Podcasts about gutkind

Avsnitt 280. Nextory blir först med att skapa en AI-baserad sökmotor för att förbättra lyssnarnas möjligheter att hitta sin nästa bok. En positiv nyhet för alla inblandade. Lind & Co:s författare Peter Barlach har kämpat länge för att slå igenom. När alla mer eller mindre gett upp, trots att man uppskattat böckerna, så slår det till tack vare en  jublande recension på sociala medier. Förläggaren ger oss detaljerna. Författaren Stina Jackson har gått i närkamp på sociala medier med kulturelitens syn på läsandet. Vi bidrar med lite eldunderstöd. Audible vill satsa i Italien och köpa upp alla förlags böcker för en spottstyver för att sedan spela in de flesta med hjälp av AI. De möts med en viss nyfikenhet från förlagens sida, något som bara kan fungera på en marknad där ljudboken är svagt utvecklad. Bookbeat lanserar en ny sorts abonnemang för de som hoppar av. För en dryg euro får du sex timmars lyssning i månaden. Ett experiment de testar på alla sina marknader. En inte helt oäven idé när man förstår drivkraften bakom. Bonnierägda Gutkind gör återigen en storförlust. 25 miljoner kronor back 2024. Vi hör Håkan Rudels resonemang bakom siffrorna och konstaterar att förläggaren och journalisten hamnar i var sin ringhörna när vi funderar över satsningen. I USA visar den oberoende bokhandeln (ABA) en fantastisk tillväxt. Plus 200 nya boklådor för fjärde året i rad. Samtidigt som den politiska pressen utifrån sätter sina spår. Slutligen. Ett samtal  med Piratförlagets nya huvudägare, Erik Titusson. Hur vill han använda sin position?   00 22         Nextorys AI-bibliotekarie 03 22         Peter Barlachs oväntade genomslag 07 10         Stina Jackson på krigsstigen 12 11         Audibles AI-satsning i Italien 14 52         Minibookbeat – ett experiment 16 08         Bonniers gör en storförlust i Danmark 20 37         2024 – den amerikanska bokhandelns bästa år 22 20         Samtal med Piratförlagets nya huvudägare

Sabin Tambrea gehört zu den profiliertesten Schauspielern seiner Generation und hat sich durch sein sensibles Spiel in höchst unterschiedlichen Rollen einen guten Namen gemacht. Sein zweites Buch ist jetzt erschienen.

Contentnote: Der Inhalt der Folge kann für Betroffene sexualisierter Gewalt triggernd sein. In den Spezialfolgen von „Studio Kindler“ widmen wir uns Themen, mit denen Jean-Philippe sich beschäftigt, weil sie für sein neues Buch eine Rolle spielen. Der Roman wird im Frühjahr nächsten Jahres bei Gutkind erscheinen und thematisiert unter anderem, welche technischen Revolutionen im Bereich der Sexualrobotik zu erwarten sind. Schon jetzt erleben wir menschenähnliche Sexpuppen, die mit künstlicher Intelligenz ausgestattet die jederzeit gefügige, mit gewünschten Persönlichkeitsaspekten ausgestattete, „perfekte Freundin“ simulieren - natürlich komplett zugeschnitten auf die Bedürfnisse des Mannes. Warum diese Entwicklung extrem besorgniserregend ist und warum das Thema für JPKs Buch unumgänglich ist, erfahrt ihr in der ersten Spezialfolge von Studio Kindler.  Links & Quellen:  Alle Clips findet ihr hier zum Mitschauen: https://drive.google.com/drive/folders/1t0Ft5dVky5hWOo77a9Mhi_rmzqBL4emX?usp=drive_link Studie: https://theconversation.com/sex-robots-increase-the-potential-for-gender-based-violence-122361 Studio Rot - Produktionen & Mittel von links.

Lee Gutkind is the founder of the literary magazine, Creative Nonfiction. He's edited or authored over 30 books during his time on the faculty of, first, the University of Pittsburgh and, more recently, Arizona State University. His latest book is The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Ne'er-do-wells Concocted Creative Nonfiction (Yale UP, 2024). This episode encapsulates the journey that Lee Gutkind has made, as a self-confessed former hippie motorcyclist who not only “fought” his way into academia but helped revitalize the essay genre along the way. When Gutkind began his Creative Nonfiction magazine in 1994, maybe two dozen creative writing programs existed. Today, there are over 200 such programs around the world, and essays have become well-accepted. As Gutkind recounts, back in the day the non-beige nature of New Journalism was the driving force in style and get-out-into-the-world subject matter. Today, a previous all but all-male preserve is driven more by the talents of female nonfiction writers, often exploring more personal, heartful subject matter. True stories told with narrative drive remain central to Gutkind's literary passions. Should want an episode about the value of exploring the world, this is your ticket. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill's EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lee Gutkind is the founder of the literary magazine, Creative Nonfiction. He's edited or authored over 30 books during his time on the faculty of, first, the University of Pittsburgh and, more recently, Arizona State University. His latest book is The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Ne'er-do-wells Concocted Creative Nonfiction (Yale UP, 2024). This episode encapsulates the journey that Lee Gutkind has made, as a self-confessed former hippie motorcyclist who not only “fought” his way into academia but helped revitalize the essay genre along the way. When Gutkind began his Creative Nonfiction magazine in 1994, maybe two dozen creative writing programs existed. Today, there are over 200 such programs around the world, and essays have become well-accepted. As Gutkind recounts, back in the day the non-beige nature of New Journalism was the driving force in style and get-out-into-the-world subject matter. Today, a previous all but all-male preserve is driven more by the talents of female nonfiction writers, often exploring more personal, heartful subject matter. True stories told with narrative drive remain central to Gutkind's literary passions. Should want an episode about the value of exploring the world, this is your ticket. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill's EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lee Gutkind is the founder of the literary magazine, Creative Nonfiction. He's edited or authored over 30 books during his time on the faculty of, first, the University of Pittsburgh and, more recently, Arizona State University. His latest book is The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Ne'er-do-wells Concocted Creative Nonfiction (Yale UP, 2024). This episode encapsulates the journey that Lee Gutkind has made, as a self-confessed former hippie motorcyclist who not only “fought” his way into academia but helped revitalize the essay genre along the way. When Gutkind began his Creative Nonfiction magazine in 1994, maybe two dozen creative writing programs existed. Today, there are over 200 such programs around the world, and essays have become well-accepted. As Gutkind recounts, back in the day the non-beige nature of New Journalism was the driving force in style and get-out-into-the-world subject matter. Today, a previous all but all-male preserve is driven more by the talents of female nonfiction writers, often exploring more personal, heartful subject matter. True stories told with narrative drive remain central to Gutkind's literary passions. Should want an episode about the value of exploring the world, this is your ticket. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill's EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Lee Gutkind is the founder of the literary magazine, Creative Nonfiction. He's edited or authored over 30 books during his time on the faculty of, first, the University of Pittsburgh and, more recently, Arizona State University. His latest book is The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Ne'er-do-wells Concocted Creative Nonfiction (Yale UP, 2024). This episode encapsulates the journey that Lee Gutkind has made, as a self-confessed former hippie motorcyclist who not only “fought” his way into academia but helped revitalize the essay genre along the way. When Gutkind began his Creative Nonfiction magazine in 1994, maybe two dozen creative writing programs existed. Today, there are over 200 such programs around the world, and essays have become well-accepted. As Gutkind recounts, back in the day the non-beige nature of New Journalism was the driving force in style and get-out-into-the-world subject matter. Today, a previous all but all-male preserve is driven more by the talents of female nonfiction writers, often exploring more personal, heartful subject matter. True stories told with narrative drive remain central to Gutkind's literary passions. Should want an episode about the value of exploring the world, this is your ticket. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill's EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

⁠Watch the video version of this podcast episode.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ------------------------------------------- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a #DrGPCR Ecosystem Member ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ------------------------------------------- Imagine a world in which the vast majority of us are healthy. The #DrGPCR Ecosystem is all about dynamic interactions between us working towards exploiting the druggability of # GPCRs. We aspire to provide opportunities to connect, share, form trusting partnerships, grow, and thrive together. ------------------------------------------- To build our #GPCR Ecosystem, we created various enabling outlets. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Individuals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Organizations⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ------------------------------------------- Are you a #GPCR professional? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to #DrGPCR Monthly Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen and subscribe to #DrGPCR Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen and watch GPCR-focused scientific talks at #VirtualCafe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Episode 124:This week we're continuing with Post-Scarcity Anarchism by Murray Bookchin.You can find the book here:https://theanarchistlibrary.org/library/murray-bookchin-post-scarcity-anarchism-book[Part 1 - 3]Post-Scarcity AnarchismEcology and Revolutionary Thought-The Critical Nature of Ecology-Diversity and Simplicity[Part 4 - This Week]Ecology and Revolutionary Thought-The Reconstructive Nature of Ecology - 0:35[Part 5 - 8]Towards a Liberatory Technology[Part 9 - 11]The Forms of Freedom[Part 12 - 16]Listen, Marxist!Footnotes:20) 8:53Rudd's use of the word “manipulation” is likely to create the erroneous impression that an ecological situation can be described by simple mechanical terms. Lest this impression arise, I would like to emphasize that our knowledge of an ecological situation and the practical use of this knowledge are matters of insight rather than power. Charles Elton states the case for the management of an ecological situation when he writes: “The world's future has to be managed, but this management would not be like a game of chess ... [but] more like steering a boat.” Citations:9) 9:26Robert L. Rudd, “Pesticides: The Real Peril,” The Nation, vol. 189 (1959), p. 401. 10) 22:10E. A. Gutkind, The Twilight of Cities (Free Press; Glencoe, N.Y., 1962), pp. 55–144. 11) 33:41H. D. F. Kitto, The Greeks (Aldine; Chicago, 1951), p. 16.

Det är kris men det märks väldigt lite på Lind & Co som på några år börjat bli trångbodda. Tre nya personer är på väg in meddelar en stolt förläggare som börjar ser sig om efter större arbetslokaler. Kanske inte så intressant för den oinvigde om det inte vore för vilka de nya är. SvT:s program för grävande journalistik, Uppdrag Granskning, var på plats i Frankfurt och intervjuade utländska förläggare och agenter inför ett kommande program om den svenska agenturen Salomonsson Agency. Ryktena var många och intensiva. UG besökte vattenhålet framför alla andra, Frankfurter Hof, rörde sig i agentcentret och runt på mässan. Inte en chans att det skulle gå obemärkt förbi. Till det så fanns det lilla skvallret om hur Salomonsson Agency nyligen pressat danska Gyldendal att ge upp Lars Keplers nästa bok som flyttas till det, i sammanhanget, lilla Bonnierägda Gutkind förlag. Reaktionen på golvet i Frankfurt var för det mesta uppgiven och lite sura uttalanden om att det är så den fungerar – Salomonsson-Bonnierpakten. Vad mer hände i Frankfurt? Allt om ni frågar journalisten som, till sin lycka, hamnade i en sal med hundratals förlagsfolk som lyssnade på Spotifys ljudboksansvarige Nir Zicherman. En något surrelastisk upplevelse med en amerikansk försäljare som lyckades med konststycket att helt missa stämningen i lokalen och, som det verkade, totalt missade tillfället att göra intryck. Stefan Spjut, som en gång skrev böckerna Stallo och Stalpi, vill inte längre kännas vid de böckerna så han har skrivit om dem med förlagets goda minne. En inte helt vanlig händelse i svensk bokbransch. Det var inget som blev enklare av att en ledande kritiker totalt missade poängen.     00 32 – Ett ständigt växande förlag drar till sig intressanta namn 05 11 – Det största skvallret på året bokmässa i Frankfurt var svenskt 12 26 – Intryck från Frankfurt 24 47 – Författaren Stefan Spjut gör något helt unikt

Under corona-nedlukningen forsøger Julie Sten-Knudsen at finde mørkets positive sider i kunsten, fortiden og sammen med datteren derhjemme. I sit essay MIT VINTEREKSPERIMENT bruger forfatteren vintermørket som anledning til at reflektere over klimaforandringer, udmattelse og tilbagetrækningen som en form for selvomsorg. Essayet kan også købes som trykt hæfte i din foretrukne boghandel eller læses gratis på Gutkind.dk. Oplæsning: Julie Sten-Knudsen, forfatter Redaktion: Rasmus Meldgaard Harboe, Ida Rud, Jeppe Bangsgaard & Kathrine Skyt Persson Redaktør for Gutkind Essays: Martin Bastkjær

Kristina Stoltz er ikke altid enig med sin far. Faktisk var der mange år, hvor de ikke talte sammen, for forfatteren er en tvivler, og tvivl bryder hendes far sig ikke om. I sit essay HVEM ER DU, DER TVIVLER? undersøger Stoltz, hvordan tvivlen både kan skabe afstand og nærhed i de tætte relationer, og hvordan den kan belyse vigtige politiske og samfundsmæssige perspektiver. Essayet kan også købes som trykt hæfte i din foretrukne boghandel eller læses gratis på Gutkind.dk. Oplæsning: Kristina Stoltz, forfatter Redaktion: Rasmus Meldgaard Harboe, Ida Rud, Jeppe Bangsgaard & Kathrine Skyt Persson Redaktør for Gutkind Essays: Martin Bastkjær Kontakt: bogcast@gutkind.dk

I sit essay FORESTILLINGEN OM PATRICK MORTENSEN går forfatter Daniel Dalgaard på jagt efter forbilleder i en tid, hvor manderollen er under forandring. Med udgangspunkt i AGF-spilleren Patrick Mortensen nuancerer Dalgaard den gængse opfattelse af forholdet mellem fodbold og maskulinitet, samtidig med at han optegner kønsdebattens faldgruber og viser, hvordan vores ændrede forhold til køn er en udfordring i hverdagen, som også kan være utroligt frisættende. Essayet kan også købes som trykt hæfte i din foretrukne boghandel eller læses gratis på Gutkind.dk. Oplæsning: Daniel Dalgaard, forfatter Redaktion: Rasmus Meldgaard Harboe, Ida Rud, Jeppe Bangsgaard & Kathrine Skyt Persson Redaktør for Gutkind Essays: Martin Bastkjær Kontakt: bogcast@gutkind.dk

Det moderne essay kan både belyse nogle af samtidens vigtigste emner og modarbejde tendensen til at reducere komplekse diskussioner. I en ny serie af essays skriver Gutkinds forfattere om emner, der optager dem litterært, politisk og menneskeligt. Redaktør Martin Bastkjær lægger ud og læser op fra FÆLLESHJERNEN, et essay om opmærksomhed og om fordybelsens udfordringer i de sociale mediers tidsalder. Essayet kan også købes som trykt hæfte i din foretrukne boghandel eller læses gratis på Gutkind.dk. Oplæsning: Martin Bastkjær, redaktør og forfatter Redaktion: Rasmus Meldgaard Harboe, Ida Rud, Jeppe Bangsgaard & Kathrine Skyt Persson Kontakt: bogcast@gutkind.dk

Dygtige oversættere er altafgørende, hvis litteraturen skal krydse landegrænser. Sara Koch oversætter mange af de store norske forfattere, som Karl Ove Knausgård, Dag Solstad, Gunnhild Øyehaug og Matias Faldbakken, og hun kalder sit arbejde for en professionel forelskelse. Med i studiet er også hendes Gutkind-redaktør Martin Bastkjær, og sammen skal de gøre os klogere på den oversatte litteratur. For hvordan arbejder en oversætter egentlig? Hvad er det for nogle safarier, hun tager på undervejs? Og hvorfor er det vigtigt, at vi har mulighed for at læse norske romaner på dansk? Medvirkende: Sara Koch & Martin Bastkjær Vært: Ida Rud Redaktion: Jeppe Bangsgaard, Kathrine Skyt Persson & Rasmus Meldgaard Harboe Musik: Claus Hempler Kontakt: bogcast@gutkind.dk

Hvordan starter man et nyt bogforlag? Og hvad har Gutkinds direktør til fælles med Mad Men? Vi har besøg af forlagsdirektør Jacob Søndergaard i den allerførste episode af Gutkind Bogcast, hvor han fortæller om de første spadestik til forlaget, der nu kan fejre 1 års fødselsdag. Medvirkende: Jacob Søndergaard Værter: Ida Rud og Rasmus Meldgaard Harboe Musik: Claus Hempler Kontakt: bogcast@gutkind.dk

I interview Lee Gutkind, author of My Last Eight Thousand Days. This is his 17th book, and I couldn't put it down."This revealing, candid, and vivid portrait of one man’s view of aging written by the man who played a crucial role in establishing literary, narrative nonfiction in the marketplace and in the academy, examines male aging in a way we’ve not seen before."In My Last Eight Thousand Days, Gutkind turns his notepad and tape recorder inward, taking his skills as an immersion journalist to perform a deep dive on himself. Here, he offers a memoir of his life as a journalist, editor, husband, father, and Pittsburgh native, recounting not only his many triumphs, but also exposing his missteps and challenges. You can purchase his book by going to his website, https://leegutkind.com/books/my-last-eight-thousand-days/Find out more on my blog at https://aginginfullbloomwithlisa.blogspot.comEmail me, Lisa Stockdale, anytime at aginginfullbloom@gmail.comAging In Full Bloom is sponsored by Capital Health Care Network, an Ohio based, family owned and operated company, providing solutions that help seniors age on their own terms. Those solutions include home care, senior living, nursing home and rehab care, and hospice. Learn more at http://www.CapitalHealthCareNetwork.com. Subscribe to the podcast on Apple Podcasts, Google Podcasts, iTunes, Stitcher, or your favorite podcast player. Android user? http://www.subscribeonandroid.comHELP US SPREAD THE WORD!We'd love it if you could please share this podcast with your social media friends! If you liked this episode, please leave us a rating and a review in your podcast player.

We have no way of knowing how many days of grand living we’ll be gifted. We’ve certainly become inured to the reality that life discloses our experiences moment by moment in real-time and it is up to us to determine how we choose to finesse all the “whatisness” life brings our way. In this authentically captivating episode of Aging GreatFULLy, we welcome the founding editor of Creative Nonfiction magazine, and architect of the genre, Lee Gutkind, author and editor of more than thirty books. He’s appeared on many national radio and television shows, including The Daily Show with Jon Stewart, Good Morning America, and National Public Radio’s All Things Considered. Even before Lee Gutkind was spotlighted in Vanity Fair Magazine in 1997 as “the Godfather behind creative nonfiction” he was its most active advocate and practitioner. In 1991, he founded Creative Nonfiction, the first and the largest literary journal to publish narrative/creative nonfiction exclusively. All the while, Gutkind continued to practice what he preached, immersing himself in diverse worlds for months and years and producing dramatic and intimate creative nonfiction books about subjects as rich and varied as the motorcycle subculture, child and adolescent mental illness, baseball umpires, veterinary medicine and organ transplantation. However, his latest writing endeavor wasn’t looking outward into the lives of others, but instead inward, towards his very own. Undertaking perhaps his most difficult and challenging work to date, Gutkind took to the task of writing his own memoir, My Last Eight Thousand Days: An American Male in His Seventies. In his revealing, candid and vivid portrait of aging, Gutkind examines aging like we’ve never seen before. And while the words on the pages are his experiences, thoughts and stories, having read them, I feel they may relate in some way to to every listener, as Gutkind has managed to unearth the truth on aging like only he can. A must-listen, wisdom-infused episode that is full of fun, because isn’t that what life is about? But we also shift our attention to some topics that are important and serious that need our attention too. And Gutkind shares candidly the challenges he faced in growing older, including making connections, making meaning of it all, and what he did to find his way to the many better todays and wonderful tomorrows to come. This is definitely a power-hour of enlightYOUment that delivers on so many levels you won’t want to miss! Gutkind’s memoir is a fantastic read for everyone that I highly recommend—to get your copy of My Last Eight Thousand Days: An American Male in His Seventies, or to learn more about or connect with Lee Gutkind visit www.LeeGutkind.com. Thank you, amazing listeners, for making the Aging GreatFULLy show your show! We appreciate the downloads, shares and thoughtful reviews and greatfull for our global family of listeners that have allowed this show to be awarded a top show on aging to listen and subscribe to! To connect with our show, visit our official host page at www.CTRNetwork.com/holleykelley Remember, You rock, you role model and you are the best listeners!

Åsa Linderborgs dagbog, hvad skal der ske med Jazzhus Montmartre og Golden Days-festivalen. Det er de nyheder, de tre gæster i ugens fredagspanel har med i dag. Og Fredagspanelet består af Ulla Tofte, direktør for Museet for Søfart i Helsingør, Jacob Søndergaard, direktør i forlaget Gutkind og Jeppe Lavsen, der er guitarist i bandet Hvalfugl.

Dr. J. Silvio Gutkind sheds light on his work and life since the beginning of COVID restrictions. Dr. J. Silvio Gutkind is a Professor of Pharmacology based at UCSD School of Medicine. A large component of his work is centered around dysregulated signaling in cancer and the development of novel mechanism-based cancer therapies. In this episode, Dr. J. Silvio Gutkind highlights how his past experience proves useful in current COVID times and potential benefits the changes in work environments can do for future collaborations.

Support this podcast at patreon.com/qaf or paypal.me/RissyMcCool Part of my graduation requirement for the MFA writing program at Augsburg University is to do a craft paper, and then a presentation on that paper. Since the entire year is canceled, a unique opportunity to do this craft paper in the form of a podcast was available, and that's how I decided to do so. Podcast friends, meet my classmates. Classmates, podcast friends. Special thanks to those who contributed their voices to this presentation: Jamie Randall, Steve Shives, Callie Wright, and Don Ford Jr. “Reclaiming Power and Agency With the Subjective ‘I' in Travel Writing.” This talk examines the roots of supposed “objectivity” in travel writing and how the idea was utilized as a form of Euro-imperialism, exploiting culture through the lens of the elite and privileged, all the while gatekeeping truth as a form of social science and expression. Reclaiming agency in one's own work by being willing to put oneself in it is an act of rejecting the idea that removing oneself from it is somehow objective and, therefore, truth. Travel writing specifically has a history of using the lens of privileged, elite-educated, European white men as the objective truth to both control the narrative and justify their actions, and this piece will dismantle that idea and argue for the validity and value in the subjective nature of personal narrative in travel writing.Works CitedBohannon, Paul. Van Der Elst, Dirk. Asking and Listening: Ethnography as Personal Adaptation. Long Grove, Illinois. Waveland Press, Inc. 1998.Dann, Graham. “Writing Out the Tourist in Space and Time.” Annals of Tourism Research, vol. 26, no. 1, 1999, pp. 159–187.Daston, Lorraine. “Objectivity and the Escape from Perspective.” Social Studies of Science, vol. 22, no. 4, 1992, pp. 597–618.Espey, David. Writing the Journey: Essays, Stories, and Poems on Travel. Pearson Education Inc. 2005. Fussell, Paul. Abroad : British Literary Traveling between the Wars. 1st pbk. ed., 1st pbk. ed., Oxford University Press, 1982. Griffiths, Morwena, and Gale MacLeod. “Personal Narratives and Policy: Never the Twain?” Journal of Philosophy of Education, vol. 42, Aug. 2008, pp. 121–143. Grover, Linda LeGarde. Onigamiising: Seasons of an Ojibwe Year. University of Minnesota Press, MN. 2017. Gutkind, Lee. You Can't Make This Stuff Up : The Complete Guide to Writing Creative Nonfiction--From Memoir to Literary Journalism and Everything in Between. 1st Da Capo Press ed., Da Capo Press/Lifelong Books, 2012.Hemley, Robin. A Field Guide for Immersion Writing : Memoir, Journalism, and Travel. University of Georgia Press, 2012. McCool, Marissa Alexa. The PC Lie: How American Voters Decided I Don't Matter. Wyrmwood Publishing and Editing, 2016. Oswalt, Patton. Silver Screen Fiend: Learning About Life From An Addiction to Film. Scribner. New York, NY. 2015.Pratt, Mary. Imperial Eyes: Travel Writing and Transculturation. London: Routledge. 1992Rickly-Boyd, Jillian. “The Tourist Narrative.” Tourist Studies, vol. 9, no. 3, 2009, pp. 259-280.Riessman, Catherine. “Exporting Ethics: A Narrative About Narrative Research in South India.” Health, vol. 9, no. 4, 2005, pp. 473–490.Rush, Elizabeth. Rising: Dispatches From the New American Shore. Milkweed Publications. Minneapolis, Minnesota. 2018. Vowell, Sarah. Assassination Vacation. New York. Simon and Schuster. 2005. “Wow. The Trump Administration just filed a statement of interest in CT to argue that girls who are trans are ‘biological males' and it violates Title IX to protect trans people. The audacity. This is so cruel.” 2020. Twitter. @chasestrangio.

Have you had moments that defined your scientific tastes? For Dr. J Silvio Gutkind, a class on oncogenes and his interests for GPCRs helped shape his scientific interests. These took him from the University of Buenos Aires in Argentina to UC San Diego and through the National Institutes of Health in Bethesda, Maryland. In this episode, Silvio discusses G protein signaling in the context of cancer, immunotherapies, and combination therapies that could help improve patients' lives.

189 elpærer og Skagensmaleren Anna Anchers billede Den Blå Stue har det til fælles, at lyset er omdrejningspunktet. Kræs zoomer ind på kunsten og vores forhold til lys. Du får også dagens kulturnyheder: Lukningen af bibliotekets Filmstribe møder kraftig kritik. PostNord får musiktjeneste til at fjerne kunstners sang. Nyt forlag mener, at krimilitteraturen er en højrisikoforretning. Ny Asiatisk filmfestival jubler over Sydkoreansk Oscarvinder. Medvirkende: Peter Nørgaard Larsen, samlings- og formidlingschef ved Statens Museum for Kunst, Jacob Søndergaard, forlægger på forlaget, Gutkind, Signe Klejs, kunstner og Anders Sode West, 1. reservelæge og Ph.d. i medicin. Vært: Maja Hald

An interview with Lee Gutkind, writer and founder of the literary journal Creative Nonfiction. The interview was conducted live at the University of Pittsburgh on July 20, 2018. It was part of the concluding event for Pitt's 2018 Summer Science Writing Workshop, organized by Lillian Chong. The event began with students from the workshop reading some of the science writing they had developed over the summer. You can read those works here: medium.com/lab-musings-summer-2018.

atomar audio –100– Various Artists For our 100th edition, we have prepared a special 6 hour mix of mixes, consisting of a selection of several podcasts by artists from all around the world that have been brodcast on atomar audio over the past three and a half years. In this podcast we do not want to focus one specific artist but rather the podcast as a whole and therefore decided to go with this particular set for our anniversary edition. Unfortunately it is not possible to include all the great artists that took the time to record a mix for us since we tried to keep it at a reasonable length for our uploaders and also to keep it musically consistent. There are many great sets that had to be left out but we think that we have created a special set for everybody to enjoy and that was our primary objective. We would like to sincerely thank all the artists that were involved in the podcast series as well as everyone else who played a part in our project over the past years. Enjoy Podcast 100 The following sets have been used for our 100th podcast: –042– Felix Buczek –007– Pascal P –083– Cari Lekebusch –069– Gutkind –040– Christian Gerlach –098– Alfred Kopke –055– Christian Wild & Pascal P –062– Sven Sossong –076– Heron –087– Alexander Harre –039– Dani Sbert –053– Tobias Nedo & Pablo Stumm –050– Dotwav –091– Miran N –079– Anna Feodora –073– Christian Wild –085– T-Dok –022– Robert S (PT) –066– Sarf –046– Michel Lauriola –033– Pablo Stumm

"In many ways the biggest challenge to figure out if you're gonna be a writer of nonfiction is to figure out what stories you can tell that no one else has told before," says Lee Gutkind. Hey, hey, it's The Creative Nonfiction Podcast! This is the show where I interview the world's best artists about creating works of nonfiction: documentary film, personal essay, memoir, narrative journalism, killer profiles, and reportage and dive into the origin story, what makes them great, and how you can apply their strategies of mastery to your own work. Today's guest for Episode 60 (!) of The Creative Nonfiction Podcast is none other than the Godfather, Lee Gutkind. His tagline on his website is Writer. Speaker. Innovator. He's written or edited 49 books like Almost Human, The Best Seat in the House But You Have to Stand: The Game as Umpires See It, Truckin' With Sam. He also founded the lit journal/now magazine Creative Nonfiction, which is an incredible well of great writing.  What are you gonna learn from this episode? Lee tells you that you need to figure out what stories and YOU can tell that no one else has done before. How to find the people who want their stories told, and how to perservere in the face of untold failure. That's a some good, good stuff. Before we dive into the interview, I ask that you leave a review on iTunes or even just a rating. Reviews are icing on the cake, but the more ratings, the more cred, the more people we can reach. Also, I have an email newsletter that I send out once a month. It' gives my reading list for the month and what you may have missed from the podcast. Share this with a friend because I know you're gonna dig it!

If you like the features of Cassandra DB but wish it ran faster with fewer resources then ScyllaDB is the answer you have been looking for. In this episode Eyal Gutkind explains how Scylla was created and how it differentiates itself in the crowded database market.

Podcast 069 of atomar audio, featuring cutting edge techno artists. This week we present you Gutkind from Cologne. Enjoy! Gutkind: https://soundcloud.com/gutkind Visit atomar audio on Facebook:
 www.facebook.com/atomar.audio

Hello and welcome to Lehmann Podcast #045 - Gutkind! Julian Haussmann aka Gutkind is a young DJ and Producer from south Germany. He cultivated his own style of electronic music playing his residency for SuCasa Club in his hometown Ulm, which he was able to present throughout Germany. Influenced by 90ies Hip Hop, Classical Music and Jazz he is currently working on original tunes together with Bastian Stimmig. You can catch Gutkind alongside Ilario Alicante on 29.05.2015: https://www.facebook.com/events/1634089916835826/ More Info on Gutkind: https://www.facebook.com/gutkindofficial https://soundcloud.com/gutkind

This Podlit features an interview with Amy Stolls, Literature Program Officer for the NEA. Since the mid nineties, Literature remains the only NEA discipline to give individual grants. In this interview, Amy discusses the grant application process, trends in manuscript submissions, and why people sometimes refer to her as the "oil slick chick." For more information about the National Endowment for the Arts, visit www.nea.gov. To learn more about Creative Nonfiction, the journal and the genre, visit www.creativenonfiction.org or e-mail us at information@creativenonfiction.org.

Each year, an estimated 100,000 people die from preventable medical errors.  In PodLit # 7, actress Helena Ruoti reads aloud Ruthann Robson's essay, "Notes from a Difficult Case," which chronicles her experience as a patient misdiagnosed with terminal cancer--and on the verge of becoming another statistic.  Originally published in issue 21, Rage & Reconciliation: Inspiring a Health Care Revolution, Robson's essay won the Creative Nonfiction $10,000 Best Essay Award.  Rage & Reconciliation was republished by Southern Methodist University Press last year.  For more information about Creative Nonfiction, the journal and the genre, visit www.creativenonfiction.org or e-mail us at information@creativenonfiction.org.

PodLit 6 features Lee Gutkind's interview with Mary Gannon, Editor of Poets & Writers Magazine. Poets & Writers Inc., the nation's largest non-profit literary organization, supports writers of all genres, but, until recently, did not include creative nonfiction writers in their Poets & Writers online directory of writers. Mary discusses the recent decision to add creative nonfiction writers to the directory, and Creative Nonfiction's role in the exciting change. Mary also offers advice to writers who are looking to publish in Poets & Writers, a primarily freelance-written magazine.To read more about our Poets & Writers issue (Creative Nonfiction Issue 26), which includes Lee Gutkind's editorial that started the campaign for Poets & Writers to include creative nonfiction writers in their directory, click here.  For more information about Creative Nonfiction, the journal and the genre, visit www.creativenonfiction.org or e-mail us at information@creativenonfiction.org.