Podcasts about embraceable

El 23 de enero de 1910 nacía en la ciudad belga de Liberchies, donde habían acampados sus padres junto a otros gitanos, Jean-Baptiste Django Reinhardt. Recordamos al legendario guitarrista que fundó en 1934, con el violinista Stéphane Grappellli, el quinteto del Hot Club de Francia en grabaciones de 'Minor swing', 'Blues clair', 'Si tu savais', 'Daphné', 'Nuages', 'Djangology', 'La mer', 'Ménilmontant' y 'Manoir de mes rêves'. Del reciente disco del trío del saxofonista Baptiste Herbien 'Django!' suenan los cortes 'Django' y 'La montagne Geneviève'. Y escuchamos a uno de sus discípulos, Biréli Lagrène, tocando con su Gipsy Project 'Je suis seul ce soir', 'Embraceable you', 'Coquette' y 'Swing 42'.Escuchar audio

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En París, en L´Élysée Montmartre, el 20 de junio de 2002, compartieron escenario con Marcio Faraco ('Adrenalina'), Daniel Mille y Gérard Curbillon ('Estate'), Mino Cinelu y Patrice Larose ('Confians') y Salif Keita, Mino Cinelu y Daniel Mille ('Folon'). Del nuevo disco del brasileño Diego Figueiredo 'I love samba' el tema que le da título, 'Baiãozinho' y 'Brazilian batucada'. Y de 'Inner spirits', disco grabado a dúo por el pianista sueco Jan Lundgren y el guitarrista brasileño Yamandu Costa, 'Habanera', 'Choro para Paquito' y 'Garoto'. También está la cantante y compositora canadiense Susie Arioli con 'Embraceable' que contiene canciones como 'Indifférente' y 'Pendulum', de su autoría, 'It´s allright with me' de Cole Porter o 'Embraceable you' de George Gershwin. Escuchar audio

JOHN KIRBY SEXTET THE SAVORY COLLECTION 1935–1940 CBS studios, New York, June 2, July 14, 28, 1940Effervescent blues, Echoes of Harlem, Boogie woogie, From A flat to C Charlie Shavers (tp) Buster Bailey (cl) Russell Procope (as) Billy Kyle (p) John Kirby (b) O'Neil Spencer (d) Canada Lee (narrator) BEN WEBSTER / HARRY “SWEETS” EDISON COLUMBIA – SMALL GROUP SWING SESSIONS 1953–1962 New York, June 6 -7, 1962Did you call her today ?, Kitty, Embraceable you (bw out), How long has this been going on ? Continue reading Puro Jazz 07 de junio, 2024 at PuroJazz.

JOHN KIRBY SEXTET THE SAVORY COLLECTION 1935–1940 CBS studios, New York, June 2, July 14, 28, 1940Effervescent blues, Echoes of Harlem, Boogie woogie, From A flat to C Charlie Shavers (tp) Buster Bailey (cl) Russell Procope (as) Billy Kyle (p) John Kirby (b) O'Neil Spencer (d) Canada Lee (narrator) BEN WEBSTER / HARRY “SWEETS” EDISON COLUMBIA – SMALL GROUP SWING SESSIONS 1953–1962 New York, June 6 -7, 1962Did you call her today ?, Kitty, Embraceable you (bw out), How long has this been going on ? Continue reading Puro Jazz 07 de junio, 2024 at PuroJazz.

La trombonista estadounidense Natalie Cressman y el guitarrista brasileño Ian Faquini han grabado 'Guinga', nombre del compositor de todas las obras del disco: 'Delirio carioca', 'Par constante', 'Por trás de Brás de Pina' y 'Contradiçao' -con el propio Guinga-. Del disco de la cantante y compositora canadiense Susie Arioli 'Embraceable you' las canciones 'Pendulum', 'It´s allright with me', 'Embraceable you' e 'Indifférente'. Y para ilustrar el libro con las letras del Nobel Kazuo Ishiguro para Stacey Kent 'The summer we crossed Europe in the rain. The Kazuo Ishiguro Jim Tomlinson songbook' las canciones 'The changing lights', 'So romantic', 'The summer we crossed Europe in the rain' y 'I wish I could go travelling again'. Cierre con el pianista pernambucano Amaro Freitas tocando 'Encantados'.Escuchar audio

Dos canciones del brasileño Raphael Gimenes del disco 'Dinamarca' ('Llanura infinita', 'Caçador de horizontes'). Pat Metheny con la pieza que va a dar título a su próximo disco ('Moondial'), Nathalie Cressman & Ian Faquini con su disco 'Guinga' ('Contradição', 'Bolero de Satã', 'Delirio carioca', 'Por trás de Brás de pina'), Chick Corea y Bela Fleck con 'Juno' otro adelanto de su disco 'Remembrance' previsto para julio, Susie Arioli con canciones de su disco 'Embraceable' ('Pendulum', 'It´s allreight with me', 'Embraceable you', 'Indifférente') y Amaro Freitas con 'Dança dos martelos'.Escuchar audio

De 'Embraceable', primer disco en años de la cantante canadiense Susie Arioli, 'Pendulum' de su autoría y los 'standards' 'It´s allright with me', de Cole Porter, 'Embraceable you', de los Gershwin', y 'On the street where you live'. Del pianista Keith Jarrett, 'Don´t ever leave me', 'I loves you Porgy', 'Be my love' o 'My wild Irish rose' de su disco de 1999 ''The melody at night with you'.  Y de la también canadiense Diana Krall, cantante y pianista, 'Where or when', 'Quiet nights' -que da título al disco- y 'The boy from Ipanema'.Escuchar audio

Los guitarristas brasileños Marco Pereira y Rogério Caetano con 'Choro em Do menor', 'Folia das cinco', 'Irene' y 'Uma valsa pra Rosa' de su disco a dúo 'Folia das cinco'. Bossacucanova con su disco 'As próprias' ('A bossa é cucanova' -con Carlos Lyra, Cris Delanno y João Donato-, 'Previsão' -con Adriana Calcanhotto-, 'Balança' -con Cris Delanno-, 'Queria' -con Marcos Valle-, 'Bom dia Rio' -con Roberto Menescal-, 'Just a samba' -con Celso Fonseca-). Además, la canadiense Susie Arioli con 'Pendulum', 'Embraceable you' y 'It´s allright with me' de su reciente 'Embraceable'. Y un adelanto del disco de Chick Corea y Bela Fleck, 'Remembrance', que se publicará en mayo.Escuchar audio

Celebramos el centenario del nacimiento -27 de marzo de 1924 en Newark, Nueva Jersey- de una de las mayores cantantes de la historia del jazz con grabaciones de 'Ain´t misbehavin', 'Can´t get out of this mood', 'I´ve got a crush on you', 'Isn't it a pity', 'Embraceable you', 'It might as well be spring', 'Body and soul', 'April in Paris', 'The long and winding road', 'So many stars', 'Bonita', 'To say goodbye', 'Corcovado', 'Just one of those things' y 'Like someone in love'.Escuchar audio

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Del nuevo disco del trompetista Ambrose Akinmusire, 'Owl song', grabado en estudio con el guitarrista Bill Frisell y el baterista Herlin Riley, los temas 'Owl song 1', 'Weighted corners', 'Owl song 2', 'Grace' y 'Henya'. Del disco recién publicado, de la pianista ya fallecida Geri Allen y el guitarrista Kurt Rosenwinkel, 'It´s a lovesome thing', grabado durante un concierto en París en el año 2012, 'A flower is a lovesome thing', 'Embraceable you' y '0pen handed reach'.Escuchar audio

ANDRÉS PÉREZ – FRAGILIDAD INDESTRUCTIBLE Estudios del sur, Santiago ca.2022Sueño pendiente, La granada, Pareja en el desierto, Reflexiones sonorasAndrés Pérez (st/ss) Sebastián Castro (p), Milton Russell (b) y Félix Lecaros (dr); Monserrat Prieto, Annemarie Orth (vln), Daluz Sepúlveda (vio) Lucie Stumpfova (ch) Cristian Aros, Mauricio Castillo (t)   KENNY WERNER – CHURCH ON MARS   New York, October 8, 2018Church on Mars, Tender mercies, Embraceable you (1)David Liebman (ts,sop) Kenny Werner (p) James Genus (b) Terri Lyne Carrington (d) Vivienne Aerts (vcl-1)   TEDDY CHARLES – THE PRESTIGE JAZZ QUARTET   Hackensack, NJ, June 22, 1957Take three parts jazz: Route 4 – Lyriste – Rather George, Meta-Waltz. Continue reading Puro Jazz 08 enero 2024 at PuroJazz.

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Harvey Brownstone conducts an in-depth interview with Nicole Henry, Renowned Jazz Vocalist About Harvey's guest: Today's guest, Nicole Henry, is a renowned, multiple award-winning jazz singer, whose dynamic, soulful voice, incredible range, impeccable phrasing, and powerful bluesy-gospel emotional delivery, have made her one of the world's most highly acclaimed vocalists.   In 2002, after being discovered singing in a jazz trio in Miami, the Miami New Times named her the Best Solo Musician of the year.   She's gone on to record 8 spectacular albums including, “The Nearness of You”, “Teach Me Tonight”, “The Very Thought of You”, “Embraceable”, “Summer Sessions”, her latest album, “Time to Love Again”, which has already had 4 top-charting singles - and I can't resist mentioning one of my all-time favourite albums, “So Good, So Right: Nicole Henry Live”, recorded at the renowned Feinstein's 54 Below nightclub in New York City.   Four of her albums have landed in the Top 10 on the U.S. Billboard, JazzWeek, UK and Japan jazz charts.   Her repertoire ranges from the Great American Songbook, classic and contemporary jazz, pop standards, blues and original material.   And get this:  in 2013, she received the "Soul Train Award" for "Best Traditional Jazz Performance", winning out over George Benson, Jeffrey Osborne, Chaka Khan, Tony Bennett, Marc Anthony and Terrence Blanchard.   She is universally adored by music critics.   The New York Times said, “Every gesture and inflection conveys confidence and mastery, and she creates the sense of being in the presence of a pop-soul superwoman.”  And Broadway World said, “So powerful is her charisma, so unique is her personality, so rich is her music, so abandoned is her joy, that you can't watch her without being drawn in."  And in my opinion, that's an understatement.  Our guest's latest album, entitled, “Time to Love Again”, has been described by Downbeat Magazine as “exuberant, joyous, and immaculately executed.”  Her latest single, which is her fourth charting single from the album, is called “Is It a Crime”, and it was recently added as the #1 breakthrough single on the UK Soul Charts.   For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Nicole Henry, go to:https://www.nicolehenry.com/https://www.facebook.com/NicoleHenryMusichttps://www.youtube.com/user/nikisingshttps://www.instagram.com/nicolehenrymusic/https://twitter.com/NicoleHenryJazz #NicoleHenry   #harveybrownstoneinterviews

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Ever have your team sign an accomplished quarterback, a pedigreed coach, a dazzling shooter or a reliable lefty reliever and you weren't thrilled because, quite frankly, you didn't like the idea of rooting for that particular person? Funny we should ask, as Greg and Jeff are talking about the kind of adjustment a fan sometimes makes in the name of hoping your team wins more games. In 2003, the Mets constituted something of a test case in this regard, and didn't win many games, but they left behind some intriguing memories, which National League Town explores this week in It Happens in Threes (14:50). --- Send in a voice message: https://podcasters.spotify.com/pod/show/nationalleaguetown/message

Este 24 de julio nos ha dejado, a los 80 años de edad, Leny Andrade, considerada la cantante brasileña más jazzística. La recordamos en grabaciones de 'Só danço samba', 'Samba tempo', 'E nada mais', 'Canto livre', 'Wave', 'Você vai ver', 'Tristeza de nós dois', 'Estamos aí', 'Samba de rei', 'Maiden voyage', 'I´ve got you under my skin', 'S´wonderful', 'Embraceable you', 'A flor e o espinho' y 'Luz negra'. Escuchar audio

DE SANDWICH ZONDAG 25 juni 2023 Uur 1 1. Embraceable you – Judy Garland 2. Gone fishing – Chris Rea 3. Il m'a vue nue – Cécile McLorin Salvant 4. De exenman – Herman van Veen 5. Be of good heart – Joan Baez 6. Big girls – Natalie Merchant & Abela Koomson-Davis 7. Abraca-me – Pascal Jakobsen & Fernando Lameirinhas 8. When you're gone – The Milk Carton Kids 9. Some kind of wonderful – Carole King 10. So far away – Ricky Koole 11. Napule doceamara – Raiz & Radicanto 12. 24 Rozen – Corry Brokken 13. Life could be a dream – Street Corner Renaissance 14. Sometimes it's so easy – Doug Paisley 15. Soul coaching – Raymond Lefevre Uur 2 1. My hometime – Bruce Springsteen 2. Buona sera Mrs. Cambell – Jimmy Roselli 3. Ma's water – Rowwen Heze & Machtel de Laat 4. Kisses sweeter than wine – Kronos Quartet & Aoife O'Donovan 5. Tower of song – Tom Jones 6. Hallelujah anyway – Luke Sital-Singh 7. De jaren zesstig – Adèle Bloemendaal 8. Canto para Aldebara – Thamires Tannous 9. Satin doll – Dr. John 10. Once upon a summertime – Barbra Streisand 11. Il neige des emails – Maurane 12. FM – Steely Dan 13. Symphony No. 25 – Rodrigo y Gabriela

El 25 de abril de 1917, en Newport News, Virginia, nacía Ella Fitzgerald, una de las mayores cantantes de la historia. La escuchamos cantando 'April in Paris' (Vernon Duke/Yip Harburg), 'I´ve got you under my skin', 'I get a kick out of you', 'All of you', 'Night and day', 'Love for sale' (Cole Porter), 'Have you met miss Jones?', 'Where or when', 'I didn´t know what time it was' (Richard Rodgers/Lorenz Hart), 'I got rhythm', 'Love is here to stay', 'Embraceable you', 'But not for me' (George Gershwin/Ira Gershwin), 'Too marvelous for words' y 'Skylark' (Johnny Mercer). Escuchar audio

Diretta in studio con Tomaz di Cunto, in arte Toco, Ramiro 'Khaled' Levy, Davide Rosa (Schema Records) Playlist: 1. Outro Lugar, Toco, 2007 2. Areia, Ella & The Bossa Beat feat. Toco 2023 3. Amanhecer, Ella & The Bossa Beat feat. 2023 4. Garoto Maroto (Franco/Marcos Paiva), Luzia Dvorek, singolo in omaggio ai 50 anni di carriera di Alcione, 2023 5. Prova de carinho, Adoniran Barbosa, 1974 6. Embraceable you (Ira e George Gershwin), Khaled Levy sings Chet Baker vol. 2, 2023 7. A arte de não morrer (Jards Macalé/Capinan), Jards Macalé, singolo che anticipa il nuovo album in uscita a fine aprile, Coração Bifurcado, 2023 8. Cururu, João Donato e Jards Macalé, Sintese do lance, 2022 9. Felicidade, Marcelo Jeneci feat. Erica Mou, 2021 10. Relax (Radio Edit), Kassin, 2023

Cuatro mujeres jóvenes que se inspiran sobre todo en el jazz y la música brasileña: la cantante Geraldine con Ricardo Urrutia a la guitarra en su disco 'Urdina' ('Like someone in love', 'Urdina', 'Sina', 'Luiza'); la cantante Elisenda Julià con el guitarrista Rai Paz en 'Love will be the theme song' ('Luiza', 'My heart stood still', 'Embraceable you'); la trompetista y cantante Alba Armengou, con sus primeros pasos tras dejar la Sant Andreu Jazz Band y la complicidad del guitarrista Vicente López, en 'Susurros del viento' ('Susurros del viento', 'Fato consumado', 'La gavina') y la trombonista y cantante Rita Payès con su madre Elisabeth Roma a la guitarra en 'Como la piel' ('Nunca vas a comprender', 'Eu desespero', 'Doce de coco').Escuchar audio

Welcome to the REdesigning Your Relationships Podcast. If you're a business owner, it's fair to ask yourself: How serious are you about your business? And if your answer is "serious," then it's time to consider if you're being proactive with your essential contracts and strategic business practices. Today, we have a special guest, Girija Patel, attorney at law, who will discuss how the law is present in our day-to-day business, whether we know it or not. The law surrounds us, and if it exists, it's fundamental to ask yourself: Are you protected? These are the ultimate questions every business owner needs to consider. Don't miss this episode, "Making Law Embraceable with Girija Patel," where we'll discuss how to protect yourself and your business now, not later. Episode 59: Making Law Embraceable with Girija Patel of GBP Law  on the Redesigning Your Relationship Podcast the following platforms: Spotify, YouTube, and Apple   More information about your hosts:  @YGCollaborations  @Yvettvaldenegro  @Geovannaburgesswhite    More Tools and Resources: https://www.ygcollaborations.com/ Schedule a Complimentary Virtual Connect here: https://calendly.com/ygc/cc   This episode is sponsored by: Jess Mercier - JMM Artist Designer  Schedule a Call:  https://www.jmmartistdesigner.com/services  Other resources:  https://www.jmmartistdesigner.com/  https://www.instagram.com/jmmartistdesigner/        This episode is edited and managed by Haili Murch LLC. If you are interested in starting a podcast or you are currently a podcaster needing help managing or relaunching your podcast, you may email Haili Murch at hello@hailimurch.com or you can click here to book a call: https://calendly.com/hailimurch/podcast-discovery-call

Happy Sunday! :) Diving in deep talking about how I adjust to change and beginning a new semester as well as the grind of a Division 1 Women's Lacrosse season. This first week of spring semester and preseason has been tough but I've shown HUGE progress. ALSO, I talk about Selena Gomez' new documentary, My Mind & Me, where she is real and vulnerable about her mental health and the not so pretty side of being a celebrity. I use this week's podcast as a therapeutic way to help me and the Blank Page community get through a hard week with some valuable lessons on feeling anxious and sad. Please please reach out to me and send questions and or feedback, I love hearing from you all! Happy listening! Love, Reagan Tenaglia

#394 Embracing God's message to You. I can remember hearing; ‘When you are faced with what you don't know, fall back on what you do know, namely that God is Good and He loves you'. This being an Embraceable, Timeless and Eternal Truth, what should be our response to His Word? Let's hear from an angel today regarding the lasting value of the Word of God,… --- Support this podcast: https://anchor.fm/dl-700/support

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short and sweet..also in key of G,..which is rare for C tunning banjo

short and sweet..also in key of G,..which is rare for C tunning banjo

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Django se fue un 16 de mayo con solo 46 años. Escuchamos al legendario guitarrista gitano, homenajeado por Woody Allen en la película 'Acordes y desacuerdos' y presente en varias de sus bandas sonoras, en grabaciones con el Quinteto del Hot Club de Francia de 'Blues clair', 'Limehouse blues', 'Daphné', 'Minor swing', 'Si tu savais', 'Body and soul', 'Embraceable you', 'Swing 41', 'Djangologie', 'Nuages', 'Echoes of France' (La Marseillaise), 'Belleville' y 'La mer'. Y del disco del clarinetista Evan Christopher, 'Django à la créole', los temas 'Insensiblement' y 'Manoir de mes rêves'. Escuchar audio

Ese día de hace 105 años nacía una de las grandes cantantes de todos los tiempos: Ella Fitzgerald. Lo celebramos escuchándola en canciones de Cole Porter ('April in Paris', 'I´ve got you under my skin', 'Night and day', 'Love for sale'), George y Ira Gershwin ('I got rhythm', 'Fascinating rhythm', 'Love is here to stay', 'Embraceable you'), Johnny Mercer ('Too marvelous for words', 'Day in day out') y Rochard Rodgers y Lorenz Hart ('Have yo met Miss Jones?', 'Where or when', 'Little girl blue', 'I didn´t know what time it was', 'The lady is a tramp'). Escuchar audio

Berbacia and Madge have a nice chat about her operatic relationship with a rodent followed by a discussion of Chappelle. You will enjoy this one! My substack newsletter keeps this podcast free: madge.substack.com

Programming Note: the first version of this show had some tracks out sync due to an encoding error. If you received that version of the show, please delete that file and re-download the show to get the fixed version. We apologize for the inconvenience and added an additional outtake at the end of the fixed version as a gift for enduring our mistake. “The state is powerful and everyone else you... Source

“The state is powerful and everyone else you know is a moron.” And with that from Rob Long we launch into our Rank Punditry™ segment on the propaganda wars being waged in America today. It’s also the First Friday after the First Monday in October and you know what that means – we’re checking in […]

“The state is powerful and everyone else you know is a moron.” And with that from Rob Long we launch into our Rank Punditry™ segment on the propaganda wars being waged in America today. It’s also the First Friday after the First Monday in October and you know what that means – we’re checking in on the new Supreme Court term with the Ricochet Podcast’s Legal Correspondent John Yoo. We cover Mr. Justice Thomas’ new found vocalness from the bench and how the conservative wing is now the center of attention. Then we switch gears to China and the CCP’s testing of Joe Biden and how that is going to play out over Taiwan. Music from this week’s episode: Embraceable You by Etta James

Del disco 'Solo ballads', del guitarrista italiano Pasquale Grasso, clásicos estadounidenses como 'Embraceable you', 'Someone to watch over me', 'Darn that dream', 'When I fall in love' y 'Every time we say goodbye'. Del disco homenaje a Bill Evan,s del contrabajista Diego Imbert y el pianista Alain Jean-Marie, 'Interplay' y 'Turn out the stars'. Y del nuevo disco de Marisa Monte, 'Portas', 'Vagalumes', 'Elegante amanhecer', 'Você não liga', 'Totalmente seu', 'Em qualquer tom', 'Espaçonaves' y 'Fazendo cena'. Despide el trompetista italiano Paolo Fresu con 'Del viaggio'. Escuchar audio

El guitarrista italiano Pasquale Grasso, que tiene fascinado a Pat Metheny, toca clásicos estadounidenses como 'Embraceable you', 'Over the rainbow', 'Smoke gets in your eyes' o 'Body and soul' en su reciente 'Solo ballads'. De 'Frenchy', el disco de Thomas Dutronc, escuchamos 'My way', 'The good life' -con Jeff Goldblum-, 'Minor swing', 'Un homme et une femme' -con Stacey Kent' y 'Beyond the sea/La mer'. El saxofonista tenor Harry Allen grabó 'La mer' y 'My way' en su disco de 2018 'French lullaby'. Despide el guitarrista John Pizzarelli con 'April wind'/'Phase dance' de Pat Metheny. Escuchar audio

For this album swap Nate chose Come In by Children 18:3 and Josh chose Embraceable You by Chet Baker. If you haven't listened to these albums yet do that and then come see what we have to say about them!

Embraceable You, the Full Monty by Music from Randy Resnick

You've got flaws, guess what, that's ok! Join me over on Instagram for more fun on the daily. @withelizabetho Reccommended Episodes: Episode 1: Orgin Story & Episode 4: Who is setting your bar? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/icandotoday/support

Se cumplen 60 años del disco 'Nice ´n´ easy', de Frank Sinatra, del que se ha publicado una edición especial conmemorativa 'Nice ’n’ easy (60th Anniversary Edition)' con la canción que le da título, 'That old feeling', 'How deep is the ocean', 'I´ve got a crush on you', 'You go to my head', 'Nevertheless (I´m in love with you)', 'She´s funny that way', 'Embraceable you' o 'The nearest of you'. Y para celebrar 60 años también de la creación de Reprise Records, por parte de Sinatra, se ha editado 'Reprise rarities vol. 1' con grabaciones de 'In the blue of the evening', 'Don´t take your love from me', 'Come fly with me' o 'I´ll never smile again'. También escuchamos a Sinatra en 1954 en su primer disco para Capitol Records, con arreglos de Nelson Riddle, 'Songs for young lovers': 'The girl next door', 'My funny valentine' y 'I get a kick out of you'. Escuchar audio

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One of the most popular Jazz standards of them all, "Embraceable You", takes the spotlight on this episode of Same Difference. Join AJ and Johnny as they listen to and discuss some classic versions of this standard, including recordings from Miles Davis, Billie Holiday, and Nat King Cole.

When jazz trumpeter Chet Baker began to sing on his records, his voice received a polarizing response, to put it lightly. At first, critics despised his light and dreamy voice paired with minimal accompaniment. However, audiences loved it, and Chet became a household name. This album, Embraceable You, was recorded in the middle of his success, but wasn't released until 1995, about 40 years after the recording. The label thought it was "too depressing" to put out and is often forgotten about in Chet's enormous discography.Singer/songwriter Bruno Major joins us from London to talk about this long lost album, Chet's signature voice and delivery, and bringing Baker's tunes to a new audience.More on Bruno MajorOld Soul music videoCheck out Bruno's new album To Let A Good Thing DieBruno's version of Like Someone  In Love live in JakartaMore on Chet BakerLet's Get Lost, the documentary on Chet BakerBorn To Be Blue: Chet Baker In 5 Songs (NPR)Time After Time: The Lasting Legacy Of Chet Baker (uDiscover Music)Show Tracklisting (all songs from Embraceable You unless otherwise indicated):On Green Dolphin StreetSarah Vaughan: Embraceable YouNat King Cole: Embraceable YouBillie Holiday: Embraceable YouEmbraceable YouOn Green Dolphin StreetBruno Major: Old SoulChet Baker: My Funny ValentineChet Baker: Come All Ye FaithfulThe Night We Called It A DayChet Baker: You Make Me Feel So YoungLittle Girl BlueCome Rain Or Come ShineLittle Girl BlueBruno Major: Old FashionedChet Baker: I'm Old FashionedThere's A Lull In My LifeHow Long Has This Been Going OnSarah Vaughan: How Long Has This Been Going OnForgetfulThe Night We Called It A DayThere's A Lull In My LifeBruno Major: Like Someone In LoveEmbraceable YouThe Night We Called It A DayEmbraceable YouChet Baker: My IdealJoão Gilberto: UndiúAntônio Carlos Jobim: OvertureHere is the Spotify playlist of as many songs as we can find on thereIf you’re not already subscribed to Heat Rocks in Apple Podcasts, do it here!

durée : 01:00:30 - " Girl Crazy " de George Gershwin - par : Laurent Valière - Gros plan sur cette comédie musicale composée par George Gershwin en 1930, dont sont issus des standards comme Embraceable you et I got Rhythm, et remis au gout du jour par la soprano Barbara Hannigan dans son album « Crazy Girl Crazy ». - réalisé par : Périne Menguy

Tras la playlist dedicada a las versiones instrumentales de George Gershwin, volvemos con la prometida lista de temas escritos por George y su hermano Ira que han tenido vida propia lejos de los musicales para los que fueron escritos. Como ya os contamos George Gershwin había empezado a componer y tener éxito con sus canciones desde los 17 años. Aunque colaboró con otros letristas encontró su compañero perfecto en su hermano Ira Gershwin con el que escribió y estrenó musicales en Broadway como LADY BE GOOD en 1924 que protagonizó Fred Astaire al que seguirían PRIMROSE (1924), TIP TOES (1925), OH, KAY (1926), STRIKE UP THE BAND (1927), FUNNY FACE (1927), ROSALIE (1928), SHOW GIRL (1929), GIRL CRAZY (1930) y OF THEE I SING (1931) que se convirtió en el primer musical que  consiguió el premio Pulitzer. PORGY AND BESS estrenada en 1935, es una de las óperas americanas más famosas del siglo veinte y con "Un americano en París" y la "Rapsodia in blue" son los trabajos de Gershwin más interpretados en las salas de conciertos de todo el mundo, aunque no hay que olvidar tantas canciones suyas que forman parte del cancionero americano y prueba de ello son algunas de las que os traemos en esta playlist con las voces de intérpretes tan diferentes y reconocibles como Ella Fitzgerald, Frank SInatra, Louis Armstrong, Barbra Streisand, Diana Krall, Sting, Fred Astaire, Cher, Pati Austin, Elton John , Natalie Cole o Meat Loaf entre otros. Espero os guste la selección que hemos preparado Aquí tenéis la relación de temas e intérpretes 00h 00'00" Presentación 00h 01'55" Cabecera 00h 02'32" S' wonderful - Diana Krall 00h 06'52" A foggy day - Frank Sinatra & Willie Nelson 00h 09'13" I got rhythm - Robert Palmer 00h 13'02" Bidin' my time - Ella Fitzgerald 00h 15'40" I've got a crush on you - Frank Sinatra & Barbra Streisand 00h 18'58" Do what you do - Chris de Burgh 00h 22'30" Funny face - Fred Astaire 00h 26'14" I got plenty of nothing - Frank Sinatra 00h 29'19" Boy wanted - Ella Fitzgerald 00h 32'50" Nice work if you can get it - Sting 00h 35'49" Love walked in - Ella Fitzgerald 00h 39'37" I've got beginner's luck - Gregory Hines & Patti Austin 00h 43'26" But not for me - Elton John 00h 46'23" It ain't necessarily so - Cher 00h 50'26" Slap that bass - Gregory Hines 00h 53'24" Someone to watch over me - Ruthie Henshall 00h 56'36" He loves and she loves - Fred Astaire 01h 01'36" Let's call the whole thing off - Gregory Hines & Patti Austin 01h 04'04" Shall we dance - Ella Fitzgerald 01h 07'09" Isn't it a pity - Barbra Streisand 01h 12'13" Summertime - Ella Fitzgerald & Louis Armstrong 01h 17'18" My man's gone now - Sinead O'Connor 01h 20'49" Of thee I sing - Ella Fitzgerald 01h 23'53" They can't take that away from me - Anthony Warlow 01h 26'29" By Strauss - Ella Fitzgerald 01h 28'57" Embraceable you - Ruthie Henshall & Michael Strassen 01h 33'17" Oh, lady be good - Ella Fitzgerald 01h 37'14" Our love is here to stay - Natalie Cole 01h 40'37" The man I love - Barbra Streisand 01h 44'14" Things are looking up - Ella Fitzgerald 01h 47'15" I'll build a stairway to Paradise - Issy Van Randwyck 01h 51'38" Who cares? - Ella Fitzgerald 01h 54'40" How long has this been going on? - Jon Bon Jovi 01h 59'38" I loves you Porgy / Porgy, I's your woman now - Barbra Streisand 02h 04'08" They all laughed - Frank Sinatra 02h 06'56" For you, for me, for evermore - Gregory Hines & Patti Austin 02h 11'07" Fascinating rhythm - Ella Fitzgerald 02h 14'24" Swanee - Ruthie Henshall & Michael Strassen 02h 17'30" Somebody loves me - Meat Loaf 02h 21'35" My one and only - Tony Bennett & Diana Krall 02h 24'19" Treat me rough - Ella Fitzgerald 02h 27'12" Do it again - Diana Krall Si queréis leer más sobre esta pareja de autores os recomiendo los siguientes posts GEORGE GERSHWIN, músico IRA GERSHWIN, letrista STRICTLY GERSHWIN

Tras la playlist dedicada a las versiones instrumentales de George Gershwin, volvemos con la prometida lista de temas escritos por George y su hermano Ira que han tenido vida propia lejos de los musicales para los que fueron escritos. Como ya os contamos George Gershwin había empezado a componer y tener éxito con sus canciones desde los 17 años. Aunque colaboró con otros letristas encontró su compañero perfecto en su hermano Ira Gershwin con el que escribió y estrenó musicales en Broadway como LADY BE GOOD en 1924 que protagonizó Fred Astaire al que seguirían PRIMROSE (1924), TIP TOES (1925), OH, KAY (1926), STRIKE UP THE BAND (1927), FUNNY FACE (1927), ROSALIE (1928), SHOW GIRL (1929), GIRL CRAZY (1930) y OF THEE I SING (1931) que se convirtió en el primer musical que  consiguió el premio Pulitzer. PORGY AND BESS estrenada en 1935, es una de las óperas americanas más famosas del siglo veinte y con "Un americano en París" y la "Rapsodia in blue" son los trabajos de Gershwin más interpretados en las salas de conciertos de todo el mundo, aunque no hay que olvidar tantas canciones suyas que forman parte del cancionero americano y prueba de ello son algunas de las que os traemos en esta playlist con las voces de intérpretes tan diferentes y reconocibles como Ella Fitzgerald, Frank SInatra, Louis Armstrong, Barbra Streisand, Diana Krall, Sting, Fred Astaire, Cher, Pati Austin, Elton John , Natalie Cole o Meat Loaf entre otros. Espero os guste la selección que hemos preparado Aquí tenéis la relación de temas e intérpretes 00h 00'00" Presentación 00h 01'55" Cabecera 00h 02'32" S' wonderful - Diana Krall 00h 06'52" A foggy day - Frank Sinatra & Willie Nelson 00h 09'13" I got rhythm - Robert Palmer 00h 13'02" Bidin' my time - Ella Fitzgerald 00h 15'40" I've got a crush on you - Frank Sinatra & Barbra Streisand 00h 18'58" Do what you do - Chris de Burgh 00h 22'30" Funny face - Fred Astaire 00h 26'14" I got plenty of nothing - Frank Sinatra 00h 29'19" Boy wanted - Ella Fitzgerald 00h 32'50" Nice work if you can get it - Sting 00h 35'49" Love walked in - Ella Fitzgerald 00h 39'37" I've got beginner's luck - Gregory Hines & Patti Austin 00h 43'26" But not for me - Elton John 00h 46'23" It ain't necessarily so - Cher 00h 50'26" Slap that bass - Gregory Hines 00h 53'24" Someone to watch over me - Ruthie Henshall 00h 56'36" He loves and she loves - Fred Astaire 01h 01'36" Let's call the whole thing off - Gregory Hines & Patti Austin 01h 04'04" Shall we dance - Ella Fitzgerald 01h 07'09" Isn't it a pity - Barbra Streisand 01h 12'13" Summertime - Ella Fitzgerald & Louis Armstrong 01h 17'18" My man's gone now - Sinead O'Connor 01h 20'49" Of thee I sing - Ella Fitzgerald 01h 23'53" They can't take that away from me - Anthony Warlow 01h 26'29" By Strauss - Ella Fitzgerald 01h 28'57" Embraceable you - Ruthie Henshall & Michael Strassen 01h 33'17" Oh, lady be good - Ella Fitzgerald 01h 37'14" Our love is here to stay - Natalie Cole 01h 40'37" The man I love - Barbra Streisand 01h 44'14" Things are looking up - Ella Fitzgerald 01h 47'15" I'll build a stairway to Paradise - Issy Van Randwyck 01h 51'38" Who cares? - Ella Fitzgerald 01h 54'40" How long has this been going on? - Jon Bon Jovi 01h 59'38" I loves you Porgy / Porgy, I's your woman now - Barbra Streisand 02h 04'08" They all laughed - Frank Sinatra 02h 06'56" For you, for me, for evermore - Gregory Hines & Patti Austin 02h 11'07" Fascinating rhythm - Ella Fitzgerald 02h 14'24" Swanee - Ruthie Henshall & Michael Strassen 02h 17'30" Somebody loves me - Meat Loaf 02h 21'35" My one and only - Tony Bennett & Diana Krall 02h 24'19" Treat me rough - Ella Fitzgerald 02h 27'12" Do it again - Diana Krall Si queréis leer más sobre esta pareja de autores os recomiendo los siguientes posts GEORGE GERSHWIN, músico IRA GERSHWIN, letrista STRICTLY GERSHWIN

Jacob Gershowitz hijo de emigrantes judíos llegados desde Rusia que americanizaron su apellido por Gershwin y cambiaron su nombre el de George. Desde pequeño asombró a sus padres con su habilidad natural hacia la música comenzando a trabajar como pianista a los 15 años en una editora de canciones. A los 21 años logró su primer gran éxito con su canción Sweeney. Tras componer con otros letristas en 1924 comenzó a trabajar con su hermano Ira con el que escribiría musicales como LADY BE GOOD, que estrenaron en Broadway Fred Astaire y su hermana Adele. George compuso su obra clásica más popular Rhapsody in blue, que orquestó Ferde Grofé, autor de la famosa Suite del Gran Cañón. Gershwin compuso An American in Paris que estrenó en 1928 en el Carneggie Hall, convirtiéndose en todo un éxito. Con su hermano seguía escribiendo musicales que repasaremos en la siguiente playlist que dedicaremos a las canciones de los Gershwin para musicales de Broadway. En este primer programa nos centraremos en uno de los pocos  compositores que triunfó tanto en Broadway como en los auditorios de música clásica combinando el jazz con el sinfonismo y la música popular. En esta selección hemos incluido piezas como la Rhapsody in blue o An American in Paris, oberturas, preludios, suites y ballets de composiciones para el cine y para musicales contando con  colaboradores de lujo como George Martin, Larry Adler con su armónica, el violín de Joshua Bell, el piano de John Williams con la London Symphony Orchestra,  John Maucery con la Hollywood Bowl Orchestra o Johnny Green con la MGM orchestra. Espero os guste 00h 00'00" Presentación 00h 03'19" Cabecera 00h 03'55" Rhapsopy in blue 00h 12'15" An American in London (A damsel in distress) 00h 22'57" Watch your step - final ballet (Shall we dance) 00h 34'51" Stiff upper lip (A damsel in distress) 00h 43'10" Girl crazy (Overture) 00h 48'26" Of thee I sing (Prelude) 00h 53'18" Tip-toes (Overture) 00h 58'00" Primrose (Overture) 01h 03'36" Oh, Kay! (Overture) 01h 10'14" Porgy and Bess (Fantasy for violin & orchestra) 01h 30'35" An American in Paris (Ballet) 01h 47'13" I got rhythm 01h 51'27" Embraceable you 01h 55'36" Nice work if you can get it 01h 59'12" Liza 02h 03'01" But not for me 02h 07'15" Sweet and low-down 02h 10'45" Our love is here to stay 02h 14'25" Ambulatory Suite 02h 21'39" Three preludes En la siguiente playlist tendremos algunas de las canciones más conocidas de los hermanos George & Ira Gershwin con un buen puñado de intérpretes que siguen encontrando inspiración en sus melodías.

Jacob Gershowitz hijo de emigrantes judíos llegados desde Rusia que americanizaron su apellido por Gershwin y cambiaron su nombre el de George. Desde pequeño asombró a sus padres con su habilidad natural hacia la música comenzando a trabajar como pianista a los 15 años en una editora de canciones. A los 21 años logró su primer gran éxito con su canción Sweeney. Tras componer con otros letristas en 1924 comenzó a trabajar con su hermano Ira con el que escribiría musicales como LADY BE GOOD, que estrenaron en Broadway Fred Astaire y su hermana Adele. George compuso su obra clásica más popular Rhapsody in blue, que orquestó Ferde Grofé, autor de la famosa Suite del Gran Cañón. Gershwin compuso An American in Paris que estrenó en 1928 en el Carneggie Hall, convirtiéndose en todo un éxito. Con su hermano seguía escribiendo musicales que repasaremos en la siguiente playlist que dedicaremos a las canciones de los Gershwin para musicales de Broadway. En este primer programa nos centraremos en uno de los pocos  compositores que triunfó tanto en Broadway como en los auditorios de música clásica combinando el jazz con el sinfonismo y la música popular. En esta selección hemos incluido piezas como la Rhapsody in blue o An American in Paris, oberturas, preludios, suites y ballets de composiciones para el cine y para musicales contando con  colaboradores de lujo como George Martin, Larry Adler con su armónica, el violín de Joshua Bell, el piano de John Williams con la London Symphony Orchestra,  John Maucery con la Hollywood Bowl Orchestra o Johnny Green con la MGM orchestra. Espero os guste 00h 00'00" Presentación 00h 03'19" Cabecera 00h 03'55" Rhapsopy in blue 00h 12'15" An American in London (A damsel in distress) 00h 22'57" Watch your step - final ballet (Shall we dance) 00h 34'51" Stiff upper lip (A damsel in distress) 00h 43'10" Girl crazy (Overture) 00h 48'26" Of thee I sing (Prelude) 00h 53'18" Tip-toes (Overture) 00h 58'00" Primrose (Overture) 01h 03'36" Oh, Kay! (Overture) 01h 10'14" Porgy and Bess (Fantasy for violin & orchestra) 01h 30'35" An American in Paris (Ballet) 01h 47'13" I got rhythm 01h 51'27" Embraceable you 01h 55'36" Nice work if you can get it 01h 59'12" Liza 02h 03'01" But not for me 02h 07'15" Sweet and low-down 02h 10'45" Our love is here to stay 02h 14'25" Ambulatory Suite 02h 21'39" Three preludes En la siguiente playlist tendremos algunas de las canciones más conocidas de los hermanos George & Ira Gershwin con un buen puñado de intérpretes que siguen encontrando inspiración en sus melodías.

Uur 1 1. It?s magic - Doris Day 2. Ik zal je iets vertellen - Boudewijn de Groot 3. Aloha?oe means goodbye - The Honolulu Kings 4. Why didn?t you call me - Shelby Lynne 5. Terre d?oru - I Muvrini and Sting 6. Samba op een noot - Marcella Wisbrun 7. Blackbird - The Beatles 8. Famous - The Bluebirds 9. Madeleine - Jacques Brel 10. If we only have love - Dionne Warwick 11. Stel dat het zou kunnen - Jan Rot 12. Let the cards fall - The Breath 13. Os indios da meia praia - Dulce Pontes 14. Days of Pearly Spencer - David McWilliams 15. Clayborn - Nicolas Godin Uur 2 1. Mandolin wind - Rod Stewart 2. Freight train - Rusty Draper 3. Twijfel niet - Bart Peeters 4. Piensa en mi - Chavela Vargas 5. Separate lives - Phil Collins and Marilyn Martin 6. Nobody wants to be the one - Tangarine 7. Stuur groete aan Mannetjies Roux - Laurika Rauch 8. Si l?amour n?existait pas - Katell en Bert Visscher 9. Do what you do - Ipana Troubadours 10. Embraceable you - Stacey Kent 11. Hout van jou - Clean Pete 12. Let me be - Xavier Rudd 13. I?m a train - Albert Hammond 14. La la la - Izaline Calister 15. What a wonderful world - Dr. John and The Blind Boys From Alabama

Nathan tells a story about a poor manʼs pet ewe lamb in order to expose Davidʼs sins of adultery and murder (Pastor Gene Pensiero) For video, audio and text of this series, visit calvaryhanford.com/david

Edición 150 de La Gran Evasión, 19/9/2017, el sonido de un saxo alto atraviesa la noche, Clint Eastwood nos trae a Charlie Parker, a Bird, la pantalla en negro, del escenario una figura recortada por las sombras eleva el Jazz a otra dimensión, un músico adelantado a su tiempo, un hombre destruido, envejecido, con apenas treinta años...en 1988 Eastwood regalaba a melómanos y cinéfilos una de sus primeras obras maestras, el retrato de una leyenda, Charlie Parker, su gloria y su derrota, asesinado en 1955, por el alcohol, la benzedrina, la marihuana, la heroína....por Bird...por la soledad y la angustia que acompañan a los genios, murió con 34 años pero su legado es eterno. Charlie Parker: Talento visionario, mezcla de técnica y velocidad, lógica y lirismo, pasión e inteligencia, iba mucho mas allá del terreno puramente experimental, el Jazz moderno nace de su búsqueda, de su saxo, de la otra mitad de su latido, de la trompeta de Dizzy Gillespie, de un puñado de jóvenes revolucionarios, Max Roach, Miles Davis, Monk, Powell, Potter, Jordan... Eastwood tuvo la ayuda de Chan, la viuda de Parker, que le entregó muchas grabaciones inéditas de solos del genio, Clint recurrió a su amigo y compositor habitual, Lennie Niehaus, un gran arreglista, además de un soberbio saxofonista que dominó la escena del West Coast Jazz, y sobre todo un admirador de Parker, para el reto que le propuso Eastwood consiguió algo fabuloso, unir ayer y hoy, rescató esas grabaciones antiguas, las aisló con un descomunal trabajo de ingeniería musical, y se regrabaron los temas con músicos actuales de primer nivel. El trabajo es extraordinario, asistimos en primera fila a las actuaciones de Bird, literalmente volamos con él. Sartre: “Los genios no conocen su propia valía” Bird si conocía la suya, pero esa conciencia nunca fue suficiente para espantar los demonios, o tal vez, la frustración de saberse el mejor y no recibir todo el reconocimiento que merecía fue lo que no le permitió salir de la espiral de autodestrucción que fue su vida. La fotografía es simplemente impresionante, el trabajo de Jack N. Green es increíble, una iluminación bajísima, prácticamente sombría. La oscuridad actúa como una gran metáfora de la visión trágica que Charlie Parker tiene de su propia vida, unas sombras que sólo se dispersan cuando el foco del escenario se enciende para él, o mejor dicho, la luz emana de su propia figura....Eastwood debe estar orgulloso de haber hecho realidad un viejo sueño, quizás, haya sido demasiado fiel al guión de Oliansky, pero el resultado es magnífico. Forest Whitaker era prácticamente un desconocido cuando Eastwood le ofreció ésta gran oportunidad, su interpretación es soberbia, llena de matices, contenida, es capaz de mostrarse frágil, sensible, encantador, un auténtico seductor y a la vez ser un tirano miserable, hundirse en el agujero de la heroína y el alcohol, dejarse arrastrar por sus demonios, incapaz de conservar aquello que más ama por culpa de sus propias debilidades....transformándose en el escenario, al instante siguiente, canalizando sus emociones y ese dolor a través de su música. Diana Verona, Chan, da la réplica a Whitaker con soltura, compone a esa compañera que lo ama profundamente, el refugio al que volver después de cada descenso. Extasiados por el vuelo de Bird, dejamos que la torre de Radiopolis gima con la negrura de Parker, a la dirección José Miguel Moreno, contertulios, Raúl Gallego, Gervi Navio, y desde el sanatorio de Camarillo, transcribiendo Jazz y Cine mientras el sol se oculta, nuestro crítico César Bardés Charlie Parker leía a Dylan Thomas, pero su poeta preferido fue siempre Omar Khayyam, os dejamos unos versos del alfarero persa y un Bonus track para los fieles que escuchan los podcasts hasta el final, el tema Embraceable you de las grabaciones para Dial Records en 1946, no hacen falta más palabras, dejen que Bird los arrastre y los envuelva con sus alas.... "Ven, llena la copa y arroja al fuego de la primavera tu invernal ha?bito de penitencia; el pa?jaro del tiempo esta? volando, y tiene corto camino para aletear." Gervasio Navío Flores.

Welcome to Episode 6 (of 6) in the next leg of our chronicle. "Be Kine To Your Neighbors" is a Vampire: the Requiem story. Expect betrayals, blood cults, addiction, and wickedness for wickedness' sake. "My Sweet Embraceable You" reunites the Crypticks...right in the grip of Kadir and her enforcers. With their backs against the wall, it may be time for Devon to be force-fed a little humility. Or buckshot. Most likely buckshot. Can you name both songs referenced in this week's episode? Post your guesses on our Youtube Channel at www.youtube.com/users/uncleyo. Based on the RPG Vampire: the Requiem from Onyx Path Publishing and White Wolf Publishing. Opening and Closing Narration read by Michelle Silvani. Original Music Produced by Jimmy Lin. Excerpts from "Hexed" used with permission from Anders Manga. TAGS: Uncle Yo Be Kine To Your Neighbors Vampire Vampire: the Reqiuem Onyx Path Publishing RPG Vampire: the Masquerade Podcast Horror Podcast Vampire Podcast

We open with our Seasonal Sanctuary Stroll, featuring Poplar Spring Animal Sanctuary in Maryland and cofounder Terry Cummings, and then we meet award-winning health, sexuality, and body image expert August McLaughlin, author of Embraceable and a committed vegan.

August and former guest, stylist Rayne Parvis, turn the tables! Rayne interviews August about her new book, EMBRACEABLE, Girl Boner® Radio and more. Plus, learn about sexy New Year's Resolutions with Dr. Megan Fleming.

I hope you are enjoying my compilations. I think they represent a wide variety of material. 1. Marilyn Horne           Semele            "Iris,hence away."   (Breathtaking technique) 2. Dorothy Kirsten         Mme.Butterfly  Farewell 3.   She can sing pop also, and very well.       "Embraceable you." 4. Tiana Lemnitz           Nozze di Figaro            "Porgi amor" 5. Leyla Gencer              Aida                                " O Patria Mia" 6. George London           Boris Monologue    (How we miss him!) 7. Germaine Lubin         Tannhauser                "Dich theure halle." 8. Christa Ludwig           Frau act 2 finale w.Berry,Rysanek,Dalis.  (My all-time favorite singer in a given role. It was something I cannot forget.) 9. Regina Resnik             Andrea Chenier       "La Mamma Morta" (she started as soprano.) 10.Lauritz Melchior         Pagliacci                  "Vesti la giubba" 11.Aprile Millo                  Forza                        "Pace" 12.Joan Sutherland/Sherrill Milnes   Rigoletto act three duet (WOW!!!) 13. Martha Moedl             Parsifal                     "Ich sah das Kind." 14. Edna Moser                 Zauberflote              "Der holle Rache." 15. Callas/Bechi               Nabucco  duet  (a kind of singing long absent) 16. Birgit Nilsson               Tosca                      "Vissi d'arte" 17. Rosetta Pampanini     Manon Lescaut     "In quelle trine morbide." (Another example of a lost art.) 18.   Luciano Pavarotti       NINE high C's    (Guess what opera!)

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "An Embraceable Variant". The Marsh Chapel Choir sings "Cibavit eos" by William Byrd and "Almighty and everlasting God" by Orlando Gibbons along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "An Embraceable Variant". The Marsh Chapel Choir sings "Cibavit eos" by William Byrd and "Almighty and everlasting God" by Orlando Gibbons along with service music and hymns.

Felipe Couselo y Diego Cardeña  nos traen lo mejor de 'Sarah Vaughan':  repaso especial a la carrera de esta reina del jazz, en el que no faltarán éxitos como 'Black Coffee' o 'Embraceable love'.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "An Embraceable Variant". The Marsh Chapel Choir sings "Sing joyfully" by William Byrd and "Schaffe in mir, Gott, ein rein Herz" by Johannes Brahms along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "An Embraceable Variant". The Marsh Chapel Choir sings "Sing joyfully" by William Byrd and "Schaffe in mir, Gott, ein rein Herz" by Johannes Brahms along with service music and hymns.

Although she's already firmly established as one of the jazz world's most acclaimed and respected young vocalists, Nicole Henry's vibrant new album Embraceable makes it clear that she can't be categorized so simply. "I consider myself a singer who loves singing jazz," notes the versatile Miami Beach-based artist. "However, no matter the style or story, I'm always striving to be myself.”powerfully expressive, emotionally resonant voice has already earned her three international top 10 albums, the most recent being her 2008 release The Very Thought of You. She's also won an international reputation as a beguiling live performer, enchanting audiences on multiple continents. The aptly titled Embraceable showcases the uplifting energy, sophisticated soulfulness and lyrical sensitivity that have endeared Henry to listeners around the world. However, the new album is a substantial departure from her prior releases, which established her as a peerless interpreter of jazz and pop standards. In contrast, Embraceable finds Henry applying her sublime vocal skills to a captivating set of songs drawn from a diverse array of sources, encompassing impressive new originals, covers of some '60s and '70s classics, and a trio of vintage jazz numbers. The material is delivered in a variety of musical settings that range from expansive orchestral arrangements to spare acoustic performances. The album matches Henry's distinctive voice and abundant charisma with a stellar musical cast that includes saxophonist Kirk Whalum, pianist Gerald Clayton, harmonica virtuoso Gregoire Maret, and Grammy-winning arranger Gil Goldstein, and was helmed by Grammy-nominated producer Matt Pierson (Kirk Whalum, Jane Monheit, Joshua Redman).

A preview of the documentary about New Hope, Pennsylvania, "Embraceable You". Celebrating a long history of diversity, inspiration and community. 300 years in the making.

Wynton Marsalis and Chucho Valdes performing George Gershwin's 'Embraceable You' at the Teatro Mella in Havana, Cuba. October 7, 2010

In this week's podcast Shann reads a beautiful poem by Karen Andes, music by Ananga. I am a beautiful woman, with beauty that doesn’t wash off. I earned it, unearthed it, rescued it like a jewel in the dust, picked it up and made it shine. For years I did not see it, though I sensed it was there.  Now it dazzles and thrives. I am healthy, capable, independent, strong yet still so fragile, floored by a sigh. My body is that of a creator … angles meeting curves, hardness drifting into soft. I am a mother, daughter, sister, lover to myself.  Embraceable and brave, I extend my heart. My body is home, my home a shrine to life, comfortable, warm and rich with treasures. Mine is the scent of hot spices caught in a breeze, mine the laughter that wings through the door. I share myself only with those who honor me as I am and protect myself, my house, and my time from invaders. I search for my center in the midst of chaos, practice peace as wild dogs clamor in my mind. I use power for the greater good, release rag in neutral settings, with no one innocent in the line of fire. I am learning how to persist and how to let go, am willing to feel all emotion stop their depths and exaltation, to wake up in every nerve and no longer am afraid of my life. Both my beauty and strength transcend age, time and perhaps even this lifetime. Each day I am new, yet more at home in myself. Moment by moment, I create my world.  – Karen Andes

More Gershwin. (Yawn.)Embraceable You

Wynton's Master Class in Marciac on August 3, 2007