Podcast appearances and mentions of Ian Rankin

Today's Lake and Shed framed conversation is about J. K. Rowling's third Cormoran Strike novel, Career of Evil. Nick and John debate whether Rowling crossed the line of “violence porn” that she worried she had approached and they discuss why, in one of the few surveys of Serious Strikers, Career seems unique among these mysteries in being considered the best or the very worst of the set. The ‘Lake' point that Nick explores is Rowling's personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The ten HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The SilkwormTomorrow? It's Harry Potter and the Cursed Child, the play written by Jack Thorne “based on an original new story by Rowling, John Tiffany, and Thorne. Neither John nor Nick has seen the play but both have some thoughts about its place in the oeuvre and about its virtues and failings.Links to posts mentioned in today's Lake and Shed conversation for further reading:Ian Rankin's Rebus novel Black and Blue and Galbraith's Career of EvilThe Transabled Characters in Career of EvilRowling Discusses the Planning of Career of EvilDay of Publication Review at HogwartsProfessorThe Willy Wonka Golden Ticket Purchase of Career of EvilThe Ranking of the First Six Strike Novels:* John Granger's Choices of the Best and Worst* Nick Jeffery's Choices of Best to Worst* The Final Survey Tally Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 23rd July 2025. The winner will be contacted via Bluesky. Show references:  Sam Mullins, Trustee at SS Great Britainhttps://www.linkedin.com/in/sammullins/https://www.ssgreatbritain.org/ Transcriptions:  Paul Marden: What an amazing day out here. Welcome to Skip the Queue. The podcast for people working in and working with visitor attractions, I'm your host, Paul Marden, and today you join me for the last episode of the season here in a very sunny and very pleasant Bristol Dockyard. I'm here to visit the SS Great Britain and one of their trustees, Sam Mullins, who until recently, was the CEO of London Transport Museum. And I'm going to be talking to Sam about life after running a big, family friendly Museum in the centre of London, and what comes next, and I'm promising you it's not pipes and the slippers for Sam, he's been very busy with the SSGreat Britain and with other projects that we'll talk a little more about. But for now, I'm going to enjoy poodling across the harbour on boat number five awaiting arrival over at the SS Great Britain. Paul Marden: Is there much to catch in the water here?Sam Mullins: According to some research, there's about 36 different species of fish. They catch a lot of cream. They catch Roach, bullet, bass car. Big carpet there, maybe, yeah, huge carpet there. And then your European great eel is here as well, right? Yeah, massive things by the size of your leg, big heads. It's amazing. It goes to show how receipt your life is. The quality of the water is a lot better now. Paul Marden: Oh yeah, yeah, it's better than it used to be years ago. Thank you very much. All right. Cheers. Have a good day. See you later on. So without further ado, let's head inside. So where should we head? Too fast. Sam Mullins: So we start with the stern of the ship, which is the kind of classic entrance view, you know. Yeah, coming up, I do. I love the shape of this ship as you as you'll see.Paul Marden: So lovely being able to come across the water on the boat and then have this as you're welcome. It's quite a.Sam Mullins: It's a great spot. Isn't it?Paul Marden: Really impactful, isn't it? Sam Mullins:  Because the amazing thing is that it's going this way, is actually in the dry dock, which was built to build it. Paul Marden: That's amazing. Sam Mullins: So it came home. It was clearly meant to be, you know,Paul Marden:  Quite the circular story.Sam Mullins:  Yeah, yeah. Thank you. Paul Marden:  Thank you. Wow. Look at that view.Sam Mullins: So that's your classic view.Paul Marden:  So she's in a dry dock, but there's a little bit of water in there, just to give us an idea of what's going on. Sam Mullins: Well, what's actually going on in here is, preserving the world's first iron ship. So it became clear, after he'd come back from the Falklands, 1970 came back to Bristol, it became clear that the material of the ship was rusting away. And if something wasn't done, there'd be nothing left, nothing left to show. So the innovative solution is based on a little bit of science if you can reduce the relative humidity of the air around the cast iron hull of the ship to around about 20% relative humidity, corrosion stops. Rusting stops. It's in a dry dock. You glaze over the dock at kind of water line, which, as you just noticed, it gives it a really nice setting. It looks like it's floating, yeah, it also it means that you can then control the air underneath. You dry it out, you dehumidify it. Big plant that dries out the air. You keep it at 20% and you keep the ship intact. Paul Marden: It's interesting, isn't it, because you go to Mary Rose, and you go into the ship Hall, and you've got this hermetically sealed environment that you can maintain all of these beautiful Tudor wooden pieces we're outside on a baking hot day. You don't have the benefit of a hermetically sealed building, do you to keep this? Sam Mullins: I guess the outside of the ship is kind of sealed by the paint. That stops the air getting to the bit to the bare metal. We can go down into the trigger, down whilst rise up.Paul Marden:  We're wondering. Sam, yeah, why don't you introduce yourself, tell listeners a little bit about your background. How have we ended up having this conversation today.Sam Mullins: I'm Sam Mullins. I'm a historian. I decided early on that I wanted to be a historian that worked in museums and had an opportunity to kind of share my fascination with the past with museum visitors. So I worked in much Wenlock in Shropshire. I worked created a new museum in market Harbour, a community museum in Leicestershire. I was director of museums in St Albans, based on, you know, great Roman Museum at Verulamium, okay. And ended up at London Transport Museum in the 90s, and was directed there for a long time.Paul Marden: Indeed, indeed. Oh, we are inside now and heading underground.Sam Mullins: And you can hear the thrumming in the background. Is the dehumidification going on. Wow. So we're descending into thevery dry dock.Paul Marden: So we're now under water level. Yes, and the view of the ceiling with the glass roof, which above looked like a lovely little pond, it's just beautiful, isn't it?Sam Mullins: Yes, good. It sets it off both in both directions, really nicely.Paul Marden: So you've transitioned now, you've moved on from the Transport Museum. And I thought that today's episode, we could focus a little bit on what is, what's life like when you've moved on from being the director of a big, famous, influential, family friendly Museum. What comes next? Is it pipe and slippers, or are there lots of things to do? And I think it's the latter, isn't it? Sam Mullins: Yes. Well, you know, I think people retire either, you know, do nothing and play golf, or they build, you know, an interesting portfolio. I wanted to build, you know, something a bit more interesting. And, you know, Paul, there's that kind of strange feeling when you get to retire. And I was retiring from full time executive work, you kind of feel at that point that you've just cracked the job. And at that point, you know, someone gives you, you know, gives you a card and says, "Thank you very much, you've done a lovely job." Kind of, "Off you go." So having the opportunity to deploy some of that long term experience of running a successful Museum in Covent Garden for other organisations was part of that process of transition. I've been writing a book about which I'm sure we'll talk as well that's been kind of full on this year, but I was a trustee here for a number of years before I retired. I think it's really good career development for people to serve on a board to see what it's like, you know, the other side of the board. Paul Marden: I think we'll come back to that in a minute and talk a little bit about how the sausage is made. Yeah, we have to do some icebreaker questions, because I probably get you already. You're ready to start talking, but I'm gonna, I'm just gonna loosen you up a little bit, a couple of easy ones. You're sat in front of the telly, comedy or drama?Sam Mullins: It depends. Probably.Paul Marden: It's not a valid answer. Sam Mullins: Probably, probably drama.Paul Marden: Okay, if you need to talk to somebody, is it a phone call or is it a text message that you'll send?Sam Mullins:  Face to face? Okay, much better. Okay, always better. Paul Marden: Well done. You didn't accept the premise of the question there, did you? Lastly, if you're going to enter a room, would you prefer to have a personal theme tune played every time you enter the room. Or would you like a personal mascot to arrive fully suited behind you in every location you go to?Sam Mullins: I don't know what the second one means, so I go for the first one.Paul Marden: You've not seen a football mascot on watching American football or baseball?Sam Mullins: No, I try and avoid that. I like real sport. I like watching cricket. Paul Marden: They don't do that in cricket. So we are at the business end of the hull of the ship, aren't we? We're next to the propeller. Sam Mullins: We're sitting under the stern. We can still see that lovely, gilded Stern, saying, Great Britain, Bristol, and the windows and the coat of arms across the stern of the ship. Now this, of course, was the biggest ship in the world when built. So not only was it the first, first iron ship of any scale, but it was also third bigger than anything in the Royal Navy at the time. Paul Marden: They talked about that, when we were on the warrior aim the other day, that it was Brunel that was leading the way on what the pinnacle of engineering was like. It was not the Royal Navy who was convinced that it was sail that needed to lead. Sam Mullins: Yeah, Brunel had seen a much smaller, propeller driven vessel tried out, which was being toured around the country. And so they were midway through kind of design of this, when they decided it wasn't going to be a paddle steamer, which its predecessor, the world's first ocean liner, the Great Western. A was a paddle steamer that took you to New York. He decided that, and he announced to the board that he was going to make a ship that was driven by a propeller, which was the first, and this is, this is actually a replica of his patent propeller design. Paul Marden: So, this propeller was, is not the original to the show, okay?Sam Mullins: Later in its career, it had the engines taken out, and it was just a sailing ship. It had a long and interesting career. And for the time it was going to New York and back, and the time it was going to Australia and back, carrying migrants. It was a hybrid, usually. So you use the sails when it was favourable when it wasn't much wind or the wind was against. You use the use the engines. Use the steam engine.Paul Marden: Coming back into fashion again now, isn't it? Sam Mullins: Yeah, hybrid, yeah.Paul Marden: I can see holes in the hull. Was this evident when it was still in the Falklands?Sam Mullins: Yeah, it came to notice in the 60s that, you know, this world's first it was beached at Sparrow Cove in the Falkland Islands. It had lost its use as a wool warehouse, which is which it had been for 30 or 40 years. And a number of maritime historians, you and call it. It was the kind of key one realised that this, you know, extraordinary, important piece of maritime heritage would maybe not last too many war winters at Sparrow cope had a big crack down one side of the hull. It would have probably broken in half, and that would have made any kind of conservation restoration pretty well impossible as it was. It was a pretty amazing trick to put it onto a to put a barge underneath, to raise it up out of the water, and to tow it into Montevideo and then across the Atlantic, you know, 7000 miles, or whatever it is, to Avon mouth. So it's a kind of heroic story from the kind of heroic age of industrial and maritime heritage, actually.Paul Marden: It resonates for me in terms of the Mary Rose in that you've got a small group of very committed people that are looking to rescue this really valuable asset. And they find it and, you know, catch it just in time. Sam Mullins: Absolutely. That was one of the kind of eye openers for me at Mary rose last week, was just to look at the kind of sheer difficulty of doing conventional archaeology underwater for years and years. You know, is it 50,000 dives were made? Some immense number. And similarly, here, you know, lots of people kind of simply forget it, you know, it's never gonna, but a few, stuck to it, you know, formed a group, fund, raised. This is an era, of course, you know, before lottery and all that jazz. When you had to, you had to fundraise from the public to do this, and they managed to raise the money to bring it home, which, of course, is only step one. You then got to conserve this enormous lump of metal so it comes home to the dry dock in which it had been built, and that has a sort of fantastic symmetry, you know about it, which I just love. You know, the dock happened to be vacant, you know, in 1970 when the ship was taken off the pontoon at Avon mouth, just down the river and was towed up the curving Avon river to this dock. It came beneath the Clifton Suspension Bridge, which, of course, was Brunel design, but it was never built in his time. So these amazing pictures of this Hulk, in effect,  coming up the river, towed by tugs and brought into the dock here with 1000s of people you know, surrounding cheering on the sidelines, and a bit like Mary Rose in a big coverage on the BBC.Paul Marden: This is the thing. So I have a very vivid memory of the Mary Rose being lifted, and that yellow of the scaffolding is just permanently etched in my brain about sitting on the carpet in primary school when the TV was rolled out, and it was the only TV in the whole of school that, to me is it's modern history happening. I'm a Somerset boy. I've been coming to Bristol all my life. I wasn't alive when Great Britain came back here. So to me, this feels like ancient history. It's always been in Bristol, because I have no memory of it returning home. It was always just a fixture. So when we were talking the other day and you mentioned it was brought back in the 70s, didn't realise that. Didn't realise that at all. Should we move on? Because I am listening. Gently in the warmth.Sam Mullins: Let's move around this side of the as you can see, the dry dock is not entirely dry, no, but nearly.Paul Marden: So, you're trustee here at SS Great Britain. What does that mean? What do you do?Sam Mullins: Well, the board, Board of Trustees is responsible for the governance of the charity. We employ the executives, the paid team here. We work with them to develop the kind of strategy, financial plan, to deliver that strategy, and we kind of hold them as executives to account, to deliver on that.Paul Marden: It's been a period of change for you, hasn't it? Just recently, you've got a new CEO coming to the first anniversary, or just past his first anniversary. It's been in place a little while.Sam Mullins: So in the last two years, we've had a, we've recruited a new chairman, new chief executive, pretty much a whole new leadership team.One more starting next month, right? Actually, we're in July this month, so, yeah, it's been, you know, organisations are like that. They can be very, you know, static for some time, and then suddenly a kind of big turnover. And people, you know, people move.Paul Marden: So we're walking through what is a curved part of the dry dock now. So this is becoming interesting underfoot, isn't it?Sam Mullins: This is built in 1839 by the Great Western Steamship Company to build a sister ship to the Great Western which was their first vessel built for the Atlantic run to New York. As it happens, they were going to build a similar size vessel, but Brunel had other ideas, always pushing the edges one way or another as an engineer.Paul Marden: The keel is wood. Is it all wood? Or is this some sort of?Sam Mullins: No, this is just like, it's sort of sacrificial.So that you know when, if it does run up against ground or whatever, you don't actually damage the iron keel.Paul Marden: Right. Okay, so there's lots happening for the museum and the trust. You've just had a big injection of cash, haven't you, to do some interesting things. So there was a press release a couple of weeks ago, about a million pound of investment. Did you go and find that down the back of the sofa? How do you generate that kind of investment in the charity?Sam Mullins: Unusually, I think that trust that's put the bulk of that money and came came to us. I think they were looking to do something to mark their kind of, I think to mark their wind up. And so that was quite fortuitous, because, as you know at the moment, you know, fundraising is is difficult. It's tough. Paul Marden: That's the understatement of the year, isn't it?Sam Mullins: And with a new team here and the New World post COVID, less, less visitors, income harder to gain from. Pretty well, you know, all sources, it's important to keep the site kind of fresh and interesting. You know, the ship has been here since 1970 it's become, it's part of Bristol. Wherever you go in Bristol, Brunel is, you know, kind of the brand, and yet many Bristolians think they've seen all this, and don't need, you know, don't need to come back again. So keeping the site fresh, keeping the ideas moving on, are really important. So we've got the dockyard museum just on the top there, and that's the object for fundraising at the moment, and that will open in July next year as an account of the building of the ship and its importance. Paul Marden: Indeed, that's interesting. Related to that, we know that trusts, trusts and grants income really tough to get. Everybody's fighting for a diminishing pot income from Ace or from government sources is also tough to find. At the moment, we're living off of budgets that haven't changed for 10 years, if we're lucky. Yeah, for many people, finding a commercial route is the answer for their museum. And that was something that you did quite successfully, wasn't it, at the Transport Museum was to bring commercial ideas without sacrificing the integrity of the museum. Yeah. How do you do that?Sam Mullins: Well, the business of being an independent Museum, I mean, LTM is a to all sets of purposes, an independent Museum. Yes, 81% of its funding itself is self generated. Paul Marden: Is it really? Yeah, yeah. I know. I would have thought the grant that you would get from London Transport might have been bigger than that.  Sam Mullins: The grant used to be much bigger proportion, but it's got smaller and smaller. That's quite deliberate. Are, you know, the more you can stand on your own two feet, the more you can actually decide which direction you're going to take those feet in. Yeah. So there's this whole raft of museums, which, you know, across the UK, which are independently governed, who get all but nothing from central government. They might do a lottery grant. Yes, once in a while, they might get some NPO funding from Ace, but it's a tiny part, you know, of the whole. And this ship, SS Great Britain is a classic, you know, example of that. So what do you do in those circumstances? You look at your assets and you you try and monetise them. That's what we did at London Transport Museum. So the museum moved to Covent Garden in 1980 because it was a far sighted move. Michael Robbins, who was on the board at the time, recognised that they should take the museum from Scion Park, which is right on the west edge, into town where people were going to be, rather than trying to drag people out to the edge of London. So we've got that fantastic location, in effect, a high street shop. So retail works really well, you know, at Covent Garden.Paul Marden: Yeah, I know. I'm a sucker for a bit of moquette design.Sam Mullins: We all love it, which is just great. So the museum developed, you know, a lot of expertise in creating products and merchandising it. We've looked at the relationship with Transport for London, and we monetised that by looking at TFL supply chain and encouraging that supply chain to support the museum. So it is possible to get the TFL commissioner to stand up at a corporate members evening and say, you know, you all do terribly well out of our contract, we'd like you to support the museum as well, please. So the corporate membership scheme at Transport Museum is bigger than any other UK museum by value, really, 60, 65 members,. So that was, you know, that that was important, another way of looking at your assets, you know, what you've got. Sometimes you're talking about monetising relationships. Sometimes it's about, you know, stuff, assets, yeah. And then in we began to run a bit short of money in the kind of middle of the teens, and we did an experimental opening of the Aldwych disused tube station on the strand, and we're amazed at the demand for tickets.Paul Marden: Really, it was that much of a surprise for you. And we all can talk. Sam Mullins: We had been doing, we've been doing some guided tours there in a sort of, slightly in a one off kind of way, for some time. And we started to kind of think, well, look, maybe should we carry on it? Paul Marden: You've got the audience that's interested.Sam Mullins: And we've got the access through TFL which, you know, took a lot of work to to convince them we weren't going to, you know, take loads of people underground and lose them or that they jump out, you know, on the Piccadilly line in the middle of the service, or something. So hidden London is the kind of another really nice way where the museum's looked at its kind of assets and it's monetised. And I don't know what this I don't know what this year is, but I think there are now tours run at 10 different sites at different times. It's worth about half a million clear to them to the museum.Paul Marden: It's amazing, and they're such brilliant events. So they've now opened up for younger kids to go. So I took my daughter and one of her friends, and they were a little bit scared when the lights got turned off at one point, but we had a whale of a time going and learning about the history of the tube, the history of the tube during the war. It was such an interesting, accessible way to get to get them interested in stuff. It was brilliant.Sam Mullins: No, it's a great programme, and it was doing well before COVID, we went into lockdown, and within three weeks, Chris Nix and the team had started to do kind of zoom virtual tours. We all are stuck at home looking at our screens and those hidden London hangouts the audience kind of gradually built yesterday TV followed with secrets of London Underground, which did four series of. Hidden London book has sold 25,000 copies in hardback, another one to come out next year, maybe.Paul Marden: And all of this is in service of the museum. So it's almost as if you're opening the museum up to the whole of London, aren't you, and making all of that space you're you. Museum where you can do things.Sam Mullins: Yeah. And, of course, the great thing about hidden London programme is it's a bit like a theatre production. We would get access to a particular site for a month or six weeks. You'd sell the tickets, you know, like mad for that venue. And then the run came to an end, and you have to, you know, the caravan moves on, and we go to, you know, go to go to a different stations. So in a sense, often it's quite hard to get people to go to an attraction unless they've got visitors staying or whatever. But actually, if there's a time limit, you just kind of have to do it, you know.Paul Marden: Yeah, absolutely. Everybody loves a little bit of scarcity, don't they? Sam Mullins: Should we go up on the deck? Paul Marden: That sounds like fun to me.Sam Mullins: Work our way through.Paul Marden: So Hidden London was one of the angles in order to make the museum more commercially sound. What are you taking from your time at LTM and bringing to the party here at the SS Great Britain?Sam Mullins: Well, asking similar, you know, range of questions really, about what assets do we have? Which of those are, can be, can be monetised in support of the charity? Got here, Paul, so we're, we've got the same mix as lots of middle sized museums here. There's a it's a shop, paid admission, hospitality events in the evening, cafe. You know that mix, what museums then need to do is kind of go, you know, go beyond that, really, and look at their estate or their intellectual property, or the kind of experiences they can offer, and work out whether some of that is monetisable.Paul Marden: Right? And you mentioned before that Brunel is kind of, he's the mascot of Bristol. Almost, everything in Bristol focuses on Brunel. Is there an opportunity for you to collaborate with other Brunel themed sites, the bridge or?Sam Mullins: Yeah. Well, I think probably the opportunity is to collaborate with other Bristol attractions. Because Bristol needs to. Bristol's having a hard time since COVID numbers here are nowhere near what they were pre COVID So, and I think it's the same in the city, across the city. So Andrew chief executive, is talking to other people in the city about how we can share programs, share marketing, that kind of approach.Paul Marden: Making the docks a destination, you know, you've got We the Curious. Where I was this morning, having coffee with a friend and having a mooch around. Yeah, talking about science and technology, there must be things that you can cross over. This was this war. This feels like history, but it wasn't when it was built, was it? It was absolutely the cutting edge of science and technology.Sam Mullins: Absolutely, and well, almost beyond, you know, he was Brunel was pushing, pushing what could be done. It is the biggest ship. And it's hard to think of it now, because, you know, you and I can walk from one end to the other in no time. But it was the biggest ship in the world by, you know, some way, when it was launched in 1845 so this was a bit like the Great Western Railway. It was cutting edge, cutting edge at the time, as we were talking about below. It had a propeller, radical stuff. It's got the bell, too,Paul Marden: When we were on, was it Warrior that we were on last week at the AIM conference for the first. And warrior had a propeller, but it was capable of being lifted, because the Admiralty wasn't convinced that this new fangled propeller nonsense, and they thought sail was going to lead. Sam Mullins: Yeah. Well, this ship had, you could lift a you could lift a propeller, because otherwise the propeller is a drag in the water if it's not turning over. So in its earlier configurations, it was a, it was that sort of a hybrid, where you could lift the propeller out the way, right, set full sail.Paul Marden:  Right, and, yeah, it's just, it's very pleasant out here today, isn't it? Lovely breeze compared to what it's been like the last few days. Sam Mullins: Deck has just been replaced over the winter. Paul Marden:  Oh, has it really. So say, have you got the original underneathSam Mullins: The original was little long, long gone. So what we have replaced was the deck that was put on in the in the 70s when the ship came back.Paul Marden: Right? You were talking earlier on about the cafe being one of the assets. You've done quite a lot of work recently, haven't you with the team at Elior to refurbish the cafe? What's the plan around that?Sam Mullins: Yeah, we're doing a big reinvestment. You always need to keep the offer fresh anyway, but it was time to reinvest. So the idea is to use that fantastic space on the edge of the dock. It's not very far down to where the floating harbour is really well populated with kind of restaurants and bars and an offer, we're just that 200 meters further along the dock. So perhaps to create an offer here that draws people up here, whether they visit the ship, you know, or not. So it's money, it's monetising your assets. So one of the great assets is this fabulous location on the on the dockside. So with early or we're reinvesting in the restaurant, it's going to go in the auto into after some trial openings and things, Paul, you know, it's going to have an evening offer as well as a daytime offer. And then it's been designed so the lights can go down in the evening. It becomes, you know, an evening place, rather than the museum's all day cafe, yes, and the offer, and obviously in the evenings would similarly change. And I think our ambition is that you should, you should choose this as the place to go out in the evening. Really, it's a great spot. It's a lovely, warm evening. We're going to walk along the dockside. I've booked a table and in the boardwalk, which is what we're calling it. And as you pay the bill, you notice that actually, this is associated with Asus, Great Britain. So, you know, the profit from tonight goes to help the charity, rather than it's the museum cafe. So that's the,Paul Marden: That's the pitch.Sam Mullins: That's the pitch in which we're working with our catering partners, Eli, or to deliver.Paul Marden: Andrew, your CEO and Claire from Eli, or have both kindly said that I can come back in a couple of months time and have a conversation about the restaurant. And I think it would be rude to turn them down, wouldn't it?Sam Mullins: I think you should test the menu really fully.Paul Marden: I will do my best. It's a tough job that I have. Sam Mullins: Somebody has to do this work. Paul Marden: I know, talking of tough jobs, the other thing that I saw when I was looking at the website earlier on was a press release talking about six o'clock gin as being a a partnership that you're investigating, because every museum needs its own tipple, doesn't it?Sam Mullins: Absolutely And what, you know, I think it's, I think what people want when they go to an attraction is they, they also want something of the offer to be locally sourced, completely, six o'clock gym, you know, Bristol, Bristol beers. You can't always do it, but I think, I think it's where you've got the opportunity. And Bristol's a bit of a foodie centre. There's quite a lot going on here in that respect. So, yes, of course, the museum ought to be ought to be doing that too.Paul Marden: I was very kindly invited to Big Pit over in the Welsh Valleys about 8 or 12 weeks ago for the launch, relaunch of their gift shop offering. And absolutely, at the core of what they were trying to do was because it's run by Museums Wales, they found that all of their gift shops were just a bland average of what you could get at any of the museums. None of them spoke of the individual place. So if you went to big pit, the gift shop looked the same as if you were in the centre of Cardiff, whereas now when you go you see things that are naturally of Big Pit and the surrounding areas. And I think that's so important to create a gift shop which has things that is affordable to everybody, but at the same time authentic and genuinely interesting.Sam Mullins: Yeah, I'm sure that's right. And you know I'm saying for you is for me, when I when I go somewhere, you want to come away with something, don't you? Yes, you know, you're a National Trust member and you haven't had to pay anything to get in. But you think I should be supporting the cause, you know, I want to go into that shop and then I want to, I want to buy some of the plants for my garden I just seen, you know, on the estate outside. Or I want to come away with a six o'clock gin or, you know, whatever it might be, there's and I think, I think you're more likely to buy if it's something that you know has engaged you, it's part of that story that's engaged you, right, while you're here. That's why everyone buys a guidebook and reads it afterwards.Paul Marden: Yeah, it's a reminder, isn't it, the enjoyable time that you've had? Yeah, I'm enjoying myself up on the top deck. Sam Mullins:  But should we go downstairs? The bow is a great view. Oh, let's do that. I think we might. Let's just work our way down through.Paul Marden: Take a sniff. Could you travel with these smelly passengers? Oh, no, I don't think I want to smell what it's like to be a cow on board shit. Sam Mullins: Fresh milk. Just mind yourself on these companion, ways are very steep now. This is probably where I get completely lost.Paul Marden: You know what we need? We need a very good volunteer. Don't we tell a volunteer story? COVID in the kitchen. Wow. Sam Mullins: The Gabby.Paul Marden: Generous use of scent. Sam Mullins: Yeah, food laid out pretty much based on what we know was consumed on the ship. One of the great things about the ship is people kept diaries. A lot of people kept diaries, and many have survived, right? You know exactly what it was like to be in first class or in steerage down the back.Paul Marden: And so what was the ship used for? Sam Mullins: Well, it was used, it was going to be an ocean liner right from here to New York, and it was more like the Concord of its day. It was essentially first class and second class. And then it has a founders on a bay in Northern Ireland. It's rescued, fitted out again, and then the opportunity comes take people to Australia. The Gold Rush in the 1850s. Migration to Australia becomes the big kind of business opportunity for the ships. Ships new owners. So there's more people on board that used to it applies to and fro to Australia a number of times 30 odd, 40 times. And it takes, takes passengers. It takes goods. It does bring back, brings back gold from because people were there for the gold rush. They were bringing their earnings, you know, back with them. It also brings mail, and, you know, other. Kind of car goes wool was a big cargo from. Paul Marden: Say, people down and assets back up again.Sam Mullins: People both directions. Paul Marden: Okay, yeah. How long was it taking?Sam Mullins: Well, a good trip. I think it did it in 50 odd days. Bit slower was 60 odd. And the food was like this. So it was steerage. It was probably a bit more basic. Paul Marden: Yeah, yes, I can imagine. Sam Mullins: I think we might. Here's the engines. Let's do the engines well.Paul Marden: Yes. So now we're in the engine room and, oh, it's daylight lit, actually. So you're not down in the darkest of depths, but the propeller shaft and all of the mechanism is it runs full length, full height of the ship.Sam Mullins: Yeah, it runs off from here, back to the propeller that we're looking at. Okay, down there a guy's stoking the boilers, putting coal into into the boilers, 24 hour seven, when the engines are running. Paul Marden: Yes, that's going to be a tough job, isn't it? Yeah, coal is stored in particular locations. Because that was something I learned from warrior, was the importance of making sure that you had the coal taken in the correct places, so that you didn't unbalance the ship. I mean,Sam Mullins: You right. I mean loading the ship generally had to be done really carefully so, you know, sort of balanced out and so forth. Coal is tends to be pretty low down for yes, for obvious reasons.Paul Marden: So let's talk a little bit about being a trustee. We're both trustees of charities. I was talking to somebody last week who been in the sector for a number of years, mid career, interested in becoming a trustee as a career development opportunity. What's the point of being a trustee? What's the point of the trustees to the CEO, and what's the benefit to the trustees themselves? Sam Mullins: Well, let's do that in order for someone in the mid part of their career, presumably looking to assume some kind of leadership role. At some point they're going to be dealing with a board, aren't they? Yes, they might even be doing, you know, occasional reporting to a board at that at their current role, but they certainly will be if they want to be chief executive. So getting some experience on the other side of the table to feel what it's like to be a trustee dealing with chief executive. I think he's immensely useful. I always recommended it to to my gang at the Transport Museum, and they've all been on boards of one sort or another as part of their career development.Sam Mullins: For the chief executive. What's the benefit? Well, the board, I mean, very directly, hold the chief executive to account. Yes, are you doing what we asked you to do? But also the wise chief executive recruits a board that's going to be helpful in some way or another. It's not just there to catch them out. Yeah, it's it's there to bring their experience from business, from IT, from marketing, from other museums into the business of running the place. So here we've got a range of Trustees. We've been we've recruited five or six in the last couple of years qquite deliberately to we know that a diverse board is a good board, and that's diverse in the sense not just a background, but of education, retired, still, still at work, young, old, male, female, you know, you name in.Paul Marden: In all of the directionsSam Mullins:  Yeah. So a diverse board makes better decisions than one that just does group think all the time. It's, you know, it's a truism, isn't it? I think we all kind of, we all understand and understand that now and then, for the trustee, you know, for me, I particularly last couple of years, when the organization has been through huge changes, it's been really interesting to deploy my prior experience, particularly in governance, because governance is what it all comes down to in an organisation. You do learn over the course of your career to deploy that on behalf, you know, this is a great organisation, the story of Brunel and the ship and and, you know, his influence on the railways. And I travel down on the Great Western railways, yeah, the influence of Brunel is, you know, is enormous. It's a fantastic story. It's inspiring. So who wouldn't want to join? You know what in 2005 was the Museum of the year? Yes, I think we'll just go back there where we came. Otherwise, I never found my way.Paul Marden: Back through the kitchen. Sam Mullins: Back through the kitchen. It looks like stew is on the menu tonight. You've seen me at the mobile the rat.Paul Marden: And also the cat up on the shelf. He's not paying a lot of attention to the ratSam Mullins: Back on deck. Paul Marden: Wonderful. Yeah. So the other great endeavor that you've embarked on is writing, writing a book. Tell us a little bit about the book.Sam Mullins: Yeah, I've written a history of transport in London and its influence on London since 2000 since the mayoralty, elected mayoralty was, was started, you know, I was very lucky when I was running the museum where I had kind of one foot in TfL and one foot out. I knew lots of people. I was there for a long time, yes, so it was, it was easy to interview about 70 of them.Paul Marden: Right? I guess you've built trust levels, haven't you? Yeah, I don't mean that you don't look like a journalist walking in from the outside with an ax to grind. Sam Mullins: And I'm not going to kind of screw them to the Evening Standard, you know, tomorrow. So it's a book based on interviews, oral reminiscences. It's very much their story. So it's big chunks of their accounts of, you know, the big events in London. So what was it like to be in the network control room on the seventh of July, 2005 when the bombs went off? What was it like to be looking out for congestion charge the day it started? Yep. What was it like to kind of manage the Olympics?Paul Marden: You know? So you're mentioning these things. And so I was 10 years at British Airways. I was an IT project manager, but as well, I was a member of the emergency planning team. Yeah. So I got involved in the response to September the 11th. I got involved in some of the engagement around seven, seven, there's seminal moments, and I can, I can vividly remember myself being there at that time. But similarly, I can remember being there when we won the Olympics, and we were all sat in the staff canteen waiting to hear whether we'd won the Olympics, and the roar that erupted. There's so many of those things that have happened in the last 25 years where, you know, you've got, it's recent history, but it's real interesting events that have occurred that you can tell stories of.Sam Mullins: Yeah. So what I wanted to get in the book was a kind of sense of what it was like to be, really at the heart of those, those stories. And there are, you know, there are, there are people in TfL who made those big things happen? Yes, it's not a big, clumsy bureaucracy. It's a place where really innovative leadership was being exercised all the way through that 25 years. Yes, so it runs up to COVID, and what was it like when COVID struck? So the book's called Every Journey Matters, and it comes out in November.Paul Marden: Amazing, amazing. So we have, we've left the insides of the ship, and we are now under, what's this part of the ship? Sam Mullins: We're under the bow. There we go, and a bow spread that gets above our heads. So again, you've got this great, hulking, cast iron, black hull, beautifully shaped at the bow. Look the way it kind of tapers in and it tapers in and out.Paul Marden: It's a very three dimensional, isn't it? The curve is, is in every direction. Sam Mullins: Yeah,it's a great, great shape. So it's my sort of, I think it's my favourite spot. I like coming to look at this, because this is the kind of, this is the business, yeah, of the ship.Paul Marden: What have we got running along the front here? These these images in in gold.Sam Mullins: This is a figurehead with Victoria's Coat of Arms only sua Kim Ali points on top with it, with a lion and a unicorn.Paul Marden: It's a really, it's not a view that many people would have ever seen, but it is such an impressive view here looking up, yeah, very, very cool. And to stand here on the on the edge of the dry dock. Sam Mullins: Dry Docks in to our right, and the floating harbor is out to our left. Yeah.Paul Marden: And much going on on that it's busy today, isn't it? Sam Mullins: Yeah, it's good. Paul Marden: So we've done full loop, haven't we? I mean, it has been a whistle stop tour that you've taken me on, but I've loved every moment of this. We always ask our guests a difficult question. Well, for some it's a difficult question, a book recommendation, which, as we agreed over lunch, cannot be your own book. I don't think, I think it's a little unfair Sam Mullins: Or anything I've ever written before.Paul Marden: Yes, slightly self serving, but yeah.Sam Mullins: It would be, wouldn't it look the first thing that comes to mind is, I've actually been reading my way through Mick Herron's Slow Horses series, okay, which I'm a big fan of detective fiction. I love Ian Rankin's Rebus. Okay, I read through Rebus endlessly when I want something just to escape into the sloughhouse series Slow Horses is really good, and the books all have a sort of similar kind of momentum to them. Something weird happens in the first few chapters, which seems very inconsequential and. Suddenly it turns into this kind of roller coaster. Will they? Won't they? You know, ending, which is just great. So I recommend Mick Herron's series. That's that's been the best, not best, fiction I've read in a long time.Paul Marden: You know, I think there's something, there's something nice, something comforting, about reading a series of books where the way the book is structured is very similar. You can, you can sit down and you know what's going to happen, but, but there's something interesting, and it's, it's easy. Sam Mullins: It's like putting on a pair of old slippers. Oh, I'm comfortable with this. Just lead me along. You know, that's what, that's what I want. I enjoy that immensely.Paul Marden: And should we be? Should we be inviting our listeners to the first book in the series, or do they need to start once, once he's got his, got his, found his way? Sam Mullins: Well, some people would have seen the television adaptation already. Well, that will have spoilt the book for them. Gary Oldman is Jackson lamb, who's the lead character, okay, but if you haven't, or you just like a damn good read, then you start with the first one, which I think is called Sloughhouse. They're all self contained, but you can work your way through them. Paul Marden: Well, that sounds very good. So listeners, if you'd like a copy of Sam's book, not Sam's book, Sam's book recommendation, then head over to Bluesky and repost the show notice and say, I want a copy of Sam's book, and the first one of you lovely listeners that does that will get a copy sent to you by Wenalyn. Sam This has been delightful. I hope listeners have enjoyed this as much as I have. This is our first time having a @skipthequeue in real life, where we wandered around the attraction itself and hopefully narrated our way bringing this amazing attraction to life. I've really enjoyed it. I can now say that as a West Country lad, I have actually been to the SS Great Britain. Last thing to say for visitor, for listeners, we are currently midway through the Rubber Cheese Annual Survey of visitor attraction websites. Paul Marden: If you look after an attraction website and you'd like to share some information about what you do, we are gathering all of that data together to produce a report that helps people to understand what good looks like for an attraction website. This is our fourth year. Listeners that are interested, head over to RubberCheese.com/survey, and you can find out a little bit more about the survey and some of the some of the findings from the past and what we're looking for for this year. Sam, thank you so very much.Sam Mullins: Enjoyed it too. It's always good to rabbit on about what you do every day of the week, and being here and part of this really great organisation is huge privilege.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

The Detection Club, established in 1930, is the world's first social network for crime writers. It's founder fathers and mothers included Agatha Christie, Dorothy L Sayers and Anthony Berkeley.Its current membership includes Ian Rankin, Val McDermid and Richard Osman.The current (and only the eighth) President, Martin Edwards, has released an updated edition of his book ‘The Golden Age of Murder' in which he talks about the true cases which inspired the literary greats of the Inter-War years.And he describes how many of our classic crime novels riff around the subject of a ‘justified murder.'To WATCH this interview, click here: https://open.substack.com/pub/robertmurphy/p/video-interview-martin-edwards-president?r=1lsdh7&utm_campaign=post&utm_medium=web&showWelcomeOnShare=trueMore about Martin Edwards : https://martinedwardsbooks.com/ and https://substack.com/@martinedwardsbooks/This podcast mentions an earlier episode about the Thompson-Bywaters with laura thompson case. You can hear that here: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit robertmurphy.substack.com

Join hosts Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about TikTok, Booktrovert, Meta, and training AI on copyright books. Then, stick around for a chat with Ewan Morrison!Ewan Morrison: Described as the ‘most fluent and intelligent Scottish writer of his generation' by Booker Prize judge Stuart Kelly, Ewan Morrison is an award winning novelist and screenwriter and an essayist. Morrison's writing has been praised by renowned authors Lionel Shriver, Ian Rankin, Fay Weldon, Douglas Coupland, James Frey, Irvine Welsh, James Robertson, Luke Rhinehart and Hanif Kureishi among others. Ewan's eighth book, the 'darkly comic thriller', HOW TO SURVIVE EVERYTHING was published by Contraband in the UK in 2021, and in the US with Harper Perennial in 2022. It tells the story of a teenage girl who is abducted by her survivalist father, who believes that a world ending pandemic has begun.​In November 2022, the book was optioned for a TV series and developed by Made Up Stories (Nine Perfect Strangers, Pieces of Her), Fifth Season & Kindling Pictures.

​ Catalan Crime in translation: We'd Like A Word hosts Paul Waters & Stevyn Colgan hear from Barcelona-born author Teresa Solana; Peter Bush the translator of her crime thriller Black Storms - he's also Teresa's husband; and Marina Sofia the co-founder of Corylus publishers, which publishes crime fiction in translation from Catalan, Spanish, Romanian, Icelandic, Argentinian Spanish, and German.We also talk about authors and translators Ian Rankin, Gene Kerrigan, Jeffrey Archer, Frederick Forsyth, Tony Kent, Lisa Jewell, the Rev Richard Coles, Robert Thorogood, David Gullis, Fred Vargas, Petros Markaris, Rene Goscinny, Albert Uderzo, Anthea Bell, Derek Hockridge, Chico Buarque and Juan Goytisolo - plus the Chiltern Kills crime and Khushwant Singh London literary festivals.And more - including dead Catalan authors v dead Spanish authors; the author-translator power dynamic; Catalonia / Catalunya and Spain; Cornwall, folk culture and Cornish independence; Steve becoming a witch; Paul having a book out soon and some book launch events; snoring dogs; Biafra; whether La Sagrada Familia is a cathedral or a basilica; Asterix the Gaul; and the secret location where this podcast episode was part-recorded.We'd Like A Word is a podcast & radio show from authors Paul Waters & Stevyn Colgan. (And sometimes Jonathan Kennedy.) We talk with writers, readers, editors, agents, celebrities, talkers, poets, publishers, booksellers, & audiobook creators about books - fiction & non-fiction. We go out on various radio & podcast platforms. Our website is http://www.wedlikeaword.com for information on Paul, Steve & our guests. We're on Twitter @wedlikeaword & Facebook @wedlikeaword & our email is wedlikeaword@gmail.com Yes, we're embarrassed by the missing apostrophes. We like to hear from you - questions, thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word to chat, review or read out passages from books. Paul is the author of a new Irish-Indian cosy crime series set in contemporary Delhi. The first in the series is Murder in Moonlit Square, which published by No Exit Press / Bedford Square Publishers in October 2025 - but you can pre-order it now. (Ah go on.) It'll also be published in India in paperback in October 2025 by Penguin India. Paul previously wrote the 1950s Irish border thriller Blackwatertown. We can also recommend Cockerings, the comic classic by Stevyn Colgan, and his hugely popular YouTube channel @Colganology

Ian Rankin introduced Detective John Rebus in his 1987 novel Knots and Crosses. Since then, Rankin has published another two dozen books in the series and has sold almost 40 million books to date. Unsurprisingly, he’s now Sir Ian Rankin. This week, Michael sits down with Ian at Sydney Writers’ Festival for discussion about his latest Rebus book, Midnight and Blue.See omnystudio.com/listener for privacy information.

Ian Rankin introduced Detective John Rebus in his 1987 novel Knots and Crosses. Since then, Rankin has published another two dozen books in the series and has sold almost 40 million books to date. Unsurprisingly, he’s now Sir Ian Rankin. This week, Michael sits down with Ian at Sydney Writers’ Festival for discussion about his latest Rebus book, Midnight and Blue. Reading list: Knots and Crosses, Ian Rankin, 1987 Black and Blue, Ian Rankin, 1997 The Hanging Garden, Ian Rankin, 1998 Standing in Another Man's Grave, Ian Rankin, 2012 Midnight and Blue, Ian Rankin, 2025 A Killing Kindness, Reginald Hill, 1980 In the Woods, Tana French, 2007 The Broken Shore, Peter Temple, 2005 You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram Guest: Ian RankinSee omnystudio.com/listener for privacy information.

The recipient of a Diamond Dagger award, which recognises outstanding lifetime achievement in crime fiction, Ian Rankin is unparalleled in his field. The Scottish crime writer and philanthropist, best known for his Inspector Rebus novels discusses his latest.

Political corruption turns Acapulco's first female police detective into a fugitive on the run . . . in Washington DC."A thrilling series" -- National Public RadioIn a derelict building for sale, Acapulco police detective Emilia Cruz stumbles on the body of a woman brutally shot to death. Incredibly, the victim was the sister of Acapulco's ambitious mayor, who is running for re-election against an opponent with deep pockets.Emilia's investigation is immediately under pressure for a fast result. The victim's ex-boyfriend has a suspiciously weak alibi but is the crime scene the key to finding the murderer? The building was once used for a secret Mexican government operation targeting a ruthless drug lord.Meanwhile, there's a conspiracy within the police department to force Emilia out.Before Emilia can save her job or arrest her prime suspect, she's sent on an errand of mercy to Washington, DC.There she becomes a fugitive hunted by killers masquerading as cops. Alone, desperate and on the run, Emilia turns for help to a man she once vowed to murder.He's her only chance to survive a deadly game of political intrigue on the wrong side of the border.From Acapulco's beaches to the streets of Washington, DC, the stakes couldn't be higher in this electrifying, page-turning thriller.2019 and 2020 Poison Cup award, Outstanding Series - CrimeMasters of America"Emilia is a character who is close to my heart" - MysterySequels"Amato brings her characters to life with her vivid writing style and sets them on the streets of a Mexico steeped in Catholicism and corruption" - OnlineBookClub.orgWith unflinching authenticity from the author's own espionage and counterdrug experience in Mexico and Central America, this is a female detective mystery series like no other.The Emilia Cruz series is for fans of international mystery and crime by Ian Rankin, Jo Nesbo, Ann Cleeves, Donna Leon and Liza Marklund, plus the Department Q series by Jussi Adler-Olsen. Fans of Don Winslow's cartel and border thrillers set in Mexico love the plots torn from the headlines of the Detective Emilia Cruz police series set in Acapulco.Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

Esta semana, los protagonistas de las series que comentan Juan Luis Álvarez y Begoña Tormo tienen en común que, por diferentes razones, sus cabezas no andan bien. Todos están muy traumatizados y eso hace que se disocien de la realidad de vez en cuando. The Pitt (Max, 1 temporada, 15 episodios) The Pitt es la heredera de la legendaria Urgencias. Protagonizada por Noah Wyle que interpretó al novato doctor Carter en aquella, ahora el actor se mete en la piel de un nuevo personaje -el doctor Robbie- , para mostrar, a través de quince capítulos rodados en tiempo real, quince horas de turno en el servicio de urgencias del principal hospital de Pittsburgh. Trailer Crimen, de Irvine Walsh (Movistar + Plus, 2 temporadas, 12 episodios) Cuando una colegiala de Edimburgo es secuestrada, el detective Ray Lennox se identifica fuertemente con la víctima. Él cree que el perpetrador es el asesino en serie y sus jefes creen que está tras las rejas. Excelente Dougray Scott como policía al que imágenes de su pasado alteran a menudo el juicio. Basada en las novelas de Irvine Walsh. Trailer Rebus (Movistar Plus, 1 temporada) John Rebus, (Richard Rankin) detective de la Policía de Edimburgo, está atravesando a sus 40 años una profunda crisis personal y profesional, tras separarse de su mujer y no poder ver apenas a su hija. En el terreno laboral la situación no es mucho mejor al haber tenido un grave altercado con el mafioso local al que casi asesina con sus propias manos. Es un inspector y un hombre claramente alterado. Adaptación de las novelas de Ian Rankin. Trailer

Ginés Sánchez es una de las voces más originales que encontramos entre los novelistas españoles. Por eso Tusquets ha hecho una apuesta total por él. Una apuesta que se le está saliendo bien, a juzgar por la calidad de cada una de sus obras. La última se titula El borde cortante, donde nos cuenta la escapada de tres adolescentes, Mari Cruz, Litolbely y Carrie.Paloma Caro nos presenta dos mujeres de experiencias muy diferentes, y sin embargo, conectadas. Julia y Emma, hija y madre. Y un secreto revelado, treinta años más tarde, que pone a temblar todas las certezas de Julia. Homenaje a tu silencio es el título de la novela.Nos encanta el noir. Y el que se escribe en Escocia tiene una indudable calidad. Ian Rankin es un ejemplo. Pero hay mucho más, y todo bueno. En este Club, crímenes venidos desde las islas.Y en la sección de Audiolibros, Sentido y sensibilidad, el clásico inmortal de Jane Austen, que se vio obligado a publicar sin dar a conocer su identidad, simplemente con dos palabras, enigmáticas: “Una dama”.

“One of the most precious public possessions of the empire” [BERY]    Joel Meadows began what eventually became Sherlock Holmes and the Empire Builders: The Gene Genie in 2002 while working on Tripwire as a quarterly print magazine. He tells us the story of how it took two decades to bring this vision to life with illustrator Andy Bennett, and what the plans are for part two of the story. The initial Kickstarter for part one was wildly successful, and the Kickstarter for the sequel is under way.  The praise has been effusive:  “A darn good romp” – Guillermo del Toro, Oscar-winning director “Classic Sherlock Holmes! You can smell the chimney-smoke and feel the clatter of hooves. Here's the character we all know and love, given a fresh polish for the 21st century!” – Ian Rankin, Rebus The fusion of history and mystery form Joel's perfect nexus, and he's extending his efforts from graphic novel to a novella next.  We've moved the Sherlockian News to an exclusive monthly bonus track for  (watch for that to drop), and added a new segment: "The Learned Societies," all about activities going on in in Sherlockian groups. In this episode, we cover some of the BSI Weekend activities. Madeline Quiñones had diligently prepared an installment of "A Chance of Listening," her review of Sherlockian podcasts, that we missed last epsiode, so we make up for it this time. And of course the Canonical Couplet quiz awaits to test your Sherlockian knowledge. The winner, chosen at random from all correct answers, will receive Sherlock Holmes and the Empire Builders. Send your answer to comment @ ihearofsherlock .com by February 14, 2025 at 11:59 a.m. EST. All listeners are eligible to play. If you become a  of the show, not only will you help to ensure we can keep doing what we do, covering file hosting costs, production, and transcription services, but we have thank-you gifts at certain tiers and ad-free versions of the episodes for all patrons.     Leave I Hear of Sherlock Everywhere a five-star rating on  and ; listen to us .     Sponsors Exclusive for IHOSE listeners from : codes for .   Would you care to advertise with us? You can find . Let's chat!     Links (Kickstarter) Social media links: Joel Meadows on , , Sherlock Holmes and the Empire Builders , Tripwire Magazine on  Previous episode mentioned: Find all of our relevant links and social accounts at .     And would you consider leaving us a rating and or a review on Apple Podcasts, Spotify, or Goodpods? It would help other Sherlockians to find us.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at 5-1895-221B-5. That's (518) 952-2125.    

The crime writer and philanthropist joins Nihal for an in-depth conversation.They discuss his journey in writing, Scotland and what comes next.Nihal Arthanayake presents his Sunday evening show and podcast, featuring exclusive in-depth interviews with headline guests across entertainment, sport, culture and politics.

Excerpts from three of my favorite radio conversations: "Kill for Me, Kill For You" by Steve Cavanagh, "Smoke Kings" by Jahmal Mayfield, and "Midnight and Blue" by Ian Rankin.

Send us a textGraham discusses how two dystopian British films in 2006 (V for Vendetta and Children of Men) predicted the politics of now.Charles takes a look at the new Robbie Williams biopic Better Man.Graham enjoys a brilliant compilation by crime author, Ian Rankin called Behind the Counter and then previews his forthcoming Vinyl Sessions Q&A event in Harrogate on Syd Barrett and Nick Drake with author Rob Chapman as special guest.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

A Christmas treat as we speak to bestselling author Ian Rankin who takes us through his incredible career, including tips on plotting, research, and his worst habit when writing, his favourite mistake (which he kept in the book) and he tells us his Sean Connery story…

In this final episode of 2024, I discuss all of the best writing tips I've come across in the past year, as well as the most helpful things I've learned. In particular, I dive into writing short stories and getting them published, amazing pieces of wisdom from legendary author Ian Rankin, and the most important thing I learned over the past 12 months. Here are some useful links I referred to in the ep. https://thegrinder.diabolicalplots.com/ https://duotrope.com/ https://richiebilling.com/writing-tools/list-of-fantasy-magazines Thank you as always for listening and for your fantastic support. I sincerely appreciate it and can't wait to create more helpful things for you in 2025! JOIN OUR DISCORD COMMUNITY ⁠⁠https://mailchi.mp/395aa89d6ec0/join-richie-billings-community-of-writers⁠⁠ GET IN TOUCH thefantasywriterstoolshed@gmail.com ⁠⁠https://richiebilling.com/⁠⁠ RESOURCES Discover more ⁠⁠⁠⁠writing tips⁠ and guides⁠⁠⁠ here - ⁠⁠⁠https://richiebilling.com/writing-tips/⁠⁠⁠ And learn more about ⁠⁠⁠⁠writing fantasy⁠⁠⁠⁠ here - ⁠⁠⁠https://richiebilling.com/fantasy-writing/

Ludwig - (TVNZ+ from Sunday) David Mitchell stars in this British comedy about a reclusive crossword puzzle setter whose life is upended when his identical twin, a detective, vanishes. Taking on his brother's identity, he hunts for clues in the disappearance. Rebus -(ThreeNow) A BBC drama based on the Ian Rankin series of books about a Scottish detective who is drawn into a violent conflict that turns personal when his brother crosses the linein order to provide for his family. Beatles 64 - (Disney+)Produced by Martin Scorcese, this new documentary looks at The Beatles' 1964 US debut and the Beatlemania fan frenzy that followed, as seen through rare behind-the-scenes footage.See omnystudio.com/listener for privacy information.

Sir Ian Rankin joins Simon and Matt for a natter about his new book, Midnight And Blue. They discuss the challenges of writing a book from a world inside a prison, and how much Ian had to research to ensure he got the details right. And of course they chat about music (Pentangle even get a mention) and the recent screen adaptation of his book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Simon and Matt welcome Ian Rankin to the studio for a special Q&A episode. They discuss his love of music, his writing processes, Swedish Death Cleaning (yes really) and who he would invite to his fantasy dinner party. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sally Wenley reviews Midnight and Blue by Ian Rankin published by Hachette

Book #25 in the John Rebus series is a murderous delight.

Musician and writer Nardi Simpson is a Yuwaalaraay woman from freshwater country in north-west New South Wales. Her debut novel was 2020's critically acclaimed and multi-award-winning Song of the Crocodile. Now she is back with her second novel, which explores creation, belonging, and the precious fragility of a life. This week, Michael sits down with Nardi for a wide ranging conversation about her new book, The Belburd. Reading list: Song of the Crocodile, Nardi Simpson, 2024 The Belburd, Nardi Simpson, 2024 Midnight and Blue, Ian Rankin, 2024 The Ledge, Christian White, 2024 You can find these books and all the others we mentioned at your favourite independent book store.  Socials: Stay in touch with Read This on Instagram and Twitter Guest: Nardi Simpson

Musician and writer Nardi Simpson is a Yuwaalaraay woman from freshwater country in north-west New South Wales. Her debut novel was 2020's critically acclaimed and multi-award-winning Song of the Crocodile. Now she is back with her second novel, which explores creation, belonging, and the precious fragility of a life. This week, Michael sits down with Nardi for a wide ranging conversation about her new book, The Belburd.Reading list:Song of the Crocodile, Nardi Simpson, 2024The Belburd, Nardi Simpson, 2024Midnight and Blue, Ian Rankin, 2024The Ledge, Christian White, 2024You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and TwitterGuest: Nardi SimpsonSee omnystudio.com/listener for privacy information.

Phil and Natalie are delighted to welcome Sir Ian Rankin to BestSellers in the week where his new Rebus - the 25th Rebus thriller - goes straight in at No.1 in the Sunday Times Top Ten Hardback Fiction chart. In this ep, Ian talks about how hard this book was to write; why he's a frustrated Rock Star and why he's attracted to the darker side of the human condition. You'll also find the books he recommends from other writers at our website: bestsellerspodcast.comEnjoy! Hosted on Acast. See acast.com/privacy for more information.

The best-selling crime-writer Sir Ian Rankin began his life surrounded by food. His dad ran a grocery store in Fife, his mum worked in a school canteen, and Ian's early writing saw him reviewing wine.He says he never intended to turn to crime, so to speak, but it was his creation of the hard-drinking and stubborn Edinburgh detective Inspector John Rebus which changed his writing style – and his life. Beginning with Knots and Crosses in 1987, there have now been 25 Rebus novels - as well as the tv dramas and stage plays – mainly dealing with Scotland's dark and dangerous underworld. What then will he reveal as his Inheritenace Tracks?Inherited: Seven Drunken Nights by The Dubliners Pass on: Another Man's Rain by Jackie LevenProducers: Ben Mitchell and Noa Dowling

Radio 4's Saturday morning show brings you extraordinary stories and remarkable people.

Film reviews - Ian Rankin discusses Midnight and Blue - The Shawshank Redemption at 30

Barbara Peters in conversation with Ian Rankin

Ian Rankin has been called “the king of crime fiction”. His Inspector Rebus books have sold more than 30 million copies worldwide, translated into 37 languages. And yet, as he embarks on writing the next in his series, he reveals that “sitting down and actually writing the books is hard… and it's not getting any easier.” Where does he begin and where might the series end? Recorded across Scotland over several months, we follow Ian Rankin as he gets his next novel into shape.

Ian Rankin is on a deadline to complete his next Inspector Rebus thriller. He is happy with the first draft: “at the moment, it is perfect!”. But what will others make of it? In the second of two episodes recorded across Scotland over several months, we follow the bestselling crime writer to the remote, coastal town of Cromarty. He comes here to escape reality, and to write without distraction. But on this occasion, there is a crime fiction festival taking place. Will he get any work done?

Fi's flying solo on this one as Jane is sadly off with adult teething issues (well wishes are welcomed)... Fi covers local newspapers, pickleball and there's more on duvet togs. Plus, crime writer Ian Rankin stops by to discuss his latest Rebus instalment 'Midnight and Blue'. Our next book club pick has been announced! 'The Trouble with Goats and Sheep' by Joanna Cannon.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Sir Ian Rankin's much-loved detective Rebus has had a big year, with a fresh BBC TV adaptation in the summer, and now a return to the stage. Clive Anderson hears about new play Rebus: A Game Called Malice which was written by Sir Ian and Simon Reade, it's touring the UK. Michelle McManus chats to poet and women's rights advocate Len Pennie who rose to fame on social media during the pandemic when she shared her Scots words of the day. Her first book Poyums is a collection of funny and fiercely feminist poems. Northern Irish comedian, actor and podcaster Shane Todd has a loyal fanbase as the host of the Tea with Me podcast and with sell out shows across the world, including opening for the likes of Kevin Hart. He's currently embarking on his eleventh solo show – Full House. With music from musician and singer Kim Carnie, whose newest project is documentary Kim Carnie Out Loud which explores her experience of hiding a six year same-sex relationship. She meets other LGBTQ+ folk and creates songs around their stories. Plus Bathgate singer and Scottish Music Awards Breakthrough-winner Luke La Volpe.

Kirsty Wark reviews highlights from the Edinburgh Festival, joined by critics Ian Rankin, Chitra Ramaswamy and Dominic Maxwell. They discuss two adaptations of Amy Liptrot's bestselling memoir about addiction, The Outrun. The film version opens the Edinburgh Film Festival tonight and stars Saoirse Ronan in the lead. The stage play The Outrun is a Royal Lyceum Theatre production for the Edinburgh International Festival. Gwyneth Paltrow's skiing incident and subsequent trial has been turned into two different musicals - I Wish You Well, starring Diana Vickers as the Hollywood star, and Gwyneth Goes Skiing. Dominic Maxwell, The Times theatre and comedy critic, gives his verdict on the funniest comedians at this year's Edinburgh Fringe. And they discuss Rebels and Patriots, a play about young soldiers in the IDF, a British Israeli Palestinian co-production. Presenter: Kirsty Wark Producer: Timothy Prosser

Editor Emad Akhtar has worked with authors like Michael Connelly, Ian Rankin and Justin Cronin and was kind enough to join our show and answer our listeners' questions!

This episode marks the Pilot TV debut of Empire's very own Sophie Butcher, filling in for work-shy slacker Kay who's STILL on holiday. Sophie shares with us some of her favourite shows, plus we finally pin Boydy down on a definitive (laminated!) list of his favourite films so he can't keep attaching that label to every one he talks about. Elsewhere, we're delving into competitive teenage athletics in The Gathering on Channel 4, seeing Ian Rankin's Rebus get reborn on BBC1, and seeing if there's still some life in the clone saga in Orphan Black: Echoes, which finally lands in the UK on ITVX.

In 1954 Christchurch woman Honorah Parker was murdered while on a walk in the Port Hills.  The culprits? Her daughter Pauline, 15 and best friend Juliet Hulme, 16.  With “animal ferocity” they hit her over and over again with a brick inside a stocking. Police would later say the 46-year-old had been “battered to pieces”. After a controversial trial, the teens were found guilty of murder - a jury rejecting their claims of insanity. In this episode of A Moment In Crime host Anna Leask looks back at the crime, the trial, the aftermath and speaks exclusively to Juliet Hulme's brother about why he wants the convictions amended to reflect his sister's lifetime of insanity.  This episode is accompanied by a full feature about the case - click here to read the story. This episode references Canterbury crime author Peter Graham's book about the case, So Brilliantly Clever, the documentary Anne Perry Interiors which is available to rent or buy in New Zealand on AppleTV and author Ian Rankin's documentary Evil Thoughts, which aired in 2002 and can be found in part on YouTube.  A Moment In Crime is written and hosted by Anna Leask, senior crime and justice journalist for the New Zealand Herald.  It is produced by Leask, NZME audio engineer James Irwin and podcast production manager Ethan Stills. South Island head of news Kurt Bayer oversaw this project, the voice of Pauline Parker's diary was provided by NewstalkZB reporter Emily Ansell and some of the audio recording was undertaken by NZME video journalist George Heard. Special thanks to Jonathan Hulme, Nigel Hampton KC and Professor Warren Brookbanks for their insight and in put into this episode. See omnystudio.com/listener for privacy information.

This week's Moments That Rock features best selling crime novelist and philanthropist Sir Ian Rankin. From being in bands to meeting some of his heroes, music has always been a constant in his life. Learn more about your ad choices. Visit megaphone.fm/adchoices

‘I had thought I was going to be like Harper Lee. I was going to write one book, it was going to be a massive global success, and then I would go into hiding.'  Hear from award-winning Irish author Liz Nugent, whose novel Strange Sally Diamond may have turned Ashley into a total fangirl.  Liz discusses her journey from a childhood accident leading to dystonia, to finding success and self-confidence through writing, and to her recent brain surgery. Liz also dives into her latest novel, sharing insights into the creation of its unique protagonist and her writing process.  Plus, Liz makes a call on the greatest crime novel of the past ten years! Before becoming a full-time writer, Liz Nugent worked in film, theatre and television. Her five novels – Unravelling Oliver, Lying in Wait, Skin Deep, Our Little Cruelties and Strange Sally Diamond – have each been number one bestsellers. She has won four Irish Book Awards, as well as the James Joyce Medal for Literature. She lives in Dublin. Books and authors discussed in this episode The Lost Man by Jane Harper; Val McDermid; Ian Rankin; Graham Norton; Dervla McTiernan; To Kill a Mockingbird by Harper Lee; Lisa Jewell;  The Prophet Song by Paul Lynch; In the Woods by Tana French; The Hunter by Tana French; The Search by Tana French; Tender is the Flesh by Agustina Bazterrica; Time Shelter by Georgi Gospodinov; Never Let Me Go by Kazuo Ishiguro; A Little Life by Hanya Yanagihara Get your copy of Strange Sally Diamond from Booktopia or your local bookshop. Upcoming events  Ashley is teaching Crafting Narrative Drive as part of the Newcastle Writers Festival on Friday 5 April, 10am-4pm  See Ashley in conversation with Mirandi Riwoe at Newcastle Writers Festival, Saturday 6 April Ashley is teaching Writing Crime Fiction, a six-week online course with Faber starting 15 May 2024  Ashley is teaching Pathways to Publication for Writing NSW on Saturday 15 June, 10am-4pm Learn more about Ashley's psychological thriller Dark Mode and get your copy here or from your local bookshop.  Learn more about James' award-winning novel Denizen and get your copy here or from your local bookshop. Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Instagram: @akalagianblunt + @jamesmcwatson

In 2024, Scotland marks two big anniversaries: David I ascended the throne nine centuries ago and James I of Scotland began his reign 600 years ago. Both Kings played a role in shaping Scotland's ideas about its monarchy. How did David shape Scotland, and what relevance does the Stone of Destiny have - then, and now, as it returns to its native Perthshire? We look at the Scottish dream-vision, initiated by James I in writing Scotland's first love poem, sparking a new tradition lasting through the Renaissance and beyond. Anne McElvoy hears about distinctly Scottish ideas of Kingship.Kylie Murray is the author of The Making of the Scottish Dream Vision and a BBC Radio 3 AHRC New Generation ThinkerAlexandra Sanmark is Professor of Medieval Archaeology at the University of the Highlands and IslandsDonna Heddle is Professor of Northern Heritage and Director of the UHI Institute for Northern Studies at the University of the Highlands and IslandsWilliam Murray is Viscount Stormont and owner of Scone PalaceProducer: Ruth WattsYou might be interested in other Free Thinking episodes exploring Scottish history and writing including programmes about The Declaration of Abroath; John McGrath's Scottish drama, Tales of Scotland: A Nation and its literature with Janice Galloway, Peter Mackay, Murray Pittock and Kathleen Jamie; The Battle of Culloden - Outlander and Peter Watkins; crime writer Ian Rankin talks to Tahmima Anam.

In episode 415 of the Geektown Radio podcast, Dave is joined by our film reviewer Gray, as we chat everything Oscars, along with our week in TV and some other movies!The big thing this week was, of course, The Oscars, so Gray and Day discuss the show itself, along with the winners and losers from the awards, and some of the entertaining things which happened. Gray also brings us a film review of the latest Matthew Vaughn movie 'Argylle', and a review of Disney/Marvel series 'Echo' (yes, I know he's very late to the party on that!) They also discuss the new Rob Beckett panel show 'Smart TV' on Sky. Meanwhile, Dave reviews the fun crime/mystery series 'Death and Other Details' which is on Disney+, and they both give their thoughts on the superpowered comedy 'Extraordinary', which returned this week for Season 2, also on Disney+.Moving into the news updates, we've got all the latest recent renewals, cancellations, and pickups, including a UK premiere date for ‘Orphan Black: Echoes‘, two shows renewed but ending, and the cancellation of an entire streaming service in the UK... sort of... In the news we have the BBC bringing a new version of Ian Rankin's ‘Rebus' novels to screen, Harlan Coben's latest Netflix drama finding its lead, and the possible return of 'Baywatch'! Listen below!Support this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

The crime writer and the singer aka Mull Historical Society choose favourite books

Book Club #81 - A Heart Full of Headstones - Richard is in Edinburgh and talks to Edinburgh's second favourite knight (after a penguin) Ian Rankin. They discuss the latest of his many books about Rebus and Edinburgh (is it a character in itself?), how well Ian knows the character after all this time, why he chose to have him age in real time, how his books embrace topicality, whether Rebus could really pull Duckface, why Ian let go of the TV adaptations, the changes made by American publishers and how persistence from the author led the series to be a huge success (and how long that took to happen). Plus the looming presence of Richard Osman, being asked to write the autobiography of Sean Connery, Ian's attempt to write a Mills and Boon romance and whether it's possible to understand evil. Plus much more. It's a must listen for the aspirant author and the fan of crime (or any) novels).Buy a Heart Full of Headstones here https://www.amazon.co.uk/Heart-Full-Headstones-Must-Read-Bestseller/dp/1398709387/Come and see RHLSTP on tour http://richardherring.com/rhlstp Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.

Professor Lorna Dawson is one of the UK's leading forensic scientists. She examines soil in order to solve crimes. For over thirty years her pioneering techniques, using soil evidence on shoes, clothing and vehicles, have led to numerous high-profile convictions. Her work has received global recognition and now inspires crime writers such as Ian Rankin and Ann Cleeves. Lorna is head of the centre for soil forensics at the James Hutton Institute in Aberdeen, which conducts research into land, crops, water and the environment. She also works with SEFARI, the Scottish Environment, Food and Agriculture Research Institutions, delivering farming systems that benefit the environment and nature. Lorna's choices include music by Elgar, Mozart and Ravel.

Scottish Island Adventures - Islay/Jura - with host Coinneach Macleod, the Hebridean Baker and guest John Carmichael Islay and Jura Islay and Jura are the southernmost islands of the Hebrides and have been inhabited since 10,000 BC.  The Islands are surrounded by a vast expanse of turquoise waters, perfect for swimming, sailing kayaking, or paddleboarding. If you prefer to stay dry there are lots of opportunities for walking, climbing, or golfing making Islay and Jura a great option for an active holiday! There are over 10 distilleries producing Islay and Jura's whiskey exports beloved across the world. At the museum of Islay Life you can get clued up on the Islands' long history which saw Celtic settlers, viking invasions, and the islands' role during the first and the second World War.  Feis Ile - The Islay Festival The first ever Islay Festival was held in 1986 in an effort to encourage more tourism to the Island. Its original schedule included just one whiskey tasting but since then Islay's distilleries have become the festival's focal point attracting thousands of Whiskey lovers to the Island each year. As well as the many Distillery open days, the 9 day Feis Ile programme includes activities such as ceilidhs, Scots language lessons, and Folk Nights.  Loch Gruinart, The Oa Reserve Loch Gruinart and the Oa Nature Reserve are two of the top wildlife sites in Scotland and are designated Sites of Special Scientific Interest (SISS). Loch Gruinart is home to a variety of Hebridean birds and other wildlife including Otters, Hen Harriers, and Barnacle Geese and if you're lucky you may spot a Golden Eagle soaring above the Oa. The Gruinart and Oa Trail takes in sweeping views along the sea cliffs, freshwater lochs, and coastal grassland.  The Islay Book Festival The volunteer-run Islay Book Festival grew from a small book club in Port Ellen in 2006. Sessions range each year from crime and contemporary fiction to poetry and performance workshops. The festival also aims to emphasise Gaelic culture and sends authors to schools across Islay and Jura. Invited writers have included big names such as Ali Smith, Bernard MacLaverty, and Ian Rankin.  Thank you for listening to the Caledonian MacBrayne podcast. You can find out more about Scotland's west coast islands and all topics discussed on this episode at calmac.co.uk/podcast

Welcome to the first episode of The Queen's Reading Room podcast. A place for book lovers - and those who wish they loved literature a little more - to be inspired by the bookish confessions of global literary heroes. Authors from all over the world have shared their own literary treasures with us; revealing their favourite writers, most treasured books and earliest reading memories. Joining us in episode one is none other than Rebus Author Sir Ian Rankin who talks to The Queen's Reading Room from his home in Scotland; telling us about his childhood, his school days and how he gradually fell in love with books. Sir Ian reveals the writer that he would always turn to for solace…and the answer might surprise you! His crime fiction gives pleasure to millions all over the world, but where did the inspiration for it all come from? Discover the joy of reading with The Queens Reading Room podcast, available weekly on all podcast platforms. Hosted on Acast. See acast.com/privacy for more information.

This week's book guest is The Rise by Ian Rankin.Sara and Cariad are joined by the best-selling Scottish crime novelist Ian Rankin to discuss London, Edinburgh, digital books, genre writing and inappropriate tattoos. Thank you for reading with us. We like reading with you! The Rise by Ian Rankin is available to buy here.You Can follow Ian on Instagram: @ianrankin2Sara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded by Aniya Das and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Georgina Godwin speaks to one of the most successful crime-fiction novelists in the UK, Ian Rankin. He is the internationally best-selling author of more than 40 books, including the Inspector Rebus novels, which have been translated into more than 20 languages. He is the recipient of the Edgar Award, four CWA Dagger Awards and last year won the British Book Award for best crime and thriller book. He discusses his new Amazon Originals project, a standalone short thriller set in London's most exclusive high-rise – a pacy story perfect for your morning commute.See omnystudio.com/listener for privacy information.

Happy Halloween Weekend! Today on The Graham Norton Radio Show with Waitrose:Sir Ian Rankin joins me to talk about his new book, The Rise.Show Chef Martha has another one of her “best of” recipes, this time it's Butternut squash risotto.And there's a round of our brand new competition, Big In Japan. And Maria McErlane and Graham Norton solve some dilemmas in Graham's Guide.There's more on our YouTube, just look up @VirginRadioUK! Hosted on Acast. See acast.com/privacy for more information.

Episode 178 Notes and Links to Stephen Buoro's Work       On Episode 178 of The Chills at Will Podcast, Pete welcomes Stephen Buoro, and the two discuss, among other things, his early relationship with math, as well as the written and spoken word, particularly through his connection to, and education with, The Catholic Church, his early reading and love of Kafka and Richard Wright and other standouts, his book's satirical/humorous components, his inspiration for the book's opening and beyond, and important themes and motifs of Ani/Afrofuturism, traumas both personal and societal, permutation theory, colonialism and its legacies, fetishization of West and East, and pessimism and optimism.      Stephen Buoro was born in Nigeria in 1993. He has an MA in Creative Writing from the University of East Anglia where he received the Booker Prize Foundation Scholarship. He lives in Norwich, United Kingdom. The Five Sorrowful Mysteries of Andy Africa is his first novel.     Buy The Five Sorrowful Mysteries of Andy Africa from Bloomsbury Publishing   Stephen Buoro's Website   From The Guardian: “The Five Sorrowful Mysteries of Andy Africa by Stephen Buoro review – astute story of self-discovery”   From The Economist: "Wit and wisdom in 'The Five Sorrowful Mysteries of Andy Africa' "    At about 6:30, Stephen describes how “surreal” it is in the week or so leading up to his book's publication date   At about 7:50, Stephen describes Ian Rankin's and Max Porter's sterling blurbs for his book   At about 8:40, Stephen responds to Pete's question about how he sees his book as of the moment and also existing timelessly   At about 12:50, Pete asks Stephen about his reading background, and his relationships with the world; Stephen describes how he became a voracious reader of Irish lit, encyclopedias, and so much more   At about 19:45, Stephen highlights Richard Wright's Black Boy as pivotal in his reading and his path towards becoming a writer himself, including how the book was both “depressing” and “uplifting”   At about 21:40, Stephen    At about 22:15, Pete points out some connections between Andy from the book and Stephen's reading of Kafka and Joyce, and Stephen reflects on meanings for him for the book   At about 24:30, Pete confesses his not all-encompassing love (gasp!) for The Metamorphosis   At about 25:20, Stephen reflects on moments that led to him becoming a writer    At about 29:55, Stephen talks about the moments and experiences that guided his love of and fascination for words, and he and Pete discuss the allegories and performances and wonder that religion brought with it   At about 33:25, Pete asks Stephen about perspective, and how moving to the UK allowed him to write differently about Nigeria   At about 35:45, Stephen summarizes the book's first chapter and describes the genesis of the book in 2018   At about 39:20, Pete and Stephen highlight the legendary Blackberry!   At about 39:45, Pete and Stephen reflect on the powerful and funny opening scene of the book, and Stephen talks about some ignorance of the book being funny   At about 42:00, Pete outlines the book's five sections, based on the Five Sorrowful Mysteries of Jesus' last days, and Stephen responds to Pete wondering about permutations    At about 45:35, The book's exposition is set, with descriptions of the coming party for the parish priest's niece, and Andy's mother and Andy's deceased brother and his role as “Ydna”   At about 49:50, Stephen discusses duality and the character of Andy as representative of other ideas and groups of people   At about 52:30, Stephen talks about “HXVX” and its implications and connections to Andy and his friends' superhero storyline   At about 53:40, The two discuss Zara's role in the book, ideas of “Anifuturism,” and pessimism and optimism in the book   At about 58:20, The friends (“the droogs”) of Andy are described and characterized    At about 1:00:55, Slim and his homosexuality are put into the context of the book and its friend group and societal expectations/pressures    At about 1:02:05, Pete notes the inclusion of Oga Oliver and his connection to those who have emigrated and want to emigrate from Nigeria    At about 1:02:50, The party of all parties is described, with Eileen's appearance    At about 1:04:10, Andy responds to Pete's musings and questions about Eileen and her role in the book and what/who she represents    At about 1:07:30, Pete compliments the “skillful” final scene of the book and the book's “timeless” and specific greatness, while avoiding plot spoilers (!)   At about 1:09:40, Stephen discusses exciting future projects   At about     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 179 with Eli Cranor, whose critically acclaimed debut novel, Don't Know Tough, won the Peter Lovesey First Crime Novel Contest and was named one of the "Best Books of the Year" by USA Today and one of the "Best Crime Novels" of 2022 by the New York Times; his highly-acclaimed Ozark Dogs came out on April 4.    The episode will air on April 25.