Podcasts about Satis

The IMF will begin the fourth review of Egypt's IMF loan program tomorrow. Three main areas will be subject to discussions during the review.The IMF team will be discussing green financing through its Resilience and Sustainability Facility next week. The government applied for an additional USD1.2 bn in long-term, low-cost climate financing from the IMF's Resilience and Sustainability Facility back in August.President El-Sisi said, during his meeting with the Director of the IMF Kristalina Georgieva, that the current priority is to ease the pressures and burdens on citizens and to contain inflationary pressures.The government has reportedly hiked the prices of natural gas for households by EGP0.40-1 per cubic meter as part of wider plans to phase out fuel subsidies, according to press. The CBE is reportedly allowing local banks to issue letters of credit for the import of non-essential goods, including cars, based on each lender's USD reserves. The move is expected to help clear the backlog of non-essential import requests that have been piling up since 2022.Ebda's Nile Fund for Industrial Investment, and the Sovereign Fund of Egypt's industrial sub-fund are reportedly exploring cooperation to set up new companies specialized in the local manufacture of imported production inputs.The USD continued its rise against the EGP during the first day of the week, exchanging hands at up to EGP 49.10 and inching closer to its peak recorded during August.The CBE will sell EUR600 million T-bills for one year today, Monday, that will replace another one-year T-bills that has matured and was worth EUR656.7 million with an average yield of 4%.The National Tunnels Authority, affiliated to the Ministry of Transport, is expected to receive EUR500 million within days, from 4 international institutions contributing to financing the Abu Qir metro project in its first phase.COMI (FV: EGP130.00, OW) recorded a strong set of results where 3Q24net profit post-minority interest only recorded EGP14,801 million (-5% q/q, +77% y/y), bringing 9M24 bottom line to EGP42,348 million (+89% y/y). The stock is trading at P/E 2025 of 4.0x and P/B 2025 of 1.3x. MNT-Halan microfinance subsidiary Tasaheel Finance has issued EGP3.92 bn worth of securitized sustainability bonds.Al Ahli Bank of Kuwait - Egypt achieved a 131% growth in profits during the first 9 months of 2024, recording EGP5.4 billion compared to EGP2.3 billion in profits during the same period last year. GB Auto Rental, GBCO subsidiary, has obtained approval from Ministry of Transport to license the rental of transportation vehicles including buses, trucks, and industrial equipment. According to local media, GBCO SME lender Kredit has secured EGP875 mn in credit financing from a syndicate of nine local and international banks.Auto sales in September dropped 5% MoM to record 9.5k vehicles, down from 10K in August, according to figures AMIC.According to local press, informed sources estimated the actual expected increase in mobile network service' prices at about 15%. Sources expected authorities to implement the increase before the end of this year.The Suez Canal Economic Zone intends to establish a pharmaceutical industrial zone on an area of ​​4 million square meters.Alexandria Pharma will pay out a dividend of EGP30 per share on its FY 2023-2024 earnings, with the payment set to be made on 20 November.OPEC+ has agreed to delay a planned December oil output increase by one month.EGAS has launched a tender for the development of the Satis gas field in the North El Burg offshore concession after the BP-Adnoc JV abandoned the concession.Egypt's chemicals and fertilizers exports reached USD7 billion during 9M24, up from USD5.3 billion in 9M23.Weekly Commodities Update

Haītia Dum Ariēl Henrīcus tyrannus Haītiae in Keniam proficīscitur unde auxilia quaereret, latrōnēs, dūce Iacōbō Chérizier, subitō in praesidia custōdum pūblicōrum impetūs fēcērunt et in duōs carcerēs, unde quattuor mīlia sociōrum līberāvērunt. Ariēl Henrīcus, nullō populārī suffrāgiō ēlectus, quī sē praesidem et ministrum prīmārium et ministrum rēbus internīs praefectum vocitat, prōmīserat sē mēnse Februāriō tyrannidem dēpositūrum ut comitia habērentur, nunc dīcit sē statim esse abdicātūrum postquam novum concilium ad rempūblicam tuendam constituendum novum magistrātum sēlēgisset. Iacōbus autem Chérizier, scelerātus sīcārius quī et “Barbacōa” appellātur, latrōnum gregēs consociāvit quibus regimen Ariēlis Henrīcī ēverteret. Itaque latrōnēs, quī quattuor partēs Portūs Principis, principālis urbis Haītiae, regunt, coepērunt institūta pūblica, ut etiam argentāriam reīpūblicae, oppugnāre et āeroportum obsidēre. Ipse Ariēl Henrīcus, cum āeroportū obsessō nōn potuisset in Haītiam regredī, ad īnsulam Sanctī Iōannis fūgit itaque in diciōnem Americānōrum, ubi in custōdiā mīlitum līmitāneōrum tenētur. Sēdes lēgātiōnis Americānae, quae omnēs cīvēs iam monuerat ut dē fīnibus Haītiēnsium quam prīmum dēcēderent, super additō praesidiō mīlitum classicōrum tuētur. Mōles in Gāzā Palaestīnōrum mūnienda Classis Americāna nūntiāvit sē mōlem et novum portum in ipsō mārī mūnitūram, ut hūmānitātis causā cibī et medicāmenta et alia necessāria in Gāzam, quae ab Isrāēlītīs obsidētur, nāvibus importārentur. Quod opus intrā duōs mēnsēs factum īrī putātur. Bellum enim, quod inter Isrāēlītās et Palaestīnōs geritur, obstat nē satis cibōrum viīs terrestribus īnferātur, et auxiliō caelitus dēmissō nonnullī iam periērunt. Victōria Nūland mūnere abdicat Victōria Nūland, Americānōrum vice-secretāria politicīs rēbus externīs, subitō nuntiāvit sē mūnus abdicātūram. In ēius locum prō tempore successūrus est Iōannes Bass, quī lēgātus erat in Afghāniā. An TikTok sit interdīcendum Americānī senātōrēs utrīusque factiōnis novam lēgem prōposuērunt, quā TikTok interdīcerētur, ut instrūmentum Sīnēnsium ad iuvenēs Americānōs corrumpendōs conturbandōsque excogitātum. Quam lēgem plerīque senātōrēs īnferiōris cameræ probāvērunt; restat itaque ut superior camera sententiam dīcat. Iōsēphus porrō Biden, praesēs, quī nuper ipse coepit per TikTok hortārī iuvenēs ut sē dēnuō facerent praesidem, dīxit sē velle TikTok interdīcī; alter autem candidātus, Donaldus Trump, quī, cum praeses esset, cōnātus est suō ēdictō TikTok interdīcere, nunc negat idem esse interdīcendum. Comitia Lūsitānica Suffrāgiīs in Lūsitāniā lātīs, factiō media et dextra, quae Cōnsociātiō Populāris vocātur, dēvīcit factiōnem Socialistārum, sed non ita ut sola possit sine assēnsū alterīus cūiusdam factiōnis rempūblicam gubernāre. Tertia autem factiō, “Satis” dicta, nova et in dextrās partēs etiam prōnior est, quae vult numerum immigrantium dēminuere et corruptōs magistrātūs in iūs vocāre; itaque Cōnsociātiō Populāris negat sē posse cum illīs sociārī. Akīra Toriyāma dē vītā dēcessit Akīra Toriyāma, pictor Iāpōnicus quī nubeculātās fābulās dēlīneāvit, octāvō diē dē vītā dēcessit. Notissimī operis, quod Toriyāma excogitāvit, titulus est “orbēs draconteī”: agitur enim dē Son Gōkū, puerō quī septem quaerit orbēs quibus dracōnēs advocārī possunt; cūius operis librōrum ad quater mīliēns centēna mīlia exemplōrum vendita sunt per utrumque orbem terrārum. Toriyāmā vīxit annōs duodēseptuāginta.

In this Coffee Break episode, Africa Legal's Tom Pearson chats to Mamadou Coulibaly, co-founder and managing partner of Satis Partners, about the shift in Mali's mining regulations. Recent bold changes to Mali's mining regulations aim to boost the West African country's economy while empowering local communities. Mamadou Coulibaly, a seasoned lawyer at Satis Partners sheds light on these changes that have unfolded since the 2020 political shift. Following the regime change and national dialogue, one key resolution was to enhance revenue generation for Malians from the lucrative gold and ore mining sector. To achieve this goal, Mali's mining code underwent significant adjustments, levelling the playing field for all stakeholders. Previously, the mining code offered varied incentives for different operations. Now, as Coulibaly notes, the revised code standardises regulations. Notable changes include increased government participation in mining activities, a revised tax regime, and mandates for 90% of the workforce to comprise local employees. Importantly, Coulibaly emphasises that these shifts reflect an international trend, with other West African nations embracing similar principles for promoting local content. Coulibaly encourages investors to explore opportunities in smelting, processing and refining enterprises, as extractives need to be refined before being exported. Additionally, he highlights the potential in training programs. As local workforce participation becomes mandatory, there's a growing demand for specific skills. These two areas, Coulibaly suggests, could provide interesting opportunities in the years ahead.

NESKO OTOMASYON VE OLCUM PROJE VE SATIS MUDURU - OZKAN CORDUKCU by ST Endüstri Radyo

AHA TEKNOLOJI SATIS DIREKTORU - ELVAN AYGUN by ST Endüstri Radyo

AS KAYNAK SATIS VE PAZARLAMA DIREKTORU - EREN ERTUG by ST Endüstri Radyo

AHA TEKNOLOJI SATIS DIREKTORU - ELVAN AYGUN by ST Endüstri Radyo

MEGA BLOK SATIS YONETICISI MIMAR.HAKAN KORAY BOZKURT by ST Endüstri Radyo

AHA TEKNOLOJI SATIS DIREKTORU - ELVAN AYGUN by ST Endüstri Radyo

AS KAYNAK SATIS VE PAZARLAMA DIREKTORU - EREN ERTUG by ST Endüstri Radyo

AHA TEKNOLOJI SATIS DIREKTORU - ELVAN AYGUN by ST Endüstri Radyo

MEGA BLOK SATIS YONETICISI MIMAR.HAKAN KORAY BOZKURT by ST Endüstri Radyo

NESKO OTOMASYON VE OLCUM PROJE VE SATIS MUDURU - OZKAN CORDUKCU by ST Endüstri Radyo

KTR aka Know The Ropes Podcast provides opinions, information, updates, etc. on professional wrestling events. On the 8th episode of season 4 we'll be covering: - ⁠#SurviorSeries - ⁠#JudgementDay - ⁠#LoganPaul - ⁠#RomanReigns - #WWE Factions Be sure to follow us on all social media platforms: ⁠https://linktr.ee/KnowTheRopesPodcast⁠ Hosts: Cinko: @VivirCinko J-Bo: @justjaynoz Big Harv: @miles_jaxon76⁠ #KTR⁠

Dans le GRAND DÉBAT, nous vous proposons une grande discussion pour tout comprendre aux formats vidéos avec la réalisatrice Aurélie Gonin. Pour enrichir la discussion, nous avons également le plaisir d'écouter les témoignages de Stéphan Faudeux, directeur du SATIS et éditeur de médias spécialisés dans l'audiovisuel; du vidéaste et réalisateur Stéphane Couchoud et d'Alexandre Dino, le Digital Content Manager de Nikon France. Cette émission est présentée par Nikon, appareils photo et objectifs hybrides Nikon Z. Ce GRAND DÉBAT est issu de l'épisode " S706 - Tout comprendre aux formats vidéos " diffusé le 26 octobre 2023. Aux micros de cette émission : Arthur Azoulay, Benjamin Favier, Aurélie Gonin et Stephan Faudeux, Stéphane Couchoud, Alexandre Dino et Éric Bouvet.

Dans le FLASH ACTU présenté par PHOX.FR, nous présentons les dernières optiques Leica SL Super-Vario-Elmarit 14-24 mm f/2,8 ASPH et Super-Apo-Summicron 21 mm f/2 ASPH, nous relayons le plaidoyer de Lomography pour sauver le 120 mm et nous vous présentons l'édition 2023 du Satis avec le témoignage de son directeur Stephan Faudeux. Ce FLASH ACTU est issu de l'épisode " S706 - Tout comprendre aux formats vidéos " diffusé le 26 octobre 2023. Aux micros de cette émission : Arthur Azoulay, Benjamin Favier, Aurélie Gonin et Stephan Faudeux, Stéphane Couchoud, Alexandre Dino et Éric Bouvet.

Dans l'épisode S706 du podcast Faut Pas Pousser les ISO, nous recevons la réalisatrice Aurélie Gonin avec qui nous allons essayer de tout comprendre à l'univers très complexe des formats vidéos. Quel format vidéo choisir : quelle définition, quelle cadence, quel codec, quel flux en fonction de vos possibilités et besoins ? Voilà les questions auxquelles nous allons essayer de répondre ! Pour enrichir la discussion, nous avons également le plaisir d'écouter les témoignages de Stéphan Faudeux, directeur du SATIS et éditeur de médias spécialisés dans l'audiovisuel; du vidéaste et réalisateur Stéphane Couchoud et d'Alexandre Dino, le Digital Content Manager de Nikon France. Cette émission est présentée par Nikon, appareils photo et objectifs hybrides Nikon Z. Cette émission reçoit également le soutien de MPB qui est tout simplement la plus grande plateforme en ligne au monde pour acheter, vendre et échanger du matériel photo et vidéo d'occasion.   Dans le FLASH ACTU présenté par PHOX.FR, nous présentons les dernières optiques Leica SL Super-Vario-Elmarit 14-24 mm f/2,8 ASPH et Super-Apo-Summicron 21 mm f/2 ASPH, nous relayons le plaidoyer de Lomography pour sauver le 120 mm et nous vous présentons l'édition 2023 du Satis avec le témoignage de son directeur Stephan Faudeux. Dans la STORY, Benjamin nous propose un entretien avec le photographe Éric Bouvet autour de la parution de son tout dernier beau livre intitulé "Élévations". Découvrez également le DÉBRIEF, présenté par IPLN.FR : le spécialiste photo & vidéo et le QUIZ qui fait la part belle aux questions des auditeurs. Aux micros de cette émission : Arthur Azoulay, Benjamin Favier, Aurélie Gonin et Stephan Faudeux, Stéphane Couchoud, Alexandre Dino et Éric Bouvet.

Two British drivers on the podium. A record-equalling 11th straight win for Red Bull. The 2023 British Grand Prix will go down in history. Max Verstappen took his sixth win in a row at Silverstone, but McLaren stole the headlines with Lando Norris' first home podium and Oscar Piastri's best F1 finish. In the heart of the F1 Paddock, Tom Clarkson is joined by Natalie Pinkham and French F1 journalist Jérémy Satis to dissect a thrilling weekend of racing. They speak to Lando's dad, Adam, and Piastri's manager, Mark Webber, after a very special day for the papaya team. Norris and third-placed Lewis Hamilton share their thoughts on a gripping battle for P2, whilst you'll also hear from Verstappen, Red Bull Team Principal Christian Horner, Williams' Alex Albon, 13-time Grand Prix winner David Coulthard, Formula 1 President and CEO Stefano Domenicali, Mercedes' trackside engineering director Andrew Shovlin, Ferrari test driver Marc Gene and 1995 British Grand Prix winner, Johnny Herbert. Play F1 Fantasy and join the F1 Nation World Championship to compete against us and other listeners. Go to F1.com/fantasy to sign up for free. Hear more from Lando Norris on why he loves Silverstone, how he deals with fame and criticism, and what kind of dad he hopes to be in the future, in his recent F1 Beyond The Grid interview  This episode is sponsored by AG1: If a comprehensive solution is what you need from your supplement routine, then try AG1 and get a FREE 1-year supply of Vitamin D AND 5 free AG1 Travel Packs with your first purchase. Go to drinkAG1.com/F1NATION.

Not every Academy Award-nominated song has survived as beloved classics. Two of the nominees of 1947 illustrate that, and host Jeff Commings talks about one song that has plagued the Walt Disney Studio for generations because of its film's seemingly strong racist tone. There's another nominee that seemed innocent at the time, but also stands out for its insensitivity. With that aside, this year's nominated songs might not seem like a great list, but that's for you to decide after listening to this episode.

Nel corso dell'Ottocento nacque in Inghilterra il cosiddetto movimento ecumenico, destinato a fare una grande strada nel secolo XX: Gli ecumenisti sostenevano la cosiddetta branch theory, ossia la teoria secondo cui esisteva una sola Chiesa, come un solo albero, di cui la Chiesa cattolica, quella protestante e quella scismatica ortodossa non erano che rami. Rami vivi e non secchi, perché irrorati dalla medesima linfa spirituale. Questa teoria fu condannata da Leone XIII con l'enciclica Satis cognitum (1896) sull'esistenza di un'unica e perpetua Chiesa cattolica e poi da Pio XI con la Mortalium animos (1928), che, contro ogni forma di pancristianesimo, riaffermava che c'è un'unica Chiesa di Cristo, al di fuori della quale non c'è salvezza.Questa verità merita di essere ricordata in un momento in cui sentiamo diffondersi, anche nel mondo tradizionale, tanti giudizi benevoli nei confronti della chiesa ortodossa russa, che non è solo scismatica, ma anche eretica, perché nega dogmi come il Primato del Romano Pontefice, il Filioque nel Credo e l'Immacolata Concezione.

Emmanuel Fenet is an Events Manager who has been organising content-focussed international events like conferences and summits. He has more than 25 years of experience in successfully managing events for Les Échos and The Wall Street Journal Europe, to discuss economic, financial, legal, and technological topics. Emmanuel is the CEO of Chain Of Events, SAS, an event organiser specialising in conferences and trade events for professionals in the blockchain universe. The company was originally founded to organise Paris Blockchain Week Summit and Paris NFT Day. With the Paris Blockchain Week Summit to be held in March of 2023, Emmanuel is currently looking after Europe's largest blockchain event with a vision to transform it into a globally renowned experience and the foremost business platform for the advancement of the Web 3.0 revolution. Emmanuel Fenet Interview Questions1. Please start by telling us a little bit about your background? 2. Could you share with us about your earlier career path and your motivations or inspiration? 3. Could you tell us more about Paris Blockchain Week Summit 2023 and what is the vision behind hosting this event?4. How will the Paris Blockchain Week Summit 2023 help to advance the development of blockchain technology?5. What are the most discussed topics you expect to see in Paris Blockchain Week Summit 20236. What is the expected impact of the Paris Blockchain Week Summit 2023 on the global blockchain community?7. What are your views on regulating crypto and DeFi protocols after we witnessed a lot of number bankruptcy cases in last year ?8. How do you see the future of technology, especially blockchain, web3, virtual reality and AI  in the next 5-10 years?9. What do you expect in the next conference, Paris Blockchain Week Summit 2024 ? Emmanuel Fenet BiographyAfter his graduation, Emmanuel joined Les Echos as Conference Manager. After five years, serving in managing events at Les Echos, he joined Premier Cercle in 2002 as Associate Director. In 2014, he founded Live Matters. The company was a conglomeration of more than 15 strong and unique live communication brands, including Habegger, Spaces, Satis&Fy, and BrainHub. Live Matters envisioned to become the leading global provider in live communication. He was the Director of Conferences and Events from 2018 at Leaders League, a business services company and the rating agency that delivers C-level events, comprehensive rankings and in-depth analysis designed to bring the world's markets together.As the CEO of Chain of Events SAS, Emmanuel has been benchmarking his events organising skills and network for the blockchain universe, including global events like Paris Blockchain Week and Paris NFT Day.About Dinis Guarda profile and Channelshttps://www.openbusinesscouncil.orghttps://www.intelligenthq.comhttps://www.hedgethink.com/https://www.citiesabc.com/More interviews and research videos on Dinis Guarda YouTube

[PLATEAU D'EXPERTS] Le jeudi 28 octobre 2021 Facebook devenait Meta et le public découvrait le Metaverse. Depuis, les annonces pleuvent. On parle de mondes virtuels, de cryptomonnaies, de NFT, de bouleversement de la relation entre créateurs et public, de révolution de la donnée personnelle... Dans la continuité du SATIS 2021 où nous avons tenté d'y voir un peu plus clair dans ce capharnaüm, voici quelques retours et enseignements tirés de projets récents avec une vision sur les évolutions à court terme.Modérateur : Gregory Maubon - Présideny de RA'PROIntervenants : Isabelle De Peuter-Rutten - Directrice chez GatherVerse EU, Nabil Difaï - CEO chez Rousseau Digital, Olivia Papini - Vice Présidente chez CNXR et Thomas Boggini - Ingénieur Senior en Réalité Virtuelle chez Clarté Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

[PLATEAU D'EXPERTS] A compter de 2023, les œuvres soutenues par le CNC devront fournir un bilan carbone de leur production. Ecoprod accompagne le secteur audiovisuel dans sa transition écologique, en mettant notamment à disposition des professionnels le Carbon'Clap, un calculateur carbone gratuit qui permet d'évaluer l'empreinte carbone d'une œuvre, tous formats confondus, du développement à la post-production. Lors du Satis sera dévoilée la toute nouvelle version du Carbon'Clap, intégralement repensée pour doter le secteur d'un outil fiable, facile à prendre en main et adapté à la réalité du terrain. Des productions pilotes ont pu tester l'outil et partageront leurs retours d'expérience, leurs bonnes pratiques pour intégrer le calcul carbone au processus de production et leur démarche pour réduire leur empreinte carbone.Modératrice : Alissa Aubenque - Directrice des opérations chez EcoprodIntervenants : Anne-Claire Telle - Directrice de l'engagement chez Mediawan, Fabrice Gilbert - Directeur de Production Cinéma (ADP), Lucile Landais - Chargée de projet RSE chez Canal + et Serge Ladron de Guevara - Carbone Manager chez Newen Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Melinda, Jamie and Paul discuss a big week coming up for Everton football club. From protests to banners and Moshiri's letter to the fans forum. We also preview our huge game against Southampton at Goodison on Saturday. ALL TOGETHER NOW, COME ON YOU BLUES!!! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 98 - Nis Satis Now! Stubbsy's gloves are off, Lampard given United game, Fan groups unite.

Are you struggling to feel a sense of purpose in the work that you do or do you feel that there may be more that you could derive from your relationship with your work? In this episode, my guest, Dr. Nayla Bahri, is here to describe the many options you have for developing a better relationship with your work and with yourself as a result.Dr. Nayla Bahri is a sought-after leadership and career coach and teacher helping humans do their greatest work in the world. Nayla brings a research-based, heart-led approach to her practice of helping professionals create a healthier, more meaningful experience of work. She believes we can all design careers (and lives) that delight us. She teaches at Columbia University and co-hosts the podcast, Inside Job.Timestamps:• [3:23] “I am a person who cannot stop thinking and wanting to take a look at investigating and improving the way that we relate to work.”• [11:58] “Work can be like water, like it just seeps into every possible crevice and crack finds every vulnerability in the system.”• [15:12] Dr. Bahri shares that we learn habits around productivity and measurement early, both through school and through early jobs…• [24:29] “One of the things that shows up for me a lot with clients who want to think about having a healthy relationship with work is this perception that they don't have work life balance or integration…”For more information on the Make Time for Success podcast, visit: https://www.maketimeforsuccesspodcast.comGain Access to Dr. Christine Li's Free Resource Library where she offers you 12 downloadable tools and templates to help you bypass the impulse to procrastinate. CLICK HERE NOW TO CLAIM YOUR FREE RESOURCES: https://procrastinationcoach.mykajabi.com/freelibraryTo work with Dr. Li on a weekly basis in her coaching and accountability program, please register for The Success Lab here: https://www.procrastinationcoach.com/labConnect with Us!Dr. Christine Li -Website: https://www.procrastinationcoach.comFacebook: https://www.facebook.com/groups/procrastinationcoachInstagram: https://www.instagram.com/procrastinationcoach/TikTok: https://www.tiktok.com/@procrastinationcoachNayla Bahri - Website: https://www.naylabahri.com/Instagram: https://www.instagram.com/drnaylabahri/LinkedIn: https://www.linkedin.com/in/naylabahri/Join Dr. Li in this free, live training event [September 19-23] where you'll learn the reasons why clutter is so difficult to deal with and how to quickly and easily get through this roadblock so you can reclaim your space and your focus! Register now at https://procrastinationcoach.com/clarity.

83 год до нашей эры.   Урок тридцать третий. О выборах, игре в горячую картошку и кошачьем мурлыканье-==- Поддержать подкаст patreon.com/romafallrepublic boosty.to/romafallrepublic -==- Герои выпуска. Осторожно, спойлеры к предыдущим сериям https://telegra.ph/Sullanskij-cikl-2-seriya-Geroi-Satis-verborum-Dovolno-slov-08-20-==- Подкаст выходит по четвергам. Подписывайтесь на любых платформах и присоединяйтесь в сообществах https://t.me/romafallrepublic https://instagram.com/roma_fall_of_the_republic/?hl=ru https://vk.com/romafallrepublic -==- Таймкоды00:00 Флешфорвард 03:05 Ранее в ROME 05:26 Эпиграф к серии 05:36 Ответ Суллы 10:46 Реакция сената 13:13 Съезд партии циннанцев 17:49 Сципион и Гай Норбан 24:54 Голос 30:07 Битва за Рим 34:31 Высадка и вопросы 36:19 И снова о монетках 39:19 Что собственно происходит? 42:56 Гай Норбан 46:44 Сципион Азиатский 51:26 Квинт Серторий Источники: Аппиан. Гражданские войны Плутарх. Сравнительные жизнеописания Веллей Патеркул. История Короленков, Антон Викторович. Смыков, Евгений Владимирович. Сулла Короленков, Антон Викторович. Луций Корнелий Сципион: консул, СПОЙЛЕР Милонас, Георг. Элевсин и Элевсинские мистерии Keaveney, Arthur. Last Republican Keaveney, Arthur. Who were the Sullani? Bower, Tom. They Were Just Following Orders

Mr. Pumblechook's premises in the High Street of the market town, were of a peppercorny and farinaceous character, as the premises of a cornchandler and seedsman should be. It appeared to me that he must be a very happy man indeed, to have so many little drawers in his shop; and I wondered when I peeped into one or two on the lower tiers, and saw the tied-up brown paper packets inside, whether the flower-seeds and bulbs ever wanted of a fine day to break out of those jails, and bloom.It was in the early morning after my arrival that I entertained this speculation. On the previous night, I had been sent straight to bed in an attic with a sloping roof, which was so low in the corner where the bedstead was, that I calculated the tiles as being within a foot of my eyebrows. In the same early morning, I discovered a singular affinity between seeds and corduroys. Mr. Pumblechook wore corduroys, and so did his shopman; and somehow, there was a general air and flavor about the corduroys, so much in the nature of seeds, and a general air and flavor about the seeds, so much in the nature of corduroys, that I hardly knew which was which. The same opportunity served me for noticing that Mr. Pumblechook appeared to conduct his business by looking across the street at the saddler, who appeared to transact his business by keeping his eye on the coachmaker, who appeared to get on in life by putting his hands in his pockets and contemplating the baker, who in his turn folded his arms and stared at the grocer, who stood at his door and yawned at the chemist. The watchmaker, always poring over a little desk with a magnifying glass at his eye, and always inspected by a group of smock-frocks poring over him through the glass of his shopwindow, seemed to be about the only person in the High Street whose trade engaged his attention.Mr. Pumblechook and I breakfasted at eight o'clock in the parlor behind the shop, while the shopman took his mug of tea and hunch of bread and butter on a sack of peas in the front premises. I considered Mr. Pumblechook wretched company. Besides being possessed by my sister's idea that a mortifying and penitential character ought to be imparted to my diet⁠—besides giving me as much crumb as possible in combination with as little butter, and putting such a quantity of warm water into my milk that it would have been more candid to have left the milk out altogether⁠—his conversation consisted of nothing but arithmetic. On my politely bidding him Good morning, he said, pompously, “Seven times nine, boy?” And how should I be able to answer, dodged in that way, in a strange place, on an empty stomach! I was hungry, but before I had swallowed a morsel, he began a running sum that lasted all through the breakfast. “Seven?” “And four?” “And eight?” “And six?” “And two?” “And ten?” And so on. And after each figure was disposed of, it was as much as I could do to get a bite or a sup, before the next came; while he sat at his ease guessing nothing, and eating bacon and hot roll, in (if I may be allowed the expression) a gorging and gormandizing manner.For such reasons, I was very glad when ten o'clock came and we started for Miss Havisham's; though I was not at all at my ease regarding the manner in which I should acquit myself under that lady's roof. Within a quarter of an hour we came to Miss Havisham's house, which was of old brick, and dismal, and had a great many iron bars to it. Some of the windows had been walled up; of those that remained, all the lower were rustily barred. There was a courtyard in front, and that was barred; so we had to wait, after ringing the bell, until someone should come to open it. While we waited at the gate, I peeped in (even then Mr. Pumblechook said, “And fourteen?” but I pretended not to hear him), and saw that at the side of the house there was a large brewery. No brewing was going on in it, and none seemed to have gone on for a long long time.A window was raised, and a clear voice demanded “What name?” To which my conductor replied, “Pumblechook.” The voice returned, “Quite right,” and the window was shut again, and a young lady came across the courtyard, with keys in her hand.“This,” said Mr. Pumblechook, “is Pip.”“This is Pip, is it?” returned the young lady, who was very pretty and seemed very proud; “come in, Pip.”Mr. Pumblechook was coming in also, when she stopped him with the gate.“Oh!” she said. “Did you wish to see Miss Havisham?”“If Miss Havisham wished to see me,” returned Mr. Pumblechook, discomfited.“Ah!” said the girl; “but you see she don't.”She said it so finally, and in such an undiscussible way, that Mr. Pumblechook, though in a condition of ruffled dignity, could not protest. But he eyed me severely⁠—as if I had done anything to him!⁠—and departed with the words reproachfully delivered: “Boy! Let your behavior here be a credit unto them which brought you up by hand!” I was not free from apprehension that he would come back to propound through the gate, “And sixteen?” But he didn't.My young conductress locked the gate, and we went across the courtyard. It was paved and clean, but grass was growing in every crevice. The brewery buildings had a little lane of communication with it, and the wooden gates of that lane stood open, and all the brewery beyond stood open, away to the high enclosing wall; and all was empty and disused. The cold wind seemed to blow colder there than outside the gate; and it made a shrill noise in howling in and out at the open sides of the brewery, like the noise of wind in the rigging of a ship at sea.She saw me looking at it, and she said, “You could drink without hurt all the strong beer that's brewed there now, boy.”“I should think I could, miss,” said I, in a shy way.“Better not try to brew beer there now, or it would turn out sour, boy; don't you think so?”“It looks like it, miss.”“Not that anybody means to try,” she added, “for that's all done with, and the place will stand as idle as it is till it falls. As to strong beer, there's enough of it in the cellars already, to drown the Manor House.”“Is that the name of this house, miss?”“One of its names, boy.”“It has more than one, then, miss?”“One more. Its other name was Satis; which is Greek, or Latin, or Hebrew, or all three⁠—or all one to me⁠—for enough.”“Enough House,” said I; “that's a curious name, miss.”“Yes,” she replied; “but it meant more than it said. It meant, when it was given, that whoever had this house could want nothing else. They must have been easily satisfied in those days, I should think. But don't loiter, boy.”Though she called me “boy” so often, and with a carelessness that was far from complimentary, she was of about my own age. She seemed much older than I, of course, being a girl, and beautiful and self-possessed; and she was as scornful of me as if she had been one-and-twenty, and a queen.We went into the house by a side door, the great front entrance had two chains across it outside⁠—and the first thing I noticed was, that the passages were all dark, and that she had left a candle burning there. She took it up, and we went through more passages and up a staircase, and still it was all dark, and only the candle lighted us.At last we came to the door of a room, and she said, “Go in.”I answered, more in shyness than politeness, “After you, miss.”To this she returned: “Don't be ridiculous, boy; I am not going in.” And scornfully walked away, and⁠—what was worse⁠—took the candle with her.This was very uncomfortable, and I was half afraid. However, the only thing to be done being to knock at the door, I knocked, and was told from within to enter. I entered, therefore, and found myself in a pretty large room, well lighted with wax candles. No glimpse of daylight was to be seen in it. It was a dressing-room, as I supposed from the furniture, though much of it was of forms and uses then quite unknown to me. But prominent in it was a draped table with a gilded looking glass, and that I made out at first sight to be a fine lady's dressing-table.Whether I should have made out this object so soon if there had been no fine lady sitting at it, I cannot say. In an armchair, with an elbow resting on the table and her head leaning on that hand, sat the strangest lady I have ever seen, or shall ever see.She was dressed in rich materials⁠—satins, and lace, and silks⁠—all of white. Her shoes were white. And she had a long white veil dependent from her hair, and she had bridal flowers in her hair, but her hair was white. Some bright jewels sparkled on her neck and on her hands, and some other jewels lay sparkling on the table. Dresses, less splendid than the dress she wore, and half-packed trunks, were scattered about. She had not quite finished dressing, for she had but one shoe on⁠—the other was on the table near her hand⁠—her veil was but half arranged, her watch and chain were not put on, and some lace for her bosom lay with those trinkets, and with her handkerchief, and gloves, and some flowers, and a prayer book all confusedly heaped about the looking glass.It was not in the first few moments that I saw all these things, though I saw more of them in the first moments than might be supposed. But I saw that everything within my view which ought to be white, had been white long ago, and had lost its lustre and was faded and yellow. I saw that the bride within the bridal dress had withered like the dress, and like the flowers, and had no brightness left but the brightness of her sunken eyes. I saw that the dress had been put upon the rounded figure of a young woman, and that the figure upon which it now hung loose had shrunk to skin and bone. Once, I had been taken to see some ghastly waxwork at the Fair, representing I know not what impossible personage lying in state. Once, I had been taken to one of our old marsh churches to see a skeleton in the ashes of a rich dress that had been dug out of a vault under the church pavement. Now, waxwork and skeleton seemed to have dark eyes that moved and looked at me. I should have cried out, if I could.“Who is it?” said the lady at the table.“Pip, ma'am.”“Pip?”“Mr. Pumblechook's boy, ma'am. Come⁠—to play.”“Come nearer; let me look at you. Come close.”It was when I stood before her, avoiding her eyes, that I took note of the surrounding objects in detail, and saw that her watch had stopped at twenty minutes to nine, and that a clock in the room had stopped at twenty minutes to nine.“Look at me,” said Miss Havisham. “You are not afraid of a woman who has never seen the sun since you were born?”I regret to state that I was not afraid of telling the enormous lie comprehended in the answer “No.”“Do you know what I touch here?” she said, laying her hands, one upon the other, on her left side.“Yes, ma'am.” (It made me think of the young man.)“What do I touch?”“Your heart.”“Broken!”She uttered the word with an eager look, and with strong emphasis, and with a weird smile that had a kind of boast in it. Afterwards she kept her hands there for a little while, and slowly took them away as if they were heavy.“I am tired,” said Miss Havisham. “I want diversion, and I have done with men and women. Play.”I think it will be conceded by my most disputatious reader, that she could hardly have directed an unfortunate boy to do anything in the wide world more difficult to be done under the circumstances.“I sometimes have sick fancies,” she went on, “and I have a sick fancy that I want to see some play. There, there!” with an impatient movement of the fingers of her right hand; “play, play, play!”For a moment, with the fear of my sister's working me before my eyes, I had a desperate idea of starting round the room in the assumed character of Mr. Pumblechook's chaise-cart. But I felt myself so unequal to the performance that I gave it up, and stood looking at Miss Havisham in what I suppose she took for a dogged manner, inasmuch as she said, when we had taken a good look at each other⁠—“Are you sullen and obstinate?”“No, ma'am, I am very sorry for you, and very sorry I can't play just now. If you complain of me I shall get into trouble with my sister, so I would do it if I could; but it's so new here, and so strange, and so fine⁠—and melancholy⁠—.” I stopped, fearing I might say too much, or had already said it, and we took another look at each other.Before she spoke again, she turned her eyes from me, and looked at the dress she wore, and at the dressing-table, and finally at herself in the looking glass.“So new to him,” she muttered, “so old to me; so strange to him, so familiar to me; so melancholy to both of us! Call Estella.”As she was still looking at the reflection of herself, I thought she was still talking to herself, and kept quiet.“Call Estella,” she repeated, flashing a look at me. “You can do that. Call Estella. At the door.”To stand in the dark in a mysterious passage of an unknown house, bawling Estella to a scornful young lady neither visible nor responsive, and feeling it a dreadful liberty so to roar out her name, was almost as bad as playing to order. But she answered at last, and her light came along the dark passage like a star.Miss Havisham beckoned her to come close, and took up a jewel from the table, and tried its effect upon her fair young bosom and against her pretty brown hair. “Your own, one day, my dear, and you will use it well. Let me see you play cards with this boy.”“With this boy? Why, he is a common laboring boy!”I thought I overheard Miss Havisham answer⁠—only it seemed so unlikely⁠—“Well? You can break his heart.”“What do you play, boy?” asked Estella of myself, with the greatest disdain.“Nothing but beggar my neighbor, miss.”“Beggar him,” said Miss Havisham to Estella. So we sat down to cards.It was then I began to understand that everything in the room had stopped, like the watch and the clock, a long time ago. I noticed that Miss Havisham put down the jewel exactly on the spot from which she had taken it up. As Estella dealt the cards, I glanced at the dressing-table again, and saw that the shoe upon it, once white, now yellow, had never been worn. I glanced down at the foot from which the shoe was absent, and saw that the silk stocking on it, once white, now yellow, had been trodden ragged. Without this arrest of everything, this standing still of all the pale decayed objects, not even the withered bridal dress on the collapsed form could have looked so like grave-clothes, or the long veil so like a shroud.So she sat, corpse-like, as we played at cards; the frillings and trimmings on her bridal dress, looking like earthy paper. I knew nothing then of the discoveries that are occasionally made of bodies buried in ancient times, which fall to powder in the moment of being distinctly seen; but, I have often thought since, that she must have looked as if the admission of the natural light of day would have struck her to dust.“He calls the knaves Jacks, this boy!” said Estella with disdain, before our first game was out. “And what coarse hands he has! And what thick boots!”I had never thought of being ashamed of my hands before; but I began to consider them a very indifferent pair. Her contempt for me was so strong, that it became infectious, and I caught it.She won the game, and I dealt. I misdealt, as was only natural, when I knew she was lying in wait for me to do wrong; and she denounced me for a stupid, clumsy laboring-boy.“You say nothing of her,” remarked Miss Havisham to me, as she looked on. “She says many hard things of you, but you say nothing of her. What do you think of her?”“I don't like to say,” I stammered.“Tell me in my ear,” said Miss Havisham, bending down.“I think she is very proud,” I replied, in a whisper.“Anything else?”“I think she is very pretty.”“Anything else?”“I think she is very insulting.” (She was looking at me then with a look of supreme aversion.)“Anything else?”“I think I should like to go home.”“And never see her again, though she is so pretty?”“I am not sure that I shouldn't like to see her again, but I should like to go home now.”“You shall go soon,” said Miss Havisham, aloud. “Play the game out.”Saving for the one weird smile at first, I should have felt almost sure that Miss Havisham's face could not smile. It had dropped into a watchful and brooding expression⁠—most likely when all the things about her had become transfixed⁠—and it looked as if nothing could ever lift it up again. Her chest had dropped, so that she stooped; and her voice had dropped, so that she spoke low, and with a dead lull upon her; altogether, she had the appearance of having dropped body and soul, within and without, under the weight of a crushing blow.I played the game to an end with Estella, and she beggared me. She threw the cards down on the table when she had won them all, as if she despised them for having been won of me.“When shall I have you here again?” said Miss Havisham. “Let me think.”I was beginning to remind her that today was Wednesday, when she checked me with her former impatient movement of the fingers of her right hand.“There, there! I know nothing of days of the week; I know nothing of weeks of the year. Come again after six days. You hear?”“Yes, ma'am.”“Estella, take him down. Let him have something to eat, and let him roam and look about him while he eats. Go, Pip.”I followed the candle down, as I had followed the candle up, and she stood it in the place where we had found it. Until she opened the side entrance, I had fancied, without thinking about it, that it must necessarily be nighttime. The rush of the daylight quite confounded me, and made me feel as if I had been in the candlelight of the strange room many hours.“You are to wait here, you boy,” said Estella; and disappeared and closed the door.I took the opportunity of being alone in the courtyard to look at my coarse hands and my common boots. My opinion of those accessories was not favorable. They had never troubled me before, but they troubled me now, as vulgar appendages. I determined to ask Joe why he had ever taught me to call those picture-cards Jacks, which ought to be called knaves. I wished Joe had been rather more genteelly brought up, and then I should have been so too.She came back, with some bread and meat and a little mug of beer. She put the mug down on the stones of the yard, and gave me the bread and meat without looking at me, as insolently as if I were a dog in disgrace. I was so humiliated, hurt, spurned, offended, angry, sorry⁠—I cannot hit upon the right name for the smart⁠—God knows what its name was⁠—that tears started to my eyes. The moment they sprang there, the girl looked at me with a quick delight in having been the cause of them. This gave me power to keep them back and to look at her: so, she gave a contemptuous toss⁠—but with a sense, I thought, of having made too sure that I was so wounded⁠—and left me.But when she was gone, I looked about me for a place to hide my face in, and got behind one of the gates in the brewery-lane, and leaned my sleeve against the wall there, and leaned my forehead on it and cried. As I cried, I kicked the wall, and took a hard twist at my hair; so bitter were my feelings, and so sharp was the smart without a name, that needed counteraction.My sister's bringing up had made me sensitive. In the little world in which children have their existence whosoever brings them up, there is nothing so finely perceived and so finely felt as injustice. It may be only small injustice that the child can be exposed to; but the child is small, and its world is small, and its rocking horse stands as many hands high, according to scale, as a big-boned Irish hunter. Within myself, I had sustained, from my babyhood, a perpetual conflict with injustice. I had known, from the time when I could speak, that my sister, in her capricious and violent coercion, was unjust to me. I had cherished a profound conviction that her bringing me up by hand gave her no right to bring me up by jerks. Through all my punishments, disgraces, fasts, and vigils, and other penitential performances, I had nursed this assurance; and to my communing so much with it, in a solitary and unprotected way, I in great part refer the fact that I was morally timid and very sensitive.I got rid of my injured feelings for the time by kicking them into the brewery wall, and twisting them out of my hair, and then I smoothed my face with my sleeve, and came from behind the gate. The bread and meat were acceptable, and the beer was warming and tingling, and I was soon in spirits to look about me.To be sure, it was a deserted place, down to the pigeon-house in the brewery-yard, which had been blown crooked on its pole by some high wind, and would have made the pigeons think themselves at sea, if there had been any pigeons there to be rocked by it. But there were no pigeons in the dove-cot, no horses in the stable, no pigs in the sty, no malt in the storehouse, no smells of grains and beer in the copper or the vat. All the uses and scents of the brewery might have evaporated with its last reek of smoke. In a by-yard, there was a wilderness of empty casks, which had a certain sour remembrance of better days lingering about them; but it was too sour to be accepted as a sample of the beer that was gone⁠—and in this respect I remember those recluses as being like most others.Behind the furthest end of the brewery, was a rank garden with an old wall; not so high but that I could struggle up and hold on long enough to look over it, and see that the rank garden was the garden of the house, and that it was overgrown with tangled weeds, but that there was a track upon the green and yellow paths, as if someone sometimes walked there, and that Estella was walking away from me even then. But she seemed to be everywhere. For when I yielded to the temptation presented by the casks, and began to walk on them, I saw her walking on them at the end of the yard of casks. She had her back towards me, and held her pretty brown hair spread out in her two hands, and never looked round, and passed out of my view directly. So, in the brewery itself⁠—by which I mean the large paved lofty place in which they used to make the beer, and where the brewing utensils still were. When I first went into it, and, rather oppressed by its gloom, stood near the door looking about me, I saw her pass among the extinguished fires, and ascend some light iron stairs, and go out by a gallery high overhead, as if she were going out into the sky.It was in this place, and at this moment, that a strange thing happened to my fancy. I thought it a strange thing then, and I thought it a stranger thing long afterwards. I turned my eyes⁠—a little dimmed by looking up at the frosty light⁠—towards a great wooden beam in a low nook of the building near me on my right hand, and I saw a figure hanging there by the neck. A figure all in yellow white, with but one shoe to the feet; and it hung so, that I could see that the faded trimmings of the dress were like earthy paper, and that the face was Miss Havisham's, with a movement going over the whole countenance as if she were trying to call to me. In the terror of seeing the figure, and in the terror of being certain that it had not been there a moment before, I at first ran from it, and then ran towards it. And my terror was greatest of all when I found no figure there.Nothing less than the frosty light of the cheerful sky, the sight of people passing beyond the bars of the courtyard gate, and the reviving influence of the rest of the bread and meat and beer, would have brought me round. Even with those aids, I might not have come to myself as soon as I did, but that I saw Estella approaching with the keys, to let me out. She would have some fair reason for looking down upon me, I thought, if she saw me frightened; and she would have no fair reason.She gave me a triumphant glance in passing me, as if she rejoiced that my hands were so coarse and my boots were so thick, and she opened the gate, and stood holding it. I was passing out without looking at her, when she touched me with a taunting hand.“Why don't you cry?”“Because I don't want to.”“You do,” said she. “You have been crying till you are half blind, and you are near crying again now.”She laughed contemptuously, pushed me out, and locked the gate upon me. I went straight to Mr. Pumblechook's, and was immensely relieved to find him not at home. So, leaving word with the shopman on what day I was wanted at Miss Havisham's again, I set off on the four-mile walk to our forge; pondering, as I went along, on all I had seen, and deeply revolving that I was a common laboring-boy; that my hands were coarse; that my boots were thick; that I had fallen into a despicable habit of calling knaves Jacks; that I was much more ignorant than I had considered myself last night, and generally that I was in a low-lived bad way. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit greatexpectations.substack.com

EN ÇOK RADYASYON YAYAN TELEFONLAR - TÜRKİYE'DE DE SATIŞTALAR

RtT's official Sponsor: https://gloryandshine.com/ https://praylatin.com https://www.charitymobile.com/rtt.php https://www.devoutdecals.com/ https://www.blessedbegodboutique.com Sources: https://www.returntotradition.org Contact Me: Email: return2catholictradition@gmail.com Support My Work: Patreon https://www.patreon.com/AnthonyStine SubscribeStar https://www.subscribestar.net/return-to-tradition Buy Me A Coffee https://www.buymeacoffee.com/AnthonyStine Physical Mail: Anthony Stine PO Box 3048 Shawnee, OK 74802 Follow me on the following social media: https://www.youtube.com/channel/UCbgdypwXSo0GzWSVTaiMPJg https://www.facebook.com/ReturnToCatholicTradition/ https://twitter.com/pontificatormax https://www.minds.com/PiusXIII https://gloria.tv/Return%20To%20Tradition mewe.com/i/anthonystine Back Up https://www.bitchute.com/channel/9wK5iFcen7Wt/ anchonr.fm/anthony-stine +JMJ+ --- Support this podcast: https://anchor.fm/anthony-stine/support

Is Jesus enough? Are we enough? Jesus is enough? Is Jesus enough for you? Hear what Isaiah 53 says

Is Jesus enough? Are we enough? Jesus is enough? Is Jesus enough for you? Hear what Isaiah 53 says

RotoViz Overtime is powered by RotoViz Radio. IT'S OVERTIME Shawn and Colm are joined by John Daigle (@notJDaigle) of 4for4 and BetSperts to discuss the incoming NFL Draft class. The guys talk Quarterbacks, Running backs, and WRs. Is this class bad or is there hope for instant success for Sam Howell, Matt Corral, or the other top prospects? Subscribe to the RotoViz YouTube Channel here! HOSTS Colm Kelly (@OvertimeIreland) – Executive Producer of RotoViz Radio Shawn Siegele (@FF_Contrarian) – RotoViz Co-Owner SPONSORS RotoViz - RotoViz Radio listeners can save 10% off of a 1-year RotoViz subscription at RotoViz.com/podcast  or by applying the discount code "rvradio2022" at checkout. Underdog Fantasy - Sign up via this link or use Promo Code ROTOVIZ at Underdogfantasy.com and get a 100% deposit match on their first deposit up to $100. SHOW NOTES Email: RotoVizRadio@gmail.com Twitter: @RotoVizOvertime Learn more about your ad choices. Visit podcastchoices.com/adchoices

L'idée est venu durant le confinement, Marie et Eloi était en collocation avec deux autres personnes, ils essayaient de varier les plats au maximum mais malgré tout, ils se ressemblaient tous à peu près. L'idée d'incorporer des épices pour faire varier les plats est venue. Quantum satis vous propose des produits sain, gourmand et local. Copyright : Bordeauxfood / 2022 Directeur de publication  : Thomas Galharague

 We follow Pip on several trips to Satis House... and I'm only left with more questions. Pip meets 6 new characters. Estella continues to be haughty and disdainful of Pip, and Miss Havisham wants to meet with Joe Gargery. Find out what happens next as we read the Victorian classic, Great Expectations by Charles Dickens! 00:00 Intro and What I'm Drinking 02:53 Follow Up on last Weeks video 05:50 Part 7 Chapter 11 19:35 Part 8 Chapter 12 23:55 Part 8 Chapter 13 32:45 The Spoiler Zone! Today's episode is brought to you by the Satis House Bed and Breakfast... :-) Buy a mug! https://www.etsy.com/listing/1081083637/miss-havishams-satis-house-coffee-mug?click_key=765112c8a246daa3bf94b2a2b91760164bf35a61%3A1081083637&click_sum=c285aaa6&ref=shop_home_active_7 Find Me online: Voxer: @artbookshelfodyssey Discord: https://discord.gg/8MFceV2NFe Facebook Group Page: @thebookshelfodyssey Twitter: @odyssey_podcast Instagram: @bookshelfodysseypodcast Youtube: https://www.youtube.com/c/ArtBookshelfOdyssey Email: bookshelfodysseypodcast@gmail.com I'm now a bookshop.org affiliate - check out my shop and find your next great read! https://bookshop.org/shop/bookshelfodyssey https://www.buymeacoffee.com/bookshelfpod#charlesdickens #bookclub #booktube #books #victorianlit #reading 

 Today we talk about chapters 8-10 of Charles Dickens' Great Expectations. We meet the icy cold Estella, the mysterious Miss Havisham, and Pip receives some very wise advice from Joe. All this and more! 00:00 Introductory thoughts 01:20 Part 5: Chapter 8 16:16 Part 6: Chapter 9 25:45 Part 6: Chapter 10 32:30 Final thoughts on the section 36:22 What's next Find Me online: Voxer: @artbookshelfodyssey Facebook Group Page: @thebookshelfodyssey Twitter: @odyssey_podcast Instagram: @bookshelfodysseypodcast Youtube: https://www.youtube.com/c/ArtBookshelfOdyssey Email: bookshelfodysseypodcast@gmail.com I'm now a bookshop.org affiliate - check out my shop and find your next great read! https://bookshop.org/shop/bookshelfodyssey https://www.buymeacoffee.com/bookshelfpod Reading the Week of: Feb 7: Chapters 11-13 Feb 14th: Chapters 14-17 Feb 21st: Chapters 18-19 Feb 28th: Chapters 20-22 March 7th: Chapters 23-26 March 14: Chapters 27-29 March 21: Chapters 30-33 March 28: Chapters 34-37 April 4: Chapters 38-39 April 11: Chapters 40-42 April 18: Chapters 43-46 April 25: Chapters 47-50 May 2: Chapters 51-53 May 9: Chapters 54-56 May 16: Chapters 57-59 

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Merhaba arkadaşlar ben Akın Yılmaz. Ekibimle birlikte sizlere ebay dropshipping nasıl yapılır, ebay'de satan ürün nasıl bulunur, amazon etsy shopify dropshipping ve print on demand nasıl yapılır gibi soruların çözümünü üretiyoruz. 2021 internetten para kazanma ile ilgileniyorsan bu kanaldaki içerikler tam sana göre. --- Support this podcast: https://anchor.fm/okyanusi-ltd-akin-yilmaz/support

Merhaba arkadaşlar ben Akın Yılmaz. Ekibimle birlikte sizlere ebay dropshipping nasıl yapılır, ebay'de satan ürün nasıl bulunur, amazon etsy shopify dropshipping ve print on demand nasıl yapılır gibi soruların çözümünü üretiyoruz. 2021 internetten para kazanma ile ilgileniyorsan bu kanaldaki içerikler tam sana göre. --- Support this podcast: https://anchor.fm/okyanusi-ltd-akin-yilmaz/support

In this episode Sidney kvetches about boring cheese, Uel kvetches about bad satire and they argue about the merits of King Arthur: Legend of the Sword. They also pursue a new branding opportunity from Coca Cola. Warning: This episode contains Sidney's best (read worst) pun to date.

Tecnologia inovadora e sustentável está em fase de teste no laboratório Satis, liderado por Fabricio Porto, Gerente de Inovação.

What's up. Get ready for a down a dirty Survivor Series Top 5 matchup as Canada Dry and JFB talk about their top 5 factions of all time. The boys also talk about A&E's WWE Biography series and JFB's love of all things Canadian from Hockey, Pro Wrestling to his obsession over Degrassi Junior High. Also, find out if Hogan ever got back to Canada Dry. Get all of your F'N gear at www.prowrestlingtees.com/fnwrestling find us on twitter at www.twitter.com/FNWrestling1 Hit us up on the Facebook Gimmick at www.facebook.com/groups/297170194907943 Find us on Apple, Spotify, Amazon, Google Podcasts and a host of other podcast apps and platforms. Subscribe and leave us a review as well. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/justanotherfnpodcast/message Support this podcast: https://anchor.fm/justanotherfnpodcast/support

[COULISSES] Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

SERMON (ENGLISH) Trinity Sunday

O gerente de P&D da Satis, Aedyl Lauar (Kid) fala da importância desta etapa na cultura mais produzida no país.

Patrick LE QUÉMENT, Directeur du Design chez Renault de 1987 à 2009. On lui doit notamment des automobiles que vous connaissez tous comme la Twingo, la Scénic ou encore les fameuses Avantime & Vel Satis.Il nous raconte son enfance où l'automobile eu très tôt une place de choix et tout particulièrement Renault, marque qu'il adore. Cette passion, c'est son père qui la lui a transmise et ne l'a jamais quitté depuis.De ses débuts chez SIMCA dans les années 1960 en passant par son expérience entrepreneuriale en créant Style International. Puis, ses 17 ans de carrière chez FORD où il a tout appris selon ses dires et s'est véritablement construit une carrière avant de rejoindre le groupe VW à la demande de Carl HAHN à la tête du groupe à ce moment-là. Pour finalement rejoindre Renault en tant que Directeur du Design à la demande du comité de direction alors même, qu'il avait postulé 11 fois pour y rentrer sans succès. Si les noms de Raymond LÉVY et Louis SCHWEITZER ne vous disent peut-être rien (pourtant tous deux Présidents du groupe Renault de manière successive), des automobiles comme la Twingo, la Mégane, la Scénic, l'Avantime ou encore la Vel Satis ne vous seront certainement pas étrangères. Vous allez en découvrir les secrets et les histoires qui se cachent derrière ces modèles de l'un des plus grands constructeurs français qui ne manquent pas d'amateurs comme de détracteurs.Alors, attachez vos ceintures et préparez-vous à découvrir les histoires et anecdotes d'un des plus grands designers de son temps et croyez-moi avec plus de 50 ans de carrière, il y en a... Vous retrouverez toutes les coulisses du podcast sur Instagram @dbg_podcast. C'est là aussi où l'on peut échanger, je réponds à tous vos messages.Pensez  à vous abonner sur votre plateforme de podcast préféré ou sur YouTube et à activer les notifications pour ne rien rater des prochains épisodes. Et découvrir tous ceux que vous n'avez pas encore écouté.Avant de débuter l'épisode, j'ai un petit service à vous demander, pour celles et ceux qui ne l'ont pas encore fait vous seriez des légendes en laissant un petit commentaire sur Apple Podcasts ou iTunes. Rien de plus simple, cela prend 2 secondes et c'est bien évidemment gratuit, il faut simplement un iPhone ou un Mac. Cela permet au podcast de gagner en visibilité et donc par conséquent de pouvoir convaincre des invités toujours plus incroyables de venir Dans La Boîte à Gants.____________________________________________________________________

In which Pip ventures to Satis house

Om du springer på en person som kan prata latin så bör det ses som en varning: Denne person är nog inte särskilt rolig på fest. Men det hindrar inte Per Frykebrant från att lansera Tottenhams nya slogan, To Dare Is To Do (Audere est Facere) åt sidan: Fete satis est!

Om du springer på en person som kan prata latin så bör det ses som en varning: Denne person är nog inte särskilt rolig på fest. Men det hindrar inte Per Frykebrant från att lansera Tottenhams nya slogan, To Dare Is To Do (Audere est Facere) åt sidan: Fete satis est!

This piece is dedicated to my friend organist Arturo Barba Sevillano. PDF score. 3 pages. Duration - 4 minutes. Basic level. Check it out here: https://secrets-of-organ-playing.myshopify.com/products/exsulta-satis-op-67-2018-for-solo-organ-by-vidas-pinkevicius When you create, miracles happen! Secrets of Organ Playing - Helping Reach Your Dreams in Organ Playing: http://www.organduo.lt Would you like to know more about organ practice? If so, download my video practice guide "How to Master Any Organ Composition" and learn to play any organ piece up to 10 times faster: http://www.organduo.lt/organpracticeguide.html