Podcasts about Nastassja Kinski

CAT PEOPLE review starts at 50:46 Movie Recap: Boo! A Madea Halloween (2016) Chaos: The Manson Murders (2025) Inglorious Bastards (2009) Bad Lieutenant (1992) Bad Lieutenant: Port of Call New Orleans (2009) Support: patereon.com/notforeveryone Drink more coffee: https://www.foxnsons.com/  PROMOCODE: NFE

Welcome back to Not A Bomb podcast, the show where we tackle cinema's biggest box office failures and decide if they deserve a second chance.March's special theme cranks the adrenaline to the max as Troy and Brad throw it back to their original podcast showdown—where only one film can reign supreme. This time, they're diving headfirst into the high-flying world of Parachute Action Films, pitting Drop Zone against Terminal Velocity (nope, not Point Break, but close). And to help break down the mid-air mayhem, they've got John from And Now For Something a Little Bit Different joining the jump. Which flick sticks the landing? Who brings the better skydiving swagger—Charlie Sheen or Wesley Snipes? Buckle up, freefall fanatics, because this debate is going terminal!Drop Zone is directed by John Badham and stars Wesley Snipes, Gary Busey, Yancy Butler, and Michael JeterTerminal Velocity Deran Sarafian and stars Charlie Sheen, Nastassja Kinski, James Gandolfini, and Chrisopher McDonaldNot A Bomb has has plenty of spooky designs in our Merch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy, John

La Palme d'Or Paris, Texas est notamment mythique pour ses costumes qui ont marqué nos rétines : le cowboy moderne à la casquette rouge, la femme fatale en robe pull d'angora rose.Mais saviez-vous que cette robe était originalement blanche, jusqu'à ce qu'un lavage la réduise à la taille d'un timbre poste ? Et que la créatrice des costumes, Birgitta Bjerke, était avant sa carrière dans le cinéma la reine du crochet, et que ses créations étaient notamment portées par Eric Clapton ?Je suis Céleste Durante, et dans ce nouvel épisode de Profession : Costumière, je vous raconte l'histoire d'une des robes les plus iconiques de l'histoire du cinéma.

Tommy verspricht jetzt schon, dass die Show heute Nachmittag besser wird, als diese hier. Hatte jemand von euch in letzter zeit Kontakt zu Wiederkäuern? Hosted on Acast. See acast.com/privacy for more information.

Once in a while you stumble upon a movie that makes life worth living. This week on Erotic Thriller Club we're taking a trip back to New Orleans for Paul Schrader's Cat People. A sister reunites with her long lost brother and finds out not only is he a weird British guy by day but also a sex worker eating, leopard by night. Is this sexy Animorphs? What kind of meal do you eat before turning into a cat and murdering? We ask the big questions as we dissect one of the best movies we've ever seen.

The second of two skydiving action films from 1994, and we already covered Passenger 57... This time we see how Charlie Sheen does in his fight against gravity, the KGB, and sneaky airplanes. DISCLAIMER: Language and Spoilers!!TERMINAL VELOCITYdir. Deran Sarafianstarring: Charlie Sheen; Nastassja Kinski; James Gandolfini

In deze aflevering van Film met Cineville gaan we het hebben over wat de iconische film Paris, Texas zo iconisch maakt. Van de tegenstelling tussen de Amerikaanse locaties en Wim Wenders' Duitse blik, de jaren 80-vibes en het tijdloze tempo, tot die paar minuten waarin Nastassja Kinski een personage neerzet dat je nooit meer zal vergeten.Wil je precies weten wat er allemaal te zien is in de Cinevilletheaters deze maand? Check dan onze filmagenda, onze verwachtpagina en ons festivaloverzicht. Hosted on Acast. See acast.com/privacy for more information.

Movie of the Year: 1984Paris, TexasWelcome to the Movie of the Year podcast, where we delve into the most impactful and iconic films that have graced the silver screen. In this episode, we turn our attention to "Paris, Texas," a masterful work by the acclaimed director Wim Wenders. Join us as we explore the depths of this 1984 classic, examining its intricate storytelling, poignant characters, and the indelible mark it has left on American cinema.Wim Wenders and the American MovieWim Wenders, a visionary filmmaker known for his profound explorations of human emotion and the human condition, brings a unique European perspective to the American landscape in "Paris, Texas." Wenders' fascination with the vastness and desolation of the American Southwest is evident in every frame of this film. We'll discuss how Wenders' direction transforms the barren landscapes into a character of its own, reflecting the inner emptiness and quest for redemption faced by the protagonist, Travis.In this segment, we dive into Wenders' cinematic techniques, including his use of long takes, natural lighting, and wide-angle shots. We'll also explore how "Paris, Texas" fits into the broader context of Wenders' oeuvre and the New German Cinema movement, which sought to challenge traditional narratives and offer new perspectives on familiar themes.The Introduction of Travis, Paris, Texas' Anti-HeroThe heart of "Paris, Texas" lies in the enigmatic character of Travis Henderson, portrayed by Harry Dean Stanton in a career-defining performance. The film opens with Travis wandering the desert, mute and disheveled, setting the stage for a journey of rediscovery and reconciliation.We'll analyze the powerful introduction of Travis, a man lost both physically and emotionally. This section will cover how the film slowly peels back the layers of Travis' past, revealing his fractured relationships and deep-seated guilt. The subtlety in Stanton's performance, combined with Sam Shepard's poignant screenplay, invites viewers to empathize with Travis' silent anguish and root for his redemption.The Final 20 Minutes of Paris, TexasThe climax of "Paris, Texas" is both heartbreaking and hopeful, encapsulating the film's central themes of love, loss, and redemption. In the final 20 minutes, Travis' journey comes full circle as he reconnects with his estranged wife, Jane, played by Nastassja Kinski.We'll delve into the emotionally charged reunion between Travis and Jane, set in a peep-show booth—a symbolic space of separation and connection. This segment will examine the raw, unfiltered dialogue and the haunting score by Ry Cooder that underscores this pivotal moment. We'll also discuss how this climax offers a resolution that is both bittersweet and deeply satisfying, leaving a lasting impact on the audience. "Paris, Texas" is more than just a film; it's a profound meditation on the complexities of human relationships and the quest for personal redemption. Wim Wenders' masterful direction, coupled with standout performances and a hauntingly beautiful soundtrack, makes this film a timeless piece of American cinema.In this episode of the Movie of the Year podcast, we've explored the many facets of "Paris, Texas," from its cinematic brilliance to its emotional depth. We hope our discussion has deepened your appreciation for this extraordinary film and its enduring legacy.Thank you for joining us, and stay tuned for more deep dives into the movies that have defined our times. Until next time, happy watching!

It's been so long...just kidding, it's been a week! That's the normal time between episodes. Nevertheless, we're back with Paul Schrader's first film he "didn't" write himself, the 1982 erotic horror remake CAT PEOPLE, and we're thrilled to be joined by film writer and genuine English person Esmé Holden! We talk Schrader's depiction(s) of women, remakes, zoos as prisons/prisons as zoos, and the David Bowie of it all. Excited for you to have John Heard this one, folks! Hey, come on. I'm just kidding around. Further Reading: "Guilty Pleasures: The Films of Paul Schrader" by Neil Sinyard "Schrader's Women: Cat People and Patty Hearst" by Brian Brems Carceral Space, Prisoners, and Animals Symposium Further Viewing: CAT PEOPLE (Tourneur, 1942) THE HUNGER (Scott, 1983) ANATOMY OF HELL (Breillat, 2004) Follow Esmé Holden: https://x.com/esmesayss https://esmesnotes.substack.com/   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

“There is a terminal velocity for us all!” - Steve, on death On this week's episode, SHEENPRIL takes to the skies… and dives into a great conversation about the outrageous skydiving-centric action movie, Terminal Velocity! Is James Gandolfini believable as a Russian heavy? Has there been better skydiving stunts in a major motion picture? How humiliating is it to die by drowning in your own fish tank? And why would an eight year-old kid want a skydiver to land at their birthday party? PLUS: What's wrong with a little Tasteful Shadow? Terminal Velocity stars Charlie Sheen, Nastassja Kinski, Christiopher McDonald, Melvin van Peebles, Hans Howes, Margaret Colin, Suli McCullough, Gary Bullock, and James Gandolfini as Ben Pinkwater; directed by Deran Sarafian. This episode is brought to you in part by Ladder Financial! So go to Ladder Life dot com slash whm today to see if you're instantly approved. That's L-A-D-D-E-R Life dot com slash whm… Ladder Life dot com slash whm. Be sure to catch us on tour this spring, y'all! We'll be in Atlanta on 4/25 (Gamer), Houston on 5/14 (Robocop 2), and Austin on 5/15 (From Dusk Till Dawn)! Tickets are on sale now and meet & greets are happening at all shows, so head to our website and pick up your tix today—we wanna see you out there! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new Time Runner, Polish Decoy, ‘Jack Kirby', and Forrest the Universal Soldier designs!

Hip hip juche hurra, jetzt sind wir wieder da! Mit Alkoholsucht, Flugzeugabsturz und Mord – also bei den kleinen Strolchen (puh, noch einmal Glück gehabt, Rocky Beach!). Andreas Fröhlich, der Typ mit der Schiebermütze und Kai Schwind, der Typ mit der etwas geschwungenen Nase, gedenken heute der großartigen Veronika Neugebauer und bauen dem vielseitigen Horst Naumann ein Hördenkmal. Bei „Die drei ??? und der gestohlene Preis“ sind alle Sprecher:innen von TKKG am Start und auch die Feldhahn Brothers mogeln sich dazu. Was steht im Original-Skript auf Seite vier, elf und 18? Warum hat Gollum eine Strumpfmaske auf? Und wird Nastassja Kinski eine Flasche auf den Bobcast werfen…? Liebe Friseure mit Wackelohren, solltet ihr diese Hörspielbesprechung der kultigen „Trashfolge“ langweilig finden, dann schaut euch stattdessen einen Wildwestfilm an. Bitte mit Falco Sonnenbrille. Ihr habt zum Bobcast Fragen, Wünsche oder Anregungen? Dann schickt einfach eine E-Mail an: bobcast@dreifragezeichen.de   „Haschimitenfürst – Der Bobcast“ ist ein Podcast von EUROPA, a division of Sony Music Entertainment Germany GmbH Idee: Andreas Fröhlich/ Regie & Konzeption: Ralf Podszus/ Moderation: Kai Schwind und Andreas Fröhlich/ Titelmusik: Jan-Friedrich Conrad/ Redaktion: Jens Nimmerrichter/ Produktion: Carina Schwarz/ Management & Koordination: Nina Schulze Pellengahr/ Redaktion Sony: Maike Müller/ Covermotiv: Aiga Rasch (Illustrationen), Tom Presting (Gestaltung), Christian Hartman, Haakon Dueland (Fotos)/ Eine Produktion von Podever Alle Infos zu den Live-Terminen und Tickets unter: https://dreifragezeichen.de/bobcastlive 16.04.24 - Saarbrücken 17.04.24 - Essen (ausverkauft) 18.04.24 - Köln (ausverkauft) 24.04.24 - Berlin 25.04.24 - Hannover (ausverkauft) 26.04.24 - Bremen (Restkarten) 28.04.24 - Hamburg (ausverkauft) 31.05.24 - Stuttgart 01.06.24 - München 02.06.24 - Bad Vilbel https://linktr.ee/Bobcast

This week in The Confessional I'm joined by Paranomal Putas! We sink our teeth into Paul Schrader's stylish and suspenseful remake, Cat People! We'll be prowling the shadows with Nastassja Kinski as Irena, a woman haunted by a mysterious family curse. Is she turning into a feline fatale, or is something more sinister at play? Unravel the layers of this erotic horror classic. Buckle up and prepare for a wild ride as we dissect Cat People! You'll get that joke after you listen to the episode. Join us in The Confessional. Follow Paranormal Putas here: https://www.paranormalputas.com/ MHC is part of the GHOULISH Podcast Network. Get ghoulish at www.ghoulish.rip

Music Composer David Robbins Talks about Oliver Stone's 'Savior' Savior is a 1998 war film starring Dennis Quaid, Stellan Skarsgård, Nastassja Kinski, and Nataša Ninković. It is about a U.S. mercenary escorting a Bosnian Serb woman and her newborn child to a United Nations safe zone during the Bosnian War. It was produced by Oliver Stone.Kingdom of Dreams is a podcast about cinema and art of storytelling.  The Podcast series will interview people involved behind the scenes, may it be screenwriters, directors, animators, producers etc. 

#diepodcastin demokratisch: Isabel Rohner & Regula Stämpfli mit einem fulminanten Plädoyer für Frauen, Mädchen, Kinder mit Marlies Hesse, Mashi Alinejad, Nastassja Kinski, Ronya Othmann.

Ein weiterer Anlauf für mehr Elternzeit in der Schweiz, der TikTok-Trend «Legging Legs» oder Nastassja Kinski, die ihre Nacktszenen im Tatort «Reifezeugnis» untersagen will – das sind nur ein paar der Schlagzeilen, welche in den letzten Tagen durch die Medien gingen. Und es sind Schlagzeilen, die uns beschäftigt und bewegt haben.In dieser Woche gibt es wegen unvorhersehbaren Umständen eine Spezialfolge vom Podcast «Tages-Anzeigerin». In der die aktuelle Folge holen deshalb Host Annik Hosmann und Produzentin Sara Spreiter - analog zu unserer Weihnachtsspezial-Folge - die Lose raus. Das Zufallsprinzip entscheidet, über welche Begriffe, Trends und Frauen sie sprechen.Produzentin: Sara SpreiterWas wird wann diskutiert:02:05 Nastassja Kinski und der Tatort «Reifezeugnis»05:50 TikTok-Trend «Legging Legs»09:10 Tweencore12:50 Elternzeit15:10 Stalking19:10 Ambika Mod im Film «One Day»Links:Artikel zu «Tweencore»Artikel über Nastassja Kinski und «Reifezeugnis»Interview mit Judith GodrècheArtikel zu «One Day»Porträt über Ambika ModArtikel zu StalkingPodcast «Weird Crimes»Buch von Ilona Hartmann  «klarkommen» Die Playlist zum Podcast «Tages-Anzeigerin» auf SpotifyHabt ihr Lob, Kritik oder Gedanken zum Thema? Schreibt uns an podcasts@tamedia.ch

Themen u.a.: Nastassja Kinski will Nacktszenen im Tatort verbieten; Kulturrätsel; Ausstellung von Louisa Clement in Bonn; Frage der Kultur: "NFT-Art - Kunst oder Hype?"; Filmtipps; Moderation: Rebecca Link Von Rebecca Link.

Nastassja Kinski geht vor Gericht. Sie will, dass ihre Nacktszenen im Tatort „Reifezeugnis“ von 1977 herausgeschnitten werden. Chun Mei ist Intimacy Coordinatorin und erklärt, warum Kinskis Nacktszenen heute nie so gedreht werden könnten. Tan, Chun Mei www.deutschlandfunkkultur.de, Kompressor

Our "Alone for the Holidays" season kicks off with writer/director Pat Bishop (This Fool, Corporate) joining to discuss Wim Wenders's 1984 road film, PARIS, TEXAS starring Harry Dean Stanton, Nastassja Kinski, and Dean Stockwell. Scripted by Sam Shepard, the film opens in the Mojave desert where Travis (Stanton) emerges from years of self-imposed isolation. After reuniting with his brother Walt (Stockwell) and son Hunter (Hunter Carson), Travis's complicated past comes into greater focus, spurning another road trip of reconciliation. Featuring vibrant camerawork by Robby Müller and a starkly soulful musical score by Ry Cooder, PARIS, TEXAS was awarded the 1984 Palme d'Or and is now widely considered Stanton's iconic role and Wenders's American masterpiece. Join Mama Needs a Movie on a trip through PARIS, TEXAS that includes pit stops into Twin Peaks, The End of Violence, John Ford, '80s interest rates, Disney+, The Last Temptation of Christ, peep shows, Baywatch and much, much more! PARIS, TEXAS is available to stream with subscription to The Criterion Channel or Max.

Writer and performer Joan Ford returns to the podcast to discuss Mama Needs a Boo-vie's final spooky October selection, Paul Schrader's CAT PEOPLE (1982) starring Nastassja Kinski, Malcolm McDowell and John Heard. This loose remake of Jacques Tourneur's 1942 supernatural classic follows Irina (Kinski) traveling to New Orleans to meet her brother, Paul (McDowell). As incestuous undertones rage between the two, Irina is drawn into an investigation of serial murders, befriending a hotshot zoologist (Heard). This probe eventually leads to a shocking discovery about Irina's family lineage. Upon release, CAT PEOPLE received decent reviews, but proved a box office failure with only later reappraisals fully appreciating its sexy atmosphere and moody Giorgio Moroder synth score. Join us as the claws come out for this discussion of CAT PEOPLE, along with diversions into Five Nights at Freddy's, Doctor Detroit, Body Heat, Deep Blue Sea, Swiss Family Robinson, Mark Wahlberg, Las Vegas zoos, Scorsese on Letterboxd, and much, much more!

Hey everyone! Work Time Fun Podcast is back and better than ever! This episode was more freestyle as we get back into routine. The actual Castlevania Nocturne review starts at 09:25 min but if you just want to listen in to our banter then go ahead! I have my friend, Raymond, as a guest co-host and we share our thoughts on some various things. Castlevania: Nocturne 2023 | Maturity Rating: TV-MA | 1 Season | Horror As revolution sweeps France, Richter Belmont fights to uphold his family's legacy and prevent the rise of a ruthless, power-hungry vampire ruler. Cast: Edward Bluemel, Pixie Davies, Thuso Mbedu, Nastassja Kinski, Sydney James Harcourt, Zahn McClarnon, Richard Dormer, Aaron Neil, Elarica Johnson, Franka Potente Creator: Clive Bradley Work Time Fun Podcast contact info: Email: worktimefundpodcast@gmail.com and Twitter: @WorkTimeFunPod

Juanma González y Dani Palacios conversan sobre El beso de la pantera (1982), el thriller de terror que adaptó La Mujer Pantera de Jacques Tourneur.

Felicia is joined by Brendan Ross to discuss Robby Müller's seminal work with Wim Wenders, their American film Paris, Texas (1984). We dive right into Müller's perspective of vast American landscapes as an outsider. The way he frames his shots in order to allow the audience's eyes to wander and discover new elements on each viewing. Paris, Texas is a film that had a profound effect on me as a young film lover, and allowed me to discover the importance of a cinematographer. Send us your thoughts on the episode - what are some of your favourite shots in the film? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Brendan here: IG: @neondreamscinema Twitter: @neondreamsto Sources: https://theasc.com/articles/robby-muller-paris-texas https://www.premiumbeat.com/blog/cinematography-paris-texas/ https://www.anothermag.com/art-photography/11785/polaroids-by-robby-mller-paris-texas-sunlight-coming-through-the-clouds-arles https://www.hollywoodreporter.com/movies/movie-news/wim-wenders-pays-tribute-paris-texas-cinematographer-robby-muller-1125126/ Paris, Texas Blu-ray - Nastassja Kinski (dvdbeaver.com) https://www.tasteofcinema.com/2016/8-reasons-why-paris-texas-is-the-best-road-movie-ever/ https://cinefan.hkiff.org.hk/en/programme/robby-m%C3%BCller-let%E2%80%99s-make-light Paris, Texas – [FILMGRAB] (film-grab.com) FILMS MENTIONED: Kings of the Road (Wim Wenders 1976) Alice In The Cities (Wim Wenders 1974) Summer in the City (Wim Wenders 1970) Dancer in the Dark (Lars von Trier 2000) Repo Man (Alex Cox 1984) Out of the Blue (Dennis Hopper 1980) Miracle Mile (Steve De Jarnatt 1988) After Hours (Martin Scorsese 1985) The Straight Story (David Lynch 1999) To Live and Die in LA (William Friedkin 1985) 8 Million Ways to Die (Hal Ashby 1986) Wild at Heart (1990)

Welcome to the Instant Trivia podcast episode 909, where we ask the best trivia on the Internet. Round 1. Category: the body bovine 1: Cattle use this long body part to shoo away insects. the tail. 2: A cow has 32 of these but none in the front part of its upper jaw. teeth. 3: In beef cows this suspended milk-storing organ is smaller than in dairy cows. udder. 4: The rumen is the largest of the 4 compartments that make up this organ in cattle. stomach. 5: This breed whose ancestor is the Indian Zebu has a fleshy hump over its shoulders. Brahma. Round 2. Category: robert louis stevenson 1: This title character was an "M.D., D.C.L., LL.D....". Dr. Jekyll. 2: (Hi Ho, Kermit the Frog here) As Captain Smollet, I followed the map to this Robert Louis Stevenson island. "Treasure Island". 3: "Deacon Brodie, or the Double Life", a play co-written by Stevenson, led to this 1886 novel. Dr. Jekyll and Mr. Hyde. 4: "The Silverado Squatters" was an 1883 tale about Stevenson's experiences in one of these camps in California. mining camp. 5: Around 1890 Stevenson bought 300 acres in what's now this country, where he was called tusitala, or "teller of tales". Samoa. Round 3. Category: movie classics 1: 1941 classic in which Bogart tells Peter Lorre, "When you're slapped, you'll take it and like it". The Maltese Falcon. 2: The only Alfred Hitchcock film to win an Oscar as Best Picture, it was partially set in Monte Carlo. Rebecca. 3: In "Gentleman's Agreement", he played a writer posing as a Jew to expose anti-semitism. Gregory Peck. 4: Kirk Douglas dines with James Mason on sautee of unborn octopus in this Disney film. 20,000 Leagues Under the Sea. 5: In "Gone with the Wind", these 2 relatives of Scarlett's died from falling off horses. her daughter and her father (Gerald O'Hara and "Bonnie Blue" Butler). Round 4. Category: "cat" egory 1: Malcolm McDowell and Nastassja Kinski's "purr"fect roles in 1982. cat people. 2: It's not a bunch of cats, but a bunch of cows. cattle. 3: Ancient weapon kept a stone's throw from its target. a catapult. 4: It gets things going in a chemical reaction. a catalyst. 5: Elizabeth Taylor character that could have burnt her paws on a hot tin roof. Maggie the Cat. Round 5. Category: "j" walking 1: Anatomically, an elbow or a knee. a joint. 2: The month of June is named for the Roman Goddess Juno, the wife of this other god. Jupiter. 3: Bartenders use this small cup or glass to measure 1 1/2 ounces of liquor. a jigger. 4: This group of 12 people is sworn to render a verdict. a jury. 5: On the eastern end of I-10 is this city, home to the Gator Bowl. Jacksonville, Florida. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Join Dani and Nick for the fourth episode of season four of KINOTOMIC.An episode that was recorded in person, they talk about German filmmaker Wim Wenders and two of his most well known films.We look at 'Paris, Texas', starring Harry Dean Stanton, Dean Stockwell and Nastassja Kinski; and 'Wings Of Desrie, starring Bruno Ganz, Solveig Dommartin and Peter Falk.Links:- Dani's piece on 'Paris, Texas'- Cinephilia and Beyond on 'Paris, Texas'Leave a rating and a review, and THANK YOU for listening!!----Twitter: @kinotomicContact us: kinotomic@gmail.comDani Vilu:Threads: @dani_coucou@threads.netTwitter: @kinojoanWebsite: kinojoan.co.ukNick Chandler:Threads: @nicholas_s_chandler@threads.netTwitter: @NickSChandlerWebsite: superatomovision.comInstagram: @superatomovision

In this June Edition of Off the Record we take a look at the following films:Indiana Jones and the Dial of Destiny, Knock at the Cabin, Alice in the Cities, Dungeons and Dragons Honor Among Thieves, Cosmos, Wrong Move and the TV Series From.Notable Actors: Harrison Ford, David Bautista, Nastassja Kinski, and Chris Pine.

Jorge is on vacation this week. Nastassja Kinski is behind the Beaded Curtain. Neil thanks those that donated to the StopFCC campaign but he doesn't know if it will happen. POLL: Based on your knowledge of history, named your choice for the worst US President ever. Lots of bedtime stories.

Meet the Powerful Journalist and Artistic Director behin this years Ora Film Festival in Italy - Silvia Bizio. Italian journalist, writer, producer Silvia Bizio has written about film from Los Angeles for the prestigious daily newspaper La Repubblica and the weekly magazines L'Espresso, D and F since 1985. Bizio graduated in Literature and Philosophy from the University of Rome and earned her MA in Sociology and Mass Communication at UCLA. She has written several books including “Los Angeles Babilonia” and “Cinema Italian Style,” a history of Italian cinema at the Academy Awards. Bizio received the inaugural International Media Award from the American Publicists Guild in 1991, was Artistic Director of the contemporary film series Cinema Italian Style from 2004 to 2010 and Co-Artistic Director of the Taormina Film Festival in 2018 and 2019. She produced her first short film as a producer, The Night Shift Belongs to the Stars, directed by Sophia Loren's son, Edoardo Ponti, and starring Nastassja Kinski, which won best short film at the Tribeca Film Festival and was shortlisted for the Academy Awards. In 2016, Bizio co-produced the documentary You Never Had It: An Evening with Bukowski, based on her video interview with famous author Charles Bukowski in 1981 and directed by Matteo Borgardt. She also produced the 2018 documentary, Camp Monticello: A Forgotten History, highlighting the history and importance of the Italian Prisoner of War camp built in Monticello, Arkansas during WWII. Check out the festival - HAPPENING JUNE 3 - 7, 2023 https://filmfreeway.com/ORAFEST https://www.orafest.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/moviemakingpod/support

durée : 00:47:41 - Les Nuits de France Culture - En 1984, le réalisateur Wim Wenders reçoit la Palme d'Or à Cannes pour son film "Paris, Texas" avec Harry Dean Stanton et Nastassja Kinski. Dans "Le cinéma des cinéastes" au micro de Claude-Jean Philippe et Pierre Donnadieu, il revient sur la génèse du film. - invités : Wim Wenders Réalisateur, producteur, scénariste de cinéma et photographe allemand

Er haut nicht nur in die Tasten, sondern tritt auch in die Fressen, egal ob als Chicago-Cop Terry McCain in "Excessive Force", als Chicago Cop Jack Wild in "Crackerjack", oder auch als - man höre und staune - Chicago Cop Frank Wusharsky in "Death Connection": Der ehemalige "Karate Kid 3"-Bösewicht Thomas Ian Griffith ist nun ein Guter, darf aber immer noch nach Herzenslust Knochen verbiegen und die Zähne zum Wackeln bringe, zusätzlich jedoch auch das Schießeisen auspacken und damit Feindesscharen und Umgebung zerschroten. Wir prüfen, ob diese Wandlung vom Saulus zum Prügel-Paulus erfolgreich war und ob bekannte Namen in den Nebenrollen - Namen wie Lance Henriksen, James Earl Jones, Tony Todd, Nastassja Kinski, Christopher Plummer - halten, was sie versprechen. Nachtküsse könnt ihr vergeben über nachtprogrammpodcast@gmail.com Folgt uns auf Twitter Instagram Sergejs Letterbox Und besucht: https://www.actionfreunde.de/ https://liquid-love.de/forum/ Music Intro: https://www.purple-planet.com

Neste episódio, viajamos até aos anos 80, quando Paul Schrader namorou com Hollywood em filmes sensuais com produção de Jerry Bruckheimer. Vamos falar de ‘American Gigolo', título que ajudou a cimentar a popularidade do galã Richard Gere, e ‘A Felina', remake do filme de terror de 1942 ‘A Pantera', na forma de veículo para a sex-symbol Nastassja Kinski. Encontram também este episódio no YouTube seguindo esta ligação. Subscrevam o canal para não perderem pitada. Sigam o Segundo Take no Facebook, no Instagram e em www.segundotake.com. Enviem as vossas opiniões e sugestões para segundotake@gmail.com.

There's a little something for everyone this week on the Blu-ray scene. Especially if you like it weird. Peter Sobczynski joins Erik Childress again to talk about Criterion's release of one of the landmarks of international cinema. Barbara Hershey takes on apartheid and Rory Calhoun explores as Marco Polo. Peter chimes in on the Black Panther sequel while there are also new 4K releases of an Oscar-winning musical and a charming zombie romcom. Then it gets weirder with a campy sequel getting its own 4K release, Bill Paxton fighting the homeless and a bizarre internet thriller featuring Peter's favorite actress and one of Erik's favorite musicians. Last but certainly not least and weird in the best ways, another tribute to arguably the best performance of Bruce Campbell's career. Now in 4K. 0:00 - Intro 0:47 - Criterion (Three Colors Trilogy 4K) 5:27 - Kino (If I Were King, Marco Polo, A World Apart, Sorrowful Jones) 18:06 - Walt Disney (Black Panther: Wakanda Forever (4K)) 22:52 - Paramount (Chicago 4K) 31:59 - Warner Bros. (Warm Bodies (4K)) 37:52 - Lightyear (The Return of Swamp Thing (4K)) 44:47 - Arrow Films (.Com for Murder, The Vagrant) 1:01:52 - Shout! Factory (Bubba Ho-Tep 4K) 1:10:21 – New Blu-Ray Announcements 1:13:03 - Outro

Eavesdroppers! We've got another Mysterious Mysteries episode for you and this week, we talk about mysterious bits & boats…   Michelle kicks it off this week by talking about metal. Not heavy metal but a weird metal wedge that was found on a beach in Romania near a pile of dinosaur bones. Why is it so special? Why is Michelle talking about aluminium production? And what's it got to do with aliens? Listen to find out. She then talks about a classic mysterious mystery that has been hanging around for 80s years: Who put Bella in the Wych Elm? You might not get any answers but Michelle gives you theories aplenty! And finally she wraps up by talking about wet patches… in particular, a sticky wet patch that materialized on the wall of the Martin's family home with supernatural consequences. Listen in to hear Geordie say ‘poltergoost'!   Geordie then talks about boats. In particular, the slightly crazed set of the film Fitzcarraldo… What's up with boats and that film? Was it slightly cursed? And why is Geordie talking about Mick Jagger? Listen to find out! She then talks about a proper mysterious mystery: the S.S Ourang Medan. In the 1940s, a Dutch ship set sail for Indonesia and never returned… What happened? Why was the boat full of wide-eyed corpses? Is it connected to WW2? And is it real or was it a ghost ship? You gotta listen if you want to know more!   We hope you enjoy this week's episode and remember, wherever you are, whatever you do, just keep Eavesdroppin'!   *Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, soooooorrrrrryyyyyyyy! Don't sue us!   Get in touch with your stories and listen, like, subscribe, share etc…  Or email us at hello@eavesdroppinpodcast.com      Listen here: www.eavesdroppinpodcast.com Or here:  https://podfollow.com/1539144364   WE ARE NOW ON PATREON :) Support your favourite podcast over on Patreon – you have to use this link to find us apparently, otherwise we get lost in the masses…  https://www.patreon.com/eavesdroppin   EAVESDROPPIN' ON SPOTIFY : https://open.spotify.com/show/3BKt2Oy4zfPCxI7LDOQLN4   APPLE PODCASTS : https://podcasts.apple.com/gb/podcast/eavesdroppin/id1539144364   GOOGLE PODCASTS : https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2VhdmVzZHJvcHBpbi9mZWVkLnhtbA?hl=en   YOUTUBE: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9Pgfw   Our Facebook Page: https://www.facebook.com/eavesdroppinpodcast   Or wherever you normally listen…   #ourangmedan #mysteries #whoputbellainthewychelm #mysteriousmysteries #poltergeists #supernatural #aliens #objectofauid #waterdemons #reallife #fitzcarraldo #podcast #comedy  #comedypodcast #truestories #truelife #storytellingpodcast #eavesdroppin #eavesdroppinpodcast            SHOW LINKS   Want to know more about the weird piece of metal called the Object of Auid? https://www.ancient-code.com/15-things-you-should-know-about-the-aiud-aluminium-wedge/   Who put Bella in the which elm? No one knows but you can read more here: https://en.wikipedia.org/wiki/Who_put_Bella_in_the_Wych_Elm%3F   Listen to Steve Punt talk about the Who put Bella in the wych elm mystery: https://www.bbc.co.uk/programmes/b04c9dfn   More on what the German Abwehr is: https://en.wikipedia.org/wiki/Abwehr   Mysterious mysteries unsolved!: https://www.thetravel.com/unsolved-mysteries-from-around-the-world/   Read more about what happened to the Martin family and their pesky water poltergeist: https://www.lightforcenetwork.com/forum/6/water-demon-haunt   Trailer for the 1981 German film Das Boot: https://www.youtube.com/watch?v=GEy027OfpZk   Here are 17 fun facts about Klaus Kinski: https://www.ranker.com/list/insane-klaus-kinski-facts/katia-kleyman   Nastassja Kinski wiki: https://en.wikipedia.org/wiki/Nastassja_Kinski   Trailer for the 1982 Werner Herzog film Fitzcarraldo: https://www.youtube.com/watch?v=xWeb7i8IjYs   The wiki all about the film Fitzcarraldo: https://en.wikipedia.org/wiki/Fitzcarraldo   And the wiki on Werner Herzog: https://en.wikipedia.org/wiki/Werner_Herzog   Interesting article from the NY Times from 1982 on Fitzcarraldo: https://www.nytimes.com/1982/10/10/movies/herzog-s-fitzcarraldo-a-spectacle.html   Read about the mystery of the S.S Ourang Medan: https://www.historicmysteries.com/ourang-medan/   S.S Ourang Medan – real or ghost ship? https://en.wikipedia.org/wiki/Ourang_Medan   The Strait of Malacca – read more about this spooky stretch of water: https://www.dailymail.co.uk/news/article-6711999/Strait-Malacca-hidden-dark-secrets-ghost-ships-undiscovered-treasure-pirates.html   What's granny p-o-r- nography? Find out here: https://eavesdroppinpodcast.com/podcast/42-porn-does-porn-shrink-your-brain-is-it-addictive-billie-eilish-what-happened-to-bambi-woods-and-linda-lovelace-more/   Simon Durante-Day wants a DNA test: https://www.bodyandsoul.com.au/lifestyle/who-is-simon-charles-doranteday-the-kings-alleged-love-child-wants-a-dna-test/news-story/ab5494520c27d6e4b3a14839d2ae24ae   Who's the daddy? Listen here to the episode where we discuss Charles' and Camilla's secret love child Simon Durante Day: https://eavesdroppinpodcast.com/podcast/42-whos-the-daddy-charles-camilla-ted-bundy-liv-tyler-steve-jobs-eric-clapton-jack-nicholson-more/   More on Lyn's Law, the No Body No Parole legislation in Australia: https://www.theguardian.com/australia-news/2022/sep/20/lyns-law-nsw-to-enact-no-body-no-parole-rule-after-chris-dawson-conviction    

Es octubre, mes del terror y ‘Moviola' presenta un gran clásico: ‘Cat People' queen 1942 revolucionó el género, producida por el legendario Val Lewton. Estapelícula se convirtió en leyenda del blanco y negro y además en 1982 dio pie a unfamoso remake dirigido por Paul Schrader y protagonizado por Nastassja Kinski.Escúchanos para celebrar los 80 años de esta monumental cinta.Película: Cat People (1942) Hosted on Acast. See acast.com/privacy for more information.

In questa puntata parliamo di un piccolo gioiello del fantastico calato in una New York abitata da forze oscure e ancestrali: "Il bacio della pantera" (Cat People) del 1942 uno storico film in bianco e nero prodotto da Val Lewton e diretto da Jacques Tourneur, del suo seguito: "Il giardino delle streghe" (The Curse of the Cat People) di Robert Wise e del remake del 1982 diretto da Paul Schrader. In compagnia di Massimiliano Bolcioni analizziamo il mito della donna felino più pericolosa del cinema attraverso i volti di Simone Simon e Nastassja Kinski.

An aimless drifter who has been missing for four years wanders out of the desert and reconciles with his estranged wife and son. Directed by Wim Wenders. Written by Sam Shepard with an adaptation by L.M. Kit Carson. Starring Harry Dean Stanton, Dean Stockwell, Hunter Carson, Aurore Clément and Nastassja Kinski.  FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: American Gigolo (2022, TV series) [Showtime] We also discuss Jurassic World: Dominion.

This week on the show, Lewis and Branden tackle another classic of American cinema, Paris, Texas from 1984 directed by Wim Wenders and starting Harry Dean Stanton, Nastassja Kinski and Dean Stockwell. We talk about road trips, family and breathtaking cinematography. As always we recommend everyone to watch along with us, and send your thoughts to us @filmchurchradio Thank you so much for the support on the previous episodes, we love reading all the comments and reviews! If you Like the show make sure to leave us a rating and review wherever you listen! We hope that you enjoy the show and return in future to the congregation! Show Website: https://film-church-radio.captivate.fm/listen Branden's Letterboxd: https://letterboxd.com/selmanscope/ Lewis' Letterboxd: https://letterboxd.com/walkerlewis3007/ Past Episodes: https://podcasts.apple.com/us/podcast/film-church-radio/id1603164927 Instagram: https://www.instagram.com/filmchurchradio/

Steve and I talk about his early influences (classic comedians and cartoons); meeting his partner, Karl Tiedermann in Horace Mann High School; his college radio show; sending his best bits to the National Lampoon Radio Hour; working with Doug Kenney and Sean Kelly; his first piece Silly Puddy Destroys the World; kids newspaper parody; MOMA Fun Book; King of the Z's a documentary about a cheap 40's film studio; discovering Calvert DeForest (Larry "Bud" Melman)"; film wins at Telluride Film Festival; aired on Showtime; getting a call form Letterman's management two months before Late Night premieres and asking for a job interview; bombing the interview out of excitement but getting the job anyway; Larry "Bud" Melman introduces the first episode ala Frankenstein; pre-production; test shows; being a guest the first week; getting a lot of stuff early; 40th anniversary of inventing the glass breaking sound when Dave throws a blue card; Jim Downey joins as head writer; Gammill & Pross; Andy Kaufman & Jerry Lawlor; Larry "Bud" Melman's Christmas Carol; Bob Hope talks to Larry; Larry had to choose between his job as a receptionist at a methadone clinic and Late Night; Don Giller; Was Jerry Seinfeld bumped by Dick Cavett?; how most Letterman writers stop watching after they leave; Gerry Mulligan; his contract not being renewed; Jim Downey brings SNL hours to Letterman; writing for Robert Klein' segments of TV's Bloopers and Practical Jokes; Robert Klein's talk show producer Joe Cates; Robert Klein documentary; King of the Z's on Youtube; being offered to be headwriters of the New Mickey Mouse Club because they were thought of as hip by Disney; how not caring about the job got him the job; writers and crew all became friends; Left after 4 seasons; Keri Russell and JC Chasez; his kids were just as talented as the more famous ones; Annette Funicello; Tiffany Hale; Party Kids; My Little Pony ad; still has a big following; Disney told him not to be too much like the 70's New MMC; too many music rights to get on Disney +; the Don Giller interview that will never be; Steve & Hillary Rollins write an episode of Doug that was considered too funny and he thought was never made; working with his idol Dick Van Dyke; Nastassja Kinski; Bill Murray shows up two weeks before the first show to get writers drunk to get good material; Bill performs 'Let's Get Physical' on first shoiw and almost injures a staff member; Alan Alda: A Man and His Chinese Food; the Criterion Collection --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Matt & Nicole watch the 1984 indie film "Paris, Texas." This film comes from a list we found titled Decolonize the Canon: An Anti-AFI top 100 list. Your hosts will dive into this list throughout this season. A special thanks to Instagram user Avantpop for curating these films!!! Links and stuff:Twitter: kidgoesdownPODInstagram: afterthekidgoesdownTik Tok: @kidgoesdownpodMerch: Click Here!!!Mixed Breed Brewing: check out their website Or follow them on instagram (mixedbreedbrewing) Mention us there for 5% off your bill!!!!All our links

Legendary filmmaker Paul Schrader joins "Nasty" Neal to discuss the 40th anniversary of "Cat People"! - why the movie became so personal to him - the horror genre - the original ending - the David Bowie song - Nastassja Kinski - romance while filming - drug use in Hollywood - leaving Hollywood - Malcolm McDowell - sex in the film - the black leopard and more --- Send in a voice message: https://anchor.fm/withoutyourhead/message Support this podcast: https://anchor.fm/withoutyourhead/support

New guest alert! Good Friend Matt stops by the studio to talk about some 1990's Point Break cash-ins that ask and answer the question what if you replaced the surfing with more sky diving. Drop Zone(1994) Directed by John Badham. Starring Wesley Snipes, Gary Busey and Yancy Butler. Trailer: https://www.youtube.com/watch?v=FrR6QwWMxr8&ab_channel=ParamountMoviesDigital Terminal Velocity(1994) Directed by Deran Sarafian. Starring Charlie Sheen, Nastassja Kinski and James Gandolfini. Trailer: https://www.youtube.com/watch?v=cMzjb5OeYng&ab_channel=red-evidz Twitter: @DoubledFeature Instagram: DoubledFeature Email: DoubledFeaturePodcast@Gmail.com Dan's Twitter: @DannyJenkem Dan's Letterboxd: @DannyJenkem Max's Twitter: @Mac_Dead Max's Letterboxd: @Mac_Dead Executive Producer: Koolaid --- Send in a voice message: https://anchor.fm/doubledfeature/message

Short Cuts waterboarded with sno-cone syrup...Love Actually from factory-irregular parts...a catastrophically premature Magnolia...it's Playing By Heart, which is 40 minutes too long, coy about a meaningless end reveal, and contains very few believable situations or lines of dialogue. How desperate is Angelina Jolie to get a reaction from her wooden scene partner? Why is James Bond obliged to deliver Intercourse PA jokes that are beneath even SDB? Why in god's name didn't Quaid and Anthony Edwards swap roles? And will your co-hosts ever agree on whether Serious Ack-tor DQ has to poo...or can't poo? We're aligned on the poo levels of the film, at least; it's an all-new Quaid In Full. Overall score: 3 QQQ score: 4.5 Days since a lost Kuffs accident: 14 SHOW NOTES Follow us on Twitter (http://twitter.com/quaidinfullpod) Get EVEN MORE Qontent (...sorry) at our Patreon page (https://www.patreon.com/quaidinfull) Can YOU get past the first 27 seconds of The Dennissance (https://podcasts.apple.com/us/podcast/the-dennissance/id1503394153)? Stephen Holden's review in NYT (https://archive.nytimes.com/www.nytimes.com/library/film/012299heart-film-review.html) G. Allen Johnson's in the SF Examiner (https://www.sfgate.com/news/article/What-a-cast-What-a-waste-3099164.php) Joe Neumaier's for EW (https://ew.com/article/1999/08/24/playing-heart/) Jonathan Bernstein's Pretty In Pink (https://www.goodreads.com/book/show/532105.Pretty_In_Pink)

This week we have yet another Cat People movie—Cat People 1982 from director Paul Schrader, Cat People is a 1982 American erotic horror film directed by Paul Schrader and starring Nastassja Kinski, Malcolm McDowell, John Heard, and Annette O'Toole. It is a remake of the 1942 RKO film of the same name. Giorgio Moroder composed the film's score, including the theme song, which features lyrics and vocals by David Bowie. Wilbur Stark and Jerry Bruckheimer served as executive producers.

The guys discuss the good looks of Sam Shephard, taciturn Germans, and Autumn in New York.

Welcome to Out of the Shadows, a series that dives into the world of 80s horror movies. Join Chris Chavez and Jim Clark as they explore the best and worst of what made the 80s the golden age of horror. On this episode, Chris and Jim return to the list of 80s films featured in the horror documentary In Search of Darkness with 1982's Cat People. Starring Malcolm McDowell, John Heard, and Nastassja Kinski, this erotic thriller follows the story of a “race” of humans who transform into wild cats after having sex with anyone other than their own family members.

Who Dropped The Popcorn? Episode 7 - Paris, TexasThis episode's choice is Dave's, who has chosen another raw and gritty 1984 film, Wim Wenders' seminal Paris, Texas, starring Harry Dean Stanton, Dean Stockwell and Nastassja Kinski.The dads of the pod question the parenting (or lack of…) in the film, Dave gives a rather long theology lecture and Andy sings a cool song before we all gush over Quantum Leap.So sit back, relax and welcome to Who Dropped The Popcorn? If you like this podcast, please tell a friend about us.Hit us up at whodroppedthepopcorn@gmail.com or leave a review in-app and like and subscribe, please.Instagram - https://www.instagram.com/whodroppedthepopcornTwitter - https://www.twitter.com/whopopcornMore links - https://www.linktr.ee/WDTPSupport this show http://supporter.acast.com/who-dropped-the-popcorn. See acast.com/privacy for privacy and opt-out information.

Tem mais filmaço no seu feed de áudio sobre filmes clássicos! Alexandre, Fred e o músico Willian de Andrade comemoram o aniversário de Wim Wenders celebrando um de seus melhores filmes, o tocante "Paris, Texas" (Paris, Texas, 1984). Wenders nasceu em 14 de agosto de 1945 em Düsseldorf na Alemanha, mas foi para os Estados Unidos filmar este clássico inesquecível com roteiro de Sam Shepard e atuações brilhantes de Harry Dean Stanton e Nastassja Kinski. O longa foi vencedor da Palma de Ouro em Cannes, indicado para o Globo de Ouro de filme estrangeiro e Wenders conquistou o Bafta de melhor direção no Reino Unido. Confira nosso papo sobre um dos filmes que marcaram a década de 80 e que ajudaram a tornar Wim Wenders um dos cineastas mais respeitados de seu tempo. ---------------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nossa página no Facebook : https://www.facebook.com/podcastfilmesclassicos/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

This week we continue our Summer 2021 Satanic Panic series with the 1976 film To the Devil a Daughter, sometimes called CHILD OF SATAN.To the Devil...a Daughter is a 1976 British-West German horror film directed by Peter Sykes, produced by Hammer Film Productions and Terra Filmkunst, and starring Richard Widmark, Christopher Lee, Honor Blackman, Nastassja Kinski and Denholm Elliott. It is based on the 1953 novel of the same name by Dennis Wheatley. It was the final Hammer production to feature Christopher Lee until The Resident in 2011. On home videocassette the film was released with the alternate title Child of Satan. This is Castle of Horror Episode 343.

Father's Day is coming up, and in honour of all the dear old dads out there we revisit FATHER'S DAY! Directed by movie dad Ivan Reitman and bringing together comedy titans Robin Williams and Billy Crystal, Father's Day is the story of two non-papas who get a taste of parenthood when Nastassja Kinski tells them each they're her missing son's father so they'll look for him. Also starring Julia Louis-Dreyfus, Jared Harris and Bruce Greenwood as Ned Flanders, this movie made the old man laugh, but how does it hold up now?Tune in to find out! Listen here to find out! Listen to find out and don't forget to subscribe and rate us on Apple Podcasts, Spotify or Stitcher! Also, you can also support us by either contributing Patreon campaign, or by buying Rewatchability t-shirts from TeePublic. See acast.com/privacy for privacy and opt-out information.

The “Cinephile Cuties” are ready to walk around the desert alone. That’s because they’re chatting about Wim Wenders’ Paris, Texas. In this episode, Patrick inquires as to why he’s never seen Casey cry. And Casey tells a story about his uncle. In addition to that, they put The Paris, Texas through their proprietary “Fartsy Test.” Patrick recommends a drink pairing. And they give each other notes to improve the show. Listen in to see if it’s working!If you like this show, tell a friend!If you’d like to sponsor the show, Venmo Patrick at Patrick-Mallon$10 for episode sponsorship$25 for sponsorship AND the boys will imbibe a drink of your choosing.Follow Farthouse on Twitter and InstagramFollow Patrick and Casey and TwitterAnd follow Patrick and Casey and on Letterboxd

Après une décennie magique où il enchaînera les chefs-d'œuvres et les succès, Francis Ford Coppola aborde les années 80 auréolé de son statut de réalisateur superstar.  Sortant du harassant tournage d'Apocalypse Now le cinéaste entend, avec Coup de Cœur, reposer les pieds sur terre et tourner rapidement en studio une comédie musicale légère et brillante. Mais pourquoi faire simple quand on peut faire compliqué ? Très vite la démesure de l'artiste reprend le dessus et une course à l'innovation est lancée dans les studios fraîchement achetés par la société Zoetrope. Si le fil dramatique du film est ténu, les moyens mis en place pour le mettre en scène seront colossaux. L'avenir du cinéma sera électronique, prédit alors le créateur du Parrain, et il se donne tous les moyens nécessaires pour accomplir lui-même sa prophétie : caméra vidéo, création de décors monumentaux, postproduction informatisées, caméra légère et ultra mobile… Rien ne devra freiner les ambitions du nouveau nabab d'Hollywood. Le résultat est époustouflant, révolutionnaire et d'une criante actualité. Certaines scènes, notamment celle où Nastassja Kinski s'adonne au funambulisme sous les yeux émerveillés de Frederic Forrest, restent encore dans toutes les mémoires. Pourtant cette rêverie aux accents minnelliens fédérera contre elle les critiques et se verra boudée par le public lors de sa sortie en 1982. Ce four retentissant causera la ruine de Coppola et l'obligera à se réinventer.  Conversations secrètes le podcast, vous propose une plongée dans ce film incomparable qui a, entre temps, troqué son statut de film maudit pour celui d'œuvre de référence inspirant nombre de cinéastes contemporains. Car c'est bien à nous que s'adresse ce Coup de Coeur visionnaire !

This week we cover some lesser known films It's the three movies of the "Cat People" franchise. The first two movies are from the 1940s and by producer Val Lewton (head of the horror unit at RKO). The first movie has become a cult classic and does a lot with a very small budget. Check out several of Lewton's most popular movies on Shudder.    The 1982 "Cat People' takes the series in a different direction. Malcolm McDowell and Nastassja Kinski star as brother and sister cat people. While the first "Cat People" relied on shadows and jump scares, this movie shows the transformation. The show is much sexier than the original. Poor Nastassja sent half of the movie in the nude. David Bowie also contributed the theme song known as "Putting Out Fire".    In honor of the first cat person Irena Dubrovna, I included some favorite Serbian dishes. Check out the full list at here   Photo Credit: Here Music Credit: Here  

I wanna talk to you La clip è tratta da "Paris, Texas" (regia Wim Wenders-sceneggiatura Sam Shepard-con Harry Dean Stanton e Nastassja Kinski-produzione Road Movies Filmproduktion, Argos Films-1984 all rights reserved)

The fourth episode of our season on the awesome movie year of 1984 features the Cannes Film Festival Palme d’Or winner Paris, Texas. Directed by Wim Wenders from a screenplay by L.M. Kit Carson and Sam Shepard and starring Harry Dean Stanton, Dean Stockwell, Hunter Carson, Nastassja Kinski and Aurore Clément, Paris, Texas won three awards, including the Palme d’Or, at the 1984 Cannes Film Festival. The post Paris, Texas (1984 Cannes Palme d’Or Winner) appeared first on Awesome Movie Year.

What do you get when you cross Richard Widmark, Christopher Lee, and a Satanic cult? Why, it’s To the Devil… a Daughter, and it’s our 27th movie in our 31 Days of Halloween. It’s a truly weird and wonderful movie about a cult intent on bringing their Dark Lord to life with the help of a very young Nastassja Kinski. I highly encourage you to give this one a spin! Drop me a line at Bo@legionpodcasts.com and let’s enjoy the best time of the year together with stories of what you’re watching and your favorite Halloween traditions!

What do you get when you cross Richard Widmark, Christopher Lee, and a Satanic cult? Why, it’s To the Devil a Daughter, and it’s our 27th movie in our 31 Days of Halloween. It’s a truly weird and wonderful movie about a cult intent on bringing their Dark Lord to life with the help of a very young Nastassja Kinski. I highly encourage you to give this one a spin! Drop me a line at Bo@legionpodcasts.com and let’s enjoy the best time of the year together with stories of what you’re watching and your favorite Halloween traditions! The post Legion Podcasts 31 Days of Halloween! October 27th – To the Devil… a Daughter appeared first on Legion.

On this Episode of the CriterionCULT podcast the CULT watches Wim Wenders 1986 film Paris, Texas starring Harry Dean Stanton, Dean Stockwell, and Nastassja Kinski.  And on this episode Mondo pairs Paris, Texas with Karyn Kusama's 2018 crime thriller Destroyer starring Nicole Kidman. Will the CULT accept Destroyer into the collection, listen to find out.  

Happy Labour Day! Hercules and the Captive Women takes the blood of Uranus and… shipwreck… shapeshifter… other stuff… anyway, it all causes Chris and Adam to think about Atlantis, Proteus, Mario Bava, Mario Mario, and Nastassja Kinski.

Happy Labour Day! Hercules and the Captive Women takes the blood of Uranus and… shipwreck… shapeshifter… other stuff… anyway, it all causes Chris and Adam to think about Atlantis, Proteus, Mario Bava, Mario Mario, and Nastassja Kinski.

Here is what was SUPPOSED TO BE Episode 37, now Ep. 39 because Corey screwed up. It's 1994's Terminal Velocity starring Charlie Sheen, Nastassja Kinski, James Gandolfini, and Christopher McDonald. Terminal Velocity Blu-ray from Kino Lorber! Terminal Velocity for Rent or Sale Digitally on Amazon Prime!   Karate in the Garage Podcast on Patreon! KARATE IN THE GARAGE ON LETTERBOXD! Corey Freddy Twitter @KaratePod Corey - Twitter @CoreyCulp; Instagram @Culprit97 Freddy - Twitter @RavenShaddock; Instagram @RocknRolla33  

Emmanuelle Devos est la onzième invitée du podcast Le Goût de M proposé par « M Le magazine du Monde ». La comédienne, au générique du podcast Le Nuage et bientôt à l'affiche du film Les Parfums reçoit la journaliste et productrice Géraldine Sarratia dans sa maison de Fontenay-sous-Bois (Val-de-Marne). Emmanuelle Devos y évoque son enfance dans le 7e arrondissement à Paris ; le goût de ses parents pour la musique (Mozart, Bob Dylan, Brel, Brassens, Dire Straits…) et les vieux films des années quarante aux années soixante ; sa passion très jeune pour la littérature, anglaise notamment ; son admiration pour les écrivaines Jane Austen, Edna O'Brien, Nuala O'Faolain, la langue de Marivaux, le son garage et les Rita Mitsouko ou encore la comédienne Nastassja Kinski ; sa fascination pour l'élégance de Sandrine Kiberlain et Chiara Mastroianni ; sa fatigue des fringues ; sa décoration intérieure de plus en plus marquée par l'enfance ; ses discussion culturelles avec Arnaud Desplechin ou Jacques Audiard ; son implication dans le cinéma français des années 1990 et l'absence de calcul dans ses choix de rôles.Toutes les deux semaines, une personnalité issue du monde de la culture, de la mode, du design ou de la cuisine racontera son histoire personnelle du goût. Mais aussi ses dégoûts. Comment elle s'est façonné un art de vivre, en continuité ou au contraire en rupture avec son milieu d'origine. Comment celui-ci a évolué au cours de sa vie, de ses rencontres, de ses expériences.Un podcast produit par Géraldine Sarratia (Genre idéal)Réalisation : Sulivan ClabautMusique : Gotan Project Retrouvez tous les podcasts du Monde sur https://www.lemonde.fr/podcasts See acast.com/privacy for privacy and opt-out information.

It's not a repeat if you haven't heard it before and it's the perfect time to revisit Dave's favorite holiday and the one Holly tolerates because candy is involved. We talk about our favorite songs and movies that Holly has yet to see...I'm still waiting to discuss Ed Wood with her. Holly thinks Echo & The Bunneymen's "Killing Moon" is a love song until she learns the terrifying truth. And Dave is still trying to pronounce Nastassja Kinski's name. Listen to all songs discussed on our What Difference Does It Make Podcast Spotify playlist. https://spoti.fi/346qPYD --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/wddim/message

Jim and Teal tackle the final installments of two global phenomenons, and the third chapter of a new one. Helping out is Jim and Teal's special guest, Michael McQuilkin. Michael's the costar and co-creator of the hit podcast series, Hadron Gospel Hour. First Jim grills Michael on the status of the long-awaited third season of Hadron Gospel Hour. Next up, is a trip back to 1982 where the Skeksis' screech, and arms are ripped off faster than you can say, Nastassja Kinski. Finally, why did one franchise ending, The Avengers, receive universal fan acclaim, while another, Game of Thrones met with fan furor? One series that does please the boys is John Wick. What's John got up his sleeve that's so appealing? Get ready for one exciting hour of updates, debates, laughter, and movie memories.

Vi byter avsnitt med kollegorna på From Beyond som tar sig an ett av skräckfilmens mest arketypiska monster. Richard och David kommer på kollisionskurs kring huruvida Ginger Snaps är en intressant eller bra film, men förenas i jämförelsen att om Vargtimmen är vampyrer så är From Beyond - varulvar! Aaoouuh. De pratar också om: Besökarna (men alldeles för lite), Universal Pictures, Dracula, Frankenstein, Boris Karloff, The Wolf Man, Zeus, Lykaon, Fenrisulven, Ragnarök, Diablo II: Lord of Destruction, Wendigo, Kitsune, Peter Stumpp, Porfyri, lykantropi, Richard Chase, The Vampire of Sacramento, The White Wolf, Le Loup Garou, Wolfblood, Werewolf of London, Warren Zevon, Lon Chaney Jr., Lon Chaney, London After Midnight, The Unknown, Phantom of the Opera, John Landis, An American Werewolf in London, Rick Baker, Joe Dante, Dee Wallace, E.T., Cujo, The Hills Have Eyes, John Carradine, Rob Bottin, Dick Miller, Whitley Strieber, The Howling II: Your Sister Is a Werewolf, Christopher Lee, An American Werewolf in Paris, Julie Delpy, Cursed, Wes Craven, Christina Ricci, Jesse Eisenberg, Joshua Jackson, Milo Ventimiglia, Bad Moon, Paul Naschy, Waldemar Daninsky, The Hombre Lobo, Curse of the Werewolf, Oliver Reed, Hammer Films, Terence Fisher, Wolfen, Skinwalkers, Albert Finney, Arkiv X, Supernatural, Skinwalker Ranch, Wolf, Jack Nicholson, Michelle Pfeiffer, James Spader, The Wolfman, Benicio del Toro, Dog Soldiers, Neil Marshall, Assault on Precint 13, The Descent, Peter Cushing, The Beast Must Die, Amicus Productions, Van Helsing, Hugh Jackman, Silver Bullet, Stephen King, Cycle of the Werewolf, Corey Haim, Gary Busey, Corey Feldman, The Monster Squad, Wolfman's Got Nards, John Gries, Napoleon Dynamite, Fright Night Part 2, Late Phases, Teen Wolf, Michael J. Fox, Teen Wolf Too, Jason Bateman, Full Moon High, The Craft, Den onda cirkeln, May, Angela Bettis, Lucky McKee, Orphan Black, Når dyrene drømmer, Låt den rätte komma in, Neil Jordan, The Company of the Wolves, Rob Zombie, Werewolf Women of the S.S., Nicolas Cage, Angela Carter, Rödluvan, Gothic, Ken Russell, La Bête, Walerian Borowczyk, Werewolf Woman, Letterboxd, Jess Franco, The Erotic Rites of Frankenstein, House of Dracula, Frankenstein Meets the Wolfman, Abbott och Costello, Santo & Blue Demon vs. Dracula & the Wolfman, Stephenie Meyer, Twilight, White Wolf, Vampire: The Masquerade, Werewolf: The Apocalypse, Underworld, What We Do in the Shadows, Taika Waititi, Mario Bava, Black Sabbath, Boris Karloff, Wurdalak, The Night of the Devils, Frostbiten, Cat People, Val Lewton, Paul Schrader, Nastassja Kinski, Jacques Tourneur, Mick Garris, Sleepwalkers, Mädchen Amick, The Howling III: The Marsupials, The Beast Within, Dario Argento, Dracula 3D, Conquest, Lucio Fulci, Mortal Kombat: Annihilation, Project: Metalbeast, Werewolves on Wheels, Monster Dog, Claudio Fragasso, Alice Cooper, Eclipse Total, Anthony Hickox, Mario Van Peebles, Wolf Guy, Sonny Chiba, WolfCop, Robert R. McCammon, Carnivorous Lunar Activities, Ulver, Nattens Madrigal - Aatte Hymne til Ulven i Manden och Buffy the Vampire Slayer. Nostalgi, löst tyckande och akademisk analys i en salig röra.

One of my favorite photo documentaries is Darkness & Light, which is a fantastic look into the mind and work of Richard Avedon. A lot of people know Avedon from his photographs in the American West – bold monochrome portraits set against stark white backgrounds or “that poster.” You know the one – it features a nude Nastassja Kinski lying on a concrete floor entangled with a massive Burmese python. Originally shot for Vogue, the poster went on to sell millions of copies.Avedon's career spanned six decades and his work bridged the gap between art and commerce in a way that few others managed to do – either before or since – and yet still he felt dissatisfied with all that he had accomplished as a photographer.“I've never been able to put all I know into a photograph,” he said. “A photograph can be an adjective, a phrase. It can even be a sentence or a paragraph, but it can never be a chapter. So it's been a lifetime of frustration in terms of expressing myself because of the limitations of the visual image. I believe in it-but it's limited.”Avedon has been at or near the the top of my list of favorite photographers for the better part of three decades but honestly it's still hard for me to articulate why I feel such a connection to his work. There's an obvious technical mastery of the medium, but I could say the same for dozens of photographers whose work doesn't hold my interest in the same way or resonate as deeply as that of Avedon. So what is it that makes his work so compelling to me? Does he deserve the accolades and if so, why?I was talking to my friend Hugh Talman and happened to have my little Zoom H2 with me and asked if we could hit the record button since the odds are pretty good that at least one amazing story will emerge. Hugh recently retired from a 33-year tenure at the Smithsonian Museum of American History, first as a darkroom tech and then as a photographer. Before that, he spent 12 years at the National Archives where he printed many of Matthew Brady's glass plates from the Civil War as well as the work Timothy O'Sullivan did as part of the Western Survey. His knowledge and experience in all things photographic is staggering and if anyone could answer the question, it would be him.Subscribe: iTunes | Pocket Casts | Overcast | RSSI'd love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.You can catch up with Hugh on Instagram @hughtalman.Music in this episode: Gloom (Jahzzar) / CC BY-SA 4.0

One of my favorite photo documentaries is Darkness & Light, which is a fantastic look into the mind and work of Richard Avedon. A lot of people know Avedon from his photographs in the American West – bold monochrome portraits set against stark white backgrounds or “that poster.” You know the one – it features a nude Nastassja Kinski lying on a concrete floor entangled with a massive Burmese python. Originally shot for Vogue, the poster went on to sell millions of copies.Avedon's career spanned six decades and his work bridged the gap between art and commerce in a way that few others managed to do – either before or since – and yet still he felt dissatisfied with all that he had accomplished as a photographer.“I've never been able to put all I know into a photograph,” he said. “A photograph can be an adjective, a phrase. It can even be a sentence or a paragraph, but it can never be a chapter. So it's been a lifetime of frustration in terms of expressing myself because of the limitations of the visual image. I believe in it-but it's limited.”Avedon has been at or near the the top of my list of favorite photographers for the better part of three decades but honestly it's still hard for me to articulate why I feel such a connection to his work. There's an obvious technical mastery of the medium, but I could say the same for dozens of photographers whose work doesn't hold my interest in the same way or resonate as deeply as that of Avedon. So what is it that makes his work so compelling to me? Does he deserve the accolades and if so, why?I was talking to my friend Hugh Talman and happened to have my little Zoom H2 with me and asked if we could hit the record button since the odds are pretty good that at least one amazing story will emerge. Hugh recently retired from a 33-year tenure at the Smithsonian Museum of American History, first as a darkroom tech and then as a photographer. Before that, he spent 12 years at the National Archives where he printed many of Matthew Brady's glass plates from the Civil War as well as the work Timothy O'Sullivan did as part of the Western Survey. His knowledge and experience in all things photographic is staggering and if anyone could answer the question, it would be him.Subscribe: iTunes | Pocket Casts | Overcast | RSSI'd love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.You can catch up with Hugh on Instagram @hughtalman.Music in this episode: Gloom (Jahzzar) / CC BY-SA 4.0

1pm-3pm BST bombshellradio.com Lynchland - David Lynch Archivist Repeats 2am-3am EST #davidlynch #lynchian #lynchland #bombshellradio26 songs sung by some of the actors directed by David Lynch, featuring Ann Miller, Russ Tamblyn, Richard Beymer, Peggy Lipton, Michael Parks, Chad Everett, Nastassja Kinski, Sissy Spacek, Sting, Anthony Hopkins, Nicolas Cage, Nancye Ferguson (singing in Devo's side-project The Visiting Kids), Dean Stockwell, Chris Isaak, Diane Ladd, Harry Dean Stanton, Tindersticks & Isabella Rossellini, Patricia Arquette, Chris Mulkey, Gorillaz & Dennis Hopper, Jeremy Irons, Rebekah Del Rio, Dubblestandart Meets David Lynch & Lee Scratch Perry, Ben Folds & Alicia Witt, David Duchovny and David Bowie.Artwork: instagram.com/rinaldozoontjes/01 Ann Miller - Too Darn Hot 00:3002 Russ Tamblyn - Tom Thumb's Tune 03:1403 Richard Beymer - Maria 05:2804 Peggy Lipton - Wasn't It You 08:0205 Michael Parks - Wayfarin' Stranger 10:5206 Chad Everett - Nights on Broadway 14:0607 Nastassja Kinski - Little Boy Blue 16:5108 Sissy Spacek - He Don't Know Me 18:3209 Sting - Moon Over Bourbon Street 21:3510 Anthony Hopkins - Distant Star 25:3211 Nicolas Cage with Pride & Joy - He Don't Love You 29:2612 Nancye Ferguson's The Visiting Kids - Trilobites 32:3513 Dean Stockwell - Alphabet Song Rap 35:5714 Chris Isaak - 5:15 37:5815 Diane Ladd - Kiss of Fire 41:1516 Harry Dean Stanton - Across the Borderline 44:0817 Tindersticks & Isabella Rossellini - A Marriage Made in Heaven 49:4818 Patricia Arquette - Here with You 54:5819 Chris Mulkey - Blue Highway 57:1720 Gorillaz feat. Dennis Hopper - Fire Coming Out of a Monkey's Head 01:00:3221 Jeremy Irons - Make You Feel My Love 01:03:4522 Rebekah Del Rio & The Section Quartet - The Star Spangled Banner 01:07:1823 Dubblestandart Meets David Lynch & Lee Scratch Perry ?ñ Chrome Optimism 01:09:2724 Ben Folds & Alicia Witt - Cold Turkey 01:15:2225 David Duchovny - Another Year 01:18:3926 David Bowie - Dollar Days 01:23:26

Herbert Grönemeyer redet über Deutschland, sein Leben und seine Karriere, über seine Anfänge in Bochum und seine Jahre in London, über Begegnungen mit Willy Brandt und Nelson Mandela, Bono und Nastassja Kinski, über seine Skepsis gegenüber Spotify, seine Leidenschaft für Autos, seine Familie und Freunde, seine musikalischen Vorbilder, über sein schwieriges Verhältnis zu Boulevardmedien – und über sein letztes Konzert, das er mit 89 Jahren spielen will. Im Podcast erzählt er, woher die Lebensfreude seines Vaters kam, wie er als Fußballspieler war und was ihm kurz vor seinem Durchbruch als Sänger eine Wahrsagerin prophezeite. Er probiert widerwillig den angebotenen sardischen Rotwein, lobt aber den Kuchen, der nach einem Rezept seiner Mutter gebacken wurde. Und mitten im Gespräch greift er sich eine Ukulele, die er im Podcaststudio entdeckt. Gemeinsam mit seinen Gastgebern singt er "Männer". Nach 5 Stunden und 15 Minuten schließlich beendet Herbert Grönemeyer das Gespräch mit ZEITmagazin-Chefredakteur Christoph Amend und ZEIT-ONLINE-Chefredakteur Jochen Wegner. Das darf beim unendlichen Podcast "Alles Gesagt?" nämlich nur der Gast. Shownotes: 00:10:05 Mein Vater sang so falsch, er flog aus dem Chor 00:12:20 Wie geht‘s Deutschland? 00:15:25 Kaffeetrinken mit Willy Brandt und Nelson Mandela 00:19:20 40 kluge Köpfe für das Land 00:24:10 Wie geht‘s Großbritannien? 00:36:50 Die Weite von Berlin 00:42:20 Dreharbeiten in der DDR 00:53:00 „Spiel bloß nicht in der DDR“ 00:58:00 Die Bergbau-Familie Grönemeyer 00:59:00 Sein Vater 01:11:00 Die Gitarre und die Mädchen in der Bretagne 01:12:00 „Ich sollte Friederike heißen“ 01:17:00 Das erste Instrument: Ukulele 01:20:00 Der Weg zum Theater 01:23:00 Der erste Plattenvertrag 01:25:00 Die ersten Platten: alle Flops 01:27:00 Dreharbeiten zu „Das Boot“ 01:30:00 Sein Lehrer Peter Zadek 01:32:00 Der Autofan Grönemeyer 01:50:00 Grönemeyer, Amend und Wegner singen Männer 02:01:00 Das schnelle A-oder-B-Spiel 02:12:00 Wer ist deutsch? 02:15:00 Die große Debatte seit 2015 02:27:00 Auf Deutsch singen 02:30:00 Seine Favoriten von Rio Reiser bis Peter Fox 02:36:00 Warum lieben die Deutschen ihn so? 02:48:00 Sein Vater Teil 2 03:06:00 Wie Musiker heute Geld verdienen 03:13:00 Zuhause hört er HipHop 03:21:00 Die Macht der Algorithmen 03:30:00 „Ich singe so, wie ich mich bewege“ 03:40:00 Heute ist jeder ein Star auf Instagram 03:42:00 Sein Verhältnis zu den Medien 03:45:00 Die Paparazzi-Affäre 03:49:00 Die öffentlichen Gefühle 04:00:00 Die nächste Platte 04:05:00 Der Bergwerksdirektor Eisenmenger 04:12:00 Was Grönemeyer in sein Smartphone tippt 04:24:00 Angela Merkels Wir-schaffen-das und die große Flüchtlingsdebatte 04:30:00 Der Erfolg der Rechten 04:36:00 Theatermensch Grönemeyer 04:41:00 Der Filmschauspieler Grönemeyer und „Das Boot“ 04:44:00 Vor seinem Elternhaus in Bochum 04:47:00 Vom Älterwerden 04:52:00 Papa Grönemeyer 04:54:00 Über Beziehungen 04:56:00 Über Freundschaften 05:01:00 Über Bono 05:05:00 Wie schreibt er seine Melodien? 05:06:00 Wie arbeitet er mit seinem Produzenten? 05:09:00 Als er einmal eine komplette Plattenproduktion weggeworfen hat 05:14:00 Scheitern als Chance

Über Peepshows, Hüte und Amerika. Für Wim Wenders' Roadmovie Paris, Texas (1984) lassen wir Flaschen sowie Bierdosen knallen. Wir diskutieren die Relevanz der Geographie, blicken durch die Fensterscheibe menschlicher Abgründe und lassen uns von der Wucht einer Filmszene überwältigen.

Berk Reviews Movie Club episode 065 - Paris, Texas (1984) For year 2 of Berkreviews.com Movie Club, the month of April has Jonathan (@berkreviews) and Corey (@coreyrstarr) picking movies from the '80s that they've missed for some reason or another. Of course, that leaves a lot of movies to choose from and they have to narrow it down to only four for the month. Jonathan picked Paris, Texas (1984) because the film was talked about so much after Harry Dean Stanton's passing that it'd been on his radar for a while now. The film is directed by Wim Wenders and written by Sam Shepard starring Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Aurore Clément, and Hunter Carson. This was a first time viewing for both Corey and Jonathan and each seemed to enjoy it. Next episode: Coal Miner's Daughter (1980) Corey picked Coal Miner's Daughter (1980) for next week. It is directed by Michael Apted and stars Sissy Spacek and Tommy Lee Jones. Jonathan has seen parts of this movie as it is a favor --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support

Ez itt a Vakfolt podcast 99. adása. Mi is nehezen hisszük el. A jövő heti ünnepi őrület előtt azonban még folytatnunk kell a nemrég megkezdett blokkot, amelyben német nyelvű rendezők filmjeivel fogalkozunk. Jobb híján így neveztük el a témát, mert Wim Wenders filmje Amerikában forgott, amerikai színészekkel, így aligha nevezhető német produkciónak. A Paris, Texas (vagy magyarul Párizs, Texas) történetében Harry Dean Stanton vág neki a végtelen tájnak, hogy megtalálja egykori szerelmét (Nastassja Kinski) és helyrehozza a kapcsolatát a családjával. A Werner Herzog-blokkunkban már beszéltünk a road movie-król, és arról, hogy mit tud mondani Amerikáról egy európai rendező. Óhatatlanul összehasonlítjuk Herzog borúlátását Wim Wenders melankolikus humanizmusával, elismerve, hogy a Paris, Texas forgatókönyvén két amerikai író dolgozott. Alámerülünk Harry Dean Stanton színészi játékában, hogy a lelki Grand Canyonjának másik végén új emberként másszunk a felszínre, kielemezzük Wim Wenders tájábrázolási módszereit, és megnézzük, mennyire árulkodnak a film élénk színei az amerikai álomról. Linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt az Apple podcasts oldalán Feliratkozás a Vakfolt versus podcastra Android készülékeken András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu

Berkreviews.com Movie Club episode 064 - Kramer vs. Kramer For the last selection of the best picture winners, Jonathan picked Kramer vs. Kramer. Neither Corey (@coreyrstarr) nor Jonathan (@berkreviews) has seen the 1980 Best picture winner. The film is directed by Robert Benton and stars Dustin Hoffman, Meryl Streep, and Jane Alexander. It's a film that's premise sounds like it'll be a tough watch, but a movie that needs to be checked off our gap list. Episode 065 - Paris, Texas (1984) The month of April is movies from the '80s that we missed. The first one on the list is Paris, Texas is a film that both Jonathan and Corey have heard a lot about since Henry Dean Stanton's death. The film was directed by Wim Wenders and stars Harry Dean Stanton, Nastassja Kinski, and Dean Stockwell. SUPPORT BERKREVIEWS.COM Subscribe at Patreon – http://www.patreon.com/berkreview One time donation @ Berkreviews.com and click the donate button Berk Reviews Movie Club - General Info Corey and Jonat --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support

Colin explores forbidden love among the Cat People (1982), which stars Nastassja Kinski as a woman who begins to fear that her burgeoning sexuality, once unleashed, may literally turn her into an animal. John Hurt becomes obsessed with her mysterious femininity, while Malcolm McDowell plays her skeevy brother, who proposes an unwholesome solution to her predicament. Listen as we discuss the career of director Paul Schrader, the disappearance of the erotic thriller from mainstream entertainment, and the musical contributions of David Bowie on this week's supersexy episode! See acast.com/privacy for privacy and opt-out information.

Bill speaks with Jeremy Richey, editor and co-creator of the quarterly print journal Art Decades. They talk about the origins of this publication and his litany of film-related blogs, among them Moon In The Gutter, Fascination: The Jean Rollin Experience, Nostalgia Kinky and Harry Moseby Confidential. They also discuss plagiarism, influential books, Jean Rollin, feminism, Tim Lucas, Jeremy’s documentary appearances, Kimberly Kane, discouraging freelance writing experiences and details about his upcoming book focusing on the European film career of Sylvia Kristel.   Buy past issues of Art Decades: https://www.amazon.com/Jeremy-R-Richey/e/B00OV5YLWS/ref=ntt_dp_epwbk_0   Read Jeremy Richey’s long-running blog, Moon In The Gutter: http://mooninthegutter.blogspot.com/   Read A Return To Utrecht, Jeremy Richey’s Sylvia Kristel blog: https://areturntoutrecht.wordpress.com/   Read Jeremy Richey’s Nastassja Kinski blog Nostalgia Kinky: http://nostalgiakinky.blogspot.com/   Read Jeremy Richey’s Jean Rollin blog Fascination: The Jean Rollin Experience:   Fascination: The Jean Rollin Experience

Edición número 54 de La Gran Evasión,22/92015. Wim Wenders ganó La Palma de Oro en el festival de Cannes en 1984 por este recorrido en imágenes por la desolación, por la condición humana, que se ha convertido en una película de culto, apoyada por el guión de Sam Shepard y la fotografía de Robby Müller, ambos extraordinarios. Contiene momentos que se quedan en la retina, ya asociamos París, Texas al diálogo entre Kinski y Dean Stanton en el Peep Show, a un hombre con una gorra atravesando un desierto...a la maravillosa música de Ry Cooder, a los parajes inmensos, al horizonte... París, Texas siembra dudas en todos nosotros, dudas sobre el libre albedrío, sobre las ataduras morales y sociales, sobre la consabida condición humana, a través de imágenes llenas de lirismo, a través de los ojos de un niño, o mejor dicho de dos niños que buscan lo que habían perdido....a través de una madre abandonada por un amor consumido por el fuego, una road movie que recorre los senderos más oscuros del alma. Shepard había escrito un libro de relatos cortos y poemas que llevaba el título de Transfiction (más tarde sería cambiado por el de Motel Chronicles ), libro que acabó por convertirse en la base de Paris, Texas, a partir de él, Wenders y Shepard elaboraron un breve tratamiento que se iniciaba con una escena tan enigmática, tan absorvente: un hombre aparece en pleno desierto de Arizona, en la frontera mexicana; camina sin rumbo aunque con paso decidido, la mirada perdida en la línea del horizonte, en el vacío. No sabemos nada de él, sólo nos intriga reconstruir los datos que nos faltan para elaborar su historia: ¿Quién es?, ¿Dónde va? ¿Qué le ha ocurrido?... A partir de aquí, el relato nos lleva de la mano y vamos encontrando respuestas a la misma vez que Travis, de dónde viene y a dónde va. La fotografía de París, Texas está a cargo de Robby Müller, uno de los mejores directores europeos de fotografía, colaborador habitual de Wenders, también ha trabajado con Jim Jarmusch (heredero de muchos elementos del estilo de Wenders), con Lars von Trier, Peter Bodganovich, Winterbottom...dice Wenders, que Müller y él decidieron plasmar su visión del desierto americano sin recurrir a esos referentes míticos, como las fotografías de Walker Evans, ó los cuadros de Edward Hopper, crearon su propia iconografía de la soledad del individuo, del viaje hacia ninguna parte y de la redención a través del camino. Wenders nos da su propia visión de La Odisea de Homero, su obsesión hacia el tema del viaje como espoleta del auto-conocimiento, de la búsqueda y la aceptación de uno mismo. Magistrales los actores Harry Dean Stanton y Nastassja Kinski, sin palabras nos dicen tanto, portentosos. Llenamos de whisky las tinieblas, forjamos otra vez la esperanza esta ventosa noche de finales del verano, a la dirección José Miguel Moreno, contertulios, Raúl Gallego, Gervi Navío, Mamen Torres, y con el teléfono en la mano y el pasado lleno de películas a la espalda, nuestro crítico César Bardés.

Happy Easter from Kiss the Goat! Why would a show like ours even prepare an Easter episode? Well, first of all, we’re smart-asses. Secondly, you’d be surprised how relevant a movie like TO THE DEVIL A DAUGHTER can be around Easter! Join Christopher Lee, a young Nastassja Kinski and us for a thorough break down of a movie that sorta breaks down by itself, anyway. All your favorite segments are here, and so is that one you don’t like. Listen to it anyway! (TRIGGER WARNING – DISCUSSION OF PEDOPHILIA) The post Kiss the Goat Episode 21: To the Devil… A Daughter appeared first on Legion.

Check out this film's post @ MovieJeff.com here » https://themoviereviewshow.blogspot.com/1984/11/paris-texas.html and leave a comment Paris, Texas is a 1984 road movie directed by Wim Wenders and starring Harry Dean Stanton, Dean Stockwell, Nastassja Kinski and Hunter Carson. Follow the show... @ Twitter https://twitter.com/MovieJeffDotCom @ YouTube https://www.youtube.com/channel/UCpONT6Yp423GzUrHDDqBL3g @ LetterBoxd https://letterboxd.com/jeffmovie https://themoviereviewshow.blogspot.com/1984/11/paris-texas.html AND, FOR AS LITTLE AS $1/MONTH » https://patreon.com/dad SUPPORT THIS SHOW AND OTHER VENTURES FROM HTTPS://WWW.MYAMERI.CA INDUSTRIES • THANK YOU --- Send in a voice message: https://anchor.fm/the-movie-review-show/message Support this podcast: https://anchor.fm/the-movie-review-show/support

"Ich glaube, dass die Autoren immer ein zwiespältiges Verhältnis zum Film haben" - Wolfgang Petersen über seine literarischen Vorlagen und deren Urheber Es gibt nicht viele unter den Regisseuren Hollywoods, die das Privileg des "final cut" – auch "Director’s Cut" genannt - haben, doch er hat das Recht selbst zu bestimmen, in welcher Schnittfassung seine Filme auf der Leinwand zu sehen sind. Wolfgang Petersen ist bereits eine Film-Legende, die für ihre erfolgreichen Streifen mit zahlreichen Auszeichnungen geehrt wurde. Bester Nachwuchsregisseur Wolfgang Petersen kam am 14.3.41 im ostfriesischen Emden zur Welt. Seine Kindheit verbrachte er in Hamburg, wo er auch das Abitur machte. Schon sehr früh, bereits als Zehnjähriger, fühlte er sich vom Kino magisch angezogen. Der "Zeit" vom 8.4.83 verriet er unter anderem: „Ich war wie besessen darauf, ins Kino zu gehen“. Nach dem Abitur absolvierte Wolfgang Petersen eine Schauspielausbildung und begann schließlich als einer der ersten Studenten eine Ausbildung an der soeben gegründeten Deutschen Film- und Fernsehakademie in Berlin, die am 17.9.66 vom damaligen Regierenden Bürgermeister Willy Brandt offiziell eröffnet wurde. Nach der Ausbildung stand der Weg zu einer internationalen Karriere als Regisseur offen. Nach einigen Kurzfilmen inszenierte Wolfgang Petersen als Abschlussarbeit an der Filmakademie den Film "Ich werde dich töten, Wolf" und fand zunächst seine Auftraggeber beim Fernsehen. Die Krimireihe "Tatort" sollte schließlich das Talent des jungen Regisseurs zeigen. Es folgten mehrere Filme der "Tatort"-Serie unter der Regie von Wolfgang Petersen, darunter auch die schon als legendär bezeichnete Folge "Reifezeugnis" mit Nastassja Kinski. Inzwischen sollten auch die ersten Preise an den Regisseur verliehen werden. So wurde er 1973 für seinen Öko-Thriller „Smog“ unter anderem mit dem „Prix Italia“ ausgezeichnet und 1974 für seinen ersten Kinofilm "Einer von uns beiden" mit dem Bundesfilmpreis als bester Nachwuchsregisseur. Doch große und erfolgreiche Kinofilme von Wolfgang Petersen sollten noch kommen. Sechs Oscarnominierungen Das Jahr 1980 markierte für Wolfgang Petersen einen Meilenstein in seiner Karriere. Für rund 25 Millionen DM drehte der Regisseur den Streifen "Das Boot". Trotz anfänglicher Zurückhaltung der Kritik wurde der Film zu einem Riesenerfolg – bis 1983 spielte dieses U-Boot-Opus150 Millionen DM ein und wurde auch für den Oscar in sechs Kategorien nominiert. Diesem internationalen Erfolg folgte ein weiterer Kassenschlager von Wolfgang Petersen: 1984 kam die Verfilmung der "Unendlichen Geschichte" in die Kinos, die auf dem Bestseller von Michael Ende basierte. Mit Produktionskosten von rund 60 Millionen DM wurde damals der Film zum teuersten Streifen in der deutschen Filmgeschichte. Doch auch dieser Film erwies sich als Publikumsmagnet und spielte über 100 Millionen US Dollar ein. Als Konsequenz aus diesen Erfolgen kam schließlich der Ruf nach Hollywood. Auch hier sollte bald unter der Regie von Wolfgang Petersen großes Kino entstehen. Karriere in Hollywood 1985 wurde nun der erste Hollywood-Film von Wolfgang Petersen gedreht: das Science-Fiction-Drama "Enemy Mine". Es folgten weitere Arbeiten des Star-Regisseurs, die sich als große Kassenerfolge herausstellten. So etwa der Thriller "In the Line of Fire“ mit Clint Eastwood, der nicht nur in den USA, sondern auch in Europa für ein Millionenpublikum sorgte. Auch der Streifen "Outbreak" mit Dustin Hoffman als Colonel Sam Daniels wurde zu einem großen Erfolg. Mit Harrison Ford drehte Wolfgang Petersen den Welterfolg "Air Force One", der auch zwei Oscarnominierungen erhielt. Die Liste seiner Erfolge setzte der Regisseur mit weiteren großen Filmen fort, wie etwa „The Perfect Storm“ mit George Clooney oder "Troja" mit Brad Pitt, dessen Produktion rund 200 Millionen Dollar verschlang. Der weltberühmte Regisseur wurde auch mehrfach mit Bambis und anderen Preisen ausgezeichnet. Im Jahr 2012 wurde er vom Bundesverband Regie mit dem Deutschen Regiepreis "Metropolis" für sein Lebenswerk geehrt. Im April 1984 sprach DW-Redakteurin Cornelia Rabitz mit Wolfgang Petersen über seine Arbeit. Autor: Andreas Zemke Redaktion: Diana Redlich

Celebrating a Feline Halloween, this week we take a look at Paul Schrader's 1982 film Cat People, starring Nastassja Kinski and Malcolm McDowell and Edgar G. Ulmer's 1934 The Black Cat, with Bela Lugosi and Boris Karloff. We'll also talk about Lugosi in general and pick our Cinemessential Cats. And, of course, we talk about Johnnie To, specifically in unhappy response to the recent Grantland article about the Hong Kong director.