Podcasts about Fantasyland

This week, DisneylandForward is taking a step towards reality, more seating for guests has shown up around the resort, Italian Ice is coming to Downtown Disney, Avengers Campus turns 5 with some special appearances, we finish our conversation with James and Tage about their cruise, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: As part of the DisneylandForward project, the Manchester cast member parking lot is scheduled to close this summer to make way for a new multi-level parking structure and Harbor Boulevard gateway. Built behind the Harbor Boulevard hotels, the structure will feature a pedestrian bridge crossing over the street to connect guests directly to the Esplanade. Although official timelines have not yet been released, construction permits have already been filed with the city of Anaheim. – https://www.micechat.com/436946-disneyland-news-halloween-buckets-avengers-anniversary/ https://youtu.be/OUZ0Em7Lm_c?si=Qbxo_oRkee9JgtTf&t=20 Disneyland has recently expanded its covered seating options for the summer season, including the addition of the new Edelweiss Lodge in Fantasyland and Red's Community Garden in Cars Land. To provide guests with more indoor places to cool off, the park has also converted the Port Royal shop in New Orleans Square back into a seating area and is adding more shade to the Hungry Bear Barbecue in Bayou Country. This push for extra shade comes as a recent Disney guest survey actively asked visitors about the importance of covered seating ahead of a forecasted hot and rainy summer. – https://www.micechat.com/436589-disneyland-update-summer-builds-shady-spots-kids-rule/ Happy Ice, a popular Philadelphia Italian ice brand from Los Angeles, is coming to Downtown Disney with its first fully all-natural menu made from real fruit and pure cane sugar. The cart will feature exclusive rotating and specialty flavors, as well as the debut of “JOY-LATI,” a new dessert that layers Italian ice with vanilla sweet cream, fresh fruit, and sauces. – https://www.micechat.com/436946-disneyland-news-halloween-buckets-avengers-anniversary/ To celebrate the fifth anniversary of Avengers Campus, Disneyland flooded the land with over two dozen Marvel characters for a day of surprise meet-and-greets, including a first-time appearance by Kate Bishop from Hawkeye. This milestone comes amidst a major expansion of the land, which will approximately double its capacity by adding two new attractions currently under construction. – https://www.micechat.com/436946-disneyland-news-halloween-buckets-avengers-anniversary/ “Disney On The Yard Presents: Yardfest 2026” will take place at the Downtown Disney District on Friday, June 19, from 5:00 PM to 9:00 PM, serving as the kickoff for the “Celebrate Soulfully: Summer Vibes” event. This celebration of HBCU culture and traditions will feature appearances by the Texas Southern University Ocean of Soul Drumline, DJ Quami, and a special performance by Drum Major Mickey Mouse. Guests can also enjoy themed food and beverage offerings, participate in family games, and win prizes during trivia throughout the evening. – https://www.laughingplace.com/disney-parks/yardfest-2026-details/ TriviaLand: 20 facts about Walt Disney that even his biggest fans may not know – https://www.msn.com/en-us/news/other/20-facts-about-walt-disney-that-even-his-biggest-fans-may-not-know/ss-AA1JebCW#image=1 Discussion Topic: Tage and James's Cruise – https://www.dlweekly.net/103/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Kurt Andersen and Joanna Coles dive into the spectacle, symbolism, and political theater surrounding Donald Trump's latest White House ambitions, from plans for a UFC-style event on the South Lawn to a MAGA-branded America 250 celebration that's already losing major performers. Andersen explains why Trump's embrace of entertainment, celebrity culture, and grievance politics was visible decades ago, tracing the roots of what he calls America's long-running “Fantasyland” obsession with self-created narratives. Along the way, they unpack the cabinet's astonishing displays of loyalty, Trump's fixation on revenge, the unraveling politics around Iran, and a startling 1991 MAD Magazine cartoon that seemed to predict Trump's future with uncanny accuracy. It's a conversation about power, performance, and why some of the strangest moments in American politics may reveal more than the biggest headlines. Ready to reach your goals? Visit https://hims.com/BEAST to get a personalized, affordable plan that gets you. #ad Learn more about your ad choices. Visit podcastchoices.com/adchoices

Purists will say that Disneyland is superior to Disney World for a variety of reasons, most of which are based on nostalgia. Both parks have a Fantasyland, but only one has the room to expand theirs, allowing for a more varied experience than what is available at the other. On today's show, Erik takes us through why the Fantasyland at WDW is so different, what it has that Disneyland's doesn't, and we chat about some Disney News. Learn more about your ad choices. Visit megaphone.fm/adchoices

Journey back to Disneyland's early decades through postcards filled with personal memories, vintage stamps, and Main Street history. This episode begins with a 1959 ride aboard Casey Jr. Circus Train as a postcard sender describes warm California weather, busy travel plans, and a magical trip through Storybook Land. Along the way, we explore the life and work of Disney artist and Imagineer Bruce Bushman, whose designs helped shape Fantasyland classics including Casey Jr., the Mad Tea Party, Monstro the Whale, and the Peter Pan pirate ships. The second postcard transports us to 1969 with the Disneyland Band performing in front of Sleeping Beauty Castle. That card leads into the story of Disney Legend Don Dagradi—artist, writer, and collaborator on attractions like Mr. Toad's Wild Ride, as well as beloved Disney films including Lady and the Tramp and Mary Poppins. Together, Bushman and Dagradi share one of Disneyland's iconic Main Street windows above the Market House. Finally, an incoming postcard featuring Space Mountain at night brings the episode into the modern era with a humorous travel mishap, Disney mail memories, and a look at the USPS frozen treats scratch-and-sniff stamp. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021

Big Thunder Mountain Railroad is back at Magic Kingdom after a lengthy refurbishment, and Disney fans wasted no time flooding Frontierland for the reopening. Lauren and Eric break down the surprisingly massive crowds, debate whether the updated coaster was really worth a multi-hour wait, and compare Walt Disney World's version of Big Thunder to Disneyland's and even Disneyland Paris'. They also dive into one of the week's biggest travel stories: the shutdown of Spirit Airlines and what Disney travelers can do to keep finding affordable flights in an increasingly expensive travel landscape. HIGHLIGHTS Big Thunder Mountain Railroad officially reopens at Magic Kingdom after a lengthy refurbishment Lauren and Eric react to the massive opening day crowds and multi-hour wait times A coast-to-coast debate over whether Disneyland or Walt Disney World has the better versions of classic attractions Pirates of the Caribbean, Haunted Mansion, Space Mountain, and It's a Small World all enter the Disney attraction showdown Why Disneyland's Fantasyland feels different and more nostalgic to longtime Disney fans Spirit Airlines officially shuts down after nearly 34 years in business The impact Spirit's closure could have on Disney travelers looking for budget-friendly vacations Alternative budget airline options for Disney trips including Breeze, Allegiant, Frontier, and Southwest Travel hacks and booking strategies that can help Disney fans save money on flights Why flexibility and rebooking may be the key to cheaper Disney vacations moving forward For this episode's full show notes, click here. HOSTS Eric Hersey – X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erichersey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erichersey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lauren Hersey – X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@laurenhersey2⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lauren_hersey_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ FOLLOW – DIS & HERS Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DisAndHers.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@disandhers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@disandhers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dis and Hers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dis & Hers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ FOLLOW – JIM HILL MEDIA Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JimHillMediaNews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JimHillMedia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JimHillMedia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SUPPORT Support the show and access bonus episodes and additional content at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/JimHillMedia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. PRODUCTION CREDITS Edited & Produced by Eric Hersey – ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Strong Minded Agency⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you would like to sponsor a show on the Jim Hill Media Podcast Network, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠reach out today.⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Sent from Disneyland explores the life and legacy of opening-day cast member Ray Van De Warker through two vintage Disneyland postcards. A 1969 Fantasyland postcard featuring King Arthur Carrousel and the Disneyland Band leads into stories of Ray's early days operating attractions on opening day, sleeping inside the park before Disneyland debuted, and his role as "Catfish Jones" on the Mickey Mouse Club. Then, a 1966 Mark Twain postcard dives into the origins of the famous Disneyland cast member canoe races and Ray's 41-year Disneyland career that earned him a Main Street window tribute. The episode also features an international Mickey-themed incoming postcard, unusual collections, and reflections on the joy of niche collecting and Disney history through the mail. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021

Here is your Disney News for Friday, May 8th, 2026. - Tokyo Disneyland opens a new Fantasyland with attractions like a Beauty and the Beast ride and a Minnie's area. - Disneyland California introduces "Summer Nights," featuring extended hours, dance parties, and nighttime shows. - Disney+ launches an interactive feature with behind-the-scenes content and trivia for movies and series. - "DuckTales" returns with a new series combining nostalgia with fresh storylines and innovative animation. Have a magical day and tune in again tomorrow for more updates.

Here is your Daily Disney News for Thursday, May 7, 2026 - Disneyland Tokyo opens a new Fantasyland expansion with a "Frozen" themed area, featuring Arendelle Castle, character meet-and-greets, and a new "Frozen" ride. - Walt Disney World Florida introduces "Once Upon a Dream," a magical firework show at Magic Kingdom celebrating Disney storytelling with music and castle projections. - Disneyland Paris prepares for a special "Star Wars" event with character meet-and-greets, merchandise, and immersive Resistance and First Order experiences. - Disney+ launches "The Magic Makers," a series showcasing the creation of Disney attractions, perfect for fans of theme parks and creativity. Have a magical day and tune in again tomorrow for more updates.

What happens when a Fantasyland theater stops feeling like a must-see and starts feeling like filler?This week, Stephen is joined by Jenny and Marissa as we take on one of the most iconic show spaces in the park and ask a bold question: what if Mickey's PhilharMagic evolves into something entirely new?We explore a reimagined experience built around the Muses from Hercules, reframing them not as supporting characters but as the storytellers of mythology itself. In this version, guests step into an immersive, live performance where the Muses summon and reshape the myth of heroes in real time, turning Hercules into a case study in how legends are created, remembered, and rewritten.Along the way, we break down the operational tradeoffs of replacing a high-capacity, push-button attraction with a live performer-driven spectacle, how the theater itself becomes part of the show, and why it is designed to feel like a one-night-only event happening every day.We also dig into modular storytelling through music, with each Muse interpreting “The Gospel Truth” in their own voice, the return of Hades as a disruptive force in the narrative, and how songs like “Zero to Hero” and “A Star Is Born” are recontextualized as myth-making moments rather than character arcs.Finally, we explore how this concept opens the door to a larger idea of myth-based storytelling across Disney's hero library, and what it means when Fantasyland stops being something you watch and becomes something you are part of.Don't forget to check us out on Instagram!

In this episode, we're diving headfirst into what we call “Fantasy Land Management”—the world where habitat strategies sound great on paper, circulate heavily online, and get repeated often… but fall apart when applied on real ground. Too many landowners are making decisions based on secondhand opinions, outdated practices, or “highlight reel” results without ever questioning if those approaches actually fit their property, region, or goals. The result? Wasted time, wasted money, and in some cases, habitat that's worse than where they started. We break down some of the most common false ideas in land management—things like over-prioritizing food plots, misunderstanding cover, blindly copying what works in other states, or assuming more work always equals better results. Just because something is popular doesn't mean it's effective. This episode is about cutting through the noise and getting back to principles that actually matter: observation, context, and outcomes. Good management isn't built on trends—it's built on understanding your land, your limitations, and the wildlife you're trying to support. If you've ever felt like you're chasing results that never quite show up, this conversation will help reset your approach and refocus your efforts where they actually count.

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Hello Travelers! This week, join host Jay as he rope drops Magic Kingdom to take you on a grand circle walkabout tour of the park from Main Street to Adventureland, Frontierland to Liberty Square, Fantasyland to Tomorrowland, and back to Main Street USA where you'll cap off your morning with the "shuttle tour" version of the WDW Railroad.  We are listener supported - contribute to the Dole Whip Fund via Google or Apple Pay. Thanks! Walkabout the World is now on TikTok! Come follow our visual companion to the audio podcast at Walkabout.the.world.pod on TikTok And of course, visit us on Instagram and at walkabouttheworld.com - find links to all the things - attraction episodes, Insta accounts of all the hosts, and even how to buy your own Walkabout shirt!

Hey there, and a very happy Sunday to you! This is your Disney News for Sunday, April 12th, 2026. I hope you're having a relaxing day and ready for your sprinkle of Disney magic! - Hong Kong Disneyland is buzzing with a new "Zootopia" attraction in Adventureland, featuring immersive technology and interactive elements with Judy Hopps and Nick Wilde. - Tokyo Disneyland celebrates the grand reopening of Fantasyland with a new "Beauty and the Beast" area, including a stunning castle and themed attractions. - Disney World in Orlando unveils the "Guardians of the Galaxy: Cosmic Rewind" coaster in EPCOT, featuring Disney's first reverse launch and a unique storytelling ride experience. - Disney+ revives "DuckTales," bringing back Scrooge McDuck and his nephews in a new animated series with modern twists for both new and long-time fans. That's a wrap for today! Thanks for tuning in, and I hope you have a magical day ahead. Remember to check in tomorrow for more Disney updates. Catch you tomorrow!

Bluey is officially coming to Disney Parks!

CONTACT US TODAY! PATREON: http://www.patreon.com/wttmpodcast TikTok: https://www.tiktok.com/@windowtothemagic YouTube: http://youtube.com/windowtothemagic Email: podcast@windowtothemagic.com Voicemail: 1-307-GET-WTTM (438-9886)  On this episode, Part 3 of 3, Paul takes on Fantasyland at Disneyland.  Join Paul as he continues exploring Fantasyland and then does every Fantasyland attraction (except Matterhorn) in near real time.   This is classic WTTM podcast fun, when we go in and literally share the in-park experience with you.   Very little editing here... just binaural audio of the heart of Walt's original Magic Kingdom.  Enjoy!!  52 mins ))HD BINAURAL((

He missed March by four days, but hey, there's nothing in the rulebook that says Elliott can't lead us in a March Madness showdown to determine which cinematic fantasy land would be best to live in! Subscribe to our NEWSLETTER, “Flop Secrets! It's the best way to keep up on all things Flop House!

The details in Disney's updated Peter Pan's Flight queue are incredible, but most of them are overlooked by guests… and not all of them are accurate. On this episode of Distory with Kate & Kirk, we explore the queue of the Walt Disney World version of Peter Pan's Flight. Using rare Imagineering documents and attraction photos, we break down the history, artistry, and design of this unique space while uncovering the deeper story behind its details.As we move through this addition to the classic Magic Kingdom attraction, we uncover connections to Mary Blair's concept art, examine Imagineering details, and explain how effects like Tinker Bell and the moving shadows are brought to life. Kirk dives into the history of dog collars and window frames, Kate decodes the stickers on Wendy's suitcases and explores sketches from the original 1953 Darling nursery, and together we end in Pixie Passage while standing on a lost piece of Fantasyland history.Join us LIVE on YouTube every week! Be notified by subscribing to Kate's Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@disneycicerone⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also find us on Instagram, Facebook, and at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disneycicerone.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠walruscarp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠View full video versions of each episode at Disney Cicerone's YouTube channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OR on the Spotify version of our podcast.Many thanks to Disney historian Joshua at  E82 | The Epcot Legacy for contributing resources for this episode!Kate's Books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WalrusCarp T-shirts & Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MOWD app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distory T-shirts and Stickers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kate's Substack

Here is your Daily Disney News for Wednesday, March 25, 2026! - A new Moana-inspired attraction is coming to Magic Kingdom, offering an immersive Pacific Islands experience. - Disneyland California Adventure's Food & Wine Festival is underway, featuring celebrity chefs and live entertainment. - Tokyo Disneyland's Fantasyland debuts a new Tangled ride, inviting fans on a magical boat journey. - Disney+ is launching "Disney's Enchanted Journeys," an interactive series letting viewers choose their adventure paths. Have a magical day and tune in again tomorrow for more updates.

Disney had Fantasyland. The Ruck 'n Roll equivalent is Peakville, a land of endless buffets, unlimited litigation, pointless conversations and tuneless music. With that in mind, we forge on regardless to discuss a wide and varied array of human connection points like football, cricket and death, as well as some lighter subjects like death, cricket and football. Did someone say footy tripping? Did one, or even two panellists tip the card? Why are Finey and Kev smiling? Musically, it is a murky trek back to April 1st 1983 and the iconic 3XY Top 40 of the day and the sea was angry that day, my friend, no April foolin'. Kilimanjaro was rising, cannibals were being eaten and Terry from Minder was belting out bad guys and the odd show tune. Get your dancing shoes on and party like it's 1999 or the Summer of '69 or even December '63. Hit the play button and away we go.......... Kevin Hillier, Mark Fine, Stephen J Peak, Ken Francis Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2026See omnystudio.com/listener for privacy information.

Hey there, and happy Friday! This is your Disney News for Friday, March 20th, 2026. I hope you're ready to kick off your weekend with some magical updates! - Disneyland Tokyo announced expansions with a focus on Fantasyland, adding new attractions and experiences inspired by Disney classics. - Disney Imagineers are developing augmented reality experiences for parks, offering interactions with characters like Mickey and Elsa. - New York City is hosting a Disney music extravaganza featuring live performances of Disney classics by a full orchestra. - Disney+ will release remastered classic animated shorts featuring Goofy, Donald Duck, and Pluto. Have a magical day and tune in again tomorrow for more updates.

Send us Fan MailIn Episode 110 of The Tribute Show, the crew covers a little bit of everything from movie trailers to theme park nostalgia.The episode kicks off with reactions to the newest Spider-Man trailer, where the team discusses what the footage could mean for the future of the character and the larger Marvel universe.Next, the conversation shifts to Halloween season with some talk about Halloween Horror Nights 35 and what fans might expect from the event as Universal continues to evolve one of the biggest horror events in theme parks.Finally, the show heads to Disneyland for some on ride audio featuring two classic attractions: Roger Rabbit's Car Toon Spin in Mickey's Toontown and Pinocchio's Daring Journey in Fantasyland. From superheroes to haunts to classic dark rides, Episode 110 is packed with fun for theme park fans.Ghost ExecutionersMerchandise!https://www.teepublic.com/user/thehorrificnetwork?utm_source=designer&utm_medium=social&utm_campaign=horrificnetworkFollow All Things Horrific Network Herehttps://linktr.ee/thehorrificnetworkGet Your Sinister Creature Con Tickets Herehttps://www.sinistercreaturecon.com/thecon

http://www.attractionchecklist.com - Is it your un-birthday? Doesn't matter.  Come along as we head to Walt Disney World's Magic Kingdom to ride Mad Tea Party on this episode of Attraction Checklist. Attraction audio recorded on May 21, 2025. TRANSCRIPT: Welcome to Attraction Checklist. This episode we're off to Walt Disney World's Magic Kingdom to ride Fantasyland's Mad Tea Party. The Walt Disney World website describes this attraction saying: Spin 'round and 'round in a giant teacup during a madcap music-filled whirlwind. There are no height requirements for this attraction. Before we spin like mad, here are five fast facts about Mad Tea Party at Magic Kingdom. 1. Mad Tea Party opened with Magic Kingdom on October 1, 1971. 2. Mad Tea Party at Magic Kingdom opened without a canopy over it.  The current canopy was added a few years later in 1973.  The central teapot with the dormouse was added at this time as well. 3.  In 1992, the attraction was updated with a new color scheme, new music and the decorative lanterns.  In 2010, the canopy was repainted. 4. Imagineer and artist, Mary Blair provided the designs for the teacups having worked on the original film Alice In Wonderland. 5. Mad Tea Party is one of the attractions that receives a Mickey's Not So Scary Halloween Overlay with spooky lighting, music and fog effects.  We covered this version of the ride back in Attraction Checklist episode #104. Let's go spin ourselves silly on Mad Tea Party.  This is a binaural recording so if you have headphones, put them on now as we ride Mad Tea Party at Walt Disney World's Magic Kingdom. The attraction audio recorded for this episode is available exclusively to the Saturday Morning Media Patreon Patron.  Support the show and get fun Bonus content over at http://www.patreon.com/saturdaymorningmedia Episode edited by Stephen Staver FOLLOW US https://www.instagram.com/attractionchecklist/ https://www.facebook.com/attractionchecklist https://www.linkedin.com/company/saturday-morning-media http://www.youtube.com/user/SaturdayMorningMedia?sub_confirmation=1 FOLLOW GRANT http://www.MrGrant.com https://instagram.com/throwingtoasters/ SOURCES: https://disneyworld.disney.go.com/attractions/magic-kingdom/mad-tea-party/ https://en.wikipedia.org/wiki/Mad_Tea_Party Show ©2026 Saturday Morning Media/Grant Baciocco  

Hello and a very happy Saturday to you! This is your Disney News for Saturday, March 14th, 2026. I'm here to sprinkle a little magic into your weekend with some fantastic updates from the world of Disney. - Disneyland Tokyo opens its new Fantasyland expansion featuring enchanting rides, a reimagined Snow White adventure, and a new fairy tale-inspired restaurant. - Disney World's Space Mountain in Florida is getting stellar upgrades with new technology for enhanced thrills and comfort. - Disney teams up with the Make-A-Wish Foundation to grant more wishes for children with critical illnesses, spreading hope and joy globally. - A new "Mickey and Friends" series debuts on Disney+ next week, bringing classic charm with fresh, modern stories. I hope this has added a sprinkle of Disney enchantment to your day. Have a magical day, and see you tomorrow!

In the 1980s, Imagineering completely tore apart Walt Disney's original Fantasyland. But how did they decide on what should replace it? And what did they decide NOT to build?On this episode of Distory with Kate & Kirk, we fly back in time to Disneyland's 1983 opening of New Fantasyland and Disney's Peter Pan's Flight. Through rare Imagineering documents and vintage photos, we deep-dive into the details of how they dismantled and rebuilt Walt's original Fantasyland, including some concepts that never came to pass. As we fly along, Kirk takes us on a tour of dormer windows, Kate points out some ideas that didn't pan out for Imagineering, and we both lament the loss of so much art and memories when the bulldozers tore down Walt Disney's original Fantasyland. While waiting for the dispatch of our pirate galleons, we research some common Disney rumors, discover what inspired some of the queue design, and learn from original work documents how Imagineering pivoted away from their first idea of simply copying the 1971 Walt Disney World version of Peter Pan's Flight.Join us LIVE on YouTube every week! Be notified by subscribing to Kate's Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@disneycicerone⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also find us on Instagram, Facebook, and at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disneycicerone.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠walruscarp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠View full video versions of each episode at Disney Cicerone's YouTube channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OR on the Spotify version of our podcast.Kate's Books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WalrusCarp T-shirts & Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MOWD app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distory T-shirts and Stickers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kate's Substack Many thanks to Disney historian Joshua at  ⁠E82 | The Epcot Legacy⁠ for contributing resources for this episode!

Dans cet épisode, on plonge dans la nostalgie de Disneyland Paris en revenant sur 3 attractions aujourd'hui disparus, qui ont marqué toute une génération de visiteurs.On commence avec “Chérie, j'ai rétréci le public”, l'expérience 4D complètement folle inspirée du film Disney, où le public se retrouvait littéralement au cœur d'une expérience pleine d'effets spéciaux… et de surprises dans les sièges. On revient aussi sur le mythique Studio Tram Tour : Behind the Magic, l'attraction emblématique du Parc Walt Disney Studios qui emmenait les visiteurs dans les coulisses du cinéma, avec des décors impressionnants et la célèbre scène de catastrophe dans le canyon. Enfin, direction Fantasy Festival Stage, un lieu de spectacles aujourd'hui disparu où se produisaient plusieurs shows musicaux et animations dans l'univers Disney, au cœur de Fantasyland.Pourquoi ces expériences ont-elles disparu ?Qu'est-ce qui les a remplacé ?Entre souvenirs, anecdotes et évolution des parcs Disney, cet épisode vous replonge dans une époque révolue à Disneyland Paris !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

If Disneyland is the Happiest Place on Earth, then Fantasyland is in Marty Sklar's words, "The Happiest Kingdom of Them All". He goes on to say that "Here in the 'happiest kingdom of them all,' you can journey with Snow White through the dark forest to the diamond mine of the Seven Dwarfs; flee the clutches of Mr. Smee and Captain Hook with Peter Pan; and race with Mr. Toad on his wild auto ride through the streets of old London Town. Dumbo, the elephant with aerodynamic ears, will take you on a flight high above Fantasyland, while the haughty Caterpillar of Alice in Wonderland carries you down the Rabbit Hole into the ...Tulgey Wood. In colorful Dutch canal boats or the Casey Jr. Circus train, you'll journey through Storybook Land to see the homes of the Three Little Pigs, Pinocchio's Village, and Cinderella's Castle." Join us as we see those inspirational nuggets that are found throughout the sprawling grounds of Fantasyland, From Sleeping Beauty Castle to the majestic and might Matterhorn Mountain. We'll check out some fantastic details few see, and we'll hear some stories you may not have heard before--many of which truly are the inspiration for the joy found at Disneyland. Join us during Disneyland's 70th Anniversary for Fantasyland--The Happiest Kingdom of Them All. And stay tuned at the end, I will give you a peak at a new offering available to those who Wish Upon a Star! ___________________________________________________ Disney Insights YouTube Page--Check it out and subscribe. DisneyInsights.com--So many resources at our home site. Be sure to subscribe to receive notice of upcoming podcasts. Disney Insights Facebook Page--Come join and interact in conversation with others. My newest book, A Century of Powerful Disney Insights, Volume I 1923-1973, The Walt & Roy Disney Years is available!  Also, check out my two of my other books, The Wonderful World of Customer Service at Disney and Disney, Leadership and You.  Also, for those examining other business benchmarks beyond Disney, check out Lead with Your Customer: Transform Culture and Brand Into World-Class Excellence. _______________________________________________________ Check out Zanolla Travel to book your next vacation! David & Leah Zanolla ZanollaTravel.com Owner/Agents (309) 863-5469 _________________________________________________________ Performance Journeys This podcast and post is provided by J. Jeff Kober and Performance Journeys, which celebrates more than 20 years as a training and development group bringing best in business ideas through books, keynotes, workshops, seminars and online tools to help you take your organization to the next level. Want a Keynote Speaker? More than just nice stories, I offer proven insight and solutions having worked in the trench. Need Consulting? I've worked for decades across the public, private and non-profit arena.  Need Support? We offer so many classroom, online, and other resources to help you improve your customer service delivery, leadership excellence, and employee engagement. Contact us today, and let us help you on your Performance Journey!

CONTACT US TODAY! PATREON: http://www.patreon.com/wttmpodcast TikTok: https://www.tiktok.com/@windowtothemagic YouTube: http://youtube.com/windowtothemagic Email: podcast@windowtothemagic.com Voicemail: 1-307-GET-WTTM (438-9886)  On this episode, Part 2 of 3, Paul takes on Fantasyland at Disneyland.  Join Paul as he continues exploring Fantasyland and then does every Fantasyland attraction (except Matterhorn) in near real time.   This is classic WTTM podcast fun, when we go in and literally share the in-park experience with you.   Very little editing here... just binaural audio of the heart of Walt's original Magic Kingdom.  Enjoy!!  62 mins ))HD BINAURAL((

Here is your Daily Disney News for Monday, February 23, 2026 - Tokyo Disneyland announces a major expansion with a new "Frozen" attraction, immersing guests into Arendelle. - Disney World's EPCOT introduces "Harmony of Colors," a new nighttime show celebrating global cultures with stunning lights and music. - Disneyland Resort in Anaheim will open "Pixie Hollow Café," inspired by Tinker Bell, offering delightful treats in Fantasyland. - Disney+ debuts "The Rescuers: A New Adventure," an animated series reimagining the classic story with new adventures. Have a magical day and tune in again tomorrow for more updates.

Two more lost mailboxes of Disneyland. One that I have only seen in the one photo I have of it and another is the latest lost mailbox. Come explore Tomorrowland and Fantasyland past. PLUS check out Going To Guides new mail club: Going To Guides Patreon Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021

Hello travelers! This week, join hosts Producer Josh and Pete the Neverland Local as they walkabout the Magic Kingdom. Begin with a trip across the Seven Seas Lagoon via Ferry before entering the Magic Kingdom as the Starlight parade travels down Main Street. Next, head to Tomorrowland where you'll catch a ride on the Peoplemover and enjoy the musical stylings of Sonny Eclipse. You'll hear some of the Happily Ever After fireworks as you walk through Fantasyland and Frontierland on your way to Adventureland to check out some merch at the Pirates of the Caribbean shop. Finally, end your walkabout with the Walt Disney's Enchanted Tiki Room show in its entirety.  Walkabout the World is now on TikTok! Come follow our visual companion to the audio podcast at Walkabout.the.world.pod on TikTok   Visit us at walkabouttheworld.com - find links to all the things - attraction episodes, Insta accounts of all the hosts, and even how to buy your own Walkabout shirt!   Look us up at @WalkaboutWDW on Instagram and drop us a note to say hi.

Peter Pan's Flight wasn't planned to be in Walt Disney World at all... in fact, Disney's Imagineers had an entirely different Fantasyland mapped out for their new Magic Kingdom. So, what changed?On this episode of Distory with Kate & Kirk, we fly back in time to the Walt Disney World 1971 version of Disney's Peter Pan's Flight. Before we can step aboard our pirate galleon for the second iteration of this classic Disney ride, we have to first explore the unique development and construction of Magic Kingdom's Fantasyland through historical photos, video, and maps. Along the way, we walk through a rare Imagineering show guide and pre-opening Cast Member manual that gives us some special insight into the design of this attraction. Kirk walks us through the changes to the marquee out front, Kate reveals the hidden history of the area's benches and a connection to Disneyland's Fantasyland, and we discuss some brutal Medieval battle practices that will make you see the castle walls in a whole new light. After pondering a rooster lantern and reading a vintage sign, we head into the load area to find a nod to the 1955 Disneyland version of Peter Pan and an upgrade to the loading process… that didn't really make much of a difference in the end. Many thanks to Disney historian Joshua at  ⁠E82 | The Epcot Legacy⁠ for contributing resources for this episode!Listen to the Countdown to Extinction Original Exhibition score: Listen to A Musical History of the Magic KingdomJoin us LIVE on YouTube every week! Be notified by subscribing to Kate's Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@disneycicerone⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also find us on Instagram, Facebook, and at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disneycicerone.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠walruscarp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠View full video versions of each episode at Disney Cicerone's YouTube channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OR on the Spotify version of our podcast.Kate's Books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WalrusCarp T-shirts & Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MOWD app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distory T-shirts and Stickers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kate's Substack

In this Rant/Rave episode, Conor and Caroline are shining a light on two Fantasyland dark rides from the Magic Kingdom. Is Peter Pan's Flight one unhappy thought away from crashing to the ground in a heap of decades old pixie dust? And was it right to take away Mr. Toad's license in favor of a honey-loving bear with The Many Adventures of Winnie the Pooh? Keep your arms and legs inside the ride vehicle because this episode floats like a galleon and stings like a honeybee!Follow us on Facebook, Instagram, Threads, BlueSky, and TikTok for fun content and exciting new updates!Subscribe to our YouTube Channel to watch the podcast!Dive deeper into the podcast by becoming a subscriber on our Poor Unfortunate Patreon for ad-free listening, exclusive bonus episodes, and more!Join the Poor Unfortunate Fam, our private community for listeners who love the podcast and want to connect to keep the discussions going! On Discord | On FacebookIf you like what you're hearing, help us keep bringing you your favorite Disney content by making a donation to Poor Unfortunate Podcast today!*This podcast is not affiliated with The Walt Disney Company.

Hello Travelers! This week, join host Michelle at Disneyland as she rope-drops the park to take you on a tour of the classic dark rides of Fantasyland. You'll start on an eerily quiet Main Street before hearing the opening announcement and heading through the park and into Fantasyland. Then enjoy ridethroughs of Mr. Toad's Wild Ride, Pinnochio's Daring Journey, Snow White's Enchanted Wish, Peter Pan's Flight, and Alice in Wonderland.  Walkabout the World is now on TikTok! Come follow our visual companion to the audio podcast at Walkabout.the.world.pod on TikTok   Visit us at walkabouttheworld.com - find links to all the things - attraction episodes, Insta accounts of all the hosts, and even how to buy your own Walkabout shirt!   Look us up at @WalkaboutWDW on Instagram and drop us a note to say hi.

Exploring Disneyland through past mailboxes. As a Disneyland history podcast my mailbox tour should include the mailboxes of Disneyland past and present. This week we look from a Fantasyland mail box (that I just learned about) and a Frontierland mailbox. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021

Dan and Kevin Wilson share some more NFL news, preview Super Bowl 60 (well sorta), and discuss random stuff because why the heck not.      This podcast is supported by Belly Up Sports and Belly Up Media Like, Follow and Subscribe to the Show on YouTube, Apple Podcasts, Spotify, Instagram, Twitter, and TikTok Subscribe to our page for new Episodes of Time to BS Podcast, Seahawks Sessions, Isle of BS, and BS Sessions New episodes of Time to BS LIVE on Wednesday's at 6:30 pm eastern, recordings released Thursday's New episodes of Isles of BS LIVE on Monday's at 6:30 pm eastern, recordings released Tuesday's New episodes of Seahawks Sessions LIVE on Friday's at 8 pm, recordings released Saturday's New Episodes of BS Sessions coming soon     Tags:   #Seahawks #SeahawksPodcast #NFL #BellyUpSports #BellyUpMedia #ComedyPodast #RealTalkPodcast #Podcast   Social Pages:   Twitter/X: https://x.com/timetobspodcast?s=11   Instagram: https://www.instagram.com/timetobspodcast?igsh=MXNka3FwMzA4dWFucw%3D%3D&utm_source=qr   Facebook Page: https://www.facebook.com/share/17y5JMLn5T/?mibextid=wwXIfr   TikTok: https://www.tiktok.com/@timetobspodcast?_r=1&_t=ZP-93BAOd9TY7T   Discord: https://discord.gg/FxDfwkMcs   YouTube Page: https://youtube.com/@timetobspodcast?si=kHR3-tVEHU-9RoWW   Linktree: https://linktr.ee/TimetoBSPodcast?utm_source=linktree_admin_share

Von Youkali bis Fantasyland. Katie Bray stolpert durch einen wilden Sound-Cocktail aus Oper, Jazz und Pop. Ein schräger Textmix zeigt, wie grenzenlos moderne Musikphantasien heute gespielt werden.

CONTACT US TODAY! PATREON: http://www.patreon.com/wttmpodcast TikTok: https://www.tiktok.com/@windowtothemagic YouTube: http://youtube.com/windowtothemagic Email: podcast@windowtothemagic.com Voicemail: 1-307-GET-WTTM (438-9886)  On this episode, Part 1 of 3, Paul takes on Fantasyland at Disneyland.  Join Paul as he walks up Main Street USA, enters Fantasyland and then does every Fantasyland attraction (except Matterhorn) in near real time.   This is classic WTTM podcast fun, when we go in and literally share the in-park experience with you.   Very little editing here... just binaural audio of the heart of Walt's original Magic Kingdom.  Enjoy!!  98 mins ))HD BINAURAL((

Here is your Disney News for Thursday, January 29, 2026 - Disney's Animal Kingdom is launching "Wildlife After Dark," an immersive night-time experience with bioluminescent plants, night safaris, and live music. - Disneyland Resort's "Magic Happens" parade introduces the new "Pixar Pals" float featuring characters like Woody, Buzz Lightyear, and Mei Lee. - Tokyo Disneyland plans major renovations in Fantasyland, enhancing "Peter Pan's Flight" and expanding "Alice's Tea Party". - Disney+ will premiere "The Prince and the Frog," a modern reimagining of the classic tale with vibrant animation and an all-star voice cast. Have a magical day and tune in again tomorrow for more updates.

Hey there, and a very happy Saturday to you! This is your Disney News for Saturday, January 17th, 2026. I hope you're all set for a delightful day filled with magic and a sprinkle of pixie dust! - Magic Kingdom's Cinderella Castle show is being reimagined with new projections, a live orchestra, and a firework finale for the park's anniversary. - Tokyo Disneyland introduces "Tokyo Nights," a new immersive attraction that combines Disney magic with Tokyo's vibrant culture. - Disneyland California announces a major refurbishment of Fantasyland with updated attractions and landscapes. - Disney Music is releasing an exclusive vinyl collection of songs from beloved animated classics. Have a magical day and tune in again tomorrow for more updates.

As we enter 2026 we continue our celebration of Disneyland's 70th anniversary with a look at Mickey's Toon Town. One of the newer places on the map, this little corner beyond Fantasyland is filled with whimsy and charm. We share with you how the concept came about, due in large part to three major influences of that time--Including Snoopy! We look at the original Toon Town and compare it to how it looks today, to include the addition of Mickey and Minnie's Runaway Train. It's the same attraction as the one at Disney's Hollywood Studios, but it isn't because of an amazing queue. We'll talk all about that, and other little details of this town built on celluloid. Join us during Disneyland's 70th anniversary where we celebrate Mickey's Toon Town! ________________________________________________________ Disney Insights YouTube Page--Check it out and subscribe. DisneyInsights.com--So many resources at our home site. Be sure to subscribe to receive notice of upcoming podcasts. Disney Insights Facebook Page--Come join and interact in conversation with others. My newest book, A Century of Powerful Disney Insights, Volume I 1923-1973, The Walt & Roy Disney Years is available!  Also, check out my two of my other books, The Wonderful World of Customer Service at Disney and Disney, Leadership and You.  Also, for those examining other business benchmarks beyond Disney, check out Lead with Your Customer: Transform Culture and Brand Into World-Class Excellence. ________________________________________________________ Check out Zanolla Travel to book your next vacation! David & Leah Zanolla ZanollaTravel.com Owner/Agents (309) 863-5469 _________________________________________________________ Performance Journeys This podcast and post is provided by J. Jeff Kober and Performance Journeys, which celebrates more than 20 years as a training and development group bringing best in business ideas through books, keynotes, workshops, seminars and online tools to help you take your organization to the next level. Want a Keynote Speaker? More than just nice stories, I offer proven insight and solutions having worked in the trench. Need Consulting? I've worked for decades across the public, private and non-profit arena.  Need Support? We offer so many classroom, online, and other resources to help you improve your customer service delivery, leadership excellence, and employee engagement. Contact us today, and let us help you on your Performance Journey!

http://www.attractionchecklist.com -   Do you believe that elephants can fly?  Well you will.  Because today we head to Magic Kingdom in Walt Disney World to ride the Dumbo the flying elephant attraction on this episode of Attraction Checklist. Attraction audio recorded on May 21, 2025. TRANSCRIPT: Welcome to Attraction Checklist. This episode we're off to Walt Disney World's Magic Kingdom to ride Dumbo the Flying Elephant. The Walt Disney World website describes this attraction saying: Soar high in the sky-and see an elephant fly-on a whimsical flight aboard Dumbo. There are no age or height requirements or a thrill level listed for this attraction. Before we grab our magic feathers and soar to the skies, here are five fast facts about Dumbo the Flying Elephant at Magic Kingdom. 1. Dumbo the Flying Elephant was a Magic Kingdom opening day attraction, opening with the park on October 1, 1971 2. When the attraction originally opened, there were only 10 elephant ride vehicles.  6 more were added in 1993, when the attraction got a completely new ride mechanism. 3.  On opening day in 1971, the attraction was missing two important elements.  First, Timothy the Mouse was not in his position atop the 'disco ball' on the center spire of the attraction, and the elephant ride vehicles weren't wearing hats!  The ride vehicles were updated shortly after opening and Timothy made his debut in 1972. 4. In 2011, Fantasyland went under construction and as part of it, the Dumbo attraction was relocated and updated with a entire second carousel and an interactive queue. 5. The second carousel was build to spin clockwise from the original version.   The attraction audio recorded for this episode is available exclusively to the Saturday Morning Media Patron Patron.  Support the show and get fun Bonus content over at http://www.patreon.com/saturdaymorningmedia Episode edited by Stephen Staver FOLLOW US https://www.instagram.com/attractionchecklist/ https://www.facebook.com/attractionchecklist https://www.linkedin.com/company/saturday-morning-media http://www.youtube.com/user/SaturdayMorningMedia?sub_confirmation=1 FOLLOW GRANT http://www.MrGrant.com https://instagram.com/throwingtoasters/ SOURCES: https://disneyworld.disney.go.com/attractions/magic-kingdom/dumbo-the-flying-elephant/ https://en.wikipedia.org/wiki/Dumbo_the_Flying_Elephant Show ©2026 Saturday Morning Media/Grant Baciocco  

The green glow you might have seen in Fantasyland in the 60s and 70s might have been from Skull Rock. Two Disneyland postcards this week with a lot on the message side of the postcard. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021

Join Erik and Tage this week as they are joined by Michael and Kate as they discuss the opening day attractions they would like to experience, the Disney Parks holiday experiences they would like to recreate at home, the non-Disney books they would like to see adapted into Disney+ series, and which classic imagineers or park visionaries they would like to have dinner with. Support the podcast by going to https://www.thehubcrawl.com/support. Question 1: If you could experience one of the Disneyland opening day attractions — that we no longer have — which would it be? Quick list: (on Main Street) the Horse-Drawn Surrey, the Horse-Drawn Firetruck, Wurlitzer Music Hall, Upjohn Pharmacy, the Maxwell Intimate Apparel Shop; (in Frontierland) the Davy Crockett Museum, Horse Corral, Railroad “Cattle Cars,” Conestoga Wagon, Pack Mules; (in Fantasyland) the Mickey Mouse Club Theatre (technically opened 8/27); (in Tomorrowland) Rocket to the Moon, Circarama, World Beneath Us, Space Station X-1, Tomorrowland Boats, ‘20,000 Leagues' Walk-Through (technically opened 8/5), Aluminum Hall of Fame, Monsanto Hall of Chemistry. Question 2: What is a Disney Parks holiday experience that you would like to recreate at home? Question 3: What non-Disney book or character would you like to see adapted into a Disney+ series? Question 4: Which classic Imagineer or park visionary would you love to have dinner with? Think a multi-course meal where you can pick their brains for hours. Or just hang. And yes, you can pick folks who have passed on. Bonus Question: Let's pretend Disney+ is creating a docuseries focused on the history, design, and future plans for resort hotels, which Disney owned hotel (anywhere) would you want them to feature and why?

Looking for daily inspiration?  Get a quote from the top leaders in the industry in your inbox every morning.   Every year, millions of attraction visitors lose hours in line instead of making memories. Since its inception, accesso's virtual queuing has saved more than 4.5 billion minutes of wait time, freeing guests to pack their day with more rides, eats, and excitement. The result? Happier guests who spend more and a better bottom line for you. Ready to turn waits into wins? Visit accesso.com/ROIClinic. The queues are virtual. The results are real. Michael Acevedo is the Business Development Manager for Nassal. Growing up in Orlando, Michael turned a summer job at Universal Orlando into a two decade career that has spanned ride operations, tech services, engineering, Universal Creative, Walt Disney Imagineering, and now themed construction and fabrication. He has worked on projects such as Harry Potter and the Forbidden Journey, Transformers, the Fantasyland expansion, Star Wars: Rise of the Resistance, and Star Wars: Galactic Starcruiser, before moving into project management and business development at Nassal and its design build brand, nFusion. In this interview, Michael talks about reliability & guest experience, being yourself, full circle career moments. Reliability & Guest Experience “Every minute of downtime on this one attraction impacts the guest experience so much more than even 10 minutes of downtime at this other attraction.” Michael explains how his time in tech services engineering at Universal revealed the tight bond between reliability and guest satisfaction. By combining uptime data with daily guest ratings and information on which rides guests could or could not experience, his team could see which attractions caused the biggest drop in satisfaction when they went down and prioritize problem sensors and components accordingly. This moves reliability from a back of house statistic to a strategic lever, guiding where to invest time and resources so that technical decisions protect the most emotionally important moments in the visit. Being Yourself “So the most important piece of advice I would give people is just be yourself.” Looking back, Michael admits he spent years trying to match an imagined standard of who he should be at companies like Universal and Disney. Over time, he noticed that promotions, project invitations and leadership responsibilities tended to appear when he was showing up as his authentic self. In an industry that needs everyone from artists and engineers to plumbers, accountants and ticket sellers, he argues there is no single template for success. Bringing your real background, culture and personality into the work, and remembering that you are also a consumer of these experiences, is part of what makes you valuable. Full circle career moments “I don't know if I'll ever be able to top that moment, standing there with people who I looked up to, that I was right alongside them.” Michael recalls a defining full circle moment on Star Wars: Rise of the Resistance. After years of development, he stood at the exit on opening morning at Disney's Hollywood Studios and watched guests step off the attraction in disbelief, some in tears, thanking the team for making their Star Wars dreams real. He links that experience to seeing creative leader Scott Trowbridge at Universal years earlier and wondering what it would be like to work with him, then later sitting together as peers on Galaxy's Edge. Through mentoring students, hosting shop tours and sharing his story, Michael hopes to help others create their own full circle career moments.   Michael encourages listeners who want to learn more about Nassal to visit nassal.com, where they can explore the company's portfolio of themed projects and capabilities. He also invites anyone seeking career advice or interested in working with Nassal to connect with him directly on LinkedIn. This podcast wouldn't be possible without the incredible work of our faaaaaantastic team:   Scheduling and correspondence by Kristen Karaliunas   To connect with AttractionPros: AttractionPros.com AttractionPros@gmail.com AttractionPros on Facebook AttractionPros on LinkedIn AttractionPros on Instagram AttractionPros on Twitter (X)

Not the board game but Candyland in Disneyland. A shop that has been around for 70 years but is NOT an opening day offering. Walk down Main Street USA then Fantasyland then New Orleans Square. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021

This week, Disneyland After Dark events announced for 2026, a chance to see a new documentary before the general public, Dick Van Dyke is turning 100, D23 2026 member gifts announced, mobile order changes at the resort, purchasing tickets might become less predictable, we finish our conversation with Paul Briggs, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Disneyland After Dark is coming back for 2026, with a new nite, along with some returning popular nites. New for 2026 will be Disneyland After Dark 70 Years of Favorites, which Disney describes as “weaving together the best of Disneyland happenings, including nods to favorite musical moments, shows, and characters.” Returning nites include Sweetheart's Nite, Disney Channel Nite, Star Wars Nite, and Pride Nite. Sweetheart's Nite will take place on 9 nights from late January to February 17th, with a new “Celebrate Love Cavalcade” and “Once Upon a Dream – A Musical Journey Through the Disney Songbook” featuring live singers and Disney royalty that ends with a ball underneath the stars. 70 Years of Favorites will take place on March 3rd and 5th, and feature swing dancing at Royal Theatre in Fantasyland, a Videopolis Dance Party at Tomorrowland Terrace, line dancing at The Golden Horseshoe, sentimental photo opportunities, and characters from days gone by. Tickets for both these events go on sale for Magic Key holders on December 9th, with general ticket sales starting on December 11th. Disney Channel Nite will take place on April 12th, 14th, and 16th, Star Wars Nite will span 4 dates on April 28th, April 30th, May 4th, and May 6th. Finally, Pride Nite will happen on June 16th and June 18th. - https://disneyparksblog.com/dlr/dates-and-details-for-disneyland-after-dark-events/ https://www.micechat.com/427679-disneyland-news-holiday-hights-lows-pricing-woes-talking-tree/ Leslie Iwerks has a new documentary on Disneyland coming out named Disneyland Handcrafted. The documentary will premiere for general audiences on Disney+ later this winter, but D23 members can see it early in January! Tickets to the event include a conversation with Leslie Iwerks and other Disney Company people prior to the screening, a screening of Disneyland Handcrafted in the main theater on the Disney Studios Lot, an after-screening reception with light snacks and refreshments, and a commemorative event credential. To get tickets, visit the link in the show notes. Tickets go on sale December 5th. - https://www.laughingplace.com/disney-parks/d23-premiere-disneyland-handcrafted-documentary/ Disney Legend Dick Van Dyke will be turning 100 in December! Fans are organizing a Dick Van Dyke 100th Birthday Fan Meetup at Disneyland on December 21st. Guests can dress up to honor the legend, with a group photo at 11am at Sleeping Beauty Castle, a group ride on King Arthur's Carousel at 11:30, lunch at Jolly Holiday at noon, and the Pearly Band at 1pm. - https://www.instagram.com/p/DRP3jSuknT6/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== D23, the Official Disney Fan Club, has announced the member gifts for 2026. Members at the D23 Gold Choice or Complete plan will receive the 2026 membership kit, plus their choice of exclusive D23 premium items. These items include a Sorcerer's Apprentice Mickey Mouse Collector Statue, Loungefly x Disney Oswald Backpack & Ears Bundle, RSVLTS x Disney Shirt, or D23 Gold Member 10-Piece Pin Box Set. D23 Memberships are available as Gold Member Essential, which for $49.99/year gets the membership kit only, Gold Member Choice at $119.99/year gets the membership kit and one premium item, or the Gold Member Complete at $329.99/year, which gets the membership kit and all four premium items. - https://d23.com/d23-in-2026-epic-events-outstanding-offerings-and-memorable-moments-to-come/ Mobile order has expanded over the last few years to a lot of locations at the Disneyland Resort. This past week, locations were removed from the service. Disney's Wonderful World of Sweets in Downtown Disney, Pooh Corner, and Candy Palace and Candy Kitchen in Disneyland, Bing Bong's Sweets, and Trolley Treats in Disney California Adventure are no longer using the system. - https://www.disneyfoodblog.com/2025/11/22/news-mobile-order-removed-from-some-locations-on-disneyland-app/ Buying tickets to the Disneyland Resort might start to look more like booking tickets on an airline in the coming years. Dynamic pricing, or the ability for Disney to change the pricing depending on several factors throughout the day, week, or year, is already in place at Disneyland Paris, and according to Disney Chief Financial Officer Hugh Johnston, might be coming to the US parks. Ultimately, this will remove flat-rate pricing for specific days, and go to a range of prices for a day, which can vary based on attendance and weather, to name a few. - https://www.laughingplace.com/disney-parks/disney-parks-dynamic-pricing-coming-to-domestic-parks/ As the expansion to Avenger's Campus continues, Walt Disney Imagineering has shared a behind-the-scenes look at the recent progress, which includes the canopy connecting Avenger's Infinity Defense and Stark Flight Lab being assembled. There is still no official opening date for these additions, but progress is moving quickly. - https://www.disneyfoodblog.com/2025/11/20/new-behind-the-scenes-look-at-disneys-avengers-campus-expansion/ Weeklyteers who like Disneyland and McDonald's Happy Meals are in for a treat! To continue the 70th anniversary celebration of Disneyland, the two giants are partnering to offer 70 Happy Meal toys starting on December 2nd. Two toys will be provided in each Happy Meal and should run through January 12th. The toys feature figures from Disney Animation, Pixar, Marvel, and Star Wars. A couple of parks specific toys are the Hatbox Ghost, and Sleeping Beauty Castle in regular and gold variations. - https://www.laughingplace.com/disney-parks/disneyland-70th-happy-meal-toys/ Walt Disney Imagineering is helping communities rebuild after the devastating fires that burned through the region earlier this year. $5 million dollars are being allocated to Altadena's Charles White Park, which will feature a new community center, and an enhanced playground. Enhancements will include play areas inspired by Altadena's Deodar Cedar pinecones, a splash pad, bridges, boulders, slides, swings… and what looks like a grove of giant clovers which might be from the old Bug's Land. - https://www.micechat.com/427679-disneyland-news-holiday-hights-lows-pricing-woes-talking-tree/ Olaf coming to Disneyland Paris and Hong Kong Disneyland. - https://www.youtube.com/watch?v=EoPN02bmzrE https://www.instagram.com/reel/DRcmtaHChvF/?igsh=MXN2d2t1aHBiaGxw SnackChat: Disney Recipe Ideas for Thanksgiving Leftovers - https://disneyparksblog.com/disney-experiences/disney-eats-thanksgiving-leftovers-recipes-from-disney-parks/ Lunch coming to River Belle Terrace - https://www.laughingplace.com/disney-parks/disneyland-river-belle-terrace-adds-lunch/ TriviaLand: Pirates of the Caribbean ride through - https://youtu.be/SakgAjh6xc4?si=FsCigo3y89B7dePE Discussion Topic: Director, Animator, and Tiki Enthusiast Paul Briggs - https://instagram.com/paul_briggs_tiki https://archive.org/details/the-illusion-of-life-disney-animation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fantasyland Ride Guide Find us on Youtube - please like and subscribe! Looking to plan a Disney World or Disneyland vacation? Let Joe do all the hard work for you, helping you get the best discount, at no cost to you as your travel agent. Get started by e-mailing josephcheung@travelmation.net today! Episode Description We're moving our ride guide series to Disneyland! We discuss Mr. Toad's Wild Ride and Alice in Wonderland, some of the best Fantasyland attractions in Disneyland. Will the attractions be too scary for your kids? How can you minimize your wait time in lines? All this and more in this week's episode. What tier ranking would you give Mr. Toad's and Alice in Wonderland? Let us know by e-mailing disneydeciphered AT gmail DOT com, messaging us on social media, or leaving a comment on our Youtube page. You can also follow us on Instagram! Episode Notes (all timestamps are approximate) https://www.yesterland.com/alice.html 2:33 - WDW vs. DL Fantasyland 5:13 - Alice in Wonderland's History 8:23 - Ride run through 12:34 - Who is the attraction for and line strategies 17:19 - Alice in Wonderland tier ranking 18:45 - Mr. Toad's Wild Ride History 21:23 - Attraction run through 26:13 - Who is the attraction for and line strategies 30:01 - Mr. Toad's Wild Ride tier ranking 32:11 - Disney dos and don'ts If we've helped you to plan your trip and you'd like to thank us we'd appreciate you considering a one time donation. Or if you'd like to receive bonus content, check out our Patreon page and our special subscriber only content! You can also support the show by buying tickets (if they're the best deal, of course) using our Undercover Tourist link or signing up for Mouse Dining through our link. If you like what you hear, please share and subscribe! Find us on Apple Podcasts, Spotify, TuneIn, PlayerFM, iHeartRadio, or Google Podcasts (please leave a positive review if you're enjoying the show), like our Facebook page, or follow us on Bluesky and Instagram! Connect with Leslie @TripsWithTykes on social media and Joe @asthejoeflies.

This week on the Geekin' on Walt Disney World Podcast, I welcome back long-time Super Geek and dear friend Jen Batchelder! Jen just returned from a magical September trip celebrating family birthdays at Bay Lake Tower, and she's here to share her heartwarming family adventure — filled with fireworks, fairytales, and unforgettable princess moments.

Today Mike, Pam and Rikki have a fun theme-park discussion where they talk about getting rid of the most "underperforming" experience in each land or entire theme park to improve the guest experience in the future. Which would you pick for Tomorrowland, Animal Kingdom, Disney's Hollywood Studios, Fantasyland, World Showcase, and more? Please share your thoughts over on the Discord channel at www.beourguestpodcast.com/clubhouse. We hope you enjoy today's podcast!  Please visit our website at www.beourguestpodcast.com.  Thank you so much for your support of our podcast! Become a Patron of the show at www.Patreon.com/BeOurGuestPodcast. Also, please follow the show on Twitter @BeOurGuestMike and on Facebook at www.facebook.com/beourguestpodcast.   Thanks to our friends at The Magic For Less Travel for sponsoring today's podcast!