Podcast appearances and mentions of James Sallis

Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs A l'occasion de la sortie de The Fall Guy avec Ryan Gosling et Emily Blunt et réalisé par David Leitch déjà derrière le nullissime Bullet Train dont on avait fait le portrait à la rentrée. On va vous parler de la dernière fois où Ryan Gosling avait interprété un cascadeur, et aussi un chauffeur exceptionnel, The Driver dans le film de l'égomaniaque Nicolas Winding Refn. Un film qui avait fait sensation à sa sortie en chopant également le prix de la mise en scène au festival de Cannes. Ce polar urbain très simple a eu un impact extrêmement fort dans la pop culture, entre popularisation de la Synthwave, remise en avant de la stylisation de l'ultra violence qu'on retrouvera dans des jeux vidéo comme Hotline Miami, Lancement de la carrière de Nicolas Winding Refn à l'international avec une aura de futur Stanley Kubrick et aussi un nombre incroyable de mascus en mal d'amour propre qui se sont identifiés au personnage extrêmement instable et teubé de Gosling dans le film. Maintenant que les retombés sont passées, que reste t'il de Drive quasiment 15 ans plus tard ? est-ce toujours un film aussi incroyable que la presse et les spectateurs ont acclamé, c'est ce ce qu'on va essayer de déterminer dans ce podcast. Adapté du roman Drive de James Sallis paru en 2005, scénario écrit par Hossein Amini qui écrira par la suite Blanche Neige et le chasseur et 47 Ronin.Réalisé par Nicolas Winding Refn et épaulé à la photo par Newton Thomas Sigel le chef op de Bryan Singer. Musique de Cliff Martinez, Kavinsky, Desire, College. Budget serré de 16 Millions de dollars soit autant que Bienvenue chez les Ch'tis de Dany Boon, Produit par une armée de producteurs indépendants dont Marc Platt, le futur producteur de La La Land et Babylon. Quatre boîtes de productions, sept producteurs pour nous raconter l'histoire d'un trentenaire flippant nommé "The Driver" incarné par Ryan Gosling, qui se prend pour un cowboy le jour à Hollywood pour le cinéma en tant que cascadeur et la nuit pour des truands. Mutique, problème relationnel avec une fâcheuse tendance à rester à regarder ses interlocuteurs un peu longtemps, il a son propre code de conduite. Jamais il n'a pris part aux crimes de ses employeurs autrement qu'en conduisant, jusqu'au jour où il décide d'aider son voisin, un ex taulard qui est le mari de la meuf qu'il essaye de se taper en la stalkant. Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs La liste de la Shitlist sur Senscritique https://www.senscritique.com/liste/la_shitlist/3657768? La liste de la Shitlist sur Letterboxd par WongKarWaifu https://boxd.it/pQN3e Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Si vous souhaitez soutenir ou aider notre Podcast Shitlist gratuitementNous vous demandons simplement de mettre des commentaires 5 étoiles avec un joli commentaire sur Apple Podcasts, Itunes ou Podcast Addict en vous remerciant par avance. Par ailleurs vous avez toujours la possibilité de nous envoyer vos suggestions de sujet pour qu'on en parle dans l'émission à l'adresse suivante shitlistpodcast@gmail.com Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtube Ne ratez aucun numéro, suivez-nous sur Twitter et Instagram Chroniqueur : Marvin Montes, Karim Berradia et présenté par Luc LE GONIDEC Host : Luc LE GONIDECMusique Jean Baptise BLAISMontage et mixage son : Luc LE GONIDEC

Welcome to the first episode of the Built Environment Season of "Healthy Neighborhoods, Healthy Nation" as we delve into the intricate relationship between our surroundings and well-being. In this episode of the Built Environment Season, we're honored to have the esteemed Dr. James Sallis guide us through the corridors of urban design, revealing the profound impact it holds on our physical activity, health and more. Dr. Sallis, a luminary in the field of physical activity, illuminates the critical role that the built environment plays in shaping communities. As we embark on this journey, we explore the transformative power of walkable communities, the artistry of crafting active living spaces, and the interdisciplinary collaborations that pave the way to healthier, more walkable safer neighborhoods. Join us in this inaugural episode, where Dr. Sallis not only shares his wealth of knowledge but ignites a passion for reimagining the places we call home.  Let's walk together into a future where the built environment becomes a blueprint for holistic well-being. Tune in to the first episode of our Built Environment Season on your favorite podcast platform and be part of the movement for healthier, more vibrant communities. Follow us on Instagram: @hnhn_podcast Subscribe to our YouTube: Healthy Neighborhoods, Healthy Nation Contact us: neighborhoods.podcast@gmail.com Episode Link(s): Learn More About Active Living Research

Einstein Flint is an ex-rodeo rider, born in Brooklyn and raised in every other borough in the city. Now, he's banged-up, burnt out and back in NYC, bouncing at Boom Boom's. Dasha Bragin was smart, fearless and…remorseless as desert sun. But now she's dead and the cops are pretty sure Flint is their guy. Flint and Dasha had been a couple before the cops found her body, damaged in ways that don't allow the next breath. When word on the street gets out that Flint had brought somebody into town to kill her, the police are even more certain they have their man. Flint learns the street chatter is coming from people that Flint thought were his friends—he's not sure who he can trust or why he's being setup. Flint finds the first loose thread when Dasha's roommate, Mya, shows up at his door looking for help. Dasha and Mya, had taken off a private, high stakes game for almost a million dollars and then left a trail of bread crumbs. But they had picked the wrong game—these boys would kill you for insulting their sister. Take their money? They would pull you apart, one thin layer at a time…until the only thing between you and dead was that wishes don't come true. Einstein has to find a path to the real killers and take them down without becoming part of the body count.Boom Boom's Last Call is influenced by characters like James Sallis' Lew Griffin, Robert Crais's Elvis Cole and a young Dave Robicheaux—men who know that words like honor and duty have become a punch line…but they just don't get the jokeSupport this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

DOUG JOHNSTONE chats to Paul about his new novel THE OPPOSITE OF LONELY, the Skelfs, Sci-Fi, mathematical modelling and being the writer in residence at a funeral parlour.THE OPPOSITE OF LONELY: Even death needs company…The Skelf women are recovering from the cataclysmic events that nearly claimed their lives. Their funeral-director and private-investigation businesses are back on track, and their cases are as perplexing as ever. Matriarch Dorothy looks into a suspicious fire at an illegal campsite and takes a grieving, homeless man under her wing. Daughter Jenny is searching for her missing sister-in-law, who disappeared in tragic circumstances, while grand-daughter Hannah is asked to investigate increasingly dangerous conspiracy theorists, who are targeting a retired female astronaut … putting her own life at risk. With a body lost at sea, funerals for those with no one to mourn them, reports of strange happenings in outer space, a funeral crasher with a painful secret, and a violent attack on one of the family, The Skelfs face their most personal – and perilous – cases yet. Doing things their way may cost them everything… Tense, unnerving and warmly funny, The Opposite of Lonely is the hugely anticipated fifth instalment in the unforgettable Skelfs series, and this time, danger comes from everywhere…DOUG JOHNSTONE is the author of sixteen novels, most recently THE OPPOSITE OF LONELY, the fifth in the Skelfs series, which has been optioned for TV. In 2021, The Big Chill, the second in the series, was longlisted for the Theakston's Old Peculier Crime Novel of the Year. In 2020, A Dark Matter, the first in the series, was shortlisted for the McIlvanney Prize for Scottish Crime Novel of the Year and the Capital Crime Amazon Publishing Independent Voice Book of the Year award. Black Hearts (Book four), will be published in 2022. Several of his books have been best sellers and award winners, and his work has been praised by the likes of Val McDermid, Irvine Welsh and Ian Rankin. He's taught creative writing and been writer in residence at various institutions, and has been an arts journalist for twenty years. Doug is a songwriter and musician with five albums and three EPs released, and he plays drums for the Fun Lovin' Crime Writers, a band of crime writers. He's also player-manager of the Scotland Writers Football Club. He lives in Edinburgh.Recommendations Adrian Tomine,  Iain Banks, Willy Vlautin, James Sallis. Megan Abbott, Jeff VanderMeer, Jordan Harper Everybody Knows.Paul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023.Music courtesy of  Guy Hale author of The Comeback Trail trilogy, featuring Jimmy Wayne - KILLING ME SOFTLY - MIKE ZITO featuring Kid Anderson.GUY HALE Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& ?? (December)

Before he played Ken, Ryan Gosling portrayed a nameless driver in Nicolas Winding Refn's 2011 film based on the James Sallis novel. When a Hollywood stuntman who moonlights as a getaway driver gets romantically involved with his neighbor, he is drawn into a mobster's plot and must use all his skills to stay alive. With an all-star cast including Carey Mulligan, Oscar Isaac, Bryan Cranston, Christina Hendricks, Ron Perlman, and Albert Brooks, the film won Refn the Best Director award at Cannes. Opening in second place at the box office, the fim has gone on to become a mainstay in internet movie culture - the definition of “kino.” Now we're donning our Scorpion jackets and stepping on the gas for Drive!   Donate to the Entertainment Community Fund here:https://entertainmentcommunity.org/    For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Blankers! Last episode we discussed James Sallis's hardboiled, neo-noir classic Drive. This time we interrogate Nicholas Winding Refn's 2011 film adaptation starring Ryan Gosling. In what ways is the film better than the novel and vice versa? Hit play to find out! Get in touch with the show: pointblanknoir@gmail.com Facebook Group #crimefiction #refn #gosling #jamessallis #drive #noir #neonoir

Get in and buckle up! In this episode, we cover Drive by James Sallis. It's a short work that speaks to the kind of crime fiction we love.  For the appropriate listening experience break out your classic car and crank the stereo. Get in touch with the show: pointblanknoir@gmail.com Facebook Group #crimefiction #sallis #jamessallis #drive #noir

Neo-Noir-Krimi von James Sallis. Teil 2: „Wir leben in Schneekugeln, nicht wahr? Irgendwer schüttelt sie, die Jahre wirbeln um einen herum und beruhigen sich dann.“ Farr, eine Kleinstadt im Süden der USA. Cal, der Sheriff, der Sarah Jane Pullmann eingestellt hatte, wird vermisst. Suizid, Mord, Unfall? Sarah, die Cals Nachfolge antreten muss, soll dies aufklären. Sie hat nach einem Kriegseinsatz, Küchenjobs und einem Studium scheinbar ihren Platz gefunden: als Cop und nun als Sheriff. Sie selbst erzählt uns, wie es dazu kam. Ihre Geschichte, mit Lücken, Sprüngen und Splittern: „Sicher ist nur, dass ich nicht all die Sachen gemacht habe, die man mir nachsagt. ´N paar schon, aber nicht alle.“ Der US-amerikanische Thrillerautor James Sallis („Driver“, „Dunkle Schuld“, „Der Killer stirbt“, „Willnot“) stellt in seinem zuletzt veröffentlichten Roman „Sarah Jane“ die Frage, inwieweit man biographischen Erzählungen trauen darf. Das Duo wittmann/zeitblom hat diesen Stoff als zweiteiliges Neo-Noir-Hörspiel adaptiert. Übersetzung aus dem Amerikanischen: Jürgen Bürger und Kathrin Bielfeldt. Mit Alice Dwyer, Hans-Jochen Wagner, Sabin Tambrea, Oliver Stritzel, Florian Stetter, Paul Herwig, Lars Rudolph, Tobias Oertel, Kay B. Schulze, Konstantin Bühler, Anna Mennicken, Eva Kruijssen, Magdalena Gröllmann und Christian Wittmann. Gesang: Gemma Ray. Komposition: zeitblom. Technische Realisation: Boris Wilsdorf und Arne Bergner. Bearbeitung, Komposition und Regie: wittmann/zeitblom. Produktion: NDR 2022. Dramaturgie: Michael Becker. Verfügbar bis 22.10.2023. https://ndr.de/radiokunst

Neo-Noir-Krimi von James Sallis. Teil 1: „Alle Geschichten sind Geistergeschichten. Über verlorene Dinge, verlorene Menschen, Erinnerungen, Heimat, Leidenschaft, Jugend. Über Dinge, die darum ringen, von den Lebenden gesehen und anerkannt zu werden. Nur darum geht es allen: Um das, was übrig bleibt.“ Sarah Jane Pullman ist ein guter Cop mit komplizierter Vergangenheit. Aufgewachsen in einer Kleinstadt, bekam sie als jugendliche Ausreißerin Probleme mit dem Gesetz, wurde zwangsweise zur Army eingezogen und heiratete nach ihrer Rückkehr den absolut falschen Mann. Ihr Leben erfährt eine unerwartete Wendung, als sie in den Polizeidienst eintritt – und sich umgehend auf dem Posten des diensthabenden Sheriffs wiederfindet, nachdem dieser vermisst gemeldet wird. Sarah Jane nimmt sich des Falls an und entdeckt, dass hinter dem mysteriösen Verschwinden des Sheriffs ein ebenso mysteriöses Leben steckt, das er Freunden und Kollegen verheimlicht hat. Während der Ermittlungen wird aber auch Sarah Jane von ihrer Vergangenheit eingeholt: Das FBI taucht auf, um den Fall eines ermordeten Cops zu untersuchen … Übersetzung aus dem Amerikanischen: Jürgen Bürger und Kathrin Bielfeldt. Mit Alice Dwyer, Hans-Jochen Wagner, Sabin Tambrea, Oliver Stritzel, Florian Stetter, Paul Herwig, Lars Rudolph, Tobias Oertel, Kay B. Schulze, Konstantin Bühler, Anna Mennicken, Eva Kruijssen, Magdalena Gröllmann und Christian Wittmann. Gesang: Gemma Ray. Komposition: zeitblom. Technische Realisation: Boris Wilsdorf und Arne Bergner. Bearbeitung, Komposition und Regie: wittmann/zeitblom. Produktion: NDR 2022. Dramaturgie: Michael Becker. Verfügbar bis 22.10.2023. https://ndr.de/radiokunst

This episode features "Rivers Bend" written by James Sallis. Published in the September 2022 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: https://clarkesworldmagazine.com/sallis_09_22 Support us on Patreon at https://www.patreon.com/join/clarkesworld?

Special guest Ryan Daley (@boychr15) hops in the car with the AMPM VIDEO crew to talk about Drive a 2011 American action drama film directed by Nicolas Winding Refn. The screenplay, written by Hossein Amini, is based on James Sallis's 2005 novel of the same name. The film stars Ryan Gosling as an unnamed Hollywood stunt driver who moonlights as a getaway driver. He quickly grows fond of his neighbor, Irene (Carey Mulligan), and her young son, Benicio. When her debt-ridden husband, Standard (Oscar Isaac), is released from prison, the two men take part in what turns out to be a botched million-dollar heist that endangers the lives of everyone involved. The film co-stars Bryan Cranston, Christina Hendricks, Ron Perlman, and Albert Brooks. Head over to boychr15.com to find out more about Ryan's music. Also check out bluetapemovies.com his independent film company. AS for the AMPM VIDEO crew you can watch the video podcast on YouTube, listen on Spotify or Apple Music & catch us next week live on twitch.tv/ampmvideo Drop a comment, like & hit the subscribe button. Give us a follow @ampm.video & @goteamvideo BIG shoutout to @gubbsmusic for our intro/outro music & BIG shoutout to @shotfromthepit for our fun promo photos! ⚡️ If you would like to support @ampm.video & @goteamvideo for all we do & so that we can keep creating more content, check out patreon.com/ampmvideo

An action drama about a mysterious Hollywood stuntman and mechanic who moonlights as a getaway driver, and finds himself in trouble when he helps out his neighbor.DirectorNicolas Winding RefnWritersHossein Amini(screenplay)James Sallis(book)StarsRyan GoslingCarey MulliganBryan Cranston Buzzsprout - Let's get your podcast launched! If you liked this episode, please rate/review us on Spotify and Apple Podcasts!Follow us on Instagram and Twitter: @ApexMountainPodSend us an email: apexmountainpod@gmail.comCheck out our TikTok: tiktok.com/@apexmountainpodcastCheck out our movie list: letterboxd.com/apexmountainMusic from bensound.comSupport the show

Today on the show, we're overjoyed to be joined by the talented Hossein Amini, writer of 2011's cult smash thriller Drive. Based on the 2004 James Sallis novel of the same name, and directed by Nicolas Winding Refn, Drive told the story of a stuntman by day and getaway driver by night, whose dual lives collide after he strikes up a friendship with his neighbour, Irene (Carey Mulligan). From there, Hossein's screenplay submerged audiences in a dangerous, hyper-stylised LA criminal underworld, strapping viewers into the passenger seat next to a captivatingly unknowable protagonist, simply named the Driver (Ryan Gosling).If you've read the novel, you'll know that Hossein had quite a task taking the lyrical, very interior prose and plot of the book, and turning it into a movie. Luckily, the Iranian-born storyteller is a bit of a master when it comes to adaptation: from 1997's The Wings of the Dove to his 2014 directorial debut The Two Faces of January, Hossein relishes the task of taking a story from page to screen, adding a subtle sprinkle of his personality and past to the recipe along the way.Across an engrossing chat, Hossein explains why Drive is in fact a fairy tale. We talk about what the film expresses about our culture of violence, why an early draft of the film featured the death of Irene, and how his storytelling habits were shaped by a childhood in the shadow of his parent's divorce and the Iranian revolution. We also get into the meaning of The Driver's Scorpion jacket, how the film's iconic elevator sequence came to be, and the writer's dark, gritty vision for the upcoming Obi Wan Kenobi TV series that he worked on briefly before stepping away from the project.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Chaque vendredi, le gang de la revue ALIBI vous propose deux minutes de polar (grands formats et poches, adultes et jeunesse, ainsi que des récits et des BD). Découvrez nos lectures coups de coeur, des chroniques que vous pouvez retrouver dans le numéro 8 d'ALIBI, disponible en librairie. Vous pouvez aussi vous procurer votre revue via notre boutique en ligne sur alibimag.com et/ou vous y abonner pour la recevoir directement chez vous. Aujourd'hui, Willnot, de James Sallis, trad. Hubert Tézenas, paru aux éditions Rivages/noir.

durée : 00:53:40 - Des livres et délires RCFM

Monica, Samantha & Greg guess the plot of movies/TV shows: Drive & Lady Bird. Follow us on: www.instagram.com/implotsters/ www.twitter.com/implotsters www.facebook.com/implotsters www.youtube.com/channel/UCNt0P8dGWkM1OdnhKO3pXKg TikTok @Implotsters Visit our website: www.implotsters.com

Welcome to 'Don't You Want Me?' - a podcast series taking a lighthearted look at the most relatable, intriguing and dysfunctional relationships in film.  In this episode, we're talking about the haunting 2011 drama Drive, directed by Nicholas Winding Refn. With a screenplay by Hossein Amini and based on the novel by James Sallis, this won Refn the Best Director award at the 2011 Cannes Film Festival and saw Ryan Gosling take on his first lead role in an action film. Tonight we'll be trying to be neighbourly to The Driver, played by Ryan Gosling and Irene, played by Carey Mulligan. Is this the deluxe version of a relationship or is it just about standard? Follow Don't You Want Me on Twitter @DYWMpodcast, Instagram @dywmpodcast and Facebook @DYWMpodcast  Recorded in August 2021. Edited by Rich Nelson Additional material written by Catrin Lowe  Theme music by Paul Abbott (on Twitter @Pablovich) Design by NOAKE (on Instagram @n_o_a_k_e) Rich can be found on Twitter @fantana275 Cat can be found on Twitter @KittyCostanza -------------------------------------------------------------------------------------------------- For regular updates on future episodes of the podcast, guest appearances and events, subscribe to our monthly newsletter here https://www.getrevue.co/profile/dywmpodcast 

Katrin Schumacher mit den drei Literaturtipps der Woche: James Sallis "Sarah Jane", Helmut Böttigers "Die Jahre der wahren Empfindung" und das Hörbuch "Jahrhundertstimmen".

Der Autor James Sallis erzählt in "Sarah Jane" von einer Polizistin, die von ihrer Vergangenheit eingeholt wird und macht dies erzählerisch auf sehr ungewöhnliche Weise. Marc Reithmayer von der Agnesbuchhandlung in Köln stellt das Buch vor.

James Sallis ist der dunkle Philosoph unter den amerikanischen Thrillerautoren. Sein Ausnahmekrimi "Sarah Jane" erzählt von einer Polizistin mit einer zweifelhaften Vergangenheit und stellt die Frage nach der Erzählbarkeit eines Lebens. Von Kolja Mensing www.deutschlandfunkkultur.de, Frühkritik Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

James Sallis ist der dunkle Philosoph unter den amerikanischen Thrillerautoren. Sein Ausnahmekrimi "Sarah Jane" erzählt von einer Polizistin mit einer zweifelhaften Vergangenheit und stellt die Frage nach der Erzählbarkeit eines Lebens.Von Kolja MensingHören bis: 19. Januar 2038, 04:14Direkter Link zur Audiodatei

In this episode Mark talks about one of his favourite films: the 2011 neo-noir action drama and crime film "Drive" directed by Nicolas Winding Refn, written by Hossein Amini, based upon James Sallis' 2005 novel of the same name. The film stars Ryan Gosling as an unnamed Hollywood stunt driver who moonlights as a getaway driver, and who becomes close with his neighbour, Irene (played by Carey Mulligan), and her son Benicio, and as a result feels beholden to them to secretly help Irene's husband, Standard Gabriel (played by Oscar Isaac), after he is released from prison and his life and the life of his family are threatened by gangsters who he owes a debt to. The film also stars Bryan Cranston, Christina Hendricks, Ron Perlman, and Albert Brooks. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/markthepoet/message

It is an activity associated with cutting your risk of death from COVID by two and a half times, and cutting risk of developing severe COVID by two times. That activity is exercise, and the study that established its power as a modifiable risk factor against the coronavirus was led by Dr. Robert Sallis, past president of the American College of Sports Medicine and director of the Sports Medicine Fellowship program at California’s Kaiser Permanente Medical Center. In this episode he’s in conversation with Medcan chief medical officer Dr. Peter Nord.  https://www.eatmovethinkpodcast.com/podcast/ep-65-how-to-protect-against-covid   LINKS The study lead by Dr. Robert Sallis in the British Journal of Sports Medicine: https://bjsm.bmj.com/content/early/2021/04/07/bjsports-2021-104080 New York Times’ Well blog story on the COVID/Fitness study: https://www.nytimes.com/2021/04/14/well/move/exercise-covid-19-working-out.html Exercise is Medicine blog post by Bob Sallis and James Sallis that provides good background on some of Sallis’s frustration with the public health response to COVID: https://www.exerciseismedicine.org/support_page.php/stories/?b=959 Resources tying fitness level and exercise to immune function: https://www.exerciseismedicine.org/support_page.php/covid-19-and-exercise1/ Medcan director of fitness Stephen Salzmann and fitness manager Anna Topali hosted a webinar about how to incorporate exercise snacks throughout your workday. Check it out.  To create a personalized exercise training regimen and work with some of the country’s best trainers, check out virtual training by Medcan Fitness.     INSIGHTS  Get moving: Dr. Sallis’ study divided study participants into three groups — those who didn’t exercise at all, those who exercised a little bit and those who achieved at least 150 minutes of moderate exercise per week. Compared to the group that received the most exercise, the “no exercise” group was two and a half times as likely to die from COVID and twice as likely to be hospitalized, as well as twice as likely to be admitted to intensive care. [07:20] There’s no time like the present: “There has never been a better time to start an exercise program,” Dr. Sallis says. “Short of getting the vaccine, this is the single most important thing you can do to protect yourself from COVID... protect yourself against the next variant, or the next pandemic down the line. This is a wake up call. You need to pay attention to it and start getting active to protect yourself.” [08:22]  Words matter: Dr. Sallis is disappointed that physical inactivity hasn’t been included as a major risk factor for severe COVID in key messaging from medical leaders. “All of us have been a bit disappointed that the uptake has been slow. Certainly, you don’t hear it coming from Anthony Fauci’s mouth, or the CDC—the CDC still does not list it on its website, that physical inactivity is a major risk factor,” he says, adding that the World Health Organization, at least, does include physical inactivity as a major risk factor for severe COVID. “We’re always running behind on our messaging.” [11:56]   “The take home message for everybody around the world is that you just need to walk,” Dr. Sallis says, noting that the ideal pace is hard enough to prevent you from singing, but moderate enough that you can still talk. A brisk 30-minute walk five days a week will do it, but you can also break it up throughout the day: Taking the stairs instead of the elevator, or parking farther away in the parking lot. [13:39] Rethinking lockdowns: Dr. Sallis disagrees with closing outdoor athletic or recreational facilities like parks, hiking trails, tennis courts and golf courses. Outdoor venues where you can partake in physical activity, while distanced and masked, are safe, he says. In fact, people should be encouraged to take advantage of them. In Dr. Sallis’s mind, if big-box stores  can stay open, then we should be able to figure out accommodations for exercise, too. “These [venues] are essential to life. Physical activity is essential to life,” he says. [18:21]   Proactive patient care: Dr. Sallis believes the medical profession should treat exercise as a prescription, one that would optimally be attempted before pharmaceutical treatments. For example, if a patient is struggling with depression, the doctor should explore their fitness habits before prescribing an antidepressant. After all, studies have shown that exercise can “dramatically improve” depression. “You have to really sell it like you would [sell] Prozac,” he says. [19:22]   Shifting mindsets: Closely connected to the idea of “prescribing” exercise is moving the medical field, where possible, away from a focus on pills and procedures. “We are so driven by pharma,” Dr. Sallis says. The message of this pandemic has been: Stay inside until you get a vaccine. Dr. Sallis wishes the messaging would have been different. “It should have been: ‘Until you get a vaccine, you need to try to walk everyday, because that’s the single best defense short of a vaccine,’” he says. Plus, there’s evidence that exercise improves one’s immune response overall. “We have shown that [in people who exercise], the flu vaccine works better. I’ve got to believe that the COVID vaccine is going to be similar.” And that means: Keep up those daily walks even after the pandemic is over. [22:07]

En la voz de Pablo Durio escuchamos tres fragmentos de Drive, novela de James Sallis

En la voz de Pablo Durio escuchamos tres fragmentos de Drive, novela de James Sallis

En la voz de Pablo Durio escuchamos tres fragmentos de Drive, novela de James Sallis

In this month's episode, we turn our attention to poetry. EQMM has a long history of including occasional poems in our pages. From humorous limericks to serious free verse, poetry gives another lens through which to view the crime and mystery genre. Here we include a story in epic verse by John F. Dobbyn and poems by James Sallis, Stephen D. Rogers, Kevin Mims, Marilyn Todd, John V. Mercurio, K.D. Hart, and Diane Yetman, read by the authors, EQMM Managing Editor Jackie Sherbow, and actor Mandie Davis. https://www.johndobbyn.com http://www.jamessallis.com https://www.stephendrogers.com http://www.marilyntodd.com https://www.jackiesherbow.com

Jeff Hanson is riding solo and takes the wheel for the movie Drive.  Directed by Nicolas Winding Refn, Drive stars Ryan Gosling, Carey Mulligan, Bryan Cranston, and Albert Brooks and is based on the 2005 novel of the same name by James Sallis.

durée : 01:15:03 - Les Nuits de France Culture - Rencontre avec James Sallis auteur de romans policier et de science-fiction, il était l'invité de "Mauvais genres" en 2002, à l'occasion de la sortie de son livre consacré à la vie de l'écrivain Chester Himes.

This movie divides people. Either you liked it, or you didn't. Either you "get it" or you don't. That's fair to say about *most* films but this one is special. Nicolas Winding Refn is becoming more well-known now, but when Drive was released late in 2011, he was completely unknown in the states. Ryan Gosling and Carey Mulligan star alongside Bryan Cranston and Oscar Isaac in this visually stunning adaptation of a novel by James Sallis. Join us as we talk about Drive, the Driver, what drives us, what we like to drive, driver's ed, driving... okay, okay, enough

Main Fiction: "New Teeth" by James SallisOriginally published in Analog.While mostly wandering around the house, Jim sits down from time to time to write books like Drive, from which the Nic Refn film derived; or to translate a novel by Raymond Queneau; to publish five poetry collections and three of musicology; to write the six-volume Lew Griffin cycle; or to work on his regular books column for The Magazine of Fantasy & Science Fiction. New novel is Sarah Jane, out next year, along with a much expanded new edition of an early book of criticism, Difficult Lives. In the sixties, in London, he helped edit New Worlds. He still doesn't know what he wants to be when he grows up.Narrated by: Ant BaconAnt Bacon has worked as an actor and voice over artist in TV, film, stage and commercials for almost 20 years. As of Sept 2018 he is a (very) mature student studying a media production course. When Ant isn't working he can either be found baking in the kitchen, getting overly competitive in a pub quiz or in the gym trying to undo the toll of the previous two activities. If you'd like to say hi he is on Twitter; @antbacon See acast.com/privacy for privacy and opt-out information.

Sevin Okyay bu hafta yabancı bir polisiye romanla yayında.  Willnot kasabasının dışındaki ormanlıkta çok sayıda kişinin cesedi bulunur. Bu durum yöre halkını sarstığı kadar kasabanın pratisyen hekimi, cerrahı ve vicdanı olan Hale'i de huzursuz eder.  Sevin Okyay kitaptan bir bölüm okutuyor, romana ve yazarına ilişkin yorumlar yapıyor.

Action Movie Anatomy hosts Ben Bateman and Andrew Ghai break down Drive! Drive is a 2011 American neo-noir crime thriller film directed by Nicolas Winding Refn. The screenplay by Hossein Amini is based on the 2005 novel of the same name by James Sallis. It stars Ryan Gosling, Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Isaac and Albert Brooks. Like the book, the film is about an unnamed Hollywood stunt performer(Gosling) who moonlights as a getaway driver. Prior to its September 2011 release, it had been shown at a number of film festivals. At the 2011 Cannes Film Festival, Drive was praised and received a standing ovation. Winding Refn won the festival's Best Director Award for the film. Reviews from critics have been positive, with many drawing comparisons to work from previous eras. The film was nominated for Best Film and Best Direction at the 65th British Academy Film Awards. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode 3 is an interview with author  Désirée Zamorano. We talk about her masterful PI novel, Human Cargo; her short story, "Quickie;" Akashic Books' Mondays Are Murder flash fiction series (hers will go live on August 1st!); and we briefly touch on her literary novel, The Amado Women. Désirée isn't just a writer, she is a fellow mystery lover, and she gives a shout-out to a number of fabulous writers and books. I've linked to the websites of these contemporary writers: Edgar winner Naomi Hirahara, Ausma Zehanat Khan, Sara Gran, best-selling author Kate Atkinson, James Sallis (who has won the lifetime achievement award from Bouchercon, among many other mystery awards), Rachel Howzell Hall, Sue Ann Jaffarian, and the wonderful Steph Cha, whom I interviewed in Episode 2. Classic mystery writers include Raymond Chandler, Dashiell Hammett, John D. MacDonald (the Travis McGee novels) and Patricia Highsmith. One last influential writer mentioned, although not in the field of mystery, is Sor Juana Ines de la Cruz. We talk about books and writing, but we also discussed the need for women to be financially savvy and have an "escape fund" -- not necessarily to escape a dangerous relationship (although obviously that can help), but also so you're not stuck in a bad work situation. Money is freedom.  The most important links, however, are the ones Désirée sent me on human trafficking: Fighting Human Trafficking, and 20 Ways You Can Help If you'd rather read than listen, here is the transcript. Enjoy! Transcript of interview with Désirée Zamorano Welcome to Destination Mystery: A Podcast for Readers who Love a Good Mystery. I’m Laura Brennan. A Pushcart Prize nominee and award-winning short story author, Desiree Zamorano has wrestled with culture, identity, and the invisibility of Latinas from early on and addressed that in her commentaries which have appeared in the Los Angeles Times, NPR’s Latino USA, and Publisher’s Weekly. She is also proud of having co-authored with her sister two plays commissioned by Southern California's Bilingual Foundation for the Arts. "Reina" and "Bell Gardens 90201" received Equity productions and toured for a total of eight years. She delights in the exploration of contemporary issues of injustice and inequality, via her mystery series featuring private investigator, Inez Leon, published by Lucky Bat Books. Human Cargo was Latinidad's Mystery Pick of the Year. Her novel, Modern Cons is a story of psychological suspense where she explores the reverberations of being raised by a con artist. Laura Brennan: Thank you for being here. I'm so excited. Désirée Zamorano: Whoo-hoo! LB: How are you, Désirée? DZ: Me, too. I'm excited, too. LB: Tell me a little bit about yourself. How did you get started writing? DZ: We writers are all a crazy bunch and we probably as kids said, Oh, I want to create something so wonderful, because as kids we have fallen into this world. And as kids we have this naïve perception that writers just magically put those words on the page. Well, I wanted to magically put those words on the page! But as I got older I realized it took a lot of work to make the work look seamless. So you asked how I got into it. I always wanted to be a writer and I started sending off my short stories -- those were a big deal as I was my twenties, short stories were the thing -- and after about 100 rejections, two acceptances and $50, I thought wow, that's a lot of heartache! I mean, if I'm going to deal with rejection, I might as well go big time. So I sat down to write a novel. I'm going okay, I'm going to write the Great American novel. And I sat down to write a novel and I thought, I have no idea what I'm doing. And I thought about all the books I loved to read and I love classics, I love contemporary modern fiction, but have a real soft spot for mysteries. And what I love about mysteries, and what I loved as I sat down to write mysteries,

Sweet Nothing: Stories (Mulholland Books) Richard Lange is one of our most highly acclaimed literary mystery writers. He has been hailed as a “natural-born storyteller” and compared to great masters like Raymond Carver and Denis Johnson. His debut, Dead Boys, was called “one of the best short story collections of the past 50 years” by the San Francisco Chronicle, and it put his name on the literary map. Now he returns to the form that started it all with his latest collection, Sweet Nothing. A gambler tries to hide his addiction on a date at the racetrack. An ex-con must decide between cashing in on a lucrative heist and staying the course as a small-time security guard. And a recovering drug addict yearns to connect with a beautiful woman during his graveyard shift at Subway. With the dark side of Los Angeles as a backdrop, these ten unforgettable stories artfully combine the honest characterization of Junot Díaz with the edge-of-your-seat energy of Dennis Lehane. They capture and crystallize the mistakes and poor judgments that truly make us human, and reveal how a moment's misstep can irrevocably shape a life.  Praise for Sweet Nothing: “Skillfully constructed.…Lange portrays the lives of people struggling to survive, with the focus on families, both blood-related and chance-made.”—Booklist “For all the darkness that runs through the stories…Lange maintains a disarmingly light touch, finding plenty of human comedy in the proceedings without sacrificing empathy.…Lange's morality tales are not that far removed from the classic stories of O. Henry and Guy de Maupassant. With a distinctive style, Lange makes his downbeat tales of the underclass quirkily entertaining.” —Kirkus Reviews “Utterly believable postcards from the edge; for those who like their realism not so magical but right there at street level.” —Library Journal “The best stories are rabbit holes. You read the first lines, maybe a page, and you're down there. Somewhere else. Another life. Richard Lange is one cwazy wabbit.”—James Sallis, author of Drive “What makes this collection a wonderful read is that it's only marginally akin to anything else. Swift, gut-wrenching, and sometimes cleverly disarming fiction by a master.”—Joe R. Lansdale, author of The Thicket and Edge of Dark Water “I've been reading Richard Lange's work since Dead Boys blew my doors off years ago, and goddamn, the man just keeps getting better. The stories in Sweet Nothing traffic in the vagaries of the human heart, those wants and needs that push us down dark paths. His vision is steely-eyed, yet you sense that Lange loves his characters—even the worst of them—and that compassion sharpensyour own emotional investment in this powerful brace of stories.”—Craig Davidson, author of Cataract City Richard Lange is the author of the story collection Dead Boys and the novels This Wicked World and Angel Baby. He is the recipient of a Guggenheim Fellowship, and his fiction has appeared in Best American Mystery Stories 2004 and 2011. He lives in Los Angeles.

The 46th Book Slam podcast is a bijou affair, which finds James Sallis, exponent of classic existential noir, reading from his stunning new novel, 'Driven', and a rare and captivating live performance from that poetic, musical soul Keaton Henson. Patrick is back from his travels, Elliott is less than interested.

With Mark Lawson. Ken Loach's latest film, The Angels' Share, is a comedy set in Scotland, following the fortunes of Robbie, a young Scottish gangster who discovers that he has a "nose" - a natural aptitude for judging whisky. Columnist Suzanne Moore gives her verdict. Singer Rumer released her first album Seasons of My Soul to much acclaim in 2010. Her second album is a collection of songs originally made famous by male artists. She discusses how she chose the songs and how she coped with her nerves at a recent performance at the White House, singing for President Obama. American writer, poet and musician James Sallis discusses his latest crime novel, Driven - a sequel to Drive, which was adapted as a film last year, starring Ryan Gosling. Driven is set seven years after the events in Drive, and the nameless Driver finds that his past still stalks him. Writer Travis Elborough charts the close connections between British crime fiction and British beaches - not just for readers sitting by the sea with a book, but for writers including Arthur Conan Doyle, Agatha Christie and Peter James. Producer Ellie Bury.

With John Wilson. Ryan Gosling stars in two contrasting films in cinemas from Friday. In Drive, a thriller based on the cult novel by James Sallis, he plays a Hollywood stunt driver moonlighting as a getaway driver in the criminal underworld of Los Angeles. In the rom-com Crazy, Stupid, Love, he plays a handsome lothario acting as wingman for an older guy returning to the singles scene. Antonia Quirke reviews and discusses Ryan Gosling's career. Mike Scott of the band The Waterboys explains how the Nobel-winning Irish poet W B Yeats has become co-writer on his new album. A selection of Yeats' poems - including September 1913 and An Irish Airman Forsees His Death - have been set to music by Scott on the Waterboys' record An Appointment With Mr Yeats. John Wilson takes a tour of 'Firstsite', the new £28m art gallery in Colchester, Essex, designed by Uruguayan-born Rafael Vinoly. The architect explains how Roman archeaological remains beneath Colchester dictated the form of the single-storey, crescent-shaped building - dubbed the 'golden banana'. Architect Rafael Viñoly shows John around the Firstsite art centre in Colchester. Andrew O'Hagan's debut book, The Missing, was a meditation on people who disappear from their lives- and the families they leave behind. Inspired by his own experience as a reporter camped outside Fred and Rosemary West's home while the bodies of their victims were being discovered, and acclaimed as a portrait of mid-1990s Britain, it was shortlisted for three major literary awards. Now O'Hagan, together with director John Tiffany (Black Watch), has adapted his book into a new production for Glasgow's Tramway theatre. Critic Mark Brown reviews.