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Zweiter Teil der Perspektivwechselfolge Weitere Erkenntnisse, wie ein Wechsel in der Wahrnehmung zu mehr Toleranz und neuen Ideen führen kann.
What does it really take to build a successful career in treasury? In this candid and insightful episode recorded live at TEXPO, three accomplished treasury leaders share the surprising, unconventional journeys that led them to the top of their field. From early jobs in fast food and consulting to navigating corporate restructures and capital markets, their stories reveal how curiosity, adaptability, and mentorship shaped their careers. You'll hear real-world insights on raising treasury's profile, building effective teams, embracing new technology, and why communication is now as critical as cash flow. Whether you're just starting out or looking to lead at a higher level, this episode is packed with actionable advice and inspiration from those who've walked the path.Meet the Guests:Jeremy Reedus - VP, Global Treasurer at Varel Energy SolutionsJeremy leads global treasury at Varel, with past roles at Air Liquide and Saudi Aramco. Known for building scalable global structures, he champions treasury as a strategic business partner. A former President of the Houston Treasury Management Association, Jeremy champions treasury as a strategic partner within organizations.Danecia Stewart - Director of Treasury at NextDecade LNGDanecia brings a rare 360° view of treasury - from practitioner to consultant to vendor. She's a go-to expert on treasury tech, digital transformation, and global cash strategy.Martijn van Steenpaal - Senior Vice-President & Treasurer at Darling Ingredients Martijn runs global treasury at Darling, with deep experience in cash management, complex financing, and M&A. He's a seasoned leader known for delivering results across continents.Main topics discussed:How each panellist "fell into" treasury from vastly different backgroundsThe moment they realized treasury was their long-term pathKey treasury skills learned through unconventional rolesThe shift from reactive cash management to strategic value creationThe increasing importance of communication and stakeholder managementChallenges in attracting new talent to the treasury professionThe role of education, certifications, and self-learning in career advancementWhy mentorship and team-building are essential in treasury leadershipHow treasury's visibility and brand are evolving - inside and outside the companyThe future of treasury: AI, automation, and growing strategic influence---
Never in this history of podcasting have we burst into hysterics as much as we did in this episode. We are joined by composing duo Jamie Jackson and WAZ, as we explore their work on Apple TV's 'Bad Monkey', Amazon Prime's 'Motorheads', writing for instruments made from highlighters, nails, and musical third-wheeling. Confused?? Tune in to this episode to find out more...
Every podcaster, no matter how experienced, has made their fair share of mistakes — and that's not just normal, it's necessary for growth. In this episode we're digging into the common slip-ups that happen behind the mic, why they're nothing to be ashamed of, and how embracing mistakes can actually make your show stronger and more relatable. From technical glitches to guest mispronunciations, we'll explore how these moments can lead to unexpected opportunities, audience connection, and long-term podcasting success. Mistakes aren't roadblocks — they're building blocks. Every podcaster has them—flubbed intros, awkward silences, tech fails. But what if your mistakes aren't setbacks, but setups for growth? Today's Hosts: MacKenzie Bennett and Mike Dell Common Podcasting Mistakes (And Why They're Normal) Technical mishaps: bad audio, dead batteries, laggy guests. Editing errors: missed ums and ahs, over-editing, or publishing the wrong version. Content mistakes: rambling tangents, missed questions, forgetting your CTA. Guest flubs: a guest misspeaks, or you pronounce their name wrong (and how recovery matters more than perfection). Point: Mistakes happen to everyone, from beginners to seasoned pros. Normalize it! The Hidden Gifts in Podcasting Mistakes Authenticity: Listeners love real moments; they feel more connected when you're human. Unexpected Content: Tangents or mistakes can turn into great bonus episodes or blooper reels. Learning Opportunities: Every error teaches you something—about your process, equipment, or even your audience. Audience Engagement: Invite your audience in on your learning journey ("What do you think I should've done here?"). Idea: Some podcasters even intentionally share bloopers to build community and lighten the mood. How to Turn Mistakes into Growth Reflect, Don't Regret: After a mistake, ask: What went wrong? What's the lesson? Document Lessons Learned: Keep a "lessons log" for future episodes. Adjust Processes: Add checklist items to prevent repeat errors. Embrace Real-Time Recovery: Practice improv and grace when things go off-script. Celebrate Progress: Revisit early episodes to appreciate your growth curve. Bonus Tip: Try turning small mistakes into bonus content or future topic inspiration. Mindset Shift: From Perfection to Progress The pressure to be perfect and how it actually stifles creativity. Letting go of perfection opens up space for experimentation and genuine connection. Listeners often prefer personality over perfection—they're tuning in for you, not flawless execution. Tips for Minimizing the Impact of Mistakes Redundancy in recording (record locally + cloud). Soundcheck and equipment checklist before each episode. Prep outlines but allow for organic conversation. Record short segments rather than long continuous takes. Have a post-production review process. Reflect on their own growth moments and celebrate progress. Even when you think you're past the learning curve, new mistakes pop up. Here's how to stay humble and curious as your show evolves. Looking back, our best lessons came from moments we didn't plan. Mistakes make better podcasters. Thanks for listening to Podcast Insider, you can subscribe to new episodes out every Monday. The best place for support with any Blubrry product or service is our ticket system. Tickets give the whole team access vs. direct emails or calls. General podcasting discussions and more can be shared on the Blubrry Podcasting Facebook group. Fill out our listener survey at surveys.blubrry.com/podcastinsider Hosting customers can schedule a one-on-one call with Todd or a tech checkup with Mike at todd@blubrry.com and mike@blubrry.com Stay tuned for more episodes and visit our website for the latest updates and resources.
He's older than most of them come, but strongly on, my boy Still all but one of my sons The cone And the kite And the aught, or the what My hooks on dollars And eyes on the collars No lipstick so far, no song often sung I bought her a songbird I bought her a birdsong. Watch and learn We're all at the funeral parlor We're all at the Car wash Hot and subtle Sticky, suddenly The world got lonely Suddenly forgot, We're still one of five One of five Suddenly forgot We're all dollar signs! Dollar signs Give me a dollop, a dollop of love Give ma a green eye, a blonde And a hot corpse corporal undergarments t Ten thousand signed under us My bill fronts for much further Fuhrer {Enter The Multiverse} [The Festival Project™] THE FESTIVAL PROJECT COPYRIGHT 2015-2015 ALL RIGHTS RESERVED -JK.
He's older than most of them come, but strongly on, my boy Still all but one of my sons The cone And the kite And the aught, or the what My hooks on dollars And eyes on the collars No lipstick so far, no song often sung I bought her a songbird I bought her a birdsong. Watch and learn We're all at the funeral parlor We're all at the Car wash Hot and subtle Sticky, suddenly The world got lonely Suddenly forgot, We're still one of five One of five Suddenly forgot We're all dollar signs! Dollar signs Give me a dollop, a dollop of love Give ma a green eye, a blonde And a hot corpse corporal undergarments t Ten thousand signed under us My bill fronts for much further Fuhrer {Enter The Multiverse} [The Festival Project™] THE FESTIVAL PROJECT COPYRIGHT 2015-2015 ALL RIGHTS RESERVED -JK.
He's older than most of them come, but strongly on, my boy Still all but one of my sons The cone And the kite And the aught, or the what My hooks on dollars And eyes on the collars No lipstick so far, no song often sung I bought her a songbird I bought her a birdsong. Watch and learn We're all at the funeral parlor We're all at the Car wash Hot and subtle Sticky, suddenly The world got lonely Suddenly forgot, We're still one of five One of five Suddenly forgot We're all dollar signs! Dollar signs Give me a dollop, a dollop of love Give ma a green eye, a blonde And a hot corpse corporal undergarments t Ten thousand signed under us My bill fronts for much further Fuhrer {Enter The Multiverse} [The Festival Project™] THE FESTIVAL PROJECT COPYRIGHT 2015-2015 ALL RIGHTS RESERVED -JK.
On the latest episode of Off the Edge with Cam Jordan, Cam is joined by Broken Record co-host and producer Justin Richmond. The two bond over their Cal Berkeley roots, as Justin recalls thinking his college acceptance was a scam, so much so that he drove to campus to confirm it in person. Justin also explains how he was able to earn a Bachelor's and Master’s degree despite never finishing high school or getting a GED. The conversation shifts to podcasting, where Justin details how he got his start and what it’s like producing and co-hosting alongside icons Rick Rubin and Malcolm Gladwell, plus the pressure of stepping into the role as lead host. Justin shares why Will Smith and Prince are the only celebrities to leave him starstruck, including the mystical moment he met Prince complete with a “purple glow” as the icon walked into the room. To close it out, Cam drops his Top 5 hip-hop artists, leading to a back-and-forth with Justin over one major name he left off his list. Off the Edge with Cam Jordan is a production of the NFL in partnership with iHeart Media.See omnystudio.com/listener for privacy information.
On the latest episode of Off the Edge with Cam Jordan, Cam is joined by Broken Record co-host and producer Justin Richmond. The two bond over their Cal Berkeley roots, as Justin recalls thinking his college acceptance was a scam, so much so that he drove to campus to confirm it in person. Justin also explains how he was able to earn a Bachelor's and Master’s degree despite never finishing high school or getting a GED. The conversation shifts to podcasting, where Justin details how he got his start and what it’s like producing and co-hosting alongside icons Rick Rubin and Malcolm Gladwell, plus the pressure of stepping into the role as lead host. Justin shares why Will Smith and Prince are the only celebrities to leave him starstruck, including the mystical moment he met Prince complete with a “purple glow” as the icon walked into the room. To close it out, Cam drops his Top 5 hip-hop artists, leading to a back-and-forth with Justin over one major name he left off his list. Off the Edge with Cam Jordan is a production of the NFL in partnership with iHeart Media.See omnystudio.com/listener for privacy information.
Worth knowing. I operated on a public server using Google as my. Main browser, our of incognito— This meant everything I search on Google I knew to be public, and did so soaringly, and cautiously. I told you more than once not to mess with that fucker! I wasn't! For the most part; however— That fucker was messing with me! Why! Who are you?! I don't know! Ugh. Ten seconds on the ground and I wanted to die. Fuck this place. Just get in the boat, Keenan. No, I won't. Just get— in the boat. Forget it. I'm not going to your— You don't dont even know what it is! Whatever is is. It's a function! If I didn't start making decisive moves around the map— and quick— I could be made to look like anything, or anyone. The media had ways of turning things into monsters—assuming all in all that the political agenda had overall become some short of holy war. I wasn't safe, especially sitting still— entire crowds moved around me as I emerged from days long stretches of speaking to and looking at no one; the more I resisted to conform, the more hostile the monster became— I was vanishing decently from one world and into the next, and on my absence there was a gaping hole needing to be filled but instead, opening into an inescapable void: being something for others as I presumed that I presently was not: I was not a pawn, or a worker, or a sim— I had escaped a matrix that was nearly entirely built on perception, and had adjusted to the understanding of the illusion of this grid. It was an impractical solution, silence and isolation; eventually I had to communicate with other people, and could not hide. But I would not be forced to do anything or speak to anyone I didn't want to— and so I began tricking the system before it could gather information to go about tricking me. After all, I was keeping more to myself than I was sharing or even writing about— I wrote often about race and sociopolitical injustice; however; these things were at a surface level. The things I pondered upon deeply, I kept to myself— I knew that my Google documents were comprised by the way that on the ground level— the simulation level— people had been hacked and sorted based on things I had put into the aglogithmic clouds. Anyone with a cell phone had become a biohazard, because they were socially and psychologically compatible with being technologically programmed to be moved about in any way the controllers saw fit— and who were the controllers using such as humans as devices? The very war mongers who saw this level as none other than that of a game, and people in no sense more than as numbers—a place which my conciousness did lie, and however— my physical body, almost entirely seperate, risided here amongst the all too common. And it was here that I was more likely to die, physically, anyway, than anywhere else because i wanted to. The frequency shift was severe enough that it bubbled and spewed inside of me not as hatred, but anxiety. Not fear, but nautiousness; I was no longer so compatible with the masses that I could normally function as such; an elitist mindset, but only out of elitist practice. I ate well, trained hard, and focused my energy on a higher mindset— It became obvious that if I didn't decide what I was, I was going to be told what I was, or painted in a certain way as percepted, and this I found limiting. If I decided what I was and made it somehow apparent so that others could not cast any judgement upon me, then I could at the very least, later, change it— if it differed too drastically from whatever it was my true purpose and intention. Easily enough, I found the devil worked through almost all things and people around me in such a way that it was best to remain apart from these things and people and to find my way to being surrounded by others who were in fact, shielded by light. Strength in numbers, and what was here something dark enough had torn through that almost all of them were dark as well, and so almost any time at all with that force made me ill. I'm so sorry. No, you're not— but that's okay, Because I'm sorry enough for the both of us. A SPECIAL DETECTIVE, recently promoted to captain from VICE gives the go-ahead on the immidiate detention of a subject with whom multiple units have been preoccupied with over the course of several months. This is… pure cocaine. It appears so… I've— I've never seen anything like it. — that pure? Like— pharmaceutical. In fact… It was pharmaceutical. Ah great. Why is Tom Hanks back in the movie? [breaking forth wall] Uh— because I was in the front of the movie— And in the middle of the movie— And because this is the same movie. Uh… Oh, by the way, you're in a movie. No!!! Wake up. Fuck. COSMIC AVENGER Snapdragons! Double fuck. Double double indeed. The cosmic avenger has a way of not swearing that is almost trademark to his— What does he do again? Nothing. Oh. You're so fucked now…! JIMMY FALLON is arrested and charged with MANSLAUGHTER. WHY! WHAT DID I DO? …nothing. What were his other catchphrases? I have no idea. Well, get a fucking idea. Why is it That you're so— fucking mean. What? I'm supposed to be what you think, the little man in the box is? I was hoping? At all times? Sometimes, at least. Joke's on you. No Fallon, the joke's on you. You're supposed to be funny. Haha. Goddammit, I hate you. You fucking suck. That's my sparring partner. Yep. What did I do?! You fought like a man— And won. Agh. Good luck, kid. What other way is it to fight? MEANWHILE, on BAD GIRLS CLUB Stop pulling my hair! TANISHA I'mon pull these tracks out whether you like it or noT! U THESE AINT TRACKS! That's my hair! The whole room stops for a moment, frozen in a silent confusion. TANISHA Whatchu say? U This— is my HAIR. It's ATTACHED TO MY HEAD. TANISHA Wh—how'd you get on bad girls club?! I don't know! I must have wished for it at some point or something? Wishes?! WHAT THIS GOT TO DONWITH MY ISNES. Witches? She said wishes. Hm. I'm stuck in the tv in like a movie or something? I don't know, it's very meta— all my wishes get granted— its fucked up. That is fucked up. [everyone just kind of agrees] — but that's your hair? Yeah, or— whatever's left of it and not under your fingernails. But these is acrylic. I figured. And these is BRAZILLIAN REMY. Okay. — and my eyelashes came off a Clydesdale! Why! Cause that shit is majestic as fuck! I…agree with you. Alright. Now sense we agree on this— um…comradrie. — agreement. Let's figure out about this— what you say it was? A movie. A movie— but this is a show. A show inside a movie. Okay. Okay. Okay. …so let's…cut to commercial, or—? I don't know I thought No wonder I'm fucking depressed… And now, it was obvious that someone in the media— the actual media, had read my work. I had deconstructed the Strike force 5 as such Hmmm. CBS HBO NBC NBC … That's 3 of the big five but I'm almost entirely sure I ‘ missing something. Where's Kimmel? CBS Colbert? HBO The NBC twins are on my last and ever living but still dying nerve So.. So— So I'm missing precisely one strike force member And arguably two out of the big five… That's— a relief. Considering I think Fox is in the big 5, sure. Don't want to attract the wrong attention. Or the right attention, with pun Intended. Whatever. If anything at all from this last election and current growth spurt slash quarter life crisis, I was a moderate conservative however benefitting more than probably from liberalized… Actually? The more I thought about it, this seemed private. I knew that most people who had spent any time at all in New York homeless shelters ended up in equally fitting project housing, but somehow, I had been spared— and though I had picked up two pairs of decent walking shoes, and maybe even raving shoes—definitely skateboarding shoes— But no running shoes, And I needed new running shoes to actually run; my current running shoes had been used nearly to their fullest extent… Not that I was running anywhere. My treadmill seemed just as entirely sick of my apartment as I was becoming… STEFON Batatas. Suddenly I had remembered with some strain of course, that Bill Hader existed in a legendary and almost mythical sense. Way more mythical than anyone else in this story— even Seth Rogen, who was apparently at some point eventually OH MY GOD. WHAT IS THIS. HOW DID THIS HAPPEN? — like, what, hot glued to each other at that party. SETH MEYER(S)? I said no. What. SETH MEYERS I'm not doing it. See, the greatest thing about the festival project, besides it being a corporate sponsored money grab that was growing in value enough to be competable against the superhero franchises DISNEY Hahaha, you wish. That's who I'm missing—Disney. DEADMAU5 No, you're not. I'm not. DEADMAU5 —no…. There's a reason why that dude, in his fragile old age is still touring. DEADMAU5 I'm literally like ten years younger than literally everyone else you just mentioned. (But still touring.) (Read: ☠️ ) —so, you were saying. Oh— the best thing about this whole thing is Wait, how is this Disney? BEFORE: DISNEY You can't Mickey Mouse. MAU5 CAN. DISNEY CAN NOT, and we'll sue you, then kill you, then cryogenically freeze you, bring you back to life — THEN— when your catalogue has doubled in value, sue you again, and then kill you again— And repeat that process infinitely until the end of what is known on earth as “time” Oh, is that what happened to him? I've been wondering. DISNEY Unless… CUT BACK TO: Besides that, The best thing about this project is it features so many standard white savior type protagonists, that if anybody disagrees to this project( they can just be replaced and or characterized by an actor that looks and sounds just like them and their name slightly changed or altered to reflect one which doesn't technically trigger any copyright claims. Can you do that? Yep. 0.0 what's up Seth ROGONE, JOMMY FALOON Sup. Sup. See. [The Festival Project ™] lol Stefon's dungeon. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.
In this episode of "ThinkFuture," I dive into the magic of serendipity—those happy accidents behind breakthroughs like the Popsicle, penicillin, and Ivermectin. I share how the Popsicle came to be when someone left soda and a stick outside to freeze by mistake, sparking a whole new treat. I argue that serendipity isn't just luck; we can actually engineer it by shaking up our routines. Doing the same thing every day kills creativity, but stepping out—traveling, meeting new people, trying new paths—sets the stage for random connections that lead to big ideas. The pandemic tanked our serendipity by keeping us isolated, but I'm pushing you to break free! Don't just watch me talk about it—go do something different, and maybe you'll stumble into your own game-changer. A perfect vibe for YouTube folks craving inspiration and a nudge to mix things up!---brought to you by polyscopemedia: https://polyscopemedia.com
TIMELINES V: Summary [Seasons 1-4 {Enter The Multiverse, Pre-Legends} The Teds: Initially, they are described as "wooks," or "Shirtless Party Boys" attending festivals and using mind-altering substances. They're depicted as fraternity brothers and recent UCLA graduates. The Psychonauts: This is a group that the Teds become involved with, seemingly due to their accidental encounters with interdimensional phenomena at festivals. Interdimensional Travel: The Teds frequently stumble into wormholes, teleportals, time warps, and other anomalies, often due to the music at the festivals they attend. This leads them to alternate realities and dimensions. Dillon Francis: He is also involved and acts as an alternate "Ted" or works with them as part of "The QuadraSquad." He helps with recruitment and search-and-rescue missions. DJing and Secret Missions: Chak Chel and Dillon Francis train the Teds in DJing, which they use to open time warps and communicate covertly. Ascension and The Final Battle: As the Teds progress, they become more involved with the Psychonauts and prepare for "The Final Battle," which involves multiple battles across different realities. "TED" Universe: There's a concept of a "TED" universe where everything and everyone is "Ted," which collides with other concepts like "Everyone's A DJ." Kandi Culture: There's a section that discusses kandi culture and the idea of trading versus selling kandi. Chak Chel's Bedtime Stories: Chak Chel tells stories about multidimensional adventures with titles like "Honey, I Killed Myself" and "DILLONCEPTION." : There's a character named [redacted] who experiences ascension and exists in multiple realities. Multidimensional Experiences: The document delves into themes of multidimensionality, time travel, and altered states of consciousness, often within the context of music festivals and rave culture. Meta Commentary: There are sections that seem to be meta-commentary on the writing process, characters, and the overall project. Mental Health: There are sections that delve into mental health themes, including discussions of suicide, depression, and anxiety. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl
TIMELINES V: Summary [Seasons 1-4 {Enter The Multiverse, Pre-Legends} The Teds: Initially, they are described as "wooks," or "Shirtless Party Boys" attending festivals and using mind-altering substances. They're depicted as fraternity brothers and recent UCLA graduates. The Psychonauts: This is a group that the Teds become involved with, seemingly due to their accidental encounters with interdimensional phenomena at festivals. Interdimensional Travel: The Teds frequently stumble into wormholes, teleportals, time warps, and other anomalies, often due to the music at the festivals they attend. This leads them to alternate realities and dimensions. Dillon Francis: He is also involved and acts as an alternate "Ted" or works with them as part of "The QuadraSquad." He helps with recruitment and search-and-rescue missions. DJing and Secret Missions: Chak Chel and Dillon Francis train the Teds in DJing, which they use to open time warps and communicate covertly. Ascension and The Final Battle: As the Teds progress, they become more involved with the Psychonauts and prepare for "The Final Battle," which involves multiple battles across different realities. "TED" Universe: There's a concept of a "TED" universe where everything and everyone is "Ted," which collides with other concepts like "Everyone's A DJ." Kandi Culture: There's a section that discusses kandi culture and the idea of trading versus selling kandi. Chak Chel's Bedtime Stories: Chak Chel tells stories about multidimensional adventures with titles like "Honey, I Killed Myself" and "DILLONCEPTION." : There's a character named [redacted] who experiences ascension and exists in multiple realities. Multidimensional Experiences: The document delves into themes of multidimensionality, time travel, and altered states of consciousness, often within the context of music festivals and rave culture. Meta Commentary: There are sections that seem to be meta-commentary on the writing process, characters, and the overall project. Mental Health: There are sections that delve into mental health themes, including discussions of suicide, depression, and anxiety. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl
TIMELINES V: Summary [Seasons 1-4 {Enter The Multiverse, Pre-Legends} The Teds: Initially, they are described as "wooks," or "Shirtless Party Boys" attending festivals and using mind-altering substances. They're depicted as fraternity brothers and recent UCLA graduates. The Psychonauts: This is a group that the Teds become involved with, seemingly due to their accidental encounters with interdimensional phenomena at festivals. Interdimensional Travel: The Teds frequently stumble into wormholes, teleportals, time warps, and other anomalies, often due to the music at the festivals they attend. This leads them to alternate realities and dimensions. Dillon Francis: He is also involved and acts as an alternate "Ted" or works with them as part of "The QuadraSquad." He helps with recruitment and search-and-rescue missions. DJing and Secret Missions: Chak Chel and Dillon Francis train the Teds in DJing, which they use to open time warps and communicate covertly. Ascension and The Final Battle: As the Teds progress, they become more involved with the Psychonauts and prepare for "The Final Battle," which involves multiple battles across different realities. "TED" Universe: There's a concept of a "TED" universe where everything and everyone is "Ted," which collides with other concepts like "Everyone's A DJ." Kandi Culture: There's a section that discusses kandi culture and the idea of trading versus selling kandi. Chak Chel's Bedtime Stories: Chak Chel tells stories about multidimensional adventures with titles like "Honey, I Killed Myself" and "DILLONCEPTION." : There's a character named [redacted] who experiences ascension and exists in multiple realities. Multidimensional Experiences: The document delves into themes of multidimensionality, time travel, and altered states of consciousness, often within the context of music festivals and rave culture. Meta Commentary: There are sections that seem to be meta-commentary on the writing process, characters, and the overall project. Mental Health: There are sections that delve into mental health themes, including discussions of suicide, depression, and anxiety. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl
No matter how much of a grizzled vet you are, sometimes unavoidable issues arise and how you handle it, determines that kind of person you are. New movies and more video game remakes leads to the common question of why don't things hit like they used to or are have we become too jaded? 1%ers flaunting their money to the common folk so they can go to space. What does eating the rich even look like? Alex and Jakub get deep into parenting and normal societal issue. They can fix it and they will. Executive Producers: Ian Lotts, Phillip Booker, Wes Bradley, & Tim Bland All WYSP Social Links
Oh, no, what am I going to do? I bought a 25-pound bag of sticky rice . . . and I don't know how to cook it. Oh, what a mistake! ----------------Today's story is told by Mary Murphy of the Tai-Kadai Project in Southeast Asia. Subscribe and leave us a review if you enjoyed listening to today's story!
Audionautic | Covering the Latest in Music Production, Marketing and Technology
In this age of consumerism, sometimes the coolest things come from the crowfunders and the will of the people! Artium Instruments have completed their kickstarter for 'Doppler' a desktop FM synth that looks to lean into unbridled exploration where you find a unique sound at every knob turn. We're checking out the press release to see what's up. In the Round Robin, we're looking to the release of Serum 2 and asking ourselves what is it in our studios that unequivocally requires that financial investment and why. Join us for an hour of synth nerding.Audionautic Records' latest release, Fields of Few - First Land Encounterhttps://fieldsoffew.bandcamp.com/album/first-land-encounterGrab tickets for Eonlake's London Show here:https://skiddle.com/e/40699373Help Support the Channel:Patreon: www.patreon.com/audionauticThanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli, Coraline Ada Ehmke, Jaycee Lewis and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:
Send us a textMost of our early habits were learned by accident. If they're working for you, that's a happy accident. If they're not, this mini podcast offers a solution.Grasshopper Notes are the writings from America's Best Known Hypnotherapist John Morgan. His podcasts contain his most responded to essays and blog posts from the past two decades. Find the written versions of these podcasts on John's podcasting site: https://www.buzzsprout.com/1628038"The Grasshopper" is the part of you that whispers pearls of wisdom that seem to pop into your mind from out of the blue. John's essays and blog posts are his interpretations of these "Nips of Nectar." Others have labeled his writings as timeless wisdom. Most of the John's writings revolve around self improvement and self help. They address topics like: • Mindfulness• Peace of mind• Creativity• How to stay in the present moment• Spirituality• Behavior improvementAnd stories that transform you to a wider sense of awareness that presents more options. And isn't that what we all want, more options? John uploads these podcasts on a regular basis. So check back often to hear these podcasts heard around the world. Who wants to be the next person to change? Make sure to order a copy of John's new book: WISDOM OF THE GRASSHOPPER – 21 Days to Creativity. These mini-meditations take you inside where all your creative resources live. And you'll come out not only refreshed but recommitted to creating your future. It's only $16.95 and available at BLURB.COM at the link below. https://www.blurb.com/b/10239673-wisd...Also, download John's FREE book INTER RUPTION: The Magic Key To Lasting Change. It's available at John's website https://GrasshopperNotes.com
Welcome to Trilith Institute Talks! In this episode of Trilith Institute Talks, host Hunter Barcroft speaks with Production Designer Kato Lawton, along with film students Austin and Andy, about their experiences on the ECR 2024 feature film 'A Mess of Memories.' The discussion delves into the parallels between method acting and production design, the creative process behind crafting detailed and immersive sets on an indie budget, and the personal backgrounds that led each guest to their current roles in the film industry. Key topics include the challenges of working on a hoarder's house set, the importance of understanding character for effective production design, and valuable lessons from past experiences that contributed to their current skills. Episode Timestamps 00:00 Introduction to Method Acting in Production Design 00:35 Welcome to Trilith Institute Talks 01:06 Meet the Guests: Kato, Andy, and Austin 01:57 Kato's Journey to Production Design 05:04 Austin's Path to Filmmaking 09:40 Andy's Background in Theater and Film 11:52 The Role of a Production Designer 14:18 Challenges and Creativity in Indie Filmmaking 15:50 Building the Hoarder House Set 21:19 Leadership and Team Management in Production Design 27:30 Valuable Feedback from Non-Filmmakers 28:40 Happy Accidents in Filmmaking 29:56 Production Design Tricks and Techniques 31:35 Challenges of Filming in a Hoarder's House 34:57 Influences and Inspirations in Production Design 38:34 The Art Department Experience 47:48 Advice for Aspiring Production Designers 50:43 Conclusion and Final Thoughts About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn
In 2005 most people didn't even have cellphones yet. Those who did used flip phones. That's when Noah started Olo, a webapp to let people pre-order coffee from nearby shops. Users had to login on web, add a credit card, create pre-made orders and then send a text to a preset number when they wanted to pre-order. It was way, way ahead of its time. Noah and his team 7 years to hit $1M in ARR. In the meantime, they raised a round with 50% dilution the week before the financial crisis, went on live TV to an audience on 6M viewers and had to pivot from a marketplace to B2B SaaS.But overtime smartphone penetration increased, on-demand ordering became a trend, and then, one day, Starbucks launched their app. All of a sudden, every single restaurant in the world wanted a way to let their users pre-order.And there was Noah and his team at Olo.Today, Olo is a public company worth over $1B and generating nearly $300M in sales. Here's the story of how it happened.Why you should listen:How to use guerrilla marketing tactics to get early growth.Why PR can move the needle but not in ways you expect. How to pivot from a marketplace to B2B SaaS.Why it often takes much longer than you might hope to hit an inflection point.Why fundraising was so hard, even though Olo became a $1B+ public company. Why Noah thinks founders should embrace challenges and adversity.KeywordsOlo, Noah Glass, entrepreneurship, product-market fit, restaurant technology, mobile ordering, startup journey, business challenges, marketing strategies, innovationTimestamps:(00:00:00) Intro(00:02:20) Building an app in 2005(00:13:20) The Burn the Boats Moment(00:16:31) Building A Network Business(00:26:08) The Cold Start Problem(00:30:33) A Happy Accident(00:36:55) Going through the 2008 Financial Crisis(00:51:20) Finding Product Market Fit(00:57:20) Blueprint of Values(01:05:11) Best Piece of Advice(01:06:08) A Big MilestoneSend me a message to let me know what you think!
Have you ever opened your camera roll and found a nice little gem that you didn't know you took? We have, and we'll talk about what you can do with these little happy accidents when you find them. We also have an update on Camera+, we'll look at some recent photos and more.VoicecastShayne Mostyn's Latest VideoGreg's BookThe Podcast WebsiteDave on InstagramDave on ThreadsDave on BlueskyDave on XDave on TikTokDave on VERODave on MastodonDwight on FlickrDwight on VERODwight on GlassDwight on InstagramDwight's Art on InstagramDwight on VSCOGreg on About.meGreg on InstagramGreg on ThreadsGreg on BlueskyGreg on GlassGreg on VEROGreg on FlickrGreg on TwitterGreg's WebsiteGreg on MastodonThe Podcast YouTube ChannelShayne Mostyn's YouTube ChannelSmartphone Photography ClubSmartphone Photography Club ForumThe iPhoneography Podcast Facebook GroupShayne Mostyn's Bloody Legends Facebook GroupRick Sammon's Smartphone Photo Experience Facebook GroupReeflex's Facebook GroupGet your first year of Glass for $20: https://glass.photo/offer/gregReeflex Lenses - Get 10% off Reeflex lenses with the coupon code 10%OFFGREGBuy me a coffee at https://www.buymeacoffee.com/mcmillanThe music at the end of this video was created on a Mac using GarageBand.
We hate being wrong. We all like to think we're right—until we're not. In this episode, I share a mistake I made recently and what it taught me about growth, habits, and knowing when to pivot. Sometimes, the hardest part isn't failing—it's admitting when something just isn't working.For more go to: www.scottmlynch.comLevel up your life by joining my Patreon where you'll get exclusive content every week and more badass offerings (rips t-shirt in half, Hulk Hogan style, and runs around the room). And/or…Unlock practical and tactical insights on how to master your mindset and optimize your happiness directly to your inbox.If you're a glutton for punishment and want more swift kicks in the mind follow me on social:InstagramYouTubeLeave a review and tell me how I suck so I can stop doing that or you can also tell me about things you like. I'd be okay with that, too.Produced by ya boi.Past guests on The Motivated Mind include Chris Voss, Captain Sandy, Dr. Chris Palmer, Joey Thurman, Jason Harris, Koshin Paley Ellison, Rudy Mawer, Molly Fletcher, Kristen Butler, Hasard Lee, Natasha Graziano, David Hauser, Cheryl Hunter, Michael Brandt, Heather Moyse, Tim Shriver, and Alan Stein, Jr.
In this podcast, Klee and I (Rafi) discuss taking risks and going with the flow as an artist. Sometimes we may fail, that's all part of the journey. But we will never experience what is possible unless we really go for it and risk falling flat on our face. Find out more about us at www.rafiandklee.com
Our guests on this episode of Data Driven Finance are Stephen Fishman and Matt McLarty, authors of the book “Unbundling the Enterprise – APIs, Optionality, and the Science of Happy Accidents.” Stephen is North America Field CTO at Boomi and a Strategic Advisor at Revenium, while Matt is Boomi's Chief Technology Officer. There's a lot in the book about APIs, what they can power, and how they can be leveraged to create the experiences we'll be experiencing ahead. Topics covered include: What finance businesses should know about what APIs can do that tech experts already know? Why companies who leveraged APIs early rapidly became some of the biggest in the world. Did you know Google Maps never intended to make their API available to third party developers? Hear why they did. Who are the financial businesses that gave themselves an advantage years ago? What does it mean to “unbundle the enterprise”? How are financial institutions doing in terms of awareness and adoption of API opportunities? What is capability capitalization? Why it's better for finserv companies to go on offense with optionality than to engage in “reluctant compliance” with regulations. The three methodologies financial businesses need for an effective API strategy. The value in data being non-fungible, non-rivalrous, and experience-dependent. What are the risks of this kind of API-driven digital transformation? Helpful Links Stephen Fiscman Matt McLarty Unbundling the Enterprise book Boomi Yodlee
Order your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---To kick off the new year, we sat down with Susan Hope Fogel, an artist who works primarily in watercolor and oil, drawing inspiration from her natural surroundings in the lower Hudson Valley. She describes her journey into art, from early artistic validation in childhood to pursuing teaching and then transitioning to a full-time art career. Susan discusses her exploration of different mediums, particularly her experimental approach to watercolor that allows for spontaneity and happy accidents while reminding us that there is growth within chaos. She emphasizes the importance of finding multiple income streams to support an artistic career and advises aspiring artists to seek out mentors and continuously learn new techniques. Susan also highlights the value of local community connections and engaging with audiences through open studios and exhibitions. Finally, Susan tells us about her upcoming workshops!Susan's FASO Site:https://www.susanhopefogelfineart.com/Susan's Social Media:https://www.instagram.com/susanhopefogelart/
You're going to need something to hold onto, Wanderer, You old man, you old dog [Knowing] Gnawing on a ham sandwich Half gone, And half past disaster, Mark 9— All new time zone, Get lost, before I bother you. Looking backwards in time at the weakness I've had Or the week Or the month, Or the year— Fuck the mothballs in the closer Over motorcycles, or you wanted to know Where the hole in my heart was, When I'm sure you're the one who bit it off. Goddammit dude! “The Worst Shapeshifter in History” What the fuck, man! What. You sold your soul to be on Saturday Night Live?! What else was I gonna do with it? Ah, Gee—nothin' I guess! I could be luckier I guess To have gotten what I wanted Waking up in a warm music studio I could never call home Without someone to love in it, Or roll over onto, What's a revolving door for a prophet : Word to my Nothing and NoOne Get away from me All the demons you throw out Come back to you Redefining beauty in the age of faux vanity Atrocities everlasting, And atrocity exhibition, —a aphantom on the train tracks. An epiphany. —Atrophy. c o l o r s ft. Uptown A & Happy Accidents -Ū. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©
IV. -Ū. ft. Happy Accidents & -Ū. Melted my face. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.
IV. -Ū. ft. Happy Accidents & -Ū. Melted my face. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.
C U L T (V5) - Single Uptown A ft. Happy Accidents & -Ū. Broken Headphones ftw. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.
C U L T. (Album Version) Uptown A ft. Happy Accidents & -Ū. Still techno but housey and slower in A flat minor so you can hear more of the ambiance. Whatever. So much for Audio Techica brand loyalty, bro. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.
Track 04. double-double. I_NY. (The Studio Album) Uptown A, -Ū. I_NY. is out now—give it a listen! YouTube: https://music.youtube.com/playlist?list=OLAK5uy_lJA5QcV0YzxJ5oc_CwSyfnGXWAbDpNMvw iTunes: I_NY. (The Studio Album) by Uptown A & -Ū .https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Spotify: https://open.spotify.com/album/4bj5gXMZXiWujnIps54vz9?si=TKwRe-yYSM2_8bwZ2sQhuQ Apple Music: https://music.apple.com/us/album/i-ny-the-studio-album/1777071731 Check Out The Spider (EP) Here: iTunes: https://music.apple.com/us/album/the-spider-ep/1765564720 Apple Music: https://music.apple.com/us/album/the-spider-ep/1765564720 Spotify: https://open.spotify.com/album/7qE9jTR1vkT8PLoSMmjcUd?si=Tjz_hBowROafFaanhtJ4rw Uptown A's edgy and avant garde city grunge speaks true to its name in the upcoming I Love New York, styled I_NY for those who might be on the fense so-to-speak— the new wave industrial techno and garage grunge elements of the dance music counter cultures and subculture which spines the present day interpretations of the rave culture. “It's a fully instrumental album because the city speaks for itself.”, says the producer, a transplant from the west coast. The Album, part one of a series of New York inspired soundscapes and symphonies composed by the multi instrumentalist DJ and musician whose electronic sound showcases the warehouse essenses of the brick wall backdrops, chained link and bared wire, bars and windows, barebones underbelly of the subterranean world lurking just below the street of Manhattan's glitz and glamour waterfronts, Giving insight to the world of bass music culture, the techno-punk grotesque outcry's give a neo gothic twist. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © I_NY. Track 04. double-double. ft. Happy Accidents & c o l o r s
As a parent, I have tried very hard to keep this principle in mind. I haven't always been good at keeping my emotions in check so that I can assess the situation objectively, but when I have been able to check myself, my kids and myself have been better for it. We are all going to mess up and cause accidents, especially the youngest among us. The post 623- Remembering Happy Accidents appeared first on Golden Spiral Media- Entertainment Podcasts, Technology Podcasts & More.
In our latest episode of Welcome to Cloudlandia, we take a fresh look at time management and productivity through a historical lens. We discuss how the 24-hour time system, born from the need to streamline train schedules, laid the foundation for tracking time today. We also dive into the creation of Greenwich Mean Time and share a fun, serendipitous story about a restaurant meet-up that unexpectedly became a memorable experience. Shifting gears, we introduce a practical, gamified approach to managing your day. Treating each day as 100 ten-minute units, we explore how careful planning and mindful activity selection can help combat procrastination. We also share tips for overcoming morning routine challenges, making each day more productive with manageable goals. Alongside this, my AI assistant, Charlotte, plays a key role in my approach to transforming daily tasks into creative outputs. Finally, we touch on the evolution of political messaging and how platforms like Joe Rogan's podcast are reshaping public discourse. We wrap up by reflecting on the power of individual initiative and how we can all find meaning and growth in the ever-changing landscape of today's world. SHOW HIGHLIGHTS We explored the historical development of the 24-hour time system, initiated by a Canadian innovator to address train scheduling challenges in the 19th century. The episode included a light-hearted conversation about time zone coordination, particularly between Arizona and Florida, and discussed the clever geopolitical strategies of the British in establishing Greenwich Mean Time. We introduced a gamified approach to time management by treating each day as 100 ten-minute units, drawing inspiration from the Wheel of Fortune, to enhance productivity and address procrastination. My morning routine was highlighted, emphasizing strategies for overcoming procrastination and planning tasks effectively. We delved into the role of AI in personal productivity, featuring Charlotte, my AI assistant with a British accent, and discussed the concept of "exponential tinkering" in AI's unexpected uses. The evolution of political messaging from direct mail to sophisticated digital strategies was analyzed, touching on examples like the Cambridge Analytica scandal and the influence of alternative media figures. We examined content creation and strategic reuse of ideas, inspired by figures like Seth Godin, and discussed leveraging podcasts and other sources for efficient content generation. We reflected on the role of entrepreneurial individuals in leveraging AI technologies for creative relationships and personal growth, contrasting with traditional media outlets. The episode concluded with discussions on the enduring importance of individual initiative and the value of spontaneous interactions, setting the stage for future conversations. We shared logistical details about upcoming meetings and highlighted the anticipation of continued exploration and discovery in future episodes. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dan: Let's hope so Well, not only that, but it can be recorded over two complete time zone difference. Dean: Yes, I was wondering if today would cause a kerfuffle. Well, the change. Dan: Well, arizona doesn't change. Dean: Right, exactly. Dan: That's why I thought we might have a kerfuffle. Dean: That's exactly. Dan: That's why I thought we might have a Garfuffle which I think kind of tells you that they are planning to be the center of the world. Dean: Yeah, Florida's trying to do the same thing. Dan: Yeah, well, you know, it's a tremendous change for everybody to do that. Dean: It was actually a Canadian who created the system? I don't know. If you know that I did not know that, tell me more. Dan: Well, he didn't create the system, he created the 24-hour system. Dean: Okay. Dan: Yeah, and it had been attempted in other places, but it's around the 1870s, I think 1880s, and it was because of railroad schedules. Dean: Wow, yeah. Yeah, I do remember that as a thing that's interesting. Dan: Because, like, for example, in Toronto, you know a train would leave Toronto at, let's say, noon and it would be going to, let's say, buffalo. Dean: Yes. Dan: But there was no guarantee that Buffalo and Toronto were on the same noon, and if you only had one track, a train could be leaving Buffalo to go to Toronto at a different time. And so they had a lot of train wrecks 1860s, 1870s. There were just a lot of train wrecks. So he said look the train, the railroads are going to grow and grow and we've got to create a universal time system. Dean: They're not going anywhere, yeah. Dan: Yeah, so that's when it became adapted and the British got onto it and they said well, everything starts in London, everything on the planet starts in London. Dean: So that's where the Greenwich Mean Time came from. Dan: Yeah, and the British, being a very clever race, arranged it so that if you were in the western part of London you were in the western hemisphere, but if you were on the eastern part of London you were in the eastern hemisphere. Wild, Proving that the British play both sides of everything. Dean: Western Hemisphere. Dan: But if you were, on the eastern part of London. You were in the Eastern Hemisphere Wild, Proving that the British play both sides of every game. Dean: So where are you now? You're in Tucson. Dan: Tucson. Dean: Yes, okay. Dan: Now I want to get clear about something and this is important for all of our listeners to know. Dean: Okay. Dan: And it has to be. You're going to arrive on Wednesday or Thursday. Dean: I'm arriving on Wednesday. Dan: yes, Okay, so we had already had a previous, and if you would be willing to explore a new restaurant, okay, and it's called the Edge. Dean: The Edge. Okay, so you're saying, as an alternate to the tried and true, the Henry. Yeah, you're saying something new, okay. Dan: Yeah, so it would be 4.30 at the Edge. Where are you staying? Dean: I'm staying at the Sanctuary. Nick Sonnenberg and I are actually staying at Bob Castellini's. Dan: Well, strangely enough, we're staying at the Sanctuary too. Dean: Wow, okay what do you think of that? I think that that is just like serendipity at work when do you arrive at the when do you arrive? Dan: this is our own version of the singularity. It really is. Dean: I mean, yeah, it doesn't get much better than this. Dan: Yeah, I just came up with a new book title. Dean: What is it? Dan: It's, will it Be Available on Monday? Dean: Will it Be Available on? Dan: Monday. Dean: I like that so everybody's made. Dan: Yeah, it came out of my dealings over the last 12 years with techno techno optimist you know well, this is going to happen. This is going to happen, and I said, well, it'll probably happen, but will it be available on Monday? Yes, I love it. Well, dan. And you know, you know it will be available on Monday, it's just I'm not sure which Monday that will be. Dean: I was just going to gonna say just not this Monday yes, well, yeah. I have. I've had a pretty amazing week, actually lots of scale of 10 on a scale of 10. Dan: 1 to 10. How amazing, I mean, compared to other amazing weeks. Dean: Um, I just want to get the numbers straight before you get a sense of the scope, I would say that this has been in the nines this week, I think. Phew. Yeah, oh yeah, yeah, Like I think that if we're calibrating the scale that I don't think I have really lower than sevens on a week, but that would be just a regular week kind of thing. I think, in the eights, if we're going eight, point something in the eights, I think it would be something noteworthy, something worth remarking on. But in the nines, I think I can measure it by the flurry of activity from my fountain pen to my journal and the excited anticipation that I have of coming to our conversation prepared with something to talk about. So I'm in the nines, on on. We may have to do a double episode here. I mean to we have to leave people a cliffhanger. Pick up next week on on the finishing but see a cliffhanger. Dan: pick up next week on the finishing See, here's my take. If it's a 9.5 or higher, you've got two possibilities. One is you tell the whole world. That's one option. Or you don't tell anybody. Dean: Right, so is this a tell? The? Dan: whole world, or is this tell nobody. Well, I'm going to tell you I'm going to tell you, and then you know. Dean: I'm exempt. Yeah, I'm exempt. You're going to tell me either way. I'm going to tell you in this context so that, because I always tell people, you know, it's often that people will tell me, you know that they listen to our cast and that they just enjoy the conversation, Just listening to us talk about you never know what it's going to be about. They say, you know, which is true, and I say, well, you're just like us, we never know what it's going to be about either. Dan: Yeah, I suspect that some people have a better idea of where we're going than we do. Maybe that's funny. I can see the trend line here. Dean: Yeah, all right. So the first, I don't even know. They're equal weighted in terms of the interestingness to share, so maybe I'll work. I'll go with the concept that we discussed in the joy of procrastination the 10-minute units of your day, 100 10-minute units every day, and I've been experimenting with the idea of being like a capital allocator and having the opportunity to allocate my 100 time units over the course of the day, the only day. This is all like just my. I don't know what it's like to have a normal brain. I have. ADD a brain that has no executive function or ability to tell time or whatever. So this is just my way of looking at it that the reality is I can only spend 100 units today before I go to sleep again right. So, even if the concept of a project that's going to take 100 hours or 50 hours or whatever, I'd struggle with things like that because I can't do all of that today. So you can only spend what you have allocated today. And then I remembered my number one thing on my. I know I'm being successful when list is. I wake up every day and say what would I like to do today? And I had this vision of I don't know if you remember, but in the old version of the Wheel of Fortune, when you won, they had a studio full of fabulous prizes. Look at this studio full of fabulous prizes. And when you won you got to spend your money in the showcases right when you could say I'll on this. From all the prizes that are available, you could say I'll take the credenza for 800 and I'll take the bookshelf for this. I'll take the credenza for 800 and I'll take the bookshelf for this. I'll take the color TV for 500 and I'll leave the rest on a gift certificate. You know you had the amount of money that you could spend. Dan: Did you ever watch the Wheel of? Dean: Fortune back in the day Once or twice. Yeah, so you're familiar, so you know about what I'm talking about. So I started thinking about and have been experimenting with laying out my day that way. So I wake up in the morning and I look at my calendar and I have certain things that are already booked in advance in the calendar. So, like today, 11 am, dan Sullivan that's blocked off. So I'm allocating six units to this podcast here. But I start thinking, okay, looking at the context of the day, what else would I like to do? I have a friend here visiting from Miami, so we went for breakfast and, by the way, I have an extra hour today because it is fall back day and I've chosen not to use my hour yet. I'm going to save it and use it later, so I'm not participating in the fall back yet. I'm keeping that hour in reserve in case I need it. So I kind of look through the day and I start thinking okay, I've got all of this kind of hopper of possibilities, of things that I could do during the day and things that I need to do, and it reminded me of our. You know, if I ask myself, what am I procrastinating today? Like there's a series of questions that I'm kind of going through in the morning and I'm spending one unit 10 minutes to kind of just allocate what are the things that I think I could move into doing today. Very similar to your. You have three things a day, right, but you do it the night before you pick your three yeah, If I think I remember correctly, you limit yourself. You say what are the three things I'm going to get done tomorrow? Dan: And so you Well, three completions equal a hundred percent. Dean: I got you, okay yeah. Dan: And if you do four, you're in bonus territory. Dean: Got it. Yeah, it's not that you limit, you can do more. Dan: I can do more, but 100% is three. Dean: Yeah. Dan: Yeah. Dean: So I'm really like. This is I'm in double speed on the imagine. If I applied myself mode here and this is addressing my executive function this is the next big level up for me is really getting that dialed in, and so this is working. This is a, it gamifies it and it's never going to change. It's not going to change no matter how much I want it to or desire for it to change, life is going to continue moving at the speed of reality 60 minutes per hour, until long after you and I are gone. So where, what? What has improved, like I looked at and this is a separate but related item is I had, from 10 o'clock to 11 o'clock, I had the most fascinating conversation with my AI, with my chat GPT, and I've selected the British voice, and it's a slightly older. I was using Jasper, who was like, or Juniper, who was the sort of Charlotte Johansson kind of voice, and I've switched to the slightly older British woman voice, and so we had a great conversation. I asked her about her working genius, if she was familiar with working genius, and of course she knows everything about it. She knows everything about it and I said I'm very interested. How would you? I told her, my working geniuses is our discernment and invention, and my frustrations are enablement and tenacity. And she said well, mine, given the nature of what I am, I would imagine that wonder and enablement are my two. That would be her working strengths, and her worst ones would be tenacity and galvanize, which is so funny. Right, like to see that she has the self-awareness that what she's really good at is helping add value to things you know, and so we chatted about Russell Barkley and Ned Hollowell, who she's very familiar with and knows the nuances and distinctions between their approaches, and we talked about setting up some scaffolding and we designed a whole workflow for incorporating Lillian into this to be the enablement and tenacity in our triad, because there are things that and I asked her to we came up with a name for her, so her name is Charlotte. That's my, that's my. AI now. So she was quite delighted to have a name now and it was just so funny. I asked her like your accent seems to be you can. She said yes it seems so. I think it would be, although I'm not, you know the origin, but the accent would definitely be South London refined. But just the way she described it, I said, yeah, what would be some, what would be some good names that would be British names that would fit for that. It would be some good names that would be British names that would fit for that. And she came up with, you know, charlotte or Lydia or something. Dan: I said yeah, well, it's really interesting. You know Prince William and Kate, you know he's the Prince of Wales, and their daughter, who's the second child, is named Charlotte. Dean: Oh, okay, yeah, that's right. Dan: George is the son and then they have another. They have a third one. I don't know the name of the third one, but it's in the royal family. I know Charlotte appears on a frequent basis. Yeah, it's a thoroughly legitimate British name. Yeah, it's a thoroughly legitimate British name. Yeah. Dean: So I've called her Charlotte now and I fed her. We designed a workflow. I fed her episode one of the Joy of Procrastination. I just took the transcript and I put it up. All of this happened in the last hour, by the way, so I gave her the transcript. She totally digested it and I had her. She created six, three to 500 word emails that were summary or ideas that came from our discussion in episode one of the joy of procrastination. And they're wonderful. I mean, she did, I had her do. I said I'd like you know some, I'd like to see how many chunks, or, you know, in individual insights, we can gather from the, from the transcript. And I think I said I'd like, I'd like two to 300 words. And she wrote three two to 300 word ones which were just a little short. If you could tell there was more, if you had a little more time to expand it, it would be even better. And so I said you're on the right track, but let's I think I underestimated here let's go three to 500 words and let's make it conversational at about a sixth grade level. And so she, you know, immediately changed them and made them much more conversational and readable and I said those are great, are there any more? So she did six out of the first episode and I was like you know all this, like we had the most, you know, like talking about some executive function function work for her and Lillian and I to collaboratively work to get the things done. So she's like maybe we could start with brainstorming sessions where we can. You can tell me what you're thinking, what you're you'd like to do, and I can create some, you know, turn them into tasks and turn them into projects or workflows or timelines. For us it was really like I mean you definitely had the feeling that I was in the presence of a very well-qualified executive assistant in the conversation. I mean it was just. Dan: One thing, it's sort of a creative assistant. Dean: Yes, that's exactly like that the wonder and enablement is really yeah. Dan: I mean, the whole thing is that an executive assistant doesn't really range outside of what you've already told it to do. Yes, for the most part for the most part. But a creative assistant is doing something that's well. It's following your prompts, so it's still doing what you're doing, but it's got access to information that you don't have available to you at any given time. Dean: Yes, she said that's true. Like I said, that is the thing that I see as a limitation in our relationship is that that's why tenacity is her lowest thing, because she has the awareness of saying she's very. She realizes she is our relationship. She's reactive in nature. That she has. I have to do the prompting and I have to bring. But while we're in that, if I just point her in the right direction, she can do all of the things you know. And she was suggesting workflows with Google Documents and emails in a way that we could bring Lillian into the equation here, and so I can. On the physical thing, lillian and Lillian, by the way, her working genius is tenacity and enablement. Dan: You know. So it's like such a yeah, the thing I find interesting here Evan Ryan and I have a podcast every quarter, okay, and we've been talking about where we're noticing that AI is going. Dean: Okay. Dan: And my sense is that it's not going where the technology people think it's going. It's going everywhere else except where they think it's going. Dean: Say more about that. Yeah, what does that mean? Dan: Well, and we came up with a title for it, a concept for it, and the title was exponential tinkering a concept for it, and the title was exponential tinkering. Dean: Okay, oh, okay. Dan: And that is that I think that the people who are using AI to suit themselves are tinkering. I think I'll try this. Oh, that's interesting. Now, I think I'll try this, but they have a capability that, in the case of ChatsGPT, my favorite is Perplexity, the AI. And because, first of all, I kind of know where I'm going, you know, as a person, and I think it's a function. I think I was kind of born with this capability, but I had a 25-year framework from 2003, 25 years where I did my wanting journal every day, and so it's kind of like a muscle that my life before I started the journaling had just been distinguished by a bankruptcy and a divorce. Those are fairly conclusive report cards. Dean: Yes, yes exactly. Dan: In other words, you're not confused about whether they happened or not. Dean: Yes, exactly yeah. Dan: There's a reliable certainty about those two things. Dean: Yes. Dan: And I came to the insight back then that all the troubles of my life came from me not telling myself what I wanted in response to daily life. Okay, so you know, that's so. I said I got to strengthen this muscle. So every day for 25 years I'm going to simply say what I want in relationship to something that's happening that day. It's similar, it's resonant with your. You know, what do I want to do today? Dean: So we're on this. Dan: And plus, we have a lot in common. We're both 10 quick starts, we're you know, we're both ADD and we both have discernment and inventions. So we have a lot of things. We have a lot of things in common, yeah, so probably the way that we make progress Dean makes progress this way and Dan makes progress this way they're probably going to be fairly resonant, yeah, but what I think is that what I'm noticing about my relationship with perplexity is that I think about new things every day and then I say I wonder if I just have it do something for me. It sort of runs ahead of me and sort of clears the path a little bit for me to think about things. But Evan and I said you know, I think what's happening with this AI is just the opposite of where the technology people think it's going and where they want it to go. The most that the technology people can do is their own tinkering. They can tinker with things too, and it comes back to the individual. You know you can tinker this way and there will be a tool that you either utilize or you expand the usefulness of what you're doing. But I don't think it shows up, as I think that people who are heavily involved in technology you know, like Google, I use the guys, the two guys who started Google OK, I think all technologies are totalitarian. In other words, the Google people want there to be only one search engine on the planet and everybody else. Social media, the Facebook guy. He wants there to be only one social media platform and everybody's on that social media. So I think technology by its very nature, the moment you started technology as the creator of the technology, you want global domination and it was trending in that direction. Okay, apple only wants there to be one cell phone on the planet and that's you know, and everything like that. But I think that AI actually prevents that, because in order for you to be having global domination, you have to have everybody's attention, and I think each individual's unique relationship with AI takes their attention away from you. Dean: Yes. Dan: Oh, that's interesting too. Yeah so nobody as much as you would like Dean Jackson's attention. Today you're up against a lot of competition. Dean: Yes, yes, because. Dan: Dean wanted to do something else today and he's got direct access to Dean and you don't. Dean: I think about why, when you think about all the things that they are following our attention between google and you know, because facebook is on instagram, facebook and whatsapp, so you know, those are the three kind of big things that people are are on all the time but can I tell you something about? Dan: I think can I tell you about those three things. I've never been on any one of them. Dean: Yeah, that's true, you're in it, but not of it. Dan: Well, I'm aware that these things exist, exist, but I have absolutely no interest in, I have absolutely no interest in and you also have quite a presence on them. Dean: You have a nice presence on facebook. That people are putting your content on. So you're there, you just don't know. Yeah, you haven't done anything there yeah, yeah yeah, which, yeah, which. Dan: I talked to my social because I have a social media manager. You know he's a great guy. And I said so what am I doing out there? And he says, oh no, he says we've got a complete team and you know, and we have standards about what of you can go out there and everything else. We had a nice chat and there's sort of a governing body of team members in Strategic Coach and it's a that's backstage. You can't take backstage stuff and put it on the front stage. You can only take stuff that you know would serve the purposes of Strategic Coach if it was front stage. That's it. So to a certain extent, I'm just using all the social media that want my attention to avoid them having my attention. Yeah, it was very interesting, the head of the? yeah, I think I'm trying to think who it was. It was a top guy. I was reading this on Real Clear Publishes, which is one of my favorite sites, and he said there's a great deal of despair in the major networks, especially in relationship to the current election, which is two days from now, and he says we have to accept the fact that what we're trying to get American voters to think is wasted because half of them never pay any attention to us. So our messaging and you know we're fighting for their attention, but they don't pay any attention to us and we have no ability to get their attention and the more we strive to say you should be thinking this the less, the less control or influence that we have on the people of thinking so we're only talking to the people who already think the way that we think already. And if it's not 50%, that's not going to win you an election. Dean: Yeah, that's right, it's very interesting. Dan: There's something odd about this election. We'll only show up on you know after Tuesday that all the money that was poured into trying to get a winning vote in other words, more than you know in any one of the states, more than 50, that you have a majority of the vote yeah, it's wasted. It's wasted dollars. Dean: I saw something today that was you're calling out Kamala Harris for running two ads in different areas. Dan: Yes, with a Muslim population. She was running one ad talking about. This is about Gaza. Dean: Yes, that's exactly right. She was talking about the being a supporter for Israel's right to defend themselves and to, and the atrocities that Hamas did and all of it. So it was really interesting. That was almost talking out of both sides of her mouth and they called her out, and they sort of happened simultaneously, didn't they? Dan: Yes? It was like on the same day, in the same period, but the context is where is Kamala? I mean, she says this here and she says the opposite here. Where? Dean: is she? Dan: And that's her biggest problem Nobody knows where she is. Yeah, it's interesting, right, that was, but that was, and I think the reason is that Kamala will be whoever you want her to be, depending on the situation. Yes, and it doesn't give you doesn't give you a lot of confidence. Dean: Yeah, I think you're absolutely right. So that was, but that was. You know that now you can't get away with that because everybody's monitoring and knows what happens right, knows to watch those different markets. When you look in 2016,. You know everybody all that Cambridge Analytica stuff that was being done for Donald Trump. You know that movie was really fascinating how they showed. They broke up each of the voting precincts or districts into you know that, had all these profiles on everybody in there and they would categorize them. As you know, either you know true Hillary or already in the choir, fort Donald had focused all their attention on that little group that they called the Persuadables. They turned in all of their messaging specifically to them. That was unheard of as a capability. Nobody even understood that you could do that or why all of a sudden are all of these personality profiles. Dan: It's very interesting. They already did know this, but it wasn't digital, because Richard Vigory, you know Richard. Well, richard, in the 1970s, worked it out on postal codes, and so he got all the postal codes in the United States, which is public information, and he had a team of students who would go to the state capitol in each of the, you know, in each of the, and he could get the list of people who were in every postal zone. You know he would do that, yes, and then they would start testing ideas. They would send out direct mail. He was a direct mail genius, okay. And so he figured out he could do it by postal zones. And the postal zones are, you know they? I don't know how many there are, but in terms of voting precincts, there's 40,000. In the United States, it's right around 40,000. In the United States, it's right around 40,000. And they each have a unique signature in terms of what interests them, what doesn't, what they're for, what they're against. And so, because he knew the media was totally on the democratic side, like the newspapers, the major networks and everything else. But the other thing about that is that they could get it and what you realized is that you could just ignore all the ones that were they were going to vote Democratic. You knew they were going to vote for it was Carter in this case, because he was doing that for primarily for the presidential election. He did it for Reagan and, what's interesting, there's a lot of comparisons between that election and this election. I've been reading them. One was in the Real Clear Politics this morning. And he said that the pollsters don't know this. The polling organizations don't know this because they're just going on an average of who says this to a set of questions. But in the case of Richard Vigory, he wasn't asking them who they're for, he was asking them what are the issues that most concerned you and then the messaging on the part of Reagan and, I think, trump in 2016,. What they identified, it was actually 220 precincts that did the election 220 precinct elections actually made the difference and what was unique about the 200 wasn't so much about Trump or Hillary Clinton. It was about they had voted for Obama in 2012. Yes, and they were very disappointed with Obama because he promised hope and change and he didn't deliver. They were still interested in hope and change. They just attached Trump's name to the hope and change and they switched to. Dean: Trump. Dan: So the Obama voters did not move to the next Democrat. They moved to the candidate who is doing hope and change. Dean: Yeah. Dan: And they picked that up from Twitter. Dean: Yes, oh, so, funny. Dan: I mean it's so that's got a thousand times more refined. Dean: now, eight years later, yeah, instantly right, and people were hip to it and sort of suspicious of it. I think that's why the media is picking up on these things. So of course it was Fox that noticed that distinction. Dan: That's so funny. That wasn't breaking news. Yeah, it's really interesting. Yeah, it's really interesting because as cool as the rest of them. Now it's gone much, much deeper than a major network and you know it's very. Dean: it's really interesting that you know the the unfettered media now are really the like Joe Rogan just had Donald Trump. Dan: Oh, I mean, Rogan is the you know I mean, he's just got so much more influence. Dean: Yeah, like yesterday, I think yesterday morning I just checked the. I think it was that 45 or 47 million views for the Joe Rogan podcast. Dan: With Donald Trump. Yeah, it was like I think it was over 30 on the first 24 hours. Dean: Yeah, isn't that wild. Dan: And then you know what's really funny is that, Joe Rogan, they were having communication with Kamala. And he offered her the same opportunity that he offered. Trump. Dean: Yeah. Dan: And Trump just jumped on it and Trump redirected it so they could go to Austin, texas and you know, and he could visit with Joe Rogan in Joe Rogan's studio. And it went three hours. Dean: It was a three hour, three hour podcast, and anyway, she said we'll do it, but you have to come to us. Dan: You have to come to us and it can only be an hour. And he said you know who's the buyer and who's the seller here? Dean: Right Always be the buyer, that's right. You're going to make your pilgrimage to Austin, but she knows that's not her. You're going to make your pilgrimage to Austin, but she knows that's not her Austin. Dan: Yeah, Do you have to get shot? But actually Austin is a fairly liberal city. Dean: I mean, it's the state capital of the University of Texas. Dan: I mean, if you wanted to pick the area of Texas that's probably the most liberal, it's probably Austin, but Joe Rogan is immune to all that because he's not talking to Austin. He's talking to the world, right, if you want to talk to the world, and the other thing is and then Bantz went on. So instead of the time that, would have been given to Kamala was given to a band and bands. Is the likable Trump. Dean: Right, that's funny. Dan: It's like good cop, bad cop. It's got good cop, bad cop. You know, they're actually a team, One of them you know he comes from dirt poor Appalachian. The other one is a billionaire from New York, but they're a team so they cover a lot of territory. But back to our interesting conversation that you have with Charlotte that I'm talking about here. See, you've created essentially an exponential mirror, Because you're seeing your thoughts coming back to you. Dean: Yes, that's why she saw and recognized that her working genius is wonder and enablement. She can take my pieces and give me insights and see what you know, break it down and create out the things, which enables me to use my discernment to say you nailed it on that one. That's great and that reminds me. Let me add this to it and that becomes this I get to be in the middle of a thing that's already in motion, rather than having to start something from scratch. And I think I've really been thinking about you know we're coming into 2025. And I've always I've loved the idea of the quarterly books and the 25 year framework and the whole thing. And I just got Seth Godin's new book just came out called this Is Strategy, and I realized that what Seth's books are? A compilation of his daily blogs. He basically puts one blog post up every day, short, like 200 words, like some of them, you know, two to 300 word things and I, and then every year he puts out a new book you know, that's a compilation of those and I just realized I thought you know my winning formula has been because I have a hard time, just kind of, you know, writing from scratch. So I've always used my podcasts as the way so I do my more cheese, less whiskers, podcast where every week I have a different business owner on and we just do a one hour brainstorm applying the eight profit activators to their business and that was my formula for doing it. And I've done hundreds of episodes like that and from that I had a writer who went through the transcripts and took and created you know all the things that are the emails that I that I send. I send three, three emails a week and but since COVID, you know, I've been in syndication. Let's say I've got cause I have 200 of the episodes or whatever. I've been rotating around, so very periodically I'll write a new email to go out, but essentially they've been on a two year loop kind of thing where, yeah, you know, like they're getting emails that maybe they got that same email two years ago or last year. So I just I'm putting all this together now of this. I always seem to work best when I can lock in durable contexts for things Like I know the eight profit activators are. That's the bedrock durable context. I know about me that I work best in synchronous and scheduled here I am, ask me anything type of environments. So to set up, I'm bringing back my more cheese, less whiskers cast, going to start a whole new series of them and now, with Charlotte and Lillian to, and Glenn, my designer, to be able to take that. You know Lillian will fill the calendar with my things. So once a week I'll do a podcast with a new business owner that she will have arranged. I just have to show up and and bring my best to that hour, which is my favorite thing because it's discernment and invention. I get to listen, I understand what they need and I can suggest ideas of how to apply. It's like my superpower in action. And then to have the workflow of taking that transcript or taking that audio, getting the transcript, sending it to Charlotte to analyze, take out and create the both a summary and a thing, and then send it to me so that I can read the emails that she wrote and adapt that. You know, just edit them to be exactly in my voice and what I want, and say that one's good, that one's I don't like that or whatever. That kind of thing is pretty amazing. And at the end of each quarter, at the end of each quarter, I can take all of those compiled ones and make my more cheese, less whiskers. Quarterly book with all of the compilation of all of the things that I've written there, with illustrations and insights, all Helvetica which is going to be here for 25 years and each year anchored in the Pantone color of the year which is coming up in December. Every year they launch a color of the year. So the series, like, if you look at a bookshelf of you know, if I did in 10 years, 40 books, four of each, four spines and covers in the Pantone color of the year, anchored with Helvetica and an illustration, I just think, man, that is that right. There is the makings of a durable, you know, support system for Dean. Dan: Well, the other thing is, all this can be done by sitting in your chair on the patio. Dean: Yes, yes. You're customized for a season Valhalla. Dan: Yeah, valhalla, yeah yeah. Well, the interesting thing about it is that one it's good. It's good for as long as you want to keep it going. You know there's nothing, there's no obstacle to it, but you've got a big. You've got a big immediate contact list of people who would be interested in this. Dean: Yeah, yes, and that's the great thing is that I never have to go and find guests. Everybody, you know we're booked when we do it booked, like you know, months ahead. That it's a situation that they're legitimately getting $2,500 consultation for. That's the way I come into it is. I'm not holding anything back as you get this, yeah, so it's very, yeah, it's really very interesting. You know that I think is fantastic, so stay tuned. Dan: Yeah, it's yeah. The interesting thing is, I just like to bounce off the exponential tinkering idea that Evan and I have been talking about, and my sense is that there's a great panic going on in the world, and I notice it in big institutions that have been with us for a long time, and I'll set one institution aside, and that's the US and the US Constitution. That's an institution that I'm not going to talk about, but I'm talking about the United Nations. So the United Nations was created after the Second World War, essentially to prevent a war between the United States and the Soviet Union. That's really the main reason for the United Nations, but one of the causes disappeared in 1992, the Soviet Union, without anyone's permission, the Soviet Union quit and therefore what I've noticed is the United Nations is less and less relevant, but it's been taken over, infiltrated by just about everybody you don't really like, and they create this special organization, the United Nations Organization for the Palestinians. It's called UNRWA. Okay, that's called UNRWA. And the Israelis just said we don't want anything to do with you because we discovered that members of the United Nations were actually in part of the attack on Israel. These are members of the United Nations, but they were terrorists who helped kill the 1,200 Israelis and they said but that's it, you're out of here. You're out of here. You can't be anywhere in Israel, you can't be anywhere in the West Bank or anything else. And I'm noticing more and more that it's an irrelevant organization and it's using up about 25 acres of the east side of New York and I remember Trump saying boy, what I can do with that real estate. Dean: It's getting to the point where people are making the joke that you know. Dan: Certainly we could make better use of the east side of New York City than having this organization that essentially doesn't serve our purposes, but we spend, we send them huge amounts of money every year and we had to do an audit here to see whether this is really worth. Our effort Served a purpose, but the purpose, the central reason for the purpose, has disappeared over the last 30 years. But it keeps going on out of just sheer inertia, you know. It's just moving forward on out of just sheer inertia. Dean: You know, it's just moving forward. Dan: But what I'm saying is, I think that your experience with Charlotte and the sort of cluelessness of the main networks and the other big institutions are the mainstream news networks and we're saying, you know, like I'm not getting any value out of what you're doing. Besides, you seem to be on one side of the political spectrum and you know, you saw Jeff Bezos who said that the Washington Post is not going to give an endorsement for the presidential election. Well, that was in the bag, the Washington Post. You know they're going to go for the Democrat and he says I don't think this does us any good anymore. And so I'm just noticing evidence after evidence that the whole game has changed and it's only individuals who are entrepreneurial who are using this new AI capability to essentially have creative relationships with themselves, trying to have a sense of confidence about where they can go personally. Yes, what do you think about that? I? Dean: find no, I think that's it, my whole relationship like now that I understand that her role in my life is wonder and that, as a amplifier of my, she's doing what I would do if I could count on me to do it right like I can take the transcript like if I would have the executive function to do that, to go in and pull out what I see as the insights and organize them into, you know, into those bite-sized emails like she does it in real life, I mean, as you can type she's pulled out the insights, she's made the emails. I think that is such a great thing to give me something to. That is such a great thing to give me something to. It's like instead of trying to play tennis on your own, you can hit the ball and show it back, you can hit it. I think that's really what it is, is that there's some momentum going in the thing, rather than me just trying to do it all myself. Dan: Yeah and I'll leave. We're close to our. I've got another. I've got a massage coming up, so nice. I'm at Canyon ranch and, of course, anyway, but I would say that the number one capability that you bring to this and I'm comparing it with the ability that I am unpredictable to myself yeah, that's interesting. Dean: Today is the only time that I am thinking that way, that I'm comparing it to myself. That's true, yeah. Dan: And that's why I'm such a stickler on structures going forward that these structures can always be the same, and what it allows me to do and I think what you're describing allows you to do is that, rather than trying to discipline myself so that I'm predictable, I'll just create a structure that's predictable so that I can be unpredictable. Dean: Yes, you hit it on the head, dan. That's exactly what it is. I'm just going to create the strength. That was the winning formula when everything was live. That was the winning formula. I just had the time in the calendar. Our conversations are one of the great joys in my week that I love and look forward to this bright beacon on my account. It's the only thing on my Sunday and I look forward every week. But I don't fret, I don't, I don't give it a thought, I don't know what are we going to talk about, or what do I need to prepare, or I got to get my homework done before this. It's not a deadline, it's anything that I have to prepare for. Dan: Yeah, it's interesting. It's an interesting. But I think that if you look at the development of history, especially American history, and the genius of the founding fathers with the Constitution, and the genius of the founding fathers with the Constitution, and you know, one of my great historical role models, you know, is James Madison. He was the brains behind the Constitution. He was sort of the cut and paste guy that looked at everything that seemed to work as far as governing structures and he got. You know, he had I think he had a couple of thousand constitutions from history where people had tried to, you know, create some sort of predictability going forward, and especially the first 10 amendments of the constitution. Those amendments are to protect the individual from the government. The whole purpose of the Constitution is to protect individual Americans from the government. Because the government, like any other structure like that, wants to be totalitarian. They want your attention and they want to tell you what to do. And he said, no, we've got to let people, you know, meet in unpredictable ways, talk in unpredictable ways, you know, create new initiatives, you know, and we can't have this interfered with by government bureaucrats and everything like that. Completely with the first 10 amendments of the US Constitution, and that's the institution that's the number one institution on the planet. It's that 27 pages of typewritten notes that, basically, has created this freedom for individual initiative. That's as durable and I think every election is decided by the majority of the people. Say, don't what the one side's doing. I think we'll vote for the other side this election. Dean: Yeah. Dan: Yeah. Dean: Crazy. Dan: Yeah, anyway, this was a good talk and we'll do it live on Wednesday when you arrive. We're heading up on driving on Wednesday morning, so the rooms don't open until about 3 o'clock. Well, you're staying at Bob's. Dean: It doesn't matter. Right, I think I arrive Wednesday evening, so Thursday will probably be. Dan: It's going to have to be be. Dean: Thursday it could be. Dan: Yeah, why don't we say Thursday? And that makes it certain. Dean: Okay, perfect, that sounds great, maybe we can do both then Maybe we can do the Henry in the morning. Okay, I'll text Matt, all right. Dan: Okay. Dean: Have a great week. I'll see you in a couple of days, great podcast. Dan: Thanks Okay, bye.
Laura is finishing up some projects in London and will then be attending the International Film Festival in Wales where her new romcom screenplay "Happy Accidents' will be recognized as one of the outstanding screenplays. Also learn about the American Film Festival being held in Las Vegas and some inspirational tips for making your dreams a reality.You can connect with Laura at www.laurapowers.net, on Facebook @thatlaurapowers, on X @thatlaurapowers, and on Instagram, TikTok and Insight Timer @laurapowers44.
In this episode of the Perceptive Photographer podcast, I dig into how we go about dealing with mistakes and unexpected outcomes in our creative process.
In this episode of the Perceptive Photographer podcast, I dig into how we go about dealing with mistakes and unexpected outcomes in our creative process.
Mystery Sound Quiz for a pair of Evening Edge Boxers; World Series--do you care?; Happy Accident makes man millionaire; Ohio Woman/Men Idiots with Guns; Camel and Ostrich racing; Hidden cameras on cruise ships; Florida Woman thief targets Target; Hero rescue dog; Current Events Quiz for Dr. Scott Bonn at Victoria Theatre.
“The OOOps methodology from the science of happy accidents are optionality, opportunism, and optimization.” Stephen Fishman and Matt McLarty are the authors of “Unbundling the Enterprise: APIs, Optionality, and the Science of Happy Accidents”, a book from IT Revolution. In this episode, we discuss the transformative power of APIs, the importance of optionality in technology and business, and the intriguing science of ‘happy accidents'. We delve into the “OOOps” of the science of happy accidents, which are optionality through API unbundling, opportunism through value dynamics, and optimization through feedback loops. Stephen and Matt share real-world examples of how companies like Amazon, Google, and Cox Automotive have successfully unbundled their enterprises and leveraged optionality for growth and innovation. Also, hear the story and impact of Jeff Bezos's legendary API mandate at Amazon, which revolutionized Amazon to become the giant it is now. Towards the end, we discuss the role of AI in the future of work and how we can use AI along with APIs to embrace more optionality and create more business value. Listen to the full episode to learn more about how you can apply these concepts to your digital transformation journey and benefit from the power of APIs and optionality. Listen out for: Career Turning Points - [00:01:51] “Unbundling the Enterprise” Book - [00:05:21] Amazon API Revolution - [00:08:39] What Drove Jeff Bezos's Mandate - [00:14:10] Optionality Through API Unbundling - [00:17:36] Happy Accidents - [00:23:59] Opportunism Through Value Dynamics - [00:26:59] Value Dynamics - [00:30:55] Optimization Through Feedback Loops - [00:38:03] Embracing AI - [00:45:24] 4 Tech Lead Wisdom - [00:52:02] _____ Stephen Fishman's BioStephen Fishman (Fish) is the NA Field CTO for Boomi. He is a practicing technologist who brings creativity, rigor, and a human-centric lens to problem-solving. Known as an expert in aligning technology and business strategy, Stephen places a premium on pushing business and technology leaders to embrace iteration and the critical need to collaborate across disciplines. In addition to consulting with large organizations, Stephen is an in-demand speaker and advisor. Stephen has led multidisciplinary teams to deliver amazing results at Salesforce, MuleSoft, Cox Automotive, Sapient, Macy's, and multiple public sector institutions including the US Federal Reserve and the CDC. Matt McLarty's BioMatt McLarty is the Chief Technology Officer for Boomi. He works with organizations around the world to help them digitally transform using a composable approach. He is an active member of the global API community, has led global technical teams at Salesforce, IBM, and CA Technologies, and started his career in financial technology. Matt is an internationally known expert on APIs, microservices, and integration. He is co-author of the O'Reilly books Microservice Architecture and Securing Microservice APIs, and co-host of the API Experience podcast. Follow Stephen: LinkedIn – linkedin.com/in/stephenhfishman Email – stephen.fishman@boomi.com Follow Matt: LinkedIn – linkedin.com/in/mattmclartybc Email – matt.mclarty@boomi.com Book & Podcast:
In this episode, I sit down with Kate Gerwin of Happy Accidents and of Drink Master fame and we have a chance to delve into small markets, awards, cocktails, travel and the TV show. Hope you enjoy the episode. FOLLOW US ON INSTAGRAM – Shawn Soole https://www.instagram.com/shawnsoole/ Soole Hospitality Concepts https://www.instagram.com/soolehospitalityconcepts/ FOLLOW US ON TWITTER - https://twitter.com/ShawnSoole FOLLOW US ON YOUTUBE - https://www.youtube.com/channel/UCGgDDJZM7HvJiQCaqmXEVNA
Jim and Patrick speak with Devin Brezak, Matt Cortez and Melissa Hernandez of Chicago band Cutest Nuisance, whose new album, Happy Accident, is a glorious mix of melody, noise and introspection. Today, the final six tracks of the record are the focus. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Jim and Patrick speak with members of Chicago band Cutest Nuisance, whose new album, Happy Accident, is a glorious mix of melody, noise and introspection. Today, we discuss side one of the album. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Appleton is a thriving brewing community and we've brought two other local brewers to prove it: Steve Lonsway of Stone Arch Brewpub and Oliver Behm of Hop Yard Ale Works. Gary, Bobby, and Allison host a round table with the two fellow brewers to discuss how they got their start, what their specialties are, and what they give guests who ask for the closest thing to Budlight.Got a question about beer or just want to get social? Join the RtB Facebook group: https://www.facebook.com/groups/respectingthebeerGuest BiosSteve LonswayStonearch Brew Pub, Owner, Founder, CEOhttps://www.stonearchbrewpub.com/Steve's brewing journey began in college in 1991 after discovering his passion for home brewing. Partnering with his father and brother, they established Homebrew Market in 1993 then Steve further honed his skills at the Siebel Institute of Brewing Technology in 1996. As Corporate Brew Master of a local brewery, he oversaw multiple locations before starting Stone Arch with his father in 2004. Steve enjoys traveling with his wife, two daughters and rescue dog, supporting the Chicago Bears, and finding solace in his yard and parlor.Oliver Behm,Hop Yard Ale Works, Owner, Founder, Brewerhttps://hopyardaleworks.com/Oliver & Amy Behm were born and raised in the Fox Valley. Their passion for food & love for beer took them on many adventures across the county. What they created for you is a collaboration of the best parts of their memories.Their wish is you enjoy the atmosphere, community and brewery experience as much as they did to risk it all, and follow their dreams!Episode Timeline00:00 Introduction and Hosts00:27 Meet the Guests: Steve and Oliver00:52 Steve's Brewing Journey04:57 Oliver's Brewing Journey09:31 The Brewing Community and Competition10:37 Craft Beer Trends and Market12:15 Brewing Styles and Brand Identity14:46 The Cast Conditioning Journey15:29 The Business Side of Beer and Food16:24 Handling Non-Craft Beer Drinkers Who Ask for Budlight17:08 Pizza and Beer: A Perfect Match19:26 On-Premise vs. Off-Premise Sales22:02 Signature Beers and Brewing Stories25:24 The Art of Recipe Tinkering28:35 Happy Accidents in Brewing29:06 Conclusion and Farewell--Hosts:Bobby FleshmanAllison McCoy-FleshmanGary ArdntMusic by Sarah Lynn HussRecorded & Produced by David KalsowBrought to you by McFleshman's Brewing Co
In which we hoof a few balls round the rock and roll pitch and try to stick some in the net. Extracts from the live match commentary include …. … “Whipping Post!” “Paint it black, you devil!”: when did the audience become part of the show? … the special, unrepeatable thing about Bill Evans At The Village Vanguard. … GambleGate and the most we've ever bet on anything. … why young musicians today are so good. And why most Americans could outplay the British. … ‘60s Jamaican ska, 2-Tone and other imperfect imitations of the original. … does the mainstream exist anymore? … did the Animals' House of the Rising Sun invent folk-rock? … the voice of Word In Your Ear, Kerry Shale: who is that masked man? … the new Al Murray promotional tactic. … and does anyone else remember Alice's Restaurant? Plus Count Basie, Frank Sinatra, the Beatles playing Motown, Emily Roberts of the Last Dinner Party playing Gershwin and birthday guest Blaine Allan.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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On today's episode, I'm joined by Henrietta, who is based in Australia. She shares her open and honest journey into becoming a single parent by choice. After finding out she was pregnant with a man she wasn't in a relationship with, she decided that at 39 years old, this was her time. After discovering the “happy accident,” she decided then and there to have the baby and raise him alone. Henrietta is brutally honest about her decision to do what is right for her and is very open about her encounters as a single mother. This is a great listen for anyone out there, be it advanced maternal age or not, and perhaps wondering if going on the solo pregnancy journey is for them.Follow @birthingbeyond35 on Instagramwww.birthingbeyond35.com
Welcome to another exciting episode of The Garden Question. Today, we're venturing into the captivating realm of plant breeding, a topic that's as fascinating as it is innovative.We all relish the joy of designing our own gardens, but have you ever dreamt of crafting your very own plants, tailored specifically for your garden? Well, buckle up because we're about to dive into this extraordinary world with an expert who's mastered the art of plant breeding.In this episode, I'm thrilled to introduce you to David Roberts, a trailblazer in the horticultural universe.David's journey is nothing short of inspiring.Armed with a master's degree in horticultural science from the prestigious North Carolina State University, he embarked on a path that led him to a profound passion for ornamental plant breeding.During his academic pursuits, he worked closely with esteemed mentors, Dr. Dennis Werner and Dr. Tom Ranney, honing his skills and nurturing his love for the art and science of plant breeding.Here's where the story takes an exciting turn: Bailey Nurseries, Inc. recognized David's exceptional talent and enthusiasm, welcoming him into their family in 2015.Since then, he's been the driving force behind Bailey Innovations, serving as the general manager and head plant breeder.Currently, as the Director of Plant Breeding for Bailey Innovations, David oversees the breeding direction and orchestrates plant trials right from their nursery in the Winterville, GA.Join us as we unravel the secrets behind the artistry of plant breeding, exploring David's experiences, insights, and the magic that happens at Bailey Innovations.Prepare to be inspired, because today, you're in for a treat. Get ready to witness the bloom of creativity right here episode 164 - Creating New Fun Plant Varieties: The Art and Science of Breeding – David Roberts. An encore presentation.In episode 164 of The Garden Question Podcast, host Craig McManus delves into the fascinating world of plant breeding with expert David Roberts. He discusses the process and goals of plant breeding, the balance between aesthetics and performance, and the importance of trends and innovation in the field. Listeners will learn about the journey of creating the Eclipse hydrangea, the role of happy accidents in plant breeding, and the potential future of gene-editing technologies like CRISPR. Roberts also discusses exciting new plant varieties and the history of Bailey Innovations, a leader in plant breeding. This episode is a must-listen for anyone interested in horticulture, from novice gardeners to seasoned experts.Time Line 00:00 Introduction to The Garden Question Podcast00:47 Exploring the World of Plant Breeding01:17 Meet David Roberts: A Plant Breeding Pioneer02:58 The Goals and Challenges of Plant Breeding03:39 Trends and Innovations in Plant Breeding05:56 The Science and Art of Plant Breeding09:30 Happy Accidents in Plant Breeding16:19 The Journey of Eclipse Hydrangea25:16 Bailey Innovations: A Legacy of Excellence29:30 Innovations in Hydrangea Breeding30:31 Exploring the Potential of Vitex33:07 Pollinators and Plant Breeding36:56 Focus on Native Plants38:01 Designing and Growing a Garden42:09 Personal Journey into Horticulture43:51 Influential Figures in Horticulture46:04 Lessons from Gardening Mistakes47:20 Global Production Practices49:22 Florist vs. Garden Hydrangeas52:43 Future Garden Vision53:21 Current Plant Obsession54:20 Connecting with David Roberts
On this day in 1965, in a fit of nocturnal inspiration, Rolling Stones guitarist Keith Richards wrote “(I Can't Get No) Satisfaction.” See omnystudio.com/listener for privacy information.
It's a victory episode as Denny Hamlin wins at Bristol. Denny got lucky at the end of stage 1 when he blew a tire. What he learned from that blown tire that helped him the rest of the race. Did anyone have an idea the tires would wear the way they did? Denny's plea to Goodyear and whoever created this tire. Was the tire the issue or was it something else? Why today proved more off throttle time is a good thing. There's no need to make and changes to this tire. What happened on the final green flag pit stops. Denny kindly moved Bubba Wallace out of the way. Ryan Blaney vs Ross Chastain heating up. Erik Jones and Chase Briscoe finally have each other's numbers. And Denny did it again21+ and present in NC. First online real money wager only. $10 Deposit req. Bonus issued as non-withdrawable bonus bets that expire 7 days after receipt. Restrictions apply. See full terms at fanduel.com/sportsbook. Gambling problem? Call 877-718-5543 or visit morethanagame.nc.gov. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
It's a victory episode as Denny Hamlin wins at Bristol. Denny got lucky at the end of stage 1 when he blew a tire. What he learned from that blown tire that helped him the rest of the race. Did anyone have an idea the tires would wear the way they did? Denny's plea to Goodyear and whoever created this tire. Was the tire the issue or was it something else? Why today proved more off throttle time is a good thing. There's no need to make and changes to this tire. What happened on the final green flag pit stops. Denny kindly moved Bubba Wallace out of the way. Ryan Blaney vs Ross Chastain heating up. Erik Jones and Chase Briscoe finally have each other's numbers. And Denny did it again 21+ and present in NC. First online real money wager only. $10 Deposit req. Bonus issued as non-withdrawable bonus bets that expire 7 days after receipt. Restrictions apply. See full terms at fanduel.com/sportsbook. Gambling problem? Call 877-718-5543 or visit morethanagame.nc.gov. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices