Podcasts about deutsche kammerphilharmonie bremen

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Welcome to Season 03 Episode 18 - the "Bach and Beyond 2024 Part 1" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Ben Sheedy from Main Street Studios in Fredonia, and Dr. Byron Adams and Maestro Grant Cooper discussing the upcoming Bach and Beyond Festival.  Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Ben Sheedy/Main Street Studios  02:22 Grant Cooper and Byron Adams/ Bach and Beyond Festival Part 1 21:41 Grant Cooper and Byron Adams/ Bach and Beyond Festival Part 2 38:53 Media Violin Concerto No. 1 in A Minor BWV 1041, J.S. Bach, composer. performed by Deutsche Kammerphilharmonie Bremen. Conductor: Omer Meir Wellber; Violin : Hilary Hahn, April 2020 "Life is a Cabaret," from the 1972 movie adaptation of the musical Cabaret; music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Performed by Liza Minnelli, ABC Pictures Corp., 1972 Serenade for Nine Instruments: I. Allegro amabile, Byron Adams, composer (2011); performed by the Sinfonietta of Riverdale, Mark Mandarano, conductor; Albany Records 2016 Illuminations: 2. La tristesse amoureuse de la nuit, Byron Adams, composer (2008); Gary Barnett, piano; EKmusic 2022 Symphony # 45 in F-sharp minor (Farewell): IV. Finale, Franz Josef Haydn, composer; performed by the New Century Chamber Orchestra, San Francisco Conservatory of Music, May 2013 Artist Links Ben Sheedy Main Street Studios Ticket Website Byron Adams Grant Cooper BECOME AN OPERA HOUSE MEMBER!  

In 2019 Theo was appointed principal of the Frankfurt Radio Symphony Orchestra and he won 3rd Prize at the ARD Competition in Munich. As a soloist Theo has appeared with the Munich Chamber, Dortmunder Philharmoniker, the Staatsphilharmonie Rheinland-Pfalz and Beethoven Orchester Bonn. Recent highlights include recitals at the Elbphilharmonie in Hamburg, Tonhalle Düsseldorf, Beethoven-Haus in Bonn, Prinzregententheater in Munich and the Heidelberger-Frühling Festival. An avid chamber musician he has taken part in the Schleswig-Holstein, Festspiele Mecklenburg-Vorpommern, Molyvos, Davos and ‘Spannungen' Heimbach Festivals, collaborating with Lars Vogt, Christian Tetzlaff, Antje Weithaas, Vilde Frang, among many others. He is a member of the prize-winning Monet Wind Quintet, whose first CD in collaboration with Sudwest Rundfunk will be released by AVI later this year. In 2018 Theo was appointed principal of the German Radio Philharmonic Orchestra. He has appeared as guest principal with leading orchestras including the Deutsche Kammerphilharmonie Bremen, the WDR Sinfonieorchester and the Hessiche Rundfunk. Born in Koblenz, Theo completed his Masters at the Hochschule fur Musik Munchen with Professor Dag Jensen. In 2018 he won a prestigious Deutsche Musikwettbewerb prize and in 2019 was selected for representation by Young Classical Artists Trust (YCAT). Other awards include 1st Prize in the Munich Gasteig Competition (2014), Aeolus Wind Competition (2012), Crusell Competition in Finland (2011) and the Hummel Competition in Wurzburg (2011). During his studies Theo has participated in masterclasses with Klaus Thunemann and Sergio Azzolini, and been the recipient of numerous scholarships including the Deutsche Stiftung Musikleben and Mozart Gesellschaft Dortmund awards. Since 2016 he has taken part in the Rhapsody in School project, founded by Lars Vogt, bringing classical music to children throughout Germany.   Show Notes: Theo Plath, a bassoonist, shares his journey in music and his passion for playing the bassoon. He discusses how he started playing the instrument and his love for all types of music, including string repertoire. Plath also talks about his albums, including 'Lost Times' and 'Balkan Discoveries,' and the inspiration behind them. He shares his experiences working with renowned musicians and his approach to staying motivated and focused. Plath also provides insights into orchestra etiquette, his reed-making process, and his hobbies outside of music. Chapters 00:00 Introduction and Background 03:12 Discovering the Bassoon 04:09 Exploring String Repertoire on the Bassoon 08:00 Transcribing and Playing Violin Repertoire 11:30 Staying Motivated and Focused in Music 31:14 Creating Vibrating Reeds for a Dark and Robust Sound 33:13 Sewing Clothes and Reed-Making: Similar Hobbies 34:10 Enjoying the Mountains and Bringing a Bassoon   Find out more about Theo Plath here: https://www.theoplath.de IG: https://www.instagram.com/theoplathbassoon/ Host: Jo Anne Sukumaran, https://www.joannesukumaran.com IG:   / jewelair2.0   Support the show - Buy me a Coffee here: https://buymeacoffee.com/jewelair Beginning video courtesy Theo Plath: Niccolò Paganini: Caprice Op.1 No.5 Transcription for bassoon solo Artist photo (c) Marco Borggreve

Jess Gillam and cellist Matthew Barley sit down to listen together to the music they love. Matthew's career as a cellist has seen him straddle any number of different genres and continents. He's just as at home in front of an orchestra as he is improvising in a nightclub, playing chamber music with his wife – the violinist Viktoria Mullova - or going solo and combining his cello with electronics. Their playlist today is suitably eclectic - Matthew brings a taste of Brazil from the singer Elza Soares and legendary songwriter Jobim, a lament on the duduk and reminisces his first childhood experience of classical music via the music of Beethoven. Jess has Tchaikovsky ballet music bursting with tunes, some sunshine by Marianna Martines and mandolin player Avi Avital and a beautiful piece of Junk by Paul McCartney. Playlist: ANTONIO CARLOS JOBIM: Agua de Beber [Gonzalo Rubalcaba (piano)] TCHAIKOVSKY: Swan Lake – Act 4 finale [London Symphony Orchestra, André Previn (conductor)] ELZA SOARES: Flores Horizontais MANUEL DE FALLA: No. 4 Jota from Canciones populares españolas [Avi Avital (mandolin)] DJIVAN GASPARYAN: 7 December 1988 [Djivan Gasparyan (duduk/voice)] MARIANNA MARTINES: Overture in C major – 1st mvt [La Floridiana] PAUL MCARTNEY: Junk BEETHOVEN: Symphony no 6 (Pastoral) – 1st mvt “Erwachen heiterer…” [Deutsche Kammerphilharmonie Bremen, Paavo Jarvi (conductor)]

In deze aflevering proberen we een beeld te krijgen van de jonge, veelbelovende, Finse dirigent Tarmo Peltokoski. Daarvoor hebben we hemzelf gesproken, maar spreken we ook met Nuala McKenna, solo celliste in de Deutsche Kammerphilharmonie Bremen, over Tarmo's stormachtige ontwikkeling. Tot slot leggen we met Frank de Groot, violist in het Rotterdams Philharmonisch Orkest, de link naar Tarmo's leraar Jorma Panula. - Lekker droog- Tarmo & Yuja Wang easy to loveHosted by Springcast, see springcast.fm for privacy information.Stuur uw suggesties en ideeën voor het profiel van de chef-dirigent, of reactie op de podcast naar onderstaand mail adres, of onze socials, schroom niet!Email:reactie@eentoontjelager.nlFacebookInstagramTikTokShownotes:- Masterclass Jorma Panula- Tarmo en Yuja magic

Gotthilf Brenner musste in Begleitung der Soldaten, die in eskortierten, seine Familie in Gerspitz am Bahnhof verlassen. Als er, noch bevor der Zug losfuhr, durch die Großen Flügeltüren des Bahnhofes ging, fühlte er vor allem seine Machtlosigkeit in dieser Situation. Er war es gewohnt, selbst zu bestimmen, wie sein Leben verlief, was er tat. Die Soldaten sollten ihn nicht einfach begleiten, sie sollten auch verhindern, das er sich – wie viele Andere vor ihm – aus dem Staube machte. Zudem kam hinzu, das er bereits eine Einberufung ignoriert hatte.Für ihn stand fest, das er sich bei der ersten sich bietenden Gelegenheit absetzen wird.Für so einen aussichtslosen Unsinn war er nicht bereit sich zu opfern.Höre diese Folge werbefrei und als Directors Cut.Werde Mitglied und Unterstützer bei Against Fate für exklusive Inhalte, längere Folgen (Directors Cut) und persönlichen Austausch.Mitglied werden: Mitglieder-SeiteFreut mich, das Du da bist! Lass mir eine Bewertung da, abonniere mich und folge mir bei Instagram, Facebook und Co. Infos auf meiner Website und hier in der Beschreibung.Against Fate Website: https://www.againstfate.atInstagram: https://www.instagram.com/against.fate.podcast/Music Credits:Ghosthack Sound Library'sBeethoven: Symphony No. 6, 4th movement | Paavo Järvi & the Deutsche Kammerphilharmonie Bremen: https://www.youtube.com/watch?v=jHFje0sKhr4Epidemic Sound: Check it out"Punch Deck - Maximalism/Zen Garden" is under Creative Commons (CC BY 3.0). Punch Deck auf YoutubeQuellen:Harry Brenner: „Ein Stück Kindheit“Manuskript um 1990Der Standard (25. Dez. 2022): 1923 Als Deutschland vor dem Kollaps stand: https://www.derstandard.at/story/2000142078503/1923-als-deutschland-vor-dem-kollaps-standWikipediaUte Schmidt´s „Heim ins Reich?“: https://zeitschrift-fsed.fu-berlin.de/index.php/zfsed/article/view/321Originale Aufnhame der Radiodurchsage Adolf Hitlers Tod (Ausschnitt): https://sr-mediathek.de/index.php?seite=7&id=22781&tbl=pfDie Vertreibung der Deutschen aus der Tschechoslowakai: https://de.m.wikipedia.org/wiki/Vertreibung_der_Deutschen_aus_der_Tschechoslowakei#Die_%E2%80%9Ewilden%E2%80%9C_Vertreibungen_1945 Hosted on Acast. See acast.com/privacy for more information.

Matthias Goerne, among the all-time great interpreters of Schubert's Lieder, marks a notable first with his latest album for Deutsche Grammophon. The German baritone departs from the familiar territory of the composer's songs with piano accompaniment to perform a program of pieces freshly arranged for voice and orchestra by his long-standing recital partner Alexander Schmalcz. Exploring this new terrain with Goerne are the musicians of The Deutsche Kammerphilharmonie Bremen.Track Listing:1 An Sylvia, D. 891 (Arr. Schmalcz for Baritone and Chamber Orchestra)2:572 Schäfers Klagelied, D. 121 (Arr. Schmalcz for Baritone and Chamber Orchestra)3:443 Ganymed, D. 544 (Arr. Schmalcz for Baritone and Chamber Orchestra)3:584 Fahrt zum Hades, D. 526 (Arr. Schmalcz for Baritone and Chamber Orchestra)4:205 Schatzgräbers Begehr, D. 761 (Arr. Schmalcz for Baritone and Chamber Orchestra)3:136 Der Tod und das Mädchen, D. 531 (Arr. Schmalcz for Baritone and Chamber Orchestra)1:497 Erlkönig, D. 328 (Arr. Schmalcz for Baritone and Chamber Orchestra)3:488 Wandrers Nachtlied, D. 224 (Arr. Schmalcz for Baritone and Chamber Orchestra)1:189 Grenzen der Menschheit, D. 716 (Arr. Schmalcz for Baritone and Chamber Orchestra)7:1410 Gesänge des Harfners, D. 478 No. 1, Wer sich der Einsamkeit ergibt 4:0111 Gesänge des Harfners, D. 478 No. 2, Wer nie sein Brot mit Tränen aß 4:45`12 Gesänge des Harfners, D. 478 No. 3, An die Türen will ich schleichen 2:1913 Das Heimweh, D. 851 (Arr. Schmalcz for Baritone and Chamber Orchestra)6:4714 Pilgerweise, D. 789 (Arr. Schmalcz for Baritone and Chamber Orchestra)5:3215 Abendstern, D. 806 (Arr. Schmalcz for Baritone and Chamber Orchestra)3:2716 Alinde, D. 904 (Arr. Schmalcz for Baritone and Chamber Orchestra)4:1517 Stimme der Liebe, D. 412 (Arr. Schmalcz for Baritone and Chamber Orchestra)1:3218 Des Fischers Liebesglück, D. 933 (Arr. Schmalcz for Baritone and Chamber Orchestra)7:3919 An die Entfernte, D. 765 (Arr. Schmalcz for Baritone and Chamber Orchestra)2:29Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

durée : 01:58:52 - Relax ! du lundi 21 novembre 2022 - par : Lionel Esparza - Orchestre et chef d'orchestre, passionné à la poursuite du succès. Disque de légende : La Fantaisie de Schumann

Mirga Gražinyte-Tyla launched her Deutsche Grammophon recording career in 2019 with an album devoted to Mieczyslaw Weinberg's Symphonies Nos. 2 and 21, released to tie in with the centenary of this neglected composer. Among its many accolades, it was named Gramophone's Recording of the Year and won Gražinyte-Tyla the Opus Klassik Conductor of the Year award. Now she continues her mission to broaden awareness of the Warsaw-born composer's music with Weinberg: Symphonies Nos. 3 & 7 and Flute Concerto No. 1. She is joined by The Deutsche Kammerphilharmonie Bremen and soloist Kirill Gerstein for Symphony No. 7, and by the City of Birmingham Symphony Orchestra for the Flute Concerto – with soloist Marie-Christine Zupancic – and Symphony No. 3. Purchase the music (without talk) at:Weinberg: Symphonies 3 and 7 - Flute Concerto No. 1 (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Author and scholar Laura Tunbridge and conductor Devin Patrick Hughes discuss the historical Beethoven in rehearsals, as the entrepreneur, the conductor, the early adopter of technologies, the family man, his controversial metronome markings, and the authenticity behind historically informed performance practice. Tunbridge is a Professor of Music at the University of Oxford, UK and the author of books about Robert Schumann, art-song, and Beethoven: A Life in Nine Pieces, and is currently working on a book about string quartets.    The book is Laura Tunbridge's Beethoven: A Life in Nine Pieces, published by Yale University Press. Thank you Laura for sharing your amazing passion and wealth of knowledge about Beethoven's life and music. Thank you to all record labels and performers that made this episode possible, musical excerpts came from Fidelio, the Third Sonata for Cello and Piano, the Choral Fantasy, Symphonies Three and Seven and the Piano Trio in C minor, performed by Simon Rattle and the Berlin Philharmonic, Angela Denoke, Jon Villars, Emanuel Ax, Yo-Yo Ma, Vladimir Ashkenazy and the Cleveland Orchestra, Andre Previn and the Royal Philharmonic, Henryk Szeryng, Pierre Fournier, Wilhelm Kempff, Paavo Järvi and the Deutsche Kammerphilharmonie Bremen, and Sony Classical. You can find the book wherever books are sold, and follow Laura Tunbridge on Twitter. You can check out more info about One Symphony or lend your support for the show at OneSymphony.org.  Thank you to our most recent supporters Jessica, Bonnie, Carl, Lauren, and Steven. Please feel free to rate, review, and share the show on all platforms. Until next time, thank you for being part of the music!

Dirigent Paavo Järvi ja Deutsche Kammerphilharmonie Bremen esinevad täna õhtul Estonia kontserdisaalis.

On this episode we discuss our favorite things as of late and unveil our Halloween reed decorating contest (see our social media for more info)! For our interview we welcome Rie Koyama, soloist and Principal Bassoon with the Deutsche Kammerphilharmonie Bremen. Learn more about Rie here: https://www.rie-koyama.com This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), Edmund Nielsen Woodwinds (www.nielsen-woodwinds.com), Barton Cane (www.bartoncane.com), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors! Check out Connor Chee's Scenes from Dinetah here: https://www.connorchee.com/scenes

Ep. 114: Maria Seletskaja, conductor & former principal soloist with international ballet companies. Let's Talk Off The Podium with Tigran Arakelyan. In this podcast we talk about Maria's journey from a principal soloist with major ballet companies to a professional conducting career. She also talks about her family and work balance, passion for the violin, and much more! Estonian born Maria Seletskaja enjoyed 15 years on the international ballet stage as principal soloist with the Royal Ballet of Flanders, Staatsballett Berlin, Zürich Ballet and Estonian National Ballet. Parallel to her dancing career, Maria continued her musical studies both privately and at the Berklee College of Music (Boston USA) and, by 2013, was ready to start conducting piano rehearsals at her company of the time - the Royal Ballet of Flanders. Since 2016 Maria Seletskaja’s experience as a conductor has naturally developed into a full time career. She was invited to be assistant to the music director of Casco Phil (former Flemish Chamber Philharmonic Orchestra) and received a similar invitation one year later from the Stuttgart Ballet. In 2018 she conducted her Stuttgart premiere to great acclaim in the ballet La Fille mal gardée ( Herold / Ashton), which was followed by performances of Mayerling(Liszt / MacMillan). She also made her conducting debuts at the National Ballet of Georgia and Moravian Philharmonic Orchestra and was selected as one of five participants for a conducting course with Paul Murphy at the Royal Opera House in May 2019. From October 2019 Maria Seletskaja is Conductor-in-Residence for one season at the National Ballet of Canada to conduct performances of Romeo and Juliet, Swan Lake, Giselle, The Sleeping Beauty, and several others. In the season 2020-21 Maria will return to the National Ballet of Canada and will make her debut with the Ballet Santiago de Chile in their production of The Sleeping Beauty. Alongside her professional engagements Maria continues her musical studies, concentrating on broadening her repertoire to include a wider range of both orchestral and operatic repertoire. Amongst her most influential teachers Maria counts James Tuggle (music director Stuttgart Ballet, Stuttgart Opera House) and Rodolfo Saglimbeni. A regular attendee of the Järvi Academy Maria, has also benefitted from personal advice and guidance from Paavo Järvi. In December 2019, Maria had a chance to follow maestro Järvi for two weeks during his work with the Deutsche Kammerphilharmonie Bremen. For more information about Maria Seletskaja please visit: https://mariaseletskaja.com/ © Let's Talk Off The Podium, 2020

No programa de hoje, a segunda parte da entrevista com o compositor e regente titular da Orquestra Filarmônica da UFPR, Márcio Steuernagel, sobre a obra sinfônica de Beethoven que faria 250 anos em 2020 e as transformações no uso e na escrita do contrabaixo na orquestra sinfônica. Vamos entender um pouco mais sobre a maneira que Beethoven arquiteta as obras em aspectos rítmicos, harmônicos e melódicos, ouvindo alguns excertos ilustrativos. As referências do programa são, Editora Breitkopf & Hartel: https://www.breitkopf.com/ . Editora Bärenreiter: https://www.baerenreiter.com/ . Excerto da 5ª Sinfonia, Klaus Stoll (contrabaixo), Berliner Philharmoniker: https://youtu.be/OyouRYAq-tE . Ciclo das sinfonias de Beethoven, Claudio Abaddo, regente: https://www.digitalconcerthall.com/en/concert/82 . Royal Concertgebouw Orchestra, Iván Fischer, regente: https://youtu.be/-4788Tmz9Zo . Vienna Philharmonic Orchestra, Christian Thielemann, regente: https://youtu.be/vm60y5IDU_Q . Deutsche Kammerphilharmonie Bremen, Paavo Jarvi, regente: https://youtu.be/Y8FEUZAz8ws . Márcio Steuernagel no SoundCloud : https://soundcloud.com/marcio-steuernagel . Manda um e-mail pra gente : muitomaisbaixo@gmail.com . Siga a página : https://www.facebook.com/muitomaisbaixo curta e compartilhe! Você ajuda muito o programa a crescer!

Jens Peter Maintz the cellist Paganini. A Star in the cello sky. Jens Peter Maintz has an outstanding reputation as a versatile soloist, popular chamber musician, and committed cello teacher. Originally from Hamburg, he studied with David Geringas and took part in masterclasses with other great cellists such as Heinrich Schiff, Boris Pergamenschikow, Frans Helmerson and Siegfried Palm. He was further influenced by his intensive chamber music study with Uwe-Martin Haiberg and Walter Levin.In 1994 he won first prize in the ARD International Music Competition, which had previously not been awarded to a cellist for 17 years. He is a master in competing and he even enjoys competitions, he says in the episode. .bmc-button img{width: 35px !important;margin-bottom: 1px !important;box-shadow: none !important;border: none !important;vertical-align: middle !important;}.bmc-button{padding: 7px 10px 7px 10px !important;line-height: 35px !important;height:51px !important;min-width:217px !important;text-decoration: none !important;display:inline-flex !important;color:#000000 !important;background-color:#FFDD00 !important;border-radius: 5px !important;border: 1px solid transparent !important;padding: 7px 10px 7px 10px !important;font-size: 22px !important;letter-spacing: 0.6px !important;box-shadow: 0px 0px 0px rgba(190, 190, 190, 0.5) !important;-webkit-box-shadow: 0px 0px 0px 0px rgba(190, 190, 190, 0.5) !important;margin: 0 auto !important;font-family:'Cookie', cursive !important;-webkit-box-sizing: border-box !important;box-sizing: border-box !important;-o-transition: 0.3s all linear !important;-webkit-transition: 0.3s all linear !important;-moz-transition: 0.3s all linear !important;-ms-transition: 0.3s all linear !important;transition: 0.3s all linear !important;}.bmc-button:hover, .bmc-button:active, .bmc-button:focus {-webkit-box-shadow: 0px 0px 0px 0px rgba(190, 190, 190, 0.5) !important;text-decoration: none !important;box-shadow: 0px 0px 0px 0px rgba(190, 190, 190, 0.5) !important;opacity: 0.85 !important;color:#000000 !important;}Buy me a coffee He was principal cellist of the Deutsche Symphonie-Orchester in Berlin, and travelled the world as a member of the renowned Trio Fontenay. Since 2006 Jens Peter Maintz has been principal cello of the Lucerne Festival Orchestra, on the invitation of Claudio Abbado. Since 2004 he has been professor at Berlin University of the Arts, where he teaches an exceptionally successful cello class. Many of his students are prize winners in important international competitions and some hold leading positions in major orchestras. He also teaches is Escuela Superior de Musica Reina Sofia in Madrid sense 2017. Jens-peter also teaches in well-known master classes as Kronberg and Rutesheim cello masterclasses. For his Sony Classical CD of solo works by Bach, Dutilleux and Kodaly, Jens Peter Maintz was presented with an ECHO-Klassik award. His highly acclaimed recording of Haydn's cello concertos with the Deutsche Kammerphilharmonie Bremen was released on the Berlin Classics label. ( also the price we listen to before the interview) Recently Jens-Peter also made a video in order to collect money to refugees through a Facebook page called Classical musicians helping refugees during the corona crises. Featured Music https://youtu.be/zE2DFgirLc4 https://youtu.be/e7PmrMQr4Fc Links Facebook JensPeterMaintz.com Classical musicians helping refugees during the corona crises .bmc-button img{width: 35px !important;margin-bottom: 1px !important;box-shadow: none !important;border: none !important;vertical-align: middle !important;}.bmc-button{padding: 7px 10px 7px 10px !important;line-height: 35px !important;height:51px !important;min-width:217px !important;text-decoration: none !important;display:inline-flex !important;color:#000000 !important;background-color:#FFDD00 !important;border-radius: 5px !important;border: 1px solid transparent !

„Playing Gershwin“ heißt das neue Album von Pianist und Komponist Iiro Rantala. Neben Werken von George Gershwin interpretiert er mit der Deutschen Kammerphilharmonie Bremen sieben eigene Kompositionen.

Eine CD von Iiro Rantala und der Deutschen Kammerphilharmonie Bremen - vorgestellt auf NDR Kultur.

Gern heißt es, ein gutes Team soll eingespielt sein „wie ein Orchester“. Albert Schmitt, Geschäftsführer der Deutschen Kammerphilharmonie Bremen, erklärt, warum das oft nicht ausreicht. >> Artikel zum Nachlesen: https://detektor.fm/wirtschaft/brand-eins-podcast-bonus-kammerphilharmonie-bremen

Gern heißt es, ein gutes Team soll eingespielt sein „wie ein Orchester“. Albert Schmitt, Geschäftsführer der Deutschen Kammerphilharmonie Bremen, erklärt, warum das oft nicht ausreicht.Der Artikel zum Nachlesen: https://detektor.fm/wirtschaft/brand-eins-podcast-bonus-kammerphilharmonie-bremen

Florian Dondereri muusikukarjääris on tähtsal kohal töö kammerorkestritega, seda nii kunstilise juhi, kontsertmeistri kui ka dirigendina. Ta on Bremeni Deutsche Kammerphilharmonie kontsertmeister. Eesti puiblik tunneb teda aga eeskätt Eesti Festivaliorkestri kontsertmeistrina.Deutsche Kammerphilharmonie Bremen Florian Dondereri juhatusel mängib Wolfgang Amadeus Mozarti heliloomingut. Solist on viiulivirtuoos Janine Jansen.

Florian Dondereri muusikukarjääris on tähtsal kohal töö kammerorkestritega, seda nii kunstilise juhi, kontsertmeistri kui ka dirigendina. Ta on Bremeni Deutsche Kammerphilharmonie kontsertmeister. Eesti puiblik tunneb teda aga eeskätt Eesti Festivaliorkestri kontsertmeistrina.Deutsche Kammerphilharmonie Bremen Florian Dondereri juhatusel mängib Wolfgang Amadeus Mozarti heliloomingut. Solist on viiulivirtuoos Janine Jansen.

Deutsche Kammerphilharmonie Bremen, Florian Donderer

Deutsche Kammerphilharmonie Bremen, Florian Donderer

Beim Kissinger Sommer stehen die Zeichen auf Veränderung. Ein Klavierabend mit Lang Lang markiert am 25. Oktober den endgültigen Abschied von Gründungsintendantin Kari Kahl-Wolfsjäger. Fortan trägt das Klassikfestival die Handschrift ihres Nachfolgers Tilman Schlömp. Eine seiner wichtigsten Neuerungen: der Kissinger bekommt ab 2017 erstmals ein Festivalorchester. Es ist die Deutsche Kammerphilharmonie Bremen unter der Leitung von Paavo Järvi.

The violinist walks through a piece by a lesser-known composer who was once more famous than Mozart. Grammy-winning violinist Hilary Hahn, who has played a few concerts in her day – somewhere around 1,437 of them – talks about Henri Vieuxtemps’ Violin Concerto No. 4, which she plays on her latest CD. Is music composed by a violinist for violinists easier or more challenging to play? How was it that Vieuxtemps was more popular than Mozart at one point and now…not so much? And most importantly, Hahn discusses her violin case’s Twitter account.   Violinist Hilary Hahn. Photo © Michael Patrick O’Leary, courtesy of IMG Artists. Audio production by Todd “Takei” Hulslander with beaming up by Dacia Clay and editing by Mark DiClaudio. Music in this episode, from Hilary Hahn’s CD Mozart 5 Vieuxtemps 4 Violin Concertos (Deutsche Grammophon): – Henri Vieuxtemps, Violin Concerto No. 4 in D Minor, Op. 31. Hilary Hahn, violin. The Deutsche Kammerphilharmonie Bremen. Conducted by Paavo Järvi. For more Hilary Hahn: www.hilaryhahn.com

Nick speaks with Alexander Shelley, Music Director, about the 2015/2016 NAC Orchestra Season. Alexander Shelley was appointed Music Director-designate of Canada's National Arts Centre Orchestra in October 2013 and will take up the position of Music Director in September 2015. In 2015 he enters his seventh year as Chief Conductor of the Nuremberg Symphony Orchestra where he has transformed the orchestra's playing, education work and touring activities which have included tours to Italy, Belgium, China and a re-invitation to the Musikverein in Vienna. In January 2015 Shelley was named Principal Associate Conductor of the Royal Philharmonic Orchestra with whom he will curate and perform a series of concerts at Cadogan Hall each season. Born in the UK in 1979, Alexander first gained widespread attention when he was unanimously awarded first prize at the 2005 Leeds Conductors Competition and was described as "the most exciting and gifted young conductor to have taken this highly prestigious award. His conducting technique is immaculate, everything crystal clear and a tool to his inborn musicality." Since then he has been in demand from orchestras around the world including the Philharmonia, City of Birmingham Symphony, Rotterdam Philharmonic, Stockholm Philharmonic, Mozarteum Orchester Salzburg, Konzerthausorchester Berlin, DSO Berlin, Leipzig Gewandhaus, Simon Bolivar, Seattle and Houston Symphony Orchestras. Further afield Alexander is a regular guest with the top Asian and Australasian orchestras. Recent press has singled him out as "a musician of considerable gifts and extraordinarily impressive interpretative qualities" (Strauss, Elgar and Sibelius in London), a conductor with "exceptional artistic authority" (Brahms with DSO Berlin) and described his Verdi Requiem in Salzburg as an "original, intelligent, thoroughly convincing and well-crafted interpretation". Alexander's operatic engagements have included The Merry Widow and Gounod's Romeo and Juliet for Royal Danish Opera; La Bohème for Opera Lyra at the National Arts Centre in Ottawa, Iolanta with the Deutsche Kammerphilharmonie Bremen, Cosi fan tutte in Montpellier and a new production of The Marriage of Figaro for Opera North in 2015. Alongside his regular appearances in London, Ottawa and Nuremberg, the 2014/15 season and beyond includes return visits to, among others, the DSO Berlin, Gothenburg Symphony, Konzerthausorchester Berlin, Leipzig Gewandhaus, Melbourne Symphony and NDR Radio Philharmonic as well as his debuts with Camerata Salzburg, Czech Philharmonic, Orchestre de la Suisse Romande, Orchestre Philharmonique de Luxembourg and Oslo Philharmonic. His first recording for Deutsche Grammophon, an album with Daniel Hope and the Royal Stockholm Philharmonic, was released in September 2014. In Germany Alexander enjoys a close relationship with the Deutsche Kammerphilharmonie Bremen, with whom he performs regularly both in subscriptions in Bremen, and around Germany, and in October 2013 he took the orchestra on tour to Italy with a signature programme of Strauss, Wagner and Brahms. He is artistic director of their Zukunftslabor project - an award-winning series which aims to build a lasting relationship between the orchestra and a new generation of concert-goers through grass-roots engagement and which uses music as a source for social cohesion and integration. The son of professional musicians, inspiring future generations of musicians and audiences has always been central to Alexander's work. In Spring 2014 he conducted an extended tour of Germany with the Bundesjugendorchester and Bundesjugendballett which included a collaborative concert at the Baden-Baden Easter Festival with Sir Simon Rattle and members of the Berliner Philharmoniker. In 2001, during his cello and conducting studies in Dusseldorf, he founded the Schumann Camerata with whom he created "440Hz", an innovative concert series involving prominent German television, stage and musical personalities, conceived by him as a major initiative to attract young adults to the concert hall. https://nac-cna.ca/en/orchestra/reincarnated