Podcasts about Jimmy Van Heusen

Con Billy Pierce, Andrew Baker, Carmen McRae y Rodrigo Parejo entre otros. Los segundos jueves de cada mes son para nuestros "Míticos y Referentes". Así, Carmen McRae protagoniza nuestro espacio en esta ocasión. Antes, en tiempo de estrenos de factura estatal, presentamos una de las últimas publicaciones del sello Underpool: "Warmi", que cuenta con el liderazgo del saxofonista británico Andrew Baker en compañía de jazzistas referentes de la Ciudad Condal. "All the way" de Jimmy Van Heusen y Sammy Cahn, en grabación del saxofonista tenor Billy Pierce es nuestro "Estándar de la semana" e "Imigrate Walt", de la holandesa "Royal Improvisers Orchestra" con el flautista donbenitenese Rodrigo Parejo, nuestro "Favorito". Ahora Jazz, Ed. 2257.  Con Javier del Barco.

Sinatra's signature recording of Here's That Rainy Day.  From his 1959 album No One Cares, here is the Jimmy Van Heusen and Johnny Burke classic.  Arranged by Gordon Jenkins. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

"Here's That Rainy Day" (ha llegado ese día lluvioso) es una canción popular con música de Jimmy Van Heusen y letra de Johnny Burke que se publicó en 1953. Fue presentada por Dolores Gray en el musical de Broadway Carnival in Flanders.La canción también se ha convertido en un estándar del jazz con grabaciones de, entre otros, Bill Evans, Duke Jordan, Wes Montgomery, Paul Desmond, Modern Jazz Quartet, Archie Shepp, Chet Baker y McCoy Tyner. En 1965, Ella Fitzgerald lo grabó en vivo en su álbum Ella in Hamburg, con Tommy Flanagan al piano y Norman Granz como productor. Escuchemos esas y otras versiones. Hosted on Acast. See acast.com/privacy for more information.

"But Beautiful" (pero hermosa) es una canción popular con música escrita por Jimmy Van Heusen y letra de Johnny Burke. La canción fue publicada en 1947. Escuchemos a las grandes divas del jazz y múltiples excelentes versiones instrumentales. Hosted on Acast. See acast.com/privacy for more information.

Darn that dream (maldito sueño), es una canción popular compuesta por Jimmy Van Heusen con letra de Eddie DeLange. Fue publicada en 1939. Escuchamos y analizamos ejemplos de toda la historia del jazz. Hosted on Acast. See acast.com/privacy for more information.

From the 1963 album Sinatra's Sinatra, here⁠ is Jimmy Van Heusen and Sammy Cahn's Call Me Irresponsible. Arranged and conducted by Nelson Riddle. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

durée : 00:58:36 - "All the Way" (Jimmy van Heusen / Sammy Cahn) (1957) - par : Laurent Valero - "Le célèbre parolier Sammy Cahn, connaitra des succès au cinéma avec 3 Oscars pour la meilleure chanson originale : "Call me Irresponsible" (1963) "High Hopes" (1959) & "All the Way" (1957) dans le film "The Joker Is Wild" interprétée par Frank Sinatra, qui y tient le rôle principal" Laurent Valero - réalisé par : Patrick Lérisset

For the first Episode of Season Four, the Bad Piano Player returns to a composer from the first season. Born Chester Babcock, but we know him as Jimmy Van Heusen. Today we're looking at the 1940's when he and Johnny Burke were Bing Crosby's personal songwriters. Enjoy, kids! Mellow greetings. Yukie Dukie.

Polka dots and moonbeams (vestido de lunares y rayos de luna) es una canción de 1940 por Jimmy Van Heusen en letra con música de Johnny Burke.Escuchemos a Sinatra, Ella, Sarah, Jim Hall, Wes Montgomery, Bud Powell, Bill Evans, Baker, Hargrove, Dexter, Coltrane y otros. Hosted on Acast. See acast.com/privacy for more information.

Get ready for a serious pull at the heartstrings and you may want to have some tissues handy! The classic “The Bells of St. Mary's” premieres today at 1 PM CT, featuring an all-star cast including Bing Crosby and Ingrid Bergman, with screenplay by Dudley Nichols, lyrics by Johnny Burke and music by Jimmy Van Heusen. Today's premiere was first heard on the Screen Guild Theatre, October 6, 1947.

This is what all the fuss is about . . . here is Frank Sinatra at his ballad singing best. From the 1959 album No One Cares, Jimmy Van Heusen and Sammy Kahn's classic torch song, When No One Cares. Arranged and conducted by Gordon Jenkins. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Send comments to sinatramatters@gmail.com

After more than two years, a Strong Songs jazz mystery is finally solved.Thanks to listener (and outro soloist) Jeff Bean, who finally cracked the case of the mysterious lick played by Clifford Brown, Lee Morgan, and may others. I can finally sleep at night.FEATURED ON THIS EPISODE:"Moanin" by Bobby Timmons recorded by Art Blakey and the Jazz Messengers for Moanin', 1958"Jordu" by Duke Jordon recorded by the Clifford Brown quintet, 1954"Seranade to a Cukoo" by the Rahsaan Roland Kirk quartet from I Talk With Spirits, 1964"All This and Heaven Too" by Jimmy Van Heusen with lyrics by Eddie Delange, performed by the Tommy Dorsey ORchestra feat. Frank Sinatra in 1940“Fly Me To The Moon” by Bart Howard, recorded by Frank Sinatra with the Count Basie Orchestra on It Might As Well Be Swing, 1964-----LINKS-----SUPPORT STRONG SONGSPaypalme/kirkhamiltonmusic | Patreon.com/strongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmTHE STRONG SONGS PLAYLISTSpotify | Apple Music | YouTube Music

Today's the day for a royal mishap! Join us for “The Emperor's Waltz” at 1 PM CT on Apple, Facebook, Spotify and all major podcast platforms. Featuring a screenplay by Billy Wilder and Charles Brackett, music by Jimmy Van Heusen and lyrics by Johnny Burke, as it premiered on the Lux Radio Theatre on September 26, 1949. Bis Später!

"Nancy (With the Laughing Face)" John Coltrane: Ballads (Impulse!, 1963) John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones. El tema es una composición de Jimmy Van Heusen. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? La grabación de Ballads fue idea del productor Bob Thiele. Los temas, melodías populares, fueron elegidos por John Coltrane, porque eran unas composiciones que le gustaban. Salvo "It's Easy to Remember", el grupo no había tocado el resto de los temas del disco en directo. Tras la sesión de grabación no los volverían a tocar. Se cuenta que cuando Frank Sinatra escuchó la vesión de "Nancy (With the Laughlng Face)" mostró interés en contratar a Coltrane. En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos... https://www.tomajazz.com/web/?p=58774 Más información acerca de John Coltrane en Tomajazz https://www.tomajazz.com/web/?s=jazzx5+john+coltrane&submit=Search Más información sobre John Coltrane https://www.johncoltrane.com/ https://www.gettyimages.es/fotos/john-coltrane Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

durée : 00:58:22 - « It Could Happen to You » (Johhny Burke / Jimmy Van Heusen) 1944 - par : Laurent Valero - "C'est au cinéma dans le film "And the Angels Sing" sorti en 1944, que l'on entend pour la première fois ce thème chanté par Dorthy Lamour & Fred McMurray. Thème composé par Jimmy Van Heusen qui restera un des principaux compositeurs américains de la musique populaire des États-Unis" Laurent Valero - réalisé par : Vivian Lecuivre

durée : 00:58:22 - « It Could Happen to You » (Johhny Burke / Jimmy Van Heusen) 1944 - par : Laurent Valero - "C'est au cinéma dans le film "And the Angels Sing" sorti en 1944, que l'on entend pour la première fois ce thème chanté par Dorthy Lamour & Fred McMurray. Thème composé par Jimmy Van Heusen qui restera un des principaux compositeurs américains de la musique populaire des États-Unis" Laurent Valero - réalisé par : Vivian Lecuivre

From Frank Sinatra's1956 album Close to You, here is the definitive recording of Jimmy Van Heusen and Johnny Burke's It Could Happen to You. With the Hollywood String Quartet. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Send comments to sinatramatters@gmail.com

It's time for "a seventeen gun salute" as hosts Bobby and Kristina discuss 1953's Carnival In Flanders on the act one finale of My Favorite Flop.   ABOUT CARNIVAL IN FLANDERS Based on the 1934 French comedy film La Kermesse Héroïque, Carnival In Flanders is set in 1616 in the small Flemish village of Flackenburg, where a Spanish duke and his entourage descend upon the community while the mayor plays dead, hoping that his ruse will force the visitors to depart. The musical features a book by Preston Sturges, music by Jimmy Van Heusen, and lyrics by Johnny Burke. The road to Broadway for Carnival In Flanders was a troubled one. The film that the musical was based on was, and still is, considered one of the finest films every made and is ripe for musical adaptation. Initially, Harold Arlen was to have written the score, but the task ultimately fell to Jimmy Van Heusen and Johnny Burke instead, their only other theatrical credit being another Broadway flop. Famed singer and actor Bing Crosby believed in the pair, as they had already written many hits for him, and ended up financing much of the eventual production. The show went through a series of book writers, directors, and choreographers before it finally made it to The Great White Way. The Broadway production was universally panned, with raves only for its female star, Dolores Gray, and lead dancer Matt Mattox. Despite everything, Gray was nominated and won the Tony Award for Best Actress in a Musical for having only played 5 of the 6 performances the show ran on Broadway - the shortest-lived Tony-winning performance to date.   Original Broadway Cast Dolores Gray as Cornelia John Raitt as The Duke Roy Robers as Mayer Jimmy Alex as 3rd Officer Jean Bradley as Lisa Lorna Del Maestro as Mourning Woman Sandra Devlin as Mourning Woman Julie Marlowe as Mourning Woman Undine Forrest as Katherine Lee Goodman as Innkeeper Paul Lipson as Butcher George Martin as 2nd Officer Ray Mason as 1st Officer Matt Mattox as Courier William Noble as Orderly Paul Reed as Tailer Kevin Scott as Jan Breughel Pat Stanley as Siska Wesley Swails as 1st Citizen Bobby Vail as Barber Norman Weise as 2nd Citizen Lee Barry, Fred Bryan, Bill Conlon, Jean Cowles, Stokeley Gray, Dolores Kempner, Mara Landi, Mary Stanton, Dick Stewart, and Gloria Van Dorpe as Singer John Aristides, Harry Day, Pat Ferrier, Ronnie Field, Skeet Guenther, Patty Karkalits, Mary Alice Kubes, Greg O'Brien, Paul Olson, Richard Reed, Billie Shane, Michael Spaeth, Emy St. Just, and Elfrieda Zieger as Dancer

The music of Jimmy Van Heusen is the sole feature on this show. Many songs on this show are also associated with Frank Sinatra and are great standards! Visit organistencores.co.uk to listen to the show & find out more.

We've lost our minds. Where? Somewhere over the rainbow, I think. We were gone for months, but never mind that, it's us again on this April Foolsy day to bring you an episode that no one asked for, but everyone will enjoy (hopefully anyway)! Today, we're joined by fellow friend and cat-enthusiast, Andrew Roebuck, to talk about an obscure Filmation animated feature film sequel to The Wizard of Oz starring Liza Minnelli as Dorothy. Why? Because Don Bluth was, in fact, a layout artist on this movie back in 1972. Yup, that's it! That's all the justification we need to make an entire Oz-themed episode for our unsuspecting listeners. So grab your favorite Cairn Terrier, click your heels together, and watch out for that Tornado, because we're all on a wonderfully unexpected “Journey Back to Oz!” Links: Watch Journey Back to Oz on YouTube: https://bit.ly/2QYWs5p Check out Andrew's podcast, Milkshakes and Mimosas! https://podcasts.apple.com/us/podcast/milkshakes-and-mimosas/id1457861122 Listen to the Milkshakes and Mimosas episode we guested on about Don Bluth's Filmation Years. https://apple.co/3mbhmcY We're not about to put a link to every Oz-related production we mention, but here's a fun list for you to Google in your spare time: The Wonderful Wizard of Oz by L. Frank Baum (the original book from 1900) The Wizard of Oz (1939 MGM classic film) Return to Oz (1985 Disney sequel film) The Wiz (1978 musical film by Motown Productions) Oz the Great and Powerful (2013 Disney prequel film) The Muppets' Wizard of Oz (2005 film starring Ashanti) Tom and Jerry and the Wizard of Oz (2011 animated film) Tom and Jerry: Back to Oz (2016 animated sequel film) “Wizzin'” (from the Futurama episode: "Anthology of Interest II," aired January 6, 2002) The Wizard of Oz | オズの魔法使い (1982 anime film) The Wonderful Wizard of Oz | オズの魔法使い (1986 anime series) “My Way Home” (the Wizard of Oz themed 100th episode of Scrubs, aired January 24, 2006) Andrew Lloyd Webber's New Production of The Wizard Of Oz (2011, yup, this exists) Wicked (the 2003 musical… it's also a book or something) “Under the Rainbow” (song by the Jane Austen Argument) “Tin man” (song by America) “Goodbye Yellow Brick Road” (song by Elton John) “Existential Blues” (song by Tom "T-Bone" Stankus) Tik-Tok of Oz (1914, 8th book in the original Oz series) Follow Andrew on IG & Twitter @WineMovieNerd Follow Dax on IG & Twitter @DaxSchaffer Follow Sara on IG @SaraIyer Follow the Podcast on IG @nothingbutthebluth Like the Podcast on Facebook https://www.facebook.com/TheBluthTheWholeBluthAndNothingButTheBluth Check out Dax's other pod, Cineppraisal @Cineppraisal on FB/Twitter/IG https://anchor.fm/cineppraisal Music from Journey Back to Oz by Walter Scharf (score and song arrangements), Jimmy Van Heusen (songs), and Sammy Cahn (lyrics), with some library music by Johnny Pearson and possibly other authors that we have no way of looking up, lol. Audio clips are (almost mostly) from Journey Back to Oz by Filmation. Most of the rest are from many, many, MANY different Oz-related productions.

This week, The Bad Piano Player features the amazingly tuneful composer, Jimmy Van Heusen.

Today WPMT Presents: "Gong My Way" with music by Jimmy Van Heusen, lyrics by Johnny Burke, and screenplay by Frank Butler and Frank Cavett. Starring Bing Crosby as "Father Chuck O'Malley" and Barry Fitzgerald as "Father Fitzgibbon," with host George Murphy. Listen to an unforgettable hour of Classic Musicals from the Golden Age of Radio.

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This new series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future. Songs born along Tin Pan Alley, on 42nd Street, down Broadway, and beyond. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. In this episode, you’ll hear: 1) The Lady Is A Tramp by Lena Horne / Richard Rodgers (music) & Lorenz Hart (lyrics) [1937] 2) I've Got The World On A String by Mel Tormé / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 3) I'm Just Wild About Harry by Judy Garland / Eubie Blake (music) & Noble Sissle (lyrics) [1921] 4) Nancy (With The Laughing Face) by Frank Sinatra / Jimmy Van Heusen (music) & Phil Silvers (lyrics) [1942] 5) I Can't Believe That You're in Love with Me by Dinah Washington / Jimmy McHugh (music) & Clarence Gaskill (lyrics) [1926] 6) Let's Call The Whole Thing Off by Harry Connick, Jr. / George & Ira Gershwin [1937] 7) Ten Cents a Dance by Doris Day / Richard Rodgers (music) & Lorenz Hart (lyrics) [1930] 8) I'll Never Stop Loving You by Andy Williams / Nicholas Brodzsky (music) & Sammy Cahn (lyrics) [1955] 9) Make It Another Old-Fashioned, Please by Julie London / Cole Porter (music and lyrics) [1940] 10) Call Me Irresponsible by Michael Bublé / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1962] 11) Let's Take A Walk Around The Block by Ella Fitzgerald / Harold Arlen (music) & Edgar “Yip” Harburg and Ira Gershwin (lyrics) [1934] 12) It Might Be You by Alan Bergman / Marilyn & Alan Bergman (lyrics), Dave Grusin (music) [1982] 13) All The Way by Billie Holiday / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1957] 14) Evergreen by Paul Williams / Barbra Streisand & Paul Williams [1976] 15) Isn't It Romantic by Jack Jones / Richard Rodgers (music) & Lorenz Hart (lyrics) [1932] 16) We Have All The Time In The World by Louis Armstrong / John Barry (music) & Hal David (lyrics) [1969] 17) Don't Cry For Me Argentina by Patti LuPone / Andrew Lloyd Webber (music) & Tim Rice (lyrics) [1978] 18) Ain’t Misbehavin’ by Johnny Guarnieri / Thomas "Fats" Waller & Harry Brooks (music) Andy Razaf (lyric) [1929]

Who doesn't love a good old fashioned heist movie? Featuring part 1 of Movie Magic's Heist Movies. Break out the popcorn!  Credits: 1. Movie Magic Opening Theme Produced, Composed & Performed by Corey Gomez 2. Come Fly With Me. Performed by Frank Sinatra. Written by Jimmy Van Heusen and Sammy Cahn. Label: Capitol 3. Easy. Performed by Sky Ferreira. Written by Lionel Richie. Label: 30th Century

durée : 01:00:00 - "But Beautiful" (Jimmy Van Heusen / Johnny Burke) - par : Laurent Valero - "But Beautiful" une des plus belles ballades du répertoire jazz, on l'entend pour la première fois dans le film "Road to Rio" en 1947. La chanson apparait dès le générique sur un rythme brésilien, crée par Bing Crosby et chanté à la belle Dorothy Lamour vedette féminine du film" Laurent Valero - réalisé par : Patrick Lérisset

durée : 01:00:00 - "But Beautiful" (Jimmy Van Heusen / Johnny Burke) - par : Laurent Valero - "But Beautiful" une des plus belles ballades du répertoire jazz, on l'entend pour la première fois dans le film "Road to Rio" en 1947. La chanson apparait dès le générique sur un rythme brésilien, crée par Bing Crosby et chanté à la belle Dorothy Lamour vedette féminine du film" Laurent Valero - réalisé par : Patrick Lérisset

*Francis Albert Sinatra, más conocido como Frankie (Hoboken, 12 de diciembre de 1915-Los Ángeles, 14 de mayo de 1998), fue un cantante y actor estadounidense, 1​ considerado una de las figuras más importantes de la música popular del siglo XX y que dejó a través de sus discos y actuaciones en directo, un legado canónico en lo que respecta apodado a la interpretación vocal masculina de esa música.2​ Su popularidad llegó a ser inmensa y prácticamente constante a lo largo de toda su vida. Su repertorio se basó en la obra de los más importantes compositores populares estadounidenses, como Jimmy Van Heusen, Cole Porter, Sammy Cahn o George Gershwin, y su estilo sintetizó, ya en sus orígenes, quince años de influencias mutuas entre la música de inspiración jazzística y la música pop que empezaba a difundirse a través de la radio.3​ Sinatra construyó su estilo sobre la base de una comprensión natural de la música popular, tal como la habían entendido Bing Crosby, Fred Astaire, Benny Goodman y Louis Armstrong, explotando la idea de que esta, en todas sus vertientes, debería ser una extensión de la conversación.4​ Técnicamente, se caracterizó por su cuidada precisión en el fraseo y su dominio del control de la respiración; el rango de su voz estaba próximo al de bajo-barítono.5​ En cuanto a su categoría artística, esta radica en su capacidad interpretativa para transmitir las emociones y sentimientos implícitos en las letras de las canciones*

Frank Albert Sintra, más conocido como Frankie (Hoboken, 12 de diciembre de 1915-Los Ángeles, 14 de mayo de 1998), fue un cantante y actor estadounidense, 1​ considerado una de las figuras más importantes de la música popular del siglo XX y que dejó a través de sus discos y actuaciones en directo, un legado canónico en lo que respecta apodado a la interpretación vocal masculina de esa música.2​ Su popularidad llegó a ser inmensa y prácticamente constante a lo largo de toda su vida.Su repertorio se basó en la obra de los más importantes compositores populares estadounidenses, como Jimmy Van Heusen, Cole Porter, Sammy Cahn o George Gershwin, y su estilo sintetizó, ya en sus orígenes, quince años de influencias mutuas entre la música de inspiración jazzística y la música pop que empezaba a difundirse a través de la radio.3​ Sinatra construyó su estilo sobre la base de una comprensión natural de la música popular, tal como la habían entendido Bing Crosby, Fred Astaire, Benny Goodman y Louis Armstrong, explotando la idea de que esta, en todas sus vertientes, debería ser una extensión de la conversación.4​Técnicamente, se caracterizó por su cuidada precisión en el fraseo y su dominio del control de la respiración; el rango de su voz estaba próximo al de bajo-barítono.5​ En cuanto a su categoría artística, esta radica en su capacidad interpretativa para transmitir las emociones y sentimientos implícitos en las letras de las cancionesSinatra peleó y se sacrificó económicamente para obtener un papel en la película de Fred Zinnemann De aquí a la eternidad. No solo obtuvo el papel, sino que además recibió un Óscar por él, en 1954, en la categoría de mejor actor secundario. Además, el filme fue un éxito en taquilla.

*Francis Albert Sinatra, más conocido como Frankie (Hoboken, 12 de diciembre de 1915-Los Ángeles, 14 de mayo de 1998), fue un cantante y actor estadounidense, 1​ considerado una de las figuras más importantes de la música popular del siglo XX y que dejó a través de sus discos y actuaciones en directo, un legado canónico en lo que respecta apodado a la interpretación vocal masculina de esa música.2​ Su popularidad llegó a ser inmensa y prácticamente constante a lo largo de toda su vida. Su repertorio se basó en la obra de los más importantes compositores populares estadounidenses, como Jimmy Van Heusen, Cole Porter, Sammy Cahn o George Gershwin, y su estilo sintetizó, ya en sus orígenes, quince años de influencias mutuas entre la música de inspiración jazzística y la música pop que empezaba a difundirse a través de la radio.3​ Sinatra construyó su estilo sobre la base de una comprensión natural de la música popular, tal como la habían entendido Bing Crosby, Fred Astaire, Benny Goodman y Louis Armstrong, explotando la idea de que esta, en todas sus vertientes, debería ser una extensión de la conversación.4​ Técnicamente, se caracterizó por su cuidada precisión en el fraseo y su dominio del control de la respiración; el rango de su voz estaba próximo al de bajo-barítono.5​ En cuanto a su categoría artística, esta radica en su capacidad interpretativa para transmitir las emociones y sentimientos implícitos en las letras de las canciones*

Francis Albert Sinatra, más conocido como Frankie (Hoboken, 12 de diciembre de 1915-Los Ángeles, 14 de mayo de 1998), fue un cantante y actor estadounidense, 1? considerado una de las figuras más importantes de la música popular del siglo XX y que dejó a través de sus discos y actuaciones en directo, un legado canónico en lo que respecta apodado a la interpretación vocal masculina de esa música.2? Su popularidad llegó a ser inmensa y prácticamente constante a lo largo de toda su vida. Su repertorio se basó en la obra de los más importantes compositores populares estadounidenses, como Jimmy Van Heusen, Cole Porter, Sammy Cahn o George Gershwin, y su estilo sintetizó, ya en sus orígenes, quince años de influencias mutuas entre la música de inspiración jazzística y la música pop que empezaba a difundirse a través de la radio.3? Sinatra construyó su estilo sobre la base de una comprensión natural de la música popular, tal como la habían entendido Bing Crosby, Fred Astaire, Benny Goodman y Louis Armstrong, explotando la idea de que esta, en todas sus vertientes, debería ser una extensión de la conversación.4? Técnicamente, se caracterizó por su cuidada precisión en el fraseo y su dominio del control de la respiración; el rango de su voz estaba próximo al de bajo-barítono.5? En cuanto a su categoría artística, esta radica en su capacidad interpretativa para transmitir las emociones y sentimientos implícitos en las letras de las canciones. Sinatra peleó y se sacrificó económicamente para obtener un papel en la película de Fred Zinnemann De aquí a la eternidad. No solo obtuvo el papel, sino que además recibió un Óscar por él, en 1954, en la categoría de mejor actor secundario. Además, el filme fue un éxito en taquilla.

*Francis Albert Sinatra, más conocido como Frankie (Hoboken, 12 de diciembre de 1915-Los Ángeles, 14 de mayo de 1998), fue un cantante y actor estadounidense, 1​ considerado una de las figuras más importantes de la música popular del siglo XX y que dejó a través de sus discos y actuaciones en directo, un legado canónico en lo que respecta apodado a la interpretación vocal masculina de esa música.2​ Su popularidad llegó a ser inmensa y prácticamente constante a lo largo de toda su vida. Su repertorio se basó en la obra de los más importantes compositores populares estadounidenses, como Jimmy Van Heusen, Cole Porter, Sammy Cahn o George Gershwin, y su estilo sintetizó, ya en sus orígenes, quince años de influencias mutuas entre la música de inspiración jazzística y la música pop que empezaba a difundirse a través de la radio.3​ Sinatra construyó su estilo sobre la base de una comprensión natural de la música popular, tal como la habían entendido Bing Crosby, Fred Astaire, Benny Goodman y Louis Armstrong, explotando la idea de que esta, en todas sus vertientes, debería ser una extensión de la conversación.4​ Técnicamente, se caracterizó por su cuidada precisión en el fraseo y su dominio del control de la respiración; el rango de su voz estaba próximo al de bajo-barítono.5​ En cuanto a su categoría artística, esta radica en su capacidad interpretativa para transmitir las emociones y sentimientos implícitos en las letras de las canciones*

En el programa de hoy os acercaremos algunos standards inmortales del jazz tradicional pero arreglados por algunos de los más importantes músicos del jazz fusion que aparecieron en el panorama musical a partir de finales de los 60s tras la publicación de un disco de Miles Davis que se llamó Bitches Brew. Escucharéis temas tan importantes como “Stella By Starlight” de Victor Young, “Since I Fell For You” de Woodrow Wilson Johnson, “On Green Dolphin Street” de Bronislau Kaper, “Bye Bye Blackbird” de Ray Henderson, “What's New?” de Bob Haggart, “Everything Happens to Me” de Matt Dennis, “Polka Dots and Moonbeans” y “Like Someone in Love” ambas de Jimmy Van Heusen pero interpretadas desde la especial perspectiva de artistas como Grover Washington Jr, Bob James y Davis Sanborn, Paquito D'Rivera, Rachel Ferrell, John Klemmer y Oscar Castro-Neves, Charlie Haden, Cassandra Wilson o Bill O'Connell.

In our Part II on our series on the Catholic subculture, we dive into the world of the movies in the heart of the Golden Age of Hollywood. We speak to scholars and one of my favorite people to ask just how much the Church influenced the broader American culture in the post-war era, and how this influence so quickly fell apart. "Exceeding" Words and music by Shaun Garrison. © 2015 Shaun Garrison. As recorded on Exceeding All rights reserved. Used by permission. Swing on a Star Words by Johnny Burke, Music by Jimmy Van Heusen © 1943 As recorded in "Going My Way" All rights reserved. Used according to Fair Use regulations. --- Support this podcast: https://anchor.fm/mystery-manners/support

Licorice Alve!  "It Could Happen to You" by Jimmy Van Heusen and Johnny Burke Crime Corruption and Cover up..... Act II Hamlet, Prince of Denmark...    The Spies who loved me.... Rosencrantz and Guildenstern arrive in Elsinore The plays the thing....  

‘Rockhistorier’ forkæler  lytterne med en klynge forgyldte evergreens, skrevet af folk som Cole Porter, Gershwin-brødrene og Irving Berlin, sunget af mesteren selv.Frank Sinatras karriere falder i flere stadier. Efter en periode som refrænsanger i Tommy Dorseys orkester udløste det Sinatramania, at han gik solo i 1942, hvor han blev det store idol for datidens bobby soxers. I starten af 1950’erne faldt populariteten betragteligt, og de færreste fattede, at Capitol Records gad skrive kontrakt med ham i 1953, hvor Columbia Records droppede ham. Men samme år revitaliserede hans rolle i filmen ”Herfra til evigheden” karrieren, og han gik ind i dens kunstnerisk mest frugtbare fase.Frem til 1962 indspillede han 15 mesterlige lp’er for Capitol, heraf over halvdelen i selskab med den kongeniale arrangør og orkesterleder Nelson Riddle, resten med folk som Gordon Jenkins, Billy May og Axel Stordahl. Hvert album slog en tone an, som forfulgtes hele vejen igennem, og i processen skabtes konceptpladen. Sinatra vekslede ligeligt mellem swing-tunes og torch-songs, to genrer, han ubesværet mestrede og resultatet blev det måske fineste og mest slidstærke underholdningsmusik, der nogensinde er blevet indspillet på magnetbånd.Playliste: I Get a Kick Out of You (Cole Porter) (1954) A Foggy Day (George & Ira Gershwin) (1954) Just One of Those Things (Cole Porter) (1954) Get Happy (Harold Arlen, Ted Koehler) (1954) In the Wee Small Hours of the Morning (David Mann, Bob Hilliard) (1955) It Never Entered My Mind (Richard Rodgers, Lorenz Hart) (1955) I’ve Got You under My Skin (Cole Porter) (1956) Old Devil Moon (Burton Lane, E.Y. ”Yip” Harburg (1956) Don’t Like Goodbyes (Harold Arlen, Truman Capote) (1957) I Got It Bad (And That Ain’t Good) (Duke Ellington, Paul Francis Webster) (1957) Autumn Leaves (Jacques Prévert, Johnny Mercer, Joseph Kosma) (1957) Lonely Town (Leonard Bernstein, Betty Comden, Adolph Green) (1957) Come Fly with Me (Sammy Cahn, Jimmy Van Heusen) (1958) Only the Lonely (Sammy Cahn, Jimmy Van Heusen) (1958) One for My Baby (And One More for the Road) (Harold Arlen, Johnny Mercer) (1958) Something’s Gotta Give (Johnny Mercer) (1959) Here’s That Rainy Day (Johnny Burke, Jimmy Van Heusen) (1959) How Deep Is the Ocean (Irving Berlin) (1960) On the Sunny Side of the Street (Jimmy McHugh, Dorothy Fields) (1961) September Song (Kurt Weill, Maxwell Anderson) (1962)Glædelig jul og godt nytår fra ‘Rockhistorier', vi er tilbage tirsdag d. 8.1.2019.

Peter and Will Anderson have been called "virtuosos on clarinet and saxophone" by The New York Times. These twin brothers are jazz musicians, composers, arrangers, performing and recording artists. Not only known for their distinct interpretations of classic jazz songs, they also record and perform their own compositions. Peter Anderson and Will Anderson are in the middle of their monthlong "Songbook Summit," a theatrical and entertaining evening celebrating some of the greatest American composers including Irving Berlin, Jerome Kern, Hoagy Carmichael, and Jimmy Van Heusen. Each week celebrates a different composer and is being held at the Symphony Space performing arts center in New York City. Peter and Will Anderson are kind enough to check in on The Paul Leslie Hour. We're left feeling very inspired that passionate and talented artists like these brothers are perpetuating and keeping the traditional of classic Great American Songs alive and well! Don't touch that dial, Peter and Will Anderson are up next. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

If only Christmas could last the whole year long! Well...why can't it? Happy Life Studios believe it's actually possible and actually give some pointers on how to make it happen. The truth in this episode will not only make your Christmas Happier, it will make your life Happier as well. There is a song that has been around since before I was born, and yet it has eluded my ears and my Christmas music library my entire life, and I can't think of a better message to complete Christmas and propel us in to the Happy New Year, than the one in this song. Check it out and make this next year your happiest yet. Merry Christmas and Happier Holidays. The song we play and talk about in this episode, "The Secret of Christmas", was written by Sammy Cahn and Jimmy Van Heusen for Bing Crosby, who first performed it in 1959. The song we end this episode with, is "Christmas the Whole Year Round" by Sabrina Carpenter. I do not own the rights to either of these songs. www.HappyLife.lol www.Facebook.com/HappyLifeStudios www.Instagram.com/HappyLife_Studios www.Twitter.com/HappyLifStudios www.PayPal.me/StevoHays

Music is an important part of Ear Hustle, and there are many talented musicians in the San Quentin community. Listeners responded so enthusiastically to the music in season one, we’ve highlighted a few of the songs and musicians who performed them, in this bonus episode – just in time for the holidays. Thanks to the these guys for contributing their musical talents to season one of Ear Hustle: “Trying to Carrying On” was written by Richie Morris and performed by Richie Morris, Dwight Krizman and Charlie Spencer of Quentin Blue. “Darn that Dream” was performed by Lee Jaspar (aka Matthew Lee Jasper) (original song composed by Jimmy Van Heusen with lyrics by Eddie DeLange). “Worth It” was written and performed by Jovon aka Scoob Stacks aka Novoj Mills. “Jingle Bell Rock San Quentin” was written by Antwan Williams and performed by Antwan Williams, AJ aka Amador Gonzales and Maserati-E aka Eric Abercrombie. Ear Hustle is produced by Nigel Poor, Antwan Williams and Earlonne Woods with consulting editor Curtis Fox, outside production advisor Pat Mesiti-Miller and executive producer Julie Shapiro. Find out more about the show at earhustlesq.com, and follow us on Instagram, Twitter and Facebook @earhustlesq. Ear Hustle is a proud member of Radiotopia, from PRX. Happy holidays, thanks for listening, and stay tuned for season two, coming next March!

Welcome back to Pilot Inspectors. On today's episode, we (well, mostly Dylan) discuss the new Fox science fiction comedy The Orville, created by and starring Seth MacFarlane.   Today's intro music is "It's Anybody's Spring" performed by Seth MacFarlane, originally written by Jimmy Van Heusen and Johnny Burke.

Matthew Sweet presents a selection of film music and takes a look at some of diverse range of films inspired by the Arthurian legends in the week of the release of Guy Ritchie's new film "King Arthur: Legend of the Sword" with a score by Daniel Pemberton. The programme includes music by Trevor Jones, Miklos Rozsa, Franz Waxman, Hans Zimmer, Jimmy Van Heusen, Lerner and Loewe, Anne Dudley and ... Monty Python? The Classic Score of the Week is Ron Goodwin's "Gawain and the Green Knight".

Coffee Break Radio Hosted by Clayton, Rob, And Tyler Our Breaks, Recorded For Yours. Today on break Clayton, Rob and Tyler discuss marriage, marriage advice, their proposals, and lovey dovey stuff in general. As always you can send all your comments and suggestions to: Coffeebreakradiopodcast@gmail.com You can find us on SoundCloud at: https://m.soundcloud.com/coffeebreakradio And you can follow us on Twitter at: @CBRPodcast And you can find us on Facebook at: https://www.facebook.com/Coffee-Break-Radio-718570554945042/ ----------------------------------------------------- Notes: An American sitcom that aired for 11 seasons. It featured a dysfunctional family living in a fictional Chicago suburb. The show, notable for being the first prime-time television series to air on Fox, ran from April 5, 1987, to June 9, 1997. It was created by Michael G. Moye and Ron Leavitt. The show was known for handling nonstandard topics for the time period, which garnered the then-fledgling Fox network a standing alongside the Big Three television networks. The series' 262-episode run makes it the longest-lasting live-action sitcom on the Fox network. Its theme song is "Love and Marriage" by Sammy Cahn and Jimmy Van Heusen, performed by Frank Sinatra from the 1955 television production Our Town. The first season of the series was videotaped at ABC Television Center in Hollywood. From season 2 to season 8, the show was taped at Sunset Gower Studios in Hollywood, and the remaining three seasons were taped at Sony Pictures Studios in Culver City. The series was produced by Embassy Communications during its first season and the remaining seasons by ELP Communications under the studio Columbia Pictures Television. In 2008, the show placed #94 on Entertainment Weekly's "New TV Classics" list.[1] The show follows the lives of Al Bundy, a once glorious high school football player turned hard-luck women's shoe salesman; his obnoxious wife, Peggy; their attractive, promiscuous, and clueless daughter, Kelly; and their girl-crazy, wisecracking son, Bud. Their neighbors are the upwardly-mobile Steve Rhoades and his feminist wife Marcy, who later gets remarried to Jefferson D'Arcy, a white-collar criminal who becomes her "trophy husband" and Al's sidekick. Most storylines involve Al's schemes being foiled by his own cartoonish dim wit and bad luck. All credit to that beautiful wikipedia on Married with children!

More musicians born 100 years ago this year, including: Judy Canova, Woody Herman, Bob Crosby, Jimmy Van Heusen, Ella Logan and Muddy Waters.  Songs include: Swinging On a Star, Woodchopper's Ball, Hoochie Coochie Man and Honky Tonk Train.

Amos 'n' Andy was a situation comedy popular in the United States from the 1920s through the 1950s. The show began as one of the first radio comedy serials, written and voiced by Freeman Gosden and Charles Correll and originating from station WMAQ in Chicago, Illinois. After the series was first broadcast in 1928, it grew in popularity and became a huge influence on the radio serials that followed. Amos 'n' Andy creators Gosden and Correll were white actors familiar with minstrel traditions. They met in Durham, North Carolina in 1920, and by the fall of 1925, they were performing nightly song-and-patter routines on the Chicago Tribune's station WGN. Since the Tribune syndicated Sidney Smith's popular comic strip The Gumps, which had successfully introduced the concept of daily continuity, WGN executive Ben McCanna thought the notion of a serialized drama could also work on radio. He suggested to Gosden and Correll that they adapt The Gumps to radio. They instead proposed a series about "a couple of colored characters" and borrowed certain elements of The Gumps. THIS EPISODE: February 25, 1944. NBC network origination, AFRS rebroadcast. Replacing "The Great Gildersleeve." Andy is convinced that he's written the hit tune, "Sunday, Monday, Or Always." He and The Kingfish go into the song writing business! Guests are Kay Kyser, Harry Babbitt. Also Johnny Burke and Jimmy Van Heusen (the real composers of the tune). Freeman Gosden, Charles Correll, Harlow Wilcox (announcer), Kay Kyser, Harry Babbitt, Johnny Burke, Jimmy Van Heusen, Kay Kyser and His Orchestra (music fill), Georgia Carroll (vocal). 29:42.