Podcasts about laudate dominum

Fifth Sunday of Easter The Collect Almighty God, whom truly to know is everlasting life: Grant us so perfectly to know your Son Jesus Christ to be the way, the truth, and the life, that we may steadfastly follow his steps in the way that leads to eternal life; through Jesus Christ your Son our Lord, who lives and reigns with you, in the unity of the Holy Spirit, one God, for ever and ever. Amen. The First Lesson Acts 11:1-18 Now the apostles and the believers who were in Judea heard that the Gentiles had also accepted the word of God. So when Peter went up to Jerusalem, the circumcised believers criticized him, saying, "Why did you go to uncircumcised men and eat with them?" Then Peter began to explain it to them, step by step, saying, "I was in the city of Joppa praying, and in a trance I saw a vision. There was something like a large sheet coming down from heaven, being lowered by its four corners; and it came close to me. As I looked at it closely I saw four-footed animals, beasts of prey, reptiles, and birds of the air. I also heard a voice saying to me, `Get up, Peter; kill and eat.' But I replied, `By no means, Lord; for nothing profane or unclean has ever entered my mouth.' But a second time the voice answered from heaven, `What God has made clean, you must not call profane.' This happened three times; then everything was pulled up again to heaven. At that very moment three men, sent to me from Caesarea, arrived at the house where we were. The Spirit told me to go with them and not to make a distinction between them and us. These six brothers also accompanied me, and we entered the man's house. He told us how he had seen the angel standing in his house and saying, `Send to Joppa and bring Simon, who is called Peter; he will give you a message by which you and your entire household will be saved.' And as I began to speak, the Holy Spirit fell upon them just as it had upon us at the beginning. And I remembered the word of the Lord, how he had said, `John baptized with water, but you will be baptized with the Holy Spirit.' If then God gave them the same gift that he gave us when we believed in the Lord Jesus Christ, who was I that I could hinder God?" When they heard this, they were silenced. And they praised God, saying, "Then God has given even to the Gentiles the repentance that leads to life." The Psalm Psalm 148 Laudate Dominum 1 Hallelujah! Praise the Lord from the heavens; * praise him in the heights. 2 Praise him, all you angels of his; * praise him, all his host. 3 Praise him, sun and moon; * praise him, all you shining stars. 4 Praise him, heaven of heavens, * and you waters above the heavens. 5 Let them praise the Name of the Lord; * for he commanded, and they were created. 6 He made them stand fast for ever and ever; * he gave them a law which shall not pass away. 7 Praise the Lord from the earth, * you sea-monsters and all deeps; 8 Fire and hail, snow and fog, * tempestuous wind, doing his will; 9 Mountains and all hills, * fruit trees and all cedars; 10 Wild beasts and all cattle, * creeping things and winged birds; 11 Kings of the earth and all peoples, * princes and all rulers of the world; 12 Young men and maidens, * old and young together. 13 Let them praise the Name of the Lord, * for his Name only is exalted, his splendor is over earth and heaven. 14 He has raised up strength for his people and praise for all his loyal servants, * the children of Israel, a people who are near him. Hallelujah! The Epistle Revelation 21:1-6 I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying, "See, the home of God is among mortals. He will dwell with them as their God; they will be his peoples, and God himself will be with them; he will wipe every tear from their eyes. Death will be no more; mourning and crying and pain will be no more, for the first things have passed away." And the one who was seated on the throne said, "See, I am making all things new." Also he said, "Write this, for these words are trustworthy and true." Then he said to me, "It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give water as a gift from the spring of the water of life." The Gospel John 13:31-35 At the last supper, when Judas had gone out, Jesus said, "Now the Son of Man has been glorified, and God has been glorified in him. If God has been glorified in him, God will also glorify him in himself and will glorify him at once. Little children, I am with you only a little longer. You will look for me; and as I said to the Jews so now I say to you, 'Where I am going, you cannot come.' I give you a new commandment, that you love one another. Just as I have loved you, you also should love one another. By this everyone will know that you are my disciples, if you have love for one another."

Second Sunday of Easter The First Lesson Acts 5:27-32 When the temple police had brought the apostles, they had them stand before the council. The high priest questioned them, saying, "We gave you strict orders not to teach in this name, yet here you have filled Jerusalem with your teaching and you are determined to bring this man's blood on us." But Peter and the apostles answered, "We must obey God rather than any human authority. The God of our ancestors raised up Jesus, whom you had killed by hanging him on a tree. God exalted him at his right hand as Leader and Savior that he might give repentance to Israel and forgiveness of sins. And we are witnesses to these things, and so is the Holy Spirit whom God has given to those who obey him." The Psalm Psalm 118:14-29 Confitemini Domino 14 The Lord is my strength and my song, * and he has become my salvation. 15 There is a sound of exultation and victory * in the tents of the righteous: 16 "The right hand of the Lord has triumphed! *the right hand of the Lord is exalted! the right hand of the Lord has triumphed!" 17 I shall not die, but live, * and declare the works of the Lord. 18 The Lord has punished me sorely, * but he did not hand me over to death. 19 Open for me the gates of righteousness; * I will enter them; I will offer thanks to the Lord. 20 "This is the gate of the Lord; * he who is righteous may enter." 21 I will give thanks to you, for you answered me * and have become my salvation. 22 The same stone which the builders rejected * has become the chief cornerstone. 23 This is the Lord'S doing, * and it is marvelous in our eyes. 24 On this day the Lord has acted; * we will rejoice and be glad in it. 25 Hosannah, Lord, hosannah! * Lord, send us now success. 26 Blessed is he who comes in the name of the Lord; * we bless you from the house of the Lord. 27 God is the Lord; he has shined upon us; * form a procession with branches up to the horns of the altar. 28 "You are my God, and I will thank you; * you are my God, and I will exalt you." 29 Give thanks to the Lord, for he is good; * his mercy endures for ever. or Psalm 150 Laudate Dominum 1 Hallelujah! Praise God in his holy temple; * praise him in the firmament of his power. 2 Praise him for his mighty acts; * praise him for his excellent greatness. 3 Praise him with the blast of the ram's-horn; * praise him with lyre and harp. 4 Praise him with timbrel and dance; * praise him with strings and pipe. 5 Praise him with resounding cymbals; * praise him with loud-clanging cymbals. 6 Let everything that has breath * praise the Lord. Hallelujah! The New Testament Revelation 1:4-8 John to the seven churches that are in Asia: Grace to you and peace from him who is and who was and who is to come, and from the seven spirits who are before his throne, and from Jesus Christ, the faithful witness, the firstborn of the dead, and the ruler of the kings of the earth. To him who loves us and freed us from our sins by his blood, and made us to be a kingdom, priests serving his God and Father, to him be glory and dominion forever and ever. Amen. Look! He is coming with the clouds; every eye will see him, even those who pierced him; and on his account all the tribes of the earth will wail. So it is to be. Amen. "I am the Alpha and the Omega," says the Lord God, who is and who was and who is to come, the Almighty. The Gospel John 20:19-31 When it was evening on that day, the first day of the week, and the doors of the house where the disciples had met were locked for fear of the Jews, Jesus came and stood among them and said, "Peace be with you." After he said this, he showed them his hands and his side. Then the disciples rejoiced when they saw the Lord. Jesus said to them again, "Peace be with you. As the Father has sent me, so I send you." When he had said this, he breathed on them and said to them, "Receive the Holy Spirit. If you forgive the sins of any, they are forgiven them; if you retain the sins of any, they are retained." But Thomas (who was called the Twin), one of the twelve, was not with them when Jesus came. So the other disciples told him, "We have seen the Lord." But he said to them, "Unless I see the mark of the nails in his hands, and put my finger in the mark of the nails and my hand in his side, I will not believe." A week later his disciples were again in the house, and Thomas was with them. Although the doors were shut, Jesus came and stood among them and said, "Peace be with you." Then he said to Thomas, "Put your finger here and see my hands. Reach out your hand and put it in my side. Do not doubt but believe." Thomas answered him, "My Lord and my God!" Jesus said to him, "Have you believed because you have seen me? Blessed are those who have not seen and yet have come to believe." Now Jesus did many other signs in the presence of his disciples, which are not written in this book. But these are written so that you may come to believe that Jesus is the Messiah, the Son of God, and that through believing you may have life in his name.

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/it/articoli.php?id=8041CANONIZZATE LE MARTIRI DI COMPIEGNE UCCISE DALLA RIVOLUZIONE FRANCESE di Cristina Siccardi Era verso la fine del 1600 quando la carmelitana suor Elisabeth-Baptiste del monastero di Compiègne, circa un secolo prima della Rivoluzione francese,  vide in sogno alcune monache del suo convento nella gloria del Cielo, vestite con manti bianchi e ciascuna con una palma in mano: si trattava della premonizione del martirio che avrebbero subito alcune sue future consorelle, ghigliottinate il 17 luglio del 1794 sulla piazza del Trono-Rovesciato, antica piazza del Trono, così rinominata nel 1792 e oggi place de la Nation. Pochi giorni fa, il 18 dicembre, le sedici martiri Carmelitane scalze, beatificate da san Pio X il 27 maggio 1906, sono state canonizzate da papa Francesco per equipollenza.Lo scrittore francese Georges Bernanos (1888-1948), nella sua celebre opera letteraria Dialogues des carmélites, che può considerarsi il suo testamento, scrive: «nelle cose di questo mondo, lo sapete, quando è perduta ogni speranza di conciliazione, la forza è l'estrema risorsa. Ma la nostra saggezza non è di questo mondo. Nelle cose di Dio l'estrema risorsa è il sacrificio delle anime consacrate» (Quadro terzo, scana XII).Le pagine dei Dialoghi delle Carmelitane, che invitiamo a leggere quale strenna spirituale natalizia di questo anno che volge al termine, che è stato infuocato dalla cruenta violenza nelle case e strade italiane (anche per mano di minorenni), dal terrorismo e dalle guerre a livello internazionale, sono le più affini al Diario di un curato di campagna econ La gioia formano una trilogia ideale, nella quale il motivo conduttore è il capovolgimento dei valori operato dalla Grazia divina. Nel Diario si insiste sul capovolgimento tra povertà e ricchezza, tra ingenuità fanciullesca e prudenza adulta; nei Dialoghi, come pure nelle pagine de La gioia, il capovolgimento è osservato sotto il focus del binomio forza-debolezza.UCCISE IN ODIO ALLA FEDEAttraverso la Grazia la debolezza umana diventa forza irresistibile nelle mani di Dio. D'altra parte, san Paolo ci rivela che il Signore gli ha detto: «Ti basta la mia grazia; la mia potenza infatti si manifesta pienamente nella debolezza» (2 Cor 12, 9), pertanto «Mi vanterò quindi ben volentieri delle mie debolezze, perché dimori in me la potenza di Cristo. Perciò mi compiaccio nelle mie infermità, negli oltraggi, nelle necessità, nelle persecuzioni, nelle angosce sofferte per Cristo: quando sono debole, è allora che sono forte» (2 Cor 12, 10). È esattamente ciò che hanno sperimentato e vissuto Madre Thérèse de Saint Augustin (Marie-Madeleine-Claudine Lidoine, 41 anni), nata il 22 settembre 1752 a Parigi, e le sue 15 compagne dell'Ordine delle Carmelitane scalze di Compiègne, uccise in odio alla fede.Il 15 dicembre 1789 l'Assemblea Nazionale vietò a tutti gli ordini religiosi di pronunciare nuovi voti e molti religiosi e religiose vennero dispersi, ciò avvenne anche alle sante Carmelitane di Compiègne, piccolo borgo a nord est di Parigi, alle quali venne ordinato nel 1792 di allontanarsi dal loro monastero e di togliere gli abiti religiosi. Tuttavia, le monache vollero mantenere il loro proponimento di «vivere e morire da Carmelitane» e per questa ragione, nonostante il ferreo divieto, continuarono a pregare di nascosto e in comune, quotidianamente, divise in piccoli gruppi e accolte da alcune famiglie di Compiègne vicino alla chiesa di Saint-Antoine.Nel settembre 1792, quando la Madre priora, Thérèse de Saint Augustin, sentì che nelle sue figlie cresceva il desiderio di martirio, propose loro di compiere un atto di consacrazione con il quale «la comunità si offrisse in olocausto per placare l'ira di Dio e che questa pace divina, che il suo caro Figlio era venuto a portare al mondo, potesse essere restituita alla Chiesa e allo Stato». Si organizzarono in modo tale da continuare la loro vita come all'interno del convento, entrando e uscendo dalla chiesa furtivamente. Ogni giorno pronunciavano il loro voto di totale consacrazione alla volontà di Dio, pregando perché si arrivasse alla fine delle violenze e al ritorno della pace per la Chiesa e la Francia.LA DECRISTIANIZZAZIONE DELLA FRANCIANell'autunno 1793, come parte della decristianizzazione, la pratica del culto cattolico divenne sempre più perseguitato a Compiègne come in tutto il resto della nazione, precipitata sotto il Regime del Terrore. Oggigiorno si grida giustamente all'orrore per le azioni terroristiche, senza però mai puntare il dito contro il governo del Terrore della Francia rivoluzionaria, che fece scorrere fiumi di sangue (nel nefando spettacolo di inaugurazione delle Olimpiadi 2024, Maria Antonietta decapitata, affacciata e replicata alle finestre della Conciergerie, dove fu imprigionata, teneva fra le mani la propria testa e il rosso sangue dominava, fino a fuoriuscire dal Palazzo e gettarsi nella Senna), realizzando persino il primo genocidio dell'era moderna, quello in Vandea.Il 10 giugno 1794 fu emanata una nuova legge repressiva, che eliminò diverse garanzie agli imputati (tra cui quelle di citare testimoni per la difesa o di nominare un difensore d'ufficio), negando la possibilità di emettere qualsiasi verdetto diverso dalla condanna a morte o dall'assoluzione. Dal 10 giugno 1794 al 28 luglio dello stesso anno ci furono tanti condannati a morte quanti nei quattordici mesi precedenti. Pierre-Gaspard Chaumette (1763-1794), tra i fautori del Regime del Terrore, uno dei maggiori organizzatori a Parigi del culto della Ragione e che sarà pure lui decapitato, definì la ghigliottina «un vulcano di lava che divora i nostri nemici».Tra il 22 e il 23 giugno 1794 le Carmelitane scalze furono individuate e incarcerate nel loro ex monastero «per aver tenuto conciliaboli antirivoluzionari, mantenuto corrispondenze fanatiche e conservato scritti liberticidi». Durante le perquisizioni vennero trovate alcune lettere che contenevano critiche alla Rivoluzione in corso e ciò fu sufficiente per accusarle di complottismo, ma allo stesso tempo anche di fanatismo religioso, considerato un crimine per la società.Il 12 luglio 1794, tutte quante decisero eroicamente di indossare il loro abito religioso e furono trasferite da Compiègne al Palais de la Cité di Parigi. Così, le sante monache si ritrovarono finalmente tutte insieme, potendo riprendere le ore di preghiera comunitaria. Alcuni detenuti hanno testimoniato che il giorno prima del loro martirio, il 16 luglio, celebrarono la festa liturgica di Nostra Signora del Monte Carmelo, con grande letizia.Quando vennero condotte davanti al Tribunale rivoluzionario, la Madre superiora tentò vanamente di addossarsi tutte le colpe. A questo punto, le imputate furono condannate a morte e immediatamente fatte salire su di un carro, in direzione del patibolo. Accusate di «fanatismo e sediziosità», le Carmelitane furono giustiziate, come detto, il giorno 17 e per le martiri fu un giorno di festa nuziale.IL MARTIRIO GLORIOSO DELLE MONACHEIl corteo delle spose di Cristo venne guidato da Madre Thérèse de Saint-Augustin e lungo tutto percorso, che le conduceva al luogo dell'esecuzione, cantarono inni sacri, come il Miserere e il Salve Regina. Con i loro mantelli candidi, scesero dai carretti e, in ginocchio, intonarono il Te Deum e il l'inno liturgico gregoriano Veni Creator Spiritus; quest'ultimo, oltre che a Pentecoste, viene cantato anche in particolari momenti solenni, come durante la Santa Messa del primo giorno dell'anno, oppure durante il rito di canonizzazione o di ordinazione episcopale, in occasione di concili e sinodi, e intonato nella Cappella Sistina dai cardinali prima del conclave.La più giovane, suor Constance de Jésus, era novizia e fece la genuflessione di fronte alla Madre superiora per domandarle il permesso di morire, poi, salendo gli scalini della ghigliottina, intonò il Laudate Dominum (il salmo 116). Una per una, sempre cantando, vennero ghigliottinate le altre consorelle fino ad arrivare alla penultima, suor Marie Henriette de la Providence, l'infermiera, e all'ultima, Madre Thérèse de Saint-Augustin.Gli ammutoliti spettatori di quella orribile scena rimasero sbigottiti nel vedere il giubilo delle Carmelitane scalze nel dirigersi verso il boia e la ghigliottina, come se fossero andate alle loro nozze.I corpi delle martiri furono gettati nella notte in una delle due fosse comuni del cimitero di Picpus. Undici giorni dopo, con un colpo di Stato parlamentare del 9 termidoro, anno II, ebbe termine il Regime del Terrore. Suor Marie dell'Incarnation, che aveva vissuto nel monastero di Compiègne, raccontò il martirio delle sue consorelle ne La Relation du Martyre des Seize Carmélites de Compiègne.A suor Bianca de La Force, monaca scaturita dalla fantasia letteraria, per la quale la passione, pur con diversi gradi di consapevolezza, è itinerario di ogni anima veramente cristiana, Bernanos fa pronunciare le seguenti parole: «la preghiera è un dovere, il martirio una ricompensa. […] Non si muore mai ciascuno per sé, ma gli uni per gli altri, ed anche gli uni al posto degli altri», come insegnò il Sommo Sacrificio di Gesù Cristo, nato Bambino a Betlemme in un nido di paglia.

FIRST SUNDAY AFTER CHRISTMAS The Collect Almighty God, you have poured upon us the new light of your incarnate Word: Grant that this light, enkindled in our hearts, may shine forth in our lives; through Jesus Christ our Lord, who lives and reigns with you, in the unity of the Holy Spirit, one God, now and for ever. Amen. Old Testament Isaiah 61:10-62:3 I will greatly rejoice in the Lord, my whole being shall exult in my God; for he has clothed me with the garments of salvation, he has covered me with the robe of righteousness, as a bridegroom decks himself with a garland, and as a bride adorns herself with her jewels. For as the earth brings forth its shoots, and as a garden causes what is sown in it to spring up, so the Lord God will cause righteousness and praise to spring up before all the nations. For Zion's sake I will not keep silent, and for Jerusalem's sake I will not rest, until her vindication shines out like the dawn, and her salvation like a burning torch. The nations shall see your vindication, and all the kings your glory; and you shall be called by a new name that the mouth of the Lord will give. You shall be a crown of beauty in the hand of the Lord, and a royal diadem in the hand of your God. The Psalm Psalm 147 or 147:13-21 Laudate Dominum [1 Hallelujah! How good it is to sing praises to our God! * how pleasant it is to honor him with praise! 2 The Lord rebuilds Jerusalem; * he gathers the exiles of Israel. 3 He heals the brokenhearted * and binds up their wounds. 4 He counts the number of the stars * and calls them all by their names. 5 Great is our Lord and mighty in power; * there is no limit to his wisdom. 6 The Lord lifts up the lowly, * but casts the wicked to the ground. 7 Sing to the Lord with thanksgiving; * make music to our God upon the harp. 8 He covers the heavens with clouds * and prepares rain for the earth; 9 He makes grass to grow upon the mountains * and green plants to serve mankind. 10 He provides food for flocks and herds * and for the young ravens when they cry. 11 He is not impressed by the might of a horse; * he has no pleasure in the strength of a man; 12 But the Lord has pleasure in those who fear him, * in those who await his gracious favor.] 13 Worship the Lord, O Jerusalem; * praise your God, O Zion; 14 For he has strengthened the bars of your gates; * he has blessed your children within you. 15 He has established peace on your borders; * he satisfies you with the finest wheat. 16 He sends out his command to the earth, * and his word runs very swiftly. 17 He gives snow like wool; * he scatters hoarfrost like ashes. 18 He scatters his hail like bread crumbs; * who can stand against his cold? 19 He sends forth his word and melts them; * he blows with his wind, and the waters flow. 20 He declares his word to Jacob, * his statutes and his judgments to Israel. 21 He has not done so to any other nation; * to them he has not revealed his judgments. Hallelujah! The New Testament Galatians 3:23-25; 4:4-7 Now before faith came, we were imprisoned and guarded under the law until faith would be revealed. Therefore the law was our disciplinarian until Christ came, so that we might be justified by faith. But now that faith has come, we are no longer subject to a disciplinarian. But when the fullness of time had come, God sent his Son, born of a woman, born under the law, in order to redeem those who were under the law, so that we might receive adoption as children. And because you are children, God has sent the Spirit of his Son into our hearts, crying, "Abba! Father!" So you are no longer a slave but a child, and if a child then also an heir, through God. The Gospel John 1:1-18 In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things came into being through him, and without him not one thing came into being. What has come into being in him was life, and the life was the light of all people. The light shines in the darkness, and the darkness did not overcome it. There was a man sent from God, whose name was John. He came as a witness to testify to the light, so that all might believe through him. He himself was not the light, but he came to testify to the light. The true light, which enlightens everyone, was coming into the world. He was in the world, and the world came into being through him; yet the world did not know him. He came to what was his own, and his own people did not accept him. But to all who received him, who believed in his name, he gave power to become children of God, who were born, not of blood or of the will of the flesh or of the will of man, but of God. And the Word became flesh and lived among us, and we have seen his glory, the glory as of a father's only son, full of grace and truth. (John testified to him and cried out, "This was he of whom I said, 'He who comes after me ranks ahead of me because he was before me.'") From his fullness we have all received, grace upon grace. The law indeed was given through Moses; grace and truth came through Jesus Christ. No one has ever seen God. It is God the only Son, who is close to the Father's heart, who has made him known.

Bartolomé nació en la ciudad de México en 1580, y con 16 años ingresa a la orden agustina. En 1606 se embarcó en Acapulco y llego a Filipinas. Allí, los superiores al ver sus cualidades, lo nombraron maestro de novicios, desempeñando este cargo durante un sexenio. Tenía una gran facilidad para los idiomas, era un buen latinista y aprendió pronto el japonés a pesar de las dificultades de esta lengua. Venció innumerables peligros para llevar a Cristo a los creyentes y para no ser detenido, vivía en los campos y bosque; vivió pobremente, padeció las inclemencias del clima y también el hambre. A esto él añadió ayunos, vigilias y tales maceraciones, que aquel joven robusto de 25 años, se convirtió en un hombre enjuto y seco que no parecía tener más que huesos y piel. Víctima de una traición, el Beato Bartolomé fue sorprendido y arrestado en 1629, junto con el catequista y ahora Beato Juan Shozaburo y otros tres auxiliares con los que fue enviado a la cárcel de Nagasaki. Al llegar al lugar del suplicio, entonaron, como era la costumbre entre quienes eran sacrificados, el salmo 116 "Laudate Dominum omnes gentes", luego los ataron con lazos muy frágiles, para que se pudieran romper si decidían renegar. La leña era verde y llena de lodo para que ardiera con dificultad. Al ser encendido el fuego, el Beato Vicente Carvalho sacó su crucifijo y levantándolo en alto exclamo "¡Adelante valerosos soldados de Jesucristo! ¡Viva nuestra fe y por ella valerosamente muramos!". Con tu apoyo podemos continuar con este proyecto: https://www.paypal.com/donate/?hosted_button_id=GZMHJDMXG8L22&fbclid=PAZXh0bgNhZW0CMTEAAabzPiBLoj2NefLbiwGBbXS1Ckn9xG8o9stwEGRXwQnsnoRllvac_CUJ_cU_aem_oPr5pU3Gmbo2qA3t6j-zkg

Wolfgang Amadeus Mozart - Laudate DominumPriti Coles, soprano Kosice Teachers' ChoirMore info about today's track: Naxos 8.550495Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Donald Macleod explores the lives and music of uncle and nephew Andrea and Giovanni GabrieliAndrea and Giovanni Gabrieli share a name that dominated Venetian music during the late 16th and early 17th century. Both uncle and nephew were organists and composers, and their music was linked inextricably with the exceptional city in which they lived and worked. From the organ loft of St Mark's Basilica to the resplendent palazzos of merchants and noblemen, they provided the soundtrack to Venice's golden age, with its numerous feast days and celebrations. But together, they would also pioneer an ambitious way of writing choral music - playing with texture and architecture– that would eventually echo beyond the Venetian waterways and profoundly affect the music of the future.Music Featured:Andrea Gabrieli: Benedictus dominus Deus sabbaoth Andrea Gabrieli: Fantasia allegra del duodecima toni Andrea Gabrieli: Hor chel nel suo ben seno; Vaghi augelletti; Angel del terzo ciel; O suave a mio cor Andrea Gabrieli: Aria della battaglia Andrea Gabrieli: Laudate dominum omnes gentes a 5; Laudate Dominum in sanctis eius a 10; Giovanni Gabrieli: O magnum mysterium Andrea Gabrieli: Ricercar del settimo tuono Giovanni Gabrieli: Deus qui beatum Marcum Andrea Gabrieli: Sancta et immaculata; Laetare Jerusalem Andrea Gabrieli: Maria Magdalenae et altera Maria; Maria stabat ad monumentum Andrea Gabrieli: Kyrie a 5; Christe a 8; Kyrie a 12; Gloria a 16 Giovanni Gabrieli: Exaudi me domine a 16 Giovanni Gabrieli: Hic est filius Dei (arr. Timothy Higgins) a 18 Giovanni Gabrieli: Hodie Christus natus est Giovanni Gabrieli: Sonata pian e forte Giovanni Gabrieli: Udite, chiari e generosi figli Andrea Gabrieli: Psalmi Davidici, Psalmo 31:Beati quórum remissae; Delictum meum cognitum tibi feci; Tu es refugium meum a tribulatione; In camo et fraeno Giovanni Gabrieli: Audite príncipes Giovanni Gabrieli: Litaniae Beatae Mariae Virginis Andrea Gabrieli: O salutaris hostia Giovanni Gabrieli: Cantate Domino a 8 Giovanni Gabrieli: Sonata con tre violini - XXI Giovanni Gabrieli: Timor et tremor Giovanni Gabrieli: Jubilate Deo Giovanni Gabrieli: Sonata a 22; Magnificat a 33 Giovanni Gabrieli: Sonata octavi toni a 12; Omnes gentes Giovanni Gabrieli: Sacri di Giove augei, sacre Fenici Giovanni Gabrieli: Canzon XXVIII a 8 “Sol sol la fa mi” Giovanni Gabrieli:Buccinate in neomenio tuba Giovanni Gabrieli: Canzon per sonar primi toni a 10; Canzon a 4 “La Spiritata”; Canzon 3 a 6 Giovanni Gabrieli: Maria virgo a 10; Canzon in echo duodecimo toni; Hic est filius Dei Giovanni Gabrieli: Quem vidistis pastores Giovanni Gabrieli: In eclesiisPresented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Andrea and Giovanni Gabrieli https://www.bbc.co.uk/programmes/m001x3y2And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

With 2024 just around the corner, we're celebrating the lovely achievements of our guests from the year past and some of yours too... Artist Gareth Reid has painted King Charles, Graham Norton, and recently won Portrait Artist of the Decade with his interpretation of Dame Judi Dench. Rogue Jones, the married singer-songwriters Ynyr Ifan and Bethan Mai, won the coveted Welsh Music Prize 2023 for their charming second album Dos Bebés Plus the Inheritance Tracks of this year's Masterchef Celebrity Champion, opera star and broadcaster Wynne Evans.Presenters: Nikki Bedi and Huw Stephens Producer: Ben MitchellCORRECTION: This programme has been edited since broadcast to include Vesperae solennes de confessore, K. 339: Laudate Dominum for Wynne Evans' Inheritance Tracks

Bartolomé nació en la ciudad de México en 1580, y con 16 años ingresa a la orden agustina. En 1606 se embarcó en Acapulco y llego a Filipinas. Allí, los superiores al ver sus cualidades, lo nombraron maestro de novicios, desempeñando este cargo durante un sexenio. Tenía una gran facilidad para los idiomas, era un buen latinista y aprendió pronto el japonés a pesar de las dificultades de esta lengua. Venció innumerables peligros para llevar a Cristo a los creyentes y para no ser detenido, vivía en los campos y bosque; vivió pobremente, padeció las inclemencias del clima y también el hambre. A esto él añadió ayunos, vigilias y tales maceraciones, que aquel joven robusto de 25 años, se convirtió en un hombre enjuto y seco que no parecía tener más que huesos y piel. Víctima de una traición, el Beato Bartolomé fue sorprendido y arrestado en 1629, junto con el catequista y ahora Beato Juan Shozaburo y otros tres auxiliares con los que fue enviado a la cárcel de Nagasaki. Al llegar al lugar del suplicio, entonaron, como era la costumbre entre quienes eran sacrificados, el salmo 116 “Laudate Dominum omnes gentes”, luego los ataron con lazos muy frágiles, para que se pudieran romper si decidían renegar. La leña era verde y llena de lodo para que ardiera con dificultad. Al ser encendido el fuego, el Beato Vicente Carvalho sacó su crucifijo y levantándolo en alto exclamo “¡Adelante valerosos soldados de Jesucristo! ¡Viva nuestra fe y por ella valerosamente muramos!”.

Avui hem sentit: Simfonia concertant per a viol

Laudate Dominum by Morton Civic Chorus

The life and work of William Byrd (1540 - 1623) is one of the most incredible stories in English musical history. Byrd wrote music for Catholic worship in post-Reformation England, a time when papists were frequently hanged, beheaded, and burned alive for practicing their faith. As a result, and despite being granted some leniency by Elizabeth I (who greatly admired his music), Byrd wrote much of his most significant music in secret. It was to be sung in clandestine Catholic services held in the homes of England's Catholic gentry. TRACKLIST1. Retire My Soul2. Introit: Gaudeamus omnes3. Mass for Four Voices: I. Kyrie4. Mass for Four Voices: II. Gloria5. Gradual and Alleluia: Propter veritatem - Assumpta est Maria6. Mass for Four Voices: III. Credo7. Offertory: Assumpta est Maria8. Mass for Four Voices: IV. Sanctus - Benedictus9. Communion: Optimum partem elegit10. Mass for Four Voices: V. Agnus Dei11. Turn Our Captivity, O Lord12. Praise Our Lord, all Ye Gentiles13. Laudate Dominum omnes gentes14. Tribue, DominePlus 11 additional tracks!Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Today in Wesley's DBR podcast, We get the band back together. "Laudate Dominum" Psalm 148 See the DBR video here: Youtube IGTV

16. decembrī Rīgas Domā Rīgas Stradiņa universitātes jauktais koris “Rīga” Zanes Zilbertes un Evitas Tarandas vadībā un ērģelnieks Aigars Reinis aicina uz koncertu “Vasks. Ešenvalds. Kahidze”. Koncerta programmā iekļauts monumentālais Pētera Vaska skaņdarbs korim un ērģelēm “Laudate Dominum”, kā arī vairāki Ērika Ešenvalda darbi, tostarp divi pirmatskaņojumi Latvijā – The Cloud un A Soldier's Mother's Lullaby.  Pirmo reizi Latvijā izskanēs arī gruzīnu komponista Vahtanga Kahidzes svīta jauktajam korim “Vita”, kas pasaules pirmatskaņojumu šogad piedzīvoja Gruzijas Valsts kora izpildījumā. Evita Taranda un Zane Zilberte sarunā ar Dinu Dūdiņu-Kurmiņu - par programmas ieceri un sarežģītību, kā arī trim komponistiem, kuri savus opusus klausīsies klātienē: "Šīs būs noskaņas, kas šobrīd vairāk valda lielajā pasaulē un tik tuvu mums. Koncerta programma iziet cauri būtiskām vērtībām, kas aktuālas pārdomu laikā."

Bartolomé nació en la ciudad de México en 1580, y con 16 años ingresa a la orden agustina. En 1606 se embarcó en Acapulco y llego a Filipinas. Allí, los superiores al ver sus cualidades, lo nombraron maestro de novicios, desempeñando este cargo durante un sexenio. Tenía una gran facilidad para los idiomas, era un buen latinista y aprendió pronto el japonés a pesar de las dificultades de esta lengua. Venció innumerables peligros para llevar a Cristo a los creyentes y para no ser detenido, vivía en los campos y bosque; vivió pobremente, padeció las inclemencias del clima y también el hambre. A esto él añadió ayunos, vigilias y tales maceraciones, que aquel joven robusto de 25 años, se convirtió en un hombre enjuto y seco que no parecía tener más que huesos y piel. Víctima de una traición, el Beato Bartolomé fue sorprendido y arrestado en 1629, junto con el catequista y ahora Beato Juan Shozaburo y otros tres auxiliares con los que fue enviado a la cárcel de Nagasaki. Al llegar al lugar del suplicio, entonaron, como era la costumbre entre quienes eran sacrificados, el salmo 116 “Laudate Dominum omnes gentes”, luego los ataron con lazos muy frágiles, para que se pudieran romper si decidían renegar. La leña era verde y llena de lodo para que ardiera con dificultad. Al ser encendido el fuego, el Beato Vicente Carvalho sacó su crucifijo y levantándolo en alto exclamo “¡Adelante valerosos soldados de Jesucristo! ¡Viva nuestra fe y por ella valerosamente muramos!”.

"All the way [to the guillotine] the Carmelite sisters sang: the 'Miserere,' 'Salve Regina,' and 'Te Deum.' Beholding them, a total silence fell on the racous, brutal crowd, most of them cheapened and hardened by day after day of the spectacle of public slaughter. At the foot of the towering killing machine, their eyes raised to Heaven, the sisters sang 'Veni Creator Spiritus.' Sister Teresa, their prioress, requested and obtained permission to go last under the knife. The youngest, Sister Constance, went first. She climbed the steps of the guillotine 'with the air of a queen going to receive her crown,' singing Laudate Dominum omnes gentes, 'all peoples praise the Lord.' She placed her head in the position for death without allowing the executioner to touch her. Each sister followed her example, those remaining singing likewise with each, until only the prioress was left, holding in her hand a small figure of the Blessed Virgin Mary. The killing of each marter required about two minutes. It was about eight o'clock in the evening, still bright at midsummer. During the whole time the profound silence of the crowd about the guillotine endured unbroken." --- Support this podcast: https://anchor.fm/hucklefather/support

Laudate Dominum - Papa Bento XVI na Basílica de São Pedro 11/08/21 --- Send in a voice message: https://anchor.fm/jlio4/message

Gerardo Ramos Gonzalez is from Guadalajara, Mexico. He is a professor in the Music Department at the University of Guadalajara. His class is called Inglés Aplicado a la Música - IAM -(English Applied to Music) which under the English as a Second Language category is "English for Specific Purpose." All of his students are music majors within specific divisions: Performance majors (all orchestra instruments and voices, Conducting majors, Composition majors, and Music Education majors). Each student has three semesters of IAM. He studied flute at the same school where he now teaches with Andrezej Bosek, from Poland. He studied music at the University of Guadalajara, then joined a military band in Guadalajara, for three years. After that, he went to the University of Texas at El Paso. He was a linguistics major and Music minor. He had the opportunity to play in different ensembles and take music theory classes there. He did not graduate from UTEP, but he returned to school in 2002 at Metropolitan State University, in Saint Paul, MN.  He  has been teaching at the University of Guadalajara for over 12 years. During that time, he also earned a Master´s degree in Linguistics at the University of Guadalajara, with some classes at the University of Bielefeld in Germany. During COVID time, he continued teaching online. He has returned to Metropolitan State University and enrolled in the Masters's in Liberal Studies program while teaching long distance with the University of Guadalajara. For Photos of the University in Guadalajara, click here.Top 5 Songs of Encouragement1) Sonata in F Major by Telemann with Gerardo Ramos on Flute, Miguel Angel Pulido on Guitar, and Julio Cesar Gonzalez on Cello.https://www.youtube.com/watch?v=DFI2H0lAT7A2) Concerto for Violin, Oboe and Strings in D minor, BWV 1060 - 2. Adagiohttps://www.youtube.com/watch?v=YEdcD1_qscc3) Oboe Concerto in D minor - Adagio by Alessandro Marcellohttps://www.youtube.com/watch?v=E0BalQMrVDU4) Casta Diva from Norma (Act I) by Bellinihttps://www.youtube.com/watch?v=lDZK33JVxME5) Vesperae Solennes de Confessore (Solemn Vespers for a Confessor) K.339: Laudate Dominum by Mozarthttps://www.youtube.com/watch?v=CveiQojl6Q0Keep this podcast Ad Free by going to https://www.buymeacoffee.com/Encouragement today to make a one-time donation or become a monthly member.Support the show

[1]And in the end of the sabbath, when it began to dawn towards the first day of the week, came Mary Magdalen and the other Mary, to see the sepulchre. Vespere autem sabbati, quae lucescit in prima sabbati, venit Maria Magdalene, et altera Maria, videre sepulchrum. [2] And behold there was a great earthquake. For an angel of the Lord descended from heaven, and coming, rolled back the stone, and sat upon it. Et ecce terraemotus factus est magnus. Angelus enim Domini descendit de caelo : et accedens revolvit lapidem, et sedebat super eum : [3] And his countenance was as lightning, and his raiment as snow. erat autem aspectus ejus sicut fulgur : et vestimentum ejus sicut nix. [4] And for fear of him, the guards were struck with terror, and became as dead men. Prae timore autem ejus exterriti sunt custodes, et facti sunt velut mortui. [5] And the angel answering, said to the women: Fear not you; for I know that you seek Jesus who was crucified. Respondens autem angelus dixit mulieribus : Nolite timere vos : scio enim, quod Jesum, qui crucifixus est, quaeritis. [6] He is not here, for he is risen, as he said. Come, and see the place where the Lord was laid. Non est hic : surrexit enim, sicut dixit : venite, et videte locum ubi positus erat Dominus. [7] And going quickly, tell ye his disciples that he is risen: and behold he will go before you into Galilee; there you shall see him. Lo, I have foretold it to you. Et cito euntes, dicite discipulis ejus quia surrexit : et ecce praecedit vos in Galilaeam : ibi eum videbitis : ecce praedixi vobis. Tract: Psalm 116:1-2 [1]O praise the Lord, all ye nations: praise him, all ye people. Alleluja. Laudate Dominum, omnes gentes, laudate eum, omnes populi. [2] For his mercy is confirmed upon us: and the truth of the Lord remaineth for ever. Quoniam confirmata est super nos misericordia ejus, et veritas Domini manet in aeternum.

24 October 2020 | St. Raphael the Archangel | Eugene, Ore. At the end of a week of many “firsts,” join me on a walk through the wild wetland as we discuss the miracles of St. Raphael in the Book of Tobit, the spiritual significance of wearing masks, and of course, the second and final part of Henry IV through the lens of one fundamental question: of which father am I a son? Opening music: “Laudate Dominum,” composed by J. P. Sweelinck, performed by The Cambridge Singers, dir. John Rutter, 2009. All rights reserved. --- Send in a voice message: https://anchor.fm/in-your-embrace/message

Mozart wrote his “Orphanage Mass” when he was twelve. Pretty good. Mendelssohn wrote his Octet in E flat when he was sixteen. Really good. Jay provides excerpts from these works, and also presents Chopin and Argerich, Strauss and Davidsen, and more. As the episode begins with Mozart, it ends with Mozart: a heavenly soprano aria from some vespers. You could well nigh ascend. Mozart, Mass in C minor (“Waisenhausmesse”), K. 139 Mendelssohn, Octet in E flat Chopin, Largo, Piano Sonata No. 3 in B minor, Op. 58 Strauss, “Cäcilie” Strauss, “Ruhe, meine Seele!” Mozart, “Laudate Dominum omnes gentes,” from “Vesperae solennes de confessore”

10ª parte da entrevista do pianista e compositor Amaral Vieira a Alexandre Dias, em que ele destacou algumas de suas obras compostas a partir de 2006, mencionando até que ponto é benéfico utilizar-se o piano durante o processo de composição. Falou sobre o grande pianista Roberto Szidon, a quem ele dedicou uma elegia em 2011 quando este faleceu; comentou sobre obras que ele [Amaral] estreou no Brasil, incluindo raras peças de Liszt para piano e orquestra, e expôs sua opinião sobre a concursos de piano, tendo já participado da banca de diversos certames, e comentou sobre o risco do concurso se tornar um fim em si mesmo. Listou algumas estatísticas sobre seu programa Laudate Dominum, que está no ar ininterruptamente na Rádio Cultura desde 1989, e comentou sobre a importância histórica desta rádio, e sobre sua interligação com a cultura de São Paulo. Trilha sonora: CD Caminhos Barrocos, com obras de Handel, Rameau e J. S. Bach, interpretadas por Amaral Vieira. Apoie o IPB: https://www.catarse.me/InstitutoPianoBrasileiro

The Hastings College Choir performs Laudate Dominum.

5ª parte da entrevista do pianista e compositor Amaral Vieira a Alexandre Dias, abordando a continuação de sua carreira na década de 1980, trazendo informações sobre o Festival Amaral Vieira, que foi realizado em São Paulo 1984 com um total de 14 concertos dedicados a suas obras, o Grande Prêmio Liszt, que ganhou do governo da Hungria em 1986, no centenário de morte de Franz Liszt, seu contato com a obra de Ernesto Nazareth, que resultou em arranjos para 4 mãos, suas descobertas musicológicas de obras de Elias Álvares Lobo, Francisco Manuel da Silva, André da Silva Gomes, Villa-Lobos e Souza Lima, e o período em que esteve à frente da presidência da Sociedade de Musicologia do Brasil. Também destacou obras suas compostas neste período, e falou sobre o programa de música sacra "Laudate Dominum", que apresenta para a Rádio Cultura há 31 anos, sendo um dos mais longevos da rádio brasileira. Trilha sonora: CD Caminhos Barrocos, com obras de Handel, Rameau e J. S. Bach, interpretadas por Amaral Vieira.

Laudate Dominum by Morton Civic Chorus

Adult Choir with Linda Hossfeld, soloist

La messe de Pâques est célébrée en la paroisse du Christ-Roi à Bienne-Mâche. Elle est présidée par le curé modérateur de la ville, l’abbé Patrick Werth. L’abbé François-Xavier Gindrat et le diacre Markus Stalder prononceront l’homélie. Diego Rocca, compositeur créatif et organiste de la paroisse, dirige le chœur «Laudate Dominum». Lors de la procession des offrandes, un groupe africain du Renouveau charismatique offrira des fruits de la terre sur un fond musical de tam-tam.

Pseudoscience: we know it when we see it, right? Or do we? On this episode of Carry the One Radio, we tackle the dirtiest word in science with the help of science historian Dr. Michael Gordin. Hear a few of our favorite pseudoscience stories, and see how pseudoscience can help us define the sometimes fuzzy borders of science. Plus, we discuss what to do about all that pesky pseudoscience floating around. Buckle up, it’s the Pseudoscience Episode. Hosted and Produced by Anna Lipkin, Devika Nair, and Liron Noiman Music used in this episode: "Filaments", "Curious Process" and "The Ascent" by Podington Bear "Transitioning" by Lee Rosevere "Bastien und Bastienne", "Adagio for Glass Armonica in C Major" and "Laudate Dominum" by Wolfgang Amadeus Mozart "Lupi" and "Chicken Steak" by Blue Dot Sessions

Ką bendra turi Arvo Pärtas ir Mozartas? Ar pasaulio įvykiai turėjo įtakos XVIII amžiaus muzikai? Kiek žanrų išbadė savo kūryboje Mozartas ir ar savo kūryboje siekė naujovių? Atsakymai į šiuos ir kitus klausimus – 17-oje ciklo „Mozartas ir kiti“ laidoje.Skambės ir viena gražiausių Mozarto giesmių – „Laudate Dominum“, su kuria kompozitorius įžengia į trečiąjį, priešpaskutinį savo gyvenimo dešimtmetį... Girdėsite fragmentus iš Köchelio kataloge 209, 215, 217, 219, 222, 246, 313 ir 339 numeriais pažymėtų Mozarto kūrinių.Ved. Giedrius Kuprevičius.

Ką bendra turi Arvo Pärtas ir Mozartas? Ar pasaulio įvykiai turėjo įtakos XVIII amžiaus muzikai? Kiek žanrų išbadė savo kūryboje Mozartas ir ar savo kūryboje siekė naujovių? Atsakymai į šiuos ir kitus klausimus – 17-oje ciklo „Mozartas ir kiti“ laidoje.Skambės ir viena gražiausių Mozarto giesmių – „Laudate Dominum“, su kuria kompozitorius įžengia į trečiąjį, priešpaskutinį savo gyvenimo dešimtmetį... Girdėsite fragmentus iš Köchelio kataloge 209, 215, 217, 219, 222, 246, 313 ir 339 numeriais pažymėtų Mozarto kūrinių.Ved. Giedrius Kuprevičius.

[00:00] Offertory: "Christmas Medley" (arr. D. Bish) - Jenny Lee, Organist [03:11] Special Music: "Laudate Dominum" (W.A. Mozart) - Rebecca Phillipson, Soloist [06:54] Scripture: Micah 5:2, Luke 1:47-50 [08:01] Anthem: "Sing Noel" (Allen Robert Petker) - Chancel Choir [10:11] Sermon: "Love" - Dr. Walter C. Dilg, Jr.

The current Supreme Court vacancy and the nomination of Judge Brett Kavanaugh are fueling the conversation about the future of abortion in the United States. We speak with Clarke Forsythe, Senior Counsel for Americans United for Life, to address whether we are likely to see Roe overturned, what a post-Roe society and pro-life movement would look like, and what we as Catholics are called to do amid these possible changes. In our Classic Catholic Social Teaching segment, we delve into the USCCB's "Living the Gospel of Life", on its 20th Anniversary, and its call to faithful citizenship and the protection of life from womb to tomb. This episode's Bridge Builder segment focuses on the primaries and forming your conscience and your vote. We wrap up the podcast with the ancient Gregorian chant, Laudate Dominum, sung by the National Catholic Youth Choir performed at Saint John's University. Here are links to the various documents and sites talked about in the podcast: Living the Gospel of Life: http://www.usccb.org/issues-and-action/human-life-and-dignity/abortion/living-the-gospel-of-life.cfm The Gospel of Life: http://www.vatican.va/content/john-paul-ii/en/encyclicals/documents/hf_jp-ii_enc_25031995_evangelium-vitae.html Jason Adkins' law review article - Meet Me at the (West Coast) Hotel: The Lochner Era and the Demise of Roe v. Wade:  https://minnesotalawreview.org/article/note-meet-west-coast-hotel-lochner-era-demise-roe-v-wade/ Election Resources: www.mncatholic.org/resources/election/

Rev. Victoria Hart Gaskell, Chapel Associate for Methodist Students, preaches a sermon entitled "Good Advice from the Most Unlikely". The Marsh Chapel Choir sings "Laudate Dominum" by Jan Pieterszoon Sweelinck and "How can I keep from singing?" by Ronald Staheli along with service music and hymns.

Rev. Victoria Hart Gaskell, Chapel Associate for Methodist Students, preaches a sermon entitled "Good Advice from the Most Unlikely". The Marsh Chapel Choir sings "Laudate Dominum" by Jan Pieterszoon Sweelinck and "How can I keep from singing?" by Ronald Staheli along with service music and hymns.

Linda Hossfeld, soloist

Dr. Echol Nix, Jr. preaches a sermon entitled "The Cost of Discipleship". The Marsh Chapel Choir sings "O quam gloriosum" by Tomas Luis deVictoria and "Laudate Dominum" by Jan Pieters Sweelinck along with service music and hymns.

Dr. Echol Nix, Jr. preaches a sermon entitled "The Cost of Discipleship". The Marsh Chapel Choir sings "O quam gloriosum" by Tomas Luis deVictoria and "Laudate Dominum" by Jan Pieters Sweelinck along with service music and hymns.

Arranged by Mark Andersen, this rendition of the music by W. A. Mozart replaces the soprano soloist with the beauty of English Handbells, and the choral parts with the string orchestra. This video is from a live performance in Seattle, WA in October 2013. This performance is dedicated to the memory of Susan Britt Welsh, loving mother of Mark and Lynn Andersen, who passed in August of this year, 2013. She was a dedicated handbell ringer and avid fine music lover. The title "Laudate Dominum" is translated "Give Praise to God," which is how she lived her life serving others. Episode 297.This clip is part of a full episode that will air on Seatte Community Media in Seattle at 6:30 pm Thursday, Saturday at 3:30 pm and Tuesdays at 3:30 pm. (Comcast channel 77 or Broadstripe channel 23). You can view it on the above channels, or online at www.seattlecommunitymedia.org.It also airs throughout New York State on Time Warner Cable, and in several other States and Cities - including New York and New York City, Atlanta, Dallas, Denver and Baltimore, on the Cable Access channel.

Pokalbis su Pauliumi Andriuškevičiumi apie Sakralinės muzikos chorų festivalį –konkursą „Laudate Dominum“. Richardo Strausso studijos styginiams instrumentams – „Metamorfozės“ .

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "After Thirty Years." The Marsh Chapel Choir sings "Laudate Dominum" by W.A. Mozart and "Justorum animae, Op. 38, No. 1" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "After Thirty Years." The Marsh Chapel Choir sings "Laudate Dominum" by W.A. Mozart and "Justorum animae, Op. 38, No. 1" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "After Thirty Years." The Marsh Chapel Choir sings "Laudate Dominum" by W.A. Mozart and "Justorum animae, Op. 38, No. 1" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "After Thirty Years." The Marsh Chapel Choir sings "Laudate Dominum" by W.A. Mozart and "Justorum animae, Op. 38, No. 1" by Charles Villiers Stanford along with service music and hymns.