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Hosted by Matthew Brady
Hosted by Matthew Brady
Hosted by Matthew Brady
3 episodes with Matthew Brady
3 episodes with Matthew Brady
2 episodes with Matthew Brady
2 episodes with Matthew Brady
2 episodes with Matthew Brady
2 episodes with Matthew Brady
2 episodes with Matthew Brady
Looking back, when you were younger, do you wish you had some guidance when it came to making the really important decisions for your future? What college should I attend? Should I buy the reliable hatchback or the fire engine red mustang? Is this job offer right for me and my future? My guest today has created a tool that can do just that, by leveraging decision science technology to support and empower students as they make these important choices! Joining me today is Matthew Brady, tech entrepreneur, whose career has spanned both sides of the aisle from industry to education.
Send us a textToday's episode is my conversation about the 1928 film White Shadows in the South Seas. My friend Matthew Brady from the Warren Peace newsletter joins me to discuss the film and we talk about why this film was almost a shoe in for winning Best Cinematography at the 2nd Academy Awards, how interesting it was to be able to see some aspects of indigenous life on the South Pacific islands of around 100 years ago, and the cautionary tale that is this film. You can watch White Shadows in the South Seas on YouTube or purchase a copy for your collection and be sure to check out Matthew's newsletter.Other films mentioned in this episode include:Nanook of the North directed by Robert J. FlahertyMoana directed by Frances H. Flaherty, Robert J. Flaherty, and Monica Flaherty FrassettoThe Birth of a Nation directed by D. W. GriffithIntolerance directed by D. W. GriffithSadie Thompson directed by Raoul WalshOther referenced topics:White Shadows in the South Seas (novel) by Frederick O'Brien (also available on Project Gutenberg)"Rain" (short story) by W. Somerset MaughamLos Angeles Times article about Raquel Torres performing a voice testMotion Picture Magazine reviewThe Film Spectator review
Episode No. 700 (!) features artist Tarrah Krajnak and curator Claire Howard. Krajnak is featured in two exhibitions on opposite sides of the United States. At the San Francisco Museum of Modern Art, Krajnak is featured in "Around Group f.64: Legacies and Counterhistories in Bay Area Photography" through July 13. The exhibition was curated by Shana Lopes, Erin O'Toole, and Delphine Sims, with Sally Katz and Alex Landry. At the International Center of Photography, New York, Kraynak's work is included in "To Conjure: New Archives in Recent Photography." Organized by Sara Ickow, Keisha Scarville, and Elisabeth Sherman, the exhibition presents the ways in which seven photographers are reimagining what an archive can be, or might look like. A third US exhibition of Krajnak's work opens April 16 at the Frye Art Museum, Seattle. It will be curated by Georgia Erger. Krajnak works between photography, performance, and poetry. Krajnak, who was born in Peru to an Indigenous mother and who was raised by a transracial US family, often interrogates photography standards and finds that they have limited women, and furthered the violent loss of Native land, lives, and rights. She has won most major photography prizes; her work is in the collections of museums such as the Museum of Modern Art, New York; the Tate Modern, London; the Centre Pompidou, Paris; and the Museum Ludwig, Cologne. Raab is the author of "Relics of War: The History of a Photograph" from Princeton University Press. It examines a photograph made by Clara Barton and published by Matthew Brady that features relics from the notorious Confederate prison at Andersonville, Georgia. "Relics of War" traces how the photograph was a central part of Barton's work of addressing mass death and related grief. Amazon and Bookshop offer it for $42-59. Instagram: Tarrah Krajnak, Tyler Green.
During this week's episode of greener fields Hannah chats with Matthew Brady from Co. Cavan. Throughout this conversation Matthew speaks about growing up in Cavan, his time in college in Galway, living in both Amsterdam and Australia over the last few years and what he has learned throughout his time abroad now that he lives in Dublin. During this chat Matthew also speaks about the important role of people when living abroad, the value of managing your expectations in life, the destructive nature of comparison and alongside recognising the impact of being content where you are on your quality of life alongside so much more. This truly is a really special conversation about trusting your gut when making decisions, remembering that you can create a life for yourself anywhere (but it will take time and effort), and learning that there is some greener grass everywhere - so make sure to check it out today. Instagram: @matthewbrady_1 @greenerfieldss @hannahnash01
October 2024 Meeting of the Chicago Civil War Round Table: Larry Hewitt on "Port Hudson and the Birth of Combat Photography" For more info: WWW.ChicagoCWRT.ORG Larry Hewitt will present the who, what, where, when, why, and how the firm of McPherson & Oliver made photographic history. Between June 14 and July 9, 1863, the final 25 days of the 48- day siege of Port Hudson, McPherson & Oliver moved about the battlefield memorializing soldiers in action--and in combat! In the process of making this visual record of opposing armies actively engaged, an image of Union soldiers sharpshooting opposite the Priest Cap was not these two artists only claim to photographic fame. Other images include one taken at midnight (the first ever taken in the dark), one converted into a composite print (created by combining portions of two negatives), the Confederate army at the surrender ceremony, and examples of time-lapse photography. McPherson & Oliver also produced the most widely circulated cartes-de-visite of the Civil War, three different views of "Whipped Peter." But the duo seldom receives credit for these images of an abused slave. Other studios, including Matthew Brady's, published them as their own work. As with the battlefield they immortalized, McPherson and Oliver deserve better. 2 A native of Louisville, Kentucky, Lawrence Lee Hewitt received his B.A. (1974) from the University of Kentucky and his M.A. (1977) and Ph.D. (1984) from Louisiana State University. He was the manager of the Port Hudson (1978- 1982) and Camp Moore (1982-1986) Historic Sites in Louisiana and taught at Southeastern Louisiana University (1985-1996). He was a tenured full professor when he resigned to marry a native of Chicago, where he currently resides. The 1991 recipient of SLU's President's Award for Excellence in Research, the 1991 Charles L. Dufour Award, the 2011 Dr. Arthur W. Bergeron, Jr. Award, and the 2013 Nevins-Freeman Award, he is a past president of the Baton Rouge Civil War Round Table. Hewitt's publications include Port Hudson, Confederate Bastion on the Mississippi (1987). Andrew J. Wagenhoffer's blog Civil War Books and Authors named Hewitt's Port Hudson: The Most Significant Battlefield Photographs of the Civil War 2021 Book of the Year.
According to American Humane and its leadership team, the newly released sequel to 2020's award-winning "Escape from Extinction," introduces the science of "rewilding," a proven method for sustainable conservation that has the potential to bring back hundreds of thousands of species from the brink of extinction. Dr. Robin Ganzert, President and CEO of American Humane and the film's Executive Producer, along with Director and producer from MRB Productions, Matthew Brady, discuss the science and optimism behind rewilding projects from all over the world. The examples in "Escape From Extinction Rewilding" suggest the long held promise of modern zoological facilities and the professionals that care for threatened and endangered species to safeguard and return species into the wild in a manner that is beneficial to local communities is real. It's happening with greater success and sense of urgency as more habitats and species face threats from human activities such as climate change, pollution, encroachment, overfishing and so on. The film is in theaters in select cites now with streaming planned for later this year. Animal Care Software
John Rhea Barton was a master surgeon who has both a fracture and a professorship named for him. Thomas Story Kirkbride wanted to take Barton's role, but instead got interested in caring for the mentally ill at a time when a new philosophy was being introduced. Kirkbride asylums became the standard of care for many decades. Anna Lukens was among the students from Women's Medical College who were verbally and physically assaulted after an attempt at coeducational clinical teaching at Pennsylvania Hospital ended up in the “She Doctor Panic of 1869”. Richard Burr inadvertently became the poster child for Civil War embalmers when Matthew Brady captured his likeness while he was doing a battlefield procedure. If you like what you hear, please leave a review and check out Fathers and Mothers of American Medicine, parts 1, 2, and 3
In this episode of Robin's Nest, American Humane's Georgia Boyer hosts Matthew Brady, an award-winning producer and director. He is the President of MRB Productions and has worked very closely with American Humane throughout the years, including directing the 2011, 2012, 2013, 2014, and this year's Hero Dog Awards show! In addition, he produced the award-winning documentary Escape From Extinction and has just finished producing Escape From Extinction Two— Rewilding.
In this episode we pick right back up with our interview with Matt. In part 2 we discuss being a professional patient, new fears that come with having a transplant and parenthood and navigating the healthcare system. Email: bothsidesofthestethoscope@gmail.com Instagram: @bothsidesofthestethoscope Twitter: @bsotsthethoscope
In part 1 of this 2 part episode we talk with Matt Brady. Matt is 31 year post heart transplant that he received due to a viral illness at the age of 7. In this first part we discuss what led to his transplant, how he dealt with a transplant at such a young age, and setbacks he has had a long this 31 year journey. Tune in next week for part 2 of the interview! Email: bothsidesofthestethoscope@gmail.com Instagram: @bothsidesofthestethoscope Twitter: @bsotsthethoscope
In this episode, we explore the complex and controversial legacy of Truganini, a prominent Tasmanian First Nations figure. We delve into her life as a survivor of European colonization, her involvement in efforts to protect First Nations culture and heritage, and her role in the Tasmanian First Nations community.Join Holly and Matthew as they examine her life and seek a deeper understanding of Truganini and her impact on the history and culture of Australia.Fanny Cochrane Smith: https://www.youtube.com/watch?v=DjX-Id4LaL0***Episodes mentioned within:- 26-28 (Ned Kelly)- 61-62 (Old Melbourne Gaol)- 186-187 (Matthew Brady)- 21 (Cannibal Bushrangers)- 35 (Port Arthur Penal Colony)- 67 (The Frederick)- 146-147 (The McMillan Cairns) - 231-233 (Midnight Oil)- 54-55 (Stolen Generations)- 40 (Bass Strait Triangle)- 132 (Friendly Australian Serpents)Main Theme music – Kevin MacLeod"Slow Ticking Clock" – Kevin MacLeodUsed under a Creative Commons license.
In this special edition of Missin Curfew, the fellas are joined by the Tkachuk family for an All-Star Weekend interview recorded at the Rock Bar in Ft. Lauderdale, FL. Matthew, Brady, and Keith, share their thoughts on the excitement of this weekend and how it feels for them to be here together. They also delve into Matthew's move from Calgary to Florida, Brady's outlook on the Sens season, and Keith shares his memories from past All-Star games. Tune in to find out who Brady has disappointed, what Matty and Brady remember from going to their dads All-Star games, and much more!Draft Kings Disclaimer:If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling 1-800-GAMBLER (1-800-426-2537) (IL/IN/LA/MI/NJ/PA/TN/WV/WY), 1-800-NEXT STEP (AZ), 1-800-522-4700 (CO/NH), 888-789-7777/visit http://ccpg.org (CT), 1-800-BETS OFF (IA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), call/text TN REDLINE 1-800-889-9789 (TN), or 1-888-532-3500 (VA).21+ (18+ NH/WY). Physically present in AZ/CO/CT/IL/IN/IA/LA(select parishes)/MI /NJ/NY/PA/TN/VA/WV/WY only. Void in ONT. Valid 1 per new customer. Min. $5 deposit. Min $5 pregame moneyline bet. Bet must win. $150 issued as six (6) $25 free bets. Free Bets are non-cashable and cannot be withdrawn. Free bets must be wagered 1x and stake is not included in any returns or winnings. Free Bets expire 7 days (168 hours) after being awarded. Promotional offer period ends 12/30/22 at 11:59pm ET.. See terms at sportsbook.draftkings.com/hockeyterms. NHL and the NHL Shield are registered trademarks of the National Hockey League. © NHL 2022. All Rights Reserved
Bushrangers can be many things: pious priests (Captain Moonlight), womanisers (Captain Thunderbolt and Matthew Brady), scoundrels (The Kelly Gang and the Ben Hall Gang), or even slippery (Moondyne Joe and the Tasmanian Cannibals).Generally speaking, they tend not to be as mad as a stuck pig. But there was one bushranger out there who seemed to have no code, other than to cause chaos wherever he trod. Ladies and gentlemen, we present: Mad Dan Morgan, also known as 'Mad Dog'.
Bushrangers can be many things: pious priests (Captain Moonlight), womanisers (Captain Thunderbolt and Matthew Brady), scoundrels (The Kelly Gang and the Ben Hall Gang), or even slippery (Moondyne Joe and the Tasmanian Cannibals).Generally speaking, they tend not to be as mad as a stuck pig. But there was one bushranger out there who seemed to have no code, other than to cause chaos wherever he trod. Ladies and gentlemen, we present: Mad Dan Morgan, also known as 'Mad Dog'.
7:00 - Wrapping up he cardinals slip against the Pirates, the Avs getting an early lead on TB & getting ready for a potential Warriors championship 7:15 - Sick of it! The heat is just the first on the list today... 7:30 - Keith Tkachuk on raising two NHL players, Matthew & Brady fighting/growing up in the locker room & a grocery bill that never stops 7:45 - TIOLI 8:00 - Fresh Take: In the light of Lefty's fall from grace, Rory step into a leadership role for the PGA 8:15 - Is legacy talk too rooted in static things like championships and MVP trophies? 8:30 - The Fight 8:45 - Jeremy Rutherford on the blues decisions for their current UFA and how many are inter-connected with another 9:00 - Today's Big Thing: Jack didn't look lights out, but the defense betrayed him before we could get a realistic chance to gauge how the start went... 9:15 - Mark McGwire talks about raising his sons, legacy on the baseball diamond and being raised by the hardest-working man he ever knew 9:50 - You're killing me, Smalls!
"Big Walt" Keith Tkachuk joins Randy & Michelle to talk about Matthew, Brady & Tara, including why it's always harder to watch your kids than playing yourself, the terrifying aspects of watching his sons in the playoffs, raising Matthew & Brady essentially in the locker room, the biggest difference between Matthew & Brady, what it's like to still have them in the house/down the street, he grocery bill that ever ends, the chances we'll see one of both of the Tkachuk boys in the Blue note one day and who is the most likely to cook up the steak for Big Walt this weekend.
Real Kyper & Bourne are joined by former NHLer Keith Tkachuk! He chats about his two sons, Matthew & Brady, and the advice he's passed along over the years, the St. Louis Blues offensive explosion this season, and how physicality doesn't skip a generation (00:13). To wrap up the show, the fellas sort through the news and notes from around the NHL, answer some listener texts, and debate if Auston Matthews will reach his 60th goal this season. Watch on YouTube! The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliate.
Join us in talking about preparation for uncertain times with Lead Pastor Craig Schlesinger, and Executive Leadership team, Lynn Ferder and Shaun Konopaski with a special guest of Matthew Brady.
Synopsis For the 1984 Olympic Games in Los Angeles, a major international arts festival was planned, and, as its centerpiece, a gigantic day-long music-theater work designed and coordinated by the avant-garde American director Robert Wilson. Wilson titled the work “the CIVIL warS: A Tree Is Best Measured When It Is Down,” with a story line loosely inspired by Matthew Brady's famous photographs from America's Civil War, but also incorporating myths, images, and historical icons from around the world. The idea was that the various sections of the work would be contributed by a team of composers, each section connected by what Wilson called “knee plays” – short “joints” if you will, linking the parts to the whole. The “knee play” music was contributed by the American pop musician David Byrne, a member of the “Talking Heads.” The Fifth and final act of “Civil Wars,” was written by the minimalist composer Philip Glass. It was dubbed “The Rome Section,” since it was commissioned and premiered as a separate work by the Rome Opera on today's date in 1984. In the end, Wilson's ambitious day-long epic wasn't staged in Los Angeles as planned. The reason given at the time was “funding problems.” Music Played in Today's Program Philip Glass (b. 1937) — Rome Section, fr The Civil Wars (Giuseppe Sabbatini, tenor; American Composers Orchestra; Dennis Russell Davies, cond.) Nonesuch 79487
On this week's episode, Josie sits down with her BFF Matthew Brady to talk about their lives at the Baptist church they both left and to talk some shit about some stuff, as per usual in their relationship. It's a fun and endearing episode about finding yourself against the odds and stepping into who you are meant to be. Find us on Instagram: instagram.com/speakinginchurch Find us on Twitter: twitter.com/speakingchurch For more of Josie: instagram.com/josietakestheworld | twitter.com/josietakesthe For more of Spencer: instagram.com/spencerose | twitter.com/snoble_ Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome Back to The Spring Legion Podcast, Powered by Rolling Thunder Game Calls! Hosts Hunter Farrior and Austin Sills sit down with Brad Farris, a familiar face in the hunting industry, to dive into all that he's experienced in the turkey woods over the years. Brad's early days spent with Will Primos hunting in the 1990's. The difference in today's tactics versus years ago. Brad's favorite turkey calls and when to use them. Hunter's experience with two Kansas field birds. Morning vs. Afternoon turkey hunting. Tips and other bits of wisdom from the well respected . Our Open Season Countdown, brought to you by Open Season Properties: 62 Days In the market for buying or selling land in Mississippi? Give either of today's hosts a call, text, or email, and we'll be glad to help! Hunter Farrior, Licensed Agent, Open Season Properties: (769) 798-2355 hunterfarrior@springlegion.com @hunter.farrior hunterfarriorfb Austin Sills, Licensed Agent, Open Season Properties: (601) 672-9113 austinsills@springlegion.com @sills_springlegion Last Week's winner of our Podcast Giveaway for a FREE newly-released meshback is: Matthew Brady @beef_o_bradyy Make sure to subscribe to our podcast, YouTube, and social platforms to catch all kinds of live content throughout the NWTF Convention, and the remainder of Spring Turkey Season 2022! NWTF CONVENTION 2022 - Booth #304 Follow us on Social Media: Instagram: @springlegion TikTok: @springlegion YouTube: springlegion Facebook: @springlegion More may be found at springlegion.com Thank you all for listening and Rolling Thunder Game Calls for making this podcast possible!
Seb has created an exhibition, both clever and imaginative, but also at times seemingly at odds with the innocence of toys. Upstairs in the gallery, a darker space awaits, with toys represented in wartime scenarios with recreations of iconic photographs and movie scenes from black and white D-Day battle scenes, moving to colour with the Vietnam War and the Middle Eastern conflicts. In his final year at the University of Ulster in 2014 studying Interactive Media Arts, Seb focussed on War Photography. Frank Capa, Roger Fenton and Matthew Brady became major influences on his work – particularly how their photographs were used as propaganda tools.
Show-Biz Comebacks! Eleanor vs Elenore vs Eeyore! Willio and Phillio! Matthew Brady shoots Will! Dumbo's - and Katie's - Circus! Crochet Olympics! Richard M. Sherman directs Will! The Impossible Number Sequence? Odd jobs! Et Cetera! Big thanks to our Patrons! Join our Patreon Family and enjoy all new episodes of our other shows including "Welcome to Later," "Adventures in Popcorn," and more Fun Stuff! https://www.patreon.com/TellYaLater Send Us an Email! tellyalater2021@gmail.com Support us on Anchor! https://anchor.fm/tell-ya-later/support Follow us on Instagram: https://www.instagram.com/tellyalatershow/ Get the Updated edition of our book, "ADVENTURES IN ODDITY" with 58 all-new pages - new cartoons by Will too! Learn more about Iggledip and other oddities! Order your autographed paperback copy today . . . https://www.katieleigh.com/books-audio OR the audiobook: https://www.katieleigh.com/books-audio OR Watch us "read" the BONUS CHAPTERS via our VIDEOBOOK available on Vimeo: https://vimeo.com/ondemand/adventuresinoddity (also available on AMAZON) --- Support this podcast: https://anchor.fm/tell-ya-later/support
US Hockey Hall of Famer Keith Tkachuk joins Ian and Hailey to talk about the upcoming 5 game series between Matthew's Flames and Brady's Senators in the North Division. Big Walt offers his opinion on the boys trademark mouthguard's, if we'll ever see the boys fight and the bright future for the young Sens.Ian and Hailey tackle the shocking allegation's about Rangers forward Artemi Panarin, who has taken a break from the blueshirts after a Russia report, which looks to be politically motivated, of an alleged assault in 2011 that both the player and the team vehemently deny.Plus Ian and Hailey recap the NHL's Lake Tahoe experiment, Jack Eichel's future in Buffalo, Sidney Crosby's 1000th game for the Penguins, and we end with another edition of multiple choice madness. Hosted on Acast. See acast.com/privacy for more information.
Numeral Kingdom, So Sober, Reverse Diving, Water Based Space Sub, Wild Animal Scrub, Piss Purple Office, Slippery Sliderator, Wet Front SliderListen to Frontier War Stories podcast HERECheck out Andy on Do Go On talking about Matthew Brady, The Gentleman BushrangerGet Magma here: https://sospresents.com/programs/magmaHey, why not listen to Al's meditation/comedy podcast ShusherDon't forget TITTT Merch is now available on Red Bubble. Head over here and grab yourselves some swag....and you can support the pod by chipping in to our patreon here (thank you!)Two in the Think Tank is a part of the Planet Broadcasting family You can find us on twitter at @twointankAndy Matthews: @stupidoldandyAlasdair Tremblay-Birchall: @alasdairtb and instaAnd you can find us on the Facebook right hereVacuum sealed thanks to George for producing this episode. See acast.com/privacy for privacy and opt-out information.
You shall know that I am in the midst of Israel, and that I, the Lord, am your God and there is no other. And my people shall never again be put to shame. ~ Joel 2:27 Image: Abraham Lincoln, Photographed by Matthew Brady, January 1864 --- Send in a voice message: https://anchor.fm/bob-johnson9/message Support this podcast: https://anchor.fm/bob-johnson9/support
Astronaughty, Future C.S.I, Medulla Ob-Long Sentence, A Higher Culting, Hermit Crabman, Dirt Angels, PokeDogsWatch Aunty Donna's Big Ol' House of Fun - Trailer HERECheck out Andy on Do Go On talking about Matthew Brady, The Gentleman BushrangerGet Magma here: https://sospresents.com/programs/magmaHey, why not listen to Al's meditation/comedy podcast ShusherDon't forget TITTT Merch is now available on Red Bubble. Head over here and grab yourselves some swag....and you can support the pod by chipping in to our patreon here (thank you!)Two in the Think Tank is a part of the Planet Broadcasting family You can find us on twitter at @twointankAndy Matthews: @stupidoldandyAlasdair Tremblay-Birchall: @alasdairtb and instaAnd you can find us on the Facebook right hereVacuum sealed thanks to George for producing this episode. See acast.com/privacy for privacy and opt-out information.
Long (Division) Con, Alt Parenting, Sexy Ideology, The One Other Ring, Beautiful as Bezos, Virtual Realitpea, Balloon Stent Gent, Four Breads, Parenting PipeCheck out Andy on Do Go On talking about Matthew Brady, The Gentleman BushrangerGet Magma here: https://sospresents.com/programs/magmaHey, why not listen to Al's meditation/comedy podcast ShusherDon't forget TITTT Merch is now available on Red Bubble. Head over here and grab yourselves some swag....and you can support the pod by chipping in to our patreon here (thank you!)Two in the Think Tank is a part of the Planet Broadcasting family You can find us on twitter at @twointankAndy Matthews: @stupidoldandyAlasdair Tremblay-Birchall: @alasdairtb and instaAnd you can find us on the Facebook right hereSweet baby thanks to George for producing this episode. See acast.com/privacy for privacy and opt-out information.
Our good friend Andy Matthews joins us this week to tell us about one of the most polite bushrangers in Australian history ; Matthew Brady.Check out Frontier War Stories: https://boespearim.podbean.com/Check out Andy's podcast: https://www.planetbroadcasting.com/our-shows/two-in-the-think-tank/Check out Andy and Al's great show, MAGMA: https://sospresents.com/programs/magma?categoryId=40973Buy tickets to our live streamed shows:https://sospresents.com/catalogSupport the show and get rewards like bonus episodes: patreon.com/DoGoOnPodBuy tickets to our streamed shows (there are 8 available to watch now! All with exclusive extra sections): https://sospresents.com/authors/dogoonCheck out our web series: https://www.youtube.com/user/stupidoldchannel Submit a topic idea directly to the hat: dogoonpod.com/Submit-a-TopicTwitter: @DoGoOnPodInstagram: @DoGoOnPodFacebook: https://www.facebook.com/DoGoOnPod/Email us: dogoonpod@gmail.comCheck out our other podcasts:Book Cheat: https://play.acast.com/s/book-cheatPrime Mates: https://play.acast.com/s/prime-mates/Listen Now: https://play.acast.com/s/listen-now/Our awesome theme song by Evan Munro-Smith and logo by Peader ThomasREFERENCES AND FURTHER READING: https://trove.nla.gov.au/newspaper/article/18421054https://www.utas.edu.au/library/companion_to_tasmanian_history/B/Bushranging.htm
SPECIAL Guest!!! "Foehammer" is in the house ... Please welcome Matthew Brady from Bend the Knee! ~ We move from Elves to Goblins as we tromp into The Hobbit Chapter 4 - Over Hill and Under Hill! We are excited to have you along for another adventure!!! Don't forget your pocket handkerchief ~ CHECK OUT Ser Matt's PODCASTING PROJECTS: Bend the Knee: https://bendtheknee.podbean.com/ Hyperspace Hangout: https://hyperspacehangout.podbean.com/ Heroes of the Horn: https://heroesofthehorn.podbean.com/ The Bywater Post: please send your "Tolkien Stories" to anunexpectedpod@gmail.com We will read and share those on the podcast! Also; if you enjoy singing, send us an audio clip of you singing one of the songs in our story! We'd love to play it on the podcast. Join the group discussion at https://www.facebook.com/uptalkintolkien Subscribe to our YOUTUBE: http://www.youtube.com/c/TalkinTolkien Follow us on Instagram: https://www.instagram.com/uptalkintolkien/ Follow us on Twitter: https://twitter.com/uptalkintolkien If you'd like to send us something please address it to: The ShireP.O. Box 96Amanda, OH 43102 If you'd like to support the show and get access to additional Middle Earth content then hit us up at Patreon: https://www.patreon.com/uptalkintolkien Patreon exclusive podcast series include: Melkor's Discord – Join us on Discord before the show Peekin’ in the Palantir- Predictions about the show/future of middle earth The Appendices – Lane and Ez talk about nothing deep into the night! NEW* Drinks at the Dragon - Monthly Zoom Session
There's something about wet plate photography that I can't get out of my head. Maybe it's the process, maybe it's the unpredictable nature of it - Sally Mann calls it “the angel of uncertainty.” Or maybe it's the permanence of the objects themselves. When you look at an image by Matthew Brady or Timothy O'Sullivan, for a moment you're no longer part of the present. And I would argue that that sense of timelessness is one of the reasons a handful of modern photographers still choose to embrace the 170-year-old process.In 2018 there was a Sally Mann show at the National Gallery called A Thousand Crossings. It is by far my favorite show I've ever seen since I've been in DC and, in fact, I went back to see it about a half-dozen times. While I love her entire body of work, it was the wet plate work—both plates and prints—that I found myself gravitating to the most. Far from the pristine edge-to-edge sharpness of modern photos, they exude life, inexorably binding them to the maker.A couple weeks ago, I got an email form Shane Balkowitsch, a wet plate photographer from Bismarck, North Dakota who began shooting wet plate after seeing a plate of a motorcycle. Something about it refused to let go and he reached out to the photographer to ask about the image and the process behind it. 45 days later, he made his first wet plate—an image of his brother. That was 2012. Today, more than 3500 plates later, Shane's work is in collections including the State Historical Society of North Dakota and the National Portrait Gallery. His ongoing project photographing Native Americans and helping to preserve their culture has earned him the name “Shadow Catcher.” LINKSNorthern Plains Native Americans: A Modern Wet Plate Perspective* - https://amzn.to/31SEIvUBalkowitsch (Documentary)* - https://amzn.to/3gBAOvxState Historical Society of North Dakota - https://www.history.nd.gov/archives/manuscripts/inventory/2014-P-025.htmlSally Mann: A Thousand Crossings - https://www.nga.gov/exhibitions/2018/sally-mann-a-thousand-crossings.html CONNECT WITH SHANEWebsite: http://sharoncol.balkowitsch.com/wetplate.htmInstagram: https://www.instagram.com/balkowitschFacebook: https://www.facebook.com/balkowitsch MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0
There's something about wet plate photography that I can't get out of my head. Maybe it's the process, maybe it's the unpredictable nature of it - Sally Mann calls it “the angel of uncertainty.” Or maybe it's the permanence of the objects themselves. When you look at an image by Matthew Brady or Timothy O'Sullivan, for a moment you're no longer part of the present. And I would argue that that sense of timelessness is one of the reasons a handful of modern photographers still choose to embrace the 170-year-old process.In 2018 there was a Sally Mann show at the National Gallery called A Thousand Crossings. It is by far my favorite show I've ever seen since I've been in DC and, in fact, I went back to see it about a half-dozen times. While I love her entire body of work, it was the wet plate work—both plates and prints—that I found myself gravitating to the most. Far from the pristine edge-to-edge sharpness of modern photos, they exude life, inexorably binding them to the maker.A couple weeks ago, I got an email form Shane Balkowitsch, a wet plate photographer from Bismarck, North Dakota who began shooting wet plate after seeing a plate of a motorcycle. Something about it refused to let go and he reached out to the photographer to ask about the image and the process behind it. 45 days later, he made his first wet plate—an image of his brother. That was 2012. Today, more than 3500 plates later, Shane's work is in collections including the State Historical Society of North Dakota and the National Portrait Gallery. His ongoing project photographing Native Americans and helping to preserve their culture has earned him the name “Shadow Catcher.” LINKSNorthern Plains Native Americans: A Modern Wet Plate Perspective* - https://amzn.to/31SEIvUBalkowitsch (Documentary)* - https://amzn.to/3gBAOvxState Historical Society of North Dakota - https://www.history.nd.gov/archives/manuscripts/inventory/2014-P-025.htmlSally Mann: A Thousand Crossings - https://www.nga.gov/exhibitions/2018/sally-mann-a-thousand-crossings.html CONNECT WITH SHANEWebsite: http://sharoncol.balkowitsch.com/wetplate.htmInstagram: https://www.instagram.com/balkowitschFacebook: https://www.facebook.com/balkowitsch MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0Support the show (https://jefferysaddoris.com/#donate)
There's something about wet plate photography that I can't get out of my head. Maybe it's the process, maybe it's the unpredictable nature of it - Sally Mann calls it “the angel of uncertainty.” Or maybe it's the permanence of the objects themselves. When you look at an image by Matthew Brady or Timothy O'Sullivan, for a moment you're no longer part of the present. And I would argue that that sense of timelessness is one of the reasons a handful of modern photographers still choose to embrace the 170-year-old process.In 2018 there was a Sally Mann show at the National Gallery called A Thousand Crossings. It is by far my favorite show I've ever seen since I've been in DC and, in fact, I went back to see it about a half-dozen times. While I love her entire body of work, it was the wet plate work—both plates and prints—that I found myself gravitating to the most. Far from the pristine edge-to-edge sharpness of modern photos, they exude life, inexorably binding them to the maker.A couple weeks ago, I got an email form Shane Balkowitsch, a wet plate photographer from Bismarck, North Dakota who began shooting wet plate after seeing a plate of a motorcycle. Something about it refused to let go and he reached out to the photographer to ask about the image and the process behind it. 45 days later, he made his first wet plate—an image of his brother. That was 2012. Today, more than 3500 plates later, Shane's work is in collections including the State Historical Society of North Dakota and the National Portrait Gallery. His ongoing project photographing Native Americans and helping to preserve their culture has earned him the name “Shadow Catcher.” LINKSNorthern Plains Native Americans: A Modern Wet Plate Perspective* - https://amzn.to/31SEIvUBalkowitsch (Documentary)* - https://amzn.to/3gBAOvxState Historical Society of North Dakota - https://www.history.nd.gov/archives/manuscripts/inventory/2014-P-025.htmlSally Mann: A Thousand Crossings - https://www.nga.gov/exhibitions/2018/sally-mann-a-thousand-crossings.html CONNECT WITH SHANEWebsite: http://sharoncol.balkowitsch.com/wetplate.htmInstagram: https://www.instagram.com/balkowitschFacebook: https://www.facebook.com/balkowitsch MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0
This episode is sponsored by MudWtr! To get 15% off (and free shipping!) of this delicious coffee alternative, please go to mudwtr.com/woke and enter my discount code: WOKE. Matt Brady is a character that I'm likely never going to be able to shake. This podcast was our first encounter, and it has to be one of my most favorite "first time" meetings that I've ever had. Matt has a zest for life. He just says yeah to it all...so much so, that he has SAY YEAH tattooed on his derrière. His way of life has sparked a small fire and as of today, 20 other people have followed suit and tattooed the same manifesto on their bums, too. Beyond the tattoo on his buttocks, Matt is well traveled, quite brilliant (in my humble opinion), and one of the greatest story tellers I have had on the show yet. Sitting with him was an absolute joy, and I hope you all pressure him into starting his own podcast, simply because, he needs one. Until he is pressured into starting his very own podcast, you can find him on his brand new instagram account @saysyeah. ....And I think one of our biggest hopes out of this conversation is that one of you out there in "listener land" (....I'm channeling Matt Brady himself here....) gets this manifesto tattooed on your booty, takes a photo, sends it to Matt and myself, and our lives will be made. Just say yeah, kids, say yeah.
Matthew Brady and Mark Jeffries were bushranger highwaymen in the wilds of Tasmania in the 1820s. Although they were both escaped convicts on the lam and being hunted by constabulary, they had little in common.Matthew Brady was considered chivalrous, a man who used violence only in self-defence. Dubbed the Gentleman Bushranger, due his fine manners and his way with the ladies. Brady was charming and a little bit mischievous with a cheeky sparkle in his eye.Mark Jeffries was not like Matthew Brady.Beyond his dead eyed stare was an empty perverted soul who just wanted to watch the world burn, possibly while he had nonconsensual sex with it. Jeffries was a sadist, a ruthless killer, a sexual predator, a baby executioner and cannibal.Both were being hunted by the notorious bounty hunter Batman… John Batman.TCNT: Davis Rozkains discusses a new study sought to determine if it is, in fact, truly possible to hire a hitman on the dark web. We also reference the NY Times article. Read it in full here: https://www.nytimes.com/2020/03/04/technology/can-you-hire-a-hit-man-online.htmlAussie As: A 92-year-old Melbourne man drives his mobility scooter onto the free way and has choice words for a motorist who tried to stop him. Become a Bloody Murder Patron (for as little as $1 per month, which you can cancel at anytime) and have access to dozens of Patron only episodes (including our whole first season and AD FREE episodes released early!) with new patron only content added every month!Go to https://www.patreon.com/bloodymurderLevels $5 and over go into our monthly merchandise draws and get FREE stickers and hand-made Barney Badges!See our website! bloodymurderpodcast.com for all our social media links, contact details, a gallery, fabulous merchandise (check out our new Bloody Murder SHOES! and now STICKERS and BACKPACKS and DUFFEL BAGS!!) and much much more.Wanna buy us a drink? Here's a donate link.True Crime Nerd Time, a segment on Bloody Murder, needs your help because it stars you! We want you, our listeners, to submit your recommendations for anything true cime related! It could be books, TV shows, movies, documentaries, exhibitions, graphic novels, art, music etc. So send us your brief story (we’ll read it out) or record your story (it can just be a recording on your phone, and we’ll play it!). We will also publish it on our website. Keep it to about 2 mins please or 250 words. Email here! bloodymurderpodcast@gmail.com. Oh and if you give us your postal address we'll send you some stickers as a reward!We love our patrons and to show them how much we do them we're holding monthly give-aways. March’s lucky winner of the Bloody Murder “Tara touch my mucles” T-Shirt was Nellie Lurmann. This month, we have a special prize! we're giving away some FEM Sudio Wireless Ear Buds.With its wireless design and minimalistic charging case, Fem is the perfect match for any adventure. They are splash, rain and sweat proof, and they hold a total of 20 hours playtime, 6 hours in a single charge. Fem also introduces a four-microphone system and new touch controls for an enhanced sound quality experience. It also features the latest... See acast.com/privacy for privacy and opt-out information.
In this week’s “Hanging with Big Walt”, Robert Thomas on the rise, Matthew/Brady rivalry, and NHL in the Olympics.
,,Myndavélin er auga mannkynssögunnar?? á bandaríski ljósmyndarinn Matthew Brady að hafa sagt, en fyrir miðbik 19. aldar var Brady forsvari þeirra sem gerðu fyrstu tilraunina til að safna heildstæðum heimildum um stríð með ljósmyndum. Í þætti dagsins er hugað að ljósmyndum sem sýna sársauka annarra- birtingamyndir hörmunga og hryllings, myndir úr stríðum og styrjöldum, myndir af særðu og látnu fólki í átökum - það er að segja; fréttamyndir. Hvaða áhrif hafa slíkar ljósmyndir? Hver er tilgangurinn með því að birta og horfa á þær? Eru ljósmyndir færar um að festa sannleikann og söguna á mynd? Það er að segja, eru þær sannar? Fyrst um sinn, þegar blaðamyndir voru af skornum skammti, virðist hlutverk þeirra fyrst og fremst hafa verið að styðja og auka við texta fréttarinnar. Með tíð og tíma þróuðust þær yfir í að verða miðill í sjálfu sér - heimildarljósmyndir sem krefjast ekki orða í frásögn sinni. Eða, eins og rithöfundurinn og fræðimaðurinn Susan Sontag, sem kemur víða við sögu í þætti dagsins, segir í bók sinni Um sársauka annarra: „Þegar teknar hafa verið ljósmyndir, þá er stríð orðið „raunverulegt“. Þannig voru mótmælin gegn Víetnam stríðinu knúin áfram af myndum. Sú tilfinning að eitthvað yrði að gera vegna stríðsins í Bosníu var borin uppi af þeirri athygli sem það naut af hálfu fréttamanna og var stundum nefnd CNN áhrifin - sem sendu myndir af Sarjevo í umsátirnu inn á hundruð milljóna heimila kvöld eftir kvöld í meira en þrjú ár. Þessi dæmi sýna þau afdráttarlausu áhrif sem ljósmyndir hafa á það hvaða hörmungum og erfiðleikum við veitum athygli, hvað við látum okkur annt um og, þegar upp er staðið, hvaða gildismat er lagt á þessi átök.??
,,Myndavélin er auga mannkynssögunnar?? á bandaríski ljósmyndarinn Matthew Brady að hafa sagt, en fyrir miðbik 19. aldar var Brady forsvari þeirra sem gerðu fyrstu tilraunina til að safna heildstæðum heimildum um stríð með ljósmyndum. Í þætti dagsins er hugað að ljósmyndum sem sýna sársauka annarra- birtingamyndir hörmunga og hryllings, myndir úr stríðum og styrjöldum, myndir af særðu og látnu fólki í átökum - það er að segja; fréttamyndir. Hvaða áhrif hafa slíkar ljósmyndir? Hver er tilgangurinn með því að birta og horfa á þær? Eru ljósmyndir færar um að festa sannleikann og söguna á mynd? Það er að segja, eru þær sannar? Fyrst um sinn, þegar blaðamyndir voru af skornum skammti, virðist hlutverk þeirra fyrst og fremst hafa verið að styðja og auka við texta fréttarinnar. Með tíð og tíma þróuðust þær yfir í að verða miðill í sjálfu sér - heimildarljósmyndir sem krefjast ekki orða í frásögn sinni. Eða, eins og rithöfundurinn og fræðimaðurinn Susan Sontag, sem kemur víða við sögu í þætti dagsins, segir í bók sinni Um sársauka annarra: „Þegar teknar hafa verið ljósmyndir, þá er stríð orðið „raunverulegt“. Þannig voru mótmælin gegn Víetnam stríðinu knúin áfram af myndum. Sú tilfinning að eitthvað yrði að gera vegna stríðsins í Bosníu var borin uppi af þeirri athygli sem það naut af hálfu fréttamanna og var stundum nefnd CNN áhrifin - sem sendu myndir af Sarjevo í umsátirnu inn á hundruð milljóna heimila kvöld eftir kvöld í meira en þrjú ár. Þessi dæmi sýna þau afdráttarlausu áhrif sem ljósmyndir hafa á það hvaða hörmungum og erfiðleikum við veitum athygli, hvað við látum okkur annt um og, þegar upp er staðið, hvaða gildismat er lagt á þessi átök.??
Dave Bowers is a photojournalism history buff and spends time at Civil War reenactment events as the photographer Matthew Brady. In this episode Larry interviews Dave about how he got started and Dave shares fascinating historical events and how so many famous figures from history crossed paths with one another. PLUS, there's an AWESOME Platypod Black Friday special that's only good Dec. 2 through Dec. 6 so have a listen!
Dave tells everyone about his new Facebook fan page, which chronicles his radio career from his first day on air until today. Check out the original daguerreotype images taken back in the day by that new kid Matthew Brady when Dave and Jerry still had all their hair. Listeners commented on a new poll of the WORST halloween candy. Dave remembered eating some nasty halloween candy as a kid that had wax in it and he claims to have pooped a candle! You will want to light a match after digesting Episode Seventy One of "It's Called Pork Roll with Dave and Jerry!
The Shutter Brothers are here once again to give you a dose of film photography inspiration and education. Do you have filters in your camera bag that you don't know how to use? Was there a filter on the lens of that camera you just came home recently? Chances are that you have one of several filters that some folks simply leave on their lens all the time, but what do they do? Kevin does a deep dive into UV, UV Haze, and UV Skylight filters that, while they may project your lens from dirt and damage, they also have specific purposes that could help you make better photographs in certain conditions. Next, Kelley introduces us to a great book on American Civil War photography, War Photographs Taken on the Battlefield of the Civil War by Matthew Brady and Alexander Gardner. Many of you will recognize the names of Brady and Gardner as well-known Civil War photographers, and this book puts much of their work in one very nice volume. Their photographs are, of course of of the wet plate variety, and the quality of the work is amazing, especially giving the conditions in which they were made. The book can be purchased online here. Kelley continues with a camera, the Canon T70 SLR, which was Canon's entry into the automated yet fully manual 35mm camera market. The camera utilizes various program and automatic exposure modes, a built-in spot meter, a motor drive and has a large, bright viewfinder. Like many cameras of its era, it completely relies on battery power to work. Without batteries, the camera will not power up. Canon T70's are plentiful and relatively inexpensive, so if you come across one, consider giving it a try. Finally, the Shutter Brothers answer some great questions from listeners about non-photographic accessories, influential photographers, and those missed photographic opportunities. Please subscribe, and don't forget to check out our blog. Visit our Facebook page and Instragram feed (@ujcpodcast) as well. And we'd love to hear from you, so send us an email at unclejonysyscameras@gmail.com. Happy Shooting!
One of my favorite photo documentaries is Darkness & Light, which is a fantastic look into the mind and work of Richard Avedon. A lot of people know Avedon from his photographs in the American West – bold monochrome portraits set against stark white backgrounds or “that poster.” You know the one – it features a nude Nastassja Kinski lying on a concrete floor entangled with a massive Burmese python. Originally shot for Vogue, the poster went on to sell millions of copies.Avedon's career spanned six decades and his work bridged the gap between art and commerce in a way that few others managed to do – either before or since – and yet still he felt dissatisfied with all that he had accomplished as a photographer.“I've never been able to put all I know into a photograph,” he said. “A photograph can be an adjective, a phrase. It can even be a sentence or a paragraph, but it can never be a chapter. So it's been a lifetime of frustration in terms of expressing myself because of the limitations of the visual image. I believe in it-but it's limited.”Avedon has been at or near the the top of my list of favorite photographers for the better part of three decades but honestly it's still hard for me to articulate why I feel such a connection to his work. There's an obvious technical mastery of the medium, but I could say the same for dozens of photographers whose work doesn't hold my interest in the same way or resonate as deeply as that of Avedon. So what is it that makes his work so compelling to me? Does he deserve the accolades and if so, why?I was talking to my friend Hugh Talman and happened to have my little Zoom H2 with me and asked if we could hit the record button since the odds are pretty good that at least one amazing story will emerge. Hugh recently retired from a 33-year tenure at the Smithsonian Museum of American History, first as a darkroom tech and then as a photographer. Before that, he spent 12 years at the National Archives where he printed many of Matthew Brady's glass plates from the Civil War as well as the work Timothy O'Sullivan did as part of the Western Survey. His knowledge and experience in all things photographic is staggering and if anyone could answer the question, it would be him.Subscribe: iTunes | Pocket Casts | Overcast | RSSI'd love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.You can catch up with Hugh on Instagram @hughtalman.Music in this episode: Gloom (Jahzzar) / CC BY-SA 4.0
One of my favorite photo documentaries is Darkness & Light, which is a fantastic look into the mind and work of Richard Avedon. A lot of people know Avedon from his photographs in the American West – bold monochrome portraits set against stark white backgrounds or “that poster.” You know the one – it features a nude Nastassja Kinski lying on a concrete floor entangled with a massive Burmese python. Originally shot for Vogue, the poster went on to sell millions of copies.Avedon's career spanned six decades and his work bridged the gap between art and commerce in a way that few others managed to do – either before or since – and yet still he felt dissatisfied with all that he had accomplished as a photographer.“I've never been able to put all I know into a photograph,” he said. “A photograph can be an adjective, a phrase. It can even be a sentence or a paragraph, but it can never be a chapter. So it's been a lifetime of frustration in terms of expressing myself because of the limitations of the visual image. I believe in it-but it's limited.”Avedon has been at or near the the top of my list of favorite photographers for the better part of three decades but honestly it's still hard for me to articulate why I feel such a connection to his work. There's an obvious technical mastery of the medium, but I could say the same for dozens of photographers whose work doesn't hold my interest in the same way or resonate as deeply as that of Avedon. So what is it that makes his work so compelling to me? Does he deserve the accolades and if so, why?I was talking to my friend Hugh Talman and happened to have my little Zoom H2 with me and asked if we could hit the record button since the odds are pretty good that at least one amazing story will emerge. Hugh recently retired from a 33-year tenure at the Smithsonian Museum of American History, first as a darkroom tech and then as a photographer. Before that, he spent 12 years at the National Archives where he printed many of Matthew Brady's glass plates from the Civil War as well as the work Timothy O'Sullivan did as part of the Western Survey. His knowledge and experience in all things photographic is staggering and if anyone could answer the question, it would be him.Subscribe: iTunes | Pocket Casts | Overcast | RSSI'd love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.You can catch up with Hugh on Instagram @hughtalman.Music in this episode: Gloom (Jahzzar) / CC BY-SA 4.0
Yeah, G’Day! It's time to talk about Matthew Brady! It's the story, of a man named Brady, who was busy bushranging in Tasmania. He had a gang of men, living all together, yet they were all alone! (I'm not going through the entire theme song!) That's the way they all became the Brady Bunch! Stay tuned for another slice of Dad-vice! We have just opened the Yeah, G'Day! shop! Head to www.yeahgday.com/shop and pick up a piece of amazing merch! We also have a Patreon page with a bunch of excellent rewards starting at just $1! Head to www.patreon.com/yeahgday and start receiving the Patron benefits today! Thanks to Curtis Fernance for our music, and Teylor Smirl for our cover art. Find everything Yeah, G'Day! related at www.yeahgday.com, and follow us on Instagram, Twitter, and Facebook @yeahgdaypodcast Proudly part of the Auscast Network! See omnystudio.com/listener for privacy information.
Seja talks to her guest Robert Forster (The Go-Betweens) about where it all started; making music with friends. They chat about their shared German-ness, swap stories about the connections music can make across the world and dissect their latest obsessions. Robert provides insight into the difference between his public and private personas, his aversion to meeting people he admires, his extraordinary songwriting partnership with Grant McLennan and his transition into a solo career in music. Robert’s strange show story was illustrated by Matthew Brady. You can can see more of his awesome work on instagram @matthew_c_brady All illustrations can be viewed on instagram @hearsejpodcast or on the HearSej Facebook page
In 1860, Abraham Lincoln was a little-known politician running for president. In February of that year, he was in New York City to deliver a speech at the Cooper Union building. Just before his remarks, Lincoln stopped by the office of photographer Matthew Brady. There, Brady took a photo of Lincoln to mark the occasion of his speech. At Cooper Union, Lincoln then delivered a rousing address where he strongly opposed the extension of slavery. Within weeks, the photograph and the speech were printed in magazines and newspapers across the country. Although awkward and gangly in real life, the photo depicted Lincoln in a statesmanlike pose. This was the first time Americans were introduced to the obscure rail-splitter from Illinois. By the end of the year, Lincoln had won the presidency of the United States. Later, Lincoln said, “Brady and the Cooper Union speech made me President.” Stories like these demonstrate the power that photographers have over us and over history. Sometimes, all we remember about a historical event or figure is a single image. Think about World War II in the Pacific and you might picture the famous image of soldiers putting up the flag on Iwo Jima. But what about the person behind the camera? Who are they and what is it like to document history? How do you capture an iconic image? Well, we are pleased to have one such individual as our guest. His name is Bob Knudsen and he has taken thousands of photographs over the years of many prominent people. And his father, Robert Knudsen, was one of the first official White House photographers, serving six presidents and capturing many iconic moments. We will explore his and his father’s stories on this episode of This American President. Check out Bob’s website www.robertknudsenphoto.com to see his and his father’s photos.
Back once again with the topic of controversy, Ted and Christine discuss the 10 most controversial moments in the history of photography; expanding on an article written by John Ortved for History.com. To continue with the theme, they then delve into the recent hoop-lah surrounding the ShutterFest competition results.
In this episode of the Fan2Fan Podcast, host Bernie Gonzalez is joined by reviewer Matthew Brady. For over 10 years, Matt has been reviewing comics, graphic novels, and movies on his website Warren Peace Sings the Blues. Bernie and Matt discuss the art of writing reviews, the challenge/responsibility in providing honest criticism, public libraries, and the indie comics' landscape. They also discuss the upcoming Chicago Alternative Comics Expo (CAKE). Please rate and review the Fan2Fan Podcast on iTunes! Visit www.fanpodcast.com for more info and follow @fan2fanpodcast.
It's a podcast within a podcast within a podcast this week as Wikishuffle's own Phil Sharman takes the Pick a Flick! hosting chair, joined by two debutantes to the show - firstly his old friend Ruth Bradley and, of Filmback TV, the show's first transatlantic guest Claire Tanner. Their first picked flick, from Matthew Brady, is SYNEDOCHE, NEW YORK, from the unique mind that is Charlie Kaufman, and all three have some fascinating opinions on a fascinating picture. Beyond this, they discuss the other works of Kaufman, as a writer and director, and precisely how many times in a year you should watch ETERNAL SUNSHINE OF THE SPOTLESS MIND. Finally, as picked by Steve Aldersley, the trio look at Christopher Nolan's first breakout success, 2000's MEMENTO - but is it a trippy, revolutionary cinematic experience or lacking something? The lines are drawn. Lastly, it's QUESTION TIME for Claire as she chooses 1998 rom-com You've Got Mail for her quiz - but it turns out one of the other podcasters this week is also... See acast.com/privacy for privacy and opt-out information.
A Picture Says A Thousand Words, Get Your Portrait Taken and Be Part of the Community Storytelling Project John Pankratz is a History Professor at Albright and he calls himself an amateur photographer. Some would disagree with the word ‘amateur’. John takes 700 to 800 pictures a week. Ten years ago during summer break he was looking for subject material for his hobby. Inspired by group projects like Matthew Brady’s, who took everyone’s picture who came by Broadway during the 50’s, John decided to photograph as many ordinary citizens of Reading as possible in order to tell the community story in photos.
History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche. The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story. Paul was kind enough to speak with us. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices
History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche. The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story. Paul was kind enough to speak with us. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices
History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche. The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story. Paul was kind enough to speak with us. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices
History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche. The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story. Paul was kind enough to speak with us. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices
History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche. The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story. Paul was kind enough to speak with us. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices
History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche. The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story. Paul was kind enough to speak with us. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Stop #3 in audio tour "Lincoln and New York"
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