Podcast appearances and mentions of Don Caballero

Yesness is a 2-piece featuring Damon Che (Don Caballero) and Tristan Dunn (El Ten Eleven). We discuss their formation, writing and recording their debut album "See You at the Solipsist Convention", math-rock, post-rock, other dirty words and lots more. Topics Include: Formation of Yesness Kristian and Damon struggle to find musicians to collaborate with The “California No” Making an album from different parts of the country Meeting for the first time in the recording studio Over recording and having a lot of material to work with Working with instrumentals vs music with vocals Album title origin story Songs start as riffs, song titles come much later Strange song titles Using extra songs for b-sides Origin of the band name “Yesness” The band almost became “Keister Island” What does Damon think of the title “Math Rock”? Genres become limiting Not listening to Post-rock or Math-rock What's on heavy rotation and playlists? The Spotify algorithm still struggles to satisfy El Ten Eleven's “New Years Eve” coming after 3-LP set “Tautology” “New Years Eve” and “Valley of Fire” were conceived together The “Yesness” debut always needed to be a full length LP Can the Yesness LP be played live? Yesness challenges playing live – equipment stuffups Will they tour overseas? Selecting the album cover Damon recently upgraded his vinyl system Looking for records Status of the Don Caballero  master tapes and reissues Damon's YouTube video channel Grab all the pressings of your favourite albums “Everything in between the speakers and stylus is snake oil” Interview wrap up Vinyl copies of Yesness "See You at the Solipsist Convention" can be ordered here. Photo by Berto Campus Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8  

Planes Mistaken For stars Drummer Mike Ricketts talks about the long process of writing and recording their new record “Do You Still Love me?” around vocalist  Gared Odonnell's cancer diagnosis and ultimate passing in 2021, early tours with bands like The Dillinger Escape Plan, playing wild house party's, Don Caballero as an influence in writing odd-time sections, the tragic passing of original guitarist Matt Bellinger ( and the beast of addiction), relocating to West Seattle to work with Matt Bayles on the “Mercy” album, growing up in school band and taking lessons on both melodic percussion and drum-sets, his decision to pursue a PHD in Microbial Science, his first drum set & how his gear evolved over the years!

Operating outside of the metal infrastructure, but heralding its glory and complexity more so than most “true” metal bands, The Fucking Champs, in their 1994-2007 rampage, cobbled together elements of Trouble, Confessor, Don Caballero, and Kraftwerk and reshaped the geometric possibilities of math metal, all with the insouciance of its indie rock roots. Please join us as we attempt to solve this riddle wrapped in a conundrum. You've got a thirst, Portland! Note I:We talk about the various name changes our San Franciscan heroes have endured…from The Champs to C4AM95 to The Fucking Champs. We failed to mention what might be our favorite name, one they never recorded under but adopted for a short spell: The Champs UK.Note II:Apologies for the confusion on the tracks we sample from V. You'll hear the correction within the episode, and the correct song titles are noted below. Drag City, we are pissed! But…we're already over it.Note III:The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast Note IV:All past Radical Research episodes can be found here, where you can also find Jeff's Peter Steele and Fates Warning books…and more to come soon! Radicalresearch.orgMusic cited in order of appearance:Intro: “Lamplighter” (IV, 2000) “Guns in Our Schools” (Triumph of the Air Elementals demo, 1994)“So Then I Was All Why'd You Say Fuck My Style” (Songs for Films About Rock demo, 1994)“Merry Go Round” (Songs for Films About Rock demo, 1994)“Flawless Victory” (III, 1997)“Heart to Heart” (III, 1997)“Tonight, We Ride” (III, 1997)“These Glyphs Are Dusty” (IV, 2000)“Esprit De Corpse” (IV, 2000)“Thor is Like Immortal” (IV, 2000)“Children Perceive the Hoax Cluster” (V, 2002)“I Am the Album Cover” (V, 2002)“Major Airbro's Landing” (V, 2002) “A Forgotten Chapter in the History of Ideas” (VI, 2007) “Dolores Park” (VI, 2007) “Earthen Sculptor” (VI, 2007)ep. 120 preview: DBC, “Infinite Universe” (Universe, 1989)Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

Deep into the pandemic, drummer AC Paterra and his musical partner in Zombi, bassist-keyboardist Steve Moore also went deep; deep into the sounds and songs that created who they have become today as a pillar of Relapse Records, a label often associated with noisy artists. However the songs that moved AC and Steve over these covid days were the yachti-rock based sounds of Gerry Rafferty, Paul Davis, Steely Dan and Barry Gibb. So faithful were these renditions that many assumed they were singing over the original tracks. This attention to detail doesn't escape their own original music they make as Zombi, a band releasing it's 7th album, Direct Inject, again on Relapse in late March '22. Sure, their band reflects the sounds of the 90's Pittsburgh heros such as Trans AM and a dash of Don Caballero, (to wit Phil Manley of TA guests on Direct Inject) but it would be short-sighted to assume this band is a cookie cutout of those giants. AC goes out of his way to avoid math in his deep grooves. In fact, Zombi continues to expand their sound and even include a touch of the yacht into their songs with Steve Moore's sax. AC is also busy as keyboardist for Grails and tours with them as well. He is living his best life as a full time musician who also happens to be making the best music of his life. 

Le math rock est un sous-genre du rock caractérisé par des riffs de guitare inspirés du rock progressif, des harmonies non conventionnelles et des rythmes complexes. Émergé à la fin des années 1980 et au début des années 1990, il trouve ses racines dans la scène indie rock et post-hardcore, influencé par le rock indépendant en plein essor à l'époque. Le groupe emblématique de hardcore des années 1980 à Los Angeles, Black Flag est grâce à de nombreux albums comportant des passages instrumentaux basés sur les riffs du guitariste Greg Ginn, une des influences majeure sur ce genre. De nombreux groupes de math rock sont originaires du Midwest des États-unis, en particulier de Chicago et de Louisville. À Chicago, le studio Electrical Audio, supervisé par Steve Albini, a joué un rôle clé dans l'histoire du genre. Le groupe Shellac, avec son album "At Action Park" de 1994, illustre parfaitement le son caractéristique de Chicago. Louisville, similaire à Chicago, a donné naissance à des groupes notables comme Slint, Rodan, et Gastr del Sol, montrant des influences avant-gardistes. Sur Côte Est, Merge Records en Caroline du Nord a soutenu des groupes notables comme Polvo et Breadwinner. Dischord Records, à Washington, D.C., a accueilli des groupes post- hardcore influencés par le math rock, comme Shudder To Think, Jawbox, Lungfish et Fugazi. Le math rock se caractérise par des chansons comprenant plusieurs parties et de longs pas comme King Crimson, mais avec une esthétique auditive épurée. Ce genre musical favorise une production minimale, avec des orchestrations limitées et l'absence d'overdubs. Les instruments principaux sont la guitare, la basse et la batterie, avec souvent l'un des instrumentistes assumant le rôle de chanteur principal. Le math rock est réputé pour ses passages instrumentaux étendus, privilégiant cette dimension plutôt que les mélodies vocales et les paroles. Des groupes emblématiques comme Slint, avec l'album "Spiderland", ont marqué le genre en proposant des compositions presque entièrement instrumentales. Certains groupes de math rock, comme Don Caballero et Hella, adoptent même une approche sans chanteur. Le genre a étendu son influence à l'étranger, notamment au Japon avec des groupes comme Tricot et Ling tosite Sigure, ainsi qu'au Royaume-Uni avec des groupes post-punk et post-hardcore comme TTNG, Foals et Tubelord. Don Caballero/Fire Back About Your New Baby's Sex Ruby Falls/Evangeline Falls A Minor Forest/...It's Salmon!!! Hella/Biblical Violence Piglet/Bug Stomp Battles/Atlas (Radio Edit) Faraquet/Conversations Toe/Kodoku No Hatsumei Giraffes? Giraffes!/When Catholic Girls Go Camping, The Nicotine Vampires Rule Supreme Black Midi/bmbmbm

17 janvier 2024 - Au podcast cette semaine : Entrevue avec Éloi de l'émission "Le cours de math" à CISM pour un épisode consacré 100% au Math Rock. On présente aussi 4 groupes math rock bien de chez nous.Le cours de math va se diviser en 4 sections:Les précurseurs: King Crimson avec Three of a Perfect pair - Black Flag avec Nothing Left Inside - Minutemen avec Nature without menLes pionniers: Don Caballero avec In The Absence of Strong - Evidence to the Contrary avec One may step out of the way of the charging bull - Shellac avec A Minute - American Football avec The One With the TambourineLes modernes: Giraffes ? Giraffes ! avec I Am S/H(Im)E[R] As You Am S/H(Im)E[R] As You Are Me and We - Invalids avec Asystole - Tiny Moving Parts avec BoxcarLes locaux (Québec): Gulfer avec F'real for Real - Nüshu avec Sept pentes abruptes Cake Function avec En Beauce - LA POEXE - TATI avec Salut moi Lean j'ai on c'est Charles assis sur ses Lauriers dans le salon avec la barre à Cluehttps://lesgarsderipe.com/

A child, or should I say… division of progressive rock, Math Rock sounds incredible. But what is Math Rock, exactly? Let's define it, talk about its history, identify some stylistic characterizations, and tell some stories about notable people in the genre. Math Rock is a genre of rock characterized by complex rhythms and irregular and angular instrumental patterns that change constantly first made popular by hardcore groups like Shellac and Slint, cemented as a genre by groups like Don Caballero and Hella, and branched into softer, melodic subsets by groups like Toe and American Football. To learn more about the many, many, many different genres of rock music, subscribe to Break Rock Down on Apple Podcasts or wherever you listen to podcasts. Episode Links: Introduction to music theory Explaining time signature Explaining Syncopation Math Rock Spotify Playlist Sources: What is Math Rock? An Introduction to Math Rock The History of Math Rock Math Rock Shellac Biography Slint Biography Music Preview: Instrumental monsters Don Caballero return with revamped lineup Hella biography The history and influence of Polvo toe biography

I invited guitarist for Delta Sleep, Glen Hodgson on to talk us through what is and isn't Math Rock. We got some answers for sure, but I still can never put my finger on what makes something "mathy". I regale Glen with phrases from the early 90s like "wazzy" which just makes me feel old. We also talk about being in Delta Sleep, touring, music production, the Albini sound, and a bunch of other stuff. We work our way from Slint, through Don Caballero, Toe, Pretend, Faraquet, up to Real Terms. We even have a track that even to me doesn't seem very "mathy" Find out more about Delta Sleep, and buy some music at https://www.deltasleepband.com/ LISTEN WITH ALL THE SONGS FOR FREE at either www.infrequency.co.uk or at www.mixcloud.com/tempfans Please pop over to our mixcloud and like and comment on the episodes, it really helps The tunes are all on this Spotify Playlist

El dengue y la música potente de Half hour of power están aquí, con bandas como High on Fire y su álbum Snakes for the Divine; o The Peter Criss Jazz de Don Caballero. Escúchanos todos los viernes en punto de las 22:00 horas a través de la frecuencia universitaria.

Conan Neutron's Protonic Reversal

John and Ben continue their discussion of L'ira Del Baccano's 2014 debut studio full length, Terra 42.  Picking up where they left off at the end of Part 1 (available here or on your favorite podcast platform), they continue their discussion of the album's key moments, analyzing audio clips from the album's heavy, progressive spacerock and drawing analogies to artists such as Tool, Pentagram, Buckethead, and Don Caballero.   The Greatest Thing You've Never Heard is a like a book club for your next favorite record.  Each episode is an in-depth examination of a single album that's worthy of greater recognition.  Our co-hosts, Ben and John, spend a full episode discussing an album and then often use a follow-up episode to interview the band that recorded it. Season 3, Episode 6, Album 54 Listen to Terra 42 here. Find L'ira Del Baccano on social media: Facebook Instagram We proudly endorse Revo Guitar Straps!  Go to https://revoguitarstraps.com and use code POD20 for 20% off! Listen to The Greatest Thing You've Never Heard and find us on social media via https://greatestthingpodcast.com Check out our new blog, Musings from the Underground, for information on upcoming episodes, listening recomendations, outtakes, bonus content, and much more! Thanks for listening!  If you enjoyed the show, please remember to rate, review, and follow us on your favorite podcast platform!

This week, we discuss metaphorical big-tent design, and the joys and perils (mostly joys) of not getting back together with your exes. Also, a reminder not to argue with randos on the internet and skepticism about people who talk in vague, idealitistic terms about "queer elders." Plus, journaling as a reality check on our fallible memories and impression of self and the value of just keeping things to yourself for a change. Transcript available here.You can listen to "Fire Back About Your New Baby's Sex" by Don Caballero, and it's entirely instrumental, so we choose to believe it means something in line with what we would mean, about refusing to gender babies. Also, we've now finished reading Persuasion by Jane Austen, and enjoyed it! Not our favorite Austen, but probably not least favorite either, though it does feel weird to now be the type of person who has favorite and least favorite Austen books. You can check out the forthcoming podcast doing a queer retelling of Pride and Prejudice, by Caroline Mincks and Cassie Josephs, on its Twitter account @QueerPridePod. I do recommend A Mosaic of Israel's Traditions by Esther Shkalim for learning about different Jewish holiday traditions from around the world, though note to more radical listeners that it does frame the whole thing around modern Israel as a melting pot. The podcast Gender Reveal, which asks guests about their dreams for the future of gender, is also pretty cool. Jaz's current journal is from the Walnut Wellness Fund, helping provide access to therapy for low-income LGBTQ people, particularly people of color.  This week's reading is Isaiah 54:1-10. Next week's reading is Isaiah 60:1-22.Support us on Patreon or Ko-fi! Our music is by the band Brivele. This week, our audio was edited by Lulav Arnow, and our transcript was written by JJ Jensen, who you can follow on Twitter @pantspossum. Our logo is by Lior Gross, and we are not endorsed by or affiliated with the Orthodox Union.Support the show (http://patreon.com/kosherqueers)

Our Satanik Royalty showcase continues with the heaviest band this side of Seattle, Old Iron. Jerad, Trent, and old pal Jesse (see our last episode with Sandrider) join in to talk about strip club bass procurement, how a busy drummer saved the band, the strange case of Hella and Don Caballero, why Seattle is a perpetual music town, avoiding a garage full of records, how to say Rwake, playing with Power Trip, tip toeing back to live shows, theoretically playing The Garden, opening up a hacky sack pit, and competing with Thomas the Tank Engine for SEO placement. Support Old Iron and don't forget to check out the Satanik Royalty main hub as well. Track featured is "Friday Glendale" off Lupus Metallorum. Photo by Matt Koroulis Much love to The Jesus Lizard and The Butthole Surfers! Please note: This episode was recorded in May.

⚠️本期节目比较「吵」而且音乐听着「难消化」，请谨慎收听。跳脱的、活泼的、混乱的……在这个炎热夏天，如果你想听点什么有意思的音乐，数学摇滚是很棒的选择。独特的听感和高复杂度、高难度演奏，让数学摇滚在「摇滚」这个大类中显得尤为特别。在前卫摇滚发展的浪潮之下，摇滚乐手们对于音乐的理解也不停发生改变，追求解构和重构他们所认识的「摇滚音乐」。数学摇滚就在这样的情况之下出现了。如今我们听到的数学摇滚，也已经和各个不同的音乐风格流派相融合、相互发展，诞生出了森罗万象的音乐。今天这期节目，简单聊聊数学摇滚是什么，并且分享 10 张我特别喜欢的专辑给你。希望你会喜欢 :)节目封面丨@饭困困不团

New episode alert!  This episode's theme is Free Play! They just bring whatever the hell they want.  First, Chris picks a classic from 2001- Converge's Jane Doe.  After the the clip, they get into.  Then, Ryan goes very Ryan(and classic) with Don Caballero's What Burns Never Returns. And did I mention they sound fantastic?

Con ustedes, el podcast del programa 245 de Cerca de la Orilla, para que lo tengan y lo escuchen a la hora que quieran. Esta emisión fue dedicado al virtuoso y rítmico math rock. Disfruta gran material de Tera Melos, Lite, Don Caballero, This Town Needs Guns, And So I Watch You From Afar, Abelia y Battles. Lista de canciones: Intro - Artista Abelia, disco Inked (EP) Autumn Peak - Artista Abelia, disco Inked (EP) Delivering The Groceries At 138 Beats Per Minute - Artista Don Caballero, disco What Burns Never Returns Chinchilla - Artista This Town Needs Guns, disco Animals Melody 1 - Artista Tera Melos, disco (Untitled Album) Melody 2 - Artista Tera Melos, disco (Untitled Album) Sundome - Artista Battles, disco Gloss Drop Phantasia - Artista Lite, disco Phantasia Homes - ...Samara To Belfast - Artista And So I Watch You From Afar, disco Gangs Ficha técnica: Fecha de transmisión: 25/abril/2017 Horario: 19:00 hrs. Centro de México Locución, edición y grabación: Esteban Corona Producción y guion: Javier Heliodoro Aguirre ¡Saludos matemáticamente progresivos!

Con ustedes, el podcast del programa 245 de Cerca de la Orilla, para que lo tengan y lo escuchen a la hora que quieran. Esta emisión fue dedicado al virtuoso y rítmico math rock. Disfruta gran material de Tera Melos, Lite, Don Caballero, This Town Needs Guns, And So I Watch You From Afar, Abelia y Battles. Lista de canciones: Intro - Artista Abelia, disco Inked (EP) Autumn Peak - Artista Abelia, disco Inked (EP) Delivering The Groceries At 138 Beats Per Minute - Artista Don Caballero, disco What Burns Never Returns Chinchilla - Artista This Town Needs Guns, disco Animals Melody 1 - Artista Tera Melos, disco (Untitled Album) Melody 2 - Artista Tera Melos, disco (Untitled Album) Sundome - Artista Battles, disco Gloss Drop Phantasia - Artista Lite, disco Phantasia Homes - ...Samara To Belfast - Artista And So I Watch You From Afar, disco Gangs Ficha técnica: Fecha de transmisión: 25/abril/2017 Horario: 19:00 hrs. Centro de México Locución, edición y grabación: Esteban Corona Producción y guion: Javier Heliodoro Aguirre ¡Saludos matemáticamente progresivos!

This week we chat about all things paranormal with Ben, Seth, and Rob, aka DK, Fizz and The Rob-father of Eerie Radio fame. Eagle-eared listeners will have heard us blasting the promo for this great show for many weeks now. We discuss the ups and downs of paranormal investigation, Oak-Island turf-wars, Ghost Hunting and the pit-falls of the 'scene'.Featured song this week comes in the shape of Ennio Morricone's 'The Ecstasy of Gold', from the movie 'The Good, The Bad and the Ugly' (not a jab at our guests this week!). Background Music from Jagga Jazzist and Don Caballero.

В двадцать восьмом выпуске Beats & Chords группа Bicycles For Afghanistan рассказывает про трек «Воздух» с альбома «Прятки»: Иосиф Бродский, Фаррелл Уильямс, Don Caballero и Григорий Лепс. Ссылки: Bicycles For Afghanistan: https://vk.com/bicyclesforafghanistan Альбом «Прятки»: https://album.link/ru/i/1503725756 https://vk.com/beatsandchords https://pods.link/beats-and-chords Patreon Артёма: https://www.patreon.com/heymaka Boom Clap: https://vk.com/booomclap По всем вопросам и предложениям пишите на beatschords@gmail.com Подписаться через RSS можно по следующей ссылке: https://podster.fm/rss.xml?pid=51112 Спасибо Дане Удобному за дизайн обложки и логотипа, а Максиму Райхруду за помощь с обложкой!

Guitarist/keyboardist Ian Williams has blazed a unique path through underground music, with Don Caballero, Storm ---- Stress, and now with Battles.On this episode, the first of two that interview both Battles members, he talks about getting rid of emotion, free jazz, and machine music.

Yvette and I go in deep with all the things...life, music & people appreciation

On this episode of The Stateside Podcast we chat with Jay Maas! Jay is a record producer and a founding member of the band Defeater. We talk about terrible Massachusetts weather, Jay moving to Portland, Jay's love for his son and wife, James 'getting hard' on genealogy, Jay's touring days. James and Jay bro down on Don Caballero, and Jay opens up about his past. Thanks to Jay for being open and honest on this episode. :) After the Ceremonial Pee Break we do some Current Events and the Movie Pick of the Week! If you like this show at all, please share this podcast with at least ONE person. If you even just did that we would be very grateful! If you’re in a band, run a small company, or just have a thing you want promoted, consider sponsoring the show and we’ll promote your thing!! Follow Jay on Instagram @jay_maas. Follow the guys on Instagram @thestatesidepodcast Stateside Management is a producer management company. Bookings for any of the producers/mix engineers on the Stateside roster please send an email to james@statesidemgmt.com. www.statesidemgmt.com Contact Alan for any design related questions at www.alanashcraft.com. The Stateside Podcast is hosted by James MacMillan and Alan Ashcraft. Produced, mixed, and edited by James MacMillan. Logo design and social assets by Alan Ashcraft. Podcast recorded at Interlace Audio North. Outro Song on this episode is 'Green Light' by The Days The Nights, written by Nathan Abner, Michael Draper, James MacMillan. --- Support this podcast: https://anchor.fm/statesidepodcast/support

On this episode of The Stateside Podcast we chat with Jay Maas! Jay is a record producer and a founding member of the band Defeater. We talk about terrible Massachusetts weather, Jay moving to Portland, Jay's love for his son and wife, James 'getting hard' on genealogy, Jay's touring days. James and Jay bro down on Don Caballero, and Jay opens up about his past. Thanks to Jay for being open and honest on this episode. :) After the Ceremonial Pee Break we do some Current Events and the Movie Pick of the Week! If you like this show at all, please share this podcast with at least ONE person. If you even just did that we would be very grateful! If you’re in a band, run a small company, or just have a thing you want promoted, consider sponsoring the show and we’ll promote your thing!! Follow Jay on Instagram @jay_maas. Follow the guys on Instagram @thestatesidepodcast Stateside Management is a producer management company. Bookings for any of the producers/mix engineers on the Stateside roster please send an email to james@statesidemgmt.com. www.statesidemgmt.com Contact Alan for any design related questions at www.alanashcraft.com. The Stateside Podcast is hosted by James MacMillan and Alan Ashcraft. Produced, mixed, and edited by James MacMillan. Logo design and social assets by Alan Ashcraft. Podcast recorded at Interlace Audio North. Outro Song on this episode is 'Green Light' by The Days The Nights, written by Nathan Abner, Michael Draper, James MacMillan.

Con ustedes, el podcast del programa 46 de Cerca de la Orilla, para que lo tengan y lo escuchen a la hora que quieran. Esta emisión fue el primero de dos programas dedicados por entero al denominado math rock. Disfruta gran material de Lite, Massacre, The Redneck Manifesto, Ruins, Don Caballero, And So I Watch You From Afar, Toe, Bastro y Shellac. Lista de canciones: Black Apple - Artista The Redneck Manifesto, disco Friendship Don Caballero 3 - Artista Don Caballero, disco What Burns Never Returns Infinite Mirror - Artista Lite, disco Phantasia Pull the Cup - Artista Shellac, disco At Action Park Legs - Artista Massacre, disco Killing Time Brixon Varromiks - Artista Ruins, disco Hyderomastgroningem After Image - Artista Toe, disco For Long Tomorrow Short Haired Robot - Artista Bastro, disco Diablo Guapo Beautifuluniversemasterchampion - Artista And So I Watch You From Afar, disco Gangs Ficha técnica: Horario de transmisión: 18/Diciembre/2012 Horario: 19:00 hrs. Centro de México Locución: Mike Mederos Grabación: Óscar Segura Edición: Esteban Corona Producción y guión: Javier Heliodoro Aguirre ¡Saludos progresivamente matemáticos!

Con ustedes, el podcast del programa 46 de Cerca de la Orilla, para que lo tengan y lo escuchen a la hora que quieran. Esta emisión fue el primero de dos programas dedicados por entero al denominado math rock. Disfruta gran material de Lite, Massacre, The Redneck Manifesto, Ruins, Don Caballero, And So I Watch You From Afar, Toe, Bastro y Shellac. Lista de canciones: Black Apple - Artista The Redneck Manifesto, disco Friendship Don Caballero 3 - Artista Don Caballero, disco What Burns Never Returns Infinite Mirror - Artista Lite, disco Phantasia Pull the Cup - Artista Shellac, disco At Action Park Legs - Artista Massacre, disco Killing Time Brixon Varromiks - Artista Ruins, disco Hyderomastgroningem After Image - Artista Toe, disco For Long Tomorrow Short Haired Robot - Artista Bastro, disco Diablo Guapo Beautifuluniversemasterchampion - Artista And So I Watch You From Afar, disco Gangs Ficha técnica: Horario de transmisión: 18/Diciembre/2012 Horario: 19:00 hrs. Centro de México Locución: Mike Mederos Grabación: Óscar Segura Edición: Esteban Corona Producción y guión: Javier Heliodoro Aguirre ¡Saludos progresivamente matemáticos!

WTYKY podcast: Episode FourIn this latest episode of an Ottawa Senators podcast, Varada and James discuss the Montreal Canadiens, Edmonton Oilers, and New York Rangers. (Oh, also Ottawa's weird 5-2-5 record and how much Cody Ceci sucks.)All music by Don Caballero.

3:39  (Don Caballero, "Slice Where You Live Like Pie")  "Pi" 36:53 (Clint Mansell, "Lux Aeterna")  "Requiem for a Dream" 1:03:33 (The Police, "Spirits in the Material World")  "The Fountain" 1:38:27 (Quiet Riot, "Metal Health (Bang Your Head)")  "The Wrestler" 2:05:56 (Laura Carbone, "Swans")  "Black Swan" 2:27:18 (The Pogues, "Thousands are Sailing")  "Noah" 3:04:23 (R.E.M., "Losing My Religion")  Outro / 3 Films also with alternate takes on religion

As drummer for the highly influential band Don Caballero, Damon Che established himself as one of the most unique and beloved drummers of his generation. But, in 2009, his "creative window" closed; and he stopped playing. He tells Joe about his musical roots, what he's been up to during his hiatus, giving up alcohol, working a day job, and returning to music as a session musician. He also tells his side of the now infamous "Bellini Incident" and reflects on the creative dynamic of Don Cab. Make sure to listen to his bonus episode next week, wherein he answers listener questions!

Et si pour une fois je fermais ma gueule ? Ape List #4 – This is a Song with no Words Ça faisait un moment que j'avais en tête de vous faire une Ape List uniquement consacrée à des morceaux instrumentaux. Et bien la voici ! Bon, comme pour toute les Ape List précédentes, finalement, j'avais dans un recoin de ma tête quelques idées de titres – et j'ai complété avec d'autres, en me contentant de jeter un œil aux rayons de la discothèque familiale. L'un des prétextes de cette Ape List, c'est avant tout de vous passer au moins un fois dans son intégralité Watusi '98 de Rocket From the Crypt, qui sert de support au générique des épisodes de Cornelius and Zira. Je ne sais plus exactement comment j'avais décidé ça. Probablement sans trop y réfléchir. Forcément, pour un générique, il faut un instrumental qui envoie (et pour le coup, ce titre est terrible) et il fallait que ça rappelle l'univers de Planet of the Apes. Sachez que le jour où j'ai acheté ce disque, Apeshit at the BBC, à la fin des années 90 (ou au début des années 2000, je ne sais plus trop!) je n'ai pas hésité non plus. Déjà parce que j'aime beaucoup RFTC, mais aussi parce que sur la pochette du disque, on voit le groupe jouer en live au milieu d'une audience affublée de masques de singes façon POTA. D'ailleurs, tout ce que je peux dire à propos de ce disque, c'est qu' a priori, il a été enregistré dans les studios de la BBC en Juillet 1998. Pour le reste... mystère ! Pas de livret, pas de nom de label, que dalle ! En fait, on dirait un bootleg... On s'en fout, ce qui compte, c'est que le morceau est génial ! On enchaine avec Youth Body Expression Explosion de Mudhoney. S'il fallait ne choisir qu'un seul groupe pour définir le grunge, ce serait forcément Mudhoney ! Ce morceau, issu de l'album Piece of Cake, sorti en 1992, me ramène vraiment à une autre époque. Peut-être - qui sait - aux lointaines racines qui font qu'aujourd'hui j'enregistre des podcasts,si l'on va chercher loin. En tout cas, ce titre compte beaucoup pour moi et ce n'est pas impossible qu'il devienne la nouvelle signature sonore des Ape List. On verra bien ! On continue avec Sicbay. Putain, qu'est-ce que j'aime ce groupe ! J'aurai forcément l'occasion un jour d'en passer un autre morceau et d'en parler un peu plus. En tout cas, cet instrumental, qui s'appelle Ultra-Dawn, conclut leur album Overreaction Time, sorti en 2002 chez 54°40' or Fight ! Ensuite, à tout seigneur, tout honneur ! Le meilleur groupe du monde, tout simplement ! Alors, des instrumentaux de Fugazi, il y en a à la pelle ! Pourquoi celui-ci plutôt qu'un autre ? Parce qu'il figure sur un single qui s'appelle Furniture et qui était sorti plus ou moins en même temps que leur dernier album, The Argument. En octobre 2001, donc. Je m'en rappelle comme si c'était hier ! Et sur ce 3 titres figure donc Number 5, mais aussi une chanson qui s'appelle Hello Morning et dont les premières paroles sont « This is a song with no words ». Je vous avais passé un morceau de Reiziger dans un la Ape List #2. Je T'adore Immensement!!! est issu du même album, The Kitten becomes a Tiger, et je l'aime beaucoup héhéhé ! On continue avec un hommage à l'un des plus grands acteurs français par Second Rate, Patrick Dewaere is my co-pilot, qui figure sur leur album posthume, Last Days of Glory, sorti en 2003 chez Prehisto Rds. Bon, après, je le reconnais, j'ai un peu fait le flemmard en enchainant avec un autre band de Besançon. Mais bon, Vigilante Surf, qui donne son nom au deuxième album de Demon Vendetta, est tellement dans l'esprit culture bis (comme tout ce que fait le groupe, en fait ! D'ailleurs cet album étant un hommage aux Vigilante flicks). Alors, j'aurais vraiment pu faire la feignasse et enchainer avec plein d'autres groupes de surf, mais j'ai préféré continuer avec Diablo, l'un des deux instrumentaux qui figure sur Venom de Breach, sorti en 1998 chez Burning Heart. Hyper efficace, ca va tout droit et à l'essentiel ! Ils sont forts ces suédois ! Bon, après, je le reconnais, j'ai pas cherché midi à quatorze heures en vous dégainant Nineteen de Karma to Burn. Mais bordel ! un épisode spécial instrumentaux sans quelques spécialistes du genre, ça n'aurait pas eu de sens. C'est pour ça que l'on continue avec Don Caballero (Details on how to get ICEMAN on your license plate) et Mutiny on the Bounty (Cruz Candelaria). Les luxembourgeois de MOTB ont sûrement beaucoup écouté Don Caballero, qui est LA référence du genre. Pas la peine d'en dire plus ! Il aurait été également difficile de ne pas glisser Sickles and Hammers. D'un coup de marteau et d'une lardasse de faucille, les Minutemen délivrent en quelques secondes un brulôt d'urgence et d'intensité. En même temps, c'était un peu leur marque de fabrique ! Qu'est-ce que j'aime ce groupe !!! Et après autant d'incandescence, on va terminer avec Don't let the Music Die, and Don't Replace me de 12 Hour Turn qui met fin à la fois Perfect Progress Perfect Destruction (sorti en 2002 chez No Idea) et cet épisode.. Voilà, c'est tout pour cette fois-ci ! On se retrouve d'ici un mois/un mois et demi pour parler de Escape of the Planet of the Apes avec Master Fred. D'ici là, je vous aurais peut-être dégainé un petit quelque chose. On verra bien, selon mes possibilité et mes envies ! Si vous avez un band, un label ou que vous êtes promoteur de shows et qui vous voulez profitez de la fooooormidable caisse de résonance de la Ape List, branchez moi sur Twitter @andzira et sur la page FB du podcast ou sur corneliusandzirapodcast(at)gmail(dot)com ! Vous pouvez aussi retouvez les autres épisodes de Cornelius and Zira sur podCloud, iTunes.. En attendant, prenez soin de vous et de ceux que vous aimez ! À bientôt les spartiates !!!

On today's show I talk to musician and editor Jon Fine. Currently, Jon is the executive editor of Inc. magazine. But before he turned to journalism, he was a rock guitarist, most famously in the indie rock band Bitch Magnet. Jon also played in Vineland and Coptic Light, and was a touring guitarist with Don Caballero. Recently, Jon's memoirs and thoughts on the underground music scene - Your Band Sucks: What I Saw at Indie Rock's Failed Revolution (But Can No Longer Hear) - were published by Viking. It's super interesting and well worth your time!This is the website for Beginnings, subscribe on iTunes, follow me on Twitter.

Capítulo número 12 de Autómata, programa emitido el dia miercoles 01 de Octubre del 2014. Sonaron: The B-52's, Talking Heads, Los Mil Jinetes, The Willows, The Undertones, No Entiendo, Cypress Hill, LCD Soundsystem, Poliedro, Don Caballero y Mogwai.

On this episode, I'm joined by Ian Williams, who formed the widely acclaimed, widely beloved band @Battles in 2002. Before that, he played in the acclaimed and beloved bands Don Caballero and Storm & Stress (with Eric from Tanlines). He shares his experiences and attitudes about music, New York, and much much more, on this episode of No Effects.

  Ian Williams of Battles checks into McG's Backroom to talk about the band's 2011 album, Gloss Drop, its remix counterpart Dross Glop and Battles' 2012 summer U.S. and European tour dates. To take part in the show please call in at 347-202-0832 or click on the shows free skype link.

McG plays punk rock, post-punk, indie, alternative and vintage vinyl finds as kept in the vaults in McG's Backroom. This episode features the sounds of math rock and bands such as Breadwinner, Don Caballero, Rodan, Pitchblende and Shellac. Scheduled guest: Jon Fine of Bitch Magnet who will discuss the band's forthcoming 3xCD / 3xLP set, reunion and upcoming live performances.

Antonio and Brian drive home from Local's Only and talk about the Don Caballero show.

Ben and Brian stand outside and talk to Damon from Don Cab as he sits on the Air Conditioner. Recorded on July 20th at Local's Only in Indianapolis, Indiana.