Podcasts about recordist

JOE DZUBAN is a Sound Designer and Re-Recording Mixer who has worked his way up in key positions including Sound Engineer, Recordist, Dialogue Editor, Sound Effects Editor, Supervising Sound Editor, to Sound Designer and Re-Recording Mixer on over 100 movies including AQUAMAN AND THE LOST KINGDOM, THE KISSING BOOTH 1, 2 and 3; AQUAMAN, STAR TREK BEYOND, CONJURING 1 and 2, FAST AND THE FURIOUS 6 and 7 and INSIDIOUS 1 and 2. He's also been nominated for the Golden Reel Award five times.   Host Jason E. Squire is Editor of The Movie Business Book and Professor Emeritus, USC School of Cinematic Arts.Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0). 

A comedic podcast about old-time baseball stories. Collin discusses the larger-than-life Joe Engle, who's unique tactics helped keep his ball club afloat during the Depression era in America. Sam discusses the incident in which Babe Ruth stole the spotlight away from an otherwise unremarkable pitcher, Ernie Shore, on the day when Shore pitched the game of his life. The two hosts play a segment of The Name Game in which each host brings in 3 ball players, two real and one fictional player, and the other tries to guess which player is made up. All this and more on this week's episode of Spitballs and Shenanigans!Sam Leyendecker - Editor, Recordist, Producer, Co-HostCollin Buchanan - Co-Host

Jared Blake is one of the most important human voices in the natural world today. His unceasing commitment to exhort us all to slow down and listen to the voices of the natural world, to work hard to understand what we're being told, is a cause and effort to be celebrated. in this episode, Jared tells us about his months-long recording expedition to the American Southwest, and about the extraordinary, often eerie, voices he heard while in the wild.

One of the best nature sound recordists in the world doesn't actually hear much of what he's recording! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to "From Script to Screen", the podcast where we dive into your favorite movies of the week and the books they were based on, navigating how the adaptation succeeded in honoring the original text and, more importantly, how it failed. Jakob Baumgartner - Producer and EditorNick Ferrara - Writer/Researcher and Recordist

Episode 242 - Interview With Musician And Field Recordist Madeline Reilly by Dr. Steven Shepard

The Following tapes have been declassified by the CIA in accordance with Executive Order 13526. Tara Smith went missing January 18th 1985; these are a collection of her operator logs and other recordings she had in her possession at the time of her disappearance. Sean Gloeckner: Editor, Recordist and Voice of GuyIzzy Schuyler: Editor and RecordistJack Flowers: Writer and EditorEmily Capossela: Producer Campbell Brown: Voice of Tara Smith and PropagandistLauren O'Hara: Voice of Jill

ScreenScene: https://screenscene.ie/ Women in Film & TV: https://www.wftv.org.uk/ AMPS: https://www.amps.net/ IMDB: https://www.imdb.com/ Protools Reaper Logic    

On this episode, Andrew talks with co-directors Indianna Bell and Josiah Allen about their first feature film, You'll Never Find Me. Building on their impressive short film work with Call Connect. and The Recordist, You'll Never Find Me sees a visitor, played by Jordan Cowan, who knocks on the door of Patrick, played by Brendan Rock. She's lost and it's pouring outside, and in the middle of nowhere, his caravan is the only source of sanctuary that she could find. Or is it? What follows is a twisting, turning character piece where two figures push and probe each other trying to figure out just who the other is. It's a double-hander that plays a lot like a card game, with bluffing, truth revealing, and ultimate tension playing out.  I've long been a fan of what both Indianna and Josiah have managed to do with their filmmaking brilliance in South Australia. Call Connect. is a short film that easily stands as one of the most riveting and powerful shorts I've seen, and The Recordist is no different. The two have crafted a visual style with their work that is equally amplified by sound design that creates an immersive sonic landscape that supports Indianna's scripts. If there is a future of independent filmmaking in Australia to keep an eye out for, then it's in the heart of Adelaide with Indi and Josiah's work.  You'll Never Find Me launches at the Melbourne International Film Festival on August 16, with a second screening on the 19th. Head over to MIFF.com.au for futher details. To listen or read previous interviews with filmmakers whose work has screened at MIFF, visit TheCurb.com.au.See omnystudio.com/listener for privacy information.

On this episode, Andrew talks with co-directors Indianna Bell and Josiah Allen about their first feature film, You'll Never Find Me. Building on their impressive short film work with Call Connect. and The Recordist, You'll Never Find Me sees a visitor, played by Jordan Cowan, who knocks on the door of Patrick, played by Brendan Rock. She's lost and it's pouring outside, and in the middle of nowhere, his caravan is the only source of sanctuary that she could find. Or is it?What follows is a twisting, turning character piece where two figures push and probe each other trying to figure out just who the other is. It's a double-hander that plays a lot like a card game, with bluffing, truth revealing, and ultimate tension playing out. I've long been a fan of what both Indianna and Josiah have managed to do with their filmmaking brilliance in South Australia. Call Connect. is a short film that easily stands as one of the most riveting and powerful shorts I've seen, and The Recordist is no different. The two have crafted a visual style with their work that is equally amplified by sound design that creates an immersive sonic landscape that supports Indianna's scripts. If there is a future of independent filmmaking in Australia to keep an eye out for, then it's in the heart of Adelaide with Indi and Josiah's work. You'll Never Find Me launches at the Melbourne International Film Festival on August 16, with a second screening on the 19th. Head over to MIFF.com.au for futher details.To listen or read previous interviews with filmmakers whose work has screened at MIFF, visit TheCurb.com.au.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

A lot can happen while illegally riding the air waves...and literal waves...of the UK's favorite pirate radio station. Join us aboard the HSM Psychonaut, a ship broadcasting over London's '60s government-approved radio station. We punks know how to party much better than the crown and we have a lot in store for you, including a talk show from a few idiot DJ's, interviews from local bands, and of course, who could forget the music? This is a historic fiction scripted podcast featuring real bands Vermillion and Dog Thang, local to New Paltz, NY. Check them out on instagram @vermillion.ny and @dogthang.wav ! Pirating the airwaves on a small boat in the middle of the ocean is hard and can cause lot of distortion and interference! We've included a transcript for your convenience. Jacob Samson- Writer; Voice of DJ Constantine Erin Lefebvre- Producer; 1st Recordist; Transcript writer; Voice of DJ Two-Three, Shoelaces, and Suzie CollinsJean Carlos Hernandez Orellana- Editor; Voice of Government Radio DJAbbey Nettle- Voice of DJ Kaleidoscope; 2nd Recordist; Social Media Khalil Coates- Voice of Kolby-Jack TRANSCRIPT: https://docs.google.com/document/d/10hTW1F78XhY4jaXOmGJgft45fc-4bNedI9yg7-IVM8w/edit?usp=sharing

This (fictional) podcast follows a group of several students at SUNY New Paltz who are trapped in their dorm due to a terrible snowstorm! They decide to throw a party for everyone, but what will they do when the power goes out? Demi Camus - Producer, Writer, Recordist, Editor Steven Moore - Co-Writer, Co-Editor Rowan Murphy - Co-Editor, Recordist Pamela Gebhardt - Recordist, social media

Music Scoring Mixer and Recordist talks his experience working at Sony Pictures Scoring Stage on numerous film score recordings, including many projects with John Williams Hosted by Maurizio Caschetto Special Guest: Douglas S. Lacey Adam Michalak is one of the most experienced scoring mixers working today in Hollywood. He made his first steps in the industry at Sony Pictures Scoring Stage, first as an intern and then gradually climbing up the ladder to become one of the most trusted recordists working in the studio. In that role, he worked for such veteran engineers of the industry as Shawn Murphy, Dennis Sands and Alan Meyerson, recording for film scores by virtually all the great film composers working in Hollywood including John Williams. In 2018, Adam left Sony and joined Hollywood Scoring, a company that has provided music production for feature films, episodic television, popular video games, and varied broadcast streaming media, but also produced large scale stadium music performances, concert hall productions, and outdoor music festivals. In this conversation, Adam recollects the path that led him to become a recording engineer for orchestral music, from his early days as a film music fan to his first steps in Hollywood working at Sony's scoring stage and experiencing first hand the work of great film composers and their trusted mixers, offering a unique insight into the creative process of John Williams and Shawn Murphy on several projects as seen from the recording booth. Adam also reflects on the history and evolution of the recording process, offering a wide variety of examples and sharing anecdotes from his own experiences as a scoring mixer. Joining the conversation is film music and John Williams connoisseur Doug Lacey, who shares a friendship with Adam and also has a great experience working in the audio field. Find more information at https://thelegacyofjohnwilliams.com/2023/03/17/legacy-conversations-adam-michalak/  

NYCrime is a podcast exploring the most famous cases in the great state of New York. This week we dive into John Lennon. What happened on that fateful day so many years ago? What was the reason this man was gunned down outside of his home in New York City? Who was Mark David Chapman? Lennon's fans, friends, and former band-mates still mourn the man to this day. What kind of man did they know, and which one do we know now? Claire Hasson - Researcher, Host Ashley Clareen - Editor, Host Michael Tornillo - Social Media, Recordist

JD WONG, an AIM Award-Winning Record Producer, Mixer & Recordist. Founder of Studio 21:05 , the host of Direct Access : Mixstream / Mixchat and a member of Malaysia's pioneer rap rock band POP SHUVIT joins me in this episode where we get a glimpse of what goes on at his studio 21:05 , his podcast and more . Visit our sltwithnav.com

From chemotherapy to immunotherapy and targeted drug delivery, what's next for breast cancer treatment? In this episode, Jessica is joined by cancer research expert Associate Professor Pieter Eichhorn, who is co-leading an Australian Government subsidised drug delivery project that aims to change the behaviours of proteins found in breast cancer. Together, they discuss what conventional treatments exist and where they're going, Associate Professor Eichhorn's exciting new drug treatment, and what he believes needs to change to drastically reduce the rates of breast cancer going into the future.Associate Professor Eichhorn's research project is supported by the Curtin Health Innovation Research Institute and the National Drug Discovery Centre at the Walter and Eliza Hall Institute.How breast cancer develops [01:15]Predicting future rates of breast cancer [04:26]Progress in conventional treatments [07:56]What's unique about the drug delivery project? [13:27]Associate Professor Eichhorn's research journey [17:34]Reducing rates of cancer through tumour sequencing [19:45] Content note: This episode predominantly covers the experiences of women who are cisgender. Cisgender women are those women whose sense of their gender matches the sex they were assigned at birth and who are the population group at greatest risk of contracting breast cancer.Learn moreWEHI: National Drug Discovery Centre announces new projectsNational Breast Cancer Foundation websiteBreast Cancer Now websiteConnect with our guestPieter Eichhorn is the Dean of Research Infrastructure at Curtin University, and an Associate Professor at the world-renowned Curtin Health Innovation Research Institute.He has devoted his career to developing targeted treatments for breast cancer and melanoma patients. Prior to Curtin, he has worked at a variety of prestigious institutes including Harvard Medical School, Massachusetts General Hospital, the Cancer Science Institute of Singapore and the Netherlands Cancer Institute. Associate Professor Eichhorn's staff profileAssociate Professor Eichhorn's LinkedIn profileCurtin Health Innovation Research Institute websiteJoin Curtin UniversityThis podcast is brought to you by Curtin University. Curtin is a global university known for its commitment to making positive change happen through high-impact research, strong industry partnerships and practical teaching.Partner with CurtinStudy a research degreeStart postgraduate educationGot any questions, or suggestions for future topics?Email thefutureof@curtin.edu.auSocialshttps://twitter.com/curtinunihttps://www.facebook.com/curtinuniversityhttps://www.instagram.com/curtinuniversity/https://www.youtube.com/user/CurtinUniversityhttps://www.linkedin.com/school/curtinuniversity/ Transcripthttps://thefutureof.simplecast.com/episodes/breast-cancer-treatment/transcriptBehind the scenes teamJessica Morrison, HostAnita Shore, Executive ProducerAnnabelle Fouchard, ProducerDaniel Jauk, Episode Researcher, Recordist and EditorAlexandra Eftos, Assistant ProducerAmy Hosking, Social Media. Curtin University supports academic freedom of speech. The views expressed in The Future Of podcast may not reflect those of Curtin University. First Nations AcknowledgementCurtin University acknowledges the traditional owners of the land on which Curtin Perth is located, the Whadjuk people of the Nyungar Nation, and on Curtin Kalgoorlie, the Wongutha people of the North-Eastern Goldfields; and the First Nations peoples on all Curtin locations. MusicOKAY by 13ounce Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Music promoted by Audio Library.

English has cemented its place as the world's lingua franca, with 2 billion speakers. Will it remain a global language in the future?In this episode, Jess is joined by Associate Professor Lisa Lim, a consultant to the Oxford English Dictionary (OED) and a recent moderator at the Oxford World English Symposium.Associate Professor Lim reveals the complexities behind the rise of the English language from the 1600s to the modern day and the language's predicted future evolution, discusses the growth of ‘World Englishes' outside of Western nations and explains how you can add new words to the OED.How the English language became so widespread (01:14)The “million dollar question” about its future (06:47)Adding words to official English dictionaries (10:06)Impacts of technology, from texting's ‘lol' to Hong Kong's ‘add oil' (18:28)Changes in slang and the emergence of ‘cheugy' (27:19)Dr Lim's research journey and research interests (30:13)Learn moreOxford English Dictionary: Submission FormPost Magazine: Do you speak Kongish? Hong Kong protesters harness unique language code to empower and communicateCurtin University: Let them speak: Translanguaging in the classroomConnect with our guestsDr Lisa Lim is a consultant to the OED, an Associate Professor at Curtin University's School of Education and writes a fornightly column titled “Language Matters” for the South China Morning Post's Sunday Post Magazine. Her research interests lie in New Englishes, multilingualism, issues of language shift, endangerment and revitalisation, and the sociolinguistics of globalisation.Associate Professor Lim's Language Matters column in the South China Morning PostAssociate Professor Lim's LinkedIn profileAssociate Professor Lim's Curtin staff profileJoin Curtin UniversityThis podcast is brought to you by Curtin University. Curtin is a global university known for its commitment to making positive change happen through high-impact research, strong industry partnerships and practical teaching.Partner with CurtinStudy a research degreeStart postgraduate educationGot any questions, or suggestions for future topics?Email thefutureof@curtin.edu.auSocialshttps://twitter.com/curtinunihttps://www.facebook.com/curtinuniversityhttps://www.instagram.com/curtinuniversity/https://www.youtube.com/user/CurtinUniversityhttps://www.linkedin.com/school/curtinuniversity/ Transcripthttps://thefutureof.simplecast.com/episodes/the-english-language/transcriptBehind the scenesThis episode came to fruition thanks to the combined efforts of:Jessica Morrison, HostAnita Shore, Executive ProducerAnnabelle Fouchard, ProducerAlex Eftos, Assistant ProducerDaniel Jauk, Episode Researcher, Recordist and EditorAmy Hosking, Social Media.Curtin University supports academic freedom of speech. The views expressed in The Future Of podcast may not reflect those of Curtin University.Music: OKAY by 13ounce Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Music promoted by Audio Library.

Early intervention is critical to treating neurodevelopmental disorders, like cerebral palsy. But just how early can we diagnose them?In this episode, Jessica is joined by Professors Jane Valentine and Catherine Elliott, whose international Early Moves project is able to diagnose children with cerebral palsy as early as three months of age. Together, they discuss examples of neurodevelopmental disorders, the progress made in early diagnosis and treatment, and the role that Early Moves is playing, as the largest trial in the world identifying early biomarkers for neurodevelopmental disorders.Early Moves is a research study led by Curtin University and Perth Children's Hospital in partnership with the ORIGINS project, in Western Australia. It receives funding from the National Health and Medical Research Council, Telethon 7 Trust, The Cerebral Palsy Alliance, Western Australia Child Research Fund, Mineral Resources Limited and Perth Children's Hospital Foundation.Examining neurodevelopmental disorders [01:12]Tapping into a child's peak period of neuroplasticity [04:32]What is the Early Moves project? [06:40]Role of parents and how they're supported [09:55] Next steps for the research [13:09]How did Professors Valentine and Elliott come to work on the project? [14:45]Learn morePerth Children's Hospital Fondation: The Early Moves ProjectTelethon Kids Institute: The Origins Project: Early MovesHeckman: Invest in Early Childhood DevelopmentHammersmith Neurological ExaminationsCerebral Palsy Alliance: What is the General Moves Assessment?Connect with our guestsProfessor Jane Valentine is a Senior Consultant Paediatrician at Perth Children's Hospital, Head of Research at Kids Rehab WA and an Honorary Research Fellow at the Telethon Kids Institute.She is part of the international team that published the international guidelines for the early detection of cerebral palsy and the International Clinical Practice Guideline Based on Systematic Reviews, for early intervention for children with or at risk of cerebal palsy.  Professor Valentine's Telethon Kids Institute staff profileProfessor Valentine's Curtin staff profile Professor Catherine Elliott is the Director of Research at the Telethon Kids Institute and a researcher in Curtin University's School of Allied Health. Her research focuses on improving the outcomes for babies and children who have neurological impairment. The National Health and Medical Research Council is supporting her research to explore early indicators of cognitive impairment in babies younger than three months old.Professor Elliott's LinkedIn profileProfessor Elliott's Curtin staff profileJoin Curtin UniversityThis podcast is brought to you by Curtin University. Curtin is a global university known for its commitment to making positive change happen through high-impact research, strong industry partnerships and practical teaching.Work with usStudy a research degreeStart postgraduate educationGot any questions, or suggestions for future topics?Email thefutureof@curtin.edu.auSocialshttps://twitter.com/curtinunihttps://www.facebook.com/curtinuniversityhttps://www.instagram.com/curtinuniversity/https://www.youtube.com/user/CurtinUniversityhttps://www.linkedin.com/school/curtinuniversity/ Transcripthttps://thefutureof.simplecast.com/episodes/neurodevelopmental-disorders-in-children/transcript Behind the scenesThis episode came to fruition thanks to the combined efforts of:Jessica Morrison, HostJarrad Long, Executive ProducerAnnabelle Fouchard, ProducerKaren Green, Episode Researcher Daniel Jauk, Episode EditorAlexandra Eftos, Recordist and Assistant ProducerAmy Hosking, Social Media. Curtin University supports academic freedom of speech. The views expressed in The Future Of podcast may not reflect those of Curtin University.Music: OKAY by 13ounce Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Music promoted by Audio Library.

In this late episode, the hosts discuss the third episode of the fifth season of Fringe, "The Recordist". Nick is an echoy mess, the audio levels are out of wack,  we discuss Nick helping his roommate move out, how message up beta-max tapes get, fighting parents and more!

Acclaimed field recordist Thomas Rex Beverly has captured stunning, pristine nature recordings from around the world - and in this new interview, you get to hear some of his favorite field recordings, get stories behind his recording adventures, learn about his special recording techniques, and discover how he captured some really unusual natural sounds. Learn much more about him and his work at asoundeffect.com/thomasrexbeverly

La mia pagina Tipeee

Per i videomaker, la macchina da presa e l'obiettivo, sono il cuore pulsante della loro attività... ma per un field recordist? Quali sono gli strumenti che utilizza ogni giorno? La risposta è molta semplice e l'avrete già capito anche voi, ma in questa puntata andrò più in profondità e capiremo assieme con cosa iniziare a registrare.Ho deciso di dividere questo macro episodio in due parti: oggi vi parlerò dei registratori, mentre, il prossimo venerdì di microfoni.Devo dirvi la verità che i prodotti a disposizione non sono molti e, il loro costo è molto elevato... Ma non vi preoccupate perché in questo episodio ho cercato di includere degli strumenti a "bassa prezzo" che possono aiutarci a registrare i nostri primi suoni.Se l'episodio ti è piaciuto ti chiedo di iscriverti su Spotify e lasciare un recensione su Apple Podcast per permettere all'algoritmo di condividere con più persone questo progetto!Grazie per essere stati con me e che l'ascolto sia con voi :)Registrazioni ambientali: Tommaso GobboSound Design: Tommaso GobboMix & Mastering: Tommaso GobboSe volete seguire le puntate anche in formato video, potete trovarle sul mio canale You Tube

Thursday, June 17, 2021 - Prairie Public production manager Barb Gravel joins us to discuss the new season of Prairie Musicians, which debuts tonight on our television service. ~~~ Chuck Lura shares a Natural North Dakota essay about the upcoming solstice and the super moon. ~~~ Sunday's Great American Folk once again originates from Medora. We share a brief excerpt as we hear from Luke Farroh, a recording engineer who runs Badlands Sound, a studio in Minot. ~~~ Sue Balcom is here for Main Street Eats with a discussion about seeds.

In this week's episode we sit down with Robert La Rosa, an audio recordist and sound mixer that works in the NYC area. He is the co-founder of The Majors Productions and he also works on location recording for narrative, documentary, and commercial shoots. On today's episode, Rob shares some great set stories and offers tips and tricks for people breaking into audio. Robert's Production Company: https://www.themajorsproductions.com Robert's Linkedin https://www.linkedin.com/in/robertwlarosa/ Robert La Rosa on Instagram: www.instagram.com/bobbythepink EPISODE SPONSORS: COOKTOP STUDIO: www.CookTopStudio.com MASTERSHOT FILMS : www.MastershotFilms.com The NYC Video Podcast spotlights local NYC filmmakers & discusses trends happening in our industry. Subscribe to be alerted of future episodes. Our social media will have additional photos & videos of the filmmakers and our website will list a bunch of resources available to NYC filmmakers. www.NYCVideoPodcast.com Questions/Inquiries? Email me at NYCVideoPodcast@gmail.com Season 1, Ep 09 ____________________________

Matt and Deke met on April 8th 2021, the 27th anniversary of the death of Kurt Cobain. Naturally, we talk about that...and the Seattle music scene, Nirvana, Steve Albini, Butch Vig, being a "recordist", reamping, phase alignment, using samples, Philosophy of record making, finding the feel of a song and much much more!----more---- Audio Astronauts Two dudes pondering the depths of modern recording Join Matt Rowles and Deke Spears on an Odyssey through space echo, time signature and the infinite wave form!  We explore recording techniques, the culture of modern music and the psychology of record production.  ----more---- A New Season! During this season of Audio Astronauts we'll be discussing how the pandemic has affected the music industry, ego and how it pertains to every single thing we do as creatives and of course we'll geek out over recording techniques! We're taking a slightly different approach this go round. we'll be doing something a little more off the cuff and less structured. Let us know what you think. ----more---- Join the Conversation! Email us with thoughts or questions to audioastronauts@gmail.com Follow us on Instagram @audioastronauts @mattrowlesatl @magneticrecording Follow us at Audio Astronauts on Facebook

Although they cover more than 70% of the globe’s surface, most people have little idea about what our oceans sound like. In some traditions of science and storytelling, the sea was a place of deathly quiet - “The Silent World” - but of course there’s anything but silence down there. Sound actually travels further and faster in water than air. Norwegian artist and composer Jana Winderen has been recording and sharing sounds of the deep for nearly two decades, dangling microphones from boats to uncover sonic wonders such as the tectonic boom of melting ice, singing whales, and fish that howl at the moon. With a background in natural sciences and fine arts, Jana Winderen’s vast sound archive brings the oceans to life in a unique way: transporting us to Greenland, where the waters moan under the pressure of the climate emergency; plunging us into cacophonous Caribbean coral reefs; taking us to a Thai fishing community, who for generations have passed down traditional techniques for underwater hearing. By listening closely one can perhaps look at the planet we live on with a new perspective. Recordist and host: Jana Winderen Dog: Charlie Contributors: Madeline Appiah, Carlos Duarte, Hans Slabbekoorn, Rungrueng Ramanyah / รุ่งเรือง ระหมันยะ (Bang Nee) Translation and photography: Palin Ansusinha Mixing: Mike Woolley With thanks to: TBA21-Academy and Ruben Torres Producer: Jack Howson A Reduced Listening Production for BBC Radio 3

Gold, Platinum, and Multi-Platinum award winning Producer, Mixer, and Recordist, Eric Sarafin stops by.  https://mixerman.net/discography/  https://www.allmusic.com/artist/eric-sarafin-mn0000799622  https://www.discogs.com/artist/188754-Eric-Sarafin 

Even if you don’t recognize the name Colin Hay, I guarantee that you have heard him. Colin is best known for his band, “Men At Work,” the Australian group that had #1 hits such as “Down Under” and “Who Can It Be Now” in the 1980s. Men at Work sold over 30 million albums during their existence.Since then, the singer-songwriter has worked as a solo artist, touring the world, sometimes truly solo and other times with a band.He has been a “Star” on several tours with the Ringo and the All-Stars ensemble, starting in 2003.Colin has also had an acting career, performing his own songs in movies and TV shows, and even an experience in a Shakespeare touring company.By the way, Colin is originally from Scotland, as you will quickly notice from his accent.This interview is not about his career, although we talk about that a bit, but instead focuses on his recording experience. Colin has had his own sophisticated home studio for decades and uses his space to record his songs.We also talk about the art of songwriting and, well, a life in music.Here are links to a a few of Colin's songs:“Down Under” Men At Work https://www.youtube.com/watch?v=hfmxO-HQ5rU“Who Can It Be Now?” Men At Work https://www.youtube.com/watch?v=XuFC6ud1cAQ“Maggie” Colin Hay https://www.youtube.com/watch?v=iDuvFz0WQ-g

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Sound recordist Andrew operates from the fringes of film sets, unseen and often forgotten. Using his sound equipment, he regularly listens to and records private conversations between crew and cast members. When Andrew tunes into a young actress having an affair with a film director, he uses the recording to blackmail her into submitting to his perverted desires.

In the fourth episode of this podcast series, I'll be talking about my experience of having the COVID 19 virus, which was the main reason of the podcast not being around for sometime! Like, Share, Subscribe and stay tuned for the next episode! Find us on Spotify! HOST : MIHIR NAIK @mihirnaik7 GRAPHICS DESIGNER : MUDITA MANE @muditamane CONTENT CREATOR : KHYATI HAMBARDIKAR & MIHIR NAIK FEATURING: @sab_moh_mayahai RECORDIST & EDITOR : ARCHITA NAIK @naik_archita FEATURING : KHYATI HAMBARDIKAR FOLLOW US ON INSTA : @m.bole.toh Stay Safe!

I am with Tucker Martine, one of the world’s best producers and recording engineers. I could read you the list of the people he’s worked with but it would take the rest of the podcast, and that’s only slightly exaggerating. Here are just a few, Roseanne Cash, My Morning Jacket, The Decemberists, Sufjan Stevens, Don Henley, the Avett Brothers. I could go on but you get the picture. One of his most beloved collaborators is Bill Frisell who comes to Portland to record right here at Flora Recordings and Playback. He’s also a musician and like everyone else right now doing everything he can to keep afloat until we get back to something that resembles normal. Bill Frisell is one of my favorite musicians and so excuse me if I talk too much about him. It’s my podcast. Here’s Tucker Martine.

Alex is a sound effects recordist, sound editor, and re-recording mixer. If you've seen a movie or watched TV in the last 10 years, chances are you've heard a little bit of Alex's work. After spending a few years working in music studios as an engineer and multi-instrumentalist, he made the jump into post production sound and has been in the film industry ever since. In this episode Alex and I talk about his journey into the film industry and he gives some major tips that can help all of us with our audio, whether you're a Podcaster, YouTuber or Musician. Want to stay up to date on future episodes? Support the Podcast on Buy Me A Coffee: https://www.buymeacoffee.com/thehivepodcast Click Here For The Best Music For Videos & Podcasts, It's What I Use For All The Episodes (get 2 extra months on your subscription) Alex's Website: https://alexknickerbocker.com/ Alex's IMBD Subscribe and follow The Hive Podcast on Instagram @thehive_podcast or visit our website https://www.hivepodcast.org Check out what we use to record the podcast HERE

What does it mean to be a sound artist? Assistant Editor Sienna catches up with Benjamin Gale about this unique creative career in a live Instagram interview. Benjamin tells us more about his experience in the field recording at the Gilet Jaune protests in Toulouse, France. If you are interested in sound and its role in sensory experience, a career in sound artistry could be for you; Benjamin shares his route into the arts industry and advice for young creatives. You can find Benjamin’s work at the Gilet Jaune protests here https://editions.campfr.com/release/7/benjamin-gale-les-gilets-jaunes. To explore more of his work, find him on Instagram and Twitter @spacewalkaudio. Intro and outro music: Thief in the Night by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4521-thief-in-the-night License: http://creativecommons.org/licenses/by/4.0/"

Today my guest is Paul McKercher, a music Recordist, Producer and Mixer. Paul has worked with many Australian and international artists and has been awarded ARIAs for Producer, and Engineer, of the year. In this episode, Paul shares formative memories of playing guitar and cello, lessons learned whilst working at ABC and radio Triple J and insights into the creative and professional dynamics at play when collaborating with artists in the studio. Paul also reflects on the art and science of recorded music and its capacity to emotionally affect, and resonate with, audiences. Links: https://www.paulmckercher.com/

HumTech CEO Oren Kalyd is stepping up his charm offensive on the barista witch Bridge, inviting her and the coffeeshop gang to Silicon Valley’s hottest party—Silicirque!  With EDM psychedelics and AI taking partiers to new highs, Bridge relaxes and finds much to admire in Oren despite his plans to automate her out of existence.  Abruptly, Oren halts the festivities to introduce Aida.  And partiers are soon putting Aida to the Turing test—is she human or robot? Featuring the theatrical talents of Shani Renee Hamilton, Brian Dale Brown, Deborah Bertling, Nathan Nonhof, Kaleia Giancini, Ivy Votolato, Craig Sherman, Art Brown, Melinda Yohe, Sam Stokes.  Recordist, sound design, and mixing by Dominic Camardella at Santa Barbara Sound Design.  Music direction by Barbara Moseley.  Written and produced by Lee Troxler and Shani Renee Hamilton, with thanks to many rising stars.  Please review us at iTunes  More at Extreming.com  

In this bonus episode, Robert and Kenny are joined by legendary sound recordist Chris Watson. Chris tells stories of his incredible and sometimes dangerous travels across all seven continents on earth, his process of recording the sounds used in Hildur Guðnadóttir's haunting score for Chernobyl and why he says sometimes the most important thing you can do is listen. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto Copyright 2019 Score: The Podcast

Originally from Australia, Will Langdale is a production sound recordist and boom op based out of London, England. He uses a Sound Devices 633 mixer/recorder, Audio Limited A10 wireless transmitters and receivers, Sennheiser G3 wireless transmitters and receivers, dpa 4060 lav mics, Sennheiser MKH-50 shotgun mic, Tentacle Sync timecode boxes and Sennheiser HD-25 headphones. Will also uses Hide-a-Mic mic concealers.

Greg Smith has recorded SFX on numerous films including the Star Wars franchise, Indiana Jones films, Lincoln and many more. He has a wealth of sound recording experience and some fantastic stories. He currently is a professor at SCAD in Savannah, Georgia, teaching Film & Television and Sound Design.

Ken discusses how top comedy writers determine whether things are funny or not, and offers some helpful tips on how to make your writing and content much funnier. It’s another behind-the-scenes look at Hollywood… and Broadway. 

James Appleton is a location sound recordist and boom operator who shares about what it is like working in the film

This week we observe "The Recordist ". Plus Dan has a headache and he gets distracted a lot, hence the length of the episode. You can catch us on Twitter @nothinbutstatic or mail@nothingbutstatic.co.uk

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. From Mic to Mix MIX Panel Series - Mixing Hear from production and post production experts in Feature Films and TV as they discuss their specific crafts in production, editing, and re-recording. Learn what each wants from the other, and why. Moderator: Karol Urban, Re-recording Mixer CAS Panelists: Steve Tibbo, CAS; Ed Moskowitz, CAS; Scott Millan, CAS; Jesse Ehredt, Sound Editorial Assistant and Recordist; Steve Rivkin, ACE; Teri E. Dorman

Episode #89: The music industry has recently seen its largest sales increase since the days of Napster. Streaming, while still in its infancy has shown that making a fraction of a penny from a lot of listeners could be a long term sustainable model for many. But just as we began to get comfortable, Pandora started a premium streaming service, YouTube is still running the show and Spotify is having to sign new deals (like allowing new releases to be “windowed”). Is this Napster 2.0? Are we going to push music fans back to piracy by handicapping these services? Is streaming going to sustain the industry and the artists that keep them all employed? We discuss in this final panel from Motorco Music Hall in Durham, NC. PANELISTS: Jason Taylor - Redeye Distribution Rich Dejong - SoundExchange Shawn Rogers Nolan - Shawn Nolan Law Wilson Fuller - Merge Records Martin Anderson - Middle West Management Alex Maiolo - Journalist, Music Festival Advisor, Recordist, Musician, Advocate Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl

Source: flickr It was the 1960s ” and throughout the United States, opposition to the War in Vietnam was growing. The Draft forced young men to make a choice about their own participation in the war. And many chose to resist. Over the course of the war, 2.6 million went to fight in Vietnam. More than 15 million were exempt or disqualified from military service. And over 200,000 officially defied the draft. Today, the US military is made up of those who enlist. What does it take ” in the absence of an official draft ” to build resistance to war and empire among the very people charged with fighting for it? Featuring:   Draft Resistors: Bruce Cutler, Bruce Dancis, Joseph Gerson, Larry Gossett, Pete Knutson, Mike Rotkin, Phil Stahlman, and Sam Yamashita. Camilo Mejia, former Staff Sergeant, Iraq Veterans Against The War. Credits: Host: Marie Choi The Draft and The Vietnam Generation Producer, Video Editor, Director: Beth Sanders Camilo Mejia speech Recordist and Video Editor: Charles Jenks Special thanks to the Traprock Center for Peace and Justice and to Camilo Mejia for allowing us to share it. Producers: Monica Lopez, Marie Choi, RJ Lozada, Anita Johnson Executive Director: Lisa Rudman Web Editor and Audience Engagement Director: Sabine Blaizin Development Associate: Vera Tykulsker The speeches were originally recorded and produced by Carly Forbes for Migrant Matters, a Rabble.ca podcast. Photo Credits:  flickr For More information The Draft and the Vietnam Generation http://www.thedraftproject.com/ Iraq Veterans Against the War https://ivaw.org/ VIDEO SERIES: IVAW Winter Soldier Testimonies on Racism and Dehumanization of the Enemy https://www.youtube.com/watch?v=cbfL8eaF7kQ&list=PLC184F50861366AE3   VIDEO: Camilo Mejia on GI Resistance to the War in Iraq https://www.youtube.com/watch?v=2q290evMczw Please call us if you carry us-510-459-8558-and we will list your station on our website. If you excerpt, please credit early and often. The post The Draft, Duty, and Dissent: G.I. Resistance to War appeared first on KPFA.

Join us as we discuss the Fringe season five episode three entitled, “The Recordist”.  

FC0503 - The Recordist

FC0503 - The Recordist

In episode 507 of The Fringe Podcast we share listener feedback we received for the Fringe episode, “The Recordist.” We received a lot of great feedback and opinions about the new family dynamic and Olivia’s feelings about being a mother, River’s drawings and his father’s decision to sacrifice himself, and whether or not this was […] The post TFP 507-Feedback For The Recordist appeared first on Golden Spiral Media- Entertainment Podcasts, Technology Podcasts & More.

In episode 507 of The Fringe Podcast we share listener feedback we received for the Fringe episode, “The Recordist.” We received a lot of great feedback and opinions about the new family dynamic and Olivia’s feelings about being a mother, River’s drawings and his father’s decision to sacrifice himself, and whether or not this was […] The post TFP 507-Feedback For The Recordist appeared first on Golden Spiral Media- Entertainment Podcasts, Technology Podcasts & More.

FRiNGEcasting With Wayne and Dan #106 – FRiNGE S5 Ep#03 The Recordist. Another podcast produced by Wayne Henderson: Media Voice-Overs. Please call the FRiNGEcasting listener voicemail at (904) 469-7469 or email to Feedback@MediaVoiceOvers.com Click Here to download FRiNGEcasting With Wayne And Dan #106 Episode #106 of the FRiNGEcasting With Wayne And Dan online radio podcast: […] The post FRiNGEcasting for FRiNGE 503 The Recordist – With Wayne and Dan appeared first on Wayne Henderson: Media Voice-Overs.

FRiNGEcasting for FRiNGE 503 The Recordist - With Wayne and Dan by Wayne Henderson Media Voice-Overs at http://MediaVoiceOvers.com

In episode 506 of The Fringe Podcast we discuss the Fringe season 5 episode titled, “The Recordist.” We share our thoughts on the character development between Peter, Olivia and Etta. We talk about the decision of The Recordist to sacrifice himself and how the red rocks might be used. We also give our opinions on […] The post TFP 506-The Recordist appeared first on Golden Spiral Media- Entertainment Podcasts, Technology Podcasts & More.

In episode 506 of The Fringe Podcast we discuss the Fringe season 5 episode titled, “The Recordist.” We share our thoughts on the character development between Peter, Olivia and Etta. We talk about the decision of The Recordist to sacrifice himself and how the red rocks might be used. We also give our opinions on […] The post TFP 506-The Recordist appeared first on Golden Spiral Media- Entertainment Podcasts, Technology Podcasts & More.

Colin Marshall talks to documentary filmmaker Nicholas Sherman, director of Soundtracker: A Portrait of Gordon Hempton. Hempton, one of the world’s best-known field recordists, has dedicated his life to traveling the United States and the world to create “sound portraits” of distinctive places. In Soundtracker, Sherman follows Hempton’s road trip in his 1964 VW bus which becomes a quest to capture the sounds of a train and a songbird together.