Destination Mystery

I looked over at the white cat, who had finally opened his eyes, and mulled over possible names. His coat was so poofy, it made him shapeless, like a giant marshmallow. Hmm, that wasn’t too bad of a name. I cocked my head at Marshmallow, and he stared back at me with piercing sapphire eyes. We maintained eye contact for so long, it felt like a staring contest. I would show him who was boss. Okay, I blinked first. In the midst of the surreal times we're going through, it was beyond wonderful to sit down and chat with Jennifer J. Chow. I was already a fan of her Winston Wong cozy mysteries and I'd had the pleasure of meeting her at the California Crime Writers Conference last year. Her latest book, Mimi Lee Gets A Clue, is the first in a new cozy series and is out this month -- just in time for the comfort read we all need. A deserving victim. An adorable heroine. A talking cat. What more could you ask for? Whatever it is, Jennifer hits it with the Sassy Cat Mysteries. Mimi Lee is a terrific heroine with strong family ties and a growing relationship with her telepathic cat -- as well as with the cute attorney she met doing laundry. For warmth and humor, this new series hits it out of the park. Jennifer is also the author of the Winston Wong cozy series, starting with Seniors Sleuth, and featuring a male detective steeped in video games, as well as award-winning books for Young Adults and a host of short stories. I particularly want to mention her short story "Moon Girl," which is in the anthology, Brave New Girls: Tales of Heroines Who Hack. Proceeds from this book are donated to a scholarship fund through the Society of Women Engineers, so definitely worth checking out. Jennifer gives a shout out to a thriller she's currently loving, Darling Rose Gold by Stephanie Wrobel, as well as to mystery writers Dale Furutani and Naomi Hirahara. And to learn more about Jennifer herself, check out her website. And if you have already devoured Mimi Lee Gets A Clue, you can pre-order Book Two in the Sassy Cat mysteries, Mimi Lee Reads Between the Lines, right here. Enjoy our conversation. As always, there is a transcript below if you prefer to read rather than listen. I also want to wish you all well. During these crazy times, I hope you and yours are staying safe and finding comfort in each other and a good book. Take care! Laura Transcript of Interview with Jennifer J. Chow Laura Brennan: Jennifer J. Chow writes multicultural mysteries and fantastical YA. Her Asian American novels include Dragonfly Dreams (a Teen Vogue pick), The 228 Legacy, the Winston Wong cozy mystery series, and a brand-new series called The Sassy Cat Mysteries. The brand-new first book in that series, Mimi Lee Gets A Clue, is just out now. Jennifer, thank you for joining me. Jennifer J. Chow: Thanks for having me, Laura. LB: So how did you get started writing? JC: I think I always liked writing, even as a kid I would make up stories in my head. When I got older and started reading a lot of books, I also thought it was really cool that anyone could be a writer. I remember borrowing my dad's typewriter and typing out my actual first story and then he took it to work with him and showed all his colleagues. So, that's really sweet. LB: Was it a mystery? JC: It wasn't a mystery, but it was one of those "twins switching identities," right? So I guess sort of a mystery in the way that they tried to pretend to be one another. But it was kind of one of those fun romps of mistaken identity. LB: So then when did you decide to turn your eye to mysteries? JC: I guess there are two points. One actually was when I was in elementary school. We had a teacher, I think it was in sixth grade, and she was really into all sorts of creative writing, poetry and short stories. And I do remember that she assigned us a short story. In that short story, I decided to make it a mystery and she really had some positive comments about it.

In June, 2019, a nice young man in a blue suit asked me “when was the last time you smoked marijuana, ma’am?” I told him the truth – semester break during my sophomore year at Tulane – because you don’t lie to the FBI. I have no objection to the truth, but I don’t let it push me around. -- False Flag in Autumn, Michael Bowen I love a good locked room mystery almost as much as I love the Nick and Nora Charles dynamic. Author Michael Bowen combines both of these in several of his nifty, "plucky couples" series, starting with his first mystery, Badger Game. But he is also the author of thrillers, and his latest book, False Flag in Autumn, pits a savvy political operative against evil -- and her own conscience. Complex characters and high stakes ignite this story, the second in the Josie Kendall series. We also chat about the books that shaped his writing, and his life (turns out Perry Mason had an influence on Michael's choice of career). We're both fans of Agatha Christie (Alert! Spoilers for Murder on The Orient Express), Raymond Chandler, and Erle Stanley Gardner, among others. You can learn more about Michael's books on his author page. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ****************************************************** Laura Brennan: Michael Bowen started writing while working as a trial attorney. While not playing Perry Mason in court, he was writing mysteries across genres including locked rooms, puzzle mysteries, and thrillers. Now that he's retired, we can look forward to many more books from Michael. Michael, thank you so much for joining me today. Michael Bowen: Well, thank you for having me. I'm really looking forward to this. LB: Tell me a little bit about your career pre-writing. How did you decide to get into law? MB: Well, as I was growing up, I had basically two possible career paths. One was to become a journalist and the other was to become President of the United States. And I knew I couldn't start at President, so I had to do something to earn a living. So I settled on practicing law because that's the way Abraham Lincoln did it. He practiced law and then he became President. And I had a very healthy sense of self-esteem back then. So, basically, I turned to law because I decided I wanted to be one of the people doing things that people write about instead of one of the people doing the writing. In the first series that I began, it's a "plucky couple," and the male half of the plucky couple had to surrender his license to practice law because of some shenanigans that he engaged in. And the female half was what back in the sexist, early 1960s was called a Girl Friday for a law firm. So she wasn't a lawyer, but she did stuff that people found helpful. My next plucky couple series involved a foreign service officer who was not a lawyer and the female half of that was a bookstore owner, and so that was a lot of fun. And in the next plucky couple series, I had a lawyer married to a woman who was a university professor and they solved mysteries together. LB: I love the whole plucky couple concept. I'm a big fan of The Thin Man series and I just love the idea of two people working together on their marriage and also on solving crimes. What was your inspiration for plucky couples? MB: I was absolutely enthralled by plucky couples, by Nick and Nora, by Jerry and Susan North, and I noticed that no one was doing that anymore so I wanted to bring that concept back to mysteries. But in a way, my real inspiration was my wife, Sara, before she was my wife. We met at a law school mixer for first-year law students and one of the fellow students, our classmate, was basically putting a move on her. He said, "I think that you should not believe anything that cannot be empirically demonstrated." And she said, "Do you really believe that?" And it took him three beats to figure out he'd been had.

"What about this one?" I asked, passing several oil paintings and pointing to another large needlework. "It looks like a coat of arms." "It does. Although about a third of the stitching is gone. I wonder if it was done here, or in England? Stitching coats of arms was more common there. Americans didn't have family crests or coats of arms." The coat of arms was in poor condition. The glass protecting it was cracked, and dirt had sifted onto the embroidery. Threads were broken or missing in several places, so only part of the crest was clear, and the linen backing was torn in several places. Still, it fascinated me... -- Lea Wait, Thread Herrings Such a delight today to talk to the extraordinary Lea Wait. Life-long advocate for single-parent adoption and the adoption of older children, writer of historical books for young people and cozy mysteries for adults, Lea is as fascinating as her novels. Start by checking out her website, which includes discussion guides for her Antique Print Mystery Series and teacher guides for her books for children. Like Maggie Summer, the heroine of her first series, Lea has worked as an antique dealer. She credits her grandmother -- also a dealer, in dolls and toys -- with sparking her love for antiques and auctions. The warmth in her novels is clearly echoed in our conversation when she talks about her family and the community of antique dealers -- which didn't stop her from plotting to kill some of them off! On the page only, of course. Lea has so many books, I'm going to fail in any attempt at getting them all in order. However, her own website does a terrific job of parsing them so I'll link you back to that, and of course to her author page on Amazon. Although they're not mysteries, if you have children in your life, do check out her historical novels. As you'll see from our conversation, they give a very nuanced look at life in the 1800s. In addition to her website, you can keep up with Lea on Facebook and Goodreads.  As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ************************************************************************************ Transcript of Interview with Lea Wait Laura Brennan: Author Lea Wait has written historicals, children's books, nonfiction, and not one, not two, but three cozy series set in her home state of Maine. Lea, thank you for joining me. Lea Wait: It's wonderful to be here. Thank you for inviting me. LB: You are so interesting and accomplished that I almost don't know where to start. But since I'm a theater person, let us start with college because you majored in drama and English. LW: I did indeed. It's been actually an immense help. I'm not sure my family was enthused at the moment, but I always wanted to be a writer and by working the theater, I learned a lot about dialogue. LB: Well, you are writing professionally pretty much from the get-go. You are writing speeches and films. How did you get started? LW: Well, actually, I did think I was probably just going to go on to graduate school -- writers, they teach, so -- but I ended up with a job interview and I ended up talking to someone who had graduated from the Yale School of Drama, and he said, "You write plays." And I said, yes. He said, "Have you got any with you?" Of course I was young, I graduated from college early, so I was 20, long blonde hair, protest marches on weekends -- dates me a little bit. LB: Not at all, no. [Laughter] LW: But I pulled out, I think it was a play -- children's theater, so was like a chipmunk and a rabbit or something, definitely simplistic stuff. And he actually sat at his big mahogany desk and read several pages and looked at me and said, "You can write dialogue." And I said, "Yes, I can." And he said, "Then you can write executive speeches." The first executive speech I wrote was for the president of what was then part of AT&T, the Western Electric Company. I became fascinated.

Sunday morning, the quiet kind that I don’t get enough of. Until a minute ago I’d been on my second cup of coffee, reading Dreamland and starting to think about breakfast. Hopalong, dozing at my feet, stirred briefly as my phone went off. I saw from caller ID it was Burke Cunningham. I almost didn’t answer, and not just because I liked listening to my new ringtone. A call from Cunningham on a Sunday morning was like the cluck of a dentist as she works on your teeth. The news can’t be good. On the other hand, because he’s one of the most sought-after defense attorneys in Columbus, Ohio, the news would probably involve a job, which I could use right at the moment. But it also meant an end to a quiet Sunday morning of the kind I don’t get enough of. I answered anyway. Unlike my conscience, my bank balance always gets the better of me.      “What’d the cops say?”      “They said it was a good thing I didn’t get my ass shot.”      “They did not.”      “Perhaps I’m paraphrasing.”      “Any leads?”      “Not at the moment. They took the info. Put out a news release.”      “I saw the coverage. You’re a hero, again.”      “Slow news day. A zoo baby would have bumped me off the lineup in a heartbeat.” -- Andrew Welsh-Huggins, The Third Brother Andrew Welsh-Huggins is a crime reporter and author of the Andy Hayes private eye mystery series. You can sign up for his newsletter on his website and keep up with him on Twitter and Facebook. And you can follow his recommendations for some of his own favorite PI reads, including Sue Grafton's Kinsey Millhone series (and whenever the wonderful Sue Grafton is mentioned, I like to give a plug for the work of her father, C.W. Grafton, The Rat Began to Gnaw the Rope and The Rope Began to Hang the Butcher, two of my all-time favorite mysteries). Andrew also gives a shout out to Robert B. Parker's Spenser and Rex Stout's Nero Wolfe series, and authors Dashiell Hammett, Ross Macdonald, and John D. MacDonald as masters of the PI genre. Here are Andrew's own Andy Hayes books, in order: 1 - Fourth Down and Out 2 - Slow Burn 3 - Capitol Punishment 4 - The Hunt 5 - The Third Brother We talk about his nonfiction book on the death penalty, but neglect to mention the title. Let me correct that oversight: it is No Winners Here Tonight, and you can learn more through this link to the write up on Andrew's website. As always, if you'd rather read than listen, the transcript is below.  Enjoy! -- Laura ************************************************** Transcript of interview with Andrew Welsh-Huggins Laura Brennan: Andrew Welsh-Huggins is a reporter for the Associated Press whose beat includes crime, the death penalty, and politics -- an explosive combination. He has translated that experience into two non-fiction books and five crime novels featuring Andy Hayes, an ex-Ohio State and Cleveland Browns quarterback and current private eye. Andy has a wisecracking attitude and an affinity for trouble. Andrew, thank you for joining me. Andrew Welsh-Huggins: Thank you for having me. Great to be with you. LB: So you are a career reporter. What was the draw of journalism? AWH: Well, I'd always wanted to be a writer. Early in my career after college, I think it was a natural transition to get into writing professionally. I'd worked for both my high school newspaper and my college paper, and grew up reading -- there was actually a time and we got two newspapers a day in my house growing up and the New York Times every Sunday. It just sort of made sense for me to follow journalism. And I also saw that as a path into fiction writing as well. It just took me a while to get there. LB: Were you always writing fiction on the side? AWH: Yes. I'm one of those kids who was writing stories at a very young age, usually mystery short stories as a young man. But just was always trying my hand at fiction, and particularly I was always attracted to the private eye ge...

I repeated my thirty seconds of speeding up and thirty seconds of rest method, sprinting around the park's track. I was panting hard when I rounded the bend coming back to where I'd started. I veered off the track, my sneakers crunching on the gravel, and I slowed to a walk heading towards the playground area to hit the drinking fountain over by the swings. The swings were moving from the tiniest breeze, but otherwise all was quiet. The water in the fountain was warm, and I let it cascade over the side of the bowl for a minute. I tested it with my hand, then leaned down and slurped some of the metallic-tasting, still-warm water. I closed my eyes and let the water splash into my face, shaking it off like a dog and wiping my eyes with my shirt. "Over here, please help me!" A woman's voice yelped through sobs. -- Elizabeth McCourt, Sin in the Big Easy I am delighted to chat with debut mystery author, Elizabeth McCourt. An executive coach and former trial attorney, she brings a realism to the story, and not just the courtroom scenes. Elizabeth brings nuance to all her characters, but especially her protagonist, Abby Callahan, in the first of a projected series, Sin in the Big Easy. Check out Elizabeth's website here (she's also on Twitter and Instagram), but also don't miss her TEDx talk, which appropriately enough is on the burden of carrying secrets. She also gives a shout-out to one of my favorite reads, The Girl with the Dragon Tattoo. Woot!  Sin in the Big Easy also deals with human trafficking, which is a terrifying and important issue. I can't help but mention Peg Brantley's book, Trafficked. Since I interviewed Peg, it has won several awards and continues to add to the national discussion. Also, if you have teenagers in the house, a good way to open up the discussion would be to check out author Pamela Samuels Young's YA version of her own novel, #Anybody's Daughter, which deals with domestic trafficking and teen safety. If you want to learn more or if you know someone who might need help, CNN recently published a list of organizations around the world who are fighting human trafficking. The nonprofit Elizabeth mentions in New Orleans that helps women who have survived trafficking is Eden House. Their mission is "Heal, Empower, Dream," and they offer prevention education as well as resources and recovery services. As always, if you'd rather read than listen, a transcript is below. Enjoy! -- Laura ********************************************************************* Transcript of Interview with Elizabeth McCourt Laura Brennan: Elizabeth McCourt is a certified executive coach, top-ranked financial recruiter, professional speaker -- and now, mystery author. Her debut thriller, Sin in the Big Easy, introduces attorney Abby Callahan, a woman whose personal life is even more complicated than her most recent case. Elizabeth, thank you for joining me. Elizabeth McCourt: Hey, Laura. Thank you so much for having me on your podcast. LB: So you have a fascinating background. EM: Oh, thank you. Thank you. Yes, everyone said to me, really? Mystery writer? Where did that come from? LB: Well, now, how did you start out? Did you start out in the financial market? EM: I started out right after college at Morgan Stanley, as an analyst. But then I went to law school. I didn't like that so much, and so I went to law school in New Orleans and fell in love with the city. Although I didn't stay there; moved out west and then, sort of full-circle, became a headhunter and then a coach. But this love of New Orleans and writing was with me throughout my life I would say. And so it just seemed, as this book evolved, to have it in New Orleans and use my legal background in some way just made sense and worked for the book. LB: Yes, one of those lesser-known uses of law school is getting to write legal thrillers. EM: Exactly! Yes, I feel like I have to use my legal background somewhere and writing i...

When Rory bent down to inspect the flowerbed, she caught sight of something twinkling in the dirt. She knelt down on the grass and plunged her hand into the cool earth, clearing away the soil from around the sparkling object.  An involuntary cry of alarm sprang from her lips. Her tennis shoes slid on the damp grass as Rory leapt to her feet and gaped at the finger sticking out of the dirt. She closed her eyes and said to herself over and over again: It's not real. It's all in your mind. Once she'd convinced herself the finger was a vision caused by too many hours at the computer, she opened her eyes and stared down at the ground again. The finger was still there.   -- Sybil Johnson, Fatal Brushstroke   Such fun to chat with Sybil Johnson about her cozy series, the Aurora Anderson mysteries. Her heroine combines the logic of a computer programmer with the ability to see -- and notice details -- with an artist's eye. The warmth of her circle of family and friends -- not to mention a good-looking detective and a steady supply of mysteries to solve -- makes this series a great find for cozy fans. Sybil gives a shout-out to one of my favorite cozy authors, Gigi Pandian, whom I interview here, and also Leigh Perry's Family Skeleton mysteries. Also, if you -- like me -- happen to be a sucker for holiday mysteries, let me send you over to Janet Rudolph's website, Mystery Fanfare, where she routinely publishes lists of mysteries involving holidays both major and obscure.  There are three books in the Aurora Anderson Mystery series so far, and three more to come. Book Four, Designed for Haunting, will be out for Halloween, but you can preorder it now.  Aurora Anderson books in order: 1 - Fatal Brushstroke 2 - Paint the Town Dead 3 - A Palette for Murder 4 - Designed for Haunting You can find Sybil online at her website (her questions for book groups are here), on Twitter, and on Facebook. And you can find her blogging at the fun group site, Type M for Murder. The group includes Vicki Delany and Frankie Y. Bailey, both of whom I've had the pleasure of interviewing. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ********************************* Transcript of Interview with Sybil Johnson Laura Brennan: Author Sybil Johnson began her love affair with reading in kindergarten, with The Three Little Pigs. She then discovered Encyclopedia Brown, and the die was cast. Her Aurora Anderson mysteries are perfect cozies, combining art, friendship, a good-looking cop, and a hefty dose of murder. Sybil, thank you for joining me. Sybil Johnson: Thank you for having me. LB: So, like most of the mystery writers I chat with, you had another career in another field before you started writing novels. SJ: That's right. I was in software development, I was a computer programmer, I also managed computer programmers, which is a little bit like herding cats. And I did that kind of thing for 20 years. LB: What I found with mystery writers -- and I'm sure it's true of all writers, but I like mysteries, so with mystery writers -- writers write themselves and their world into their books. Which is fantastic, I think it's one of the reasons why every series is unique. So you were in computers and your heroine Rory is a computer programmer. How did you develop her character? SJ: Well, first off, I decided to do that, I decided to make her a freelance one. Anytime you have an amateur sleuth, you always have to have them have time during the day to go out and detect. And if she's a freelance computer programmer, she can work whenever she wants. She can work at 2 AM if she wants, and she can do her stuff during the day. So that was one of the reasons. And also, I thought it would be nice character because she's very analytical, which most computer programmers are, which I am. But she also has an artsy side, which is where the Tole painting comes in.

Susie didn't mind playing the cops and hookers game, an unavoidable situation for a working girl. She would come out no worse for wear if she only played by the rules. She had learned to be friendly but respectful, even a little playful at times, and she knew to give the cops something they didn't have when they called her over. Nothing happens on the street without these girls seeing it, hearing about it, or being directly involved in it. They know who peddles the dope, who runs the guns, who whacked the last guy, and who is getting whacked next, and why. If a girl wanted to stay on the street making her money, she would need to provide information to the cops from time to time.  Susie glanced toward the white panel van as it slowed, pulled along the sidewalk, and followed her as she sauntered north on the sidewalk of Long Beach Boulevard. The driver leaned toward the open passenger's window and looked her over... -- Danny R. Smith, A Good Bunch of Men I am always extra-eager to talk to people with real-life experience in the worlds they write about, and so I am delighted to bring you an interview with former homicide detective Danny R. Smith. Danny brings the fellowship of the squad room to life -- as well as the banter and dark humor that take the edge off of the hard and often grisly job. And if you sign up for his newsletter (follow the link and scroll down), he will send you a free short story, so you should absolutely go check him out. No worries; I'll wait! Danny's first book, A Good Bunch of Men, introduces the characters and partnership that makes up the team known as Dickie Floyd. His second book, Door to a Dark Room, which was being finished as this interview was recorded, is available for pre-order as this goes live. I also want to mention Ellen Kirschman, whom I had the pleasure of interviewing here, and whose work I mention because both she and Danny write about cops and police psychologists, but from the opposite perspective. In their novels, they each approach that relationship with an understanding of how difficult it is for trust to form. I find it fascinating to glimpse this world from both sides, and from people with first-hand experience.  Plus I love both of their writing! Check out Danny's blog, particularly if you're a fan of true crime or are looking for the story behind the story. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ***************************************************** Transcript of Interview with Danny R. Smith Laura Brennan: Danny Smith is a retired homicide detective, current private investigator, and author of the Dickie Floyd mystery series about a pair of veteran Los Angeles detectives who couldn’t be more different, or better-matched. Danny, thank you for joining me. Danny R. Smith: Good morning. Thank you for having me, Laura. LB: The two heroes of your series are Los Angeles homicide detectives, and that was your old beat, wasn't it? DS: Yes. LB: How did you end up going into police work? DS: Well, like many young men, I was kind of lost and not sure what to do. And I landed a job working security through a friend who said, hey, this is a great job while you're going to college, you can work the graveyard shift and do your homework while you're working, and it pays pretty good. I think it was like, $4.50/hour back then. The two heads of security were retired LAPD officers and I just fell in love with these guys. These were men's men, the stories they told, the way they walked, the way they talk, the way they looked at people, the way they joked with people. Everything about these guys, I just loved. These two guys were just great guys, and that actually is when I first started thinking, man, it'd be great to be a cop. LB: Well, that's really interesting because one of the things you capture so well in your novels is the sense of camaraderie. DS: Yeah. The debut novel,

Mirabelle Bevan swept into the office of McGuigan & McGuigan Debt Recovery at nine on the dot. She removed her jacket and popped the gold aviator sunglasses she'd been wearing into her handbag, which she closed with a decisive click. The musky scent of expensive perfume spiced the air -- the kind that only a sleek, middle-aged woman could hope to carry off. Bill Turpin arrived in her wake. Like Mirabelle, Bill was always punctual. He was a sandy-haired, reliable kind of fellow. At his heel was the black spaniel the office had acquired the year before. Panther nuzzled Mirabelle's knees, his tail wagging.  "Nasty business on Oxford Street," Bill commented, picking up a list of the day's calls from his in-tray and casting an eye down the addresses. "That new barber's." "Tea, Bill?" Mirabelle offered without looking up. "Nah. Always puts me off, does a murder..." -- England Expects, Sara Sheridan What a delight to chat with author Sara Sheridan! I can't possibly keep up with all of her accomplishments, but I'll do my best. Here are a few ways you might connect with her work: -- Like historical mysteries? Her Mirabelle Bevan series features a woman who has suffered tremendous loss -- as has her country. Together, she and England are coming out of the despair of the Second World War. Oh, and Mirabelle is solving murders along the way. -- Prefer contemporary fiction? From Hong Kong call girls to a mysterious inheritance, road trips and revenge, Sara writes it all. -- Historical epics? From China to Antarctica, Brazil, England, and the Arabian desert, Sara sweeps you across the world. -- Nonfiction your thing? She wrote the companion guide to the ITV series, Victoria, and is currently writing about Scottish women in history. As she herself has been inducted into the Saltire Society's community of Outstanding Women, I think that's highly appropriate.  -- Let's not forget blog posts. Here is one of my favorite of hers, on the anniversary of UK women getting the right to vote. It's on the site of Sara's own Reek Perfume, a company she runs with her daughter, so if you have a weakness for fabulous scent, well, you can thank me later.  Sara is so busy writing, she mentions that she needs to deliberately carve out specific times to read. Go-to favorites are Scottish novelist and screenwriter, Lorna Moon, TC Boyle, Jeremy Levin, Susan Ferrier, and of course Agatha Christie. We also talk about the Windrush generation and the problems they're currently facing; anyone interested in learning more can check out this BBC overview.  Sara and I chat about her most recent novel, The Ice Maiden, and if you're in the UK, you're in luck! Today is the launch date! Yay! Go read. Alas, American listeners will have to be a little more patient; we don't get The Ice Maiden until November, 2018, but you can preorder here.  As always, if you'd prefer to read our chat rather than listen, the transcript is below. Enjoy! -- Laura     ********************************************************************** Laura Brennan: Author Sara Sheridan brings history to life in novels such as On Starlit Seas and her upcoming historical epic set in Antarctica, The Ice Maiden, which will be out in the US this July. It’s a romance and an adventure -- but where there’s life there’s also murder… Her Mirabelle Bevan mysteries, set in post-WWII Brighton, feature a woman whose skills were honed during the war and who finds herself at loose ends now that there's peace. Lucky for us, evil lurks everywhere -- even in Brighton. Sara, thank you for joining me. Sara Sheridan: It's nice to chat to you. LB: So you write the wonderful Mirabelle Bevan historical mystery series, which we're going to talk about, but you also write prolifically in other genres. SS: Yes, I do. I find it really stimulating, actually, to write in other genres. I know some writers find it really confusing, but for me,

If Max Montgomery ever had to commit to monogamy to save his wife's life, she would just have to come back and haunt him from the afterlife. Max rested his forearm on the registration desk as his eyes anxiously crisscrossed the lobby of the Beverly Hills Ritz-Carlton. He watched as people milled about, dressed in tuxedos and evening gowns. He made eye-contact with a short, brown-skinned cutie who sashayed by in dress so tight he could see the faint outline of her thong. Max smiled. She smiled back. Too bad he was already about to get laid. Otherwise, he definitely would have taken the time to follow up on that. -- Every Reasonable Doubt, Pamela Samuels Young My conversation with Pamela Samuels Young spanned so many important issues and so many good books, I wasn't sure which one to give you a taste of. But I went with her first published novel, Every Reasonable Doubt, a legal thriller which opens with Max, as he goes to keep a date he'll never forget.  His last. Pamela writes powerful legal thrillers and protagonists who have complicated, messy relationships. She's been called John Grisham with a female twist -- and, I would argue, a gift for creating characters you want to follow in case after case.  She also delves into difficult and important safety issues, especially if you have a teenager in your life. And she makes it easy (well, easier) for you to address these issues with your children, having adapted two of her own novels for middle school and up: #Abuse of Discretion on the very real legal dangers of sexting, and #Anybody's Daughter on the terrifying world of sex trafficking right here in the United States. Regarding the epidemic of teenagers being prosecuted for sexting (and facing sentences that include both prison and registering as sex offenders), Pamela talks about a recent case in Minnesota. If you want further info, I have the ACLU statement here and the judicial outcome here. Newsweek offers a bleak, and sadly increasingly common story of a teenage boy whose life was devastated because of some ill-considered photos exchanged with his girlfriend.  Pamela has all her legal series in order on her website. Not listed there, but findable on Amazon, is her legal erotic novella, Unlawful Desires. If, you know, you need a change of pace. As always, the transcript is below if you'd rather read than listen. Enjoy! -- Laura ********************************************************************************************* Laura Brennan: Pamela Samuels Young is an attorney, author, and anti-trafficking advocate. Her award-winning thrillers shine a light on important issues like sex trafficking, online safety, and the juvenile justice system and include young adult mysteries, legal thrillers, and even an erotic suspense novella under her pen name, Sassy Sinclair. Pamela, thank you for joining me. Pamela Samuels Young: Thank you for having me. LB: So you don't just write about justice, you work for justice in real life. PSY: I previously did, sort of. I'm now full-time author, I've been retired from the practice of law for two years. I was actually an employment lawyer, employment defense. Discrimination, sexual harassment, cases of those matters. My last job was in house with Toyota. LB: I certainly think discrimination is one of the key aspects of working for justice. PSY: I completely agree. LB: How did you get into that field? Why did you decide to go into law? PSY: I was a journalism major in college, I went to USC. And I was convinced I was going to be the next Woodward and Bernstein. Then I spent a summer while at USC working in DC at a local television station, and that became my passion. So then I went to grad school directly afterwards and got a Master's in broadcasting and began working in TV news. And after about five or six years of TV news, most recently at KCBS in LA, I was completely burned out and decided to go to law school.

Andi Battaglia entered the house and carefully covered her nose and mouth with her handkerchief before proceeding. Cops say once you smell the odor, you know it instantly, an observation that doesn't make the effect any easier to handle. June in Florida with the air conditioning off had turned the house into a vile-smelling sauna. Andi greeted the man and woman who stood near the patrolman, ready to transport the body either to the local mortuary or to the Medical Examiner in Fort Pierce if there was to be an autopsy. Andi hadn't been called, but she'd been in the area when she heard the report on her car radio. If it was a homicide, it would be her first in her new job as a detective, and she'd notified the station that she was going to the scene. No one would argue -- certainly not the other detectives who didn't want any more work than they already had.  Holding her handkerchief tightly over her nose and breathing through her mouth, Andi entered the bedroom... The man's eyes were open, his eyelids drooped half-shut... -- A Reason to Kill, Carole Sojka I have the great pleasure this time of interviewing one of the most lovely and interesting of writers: Carole Sojka. Carole has lived a lifetime of adventures, notably with her husband as one of the first thousand Peace Corps volunteers, and traveling all over the world. She worked, traveled, raised a family, and in retirement, turned her hand to writing. And so a new adventure began. Carole has two books to date and a third on the way in her Andi Battaglia police series, set in Florida. The first, A Reason to Kill, introduces Andi as she tries to break away from her past and start fresh. But of course the past always has a way of sneaking up on you. In her second book, So Many Reasons to Die, it's Andi's partner Greg who finds that the past is hard to lay to rest. Especially when she winds up murdered on your turf.  Carole's third book is a stand-alone, Psychic Damage, about a woman who is addicted to visiting psychics -- right up to the moment one of them is murdered. Oh, and if you're looking for more information about the fascinating House of Refuge which features in A Reason to Kill, you can check it out here. Carole gives a shout-out to author Doug Lyle, who I've had the pleasure of hearing lecture. A terrific writer and a generous spirit, you can learn more about him at his website. If you are a mystery writer, I can't recommend his book, Forensics, highly enough. Carole also mentions one of her favorite writers, Julia Spencer Flemming, whose work inspired Carole to get her detectives out of Florida and into the snow in their next adventure. And finally, Carole gives a shout out to her friend and editor, Candy Somoza. You can see Candy read from her own work here.  Meanwhile, keep tabs on Carole, see her fabulous pics from Somalia, and check out excerpts from her books via her website: http://carolesojka.com/  As usual, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura *************************************************************************************** Transcript of Interview with Carole Sojka Laura Brennan: My guest, Carole Sojka, writes mysteries -- and lives adventures. She and her husband were among the first thousand Peace Corps volunteers and they have traveled to every continent except Antarctica. Her mysteries capture that sense of adventure and romance -- although of course the bodies do tend to pile up.  Carole, thank you for joining me. Carole Sojka: Thank you for having me. LB: You have led a very exciting life. CS: It doesn't seem like that in retrospect, but I guess it was, or it has been. LB: Did it seem like that at the time? When you took off for Africa and the Peace Corps, did it seem like this is the most exciting thing I'll ever do? CS: Yes, it did. I remember that no matter what was going on during our Peace Corps time,

     “Carmen’s working on a series about children and the courts,” Francine said. “Kids falling into poverty are a very big problem.”      “I’m aware of the problem, Francine. I’ll skip over the question of what has made Carmen give a good hoot in hell about children all of a sudden. What does any of this have to do with that coke-head Mark?”      “It’s just… she knew Mark fairly well and doesn’t think his death was accidental. She says Mark did drugs too much to do something that stupid.”      “So she thinks he did it on purpose? Is that it? He committed suicide over the predicament of his client and child?”      “Not exactly,” Francine said.      In hindsight I can see clearly how nonchalant she wanted to seem, playing with the gold locket and dropping it inside her sweater, glancing in the direction of the window as if a pretty bird had alighted there. “Carmen thinks Mark was murdered.” -- Weave a Murderous Web, Anne Rothman-Hicks and Ken Hicks They say a writing partnership is like a marriage. In the case of Anne Rothman-Hicks and Ken Hicks, it *is* a marriage. They starting writing together while dating in college and they never looked back. Ken and Anne have written something for everyone. Their books include an international thriller, Theft of the Shroud; books for children and tweens, such as Things Are Not What They Seem (and the sequel they mentioned has been released! It's Remembering Thomas, set during the Revolutionary War); a mainstream adult novel, Kate and the Kid; and their Jane Larson mystery series, which takes place in the legal world they both know well. In chronological order, the Jane Larson books are: Weave a Murderous Web Mind Me, Milady Praise Her, Praise Diana If you'd like to keep track of their many projects, you can go to their website or find their author page on Facebook. Also, I want to give props to their publishers: the Jane Larson series is published by Melange Books, and you can find children and tween books at Muse It Up Publishing. As always, if you'd rather read than listen, a transcript is below. Enjoy! -- Laura *********************************************************************************************** Transcript of Interview with Ken Hicks and Anne Rothman-Hicks Laura Brennan: It is my great pleasure today to have not one, but two guests: the writing team of Ken Hicks and Anne Rothman-Hicks. Ken and Anne have to date written over 20 books, from children's books to mysteries. Ken and Anne, thank you so much for joining me. Ken Hicks: Thank you for having us. Anne Rothman-Hicks: Thank you very much. LB: So let's talk a little bit about you. You are not just a writing partnership, you're an everything partnership. KH: We do a lot of different projects, including photography and jewelry and stone sculpture and that kind of thing. LB: And you're married. ARH: That's a project! KH: And were married. That's an ongoing project. LB: So how did you meet? ARH: We met at a college dance. KH: Anne was at Bryn Mawr College, and I was at Haverford College in Pennsylvania. They're very close and I think were even closer at the time. And we met, and the next year we had a writing project together. LB: That's fantastic. Now did one of you start writing first and draw the other one in, or was this from the beginning something you wanted to do together? ARH: We were both writing individually but joined up together. LB: So were you writing the same type of things or were you each writing in a different genre? ARH: I was writing poetry for a while. LB: Oh, how lovely! KH: Yes, she wrote very nice poetry. But I think what happened was, when we first met, we were both interested in children's books. I was reading a lot of children's books of the time and Anne had her own knowledge of them. In fact, she was doing a Latin translation of Winnie the Pooh. We decided we'd like to try to do a student project together and ...

The day had gone badly for Raymond Ambler, a bitterly cold, gray, January day not long after New Year's, the wind like a knife, slicing into the cavern cut by 42nd Street between the skyscrapers on either side. The wind stung his face and whipped under his trench coat as he walked the couple of blocks to the library from Grand Central, where he'd gotten off the subway from the courthouse downtown. Banks of piled-up snow, stained and filthy as only snow on a city street can get, hanging on from the storm the day after Christmas, lined the curb, the gutters on at each street corner a half-foot deep in slush and muddy water.  -- Con Lehane, Murder in the Manuscript Room Murder + libraries is always a winner for me, and author Con Lehane gives us a non-cozy suspense series about Raymond Ambler, curator of crime at the 42nd Street Library. Ahem, I mean curator of crime books, of course. ;) Raymond comes across more than his fair share of bodies -- and lucky for us that he does. In his latest, there is a crime from the past reaching its tentacles into the present, as well as family complications and questions of trust and betrayal. This is Con's second series, and it's just as interesting and complex as his first, The Bartender Brian McNulty Mysteries. In fact, McNulty has a cameo in the 42nd Street Library series as well. After all, there's always a good reason to stop in at a bar. I'm all over the cover art for the US edition of the first in that series, Beware the Solitary Drinker, published by Poisoned Pen Press. It was painted by Fritz Scholder; if you're not familiar with the artist, you can check out his official website here.  Con gives a shout-out to Megan Abbott, who has compared him to Ross Macdonald. So many other writers came up in our chat! They include fellow noir(ish) writer Jason Starr; Macdonald's wife, Margaret Millar; and Con's favorite writer, Nelson Algren, who wrote The Man with the Golden Arm. Fellow writers whom Con admires for melding social problems with crackerjack mysteries include George Pelecanos, S.J. Rozan, Laura Lippman, Michael Connelly, Dennis Lehane, and Walter Mosley. If your TBR list isn't big enough, we also talk about a murder that happened while he was tending bar -- although not in his bar -- and influenced Beware the Solitary Drinker. It was adapted into a novel, Looking for Mr. Goodbar, by Judith Rossner. Finally, one mystery is solved! Con quotes a writer whose name escaped him, but it was, as he thought, the author of The Book of Daniel, E.L. Doctorow. The link takes you to even more of Doctorow's great quotes. Do check out Con's website as well as his Facebook and Twitter feeds if you want to keep tabs on him. Meanwhile, if you'd rather read than listen, as always, a transcript is below. Enjoy! -- Laura ************************************************************************************* Transcript of Interview with Con Lehane Laura Brennan: My guest today is author Con Lehane. Con has been a bartender, labor journalist, union organizer, and college professor. The New York Times has called his Brian McNulty mystery series “cruelly charming” while Megan Abbot dubbed his first Raymond Ambler novel a “masterful tale in the grand tradition of Ross Macdonald.” Con, thank you for joining me. Con Lehane: Well, thank you. LB: Those are some passionate fans, there. CL: Well, I'm very lucky. I've known Megan since her first book. Her first two, three, four were these noir-ish books that were set in the glamorous 40s. Her later books are stand-alones about younger women, girls growing up. I really appreciated her saying that, and I really admire Ross Macdonald. He's sort of my mentor from the past. Maybe I'm too much like him in some ways. LB: I don't think you can be too much like Ross Macdonald, I don't think that's a thing. I think that's good. So, you mentioned noir. There is a very noir feel, especially to your first series.

Lyle Deming braked his Mustang hard and aimed for the sandy shoulder of the desert road. Luckily, his daughter Sam had been looking down and didn’t see the body. He passed a thicket of creosote and manzanita and pulled onto the dirt as soon as he could. “Stay in the car,” he told Sam in a tone that precluded discussion. He trotted 200 feet back on the road, around the brush, to reach the parked vehicle—and the unmoving, bullet-riddled body he’d seen next to it. -- Mark S. Bacon, Desert Kill Switch Mark S. Bacon is a prolific writer, first as a reporter -- and yes, that included a stint as a police reporter, be still my heart! -- then as a nonfiction writer, and finally in the realm of fiction. You can keep tabs on him (and read sample chapters and even some of his flash fiction stories) on his website, right here. Speaking of flash fiction, Mark gives a shout-out to some practitioners of the genre, including Margaret Atwood and Ernest Hemingway -- that's some pedigree! In fact, if you yourself want to give the genre a try, there is an annual competition in Hemingway's honor presented by Fiction Southeast. Be warned: it's addictive to write as well as to read. If you're looking for more, Mark has an entire book filled with only flash fiction, and in our preferred genre as well: Cops, Crooks & Other Stories in 100 Words.  As always, below you'll find a transcript if you'd rather read than listen. Enjoy! -- Laura ******************************************************************************************************************* Transcript of Interview with Mark S. Bacon Laura Brennan: Mark S. Bacon is no stranger to crime. In addition to writing his Nostalgia City mystery series, Mark worked as a police reporter and is a master of the ultra-short story: his collection Cops, Crooks and Other Stories is full of murder and mayhem, all in 100 words each. Mark, thank you for joining me. Mark S. Bacon: Thanks for having me, Laura. LB: So you have been a writer for a long time. Not necessarily of mysteries, but you have made your whole career as a writer. MB: That's true. I went to journalism school and started working for newspapers, and then I moved into advertising. And I became a copywriter, writing TV commercials, radio ads, that sort of thing. Then I went into marketing and at the same time I started writing nonfiction books and did that for quite a while. I've always been a fan of mysteries, I've always read mysteries from the time I could learn to read virtually. Finally the chance came to start writing mysteries, which is the kind of thing I read all the time and really enjoy that. Some writers say they write to entertain themselves, and I think that's partially true with me. I enjoy getting my characters into tight situations and figuring out how they're going to make it out. LB: You have a journalism background, but the journalists in your novels are not necessarily the easiest people to get along with. MB: Ha! That's an interesting observation. Yes, newspaper and broadcast news people tend to be kind of nosy and they want to find out everything they can. And I was that way when I was a reporter. So, when you're trying to solve a mystery, solve a murder, and in the case of Nostalgia City where there's a lot of issues involved with the public image of this theme park, my characters are kind of at odds with the news media even though one of them was actually a reporter for a short time. Yes, I make my reporters pretty nosy. LB: Yes, you do. Well, when you were a reporter, was that fodder for you? Was that grist for the mill for being a mystery writer? MB: Oh, of course it is. And the biggest part I think was doing police reporting. I showed up at the police department every morning and read reports and talked to cops and went out at crime scenes and learned the lingo of police. I learned what the procedures are and that kind of gave me the background so th...

A thick mist had crept in from the river. It skirled around the man's legs as he picked his way through the foul-smelling mud, drifting up to cloud the twisting turns of the narrow alleyways. He paused for a moment to watch the vapor ghosting through the gloom. A shiver of gooseflesh snaked down his spine. Shifting, he peered into the darkness, trying to spot the wrought-iron arches of Half Moon Gate. But only a shroud of black-on-black shadows lay ahead. -- Andrea Penrose, Murder at Half Moon Gate Author Andrea Penrose writes everything Regency: romances (as Andrea Pickens), steamy romances (as Cara Elliott), and not one but two fabulous Regency mystery series, which you can check out on her website right here. Her first mystery series, the Lady Arianna mysteries, is lighter, with a dash of chocolate, while her Wrexford and Sloane mysteries -- Murder on Black Swan Lane, and the latest, Murder at Half Moon Gate -- are a darker take on the Regency era. Both are brimming with mystery, friendship, and fabulous Regency details. Who knew Napoleon liked chocolate? Well, we all do now. Andrea is herself a fan of Georgette Heyer -- and really, who isn't? We talk about the fabulously evocative language of the Regency, and lo and behold, Ms. Heyer herself, on her website, offers up a dictionary of Regency slang. So if you find yourself becoming befogged, the remedy is within ames-ace.  ;) Here are all of Andrea's mysteries in order: Wrexford & Sloane Mystery Series 1 - Murder on Black Swan Lane 2 - Murder at Half Moon Gate Lady Arianna Regency Mysteries 1 - Sweet Revenge 2 - The Cocoa Conspiracy 3 - Recipe for Treason 4 - Smoke and Lies Novella: The Stolen Letters As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ****************************************************************************************************** Transcript of Interview with Andrea Penrose Laura Brennan: Andrea Penrose is a woman of mystery -- my favorite kind! Her bestselling mysteries are set in Regency England: The Lady Arianna Series, which melds danger, deception, and a dash of chocolate; and her newest series, The Wrexford and Sloane mysteries, in which an artist and a scientist find answers -- and unexpected chemistry -- when they solve cases together. Andrea, thank you for joining me. Andrea Penrose: Well, thank you very much for having me. LB: So you have been writing professionally for a long time now and under many pen names. AP: I have, and don't get me started on why. But it tends to be publishing, if you write for one house, you can't write under that same name for another house. LB: And it also allows people to not pick up a book that is, for example, a mystery when what they're looking for is your steamy Regency romances. AP: That's absolutely correct, too. Andrea Penrose is my mystery nom de plume. LB: So, Regency has been the thread running through a lot of your work, right? Because you went from Regency romances to slightly steamier Regency romances, to Regency mystery. So why Regency? AP: Well, you know, I love the era. I just find it a fabulously interesting time and place. It's a world that's aswirl in the silk and seduction of the Napoleonic wars, but it's also a time when radically new ideas are clashing with the conventional thinking of the past. People were questioning the fundamentals of society, and as a result everything was changing. Politics, art, music, science, social rules. The world was turning upside down. You had -- the romantic movement was really individual expression. You had Beethoven writing these amazingly emotional symphonies, and Byron pending wildly romantic poetry. And you had Mary Wollstonecraft writing the first feminist manifestos. Then the Industrial Revolution, technology is disrupting everyday life. So in many ways, it's the birth of the modern world. And for me,

The deputies were excited but quiet about it, out of respect for Peach. Unexplained death was uncommon, even with the aging residents that made up much of the population of the town. Violent death was even rarer in the scattered villages that lined the one road in and out of the mountain towns, and news about it would spread quickly. Meth, heroin, domestic abuse, identity theft, yes. At this point, though, murder seemed unlikely. Holly got Peach settled with a cup of chamomile tea and a plate of Fig Newtons along with a promise to stay put. It was hard to ignore the blood that stained her black-and-white cotton top. "I know this is tough, Peach. Try to be patient." Peach hugged herself, rocking back and forth in one of the chairs in a corner of the big kitchen... -- Mar Preston, The Most Dangerous Species It's my birthday! Well, not mine per se, but that of Destination Mystery. I launched the podcast two years ago, and in honor of that momentous event, I give you a bonus interview this month. My dear friend and wonderful mystery writer, Mar Preston, chats with me about her terrific police series, one set in Santa Monica, the other in a mountain village -- proving that crime is everywhere. Mar puts her all into researching, and she talks about several of the programs she's gone through for writers looking to get it right. She gives shout-outs to Lee Lofland's Writers Police Academy -- which a number of writers I know have taken and loved -- and the Public Safety Writers Association, which hosts an annual conference in Las Vegas. She also recommends the first mystery writer to delve into the mean streets of her home turf of Santa Monica: Raymond Chandler. Since The Long Goodbye is one of my all-time favorite mystery novels, I am happy that Santa Monica has inspired so many crime stories.  ;-)  Mar also writes books for beginning mystery writers, and you can get the first one for free, just by visiting her website and scrolling down.  Here are Mar's mysteries, in order: Detective Dave Mason: 1 - No Dice 2 - Rip-Off 3 - On Behalf of the Family 4 - A Very Private High School Detective Dex Stafford: 1 - Payback 2 - The Most Dangerous Species And her How-To Books: 1 - Writing Your First Mystery 2 - Plotting Your First Mystery 3 - Creating Killer Characters 4 - Finishing Your First Mystery 5 - Writing Backstory in Your Mystery Writing Your First Mystery Boxed Set (Books 1-4) As always, if you'd rather read than listen, there's a transcript below. Enjoy!  And happy birthday to all of us!  -- Laura ************************************************************************************ Transcript of Interview with Mar Preston Laura Brennan: My guest today writes police procedurals set in idyllic towns -- proving that even in paradise, murder is not unknown. Her Dave Mason mysteries take place in Santa Monica, where sun and sand are no match for greed and ambition, while her Dex Stafford series is set in a mountain resort community suspiciously like the one she currently calls home. Mar, thank you for joining me. Mar Preston: It's a pleasure. I enjoy talking to you when I see you at mystery conferences. This is a treat! LB: It is! It is. I've known you for years I've loved your writing all that time. MP: Aw, thanks Laura. LB: So let's talk a little bit about how you got into writing. When you started, you weren't writing mysteries, you are writing something else, right? MP: Well, I've always been a wordsmith. And I thought because it came easily to me that anybody could write if they just put their mind to it. It wasn't a skill that I thought had much value. And because I worked in academic research, and numbers and charts and graphs -- that was what was important. And then, after a long illness, as they say, my husband died and I'd been involved in taking care of him for a long while. When he died, there was this great gap of time.

The filmy, gray quality of the smoke column rising to the southwest told Captain Michael Stoddard that they were too late. The residence was gutted. He and his patrol of six redcoats from the Eighty-Second Regiment could render no aid. He'd seen far too much of arson's smudge upon the sky during his six months in North Carolina. Nevertheless, he pressed his mare toward the smoke through summer's swelter. A loyalist financier named Jasper Bellington owned the house...  -- Suzanne Adair, Killer Debt, A Michael Stoddard American Revolution Mystery   If you, like me, enjoy a good historical mystery, you are going to love my guest this week. Suzanne Adair writes mysteries set during the Revolutionary War and told from the point of view of redcoats rather than patriots. The level of research is astonishing, but what really makes these books stand out for me is the humanity she gives to her characters -- loyalists, redcoats, patriots, and neutrals alike. War may be at their doorstep, but that doesn't give anyone a license to murder. Suzanne has a feature on her blog that I really don't want you to miss. Called Relevant History, it welcomes experts who bring out an aspect of history not generally taught in schools and makes it relevant to the world today. For instance, my friend and brilliant historical mystery writer S.K. Rizzolo did a post for Suzanne on the subject of mixed-race heiresses in England in the early 1800s. Smart people sharing their knowledge and passion -- what more could you ask for? Well, maybe a murder or two, but Suzanne has that covered in her books. Here is her Michael Stoddard series, in order: 1 - Deadly Occupation 2 - Regulated for Murder 3 - A Hostage to Heritage 4 - Killer Debt (out May 2018) And here are her standalones: Paper Woman The Blacksmith's Daughter Camp Follower In addition to her website, you can check her out on Facebook and Twitter. And don't miss info on her crowdfunding campaign for Michael Stoddard Book 4, Killer Debt. Oh, and I can't forget the fangirl squee we gave out to Deep Space Nine! As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ****************************************************************************************** Transcript of Interview with Suzanne Adair Laura Brennan: My guest today specializes in bringing history to life -- in the midst of murder and intrigue, of course. Suzanne Adair writes mysteries set during the American Revolutionary War and featuring strong characters, intriguing plots, and a riveting look at our nation’s history -- from the point of view of loyalist characters. Suzanne, thank you for joining me. Suzanne Adair: Thank you for having me, Laura. It's great to be here. LB: Before we get into your stories in particular, how did you get into writing mysteries at all? Because you're an historian, aren't you? SA: Well, no, actually, I'm a scientist. That's my original background. I originally was writing science fiction and had an agent and very close calls at New York City presses, but, you know, didn't get the publishing contract. And I sat back and I realize, okay, my writing is good enough. But the problem is that science fiction is a really small market. I needed to switch to something that had a larger readership, and that would be mystery. I mean, I could have gone all the way to romance, and that would be a huge readership, but I really like the mystery genre. I read a whole lot more of that. So I decided to start setting fiction in the mystery genre. LB: At what point did you decide, oh, mysteries aren't hard enough. I'm going to set them in the distant past. SA: I started with some paranormal suspense, so that's sort of, kind of like mystery. And apparently, I wrote three of those, and apparently I was just before the huge paranormal wave. I had several agents were very interested in it, and they were like,

After five years waiting for this moment, watching you for the first time still catches me off guard. I recognize you from your book jacket, but the reality of you — a three-dimensional object moving through space, flesh and blood and golden hair— makes my pulse race. You don’t know me — not yet — but nothing spikes my pulse. I am ice. -- Jody Gehrman, Watch Me Looking for a chilling read? Look no further than Jody Gehrman's latest novel, Watch Me. It's Jody's first foray into psychological suspense, and she kills it. So to speak. I talk to Jody about how this book plays in a deep way with many of the themes she's explored in her other work. She has written women's fiction and paranormal YA, but in every genre she's fascinated by our complexity as humans and in particular our relationships. Jody gives a shout out to some of her favorite authors: Megan Abbott, Ruth Ware, Tana French, Donna Tartt and Caroline Kepnes. We also talk about daring to be seen for who you really are, and the courage involved in that, so I can't help but give a shout out to Brené Brown. Rather than recommending a book, however, I offer you instead one of her awesome TEDx talks.  I myself have to put in a plug for anyone with a teen (or who is a teen-at-heart) to check out her Audrey's Guide... young adult series. They have everything I like in a book -- magic, depth, a touch of romance, and a kick-ass heroine.  You can keep track of Jody and her current and upcoming novels at JodyGehrman.com, as well as on Facebook and Twitter. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ********************************************************************************************** Laura Brennan: An award-winning playwright, my guest Jody Gehrman is the author of nearly a dozen novels from the paranormal to young adult to romance. Her first psychological thriller, Watch Me, has just been released by St. Martin’s Press. Jody, thank you for joining me. Jody Gehrman: Thank you for having me. LB: So, before we start talking about your novels, let's talk a little bit about you. Watch Me is not your first rodeo. JG: Right. It's definitely my first foray into suspense, though, and thrillers. It's a whole new genre for me, which is exciting. LB: When did you start writing professionally? JG: Well, I went to school for a long time, for way too long, like most writers I suppose. I did a Masters in English and then a Masters in Professional Writing. And so of course I was writing and developing a writing practice during those years, and my first novel was published in 2004. Before that, I had written a lot of plays and experienced the collaboration of working in theater, which I feel like is still my home. I still go home to playwriting pretty frequently. LB: Playwriting, I think, is one of the best ways to learn how to write because you get immediate feedback, first from the actors and then from the audience. It works or it doesn't. JG: It's so true! It's one of the things that is absolutely thrilling about writing for the theater, and it is also so demoralizing. Because one night -- like, Friday night, the audience loves it and you feel like you've written the most amazing play ever. And Saturday night, you go home thinking that you should just throw it all in and you're a terrible writer and never make anyone experience your work ever again. Right? So it's definitely a roller coaster ride, but it is, like you said, immediate feedback. LB: So do you feel that that helped you when you then turn to writing novels? JG: I think it helps to counteract the inherent loneliness of writing novels. I mean, I've worked with some amazing editors and agents and publicists, and I love having them on my team, but when I'm actually writing, I'm alone. And so working in the theater, there's something very immediate about the collaboration, where you're meeting with the director every night and ...

Charlie stopped barking as soon as he saw me. I knew now why he had been quiet for the past few minutes. He'd been digging away in the dirt, which he resumed upon my arrival. I looked for his leash and spotted it a few yards away, half buried by the dirt he flung to all sides. I picked up the leash before Charlie could get to it first. As soon as I did, I also spied what appeared to be an animal bone. Most likely a deer.  But when I turned to see what Charlie was digging up now, my heart sank. It was another bone, but not one belonging to a deer. In fact, it was far more than a bone. It was a human skull.  -- Sharon Farrow, Blackberry Burial I am so excited to be talking to Sharon Farrow, and not just because I'm a fan of her Berry Basket Mystery Series. With her friend and fellow author Meg Mims, she also writes the delightful Eliza Doolittle and Henry Higgins Mysteries as D.E. Ireland.  In fact, Sharon talks a little about how writing the first book in that series, Wouldn't It Be Deadly, was somewhat challenging to the friendship. Luckily, the partnership survived; not only are the books themselves great fun, I think Sharon and Meg win the Best Cozy Title Award with every novel.  You can also check out her romances, written under the name Sharon Pisacreta. Truly, Sharon has written something for everyone! Sharon's Berry Basket mysteries make use of berries in every possible way -- as clues, as scones, as wine. Sharon gives a shout-out to her inspiration, The Blueberry Store in South Haven, MI, and I offer you a link to their mouth-watering Pinterest page. Blueberries, yum... Sharon also makes a great case for why cozies matter. Those of us who love them don't have to be convinced, but there are times when cozy novels are dismissed as unimportant. As Sharon says, there can be enormous comfort in a good cozy, and that is just as valuable an emotion as those generated by a good thriller or noir. She herself reads Laura Childs, Cleo Coyle, Bailey Cates (who was new to me, woot!), and she mentions her debt of gratitude to Gillian Roberts for her Amanda Pepper mysteries, which helped Sharon through a difficult time. I don't normally ask for comments, but if anyone wants to share a book that helped them through a rough go, I think that kind of recommendation is a real gift we can give each other. Here are Sharon's own mystery series, in order: Berry Basket Mysteries 1 - Dying for Strawberries  2 - Blackberry Burial  3 - Killed on Blueberry Hill (available for pre-order) Eliza Doolittle and Henry Higgins Mysteries 1 - Wouldn't It Be Deadly 2 - Move Your Blooming Corpse 3 - Get Me To The Grave On Time You can find Sharon at SharonFarrowAuthor.com, the D.E. Ireland Facebook page, and on Twitter as both @SharonFarrowBB and @DEIrelandAuthor. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ************************************************************* Transcript of Interview with Sharon Farrow Laura Brennan: My guest today is the author of the Berry Basket Mysteries, delightful cozies full of friendship, warmth, and, of course, murder. But Sharon Farrow is no stranger to the genre. She is an award-winning author of romantic stand-alones, short stories, and -- as half of the writing team D.E. Ireland -- the Eliza Doolittle and Henry Higgins Mystery Series. Sharon, thank you for joining me. Sharon Farrow: Thank you for having me, Laura. LB: You’ve been writing professionally for quite a while. SF: Yes. LB: You had an award-winning debut novel. You kind of jumped onto the scene with Stolen Hearts. SF: Yes, that was gratifying because I didn’t grow up either reading romances or even planning on being a romance writer. And I sort of stumbled into the genre. And to have my first novel win Best First Book was a surprise and quite wonderful. So, yes, I’m very pleased about that. And I’m still surprised. Looking back,

Teenagers don't run away in January. Not in upstate New York. In summer, they'll go out drinking with friends, pass out in a field somewhere, wake up hungover and covered in mosquito bites. In the spring and fall, they'll hop a train down to New York City after a fight with a parent or a problem at school. The Port Authority cops will pick them up, usually after a day or two when they discover there really is no place to sleep in the city that never sleeps -- and worse, no place to shower. But a January disappearance was different. Jimmy Vega had only to look out at the early-morning ice sparkling on his windshield to understand that no teenager would choose to walk off into the blue-black heart of such a night as last night. Especially not a girl like Catherine Archer. -- A Place in the Wind, Suzanne Chazin Suzanne Chazin's writing has been called "searing" (USA Today), "sizzling" (The Philadephia Inquirer) and "a scorcher" (Cosmopolitan). Her suspenseful thrillers focus on first responders who are also in their own way outsiders: a short, feisty woman fire investigator lights up the Georgia Skeehan Fire Novels, while Puerto Rican American Jimmy Vega straddles the worlds between immigrants and police in the Jimmy Vega series. None other than Lee Child has called Suzanne, "A tremendous talent." We chat about her series, which I've listed in order below, and about the first-hand research she does to get the details right. I also was so pleased that she mentioned Howard Fast's novel, The Immigrants because it means I can link to his beloved series, even if it's not a mystery. You can find out more about Suzanne on her website, or even better, follow her on Facebook. Here are her books to date: Georgia Skeehan/Fire Novels 1 - The Fourth Angel 2 - Flashover 3 - Fireplay Jimmy Vega Series 1 - Land of Careful Shadows 2 - A Blossom of Bright Light 3 - No Witness but the Moon 4 - A Place in the Wind As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ***************************************************************************** Transcript of Interview with Suzanne Chazin Laura Brennan: Suzanne Chazin is the award-winning author of both the Fire Novels, featuring scrappy fire investigator Georgia Skeehan, and the Jimmy Vega series, heart-pounding police thrillers that pack an emotional punch. Suspense combines with complex characters and relationships, leading none other than Lee Child to praise her work as hitting “the heart, not just the pulse.” Suzanne, thank you for joining me. Suzanne Chazin: Thank you. It's a pleasure to be here, Laura. LB: Okay, I have to follow up the Lee Child quote. How did Lee Child find you to praise you? And how excited are you about that? SC: I have to say, it's a funny story because I have known Lee for many, many, many years. When I was writing my first novel, and I had just sold it to Putnam, that weekend Lee Child was doing a signing for his third book. And it was in a small bookstore, and back in those days, maybe 12 people would show up for a signing of a Lee Child book. So I showed up, and I introduced myself and I said, "I think I'm going to be sold by Putnam, they just bought it, and I think that my editor is going to be your editor." I expected him to say, gee, that's nice, thank you and goodbye. And he said, "That's wonderful! How about if we get together? Why don't you come over to my house." And I said, "But you are English. Your house is in England." And he said, "No, no, no. I live right here in Westchester County, New York." I went over to his house, I met his wonderful wife, and we've had an on and off relationship through the years. I do think he is a fan, and I am a big fan of his work, but I can't pretend that suddenly out of all the books in the world, he plucked mine. He was very kind enough to read it and was very, very supportive always of my career.

Layla faced the mirror and took a deep breath. When she went out there, she had to be effortlessly confident. She certainly looked the part, in a rose-colored Givenchy dress that complemented her olive skin and tasteful diamond earrings. She'd swept her dark hair off her neck into a smooth chignon and her makeup was perfect. She'd been prepping for this night for weeks. I can do this... -- False Idols, written by Lisa Klink, Patrick Lohier, and Diana Renn Coming from a TV writing background myself, I am so excited to see the Writers' Room technique used to create a book -- in this case, False Idols, published by Serial Box.  The idea of serializing stories has been used by such masters as Dickens and Conan Doyle. But this one has a twist: the installments, or "episodes," are written by three different writers: Lisa Klink, Patrick Lohier, and Diana Renn.  False Idols is a thriller set in Cairo, in the world of high-end art theft. Thieves stealing priceless artifacts to sell on the black market and using the money to fund terrorism -- that's the network undercover FBI agent Layla el-Deeb needs to ferret out and bring to justice. It's a thrill ride with depth, as Layla struggles to keep her own sense of self while going deep undercover.  It's also not their first rodeo. Lisa Klink was kind enough to be my very first interview on Destination Mystery, when her wonderful, high-octane caper, All In, written with Joel Goldman, came out. In addition to writing for one of my favorite TV shows (Star Trek: Deep Space Nine, so much love for that show!), she has written novels in The Dead Man series, and so much more (BATMAN!!). Follow her, @LKKlink, on Twitter. Patrick has written short stories, criticism, and a novel, Radiant Night, which will be published later this year by Adaptive. You can find his website here, and he hangs out on Twitter as @PatrickLohier. And let's not forget Diana! She has several novels for young adults, with globe-trotting teens and international intrigue. Her most recent, Blue Voyage, gets praise and nominations from around the world, including kudos from one of my favorite YA thriller writers, Lamar Giles.  Here's Diana's website, here is her author Facebook page, and, since we're doling out Twitter handles, you can find her as @dianarenn. All three writers share credit for bringing into the piece the lovely concept of Kintsukuroi, or fixing broken things with gold.  They also give credit where it's due to consultant and former FBI agent Robert Wittman, and give a shout-out to his book, Priceless: How I went Undercover to Rescue the World's Stolen Treasures, which I, too, have read and highly recommend.  Finally, did I mention that False Idols Episode 01: Operation Cairo is free on Kindle? Well, I've taken care of that now.  As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura *************************************************************************************** Transcript of interview with Lisa Klink, Patrick Lohier, and Diana Renn Laura Brennan: I am so excited to have not one, not two, but three killer guests on my show today. The wonderfully talented Lisa Klink has teamed up with Patrick Lohier and Diana Renn to create a new kind of book -- one that comes out in episodes. False Idols launched with Episode 1 on January 16th. Lisa, Patrick, and Diana, thank you for joining me. Lisa Klink: Happy to be here. LB: So let me start by asking each of you just to let me know a little bit about yourselves and your writing. Lisa, I'm going to start with you because I know you started out television. LK: Yes, I did. I started out in the world of Star Trek with Deep Space Nine and Voyager. And had a great time while I was on Voyager for three seasons, and then I went on to other shows like Hercules and Roswell and Martial Law. And was in TV for a while and then switched over to, I guess, prose or novels.

On the ground between the far side of the bed and the windows, Maurice lay, face down on the tan carpet as though he'd collapsed forward, unable to brace for his fall. His killer must have struck him as he stood with his back turned between the executive chair and the bed. Her friend would have had no idea the blow was coming. His white long-sleeved shirt was untucked. His feet were bare under the hem of his black pants. His shaggy, graying hair was matted at the crown of his head as though someone had continued to bludgeon him even after the first blow had rendered him unconscious and dropped him to the floor. Mo, who hated you so much?  -- Olivia Matthews, Mayhem and Mass What a pleasure it was to chat with Olivia Matthews about her new Sister Lou Mystery series, which launches with Mayhem & Mass. Featuring a Catholic sister and a supporting cast of characters ranging from a grumpy fellow sister to an inquisitive reporter, to a protective nephew, the series weaves murder, faith, community and justice into a very satisfying whole. Olivia writes romantic suspense under the name Patricia Sargeant and contemporary romance as Regina Hart. But you can find all of her multiple personalities right here: http://authoroliviamatthews.com/ Her protagonist in the new mystery series, Sister Lou, is a Catholic sister, not a nun - a distinction I was unaware of until Olivia set me straight. We give a shout-out to another series set in a religious community: the Brother Cadfael series by Ellis Peters. The books are fantastic, and I also want to recommend the television series starring the brilliant Derek Jacobi (and especially the first season, with Sean Pertwee as Hugh). Sister Lou's second adventure, Peril & Prayer, is due to drop on June 26, 2018, and if you can't get enough of Olivia, that's good -- in addition to finishing off her Fire Trilogy (the first, On Fire, was re-released this September), she is part of a 12-book series, Decades: A Journey of African-American Romance. Her novel, Campaign for Her Heart, will finish off the series in December 2018, as each month tells a story from a different decade across more than a century. Intrigued? Check out their awesome Facebook page here. As always, if you'd rather read than listen, the transcript is below. Enjoy! - Laura ********************************************************************************************************************* Transcript of Interview with Olivia Matthews Laura Brennan: As Olivia Matthews, my guest today has just published her first traditional mystery, but that doesn’t mean Olivia is a stranger to writing. She has a string of successful romances and romantic suspense behind her -- and, I hope, in front of her as well. But her new series is a departure in many ways, not least of which is her unconventional heroine: Sister Louise (Lou) LaSalle. Olivia, thank you for joining me. Olivia Matthews: Oh, thank you so much for having me, Laura. I appreciate it. LB: Before we get into the Sister Lou series, let's talk a little bit about you. How did you get started writing? OM: Oh, thank you for asking that great question! When I was in elementary school, my sister, who is a tremendous bookworm, we would go to the library every weekend. So we would pick up books on one Saturday and then return the next Saturday to bring those books back and get new ones. Well, that developed (very long story short) my love of reading and I started writing in elementary school. Just little stories, essays, poems. And then as I got older I thought, well, I'd like to tackle a book. And the rest is history. [Laughter] LB: Now, your first book wasn't a mystery though, was it? OM: No, no, it was a romantic suspense written as Patricia Sargeant. "You Belong to Me." LB: I actually think romantic suspense squarely belongs in the mystery genre. What drew you to romantic suspense? OM: I love romance. And I love suspense.

My name is Miller Brinkman and I am—or rather, I was—a private investigator. That message was recovered in March of 1948, from a former top-secret area known as Location 2208-C. Two years have since passed, but part of me is forever stuck in that case, analyzing my actions and second-guessing myself. Could I have done anything differently to change the outcome? Jane Emmett’s story began in Ashley Falls and ended some four thousand miles away. -- David Hulegaard, Icarus For those who like their noir with a dash of sci-fi, you are in luck: David Hulegaard has published his Noble Trilogy. Think Sam Spade meets the Men in Black. High-octane with a lot of heart, this genre-blending series delivers on both mystery and thrills, and it all starts with Icarus. Comparisons include Philip K. Dick and Stranger Things. Be still my heart.  Check out David's website here, because The Noble Trilogy is not his only rodeo. He has not one, but two podcasts, one where he interviews authors (hey, just like me!) and the newly launched Nerdz of a Feather, where he and his wife discuss all things pop culture. He has also written a book with Tony Healey, a YA space opera, Planet of Ice, in the Broken Stars series.  Can't keep up with him? Whew, join the club! But we can try: here's David's Facebook page, Twitter handle, and Instagram. And if you're interested in the Oregon Ghost Conference he mentioned, next one up is in March 2018. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ************************************************************************************************* Transcript of Interview with David Hulegaard Laura Brennan: My guest today is an genre-bending author who blends classic noir with science fiction and a healthy dose of the paranormal. In his Noble Trilogy, David Hulegaard pits a small town private eye against a powerful and corrupt former mentor -- and an even more powerful mastermind, with humanity’s future in the balance. David, thank you for joining me. David Hulegaard: Thank you so much for having me. LB: So, The Noble Trilogy is your first foray into fiction writing? DH: Yes. I began the project about six years ago. It took me many, many years to finally get it completed. But this was my year. I determined it had waited long enough, I was going to get it done one way or another. LB: It's not just the year for your first novel, you've actually published the entire trilogy this year. DH: Yes. I've been working on them in kind of bits and pieces, here and there, wherever I could find time and it really had been my goal for a long time to dedicate more time exclusively to writing. And after some changes last year, I made some much-needed changes to my schedule so that I could free up that time to write, and I got very serious about publishing it, I want to say it was August of last year. And I really was just working on this trilogy nonstop for months and months. And then I would get one of them out the door and immediately pick up where I left off on the next one. Until finally I had all three completed. LB: Did you work them out together? DH: Yes. When I first started, I didn't know it was going to be a trilogy. I really thought maybe I had one story, and then I already had my next book idea lined up. It wasn't until a friend of mine who was doing some beta reading for me on the first book, Icarus, he came back to me with a bunch of questions. And they weren't the kind of questions I expected to get. You know, sometimes you figure people will have questions about what happened in the story, or maybe just something didn't quite work the way I had planned, but it was questions about what happened next. That surprised me, and when he started asking me these questions, then I started thinking about what happens next. And from there it opened up this whole treasure trove of ideas of things that I hadn't really considered to where it ...

I peeked over the stairs and saw my sister Jenna's reflection in the glass. I considered ignoring it and sneaking back into my office until my cell phone started vibrating in my pocket. My family and the Borg from Star Trek had a lot in common. Both demanded complete assimilation and resistance was definitely futile.  -- V.M. Burns, The Plot is Murder I am so excited to interview debut author V.M. Burns. Her new cozy series begins with The Plot is Murder, as her protagonist, Samantha, starts a new chapter in her own life and opens a mystery bookstore. Valerie herself is starting a new chapter as a published author with this book, and she's taking the publishing world by storm. Four books in this series are slated for publication over the next two years. In addition to that, she's launching a second series about murders in the dog club arena through Kensington's e-book imprint. In the Dog House, the first in the series, comes out in August of 2018. And if you, like me, did not know what Conformation is, the American Kennel Club is happy to tell you. Not content with two series, Valerie has a third one coming from Camel Press in July of 2018. Travellin’ Shoes is the first in a series of cozy mysteries where all the titles are from Negro Spirituals. Each book includes unique and original soul food recipes that provide a taste of the African American culture depicted in each book. Oh, be still my heart -- and tummy! You don't have to wait to find recipes from Valerie: her website already features several recipes, and more are to come. The Plot is Murder also has an eccentric community and Valerie talks about developing the characters, especially Nana Jo, a vibrant woman of a certain age with a circle of equally-intrepid older women friends. Finally, Valerie gives a shout out (in both The Plot is Murder and in the interview) to her favorite writers: Rex Stout, Agatha Christie, and Dorothy Gilman. There's just so much to love here. We also both give a big squee of love to Kellye Garrett's debut, Hollywood Homicide. You can check out my interview with Kellye here. As I write this, Hollywood Homicide has just been named one of BOLO Books Top Reads of 2017. Woot! As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura *********************************************************************************************** Transcript of interview with V.M. Burns Laura Brennan: My guest today is author V.M. Burns, whose debut cozy, The Plot is Murder, launches a wonderful new series about starting over, chasing dreams, and -- of course -- murder. Valerie, thank you for joining me. V.M. Burns: Thank you so much for having me. I'm excited to be here. LB: How did you get started writing? VMB: I think it just came naturally from my love of cozy mysteries. I think for anybody who reads cozy mysteries as much as I do, you probably start thinking, boy, it would be really great if there was a series about -- blah, blah, blah. Or, boy, I wish that series had ended differently and it had gone in this other direction. And then you just start going there. And eventually, you just sit down and say, well, you know what? Maybe I could write that. And then you do. LB: So, The Plot is Murder is the first in your Mystery Bookshop Series. VMB: Yes. LB: For someone who hasn't yet had the pleasure of picking it up, what would we need to know about it in order to follow our conversation? VMB: This first book,The Plot is Murder, introduces the reader to the protagonist, Samantha Washington. Samantha is in her mid-30s and she has been a hard-working individual her whole life, her and her husband, Leon. He was a cook and she was a high school English teacher. But they always had this dream of opening a mystery bookstore. One day, Leon dies. He's diagnosed with a terminal illness and he dies. And they realize that life is short, and it's too short not to follow your dreams.

The man on the park bench stared at the empty space above the knuckle of Nora Pennington's pinkie finger.  Strangers were always hypnotized by this gap. They would gaze at the puckered skin stretched over the nub of finger bone for several awkward seconds before averting their eyes in disgust, pity, or both. Like most strangers, the man's attention could only remain on Nora's pinkie for so long. She had other fascinating scars... -- Ellery Adams, The Secret, Book & Scone Society What a treat to get to interview Ellery Adams! And (perk of the podcast!) get to read her new book, The Secret, Book & Scone Society, the first in a new series. A blend of mystery and women's fiction, The Secret, Book & Scone Society has at its core the developing friendship between four women -- none of whom makes friends lightly. Brought together by an unexpected death and realizing that, without them, it will go unpunished, they bond over books, scones -- and their darkest secrets. Feeling goosebumps yet? Ellery Adams and I chat about the new series, as well as her many cozy series (spoiler alert for those who haven't read Killer Characters, the last in her Books by the Bay Mysteries) and the challenges of blending genres. We give a shout-out to Jeri Westerson, who, like Ellery, dreamed parts of a book's plot. Oh, the creative mind of an author... Ellery is a writer who loves books. That is evident in her Book Retreat Mysteries (new one, Murder in the Locked Library, coming out in the spring!) and also in her new series: "bibliotherapy" is a central concept in The Secret, Book & Scone Society. What is that, you ask? Nora, Ellery's protagonist, helps people overcome problems by giving them a list of books to read. And Kensington, Ellery's publisher, has set up a site where Nora can do that for you. Go ahead, check it out here. But come back, because then you should check out Ellery's Facebook page, where she's running giveaways galore throughout November. As always, if you'd rather read than listen, the transcript is below,  Enjoy! -- Laura *********************************************************************************************** Transcript of Interview with Ellery Adams Laura Brennan: My guest today is the prolific and beloved author, Ellery Adams. Ellery lays claim to a lifelong love affair with stories, food, rescue animals and large bodies of water -- all of which make their way into her mysteries. A New York Times bestselling author, she has written more than 30 novels and has just launched a new series with The Secret, Book & Scone Society. Ellery, thank you for joining me. Ellery Adams: Thank you so much for having me. LB: You are such a beloved author in the mystery world, how did you first get started writing? EA: Oh, boy! I have been writing since I was a kid, and I was always charging for my work, right from the get-go. I don't know if it was because I was one of three kids, or the middle child seeking attention, but I used to write little stories about my friends. And they would always be the hero, and they would always get a happy ending, and I would do some illustrations and I'd sell it to them for a quarter. LB: And then you started doing it professionally, and you started right away in mysteries. EA: I did, but I had lots of other jobs in between. Some really difficult jobs like working in a dry cleaners and doing catering work, and then I became a sixth grade language arts teacher for a while. So I didn't go right from childhood into the writing. I had to have some real life experiences first. And it was only when we moved from North Carolina to Virginia and I really didn't know anyone, and I was really homesick for North Carolina. I was working at Barnes & Noble, the bookseller, and one of the great things about working there is you can just constantly read and be exposed to new titles. And I think I had read about three mysteries in a row where I just found them la...

All I could see was the dress. The ghost of weddings past, it swept above the checkered linoleum floor and rooted me in place. My heart twisted, leaving me breathless. I jolted into motion. The quiche, forgotten, slipped sideways on my oven mitts. I steadied it and gaped through the kitchen window to the pie shop's dining area. No. No, no, no. -- Kirsten Weiss, The Quiche and the Dead Kirsten Weiss came to writing via Africa, Eastern Europe, Afghanistan, and a certain metaphysical detective, whom she invented one windy, rainy afternoon. The Riga Hayworth novels were only the beginning; Kirsten has multiple series in a variety of genres, but her books are all mysteries at heart. Her latest book doesn't just fit squarely into the cozy genre, it nails it. The Quiche and the Dead hits all the high notes. We talk about the new series, the joys of paranormal mysteries, and how transformative micro-loans can be.  I can't possibly list all of Kirsten's series in order, so I will instead link you directly to her website, where you can find all seven (7!) of her series under the Books tab. Each page gives you the series order. In addition, she has the most fun extras on her site: fortune telling here, kitchen witchery there. And for those who just can't get enough, she and Elizabeth Barton teach an online course on Everyday Magic.  You can also find her on Pinterest, and I highly recommend that you do. Kirsten gives a nod to some first-rate authors, among them P.G. Wodehouse, Oscar Wilde, Agatha Christie, and -- not his usual company! -- Stephen King. When we chatted Steampunk, I had to give a fan-girl shout-out to Gail Carriger, whose books I adore.  For those who would rather read than listen, the transcript is below. Enjoy! -- Laura ******************************************************************************** Transcript of interview with Kirsten Weiss Laura Brennan: My guest today makes writing seem effortless. Her multiple series include the Paranormal Museum cozies, the Doyle cozy mysteries, the Doyle Witch cozies, the Pie Town Mysteries, the Sensibility Grey Steampunk Suspense novels, plus other series and stories included in various anthologies… Kirsten, thank you for joining me. Kirsten Weiss: Thank you for having me. LB: One of the themes in cozies, and it's in the Quiche and the Dead, your latest novel and the first in your Pie Town mysteries, is a woman starting over. But that's your story too, right? That's how you first got yourself into writing? KW: Yes. I had worked overseas in something called microcredit for years and years and years. And I'd been in all these crazy places, I'd been to Eastern Europe, I'd worked in Afghanistan, I worked in Africa, and there was a point where I just had to come home for various reasons. And I thought all the stuff I'd done overseas, I figured I cab make this transition really easily. It actually turned out to be a really difficult transition. I struggled, I ended up unemployed for a long time, ended up with a job that I just wasn't suited for and I eventually quit that because I was quite certain I was going to be fired, although that turned out not to be true. But I quit, and it was a rainy, stormy day and I was driving down the street, the wind was lashing my windshield and the trees were tossing, and I was kind of brainstorming by myself what kind of potential jobs I could do. When you brainstorm, there's no such thing as a bad idea. As I came up with "private detective." And then the phrase, "metaphysical detective" popped into my head. Then I thought, what the heck is a metaphysical detective? And I started piecing together this character named Riga Hayworth who was a metaphysical detective in San Francisco. So I wrote this book, and that led to the second book, and then I just kept on writing and writing and writing. Now it's what I do. LB: That's so neat. Now, I actually do want to talk a little bit about microcredit.

I didn’t believe in ghosts or the supernatural…but that weird noise in the wall was testing my convictions. The unpleasant scratching sound that made the hairs on the back of my neck stand at attention had been going on for days. Look, I’m not some scaredy-cat to jump at every sound…But this? Ever since I moved into my shop-slash-house two weeks ago, this noise had been coming from inside the walls. -- Jeri Westerson, Booke of the Hidden I am so excited to let you all know about Jeri Westerson's latest series. It's a departure from her Crispin Guest novels in that it's urban fantasy and modern day, but it has the same terrific writing, intricate plotting, and spellbinding characters as her Medieval Noir series. Plus humor! A snarky heroine! A deliciously handsome demon! A Scooby Gang of misfit friends! My friends, this series is candy. Booke of the Hidden has its own website, and you can preorder your copy right here. It comes out on Halloween. I don't know what spell was cast to make that happen, but it's perfect. Multi-talented as she is, Jeri put together her own Scooby gang and the team created a book trailer for Booke of the Hidden. We chat about the trailer, this new series and also about her Crispin Guest historical mystery series, her standalone historicals, and her lighthearted LGBT modern mysteries, the Skyler Foxe series, which she writes under the name Haley Walsh. When does this woman sleep? Oh, never mind. Jeri actually comes up with plots for new books in her sleep, as she mentions in the interview. I am officially jealous. Jeri gives a shout out to the historical fiction writers who sparked her passion for the genre, including Anya Seton and Thomas B. Costain. Of course, the noir feel to the Crispin Guest series was influenced by Chandler and Hammett, masters of the genre. Booke of the Hidden, meanwhile, has a definite Buffy flavor (although with grown-ups; this is not YA) and reminds me in the best possible way of Charlaine Harris' wonderful Sookie Stackhouse mysteries. You can check out Jeri and keep tabs on all her releases (a new Crispin Guest is out January 1st! Happy New Year to us!) on her website. You can also find her on Facebook. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura ******************************************************************************************************** Transcript of Interview with Jeri Westerson Laura Brennan: When Jeri Westerson combined her love of historical fiction with complex characters and tantalizing mysteries, her Medieval Noir Crispin Guest series was born. Not content to murder people in the middle ages, Jeri also writes a lighthearted LGBT mystery series, historical fiction and short stories, and is about to launch a new paranormal series with her latest novel, Booke of the Hidden. Jeri, thank you for joining me. Jeri Westerson: Well, thanks for having me. LB: I want to talk about all your series and especially Booke of the Hidden, which I enjoyed so much. But first I want to talk about how you got started as a writer. I understand your family was very into history? JW: Oh, my, yes. My parents were rabid Anglophiles. They just had all these great books on the bookshelves at home: histories and historical fiction, just anything you could want. In those olden days of yore, TV wasn't on 24/7 and so you had to read if you wanted to be entertained. So we would pull down the books from the shelves and there were all sorts of marvelous things, and I got into reading historical fiction quite early and read all kinds of things. Anybody who likes historical fiction probably knows the name Anya Seton, Thomas B. Costain, so many other authors out there who became favorites of mine. So it was easy. We also had conversation at the dinner table about the monarchy of England, medieval history, so I probably know far more kings and queens of England than I know American presidents....

Teddie Matson had a golden life, until her path had the misfortune of crossing mine. I sat staring out the window of my office, k.d. lang playing in the background. It was a while till the sun would set, that golden hour when everything takes on a gilded glow. Golden hour is the time when the light hits just right in the early morning or late afternoon. The time when movie cinematographers most like to shoot. The light is tawny and warm. Gentle. It makes the stars shine brighter. Golden hour is the time when Teddie Matson was killed. -- Paul D. Marks, White Heat I had so much fun talking to author Paul D. Marks about his novels, his short stories, and his encounters with the LAPD. Paul's noir sensibility and love of Los Angeles come out in everything he does, but nowhere more than in "Ghosts of Bunker Hill," his short story which was nominated this year for the Macavity Award and which you can read right here. Paul has his own website, where you can keep tabs on his current and future projects. He also blogs at Criminal Minds and SleuthSayers. Social media buffs can find him on Facebook and Twitter. Paul gives a shout-out to classic authors, including Raymond Chandler, David Goodis, Ross MacDonald and John Fante, as well as masters of the short story genre, Fitzgerald, Hemingway and Cheever. As a fan of classic noir myself, I have to say I see the connection between Raymond Chandler and Paul's work. The mean streets of L.A. may have gotten more congested, but there's still a dark side to sunny California, and Paul explores it in much of his work.  Transcript is below. Enjoy the interview! -- Laura ****************************************************************************************** Transcript of Interview with Paul D. Marks Laura Brennan: My guest today is the author of the Shamus Award-winning mystery/thriller, White Heat. But Paul D. Marks is perhaps best known for his short stories. He was voted #1 in the 2016 Ellery Queen Reader’s Award Poll, and his work, which tends towards Noir, has been widely published, recognized with multiple awards, and anthologized. His story, Ghosts of Bunker Hill, from the November 2016 Ellery Queen Mystery Magazine, is currently nominated for a Macavity Award. Paul, thank you for joining me.  Paul D. Marks: Well, thank you for having me, Laura. I'm glad to be here. LB: In the reviews of one of your novels, one of the reviewers said that, essentially, you are the master of all things noir and Los Angeles. So, you do, you really seem to love Los Angeles. PDM: I do like Los Angeles, probably partly because I was born here and grew up here. My mother and family -- her side of the family goes back a long ways. And when I was a kid, it was still a little bit of Raymond Chandler's LA. He was still around, although I wasn't conscious of him. He was around and Los Angeles, as I remember it as a child, was kind of how he described it in his books, especially the later books like The Long Goodbye. I think just growing up here, by osmosis you get the ambience and the feel of the place and that comes out in my writing. LB: Is he what drew you into noir? PDM: Probably what drew me into noir is movies. As you probably know, he wrote a couple of really great noir movies like Double Indemnity and The Blue Dahlia. So I'd watch the movies and you see "The Big Sleep, based on a novel by Raymond Chandler," or "Dark Passage, based on a novel by David Goodis." And my mom had this double volume of mystery books, I can't remember the name of it. And if I recall, the first story or first novel in this collection was The Big Sleep. So one day, I guess I was intrigued by this sinister-looking collection of stuff and I had seen the movie The Big Sleep, and I went and I read the novel in that collection and I was hooked. After that, I read everything I could by Raymond Chandler and he's still my favorite. I love David Goodis, too.

Spider John Rush resigned himself to the hard truth--he was returning to a world of cut and thrust, hide and pounce, blood and smoke, pitch and tar.  He had been foolish to think of leaving that world; Spider John belonged in no other. -- Steve Goble, The Bloody Black Flag Debut author Steve Goble takes on murder, mayhem -- and pirates! The Bloody Black Flag is a swashbuckling adventure with mystery at its heart. Criminal Element gives it a crackerjack review right here, and you can keep tabs on Steve as he writes the second -- and third! -- Spider John adventures by checking out his blog. You can also follow him on Facebook.  Steve and I chat about mysteries, but also about pirates and the great books out there for those of us who love nautical adventures. The gold standard is, of course, Treasure Island by Robert Louis Stevenson, with Patrick O'Brian's work a close second. In nonfiction, Steve also gives a shout-out to David Cordingly and his book, Under the Black Flag; Nathaniel Philbrick's In the Heart of the Sea; and Captain Bligh's Portable Nightmare by John Toohey. And the term "Pirate Noir"? He credits that to mystery writer Craig McDonald, who used it in a review of The Bloody Black Flag. Well said, matey! As always, if you'd rather read than listen, a transcript is below. Enjoy! -- Laura ************************************************************************ Transcript of interview with Steve Goble Laura Brennan: Steve Goble may be a journalist and a mystery writer, but at heart, I suspect he may be a pirate. His debut novel, The Bloody Black Flag, has been dubbed “pirate noir,” and the swashbuckling is only matched by the multiple mysteries that surround the pirates and our hero. Steve, thank you for joining me. Steve Goble: Thank you for having me. I really appreciate this. LB: Okay, "pirate noir." I have to ask, did that come to you in a dream? How did you come up with pirate noir? SG: Honestly, the phrase belongs to Craig McDonald, one of the authors who blurbed my book. I generally described it as Robert Louis Stevenson meets Arthur Conan Doyle. But he came up with pirate noir and, you know what? I kind of like it. I guess the inspiration for the book came from my own love of seafaring fiction, pirate stories, Patrick O'Brian, Robert Louis Stevenson, all that kind of stuff. But I also grew up reading Sherlock Holmes and Nero Wolfe, Travis McGee and tons of mystery fiction, too. I don't know exactly where the idea hit me to combine these two loves into one great mashup book, but once the idea hit me, I couldn't stop myself. I had to write it. LB: Fantastic. Well, let's talk a little bit about you. So you always did want to write fiction? SG: Oh, yes. I fell in love with books at a very young age and always had that in the back of my mind. I was a kid in school who wrote his own comic books -- I couldn't draw them, but I could write them. I just always had that in the back of my mind. LB: So how did you then end up as a journalist? SG: You know, I think part of that is the same thing that draws me to mystery fiction. One of the things I like about mystery fiction in crime fiction is that I think there's a sense of justice in those books that doesn't always play out in the real world. You know what I mean? The bad guy tends to get caught, people tend to get what they deserve. And I see journalism as my way of helping to make those things happen in the real world more often. Expose corruption, tell the truth, get the news out there. So I think those are intertwined a little bit. LB: And you were writing short stories all the while? SG: Yes, I wrote short stories for a number of small-market magazines that the majority of which no longer exist. And I wrote a lot of different kinds of things. I tried to write some science fiction, and I wrote some what you would call sword and sorcery stuff. Action-oriented things along the lines of, say,

The copy was straight to the point. Wanted: Information on the hit-and-run murder of Haley Joseph. Tuesday, August 18th, 11:30 p.m., Vermont Ave near Hillside St. And across the bottom, right over her press-on French manicure, $15,000 reward. I peered closer at the billboard, looking for a hint that this was a brilliant marketing scheme for some new movie. I was tempted to call the number, sure I'd hear some prerecorded message letting me know what time and day it would be airing on Lifetime. But I realized this was real. The address was right up the block. They wouldn't put the cross streets on there if it was for some silly movie. Haley Joseph had died. -- Kellye Garrett, Hollywood Homicide Such a delight to chat with Kellye Garrett, whose marvelous debut, Hollywood Homicide, launches the investigative career of Dayna Anderson, a semi-famous, mega-broke black actress. A cozy sensibility combines with a fresh voice and an insider's look at Hollywood to create a terrific new series. Kellye will, in the near future, be giving away an annotated copy of the novel -- and in the meantime, she's posting the annotations online. So if you needed another reason to visit her website, well, that's a fun one. ;) We talk about a lot of authors we like, including Alexia Gordon, whom I had the pleasure of interviewing. You can find our chat right here. Kellye gives a shout out to her fellow Chicks on the Case, where she blogs, including Ellen Byron (whose Destination Mystery interview you can listen to here), Cynthia Kuhn, Vickie Fee, Lisa Q. Mathews, and Marla Cooper. She also admires Sue Grafton and Janet Evanovich, and one she terms "an old-school favorite," the beloved Joan Hess. Me, I give a shout out to Steph Cha, who also has a series about a woman who grows into being a private eye, and set in Los Angeles, although her series has a far more Noir sensibility, as does Danny Gardner's debut novel. Kellye also mentions V.M. Burns, whose book is not yet out (though you can pre-order) and I am thrilled to say that I have an interview scheduled with her for her launch day in November, so stay tuned! So many books! So little time! As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura Transcript of Interview with Kellye Garrett Laura Brennan: My guest today is Kellye Garrett, whose debut mystery, Hollywood Homicide, is the first in a cozy series featuring Dayna Anderson, a former actress hot on the trail of a hit-and-run driver. Library Journal’s August Debut of the Month, and full of warm friendships and quirky characters, Hollywood Homicide is a lighthearted mystery that delivers surprises, twists, and an insider’s view of Hollywood. Kellye, thank you for joining me. Kellye Garrett: Thank you for having me. LB: Hollywood Homicide is your first novel, but being a novelist is not your first writing career. KG: Right. I've been writing professionally my whole career. I started off as a magazine editor for a publication called Vibe Magazine. And then I wasn't really happy just writing about people doing cool stuff, I wanted to do cool stuff myself. So I went to film school at USC, and then I spent eight years in Hollywood working in television, I did some developing, and I also was staff for the TV show Cold Case for a year. After that, you know, Hollywood is not the most secure place, for job security -- LB: No, I tell people that if they want job security, Hollywood is not the place to be because your contract in television, your contract is actually in weeks. KG: Yes, it's one of those things where you could, your show could be canceled tomorrow and you could not work again for years. And so when I turned 30, I wanted more job security so I came back home to New Jersey and I started over into more corporate writing. And so now I'm a communications writer for a media company in New York. LB: I remember Cold Case. I loved Cold Case. KG: People,

I looked out the plane’s window at Los Angeles, and it looked like any other airport. No palm trees in evidence. No movie stars strolling across the tarmac toward private jets. No surfboards. The only difference between LAX and LaGuardia was the lack of snow... If I had been in a high-powered all-human law firm I would have been flying on the firm’s private executive jet, and I wouldn’t have had to get up at ugh o’clock to catch a commercial flight. But I was with a white-fang, vampire-owned firm, so we flew commercial. -- Melinda Snodgrass, Box Office Poison I can't tell you how excited I am to be chatting with Melinda Snodgrass. Not only is Melinda (writing as Phillipa Bornikova) the author of the fabulous Linnet Ellery urban fantasy series, she wrote for several of my favorite television shows, including Star Trek: The Next Generation, Reasonable Doubts (with the fabulous Marlee Matlin), and Profiler. She is also the author of space operas and adventure novels, and the co-creator (with George R.R. Martin) of the Wild Cards series. My fandoms all merge today! Melinda's most recent novel just launched: In Evil Times, the second in her planned five-book Imperials Saga. Having a hard time keeping up with all her accomplishments? You're not alone. Happily, you can keep up to date by checking out her website, blog, and -- where she prefers to hang out -- Facebook page. Also, there are (mercifully) few interviews in which I get punked, but lucky you, today's is one of them. Wild Cards goes to Broadway! Click on the link (which will take you to George Martin's blog) and tell me you if you dare that you wouldn't have been taken in by the joke as well. The shared universe of Wild Cards is rich and complex -- too much so for me to attempt to list all the novels here. Luckily, there's a gorgeous website for all things Wild Cards. If you're interested in this tapestry of storytelling, created and edited by Melinda and George, and enriched by dozens of individual authors, check it out here. Alas that her first series, about a Federal Court judge riding circuit in the solar system, is out of print. Here, however, are the rest of series, in order: Linnet Ellery (urban fantasy) 1 - This Case Is Gonna Kill Me 2 - Box Office Poison 3 - Publish and Perish (due out April 2018) The Imperials (space opera) 1 - The High Ground 2 - In Evil Times Edge Of... series (paranormal adventure) 1 - The Edge of Reason 2 - The Edge of Ruin 3 - The Edge of Dawn As always, there's a transcript if you'd rather read than listen. Enjoy! -- Laura Transcript  of Interview with Melinda Snodgrass Laura Brennan: Calling Melinda Snodgrass accomplished doesn’t begin to cut it. She writes across genres, from science fiction to urban fantasy, novels, television and feature scripts. She is a co-creator and co-editor of the Wild Cards series, a shared-world anthology about the consequences of ordinary people gaining superpowers. Her “Edge Of…” adventure series explores the tension between science and religion, and her Linnet Ellery series is smart and suspenseful urban fantasy, set in a world filled with fascinating -- and deadly -- vampires, werewolves, and Fey. Book Two of her Imperials series, In Evil Times, just launched on July 4th. Melinda, thank you for joining me. Melinda Snodgrass: Thank you so much for inviting me, I'm really delighted. LB: When I say you're accomplished, I almost don't know where to begin. But starting with the pre-writing, you ride horses, you shoot, you run a business, you sing -- you're basically Wonder Woman. MS: Well, thank you, but I'm older and not strong anymore, so I can't match her in any way. Part of it is, I didn't know what I wanted to be when I grew up, I think was my dilemma. And I was fortunate to have a father who was enormously supportive to me. So anything I wanted to explore and try, he was absolutely behind me. He was a very fine musician,

Inside the navy-blue Victorian house two blocks off Main Street, four women sat around a sturdy kitchen table. As you watched them chatting and sipping sweet tea, you might assume you were observing a church committee or a quilting circle. You would be wrong. -- Frankie Bow, The No-Tell Motel I am thrilled to chat with author Frankie Bow, who has not only her own delightful series of campus mysteries -- the Professor Molly Mystery Series -- but also writes in Jana DeLeon's Miss Fortune Mystery Series. Her latest, The No-Tell Motel, is hot off the presses as this interview goes live. I would love to offer you a list, in order, of her books, but they are too many and too varied. Instead, I will link you directly to her website, where you can find these goodies for yourself. Although I will point you to the first in the Professor Molly Series, The Musubi Murder. Musubi looks like a Spam sushi roll; if you've never seen one -- or simply don't believe me! -- you must check out the photo on a guest post Frankie did for Lori's Reading Corner. Other unexpected uses for Spam are also included. I do want to mention yet another series that Frankie writes: the children's books about Alice Mongoose and Alistair Rat, illustrated by her father. Together, they work under the name of Mary Pfaff, an "author" who is also a plot point in one of her Professor Molly Mysteries, The Invasive Species. These books are absolutely charming in their own right, and if you have children in your life, you should definitely check them out. Interested in campus mysteries? Here's the link to Frankie's guest post about why campus mysteries are so much fun, on the blog Christa Reads and Writes -- a blog well worth a look for mystery lovers, filled with reviews and interviews. Frankie gives a shout out to fellow writers of academic mysteries Cynthia Kuhn, Joanne Dobson, Amanda Cross, and Sarah Caudwell, as well as one of the first American detective novelists, Anna Katharine Green. Meanwhile, I give a shout out to Leslie Karst, whose cozies are also on the less-sweet side.  Enjoy! -- Laura Transcript of Interview with Frankie Bow Laura Brennan: Like the protagonist in her charming Professor Molly series, Frankie Bow teaches at a public university. Unlike Molly, Frankie is blessed with delightful students, sane colleagues and a perfectly nice office chair. And, I would hope, fewer dead bodies to stumble across. Frankie, thank you for joining me. Frankie Bow: Thank you, Laura. LB: The first thing I want to talk about is your Professor Molly series. Your series is definitely amateur sleuth, it's a campus mystery, there's a strong supporting cast of recurring characters and a love interest. Would you consider it to be a cozy? FB: That's a really good question because I think, of all the categories, it fits into cozy best. But it's really on the least sweet end of the cozy spectrum. There's a very sort of cynical -- cynical and realistic -- worldview behind it. Things are resolved, but the good guys don't always triumph. The bad guys get away with things sometimes, just like in real life. And Molly has to be fatalistic, and work within a corrupt system. So, yes, it's cozy in the sense that it's small community, recurring characters, amateur sleuth, but it isn't really, really sweet. LB: That's interesting that you say she has to live within a corrupt system, because that's what the University she works at is presented as, that kind of thing. FB: Yes! And I have to hasten to say that this is not my actual employer that I am depicting here. I actually look at the higher education news and I pick all the juiciest and most scandalous news items out, and I think, how can I put that into my story? So, for example, you might have somebody who actually went to jail for -- a Dean went to jail for fraud, to prison for fraud, for fixing students' grades so that their pass rates would be higher. And it's like, oh,

“Papà.” I looked into my father’s eyes, deep blue and set off by leathery skin and rows of wrinkles—the result of age, but also a lifetime of long hours in fishing boats out in the sun. “Oh, Papà,” I said again and then started to cry. I hadn’t meant to; I’d convinced myself I could do this, that I could hold it together and be strong for my dad. But now, standing there in front of him, it hit me: I was about to tell him that his sister had been viciously murdered. -- Leslie Karst, Dying for a Taste Cozy mystery lovers are in for a treat! Leslie Karst's Sally Solari series is set in not one, but two restaurants on the California coast. Sun, sand, recipes, and murder. What more could one ask for? Leslie and I chat about her multiple careers -- waitress, passionate chef, attorney, writer -- and how they all come together in her wonderful cozy mysteries. You can check out her website here and her Facebook Author page over here. The first book in the series is Dying for a Taste, and gives an insider's view of running a restaurant. The second, A Measure of Murder, blends music with the mystery, as Sally joins a local chorus to be able to sing Mozart's Requiem. An appropriate piece of music, as it turns out... Meanwhile, we also bond over a shared love of Dorothy Sayers, Sue Grafton, Sarah Caudwell, and Ellen Byron. Ellen and I had a chat a few months ago, and you can check her out, along with her hilarious Louisiana cozies, right here. And if you are a Dorothy Sayers fan (and who isn't?), I recently found a terrific group on Facebook, The Lord Peter Wimsey Appreciation Society, should you be looking for like-minded people with whom to chat about all things DLS.  Finally, Leslie gives a big shout-out to her fellow Guppies at Sisters in Crime. Woot! As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura Transcript of Interview with Leslie Karst Laura Brennan: Author Leslie Karst combines her background as an attorney with her English Lit degree and culinary passion to create a cozy series as delightful and unique as she is. In a starred review, Publishers Weekly calls her a "dab hand with the red herrings" while her fans call the Sally Solari Mysteries "smart, thoughtfully plotted, and laugh-out-loud." Leslie, thank you for joining me. Leslie Karst: Thank you so much, Laura, for inviting me. This is very exciting. LB: So you came to writing after a career in the law. LK: Yes, I did. LB: But you started out as a Lit major. Was writing always in the back of your mind? LK: Well, when you're a literature major, all you do -- you do a lot of reading, but you mostly do a lot of writing. So that's probably when I would date my earliest decent writing, anyway, back to that time in college, yes. LB: But then, when you left college, you bounced around for a bit, let's say. LK: I absolutely did. I was one of those people, you know, with an English lit major, there's not a whole lot of jobs you can get. You can be an English literature teacher, but those are pretty much impossible to get. And by the time I had finished my four years doing that, I realized that literary criticism was not my passion. Even though I love to read. So I spent about seven years having all sorts of strange jobs. I washed baby diapers for a while, which is sort of embarrassing to admit. [Laughter.] I wanted to stay in Santa Cruz and so I did all different jobs. One of the jobs I did was waitressing, which I liked a lot. But I eventually decided I needed to grow up and get a real job. My father was a law professor, and I'd always been told that I was argumentative. "You'd be such a great lawyer!" So I ended up going to law school. Which my writing really helped with that, too, because most lawyers cannot write to save their lives. They're very good at maybe standing on their feet and arguing in court or whatever, but I actually ended up being pretty good about putting together a l...

Leine checked her watch as she waited for the target to emerge from the concrete block building. Practical as only Soviet-style architecture could be, nevertheless the crumbling façade gave the impression of faded power, like a once-famous tenor now down on his luck and sucking on throat lozenges in order to save his voice... Ah, the glamorous life of a jet-setting assassin... -- DV Berkom, A Killing Truth Looking for breathless, non-stop action with a smart, powerful woman kicking down the doors? Are you in for a treat! DV Berkom's thrillers have it all. DV and I chat about her two series, the Kate Jones Thrillers and the grittier Leine Basso Crime Thrillers. You can find out more about both series and DV herself on her website, right here. You can also find her on Twitter, Facebook, and Pinterest.  DV and I talked about her adventures, her writing, and the development of both series. We also discussed some of the injustices that, in her novels at least, are righted by a powerful woman. Chief among those is Human Trafficking -- a horrific problem, but one we are not powerless to fight -- as was recently illustrated by the Alaska Airline attendant who recognized that a teenage girl was being transported against her will.  If you need it, or ever encounter someone who does, the National Human Trafficking Hotline is (888) 373-7888. You can also text "BeFree" (233733) to reach the Polaris Project. Also, the State Department has "15 Ways You Can Help Fight Human Trafficking" including a guide for parents and educators on how Human Traffickers Target Children. There are many organizations doing wonderful work; you can find local groups or check out some national groups like Polaris and GEMS. I also have to give a shout out to the wonderful Peg Brantley, whom I interview here, and whose latest book, Trafficked, also works to increase awareness of the problem. Mysteries and thrillers are wonderful escapism and DV's books are wildly entertaining. How awesome, too, that the information they bring out may save some lives. As always, if you'd rather read than listen, here is the transcript. Enjoy! -- Laura *********************************************************************************** Transcript of Interview with DV Berkom Laura Brennan: DV Berkom is the USA Today bestselling author of not one, but two action-packed thriller series, each featuring a kick-ass woman: Leine Basso and Kate Jones. DV’s writing is high-octane, powerful, and direct -- much like her two heroines. DV, thank you for joining me. DV Berkom: Thank you for having me here. LB: So, you started out as a political science major. What was the plan at that point? DVB: Well, I was going to become a lawyer. LB: Really? DVB: Yes. And I started running around with that crowd, I guess you'd call it, and realized that wasn't really where my heart lay. So I decided that the best thing I could do was take off and move to Mexico and live on a sailboat for a while. LB: That's an interesting leap to make. DVB: [Laughter] Yes! Yes, kind of. It was one of the only things I could think of to do to really get my head back on straight. Because I didn't want to really move into that -- it was more like a game, like you're playing a game, when you're an attorney and I didn't feel like, that that would be something I would be really good at. I think it was a better thing for me to take off and have some time alone to think. And doing it in Mexico on a sailboat is a really good place to do. LB: That's an adventure. DVB: Mmm-hmm. Yeah. And that started several years of moving, oh, probably every six months to a year. Different places, different jobs. It was really great training for becoming a writer. LB: It's interesting that you mention that being a lawyer felt like it would be a game. Because reading your novels, it's so high-octane and it feels like it's a game in that everybody has a counter-move.

The faint breeze from the open window carried the sound of the Burgermeister's rich baritone singing the arpeggios Haydn had assigned him: "Do Mi So Mi Do." In the distance, he could hear the soft, melodious strains of the barber-surgeon's violin. Even the most unmusical of the townspeople was able to take simple directions without argument, but Barto... A loud outburst reverberated through the hallway beyond the Music Room. Haydn was on his feet in an instant. God in Heaven! Whatever was the matter now? Could Barto get along with no one? He rushed into the Rehearsal Room, aghast to see chairs lying overturned before him and violin cases strewn all over the blue and gold patterned marble floor... -- Nupur Tustin, A Minor Deception I'm so excited to be chatting with Nupur Tustin about her debut novel, the first in a series of cozy historical mysteries. A Minor Deception features none other than composer Joseph Haydn as her amateur sleuth.  I had never really thought about the subgenre of biographical mysteries, and the idea of being part of the conversation surrounding real, historical people until our conversation. Nupur reminded me of Susan Wittig Albert's Beatrix Potter series, Stephanie Barron's Jane Austen mysteries, and Bruce Alexander's Sir John Fielding mystery series. She wanted to expand the conversation out of England, and into both the rest of Europe and the field of music. Haydn was the perfect choice. Nupur's light touch with history has also been compared to Emily Brightwell's wonderful Mrs. Jeffries Victorian mystery series. In a review, Emily calls A Minor Deception "elegantly written and plotted," and Nupur returns the favor, citing Emily as a big influence and comparing her to Agatha Christie. On a related note, I had the pleasure of interviewing Emily here if you'd like to listen to our chat.  Finally, Nupur writes a column called Agent Insight to help other writers on their road to publication. Writers out there, she also gives a shout out to the online Guppies chapter of Sisters in Crime.  Writer or reader, you can keep up with Nupur on her website, Goodreads, and Facebook page, and subscribe to her newsletter -- which earns you a free Haydn short story! -- right here. As always, if you'd rather read than listen, here is the transcript. Enjoy! Laura Transcript of Interview with Nupur Tustin Laura Brennan: Journalist and composer Nupur Tustin combines her love of music and her way with words to create the Joseph Haydn Mystery Series. Her first novel, A Minor Deception, a blend of historical and cozy, finds Kapellmeister Joseph Haydn on the trail of a thieving violinist, as mystery, politics and danger swirl around him. Nupur, thank you for joining me. Nupur Tustin: Thank you, Laura. Thank you for having me. LB: Joseph Haydn doesn’t immediately spring to mind as a likely amateur detective. How did you first discover him? NT: Yes, I've heard that from a lot of people. You know, why Joseph Haydn? I suppose it was because I was reading biographical mysteries at the time. I'd just become a mother. It hadn't been a difficult pregnancy as such, but I'd had four miscarriages before that so I was told to take it easy. And so that just meant that I couldn't do very much, I was restricted to the bedroom, I couldn't play my piano, and I was reading Susan Wittig Albert's Beatrix Potter novels. And I remember reading the author's note, and she talks about the considerable research that she's done on the series, having read about Beatrix Potter for about 10 years, and I thought, well, I could do that. I had just come out of the PhD program and research is in my blood. And I thought, this sounds like fun. I can do that. It's like writing a research paper, but you're writing fiction and you're kind of adding to the conversation. The conversation being biographical mystery series -- Stephanie Barron's Jane Austen series for instance, Bruce Alexander's Sir John Fielding mysteries.

Honoria took the cloche off and shrugged off the coat with the white fox collar, laying them on one of the small tables flanking the door. She sniffed. Thanks to the croup, her sense of smell was still off. Yet something did not smell right. She turned toward her bedroom. The young woman lay sprawled at the entrance to the back hall, her eyes open and staring. -- Anne Louise Bannon, The Last Witnesses If you haven't yet read Anne Louise Bannon's Freddie and Kathy Mysteries, what a treat you have in store for you! Set in the Roaring Twenties, filled with bootleg hooch and murders aplenty. Here are the books in order: 1 - Fascinating Rhythm 2 - Bring Into Bondage 3 - The Last Witnesses In addition, Anne has written a very useful book for writers -- Howdunnit: Book of Poisons -- and has a blogged novel, White House Rhapsody, which she continues to update. You really must go check out Anne's website -- she has so many projects going on and so many interesting publications to her name, it's best I send you to the source. Do not forget her wine blog! She also gave a shout out to several authors, including Avery Ames, Mary Higgins Clark, Phyllis A. Whitney and the incomparable Dorothy L. Sayers. Enjoy! -- Laura Transcript of Interview with Anne Louise Bannon Laura Brennan: Anne Louise Bannon has made not one, but two careers out of her passion for storytelling. Both a novelist and a journalist, she has an insatiable curiosity. In addition to her mystery novels, she has written a nonfiction book about poisons, freelanced for such diverse publications as the Los Angeles Times, Ladies’ Home Journal, and Backstage West, and edits a wine blog. On the fiction side, she writes a romantic serial, a spy series, and her wonderful Kathy and Freddie historical mystery series, set in the 1920s. Anne, thank you for joining me. Anne Louise Bannon: thank you for having me. LB: On your website, I noticed that you introduce yourself through an avatar: Robin Goodfellow, who is better known as the impish Puck from A Midsummer Night's Dream. ALB: Yes,that is only my favorite character from my favorite play in the whole wide world. I love A Midsummer Night's Dream. LB: How do you see yourself as Puck? ALB: It's not so much physically, I'm not the fastest moving human being on the planet. It's mostly mentally. My brain is constantly going and there's throwaway line from the end of Act II: "I'll put a girdle around the earth in 40 minutes." Maybe my body doesn't move that fast, but my brain certainly does. It was something about Puck that I really loved. I also love the fact that he's a bit of a stinker. A pre-Bugs Bunny Bugs Bunny, if you will. LB: You are in every medium I can think of. So, let's actually start though: how did you get started writing? What came first? ALB: Oh, being a day-dreamy, moody teenager at age 15. I mean, I was spending an awful lot of time daydreaming. I finally figured out if I was going to spend all this time daydreaming, I should find a way to justify it. So I started writing. And that summer I turned 15, I cranked out my first novel. LB: Why mysteries? ALB: I've always liked mystery, as a genre. As I got older, I just started reading more and more mysteries. I stumbled onto Dorothy Sayers, and Nero Wolfe was popular on TV with, I think, William Cannon at the time. One of my favorite books as a kid was called The Mystery of the Green Cat by Phyllis Whitney and I really enjoyed Nancy Drew, and fell away from it for a while as a teenager but got back into it as a young adult, even before I finished college. I would pick up mysteries as my relaxation from grad school work and stuff like that. LB: How do you think your training as a journalist impacted your fiction? ALB: Well, given that my journalism happened way later, as an adult... Here's the story: I had a really bad first marriage. As part of that, I ended up writing a lot of stuff,

Given the stuff on TV at the time, and especially conditioned by the dreck on which I'd been working for the past few years, I really didn't expect much. But, alone in that room, within a few minutes I was convinced that finally, here was a show I could be as enthusiastic about as I was for my own series concepts. The new series, developed by Peter Fischer and the remarkably talented William Link and Richard Levinson, was Murder, She Wrote. -- Tom Sawyer, The Adventures of the REAL Tom Sawyer I couldn't be more excited to be talking to (the real) Tom Sawyer about his writing career, which spans not only two political thrillers and a lively PI series, but television stints on some of my favorite shows -- including both The Law and Harry McGraw and the iconic Murder, She Wrote. The stories he tells in the interview are only a taste of the insider stories he shares in his new memoir, The Adventures of the REAL Tom Sawyer.  In addition to chatting about his Hollywood career working with Angela Lansbury, Jerry Orbach and Tony Curtis, among many others, Tom gives a shout out to The Maltese Falcon -- and a great story about the influence it had on Murder, She Wrote. We also discussed his books on writing (Fiction Writing Demystified), as well as his thrillers, The Sixteenth Man and No Place to Run. And I was happy to learn that he's writing a follow-up to Cross Purposes, which launched his Barney Moon, PI series. But as Tom's memoir, The Adventures of the REAL Tom Sawyer, makes clear, he's done more than we could ever talk about in one twenty-minute interview, including a musical about JFK (Jack); a film which he wrote, directed, and produced (Alice Goodbody); and a book about what it takes to succeed (9 Badass Secrets for Putting Yourself in Luck's Way). To learn more about these and his many other projects, check out Tom's website, ThomasBSawyer.com. Tom graciously sent me an autographed copy of a Murder, She Wrote which he'd written, and at the end of May, 2017, I will be giving it away to one lucky person on my mailing list. So if you're not on my mailing list yet, now is definitely the time to sign up. I send out one newsletter a month, and I never share your e-mail with anyone else. So sign up now, in the box on the top right. Good luck! -- Laura Transcript of Interview with Tom Sawyer Laura Brennan: Tom Sawyer has written for the stage, television, movies and mystery novels, and his memoir, The Adventures of the REAL Tom Sawyer, launches today, May 1st. While his adventures -- and accomplishments -- are legion, two are of particular interest to Destination Mystery listeners: first, his crime novels, which range from thrillers to a PI series; and second, his involvement with none other than Jessica Fletcher, as a writer, producer and showrunner on Murder She Wrote. Tom, thank you for joining me. Tom Sawyer: Well, thank you for having me, Laura. LB: You have had a career writing for just about every possible medium, and now you've turned your hand to memoir. And your adventures are just amazing. TS: Well, thank you. They amazed me as I had to revisit them to write the memoir. It was one holy moly moment after another because at the time that these extraordinary things were happening in my life, with most of them, I had no perspective. I just figured, oh, this is how it works. Next. LB: You have done some amazing things. Let me see where I even want to start. I think, you working in New York as a visual artist. TS: Well, that was my boyhood ambition. Back when I was a kid, they did story comic strips. Realistically drawn, three panels a day with dialogue balloons. The idea, of course, was to sell newspapers, to get the readers to want to buy the newspapers so they can find out what happens next in your comic strip. And that became my goal from the time I was 12 years old. Went to New York when I was 20 and started working in comic books.

To begin, let me clear up a few things. J. Dyanne does not communicate with little moon aliens or Martians. She does not have a crystal ball, nor was she responsible for the outcome of the last presidential election. And she certainly does not command the dead. She may speak with them from time to time, but command them? Who can do that? What could you possible use to exert pressure to obey? I mean, they're already dead. Perhaps threaten them with life? -- Valerie C. Woods, Katrin's Chronicles: The Canon of Jacquelene Dyanne Vol. 1 I am thrilled to welcome Valerie C. Woods and her charming middle-grade novel, Katrin's Chronicles: The Canon of Jacquelene Dyanne Vol. 1. Take a love of Sherlock Holmes, add in coming of age during the Civil Rights Era, and sprinkle it over with sisterly devotion and a touch of magic, and you have Valerie's warm and satisfying debut mystery. We talk about her work in theater (including Something For Everyone, the book of monologues she wrote after being unable to find material for herself outside of Lorraine Hansberry's A Raisin in the Sun) and how it led to her first screenplay, a Disney Fellowship, and a television career that included Any Day Now and Touched by an Angel. You can check out all her credits here on her website; she can also be found here on Twitter. And do not miss the books she publishes.  In addition to Sherlock Holmes, Valerie was influenced by the Harry Potter series and my own favorite middle grade novel, A Wrinkle in Time. She also gave a shout-out to Harriet the Spy, Nancy Drew, and Mary Stewart's Arthurian saga that begins with The Crystal Cave. I want to mention the title of one of the books Valerie published and is editing the sequel to, Chet Baker: The Missing Years by Artt Frank. Finally, do not miss Valerie's take on the trope of "the chosen one," about 17 minutes into our conversation.  Enjoy! -- Laura Transcript of Interview with Valerie C. Woods Laura Brennan: Valerie C. Woods is a writer/producer in television and film, and is also a publisher, editor and author. Among her TV writing credits, she has worked on Soul Food, Any Day Now, and Touched by an Angel. She founded the independent press, BooksEndependent, and her middle-grade novel, Katrin’s Chronicles: The Canon of Jacquelene Dyanne, Vol. 1 combines mystery with history, and just a touch of magic. Valerie, thank you for joining me. Valerie C. Woods: Thank you for having me. It's great to be here. LB: So you have written for television and film, and you've written fiction and poetry and a book of monologues. Has it just always been writing for you? VCW: Well, it all started because I thought I wanted to be an actress. And I moved to New York from Chicago to be the starving artist/actor, and we were preparing for an actors' showcase and the only material I could find for black women that represented me was something from A Raisin In The Sun. And I realize there wasn't a lot of material that was written for black women, so I started writing my own material for auditions and showcases. And then everybody in my acting class wanted me to write something for them, and I did. Turned out I had about 25 acting monologues for men and women and decided to publish them. I got rejected from all the play publishers, Samuel French and all of them. And then I published it myself, sold out 1100 books, and then Samuel French said, okay, we'll publish it. Add 25 more. And so that began my life as a writer. LB: So you were actually an independent author long before it was cool. VCW: Yes! In fact, when I started my press, I remembered, oh, wait, this isn't new. Now it is so much more easy than it was back when I did it. The new platforms for Amazon and all the different self-publishing things, and digital and e-books. It's a breeze to produce, physically produce, but the same skills and creativity and editing is needed for the content. LB: Yes. Yes,

Alone, Pontchartrain inspected the black case. It was secured with not one but two sets of wax seals imprinted with La Reynie's official insignia. Pontchartrain cracked open the brittle seals with a small knife and inserted the key into the lock... Removing one large stack of pages, he placed the papers on the table and turned each gingerly. He saw names of France's highest nobility. Alongside them were scrawled the words "death," "poison," "murdered." -- Holly Tucker, City of Light, City of Poison I am so pleased to welcome my first true-crime writer -- all the more so because Holly Tucker brings her true crime tales to life from the pages of history. The central character of her latest book, City of Light, City of Poison is Nicolas de La Reynie, the first police chief of Paris, and the man who quite literally created the City of Light.  City of Light, City of Poison gives us an insider's look into The Affair of the Poisons, the scandal which rocked the Sun King's court. Holly's book opens with King Louis XIV himself destroying what he thought were the only records of the investigation. Lucky for us, Louis was mistaken -- and Holly was tenacious.  Holly is Editor-in-Chief of the marvelous website, Wonders & Marvels: A Community for Curious Minds Who Love History, Its Odd Stories, and Good Reads. My word, who doesn't? You can also keep tabs on her through her own author website, Holly-Tucker.com.  In our interview, she gives a shout-out to authors Laura Hillenbrand and Erik Larson, and I would be failing in my duty to you not to recommend Holly's other foray into historical true crime, Blood Work, the research for which led her to Nicolas de La Reynie. As this goes live, it is Holly's launch day for City of Light, City of Poison. You can run over and like her on Facebook right here.  While you're at it, go like Destination Mystery on Facebook as well. Meanwhile, though, you can enjoy this interview. If you'd rather read than listen, the transcript is below. Au revoir! -- Laura Transcript of Interview with Holly Tucker Laura Brennan: A professor of French History at Vanderbilt University, Holly Tucker writes extensively on true crime in early Europe. She has tackled murder and mayhem during the Scientific Revolution in her award-winning book, Blood Work, as well as childbirth and fairy tales in Pregnant Fictions. Her most recent book, City of Light, City of Poison, follows the first police chief of Paris as he works to root out organized crime and foil a cabal of poisoners, witches and unholy priests. Holly, thank you for joining me. Holly Tucker: Thanks for having me. LB: So, normally, in my interviews, I start by chatting about you and how you got into this, but I cannot wait to delve into this book with you. So let us start with City of Light, City of Poison. For someone who hasn't picked it up yet, what's the one thing they need to know in order to understand our conversation? HT: That it's a true crime mystery. It might read like fiction, but it's absolutely true. LB: When you say it might read like fiction, it does. It reads like a fast-paced novel where you're never sure who you should be rooting for. HT: There are so many different characters in this story as I researched it, it was really hard for me to try to figure out who exactly was up to no good and who is innocent. And I think that the biggest challenge in writing this book, and then also I hope to convey to readers, the pleasure of trying to solve the mystery and the puzzle themselves. LB: Your central character, although he was a real person, that first police chief of Paris, Nicolas de La Reynie. Because Paris up to that point didn't really have what we think of today as a police force. HT: No, it didn't. In fact I think it's safe to say it was considered to be the crime capital of the world. And the streets were foul and dirty, dangerous and most of the policing was done, if you could call it policing,

My husband wasn't in bed with me when I woke up that January morning. The mid-winter sky was bruised purple and yellow outside the window. I shut bleary eyes against light that glared and pounded. A second later I realized my toes weren't burrowing into the hollows behind Brendan's knees, that when I flung out my arm it didn't meet his wiry chest... -- Jenny Milchman, Cover of Snow Thriller author Jenny Milchman writes page-turning novels of women in jeopardy -- and the courage and resourcefulness they find inside of themselves in the face of danger. Check out Jenny's website for information on all of her books and to check out her blog. In addition to writing thrillers (all of which were chosen as Indie Next picks) Jenny is on the board of International Thriller Writers and interviews writers for the radio show, Next Steps with Jenny Milchman and ITW on Authors on the Air.  And if that weren't enough, you can find Jenny on Facebook, Twitter, and Patreon. Whew! Jenny gives shout-outs to two books: The Freedom Broker, by K.J. Howe -- a debut novel and the first of a series of high-octane thrillers -- and We Need to Talk About Kevin, a tense and intimate look at a family destroyed by violence, by Lionel Shriver.  Jenny's own books are all stand-alones: Cover of Snow Ruin Falls As Night Falls As always, if you'd rather read than listen, here is the transcript. Enjoy! -- Laura Transcript of Interview with Jenny Milchman Laura Brennan: Jenny Milchman is an award-winning, critically acclaimed novelist who writes un-put-downable thrillers. Her debut novel, Cover of Snow, won the Mary Higgins Clark Award for best suspense novel of 2013. All three of her novels published to date, including Rune Falls and As Night Falls, have been Indie Next picks. Jenny interviews thriller writers for the Next Steps radio show and I am delighted that she agreed to be on the other side of the microphone for this chat with me. Jenny, thank you for joining me. Jenny Milchman: Laura, thank you for having me on. LB: Before we get into your books, let's talk a little bit about you. I understand that your folks were a little worried about this whole writing gig. JM: Yes! More -- not even worried as much as, what would a writing gig even mean? I was always wanting to be a writer, that was kind of the goal from the beginning. And I loved reading, as most writers do. And it seemed a natural outgrowth of my childhood. But it wasn't even, "Should you do this? No." It was more, "What would this even mean?" And then when I was a sophomore in college, my parents got to that point where they had to ask what the point of this expensive degree was, I told them that I wanted to be a poet and live in the woods in a log cabin of my own making. And they pointed out that I had never really picked up a hammer, and our country is not that nice to its poets anyway. And they said, is there something else you can imagine doing? And since there was, we went with that. LB: And that thing was psychology. JM: It was. And I practiced for 10 years, yes, as a psychotherapist in a rural community mental health center. LB: It's so fascinating, because you're not the first or even the third author I've spoken to who has gone into psychology. What do you think is the connection? JM: I think there is a connection, I really do. And, to a certain extent -- I wanted to be a poet, I didn't have the kind of books that I wound up writing in mind when this whole desire to be a writer but put it aside thing happened. And it didn't reawaken until I was a psychotherapist practicing in this rural clinic, and I had this very scary case. And the case was a little, blonde, five-year-old, adorable cherub of a child whose mother had brought her in because she had just killed the family pet. And it was almost as if life was a suspense novel. And I sat down and just to deal with this overwhelming case,

For ten years, my father's furniture and books lurked in the study he abandoned. I don't remember a time when we thought he might come back, but his belongings were like a bookmark, holding a place in our lives... -- Virginia Zimmerman, The Rosemary Spell I don't know about you, but I'm still enthralled by a wonderful children's book -- especially when there's a mystery or puzzle at the heart of the adventure. The Rosemary Spell is a perfect book for middle-grade readers who want a little magic, a little mystery, and a lot of friendship. This is a book about the power of books, and Virginia Zimmerman is an expert on that. You can learn more about her on her website, including links to an article she wrote on the importance of letting -- or even encouraging -- children to re-read. Teachers, do not miss out on the fantastic teacher's guide that was created for The Rosemary Spell by Pamela Brunskill. In particular, if you teach poetry or want to introduce your cherubs to Shakespeare, The Rosemary Spell is the book to check out. We talked about some favorites for children: A Wrinkle in Time, A Ring of Endless Light (both by Madeleine L'Engle), the Harry Potter series, and one that is new to me, When You Reach Me, by Rebecca Stead. For adults, Virginia gave a shout-out to Middlemarch by George Eliot and Pride and Prejudice, my favorite Jane Austen novel (and I know I'm not alone!). Keep tabs on Virginia and her upcoming books via her website, on Twitter, on Instagram, and on Facebook. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura Transcript of Interview with Virginia Zimmerman Laura Brennan: Virginia Zimmerman writes novels for young readers and teaches English at Bucknell University for somewhat older readers. Her beautiful middle-grade novel, The Rosemary Spell, has at its heart a book, and with it all the magic and mystery that books bring into our lives. Plus, in this case, there’s a smidge more magic and mystery than usual. Virginia, thank you for joining me. Virginia Zimmerman: Thank you for having me, it's great to be here. LB: So, you're both an author and an English professor. Tell me a little bit about that career path. Was it always going to be books? VZ: It was definitely always going to be books, from kindergarten when I would read to the rest of my class, it was always going to be books. But exactly what that meant was less certain. I decided pretty early in college that I was going to major in English, but I didn't have the intention of going on to be an English professor until pretty late in college. And then even when I became an English professor, I did that because someone said to me, you should think about what you like to do and then you should choose the career that allows you to do that. Which of course is easier said than done. But in my case, what I liked to do was read and write and talk about books. So being an English professor was the obvious way to continue to do those things. I didn't even really think seriously at all about writing books until well into my career. I had been at Bucknell as a professor for several years before I started writing. So yes, it was always going to be books, but it wasn't always going to be the case that I was writing those books. That was a relatively late development. LB: The Rosemary Spell is a book about the power of books. VZ: Yes. LB: So, for someone who hasn't read that yet, what do they need to know to be able to follow our conversation? VZ: Well, The Rosemary Spell follows Rosemary and her best friend, Adam, as they find an ancient book locked in a cupboard in Rosemary's room. They're immediately intrigued by the book because they are both book lovers themselves. They quickly discover a poem in the book which has the power to make people disappear, not just physically but also from memory. They accidentally disappear somebody very important to them and have to work h...

Not every city has a river running through it. And not many women plan a rendezvous at a San Antonio River Walk hotel during Fiesta Week after years of self-imposed celibacy. I was about to make history. -- Nancy G. West, River City Dead   Nancy G. West's heroine, Aggie Mundeen, burst onto the scene as a secondary character in Nancy's first novel, Nine Days to Evil, and demanded that Nancy write Aggie her own story. Lucky for us, Nancy obliged with not one, but four Aggie Mundeen mysteries, and counting. Check out her website, NancyGWest.com.  Her latest mystery, River City Dead, takes place during Fiesta Week in San Antonio, which Nancy calls a "fabulous, distinctive place and time." What more could one ask for? Well, perhaps a dead body in the penthouse suite... We also talked about Dorothy Sayers (I gave a shout-out to her translation of Dante's Inferno, which is a personal favorite) and Nancy's essay, which taught me things I never even suspected about the wonderful Ms. Sayers -- including the inspiration for Strong Poison. I would be remiss not to link to the Dorothy L. Sayers Facebook Page, and you can read Nancy's essay here.  Here are the Aggie Mundeen books in order: Fit to be Dead Dang Near Dead Smart, But Dead River City Dead And Nancy's first novel, Nine Days to Evil. Below is the transcript, if you'd rather read than listen. Enjoy! -- Laura Transcript of Interview with Nancy G. West Laura Brennan: My guest today is Nancy G. West, author of Nine Days To Evil and the Aggie Mundeen mystery series. Her first Aggie Mundeen mystery received a Lefty Award nomination for best humorous mystery, and she has won numerous awards, including the Chanticleer competition in the Mystery and Mayhem category -- an appropriate win for her heroine, Aggie, whose itchy feet presage dead bodies and danger. Nancy, thank you for joining me. Nancy G. West: Oh, I'm delighted to be here, Laura. Thank you. LB: Now, before you started writing professionally, you had a career in business. NGW: I did. Well, I majored in general business administration, and I took a lot of marketing courses and management and accounting courses. And I found out that that wasn’t really to my liking. So, after we married and I had two daughters, I decided that what I really wanted to do was write fiction. So I went back to school, to graduate school, to study English Lit. And I loved it, but they didn’t teach me how to write fiction either. So I read a bazillion books on the craft of writing fiction. And that’s really what got me started. LB: Did you look at your life and go, there’s got to be a mystery in here somewhere? NGW: Not so much a mystery in there somewhere but that writing was my passion and I really wanted to write fiction. I had written nonfiction articles, it was fun and satisfying; I’d even written a biography of a Texas artist who is actually a Spaniard who had immigrated here through Venezuela, up to Texas. But I really wanted to tell stories. And so I knew that, as a business major, I hadn’t had the opportunity to take very many courses in writing or creative writing or literature, so I thought it was time for me to learn something about it. LB: So, why mysteries then? Why did you gravitate towards mysteries? NGW: Well, I knew the hardest thing I thought, for me, would be to plot. And when you write mysteries, you have to have a good plot. I loved writing characters, I loved writing scenes, I love writing the dialogue where Aggie and Sam or the other characters talk to one another. So I didn’t think that would be a problem. But the plotting, I thought would be the most difficult – and it is. And so I thought, okay, if you’re going to write mysteries, you must learn how to plot. So that was where I did a lot of studying. LB: So you really just threw yourself into the hardest thing you could think of. NGW: Basically! I have a tendency to do that.

When Will Rees finally arrived home, much later than he'd expected, he found his sister Caroline in the front parlor. Again. Since Rees and his wife Lydia had returned from Salem several weeks ago, Caroline visited often and always with the same demand... -- Eleanor Kuhns, The Devil's Cold Dish It was such a delight talking to Eleanor Kuhns about her wonderful historical mystery series, set in Maine in the 1790s. History buff? You can -- and should -- check out her website, Eleanor-Kuhns.com, and her blog, here. She is a terrific source of information about daily life during that time. She also, I discovered during our interview, spins and weaves cloth! A Renaissance woman... or perhaps a Federalist one.  ;-)  One of the central communities, and the setting for her first novel, A Simple Murder, is the Shaker community in Maine. Sabbathday Lake Shaker Village was the inspiration. We also talked about the religious leader, Mother Ann Lee, who led a fascinating life at the heart of the Shaker movement. Here are Eleanor's books, in order: 1 - A Simple Murder 2 - Death of a Dyer 3 - Cradle to Grave  4 - Death in Salem 5 - The Devil's Cold Dish As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura Transcript of Interview with Eleanor Kuhns Laura Brennan: I’m delighted to welcome Eleanor Kuhns today, author of the Will Rees mystery series. Her debut mystery, A Simple Murder, won the Minotaur Books/Mystery Writers of America First Crime Novel competition. Set in the 1790s, Eleanor’s novels recapture a bygone era -- and show how motives for murder never change. Eleanor, thank you for joining me. Eleanor Kuhns: I'm happy to be here. LB: Before we talk about your wonderful series, tell me a little bit about yourself. You’re the assistant director of a public library. EK: Yes. LB: So it’s always been books? EK: Absolutely. I started as a page in the Yonkers public library when I was 16, became a librarian, pretty much never stopped working in the library. LB: When did you decide to add to the books in the world? When did you decide to write your own? EK: Well, I always wanted to be a writer. I wrote my first story when I was 10 years old. It was science fiction/fantasy, which was my first love. And every paragraph started with the word "suddenly." Suddenly the aliens came over the hill. It's always been all about writing and books. LB: I find that really interesting, that science fiction and fantasy is your first love because that takes place in another world, by definition. And you've created really another world for us to go into in your Will Rees mysteries. EK: Well, I think that science fiction and fantasy and historical fiction have a lot of similarities. It is a different world. A lot of times the culture is different, technology is certainly different, but people, I think, remain the same. Historical fiction is, in some ways, easier and harder because the world your writing about is already there, which means you have to have some accuracy as your facts. What did they wear? What was happening in the world? That kind of thing. In science fiction/fantasy, you can pretty much make up what you want to do. So in historical fiction, it's easier because there's a structure already to hang your story on, and harder because you have to do a lot of research to make sure that structure is right. LB: Why Maine in the 1790s? EK: Well, at the time that I wrote this book, I was living in Maine. My mother is from Maine, she retired to Maine, and she and a disabled brother were ill. So my husband and I left our jobs and went to Maine. Before we made that huge step, we were traveling from New York to Maine pretty much every weekend to care for them. That's a nine-hour trip, each way. And the only existant Shaker community is on that route. Sabbathday Lake, right off the Falmouth exit. We stopped there one day,

Saturday, January 18, 2020 5:47 A.M. After the storm passed, in the chilly hour before dawn, the last of the "space zombies" found their way back to their nest in the derelict house.  From his command post, the squad leader gave the signal: "Go!" A black van pulled up in front of the house. Albany PD vice cops wearing protective gear jumped out and stormed up the walk. They used a battering ram to smash open the wooden door. "Police! Albany PD!" "Police!" Their high-powered torches illuminated the grotesque horror movie creatures in the 3-D posters on the walls... -- Frankie Y. Bailey, What the Fly Saw. I am so thrilled to be chatting with the multi-talented Frankie Y. Bailey. I had the pleasure of meeting her at my first ever mystery writers conference, Killer Nashville, several years ago, and also of reviewing What the Fly Saw for Mystery Playground's Drinks with Reads feature. Frankie blurs genre and writes in every possible tense: her series are set in the past, the almost-present, and the near-future. You can keep up with all she's doing on her website, FrankieYBailey.com, and also over on the blog she shares with several other mystery writers -- including the delightful Vicki Delany -- at Type M For Murder. Find her on Twitter @FrankieYBailey. Frankie gives a shout-out to Walter Mosley and two spectacular but often overlooked mystery writers: Pauline Hopkins and Rudolph Fisher. And of course to Eleanor Taylor Bland, the first African-American woman to write police procedurals. Sisters in Crime has a fellowship in her honor for emerging mystery writers of color, so if that's you or a friend of yours, check it out here. Meanwhile, here is Frankie's fiction (in series order): Hannah McCabe series 1 - The Red Queen Dies 2 - What the Fly Saw Lizzie Stuart series 1 - Death's Favorite Child 2 - A Dead Man's Honor 3 - Old Murders 4 - You Should Have Died on Monday 5 - Forty Acres and a Soggy Grave And her nonfiction: Wicked Danville: Liquor and Lawlessness in a Southside Virginia City Wicked Albany: Lawlessness and Liquor in the Prohibition Era African American Mystery Writers: A Historical and Thematic Study Crimes and Trials of the Century Famous American Crimes and Trials Blood on Her Hands Media Representations of September 11 Law Never Here: A Social History of African American Responses to Crime and Justice Popular Culture, Crime and Justice Out of the Woodpile: Black Characters in Crime and Detective Fiction As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura Transcript of Interview with Frankie Y. Bailey Laura Brennan: My guest today is the multitalented and multifaceted author, Frankie Y. Bailey. Frankie isn’t just a student of crime, she is a PhD -- and a professor in the School of Criminal Justice, University at Albany (SUNY). She has won the George N. Dove Award for outstanding contributions to the study of mystery, detective and crime fiction, as well as a Macavity Award for her nonfiction book, African American Mystery Writers. She has not one, but two fiction series: one featuring crime historian Lizzie Stuart, the other a police procedural set in the near-future featuring detective Hannah McCabe. She's also working on an historical thriller set in 1939. Frankie, thank you for joining me. Frankie Y. Bailey: Thank you so much for having me on, Laura. LB: So my understanding is that you always planned to be Doctor Bailey, but when you first went to college, you were looking at becoming a veterinarian rather than a PhD? FB: Yes. I love animals, and I grew up -- I was kind of a shy child, so I grew up playing with my dogs and a hamster and the birds and all of that. And everyone in my family teased me about growing up to become a vet, and it seemed like a great idea. And then I went off to Virginia Tech, and I realized I preferred playing with animals and trying t...

If only I could learn to say no, I wouldn't be perched on a barstool in a redneck bar, breathing secondhand smoke and pretending to flirt with men sporting baseball caps and Confederate bandanas, their eyes riveted on my Victoria's Secret-enhanced cleavage... I hit the rewind button on my life and stopped a few days earlier, at the point where Phyllis Ross threw a cup of coffee in Nina Brown's face... -- Maggie King, Murder at the Moonshine Inn Maggie King says on her website (which you should definitely go check out) that she writes cozy with a touch of noir -- traditional mysteries that sizzle just a bit more than your usual cozy. Well, with a book group as the focal point, what did you expect? There are two books so far (and counting) in Maggie's Hazel Rose Book Group Mystery Series, Murder at the Book Group and Murder at the Moonshine Inn. She is also the author of several short stories in a variety of anthologies: Virginia is for Mysteries, Virginia is for Mysteries II, and the upcoming 50 Shades of Cabernet. Maggie gives a couple of fun shout outs: to writers Sue Grafton, Marcia Muller, Gillian Roberts and Joan Smith; and to two favorite characters from the old Little Lulu comics (I remember those!), Witch Hazel and Little Itch.   Alas, our audio fell out a few times, but I want to make sure you know that in addition to her website, Maggie blogs regularly on Lethal Ladies Write.  Finally if you're on Instagram, follow her here! As always, if you'd rather read than listen, a transcript is below. Enjoy! Transcript of Interview with Maggie King Laura Brennan: Maggie King’s novels are a sassy, suspenseful cross between traditional mysteries and cozies. Her protagonist, Hazel Rose, is a romance writer who wants nothing to do with murder. And yet, more than once, it falls to her to uncover the truth. Maggie, thank you for joining me. Maggie King: Thank you so much for having me, Laura. LB: You write the Hazel Rose Book Group Mysteries and in fact your first novel was called Murder at the Book Group. So, I have to ask: did you join book groups because you had an idea for a murder, or was it being in a book group that made you want to kill somebody? MK: (Laughter) Well, that's a great question. The first book group I was in was back in the 1990s in Santa Clarita, California. And it was a themed book group, very much like the book group in Murder at the Book Group. We read by theme, it could have been mysteries set in New York City or books where the detectives were journalists, something like that. And all the people were just absolutely lovely. And it occurred to me, well, what if they weren't so lovely? What if they had secrets and scandals? I've been in many book groups ever since, a lot of my characters are based on people who I have known a book groups. I can't say that anyone was ever murdered, or that I even wanted to murder anybody, but there's always a certain amount of conflict in book groups because there a lot of opinions and people are very passionate about books. LB: Well, I was thinking about book groups: they're one of the ways in which we re-create villages, you know? We create a small community of people who are bound together in this case by a love of books, but they may not all get along. It makes me think of Miss Marple in her village, to see how all of your characters interact. And your book group as a whole functions with a desire for justice. MK: Yes. Yes, they are very strong advocates of justice. LB: That really resonated with me. Do you think that's one of the reasons why we're drawn to mysteries? MK: Absolutely! Absolutely. We want to see justice. So often in the real world, we don't see justice served. And I think that's one of the reasons I like to write mysteries as well, because I have a strong sense of justice. I have to say though, I play a little looser with the justice in my short stories.

When I was lying in the hospital three months or so ago, after the boys and their children had gone home, Alan came back and kissed my forehead and said, "It's time you wrote it down..." I didn't have to ask what he meant... -- Sally Wright, Behind the Bonehouse Sally Wright's mysteries are beautifully written tales that wrestle with moral issue and the complex motivations of everyday people. You can learn more -- and see photos! -- on her website, SallyWright.net, where she also lists both of her series, in order. Two of the books we talk about in depth are her latest, Behind the Bonehouse, the second in her Jo Grant series, set in horse country, Kentucky; and Code of Silence, the prequel to her Ben Reese series, and featuring as a key plot element the Venona Code. Sally gives a shout-out to different authors who have influenced her writing, including P.D. James, Ngaio Marsh, Dorothy Sayers, and Josephine Tey, but also Tolstoy and Jane Austen. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura Transcript of Interview with Sally Wright Laura Brennan: My guest today is Edgar Award Finalist Sally Wright. In addition to elegant writing and plotting, Sally does intense research for her novels. She has studied rare books, falconry, painting restoration, the Venona Code, and much more to write about her hero, Ben Reese, an ex-WWII Ranger and university archivist. Her latest series, the Jo Grant mysteries, focus on Kentucky’s horse culture and the families who live and die there. Sally, thank you for joining me. Sally Wright: Thank you. LB: Let's start with your Ben Reese series. Publish and Perish is the first book, and Ben is a rather unusual protagonist. He's not a cop, he's not a PI, he's an archivist. SW: Right. LB: And it's set in 1960. How in the world did you come up with the idea for the series? SW: Well, because I met a man who was an archivist at a university -- and this would've been probably about 1973, when I had my first conversation with him. And I knew him as an archivist and he seemed to be World War II age to me, and I asked him what he did in the war. And he gave me a jive response, and I kept just kind of pushing him. And he said, well, I was a behind the lines scout in Europe. I worked for Army intelligence. And I looked at him and I went, if I ever write a mystery novel, you're the character for me. Because I was so interested in a man of action who could do the really dangerous things that he had done in the war, who would come out of that war and do something highly intellectual and very different than what he had done previously. So that really appealed to me. So if I was can write that character, I had to do it at a time when his age -- I wanted to do it when he would have been in his late thirties or something. When he would have been in his prime. LB: So, when you started, you started with him in academia. Then you said that you wanted him to have a little bit more scope. SW: First of all, in knowing this gentleman, he traveled all over the world, he had worked studying archival matters and artifacts in several countries and that's what he would do in the summer when he had time off. And I went, I could put him anywhere. The plot could be based on an artifact or person he meets who owns the artifact or is looking for one. It really gave me tremendous scope. And then I got to go to very interesting places and meet very interesting people that I never would've met if I hadn't been working on the books. LB: You have a wonderful website that we're going to link to in the show notes -- SW: Oh, good. LB: SallyWright.net, correct? SallyWright.net SW: Yes. LB: And you talk a lot about how you come up with your ideas. There always seems to be a connection almost from one book to the next of where you get the idea for the next book -- and even for your next series, you got it traveling for the Ben Reese series.

The last time I saw Lisa Campbell, she was naked. It was almost thirty years ago, when I was in junior high and she was the latest Hot Young Thing, smiling invitingly at me -- and thousands of other lonely guys -- from the pages of Playboy Magazine... Now, as she stood in my office waiting room, cashmere sweater folded neatly over her arm, I had to admit that the years since had taken their toll... -- Dennis Palumbo, Phantom Limb I had such a terrific, full conversation with Dennis, I almost don't know where to start the show notes. First, make sure you check out his website, DennisPalumbo.com, where he has info on all of his books, not to mention news and links and even short stories to read.  Speaking of short stories, you can read his wonderful Christmas mystery, "A Theory of Murder," which features no less a detective than young patent clerk Albert Einstein, at Lorie Lewis Ham's online magazine, Kings River Life. It appeared on Robert Lopresti's list of 10 of the best mystery short stories he's read. Check out the multi-author blog SleuthSayers.org (what an awesome blog title!) I go all fan girl on "My Favorite Year," one of my favorite movies ever. If you haven't yet seen it, you are in for a treat. And if you have, well, it's always a good time to re-watch it. Here are Dennis' Daniel Rinaldi books, in order: 1. Mirror Image 2. Fever Dream 3. Night Terrors 4. Phantom Limb In addition, he's written a sci-fi novel (City Wars), a nonfiction collection of essays (Writing from the Inside Out, which we discuss in the interview), and a collection of short stories (From Crime to Crime). His first Daniel Rinaldi short story will appear in February in an anthology from Poisoned Pen Press.  And if you are as fascinated as I am by his combination of Hollywood experience and psychological insight, you can also check out his Psychology Today blog, Hollywood on the Couch. Finally, we gave a shout out to Vicki Delany, who also wrote novels while holding down a full-time job. You can check out my interview with her right here. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura Transcript of Interview with Dennis Palumbo Laura Brennan: Dennis Palumbo is a former Hollywood screenwriter, a licensed psychotherapist in private practice, and the author of the Daniel Rinaldi mystery series. He also writes short stories and essays, blogs for the Huffington Post, and contributes a regular column to Psychology Today called “Hollywood on the Couch.” Dennis hasn’t just done it all, he makes it all look easy. Dennis, thank you for joining me.  Dennis Palumbo: It's my pleasure, Laura. LB: You have done so much, so well, let's start at the beginning. Did you always want to be a writer? DP: Pretty much from my youth, I would say from about 10 or 11 or 12. You know, reading comic books and comic strips and right around then I began reading The Adventures of Sherlock Holmes and Robin Hood. I've just always loved storytelling. And particularly mysteries and thrillers. And, yeah, I’ve always liked writing and liked doing it. It was my favorite thing to do in high school and college, was writing essays or short stories. I actually came to Hollywood and was still writing -- the only writing I had done that had seen print was writing for the Pitt News, which was the newspaper of the University of Pittsburgh from which I graduated. And when I came to Hollywood, I was writing short stories and sending them all over the place and also writing scripts trying to break into television. It was very unusual, the same week my then-writing partner and I got our first writing job, which was the first episode of “Love Boat,” by the way. The same week that happened, I sold my first story, mystery short story, to Ellery Queen’s Mystery Magazine. It was just amazing, that week, I'll never forget that week. I was only like, 24, 25. That was a good week. I was very, very lucky.

Randy Alderson Spelling looks more like a girl than a woman. So tiny she's nearly lost in the cushions of my office couch. Her legs jut out over the floor until she scoots forward and places her feet squarely on the ground... I'm the last hurdle between her and the job she covets -- police officer for the Kenilworth Police Department. -- Ellen Kirschman, The Right Wrong Thing I could not be more honored to talk to author and police psychologist Dr. Ellen Kirschman. A writer of both fiction and nonfiction, Ellen captures the world of police officers with tremendous depth and nuance. It's a world she knows well, having worked in the field for thirty years. The Right Wrong Thing is the second book in the Dot Meyerhoff series, and is just out in paperback. Her first novel, Burying Ben, introduces her protagonist in a wonderfully suspenseful tale. Interested in her nonfiction? Her latest book is Counseling Cops: What Clinicians Need to Know and she is in the process of writing the second edition to I Love A Cop: What Police Families Need to Know. First responders aren't limited to police officers, and Ellen has also written I Love A Firefighter: What the Family Needs to Know.  Check out her page, and don't miss her donut metaphor. It can transform the way you look at the world, even if you aren't a first responder. Speaking of which, the First Responder Support Network is an organization near and dear to her heart, if you want to check out the excellent work they do. As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura   Transcript of Interview with Ellen Kirschman Laura Brennan: My guest today is Dr. Ellen Kirschman. Her first novel, Burying Ben, introduced police psychologist Dr. Dot Meyerhoff and the officers she helps -- a world Ellen knows well, as she herself has been a police and public safety psychologist for over thirty years. Ellen, thank you for joining me. Ellen Kirschman: My pleasure. LB: Let me start off by saying, I didn't know that police psychologist was an actual job. How long has it been around? EK: I've been doing it 30 years. There have been people doing it a bit longer than I have. There are about 200, give or take some, people who, psychologist whose main practice is police and public safety. By public safety, I also mean firefighters, dispatchers, emergency medical techs, sometimes emergency room nurses. LB: There's always been such a feeling that the police have to be macho -- and in fact, I think you mentioned one of your books the idea that seeing a psychologist can be seen as a weakness in and of itself. So I love that they have started to really incorporate it into part of the job. Was that a big hurdle to overcome? EK: Well, it was a big hurdle and actually it still is. Of the several hundred police psychologists that exist now, most of them do preemployment screening and fitness for duty evaluations. So they are acting in some ways like traditional psychologists and that their primary work is assessment. Those of us who do clinical interventions represent a smaller percentage of people. I worked for one police department where I was in house, inside the actual physical building, two days a week for 25 years and the day that I left, there were still officers who were sure I had a videocam that went from my office right to the chief's. And then of course people who actually came and talked to me realized that that was not the case and that I knew how to keep secrets and keep their confidentiality, because that's primarily, they're worried about confidentiality. And as you said, the culture for both males and females is somewhat that kind of rugged, individualistic/macho sort of culture in which the thing you never want to appear to be is weak. And of course I tell people, you're not weak, you're human and to be human is to have problems, is to have emotions that you don't always like and is to react to things.

The Market is not a quiet place. Thousands of people stroll the streets and sidewalks, chattering and calling to each other... Street musicians sing and play guitars... Vendors proclaim their wares, and customers barter for better prices on beans and broccoli... For one long moment, it all stopped, sucked up by my mother's sharp intake of breath. "Peggy Manning," she said. "I thought you were dead." -- Leslie Budewitz, Killing Thyme I am thrilled to have the opportunity to chat with Leslie Budewitz, whose Spice Shop Mysteries and Food Lovers' Village Mysteries are always on my must-read list.  First things first: check out her website for info on her books, upcoming events, and recipes -- definitely do NOT miss those! In addition, she is on Facebook and on Twitter. Writers out there, she also has an Agatha Award-winning nonfiction book, Books, Crooks and Counselors: How to Write Accurately About Criminal Law And Courtroom Procedure. Just sayin'. Leslie gives a shout-out to some of her favorite books and authors, including Sheila Connolly, who writes the Museum Mystery cozy series, and Cleo Coyle's series, the Coffee House Mysteries, set in Greenwich Village -- recipes abound there as well! Plus talent runs in the family: Leslie's cousin is New York Times Bestselling Author Laura Childs. Leslie and I both recommend Sisters In Crime for both published and yet-to-be-published writers. Leslie is a SinC past president and credits much of her success to being a member of The Guppies, the online chapter of Sisters in Crime.  And finally, here are Leslie's two series, in order: Food Lovers' Village Mysteries 1 - Death Al Dente 2 - Crime Rib 3 - Butter Off Dead Spice Shop Mysteries 1 - Assault and Pepper 2 - Guilty as Cinnamon 3 - Killing Thyme I'm sorry to all the other writers out there, but "Crime Rib" = Best. Title. Ever. Enjoy! - Laura ************************* Transcript of Interview with Leslie Budewitz Laura Brennan: Leslie Budewitz blends her passion for food, great mysteries, and the Northwest in two light-hearted mystery series: the Spice Shop Mysteries, set in Seattle, and the Food Lovers’ Village Mysteries, set in northwest Montana. Her books focus on strong women who share her passions, and have a talent for finding trouble. Leslie, thank you for joining me. Leslie Budewitz: It's a delight. Laura: So, normally, I write my own intros, but yours was so good that I just shamelessly stole it off of your website. It so accurately captures your heroine -- strong women who share your passions. And get into plenty of trouble. I love that so much. Leslie: When passion leads you into trouble, gosh, that's when a great story develops, don't you think? Laura: I do. I absolutely do. So before we talk about them, I want to talk about you. You do not get into trouble. Leslie: Not the same kind of trouble is my characters. Laura: But you are a lawyer. Leslie: Yes. Laura: That's how you started out. Now, is that fun? Leslie: I enjoyed the practice. But I will say that I enjoy killing people on the page more. Laura: So you weren't tempted to write legal thrillers? To use your legal background? Leslie: No, I never really was. I've been practicing law for about 30 -- oh good heavens -- 32 years. Now very part time, doing civil litigation, meaning personal injury work, business litigation and some employment law. And I have had some great experiences, met many wonderful people, met some not so wonderful people as well. Which is great because that gives me fodder for other stories. But I didn't really want to go into the courtroom world in my fiction. I have a lot more interests than just the legal world. And so it's been great fun to explore other things. If there are lawyers in my stories they tend to be herbalists, or retired lawyers who make fudge. People who have found other ways to make a living beyond their practices. Laura: Well, I love that about your books,

I ran up the steps and opened the door. The delicious scents of freshly baked bread, warm pastry, ginger, and cinnamon washed over me. I took a deep breath. Heaven, I sometimes thought, must smell like Vicky's bakery... -- Vicki Delany, We Wish You a Murderous Christmas Vicki Delany blogs as the One Woman Crime Wave -- and boy, is she ever. She writes historicals, stand alones, a police procedural series, and several cozy series. Her latest book, We Wish You a Murderous Christmas, launches today, November 1st, as this interview goes live. Can't get enough of Vicki? Me either. Check out her website, her blog, her Facebook page, and, on Twitter, @vickidelany.  In the interview, we talk about her Constable Molly Smith series, her cozy series, and her upcoming -- March '17 -- Elementary, She Read, the start of a new Sherlock Holmes Bookshop Mystery series. One of Vicki's great talents is the ability to shift genres; her cozies perfectly capture the form, while her stand-alones are the top of suspense and her procedurals envelope you in the investigation.  Vicki also writes mysteries for reluctant adult readers, called Rapid Reads. I think this is a brilliant concept -- short, easy-to-read and compelling stories for adults who, for whatever reason, struggle with reading. You can check out the latest, Haitian Graves, and find out more about the Rapid Reads series from the publisher. Enjoy! Transcript of Interview with Vicki Delany Laura Brennan: My guest today has been called “one of Canada’s most prolific and varied crime writers.” Canada nothing, Vicki Delany is one of the world’s most prolific and varied writers, with multiple series and stand-alones in a variety of genres, from cozies to historicals to police procedurals and thrillers. Vicki, thank you for joining me. Vicki Delany: Thank you very much, Laura, for talking to me. LB: There is so much to talk about, but let me start by saying how impressive your output is, not just because you can write across genres, but also because you started writing while a single parent holding a full-time job. VD: That's right. LB: Tell me a little bit about those Sunday writing sessions. VD: Well, the Sunday writing sessions is a long way to go about producing a book. I mean, my first book took me four years. But my children were still living at home and they were still kids and, as you said, I had a full-time job. So I started out, a couple of hours on a Sunday afternoon was about the only time I could go to my writing. I also should mention that I took several writing classes which I think is a great way for a beginning writer to get started, not only because you're being taught the tricks and the craft of the trade so to speak, but it requires you to do some work, particularly if there's some expectation you'll come to class next week with output. So anyway, I took some classes and I plugged along and it took me four years to write my first book and then my children grew up and I retired from my job at the bank and on it went. LB: I take so much dedication to write a book over the course of four years. Why were you driven to write a mystery? VD: I don't know if driven is even so much the word. In my case, it was a little bit of the cart coming before the horse. Because my first idea was that I thought I might like writing for children, because I have three daughters. And one year at Christmas I wrote them a special story as the Christmas present, just a children's story and it had their names as one of the characters and I printed it out and tied a pretty red ribbon around it. And I liked that, so I took a creative writing course at my local community college. And fairly quickly I decided that I didn't want to write for children, but I was really enjoying the class. So I thought, gee, I wonder what I should write now? Well, I read mystery novels, so maybe I'll try my hand at that. So actually,

It was entirely my own fault, of course. I know better than to ignore the voice. At least I always do in retrospect... -- Jessica Estevao, Whispers Beyond the Veil  Jessica Estevao has launched a terrific new series with Whispers Beyond the Veil. Set in 1898, it has everything you could want in a mystery: rich characters, superb settings, and of course, murder. First and foremost, Jessica gives a shout-out to her blog mates over at Wicked Cozy Authors. They include Liz Mugavero/Cate Conte, Sherry Harris, J.A. Hennrikus/Julianne Holmes, Barbara Ross, and Edith Maxwell/Tace Baker/Maddie Day. What a team! We talk about research into the past, including the Harmon Museum, the Lily Dale Assembly, and her neighbor Daniel Blaney, who literally wrote the book on Old Orchard's history. She also wants to give a shout-out to Sisters in Crime for all they do to help writers, both new and established.  Finally, Jessica was kind enough to share her own personal story of a time when trusting her instincts -- and a voice in her ear -- saved her life. I have to use this as an opportunity to recommend Gavin de Becker's The Gift of Fear. I can't recommend it often enough. Very few books can save your life; this is one of them. Read it. And if you'd prefer to read the interview, as always, it's below. Enjoy! -- Laura Transcript of Interview with Jessica Estevao Laura Brennan: My guest today is an accomplished, award-winning novelist with a brand new series. As Jessie Crockett, she has the delightful Sugar Grove cozy mysteries, feature mayhem and maple syrup in equal doses. As Jessica Estevao, she has just launched a new series, set in 1898, and featuring a heroine with a dark past and an otherworldly gift. Jessica, thank you for joining me. Jessica Estevao: Thanks for having me. LB: I want to talk to you about your writing career. You have both a cozy series, a couple of other books, and now a new historical series. But first I want to ask, why mysteries? JE: I love mysteries. When I was a small child, my father used to travel on business and when he was gone, my mother would let me stay up and watch Agatha Christie mystery movies on television with her, which was of course a hugely special treat. So that was one aspect of it I suppose. But I think one of the reasons also was that the first chapter book that I remember reading was The Bobbsey Twins at the Seashore. And I just remember feeling so accomplished at reading a chapter book instead of a picture book. And I think that sense of delight associated with mysteries has remained my entire life. As an author, one of the things that I truly love about writing in the mystery genre is that the challenge is to conceal as well as to reveal. And it's really delightful to use that scaffolding to tell a story and to challenge yourself to tell both of those stories, what's real and what's misdirection. LB: Now, your first book was Live Free or Die, and you took home a Daphne for that right away. JE: I did. LB: You took the world by storm. So how did that book happen? JE: It kind of came as a response to a semi-tragedy here in my village. My postmistress in the village had been here for years when I started to write that book and then she retired. And I missed her terribly. And it seemed that the only way to get back the right sort of postmistress was to make my own. But in reality, we have had a couple of truly lovely postmistress and since then, but I like to think that sending out that energy to the universe got them for us. LB: It got you back your perfect postmistress. JE: Yes. The postmistress in a very small village really is a wonderful character, to be at the heart of the town and to set the tone and hours did it beautifully. And I just really wanted to honor that and recapture that in writing. LB: You wrote that first book, you really did take the mystery community by storm. But you went into a new series. JE: I did.

She grabbed a paperweight and faced the large man, drawing back her arm. "I'm warning you. I was starting pitcher in the Girls' State Fastpitch Softball Championships."  The man laughed, rich and throaty. "Go ahead. Throw it." Gethsemane hurled the weight. It sailed through the man's chest, disappearing into him like a sugar cube into hot coffee... -- Alexia Gordon, Murder in G Major I am always thrilled to find a new series I like, and Alexia's Gordon's Gethsemane Brown Mysteries did not disappoint. Cozy with a paranormal twist (and set in Ireland, swoon!), Murder in G Major launches a wonderful new voice. Alexia is a fan of music, whiskey and classic puzzle mysteries, and all three of those play a part in her series. Like Dr. Kwei Quartey, whom I interview here, Alexia is a medical doctor as well as a mystery writer. We also talk about fellow Henery Press writer Gigi Pandian, whose interview can be found here. Alexia credits Southern Methodist University's The Writer's Path with helping her wrangle her first novel. I also loved her sweet dedication to her parents, who, among other things, let her "have an unrestricted library card." My kinda folks! I realize these aren't books, but Alexia gave a shout-out to two of my favorite series: Northern Exposure and The Ghost and Mrs. Muir. While I loved the movie -- Rex Harrison, c'mon! -- it was the TV series that made me want to live in a cottage by the sea, ideally with a ghost in the attic. It just seemed so fun to have one around. And, if you haven't read it, both are based on a charming book by R.A. Dick, the pseudonym for Scottish writer, Josephine Leslie. Two writers she talks about are Walter Mosley and Eleanor Taylor Bland. Alexia also loves Irish music, and if you want to check out the band she mentions, they are the Dropkick Murphys.  Check out Alexia's website and her Facebook Page for more info about her work. And if you'd rather read than listen, the transcript is below. Enjoy! Transcript of Interview with Alexia Gordon Laura Brennan: My guest today is Alexia Gordon, novelist and Renaissance woman. Among her many accomplishments, she’s a writer, a medical doctor, and a lover of music. It’s this last one that defines her series protagonist, Gethsemane Brown, an African American classical musician who finds herself stranded in Ireland -- and befriended by a ghost who just wants one little favor… For Gethsemane to solve his murder. Alexia, thank you for joining me. Alexia Gordon: Hi. LB: Before we dig into your wonderful new series, let’s talk a little bit about you. You started out writing at an early age. AG: Yes, ever since, elementary school, ever since I was old enough to write. I think it was in the 6th grade, we had a poetry unit and one of our assignments was to write a poem for our classroom poetry contest. And I wrote something that looking back on it, it was completely ridiculous, it went on for, I think, a few pages, about a superhero named XY. But my classmates voted that their favorite poem, so I won a Shel Silverstein book, Where the Sidewalk Ends, and I still have it somewhere at my parents’ house. LB: It’s amazing, isn’t it, how just a little encouragement can push you along on the path? AG: Yes. I credit my parents for encouraging me. I wouldn’t have done it if they had said, no, go do something more practical. So I do give them credit for that. LB: Although you did have a competing passion. Because you became a medical doctor. AG: Yes. Well, my parents did also say that I needed to be able to pay my bills someday. So they said, writing is fine, it’s wonderful, keep doing it, take all the writing classes you want, go to the library, buy books… But you also have to go to school and get a degree that will allow you to get a job and move out of our house and pay your bills. They love me but they wanted me to be financially independent. LB: It’s interesting, though,