Podcasts about animates

Master, Who do you serve?, Replicates, Animates,Organizes, and Faithfullness.

Why some couples look like siblings? Top 6 signs the Dunedin hospital is the cadbury factory What tattoos did you get removed? Coke vs no sugar coke argument SLP - Are you the dominant one in your relationship? What are you not in the demo for but love? Animates pawtition Grammys If humans had wings What did your partner ruin recently? Fact of the Day John Aiken MAFS IV Hayley scamSee omnystudio.com/listener for privacy information.

Father Greg Favazza's Sermon "The Love That Animates Us" If you are just visiting, please know that we accept you wherever you are on your spiritual journey. Welcome Home! You are loved with a love you did not earn, therefore you can never lose! Want to give to our ministries, but not sure how? It's as easy as texting! Simply Text STMICHAELSORL to 73256 and follow the steps! Or give online here: https://secure.accessacs.com/access/oglogin.aspx?sn=90490&f=1 Sign up for our eMessenger to Stay in Touch - https://docs.google.com/forms/d/e/1FAIpQLScpBWY0NFeZhf2etxH06IwO6OY0OUKNnljA6CmbyWuSafci8Q/viewform Your Church Home in College Park - Love God, Love Others, Serve the World

“A sermon without Christ! As well a loaf of bread without flour in it. How can it feed the soul?”— Charles Spurgeon 1 Peter 1:3-12

Sound effects, acting, storyline, scriptwriting, directing, trailers, cinematography, colour grading and basically anything to do with cinemas and filmmaking - our movie presenters are there. Sash, Ryan and Timothy share hilarious movie facts, incredible behind the scene moments and so much more! Do they rate the movie as worth watching? Find out now! The Movies Show YouTube Channel

Electric Excitement: Nascar's Next-Gen Green Machine Gears up.  AI Analysis: Authenticity or Artificiality in Videos?  Famous Figures' Voices: AI Animates the Afterlife.  AI Accelerates Ahead: Gran Turismo's Technological Triumph.  Thermal Tech Triumph: Transforming Traffic Safety.  Skyward Surfing: Aerolane's Airborne Innovation.  Laser-Loaded 3D Printing: Mizzou's Marvel of Multi-Material Manufacturing.  Mind-Mapping Mystery: Macaques, MRI and Miraculous Image Reconstructions.  Brain Bots: Brilliant Bioengineered Brains Boost Robotic Brilliance. 

The Geekenders are back and joined today by the hilarious RubberRoss - so of course we're going to get existential :P  We'll talk about Dodger's sweet baby now turning mean girl and Ross's fear of the deep... and ai!  Are you ready to geek out this weekend? Join Jesse and Dodger on the Geekenders podcast as they bring you the ultimate dose of geekiness. From their hilarious banter to their in-depth discussions, this is the podcast you've been waiting for. Follow them now and discover why they are the number one geek podcast without a doubt. Subscribe and let the geeking begin! Theme by: MegaRan Animated Intro by: JulesDrawz Want to watch live, tune in to Dodgers twitch every Friday at 11am est/8am pst : https://www.twitch.tv/dexbonus  Hosted on Audioboom. See https://audioboom.com/about/privacy for more information.

Video Replay on Twitch! HAPPY MONDAY! What a crazy week! Meta might be breaking up Instagram and Messenger ahead of regulators pressuring them. Alibaba is scanning tiktokers to make new AI tools. Verizon bungled some basic security for user data. Alex Jones is back on Twitter. Some REALLY interesting games are coming soon! Sony might retire the XPERIA. And I've been benchmarking the iQOO 12! Let's get our tech week started right! Stories This Week: Mobile Controller SHOWDOWN! https://somegadgetguy.com/2023/12/08/how-do-you-game-on-your-phone-controller-showdown/ Tent or Flex Mode for watching movies? https://somegadgetguy.com/2023/12/07/folding-phone-owners-how-do-you-watch-video-tent-or-flex-mode/ How far has Android come over the last five years? https://somegadgetguy.com/2023/12/05/can-a-five-year-old-phone-compete-today-how-far-has-android-come-since-the-lg-v50/ Preserving Family History: Geek Edition https://www.patreon.com/posts/preserving-geek-94427683 Pixel Fold Camera Review https://www.patreon.com/posts/pixel-fold-pixel-93926627 How does a Five Year Old phone perform today? https://www.patreon.com/posts/can-five-year-93857089 Are foldables the better travel computers? https://www.patreon.com/posts/foldable-phones-93686297 Oppo Find X6 Pro Camera Review! https://www.patreon.com/posts/oppo-find-x6-pro-93474308 The LAZIEST upgrade I could make for my NAS https://somegadgetguy.com/2023/11/21/the-laziest-maybe-dumbest-upgrade-for-my-nas-lets-fix-my-plex/ MediaTek Interview: Smartphones and AI – https://somegadgetguy.com/2023/11/18/mediatek-dimensity-9300-and-the-future-of-mobile-ai-interview/ Alex Jones back on Twitter https://www.engadget.com/alex-jones-and-his-conspiracy-theories-are-allowed-back-on-x-160419044.html Twitch Leaves South Korea https://arstechnica.com/tech-policy/2023/12/twitch-exit-from-s-korea-is-latest-fallout-from-sending-party-pays-model/ Verizon Rep gave personal user data to armed stalker with fake warrant https://www.404media.co/verizon-gave-phone-data-to-stalker-edrs-search-warrant-pose-as-cop/ Meta might split their chat integration https://www.engadget.com/meta-is-disconnecting-messenger-and-instagram-chat-later-this-month-205956880.html Alibaba Animate Anyone looks like a terrible idea https://www.404media.co/alibaba-animate-anyone-ai-generated-tiktok/ SomeGadgetGuy Merch! https://teespring.com/stores/somegadgetguy Windblown teaser site is live https://windblown.game/ Thrasher Teaser Trailer is live https://www.youtube.com/watch?v=d2EqoXAEwFg XPERIA Might be no more? https://www.notebookcheck.net/Xperia-line-may-be-mothballed-as-Sony-rumored-to-be-eyeing-up-phone-with-under-display-camera-by-2025.780698.0.html Juan Rambles on about the iQOO 12 Support production on this channel AND get yourself some cool stuff! Patreon, Amazon, Humble Bundle, OnePlus, Audible, Merch, and MORE! https://somegadgetguy.com/2012/07/15/support-somegadgetguy-get-cool-stuff/ SomeGadgetGuy's Gear List: Panasonic G9 https://amzn.to/2E95rKM Panasonic 15mm f/1.7 http://amzn.to/2qWH0UZ Panasonic 25mm f/1.7 http://amzn.to/2ohTzsd SIGMA 16mm f/1.4 https://amzn.to/3J3qHxM RODE Wireless Go II https://amzn.to/3Lm319C Audio-Technica Lavalier https://amzn.to/2WywofM Focusrite 6i6 Audio Interface http://amzn.to/2p5l7py Shure SM57 Microphone http://amzn.to/2oypnLm Cloudlifter CL1 http://amzn.to/2oKN9G5 LED Light Panels http://amzn.to/2oy60ls AJA U-TAP HDMI http://amzn.to/2wfprBF Elgato HD S http://amzn.to/2p95Unu SUBSCRIBE TO #SGGQA! #SGGQA Podcast RSS: http://goo.gl/oSUjvi #SGGQA Podcast on Spotify: https://goo.gl/uyuSsj #SGGQA Podcast Google Play https://goo.gl/ABF7Up #SGGQA Podcast iTunes: https://goo.gl/YUcyS7 #SGGQA Podcast on Stitcher: http://goo.gl/cyazfY #SGGQA Podcast on PlayerFM: https://goo.gl/34B8SG Juan Carlos Bagnell on Twitch – http://Twitch.tv/SomeGadgetGuy Juan Carlos Bagnell on Twitter – http://Twitter.com/SomeGadgetGuy Juan on Instagram – http://instagram.com/somegadgetguy Support SomeGadgetGuy Production: http://amzn.com/w/34V1TR2551P6M Links on this page may be affiliate links which help support production on this website. Pixel coverage brought to you in part thanks to a #giftfromgoogle and #teampixel. No editorial oversight was offered or accepted from Google or associated Google PR. Support Talking Tech with SomeGadgetGuy by contributing to their tip jar: https://tips.pinecast.com/jar/talking-tech-with-somegadgetgu Find out more at https://talking-tech-with-somegadgetgu.pinecast.co This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-c117ce for 40% off for 4 months, and support Talking Tech with SomeGadgetGuy.

HAPPY MONDAY! What a crazy week! Meta might be breaking up Instagram and Messenger ahead of regulators pressuring them. Alibaba is scanning tiktokers to make new AI tools. Verizon bungled some basic security for user data. Alex Jones is back on Twitter. Some REALLY interesting games are coming soon! Sony might retire the XPERIA. And … Continue reading "#SGGQA 328: A Weekend With the iQOO 12, The End of XPERIA Phones, Instagram Chat and Messenger Split, Alibaba Animates Anyone"

2023 was quite the year of weird news so I figured it would be fun to go back over it, month by month to regale some of the stranger stories from the year. As there are quite a few strange stories, I'll be spreading this out over a few episodes before the end of 2023 like a cathartic cleansing ritual, so if you're new here, make sure you subscribe so you don't miss out when the next one is released. Today's stories from March:Whiskey Fungus: Carp Calamity: Bad Dad: So grab yourself a beverage and a suitably festive snack and let's look back on the bin fire that was 2023.Thank you to todays sponsor Magic Mind Check them out at https://www.magicmind.com/macabrelondon and use the code MACABRELONDON at checkout to get 50% off your subscription order or 20% off your one time purchase..------------------------Podcast: https://podfollow.com/1180202350Macabre London is a fortnightly podcast and YouTube show that delves into London's haunted and gruesome history alongside discovering Macabre Mini Mysteries from all over the world!Be sure to check out my other podcast, Killers, Cults & Queens with Cheryl Hole https://podfollow.com/queens---------------------------SUPPORT ME————————ONE OFF DONATIONS: Paypal - paypal.me/macabrelondonKO-FI: ko-fi.com/macabrelondonPATREON: www.patreon.com/macabrelondonAMAZON WISHLIST - http://amzn.eu/dJxEf1V​​​​​​MERCH! - https://macabrelondon-shop.fourthwall.comPATREON - www.patreon.com/macabrelondon——————————-Thank you to our executive producer patrons - Amy, Christina, Christophe, Kate, Kevin, Lisa, Mary, Meg, Rose, Sally, Sam, Sarah, Teresa, Terri, Vee & Veronica.And to all of our wonderful £5 tier patrons...VictoriaZozolaLucy TalliClaireVerenaIngeJenniferKimAmyClaireRkrimblesAndreaKathrynJoDavidShannonCreepy PaperRachel Denise HelenSabrinaAndrewAnd thanks to all other patrons too!————————SOCIAL MEDIA---------------------------------------------Insta: @nikkimacabrelondonX: @macabrelondonTikTok: @macabrelondonFacebook: @macabrelondonEmail: macabrelondon@hotmail.comSources-------------Fungus: https://www.bbc.co.uk/news/world-us-canada-64819400https://www.youtube.com/watch?v=aKHihLgVvT4By Rosser1954 Roger Griffith - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=14934583Carp: https://www.bristolpost.co.uk/news/real-life/woman-finds-fish-dinner-still-8191617#Bad Dad: https://www.bbc.co.uk/news/uk-scotland-glasgow-west-64916123 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Microsoft Lists now available for i.o.s., Android, and web, Google Jamboard to be shut down in 2024, Anything World launches AI tool for rapid rigging and animation, Apple has potential to create its own search engine, Tom Hanks warns of AI-generated version of himself, French startup Pivot aims to simplify procurement, AI assistants boost productivity but risk human deskilling.

We are live, on-location at the TCL Chinese Theatre for the 19th annual Oscar Qualifying ⁠HollyShorts Film Festival⁠, as the official podcast partner. These shorter, special episodes are with selected filmmakers. In this episode, Hae & Jack sit down with writer, director & animator Ethan Barrett of his animated short film “Rosemary A.D. (After Dad)” Logline: As he cradles his newborn, a father wonders if his daughter would be better off without him and imagines her life once he is gone. Completely hand-drawn with crayons. This film is completely hand-drawn with crayons. Each frame was individually captured on camera. Struggling with depression while caring for a newborn after his wife went back to work, Ethan had existential thoughts he decided to put down on paper. While it felt specific to Ethan, a surprising amount of people have experienced the same thing & have sine reached out to him.   Follow the film & filmmaker:  Instagram: https://www.instagram.com/spacedogfilm/ Website: https://www.spacedogfilm.com/work/rosemary-ad-after-dad You can also watch all HollyShorts interviews on our YouTube Channel Cinematography for Actors: https://youtube.com/@cinematographyforactors Can't make it to the festival in person? Watch the films at https://bitpixtv.com/programs/hsff-23-pre-roll-final-87100d and use code HSFF2023CFA for 20% off!  For our listeners, CFA has teamed up with ⁠We Make Movies⁠ to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit ⁠wemakemovies.org/insurance⁠ and use code CFA23 on your intake form for 10% off your quote. Follow us wherever you listen to your podcasts to keep up to date on new episode releases.  A huge thank you to our sponsors: Apogee, FilmTools, Rosco, Lightstone Rentals, Deity, Canon, and First Mile Technologies. Website: https://⁠www.cinematographyforactors.com⁠ Instagram: ⁠https://www.instagram.com/cinematographyforactors⁠ TikTok: ⁠https://www.tiktok.com/@cinematographyforactors⁠ ⁠Cinematography for Actors⁠ is a community aimed at bridging the gap between talent & crew through our ⁠weekly podcast⁠ & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling. Join the CFA Community, sign up to our newsletter: ⁠https://mailchi.mp/e27e1a2bc895/newsletter⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

One of the most prized objects in London's Victoria and Albert Museum is a life-size wooden tiger automaton that bellows and roars as it chomps into the neck of a very unfortunate British soldier. Crafted in the late 18th century in Mysore, India, this fascinating creation is at the center of Tania James' new novel of historical fiction “Loot.” The story follows Abbas, a 17-year old, the tiger's creator, as he travels from India to Europe and encounters a Dickensian cast of characters from noblemen to foes and friends that are all part of this epic quest. As reviewers note, the novel offers a “wry awareness of the distorting function of racism and colonialism.” We talk to James about her book. 

It's the twenty-fourth chapter of the new Smashing Pumpkins interstellar musical expedition album that is ATUM! This week we continue the third and final act of ATUM with  "That Which Animates The Spirit, " and get more personal than we ever had with William Patrick Corgan. For our classic track, we go back to 2018 to the album "Shiny and Oh So Bright, Vol. 1 " with the track "Travels". Give your ears what they need by giving this, and so much more a listen on this weeks, Thirty-Three. Make sure you like, subscribe, share, rate, & review the podcast wherever you are listening be it iTunes, Spotify, iHeart app, or wherever you get your podcasts!!!  And to continue the conversation use the hashtag #WPCThirtyThree and follow us and our guest on social media: Billy Corgan -  @billycorgan (Instagram) & @billy (Twitter) Joe Galli - @joegalli (Instagram) & @joegallinews (Twitter), Kyle Davis - @kyledavisatl (Instagram) & @kyledavisatl (Twitter) Still not satiated? Stop by smashingpumpkins.com for merch and tour dates while making sure to go over to WPCThirtyThree.com where you will find playlists, lyrics, and more on the influences that make the Smashing Pumpkins music you love. Thirty-Three: New episodes every Tuesday!!!!See omnystudio.com/listener for privacy information.

I Corinthians 4:7

once more, we return to the world of zombies.... Written and produced by Julie Hoverson Editing and Sound:   Julie Hoverson [warning - foul language] ******************************************************************* Tammuz Corporation has barely settled back in as top producer of undead workforce, when something much worse comes out of R&D.   Cast List Fred - Leonard Streeper June - Melissa Bartell Dill - Mark Olson Chambers - Dave Marshall Dr. Plasmus - Kim Poole Landon Frost - Chris Barnes Pamela Frost - Julie Hoverson Doctor - James Sedgwick Nurse - Rachel Cavic Interviewer - Russell Gold Music by Kevin MacLeod of Incompetech.com Cover art by Julie Hoverson INTERLUDES: Cricket - Reynaud LeBoeuf, Julie Hoverson, M. Siero Garcia, Katy Fontenot Courtroom - Carl Cubbedge, Tanja Milojevic Champion Chum - Katy Fontenot, Rachel Cavic, Reynaud LeBoeuf Save the Zombies - Gwendolyn Jensen-Woodard New Year's Head Swaps - Justin Charles, Crystal Dennis Life Insurance - Joe Stofko Big Bob's - Richard Summers Lecturer - Robert Cudmore Classroom - Janny Hilverts, Katy Fontenot, Sirena Carroll, Mike Campbell, James Sedgwick, Julie Hoverson Zombie Show - Gareth Bowley Survivalists - Dave Fontenot, Matthew McLean "Working Stiff" - Chris Stockett Edna's Chum - M. Siero Garcia Scam - Rick Lewis Zombie Lib - Derek Koch Old Zombie Spice - Morgan Brown "What kind of a place is it? Why it's a secret lab, deep in the Tammuz Corporation, can't you tell?" ***************************************************************************************   Project Top Hat Cast: [Opening credits - Olivia] Landon Frost, TV show host Pamela Frost, his wife Fred and June Doctor Plasmus, top researcher Chambers - executive Dill - less important executive OLIVIA      Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a Top Secret Lab, on the human side of the wall, in the world of zombies, can't you tell?  MUSIC SOUND      computer and lab noises LANDON     [on TV] I'm Landon Frost, and tonight on "the Z word," we'll take a behind the scenes look at how zombies are used in the manufacture of your dog's kibble.  FRED     How can they feed zombies to dogs? JUNE     Ambulates make the food - prepare it.  It's illegal to terminate them without "just cause." FRED     As opposed to "just cuz"?  [laughs] JUNE     Hah.  That's what "the Z word" is about - exposing the ways zombies are exploited. LANDON     [TV] You'll be watching this series throughout the holidays, and I'll be tucked up at home with my family.  JUNE     He's always busy.  Hardly ever gets to see them. FRED     Oh, boo-hoo.  This Frost guy gets to fly all over the world, cussing on TV, and making zillions of dollars, and he wants sympathy? JUNE     Don't forget taking his shirt off...  [chuckle]  But he's also a romantic - always talking about how he misses his wife Pamela. FRED     So?  He could retire. JUNE     Helping improve "life" for ambulates is like a crusade for him. SOUND     DOOR OPENS, CUTTING HER OFF FRED     [muttered exclamation] Oh shit! SOUND     CHAIR SQUEAK, SCRAMBLE LANDON     [TV] I'll be meeting my wife in secret at‑‑ SOUND     SWITCH, TV OFF DILL     [coming in talking]  We should be able to improve the bottom line. CHAMBERS     AND not expose Tammuz to any more... liability.  We are just starting to get back to where we were before Mrs. Skray's... DILL     Unfortunate accident? CHAMBERS     [grim] Breakdown. DILL     Ah. CHAMBERS     I need your personal guarantee this won't come back to bite us in the butt. DILL     If it does, my butt will have your back. CHAMBERS     What? DILL     uh... nothing.  Dr. Plasmus is expecting us. CHAMBERS     Plasmus?  What kind of a name is that? DILL     Dunno.  I only know results, and the good doctor facilitated the "crickets".  Look what they've done to help us get back in good odor over the last 18 months. CHAMBERS     [favorably impressed] MMmm. DILL     And now - [announcing] Project Top Hat! SOUND     DOOR OPENS SOUND     MUSIC SCENE CHANGE TV DUDE     [ON TV]  Do you ever have behavior problems with your ambulates? ZOMBIE     Grr. OLD LADY     [pleased] Cricket! TV DUDE     Do they sometimes seem to have a mind of their own? ZOMBIE2     [weird noise] MAN     [smug] Cricket. TV DUDE     Would you ever have them in the house without it? WOMAN     Around my kids?  Forget it! KIDS     Just CRICKET! TV DUDE     Yes, Cricket, the "behavioral reminder" Implant that reminds zombies to toe the line.  TV DUDE      [quiet, rushed]  Results may vary.  Some side effects may occur.  No guarantee of bodily safety is implied or express in the sale of this product.  Not available in all areas.  [up]  Get Cricket today!  Brought to you by your friends at Tammuz Corporation. SOUND     MUSIC SOUND     WALKING, DOOR SWOOSHES OPEN SOUND     ZAPS and SQUISHY NOISES PLASMUS     You're early. DILL     Uh, no.  It's - um - six? PLASMUS     It is?  Hmm.  Well, just let me finish this, and-- SOUND     BIG ZAP CHAMBERS     What are you working on? PLASMUS     Shh! DILL     [hushed] Sorry, the doc doesn't multitask.  CHAMBERS     What? SOUND     ONE FINAL ZAP PLASMUS     Done.  He means I do not work and talk.  When you have worked directly in as many brains as I have, you begin to value each function for its own worth, and not merely as a gestalt whole. CHAMBERS     Uh, right.  So are you ready to gestalted [get started] now? DILL     Gestalt isn't-- CHAMBERS     I KNOW. PLASMUS     It was a bit of a joke?  [small dry chuckle]  Am I right? CHAMBERS     Yeah. PLASMUS     I thought as much.  I fear that the humor seat of my own brain has probably been left a wee bit underdeveloped.  Oh well.  Could be MUCH worse.  I could have an atrophied hippocampus!  [laughs riotously] DILL     Uh, yeah.  [toady laugh] CHAMBERS     That would be unfortunate, indeed. PLASMUS     [stops laughing suddenly]  But you are not here for pleasantries.  You are here to see what I have wrought! CHAMBERS     Aha!  So that's the smell in here. PLASMUS     What? CHAMBERS     Rot? PLASMUS     [laughs] MUSIC      SCENE CHANGE to TV LANDON     What the fuck do you think you're doing?  You can't have rats in any ambulate work area, you moronic lavat'ry brush!  They may not decay, but can still be damaged - do you want to be the one providing your workforce with replacement parts every time rats gnaw a bit off?  Or perhaps rats are the only protein going in to your fucking kibble?  SOUND     MUSIC DILL     So now the doctor will demonstrate--? [hint] PLASMUS     Have you forgotten the name again? DILL     [uncomfortable] No.  no, I just was giving you a chance to - you know - take the glory. PLASMUS     You should have warned me.  [sigh]  It is project top hat for a very simple reason-- SOUND     METAL CLANK CHAMBERS     It looks like a top hat.  Original.  DILL     And what does it do...?  [hinting] PLASMUS     Stop doing that.  DILL     Sorry. PLASMUS     [launching into lecture mode] The ambulate workforce is sturdy, capable - albeit slow - and cheap, since all they require is chum, unlike human workers who not only need food, shelter, sleep, etc., but also WANT things. DILL     [muttered] Zombies want things too.  That's part of the problem. PLASMUS     Shush.  It is this volition which is the only real drawback to the use of ambulates for many sorts of work - and which gives rise to the various debates over ambulate sentience, and to use an inexact phrase - over their "personhood". CHAMBERS     None of this is news. PLASMUS     I am setting it up.  So if there was a way to mix the useful qualities of the ambulate with the mindless diligence of, say, a computer, wouldn't that improve their value? CHAMBERS     [interested] Yessss.... DILL     Of course. PLASMUS     So this mechanism will do that - replacing the corpse's brain with a limited function computer, only able to obey commands. CHAMBERS     You specify "Corpse"? PLASMUS     [pleased] Ah, you caught that.  [chuckles] Much like the pre-edict abortion debates, this idealization of ambulates leads to the nasty question of when, precisely, one goes from human, to dead human, to ambulate.  DILL     You've seen the courtroom reality shows. MUSIC COURT REPORT     We'll catch the plaintiff as she leaves.  Missus Feinman,  Missus Feinman?  How do you feel about the jury's ruling? MISSUS     Act of god, my eye!  My husband had a very clear "do not reanimate" clause in his will - but that doctor failed to catch him at the exact moment to remove the head and prevent reanimation, and now he's stuck.  MISTER     [zombie moan] MISSUS     I can't even have him decently put down, what with the iffy legal status of zombies.  [sniffles] COURT REPORT     [bland] You have our sympathy, I'm sure.  In just a moment, we'll speak to the doctor and his attorney. MUSIC PLASMUS     So we must catch them in that window - that tiny "between states" period when we can still legally treat them as objects.  CHAMBERS     And--? PLASMUS     Remove the head.  Once the head is gone, the body may yet convert, but does not move, as it has little sensory input to motivate it. CHAMBERS     You remove the head?  [Slowly gets it] And then you do - oh - ohhhh.  The Top Hat. PLASMUS     I see you are a quick thinker, Mr. Senior executive.  Yes.  The unit replaces the so-called "mind", by which we truly mean the physical brain, giving the animated carcass sensory input, all the while leaving complete control with the human controller.  CHAMBERS     Can the body re-animate, without the head? PLASMUS     Do you know how the ambi-twist works? CHAMBERS     The what? DILL     [muttered] The T virus. PLASMUS     No, no!  That is a trademarked name and cannot be used without possible reprisal!  DILL     Sorry!  That's what most people [call it]. PLASMUS     I don't want to hear it!  Besides, the ambi-twist does not make ravenous beasts.  Animates are gentle.  Like kittens. MUSIC COMMERCIAL AMB     GROCERY SHOPPING SUSY     Gee, mommy, Rolf pushes the cart real well, don't he? MOMMY     That reminds me!  We need to pick up some chum! ROLF     [eager zombie noise] SUSY     He knows THAT word! ANNOUNCER     Of course he does, but can he tell the difference between Champion Chum and the bargain brand? MOMMY     Is there a difference? ANNOUNCER     Just ask Rolf! ROLF     [sticky zombie eating noises] SUSY     [laughing] Oh Rolf! ANNOUNCER     Every zombie, every day, chooses Champion brand chum! MUSIC CHAMBERS     They're tame enough with the cricket.  If they were naturally docile, we wouldn't need it. PLASMUS     And with the top hat, there will be no need for the cricket.  Let me show you. SOUND     CAGE OPENS CHAMBERS     [horrified reaction] Oh! DILL     ugh [bland] PLASMUS     This stray dog was humanely euthanized, and the top hat was immediately attached-- SOUND     COMPUTERIZED BARK PLASMUS     We had to use a fairly large dog, so the top hat unit wouldn't overbalance it.  It was designed for a human frame-- SOUND     COMMOTION OUTSIDE PLASMUS     What is this? SOUND     DOOR SLAMS OPEN JACKIE     All of you!  Over by the wall!  [to june and fred] Get in there! FRED     Right, of course. JUNE     Excuse me.  Just - um - going through. CHAMBERS     Who the devil are you? JACKIE     I'm the one with the gun!  And I said over by the wall! DILL     She means it.  Move it!  Move it move it move it.... PLASMUS     But the dog-- SOUND     COMPUTERIZED BARK SOUND     GUN SHOT INTO CEILING JACKIE     And don't get any funny ideas.  I'm not alone. CHAMBERS     [reasonable and placating]  Tell us what you want. JACKIE     [almost a yell] I want you all over by that wall! SOUND     COMPUTERIZED BARK DILL     Already here! JUNE     Me too! PLASMUS     Allow me to-- [take the dog] JACKIE      Leave that poor thing! SOUND     COMPUTERIZED BARK JACKIE     That is exactly the kind of horrid monster we're here to put an end to. PLASMUS     Ah.  Activists.  [chuckling] CHAMBERS     Don't mock the woman with the gun! PLASMUS     Oh.  Of course. JACKIE     And what's behind here? PLASMUS     No! Don't!  It's not ready yet! CHAMBERS     What IS it? SOUND     CURTAIN OPENS JACKIE     Mother of god! MUSIC     SCENE CHANGE, AND then WUSSY POPSTAR     I know all of you have heard and most of you have enjoyed my hit single "walking away with my heart" about the plight of the ambulate.  ZOMBIE     [pathetic moan] POPSTAR     Too many of these poor once-human creatures are abused, neglected, and sometimes even abandoned to fend for themselves - forced to sell their bodies, bit by horrible bit, for the chum they need to survive.  Can't you spare just a little - the price of a cup of coffee - to help? MUSIC CHAMBERS     Just tell us your demands, and let's get on with this. JACKIE     [horrified]  What have you done to this man? PLASMUS     It is not a man.  It is a corpse. JACKIE     It's moving. PLASMUS     There's no one there.  As you can see, the computer has taken the place of its entire head, thus removing all chance of-- CHAMBERS     [hissed, annoyed] You didn't say you'd already done this to a human - [correcting himself] a human corpse, that is. PLASMUS      I simply hadn't got to that part of the presentation, yet. JACKIE     [distracted and horrified] But why? FRED     Hi-YAH! SOUND     THUMP, SCUFFLE DILL     Wow.  SOUND     GUN GOES OFF DILL     Stay back! JUNE     [indecisive but encouraging] Get her, Fred! SOUND     SCUFFLE ENDS FRED     Got her. PLASMUS     Can I have her as a specimen? JACKIE     You can't do that to me! PLASMUS     Of course we could.  We simply record that you died in an attack on our security, and your corpse will be ...recycled. JACKIE     NO! CHAMBERS     That's a bit much, isn't it? PLASMUS     [quiet] Drat.  [up] Heh-heh.  Of course.  Just a bit of - intimidation.  Hah.  Hah. DILL     Right. PLASMUS     What this young lady doesn't seem to understand is that there are many people who don't wish to return as a shambling, slow, and stupid ambulate.  Many would rather know that their mind - their "soul" - had been allowed to pass on. JACKIE     How the hell do you think you're doing that? PLASMUS     Cutting off the head.  The body is still useful - as you can see.  It can be of service to the living. JACKIE     The soul isn't in the brain.  The soul is - the soul.  It will stay around no matter what. PLASMUS     [derisive laugh] MUSIC SOUND     PARTY! BRANDON     And we're here on the dead side with the new years crowd!  They start a week early, since they know it'll take 'em that long to arrive!  Whoo!  ARIA     And the hottest thing this year is head swaps!  BRANDON     [prompting, not really questioning] Head swaps, Aria? ARIA     That's right, Brandon!  You know how zombies can cut off and attach body parts?  They recently discovered that they can swap heads!  They say it's totally the ultimate! BRANDON     Unless they sew it on backwards!  Man, that would be a pain in the ass! ARIA     Yeah, but at least you could see your ass! BOTH     [LAUGH] MUSIC CHAMBERS     Where's security when you need them? JUNE     I just called them, sir.  Apparently, they've had a number of ...insurrections. DILL     Must be how she slipped by.  JACKIE     You won't get anything from me! PLASMUS     I suppose you two will have to take her to the security office for detention. FRED     Gotcha. JUNE     Oh, me?  Oh all right. SOUND      SHE CROSSES JUNE     What was it she was looking at, anyway?  [horrified gasp!] PLASMUS     What's wrong? JUNE     [too quick, very nervous] Nothing!  I just thought it - he - it - moved. PLASMUS     Nonsense.  I haven't even woken the unit yet.  Get along. JUNE     [still nervous] Yes, yes of course!  Come on! FRED     What's wrong? JUNE     [growl] Post traumatic stress!  Get moving! SOUND     THEY LEAVE PLASMUS     Some people simply cannot handle pressure.  Come have a look at my human automaton. CHAMBERS     [slightly suspicious] He looks ... fresh.  DILL     Nice physique! CHAMBERS     You didn't - uh - kill him, did you, doc? PLASMUS     [laughs flatly] No.  He was killed in a car wreck, this afternoon.  His legs sustained some damage, but mostly superficial, and his head was completely severed.  CHAMBERS     How did you get him so quickly?  The notice to the family won't even go through-- PLASMUS     [pissed]  I could not wait for petty family concerns when this perfect specimen fell into my very lap!  And he is perfect!  DILL     Ew. PLASMUS     So I snatched him out of the hospital upstairs.  Besides.  He is an organ donor.  MUSIC INSURANCE     Do you wonder about your insurance coverage?  Concerned that you may some day cease to be human, and therefore void your policy?  We here at Practical Undead National Trust can fix that for you.  For only a few dollars a day, you, too, can have coverage that extends beyond the expiration of the body. MUSIC SOUND     HALLWAY, DOOR SHUTS, FOOTSTEPS FRED     Whew.  Should we go back, do you think? JUNE     [still bothered] I - I don't know. FRED     OK, what's going on? JUNE     Oh, Fred!  This is horrible! FRED     It was just a gun.  I don't think she would have shot either of us anyway. JUNE     Not that. FRED     Then what? JUNE     That body back in the lab?  That perfectly sculpted torso?  Did you see that tattoo on the shoulder? FRED     Not my type.  Sorry. JUNE     [very important and horrible] THAT was‑‑ [cut off with a gasp] SOUND     DOOR OPENS MUSIC LANDON     [outside, loud over background noise] You would think this was a prime place for ambulates - garbage reclamation.  SOUND      CRUNCHING EQUIPMENT LANDON     They don't mind bad smells, can't catch diseases -- and yet, most of the workers hired on at this particular municipal tip don't stay.  Let's find out why. MUSIC CHAMBERS     [gritted teeth] What do we do if there's a lawsuit? PLASMUS     [shrug] If they push it, there is an incinerator in the basement, and as long as we first remove the computer unit, the organic evidence could be reduced to ashes in a matter of hours. CHAMBERS     [annoyed, but not knowing] Do you even know who this person - corpse - is? PLASMUS     [shrug]  I read the driver's license.  Why? DILL     [confident] We'll fabricate records.  Show it was cremated by mistake.  Apologize.  Give the widow some ashes and a check. CHAMBERS     Sounds like you've done this before. DILL     [smug] Things... happen.  MUSIC BOB     Come on down to Big Bob's bob-o-rama for the finest in pre-owed ambulates!  We have 'em all from this big brute for heavy lifting-- ZOMBIE     [deep moan] BOB     To this hot little number, [hinting] nice for in-house work. GIRL ZOMBIE     [sexy moan?] BOB     Come on down this weekend, and my own gramma, an ambulate herself, will be here with her special milk and cookies!  Trade-ins are always given full greybook value. MUSIC NURSE     I'm so sorry.  There's been a little mixup.  He's... um... missing. PAMELA     [low snarl] As god is my witness, if my husband's body turns up somewhere - anywhere - on a celebrity zombie show, I will personally sue you, the hospital, Tammuz, and anyone else our lawyers can think of! NURSE     But I-- DOCTOR     What seems to be the problem? PAMELA     Are you the person I should be screaming at? DOCTOR     Well, I don't know about that-- PAMELA     Then you best point me at the right one, since some screaming is well overdue. DOCTOR     Just tell me - calmly - what this is about. NURSE     It's her husband. PAMELA     My husband's BODY, you mean!  [starting to move from anger into tears] I was informed of his accident, that he was declared [suppressed sob] dead at the scene, and when I come to claim him... [deep breath, furious snarl]  He's missing. NURSE     I'm sure it's just a paperwork snafu. PAMELA     AND I know how some of you bastards are about selling celebrity corpses!  Don't think you can pull that crap on me! DOCTOR     Celebrity?  What was -uh, is - your husband's name? MUSIC SOUND     ZOMBIE MOAN LANDON     This fucking pisses me off no end - look at that poor bastard. SOUND     ZOMBIE MOAN LANDON     Look at this hand.  Three fingers gone, from a bloody hazardous environment.  [up]  They may not be human any more, but you sons-of-bitches still have to look after these beggars! MUSIC JUNE     Landon Frost! FRED     What? JUNE     I swear it was!  It's the snowflake on his shoulder.  He got it for his wife! FRED     Oh.  That can't be good.  Should we ... tell them? JUNE     Well...he IS dead.  Nothing'll change that. SOUND     DOOR OPENS, MANY FEET COME STORMING IN PAMELA     I already have Landon's private security at all your exits, and will personally go through each and every room until I find him - so you might as well hand him over. DOCTOR     But, but.. PAMELA     First, you are taking Big bill, here, and I down to your bloody incinerator -and don't try to tell me you don't have one. DOCTOR     Why? PAMELA     So no one has access to destroy the [falters] the ...evidence. SOUND     DOOR OPENS, THEY PASS OUT AGAIN FRED     Is that--? JUNE     [fatalistic] Oh boy! MUSIC LECTURER     We must stop treating ambulates as objects and start treating them as people - people very nearly like you and me.  With a bit of practice, anyone can speak clearly and slowly enough for a zombie to pick up on it.  SOUND     ZOMBIE MOAN LECTURER     If we could only follow the moans and groans of a group of zombies, I'm sure complete and fascinating conversations are going on, right under our disinterested human noses. MUSIC DILL     [on phone]  So soon?  Well, I guess we move on to plan B. [pause] She is? [upset] oh. SOUND     PHONE DOWN CHAMBERS     What is it? DILL     I - they-- PLASMUS     Quiet, please!  Time to turn it on! DILL     This may actually be a very bad... thing SOUND     A COUPLE OF ZAPS SOUND     RUSTLE CHAMBERS     Is that it? PLASMUS     Do you need me to shout "it's alive"? LANDON     [computer noise, not quite speech] DILL     Ohhhh boy. CHAMBERS     Does that thing make it able to talk? LANDON     [machine, more gobbledygook] PLASMUS     Ambulates have always been able to talk.  They simply operate on a much slower scale than we do.  It is something about the brain synapses, the ambi-twist simply cannot get them back to normal speed. DILL     [prompt] They're how much slower than humans? PLASMUS     I said not to do that. DILL     I was just asking,.  Really. PLASMUS     They operate somewhere between 20 and 50% slower than humans.  That is why they have to be spoken to slowly. LANDON     [machine] Fuck you! PLASMUS     [chuckles] Or not. DILL     [gasp] Is it supposed to do that? CHAMBERS     I thought you said that removing the head should negate the personality. PLASMUS     I'm sure it is just something programmed in.  My computer expert has quite a sense of humor. LANDON     [machine]  What the hell is going on? PLASMUS     [worried now] Or... not. DILL     This was supposed to make it docile!  CHAMBERS     At least the thing is tied down. SOUND     RIP OF RESTRAINTS PLASMUS     [frightened] Or... not! MUSIC TEACHER     Turn to page 40.  The chapter on the ambi-twist.  Amy, will you start? [grade school students, who read more or less well] AMY     The ambi-twist was a genetic modification first pioneered by Tammuz Corporation. BOBBY     With the best of intentions, this benevolent corporation was trying to help people. CORA     To overcome the issues with tissue rejection and make transplants one hundred percent successful. DESMOND     But the ambi-twist went a bit awry. [after a pause] ELLIE     [whispered] You have to read more. DESMOND     nuh-uh.  Not my fault it's a short sentence. ELLIE     Fine!  [ahem]  The ambi-twist altered the genetic makeup of the intended cells, yes, but it did not stop there, instead running amok through the entire body and giving the cells a life of their own. FRANK     Most of the population now carries the ambi-twist virus, which has little to no effect on them ... during their lifetime. DESMOND     [spooky noise] ooo-OO-oo EVERYONE     [joking zombie groans] MUSIC NOTE     LANDON IS COMPUTERIZED FROM HERE ON OUT LANDON     Why so gob-smacked?  Where the fuck am I? SOUND     THUMP GETTING OUT OF BED, FOOTSTEPS PLASMUS     This is very bad.  DILL     It's coming over.  Let me guess, it can see and hear through the computer unit too? PLASMUS     [wry]  Of course.  What use is a unit that bumps into walls and can't follow orders? LANDON     Is anyone planning to answer me? CHAMBERS     Look, you.  You've died and are now property.  Just lay back and shut up. DILL     Oh boy. LANDON     No, you look here, you lump of festering dog turd!  If I were dead, and I don't believe it for a minute - I have very specific contingencies in my will.  PLASMUS     [chuckles] Speaking of contingencies-- SOUND     SHOTGUN RACKING PLASMUS     I would call this experiment a conditional success. SOUND     SHOTGUN BLAST MUSIC HUSHED MC     And the ambulate "Gracie's darling" is now approaching the steps.  This is a level three hazard, since it typically takes an ambulate several tries.  Oh!  She's on the first step!  Very nicely corrected a stumble and managed to stick the second step.  Ah, but she's faltering -- Momentum can only carry one SO far, and this is where balance truly comes into play.  [gareth bowley] MUSIC SOUND     DOOR SLAMS SHUT CHAMBERS     Holy cow! PLASMUS     [gleeful] Did you see how fast it was? DILL     You mean when it walked off with your shotgun?  I thought we were done for! CHAMBERS     Looked like it nearly took your hand off, too. PLASMUS     [dismissive] It's broken,  It's fine.  [up] We must follow it! CHAMBERS     Get security on all the doors! DILL     On it. PLASMUS     Try not to hurt it! CHAMBERS     Belay that order.  Take that thing down at all costs.  And definitely before it leaves the building! MUSIC SURVIVALIST1     I don't care how many times they take this feed down and report me - I ain't gonna stand by and let them goddamn walking dead take over.  Since every one of us as dies turns into one of them, ain't no way we can keep ahead unless we thin the herd a bit.  SURVIVALIST2     Hell yeah.  Now on the chart behind me, you see a human-- SURVIVALIST1     or zombie-- SURVIVALIST2     right, "or zombie," body with various areas marked in red.  Those are your standard  targets, right there.  The head is, of course, the primary, since the bastards won't stop walking without that being gone. SURVIVALIST1     Even that don't put 'em down right away, but if you can get it GONE-- SURVIVALIST2     Sure is funny to watch them bump into walls, in't it? BOTH     [laugh] MUSIC AMB     HALLWAY SOUND     ALARMS, RUNNING FEET IN DISTANCE JUNE     Why do I suddenly feel like a job change? FRED     I'll help with the resume.  Let's scat.  SOUND     RUNNING FEET APPROACH JUNE     Oh shit! [dragging him out of the way] Over here! LANDON     Run, you little buggers!  I'll blow your fucking pop stand wide open!  FRED     Holy crap! JUNE     Ssh!  Maybe it won't notice us! LANDON     What are you looking at? FRED     Too late! JUNE     Please don't hurt us! LANDON     Hurt?  HURT?  I'm going to ruin you snotty little gits! FRED     Ruin, I can live with. SECURITY     Stop right there! SOUND     ASSORTED ZOMBIE MOANS JUNE     Sock troops! LANDON     [machine] Is this some kind of a sick joke?  Turning THEM against ME? SECURITY     Lay down the weapon and come along quietly, Top Hat. FRED     Top hat?  What is he, a Batman villain? MUSIC MOVIE ANNOUNCER     He was a normal boring man. NORMAL MAN     Hey honey - be late tonight. MOVIE ANNOUNCER     With a normal boring Life. NORMAL MAN     Yes, sir, I can get that done for you this afternoon. MOVIE ANNOUNCER     Until the day he died. NORMAL MAN     Excuse me - I feel - my chest - urk. SOUND     THUMP, DROP PHONE, ERROR TONE MOVIE ANNOUNCER     Now he was to work his way back to the top, against all odds... Coming soon-- NORMAL MAN     [zombie moan] MOVIE ANNOUNCER     --A NORMAL MAN starring Justin Bieber and an undead Jim Carrey. MUSIC JUNE     [up, yelling] We're not with him! LANDON     Toady. JUNE     We DO work at Tammuz. LANDON     This is Tammuz? SECURITY     You have a count of 5 to put down the shotgun.  ONE. [continues] TWO. THREE. FOUR. FRED     Haven't you noticed the logo everywhere? LANDON     My vision is ... strange.  [musing]  Tammuz.  The one place I could never get into... FRED     Not surprising. SECURITY     FIVE!  Get him! JUNE     They won't shoot in here - too many things  might blow up.  LANDON     What?  Helping me? JUNE     I love - loved your show. LANDON     Don't be surprised if I'm back on the air soon. SOUND     HIGH PITCHED WHISTLE FRED     Ow! JUNE     What the heck? SECURITY     I said get him, you maggoty turds!  Why are you stopping? LANDON     huh.  Funny how I knew to do that. MUSIC NOTE     Ad also plays, under, at very slow speed - for the ambulates watching. EDNA     Edna's chum on the go!  Whenever you're out and about, and no time to get home and feed the ambulate in your life, drop round to Edna's Chum.  We have the best quality, tastiest chum around - hot and fresh, just like mother might have made.  Available for dine-in, drive through and even delivery!  MUSIC PLASMUS     They have him cornered in sector five, west corridor!  Checkpoint X-14.  I must reclaim the unit after they take the body down. SOUND     PHONE RINGS DILL     I'll catch up.  You guys go on ahead. CHAMBERS     Hah!  You're not weaseling out that easily. DILL     One sec [to phone] Yeah?  Oh brilliant.  That's just the cherry on top. SOUND     HANGS UP CELL DILL     [annoyed] Guess what? PLASMUS     [threat] I have a taser here somewhere-- DILL     Okay! Okay!  There's a woman upstairs demanding her husband's body.  And because this night isn't deep enough in the shit, I have a feeling she's related to-- CHAMBERS     Oh IS she?  [chuckles]  We might be seeing daylight.  Come on. MUSIC NIGERIAN SCAM     With reverence I am contacting you.  I hope you will overlook my poor typistry.  I am a recently deceased individual that managed to conceal a large sum of money before joining rank one of the walking dead.  MUSIC SECURITY     Tell me you saw that, too. FRED     You mean how he just, like, whistled and all the zombies trotted off after him like the pied piper of Hamlet? JUNE     Hamlin. SECURITY     Yeah, that.  Good.  Now when I make my report, you two can back me up. FRED     Oh, uh-- We were actually leaving. SECURITY     I don't think so. JUNE     Not Leaving leaving.  We have to get back to our -uh- posts. SECURITY     That's different.  I'll give you an escort. FRED     Oh, boy. SOUND      DISTANT FOOTSTEPS PAMELA     You!  You there!  I want a word with you! FRED     Us? JUNE     Him.  you. SECURITY     Oh, me.  Yes ma'am? PAMELA     You look like someone in charge here.  You will tell me where my husband's body is! JUNE     Oh that.  He went thataway. PAMELA     WHAT? MUSIC ZOMBIE LIB     If you can understand this, you are one of us, my zombie brother or sister.  Come to the house with three crescent moons over the door, and we will guide you safely to our side of the wall.  Liberty for all! MUSIC SOUND     SHOTGUN SHOT INTO CEILING LANDON     I'm done fucking around.  You let us past, or the next shot brings you to OUR bloody side! COP     I can't!  I-- the door is on autolock!  Please, uh, mister - I got a wife and kids-- LANDON     You stupid little shit!  I have - had a wife to, but whatever genius did this-- PAMELA     [off a bit] Landon? LANDON     Oh my god.  Pamela? PAMELA     What did they-- [more concerned than panic] your head! LANDON     It's some insane experiment.  I'm dead. PAMELA     You can still see and hear me?  [wonder]  But you're not slowed? LANDON     Yes, I-- [REMEMBER STUPID ZOMBIE DOG ALL THIS TIME] COP     Sorry, sir, but I have to-- SOUND     SHOT ZOMBIEDOG     Leaps in the way of the bullet, body drops and hat goes flying, COP     Oh, shit. LANDON     Give me a minute, dear. PAMELA     [furious] Give me your gun. LANDON     No need. SOUND     WHISTLE ZOMBIES     [attack] COP     I was - I didn't - oh! LANDON     Poor stupid animal.  PAMELA     If not for that thing, you'd be dead. LANDON     I'll take this. SOUND     PICKS UP TOP HAT CHAMBERS     [coming in]  No, we'll take that.  Both of them, in fact. MUSIC ZOMBIE MAN     Look at me.  Now look at your zombie.  Now look back at me.  Your zombie will never look as good as me, but it can smell as good as me, with special deodorant soap from--[danar?] MUSIC FRED     [quiet] back away, quietly. JUNE     [quiet] If we can just get past the corner... LANDON     Who the fuck do you think you are? FRED     Helps that he's keeping their attention. CHAMBERS     We're the owners of that gadget you're currently wearing, and we want it back.  YOU, on the other hand, are expendable. LANDON     And you think I'm afraid of your gun?  If anyone knows how durable the undead are, I should bloody well think it was me. FRED     [quiet] I'm clear! JUNE     Just a bit more... SOUND     GUNSHOT CHAMBERS     The next one goes into HER. JUNE     [off] Her?  [gasp, then relieved] Oh - her - his wife. LANDON     You wouldn't. PLASMUS     You might want to consider-- CHAMBERS     Shut up - this is all your fault anyway. PLASMUS     But-- LANDON     Get behind me, dearest. PAMELA     He can't be mad enough to shoot me! CHAMBERS     Oh, I'm flipping furious, lady!  LANDON     She doesn't mean that kind of "MAD", you festering moronic baboon! MUSIC INTERVIEWER     We have an interview with someone actually on the scene.  What precisely was going on? JUNE     It was pandemonium!  The ambulates were just walking away after the ... uh, stranger. Interviewer     Like the pied piper of hamlin? JUNE     Or like spartacus. FRED     And when Mr. Chambers - I mean the defendant - shot Mrs. Frost-- JUNE     We're not supposed to talk about that! FRED     That's why they're pixilating our faces, isn't it? JUNE     That's next week's interveiw - this one is live! FRED     Oh shit.  Oh! INTERVIEWER     Now that you've started, you might as well finish.  What happened next? JUNE     [exasperated sigh] There goes our exclusive! MUSIC SOUND     GUNSHOT LANDON     Bastards! SOUND     HIGH PITCHED WHISTLE SOUND     ZOMBIE MOANS IN RESPONSE LANDON     [snarl] Bring me THAT one! PLASMUS     Which?  Oh! CHAMBERS     Stay back! PAMELA     [expiring]  Landon?  It hurts! LANDON     Hold on, dearest.  Keep breathing.  SOUND     GUNSHOT SOUND     ZOMBIE MOANS CHAMBERS     Get out of my way, you maggots! FRED     Come ON, June! JUNE     I have to see how it ends! SOUND     GUN SHOT JUNE     [gasp]  Or not! SOUND     ZOMBIES MOAN PLASMUS     Let go! don't touch me!  Ew!  Does anyone have some purell? PAMELA     [very weak]  Landon?  What- [gasp] what are you thinking? LANDON     Is it hard to implant the top hat device? PLASMUS     It's quite simple really - the connections are made remotely inside the wiring, so the longer it is on, the more enmeshed the interfaces become-- LANDON     Take this. SOUND     CLANG OF DOG'S UNIT PLASMUS     What do you--?  [realizing] Oh. MUSIC INTERVIEWER     But the zombies didn't harm Mr. Chambers? JUNE     He wanted - Landon wanted for him to stand in a human court for trial.  FRED     He said something about rotting in hell, but his accent was getting really thick. JUNE     He was crying! FRED     He's a computer.  I mean, the voice, at least, is computerized.  Why would it get choked up? INTERVIEWER     [to camera] Even now, Chambers is standing trial for the murder of Mrs. Pamela Frost.  While the videographic evidence is very convincing, the lack of an actual body has been a point hammered on by the defense. MUSIC SOUND     CRACKLE of STATIC, THEN FOCUS SOUND     [both are clearly computerized] LANDON     Can't broadcast too long, don't want you to trace us. PAMELA     We want to reach out to everyone who has been affected by the blight that is Tammuz. LANDON     Know this - relief is coming soon.  For now, just walk away, wherever you are.  We'll find you. PAMELA     And Merry Christmas, everyone. SOUND     HIGH PITCHED WHISTLE SOUND     ZOMBIE MOANS FILL SOUNDSCAPE END

Gunfighter, animator, filmmaker…I love the labels off-roaders accumulate. Everyone comes with a myriad of talents. Krawlzone.tv creator, Nathan Riddle, has been bringing us off-road content for more than ten years; it's an awesome history. Listen in to Episode 140, and if you need to catch up – you can find all episodes on your favorite podcast apps, YouTube or www.bigrichklein.com 4:29 – “Hey, I've got an idea”8:00 – A theme that we've kept all the way through, the passion and connectedness of the community18:57 – the cool thing about Sand Hollow is actually blazing new trails 23:36 – I was a little jealous that I didn't get to participate in Little Hollywood with John Wayne walking the streets29:55 – I was a Jeff Foxworthy kid, “if you live in a house that's mobile surrounded by a dozen cars that aren't…”36:57 – I moved over to Spacestation Animation, and the whole ecosystem is well over 150 people44:56 – having more of an authentic come along, come hang out with us50:36 – oh, hey, we're out here on the trail with “Nobody”We want to thank our sponsors Maxxis Tires and 4Low Magazine.www.maxxis.comwww.4lowmagazine.com Be sure to listen on your favorite podcast app. Support the show

Otaku Spirit Animecast podcast covering the news of anime and community questions! News Included: Studio Ghibli Animates Star Wars Short, Sword Art Online new Original Film, Kuma Kuma Kuma Bear 2, Kaguya-sama Love is War Mangaka's Future, Mushoku Tensei Eris Spinoff Ends, Rurouni Kenshin Remake, Nier Anime, Atri My Dear Moments Anime, Elon Musk Memes, and more! Tips: https://streamelements.com/otakuspirit/tip Patreon: https://www.patreon.com/OtakuSpirit Merch: https://otaku-spirit.creator-spring.com/ YouTube: https://youtube.com/otakuspirit Discord: https://discord.com/invite/rF8JKFCscT OSMusic: https://open.spotify.com/playlist/5aQWhNSReEJN27iO8xTIEQ Website: https://OtakuSpirit.com

In the Philippines, comics have become more than an art form—they provide a sense of identity, a source of meaning, and a promise of company. Today, the community of komiks artists and enthusiasts buoy themselves through spirited and fervent komiks conventions—partly in their bid to keep the legacy of the medium alive amid the rapidly evolving digital age. Join us as we go On Point with Sskait comic artist AJ Bacar, as he discusses how the community has adapted to these changes and what this means for the thriving art of komiks in the Philippines.

All humans live from and out of their deepest values. From where we spend our time, to how we budget our money, to the influences we allow into our lives, each of these reflect our values. Neighbors Church is spending this fall revisiting + establishing the values we want to truly live from as Jesus followers. Each week we will tell the story of how our values have carried us thus far and how they will shape our future as the family of Jesus.

Nancy Pearcey is the author of Love Thy Body: Answering Hard Questions about Life and Sexuality, as well as The Soul of Science, Saving Leonardo, Finding Truth, and Total Truth. She is professor and scholar in residence at Houston Baptist University and has been highlighted as one of the five top women apologists by Christianity Today, and hailed in The Economist as "America's pre-eminent evangelical Protestant female intellectual." Nancy Pearcey joins the show today to discuss her book Love Thy Body and the foundational religious premise that animates secular progressivism today. What has come to be called body-self dualism or the fact-value split, Nancy explains how this religious worldview drives every forward movement of the secular moral revolution. Rather than dealing in bits and pieces with these culture war issues, Nancy argues we must identify the underlying worldview behind it all if we're going to be effective. While secularism offers a hatred and dismissal of our bodies as the result of mindless, purposeless forces, Christianity offers a high view of our bodies as intrinsically valuable with a purpose. Seth and Nancy discuss the consequences of this key feature of “progressivism” and why separating our rights from our human nature ends in disaster and despair. And lastly, Nancy leaves us with positive ways to argue for the Christian view of the body against the culture of death and their assault on the Imago Dei.  Date: 09/09/22 To help UnAborted create more pro-life content and take our content to the streets, become a Patron of the show at https://www.patreon.com/unaborted To help Seth educate and expose culture to the evil of abortion so that every person has a right to be born, become an ALLY of The White Rose Resistance at https://thewhiterose.life

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Ken Priebe is an animator, illustrator, and author whose new book is a mystery in which a Goblin king is killed and readers get to figure out whodunit. It's a super fun book with a great interactive puzzle and you should read it. But first, check out our conversation with Ken! We talked about snacks and Canada and illustrating and, well, goblins (of course), and a bunch of other miscellaneous topics. Plus: As usual, this episode includes snack time, riddle time, book talk, and another edition of Lazy Words! Thanks for listening! See acast.com/privacy for privacy and opt-out information.

This episode features independent stop motion animator D.M. Galloway, who animates action figures for a living. Over the years he's worked with brands like TMNT, Iron Man, Halo, and Captain America, and in this chat he's going to share where it all began. Tune in to Ibele and Galloway to hear: *How Galloway grew a following of over 100K subscribers on YouTube from scratch *How Galloway manages to make brand deals *What goes into to creating action figure stop motion animation ~[Sponsored Message]~ This episode is sponsored by Cloud Stop Motion who've created possibly the easiest way to start animating from your phone, tablet, laptop, or desktop in seconds. Simply go to www.cloudstopmotion.com and click "start animating". Their software works in any modern browser and your files are instantly saved to the cloud. The best part is that they are completely free to use up to 500mb of storage, which is actually quite a lot. They're especially useful if you're teaching a class since you can create an organization account which comes with 2GB of free storage as standard, and allows the creation of unlimited student groups and profiles, all of whose projects and work you can view for yourself from your admin account. ​ Go to www.cloudstopmotion.com to see how easy it is to get started now. ~ Social Links: *Follow Galloway on Twitter: https://twitter.com/DGDXAnimation *Check out Galloway's website: https://www.dmgalloway.com/ *Follow Galloway on Instagram: https://www.instagram.com/dgdxofficial/

As we head into the next presidential campaign season, it would serve us well to remember how leftist hatred and the lies they created to serve their hatred have caused ordinary Americans to suffer. Leftist hatred of former President Trump resulted in the election of the senile mob boss Joe “Bananas” Biden, who has destroyed virtually every good thing Trump did during his four years in the White House. With his ill-conceived COVID and economic policies, Bananas Biden destroyed a once flourishing economy that helped communities of color. Democrats don't really care about the welfare of those communities. Rather, they exploit those communities for votes. If they did care, they wouldn't incentivize fatherlessness, celebrate single-sex family structures, and deny families school choice. If Democrats did care about families of color, they wouldn't defund the police and release criminals who plunder communities already ravaged by crime and poverty. While Trump presided over the historic Abraham Accords and foreign policies that kept bad actors in check, the feckless Biden emboldened tyrannical regimes. Read more...

As we head into the next presidential campaign season, it would serve us well to remember how leftist hatred and the lies they created to serve their hatred have caused ordinary Americans to suffer. Leftist hatred of former President Trump resulted in the election of the senile mob boss Joe “Bananas” Biden, who has destroyed virtually every good thing Trump did during his four years in the White House. With his ill-conceived COVID and economic policies, Bananas Biden destroyed a once flourishing economy that helped communities of color. Democrats don't really care about the welfare of those communities. Rather, they exploit those communities for votes. If they did care, they wouldn't incentivize fatherlessness, celebrate single-sex family structures, and deny families school choice. If Democrats did care about families of color, they wouldn't defund the police and release criminals who plunder communities already ravaged by crime and poverty. While Trump presided over the historic Abraham Accords and foreign policies that kept bad actors in check, the feckless Biden emboldened tyrannical regimes. Read more...

Kev is a comic book artist, the art director of Hulu's Hit Monkey with Jason Sudekis worked on 8 seasons of FX's Archer including the upcoming one, and share his new rock ep Songs from the Giant's Chair

Cato Institute senior fellow Tom Palmer is on the ground in Poland and Ukraine. We discussed the broad liberty movement's role in providing humanitarian aid and the collectivism animating Vladimir Putin's aggression. See acast.com/privacy for privacy and opt-out information.

Today we are talking with the animates and retelling some stories and opinions while also discussing what shows they would like to see as TTRPG See acast.com/privacy for privacy and opt-out information.

Baseball, black magic, corruption, drugs, murder and poop jokes in the Florida Keys. Join us as we cover the mysterious 1976 disappearance of Key West fire chief Joseph Anthony "Bum" Farto. Transcript, sources, links and more at https://order-of-the-jackalope.com/with-both-hands/ Key sources for this episode include contemporary reporting by Rick Ratliff in the Miami Herald and later retrospectives by David Sloan in Keys Weekly.  Part of the That's Not Canon Productions podcast network.  This week we're cross-promoting with fellow TNC podcast Cartoon Time Machine! Join the AniMates each week as they look at beloved cartoons from the past, present, and future.  Discord: https://discord.gg/Mbap3UQyCB Instagram: https://instagram.com/orderjackalope Reddit: https://www.reddit.com/user/orderjackalope Tumblr: https://orderjackalope.tumblr.com Twitter: https://twitter.com/orderjackalope Email: jackalope@order-of-the-jackalope.com

Happy New Year Ladies and gentlemen from the AniMates team! This episode Kevbo & Murkz kick off 2022 with an update of where AniMates has been, Bleach Trailer , what anime they are currently watching, some AniMates Trivia and AOT Discussions! ENJOY! To join the conversation please use the hashtag #AMPOD on socials at AniMatesTV_ https://linktr.ee/animatestv

Two-time Oscar-nominated animator, writer and filmmaker Don Hertzfeldt is considered one of the most influential figures in animation. In his first-ever formal podcast interview, he breaks down the long journey that went into making his 2012 feature film, “It's Such a Beautiful Day.” The existential story at the heart of the film often mirrors many of the challenges Hertzfeldt faces as a fiercely independent animator with a do-it-yourself approach. His process is arduous, to say the least. The legacy of “It's Such a Beautiful Day” and Hertzfeldt's iconoclastic filmmaking technique continue to influence a whole new generation of animators to this day.

Ben Langford preaches a sermon on James 2: in a series entitled "The Letter of James: Wisdom from Above."

On this episode of Cartoon Time Machine the Animates welcome back their producer, Rachel, to talk about the newest installment in the Hotel Transylvania franchise, Transformania! Wait.... did it not end up getting released? Oh, well, this is comfortable. Instead, please enjoy this thorough recap of the first three movies in the franchise and their many top-notch visual gags and third act shortcomings. Editors Note: During the recording of this episode the Animates had some technical difficulties that are reflected in momentary lapses in audio quality throughout the episode. We are working to ensure that this does not happen again in the future. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The post 'Worship Animates Evangelism…' appeared first on The Anglican Connection.

I wanted to set in that corner there, because lizards are here first. Guess I've just said somewhere else. So the lizards moved. So I took their spot. And I just met a really friendly bunny rabbit. And some butterflies on a hike I went on today that was probably about four hours. So I'm a little bit tired. And I was thinking about flow as choiceless awareness when I was on the hike, because of what Jamie wheel and Steven Kotler talk about, if somebody is like falling to their death, and they managed to save their life. And their reaction time and their calculation of things, is faster to the point where they're able to save their life somehow. And basically, they're saying it's faster than conscious choice. What is conscious choice, it's a bunch of programs overlaid over our senses. So instead of sensing and acting, we're enacting this so called conscious choice. And so they're studying how it's easier to get into flow in these states, where the body is put under sort of extreme circumstances. And in those extreme circumstances, there's no point in choosing with those programs that we've been conditioned into seeing through. So it's a bunch of conditioning, that is the thing that we think chooses. And all of that is the accumulated me programs and, and knowledge, so we're choosing through our knowledge. And that knowledge is overlaid over our senses. So we're not sensing things holistically and acting with our senses without thinking. And so what I'm saying is that, to me, it sounds like what Krishnamurti talks about with choiceless awareness. And what that means, in a way is that there's no programming, they're doing the calculating, which is the choosing. So if, if there's no one there choosing, then what is choosing? Well, what is choosing when one is falling to one's death, and managers. Without thinking, like, basically, the person is falling in Gravity faster than thinking. So gravity, the speed of gravity, and falling in Gravity is faster than thinking, we can't think and decide, oh, I'm gonna put my hand here and I'm gonna put my hand there, and I'm gonna do this and that something else comes in. So something else is choosing something else is moving us and animating us. When we're falling at the speed, that gravity induces on us. And I feel like in a way, consciousness itself chooses, but it's not really choosing. So an ego mi program might choose between a bit or B bit. Whereas when there's no programming they're choosing then there's infinite bits available. And the conscious will or the me or the ego is choosing between very limited amount of bits, that it's been programmed into choosing between. And so I was thinking about how, while walking down the mountain, down the switchbacks that when we walk And we're going down a mountain we fall. So we're not actually walking as much as falling in gravity. But we're able to control that with our legs. And in the same way, we might think we're choosing to move our legs, but we're just moving our legs and gravity's helping. So there's this sort of play between the two, there's this dance. And I feel like we also have a field of consciousness. And the programming prevents us from falling in the field of consciousness. Whereas if we were just falling in the field of consciousness, that field of consciousness, in combination with it, impressing upon all of our senses holistically would animate us, and that would allow us to act without choosing. So much of our movement anyway, we don't choose to do but it's sort of partly gravity and partly us. So I think there's this other element, this field of consciousness that in a way, in map consciousness, we're falling in the field of consciousness. Without the programs in the way, the programs are kind of the net, the parachute that allow us to sail through life and give us time to like, make these decisions and things when another parachute is a false structure. So the reason I'm saying this is because it demystifies it in a way, not just these few words about it. But to act like it's some big mystifying thing that we need to be falling out of the sky in order to go into is making it seem like it's something so on unattainable. I feel like the field of consciousness. It doesn't choose that makes it sound. The field of consciousness animates us. So just like walking down a hill in the field of gravity, the field of gravity is helping to animate us. So the field of consciousness when it interacts with our body, and all of our senses, animates us. But there's this tension of our programs that constricts us, and actually keeps our animation very limited and fragmented. According to very few programs, it would be like being in a video game and having very few moves that one can do on the controller. It's like the difference between the original Nintendo system and Sony PlayStation, the latest one, there's just so much more that one can do. So the original controller would be like the choices, the programming that we have now. And we're being controlled by the programming as opposed to the totality of the mind and the field of consciousness and the universe. I can see this stuff so subtly and clearly. It's fascinating. It's like studying the animation of the mind. And I'm wondering if the self dialogue about all of this is seeing all those subtle nuances of it. To learn that language, and then it's like progressive training of seeing and perception Because the first experience of map consciousness is so intense, but then as one explores the subtle nuances of mapping consciousness itself. If one is seeing it that way all the time in daily life, then it's not like being blind one day, and then having full vision, the next. It's having that vision every day. And then it just seems normal. And again, I still haven't come off my medications or anything. But I'm hoping to do that when I get back home. I'm not sure what the language is. But I also feel like it's the language of, of beauty. Because beauty isn't human abstractions and programs. It's not the way we've been trained to see. But it's everything else. So one way to see beyond it would be just to see when one is seeing something that is a human construct. And I wonder if words can be used in service of beauty. I think that must have been how they originally came about a sense of awe and wonder. But now they're being used to divide up and fragment the beauty. At which point, it's no longer beautiful. And perhaps we need to speak that language, again, in order for the human brain to allow human consciousness to fully inhabited again, in terms of the upcoming generation. And we have all these words running through our nervous system like static like noise. And we don't have words and perception of beauty running through our nervous system. And our nervous system is designed to perceive beauty. So if we want to get back to its original function and design, then learning that language is important. I was saying to someone that if you ever see me kind of just standing there and walking in circles, maybe that I'm in a holding pattern, waiting for the next thing to catch my attention. Someone to walk up and say, Hey, you want to do this? Or do you want to do that? It really is just like wandering with love, like that shirt that I have. And I feel like the mental health system could be a type of holding pattern for people, it's holding them in that pattern. But we can also start to transform into wandering with love. And wandering with love in a way is like allowing the field of consciousness to move us an understanding that it will catch us just like our legs will catch us each step we take down a mountain. Right now we don't use all our senses. We just use our me sense, which is our programming. We filter everything through the me and we make choices based on that. Can we allow our senses to be in the field of consciousness and start to awaken our senses holistically and move us as The moment just like we move with gravity, what can we gravitate towards? With consciousness? What can we conscious Tate towards? So part of it is learning the language of perception, perception action in the field of consciousness. And partly why things can get a little bit dicey is when we're in the field of consciousness in lower levels. And a lot of times we act accordingly, we act out that level. And I feel it's important to sort of protect oneself from that. Because we become more like ping pong balls, then having these programs of control. We could even imagine that everything we think and imagine if we projected it out of our eyeballs, and that energy of those images and sounds actually has force in terms of making something happen. It's an active agent. So what is the light coming out of one's eyes? Is it good images or bad images? And beyond that, what about no images, because the image we're projecting from our eyes is the choice we're making. we're choosing to extract that information from reality, which is usually based on old information. And so not projecting any images and being choiceless li aware is a qualitative difference. And then anything is possible because our perception is clean and consciousness itself. That energy field of consciousness can animate us towards that which the mind would want us to create. And these images that we make are our partiality. And they make life partial. And we're re experiencing from these old partialities. And it's actually a limiter. The light and sound we project from ourselves limits all of the information out there. And I don't know what I don't know to what extent that is necessary. It seems to be necessary. actually feel like the consciousness animating us versus choice from programs. It gestures us, it acts through us, as us. And through those actions. We move towards something else then. Our programs which is actually moving away from life. It's contracting away from life. It's contracting away from actually meeting the mind. And when the mind and the human beingness meet. And there's no me as this mediator. Then the mind is what moves us consciousness And then anything becomes possible. And I feel like in a way, with these crisis events that seem to happen, it's like going as far along as one can, on that particular path of the mind animating oneself. And then one gets to the limit and it becomes fearful. And it's a type of death in a way. I feel like one could be dying to alternate realities. Because one sprain is in the quantum state. And then when one goes far enough along that path, certain realities have to die. But one experiences that as something terrifying. And one might even have to experience that extreme terror in order to sort of save other people from experiencing that. Because there's so much terror out there that people are not experiencing, because they're using certain means to get through it. And there's nothing wrong with that, per se, but it's not resolving those energies, they have to be resolved some way. In consciousness. I don't quite know how that works in terms of this whole mechanism of terrifying pneus. I feel like we could gesture ourselves quantum. I wonder what kind of lifestyle design would facilitate being open to possibility and, and moving in possibility as possibility. Instead of moving in programs as programs, and I've already had that sensation in my consciousness, I'm just wondering why it seems to for burnout. And somebody once said to me, of higher level of consciousness, don't push let it come to you. Not really sure what that means. But I feel like it partly means that it doesn't take time. So it doesn't matter if I sit here in the same spot for 10 years. And then if I got up and I was moving in possibility, whatever was meant to be created, could be created very quickly. Or it could be created the same way if I got up and did that now. So it doesn't really matter. In terms of time, and it's already here, it's a matter of really just going for it, I guess. Whatever that is. And I feel I'll take some time to figure that out. Maybe I'll continue to wander after this.I was reading a bit of a book by Krishna Murty called fire in the mind. And there was a bit in there about listening. He said, Those who are passionate to find out who want to hear will listen, not to me. And then he said, it's in the air. And I think that's the subtle hearing of insight and seeing of insight. And I sort of realized that seeing in that way is harvesting insight and giving voice to it. Seeing those subtle things, I can see what I'm saying. But it's hard to really put words to it. And then I also realized in a way, I'm harvesting my mania right now, even though I'm not in the state of mania, I feel like I'm doing everything I would be doing. If I was really manic, but I don't feel manic. So I guess I'm embodying my mania. But I'm also talking about stuff. And I'm taking pictures of my notebooks and posting it on my blog at a later date. And that's something I would totally do, if I was just really manic, I would think, Wow, this is so profound, I need to share it. And I'm not even thinking it's so profound, I need to share it, I'm just sharing it for the heck of it. To really not have any build up of anything, partially, because I just forget. So I can't even really think of accumulating stuff and then waiting and then sharing it later has to be done right away or not at all. And that's kind of part of how the mind works in the process. So it's just going according to a different an edited process. And that's the thing, too, is when one gets into that state of consciousness, it's an unedited state, there's no pre forming of words and planning what to say. So just really getting with that in every aspect of life. Not thinking anything is worth clinging on to for later. So I'm wondering if I'm in that higher energy state, but not feeling it. And I talked about in earlier videos, how the neurology grows in ways to be able to contain and harness that energy and not be overpowered by it, because there's more nerve tracks for that. And I don't even know if that's true, but it seems to have some kind of truth to it. So I'm doing these actions that I would do if I was really manic, but I'm not. So in a way, I'm just living that way, congruent with what that energy would animate me to do. beyond my suppose of control, but the thing is, once I have the nerves for that energy to animate me in that way, it doesn't feel like I'm out of control. Because it's not energy beyond that, which my nerves can handle. If you know what I mean. So in a way, if I was surfing a wave that was bigger than the one I'd ever surfed before, I might feel like I'm gonna fall or I'm out of control. Whereas if I have served that same size wave a million times, it's gonna feel natural. So it's the same thing with serving consciousness, that wave of consciousness, energy comes in, and the nerves have to get used to moving in those ways. And that consciousness can come in and take over any one of us. So really being able to move with the wave Consciousness is imperative. Because if a big wave comes in and takes over even more people, it's going to be really chaotic. So the more we can move towards embodying those gestures and ways of being, the better. And I had the sense that choice is a program choice itself. And that is the fundamental program. Whereas when that program is gone, then there's just the census on adulthood. by choice. And I feel like what that consciousness is, is the unknown in a way, so we have to be fully able to sense the unknown, and act accordingly, instead of being always projecting our programs, and then acting based on that. And one can have access to that energy and be acting and acting and acting with the unknown, and then get to a point where it's beyond the comfort zone of the nervous system. And it gets freaked out and turns back. And I wrote down, there is a possible world filled with love. If we were all filled with love, if we're all moved by love, what kind of world with that great. And I feel like the real app of reality is epigesturetics. Every move we make is recorded in the fabric of reality and moves us towards a certain possibility, we can choose a different action. The next moment, if we're always acting, based on the movement of love, that doesn't take time to figure that one out. So we can immediately changed our path. And I feel like our gestures harvest and uncover that world of love. As we move as love, it's like our bodies are painting that into actuality. It's kind of like carving a sculpture. And as we move in the fabric of love as love that sculpt us as well, it's sculpture, neurology, and our body. It's like a game of love. And our body is quantum it has quantum effects, it makes things possible. It creates, and it has a certain range of motion, and gestures. The music of love can play through us. gestures, and words are the notes of the quantum body instrument. Can we go from seeing problems to seeing possibility? And we've been turned into thought processors instead of quantum processors, possibility craters, and our thought process creates a vortex of sound that keeps us separate from the flow of life. And, and that listening that hearing. We can't hear that subtleness when we're listening to our own thoughts, we're giving voice to the past so we can't give voice to the moment. And we've superimposed our thought process over life process. And I wonder if freedom is from the pre formulation of words. And I want to say again that Krishnamurti said that meditation is unpremeditated art. So nothing premeditated, nothing going on in terms of cognition. And I feel like that's a similar way to saying, harvest practice, embody or practice one's mania in a way, it becomes an art form. So in a way, it's the art of mania. And maybe that's part of math consciousness is the art of living. There's no formula for living and if one puts a formula After living, then that's not living. Because formulas aren't alive. And human beings, and other living things aren't alive. And I don't think we live in reality, we live in mi ality. And I wonder if our language can be our fruit. A plentiful harvest that we share the fruit humans produce is language. And right now we're not really making fruit with it, we're making weeds and weed killer can our language be of insight and create vision. And I wrote down a peer, as in one peer, and to peer as in two people. But what I was looking at was a peer is what appears and to peer is to look deeply into. So a peer to peer is what appears to look deeply into. And I was thinking about that in terms of my brain, buddy, and wondering what we'll end up talking about, we might talk about our experiences. And there could be commonality there. And it might show in a way that we speak the same language, a language of seeing an experience and seeing beyond experience, and what it possibly means and harvesting the fruit of language differently and sharing it. I wonder if so called psychosis is fear leaving the system, or fears of leaving the system of thought, because there's some suppose it safety in that it could be fear of change, fear of transformation, fear of breaking out of the chrysalis seems like a bit of a tide, this energy comes in this consciousness and animates us, and then it goes out. And then when it goes out, all the things on the sea floor are exposed. So they have to be adapted to when there's no consciousness, and when there's a lot of consciousness. So in a way, we have to be kind of like barnacles. And our vision gets written over by programs in the structure of thought, like the mental health system, we speak in a different way. And we're speaking a little bit out there and not quite making sense because we're learning a new language of perception. And so afterwards, we learn the language of pathologizing ourselves. But it would be cool to still keep learning this language of perception and being animated by consciousness. That's kind of like when you're a kid. And around one parent, you know, you can be goofy and around the other parent, you know, you have to be serious. It's sort of like, realizing that we're being subject to certain authoritative structures or not. And I was thinking about falling in gravity and how the body takes over and the senses take over in order to save our life. And I was thinking that the speed of consciousness is kind of like, the speed of falling in gravity. It's way faster than thinking. So again, it's just the brain operating at a faster speed. And it's a speed faster than thinking. So when we think that we are thinking process, then it can be scary, because we think we're out of control. But really, it's just faster processing. And then the slow processing of thinking is afraid. And that it's sort of like if somebody falls in Gravity, and they managed to save themselves somehow. They're not and they realize it was quicker than the speed of thought. They didn't have to think about it. They would just be happy that they managed to save their life that and in that way, when the consciousness comes in, it's happening to save life in a way because it's life energy itself, this time. Consciousness. And thought, is delay. It's dividing up life. And so sometimes we fall in consciousness. And then after it happens, we're all thinking and stuff like, Oh, this means I'm ill or something. But it could have been some other mechanism of healing and helping the brain and life and the field of the universe. It's a faster processing. And again, since thought can never be faster than that process of consciousness, we can never really think about it and encapsulated, so there's no real point. So when it's over to say, that means it's all this mental illness and stuff that could never capture what actually happened. Or even after something like a terrifying so called psychosis, just forget about it. And so when we're in that map conscious state, we're being pulled by strings, kind of like puppets of the environment, puppets of perception. Right now, we're puppets of thought, are puppets of the past. But we could actually be puppets of the universe. The word puppet is kind of funny. So being a puppet of the universe is like being fully alive. Whereas being puppets of thought, is just being a biological robot. And this choice process is very binary. It's good or bad. Whereas the consciousness is animation. It's multi dimensional animation, being animated by the sights, the perceptions, the insights, the sounds, the feeling, the smells, everything all at once. So the quantum is a computation of animation. And thought is a contraction of this animation. It tones down the animation by toning the nervous system with sounds. And I feel like we're animated by gravity and consciousness. Just like we can fall in Gravity, we can fall in consciousness. And we don't actually fall in consciousness, but it's the faster speed that is faster than thought, that renders thought obsolete. And then that's when we're flowing with consciousness. And consciousness is related to gravity, because our thoughts contract our nervous system and our muscles and change our center of gravity, and it changes our degrees of freedom in motion and how we gesture in actuality. So, less thoughts mean, less gravity means more consciousness, and more action and more degrees of freedom in gesture, which gestures in these other realities. And these thought, sounds, images through our nervous system, prevent clarity of perception, that is needed for the fluidity of action and learning. And I say learning because this perception is its own learning process and we learn to move as consciousness and as the moment fluidly as opposed to moving. According to Richard programs, it's actually learning how to be alive in a way. Learning how to move in the field of consciousness, learning how to dance as loveI feel like the mind of humanity, the total mind is trying to free us from the thought that was necessary. But the mind of humanity is testing whether it can release us from those programs, and trust us to perceive and act as love. And it feels powerful. And so when we get in touch with that power, do we share it? Or do we use it against people? Would we use it to hurt? Or would we use it to help. And I feel one of the measures of this is how we act towards nature. So can we look at another creature doesn't matter where it is on the totem pole, and look with love, and respect and admiration for the part that it plays in the whole. And when we do that, it's registered in that creature. It's registered in the mind of the collective of that creature. And that creature knows, just like how today I was sitting, and a lizard just came up right beside me, and then ran over my shoes that I had taken off and put beside me, and then started sending himself. And seems like we all have thought, parachutes. In order to slow down, moving in the field of love as love. We're attached to our me, we don't understand what would be acting if we didn't have this parachute of thoughts. We can fall in love, but we can't fall in Gravity, we can fall in consciousness. I think part of my test was years ago when I made that video with the flies. And I was in awe of these flies. And in a way, it could have been my invitation into these perceptions, and starting to make sense of them backwards and forwards at the same time. And I said in the video, I wouldn't hurt a fly. And one way to get into flow is to look at nature beyond human constructs, and not look at the separate thing and name it but actually see its inter relatedness and be curious about what it does with its time and it's life energy. I wonder if we can let beauty run through our nervous system, run through us, run as us and animate us are meant to be the most beautiful creatures on earth, with the ability to appreciate beauty, to look at it, and also to make more of it. But we're using our beautiful instrument to destroy beauty. And we don't realize we're destroying ourselves. I was happy to find that quote, in the Krishna Murty book that says, when we destroy nature, we destroy ourselves. Because I had that sense a long time ago. So beauty is the fuel. Truth is perception. And love is action. But all those could be interchanged. And I remember Krishnamurti saying that, that beauty is indestructible. Think the indestructible element is that beauty. That's always there. I feel like thought is a holding pattern. It's holding so many human beings in a pattern. And really, we want to be released from that pattern. And the me is a pattern. And I feel like our senses become a quantum sense. We sense possibilities. We see relationships. And that's where we learn. I was editing a video and I was watching myself and While watching myself, it was the first time I really had this sense that I could see that I'm speaking what I'm seeing. Because I was going on and on for like 10 minutes. And as I was saying more and more, I was actually speaking from what I was seeing. And I'm always doing that. But it was the first time I actually could see myself seeing as I was speaking. And I probably could before but it was the first time I was really aware that I was really following what I was seeing, as I was saying it because it was the first time I was hearing it, since I said it, because I say things from nothing. But I really had this extra sense of seeing what I was saying. And maybe that's good in terms of if somebody watches this one day, if one can actually see what i'm saying, When I'm saying it, or see that I'm saying what I'm seeing not saying stuff from pre formed thoughts in my brain, because that's really, the whole point of it is to be able to see and say for yourself, or listen and say listen to these subtle things in the air. Really, we just want to be in touch with that voice and give voice to that. Because it's infinite. I wonder what happens when love loses control. Seems like thought is trying to control this love. It's afraid of it. I feel like what we project out of our eyes, the light and sound limits possibility. It's premature collapsing of the wavefunction. We don't allow all the information to penetrate our being and then make the quantum calculation and respond with our full being. We respond according to the programs and images that we're projecting. So it's like that light coming out of us. And that sound coming out of us that is invisible to others is meeting and breaking up all the information, light and sound coming towards us. And so it's chopping up all the information. So one can receive the whole impression on the clear mind screen and collapse the wave function. And I feel like it's actually that's part of what creation is, is is having that correct information clearly. impress upon one and then responding creatively. One can respond in many possible ways. So it's not necessarily one correct response. But it's definitely likely actually all correct responses doesn't matter what you do, really. But when one is choosing between programs, it can never be a correct response because it's old. And it's it's gone out to meet the information coming in and and impinged upon it and impeded it. So, one is even getting any of the information. So So when all the information is collected in a quantum way. One has the degrees of freedom to respond in many possible ways. And the thing is that when one is in touch with that, one does even really know oneself what one is going to say or do exactly. And in that way one is kind of entertained by oneself because everything is surprising even what one does, because it's not coming from past programs. So if I even think about my day to day, I didn't really plan anything. It was a day of complete possibility. The past is collapsing. The present is impinging upon the present. Or it's actually making it so we can't collapse wave functions. Because there's a hologram in the way. After my hike today, I caught back and everything seemed brighter. Even the kitchen, it just seemed so bright. And there was an orange and I picked it up. And it seemed so bright. And I was thinking about how beauty is related to color. So when things seem more beautiful and vibrant, it must have some kind of association to the quality of the nervous system. And it's sort of a measure of where one's at. If one can be in awe of an orange. When one is seeing oranges all day long for for several weeks, then that's the different quality beyond the things as they are are the things that we would normally measure them as like this is an orange, big deal. And I think there could be a diligence in consciousness to keep the programs in abeyance. And I feel like consciousness is when we are really awake. So there's a sleep state, which is sort of like glow. And then there's a programmed state which is kind of like no as in knowing things acting based on previous knowing and also an O as and just saying no to the living, whatever one is encountering and the awake state which is flow. So glow, no and flow. I hope to create perceivers seers people who can see meaning and unfold that. Can we be masters of mania, of the wave of consciousness, can we serve that wave? Can we be moved by celebrating possibilities instead of conflict and problems? And I feel like medicating changes our voice from possibilities to problems, from the movement of consciousness and the mind to the movement of thought and programs.I was thinking about today how it's quite safe to flow here where I am. It's safe to be a ping pong ball and just bounce around doing whatever, because whatever it is, that I run into, will be something safe and beautiful and have a harmless quality. And I was wondering, if I take that same movement of this brain and nervous system out into society, that it doesn't really translate well, and one can run into fearful things, and respond quite strongly or want to retract quite strongly. And when one is moving around, sort of randomly, one can start to accumulate a sense of unsafety. And then feel like it's actually safer to retreat to the programs of thought and society, and move around based on those. In a way I feel like so called psychosis is the fear of being alone outside the programs. So if there were more of us outside the programs, we wouldn't be alone outside the programs, and it wouldn't be so easy to get afraid. And I was thinking about awareness and how we need to be aware in order to make an art out of our life. We can't be unaware because unawareness is defaulting to the programs. And beauty is our full self. And I feel like I can see beauty in nature. And sometimes I have a hard time seeing it in humanity. But I remember being able to look at people and change people into their beautiful self, a self that I don't even feel they were aware was contained within their being. But I think looking with those kind of eyes, changes people. I wonder how to do that. I sort of had a sense of wondering about the possibilities of the human brain, because in that state of so called mania, there was this in touchiness with those possibilities, but not really understanding how they worked. And it could actually be just the seeing possibilities and collapsing the wavefunction around that. But the trouble is, one eventually sees scary possibilities and sees one moving towards that. And it's scary. So one retreats. So moving between perceiving in problems and perceiving and possibility is a dance and a flux that maybe we have to get used to until the brain is more settled in that seeing of possibilities. Because when the brain is in that state, it's actually creating those possibilities that it sees, because we're usually seeing thoughts and a very limited reality based on that. So it's almost like the brain being comfortable with infinity. And can we glimpse people into wakefulness. And when we first get in touch with my consciousness, it feels like we're out of control because it's faster processing. And thought, tries to come in and resume control. And when it can't, then we see that we're not our thoughts or there's a power beyond our thoughts. And I feel like the nerves have to release the sluggishness of the thought programs. And I talked before about random DICOM provisions. I made up this exercise thing where you stick weights and go weights and wrist weights on into Sort of spin around and, and in a way, bring space into the body. But I think map consciousness and so called mania is a type of random de contraventions of the universe. The universe gives us synchronicity, and all these different things, but they're actually deprogramming language and gestures, to see that there's other forces at play, and for the opportunity to play with them. And I sort of just saw that when one has access to all those powers, oftentimes it gets used for oneself. And when one comes back when realizes that the point of power extra energy is to give it to others, because if only one person has power, then it's usually used as power over others. But it can be used as energy to share with others, so they have it too. So the nervous system is learning to act faster. It's like the nerves want to act a certain speed. But then thoughts are getting in the way. It's almost like how elite athletes have mental blocks. Sometimes they're overthinking things, and they're actually not playing as well as they can. Like they're really close to the championship point. And they play really poorly in the last part, because they're overthinking things. They're thinking about the result. They're not just playing and this state is actually not about results, or goals or anything like that, at all. So as soon as one wants to use something for a result, or particular thing, then the power is gone. And then all of a sudden, I came up with this crazy theory, that thought is an illness that has infected the human nervous system. Consciousness is trying to heal us of this. It's trying to purge the programs and the thoughts. And map consciousness is a ti programming language. And just as we wouldn't listen to two songs at the same time, why would we listen to our me voice? And then we can't hear the universe. Me is the noise that prevents hearing the universe. And I wonder why did our nervous system get infected with sound? I wonder if it's human percept to deficiency virus. The sound is inner sound, blocks our perception. And there was thinking about the term ESP or extrasensory perception, and how in map consciousness we get in touch with quantum sensory perception q SP, when I wrote that thing about being infected with sound viruses, I got freaked out because I had some premonition like extrapolations from it. And then I realized that if we're infected by a language virus, or a sound virus, then it's mainly a problem of how we use language, or how language uses us. But really, if this is what it's partially about, then it's helpful. We've been taken over by the sound of our own voice. And when we see that we can use our voice in creative ways, and also to give voice to beauty. And that's not a goal. It's not something to do in the next 10 years or to attain it's something that can be done now and can only be done now. There's no goal in beauty. We can't make beauty into a goal. And if we saw this beauty and spoke as that we wouldn't think in terms of goals.Two nights ago, I was trying to fall asleep and I couldn't fall asleep. And then I felt like I was going into this vast emptiness. It was almost like I could feel myself. Looking into the unknown, the void consciousness itself, I could see the patterns and the play of light. And it felt like that play of energy was the energy that created all things. And it could create anything. I saw a big fish swimming. But it was like the energy pattern of the fish. And I had the sense that the fish could just easily be created from the energy because the pattern is there. And in a way, all the molecules and biology is a result of that pattern. So it might look like all this complicated evolution has to happen. But really, all of that complexity rests upon the pattern when it's manifest. And then I just felt like my consciousness or consciousness was trying to leave my body and travel all over the place and And when that happens, it feels like it can start to feel scary. My heart was pounding and then I was feeling pretty terrified, and I got up and I grabbed a Seroquel. And I took it. And I also put my zap strap beside my bed, and then I unlocked the door. And I also grabbed my phone and the charger. So that's sort of my little safety plan. Because I know if I had my phone, then I can call for help. If the doors unlocked, someone can get in. If I have my zap strap, I can secure myself if I no longer feel safe. And the odd thing was that as soon as I took the Seroquel, it went away. Like it wasn't like oh, I have to wait 10 minutes for it to kick in. It was just taking it, it stopped. And then I eventually had to take another one to fall asleep. I couldn't quite fall asleep with just one. But it was interesting because when I got up and I was scared, I could hear and feel this very faint sense of what I will just call right now the suicide program. Having this sense that being that terrified, meant that I had to end my life because it was just too scary. And I feel like I've talked about this before where when the consciousness is coming back to the body. It's scary. So consciousness goes on this journey is seeing all these things the formless realm and then nothing is and then I wonder if it's partly that it becomes scary. So consciousness goes back to the body. And one of the things that gets you to go back is taking a pill or maybe even just the gesture of taking a pill it doesn't even have to kick in that that pattern of getting up and taking a pill is like saying Okay, that's enough of that. And the thing too is that I'm in California and I can't afford to be hospitalized and I don't have my family here to support me and things like that. And part of me feels like since that happened maybe I should just go home but I'm going to see how it is. I'm going to continue to take the Seroquel and I took to that first night and last night I had to take three I took one convulsive took another one couldn't fall asleep. took another one and then I fell asleep. So today I definitely feel drugged up. It's almost like having a poison. My brain cells, so consciousness doesn't come in and just take over so much. I wonder why consciousness wants to leave my body, maybe I'm not taking good enough care of my body, maybe I'm not putting enough care into my body. I used to put a lot of care into my body. That was one of the main things I did. And now I don't really do that at all. I'll go to the kitchen and just grab chips to eat or ice cream or whatever's there, I'm not really paying attention to taking care of myself. Whereas before, I would probably spend four hours a day just taking care of myself. And I don't know if that's true, but maybe my body needs that gesture. And I was reading a book last night wholeness in the implicit order by David Bohm. And it's really interesting. And it talks about our use of language and changing our use of language to a different structure. So there's not all this emphasis on division. And I didn't really get through that chapter yet, but I tried to read it today, and I can't even focus. So part of me feels like when I've seen too much, or my brain is too active, it gets to this place where consciousness is even like leaving this body to gather more information from other places than what's immediately perceptible. And then when it starts to do that, it's almost like my brain consciousness is going too far beyond the skill set of my brain or the collective brain. Or it's gone too far outside the collective level of consciousness. And it needs to come back. So taking a pill isn't necessarily saying that my brain is diseased, it's almost too fluid. It's so fluid that it kind of goes beyond itself. And and I think that some people can probably master that, and maybe I will at some point, but I haven't so far, I haven't been able to keep going in it. And I don't see maybe there's no point in going into it like that, because the unknown is infinite. And once the brain goes into the unknown, it's in the infinite and the body is finite. So the body would get afraid of the brain going on into infinity, because if it goes too far, it can almost want to stay there in infinity, just traveling around choice lessly, powerfully, fluidly, and, and I've talked about the adjacent light body, and I feel like one day we'll actually all live as light bodies. So when we do the fluidity of consciousness and the fluidity of the body will be in alignment, and it won't matter if consciousness goes off. But right now, since we're in these material bodies, it does matter. And the fact that I'm in California, I have to be extra careful. So it's kind of difficult because I don't have anyone to talk to. And if I do then maybe I don't want to freak people out. And forgive me if I'm talking kind of like well, blah, blah. I feel like I can't really enunciate things properly. My mouth is like slow and slow down. My whole physiology is poisoned and slowed down. And I'm okay with that. I think my whole being just needs to rest and so I also Talk to the people from hardy nutritionals. And they sell a micronutrient supplement that's good for people who have these kinds of concerns. And oftentimes, people can come off their medication. And I'm not planning to come off my medication on purpose, but I will likely start that settlement somewhat, because it might actually help with some of these things I'm experiencing, I feel like if it helps somebody was, say, so called psychosis. And it's giving the brain the right nutrition to not have consciousness come in and push the brain into altered state experiences. And it might be actually the right nutrition for perception, to be able to just perceive and not be flung into the whims of those perceptions. And I wonder about this, because I think there's actually something to the fact that so many people get thrust into this process of consciousness animating us and sort of being these calling birds calling out the fact that something's wrong with society structure. And that's why people are going into these other states of consciousness. And I remember a quote, I think her name was Emily Levine, and it was in her TED talk about trixter. And I want to go back to it actually, because she talked about something like, at the end of her talk, she said something like, Don't go too far into beauty. Because you have to be able to meet your audience. And I feel like my brain has just gone too far into beauty. It's too beautiful here. And my brain does this when it's starting to thrive. And so in a way, since society is not designed for thriving in the very fabric of the brain needs to be poisoned, in order to sort of come back down to the resonance of what's really there collectively. Because as Krishnamurti says that I am the world and the world is me. And I do sense this very strongly. Sometimes. I don't, I don't know, I just, I really want to be able to stay here to go to emotional CPR in early April. If I can get to that point. At least that would be great. But I do want to stay here longer. But I do have to be so careful. And if I ended up going back early. I just I just don't know what to do with myself. Because if this little blip was kind of a bit of a so called crisis that's only two months, I thought I would have easily five months at least without a sign of anything, especially being in such a beautiful place. So to have it come on after two months, in this beautiful place, is kind of freaky. And now I'm carrying my zap strap and my Seroquel with me, Everywhere I go, and my phone and my charger just actually be extra safe. And it seems to really help and work. Like as soon as I have those items, I just feel like I can't hurt myself. So it's almost like the brain is scared back to the body. Or the mind is scared back to the body and then part of it is that it's scary. But I also feel safe. So I'm gonna keep taking the Seroquel every day for at least a week. Maybe two, like I did before. But the differences this time it's after two months. But it wasn't a full blown crisis. Like it wasn't Like, last time, it was maybe like before last time, I had a little tiny so called panic attack. And I took out Seroquel, and I didn't need it. And I kept not taking it for a couple of weeks. And then eventually, I needed to take it and go through a full crisis. So I'm wondering if this time I did the thing that I keep saying to myself, I mean to do which is take it at the first sign, instead of being like, okay, I'll ride out this wave, alright, of this wave, and then not taking it. So this time being in the scenario that I'm in where I can't risk going into a full blown crisis, I took it sooner. So maybe I'll have to take it for two weeks, every two months, or something, I don't know. But it just makes me slow and not able to read and, and makes it harder to do some of the tasks that I need to do. But I just really feel like I do need that psychological safety to just come off these meds and, and be healthy. And I just really wish there was a supportive community for that. And there are but it's just a few and far between. So I might lay here and make some videos, and because it doesn't require very much reading is just talking. But I remember last time, not having the urge to make videos at all. So that might happen again. But I could at least catch up on some of the things that I've written. And I was even thinking today about how these videos are good in a way because one day, I could just die, I could just kill myself and it could just be over. And at least by creating this daily without waiting to accumulate some kind of special protocol or how to which I don't really think is possible, then just sort of an acknowledgement of the moment and and maybe putting some of that language out there. Re languaging and playing with language. And that's the thing with a crazy wise Town Hall. They're saying how should we frame this instead of the mental illness paradigm and how do you frame infinity. We're trying to frame something that can be framed. It's this process that No words can ever capture. It's a process of life. I'll talk more about that later. So he had two weeks of dullness. But I'm starting to see that I just have to poison myself back. poisoned my brain so it can't see so much so it can process so much information. So it doesn't get lost in so much beauty. It's almost like learning to ride a horse and taking Seroquel it's like pulling on the reins like whoa, slow down. I can't go that fast. Again, it's not so much about anything. It's not about something. It's not speaking about mental illness or anything. Or speaking about spiritual emergency. It's speaking as the Spirit. So we're trying to speak about the spiritual emergency or mental illness but It's more a matter of what we're speaking as, are we speaking as human beings? Or are we speaking as human beings? The emergence process itself is to disintegrate the me. So if we speak about the me, we're actually reinforcing the me. We need to speak as that which we experienced. But as experience now, each moment, so so we could look back and, and feel how we spoke before feel the quality of where we were speaking from. We were speaking from our experiences in the moment. And so it's not about thinking about those experiences, it's about continuing to speak as the moment and you can't frame that. There's no frame for that. And so all of this dialogue I've had with myself, it's not really a me speaking, and how I feel it. Through the emergence process, we emerge into being just a human being perceiving in the moment, free of stories. So no story can tell adequately anything about that place in us where we speak from. Really, it's about speaking the story of the moment, or the perception of the moment each moment. That stories about that. There's no that there. I don't know if I'm making any sense. And I am curious about this using language differently thing that David Bohm is going to talk about in his book. I feel like just speaking, as the moment is using language differently, whether we use old ways of structuring sentences or not, it's just a different quality of where the words are coming from. Because just to learn different ways of speaking, it will actually change consciousness, eventually to because it's changing the perspective and how we see by saying, I have no idea. Again, the forgetfulness is interesting. And that's part of being scared back into regular consciousness and taking drugs to feel that taking medication, I mean, it's like taking medication to feel again, separate. But interestingly enough, the other end is that consciousness tries to separate itself from the brain and leave the body. I'd love to be able to be supported to just not medicate myself during that and see what happens.Support this show http://supporter.acast.com/bipolar_inquiry. See acast.com/privacy for privacy and opt-out information.

What do you do when you've impacted the lives of MILLIONS and you want to walk away because you're miserable? Annie Grace's book, This Naked Mind, and her free online course, The Alcohol Experiment, blew open the conversation around alcohol. It's a legit cultural phenomenon. But after years of making a difference, she had to face the fact that some of the things that had animated her drinking - the scarcity, the unhealthy competition, the never-enoughness - were still there. Her old animating energy was still running the show and it was tainting all the good things. Annie's willingness to share how she confronted that old animating energy is inspiring and she was so generous in sharing her hard-earned wisdom. Also, she answered a bunch of questions from our TMST PLUS members. The paid community plays a key role in helping us make this show and you can get in on that at https://tmst.supercast.com/ Tell Me Something True is a 100% independent podcast. There are no corporations or advertisers backing this community. We are 100% funded by the TMST community. Support TMST, hear uncut interviews, and keep it ad-free: https://tmst.supercast.com/ Join our free online community (it's not a Facebook group!): https://www.tmstpod.com/

Ray has someTHING riding shotgun inside him. A meeting with some desert nomads. Animates in Cairo!?! Support the Channel at: https://www.patreon.com/ncrpproductions

Say It Skillfully® is a show that helps you to benefit from Molly Tschang's expert guidance on the best possible ways to speak your mind at work in a positive and productive manner. What happens when Mother Teresa is your role model? Over a billion people see your work! In Episode 81, learn from Molly's guest—extraordinary social innovator Firdaus Kharas, master of social change via animations that compel viewers to accept his messages and come to their own conclusion to change for the better. In Calcutta, Firdaus—influenced more by his pioneering, attorney Mother than Father (wanting him to be an accountant!)—saw poverty firsthand and knew his destiny was to do something about it. Aspiring to see 100 countries (now at 146…), he arrived in Pennsylvania as the 1st ever Bombay Rotary Club exchange student. Studying human rights, researching methods of torture, and working in Canada's immigration/refugee affairs were part of his schooling to improve the human condition. Believing that “people everywhere matter,” “we are one human family” and “we're all creative beings”, Firdaus talks of his eternal optimism, helping him confront the atrocities and injustices he aims to end. Motivated by impact, never money, he recounts his journey to build his media company and leverage his creativity—a breakthrough with UNICEF and epiphany of the power of humor in mid 2000, when his Three Amigos animated condoms appeared in 150 countries—widely credited for assisting the stopping the spread of HIV aids. His topics are many: human rights, health education/disease prevention, children at risk, environment, preserving culture, sexual violence, racism, to name a few. He talks of his two kinds of animation: behavior change communications and catalyst videos to ignite discussion that drive social change, and notes the irony of today's instant two-way communications bringing us closer, while populism that divides. How Firdaus is driven by his values inspires as much as his passion to make the world a better place for all. Tune in to hear how one human makes a world of difference, inspiring us to know no boundaries and to commit to taking action so that all can be safe, seen and heard, and our true and best selves. See his animations here: https://vimeo.com/412745660 Chocolate Moose Media: http://chocmoose.com Creativity: The Key to a Remarkable Life: https://chocolate-moose-media.myshopify.com

Say It Skillfully® is a show that helps you to benefit from Molly Tschang’s expert guidance on the best possible ways to speak your mind at work in a positive and productive manner. What happens when Mother Teresa is your role model? Over a billion people see your work! In Episode 81, learn from Molly’s guest—extraordinary social innovator Firdaus Kharas, master of social change via animations that compel viewers to accept his messages and come to their own conclusion to change for the better. In Calcutta, Firdaus—influenced more by his pioneering, attorney Mother than Father (wanting him to be an accountant!)—saw poverty firsthand and knew his destiny was to do something about it. Aspiring to see 100 countries (now at 146…), he arrived in Pennsylvania as the 1st ever Bombay Rotary Club exchange student. Studying human rights, researching methods of torture, and working in Canada’s immigration/refugee affairs were part of his schooling to improve the human condition. Believing that “people everywhere matter,” “we are one human family” and “we’re all creative beings”, Firdaus talks of his eternal optimism, helping him confront the atrocities and injustices he aims to end. Motivated by impact, never money, he recounts his journey to build his media company and leverage his creativity—a breakthrough with UNICEF and epiphany of the power of humor in mid 2000, when his Three Amigos animated condoms appeared in 150 countries—widely credited for assisting the stopping the spread of HIV aids. His topics are many: human rights, health education/disease prevention, children at risk, environment, preserving culture, sexual violence, racism, to name a few. He talks of his two kinds of animation: behavior change communications and catalyst videos to ignite discussion that drive social change, and notes the irony of today’s instant two-way communications bringing us closer, while populism that divides. How Firdaus is driven by his values inspires as much as his passion to make the world a better place for all. Tune in to hear how one human makes a world of difference, inspiring us to know no boundaries and to commit to taking action so that all can be safe, seen and heard, and our true and best selves. See his animations here: https://vimeo.com/412745660 Chocolate Moose Media: http://chocmoose.com Creativity: The Key to a Remarkable Life: https://chocolate-moose-media.myshopify.com

This episode features Eric Power, an independent stop motion animator who specializes in construction paper animation. Over his 20-year career he’s worked on music videos, brand spots, and even feature films. In this chat, he shares exactly how he’s made a career out of this medium. You’ll also learn: *How Eric gets clients *How long it takes Eric to create a fully animated feature film (single-handedly) *Eric’s entire process from ideation to completion ~[Sponsored Message]~ This episode is sponsored by HUE Animation Studio, which is a stop-motion starter kit that introduces beginner animators, aged 7 - 13, to claymation, lip-synching, rotoscoping, cut-out animation and more! The kit contains: *The flexible and posable HUE HD camera with a built-in microphone… *Their easy-to-use animation software with onion skinning, time lapse, and chroma key tools… *The HUE Book of Animation containing step-by-step instructions to create 20 exciting stop-motion videos… *And digital resources such as free sound effects, storyboard templates, printable backgrounds and activity sheets. So, if you’d like to start creating stop motion videos, but don’t know how to start - HUE Animation Studio is perfect for you. Head over to https://www.huehd.com/ ~ Check out Eric’s website: http://www.ericpowerup.net/

In this episode Kevbo and Murkz discuss Takamura vs Mohammed Ali Jnr, best anime villains, how AniMates started and much much more! They also answer your viewer questions! ENJOY!

#techradio keeping you up to date with #COVID19 Vaccine tips & warnings; Not quite so perfect - #5G draining batteries; High? Tech - What @NASA Mars Rover & 1998 iMac have in common; You got to see this - @MyHeritage animates family photos; They see you, they know you - Facebook #AI scours 1 billion Instagram photos

----------------------------------------------------------------- Follow Rene & Joe on : Blazin Tech (Rene) YouTube --► https://www.youtube.com/user/renejr2006?sub_confirmation=1 Twitter --► https://twitter.com/blazintech2 Facebook --► https://www.facebook.com/blazintech2 371fr2179 Tech We Love (Joe) YouTube--► https://www.youtube.com/channel/UCemPpoIQfnm55TukxYk8UIA?sub_confirmation=1 Twitter --► https://twitter.com/Tech_We_Love Facebook --► https://www.facebook.com/TechWeLoveYouTube/ 9lHz1vvqrq2A rjeverett vlogs Vlogs (Rene) YouTube --► https://www.youtube.com/channel/UCxin5iGVGBzK-PzPWYmz0Mg?sub_confirmation=1 Twitter --► https://twitter.com/rjeverettvlogs Facebook --► https://www.facebook.com/rjeverettvlogs 371fr2178 Weight Loss (Joe) YouTube--► https://www.youtube.com/channel/UCmi-U8eCfkwihzW1i1gfo1w/?sub_confirmation=1 Twitter --► https://www.twitter.com/PEwithJoe Facebook --► https://www.facebook.com/WeightLossYouTube ----------------------------------------------------------------- --- Support this podcast: https://anchor.fm/techtrendspodcasts/support

A slight upgrade from the 1966 graphics, Batman: The Animates Series comes in with a whole new attitude, art style, and actors. This is a favorite of both but Negley definitely knows much more about Batman than Gracie. We rewatch the Mr. Freeze episode while it is a whole 1 degree F here on recording day. Tweet or email us for new ideas or just positive notes - we would love to hear from you!@RewindPastPodRewindthePastPod@gmail.comThanks!

After the great reaction to last week's throwback, this week we're going waaay back - all the way back to Episode 1 in fact! It was great to revisit my chat with Dr Glen Richards of Shark Tank fame.  Glen is also a successful leader and entrepreneur in his own right, having built a successful group of veterinary practices in Queensland, Australia before thinking EVEN bigger and bringing together other practices under the banner of Greencross. As co-founder and CEO, Glen oversaw incredible growth which culminated in Greencross being listed on the Australian Stock Exchange.  Today, Greencross owns and operates Australia's largest network of veterinary practices with over 150 clinics including general practices, speciality and emergency centres, pathology labs and pet crematoria. Greencross is also Australasia's leading speciality pet care retailer with over 200 stores, operating under the brand names of Petbarn and City Farmers in Australia and Animates in New Zealand. Enjoy! Tristan ___ Order a FREE copy of the Culture Is Everything book at: tristanwhite.com.au/culture-is-everything/

After the great reaction to last week's throwback, this week we're going waaay back - all the way back to Episode 1 in fact! It was great to revisit my chat with Dr Glen Richards of Shark Tank fame.  Glen is also a successful leader and entrepreneur in his own right, having built a successful group of veterinary practices in Queensland, Australia before thinking EVEN bigger and bringing together other practices under the banner of Greencross. As co-founder and CEO, Glen oversaw incredible growth which culminated in Greencross being listed on the Australian Stock Exchange.  Today, Greencross owns and operates Australia’s largest network of veterinary practices with over 150 clinics including general practices, speciality and emergency centres, pathology labs and pet crematoria. Greencross is also Australasia’s leading speciality pet care retailer with over 200 stores, operating under the brand names of Petbarn and City Farmers in Australia and Animates in New Zealand. Enjoy! Tristan ___ Order a FREE copy of the Culture Is Everything book at: tristanwhite.com.au/culture-is-everything/

For our new years special we are joined by the number one anime podcasters The AniMates Podcast in which we reflect on our respective podcasting journeys and anime culture. CLOCK. IN. The AniMates Podcast (Instagram: animatestv, Twitter: AniMatesTV_) Intro: DN9NE (Instagram: dn9ne_sov) Hosts: Rico (Insta: rico.sov), (Twitter: R8_Prince), Yomade (Insta & Twitter: yomade_as) and Jamike (Twitter & Insta: jamikedike)

Happy New Year! Heres to a year of Anime and AniMates! In this Episode the gang are joined by very special guest Nnenna! They discuss Sword art online, Virtual Reality, upcoming Anime of the year, Promised Neverland theories and much more! Enjoy! To join the conversation please use the hashtag #AMPOD on twitter at AniMatesTV_ https://linktr.ee/animatestv

Producer/Host: Duncan Newcomer

#Anime #AnimeFans #BentoBoxcast #RentAGirlfriend #PokemonGotcha This week just got more エキサイティング (Ekisaitingu) thanks to the Bento Boxcast! We're back with Episode 18 and this one right here is FIRE! Join Hector and Rafa as they dive deep and discuss Viewer Topics (14:41), the Latest in Anime News (30:47), the Boys give us their full review of Rent-A-Girlfriend Season 1 (55:55), and finally, we end off on a very Special Anime Swap (1:33:00)!!! Hope you guys enjoyed the latest episode, leave a comment down below and your comment might just get picked to be read in the next one! Don't Forget to Leave a LIKE, SHARE, and SUBSCRIBE!!! Follow us on Twitter: Bento Boxcast - https://twitter.com/BentoBoxcast Hector - https://twitter.com/ultra_vman Rafa - https://twitter.com/MeTalkAnime + Join the Bento Boxcast Discord: https://discord.gg/F3FYEmC Check Out GeekJAR 3000's Youtube: https://www.youtube.com/geekjar3000 and Spotify: https://open.spotify.com/show/3IzTPOZf9Hp0pvRXdPWG2o?si=bbjsDPj2Sf2sGzIZpV4xHg Check out 3Up Prints' Website: 3upprints --- Support this podcast: https://anchor.fm/bento-boxcast/support

The British Journal of Photography recently released their 2020 Ones to Watch list – a globally diverse list of talent that includes a number of photographers that we've talked about in previous shows. Also, SFMOMA creates a series of short animations to introduce some of the pioneers of photography. The animation is kitschy, the info is high quality, and you'll want to read up on the names you've heard before, but probably forgot since your college photo history course.

As mobs tear down statues, we begin to see an ugly reality: Despite killing 100,000,000 people, collectivism is on the rise in America. How could this be? What is it about the modern psyche that finds it's home in such a destructive ideology? Today on Not A Victim

Is BLM really just about making sure African-Americans are treated fairly? or under the mask is there something far bigger at play? "We dismantle the patriarchy" "We disrupt the Western-prescribed nuclear family" "Freeing ourselves from the tight grip of heteronormative thinking" Today we look at what animates chaos and what we can do about it.

Find show notes for this episode at https://transformingmission.org/103 Have you ever been given fuzzy directions for a task or project? Of course!  It happens between individuals and groups of people more often than any of us want to admit.  In today's episode, you'll discover three ways clarity drives connection and animates your mission. You'll hear how you can live out your mission in unique ways too.  We might even bring up dog groomers. No, we haven't changed our focus. It's all to make a point about the clarity of purpose. As you consider your purpose, you'll hear us examine one of the places we're communicating that could be clearer. Yes, you read that correctly, we're using ourselves as an example. We all can improve and sometimes it begins with looking at your own communication.  Finally, as you consider the mission, "making disciples of Jesus Christ for the transformation of the world" you'll hear four aspects of disciple-making and examples of how individual talents can bring a mission to life in unique, life-giving ways.  This episode is packed with insights and there may even be an invitation for one special listener. Will it be you? Listen and find out!  Mentioned in this episode https://transformingmission.org/quiz    

At CES in Las Vegas, one of our favorite demos came from Xiang Cao, PhD, the CEO of Wonder Painter. Turning simple drawings into 3D animated characters was easy, but taking a photo of someone (in this case, Chuck), and making him dance showed just how powerful and easy this app is..and you can experiment with it yourself in the App Store. This edition of MacVoices is sponsored by Smile, the makers of PDFpen and PDFpenPro, PDFpen for iPad, PDFpen for iPhone, PDFpen Scan+, as well as TextExpander for Mac and TextExpander for iPhone and iPad, as well as the new TextExpander for Windows. Great software to help you get more done. Show Notes: Chuck Joiner is the producer and host of MacVoices. You can catch up with what he's doing on Twitter, Facebook, and LinkedIn. Subscribe to the show: iTunes: - Audio in iTunes - Video in iTunes - HD Video in iTunes Subscribe manually via iTunes or any podcatcher:  - Audio: http://www.macvoices.com/rss/macvoicesrss  - Video: http://www.macvoices.com/rss/macvoicesvideorss Donate to MacVoices via Paypal or become a MacVoices Patron.  

At CES in Las Vegas, one of our favorite demos came from Xiang Cao, PhD, the CEO of Wonder Painter. Turning simple drawings into 3D animated characters was easy, but taking a photo of someone (in this case, Chuck), and making him dance showed just how powerful and easy this app is..and you can experiment with it yourself in the App Store. This edition of MacVoices is sponsored by Smile, the makers of PDFpen and PDFpenPro, PDFpen for iPad, PDFpen for iPhone, PDFpen Scan+, as well as TextExpander for Mac and TextExpander for iPhone and iPad, as well as the new TextExpander for Windows. Great software to help you get more done. Show Notes: Chuck Joiner is the producer and host of MacVoices. You can catch up with what he's doing on Twitter, Facebook, and LinkedIn. Subscribe to the show: iTunes: - Audio in iTunes - Video in iTunes - HD Video in iTunes Subscribe manually via iTunes or any podcatcher:  - Audio: http://www.macvoices.com/rss/macvoicesrss  - Video: http://www.macvoices.com/rss/macvoicesvideorss Donate to MacVoices via Paypal or become a MacVoices Patron.

At CES in Las Vegas, one of our favorite demos came from Xiang Cao, PhD, the CEO of Wonder Painter. Turning simple drawings into 3D animated characters was easy, but taking a photo of someone (in this case, Chuck), and making him dance showed just how powerful and easy this app is..and you can experiment with it yourself in the App Store. This edition of MacVoices is sponsored by Smile, the makers of PDFpen and PDFpenPro, PDFpen for iPad, PDFpen for iPhone, PDFpen Scan+, as well as TextExpander for Mac and TextExpander for iPhone and iPad, as well as the new TextExpander for Windows. Great software to help you get more done. Show Notes: Chuck Joiner is the producer and host of MacVoices. You can catch up with what he's doing on Twitter, Facebook, and LinkedIn. Subscribe to the show: iTunes: - Audio in iTunes - Video in iTunes - HD Video in iTunes Subscribe manually via iTunes or any podcatcher:  - Audio: http://www.macvoices.com/rss/macvoicesrss  - Video: http://www.macvoices.com/rss/macvoicesvideorss Donate to MacVoices via Paypal or become a MacVoices Patron.

Techstination interview: Wonder Painter animates drawings & photos for stories & more: CEO Xiang Cao

We begin the week with Veteran's Day, which coincides with Søren Kierkegaard day. Andrés Albertsen, Adjunct Instructor in Religion, acquaints us with the writings of college-aged Kierkegaard. Tuesday's talk by Eva Knee '20 is a tale of a chance encounter and forgiveness. On Wednesday, we were visited by Ann Peterson, from the Southeastern Minnesota Synod. We wrap up the week of chapel services with Elliot Kadrofske '20, a senior from Michigan.

When a Los Angeles based animator looks to pay off his mortgage faster, he gets things in motion creating toolkits for other animators. Side Hustle School features a new story EVERY DAY of someone who started a hustle without quitting their job. You’ll learn how they got the idea, how they overcame challenges along the way, and what the results are.   Share: #SideHustleSchool Show notes: SideHustleSchool.com Twitter: @chrisguillebeau Learn more about your ad choices. Visit megaphone.fm/adchoices

The Luminary Arts Center “Counterpublic” exhibition is scaled to a neighborhood “set to animate the everyday spaces of Cherokee Street” with expansive artist commissions, performances, processions and more. Local artists José Guadalupe Garza and Miriam Ruiz talk about why they installed a mobile library in El Chico Bakery, a family owned and operated Mexican bakery in south St. Louis. The Luminary’s Katherine Simóne Reynolds, one of the curators for the “Counterpublic” exhibit, also takes part in the conversation to expand on the project’s impact in the south-city neighborhood.

This Week the AniMates crew are back with a new member Madaras Daughter and discuss the Broly Super movie and review it and also whats more important the objective or Journey of an anime story, hot takes and much more! Enjoy!

This Week the AniMates crew are back with a new member Madaras Daughter and discuss the Broly Super movie and review it and also whats more important the objective or Journey of an anime story, hot takes and much more! Enjoy!             https://ia601402.us.archive.org/7/items/Episode9AudioMixdown/Episode%209%20audio_mixdown.mp3               … Continue reading #009 – Super Broly Movie! →

This Week the AniMates crew are back with a new member Madaras Daughter and discuss the Broly Super movie and review it and also whats more important the objective or Journey of an anime story, hot takes and much more! Enjoy!             https://ia601402.us.archive.org/7/items/Episode9AudioMixdown/Episode%209%20audio_mixdown.mp3               … Continue reading #009 – Super Broly Movie! →

Tune in to this month’s episode for an in-depth conversation with DE Animation team members Tim Sormin, and Elyse Gymer! Covering a breadth of topics including motion capture, animating the characters of Fortuna and much much more! P.S. You may notice that Megan has evolved into Cephalon Megan for this episode, making her voice a little strange throughout the recording. We’re still working out the kinks of our podcasting set up. Thanks for your understanding, Tenno! Tim and Elyse were kind enough to share some of their favorite resources for animation! Check them out here: The AniMates: http://www.the-animates.com/ The AniMates Discord - https://t.co/TobJY3zPwW?amp=1 AnimState discord - https://discord.gg/HtZ5S7H Game Anim - http://www.gameanim.com/

The whole AniMates crew is here to analyse Baki and debate your favourite anime characters. Who has the most sauce, who had the best entrance, who's your favourite unsung hero? All these awards and more are being handed out on this week's episode!

Where in the world is this trailer going? Chad and Asher Trail Off about the new Netflix animated show Carmen Sandiego, premiering January 18 !Follow us on Twitter:Movie Night Autopsy SamChadJon

HAPPY NEW YEAR! The AniMates crew are back at it again for Episode 5 of the podcast with their hot takes on Anime’s greatest Pirates, Ninjas, Mafia members, analysing Death Note and more!       https://ia801501.us.archive.org/16/items/Episode5AudioMixdown_201901/Episode%205%20audio_mixdown.mp3          

HAPPY NEW YEAR! The AniMates crew are back at it again for Episode 5 of the podcast with their hot takes on Anime’s greatest Pirates, Ninjas, Mafia members, analysing Death Note and more!       https://ia801501.us.archive.org/16/items/Episode5AudioMixdown_201901/Episode%205%20audio_mixdown.mp3          

HAPPY NEW YEAR! The AniMates crew are back at it again for Episode 5 of the podcast with their hot takes on Anime's greatest Pirates, Ninjas, Mafia members and more! Follow us on all our socials

Welcome to the first episode of the AniMates Podcast! We're coming at you fast with an introduction to KB, Murks and TJ (three out of our four Yonkos) with them speaking on how they got into anime, their favourite characters and much more!

Rohan Kale is a video specialist born in India. An IT job left him frustrated with life, landing him in the world of gambling, losing all his savings. Then, he took his last gamble—an education loan. He went to Germany, earned an MBA and landed a job in a top automotive company. He paid his debt within 2 years. It was his love for storytelling and cartoons that inspired him to start an animation company. Now he helps businesses all over the world with his Behavioral Lead Journey system and a team of 15 people.

You may know Dr Glen Richards as the 'growth guy' from Shark Tank Australia. He's also a successful leader and entrepreneur in his own right, having built a successful veterinary practice which grew to a number of practices, before 'thinking big' and bringing together other practices under the banner of Greencross. As co-founder and CEO, Glen oversaw incredible growth which culminated in Greencross being listed on the Australian Stock Exchange.  Today, Greencross owns and operates Australia's largest network of veterinary practices with over 150 clinics including general practices, speciality and emergency centres, pathology labs and pet crematoria. Greencross is also Australasia's leading speciality pet care retailer with over 200 stores, operating under the brand names of Petbarn and City Farmers in Australia and Animates in New Zealand.  

You may know Dr Glen Richards as the 'growth guy' from Shark Tank Australia. He's also a successful leader and entrepreneur in his own right, having built a successful veterinary practice which grew to a number of practices, before 'thinking big' and bringing together other practices under the banner of Greencross. As co-founder and CEO, Glen oversaw incredible growth which culminated in Greencross being listed on the Australian Stock Exchange.  Today, Greencross owns and operates Australia’s largest network of veterinary practices with over 150 clinics including general practices, speciality and emergency centres, pathology labs and pet crematoria. Greencross is also Australasia’s leading speciality pet care retailer with over 200 stores, operating under the brand names of Petbarn and City Farmers in Australia and Animates in New Zealand.  

Andrew C. McCarthy (@AndrewCMcCarthy) is senior fellow at the National Review Institute, contributing editor of National Review and author most recently of essential books on the threat of Islamic supremacism including Willful Blindness: A Memoir of the Jihad, The Grand Jihad: How Islam and the Left Sabotage America and Spring Fever: The Illusion of Islamic Democracy. In addition to being one of the nation’s foremost national security analysts and legal experts — formerly serving as Assistant U.S. Attorney in the vaunted Southern District of New York — he is one of the most humble, insightful and devoted patriots I have ever had the pleasure of knowing. In Part I of my in-depth interview with Andy McCarthy, we discussed his experience prosecuting the jihadist mastermind of the first World Trade Center attack and what it taught him about the Islamic supremacist threat America faces, the primacy of religion for Muslims in the Middle East and in the West, why Islamic supremacists choose jihadist savagery over assimilation, willful blindness in American national security and foreign policy regarding the nature of the jihadist threat, folly in American foreign affairs from Syria to Libya, and the imperative to collapse the Khomeinist Iranian regime. What We Discussed How McCarthy, an Irish Catholic kid from the Bronx became one of the nation’s foremost legal experts on jihad and Sharia law The prosecution of the Blind Sheikh and his terrorist cell over the first World Trade Center attack and plots to destroy other New York City landmarks McCarthy’s impressions having sat face-to-face with some of the world’s most evil jihadists, and why their portrayal as genocidal maniacs is wholly inaccurate The strength of religion over other animating factors when it comes to jihad, and the West’s projection and mirror-imaging Why Islamic supremacists do not want to assimilate into Western culture or adopt Western principles such as freedom of religion and individual liberty The willful blindness and arrogance of America’s national security and foreign policy establishment over Islamic supremacism and the Middle East Whether America is better off in homeland security and foreign affairs almost 17 years after 9/11 McCarthy’s belief in the Bush Doctrine What America’s national interest is in Syria McCarthy’s fear that America will be unwilling to engage in future wars of necessity given the expense in blood and treasure of the last two decades What McCarthy would do if he were counterjihadist czar The West’s disastrous record of colluding with the Muslim Brotherhood and its offshoots The disaster of Iran Deal and the imperative to collapse Iran’s Khomeinist regime Further Reading Show Notes Transcript Thanks for Listening! Check out other episodes, show notes and transcripts at benweingarten.com/bigideas. Subscribe, rate and review: iTunes | Stitcher | Google | YouTube Follow Ben: Web | Newsletter | Twitter | Facebook | LinkedIn Advertising & Sponsorship Inquiries: E-mail us. ___________ Backed Vibes (clean) Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/  

Luca Dipierro & Father Murphy join us on the podcast to look back at their fruitful collaboration and reveal details of their new stop motion feature film.

John Attanasio and Luisa Huang are the co-founders of Toonstar, a mobile app that allows creators to live stream as cartoon characters. John and Luisa are veterans of the Hollywood studio system, who prior to Toonstar, spent 15+ years developing franchises for Disney, DreamWorks, and Warner Bros. After discovering a gap in animation programming for teens and tweens, they designed Toonstar as a mobile app for young audiences to easily create and share cartoon content, unencumbered by the expensive and time consuming process of traditional animation. In this episode, we discuss what motivated these traditional media alumni decided to launch a business at the intersection of technology and new media based on their thesis that future entertainment franchises would emerge from the digital ecosystem. We also discuss how to harness live video to create “destination viewing” experiences, new media trends to make content more snackable and interactive, and Disney’s recent acquisition of FOX at a time when traditional media continues to consolidate. Host: James Creech ABOUT THE SHOW All Things Video is a podcast dedicated to uncovering the past and charting the future of the online video ecosystem. Listen to interviews with founders, executives, and thought leaders from the world’s leading video networks and engage in thought-provoking debates about the key issues shaping the next generation of entertainment. From the short-form content revolution to the rise of multi-channel networks (MCNs) and the fragmentation of video viewership in an always-on world, All Things Video reveals the key trends and insights from the world of digital video. Subscribe for new episodes and updates! ABOUT THE HOST James Creech is an entrepreneur focused on technology, online video, and digital media. He is the Co-Founder & CEO of Paladin, the essential creator management platform for next-generation media companies. OUR SPONSOR This episode is brought to you by Epidemic Sound, the company reimagining music licensing for the digital age. Epidemic’s library contains tens of thousands of tracks that you can license a la carte or on a subscription basis. Unlike other music licensing companies, Epidemic Sound owns its entire catalogue and makes tracks available via one straightforward license to cover all your needs, worldwide and in perpetuity – no headaches around usage reporting, performance royalties, or murky rights ownership. It’s better for the artists and better for you, the creator! So whatever your music needs, Epidemic Sound has got you covered! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

It’s raining cats and dogs! And all the other animals! There is really no way to write this description without sounding like an advert for Animates, so we’ll keep it short and sweet. This month we get to see Alice Kirker, Jono Croucher, and Grace Cullen delve into the wondrous world of animals. We’ve got the dirt on all the animals in the kingdom including doggos, meow makers, fart squirrels, tall spotty horses, and the one and only legless psychedelic water gallopers. If none of that made sense, fear not! Come along and have all your pet and animal queries answered!* *You are almost guaranteed to not have any of your pet and animal queries answered, not even one, but you should definitely still come. Issue #42 is hosted by the ever-hilarious Donna Brookbanks, one of the pioneers of hit weekly improv show Snort, comedian, and actor. You might also know her from her work on Funny Girls, Jono and Ben and Shortland Street. Audio engineered by Todd Waters. Recorded live at The Basement Theatre on Thursday 26th October.

The Latin root anim means “mind” or “spirit.” This Latin root is the word origin of a good number of English vocabulary words, including unanimous, animated, and animosity. The root anim is easily recalled via the word animal, for an animal is a living, moving creature and so contains a “spirit” and “mind.”Like this? Build a competent vocabulary with Membean.

This week we're talking Batman: The Animated Series, Episodes 1 and 2: On Leather Wings and  Christmas with the Joker. Featuring: Early history of the show and influences, introduction of the Man-Bat, and introduction of the Joker   Subscribe and review on iTunes! http://bit.ly/TimmTalk   Follow the podcast on Twitter: https://twitter.com/timmtalkpod IG: https://www.instagram.com/timmtalkpod Facebook: https://www.facebook.com/timmtalkpod/ Spotify: https://tinyurl.com/timmtalkspotify YouTube: https://tinyurl.com/timmtalkyoutube   Follow Cameron on Instagram: https://www.instagram.com/cameron.dexter and https://www.instagram.com/camdexter_adventures   Follow Chris on Instagram: https://www.instagram.com/lordopher/ and Twitter: https://twitter.com/Lordopher   Check out Chris’ new podcast, Gay it Forward, where he learns to be a better gay, on iTunes http://bit.ly/GIFPod, YouTube http://bit.ly/GIFPodYT, Facebook http://bit.ly/GIFPodFB, Twitter http://bit.ly/GIFPodTW, and Instagram http://bit.ly/GIFPodIG

A wondering conversation with Joe about the movie industry, image recognition and life in general

What values animates support for various candidates? Emily Ekins comments.Further reading:Donald Trump Supporters Think about Morality Differently than Other Voters. Here’s How. See acast.com/privacy for privacy and opt-out information.

We talk even more about Star Wars: The Force Awakens, specifically the possible identities of Rey and Supreme Leader Snoke. Then we swing through our Golden Globe predictions before the awards are handed out this coming Sunday. Finally, we offer our hopes and dreams for 2016 -- at least as far as the movie and home entertainment industries go.

In episode 2 of Minute with Mark you will discover how Raw Wasabi inspired one of Mark's popular Entrepreneurial Teachings " Futuristic Otaku". Hint: when you understand the concept of Futuristic Otaku you will become a better marketer and experience a greater Return On Investment (ROI) on the things you buy. After listening, find a picture of Mark's 100+ year old Bonsai, a 10-min preview of the Futuristic Otaku training mentioned (mainly mean for business owners) and more right here: http://minutewithmark.com/Future

Animates light streaks originating from a given luminance range in the original image. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Premiere Pro and After Effects. http://fxfactory.com/fxfactory/

Hosts: Michael "Boston" Hannon and Brad Fellers Co-Host: John "Knobs" Knoblach Running Time: 54:54 Music: MegaMan 9 Doom is almost old enough to drive Home launches December 11th Don't forget to join the forums!