Podcasts about car wheels

To celebrate the upcoming Bathurst 500, Scotty & Ruttsy discussed some Fun Facts about cars, Famous car chases in movies, Car movies, Car TV shows, The Stig, Brocky's Polariser, Fastest, Shortest, Hottest, Coldest races, some Australian Grand Prix history, and some Bathurst facts. We finished with a bunch of Car Songs; Jump in my Car (TMG), Drive my Car (Beatles),Fast Car (Tracy Chapman), Brand New Cadillac (the Clash), Little Red Corvette (Prince), Car Wash (Rose Royce), I'm in Love with my Car (Queen), Get Outta My Dreams Get Into My Car (Billy Ocean), Drive (The Cars), Mercedes Benz (Janis Joplin), Hot Rod Heart (John Fogerty), Car Wheels on a Gravel Road (Lucinda Williams), Big Red Car (The Wiggles), Pink Cadillac (Bruce Springsteen), Cars (Gary Numan) & Mustang Sally (The Commitments).

On this week's Talkhouse Podcast we've got an absolute legend of a singer-songwriter in conversation with a guy who's no slouch himself: Lucinda Williams and M. Ward. Williams has been writing and recording incredible songs since the late 1970s, though she didn't really break through in a huge way until 1998's stone classic Car Wheels on a Gravel Road, which garnered her the Best Contemporary Folk Album Grammy—her second Grammy—but also some of the most well-deserved critical accolades of that year. She certainly didn't rest on those laurels, having released close to a dozen more revered albums since, many of which found themselves also at the Grammy and Americana awards ceremonies—as well as in the hearts of listeners and other songwriters. Last year, Williams released a fantastic memoir about her journey from small-town Louisiana to the music business and beyond. It's a lovely look at a life well lived called Don't Tell Anyone the Secrets I Told You. The other half of today's conversation is M. Ward, another literate singer-songwriter with a varied career whose music can't be easily pinned down—he's been called folk, Americana, and indie-rock, none of which quite do his songs justice. Ward has been making records for 25 years now, and his discography includes not only thoughtful, beautiful solo records, but an entire catalog of albums made with actress Zooey Deschanel under the name She & Him. Ward's latest is last year's Supernatural Thing, another set of songs that feel like they exist out of time. Check out “Too Young to Die” from that album right here. In this conversation, Ward and Williams talk about the time they worked together, when Williams contributed vocals to an M. Ward record back in 2009. Then they get into Williams' memoir and just scratch the surface on her incredible life and career before the conversation turns to their literary influences and more. Enjoy. 0:00 – Intro 2:33 – Start of the chat 4:30 – Williams on the hard part of writing a memoir 8:13 – Ward reads his favorite passage from Williams' book 12:58 – Williams recalls meeting famous writers as a child 23:50 – "I want to be James Joyce!" Thanks for listening to the Talkhouse Podcast and thanks to Lucinda Williams and M. Ward for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

Mark, Lou and Perry discuss and listen to original versions of songs plus Lucinda Williams performing "Car Wheels on a Gravel Road" and a talk of Kim Fowley also musicians who have taken up a cause and isolated track trivia and much more.. --- Send in a voice message: https://podcasters.spotify.com/pod/show/perry--dedovitch/message

Send us a Text Message.Few artists have achieved the kind of acclaim and achievement garnered by Lucinda Williams over the course of her career. Having composed the oft-covered song “Passionate Kisses,” often described as “an Americana classic,” she went on to release any number of landmark albums, among them, Sweet Old World and Car Wheels on a Gravel Road, all of which have made her one of the most celebrated performers of her time. She's garnered three Grammys over the course of her career as well as 17 nominations, ranked high in practically every critic's poll there ever was, received two Americana Awards, achieved exceptional status on rankings by both VH1 and Rolling Stone, received an Honorary Doctorate of Music from the Berkeley College of Music and named America's Best Songwriter by Time magazine. Lee and Billy had the opportunity to talk with a woman who can clearly be considered a leading light in the world of Americana music. And what a wonderful conversation it was. Listen in as Lucinda provides listeners with insights into her amazing career. Learn more about Lucinda Williams at https://www.lucindawilliams.comHost Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. Lee is a former promotions representative for ABC and Capital Records and director of communications for various CBS affiliated television stations. Lee recently authored the book "Thirty Years Behind The Glass" about legendary producer and engineer Jim Gains.Podcast producer/cohost Billy Hubbard is an Americana Singer/Songwriter and former Regional Director of A&R for a Grammy winning company. Billy is a signed artist with Spectra Music Group  and co-founder of the iconic venue "The Station" in East TN. Billy's new album was released on Spectra Records 10/2023 on all major outlets! Learn more about Billy at http://www.BillyHubbard.comSupport the Show.If you'd like to support My Backstage Pass you can make a donation to Billy & Lee's coffee fund at this link https://www.buymeacoffee.com/MyBackstagePassMy Backstage Pass is sponsored by The Alternate Root Magazine! Please subscribe to their newsletter, read the latest music reviews and check out their weekly Top Ten songs at this link http://www.thealternateroot.com

Do our visual systems see in frames like a movie camera or instead analyze the world continuously? Why do you see multiple hands when you clap under yellow street lamps? How did Hollywood launch from the question of whether all four legs of a galloping horse come off the ground at once? And what is the very surprising thing that happens if you stare at your ceiling fan for a long time while it turns? This week's episode is about visual perception -- and a series of eye-opening revelations about how the brain takes in information from the world.

Lucinda Williams' fifth album, released in the summer of 1998, not only cemented the artist as a bonafide songwriting juggernaut, but it solidified her place among America's best storytellers. "Car Wheels on a Gravel Road" would go on to be named The Village Voice's Pazz & Jop (critics) Album of the Year, and to date it is among Rolling Stone's top 500 albums of all time. And for good reason. Williams bemoans (and even moans) about love and loss in songs like "Right In Time," Lake Charles" and "Can't Let Go." And she brilliantly illustrates pain in the title track and also on tunes like "Drunken Angel," "Concrete and Barbed Wire" and more. Williams also captures the Deep South about as good anybody before or since. And because of that, this album is truly "2 Kool 2 Be 4-Gotten."

If you were a teenager in the 90s who totally missed out on Lucinda Williams, you're not alone! Mike and Ben have been scratching their heads wondering how they missed this fantastic album - enough so that we reached out to have some guests join us! State College, PA friends of Ben, Pia Smal and Susan Marshall, got to see Lucinda Williams when she visited State College a few years back, and we're thrilled to have them with us on this episode of the podcast! It's July 1st today - Happy Canada Day to our Canadian listeners! As a reminder, you can find our favorite songs from the RS500 on ⁠our Spotify playlist right here⁠ - we'll be updating it as we go with our favorite songs from each album! You can check out ⁠Rolling Stone's 2020 list right here⁠. We'd love it if you would review us in your favorite podcast app, and while you're at it, give us a like on our ⁠Facebook Page⁠ or ⁠Instagram⁠, follow us on ⁠Twitter⁠, and send us a message if you have any comments or questions. --- Send in a voice message: https://podcasters.spotify.com/pod/show/soundlogic/message Support this podcast: https://podcasters.spotify.com/pod/show/soundlogic/support

Naomi Ashley got her start in music after moving to Chicago and working in Comedy Improv.  Initially, her songs were part of the joke and then she got serious in her writing.  She gave up improv and began playing folk/country music in the early 2000s and since then has issued at least two albums and is getting ready to go into the studio to make another.  In 2018, Ralph Baumel saw her perform a Pretenders song on stage and something clicked.  They formed the Real Pretenders and have been delighting audiences since.  Check them out at the Acorn Theater on May 28 performing the entire Pretenders "Learning To Crawl" album and Lucinda Williams 1996 album, "Car Wheels on a Gravel Road." 

Sunny Sweeney is country singer-songwriter who released her fifth studio album, Married Alone, on Sept. 23, 2022, through her own Aunt Daddy Records label. Her music has the sounds and storytelling typical of classic country and Americana roots music. She cites Loretta Lynn, Waylon Jennings, Tom Petty and Stevie Nicks as her biggest inspirations. Her 2006 debut, Heartbreaker's Hall of Fame, was self-released and reissued by Big Machine Records. The follow-up, Concrete from 2011, came out through Republic Nashville and featured the song "From a Table Away," which reached No. 10 on the Billboard Hot Country Songs chart. Married Alone's beautiful title track is a duet with the legendary Vince Gill. In this episode, we focus on Sunny's Oct. 15 show at The Loft at City Winery in Philadelphia, PA. The 16-song set included the new track "Tie Me Up" and the Randy Weeks' song "Can't Let Go" that Lucinda Williams recorded for her breakthrough 1998 album Car Wheels on a Gravel Road and Sunny included on her 2014 album Provoked. Links: Sunny Sweeney's home page Sunny Sweeney's tour history at Setlist.fm Jay Gilbert @ Label Logic Glenn Peoples @ Twitter Billboard podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Intro/Outro: New Madrid by Uncle TupeloAlbum 14: Car Wheels on a Gravel Road by Lucinda WilliamsSong 1: JoySong 2: Drunken AngelSong 3: Car Wheels on a Gravel RoadAlbum 13: Coal Miner's Daughter by Loretta LynnSong 1: The Man of the HouseSong 2: Coal Miner's DaughterSong 3: What Makes Me Tick

Heart's lead singer and songwriter Ann Wilson marvels at the magnetic poetry infused in folk rocker Lucinda Williams' 1998 album Car Wheels on a Gravel Road. Follow Ann on Instagram: https://www.instagram.com/annwilson/ Follow Ann on Twitter: https://twitter.com/AnnWilson Check out Ann's website: https://annwilson.com/ Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show website: http://the500podcast.com Get Exclusive NordVPN deal here ↣ https://nordvpn.com/the500 It's risk- free with Nord's 30-day money back guarantee! Learn more about your ad choices. Visit megaphone.fm/adchoices

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. Today we're talking with Lily Mastrodimos of Long Neck. We talked about Lucinda Williams' 1998 album, "Car Wheels on a Gravel Road". We also talked about being creative on your own terms and trusting your instincts. Long Neck recently released their album "Soft Animal" on Plastic Miracles and Specialist Subject Records. Pick up a copy now & stream the album wherever you do that sort of thing. https://longnecklass.bandcamp.com/album/soft-animal-2 SUPPORT ABORTION ACCESS: www.donations4abortion.com/

Welcome to our first heart attack grill episode where all of our listeners that weigh over 350 pounds listen for free! We hope you enjoy spending all that extra dough elsewhere bro. And we also hope you enjoy the best podcast about Lucinda Williams and the 98th greatest album of all time, Car Wheels on a Gravel Road.   Before we get to the album we drink some hard liquor and come on strong, but we'll need to edit that out. We also talk about stand-up paddle boards, wedding date etiquette, and getting punished for failing at the all-you-can-eat buffet. This episode is also the best running podcast on the internet when we talk about marathons and whether people take up distance running to get away from their families.   Then at (50:00), for everyone except for uncles who don't listen to the second half of the podcast, we talk about Lucinda Williams' fifth studio album, Car Wheels on a Gravel Road. We discuss folk music and break-up songs, And we also take a trip to Travis Tritty City for a list of the best dobro resonator guitar songs.    Call or text 802 277 BECK.  Don't be a brat! You can email us at beckdiditbetter@gmail.com follow us on our Twitter and Instagram @beckdiditbetter and feel free to leave a review on your favorite podcast app. Please mention feet if you do review the show. If we can get "ROSIE LOVES FEET" to be something that is searchable online, I feel like this will all be worth it.    If you're concerned that we're never ever getting back together after this episode, don't worry because next week we'll become the best Taylor Swift podcast when we talk about her transitional country-pop album, Red.

Thanks for joining us on this episode so we can give you some advice on your musical tastes that you didn't ask for when we become the best podcast about Metallica and the 96th greatest album of all time, Master of Puppets. And for you listeners who listen on 1.5X speed, we're still the best heavy metal podcast even though you listened faster, faster!   But before we get to the album we needed to give you a secondary plug for a 50-point shot when we take a call about holiday music. We also talk about carnivorous plants, making friends with strangers on vacation, and whether the hockey playoffs are better than the basketball playoffs. We also become the best Formula 1 podcast, when the main host gets an F-1-inspired haircut.   Then at (35:00) we treat you to a sonata of sorts when we recapitulate the theme of this podcast by talking about Metallica's third studio album, Master of Puppets. We discuss the classical music influence on this album, how Metallica interpolated David Bowie, and the greatest songs ever from artists or bands from El Cerrito, or at least from someone who ordered a piece of pizza near El Cerrito once.   Call or text 802 277 BECK.  Don't be a brat! You can email us at beckdiditbetter@gmail.com follow us on our Twitter and Instagram @beckdiditbetter and feel free to leave a review on your favorite podcast app. Please mention feet if you do review the show. If we can get "ROSIE LOVES FEET" to be something that is searchable online, I feel like this will all be worth it.    Next week we decided that we don't want you listeners anymore because you took our joy, but regardless we'll still become the best Lucinda Williams podcast when we talk about her country blues album, Car Wheels on a Gravel Road.

In the newest episode of Rolling Stone's 500 Greatest Albums, we dive into Lucinda Williams' 1998 masterpiece "Car Wheels on a Gravel Road," an album that helped define modern roots music and got Williams' long-overdue recognition as one of America's greatest songwriters. The album took six years, three producers, and some label drama to make, but Williams' perfectionism resulted in an arguably perfect album. Williams joins Rolling Stone Country's Joseph Hudak to tell the stories behind songs like "Drunken Angel", and title track "Car Wheels on a Gravel Road" that affected Williams' father so much he apologized to Williams when he first heard it. Producers Steve Earle and Ray Kennedy in addition to Waxahatchee help flesh out the story. Later in the episode, Rolling Stone staffers Claire Shaffer and Jon Freeman join host Brittany Spanos to discuss the album's legacy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this week's episode, we take a look at Lucinda Williams landmark album, Car Wheel On A Gravel Road. Music journalist, Jenn Pelly, joins us to discuss this great album. Jenn has an essay about Lucinda Williams in the new book This Woman's Work: Essays On Music, available here. We also highlight two independent record stores of the week, Brooklyn's Human Head Records and Manhattan's Ergot Records. As always, we thank our sponsor Anchor.fm for their support. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Caleb Clark and Caroline Welton discuss Americana singer Lucinda Williams --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/caleb-clark6/support

Great stories can change your world. Join The Apple Seed for tall tales, fairy tales, folk tales, personal tales, historical tales, and more! Hosted by storyteller Sam Payne. A production of BYUradio. Stories have a way of connecting us to other people in places all around the world. In today's stories, we'll take you around the globe with some of our favorite storytellers. On today's episode, enjoy the following: "Daydreamer Seeks Benefactors" by Willy Claflin from Where Were You in '72? (1:52) The Daily Mix: "Car Wheels on a Gravel Road" with Mark Wait (17:04) "The Wolf's Eyelashes" by Susan Strauss from Wolf Stories (26:01) "The Innkeeper's Clever Daughter" by Zette Harbour from Story Harbour (40:14)

The guys were joined by Jane Bruce to talk about “Car Wheels on a Gravel Road” from Lucinda Williams.  Plenty of other discussion including performing in the play “Jagged Little Pill,” being messy, re-recording an entire album, Blaze Foley, growing up in Utah and flipping off Kaysville (and other Utah cities), is this a concept album, Ben creates a drinking game for this album and more. Check out Jane Bruce at: http://www.janebrucemusic.com/Check out Lucinda Williams at: https://www.lucindawilliams.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

We ventured once again into the Rat's lair - otherwise known as the South Beach studio of Frank 'Rat Bastard' Falestra - and sat down with Miami-via-Pennsylvania singer/songwriter Nick Mencia a.k.a. Nick County to discuss the stunning "Car Wheels on a Gravel Road" by Lucinda Williams. The soul-baring songs of Williams transcend any alt-country/American roots-rock labels, and the album is truly a stone cold genre-defying masterpiece!  Songs featured in this episode: If You Still Love Me - Nick County; Mexico - Rachel Angel; Cold Cold Heart - Hank Williams; Right In Time, Car Wheels on a Gravel Road, 2 Kool 2 Be 4-Gotten, Drunken Angel, Concrete and Barbed Wire, Lake Charles, Can't Let Go, I Lost It, Metal Firecracker, Greenville, Still I long For Your Kiss, Joy, Jackson - Lucinda Williams; Me and the Devil Blues - Robert Johnson; Return of the Grievous Angel - Gram Parsons; Can't Let Go - Robert Plant & Alison Krauss; Daddy's Robe - Oly; I Wanna Be Your Boyfriend - Ramones; Simple Twist of Fate - Bob Dylan; You Got To Walk That Lonesome Valley - Mississippi John Hurt; Jesus Is Dead - Nick County

Welcome to The Apple Seed! Some time filled with stories for you and your family. Since 2013 we've been bringing you tall tales, personal tales, fairy tales, historical tales and more. All kinds of tales, from all kinds of tellers. Life is full of ups and downs, and each moment teaches us lessons that we remember forever. Some lessons we painfully have to learn on our own, but others can be learned through those that are closest to us. Their lives and their stories can teach us about the best parts of life. As you listen to these stories today, we hope that they spark memories and stories from your own life that you can share with those you love. On today's episode, enjoy the following: “My Father and Hershel of Ostropol” by Joel ben Izzy from Buried Treasures: A Storyteller's Journey (2:10) Radio Family Journal: "Donald Herbert" by Sam Payne (15:45) The Daily Mix: "Car Wheels on a Gravel Road" with Mark Wait (21:51) “The Lap/You Are My Sunshine” by Kim Weitkamp from The Lap (30:09) “The Old Rancher” by Joe Herrington from Men of Honor (48:30) “My Town” by Michael Reno Harrell from Then There's Me (51:38)

Jase answers some FAQ about the wheel restoration process. Car, truck, or tractor, we do it all - and, depending on the wheel's substrate and application, we do it all a little differently. Take a peek behind the wheel restoration curtain.

Life is full of ups and downs, and each moment teaches us lessons that we remember forever. Some lessons we painfully have to learn on our own, but others can be learned through those we love that are closest to us. Their life and their stories can teach us the best parts of life. As you listen to these stories today, we hope that they spark memories and stories from your own life that you can share with those that you love. On today's episode, enjoy the following: “My Father and Hershel of Ostropol” by Joel ben Izzy from Buried Treasures: A Storyteller's Journey (2:10) Radio Family Journal: "Donald Herbert" by Sam Payne (15:34) The Daily Mix: "Car Wheels on a Gravel Road" with Mark Wait (21:51) “The Lap/You Are My Sunshine” by Kim Weitkamp from The Lap (30:09) “The Old Rancher” by Joe Herrington from Men of Honor (48:30) “My Town” by Michael Reno Harrell from Then There's Me (51:38)

Rolling Stone's 100 Greatest Albums of All Time series continues with #98 - Lucinda Williams - Car Wheels on a Gravel Road. #EngagedListening #100GOATS --- Come check out our Patreon! Your support would really help to keep this show going. Plus, you can check out our bonus material. Follow us on Facebook / Twitter / Instagram Check out our YouTube channel. Email us at learningtolistenpodcast@gmail.com

Women have been at the forefront of country music from the beginning. Female artists have shaped the genre of country music, pushing it in new directions and offering important glimpses into the life of the American woman. From a pioneering mother-daughter duo to a trailblazing singer-songwriter, the Music Museum gives you “The Women of Country music” - - - - Enjoy. - - - Join the conversation on Facebook at - - - https://www.facebook.com/profile.php?id=100008232395712 or by email at - - - dannymemorylane@gmail.com - - - You’ll hear: 1) Here For The Party by Gretchen Wilson [From the album, Here For The Party] 2) Seven Year Ache by Rosanne Cash [From her 1981 album, Seven Year Ache] 3) The Light In Your Eyes by LeAnn Rimes [From the 1996 album, Blue] 4) Dime Store Cowgirl by Kacey Musgraves [From the album, Pageant Material] 5) Baby Took A Limo To Memphis by Rosie Flores [From the album, This One's For Him: A Tribute To Guy Clark] 6) I'm Not Lisa by Elizabeth Cook [From the album, Hey Y'all] 7) 16th Avenue by Lacy J. Dalton [From her 1982 album, 16th Avenue] 8) The First Cut Is The Deepest by Sheryl Crow [From the album, The Very Best Of Sheryl Crow] 9) Black Like Me by Mickey Guyton [From the 2020 EP, Bridges] 10) Coal Miner's Daughter by Loretta Lynn [From the 1970 album, Coal Miner's Daughter] 11) I'd Rather Ride Around With You by Reba McEntire [From the 1996 album, What If It's You] 12) Car Wheels On A Gravel Road by Lucinda Williams [From the album, Car Wheels on a Gravel Road] 13) Pancho & Lefty by Emmylou Harris [From the 1977 album, Luxury Liner] 14) We Both Walk by Lorrie Morgan [From her 1991 album, Something in Red] 15) Bidding America Goodbye (The Auction) by Tanya Tucker [From the album, What Do I Do With Me] 16) Jose Quervo by Shelly West [From the 1983 album, Gettin' Rowdy 17) Tennessee Homesick Blues by Dolly Parton [From the soundtrack of the 1984 movie Rhinestone]

There is controversy and vulgarity abound in this week's episode of OTR, as our heroes try shamelessly to garner more listeners. Aside from the usual album chat there is friendship, there are arguments, plus John takes verbal swings at anything that moves while Tom enables him with gleeful laughter. The album under the spotlight today is Car Wheels on a Gravel Road, the critically acclaimed 5th album from singer-songwriter Lucinda Williams.

Hoy queremos volver a señalar que el tema instrumental que abre y cierre cada uno de nuestros programas fue un regalo exclusivo de un gran amigo como Tony Luz, pionero del rock ‘n’ roll en España. Él fue autor e intérprete único de la sintonía de TOMA UNO. Y Tony Luz murió hace exactamente tres años, por lo que queremos compartir con vosotros lo mucho que le echamos de menos desde entonces. El 29 de noviembre de 1975, hace exactamente 45 años, Neil Young grabó "Like a Hurricane" en el Broken Arrow Ranch in Woodside, California, aunque no saldría a la luz hasta dos años más tarde, cuando se editó en single y formó parte del álbum American Stars 'n Bars. El noveno de los 10 discos que componen el segundo volumen de sus Neil Young Archives recién publicado, se abre con aquella canción que el canadiense compuso en la parte trasera de un DeSoto Suburban, el coche de finales de los años 40 que pertenecía a su vecino Taylor Phelps en La Honda, un pequeño pueblo del condado de San Mateo, en California. Por entonces se estaba recuperando de una operación en las cuerdas vocales que le impedían cantar y toda su energía la expresaba a través de la guitarra. Cubriendo tan solo cuatro años de su carrera, de 1972 a 1976, en el segundo volumen de su entrega de archivos personales, Neil Young se fija en la que todos consideramos su etapa más prolífica, e incluye 12 canciones nunca lanzadas en ningún formato, mientras que 50 son versiones inéditas de canciones conocidas. Entre los temas no publicados hasta ahora encontramos esta grabación junto a su paisana Joni Mitchell, que el 26 de agosto de 1973, llegó al Studio Instrument Rentals de Los Ángeles, donde Neil Young estaba sacando adelante Tonight’s the Night junto a los guitarristas Ben Keith y Nils Lofgren, el batería Ralph Molina y el bajista Billy Talbot. Es decir los Santa Monica Flyers. En aquel estudio surgió una versión desconocida hasta ahora de “Raised on Robbery”, la conversación de una prostituta que intenta ligar con un hombre solitario en un hotel, sin éxito. Al año siguiente sería el single de anticipo del álbum Court and Spark de la también artista canadiense. Kindred Spirits es uno de los discos de versiones más interesantes que hemos escuchado en mucho tiempo. Larkin Poe, sus protagonistas, han utilizado la variedad de estilos elegidos para moverse por una variedad de amplios espacios sonoros que abarca desde Robert Johnson a Post Malone, pasando por Lenny Kravitz, Allman Brothers, Elvis Presley, Elton John, los Moody Blues, Derek And The Dominos y Neil Young. En este último caso, las hermanas Lovell han elegido “Rockin’ In The Free World”, una canción que partió de una frase de Frank Sampedro cuando pensaban hacer un concierto en la Unión Soviética en 1989 y que formó parte en su álbum Freedom, con dos versiones, una eléctrica y otra acústica al estilo de “Hey Hey My My” en Rust Never Sleep. Hablaba de George Bush padre, del Ayatollah Khomeini y de Jesse Jackson. Cuando Trump se presentó a las elecciones en 2016 utilizó la canción contra la voluntad del canadiense. Kelsey Waldon fue el único fichaje en vida de John Prine de su sello Oh Boy!, por deseo expreso de su dueño, el fallecido músico de Illinois a causa del COVID-19. Nativa de Monkey’s Eyebrow, en Kentucky, tiene una extraordinaria capacidad para componer canciones muy personales que abarcan las más distintas facetas de la condición humana desde su visión como sureña de un país como el suyo. Es por eso que los derechos humanos se han convertido en uno de los focos de su último EP, They’ll Never Keep Us Down, donde canta sobre la injusticia racial o las condiciones laborales de los mineros del carbón de su tierra natal. Para ello se ha acogido a siete canciones de músicos tan dispares como Nina Simone, Hazel Dickens, Bob Dylan, Neil Young o Kristofferson. Su versión de "I Wish I Knew How It would Feel to Be Free", un tema que se convirtió en himno en pro de los derechos civiles en Estados Unidos durante los años 60 y que Nina Simone hizo muy popular en el 67, ha contado con Devon Gilfillian en el apoyo vocal. El pasado jueves 12, Lucinda Williams hizo público el segundo de los seis conciertos temáticos que ha grabado con el título de Lu's Jukebox en apoyo de promotores y salas de conciertos y que irá distribuyendo hasta finales de año. Esta vez se trataba de Southern Soul From Memphis To Muscle Shoals And More, con una selección de 10 versiones e canciones de rhythm and blues y una de cierre que suponía recordar su álbum Car Wheels on a Gravel Road gracias a “Still I Long for Your Kiss”. Lucinda recordó a Brook Benton, Ann Pebbles, Etta James, Al Green, Otis Redding, Bobby Gentry o Joe South entre otros y, por supuesto, no olvidó a Barbara Lynn, cuyo “You’ll Lose a Good Thing” de 1962 también cantó Aretha Franklin e incluso fue versionada por Freddy Fender en el 1976, llevándola al No.1 de las listas de country. La canción que anticipó el último álbum de Lucinda Williams, Good Souls Better Angels, fue "Man Without A Soul", tres años después de que revisara aquel Sweet Old World de 1992. En ese registro se dedicó a abordar los problemas que les son más cercanos y, por supuesto, no ha podido obviar las cuestiones políticas, un terreno en el que, además, entró en profundidad. Hablamos de un disco con evidentes tintes de blues, elementos de rock y un poderoso protagonismo de la guitarra de Stuart Mathis. Ahora esa canción ha obtenido una nominación al premio Grammy a la mejor canción de raíz Americana, compartido con su marido, Tom Overby, que compuso el tema con ella. Desde Carolina del Sur, el guitarrista Marcus King se ha convertido en una de las grandes realidades de la música Americana con acento sureño. Ahora al lado del productor Dan Auerbach, ha conseguido precisamente la nominación al mejor álbum de Americana con El Dorado, el primero de sus álbumes como solista tras su etapa como cabeza visible de la Marcus King Band. Un disco que incluye piezas tan rotundas como “The Well”, compuesta por él, Auerbach y Ronnie Bowman, que sirvió en su momento como primera escucha del trabajo con un impactante trabajo a la guitarra. Acaba de cumplir 28 años y Billy Strings, que recibió el apodo de su tía, se ha convertido en un instrumentista con una envidiable habilidad para interpretar las distintas formas en que se manifiesta el bluegrass. Este joven músico de Lansing, en el estado de Michigan, es la gran realidad de un género muy revitalizado en este siglo XXI. Home, su último álbum, aspira a llevarse un Grammy como mejor álbum de bluegrass, un regalo sonoro impregnado de miradas al pasado que recuerdan a las jam bands, y también a los grandes del jazz o del bluegrass. Son los sonidos puros que, como en “Hollow Heart”, memorizan de dónde viene y le activan a encontrar nuevos horizontes. Si la Country Music Association se olvidó mencionar a John Prine en su última gala de entrega de premios, la Academia de la Música no lo ha hecho y ha nominado al Grammy al artista como mejor interpretación de Americana del año por “I Remember Everything”, la última canción grabada por el mítico artista que nos arrebató el Covid-19 el pasado mes de abril. Competirá también con Lucinda Williams y su marido para lograr ser la mejor canción de raíz Americana. "I Remember Everything" está compuesta por Prine y su buen amigo Pat McLaughlin, contando recuerdos del pasado que dejan una marca indeleble.  En enero de 2018, la USC Annenberg Inclusion Initiative publicó un estudio sobre la industria musical, señalando que la mujer necesitaba un mínimo de seis años para situarse al mismo nivel del hombre. She Is The Music, es una organización que busca cerrar esa brecha, apoyando a las mujeres en todos los aspectos de la industria de la música, aumentando sus oportunidades y su visibilidad, procurando que la próxima generación de mujeres consiga roles de liderazgo en esa industria. The Highwomen han tomado la iniciativa junto a She Is The Music para organizar campus de composición femeninos y ayudar a financiar programas de tutoría. “Crowded Table”, una canción que Natalie Hemby y Brandi Carlile han compuesto con Lori McKenna y que se ha convertido en todo un himno desde que las escucharon estrenarlo en el Newport Folk Festival del año pasado. Ahora, sus tres compositoras aspiran a llevarse el Grammy como mejor canción country. A lo largo de su carrera, Linda Ronstadt ha cantado temas de todos los estilos musicales imaginables, desde country a ópera y comedia musical, pasando por folk, rhythm'n'blues, rock'n'roll, pop o música latina. En todos los casos, su voz ha brillado tanto que se ha convertido en una de las vocalistas femeninas de mayor prestigio. Su segundo álbum en solitario, Silk Purse, cumplió esta primavera medio siglo desde su publicación, siendo recordado por canciones como “Long Long Time”, una balada exquisita que llegó a ser nominada a los premios Grammy y en el que hablaba de haber hecho todo lo posible por retener a su pareja. Ahora, 50 años después, la legendaria artista de Arizona ve como su documental Linda Ronstadt: The Sound of My Voice está nominada para llevarse el fonógrafo dorado como mejor película musical.   Escuchar audio

Content warning for discussion of suicide and suicidal ideation. The Purple Mountains album deals with this a great deal, and we talk about that as well as David Berman's death shortly after the album's release. After a longer than intended break (Regs moved and Autumn is working A LOT), we are back with a country music extravaganza. We talk about Lucinda Williams' alt-country classic Car Wheels On A Gravel Road, and David Berman's recent album that really reckons with dark subject matter in a tongue-in-cheek sort of way. Our next episode will also be a little late because Autumn is getting a big surgery done and will need a few weeks to recover, but when we're back we will be joined by our friend Marcy to talk about 1000 Gecs by 100 Gecs, Weight of the World by MIKE, and Descendants of Cain by Ka You can follow Autumn on twitter @autumnal_coffee and Regs on twitter @regresssion And of course you can support this podcast and many more on patreon

Josh Daugherty’s desire to connect to nature is palpable. He’ll do anything possible to immerse himself in a rainstorm, wade into a river, throw a frisbee barefoot and all along remind us that ego is the enemy. He also might be skinny dipping in that lake so – fair warning. He’ll also build a thriving outdoor community out of nothing by aiming his frisbee at the light pole on your corner. Frisbee golf, or disc golf for the purists, is just one of the ways we can, in Josh’s words, “create a greater connection to the planet and to each other.” He’s a mountain man – forest bather – fly fisherman, hunter and practicer of what he likes to call “vertical yoga.” Also known as, rock climbing. Come along with us on our conversation that covers everything from the need to reduce our ego to the identification of local garlic plants. It’s an inspiring and thought provoking episode with someone who truly proves that a deeper connection to nature provides meaning and happiness. The 3 x 3 Main Street Challenge: Tom Dick and Hank BBQ RestaurantWe start this time on a main street in south Atlanta in the College Park neighborhood at a local BBQ restaurant called Tom Dick and Hank BBQ Restaurant. https://tomdickandhank.com/our-story/ They have two locations, one in downtown Atlanta and one at 3807 Main Street, College Park. 3 minutes away is Brenningham Park and the Wayman and Bessie Brady Recreation Center. 30 minutes away is the Silver Comet Trail. It’s a free, paved, non-motorized 60 plus mile trail for bikers, walkers, hikers and horseback riders. It starts in Smyrna Georgia just West of Atlanta and goes all the way to the Georgia/ Alabama border. https://www.silvercometga.com/index.shtmlYoutube video for the Silver Comet Trail. https://www.youtube.com/watch?v=tiN0Hy0mUA8 3 hours away is the Blue Ridge ParkwayCalled “America’s favorite drive” this wonderful roadway goes along the spine of the Blue Ridge Mountain chain from the Great Smokey Mountain National Park through North Carolina all the way to the Shenandoah National Park in Virginia.The Blue Ridge Parkway was the first national rural parkway to be conceived, designed, and constructed for a leisure-type driving experience. Its varied topography and numerous vista points offer easy public access to spectacular views of central and southern Appalachian rural landscapes and forested mountains. It connects Shenandoah National Park in Virginia with Great Smoky Mountains National Park in North Carolina.https://www.blueridgeparkway.org/https://www.brpfoundation.org/Where Art Meets NatureDJ Shark and I breakdown the wonderful storytelling and rich images of Lucinda Williams’ song, Lake Charles, from her astonishing Grammy award winning album, Car Wheels on a Gravel Road.There’s No Planet BFor inspiration and resources on one of the great outdoor activities and how to do it in a responsible way look no further than Fly Fisher’s International.https://flyfishersinternational.org/

We're here again to talk about Making a Door Less Open by Car Seat Headrest and HOPELESSNESS by ANOHNI and then steer into a discussion about trans singing voices and queering audio and our frustration with some common narratives around these things. Next week? By god is that a guitar? Is that TWO country albums? Perhaps a country album and an indie rock album with a lot of country flavor??? I guess you'll have to listen to Car Wheels on a Gravel Road by Lucinda Williams and Purple Mountains by Purple Mountains to find out. You can follow Autumn on twitter @autumnal_coffee and Regs on twitter @regresssion And of course you can support this podcast and many more on patreon

La compositora estadounidense regresa a las tiendas tras años de silencio y hemos querido recuperar el disco que la consagró como uno de los grandes referentes de la música america, 'Car Wheels on a gravel road'. Con aquella entrega, Williams demostró todo su talento para dar luz a las sombras. Un programa que compartimos con Fernando Navarro, Lucía Taboada y Joana Serrat. 

La compositora estadounidense regresa a las tiendas tras años de silencio y hemos querido recuperar el disco que la consagró como uno de los grandes referentes de la música america, 'Car Wheels on a gravel road'. Con aquella entrega, Williams demostró todo su talento para dar luz a las sombras. Un programa que compartimos con Fernando Navarro, Lucía Taboada y Joana Serrat. 

In this week's episode, your regular co-hosts are joined for the second time by RBP's original co-founder Martin Colyer, beamed in from Leyton, to offer his invaluable thoughts on Lucinda Williams and Greil Marcus' classic Mystery Train. Williams prompts near-rapturous approval for her 1998 masterpiece Car Wheels on a Gravel Road, with Mark and Barney similarly admiring its southern poetics and Americana-defining country soul. Conversation flows seamlessly into the impact of Marcus' 1975 game-changing book, newly reissued (with lavish illustrations) by the Folio Society. Discussion of the book's chapters on Elvis Presley and The Band takes the RBP team back to Marcus' profound influence on British fans of American music.Rounding out the episode's American theme, these four horsemen of the rock apocalypse hear clips from Maureen Paton's 2005 phone interview with the ever-amusing Rufus Wainwright, who covers all the topics you might expect from him, following the release of his remarkable Want albums: addiction, AIDS, America and the Wainwright/McGarrigle clans.As per usual, Messrs. Pringle, Hoskyns & Murison-Bowie sift through some of the new library pieces that most intrigued them, including a Dawn James Rave interview with Small Face Steve Marriott from 1966; Michael Watts' underwhelmed Melody Maker response to Herbie Hancock's 1974 show at Carnegie Hall; Dave Thompson's fascinating 2004 Goldmine piece on the late Alan ('I Love Rock 'n Roll') Merrill's little-known Japanese glam band Vodka Collins; and, from 2006, a terrific Pete Paphides Times profile Gogol Bordello's Eugene Hütz…Pieces discussed: Lucinda Williams, Lucinder Williams, Lucindest Williams, Greil Marcus sees The Band, Greil on rock'n'roll, Greil in conversation with Andy Beckett, Rufus Wainwright audio, Small Faces, Why does nobody love the Beatles?, Herbie Hancock, The Beastie Boys, Samantha Fox, Andrew Loog Oldham, Vodka Collins, Teenage Fanclub, Gogol Bordello and Toro y Moi.

In this week's episode, your regular co-hosts are joined for the second time by RBP's original co-founder Martin Colyer, beamed in from Leyton, to offer his invaluable thoughts on Lucinda Williams and Greil Marcus' classic Mystery Train. Williams prompts near-rapturous approval for her 1998 masterpiece Car Wheels on a Gravel Road, with Mark and Barney similarly admiring its southern poetics and Americana-defining country soul. Conversation flows seamlessly into the impact of Marcus' 1975 game-changing book, newly reissued (with lavish illustrations) by the Folio Society. Discussion of the book's chapters on Elvis Presley and The Band takes the RBP team back to Marcus' profound influence on British fans of American music.Rounding out the episode's American theme, these four horsemen of the rock apocalypse hear clips from Maureen Paton's 2005 phone interview with the ever-amusing Rufus Wainwright, who covers all the topics you might expect from him, following the release of his remarkable Want albums: addiction, AIDS, America and the Wainwright/McGarrigle clans.As per usual, Messrs. Pringle, Hoskyns & Murison-Bowie sift through some of the new library pieces that most intrigued them, including a Dawn James Rave interview with Small Face Steve Marriott from 1966; Michael Watts' underwhelmed Melody Maker response to Herbie Hancock's 1974 show at Carnegie Hall; Dave Thompson's fascinating 2004 Goldmine piece on the late Alan ('I Love Rock 'n Roll') Merrill's little-known Japanese glam band Vodka Collins; and, from 2006, a terrific Pete Paphides Times profile Gogol Bordello's Eugene Hütz…Pieces discussed: Lucinda Williams, Lucinder Williams, Lucindest Williams, Greil Marcus sees The Band, Greil on rock'n'roll, Greil in conversation with Andy Beckett, Rufus Wainwright audio, Small Faces, Why does nobody love the Beatles?, Herbie Hancock, The Beastie Boys, Samantha Fox, Andrew Loog Oldham, Vodka Collins, Teenage Fanclub, Gogol Bordello and Toro y Moi.This show is part of Pantheon Podcasts.

In this week's episode, your regular co-hosts are joined for the second time by RBP's original co-founder Martin Colyer, beamed in from Leyton, to offer his invaluable thoughts on Lucinda Williams and Greil Marcus' classic Mystery Train.  Williams prompts near-rapturous approval for her 1998 masterpiece Car Wheels on a Gravel Road, with Mark and Barney similarly admiring its southern poetics and Americana-defining country soul. Conversation flows seamlessly into the impact of Marcus' 1975 game-changing book, newly reissued (with lavish illustrations) by the Folio Society. Discussion of the book's chapters on Elvis Presley and The Band takes the RBP team back to Marcus' profound influence on British fans of American music. Rounding out the episode's American theme, these four horsemen of the rock apocalypse hear clips from Maureen Paton's 2005 phone interview with the ever-amusing Rufus Wainwright, who covers all the topics you might expect from him, following the release of his remarkable Want albums: addiction, AIDS, America and the Wainwright/McGarrigle clans. As per usual, Messrs. Pringle, Hoskyns & Murison-Bowie sift through some of the new library pieces that most intrigued them, including a Dawn James Rave interview with Small Face Steve Marriott from 1966; Michael Watts' underwhelmed Melody Maker response to Herbie Hancock's 1974 show at Carnegie Hall; Dave Thompson's fascinating 2004 Goldmine piece on the late Alan ('I Love Rock 'n Roll') Merrill's little-known Japanese glam band Vodka Collins; and, from 2006, a terrific Pete Paphides Times profile Gogol Bordello's Eugene Hütz… Pieces discussed: Lucinda Williams, Lucinder Williams, Lucindest Williams, Greil Marcus sees The Band, Greil on rock'n'roll, Greil in conversation with Andy Beckett, Rufus Wainwright audio, Small Faces, Why does nobody love the Beatles?, Herbie Hancock, The Beastie Boys, Samantha Fox, Andrew Loog Oldham, Vodka Collins, Teenage Fanclub, Gogol Bordello and Toro y Moi.

In this week's episode, your regular co-hosts are joined for the second time by RBP's original co-founder Martin Colyer, beamed in from Leyton, to offer his invaluable thoughts on Lucinda Williams and Greil Marcus' classic Mystery Train.  Williams prompts near-rapturous approval for her 1998 masterpiece Car Wheels on a Gravel Road, with Mark and Barney similarly admiring its southern poetics and Americana-defining country soul. Conversation flows seamlessly into the impact of Marcus' 1975 game-changing book, newly reissued (with lavish illustrations) by the Folio Society. Discussion of the book's chapters on Elvis Presley and The Band takes the RBP team back to Marcus' profound influence on British fans of American music. Rounding out the episode's American theme, these four horsemen of the rock apocalypse hear clips from Maureen Paton's 2005 phone interview with the ever-amusing Rufus Wainwright, who covers all the topics you might expect from him, following the release of his remarkable Want albums: addiction, AIDS, America and the Wainwright/McGarrigle clans. As per usual, Messrs. Pringle, Hoskyns & Murison-Bowie sift through some of the new library pieces that most intrigued them, including a Dawn James Rave interview with Small Face Steve Marriott from 1966; Michael Watts' underwhelmed Melody Maker response to Herbie Hancock's 1974 show at Carnegie Hall; Dave Thompson's fascinating 2004 Goldmine piece on the late Alan ('I Love Rock 'n Roll') Merrill's little-known Japanese glam band Vodka Collins; and, from 2006, a terrific Pete Paphides Times profile Gogol Bordello's Eugene Hütz… Pieces discussed: Lucinda Williams, Lucinder Williams, Lucindest Williams, Greil Marcus sees The Band, Greil on rock'n'roll, Greil in conversation with Andy Beckett, Rufus Wainwright audio, Small Faces, Why does nobody love the Beatles?, Herbie Hancock, The Beastie Boys, Samantha Fox, Andrew Loog Oldham, Vodka Collins, Teenage Fanclub, Gogol Bordello and Toro y Moi. This show is part of Pantheon Podcasts.

On today's episode, enjoy the following: Radio Family Journal: Sponge Balls Daily Mix: Mark Wait discusses the song “Car Wheels on a Gravel Road” Story Spotlight: "Luck vs. Wisdom" by Joel Ben Izzy (13:58) Storytime: "The Most Precious Thing in the World" by Karen Golden (10:32) Song: "Jeremy Brown" by Mustard's Retreat (5:06) "The Bluebook Scam" by David Holt (1:40)

Despite winning a Grammy for her song “Passionate Kisses,” which was performed by Mary Chapin Carpenter, Lucinda Williams spent many years overlooked by the music industry: she was too country for rock, too rock for country. In 1998, American music caught up to her, and her album “Car Wheels on a Gravel Road” broke through. The staff writer Ariel Levy sat down with Williams at the New Yorker Festival, in 2012, to talk about God, Flannery O’Connor, and the musician’s path through the industry. Williams topped it all of with a live performance.  This segment was originally broadcast on July 7, 2017.

Esta semana dedicamos el Sofá Sonoro a recordar, junto a Fernando Navarro, el mágico 'Car Wheels on a gravel road', el álbum que consagró a Lucinda Williams como uno de los grandes referentes de la música americana

Esta semana dedicamos el Sofá Sonoro a recordar, junto a Fernando Navarro, el mágico 'Car Wheels on a gravel road', el álbum que consagró a Lucinda Williams como uno de los grandes referentes de la música americana

Kyle Meredith speaks with renowned country and blues musician Lucinda Williams about her latest release, Vanished Gardens, an Americana jazz collaboration with Charles Lloyd. They also delve into two coinciding anniversaries: the 20th anniversary of her landmark album Car Wheels on a Gravel Road and the 10th anniversary of Little Honey. For information regarding your data privacy, visit acast.com/privacy

We discuss In the Distance (novel), by Hernan Diaz; Car Wheels on a Gravel Road (album), by Lucinda Williams; and Slow West(Film), by John McClean.

Ian, Josh & Paul discuss the Americana songwriter's landmark 1998 album.

On the eve of the Americana Music Festival, singer-songwriter and Double J disk jockey Emma Swift drops into the podbooth to chat with host Jeremy Dylan about one of the seminal Americana albums of the 90s -Car Wheels on a Gravel Road by Lucinda Williams. Along the way they break down classic songs Right On Time, Can't Let Go, 2 Kool 2 Be 4-Gotten, Joy and Metal Firecracker and talk about the album's tumultuous production process, the intimacy of Lucinda's lyrics, why Jim Lauderdale is a genius harmony singer and Emma closes the episode with a beautiful acoustic rendition one of the album's best songs - Greenville. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker from Sydney, Australia who has worked in the music industry since 2007. He has directed the feature film Benjamin Sniddlegrass and the Cauldron of Penguins and the feature music documentary Jim Lauderdale: The King of Broken Hearts, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

On the eve of the Americana Music Festival, singer-songwriter and Double J disk jockey Emma Swift drops into the podbooth to chat with host Jeremy Dylan about one of the seminal Americana albums of the 90s - Car Wheels on a Gravel Road by Lucinda Williams. Along the way they break down classic songs Right On Time, Can't Let Go, 2 Kool 2 Be 4-Gotten, Joy and Metal Firecracker and talk about the album's tumultuous production process, the intimacy of Lucinda's lyrics, why Jim Lauderdale is a genius harmony singer and Emma closes the episode with a beautiful acoustic rendition one of the album's best songs - Greenville. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music.Jeremy Dylan is a filmmaker from Sydney, Australia who has worked in the music industry since 2007. He has directed the feature film Benjamin Sniddlegrass and the Cauldron of Penguins and the feature music documentary Jim Lauderdale: The King of Broken Hearts, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

A decade and a half after Car Wheels on a Gravel Road, alt-country pioneer Lucinda Williams is still rocking out. She and the band drop by the Sound Opinions studios for a chat and live performance. Later in the show, Jim and Greg review the steamy new album from pop duo Rhye.