Podcasts about Capelle

durée : 00:05:10 - Déjà debout - Nathalie Capelle, créatrice de statuettes en écorce de platane.

durée : 02:00:22 - Le 5/7 - par : Mathilde MUNOS, Amaury Bocher, Elise Amchin - À 5h45 : Nathalie Capelle, créatrice de statuettes en écorce de platane. À 6h20 : Alexandra Vaillant, secrétaire générale de l'union syndicale des magistrats.

durée : 00:05:10 - Déjà debout - Nathalie Capelle, créatrice de statuettes en écorce de platane.

durée : 00:05:10 - Déjà debout - Nathalie Capelle, créatrice de statuettes en écorce de platane.

La science-fiction explore des mondes futurs, des technologies avancées et des sociétés transformées. Elle invite à l'évasion tout en questionnant notre rapport au progrès et aux changements à venir. Depuis longtemps, ce genre anticipe des évolutions qui finissent parfois par devenir réalité. Pourquoi attire-t-il autant ? Et comment parvient-il à imaginer le monde de demain ? Avec :- Sébastien Capelle, auteur SF, président de l'association OseLaSF- Patrice Verry, auteur SF, membre de l'association NooSFere, organisateur du Festival ImaJn'ère (49)- Guillaume Volant, président de la 29ème Dimension, organisateur du Festival Finistellaire (29)

Inspanningsfysioloog Ward bespreekt live Joris zijn inspanningstest, maar vertelt ook over zijn evolutie als coach. Waarom zijn lactaattesten nodig, en hoe interpreteer je de resultaten. En ook: wat leer je nog niet bij een inspanningstest?Vragen of opmerkingen? Schiet ze binnen van @therunningcrewdotcom op Instagram!

The Modern Wealth co-founders reveal their $200 million private equity-backed strategy for building a national RIA. Host: Steve Sanduski, CFP.

durée : 00:02:54 - L'artiste toulousain Cyril Capelle - Un surdoué de la composition, tout en douceur...

December 29, 2024 Associate Pastor Jared Capelle by Basic Truth Church, Cygnet, Oh

December 22, 2024 Lead Pastor Jim Baney, Associate Pastors Jared Capelle & Lee Newcomer by Basic Truth Church, Cygnet, Oh

This is the first ever live recorded episode, which took place at Neudata's Winter Summit in New York on December 5th.For the panel, I was fortunate to share the stage with Matei Zatreanu of System 2, Tjeerd van Capelle of aiLiftoff, Alexander Izydorczyk of CyberSyn and Kelly Kosciuszka of Schulte, Roth & Zabel, as we embarked on an attempt to predict the Future of Alternative Data in five years time.In our conversation we covered topics like innovation in datasets, the impact of LLMs, the new US administration's regulatory plans, consolidation in the space, the structure of hedge funds, and more.DISCLAIMERThis podcast is an edited recording of an interview with recorded in at the Neudata Winter Summit Event in December 2024. The views and opinions expressed in this interview are those of the event panelists and Mark Fleming-Williams and do not necessarily reflect the official policy or position of either CFM or any of its affiliates. The information provided herein is general information only and does not constitute investment or other advice. Any statements regarding market events, future events or other similar statements constitute only subjective views, are based upon expectations or beliefs, involve inherent risks and uncertainties and should therefore not be relied on. Future evidence and actual results could differ materially from those set forth, contemplated by or underlying these statements. In light of these risks and uncertainties, there can be no assurance that these statements are or will prove to be accurate or complete in any way. Hosted on Acast. See acast.com/privacy for more information.

In deze nieuwe aflevering van CEO Talk ontvangt Nico Inberg van De Aandeelhouder de CEO van winkelvastgoedbedrijf Wereldhave, Matthijs Storm. Matthijs is sinds augustus 2019 CEO van Wereldhave en introduceerde begin 2020 een nieuwe strategie voor de toekomst van het bedrijf en de winkelcentra. Met Matthijs praten we onder andere over de groeimogelijkheden van Wereldhave, de ingezette strategie en resultaten van het transformeren van Winkelcentra naar Full Service Centers en de dividendgroei vooruitzichten voor beleggers. De gebruikte presentatie van de uitzending kun je downloaden via onderstaande link: https://www.wereldhave.com/investor-relations/reports-publications/presentations/ Tijdslijn: 00:00-03:58 Introductie: Wie is Matthijs Storm? 03:58-10:41 Profiel Wereldhave: Strategie Full Service Centers 10:41-13:00 Huurdersmix: 13:00-15:10 Polariserende markt 15:10-17:30 Investment case Wereldhave 17:30-23:48 LifeCentral strategie: 3 fases 23:48-24:57 De 15-minute city 24:57-27:55 Full Service Center: de transformatie 27:55-32:21 ESG 32:21-35:10 Relatieve prestatie Wereldhave en peers 35:10-36:36 Aanpassing strategie: schaal nodig en 36:36-39:29 Ondernemen in Nederland lastig 39:29-44:24 Transformatie Kronenburg Arnhem 44:24-47:15 LifeCentral strategie: betere prestaties Full Service Centers 47:15-48:43 Bestand tegen economisch klimaat 48:43-53:01 Polarisatie winkellandschap: 53:01-54:44 De Koperwiek in Capelle aan den IJssel 54:44-56:50 Full Service Center Genk Shopping 1 56:50-1:00:05 Halfjaarcijfers en derdekwartaalcijfers 1:00:05-1:01:30 Acquisitie Polderplein: Buurman's grond… 1:01:30-1:02:26 Ontwikkeling gemiddelde rente 1:02:26-1:04:25Dividend en vrije kasstroom 1:04:25-1:05:44 Het aandeel Wereldhave: actieve institutionele beleggers 1:05:44-1:06:25 Duurzaamheid dividend 1:06:25-1:08:18 Marktontwikkelingen e-commerce 1:08:18-1:09:20 De invloed van de rente 1:09:20-1:12:15 Waar moeten beleggers op letten? Kwaliteit van de kasstroom 1:12:15-1:13:04 Toekomst Matthijs Storm #beurs #vastgoed #dividend #beleggen #aandelen #aex #rente

In deze aflevering hoor je alles over Oekraïne dat van de Amerikanen nu ook wapens uit de VS dieper in Rusland mag gebruiken. Daarnaast ontdekte BNR's onderzoeksredactie dat een advocatenkantoor uit Capelle aan de IJssel helpt bij het wegtoveren van Iraanse oliebelangen. En we hebben het ook over de prijzen van olijfolie, want die rijzen de pan uit. See omnystudio.com/listener for privacy information.

Oekraïne mag van de Amerikanen wapens uit de VS ook diep in Rusland gebruiken. Dat zeggen officials tegen Amerikaanse media. Met de toestemming mag Oekraïne de zogeheten ATACMS-raketten op Russisch grondgebied inzetten, meldt de Washington Post. Dat de VS dit toestaat is een ommezwaai in het beleid, zegt correspondent Jan Postma. Een advocatenkantoor uit Capelle aan den IJssel helpt al jaren bij de geheime export van Iraanse olie, blijkt uit onderzoek van BNR. Een Surinaamse dochteronderneming van dit kantoor rekruteert in Paramaribo locals die tegen betaling op papier eigenaar werden van een olietanker. Zo blijft verborgen wie nou echt achter die schepen zit. En zo verdient De Islamitische Volksrepubliek Iran miljarden.  De schoonste en zuinigste asfaltcentrale van Europa draait sinds een paar weekjes in het Gelderse Nijkerk, bij de wegenbouwers van de Van Gelder Groep. De fabriek is ongeveer zo hoog als een gebouw van 14 verdiepingen, is super-zuinig, uitzonderlijk schoon en sowieso helemaal klaar voor de toekomst. Er moet jaarlijks bijna een half miljoen ton asfalt geproduceerd worden. Verslaggever Martijn de Rijk werd rondgeleid door adjunct-directeur Ivo de Vries. Over deze podcast    In Ochtendnieuws hoor je in 20 minuten het belangrijkste nieuws van de dag. Abonneer je op de podcast via bnr.nl/ochtendnieuws, de BNR-app, Spotify en Apple Podcasts. Of luister elke dag live via bnr.nl/live.See omnystudio.com/listener for privacy information.

Afgelopen week opende de nieuwste attractie van de Efteling, Danse Macabre, in het Huyverwoud. Erwin en Tibo trotseren het Onnoembare en Joseph Charlatan in de abdij van Capelle van Kaatsheuvel en brengen hun mening over de vervanger van het Spookslot.

Een serie portretten van onderwijsmensen erin slagen de leerling in de ogen te kijken, te zien, en (ook) in de ogen van de leerling het goede te doen. In deze aflevering: Mohamed, opleidingsmanager van het Zadkine Startcollege in Capelle aan de IJssel.

Met vandaag:  Coalitiepartijen in Den Haag zitten nog steeds niet op een lijn | De missie van Philip Nitschke, die de zelfdodingscapsule ontwikkelde | Oud-politiechef Joost Manusama wordt de nieuwe burgemeester van Capelle aan den IJssel | Bussum krijgt een Van Kooten en De Bie-wandelroute | Presentatie: Wilfried de Jong

September 22, 2024 Associate Pastor Jared Capelle by Basic Truth Church, Cygnet, Oh

Pour le quinté du jour à La Capelle, Thierry Léger recommande de jouer les numéros 11,12,5,9,10,1,6,8.

L'interview de Pierrick Capelle (attaquant d'Angers SCO) avec Simon Reungoat et Katell Lagré !

L'interview de Pierrick Capelle (attaquant d'Angers SCO) avec Simon Reungoat et Katell Lagré !

Pour le quinté du jour à La Capelle, Thierry Léger recommande de jouer les numéros 3,2,5,10,8,4,9,7.

August 4, 2024 Associate Pastor Jared Capelle by Basic Truth Church, Cygnet, Oh

June 16, 2024 Associate Pastor Jared Capelle by Basic Truth Church, Cygnet, Oh

An early architect of Joe Duran's United Capital, and a former Goldman Sachs PFM exec, Mike Capelle and his partners secured $200 million to build a national RIA with a vision of bringing all a client's planning needs—tax, insurance, estate planning—under one roof. In this episode of the RIA Edge Podcast, David Armstrong, editorial director … Read More Read More

In de aanloop naar ons vijftienjarig jubileum op woensdag 15 mei in Carré presenteren we elke maandag een bonusaflevering met een favoriet verhaal uit onze beginjaren. Vandaag een verhaal van Elissa Capelle uit 2013, dat eerder verscheen als aflevering 65.Wil je ook een keer een verhaal bij ons vertellen of wil je leren hoe je dat moet doen? Ga dan naar onze website, want we zijn altijd op zoek naar nieuwe vertellers. Onze redactie leest alle inzendingen en neemt contact op.Dit is het Instagram-account van Echt Gebeurd.Voor mensen die het kunnen missen hebben we Vriend van de Show. Wil je donateur worden voor € 2,50 per maand of een eenmalige donatie doen, dan kan dat hier.Om te adverteren in onze podcast kun je contact opnemen met Dag en Nacht Media.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Comment développer l'innovation entrepreneuriale en accueillant et en assistant des réfugiés internationaux ? Dans cet épisode, Guillaume Capelle, co-fondateur de l'association SINGA, nous partage son parcours, marqué par un engagement inébranlable en faveur de l'inclusion des migrants et la création d'opportunités économiques. Distingué par Forbes comme l'un des jeunes français les plus talentueux de sa génération, Capelle a su tisser des liens entre sa considération pour l'interculturalité et son désir d'impact sociétal, menant à la fondation de SINGA, une association internationale qui accompagne plus de 500 startups chaque année.Son désir de voir au-delà des frontières l'a mené à initier des projets innovants, notamment la plateforme "J'accueille", facilitant l'accueil de réfugiés par des familles françaises, et à défendre une vision renouvelée de la finance, attentive aux entrepreneurs migrants et aux innovations sociales. Aujourd'hui, en collaboration avec IMPACT Partners, il œuvre à la création d'un fonds d'investissement dédié à l'inclusion des nouveaux arrivants en Europe.Pour notre invité, l'accueil et l'assistance apportés aux réfugiés entrepreneurs ne sont pas seulement des actes de solidarité ; ils constituent un véritable levier de création de valeur pour nos sociétés. Guillaume souligne combien ces nouveaux arrivants, armés de résilience et de perspectives nouvelles, portent en eux des idées novatrices capables de transformer l'économie et la culture de leur pays d'accueil.À travers ses réflexions et actions, Guillaume nous invite à reconsidérer notre approche de l'entrepreneuriat et de l'innovation, soulignant l'importance de l'inclusion et de la diversité pour une société plus riche et équitable. Time codes : 1'10 : Introduction 3'30 : Le parcours de l'invité10'00 : La genèse de SINGA35'00 : L'importance de l'interculturalité45'00 : La méthode Ikigai50'00 : Quel est ton Canary Call ? Liens de l'épisode :Le compte LinkedIn de Guillaume CapelleJ'accueilleSINGAIMPACT PartnersLa méthode Ikigai de Akihiro Hasegawa

Nach dem Mauerfall zog es viele Ostdeutsche in den Westen, manche auch in die Niederlande. Wie blickt man von dort auf deutsch-deutsche Befindlichkeiten? Nico van Capelle traf ehemalige DDR-Bürger westlich vom Westen.

February 25, 2024 Associate Pastors Jared Capelle & Lee Newcomer by Basic Truth Church, Cygnet, Oh

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

January 7, 2024 Associate Pastor Jared Capelle by Basic Truth Church, Cygnet, Oh

Originaire d'Albi, dans le sud de la France, Pauline Capelle a quitté l'Hexagone depuis 2017 et a vécu depuis au Canada en PVT, au Royaume-Uni puis de nouveau et ce depuis un peu plus d'un an à Montréal. Et cette fois, pour de bon ?Son récit est une toile vivante de sept années d'explorations, de défis et de rebondissements. Pendant son PVT au Canada, elle découvre un sport qui initialement ne l'inspirait qu'assez peu ... le hockey sur glace. Un sport qui est pourtant quasi religion au Québec, et là c'est une révélation.Ses anecdotes colorent un tableau captivant de ses pérégrinations. Entre les nuances de la découverte du Canada, du Québec et de la culture du hockey, et les défis rencontrés en période de restrictions de voyage, Pauline évoque avec franchise ses hauts et ses bas. Son retour à Montréal, riche en rebondissements, la voit obtenir avec brio un emploi au Centre Bell, symbole des Canadiens de Montréal, une équipe de hockey emblématique : serait-ce un signe que cette fois, ça y est, elle est au bon endroit... ?Pauline Capelle nous guide dans une odyssée pleine d'éclats, et nous offre un regard vivifiant sur des lieux variés qu'elle a successivement appelés "chez elle". La French Expat de la semaine incarne l'esprit de l'expatriation, et nous propose aujourd'hui une histoire qui oscille entre l'excitation des découvertes, les défis inattendus et une résilience exemplaire. De Montréal au Royaume-Uni aller-retour, Pauline nous fait découvrir avec entrain la richesse et la diversité des villes qu'elle a eu la chance d'appeler "chez elle".French Expat est un podcast de French Morning qui raconte les parcours de vie des français établis hors de France. Retrouvez-le sur toutes les plateformes d'écoute : Spotify, Apple Podcast, Deezer, Google Podcast, Podcast Addict, Amazon Music. Cet épisode est raconté, produit et réalisé par Anne-Fleur Andrle, habillé et mixé par Alice Krief.hockey, Canadiens de Montréal, Centre Bell, sport, intégration, parc du Mont Royal, promenade, vue magnifique, lever du soleil, LinkedIn, offre d'emploi, expérience, compétition, entretiens, candidats, quartier, Rosemont-La Petite-Patrie, ressenti, balcon, cyclistes, enfants, école, chats, écureuils, Albi, France, Montréal, Royaume-Uni, pandémie de Covid-19, marché Jean Talon, fruits et légumes, voyager. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Inspiring People, Inspiring Journeys, is a new podcast series in 2023, moderated by Sanja Haas, Chairwoman of the Advisory Board for the European Human Capital Center at The Conference Board. Each episode features an informal conversation with a CHRO about their role & responsibilities, professional journey and perspectives about HR careers and the future of the function. In this eighth episode, Sanja sits down with Mieke van de Capelle, CHRO at dsm-firmenich. Mieke shares with us what it's like being a CHRO in a newly merged conglomerate (the B2B company touches 4 billion people on a daily basis indirectly) and how this is a daunting experience - both incredibly rewarding and challenging at the same time. Rewarding because of the opportunity to be building a company fit for purpose; challenging because everything is up for reevaluation. She tells us about her different professional experiences and journey which prepared her for the current role, including being part of a very long post-merger integration as her first role as CHRO in 2012. Mieke explains that she does not have a “recipe book” and that every situation is different with no “one size fits all”. Having experience is one thing, but not enough. Mieke shares that in order to make a difference as an HR Professional, experience needs to be coupled with a mindset of being open to listen, learn and understand what is needed for the business.

July 23, 2023 Associate Pastor Jared Capelle by Basic Truth Church, Cygnet, Oh

Marie Fortunée Capelle, connue sous son nom d'épouse Marie Lafarge, née à Paris en 1816 et morte à Ussat dans le département de l'Ariège le 7 septembre 1852, est une personnalité française soupçonnée, puis reconnue coupable par la justice de l'époque d'avoir empoisonné son époux, Charles Pouch-Lafarge, dit Charles Lafarge, donnant ainsi naissance à l'affaire Lafarge dont le procès fit l'objet de nombreux commentaires et qui sera à l'origine de nombreux ouvrages décrivant ou analysant l'affaire, ainsi qu'à des films au cinéma et à la télévision. "Crimes : Histoires vraies" est un podcast Studio Minuit. Retrouvez nos autres productions : Espions : Histoires vraies Morts Insolites : Histoires vraies Sports Insolites Sherlock Holmes - Les enquêtes 1 Mot 1 Jour : Le pouvoir des mots Je comprends R : le dictionnaire du nouveau millénaire Les Zéros du Crime : Histoires vraies Arsène Lupin, gentleman cambrioleur ⭐️ Vous en voulez plus ? Abonnez-vous à Minuit+ et profitez de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

Marie Fortunée Capelle, connue sous son nom d'épouse Marie Lafarge, née à Paris en 1816 et morte à Ussat dans le département de l'Ariège le 7 septembre 1852, est une personnalité française soupçonnée, puis reconnue coupable par la justice de l'époque d'avoir empoisonné son époux, Charles Pouch-Lafarge, dit Charles Lafarge, donnant ainsi naissance à l'affaire Lafarge dont le procès fit l'objet de nombreux commentaires et qui sera à l'origine de nombreux ouvrages décrivant ou analysant l'affaire, ainsi qu'à des films au cinéma et à la télévision. "Crimes : Histoires vraies" est un podcast Studio Minuit. Retrouvez nos autres productions : Espions : Histoires vraies Morts Insolites : Histoires vraies Sports Insolites Sherlock Holmes - Les enquêtes 1 Mot 1 Jour : Le pouvoir des mots Je comprends R : le dictionnaire du nouveau millénaire Les Zéros du Crime : Histoires vraies Arsène Lupin, gentleman cambrioleur ⭐️ Vous en voulez plus ? Abonnez-vous à Minuit+ et profitez de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

Marie Fortunée Capelle, connue sous son nom d'épouse Marie Lafarge, née à Paris en 1816 et morte à Ussat dans le département de l'Ariège le 7 septembre 1852, est une personnalité française soupçonnée, puis reconnue coupable par la justice de l'époque d'avoir empoisonné son époux, Charles Pouch-Lafarge, dit Charles Lafarge, donnant ainsi naissance à l'affaire Lafarge dont le procès fit l'objet de nombreux commentaires et qui sera à l'origine de nombreux ouvrages décrivant ou analysant l'affaire, ainsi qu'à des films au cinéma et à la télévision. "Crimes : Histoires vraies" est un podcast Studio Minuit. Retrouvez nos autres productions : Espions : Histoires vraies Morts Insolites : Histoires vraies Sports Insolites Sherlock Holmes - Les enquêtes 1 Mot 1 Jour : Le pouvoir des mots Je comprends R : le dictionnaire du nouveau millénaire Les Zéros du Crime : Histoires vraies Arsène Lupin, gentleman cambrioleur ⭐️ Vous en voulez plus ? Abonnez-vous à Minuit+ et profitez de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

Marie Fortunée Capelle, connue sous son nom d'épouse Marie Lafarge, née à Paris en 1816 et morte à Ussat dans le département de l'Ariège le 7 septembre 1852, est une personnalité française soupçonnée, puis reconnue coupable par la justice de l'époque d'avoir empoisonné son époux, Charles Pouch-Lafarge, dit Charles Lafarge, donnant ainsi naissance à l'affaire Lafarge dont le procès fit l'objet de nombreux commentaires et qui sera à l'origine de nombreux ouvrages décrivant ou analysant l'affaire, ainsi qu'à des films au cinéma et à la télévision. "Crimes : Histoires vraies" est un podcast Studio Minuit. Retrouvez nos autres productions : Espions : Histoires vraies Morts Insolites : Histoires vraies Sports Insolites Sherlock Holmes - Les enquêtes 1 Mot 1 Jour : Le pouvoir des mots Je comprends R : le dictionnaire du nouveau millénaire Les Zéros du Crime : Histoires vraies Arsène Lupin, gentleman cambrioleur ⭐️ Vous en voulez plus ? Abonnez-vous à Minuit+ et profitez de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

Hi hi, I'm back with another episode! My good friend Courtney joins me! We talk about all things dating apps, hobbies, manifesting, spirituality, our biggest regrets and more… I hope you enjoy! xoxo Please follow & reach out if you have any comments, questions, concerns or suggestions :) IG: oliviamhoffman IG: muapodcast Twitter: @MUApodcast Email: muapod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/oliviahoffman/support

The sons of Andrea , "The Amati Brothers" took violas, violins and cellos to new heights with their incredible skill and innovation. Meet Antonio and Girolamo before things get complicated in this first episode. This is the story of the Amati brothers, Antonio, and Girolamo. Join me as we explore the remarkable craftsmanship, profound influence, and indelible mark left by these legendary violin makers.  Discover the distinctive characteristics of their creations, renowned for their elegance, exquisite sound, and unparalleled craftsmanship.  Delve into the secrets of the Amati brothers' workshop, uncovering their innovative techniques, meticulous attention to detail, and the artistry that made their instruments treasures coveted by musicians and collectors worldwide. In this episode I speak to Cellist James Beck and Violin maker and Expert Carlo Chiesa.    Transcript of Episode  Welcome back to Cremona, a city where you can find almost anything your everyday Renaissance citizen could desire.  Located on a bend of the impressively long Po River, bursting with artisans and commerce, we find ourselves in the mid-1500s, and more precisely in the home of Girolamo Amati and Antonio Amati, otherwise known as the Amati brothers or the brothers Amati. In these episodes, I'll be talking about Andrea Amati's two sons, Antonio Amati and Girolamo Amati. Sometimes Girolamo Amati is also referred to as Hieronymus, the Latin version of his name.  Because I'm doing these podcasts chronologically, we heard about the early childhood of the brothers, in the Andrea Amati episodes. As we heard in the previous episode, Antonio Amati, the elder brother, by quite some years, perhaps even 14 years older than Girolamo Amati, inherited his father's workshop with his little bro when their father died.  They grew up in Cremona during the mid-1500s, in a time that was relatively more peaceful than their father's childhood and would have attended the local school. The local school was attended mainly by children of merchants and nobles. They would learn, in addition to the traditional subjects of geometry, arithmetic, and even astrology, subjects such as geography, architecture, algebra, and mechanics, both theoretical and applied. This created quite a well-educated middle class that the brothers would have been part of. Like their father, they would go on to be quite successful in their business, adapting their products to the demands of the time. The brothers were growing up in post Reformation Cremona, and the instrumental music was bounding forward. Renaissance composers were fitting words and music together in an increasingly dramatic fashion. Humanists were studying the ancient Greek treaties on music and the relationships between music and poetry and how it could.  This was displayed in Madrigals and later in opera and all the while the Amati workshop along with other instrument makers of course were toiling away making instruments so that all this could happen. Now the eldest brother Antonio Amati never appears to marry or have a family but the younger brother Girolamo Amati apparently a ladies man, does and as you would have heard in the previous episodes, when he was 23, he married Lucrencia Cronetti, a local girl, and she comes to live in the Amati house, handing over her dowry to her new husband (Girolamo Amati) and father in law (Andrea Amati). A few years later, Girolamo Amati's father saved up enough money to buy the family home so that when he passes away in 1576. Girolamo Amati is in his mid-twenties and his older brother (Antonio Amati) is probably around his late thirties. They inherited a wealthy business, a house, and a workshop.  So here we find the Amati brothers living and working together in the house and workshop in San Faustino (Cremona). Antonio Amati, the head of the household and Girolamo Amati with his young bride. Business is looking good, and life looks promising. Antonio and Girolamo may have been some of the only violin makers in Cremona, but they were by far not lone artisans in the city. They were surrounded by merchants and tradespeople busy in industry. There were belt makers, embroiderers, blacksmiths, carpenters, boat builders, masons, terracotta artisans, weavers, textile merchants, and printers, just to name a few of the 400 trades listed in the city at this period. Business was going well for our violin makers. There was a boom in the city. Many noble houses were being built amongst which the grand residences of merchants stood out, sanctioning their social ascent.  Charitable houses, monasteries and convents were popping up like mushrooms around town.  Ever since the Counter Reformation, the local impetus to help the poor and unfortunate had flourished. Wondering what the Counter Reformation is? Then go back and listen to episode two of the Andrea Amati series. Where we talk about what the Reformation was, what the Counter Reformation was, and what its effects were on artisans in Cremona.  But nowhere said organized religion like the Cathedral. And entering the vast, echoey structure was something to behold, with its mysterious, awe-inspiring grandeur, the towering heights of the ceilings inspiring a sense of reverence and humility. The vaulted arches and frescoed domes drawing the eye upwards, the kaleidoscope of colors entering the windows, and the glittering of precious metals illuminated by flickering candles, ornate furnishings, intricate artworks, sculptures, and base reliefs with depictions of saints, biblical stories, and the scenes from the life of Christ covering the walls, all created an otherworldly feeling and a sense of the divine.  And what would the Cathedral be without music? The glittering of gold, the fragrant smell of incense, and the heavenly sounds of music were an all-in-one package for the regular church attender in the Amati Brothers Day. The Chapel House School of the Cathedral produced many talented composers, yet the church would only sponsor and permit sacred music. And even then, this music had to be in full compliance with the Council of Trent. This meant following a whole bunch of rules in composition. Wing clipping of aspiring young composers led to many of them moving away to other courts and cities who were looking for fresh, raw talent. This may or may not have been the case for a musician and composer called Claudio Monteverdi. But what we do know is that he left Cremona to join the employ of the Mantuan court at the age of 23.  I spoke to cellist James Beck about Monteverdi, who was a Cremonese composer who left the city to work at the Gonzaga court during the Amati brother's lifetime. And so Monteverdi, for example, to take him as an example, he was employed in the court, in the Manchurian court, and he was just one of many musicians and  composers. And also I'm wondering about just, the everyday life, would they also,  were musicians expected to, to wear certain.  Clothes, like they were just told, look, this is what you're wearing. James Beck Livery is the term for the, the uniform of the house. And we know about that kind of stuff from, you know, Downton Abbey and all that kind of stuff so musicians were very much part of the servant class, a very intellectual servant class and a very trusted servant class, but Monteverdi arrived at that Gonzaga court in Mantua as a string instrument player of some kind. We don't really know if it was a gamba, you know, between the legs or brachio held like a violin. He was at the court for about, I think, 10 or 15 years as a string player before he became The Maestro de Capelle and of course that was a very trusted employee because he accompanied his employer, the Duke, on various war campaigns or social outings to other countries, as a musician and maybe as some kind of trusted part of the entourage. So, Monteverdi was picking up lots of ideas about things that could go on in music because he was witnessing different practices, he was in Flanders. He was in Hungary. He was in other parts of Italy seeing how they did music over there on the other side of the fence and I think that is what can never be underestimated, that communication was haphazard and accidental in previous times and there was no such thing as uniformity. So, to go to another country and to go to another court and to see musicians who had different training or had come into different spheres of influence to yourself would have been hugely, hugely exciting and influential and we think that Monteverdi picked up some of the ideas of what might be opera from these kind of trips. Linda Lespets It makes me think of when I was a student and I would do work experience in different workshops and they would, I had been taught in French school, it was a very specific way of doing things and I'd go to another workshop and I'd just be like, wow, it's like, what are you, what are you doing? How could this possibly work? And it does. And you're like, oh, and now I feel like I, the way I work, it's a mixture of all these different techniques. What works best for me. And it must've been magnified so much, to such a greater level for in that period for music and competition. Because of the, because of the social isolation and the geographic isolation of previous times. James Beck And I mean, just if we just talk about pitch, whole idea of what is An A was different in each town, and it might have sounded better on some instruments than not so good on others, and those instruments would have been, you know, crafted to sound good at those different pitches. And now we all play the same pitch, and we want every instrument to be the same. What were some of the, if you could generalize, what were some of the differences for you? In the different Lutherie schools. Linda Lespets  So, in the French method, you basically hold everything in your hands or it's like wedged between you and the workbench and you don't use really, uh, vices. And I have quite small hands and  I did one work experience and the guy was like, just put it in a vice. And I was like,  Ohhh, and I was getting a lot of RSI  and sore wrists and it kind of just, it was sort of practical as well. James Beck Wow. And is that for crafting? Individual elements or is that for working on complete instruments?  Linda Lespets Like in general, like you just, you can make a violin without using a vice and they, they won't use sandpaper or it's all done with, scrapers. So it's good. I know all the different techniques and I can, when there is a blackout or an electricity failure, we can just keep on going. Like, we can keep rolling, it doesn't stop us.  There was a thing with Monteverdi that, that you seem to know about how madrigals. James Beck I know about madrigals. I hope I do. Linda Lespets  In Mantua and the, this kind of trapezoidal room. James Beck  There's a very special room in the ducal court.  Ducal castle or Ducal palace in Mantua, and they call it the wedding room and it's a room that was, had existed for some time. I mean, it's a huge, huge palace, I think it's the sixth largest palace in Europe. So, it's 34, 000 square meters, 500 rooms.  And this is not, I mean, Mantua was not a big state.  You never know when you need 500 rooms.  It wasn't a big state, but it was a very aspirational state. And they really wanted to kind of prove themselves amongst these, the cultural elite of Northern Italy, because there were extraordinary things going on in Florence and Venice. So, you know, they were really, the Gonzaga's were really trying to hold their own. So, they had one of these 500 rooms slightly remodelled. So it was of cube proportions.  Right. So, you walk into a cube. You walk into a cube and then, they commissioned, a very, uh, distinguished painter to cover, everything within that room in very realistic, uh, lifelike portraits of, of the Gonzaga's going about their life. And this was the highest status room in the palace, and it was used for various purposes to impress. So, it could be used for ceremonies, or it could be used for, as a bedchamber for the Duke if he wanted to receive a guest of high status, and show that guest that he slept in this incredible room. Linda Lespets Slightly creepy.  All these people looking at you. James Beck  I know, and they're really, there's a lot of eyeballing in those portraits.  So it's like, you're outnumbered. Like when you go in there, like you're surrounded by people. You're surrounded by the Gonzaga's. We're here. That was not a very, uh, fertile or, healthy line. So, they were dying out fast, but there were lots of them painted on the walls. Linda Lespets Wasn't there one with mirrors? James Beck There was a hidden room, that they discovered in, I think 1998. ., which had mirrors. Linda Lespets  and I was wondering what the,  maybe it was polished metal, the mirrors. James Beck I'm not sure where they would, where they would sing madrigals. Well, they think it was specifically for, for performances of Monteverde, but I don't know. . Why a hidden room is needed. Yes. And how, how do you hide a room for 500, or, sorry, for 200 years, maybe it was walled up. Linda Lespets Well, I mean, if you're in a palace with 500 rooms, you might miss one, you know, if it's walled up. James Beck  And also there was a big, there were quite a lot of, traumatic experiences in the Mantuan court. Not long after Monteverde left there, there was a siege and a war and then a lot of plague. So you can see how knowledge could dissipate and everyone could die that knew about it , exactly absolutely.  When the Gonzagas were running out of heirs, their neighbours and, and particularly the Hapsburgs, were like, Hmm, we might take that little gem of a dutchie. So they, they laid siege to it for two summers. War was a summer sport at those days. 'cause you know, no one wanted to do it in winter 'cause it was just too much. And Mantua is at that stage was completely surrounded by water. It was very cleverly conceived and beautifully conceived too because the water reflects the beautiful buildings. And so they, the Mantuan's stockpiled food and drew up the bridges. And, and for two years they were, no one came in or out of the city whilst the Habsburgs laid siege. And actually the Habsburgs didn't really get through those defences, but at the, in the second summer, in the second siege, a cannonball did get through and then the whole, the cannonball made some rats got through and those dirty soldiers who'd been on campaign for two summers were riddled with plague and the plague got into the town and that was actually undoing of the Gonzaga dynasty. Linda Lespets A rat brought them down. James Beck A rat brought them down. And so, the plague weakened the city. The city fell. And then that plague was taken by those refugees from Antwerp down into Venice. And Venice was absolutely devastated by plague for something like 10 years. And the city's population plummeted to its lowest in 150 years. Linda Lespets Wow. . And it's true that war was like a summer sport. And I'm wondering if nowadays, we, you know... That's, we play sport instead. Well, I hope, I think that's why we do play organized sport. I think that's, you know, it's... Take the World Cup or something.  Well although that's, not... To get that aggression, to get all that aggression out of our system in a nicely controlled manner. James Beck It is like countries like against each other. Totally is. Linda Lespets The Cremona City Municipality had at its disposal a group of wind players, mostly made up of brass instruments, trombones, bombards, bagpipes, and sometimes a cornet. This ensemble was particularly suited for outdoor performances.  Or at least I hope it was. I don't know if you've ever heard a bombard being played inside. I have.  Anyway, the viola da braccia players and viola or violin players were also employed by the town hall and given a uniform made of red and white cloth.  This was the instrumental group in the church, and it doubled up for civic occasions as well.  I speak to Carlo Chiesa, violin maker and expert in Milan. Carlo Chiesa And the other way by which Cremonese makers got their success is musicians, because in the 16th century, there are a few important Cremonese musicians moving from Cremona and going to northern cities to play for the emperor, for the king, or to Venice. I think the most important supplier of instruments at some point out of Cremona was the Monteverdi Circle.   Linda Lespets This orchestra employed by the city of Cremona played both for the council and in the church on all public holidays and in processions.  One of their members, a cornet player called Ariodante Radiani,  who was paid the considerable sum of 100 lira. When the maestro di cappella was paid 124 lira, ended up having to be let go. It turned out he was a little bit laissez faire with his responsibilities as a musician, and a lawsuit was brought against him for neglecting his duties as a musician. To add to this, he was also found guilty of murder.  So, in the end, their homicidal cornet player was replaced.  Linda Lespets  You know, you've got the scientists and human thought and philosophy and looking back to Greek and Roman antiquity. So, I feel like that's, that's like the idea in art, in literature. And what do you, how do you see that happening?  in music. James Beck We as musicians had really practical roles to fulfill as well and sometimes that was expressing the will of the church through music and of course you know that's kind of self-explanatory and then we've got this really practical role to entertain and how we go about doing that with the materials we have. So the renaissance as an idealistic expression, I think, you know, as a practical musician, we were always doing others bidding out unless we were church musicians, we were there to entertain and to, excite and to distract and act as an instrument of sometimes of state policy or, or, you know, kind of  showing off the power or opulence of a state.  Maybe it was through, opera. Where are you?  You're getting like human emotion. Yes, absolutely, absolutely. But also, the subject of all those early operas is usually, ancient material from ancient Greece or Rome, so, you know, clearly Renaissance in its ideals of looking back. Othello.  Of course. Poppea, Ulysses. I mean, the operas were definitely, drawing into ancient literature and myth, which was bypassing Christianity in many ways.  Linda Lespets  It's strange because it was an era where it didn't really contradict the other. People were cool with it. Like they were very devoted churchgoers and at the same time they were very into all this Greek and Roman mythology. It was interesting. And then all this humanist thinking and invention I mean, Monteverde was a priest as well, right? James Beck  Towards the end of his life. Linda Lespets Instruments are starting to play a bigger role in the music, in the church in Cremona. In 1573, the Maestro de Capella, the Chapel Master at the cathedral, wrote a piece of music for five voices, consorted with all sorts of musical instruments.  The words and text are completely clear in accordance with the Council of Trent, he points out. The Amati brothers' father, Andrea Amati, would have witnessed this musical tradition in his lifetime as he attended church, where the music sung would have gone from something that had been unrecognizable in, or in any case very difficult to understand, to music that had identifiable text that could possibly be understood and sung with. They were not hymns like the Lutherans were singing in a congregational style, but there was a marked change in the music being played in the churches. And these were the effects of the counter reformation trickling into everyday life of the people.  The workshop continued to be a success. Both the brothers Amati were able to earn a living and to provide a generous dowry for their sister, who had just recently married a man from Casal Maggiore. In town, the cathedral looked like it was finally going to have the interior finished. This had been going on ever since their father was a little boy. And now it looked like all the frescoes and paintings were to be completed. And most amazing of all was an enormous astronomical clock that was being mounted on the terrazzo, the giant bell tower next to the cathedral. Sadly, Girolamo Amati's pregnant wife would never see the clock that would amaze the citizens of Cremona, as shortly after giving birth to their daughter, Elizabeth, Lucrenzia ( Girolamo Amati's wife) died. The fragility of life and uncertainty that Girolamo Amati had to deal with is quite removed from our lives today, and a man in his situation would certainly be looking to marry again, if for nothing else than to have a mother for his young daughter. And as he was contemplating remarrying, finding a new wife and mother for his child, over in Paris, one of the biggest celebrity weddings of the decade was taking place. And the music for the closing spectacle was being played in part on the instruments his father (Andrea Amati) and brother (Antonio Amati) had made for the Valois royal family all those years ago.

Please welcome Holly Capelle of Big Family Living to the Paint Talks podcast! She is a suburban homesteader, garden creator, and lifestyle artist with a focus to make every day special for her big family (she's the mom of 6 with two sets of twins!). She shares her journey, inspiration, ideas, and encouragement on social media.  Website:  Facebook: https://www.facebook.com/hollysbigfamilyliving Instagram: https://www.instagram.com/bigfamilyliving  Youtube: https://youtube.com/@bigfamilyliving225

Créer une société plus inclusive en rassemblant locaux et nouveaux arrivants (personnes réfugiées, demandeurs d'asile…) autour de projets sociaux, professionnels et entrepreneuriaux. Telle est la mission de l'association Singa, et de son co-fondateur Guillaume Capelle avec qui nous avons la chance de passer un moment dans cet épisode de Tipping Point. “SINGA défend l'idée d'un monde en mouvement. Du mouvement pour faire se rencontrer les idées, les opinions, les individus. Du mouvement dans les perceptions. Du mouvement dans les clichés, les idées préconçues. Parce qu'aucun projet de société souhaitable n'émerge de l'immobilisme et du repli sur soi.” Guillaume revient sur la genèse de son projet, ses galères, ses prises de conscience et ce qui a fait le succès de cette si belle organisation. Aujourd'hui 130 salariés, 50 000 membres œuvrent dans 7 pays pour construire une société inclusive et démontrer que les Talents n'ont pas de frontière et que l'innovation sociale et économique se nourrit des migrations et de la création de liens. “Chaque rencontre, chaque programme, chaque structure créée au sein de SINGA devient source d'expérimentation permettant de construire la société de demain.” Guillaume fait le pari de la solidarité. De la sérendipité. De la diversité. Et c'est un pari gagnant ! Mais pour en arriver là, des remises en questions, des menaces de mort, du travail acharné ont marqué l'histoire de Guillaume. Aujourd'hui Guillaume et toute l'équipe de Singa écrivent une histoire où l'économie est inclusive et régénératrice. Guillaume nous fait une proposition : et si nous convertissions notre regard qui malheureusement associe souvent le mot “migrant” à l'idée d'une masse précaire, déshumanisée, voire dangereuse (souvent aussi beaucoup utilisé à des fins politiques et des discours narratifs opposant le “nous” vs “eux”) en un regard qui associe le mot “migrant” en une occasion en or de rencontrer de nouvelles personnes, d'enrichir nos connaissances, notre culture et de donner plus de sens à nos vies citoyennes ? Alors pour tous ceux qui souhaitent participer à cette belle aventure, s'enrichir dans un réseau pair-à-pair, devenir bénévole ou faire de son lieu un Singa Spot, rendez-vous sur le site internet de Singa https://singafrance.com/comment-participer/ et pour accueillir un nouvel arrivant c'est ici : https://www.jaccueille.fr/ *** Pour en savoir plus sur nos épisodes rendez-vous sur notre site : www.tipping-point.fr POUR NOUS SUIVRE : Instagram Linkedin POUR NOUS AIDER ET CONTRIBUER à construire un monde meilleur : 5* et un gentil commentaire sur Spotify et Apple Podcast pour nous faire connaître ! N'hésitez pas à nous recommander des Leaders inspirants et engagés ! Enfin, abonnez-vous sur votre plateforme préférée à Tipping Point et parlez du Podcast autour de vous ! Bonne écoute, Lucie & Romain

Voici un extrait du 41ème épisode de Tipping Point. Pour découvrir l'épisode en entier tapez "#41 - Guillaume Capelle - SINGA - Les talents ne s'arrêtent pas aux frontières !" sur votre plateforme d'écoute. Bonne écoute !

Salutations citoyennes et citoyens ! Dans cet hors-série enregistré lors du Star's Up 2022, nous avons rassemblé quatre personnes aux activités très différentes afin de répondre à cette question : Qu'est-ce qui pousse des passionnés de Star Wars à devenir des "faiseurs" ? A dépasser la posture de "fan" pour s'impliquer corps et âme dans un projet touchant à la saga ? Qu'il s'agisse de traduire et publier des ouvrages officiels en France, d'écrire une étude de musicologie sur la BO de la saga, de réaliser une sculpture de Tie Fighter de quatre mètres d'envergure ou de retrouver et photographier les lieux de tournage en Tunisie, chacun de ces invités ont un point commun : Star Wars, c'est leur truc.  Nos invités sont :   Lucile Galliot : directrice de collection Star Wars pour Pocket, OutreFleuve et Lizzie Chloé Huvet, musicologue et auteure de "Composer pour l'image à l'ère numérique: Star Wars, d'une trilogie à l'autre" Gilles Capelle, photographe et créateur de l'exposition "D'une galaxie à une autre" Jean Bodoc, artiste plasticien. Merci à eux pour leur participation !  Vous souhaitez soutenir ce podcast ? Rejoignez la Guilde des Contrebandiers d'Hyperdrive sur Tipeee et Patreon  Foncez sur notre site, citoyennes et citoyens Suivez Hyperdrive sur les réseaux sociaux Facebook, Twitter et Instagram Un podcast Hyperdrive Corp. Écrit, animé et réalisé par Wilhem Horn Ecoutez Les Chroniques Galactiques, la fan fiction audio Star Wars garantie sans Jedi ! Episode écrit, animé et réalisé par Wilhem Horn : https://twitter.com/Wilhemhorn La musique du générique est mise à disposition par L'Orchestra Cinematique.  Soutenez-nous !

Day 13 of the Dog Days of Podcasting, where other podcasters and I attempt to do an episode every day in August. Find out more at dogdaysofpodcasting.com.     Email: chemsmith1 @ gmail

Marie-Fortunée Lafarge (née Capelle; 15 January 1816 – 7 November 1852) was a French woman who was convicted of murdering her husband by arsenic poisoning in 1840. Her case became notable because it was one of the first trials to be followed by the public through daily newspaper reports, and because she was the first person convicted largely on direct forensic toxicological evidence. However, questions about Lafarge's guilt divided French society to the extent that it is often compared to the better-known Dreyfus affair.Here's how and where you can find Homicide Worldwide Podcast.To help support the show, find us on Patreon: patreon.comHWW is now on Discord: https://discord.gg/F9cMyf7JFJTo our amazing listeners. If you are listening to us on apple podcasts? (and even if your'e not) Please! take few minutes and leave a 5 ⭐️ review. It'll really help out the show. If you have a show suggestion? please email us at: homicideworldwidepodcast@gmail.comAnd you can always find us on twitter: https://twitter.com/HWWP10Thank you for your continued support of Homicide Worldwide PodcastSupport the show (https://www.patreon.com/podcast-homicideworldwidepodcast)