POPULARITY
It's West Coast meets East Coast film fandom on this bonus Movie Squad pod, as Tristan Fidler and Simon Miraudo are joined by Alexei Toliopoulos and Zachary Ruane to discuss their brand new comedy show Refused Classification. Zach is well known for being one leg of the Aunty Donna tripod, and Alexei is the host of The Last Video Store podcast, but from here on out, they may be best recognised as the alternate timeline version of beloved Aussie critics David Stratton and Margaret Pomeranz, whom they play in Refused Classification. Their show (a fusion of stand-up, documentary, protest and audacious verbatim theatre) sees Alexei and Zach relaying (and replaying) Margaret's iconic stoush against the authorities as she attempted to screen the banned film Ken Park in 2003. Tristan and Simon caught up with Alexei and Zach during their sold-out run of shows at the Melbourne International Comedy Festival, and ahead of them bringing Refused Classification to Boorloo for the Perth Comedy Festival, playing The Rechabite on Friday 9 May. (There are also limited tix available for their Melbourne run, thanks to some newly added shows!) Movie Squad's on-air segment is on a brief hiatus but keep tuning in to RTRFM and join the Blockbuster Babes for their triumphant return on Friday 2 May at 7:30am with Breakfast host Pam Boland. You can always play catch-up with past episodes of the podcast here.
For decades, David Stratton and Margaret Pomeranz were Australian film reviewing royalty, having built up a loyal following with their weekly show on SBS, The Movie Show. The 90s and early 00s was the peak of David & Margaret's influence over Australian audiences. What they recommended, people would head out and go and see.Both David and Margaret are staunch supporters of cinema, becoming advocates for all kinds of cinema and decrying the impacts of censorship. While both have played roles in the way that film censorship in Australia has impacted what we see, it's Margaret's role with the notorious Larry Clarke film, Ken Park, which saw her make headlines after she put on an ‘illegal' screening of the film after it received a ‘Refused Classification' status, aka, the film being banned from Australia.That pivotal moment in Australian film criticism history is what sits at the heart of Zachary Ruane and Alexei Toliopoulos' comedy show Refused Classification, which is currently making its way around Australian comedy festivals, having recently played at the Adelaide Fringe, with shows to be held in Brisbane, Sydney, Melbourne, and Perth on the horizon.The show sees Zachary don a salt and pepper wig as David, while Alexei somehow manages to imbue himself with the spirit of Margaret Pomeranz with her trademark golden locks. Together, they retell this point in Aussie cinema history through the form of comedy show, documentary and verbatim theatre.In the following interview, Zachary and Alexei talk about how the show came about, their experiences watching Ken Park, how Simon Miraudo's brilliant Book of the Banned (buy it here) helped inform the show, and Alexei goes deep on his personal connection with the At the Movies board game.I should add too, if you're interested in reading the transcripts of David and Margaret's work on both The Movie Show and At the Movies, then check out this Letterboxd account which has logged all of them over the years. And keep in mind that the shows are all available on SBS On Demand too, if you want that real nostalgia trip.To keep up to date on where the show is playing, make sure to follow both Zachary and Alexei on Instagram.We are a completely independent and ad free website that lives on the support of listeners and readers just like you. If you can and have the means to support us, please visit Patreon.com/thecurbau to support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.
For decades, David Stratton and Margaret Pomeranz were Australian film reviewing royalty, having built up a loyal following with their weekly show on SBS, The Movie Show. The 90s and early 00s was the peak of David & Margaret's influence over Australian audiences. What they recommended, people would head out and go and see.Both David and Margaret are staunch supporters of cinema, becoming advocates for all kinds of cinema and decrying the impacts of censorship. While both have played roles in the way that film censorship in Australia has impacted what we see, it's Margaret's role with the notorious Larry Clarke film, Ken Park, which saw her make headlines after she put on an ‘illegal' screening of the film after it received a ‘Refused Classification' status, aka, the film being banned from Australia.That pivotal moment in Australian film criticism history is what sits at the heart of Zachary Ruane and Alexei Toliopoulos' comedy show Refused Classification, which is currently making its way around Australian comedy festivals, having recently played at the Adelaide Fringe, with shows to be held in Brisbane, Sydney, Melbourne, and Perth on the horizon.The show sees Zachary don a salt and pepper wig as David, while Alexei somehow manages to imbue himself with the spirit of Margaret Pomeranz with her trademark golden locks. Together, they retell this point in Aussie cinema history through the form of comedy show, documentary and verbatim theatre.In the following interview, Zachary and Alexei talk about how the show came about, their experiences watching Ken Park, how Simon Miraudo's brilliant Book of the Banned (buy it here) helped inform the show, and Alexei goes deep on his personal connection with the At the Movies board game.I should add too, if you're interested in reading the transcripts of David and Margaret's work on both The Movie Show and At the Movies, then check out this Letterboxd account which has logged all of them over the years. And keep in mind that the shows are all available on SBS On Demand too, if you want that real nostalgia trip.To keep up to date on where the show is playing, make sure to follow both Zachary and Alexei on Instagram.We are a completely independent and ad free website that lives on the support of listeners and readers just like you. If you can and have the means to support us, please visit Patreon.com/thecurbau to support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.
For the next few months, Alexei Toliopoulos and Zachary Ruane will be touring their show Refused Classification to comedy festivals all around the country.The part comedy, part documentary, part verbatim theatre piece tells the true story of beloved film critics Margaret Pomeranz and David Stratton taking on the Australian government when the film Ken Park was sensationally banned in the early 2000s. Thank you to all my listeners who have taken the audience survey - Alexei was one of the guests you asked for more of, so I'm happy to oblige on this episode. And Zach is an excellent partner for him for this very challenging set of questions.Grab tickets to see Refused Classification in:Adelaide:https://adelaidefringe.com.au/fringetix/zachary-ruane-and-alexei-toliopoulos-refused-classification-af2025Melbourne:https://www.comedyfestival.com.au/browse-shows/zach-ruane-and-alexei-toliopoulos-refused-classification/Sydney:https://www.sydneycomedyfest.com.au/event/zachary-ruane-alexei-toliopoulos/Brisbane:https://www.brisbanecomedyfestival.com/events/zachary-ruane-and-alexei-toliopoulos/Perth:https://www.perthcomedyfestival.com/event/zachary-ruane-alexei-toliopoulos-refused-classification/This podcast is recorded on the lands belonging to the Wurundjeri people of the Kulin nation. We pay our respect to their elders past and present and acknowledge their traditions of sharing knowledge and stories for millennia on this land.Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.
If you have a fear of getting swooped by magpies, mobbed by seagulls or blinded by crows, perhaps Alfred Hitchcock is to blame.His 1963 horror classic The Birds created a generation of ornithophobes, and played on our fears of death by feathered fiend. But how accurate are his creepy corvids? Do birds of a feather flock together exclusively? Can a bird go all 'Here's Johnny' on a locked door? Do birds hold grudges?Dr Ann Jones gets a bird's eye view of Hollywood's avian lies.Featuring:David Stratton, Australian film criticAssociate Professor Lucy Aplin, Australian National UniversityDr Corrie Ackland, clinical psychologist, Sydney Phobia Clinic Further reading:Nearly 3 Billion Birds Gone, Cornell UniversityProduction:Ann Jones, Presenter / ProducerRebecca McLaren, ProducerNat Tencic, ProducerIsabella Tropiano, additional masteringThis episode of What the Duck?! was produced on the lands of the Wadawarrung, Wurundjeri Woi Wurrung, Taungurung, and Kaurna people.If you want to hear more "What the Duck?" episodes- please like and subscribe here.
Before he retired last year, David Stratton spent nearly six decades reviewing movies. And millions of Australians came to know and love him thanks to an on-air partnership with fellow critic Margaret Pomeranz, which turned them into household names and one of the most beloved double acts in the country. On the show today, David joins Sarrah from his home – where he is still watching one, and often two, movies each day – to discuss his latest project, a book that chronicles three pivotal decades in Australian film; his enduring friendship with Margaret; his thoughts on some of his most infamous reviews – including an initially lukewarm reaction to comedy classic The Castle, and another that landed him in hot water with Julie Andrews - and the one film he thought was so awful he walked out of the cinema. David Stratton's new book Australia At The Movies is available to purchase here. Something To Talk About is a podcast by Stellar, hosted by Editor-In-Chief Sarrah Le Marquand. Find more from Stellar via Instagram @stellarmag or pick up a copy inside The Sunday Telegraph (NSW), Sunday Herald Sun (VIC), The Sunday Mail (QLD) and Sunday Mail (SA) See omnystudio.com/listener for privacy information.
Regular readers of The Curb will know that I have a particular soft spot for the work of Sally Aitken. Through her expansive filmography that tells stories that span the globe, from David Stratton, to Valerie Taylor, to The Wiggles, and now to Every Little Thing, a film about Terry, a wildlife carer in California who runs a rehab facility for hummingbirds, Sally has managed to provide a generous, kind, and considerate perspective of the world and how we interact with it.Every Little Thing is a sonic and visual delight of a film that wonders the senses with cinematography that fully immerses us in the world of the hummingbird, all the while presenting the dedication and care that Terry Masear gives to these tiny, fragile creatures who flit about the world, acting as harmonious pollinators who enrich the ever-increasingly human dominated nature that they live within.I've seen plenty of films about animals being cared for, or about the communities that spring up in a fight for animal activism, and yet, I've never really seen a film like Every Little Thing. In the following interview, you'll hear me talk to Sally about why I feel this is a purely unique film, one that manages to present the role of an animal carer in a deeply compassionate and understandable way. I'm in awe of the majesty on display here, and while I've always loved Sally's work, I feel that Every Little Thing is yet another grand step forward in her role as a humanistic filmmaker.Every Little Thing screens at the Adelaide Film Festival on Thursday 24 October, and again on 2 November. Sally will be in attendance on 24 October and will attend a panel on documentary filmmaking on Friday the 25th of October. Visit AdelaideFilmFestival.org for more details. Hosted on Acast. See acast.com/privacy for more information.
Regular readers of The Curb will know that I have a particular soft spot for the work of Sally Aitken. Through her expansive filmography that tells stories that span the globe, from David Stratton, to Valerie Taylor, to The Wiggles, and now to Every Little Thing, a film about Terry, a wildlife carer in California who runs a rehab facility for hummingbirds, Sally has managed to provide a generous, kind, and considerate perspective of the world and how we interact with it.Every Little Thing is a sonic and visual delight of a film that wonders the senses with cinematography that fully immerses us in the world of the hummingbird, all the while presenting the dedication and care that Terry Masear gives to these tiny, fragile creatures who flit about the world, acting as harmonious pollinators who enrich the ever-increasingly human dominated nature that they live within.I've seen plenty of films about animals being cared for, or about the communities that spring up in a fight for animal activism, and yet, I've never really seen a film like Every Little Thing. In the following interview, you'll hear me talk to Sally about why I feel this is a purely unique film, one that manages to present the role of an animal carer in a deeply compassionate and understandable way. I'm in awe of the majesty on display here, and while I've always loved Sally's work, I feel that Every Little Thing is yet another grand step forward in her role as a humanistic filmmaker.Every Little Thing screens at the Adelaide Film Festival on Thursday 24 October, and again on 2 November. Sally will be in attendance on 24 October and will attend a panel on documentary filmmaking on Friday the 25th of October. Visit AdelaideFilmFestival.org for more details. Hosted on Acast. See acast.com/privacy for more information.
MY NEW NORM Podcast- S5 E4Episode: DAVID STRATTON STORY - WORLD CHANGER BEARANOOGA PRODUCTIONSp r e s e n t s :In this episode, you'll meet, DAVID STRATTON, the founder of L Squared International. Did you know that 3.4 billion people, almost half the world's population, still struggles to meet basic needs? L Squared International, wants to change that. David and his team have already changed the lives of families in Kenya, and equipped them to be self- sufficient.The mission of L Squared is to:-To create a movement where anyone has the ability to see their future positively, to show those who are struggling that they are seen and that they matter.-By studying and surveying target areas, we strategically go into those places with the physical needs to help that community thrive. -Our goal is to provide immediate relief while at the same time, helping the community help themselves.To learn more about- L Squared International and become a donor:www.L2Squared.org———————————————MY NEW NORM Podcastmynewnorm.buzzsprout.commynewnorm@email.comThank you for your interest and support!FOLLOW / LISTEN / and SHARE with those you know.mynewnorm.buzzsprout.com/ / Find us on all major podcast platforms!
A Get 'Em Onside show with a twist, the boys have come in on a Tuesday before teams are announced and most of the markets are live. Nevertheless, the boys are firing on all cylinders. Dan has been to Hawaii, we recap the punting year so far but most importantly, the boys are future forecasting taking a look at a stack of NRL future markets. If that's not enough, there's a very early preview of Round 17 and Dan has a Shooting Bambi that Margaret Pomeranz and David Stratton would be proud of. 18+ Odds correct at 25/06/24 - 9:00am AEST
Film critic, writer and Movie Squad member, Simon Miraudo takes on the dark side of Australia's film censorship in the Book of the Banned. Did you know Aussie audiences were originally banned from watching bonafide classics The Night of the Hunter, Breathless and The Texas Chain Saw Massacre, or that Australians initially saw a watered-down version of Star Wars in cinemas? Book of the Banned is a rigorous, rollicking, riotous and righteously-furious jaunt through film history that reveals the shocking stories behind Australia's classification system and how your favourite movies have been snipped down under, featuring interviews with Margaret Pomeranz, David Stratton, a bunch of ‘banned' filmmakers and even their censors. RTRFM's own Simon Miraudo joins Bec Bowman on Artbeat to discuss Book of the Banned. Book of The Banned
In this episode, we are joined by David Stratton, Vice President of Payer Strategy & Managed Care Operations at Northern Light Health, to discuss his experience working on both the payer and provider side of healthcare, his focus on streamlining care to make it more accessible, and more.
In this episode, we are joined by David Stratton, Vice President of Payer Strategy & Managed Care Operations at Northern Light Health, to discuss his experience working on both the payer and provider side of healthcare, his focus on streamlining care to make it more accessible, and more.
In this episode of Beyond Net Worth, Ben & Kallan are joined by David Stratton. David founded a very successful concrete business. He talks about growing up with parents who didn't understand how to be financially successful and his own journey into financial success.
In this episode, we covered 2017's Stratton, starring Dominic Cooper, Gemma Chan and Tom Felton (AKA Draco Malfoy from the Harry Potter movies) Directed by Englishman Simon West (Tomb Raider [2001] and Con Air) Logline: A British Special Boat Service commando tracks down an international terrorist cell. Unfortunately, although it features a group called SBS and a character called Stratton, it is NOT about David Stratton. As always, we're on facebook and Instagram and YouTube and you can email us at trulyrottentomatoes@gmail.com
---ARTICLES AND LINKS DISCUSSED"Come on Jenny, let's get wet!""Felicity" [1978] Trailer:https://www.youtube.com/watch?v=XMlnv0Mu4XY"Not Quite Hollywood" [2008] Trailer:https://www.youtube.com/watch?v=8v-JZb3vXE0---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"
We've turned: Cinema Reborn hooked Jennifer + Andj this year with screenings of Sambizanga (1972) and Return Home (1989), which proves transport is...in. Claire Denis being boring: out. We talk living female cinematographers (Mandy Walker), the downstairs State Theatre bar, Kylie Minogue's track from Holy Motors, Jen's favourite David Stratton rant, and capital P period films in an interview with director Leah Purcell. Leah describes dreaming of trees and finding them irl which is just right: films make dreams come true. Her feature The Drover's Wife: The Legend of Molly Johnson is in cinemas. See omnystudio.com/listener for privacy information.
---ARTICLES AND LINKS DISCUSSED"Come on Jenny, let's get wet!""Felicity" [1978] Trailer:https://www.youtube.com/watch?v=XMlnv0Mu4XY"Not Quite Hollywood" [2008] Trailer:https://www.youtube.com/watch?v=8v-JZb3vXE0---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"
The critic on what he has learned from watching 25,000 films, and that time he peed on Federico Fellini
The critic on what he has learned from watching 25,000 films, and that time he peed on Federico Fellini
THE BAZURA PROJECT'S RADIO FREE CINEMATHE TV SHOW ABOUT MOVIES IS NOW A RADIO PROGRAM RELEASED AS A PODCASTOn 29 September 2011, The Bazura Project's Guide To Sinema, a comedy series devoted to exploring cinematic sins, began its extremely limited run on the ABC. Now, exactly ten years later, the creators are back with their most exciting project yet: a press release. But it's a press release that's promoting their next thing, The Bazura Project's Radio Free Cinema.As many will doubtless recall, The Bazura Project's Radio Free Cinema was a huge hit, broadcast on an unspecified radio station an indeterminate number of years ago. Now, the recordings that everyone had believed (and hoped) were lost forever have been uncovered, digitised, cleaned up, edited for slander, and are now ready to be released on a podcast platform where they can be heard again… for the first time.Over six thrilling and definitely factual instalments, The Bazura Project's Radio Free Cinema will explore every possible aspect of the film world, including:interviews with the film industry's best and brightest, including: Aussie soap star-turned-Hollywood headliner, Amelia Bell-Jarman; the Oscar-winning producer of some of cinema's least challenging mid-brow works, Catarina Rice; achingly-dull minimalist Hungarian film composer Máté Lantos; and studio janitor from Hollywood's golden age, Jerry Schutzexclusive first-listen trailers for the most exciting new high-concept thrillers, low-concept romantic comedies, poorly-conceived fantasy adventures, crowd-placating dramas, and overstimulating kids' filmsoriginal songs from your favourite soundtracks and never-before-heard music from your least-favourite unreleased moviesdispatches from all around the world, including: an exclusive Sundance Film Festival premiere after-party; the world's greatest voice coaching academy on an island in the Baltic Sea; and a glamorous and exceedingly-morbid awards ceremony in the heart of Alaskaplus much, much more“It was always our plan to air six poorly-rated episodes on the endlessly-rebranded ABC2, disappear into obscurity for a decade, and then return with a six-episode podcast that wouldn't make us any money,” says co-creator and co-presenter Lee Zachariah.“The presently-oversaturated market of podcasts presented us with the perfect opportunity to release our own,” says co-creator and co-presenter Shannon Marinko. “If you manage to find it, and enjoy it, it's probably someone else's.”The show will feature an overstuffed cast that includes Tom Ballard, Rusty Berther, Kristy Best, Robyn Butler, Rhonda Burchmore, Santo Cilauro, Marc Fennell, Tim Ferguson, Abe Forsythe, Bob Franklin, Francis Greenslade, Tosh Greenslade, Roz Hammond, Stephen Hall, Andrew Hansen, Peter Helliar, Tegan Higginbotham, Ming-Zhu Hii, Adam Hills, Claire Hooper, Wayne Hope, Dan Ilic, Laura Hughes, Mark Humphries, Nazeem Hussain, Ed Kavalee, Christopher Kirby, Colin Lane, Tommy Little, Cassandra Magrath, Tony Martin, Shaun Micallef, Rhys Muldoon, Brian Nankervis, Celia Pacquola, Geraldine Quinn, Ben Russell, John Safran, Kat Stewart, Emily Taheny, Chris Taylor, Dave Thornton, Toby Truslove, Michael Veitch, Cal Wilson, and many, many more.The six-part series begins on October 5 on Apple Podcasts, Spotify, Stitcher, Google Podcasts, Radio Public, or directly via our website: bazuraproject.com/radiofreecinemaThe trailer is available to hear now via this link.The Bazura Project began its life on community television in 2006, running for 36 episodes across three seasons on Channel 31 Melbourne, TVS Sydney, 31 Brisbane, and C31 Adelaide. The show featured recreations of classic movie scenes, film news, feature stories, interviews, and reviews of new releases.At the 2007 Antenna Awards, the show picked up three awards, including Best Comedy Program, Best Arts Program, and Best Director. In 2008, it won again for Best Arts Program.In 2011, the ABC commissioned The Bazura Project's Guide To Sinema, a six-part series that explored the history of sins in cinema: Violence, Sex, Money, Profanity, Drugs and Fame. It featured appearances from Shaun Micallef, Kat Stewart, Tony Martin, Julia Zemiro, Francis Greenslade, and David Stratton.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Greatly missed on TV screens, the nation's favourite film critics Margaret Pomeranz and David Stratton reunite in this special conversation on Australian movie adaptations of books. The famously sparring duo settle back into their critics' chairs to discuss and debate Neil Armfield's Candy (starring Heath Ledger and Abbie Cornish), Baz Luhrmann's The Great Gatsby, Simon Baker's Breath (based on Tim Winton's Miles Franklin Award–winning novel of the same name), Bruce Beresford's Ladies in Black, Robert Connolly's The Dry and Peter Weir's classic Picnic at Hanging Rock. Discover which films Margaret and David believe did justice to the original text, bested the books or lost their lustre when transposed from page to screen. See omnystudio.com/listener for privacy information.
Join Caroline Wilson and Corrie Perkin for Ep 133.Don't Shoot the Messenger is powered by Red Energy. To support the company that supports us - give Red Energy a call on 131 806 or visit their website HERE - for real Aussie energy.This week we discuss the tightening of COVID-19 restrictions in Victoria and how it seems our collective mood has shifted. We talk about the ramifications of the positive test by Essendon's Conor McKenna on the weekend, the possibility of an AFL Grand Final in Perth and Caro has a few parting comments for Sam Newman as Channel Nine terminate his contract.Caro's 'Crush of the Week' is David Stratton and his latest article in the Weekend Australian.In BSF - Corrie's been reading and loving Rodham by Curtis Sittenfeld (order from My Bookshop HERE).Caro's goes through some of her favourite #MeToo films and shows and urges us again to check out Mrs America on Foxtel.Caro also shares her recipe for North African Lamb & Pearl Barley Soup from Gewurtzhaus.com.au. Check it out HERE. For videos and pics make sure you follow us on Instagram @DontShootPod.Like our Facebook page and hit 'Sign Up' to receive weekly updates HERE.Email the show via feedback@dontshootpod.com.au.North African Lamb & Pearl Barley SoupMoroccan Souk SpiceEasyServes: 4 - 6D2 Hrs 30 MinsIngredientsolive oil2 lamb shanks1 onion, thinly sliced2 cloves of garlic, finely chopped2 carrots, peeled and chopped2 sticks celery, sliced2 tbsp Gewürzhaus Moroccan Souk Spice1 x 400g can of tomatoes6 cups (1.5 litres) water1 beef stock cube1 heaped tsp Gewürzhaus Harissa100g pearl barley100g dried lentilsfresh mint, parsley or coriander leaves (or all three)1 cup Greek yoghurtHow to Cook1. Preheat oven to 180°C.2. Heat olive oil in a large, heavy-based oven proof dish. Sprinkle lamb shanks with salt and brown on all sides. Add onion, garlic, carrot, celery and Moroccan Souk Spice, stir well and fry for about 5 minutes. Add tomatoes, water, Harissa and stock cube (crumbled) and bring back to a simmer. Add barley and lentils, cover the dish and put in the oven. Cook for about 2 hours or until meat is falling off the bone.Tip: If you don’t have an oven-proof casserole dish you can cook this soup on the stove-top on a low heat – it might take a little bit longer.ServingTo serve, top with a generous dollop of Greek yoghurt and fresh herbs.Don't Shoot The Messenger is produced, engineered and edited by Jane Nield for Crocmedia.
Varda by Agnés + Pain & Glory, ANTIFA David Stratton, walkouts at The Nightingale premiere and Chernobyl backlash. A big first weekend of the Sydney film festival sees sell out premieres of Sequin in a Blue Room and Suburban Wildlife. Cutting edge and divisive cinema amidst political turmoil as fascism and authoritarianism tightens it's grip. David Stratton speaks out!!! Plus, we tease something close to our hearts coming soon to a venue near you - Garden Reflexxx presents Last Minute Challenge, a film festival curated by Enoch Mailangi, and us! A collection of local and international resourceful cinema.
Novelist Trent Jamieson and writer Patrick Carey join Cassie and Kate to discuss new fiction from Marlon James, Debra Adelaide and Tessa Hadley, while film critic David Stratton reveals the bookshelf that has shaped him
Join Caroline Wilson and Corrie Perkin for a cup of tea at Caro’s beach house as We start with some New Year’s housekeeping and prepare to cope with post summer holiday blues. Caro has theories about Bill Shorten’s recent comments on drug use and gives Bernard Tomic and serve for his spiteful feud with Lleyton Hewitt. Caro and Corrie discuss Kelly O’Dwyer’s announcement that she will leave Federal Parliament and not contest the seat of Higgins at the next election. What now for women in the Liberal party? Melbourne morning radio is set for a huge shake up, ABC Radio Melbourne’s John Faine has announced he’ll take a step back from the mic next year. There’s quite an interesting list of suggested replacements and Caro thinks she knows just the woman for the job. Corrie undertakes a Summer holiday review and shares a few tips on how to take that Summer holiday feeling home with you. Corrie has a ‘Crush of the Week’ thanks to The Interchange Bench - Californian Senator Kamala Harris. www.interchangebench.com.au BSF Corrie reports on the Indie Book Awards and a stunning short list (perfect for some book club inspiration - see the list below) or checkout the full list HERE. Caro’s blending her books and screen this week as she works her way through David Stratton’s ‘101 Marvellous Movies You May Have Missed’, plus Caro shares a simple Annabelle Crabb hot smoked salmon and greens recipe (recipe to below). Caro’s grumpy about more than just dog poo on the beach and early hot cross buns. 6 Quick Questions leads us down a couple of interesting rabbit holes from Gillette marketing men to men, suspended Aussie cricketers, how old is too old to drive? Caro’s Good Local Tip is to hit the Op Shops now for bargains while everyone’s in decluttering mode. Email us feedback@dontshootpod.com.au A few (but not all) of the Recommendations Ep 69 Counterpart’ on SBS ‘Nanette’ on Netflix ‘Succession’ on HBO ‘The Wizard of Lies’ HBO ‘101 Marvellous Movies You May Have Missed’ by David Stratton ‘The Meyerowitz Stories’ on Netflix ‘Princes at War’ book by Deborah Cadbury Corrie’s Favourite Podcast – ‘Fortunately by Fi and Jane’ BBC Indie Book Awards FICTION SHORTLIST The Lost Man by Jane Harper (Macmillan Australia) Shell by Kristina Olsson (Scribner Australia) The Shepherd's Hut by Tim Winton (Penguin Random House Australia) Bridge of Clay by Markus Zusak (Picador Australia) NON-FICTION SHORTLIST The Land Before Avocado by Richard Glover (ABC Books, HarperCollins Australia) The Arsonist by Chloe Hooper (Penguin Random House Australia) Eggshell Skull by Bri Lee (Allen & Unwin) Any Ordinary Day by Leigh Sales (Penguin Random House Australia) DEBUT FICTION SHORTLIST Boy Swallows Universe by Trent Dalton (HarperCollins Australia) Scrublands by Chris Hammer (Allen & Unwin) The Tattooist of Auschwitz by Heather Morris (Echo Publishing) The Nowhere Child by Christian White (Affirm Press) Hot Smoked Salmon with Pea-Green Salad From ‘Special Guest’ by Annabel Crabb 1.5kg salmon fillet, skin off ½ cup of salt ½ cup of soft brown sugar 2 large handfuls of smoking chips. For the salmon. In a non-reactive bowl or container, dissolve the salt and sugar in 1.5litres (6 cups) of water and immerse the salmon. Cover and leave in the fridge to cure for 4 hours or overnight. Soak the smoking chips in water for the same amount of time. Remove the salmon from the brine and place on a rack and set over a baking tray. Return to the fridge to dry overnight - the drier it gets, the better. Drain the wood chips and put them in a foil tray (you can make one by scrunching up the sides of a large sheet of foil). Fire up your barbecue, igniting the grill but leaving the flatplate part switched off. Place your foil container of smoking chips over the heat. Once it starts to smoke (about 10 minutes) place the tray of salmon on the flatplate part (or grill) of the barbecue and close the lid, trapping the smoke and heat inside. Smoke the salmon for about 20 minutes, or until a knife pierced into the flesh reveals that the salmon is cooked, but still moist in the middle. Remove and leave to cool to room temperature Pea Green Salad Olive oil for cooking 4 zucchini cut lengthwise into 5mm slices 20 asparagus spears (woody ends snapped off) 500g green beans, topped and tailed 1 head of broccoli, sliced into 1cm wide florets 200g sugar snap peas, trimmed 200g frozen peas 200g pea shoots Dressing 200g frozen peas, thawed 125g (1/2 cup sour cream) 130 g (1/2 cup of Greek style yoghurt) 60g (1/4 cup) good-quality mayonnaise 1 tablespoon horseradish cream sauce 1 tablespoon finely chopped preserved lemon rind Large handful of dill fronds 4 spring onions, thinly sliced into rounds Juice of ½ lemon Dash of milk to thin, if necessary For the pea-green salad, lightly oil the zucchini slices and asparagus spears. Sear the vegetables on the barbecue (or on a chargrill pan over medium-high heat) until they are just tender. Remove and refrigerate. Next steam or boil the green beans and broccoli for about 4 minutes, adding sugar snap peas and frozen peas for the final minute. Blanch them all in cold water and drain, then refrigerate. For the dressing, just use a blender to blitz all of the ingredients until smooth. Taste and season with salt and pepper as required. Once all the greens are ready, gently toss them all together with the pea shoots, then tip out onto a huge shallow serving platter (use two if you have smaller ones). Flake over the salmon in big chunks. Zigzag the dressing over the top and you’re good to go. NB – you can purchase pre prepared hot smoked salmon from the supermarket.
Avoid spending hours trawling Netflix for the perfect film to watch and take the recommendation of one of the world's most experienced film critics. Let leading film critic David Stratton introduce you to 101 movies that you probably haven't heard of and tell you why they are worth seeing See omnystudio.com/policies/listener for privacy information.
Join our discussion with Australian film icon David Stratton as we explore the role of international film events in 21st century Australia. TIME STAMPS 0:00 - 6:00 - Introduction by Michelle Royer 6:11 - 20:14 - Keynote speech by David Stratton 20:19 - 28:13 - Margarett Cortez on the Japanese Film Festival 28:21 - 39:00 - Philippe Platel on the French Film Festival 39:06 - 47:09 - Gina Rubiano on film festivals in Australia 47:18 - 54:07 - Naser Shakhtour on the Palestinian Film Festival 54:10 - end - Concluding remarks A Sydney Ideas event held at the University of Sydney on Tuesday 6 November 2018. https://sydney.edu.au/news-opinion/sydney-ideas/2018/screening-the-world.html
A discussion on where the screen industry will win and lose in this year's budget. Talking TV with Foxtel's remake of Picnic at Hanging Rock. David Stratton reflects on Pierre Rissient and the politics of Cannes, and how May 68 shaped film.
A discussion on where the screen industry will win and lose in this year's budget. Talking TV with Foxtel's remake of Picnic at Hanging Rock. David Stratton reflects on Pierre Rissient and the politics of Cannes, and how May 68 shaped film.
We speak to co-creator of the dramedy UnReal. David Stratton and Vicky Roach join us for an Oscars panel. The Square's Claes Bang and we meet a creative risk lawyer.
We speak to co-creator of the dramedy UnReal. David Stratton and Vicky Roach join us for an Oscars panel. The Square's Claes Bang and we meet a creative risk lawyer.
Step inside the Venice International Film Festival as we discover how the prestigious Golden Lion is awarded with the help of jury member David Stratton and, from the Horizons section, Mark Cousins. Plus: a review of the other festival winners and a look back at classic thriller ‘Don’t Look Now’.
This is an episode which has crawled out of our very shallow archives. It was supposed to be released earlier this year to coincide with the cinematic release of David Stratton's documentary David Stratton: A Cinematic Life, but instead just didn't get released! So here it is in all its average audio glory. This interview was aptly recorded in the foyer of the great Windsor Cinema here in Perth, Western Australia, and alongside the background noises, David was under the weather on the day of the interview. None the less, I feel it's an interesting enough interview (even if my nerves of interviewing an idol come through a little bit too much). The rest of the episode is the Q&A which took place after the screening with local film reviewer Mark Naglazas and David Stratton. Again, the audio isn't the best, but it's still worth listening to if you can. David Stratton's Stories of Australian Cinema is playing on ABC iView right now, so make sure to check that out alongside the many Australian films on there before they disappear. When they do disappear, make sure to head over to Ozflix.tv to rent old and new Australian films. Become a Patron! Follow us on twitter at ABFilmReview, Facebook at ABFilmReview. Feel free to leave us a review on iTunes here. Read reviews or find other show episodes on AB Film Review. Follow us on the Auscast Network here. Join our Facebook group to discuss anything we’ve covered here on AB Film Review or on The Last New Wave here. Follow Bernadette on her twitter feed here… Berealisation. Listen/Subscribe with our RSS feedListen/Subscribe on StitcherListen/Subscribe on AndroidListen/Subscribe on iTunesSee omnystudio.com/listener for privacy information.
This is an episode which has crawled out of our very shallow archives. It was supposed to be released earlier this year to coincide with the cinematic release of David Stratton's documentary David Stratton: A Cinematic Life, but instead just didn't get released! So here it is in all its average audio glory.This interview was aptly recorded in the foyer of the great Windsor Cinema here in Perth, Western Australia, and alongside the background noises, David was under the weather on the day of the interview. None the less, I feel it's an interesting enough interview (even if my nerves of interviewing an idol come through a little bit too much).The rest of the episode is the Q&A which took place after the screening with local film reviewer Mark Naglazas and David Stratton. Again, the audio isn't the best, but it's still worth listening to if you can.David Stratton's Stories of Australian Cinema is playing on ABC iView right now, so make sure to check that out alongside the many Australian films on there before they disappear.When they do disappear, make sure to head over to Ozflix.tv to rent old and new Australian films.Become a Patron!Follow us on twitter at ABFilmReview, Facebook at ABFilmReview. Feel free to leave us a review on iTunes here.Read reviews or find other show episodes on AB Film Review.Follow us on the Auscast Network here.Join our Facebook group to discuss anything we've covered here on AB Film Review or on The Last New Wave here. Follow Bernadette on her twitter feed here… Berealisation.Listen/Subscribe with our RSS feedListen/Subscribe on StitcherListen/Subscribe on AndroidListen/Subscribe on iTunesSee omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.
Ed Kavalee and his TEAM of experts want to help you become a better person. This week features Ash Williams, Tony Martin and Lachy Hulme covering topics as diverse as how to get a business degree in under 50 minutes, why David Stratton hates comedy and the meaning of the word 'vestibule' and why that word plays a key role in the JFK Assassination. All will be revealed in 43 minutes and 45 seconds of madness that is The TEAM Effort.
After a string of failed reboots and remakes Paramount Pictures has a new CEO. But while March’s box-office returns hit a billion-dollar all-time record, some studio bosses are questioning whether audience appetites for franchise films are fading. We assess the evidence. Plus: a lesson in film criticism from David Stratton and a tribute to no one’s favourite superhero, Condorman.
David Stratton is a pioneer in both critiquing films, and Australian films themselves. If you ever want to be a critic, you should take a good look at some of Stratton’s reviews, as they emphasis what is important about filmmaking, and how to perfectly break it down, dissect it, and give a professional opinion. David Stratton: A Cinematic Life, reveals a lot more about the man behind a critical perspective than you would ever imagine. However, it also reveals things that you could assume and gather from him, as a bit of Stratton is in every one of his reviews which have been in Variety, The Movie Show and At The Movies. Directed by Sally Aitken, the documentary does more than just explore David Stratton’s fascinating life; it gives a wonderful homage to Australian cinema, and how far its come over the years. The documentary is wonderfully broken down by certain Australian films, and how the both impact and reflect Stratton’s life. I feel bad saying that the majority of films on screen that are shown are one’s that I haven’t seen before, and I’m not alone in this. A lot of the crowd murmured at moments when a new or unknown film came up, but the best part about this is that we all have gained something new to watch once we get out of the theatre. The documentary does give a bit of a jumbled and out of order description of Stratton’s life, and it does occasionally become a bit confusing to follow. Some of the relations to films and how Stratton’s life was impacted by them do come across as a bit of a stretch to, however there always needs to be a bit of disbelief in films like these. In addition to seeing the film, we were treated to a live q&a with the man himself afterwards. Stratton expanded upon his experiences reviewing films, and creating the documentary, such as how he went about writing his narration for the film (he edited the director written speeches when he thought they weren’t good enough) and how the director hadn’t seen any Australian films, nor had she heard of Stratton himself. Following this, questions for the crowd were allowed, and surprisingly I had one up my sleeve which i pleasantly got to ask first. It was quite nice for the crowd to laugh at my question, “will you be reviewing this film?”, but nicer that Stratton joked along, telling us that he’d leave it up to other reviewers to break the film down, but judging by our response, we liked it. Or, that he hoped we had liked it. Going into the film, I didn’t assume I would enjoy it a great deal. It’s not because the film is about David Stratton himself, more because I didn’t think it would be possible to make a documentary about a critic interesting. That is what David Stratton: A Cinematic Life, does best however. It’s a surprise, a pleasant surprise, one that you don’t get to be rewarded with much nowadays. Stratton is a highly interesting, and singular man, however there's also, and it sounds funny saying it, a bit of David Stratton in all of us. We are all critical of something, be it film, music or life. We are critical because we love what it is about, we are critical because we’re seeking the best of the best, to interact with anything we can, to engage and dissect and talk about why we love it or why we can’t stand it. David Stratton resonates the critic in the everyday person, and it's a glorious moment to see him rewarded with a perfectly fitting documentary which captures the films that he loves, and how they have shaped the man that he is today. Written by Hamish VallanceSee omnystudio.com/listener for privacy information.
David Stratton is a pioneer in both critiquing films, and Australian films themselves. If you ever want to be a critic, you should take a good look at some of Stratton’s reviews, as they emphasis what is important about filmmaking, and how to perfectly break it down, dissect it, and give a professional opinion. David Stratton: A Cinematic Life, reveals a lot more about the man behind a critical perspective than you would ever imagine. However, it also reveals things that you could assume and gather from him, as a bit of Stratton is in every one of his reviews which have been in Variety, The Movie Show and At The Movies. Directed by Sally Aitken, the documentary does more than just explore David Stratton’s fascinating life; it gives a wonderful homage to Australian cinema, and how far its come over the years. The documentary is wonderfully broken down by certain Australian films, and how the both impact and reflect Stratton’s life. I feel bad saying that the majority of films on screen that are shown are one’s that I haven’t seen before, and I’m not alone in this. A lot of the crowd murmured at moments when a new or unknown film came up, but the best part about this is that we all have gained something new to watch once we get out of the theatre. The documentary does give a bit of a jumbled and out of order description of Stratton’s life, and it does occasionally become a bit confusing to follow. Some of the relations to films and how Stratton’s life was impacted by them do come across as a bit of a stretch to, however there always needs to be a bit of disbelief in films like these. In addition to seeing the film, we were treated to a live q&a with the man himself afterwards. Stratton expanded upon his experiences reviewing films, and creating the documentary, such as how he went about writing his narration for the film (he edited the director written speeches when he thought they weren’t good enough) and how the director hadn’t seen any Australian films, nor had she heard of Stratton himself. Following this, questions for the crowd were allowed, and surprisingly I had one up my sleeve which i pleasantly got to ask first. It was quite nice for the crowd to laugh at my question, “will you be reviewing this film?”, but nicer that Stratton joked along, telling us that he’d leave it up to other reviewers to break the film down, but judging by our response, we liked it. Or, that he hoped we had liked it. Going into the film, I didn’t assume I would enjoy it a great deal. It’s not because the film is about David Stratton himself, more because I didn’t think it would be possible to make a documentary about a critic interesting. That is what David Stratton: A Cinematic Life, does best however. It’s a surprise, a pleasant surprise, one that you don’t get to be rewarded with much nowadays. Stratton is a highly interesting, and singular man, however there's also, and it sounds funny saying it, a bit of David Stratton in all of us. We are all critical of something, be it film, music or life. We are critical because we love what it is about, we are critical because we’re seeking the best of the best, to interact with anything we can, to engage and dissect and talk about why we love it or why we can’t stand it. David Stratton resonates the critic in the everyday person, and it's a glorious moment to see him rewarded with a perfectly fitting documentary which captures the films that he loves, and how they have shaped the man that he is today. Written by Hamish Vallance
The "#tweetingwhilerecording" edition. 00:52 David Stratton: A Cinematic Life 14:22 The Salesman 24:00 Bulkland 35:40 Cultural Capital Film Diary 39:00 MUBI
Welcome to Choo-Choo-Tuesday, people! Today we spoke to jungle evictee Carson Kressley, spoke to movie review legend David Stratton, and AFL legend Luke Beveridge! What a show! See acast.com/privacy for privacy and opt-out information.
In this episode we are joined by curator Nicholas Chambers from Art Gallery of New South Wales to discuss Adman: Warhol before pop. David Stratton talks to Harry Milas about his new documentary feature David Stratton: A Cinematic Life. Exhibiting artists Jonny Niesche, Lara Merrett & Gemma Smith come in to chat about Superposition of three types at Artspace Sydney. Tracks by Hannah Brontë.
On the brand new episode of Talk 2 Me Benjamin is joined by two very special guests! Firstly David Stratton, the legendary film critic and film festival icon joins Benjamin to discuss his love of films, how Australian cinema can reform and his pick for the 2017 Oscars. He also talks about his upcoming documentary, due for Australian release in March. Then Benjamin is joined by George Solomon the creator and star of, Oh What A Night, which is currently touring Australia. George talks about the creative process, singing Jersey Boys’ songs and why this show is not just your average tribute act! All this & more on today’s episode of Benjamin Maio Mackay’s Talk 2 Me! Stream here or iTunes. Follow the show: Facebook Twitter Instagram http://www.ohwhatanightaustralia.com.au Supporters: Palace Nova Cinemas Mad Zombie Collectables Via Vision Entertainment
David Stratton is a very interesting guy; he has been passionate about hiking since he was a young boy and he continues today - even in his wheelchair. He's led a life of re-empowering people with technology - and he and his wife Ros might even be the world's first internet romance! Useful links: Blog: http://trailridertales.blogspot.com.au Facebook: http://www.facebook.com/trailridertales http://parkweb.vic.gov.au/explore/parks/wilsons-promontory-national-park/accessibility/all-terrain-wheelchairs http://www.surfcoast.vic.gov.au/My_Community/Aged_Family_Services/Aged_and_Disability_Services/TrailRider_All-Terrain_Wheelchair http://www.nationalparks.nsw.gov.au/access-friendly/trail-rider
Angus Sampson swallows condoms full of heroin, David Stratton trades fluids with various notable directors, and Tim has a thing for Hugo Weaving’s cane. Our second episode is film criticism at its peak something-or-other.The Mule (2014, Tony Mahony, Angus Sampson)We swallow our pride, among other things, to review this new Australian black comedy. The gags make Anna gag, while Tim questions the distinctiveness of Hugo Weaving’s moustache. In the end, everybody enjoys a nice dump. (Not recorded.)A Field In England (2013, Ben Wheatley)Weird druggo alchemical 17th century craziness, courtesy of the director of Kill List, Sightseers, and, er, Doctor Who.Proof (1991, Jocelyn Moorhouse)The regular Russell Crowe portion of the show takes in this early 90s gem. Hugo Weaving gets blind, Russell gets his ‘tocks out, and Genevieve Picot is as cold as ice, and is, if reports are to be believed, willing to sacrifice our love.