efter Tysklands kapitulation fått händerna fria i Fjärran Östern. I en stormoffensiv hade Röda armén ockuperat Manchuriet och var på väg mot Japan över öarna i norr. Vad det handlade om för USA:s del var att inte Sovjet skulle hinna först.Atombombsåldern kom alltså att inledas i en stämning av förnekelse och förträngning. Medan efterkrigstidens optimistiska konsumtionssamhälle tog form började en vanvettig atomkapprustning. Från de första bomberna hade den amerikanska atombombsarsenalen vuxit till 170 stycken 1949, när Sovjetunionen gjorde sitt första kärnvapenprov, och åren som följde gick det slag i slag. 1952 testsprängde USA sin första termonukleära vätebomb, stark som tusen Hiroshimabomber, och redan i mitten av decenniet hade de båda kärnvapenmakterna bomber nog för att med marginal spränga hela den mänskliga civilisationen till grus. Detta samtidigt som politikerna drömde om en framtida teknokratisk utopi flödande av billig energi, där bilarna drevs av små kärnreaktorer. Skulle kriget ändå råka bryta ut fick skolbarnen lära sig att krypa ner under bänkarna, och speciella dräkter tillverkades för att skydda mot strålningen.Under tiden drogs ritningarna upp för den oundvikliga förintelsen. 2008 berättade den pensionerade amerikanske försvarstjänstemannen John Rubel hur han i december 1960 suttit med under ett hemligt möte där ett par höga officerare lade fram de detaljerade planerna för en så kallad förebyggande kärnvapenattack mot Sovjetunionen. Som Rubel mindes det skulle angreppet enligt ingenjörernas beräkningar leda till döden för cirka sexhundra miljoner människor. Rubel erkände att han själv i stunden saknat civilkurage för att protestera, och jämförde med den nazistiska Wannseekonferensen där planerna för den slutliga, industriella lösningen av judefrågan tog form. ”Jag kände,” skrev han, ”att det jag bevittnade var ett liknande nedstigande i mörkrets hjärta, en grumlig underjordisk värld som styrdes av ett disciplinerat, noggrant och livaktigt men hjärndött grupptänkande med syfte att utrota hälften av människorna som levde på nästan en tredjedel av jordytan.”I Japan däremot var de postnukleära stämningarna annorlunda – av naturliga skäl. Trots att det under hela femtiotalet rådde ett offentligt tabu mot att diskutera katastrofen och dess följder är det ingen överdrift att säga att hela den japanska konsten och litteraturen under efterkrigstiden utvecklades i skuggan av Hiroshima och Nagasaki. Bomberna och den amerikanska ockupationen sände chockvågor genom den japanska kulturen och födde experimentella konströrelser som den minimalistiska arte poveragruppen Mono-ha, eller den betydligt våldsammare Gutai, vars medlemmar besköt sina målardukar med kanon: bägge strömningar som i sin tur också gjorde djupa intryck på yngre konstnärer som Yoko Ono, Tetsumi Kudo och Yayoi Kusama. Nobelpristagaren Kenzaburo Oe gav 1965 ut sina Anteckningar från Hiroshima, en samling personliga reportage där de överlevande, som efter tjugo år fortfarande lever i skräck för blodcancer och andra efterverkningar, lyfts upp till en sorts nationella, moraliska förebilder: ”Bara genom liv som deras,” skriver Oe, ”kan människor framträda med värdighet i vårt samhälle.”Och med tiden växte protesterna i styrka även i västvärlden. Precis som man likt Theodor Adorno kunde se det som ”barbariskt” att skriva poesi efter Auschwitz kunde man som Günther Anders spekulera i vad det betydde att bedriva filosofi efter Hiroshima. Hans kollega Hannah Arendt delade synen på bomben som en mänsklighetens vändpunkt – men för henne stod den framför allt för en förlust av politiskt handlingsutrymme, där teknologins råa styrka tog förnuftets plats. Man frestas citera president Trumans tillkännagivande den 6 augusti 1945, där han proklamerar Hiroshimabomben som ”den organiserade vetenskapens största historiska bragd”. Som Arendt uttrycker det i Människans villkor har denna etiskt förblindade vetenskap trätt ut i offentligheten som en av ”de mäktigaste, maktgenererande grupperingar historien skådat.”Atomålderns etik måste med andra ord ta formen av en civilisationskritik. Mot slutet av sextiotalet uppgick antalet atombomber i världen till över 30 000 – men då var också motståndet i full kraft. Ett motstånd som inte bara riktades mot kärnvapenrustningen utan också mot den fredliga atomkraften och hela den teknokratiska kultur som gjort det möjligt att spela med så fruktansvärda insatser. Att en olycka vid ett kärnkraftverk kan få precis samma förödande effekter som en bomb har världen sedan dess tvingats till insikt om, gång på gång: i Harrisburg, Tjernobyl, Fukushima. Namnen hemsöker vår tid, som skuggan av en mardröm. Den där tanken som man nuddar när man vaknar. Och som sedan försvinner. AtomvinterEtt minne från när det kalla kriget var som kallast, början på åttiotalet: jag sitter hemma i soffan i föräldrahemmet och ser på teven där USA:s president Reagan flinande avslöjar att en kärnvapenattack mot Sovjetunionen kommer att starta om fem minuter. Ett skämt, tydligen. Mitt minne av händelsen är lite oklart: eftersom ”skämtet” gjordes inför en radiosändning borde ljudupptagningen ha spelats upp till stillbilder, jag vet inte – men det jag tydligt minns är hur det medan skratten klingar ut i teven ändå hinner gå ett frostigt spöke genom vardagsrummet. Hur mina föräldrar liksom fryser till i tevesoffan och hur vi sedan också skrattar, lättade – och lite chockade: det var nära ögat. Om det är något vi har förstått på sista tiden är det ju hur nära det faktiskt verkar vara. Atomklockan, som den kallas, har länge stått på bara någon minut i tolv.Världen, kanske särskilt Europa, gick i detta tidiga åttiotal nästan bara och väntade på den stora smällen. Om vi idag förskräcks av de klimatförändringar som utsläppen av växthusgaser är på väg att leda till så är de trots allt ingenting emot det som skulle bli följden om ett fullskaligt kärnvapenkrig bröt ut. Inte som en effekt av själva explosionerna – men allt stoft de rörde upp, alla bränder de orsakade skulle lägga sig som ett lock på atmosfären i flera års tid och sänka temperaturen på jordytan till katastrofala nivåer. Fenomenet gick under begreppet atomvinter: ett ord som de här åren låg som ett kylelement under den dystopiska tidsandan med dess undergångsfantasier och nihilistiska yuppieideal. Med dess apolitiska alienering, och en popkultur som manglade ut sin svarta depprock och sina frostiga syntslingor över en ekande posthistorisk avgrund.Men den hotande atomvintern gav också näring åt en växande proteströrelse. Civilisationskritiken, som under sextio- och sjuttiotalen blivit ett allt tyngre inslag i kärnvapenmotståndet förenades på åttiotalet med feministiska, postkoloniala och antikapitalistiska strömningar i en gränsöverskridande skepsis mot den tekniska utvecklingen som filosofen och antikärnvapenveteranen Günther Anders såg som ett senkommet historiskt genombrott när han i början av åttiotalet samlade sina reflexioner i de här frågorna i boken Hiroshima ist überall, Hiroshima är överallt. I England tog ett feministiskt fredsläger form i protest mot utplaceringen av kärnvapen vid armébasen i Greenham Common. I Australien protesterade urbefolkningen mot uranbrytningen på traditionell aboriginsk mark, i New Mexico i USA krävde Navajofolket kompensation för kärnvapenprovens radioaktiva kontaminering. Och i Oceaniens övärld växte rörelsen för ”ett kärnvapenfritt Stilla Havet”, som en reaktion på de franska och amerikanska provsprängningar som gjort många öar obeboeliga. För dem som tvingats bort från sina hem var stormakternas så kallade ”nukleära kolonialism” bara ännu en form av cyniskt imperialistiskt våld.Denna världsomspännande folkrörelse såg för en kort tid ut att faktiskt stå inför ett globalt genombrott. I juni 1982 samlade en demonstration i New York en miljon deltagare i protest mot kärnvapenrustningen; några veckor tidigare hade bortåt hundratusen människor tågat genom Göteborg under samma paroller. Jag var själv en av dem. Liknande fredsmarscher ägde rum över hela den europeiska kontinenten. Vad vi kanske inte riktigt förstod, tror jag – hur vi nu skulle kunnat göra det, där vi vällde fram, mitt i alltihop – var hur snärjda vi alla redan var i den nukleära terrorbalansens världsordning. För om nu ”Hiroshima är överallt”, som Günther Anders skrev – måste det då inte betyda att också protesterna blir en del av systemet: en balanserande motvikt som invaggar oss i tron att den nukleärteknologiska utvecklingen trots allt ska gå att tämja och hantera? Sedda från dagens tidsavstånd kan de ju faktiskt se så ut, som en avledande, kringgående rörelse, en historiens list som tillfälligt öppnade en politisk ventil och lät oron pysa ut, utan att i grunden ändra något överhuvudtaget. Allt medan utvecklingen gick vidare i sina obevekliga spår.Nej, jag vet inte. Men kanske var det en sådan insikt som landade i världens medvetande i april 1986, med haveriet i Tjernobyl. Plötsligt visade det sig mycket konkret – om man nu inte redan hade förstått det – att Hiroshima verkligen var överallt: i luften, i vattnet, i maten vi äter. Helt oberoende av nationsgränser och politiska system. Sociologen Ulrich Beck skrev i sin uppmärksammade bok Risksamhället hur händelser som just den i Tjernobyl tvingar hela samhället att orientera sig efter potentiella risker, försöka förutse och förebygga – och inte minst: uppfostra sina medborgare i riskmedvetenhet, eller uttryckt på ett annat sätt, i oro. Vi får i förlängningen ett samhälle där rädslan är det som binder samman, ett samhälle vars främsta uppgift blir att vidmakthålla en bedräglig illusion om säkerhet.I detta risksamhälle måste till slut också kärnteknologin banaliseras och kläs i termer av säkerhet. Det talas om kärnvapnen som ett skyddande ”paraply”, om kärnenergin som en trygghet i en osäker och föränderlig omvärld. Hiroshima känns mycket avlägset. Att besöka staden idag ger upphov till en märklig svindelkänsla: åttio år efter bomben sjuder staden av liv som vilken modern metropol som helst, de hypersnabba shinkansentågen anländer och avgår på sekunden på den centrala järnvägsterminalen, nästan som om inget hänt. Men det har det. Det har det, verkligen – under ytan ömmar fortfarande traumat, men med sin ärrvävnad av monument och museala artefakter, all denna rekvisita i en minneskultur som hoppas läka det som inte går att läka.Kanske är det det han menar, den japanske mannen i Alain Resnais film Hiroshima, min älskade, när han säger till sin franska älskarinna att hon aldrig har sett något i Hiroshima. För det som skett går inte att se. Med varje gest som återkallar minnet följer en som hjälper till att utplåna det. I filmen är den franska kvinnan själv på flykt undan ett krigstrauma: hennes första kärlek var en tysk ockupationssoldat – och minnet av hur hon blev vittne till hans död för en anonym kula från en motståndsman är, förstår man, det hon nu på ett bakvänt sätt försöker bearbeta genom att vara med och spela in en ”fredsfilm” (som det kallas) i Hiroshima.Men traumat, visar det sig, går inte att förtränga. Det finns kvar. Precis som atomvintern finns kvar – som en iskall, omedveten rysning under kärnvapenparaplyet. Spöket från Hiroshima, skuggan av den okände som satt och väntade på bankens trappa just när bomben föll, har vuxit till ett skymningsdunkel som vi mer eller mindre tycks ha vant oss vid. Om det totala atomkriget bryter ut skulle det, enligt en vanlig uppgift, ta sjuttiotvå minuter innan det mesta av vår civilisation är ödelagd. En dryg timme. Längre är den inte, framtiden.Dan Jönssonförfattare och essäistLitteraturAnnie Jacobsen: Kärnvapenkrig – ett scenario. Översättare: Claes-Göran Green. Fri Tanke, 2024.Tsuyoshi Hasegawa: Racing the Enemy – Stalin, Truman, and the Surrender of Japan. Harvard University Press, 2005.Marguerite Duras: Hiroshima, mon amour – filmmanus och berättelse. Översättare: Annika Johansson. Modernista, 2014.H. G. Wells: Tono-Bungay. (Ej översatt till svenska i modern tid, original: Macmillan, 1909.)Günther Anders: Hiroshima ist überall. C. H. Beck, 1982.Hisashi Tōhara: Il y a un an Hiroshima. översättare: Dominique Palmé. Gallimard, 2011 (postum utgåva från återfunnen text).Masuji Ibuse: Black Rain. Översättare: John Bester. Kodansha International, 1969.Claude Eatherly / Günther Anders: Samvete förbjudet – brevväxling. Översättare: Ulrika Wallenström. Daidalos, 1988.Kenzaburō Ōe: Hiroshima Notes. Översättare: David L. Swain & Toshi Yonezawa. Marion Boyars, 1995.Peter Glas: Först blir det alldeles vitt – röster om atomvintern. Natur & Kultur, 1984.Ulrich Beck: Risksamhället – på väg mot en annan modernitet. Översättare: Svenja Hums. Bokförlaget Daidalos, 2018.Hannah Arendt: Människans villkor. Översättare: Alf Ahlberg. Rabén & Sjögren, 1963.LjudSylvain Cambreling, Nathalie Stutzmann, Theresa Kohlhäufl, Tim Schwarzmaier, August Zirner med Bayerska Radions Kör och Symfoniorkester (München): Voiceless Voice In Hiroshima. Kompositör: Toshio Hosokawa med texter från liturgin, Paul Celan och Matsuo Bashō. Col legno, 2001.Sveriges Radios arkiv.US National archives.Hiroshima mon amour (1959), regi: Alain Resnais, manus: Marguerite Duras. Producent: Argos Films. Musik: Georges Delerue och Giovanni Fusco.

                                                   BLACK SHIRT MIXTAPE                                                      **Episode 97**                                                   Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure!   Tracklisting: 1. Welcome To The Monkey House...The Dandy Warhols 2. We Used To Be Friends...The Dandy Warhols 3. Enola Gay...The Faint 4. (I'm Looking For) Cracks In The Pavement...Duran Duran 5. Ode to LRC...Band of Horses 6. Daniel...Elton John 7. King for a Day...Thompson Twins 8. The Hardest Cut (Adrian Sherwood Reconstruction)...Spoon 9. Open Your Arms...Editors 10. Big Shot...Fontaines D.C. 11. The Rat...The Walkmen 12. Garrands...Young The Giant 13. Mild to Moderate Pain...Jadu Heart 14. Keep Your Lips Sealed...The Do 15. Sad Divide...Autoheart 16. ALIEN LOVE CALL...Turnstile/Blood Orange 17. Heart of Gold...Fiona Apple 18. The Background...Third Eye Blind 19. What Do You Want...Nico Vega 20. Once Upon A Time (live)...Simple Minds 21. Particles...Damon Albarn 22. Corinne...Metronomy 23. The Animal (feat. Phonte)...Murs 24. Slingshot...ON 25. Detachable Penis...King Missle 26. Wherever You Are...Neil Finn  

Bad audio this week as one mic didn't work...apologies! Hiroshima was woke!! Get rid of the Enola Gay. Aside from Trump's overzealous DEI gaffes we're talking adding journalists to the secret war chats, Prague stealing shared history for it's museum and TikTok morning routines!

This week Seth, Bill and good buddy Jon Parshall, take an in-depth look at the two atomic bombing missions that helped end World War II. The guys go into the deep details of the mission to Hiroshima on August 6, 1945 and the complete mess of a mission to Nagasaki on August 9, 1945 by taking you through each mission in high detail. #wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #essex #halsey #taskforce38 #wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #mastersoftheair #8thairforce #mightyeighth #100thbombgroup #bloodyhundredth #b17 #boeing #airforce wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #oldbreed #1stMarineDivision #thepacific #Peleliu #army #marines #marinecorps #worldwar2 #worldwar #worldwarii #leytegulf #battleofleytegulf #rodserling #twilightzone #liberation #blacksheep #power #prisoner #prisonerofwar #typhoon #hurricane #weather #iwojima#bullhalsey #ace #p47 #p38 #fighter #fighterpilot #b29 #strategicstudying #tokyo #boeing #incendiary #usa #franklin #okinawa #yamato #kamikaze #Q&A #questions #questionsandanswers #history #jaws #atomicbomb #nuclear

Ray White in conversation with Adam Gilchrist on the latest developments the US's recent military action in Yemen, the successful return of two astronauts from space and lastly a surprising move by the US Department of Defense - flagging the historic aircraft Enola Gay, reportedly due to its name containing the word 'gay See omnystudio.com/listener for privacy information.

Ray White in conversation with Adam Gilchrist on the latest developments the US's recent military action in Yemen, the successful return of two astronauts from space and lastly a surprising move by the US Department of Defense - flagging the historic aircraft Enola Gay, reportedly due to its name containing the word 'gay See omnystudio.com/listener for privacy information.

On January 20th, Donald Trump issued an executive order entitled “Defending Women from Gender Ideology Extremism and Restoring Biological Truth to the Federal Government.” The order announced that “It is the policy of the United States to recognize two sexes, male and female. These sexes are not changeable and are grounded in fundamental and incontrovertible reality. Under my direction, the Executive Branch will enforce all sex-protective laws to promote this reality...” The enforcement of this executive order has rippled through the United States – and has included removing words and images from websites and papering over interpretive panels in museums. For example, material related to the Enola Gay -- a WWII Boeing B-29 Superfortress bomber, named after Enola Gay Tibbets, the mother of the pilot, Colonel Paul Tibbets – was removed because it contained the word “gay.” As a new joint statement from the American Historical Association and Organization of American Historians recounts, “Some alterations, such as those related to topics like the Tuskegee Airmen and the internment of Japanese Americans during World War II, have been hurriedly reversed in response to public outcry. Others remain. The scrubbing of words and acronyms from the Stonewall National Monument webpage, for instance, distorts the site's history by denying the roles of transgender and queer people in movements for rights and liberation. This distortion of history renders the past unrecognizable to the people who lived it and useless to those who seek to learn from the past.” To discuss how – and why – the Trump administration is censoring and removing historical materials, my guest is Dr. Wendy L. Rouse, Professor of History at San Jose State University where she is the program coordinator for the History/Social Science Teacher Preparation Program. Her research focuses on the history of gender and sexuality in the Progressive Era – and her publication for the National Park Service was changed after the executive order. She is the author of books and articles, including Public Faces, Secret Lives: A Queer History of the Women's Suffrage Movement published by NYU Press in 2022. Susan's NBN conversation with Wendy about the book is here. Mentioned in the Podcast: Organization of American Historians (OAH)'s Records at Risk Data Collection Initiative for individuals to report removed or changed material Reports by AP about scrubbing military websites and NPR on removal of photographs and mentions of trans and queer on National Park Service websites LBGTQ Historian statements and articles including letter signed by 360 historians Wendy's blogposts on OutHistory and the NYU Press blog 5calls ap for connecting with senators and representatives GLBT Historical Association Multiple LGBTQ organizations, represented by Lambda Legal, have filed a lawsuit challenging the Trump Administration's executive orders attempting to erase transgender people and deny them access to services Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

It's 3 years, 10 months, and 5 days to the end of the current administration. Who will be president? Will we still have a functioning democracy? Will there be elections in 2028? We are all waiting in great anxiety for the answers to these questions. In the meantime, join us dumping on the 47th admin! Other Titles Considered EV Hummer Tesla Tanks See Kyle Schumer Special Show Links: Senate passes GOP funding bill to avert a government shutdown https://www.nbcnews.com/politics/congress/senate-vote-republican-funding-bill-government-shutdown-rcna196412 U.S. stock market loses $5 trillion in value in three weeks https://www.cnbc.com/2025/03/14/us-stock-market-loses-5-trillion-in-value-in-three-weeks.html Pentagon removes DEI photographs including ones of Enola Gay: https://apnews.com/live/trump-presidency-updates-3-13-2025#00000195-91cf-d3ba-afff-bbdf5a500000 Locals take up arms to defend town against NeoNazis https://www.youtube.com/watch?v=xFGG8PVEKcU

On January 20th, Donald Trump issued an executive order entitled “Defending Women from Gender Ideology Extremism and Restoring Biological Truth to the Federal Government.” The order announced that “It is the policy of the United States to recognize two sexes, male and female. These sexes are not changeable and are grounded in fundamental and incontrovertible reality. Under my direction, the Executive Branch will enforce all sex-protective laws to promote this reality...” The enforcement of this executive order has rippled through the United States – and has included removing words and images from websites and papering over interpretive panels in museums. For example, material related to the Enola Gay -- a WWII Boeing B-29 Superfortress bomber, named after Enola Gay Tibbets, the mother of the pilot, Colonel Paul Tibbets – was removed because it contained the word “gay.” As a new joint statement from the American Historical Association and Organization of American Historians recounts, “Some alterations, such as those related to topics like the Tuskegee Airmen and the internment of Japanese Americans during World War II, have been hurriedly reversed in response to public outcry. Others remain. The scrubbing of words and acronyms from the Stonewall National Monument webpage, for instance, distorts the site's history by denying the roles of transgender and queer people in movements for rights and liberation. This distortion of history renders the past unrecognizable to the people who lived it and useless to those who seek to learn from the past.” To discuss how – and why – the Trump administration is censoring and removing historical materials, my guest is Dr. Wendy L. Rouse, Professor of History at San Jose State University where she is the program coordinator for the History/Social Science Teacher Preparation Program. Her research focuses on the history of gender and sexuality in the Progressive Era – and her publication for the National Park Service was changed after the executive order. She is the author of books and articles, including Public Faces, Secret Lives: A Queer History of the Women's Suffrage Movement published by NYU Press in 2022. Susan's NBN conversation with Wendy about the book is here. Mentioned in the Podcast: Organization of American Historians (OAH)'s Records at Risk Data Collection Initiative for individuals to report removed or changed material Reports by AP about scrubbing military websites and NPR on removal of photographs and mentions of trans and queer on National Park Service websites LBGTQ Historian statements and articles including letter signed by 360 historians Wendy's blogposts on OutHistory and the NYU Press blog 5calls ap for connecting with senators and representatives GLBT Historical Association Multiple LGBTQ organizations, represented by Lambda Legal, have filed a lawsuit challenging the Trump Administration's executive orders attempting to erase transgender people and deny them access to services Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

On January 20th, Donald Trump issued an executive order entitled “Defending Women from Gender Ideology Extremism and Restoring Biological Truth to the Federal Government.” The order announced that “It is the policy of the United States to recognize two sexes, male and female. These sexes are not changeable and are grounded in fundamental and incontrovertible reality. Under my direction, the Executive Branch will enforce all sex-protective laws to promote this reality...” The enforcement of this executive order has rippled through the United States – and has included removing words and images from websites and papering over interpretive panels in museums. For example, material related to the Enola Gay -- a WWII Boeing B-29 Superfortress bomber, named after Enola Gay Tibbets, the mother of the pilot, Colonel Paul Tibbets – was removed because it contained the word “gay.” As a new joint statement from the American Historical Association and Organization of American Historians recounts, “Some alterations, such as those related to topics like the Tuskegee Airmen and the internment of Japanese Americans during World War II, have been hurriedly reversed in response to public outcry. Others remain. The scrubbing of words and acronyms from the Stonewall National Monument webpage, for instance, distorts the site's history by denying the roles of transgender and queer people in movements for rights and liberation. This distortion of history renders the past unrecognizable to the people who lived it and useless to those who seek to learn from the past.” To discuss how – and why – the Trump administration is censoring and removing historical materials, my guest is Dr. Wendy L. Rouse, Professor of History at San Jose State University where she is the program coordinator for the History/Social Science Teacher Preparation Program. Her research focuses on the history of gender and sexuality in the Progressive Era – and her publication for the National Park Service was changed after the executive order. She is the author of books and articles, including Public Faces, Secret Lives: A Queer History of the Women's Suffrage Movement published by NYU Press in 2022. Susan's NBN conversation with Wendy about the book is here. Mentioned in the Podcast: Organization of American Historians (OAH)'s Records at Risk Data Collection Initiative for individuals to report removed or changed material Reports by AP about scrubbing military websites and NPR on removal of photographs and mentions of trans and queer on National Park Service websites LBGTQ Historian statements and articles including letter signed by 360 historians Wendy's blogposts on OutHistory and the NYU Press blog 5calls ap for connecting with senators and representatives GLBT Historical Association Multiple LGBTQ organizations, represented by Lambda Legal, have filed a lawsuit challenging the Trump Administration's executive orders attempting to erase transgender people and deny them access to services Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On January 20th, Donald Trump issued an executive order entitled “Defending Women from Gender Ideology Extremism and Restoring Biological Truth to the Federal Government.” The order announced that “It is the policy of the United States to recognize two sexes, male and female. These sexes are not changeable and are grounded in fundamental and incontrovertible reality. Under my direction, the Executive Branch will enforce all sex-protective laws to promote this reality...” The enforcement of this executive order has rippled through the United States – and has included removing words and images from websites and papering over interpretive panels in museums. For example, material related to the Enola Gay -- a WWII Boeing B-29 Superfortress bomber, named after Enola Gay Tibbets, the mother of the pilot, Colonel Paul Tibbets – was removed because it contained the word “gay.” As a new joint statement from the American Historical Association and Organization of American Historians recounts, “Some alterations, such as those related to topics like the Tuskegee Airmen and the internment of Japanese Americans during World War II, have been hurriedly reversed in response to public outcry. Others remain. The scrubbing of words and acronyms from the Stonewall National Monument webpage, for instance, distorts the site's history by denying the roles of transgender and queer people in movements for rights and liberation. This distortion of history renders the past unrecognizable to the people who lived it and useless to those who seek to learn from the past.” To discuss how – and why – the Trump administration is censoring and removing historical materials, my guest is Dr. Wendy L. Rouse, Professor of History at San Jose State University where she is the program coordinator for the History/Social Science Teacher Preparation Program. Her research focuses on the history of gender and sexuality in the Progressive Era – and her publication for the National Park Service was changed after the executive order. She is the author of books and articles, including Public Faces, Secret Lives: A Queer History of the Women's Suffrage Movement published by NYU Press in 2022. Susan's NBN conversation with Wendy about the book is here. Mentioned in the Podcast: Organization of American Historians (OAH)'s Records at Risk Data Collection Initiative for individuals to report removed or changed material Reports by AP about scrubbing military websites and NPR on removal of photographs and mentions of trans and queer on National Park Service websites LBGTQ Historian statements and articles including letter signed by 360 historians Wendy's blogposts on OutHistory and the NYU Press blog 5calls ap for connecting with senators and representatives GLBT Historical Association Multiple LGBTQ organizations, represented by Lambda Legal, have filed a lawsuit challenging the Trump Administration's executive orders attempting to erase transgender people and deny them access to services Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

On January 20th, Donald Trump issued an executive order entitled “Defending Women from Gender Ideology Extremism and Restoring Biological Truth to the Federal Government.” The order announced that “It is the policy of the United States to recognize two sexes, male and female. These sexes are not changeable and are grounded in fundamental and incontrovertible reality. Under my direction, the Executive Branch will enforce all sex-protective laws to promote this reality...” The enforcement of this executive order has rippled through the United States – and has included removing words and images from websites and papering over interpretive panels in museums. For example, material related to the Enola Gay -- a WWII Boeing B-29 Superfortress bomber, named after Enola Gay Tibbets, the mother of the pilot, Colonel Paul Tibbets – was removed because it contained the word “gay.” As a new joint statement from the American Historical Association and Organization of American Historians recounts, “Some alterations, such as those related to topics like the Tuskegee Airmen and the internment of Japanese Americans during World War II, have been hurriedly reversed in response to public outcry. Others remain. The scrubbing of words and acronyms from the Stonewall National Monument webpage, for instance, distorts the site's history by denying the roles of transgender and queer people in movements for rights and liberation. This distortion of history renders the past unrecognizable to the people who lived it and useless to those who seek to learn from the past.” To discuss how – and why – the Trump administration is censoring and removing historical materials, my guest is Dr. Wendy L. Rouse, Professor of History at San Jose State University where she is the program coordinator for the History/Social Science Teacher Preparation Program. Her research focuses on the history of gender and sexuality in the Progressive Era – and her publication for the National Park Service was changed after the executive order. She is the author of books and articles, including Public Faces, Secret Lives: A Queer History of the Women's Suffrage Movement published by NYU Press in 2022. Susan's NBN conversation with Wendy about the book is here. Mentioned in the Podcast: Organization of American Historians (OAH)'s Records at Risk Data Collection Initiative for individuals to report removed or changed material Reports by AP about scrubbing military websites and NPR on removal of photographs and mentions of trans and queer on National Park Service websites LBGTQ Historian statements and articles including letter signed by 360 historians Wendy's blogposts on OutHistory and the NYU Press blog 5calls ap for connecting with senators and representatives GLBT Historical Association Multiple LGBTQ organizations, represented by Lambda Legal, have filed a lawsuit challenging the Trump Administration's executive orders attempting to erase transgender people and deny them access to services Learn more about your ad choices. Visit megaphone.fm/adchoices

Questa è la replica della nostra diretta YouTube di lunedì 10 marzo. Potete seguirci in diretta ogni lunedì alle 21 sul nostro canale YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@WesaChannel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Trovate tutte le altre puntate nella playlist YouTube: WesaChannel LIVE!Tutti i contenuti riservati agli abbonati di livello "Vez" (video e live extra): https://www.youtube.com/playlist?list=PLkYl7CaT8lU2InspOMeezAmugtfr9KE0v• Link per supportare il canale e accedere ai vantaggi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCaM-zH6ji5kWncFMaBBc7Yg/join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Per proposte e collaborazioni: wesachannel@gmail.com [N.B. Utilizziamo questa mail per valutare collaborazioni con altri creator o aziende, NON per fare le chiacchiere. Chi ci scriverà mail per commentare i nostri video verrà bloccato. Per commentare c'è l'apposita sezione sotto ogni video!]♦ WesaChannel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@WesaChannel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Op til 26.000 billeder risikerer at blive slettet fra den amerikanske hærs historiske database. Trump-administrationen vil nemlig rydde ud i indhold, der er for woke. Det gælder blandt andet billeder markeret med ordet 'gay'. Herunder et billede af flyet Enola Gay, der smed atombomben over Hiroshima. Men flyet var opkaldt efter pilotens mor, og har ikke noget med homoseksualitet at gøre. Vi spørger en USA-ekspert, hvilke kulturelle konsekvenser antiwoke-kampagnen kan få. Astronomer har opdaget 128 nye måner, der tilhører planeten Saturn. Fundene fører til, at Saturn nu er den planet, der har allerflest måner - 274 i alt. Men hvordan opdager man nye måner, hvilke regler gælder for navngivning og hvad er en måne egentlig? Det får vi en astrofysiker i studiet til at svare på. Vi skal også tale om kaviars popularitet, filmperlen 'Seven' og meget mere. Værter: Adam Holm, Gustav Hagild og Ane Cortzen. Redaktør: Thomas Vinter Larsen. Redaktion: Nanna Sloth Skardhamar og Clara Faust Spies.

Can't make it up.

Monday, March 10th, 2025Today, a multi-state lawsuit seeks to reverse the purge of federal workers; Trump walks back his idiotic tariffs, but probably not after he dumped all of his stock in Canadian aluminum; Republicans joined Democrats in Montana to defeat anti-trans legislation; the Trump administration has said it will not comply with a court order to produce agency heads to testify; a federal judge rules that firing a member of the NLRB was illegal; another federal judge orders the Trump administration to pay our foreign aid bills; Trump is considering revoking the legal status of Ukrainians in the United States; the newly minted Deputy Attorney General Todd Blanche has filed his response to the Eric Adams case and repeats that the Department of Justice is asking to dismiss the bribery charges without prejudice; Trump's DEI purge at the Pentagon included a photo of the Enola Gay; the DHS announced that it's ending the TSA collective bargaining agreement; trans women are being transferred to men's prisons despite multiple court orders; trump has ordered swaths of U.S. forests cut down for timber; the USDA has eliminated two food safety advisory committees; and Allison delivers your Good News.Guest: David EnrichDavidenrich.bsky.social, twitter.com/davidenrichMurder the Truth – HarperCollinsDavid Enrich - The New York TimesThank You HomeChefGet 18 Free Meals, plus Free Shipping on your first box, and Free Dessert for Life, at HomeChef.com/DAILYBEANS.  Must be an active subscriber to receive free dessert.Thank You LumenHead to http://lumen.me/dailybeans for 20% off your purchase.Stories:Trump admin 'will not produce' agency head for court-ordered testimony, plaintiffs say | Law And CrimeTrump weighs revoking legal status of Ukrainians as US steps up deportations | ReutersJudge orders Trump administration to pay some foreign-aid bills by Monday - JOSH GERSTEIN | POLITICOTrans women transferred to men's prisons despite rulings against Trump's order | US news | The GuardianTrump orders swathes of US forests to be cut down for timber | Donald Trump | The Guardian‘Stop these crazy bills': Republicans join Democrats to defeat anti-trans legislation in Montana | ReutersUSDA eliminates two food safety advisory committees | ReutersMultistate lawsuit seeks to reverse Trump administration purge of federal workersWar heroes and military firsts are among 26,000 images flagged for removal in Pentagon's DEI purge | AP NewsHomeland Security ends TSA collective bargaining agreement, in effort to dismantle union protections | AP NewsJudge finds Trump's firing of member of National Labor Relations Board was illegal | CBS News From The Good NewsFull Meeting between President Trump, VP Vance and Ukrainian President Zelensky in Oval OfficeReminder - you can see the pod pics if you become a Patron. The good news pics are at the bottom of the show notes of each Patreon episode! That's just one of the perks of subscribing! Federal workers - feel free to email me at fedoath@pm.me and let me know what you're going to do, or just vent. I'm always here to listen.Share your Good News or Good Trouble:https://www.dailybeanspod.com/good/ Check out other MSW Media podcastshttps://mswmedia.com/shows/Subscribe for free to MuellerSheWrote on Substackhttps://muellershewrote.substack.comFollow AG and Dana on Social MediaDr. Allison Gill Substack|Muellershewrote, Twitter|@MuellerSheWrote, Threads|@muellershewrote, TikTok|@muellershewrote, IG|muellershewrote, BlueSky|@muellershewroteDana GoldbergTwitter|@DGComedy, IG|dgcomedy, facebook|dgcomedy, IG|dgcomedy, danagoldberg.com, BlueSky|@dgcomedyHave some good news; a confession; or a correction to share?Good News & Confessions - The Daily Beanshttps://www.dailybeanspod.com/confessional/ Listener Survey:http://survey.podtrac.com/start-survey.aspx?pubid=BffJOlI7qQcF&ver=shortFollow the Podcast on Apple:The Daily Beans on Apple PodcastsWant to support the show and get it ad-free and early?Supercasthttps://dailybeans.supercast.com/Patreon https://patreon.com/thedailybeansOr subscribe on Apple Podcasts with our affiliate linkThe Daily Beans on Apple Podcasts

This week's episode of West of Knowhere delves into a whirlwind of current events, from health scares and political shifts to personal scandals and daring schemes. We discuss the concerning measles outbreaks in Texas and the public reaction to RFK Jr.'s stance on vaccinations. In a surprising turn of events, the historic aircraft Enola Gay is removed from military image banks amid DEI removals. We also explore the Supreme Court's controversial decision to lift restrictions on sewage dumping into water supplies and track Andrew Tate's troubles as investigations begin upon his arrival in Florida. Discover the unexpected logging activities in national forests and the audacious scam of an HR manager creating 22 fake employees to pocket paychecks. The episode doesn't shy away from personal stories either, including an update on the sad passing of Gene Hackman and his wife. Finally, we dive into a lively "Am I the Asshole" debate on pregnancy cravings versus partner compromise, rounding out a captivating discussion on the week's pressing issues. Linktr.ee/wokpod   https://thehill.com/policy/healthcare/5172168-rfk-jr-says-texas-measles-outbreak-a-call-to-action/ https://www.newsweek.com/military-remove-enola-gay-photos-dei-rules-2041029 https://www.theguardian.com/us-news/2025/mar/04/epa-ruling-sewage-water https://www.theguardian.com/news/2025/mar/04/andrew-tate-criminal-investigation-florida https://www.theguardian.com/us-news/2025/mar/03/trump-national-forest-executive-order https://thelogic.co/news/canada-us-trade-war-eggs-fentanyl/ https://okmagazine.com/p/casey-anthony-slammed-rebranding-herself-women-lgbt-law-advocate/ https://townflex.com/hr-manager-created-22-fake-employees-steal-2-2-million/ https://thehill.com/homenews/nexstar_media_wire/5183395-gene-hackmans-wife-betsy-arakawa-died-from-hantavirus-but-what-is-it/

The Steven F. Udvar-Hazy Center is the Smithsonian National Air and Space Museum (NASM)'s annex at Dulles International Airport in Washington, DC. To call it an annex is misleading, this place is massive! Home to an incredible collection of aircraft, this episode, our 101st, is just me trying to talk you around the place while trying to take it all in, especially when confronted with Enola Gay.-----------------------------------------------------

This week's episode of West of Knowhere delves into a whirlwind of current events, from health scares and political shifts to personal scandals and daring schemes. We discuss the concerning measles outbreaks in Texas and the public reaction to RFK Jr.'s stance on vaccinations. In a surprising turn of events, the historic aircraft Enola Gay is removed from military image banks amid DEI removals. We also explore the Supreme Court's controversial decision to lift restrictions on sewage dumping into water supplies and track Andrew Tate's troubles as investigations begin upon his arrival in Florida. Discover the unexpected logging activities in national forests and the audacious scam of an HR manager creating 22 fake employees to pocket paychecks. The episode doesn't shy away from personal stories either, including an update on the sad passing of Gene Hackman and his wife. Finally, we dive into a lively "Am I the Asshole" debate on pregnancy cravings versus partner compromise, rounding out a captivating discussion on the week's pressing issues. Linktr.ee/wokpod   https://thehill.com/policy/healthcare/5172168-rfk-jr-says-texas-measles-outbreak-a-call-to-action/ https://www.newsweek.com/military-remove-enola-gay-photos-dei-rules-2041029 https://www.theguardian.com/us-news/2025/mar/04/epa-ruling-sewage-water https://www.theguardian.com/news/2025/mar/04/andrew-tate-criminal-investigation-florida https://www.theguardian.com/us-news/2025/mar/03/trump-national-forest-executive-order https://thelogic.co/news/canada-us-trade-war-eggs-fentanyl/ https://okmagazine.com/p/casey-anthony-slammed-rebranding-herself-women-lgbt-law-advocate/ https://townflex.com/hr-manager-created-22-fake-employees-steal-2-2-million/ https://thehill.com/homenews/nexstar_media_wire/5183395-gene-hackmans-wife-betsy-arakawa-died-from-hantavirus-but-what-is-it/

In this episode, Alex starts by wondering if the end of DOGE is near. After a heated cabinet meeting, Trump has said that government cuts should be done with a scalpel and not a hatchet. Only time will tell if that is true because the Department of Defense has removed over 20,000 archival photos and data that mention historical black figures, woman of color, and gay veterans. Ironically, the DoD accidentally removed photos of the Enola Gay (the plane that bombed Hiroshima). While this is satirical, Alex thinks there is something dark about the government erasing some parts of the historical record. For the rest of the episode, Alex talks about Russia attacking infrastructure and towns with ballistic missiles and drones. Since the United States paused aid and intelligence sharing, it appears that Russia is upping the attacks and taking advantage of the situation. 

Is mother proud of little boy today?Il contributo audio è tratto da “Enola Gay” cantata e scritta dagli Orchestral Manoeuvres in the Dark (etichetta Dindisc, 1980 all rights reserved). L'immagine è fonte Air Force all rights reserved

Did DOGE mistakenly reveal a secret CIA black site in Virginia? Meanwhile, The Pentagon's DEI purge removes images of the Enola Gay aircraft which dropped the atomic bomb on Hiroshima. Thank you for supporting our sponsors that make The Dana Show possible…Relief Factorhttps://relieffactor.comTurn the clock back on pain with Relief Factor. Get their 3 week Relief Factor Quick Start for only $19.95 today! Goldcohttps://DanaLikesGold.com My personal, gold company - get your GoldCo 2025 Gold & Silver Kit. PLUS, you could qualify for up to $15,000 in BONUS silverAll Family Pharmacyhttps://AllFamilyPharmacy.com/DanaCode Dana10 for 10% off your entire orderByrnahttps://byrna.com/danaDon't leave yourself or your loved ones without options. Visit Byrna.com/Dana to receive 10% off Patriot Mobilehttps://patriotmobile.com/DanaDana's personal, cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAHumanNhttps://humann.comSupport your metabolism and healthy blood sugar levels with Superberine by HumanN. Find it now at your local Sam's Club next to SuperBeets Heart Chews.  Tax Network USAhttps://TNUSA.com/DANADon't let the IRS's aggressive tactics control your life, empower yourself with Tax Network USA's support.  Reach a USA based agent @ 1(800) 958-1000 - Don't fight the IRS aloneKelTechttps://KelTecWeapons.comSee the NEW PS57 - Keltec Innovation & Performance at its bestNative Pathhttps://GetNativePath.com/DanaNot just for skin - essential for healthy joints and bones! Get NativePath Collagen for up to 45% off + FREE shipping!

Trump says for the first time in 15 months, the job gains for native-born Americans exceeded job gains for migrants and foreign-born workers. Did DOGE mistakenly reveal a secret CIA black site in Virginia? The Pentagon's DEI purge removes images of the Enola Gay aircraft which dropped the atomic bomb on Hiroshima. Dana touches on how businesses like Wells Fargo are finally waking up to realize they need to back off their DEI policies. Veteran, Host of the All American Savage Show and owner of https://shellshockcbd.com, John Burk, joins us to discuss the problems with a possible Texas cannabis ban and the economic impacts. Is Italy pushing for Ukraine to receive NATO military protections? Executive Director of Consumers' Research, Will Hild, joins us to discuss Blackrock's pseudo "unwoke" flip and its interest in the Panama Canal and government investments.Thank you for supporting our sponsors that make The Dana Show possible…Relief Factorhttps://relieffactor.comTurn the clock back on pain with Relief Factor. Get their 3 week Relief Factor Quick Start for only $19.95 today! Goldcohttps://DanaLikesGold.com My personal, gold company - get your GoldCo 2025 Gold & Silver Kit. PLUS, you could qualify for up to $15,000 in BONUS silverAll Family Pharmacyhttps://AllFamilyPharmacy.com/DanaCode Dana10 for 10% off your entire orderByrnahttps://byrna.com/danaDon't leave yourself or your loved ones without options. Visit Byrna.com/Dana to receive 10% off Patriot Mobilehttps://patriotmobile.com/DanaDana's personal, cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAHumanNhttps://humann.comSupport your metabolism and healthy blood sugar levels with Superberine by HumanN. Find it now at your local Sam's Club next to SuperBeets Heart Chews.  Tax Network USAhttps://TNUSA.com/DANADon't let the IRS's aggressive tactics control your life, empower yourself with Tax Network USA's support.  Reach a USA based agent @ 1(800) 958-1000 - Don't fight the IRS aloneKelTechttps://KelTecWeapons.comSee the NEW PS57 - Keltec Innovation & Performance at its bestNative Pathhttps://GetNativePath.com/DanaNot just for skin - essential for healthy joints and bones! Get NativePath Collagen for up to 45% off + FREE shipping!

Firing squad details, I'll arrest my girlfriend, Trump speaks to space, removing tattoos, Cybertruck Hunters have a new tool, screw you and the horse you rode in on, get the Enola Gay outta here, a shotgun got on a plane, Pope audio and so much more!

Social Security workers aren't allowed to read this story, but heading into the weekend, David Waldman and KITM have remained under the DOGE radar! Keep your fingers crossed! The first thing we do is… let's kill all the Democratic consultants. Ok, that sounds “a little harsh”, and the one thing any consultant will tell you, is that you absolutely do not want to sound “a little harsh”, EVER. Except for when you're knifing a friend and colleague in the back for sounding “a little harsh”. That's just pragmatic expediency. Everyone, except possibly that person that you knifed, will forget in no time… Therefore, feel free to knife friends and colleagues in the back as often as needed. It always works! Do Republicans lie to each other like Democrats do? They lie so often, it's hard to tell. Will Trump really be counting the gold bars in Fort Knox? Are scientists randomly dressing mice in little fedoras and bonnets? Is the Enola Gay just too gay? The blunders are stacking up everywhere. But the thing is, if stupid lies work just as well, why not? Lie with every sentence, F 'em if they can't take a joke. Russian humor is an acquired taste, you know. At this moment, translators are putting a comedy set together for the Pentagon's new deputy press secretary, Kingsley Wilson, and her opening act, Jack Posobiec.  The parade of comedy never ends! Turning Canada and Mexico's tariffs on and off never gets old, amirite? Expect a dozen more times with those two, perhaps fewer with China. Maine parents are required to register newborns at the Social Security office, for the LOLs. Fired federal workers bring the gift of laughter to their own relatives. DOGE revealed a secret CIA facility… but no worries, they hid it again… heh heh.

Gary Frank, Willie Lawrence from FAMILY CONTINUES in a very personal interview! Gary Frank continues with the second episode of his interview with John discussing the challenges FAMILY faced with network support and Meredith Baxter Birney's personal struggles during filming. Gary shares his experiences from the series Sons and Daughters with Glynnis O'Connor and Barry Livingston, The Enola Gay with Billy Crystal, and The Gift with Glenn Ford. Gary recounts his time working with Robert Wagner, Stefanie Powers, and Cesar Romero on Hart to Hart, as well as Karl Malden and Michael Douglas on The Streets of San Francisco. He also shares a unique connection to Marilyn Monroe babysitting his wife and his time on Star Trek: Deep Space Nine. Become a That's Classic! PATREON member including the opportunity to see Exclusive Bonus Footage: patreon.com/thatsclassic That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tE Subscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1 Facebook: facebook.com/thatsclassictv Hosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast.

En este episodio muy especial de Songmess Chile estamos conversando con Asia Menor, banda de art-punk oriunda de la ciudad de Temuco, en el sur del país. Coincidimos con la banda en Santiago, alrededor del ciclo de la Feria Pulsar, donde conversamos acerca de su aclamado disco debut Enola Gay, editado con el Sello Fisura. También ahondamos en su amistad con Simón Campusano, la escena de hardcore en Temuco, la gira mexicana en la que emprenderán este febrero, y mucho más! Playlist: Asia Menor - “Patio” Columpios Al Suelo - “La Risa Drilariza” Asia Menor - “Demo/ Enola Gay” Phuyu y La Fantasma - “Coloñal” Javiera Electra - “Mascando Aire” Asia Menor - “La Naturaleza” Asia Menor Bandcamp: https://asiamenor.bandcamp.com/ Asia Menor Spotify: https://open.spotify.com/artist/5yrd8vlGtyEsP3maoVqlkD?si=NIEJRhKzSWCPsjG8_6PHyw Asia Menor Instagram: https://www.instagram.com/asiamen0r/ Sello Fisura Bandcamp: https://sellofisura.bandcamp.com/ Sello Fisura Instagram: https://www.instagram.com/sellofisura/ Richard Villegas Instagram: www.instagram.com/rixinyc/?hl=en Songmess Instagram: www.instagram.com/songmess/?hl=es-la Songmess Facebook: www.facebook.com/songmess/?ref=settings Songmess Twitter / X: twitter.com/songmess Songmess Merch: via DM #BOPS Playlist: https://open.spotify.com/playlist/2sdavi01h3AA5531D4fhGB?si=00c59ef6ff864ed5 Subscribe to Songmess on Spotify, Apple Podcasts, Stitcher, Google Play or SoundCloud, find us on Facebook, Twitter and Instagram, and contact us at songmessmusic@gmail.com.

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Emily Pilbeam presents a mixtape of her personal selection of tracks from BBC Introducing, including Mount Palomar, Blood Wizard, Mokusla and live music from Enola Gay and Jock recorded for New Music Fix in Belfast.

Over the past few years, much has been written and created around Oppenheimer and the Manhattan Project, but little attention is paid to those whose lives were ended or forever changed when the bombs dropped in Japan.In this episode, we delve into the experiences of the hibakusha, the survivors of the atomic bomb dropped on Hiroshima on August 6, 1945. On that day the Enola Gay released its devastating payload, ushering in the nuclear age. The survivors, now with an average age of over 90, provide some of the last living testimonies of the horrors that unfolded in the seconds, minutes, and hours following the explosion.Today's guest is M.G. Sheftall, author of The Stories of Hibakusha. Sheftall has spent years interviewing those who were young adolescents at the time of the bombing, now elderly but still haunted by their memories.

Cześć, w najnowszym odcinku serii Powojnie opowiadam historię Hiroszimy po ataku nuklearnym z 6 sierpnia 1945 roku. Amerykański bombowiec B-29 Enola Gay zrzucił wtedy bombę atomową na bezbronne japońskie miasto. Eksplozja była tak potężna, że niemal natychmiast zniknęło tysiące domów i zginęło mnóstwo ludzi. Zabudowania które ocalały zajęły się ogniem. W kolejnych godzinach miasto i jego mieszkańcy walczyli o przetrwanie. Lekarze którym udało się przeżyć ratowało rannych. Powstawały polowe punkty medyczne. Z dróg usuwany był gruz, aby zapewnić przejazd samochodom. Hiroszima odradzała się zaskakująco szybko. Już dwa dni po niszczycielskim ataku do miasta przyjechały pierwsze pociągi. Do niektórych budynków podłączony został prąd. Zaczęły też kursować tramwaje. Do miasta zjeżdżały też tysiące wolontariuszy, którzy chcieli pomóc przy odbudowie aglomeracji. I kiedy wydawało się, że jest nadzieja na lepsze jutro 17 września przez Hiroszimę przeszedł tajfun, który zniszczył to co zostało już odbudowane. Jak wyglądały dalsze losy miasta tego dowiecie się słuchając najnowszego odcinka mojej serii.

PREVIEW: HIROSHIMA-NAGASAKI: ENOLA GAY: Conversation with colleague Charlie Pellegrino, author of "Last Train from Hiroshima," just optioned by the meticulous James Cameron, re the experience inside the Enola Gay by one crew member who didn't protect his eyes. More later. B-29 1945 after emergency landing.

An hour of fresh new tunes from BBC Music Introducing handpicked by Emily Pilbeam, featuring British Birds, Enola Gay, Thank, The Howl & The Hum and Tom A Smith.

This week on the Yellow Brit Road, we listened to Dublin rock band Fontaines D.C.'s highly anticipated fourth-studio album, the just-released Romance, breaking it down track-by-track with interpretations and the band's word on it (not an interview, but someday!) We were also joined by Harry Hanson, singer in the rising Leeds dance punk band Adult DVD, who dropped in to tell us about the band's upcoming EP, Next Day Shipping, out 6 September! Music this week by: Coldplay, ALT BLK ERA, Enola Gay, Fontaines D.C., Adult DVD. Find this week's playlist here. Do try and support artists directly! Touch that dial and tune in live! We're on at CFRC 101.9 FM in Kingston, or on cfrc.ca, Sundays 8 to 9:30 PM! Get in touch with the show for requests, submissions, giving feedback or anything else: email yellowbritroad@gmail.com, Twitter @⁠YellowBritCFRC⁠, IG @⁠yellowbritroad⁠. PS: submissions, cc music@cfrc.ca if you'd like other CFRC DJs to spin your music on their shows as well. Like what we do? Donate to help keep our 101-year old station going!

Meet Daniah Greenberg again. She is the front person for the TLV Bible Society, which actually hired 30 Ph.D. scholars to translate the Bible again in a Jewish perspective. The results are astronomical with over 600,000 downloads in less than a few years.Reach her at the website of the TLVBibleSociety.org or on her Facebook page. Historical marker of the week includes the Enola Gay and Little Boy in Hiroshima, the end of the Holy Roman Empire, and the Voting Rights Act of 1965 to help black Americans gain access to the voting booths.Support the Show.Thanks for listening. Please share the pod with your mates, and feel free to comment right here! Write to Bob on his email -- bobmendo@AOL.comLink to https://www.facebook.com/profile.php?id=100078996765315 on Facebook. Bobs Your Uncle features the opinions of Bob Mendelsohn and any of his guests.To financially support the podcast, go to the Patreon site and choose Gold, Silver or Bronze levels. Thanks for that! https://www.patreon.com/BobsYourUncle To read Bob's 1999 autobiography, click this link https://bit.ly/StoryBob To see photos of any of Bob's guests, they are all on an album on his Flickr site click here: https://www.flickr.com/photos/bobmendo/albums/72177720296857670

3:20:00 – Frank in New Jersey, plus the Other Side. Topics include: Mystery tours, Kalki 2898 AD (2024), train to Hoboken, a subtle adventure, giant head statue “Water’s Soul”, Nightstation VR Demo, Enola Gay, animated tunnel, Warhammer, sunshower, The Strand, Maison Perrier Ultimate, the feeling of weird freedom, Dr. Ruth Westheimer dead at 96, Umbabarauma, Richard Simmons […]

3:20:00 – Frank in New Jersey, plus the Other Side. Topics include: Mystery tours, Kalki 2898 AD (2024), train to Hoboken, a subtle adventure, giant head statue “Water’s Soul”, Nightstation VR Demo, Enola Gay, animated tunnel, Warhammer, sunshower, The Strand, Maison Perrier Ultimate, the feeling of weird freedom, Dr. Ruth Westheimer dead at 96, Umbabarauma, Richard […]

An hour of fresh new tunes from BBC Music Introducing handpicked by Emily Pilbeam each week in the early hours of Monday morning. Features Sophia Harari, Heartworms, Enola Gay, The Dead Wells, Divorce and more

Show NotesGuevara visits Hiroshima, can't conceal anger at atrocityChe Guevara Farewell letter and tape from HiroshimaSimilarities Between Benin and Japanese Cultures.BooksLiving with the Bomb: American and Japanese Cultural Conflicts in the Nuclear Age: American and Japanese Cultural Conflicts in the Nuclear Age a book by Mark Selden and Laura E. HeinAtomic Steppe: How Kazakhstan Gave Up the Bomb a book by Togzhan Kassenova

Hiroki Kato, AH6CY, was born and raised in Hiroshima, Japan, 20 miles from the epicenter of the atomic bomb blast in August 1945 that killed approximately 100,000 Japanese.  Hiroki was fascinated with radio as a youngster and was first licensed in Japan.  After moving to the USA, Hiroki continued to pursue amateur radio and began to research and collect the military radios that both the Japanese used to bomb Pearl Harbor, and the radios that were on the Enola Gay, the US bomber that dropped the Hiroshima bomb.  AH6CY tells his ham radio story and about these radio restorations in this QSO Today.

In this episode, Christine Rosen joins Mark Bauerlein to discuss her Commentary Magazine articles “All the President's Press Men” and “Enola Gay, or, How the Media Imploded When It Came to Harvard's President.” Music by Jack Bauerlein.

In this episode, Christine Rosen joins Mark Bauerlein to discuss her Commentary Magazine articles “All the President’s Press Men” and “Enola Gay, or, How the Media Imploded When It Came to Harvard’s President.” Music by Jack Bauerlein.