Podcasts about zoom h2

Heath J Hardin aka 'Olds Sleeper' and 'Jellyspine Jenkins' writes and records his songs on a Zoom H2 portable recorder.  He's the king of low-fi production.  His active 'I wonder what that would sound like' mind has conjured up 29+ album projects of mostly original compositions.  Join me for a fun conversation.

It's convocation day, so this is a bit of a short one, and it is being posted well after it was recorded. Also, I didn't use my phone for it, I used the old Zoom H2. Convocation is nice, but it is long. Congratulations to our graduates. Isabelle has been supply teaching. I've been podcasting I guess. I've been biking a lot. I actually can't remember what we talked about, it was hours ago….. Oh yeah, it goes without saying that we stand for democracy, We stand with Ukraine.

It's convocation day, so this is a bit of a short one, and it is being posted well after it was recorded.Also, I didn't use my phone for it, I used the old Zoom H2.Convocation is nice, but it is long. Congratulations to our graduates.Isabelle has been supply teaching.I've been podcasting I guess.I've been biking a lot.I actually can't remember what we talked about, it was hours ago…..Oh yeah, it goes without saying that we stand for democracy, We stand with Ukraine.

So for this episode, I went out into the wide world and actually did an in-person interview. I reached out to editor Sean Barton via IMDB Pro. Actually my first time using the site. So that's a 1 for 1 hit rate so far. As a hater of Zoom, Sean was very gracious in inviting me to his house on the other side of London. Both of us are double vaccinated and LFT's were done beforehand just to be sure. So I rocked up with two Zoom H2 mics (one purchased the day before because my spare was failing to work) a mic-stand and a list of general topics that I wanted to talk about. Actually I only looked at the list for the first question and the rest of the conversation flowed rather nicely. He really is such a nice man and so easy to talk with.If you don't know him by name, you'll certainly know him by his work. Sean edited the seminal cult film Quadraphina for Frank Roddam, he then teamed up with Richard Marquand for Birth of the Beatles, Eye of the Needle and in 1981 they both began work on the last film in the Star Wars trilogy. A little independent film called Return of the Jedi. You may have heard of it.Both Richard and Sean worked together again on the psychological thriller Jagged Edge, starring Glenn Close and Jeff Bridges. I re-watched all of the above in preparation for the chat and I was surprised to find how fresh Jagged Edge felt. Of it's time for sure, but it still works. It was clearly the proto erotic-psycological thriller that lead to a slew of them in the 90s. Despite the fact there isn't much eroticism in Jagged edge. Enjoy. And please do SHARE!Support the show (https://www.patreon.com/jamiebenning)

I stumbled across this old recording today as I was looking for something else on my computer, a nice relaxed version of this timeless tune, recorded at band practice March 2016. Me on banjo, Dickie Brown on guitar and for the life of me, I cannot remember the bass player's name. All three of us were plugged in and the placement of the Zoom H2 this was recorded on favored the banjo. Well, it is a banjo website after all LOL!! I hope you enjoy, a truly enjoyable tune to play.

I stumbled across this old recording today as I was looking for something else on my computer, a nice relaxed version of this timeless tune, recorded at band practice March 2016. Me on banjo, Dickie Brown on guitar and for the life of me, I cannot remember the bass player's name. All three of us were plugged in and the placement of the Zoom H2 this was recorded on favored the banjo. Well, it is a banjo website after all LOL!! I hope you enjoy, a truly enjoyable tune to play.

Dating back +10 years, my history with podcasting began pacing hotel rooms.Armed with a trusty Zoom H2 recorder, I began uploading audio to a now defunct blog.Five years ago, while chasing other people's dreams and ideas, I tried again.Several episodes in and lacking direction, it fell apart like many projects lacking vision.Last year, in October 2019, a podcast began with the end in mind.A clearer vision and well articulated goals led to a successful podcast project.Today, we're moving forward and utilizing the foundation that was built last year.Support the show (https://www.patreon.com/allaroundgrowth)

Ein Podcastkollege fraget mich die Tag um Rat. Konkret ging es darum das er den Eindruck hatte, dass sich sein ton "so dumpf" anhört. Während sein Interviewpartner, trotz der mäßigen Tonqualität von zoom.us, nicht so dumpf klang. Die Intension war zunächst ob es an dem Mikrofon liegen könnte. Er verwendet, wie ich auch das Zoom H2n. Und da dieses Mikrofon dann doch die ein oder andere Möglichkeit an Einstellungen hat, kann da schon der Verdacht aufkommen es läge daran. Wie kann man aber nun einem seltsamen ton einem Störgeräusch auf die Spur kommen? Inhalte Automatiken abschalten Hole dir aktiv Feedback zur Tonqualität Überprüfe Deine Aufnahmesituation und mache Testaufnahmen YouTube Kanal starten Schreib mir bezüglich YouTube assistenz@podcast-machen.com Link zum Blogpost https://www.podcast-machen.com/hilfe-meine-aufnahme-hoert-sich-komisch-an/ Podcast Meisterschule Link: Podcast Meisterschule Podcast Fachbegriffe - Einfach erklärt https://www.podcast-machen.com/fachbegriffe Schneller ans Ziel Möchtest Du so wenig Zeit wie möglich verlieren und Dich auf das wesentliche konzentrieren? Dann sollten wir miteinander sprechen. Sichere dir ein kostenloses Erstgespräch unter www.podcast-machen.com/termin Empfehlungen Facebook Gruppe Gratis Bücher mit Wissen Podcast Meisterschule ------------------------------- Transkript der Folge: Hilfe, meine Podcast Aufnahme hört sich irgendwie komisch an. Wie kann ich schlechte Tonqualität irgendwie erkennen und was kann ich dagegen tun? Damit herzlich willkommen zu einer neuen Folge des Podcasts. Die Folge ist aus der, ja aus dem Hilferuf in Anführungsstrichen eines Podcast Kollegen quasi entstanden. Weil er hat mich da einfach mal nach Rat gefragt, bzw. ob ich etwas zu dem Zoom H2n Mikrofon, das ich ja auch verwende, habe ich ein Video zu machen kann wegen Einstellungen et cetera was weiß ich? Weil sich seine Aufnahmen immer irgendwie so dumpf anhören. Wenn du zuhörst danke für diese Vorlage. Die nehme ich natürlich gerne auf, um daraus eine Podcast Folge zu machen. Ich habe ja, wir haben uns ja per PM unterhalten und ich hoffe, du hast das in den Griff bekommen, wenn ich melde dich einfach nochmal. So ihm ist es selber aufgefallen, dass er sich ja immer so ein bisschen dumpf anhört, obwohl sich sein Interviewpartner. Es ging im konkreten Fall ein bisschen darum, dass ein Interview gemacht hat. über diese Videokonferenz, Software und der Interviewpartner hat sich nicht so dumpf angehört wie wie er, obwohl es ja über zoom schon zu einer Komprimierung kommt. Und dass es so ein bisschen, dass er, dass ihm das aufgefallen ist. Und da ich dasselbe habe, also dasselbe Mikrofon habe, hat er mich halt um Rat gefragt, ob ich da was zu sagen kann. Bei ihm ist natürlich der Verdacht aufgekommen, dass es vielleicht an ihrer Einstellung liegt, vom Zoom H2n weil da kann man, es hat halt mehr Schalter wie nur Ein- und Ausschalter, und von dem her kann sowas natürlich schon sein, dass der Verdacht nahe liegt, dass da irgendwas vielleicht doch noch nicht ganz richtig eingestellt ist oder sonst irgendwas halt verstellt wurde. Und deswegen kam die Frage auf mich zu. So, aber wie kann man jetzt so einem seltsamen Ton, einem Störgeräusche im Allgemeinen? Wie kann man denn eigentlich so auf die Spur kommen, wenn man es nicht ganz so ganz so wahr nimmt oder eben nicht einsortieren kann? Punkt eins ist schon mal Wenn du auch ein Mikrofon hast, wo du halt viele Sachen einstellen kannst. Es ist sehr oft bei solchen Field Recordern wie dem Zoom H2 H4 H6. Was es da noch so alles gibt, Tascam gibt's ja schon ein paar. Die haben natürlich viele Einstellmöglichkeiten, und da ist es halt wichtig, dass sie dir die Anleitung mal durchliest oder die YouTube-Videos anschauen, sofern es welche gute gibt, was nicht so einfach ist und dort halt sämtliche Automatiken ausschaltest, die in irgendeiner Art und Weise den Ton beeinflussen können, zum Beispiel beim Zoom H2, gibt es zum Beispiel einen Limiter. Der einfach ein übersteuern verhindert verhindert, verhindert. Oder es gibt auch einen AutoGain Verstärker, als es heißt Ich, wenn ich Autogain eingeschaltet habe und ich rede ganz, ganz leise, dann. Pegel das Mikrofon einfach automatisch nach und zieht die Verstärkung nach oben. Im Gegenteil Wenn ich recht laut rede, dann fährt es diese, diesen Pegel einfach runter. Und das ist natürlich das ist eine Automatik. Er weiß nicht, wie sie die Regel einfach nach folgendem Schema nach, und das kann so ein Ding schon mal ein bisschen durcheinander bringen. Je nachdem bei Das Mikrofon weiß er nicht, warum man jetzt leise redet oder sonst irgendwas, von dem her solche Automatik einfach komplett ausschalten und da dann lieber daran arbeiten, sich dran zu gewöhnen, zu gucken. Mit welchem Pegel kann ich gut aufzeichnen? Bei mir beim Zoom H2n ist das immer so in der Regel zwischen fünf und sechs irgendwo auf dem Gain-Regler. Und damit komme ich recht gut zurecht, weil sonst greift das diese Automatik unkontrollierbar in deine Aufnahme mit ein. Und das können halt einfach potenzielle Fehlerquellen sein. Von dem her ist dieser Ansatz natürlich schon sehr, sehr wichtig, den zu gehen und zu sagen Hey, hier kann es an irgendeiner Einstellung liegen. So, wenn das ja ausgeschieden ist als Kriterium. Dann gibt's natürlich noch die Möglichkeit, sich aktiv Feedback holen zu zu seiner Aufnahme, zur Tonqualität. Weil mir selber ist das auch schon aufgefallen. Man verzettelt sich dann gerne auch mal so ein bisschen man. Wenn einem irgendwas auffällt, irgendein komisches Geräusch, dann, dann ist man ja darauf sensibilisiert. Und durch diese eigene Sensibilisierung fällt es einem immer mehr auf. Und deswegen ist es dann ab und zu auch mal ratsam, sich jemanden dazu zu holen, der jetzt nicht Freund und Familie ist, die einem sowieso meistens nur gutes Feedback geben, sondern von jemandem, der so ein bisschen außenstehend ist der einem dann da ja ehrlich und konstruktiv sagen Hey, pass auf, ich höre da überhaupt nix, mir fällt da gar nix auf, oder? Ja, da ist irgendwas bei ihm von alleine. Da kann man sich so ein bisschen auch rein verrennen und hört dann Sachen, die da vielleicht gar nicht so schlimm sind, oder? Das ist dann halt was Riesenaufwand hinter steckt das die wegzubekommen oder so irgendwas, wo halt dann nicht weiter der Rede wert ist. Also es schadet nicht, auch jemand mal zu fragen. Hey hier geht mir immer mehr. Mir ist etwas aufgefallen Dessen Das kannste dir mal anhören, fällt ja auch auf. Oder ist es eben nicht so, wenn da tatsächlich ein Problem ist wie jetzt bei meinem Kollegen? Dass der so einen dumpfen, dumpfen Ton einfach drinne hat, wo er nicht zuordnen kann, kann dann ist. Dann ist es natürlich da, und da muss man halt anfangen zu reagieren. Und in der Diskussion mit ihm kam dann so ein bisschen auch raus. Er überprüft noch deine Aufnahme Situation und macht Test Aufnahmen. Ich komme da gleich noch dazu, wieso das so war. Aber ich möchte den Punkt einfach vorgreifen. Wenn mit deiner Tonqualität irgendwas nicht stimmt und du hast da irgendwie ein Pfeifen drinne oder oder ein surren oder irgendwas Dumpfes, dann. Nimm dein Mikrofon, nimmt ein Laptop, wenn wir jetzt nicht in Field Recorder hast, sondern USB Mikrofon, dann nimmt dir das Zeug mal und geh mal in einen anderen Raum. Wenn du ihn im großen Büro bist, dann geh in nen kleinen Raum. Hast du in dem Raum eine Klimaanlage laufen oder eine Lüftungsanlage oder so, was immer irgendwo keine Lüftungsanlage ist. Also wechselt, gibt noch ein paar Beispiele, was man so machen kann, um einfach diese Situation zu ändern. Um mit Testaufnahmen dann festzustellen ist es immer noch da oder hat sich jetzt verändert? Und dann weiß man ja okay. Daran kann es gelegen haben. Paar Beispiele, noch dazu im Wechsel den Raum. Es kann auch mal hilfreich sein, einfach ein großes Kissen irgendwie hinters Mikrofon zu stellen, stell das Mikrofon woanders hin, nimmt mal ein großes Laken und werfe es über dich und das Mikrofon, als es ein bisschen in diese Richtung aufnehmen, die Aufnahme unter der Bettdecke machen. Geh mal in einen kleineren Raum und achte halt auch darauf, welche Geräte um dich herum eingeschaltet sind. Wäre nicht das erste Mal, dass zum Beispiel neben Handys Laptop unter Volllast rödeln und der Lüfter ist, der die ganze Zeit also ein bisschen am surren. ist. Also, es gibt da unzählige Möglichkeiten. Deswegen verändert einfach mal dein deine Aufnahmesituation und qq. Ob dieses Störgeräusche, dieses Nebengeräusche, ein surren, ein Summen, ein dumpfes, ein Hall. Ob der dann noch da ist, ob all diese Sachen da sind, und dann kann es ja entsprechend. Der Sache gegenüber kannste dann reagieren. Eine weitere Möglichkeit, die es dann so ein bisschen fortgeschrittene und das hab ich dadurch hab ich bei ihm dann raus gefunden bzw. hab ihm empfohlen, einfach mal eben solche Tests zu machen. Woher dieses Dumpfe kommen könnte? Ich habe dann in einer Audio Software in Adobe Audition war das hab ich dann mir das Audio File mal angeschaut und habs einfach angehört. Also ich bin bei weitem auch kein Toningenieur, Ingenieur oder sonst irgendwas. Die können das sicher noch viel besser heraushören wie ich. Aber ich hab dann einfach im Frequenzspektrum gesehen und mit einem Equalizer mal so einen sogenannten LowCut gesetzt, einfach mal, dass da aufgefallen ist. Dadurch hat sich der Ton viel besser angehört und durch dieses durch dieses Setzen von diesem LowCut hat, den konnte ich immer ein und ausschalten. Exminister mit der Zeit mit immer wieder, immer, immer wieder anhören. Ist mir dann aufgefallen, dass es eventuell bei ihm jetzt der Raum sein könnte, dass es die Raumakustik ist? So hat sich für mich ein bisschen angehört, das die daran schuld ist, dass diese so ein dumpfer, tiefer Nachhall der dann auch ist mir dann auch richtig aufgefallen, dass der ein bisschen fies ist, noch fastenden Ohren schon ein bisschen weh macht. Dieser Unterton. Und dass das eben an dem. An dem Raum liegen könnte und habe ihm dann empfohlen Mach mal eben solche Tests. Geh mal mit dem Mikrofon woanders hin, nimm es mal woanders auf. Wenn du zuhause bist, wenn du zum Interviews machst, einfach so verschiedene Möglichkeiten durchzuführen und dann zu schauen, ist dieses Dumpfe immer noch da. Wenn es dann immer noch da ist, dann muss man sagen Okay, dann probiers mal noch, vielleicht als nächstes One Laptop. Dabei weiß es auch das H2  kann man also auch nur mit Mikro irgendwo hingehen. Und wenn, dann ist es, wenn man rausgeht, wenn man raus an der frischen Luft, irgendwo, da gibts kein Hall, da gibt's keine. Gibts eigentlich außer Vogelgezwitscher und Wind keine Störgeräusche? Wenn dann immer noch so ein dumpfes. So ein dumpfer Unterton, da muss man dann noch mal gucken sind wir wirklich in den Einstellungen doch noch irgendwas versteckt, wo man vielleicht übersehen hat? Also lange Rede, kurzer Sinn eben. Wenn man gar nicht mehr weiter weiß, dann kann man natürlich mal zu jemandem gehen, der sich so ein bisschen in Audio Bearbeitungen auskennt. Um bewandert ist Toningenieur, Video, Editoren, Tontechniker oder auch Musiker. Die kennen sich, die haben. Die haben ein sehr gutes Gehör, sehr auf die hören ihre eigenen Töne. Und wenn die Gitarre nicht stimmt, dann hören sie das auch. Als Mann, der sich mit Audio beschäftigt und eventuell auch mit digitaler Soundbearbeitung auskennt, weil der kann dann auch in verschiedenen Audio Programmen versuchen, das ganze mal so ein bisschen zu analysieren. Zum Beispiel in Auphonic Logic Pro von Apple, Steinberg Cubase und andere DAW der Software. Das ist dann schon wegen ein bisschen fortgeschrittener solchen Störgeräuschen auf die Schliche zu kommen und sie dadurch halt auch zu isolieren, um sie für die Zukunft nicht mehr zu haben. So ja, also, das war in so einem großen Ganzen jetzt schon mal diese drei Dinge. Ich habe jetzt noch einen Punkt, auf den ich gleich noch komme, ich genehmer schnell durchschauen. Ob ich auch wirklich alles so gesagt habe, wie ich mir das so ungefähr vorgestellt habe. Habenwa haben auch. So angeregt durch meinen Podcast Kollegen ist es jetzt natürlich ein bisschen. Er hat mich gefragt Dominik, kannst dich mal wieder zu dem Zoom H2n machen, wie man es einstellt et cetera pp. Da ich das noch gar nicht so auf dem Schirm gehabt, weil ich erst mal dachte Okay, erst einmal anhören, erst mal so gucken, bevor man irgendwelche Einstellungen gehen. Aber er hat dieses Samenkorn so ein bisschen gesät, dass ich mir jetzt überlege, ob ich nicht auch einen YouTube-Kanal aufmache, rund um das Thema Podcast. Ich habe mal geschaut bei YouTube. Es gibt wirklich nicht so viel. Meistens sind es dann entweder es ist alles dasselbe, oder es sind halt wirklich Alte. So ein Jahr, zwei Jahre, elf Monate. Dann gibt es mal wieder ein Video. Vier Monate. Ich habe jetzt vielleicht auch noch nicht richtig gesucht, aber ich habe noch kein so Podcast YouTube-Kanal gefunden. Deswegen ist das so ein bisschen die Idee gereift, einen habe ich einen YouTube-Kanal aufmache, aufmachen soll. Bisher hatte ich das auch immer so ein bisschen weg gedrängt, weil jetzt ein Podcast ist. Für mich gefühlt war das bisher so, dass es gefühlt jetzt kein, ja sag mal so Videophiles Ding ist. Das ist halt, dass es Video mäßig kein zu ergiebiges Format ist. Vielleicht gibt's deswegen auch nicht so viele bei YouTube. Ich weiß es nicht. Auf jeden Fall habe ich da immer noch ein bisschen Fragezeichen im Kopf. Ob das sinnvoll ist, ob das schlau ist, ob das gut ist. Und da würde mich mal deine Meinung interessieren. Wenn ich YouTube-Kanal starten soll bzw. starten würde. Was würde dich, lieber Zuhörer, denn interessieren? In Form eines Videoformates zum Thema Podcast. Entweder du gehst hier über dem Blogbeitrag, den ich natürlich in den Shownotes verlinkte, aber ich verlinken natürlich auch rein die E-Mail-Adresse in den Shownotes. Du kannst mir eine Email schreiben an Assistenz etc. Podcast minus machen, Punkt kommen, ganz formlos, einfach reinschreiben, was du für Wünsche, Ideen, Anregung hättest und was vielleicht auch dazu meint Hier ne, laß, lass bleiben mit YouTube-Kanal oder mach. Mach unbedingt am besten mit deinen und den Themen. Da würde ich mich nämlich riesig drüber freuen, und du willst mir damit wirklich helfen. Ich finde die Idee nicht schlecht. Ich finde sie eigentlich recht gut, aber mir fehlt noch so ein bisschen konkret. Ja, aber was soll man denn Videos machen zum Thema Podcast? Ja, das wäre meine große Bitte an dich. Schreib mir einfach eine E-Mail an Assistenz ät Podcast Minus machen Punkt com. Da kriege ich dann die E-Mail und kann auch mal schauen, was, was, was du mir so an Feedback gibst, was dich weiterbringen würde. Im Bereich Podcasting mit Video Unterstützung sozusagen. Okay, das wars für diese Folge. Wir hören uns dann wieder in der nächsten Woche, bis dann Tschau.    

Vielen Dank an Tim für die Verkündung des meistgehassten Podcast 2020 (mit meinem ollen Zoom H2, weshalb ich mir eine dicke Träne verdrücken musste) und herzliche Wünsche auch von mir an den Gewinner-Cast. Die Siegertrophäe ist unterwegs!

Vielen Dank an Tim für die Verkündung des meistgehassten Podcast 2020 (mit meinem ollen Zoom H2, weshalb ich mir eine dicke Träne verdrücken musste) und herzliche Wünsche auch von mir an den Gewinner-Cast. Die Siegertrophäe ist unterwegs!

Random recording in a small forest near Ermelo. Internal mics of a Zoom H2. Aporee: https://aporee.org/maps/work/?loc=45451

Dan couldn’t make it this AM so I thought I would do another sound check. I connected my 1st gen ZOOM H2 directly to my PC as an external mic so I recorded this one directly to Audacity via USB. And then did some post. That said, I didn’t edit, which is bad because everything went to hell at the end of the test when I forgot the name Philo of Alexandria. Live and learn. Thanks for listening and enjoy!

One of my favorite photo documentaries is Darkness & Light, which is a fantastic look into the mind and work of Richard Avedon. A lot of people know Avedon from his photographs in the American West – bold monochrome portraits set against stark white backgrounds or “that poster.” You know the one – it features a nude Nastassja Kinski lying on a concrete floor entangled with a massive Burmese python. Originally shot for Vogue, the poster went on to sell millions of copies.Avedon's career spanned six decades and his work bridged the gap between art and commerce in a way that few others managed to do – either before or since – and yet still he felt dissatisfied with all that he had accomplished as a photographer.“I've never been able to put all I know into a photograph,” he said. “A photograph can be an adjective, a phrase. It can even be a sentence or a paragraph, but it can never be a chapter. So it's been a lifetime of frustration in terms of expressing myself because of the limitations of the visual image. I believe in it-but it's limited.”Avedon has been at or near the the top of my list of favorite photographers for the better part of three decades but honestly it's still hard for me to articulate why I feel such a connection to his work. There's an obvious technical mastery of the medium, but I could say the same for dozens of photographers whose work doesn't hold my interest in the same way or resonate as deeply as that of Avedon. So what is it that makes his work so compelling to me? Does he deserve the accolades and if so, why?I was talking to my friend Hugh Talman and happened to have my little Zoom H2 with me and asked if we could hit the record button since the odds are pretty good that at least one amazing story will emerge. Hugh recently retired from a 33-year tenure at the Smithsonian Museum of American History, first as a darkroom tech and then as a photographer. Before that, he spent 12 years at the National Archives where he printed many of Matthew Brady's glass plates from the Civil War as well as the work Timothy O'Sullivan did as part of the Western Survey. His knowledge and experience in all things photographic is staggering and if anyone could answer the question, it would be him.Subscribe: iTunes | Pocket Casts | Overcast | RSSI'd love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.You can catch up with Hugh on Instagram @hughtalman.Music in this episode: Gloom (Jahzzar) / CC BY-SA 4.0

One of my favorite photo documentaries is Darkness & Light, which is a fantastic look into the mind and work of Richard Avedon. A lot of people know Avedon from his photographs in the American West – bold monochrome portraits set against stark white backgrounds or “that poster.” You know the one – it features a nude Nastassja Kinski lying on a concrete floor entangled with a massive Burmese python. Originally shot for Vogue, the poster went on to sell millions of copies.Avedon's career spanned six decades and his work bridged the gap between art and commerce in a way that few others managed to do – either before or since – and yet still he felt dissatisfied with all that he had accomplished as a photographer.“I've never been able to put all I know into a photograph,” he said. “A photograph can be an adjective, a phrase. It can even be a sentence or a paragraph, but it can never be a chapter. So it's been a lifetime of frustration in terms of expressing myself because of the limitations of the visual image. I believe in it-but it's limited.”Avedon has been at or near the the top of my list of favorite photographers for the better part of three decades but honestly it's still hard for me to articulate why I feel such a connection to his work. There's an obvious technical mastery of the medium, but I could say the same for dozens of photographers whose work doesn't hold my interest in the same way or resonate as deeply as that of Avedon. So what is it that makes his work so compelling to me? Does he deserve the accolades and if so, why?I was talking to my friend Hugh Talman and happened to have my little Zoom H2 with me and asked if we could hit the record button since the odds are pretty good that at least one amazing story will emerge. Hugh recently retired from a 33-year tenure at the Smithsonian Museum of American History, first as a darkroom tech and then as a photographer. Before that, he spent 12 years at the National Archives where he printed many of Matthew Brady's glass plates from the Civil War as well as the work Timothy O'Sullivan did as part of the Western Survey. His knowledge and experience in all things photographic is staggering and if anyone could answer the question, it would be him.Subscribe: iTunes | Pocket Casts | Overcast | RSSI'd love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.You can catch up with Hugh on Instagram @hughtalman.Music in this episode: Gloom (Jahzzar) / CC BY-SA 4.0

Pour ce 2ème épisode de Les Coulisses du Podcast, on va parler d’un sujet qui revient souvent quand on démarre : quel matériel pour pouvoir lancer mon podcast ? Dans cet épisode, on va donc parler : Des conditions d’enregistrement (3') Des micros et enregistreurs à avoir en fonction du type de podcast et du budget (8') De montage : Audacity, Garageband, Reaper…quel meilleur outil pour monter mon podcast ? (21’) De conseils de montage (28’) Et bien sûr, on va répondre à vos questions ! (36’) Merci mille fois à nos merveilleux invité.e.s pour leurs retours d’expérience et conseils : - Lory Martinez des podcasts de (entre autres) A Poêle, Dinner for one, Ex-Expat - Fabien Rocques du podcast Antibrouillard - La joyeuse équipe de Potescast == BONNE ECOUTE == --- Les articles qui nous ont beaucoup aidé à nous lancer : Les articles de Ausha : celui sur le matériel et celui sur les logiciels L’article de Matthieu Stefani sur le matériel Cet article d’audioblog Les vidéos YouTube de Pat Flynn Le matériel dont on parle : Micro cravates : Rode SmartLavPlus ou Boya BYM1 + adaptateur Rode S6 Enregistreurs : Zoom H1N, Zoom H2, Zoom H4 PRO, Zoom H5 -celui de Mélanie avec lequel on enregistre-, Zoom H6 Micros : Shure SM58, C414 de AKG, GO MIC de Samson Les logiciels de montage dont on parle : Audacity, Garageband, Reaper, Adobe Audition, Hindenburg, Pro Tools, Live Ableton, Auphonic --- Vous avez un podcast et vous souhaitez partager votre expérience avec nos auditeurs ? Vous avez des questions, suggestions, remarques ? Vous souhaitez sponsoriser Coulisses ? Envoyez-nous un petit email à coulisses.podcast@gmail.com ou contactez-nous sur instagram à coulisses_podcast. --- Nous suivre sur les réseaux : Instagram : @coulisses_podcast Twitter : @coulissespod --- Musique (La Musique Libre) : Not The King - My Go Away Dream : https://youtu.be/uCoZxj13JTA Not The King : https://soundcloud.com/coreygagne

For the first time ever, I’ve come up with a title before we record. We all just got up, and I started to do my regular routine of checking stuff, including the weather. It’s -24 C our. That, for those of you scoring at home, has a technical name. Fucking Cold.Isabelle’s project with Jon’s high school starts next week, exciting stuff.Backpack studio crashed, but, I had a backup recorder because I’m me. So half is on a Zoom H2.People were standing around in the grocery store in the way, it was really annoying.We made a bunch of stops today for your listening pleasure.We’ve done 250 of these (and 118 of the hold show). Thanks to everyone for listening!

For the first time ever, I’ve come up with a title before we record. We all just got up, and I started to do my regular routine of checking stuff, including the weather. It’s -24 C our. That, for those of you scoring at home, has a technical name. Fucking Cold. Isabelle’s project with Jon’s high school starts next week, exciting stuff. Backpack studio crashed, but, I had a backup recorder because I’m me. So half is on a Zoom H2. People were standing around in the grocery store in the way, it was really annoying. We made a bunch of stops today for your listening pleasure. We’ve done 250 of these (and 118 of the hold show). Thanks to everyone for listening!

So, another audio mess.  Sigh....I spent two weeks (off and on) working on the equipment to make sure this exact thing didn't happen again - and it did! Sorry for the lousy sound.  I promise - PROMISE! - it will not happen again! Show Notes December 22, 2017 EP 17 The gang is home for the holidays!  Yay! This...is PlotPoints Podcast. This week we dive into William Wilder's life and work.  Funny man and more! 00:00:00 Pre-Podcast: Song from "A Christmas Story: The Musical." 00:01:12 Intro MC 00:02:21 Table Talk They're back - table talk with Toby and MC. Mark Sevi, Toby Wallwork, Mary Claire Anderson Van Kempen QUESTIONS?  COMMENTS? 919-Scripts www.ocscreenwriters.com 00:04:20 Self-referential scripts?  Why they are trouble! Mark Sevi, Toby Wallwork, Mary Claire Anderson Van Kempen 00:07:20 What Are We Watching?Mark Sevi, Toby Wallwork, Mary Claire Anderson Van Kempen 00:22:32 FOCUS: SuperWriter, Producer, Director William Wilder. Mark Sevi #sabrina #theapartment #somelikeithot #doubleindemnity #sunsetboulevard #sevenyearitch 00:35:00 Top Ten Christmas Movies #loveactually #miracleon34thstreet #badSanta #nightmarebeforechristmas #muppetschristmasmascarol #nationallampoonschristmasvacation #elf #theSantaclause #itsawonderfullife #aChristmasstory 00:45:00 Q&A - Questions, Questions, Questions Mark Sevi 00:54:00 Act III - It's A Solitary Life Mark Sevi HEY! Tell us what is your favorite Scifi, Romantic Comedy or Comic Book movie? Call (919) Scripts and shout it out to us. Resources: 919-SCRIPTS to leave a message/ask questions. www.plotpoints.com (show blog and more) www.ocscreenwriters.com - by writers for writers. Be Inspired, Do Good Work! Writers Guild Registration – www.wgawregistry.org U.S. Copyright Office - www.copyright.gov Podcast available on iTunes All Material copyright (c) Mark Sevi WHAT HAPPENED TO THIS PODCAST? I record on computer through Audacity and output to a standalone PCM digital recorder.  This provides two different forms of backup for the 'cast - Toby conceived this scheme and he did it right. We do have different equipment to do this and usually it's not a problem.  I have a PC and a Zoom H2 - the previous three podcasts were done using this equipment.  On the last podcast, I was getting this annoying clicking on the computer version so I just used the digital recording version - worked great! This time the roof fell in. The recorder I was using just died - it was supposed to be on AC but it thought it was on batteries so it died instantly after I started the recording and I didn't realize it until I looked and the recorder was dark.  So the first five minutes of the podcast were lost on the digital recorder.   Normally this would not be much of an issue but I could not get the PC and Audacity to go to stereo so my only source of stereo was the recorder - which was missing the first five minutes of the 'cast.  I had the whole podcast on the computer in mono which is not great to edit because we split the mics left and right to be able to edit out issues easily. Plus, and I am still puzzled by this, the only level that was good mic-wise was my mic.  I had to boost both Jeff and Larry's mics tremendously after the fact in order to be heard. Boosting an audio signal is never good if you don't have anything reasonable to begin with.  It just goes pear-shaped. That's why it sounds, at times, as if they are being punched into the audio stream from a bathroom.  I promise they were both present in the room - it just doesn't sound that way. I edited the first five minutes of the podcast from the computer (in mono) and then joined it to the stereo portion of the digital recorder that had really low mic levels for Jeff and Larry.  And actually, neither the H2 nor the PC had any sort of reasonable mic levels so it must have been something on the Mackie board that I did wrong. Still checking that. The result is so over-processed it sounds like I'm using a phase shifter on the podcast which isn't hard to imagin...

So, another audio mess.  Sigh....I spent two weeks (off and on) working on the equipment to make sure this exact thing didn't happen again - and it did! Sorry for the lousy sound.  I promise - PROMISE! - it will not happen again! Show Notes December 22, 2017 EP 17 The gang is home for the holidays!  Yay! This...is PlotPoints Podcast. This week we dive into William Wilder's life and work.  Funny man and more! 00:00:00 Pre-Podcast: Song from "A Christmas Story: The Musical." 00:01:12 Intro MC 00:02:21 Table Talk They're back - table talk with Toby and MC. Mark Sevi, Toby Wallwork, Mary Claire Anderson Van Kempen QUESTIONS?  COMMENTS? 919-Scripts www.ocscreenwriters.com 00:04:20 Self-referential scripts?  Why they are trouble! Mark Sevi, Toby Wallwork, Mary Claire Anderson Van Kempen 00:07:20 What Are We Watching?Mark Sevi, Toby Wallwork, Mary Claire Anderson Van Kempen 00:22:32 FOCUS: SuperWriter, Producer, Director William Wilder. Mark Sevi #sabrina #theapartment #somelikeithot #doubleindemnity #sunsetboulevard #sevenyearitch 00:35:00 Top Ten Christmas Movies #loveactually #miracleon34thstreet #badSanta #nightmarebeforechristmas #muppetschristmasmascarol #nationallampoonschristmasvacation #elf #theSantaclause #itsawonderfullife #aChristmasstory 00:45:00 Q&A - Questions, Questions, Questions Mark Sevi 00:54:00 Act III - It's A Solitary Life Mark Sevi HEY! Tell us what is your favorite Scifi, Romantic Comedy or Comic Book movie? Call (919) Scripts and shout it out to us. Resources: 919-SCRIPTS to leave a message/ask questions. www.plotpoints.com (show blog and more) www.ocscreenwriters.com - by writers for writers. Be Inspired, Do Good Work! Writers Guild Registration – www.wgawregistry.org U.S. Copyright Office - www.copyright.gov Podcast available on iTunes All Material copyright (c) Mark Sevi WHAT HAPPENED TO THIS PODCAST? I record on computer through Audacity and output to a standalone PCM digital recorder.  This provides two different forms of backup for the 'cast - Toby conceived this scheme and he did it right. We do have different equipment to do this and usually it's not a problem.  I have a PC and a Zoom H2 - the previous three podcasts were done using this equipment.  On the last podcast, I was getting this annoying clicking on the computer version so I just used the digital recording version - worked great! This time the roof fell in. The recorder I was using just died - it was supposed to be on AC but it thought it was on batteries so it died instantly after I started the recording and I didn't realize it until I looked and the recorder was dark.  So the first five minutes of the podcast were lost on the digital recorder.   Normally this would not be much of an issue but I could not get the PC and Audacity to go to stereo so my only source of stereo was the recorder - which was missing the first five minutes of the 'cast.  I had the whole podcast on the computer in mono which is not great to edit because we split the mics left and right to be able to edit out issues easily. Plus, and I am still puzzled by this, the only level that was good mic-wise was my mic.  I had to boost both Jeff and Larry's mics tremendously after the fact in order to be heard. Boosting an audio signal is never good if you don't have anything reasonable to begin with.  It just goes pear-shaped. That's why it sounds, at times, as if they are being punched into the audio stream from a bathroom.  I promise they were both present in the room - it just doesn't sound that way. I edited the first five minutes of the podcast from the computer (in mono) and then joined it to the stereo portion of the digital recorder that had really low mic levels for Jeff and Larry.  And actually, neither the H2 nor the PC had any sort of reasonable mic levels so it must have been something on the Mackie board that I did wrong. Still checking that. The result is so over-processed it sounds like I'm using a phase shifter on the podcast which isn't hard to imagine given that I equalized, compressed, limited, low-passed, high-passed, amplified, reduced, etc. etc. etc. This is the Frankenstein of podcasts and just about as pretty. To add to the woes, although we've recorded at this venue in the past, this time the nearby airport must have been landing and launching F-16s and C-17s because every ten minutes or so you can hear this low rumble through the mics. Sigh... I've purchased a new (used) H5 and I will solve the Audacity problem by maybe going to Adobe Audition for the recording and editing. In any case I promise not to ever do this again. Maybe. Mark, December 8, 2017 Newport Beach.  

Radio Icebox season 3, episode 4, “London Calling starring Douglas Skrief as Dr Graves, Justin Kapla was The Ringmaster, Cody Boyer as Cody, Tom Bement as Major, Aela Mackintosh as Abby, Scotta Turner as Jennifer, Jeffrey Adams as JJ, Caleb Silvers as Ned Nedly, and Beth Lowthian as Diana.Script, direction and post production by Jeffrey Adams.Some Sound effects from the Freesound Project at Freesound dot Org.Music by the wonderful Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0The Song this week was the holiday medley, “All Through the Night” by the Fort Frances Youth chorus, recorded at the Icebox Radio studios with accompaniment by Joe Belanger.Recordings of Victoria Station, St Pancras Station, The British Museum and others recorded on location with Sound Professionals binaural microphones using a Zoom H2 recorder.Radio Icebox: Season 3 is made possible in part by the voters of  Minnesota through a grant from the Arrowhead Regional Arts Council, thanks to appropriations from the Minnesota State Legislature’s general and arts and cultural heritage funds.

Radio Icebox season 3, episode 4, “London Calling starring Douglas Skrief as Dr Graves, Justin Kapla was The Ringmaster, Cody Boyer as Cody, Tom Bement as Major, Aela Mackintosh as Abby, Scotta Turner as Jennifer, Jeffrey Adams as JJ, Caleb Silvers as Ned Nedly, and Beth Lowthian as Diana. Script, direction and post production by Jeffrey Adams. Some Sound effects from the Freesound Project at Freesound dot Org. Music by the wonderful Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 The Song this week was the holiday medley, “All Through the Night” by the Fort Frances Youth chorus, recorded at the Icebox Radio studios with accompaniment by Joe Belanger. Recordings of Victoria Station, St Pancras Station, The British Museum and others recorded on location with Sound Professionals binaural microphones using a Zoom H2 recorder. Radio Icebox: Season 3 is made possible in part by the voters of  Minnesota through a grant from the Arrowhead Regional Arts Council, thanks to appropriations from the Minnesota State Legislature’s general and arts and cultural heritage funds.

Radio Icebox season 3, episode 4, “London Calling starring Douglas Skrief as Dr Graves, Justin Kapla was The Ringmaster, Cody Boyer as Cody, Tom Bement as Major, Aela Mackintosh as Abby, Scotta Turner as Jennifer, Jeffrey Adams as JJ, Caleb Silvers as Ned Nedly, and Beth Lowthian as Diana.Script, direction and post production by Jeffrey Adams.Some Sound effects from the Freesound Project at Freesound dot Org.Music by the wonderful Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0The Song this week was the holiday medley, “All Through the Night” by the Fort Frances Youth chorus, recorded at the Icebox Radio studios with accompaniment by Joe Belanger.Recordings of Victoria Station, St Pancras Station, The British Museum and others recorded on location with Sound Professionals binaural microphones using a Zoom H2 recorder.Radio Icebox: Season 3 is made possible in part by the voters of  Minnesota through a grant from the Arrowhead Regional Arts Council, thanks to appropriations from the Minnesota State Legislature’s general and arts and cultural heritage funds.

What happened to this podcast?  Why does it sound like sh*t?  Notes at the end of these show notes if you're interested.  CLICK HERE or go to bottom of these show notes. Show Notes December 08, 2017 EP 16 Mark is hostless (and mostly clueless) BUT he taps two friends to help him and they respond big time to save his cookies... Jeff Lyons and Lorenzo Porricelli make Mark's life easier even as he works hard to confuse and complicate it. This...is PlotPoints Podcast. This week we dive into James Cameron's life and work.  Blue people dreams?  Oh, yeah.  Terminate this, Arh-nold! 00:00:00 Pre-Podcast: Apologies and Whining.  Waaah. Mark Sevi 00:01:12 Intro Mark Sevi 00:02:21 Table Talk Jeff Lyons and Lorenzo Porricelli sit in and rock the joint! Where are Toby and MC?  Hmmm.  What are you suggesting? Mark Sevi, Jeff Lyons, Lorenzo Porricelli QUESTIONS?  COMMENTS? 919-Scripts www.ocscreenwriters.com 00:04:20 What Are We Watching? Mark Sevi, Jeff Lyons and Lorenzo Porricelli #godless #skins #haltandcatchfire #merritwebber #coco cocospanishversion #gameofthrones jrrmartin 00:07:20 What Are We Writing?Mark Sevi, Jeff Lyons and Lorenzo Porricelli 00:17:05 Guily Pleasures and Under-Appreciated Films and TVMark Sevi, Jeff Lyons and Lorenzo Porricelli #buckaroobanzai #wired #thehaunting #williamfriedkin #mame #putneyswope 00:22:32 FOCUS: SuperWriter, Producer, Director JAMES CAMERON. Mark Sevi #terminator #theabyss #truelies #divingdocumentaries #pointbreak #avatar #terminator2 #t2 worldbeyondthestars #darkangel #lindahamilton #galeannhurd #katherinebigelow #aliens #piranha2 #titanic #alitabattleangel #alita Xenogenesis: https://www.youtube.com/watch?v=8KpZRJ4HE4Q Cameron's credits: http://www.imdb.com/name/nm0009190/ 00:46:00 This Week/Year/Whatever in Film History #hayescode #mpaa     00:52:00 Q&A - Questions, Questions, Questions Mark Sevi, Jeff Lyons jefflyonsbooks.com How do I break in to television? Mark Is long-form narrative TV a reflection of books? Jeff 01:05:30 Outro Saying ciao until next time! Jeff Lyons: http://www.jefflyonsbooks.com/ SCWA: http://www.ocwriter.com SCWA Anthology Book on Amazon:  HERE HEY! Tell us what is your favorite Scifi, Romantic Comedy or Comic Book movie? Call (919) Scripts and shout it out to us. Resources: 919-SCRIPTS to leave a message/ask questions. www.plotpoints.com (show blog and more) www.ocscreenwriters.com - by writers for writers. Be Inspired, Do Good Work! Writers Guild Registration – www.wgawregistry.org U.S. Copyright Office - www.copyright.gov Podcast available on iTunes All Material copyright (c) Mark Sevi WHAT HAPPENED TO THIS PODCAST? I record on computer through Audacity and output to a standalone PCM digital recorder.  This provides two different forms of backup for the 'cast - Toby conceived this scheme and he did it right. We do have different equipment to do this and usually it's not a problem.  I have a PC and a Zoom H2 - the previous three podcasts were done using this equipment.  On the last podcast, I was getting this annoying clicking on the computer version so I just used the digital recording version - worked great! This time the roof fell in. The recorder I was using just died - it was supposed to be on AC but it thought it was on batteries so it died instantly after I started the recording and I didn't realize it until I looked and the recorder was dark.  So the first five minutes of the podcast were lost on the digital recorder.   Normally this would not be much of an issue but I could not get the PC and Audacity to go to stereo so my only source of stereo was the recorder - which was missing the first five minutes of the 'cast.  I had the whole podcast on the computer in mono which is not great to edit because we split the mics left and right to be able to edit out issues easily. Plus, and I am still puzzled by this, the only level that was good mic-wise was my mic.  I had to boost both Jeff and Larry's mics tremendously after the fact in order to be heard.

What happened to this podcast?  Why does it sound like sh*t?  Notes at the end of these show notes if you're interested.  CLICK HERE or go to bottom of these show notes. Show Notes December 08, 2017 EP 16 Mark is hostless (and mostly clueless) BUT he taps two friends to help him and they respond big time to save his cookies... Jeff Lyons and Lorenzo Porricelli make Mark's life easier even as he works hard to confuse and complicate it. This...is PlotPoints Podcast. This week we dive into James Cameron's life and work.  Blue people dreams?  Oh, yeah.  Terminate this, Arh-nold! 00:00:00 Pre-Podcast: Apologies and Whining.  Waaah. Mark Sevi 00:01:12 Intro Mark Sevi 00:02:21 Table Talk Jeff Lyons and Lorenzo Porricelli sit in and rock the joint! Where are Toby and MC?  Hmmm.  What are you suggesting? Mark Sevi, Jeff Lyons, Lorenzo Porricelli QUESTIONS?  COMMENTS? 919-Scripts www.ocscreenwriters.com 00:04:20 What Are We Watching? Mark Sevi, Jeff Lyons and Lorenzo Porricelli #godless #skins #haltandcatchfire #merritwebber #coco cocospanishversion #gameofthrones jrrmartin 00:07:20 What Are We Writing?Mark Sevi, Jeff Lyons and Lorenzo Porricelli 00:17:05 Guily Pleasures and Under-Appreciated Films and TVMark Sevi, Jeff Lyons and Lorenzo Porricelli #buckaroobanzai #wired #thehaunting #williamfriedkin #mame #putneyswope 00:22:32 FOCUS: SuperWriter, Producer, Director JAMES CAMERON. Mark Sevi #terminator #theabyss #truelies #divingdocumentaries #pointbreak #avatar #terminator2 #t2 worldbeyondthestars #darkangel #lindahamilton #galeannhurd #katherinebigelow #aliens #piranha2 #titanic #alitabattleangel #alita Xenogenesis: https://www.youtube.com/watch?v=8KpZRJ4HE4Q Cameron's credits: http://www.imdb.com/name/nm0009190/ 00:46:00 This Week/Year/Whatever in Film History #hayescode #mpaa     00:52:00 Q&A - Questions, Questions, Questions Mark Sevi, Jeff Lyons jefflyonsbooks.com How do I break in to television? Mark Is long-form narrative TV a reflection of books? Jeff 01:05:30 Outro Saying ciao until next time! Jeff Lyons: http://www.jefflyonsbooks.com/ SCWA: http://www.ocwriter.com SCWA Anthology Book on Amazon:  HERE HEY! Tell us what is your favorite Scifi, Romantic Comedy or Comic Book movie? Call (919) Scripts and shout it out to us. Resources: 919-SCRIPTS to leave a message/ask questions. www.plotpoints.com (show blog and more) www.ocscreenwriters.com - by writers for writers. Be Inspired, Do Good Work! Writers Guild Registration – www.wgawregistry.org U.S. Copyright Office - www.copyright.gov Podcast available on iTunes All Material copyright (c) Mark Sevi WHAT HAPPENED TO THIS PODCAST? I record on computer through Audacity and output to a standalone PCM digital recorder.  This provides two different forms of backup for the 'cast - Toby conceived this scheme and he did it right. We do have different equipment to do this and usually it's not a problem.  I have a PC and a Zoom H2 - the previous three podcasts were done using this equipment.  On the last podcast, I was getting this annoying clicking on the computer version so I just used the digital recording version - worked great! This time the roof fell in. The recorder I was using just died - it was supposed to be on AC but it thought it was on batteries so it died instantly after I started the recording and I didn't realize it until I looked and the recorder was dark.  So the first five minutes of the podcast were lost on the digital recorder.   Normally this would not be much of an issue but I could not get the PC and Audacity to go to stereo so my only source of stereo was the recorder - which was missing the first five minutes of the 'cast.  I had the whole podcast on the computer in mono which is not great to edit because we split the mics left and right to be able to edit out issues easily. Plus, and I am still puzzled by this, the only level that was good mic-wise was my mic.  I had to boost both Jeff and Larry's mics tremendously after the fact in order to be heard. Boosting an audio signal is never good if you don't have anything reasonable to begin with.  It just goes pear-shaped. That's why it sounds, at times, as if they are being punched into the audio stream from a bathroom.  I promise they were both present in the room - it just doesn't sound that way. I edited the first five minutes of the podcast from the computer (in mono) and then joined it to the stereo portion of the digital recorder that had really low mic levels for Jeff and Larry.  And actually, neither the H2 nor the PC had any sort of reasonable mic levels so it must have been something on the Mackie board that I did wrong. Still checking that. The result is so over-processed it sounds like I'm using a phase shifter on the podcast which isn't hard to imagine given that I equalized, compressed, limited, low-passed, high-passed, amplified, reduced, etc. etc. etc. This is the Frankenstein of podcasts and just about as pretty. To add to the woes, although we've recorded at this venue in the past, this time the nearby airport must have been landing and launching F-16s and C-17s because every ten minutes or so you can hear this low rumble through the mics. Sigh... I've purchased a new (used) H5 and I will solve the Audacity problem by maybe going to Adobe Audition for the recording and editing. In any case I promise not to ever do this again. Maybe. Mark, December 8, 2017 Newport Beach.  

Nagranie w jednakowych warunkach z obróbką pliku końcowego do mp3 128 kbps 16 kHz

Nagranie w jednakowych warunkach z obróbką pliku końcowego do mp3 128 kbps 16 kHz

Here's Red Haired Boy on my Gibson copy with Neat neck, Sullivan Factory Floor rim, and Huber HR-30 tone ring. The guitar is a Blueridge BR160. Recorded with a Zoom H2.

Here's Red Haired Boy on my Gibson copy with Neat neck, Sullivan Factory Floor rim, and Huber HR-30 tone ring. The guitar is a Blueridge BR160. Recorded with a Zoom H2.

This sound of theremin artist Anthony Ptak. Liner notes: Motif (2013) [5:12] This recording by Anthony Ptak utilizes an electric guitar via loop pedal layers. The recording was made in a rudimentary fashion using a First Act guitar amplifier, and a Zoom H2 recorder built in stereo microphone nearby. No post-processing was applied. A minimalist music approach was explored in this experimental art music work. Influences of Steve Reich, Cyrus Pireh, and Tony Conrad may be present in this motif, defined as a short succession of notes producing a single impression; a brief melodic or rhythmic formula out of which longer passages are to be developed. -AJ Ptak

We talked a bit about Maslow's hierarchy of needs, which Isabelle is thinking about in her painting. It is a pretty much discredited idea nowadays in psychology. We then talked a bit about our new government, specifically the cabinet. They seem, oh, qualified or something. Interestingly a large number of them did not 'swear to God' but instead affirmed that they would do their duties. Plus, half are women, plus there are monitories and everything! Oh part 2 is recorded on my Zoom H2, there might be a couple of audio problems, for that I apologize.

How the angels sing to Stanley in heaven (27m54s) : Recorded at the TIFF Lightbox on November 10 2014 at the Kubrick Retrospective. Equipment used: Zoom H2 and Roland – CS-10EM – Binaural Microphones/Earphones

New York City Subway – September 18 2014 at around 17:20pm.   Travelling from Bleecker Street to 42nd Street Grand Central Station.  The audio has been edited and time slightly compressed to emphasize certain audio elements and vocal idiosyncrasies. Listen:  (5m36s  10Mb)   Equipment used: Zoom H2 and Roland – CS-10EM – Binaural Microphones/Earphones

Had to use Bossjock Studio and my iPhone today as my Zoom H2 ran out of batteries.... Motivation, emotion, anger, disgust etc.

Fixed action patterns,, habituation below zero and stuff like that. I had to switch recorders as my batteries ran out on my Zoom H2 today, so that explains the musical interlude. Starting and ending music 'Shotgun Loudmouth' by Battery Life, oh and we had a visit from Jonathan from the famous Jonathan Files podcast and his Youtube channel.

Early morning ducks in Akershus Fortress, Olso Norway Saturday April 27 2013 Duration : 3m9s Size : 8mb Equipment used: Zoom H2 and Roland – CS-10EM – Binaural Microphones/Earphones

April 24 8pm Bergen, Norway. Boy’s Marching Band through the city centre by the Atlantic Ocean.  Sun has still not set. Fine mist of rain falling around us. Listen :     Duration: 1m50s  Size: 5mb Equipment used for recording : Zoom H2 and Roland – CS-10EM – Binaural Microphones/Earphones

in this Audioboo I am talking about the omnipotent of tea in England. Many people see T tea as being the panacea to all ills, whatever happens to a person in life the answer is to put the kettle on and have a nice cup of tea. I made a video this morning next to the harbour and Platja d'Aro and I used my new microphone which is a clip on microphone I have connected to my Zoom H2 recorder. When I got back to base I was able to use the Final Cut Pro synchronisation feature which allows me to synchronise some video to audio. This feature really works very well indeed and I had great sound to go with my video that I have now posted up to my video blogging channel on YouTube. I also talk about having to go to the shop to buy some mustard and of course I want to have some good Coleman's English mustard. You know the yellow very strong stuff that as a good bite to it. There was a man near to me who was scouring the rocks to find seafood which he was probably going to take home and eat. If you like that sort of thing fresh seafood taken from the beach is probably a delicacy. There were also fishermen, campers with their caravans and Summer businesses getting ready for the summer season. there was also a boat in the water that had dropped anchor and could have been therefore fishing or could have been therefore diving, I don't know what couldn't get a good look.

Art Institute of Chicago June 21 2012 Equipment used for recording : Zoom H2 and Roland – CS-10EM – Binaural Microphones/Earphones.

Riding the L in Chicago June 23 2012 Equipment used for recording : Zoom H2 and Roland – CS-10EM – Binaural Microphones/Earphones.

Irish reel played on the 5 string banjo - GDGCD tuning - capo 2nd fret, 5th string capo 7th fret - for key of Am - Recorded with a Zoom H2 into a laptop

Irish reel played on the 5 string banjo - GDGCD tuning - capo 2nd fret, 5th string capo 7th fret - for key of Am - Recorded with a Zoom H2 into a laptop

The web tells me that this traditional sounding tune is composed and credited to Davey Arthur - Dublin born but now living in Edinburgh, Scotland. My variation has an added intro that i come back to midway to lead into a break - I play all the parts - recorded with a Zoom H2 into a laptop - ADGBD tuning - key of Dm

The web tells me that this traditional sounding tune is composed and credited to Davey Arthur - Dublin born but now living in Edinburgh, Scotland. My variation has an added intro that i come back to midway to lead into a break - I play all the parts - recorded with a Zoom H2 into a laptop - ADGBD tuning - key of Dm

Tomek Bilecki przedstawia wygląd i możliwości tych dwóch rejestratorów, prezentując także ich próbki dźwiękowe.

My second attempt at recording with someone else, but my first with the new Zoom H2.  Jon B and I rambled on marginally coherently after a night of drinking.  I gather some people find such shows entertaining.  Anyway, it was cool to try out the new hardware, and I've wanted to record with Jon for a while.  Good friend, good D.J.I originally thought, that he might be losing his job, but now I think something different is happening.  Oh, well, I'd been drinking, my judgement was impaired.Theme music from Kevin MacLeod

My second attempt at recording with someone else, but my first with the new Zoom H2.  Jon B and I rambled on marginally coherently after a night of drinking.  I gather some people find such shows entertaining.  Anyway, it was cool to try out the new hardware, and I've wanted to record with Jon for a while.  Good friend, good D.J.I originally thought, that he might be losing his job, but now I think something different is happening.  Oh, well, I'd been drinking, my judgement was impaired.Theme music from Kevin MacLeod

[audio:http://media.libsyn.com/media/generallyspeaking/PodcastAnswerMan-035-ZoomH2Review.mp3] In this episode, I give you my review of the Samson Zoom H2 Portable Digital Recorder. UPDATE 11/27/2007: Please note: The Zoom H2 will not mount as a USB Drive on MAC OS X 10.5.0 Leopard unless you update to H2 Firmware version 1.2 or higher. You may download the latest H2 frimware and […] The post 035 Podcast Answer Man – Samson Zoom H2 Review appeared first on The Cliff Ravenscraft Show.