Podcasts about Sikhism

Avtar Singh is a Nihang Sikh, associated with the Shiromani Panth Akali Budha Dal under the leadership of Akali Baba Maan Singh Ji 96 Crori. His passion lies in delving into the deeper, unaltered history of Sikhism. Through his research, he aims to bring forward the historical reality of Sikhi's alignment with Sanatan Dharma, challenging modern narratives established by institutions like the SGPC and other such groups.

This episode featured a conversation with Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan, three scholars in the burgeoning field of Dalit Studies. We began with the significance of the 1990s as a point of departure for new work in this field and segued to the interventions made by their two edited volumes published in 2016 and 2025. We discussed the paths opened up by earlier radical historiographical paradigms, such as Subaltern Studies, which nonetheless failed to address the caste question. The guests noted three key emphases of contemporary Dalit Studies: one, centering Dalit historical agency and intellectual production; two, decentering the binary of colonialism and nationalism, and illuminating the colonial period as a complex terrain of maneuver; and three, foregrounding the importance of “the Dalit social” as a field of variegated power irreducible to the state. We ended with a discussion of the heterogeneity of Dalit sociopolitical formations, what makes “Dalit” cohere as a category, and future directions for the field of Dalit Studies. Read the transcript here References Ramnarayan Rawat and K. Satyanarayana eds. Dalit Studies (Duke University Press, 2016) Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan eds. Dalit Journeys for Dignity: Religion, Freedom, and Caste (SUNY Press, 2025) Rajni Kothari, “Rise of the Dalits and the Renewed Debate on Caste.” In State and Politics in India, edited by Partha Chatterjee, 439–58 (New Delhi: Oxford University Press, 1998). Gopal Guru, “The Language of Dalit-Bahujan Political Discourse.” In Dalit Identity and Politics, edited by Ghanshyam Shah, 96–107 (New Delhi: Sage, 2001). Baburao Bagul, Dalit Sahitya ajache Kranti Vidynana (Nagpur: Buddhist Publishing House, 1978). Belcchi: village in Patna district of Bihar where eight Dalits and three Backward Caste men were killed by members of the landowning Kurmi caste in 1977. Keezhvenmani: hamlet in Nagapattinam district of Tamil Nadu where upper caste landlords burnt alive 44 Dalit agricultural laborers in 1968. Karamchedu: village in Bapatla district of Andhra Pradesh where members of the Kamma landholding caste murdered six Dalit men, raped three Dalit women, and displaced hundreds of Dalit families in 1985. Vempenta: village in Kurnool district of Andhra Pradesh where, in response to the killing of a village official by the People's War Group, landholders killed more than thirty Dalits and burned more than 100 of their houses in 1998. Chundur: village in Bapatla district of Andhra Pradesh where members of the Reddy landholding caste killed eight Dalit men in 1991. Mandal Commission: Divya Cherian, Merchants of Virtue B.R. Ambedkar, Annihilation of Caste Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra. NTR: Indian actor and politician who served as the Chief Minister of Andhra Pradesh for four terms between 1983 and 1995. Mahad Satyagraha: mass mobilization by B.R. Ambedkar to claim Dalit access to a public water tank in Mahad, Maharashtra. Ayyankali: Indian social reformer and lawmaker who worked for the advancemetnt of Dalits in the princely state of Travancore. Ad Dharm: an anticaste movement in the 1920s that claimed a distinct identity for Dalits separate from Hinduism and Sikhism. Adi Hindu Mahasabha: sociopolitical organization founded in 1923 by Dalit leader Swami Achhutanand in Uttar Pradesh that claimed for Dalits the identity of originary Hindus. IITs: the Indian Institutes of Technology Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode featured a conversation with Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan, three scholars in the burgeoning field of Dalit Studies. We began with the significance of the 1990s as a point of departure for new work in this field and segued to the interventions made by their two edited volumes published in 2016 and 2025. We discussed the paths opened up by earlier radical historiographical paradigms, such as Subaltern Studies, which nonetheless failed to address the caste question. The guests noted three key emphases of contemporary Dalit Studies: one, centering Dalit historical agency and intellectual production; two, decentering the binary of colonialism and nationalism, and illuminating the colonial period as a complex terrain of maneuver; and three, foregrounding the importance of “the Dalit social” as a field of variegated power irreducible to the state. We ended with a discussion of the heterogeneity of Dalit sociopolitical formations, what makes “Dalit” cohere as a category, and future directions for the field of Dalit Studies. Read the transcript here References Ramnarayan Rawat and K. Satyanarayana eds. Dalit Studies (Duke University Press, 2016) Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan eds. Dalit Journeys for Dignity: Religion, Freedom, and Caste (SUNY Press, 2025) Rajni Kothari, “Rise of the Dalits and the Renewed Debate on Caste.” In State and Politics in India, edited by Partha Chatterjee, 439–58 (New Delhi: Oxford University Press, 1998). Gopal Guru, “The Language of Dalit-Bahujan Political Discourse.” In Dalit Identity and Politics, edited by Ghanshyam Shah, 96–107 (New Delhi: Sage, 2001). Baburao Bagul, Dalit Sahitya ajache Kranti Vidynana (Nagpur: Buddhist Publishing House, 1978). Belcchi: village in Patna district of Bihar where eight Dalits and three Backward Caste men were killed by members of the landowning Kurmi caste in 1977. Keezhvenmani: hamlet in Nagapattinam district of Tamil Nadu where upper caste landlords burnt alive 44 Dalit agricultural laborers in 1968. Karamchedu: village in Bapatla district of Andhra Pradesh where members of the Kamma landholding caste murdered six Dalit men, raped three Dalit women, and displaced hundreds of Dalit families in 1985. Vempenta: village in Kurnool district of Andhra Pradesh where, in response to the killing of a village official by the People's War Group, landholders killed more than thirty Dalits and burned more than 100 of their houses in 1998. Chundur: village in Bapatla district of Andhra Pradesh where members of the Reddy landholding caste killed eight Dalit men in 1991. Mandal Commission: Divya Cherian, Merchants of Virtue B.R. Ambedkar, Annihilation of Caste Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra. NTR: Indian actor and politician who served as the Chief Minister of Andhra Pradesh for four terms between 1983 and 1995. Mahad Satyagraha: mass mobilization by B.R. Ambedkar to claim Dalit access to a public water tank in Mahad, Maharashtra. Ayyankali: Indian social reformer and lawmaker who worked for the advancemetnt of Dalits in the princely state of Travancore. Ad Dharm: an anticaste movement in the 1920s that claimed a distinct identity for Dalits separate from Hinduism and Sikhism. Adi Hindu Mahasabha: sociopolitical organization founded in 1923 by Dalit leader Swami Achhutanand in Uttar Pradesh that claimed for Dalits the identity of originary Hindus. IITs: the Indian Institutes of Technology Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

This episode featured a conversation with Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan, three scholars in the burgeoning field of Dalit Studies. We began with the significance of the 1990s as a point of departure for new work in this field and segued to the interventions made by their two edited volumes published in 2016 and 2025. We discussed the paths opened up by earlier radical historiographical paradigms, such as Subaltern Studies, which nonetheless failed to address the caste question. The guests noted three key emphases of contemporary Dalit Studies: one, centering Dalit historical agency and intellectual production; two, decentering the binary of colonialism and nationalism, and illuminating the colonial period as a complex terrain of maneuver; and three, foregrounding the importance of “the Dalit social” as a field of variegated power irreducible to the state. We ended with a discussion of the heterogeneity of Dalit sociopolitical formations, what makes “Dalit” cohere as a category, and future directions for the field of Dalit Studies. Read the transcript here References Ramnarayan Rawat and K. Satyanarayana eds. Dalit Studies (Duke University Press, 2016) Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan eds. Dalit Journeys for Dignity: Religion, Freedom, and Caste (SUNY Press, 2025) Rajni Kothari, “Rise of the Dalits and the Renewed Debate on Caste.” In State and Politics in India, edited by Partha Chatterjee, 439–58 (New Delhi: Oxford University Press, 1998). Gopal Guru, “The Language of Dalit-Bahujan Political Discourse.” In Dalit Identity and Politics, edited by Ghanshyam Shah, 96–107 (New Delhi: Sage, 2001). Baburao Bagul, Dalit Sahitya ajache Kranti Vidynana (Nagpur: Buddhist Publishing House, 1978). Belcchi: village in Patna district of Bihar where eight Dalits and three Backward Caste men were killed by members of the landowning Kurmi caste in 1977. Keezhvenmani: hamlet in Nagapattinam district of Tamil Nadu where upper caste landlords burnt alive 44 Dalit agricultural laborers in 1968. Karamchedu: village in Bapatla district of Andhra Pradesh where members of the Kamma landholding caste murdered six Dalit men, raped three Dalit women, and displaced hundreds of Dalit families in 1985. Vempenta: village in Kurnool district of Andhra Pradesh where, in response to the killing of a village official by the People's War Group, landholders killed more than thirty Dalits and burned more than 100 of their houses in 1998. Chundur: village in Bapatla district of Andhra Pradesh where members of the Reddy landholding caste killed eight Dalit men in 1991. Mandal Commission: Divya Cherian, Merchants of Virtue B.R. Ambedkar, Annihilation of Caste Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra. NTR: Indian actor and politician who served as the Chief Minister of Andhra Pradesh for four terms between 1983 and 1995. Mahad Satyagraha: mass mobilization by B.R. Ambedkar to claim Dalit access to a public water tank in Mahad, Maharashtra. Ayyankali: Indian social reformer and lawmaker who worked for the advancemetnt of Dalits in the princely state of Travancore. Ad Dharm: an anticaste movement in the 1920s that claimed a distinct identity for Dalits separate from Hinduism and Sikhism. Adi Hindu Mahasabha: sociopolitical organization founded in 1923 by Dalit leader Swami Achhutanand in Uttar Pradesh that claimed for Dalits the identity of originary Hindus. IITs: the Indian Institutes of Technology Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

This episode featured a conversation with Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan, three scholars in the burgeoning field of Dalit Studies. We began with the significance of the 1990s as a point of departure for new work in this field and segued to the interventions made by their two edited volumes published in 2016 and 2025. We discussed the paths opened up by earlier radical historiographical paradigms, such as Subaltern Studies, which nonetheless failed to address the caste question. The guests noted three key emphases of contemporary Dalit Studies: one, centering Dalit historical agency and intellectual production; two, decentering the binary of colonialism and nationalism, and illuminating the colonial period as a complex terrain of maneuver; and three, foregrounding the importance of “the Dalit social” as a field of variegated power irreducible to the state. We ended with a discussion of the heterogeneity of Dalit sociopolitical formations, what makes “Dalit” cohere as a category, and future directions for the field of Dalit Studies. Read the transcript here References Ramnarayan Rawat and K. Satyanarayana eds. Dalit Studies (Duke University Press, 2016) Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan eds. Dalit Journeys for Dignity: Religion, Freedom, and Caste (SUNY Press, 2025) Rajni Kothari, “Rise of the Dalits and the Renewed Debate on Caste.” In State and Politics in India, edited by Partha Chatterjee, 439–58 (New Delhi: Oxford University Press, 1998). Gopal Guru, “The Language of Dalit-Bahujan Political Discourse.” In Dalit Identity and Politics, edited by Ghanshyam Shah, 96–107 (New Delhi: Sage, 2001). Baburao Bagul, Dalit Sahitya ajache Kranti Vidynana (Nagpur: Buddhist Publishing House, 1978). Belcchi: village in Patna district of Bihar where eight Dalits and three Backward Caste men were killed by members of the landowning Kurmi caste in 1977. Keezhvenmani: hamlet in Nagapattinam district of Tamil Nadu where upper caste landlords burnt alive 44 Dalit agricultural laborers in 1968. Karamchedu: village in Bapatla district of Andhra Pradesh where members of the Kamma landholding caste murdered six Dalit men, raped three Dalit women, and displaced hundreds of Dalit families in 1985. Vempenta: village in Kurnool district of Andhra Pradesh where, in response to the killing of a village official by the People's War Group, landholders killed more than thirty Dalits and burned more than 100 of their houses in 1998. Chundur: village in Bapatla district of Andhra Pradesh where members of the Reddy landholding caste killed eight Dalit men in 1991. Mandal Commission: Divya Cherian, Merchants of Virtue B.R. Ambedkar, Annihilation of Caste Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra. NTR: Indian actor and politician who served as the Chief Minister of Andhra Pradesh for four terms between 1983 and 1995. Mahad Satyagraha: mass mobilization by B.R. Ambedkar to claim Dalit access to a public water tank in Mahad, Maharashtra. Ayyankali: Indian social reformer and lawmaker who worked for the advancemetnt of Dalits in the princely state of Travancore. Ad Dharm: an anticaste movement in the 1920s that claimed a distinct identity for Dalits separate from Hinduism and Sikhism. Adi Hindu Mahasabha: sociopolitical organization founded in 1923 by Dalit leader Swami Achhutanand in Uttar Pradesh that claimed for Dalits the identity of originary Hindus. IITs: the Indian Institutes of Technology Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

This episode featured a conversation with Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan, three scholars in the burgeoning field of Dalit Studies. We began with the significance of the 1990s as a point of departure for new work in this field and segued to the interventions made by their two edited volumes published in 2016 and 2025. We discussed the paths opened up by earlier radical historiographical paradigms, such as Subaltern Studies, which nonetheless failed to address the caste question. The guests noted three key emphases of contemporary Dalit Studies: one, centering Dalit historical agency and intellectual production; two, decentering the binary of colonialism and nationalism, and illuminating the colonial period as a complex terrain of maneuver; and three, foregrounding the importance of “the Dalit social” as a field of variegated power irreducible to the state. We ended with a discussion of the heterogeneity of Dalit sociopolitical formations, what makes “Dalit” cohere as a category, and future directions for the field of Dalit Studies. Read the transcript here References Ramnarayan Rawat and K. Satyanarayana eds. Dalit Studies (Duke University Press, 2016) Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan eds. Dalit Journeys for Dignity: Religion, Freedom, and Caste (SUNY Press, 2025) Rajni Kothari, “Rise of the Dalits and the Renewed Debate on Caste.” In State and Politics in India, edited by Partha Chatterjee, 439–58 (New Delhi: Oxford University Press, 1998). Gopal Guru, “The Language of Dalit-Bahujan Political Discourse.” In Dalit Identity and Politics, edited by Ghanshyam Shah, 96–107 (New Delhi: Sage, 2001). Baburao Bagul, Dalit Sahitya ajache Kranti Vidynana (Nagpur: Buddhist Publishing House, 1978). Belcchi: village in Patna district of Bihar where eight Dalits and three Backward Caste men were killed by members of the landowning Kurmi caste in 1977. Keezhvenmani: hamlet in Nagapattinam district of Tamil Nadu where upper caste landlords burnt alive 44 Dalit agricultural laborers in 1968. Karamchedu: village in Bapatla district of Andhra Pradesh where members of the Kamma landholding caste murdered six Dalit men, raped three Dalit women, and displaced hundreds of Dalit families in 1985. Vempenta: village in Kurnool district of Andhra Pradesh where, in response to the killing of a village official by the People's War Group, landholders killed more than thirty Dalits and burned more than 100 of their houses in 1998. Chundur: village in Bapatla district of Andhra Pradesh where members of the Reddy landholding caste killed eight Dalit men in 1991. Mandal Commission: Divya Cherian, Merchants of Virtue B.R. Ambedkar, Annihilation of Caste Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra. NTR: Indian actor and politician who served as the Chief Minister of Andhra Pradesh for four terms between 1983 and 1995. Mahad Satyagraha: mass mobilization by B.R. Ambedkar to claim Dalit access to a public water tank in Mahad, Maharashtra. Ayyankali: Indian social reformer and lawmaker who worked for the advancemetnt of Dalits in the princely state of Travancore. Ad Dharm: an anticaste movement in the 1920s that claimed a distinct identity for Dalits separate from Hinduism and Sikhism. Adi Hindu Mahasabha: sociopolitical organization founded in 1923 by Dalit leader Swami Achhutanand in Uttar Pradesh that claimed for Dalits the identity of originary Hindus. IITs: the Indian Institutes of Technology Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

This episode featured a conversation with Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan, three scholars in the burgeoning field of Dalit Studies. We began with the significance of the 1990s as a point of departure for new work in this field and segued to the interventions made by their two edited volumes published in 2016 and 2025. We discussed the paths opened up by earlier radical historiographical paradigms, such as Subaltern Studies, which nonetheless failed to address the caste question. The guests noted three key emphases of contemporary Dalit Studies: one, centering Dalit historical agency and intellectual production; two, decentering the binary of colonialism and nationalism, and illuminating the colonial period as a complex terrain of maneuver; and three, foregrounding the importance of “the Dalit social” as a field of variegated power irreducible to the state. We ended with a discussion of the heterogeneity of Dalit sociopolitical formations, what makes “Dalit” cohere as a category, and future directions for the field of Dalit Studies. Read the transcript here References Ramnarayan Rawat and K. Satyanarayana eds. Dalit Studies (Duke University Press, 2016) Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan eds. Dalit Journeys for Dignity: Religion, Freedom, and Caste (SUNY Press, 2025) Rajni Kothari, “Rise of the Dalits and the Renewed Debate on Caste.” In State and Politics in India, edited by Partha Chatterjee, 439–58 (New Delhi: Oxford University Press, 1998). Gopal Guru, “The Language of Dalit-Bahujan Political Discourse.” In Dalit Identity and Politics, edited by Ghanshyam Shah, 96–107 (New Delhi: Sage, 2001). Baburao Bagul, Dalit Sahitya ajache Kranti Vidynana (Nagpur: Buddhist Publishing House, 1978). Belcchi: village in Patna district of Bihar where eight Dalits and three Backward Caste men were killed by members of the landowning Kurmi caste in 1977. Keezhvenmani: hamlet in Nagapattinam district of Tamil Nadu where upper caste landlords burnt alive 44 Dalit agricultural laborers in 1968. Karamchedu: village in Bapatla district of Andhra Pradesh where members of the Kamma landholding caste murdered six Dalit men, raped three Dalit women, and displaced hundreds of Dalit families in 1985. Vempenta: village in Kurnool district of Andhra Pradesh where, in response to the killing of a village official by the People's War Group, landholders killed more than thirty Dalits and burned more than 100 of their houses in 1998. Chundur: village in Bapatla district of Andhra Pradesh where members of the Reddy landholding caste killed eight Dalit men in 1991. Mandal Commission: Divya Cherian, Merchants of Virtue B.R. Ambedkar, Annihilation of Caste Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra. NTR: Indian actor and politician who served as the Chief Minister of Andhra Pradesh for four terms between 1983 and 1995. Mahad Satyagraha: mass mobilization by B.R. Ambedkar to claim Dalit access to a public water tank in Mahad, Maharashtra. Ayyankali: Indian social reformer and lawmaker who worked for the advancemetnt of Dalits in the princely state of Travancore. Ad Dharm: an anticaste movement in the 1920s that claimed a distinct identity for Dalits separate from Hinduism and Sikhism. Adi Hindu Mahasabha: sociopolitical organization founded in 1923 by Dalit leader Swami Achhutanand in Uttar Pradesh that claimed for Dalits the identity of originary Hindus. IITs: the Indian Institutes of Technology Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. For this episode of “Obbligato,” a show dedicated to AAPI classical musicians, composers, and scholars, host Isabel Li interviews Indian American composer Reena Esmail, who blends Hindustani musical themes with western classical compositional styles. Music in this episode: – This Love Between Us “Prayers for Unity”: II. [Sikhism] – Lacrimosa (from Malhaar: a Requiem for Water) – Terra infirma: IV. roaming the ghost forest Transcript Isabel Li: I'm Isabel Li, here for a new edition of “Obbligato,” which explores the AAPI community in the classical music world. Today, we're featuring the Indian American composer Reena Esmail and her unique compositions that blend Hindustani music with Western classical styles and how she writes music about religion, spirituality, and even environmentalism. Welcome, Reena, to Apex Express. Reena Esmail: Hey! It's so great to be here. IL: My first question for you is one that's probably a little bit loaded, but how do you identify and what's your story? RE: I don't know, it's interesting because I work in many different situations, and I think I always identify as the thing that isn't whatever the dominant situation is that I work in. Right? So it's like when I'm in America, I identify as an Indian American. When I'm in India, I identify as an American. When I'm working in Western classical music, I'm the person who knows stuff about Hindustani music. When I'm working in Hindustani music, I'm the person who knows stuff about Western music. So really. Actually, I think of identity not as a fixed thing, but as how you, um, delineate yourself, how you're unique in the situation you're in. You know, it's interesting because especially in the case of Asian Americans, Asia is such a broad thing, right? There are so many more East Asians in Western classical music than there are South Asians. Certainly in my generation. You know, I was surrounded by Chinese, Korean, some Japanese people who were always, you know, playing the piano when I was playing the piano. And, um, there really was not many other Indian people. And, you know, I'll, I'll actually say that even within India, um, you know, if you look at me in America, I'm just Indian. If you look at me in India, I have a very unusual lineage, which is that my dad is from the region of Gujarat and his family is Muslim. My mom is from the region of Goa and her family is Catholic. And so because of that, when I was expressing interest in music, My mom was the one who had more of kind of a musical knowledge in her family, even though there's no professional musicians in her family. So because Goa was colonized by Portugal, there is this element of Western classical music in Goan culture. And so because of that, my mom was like, oh, let's give her guitar lessons, let's give her piano lessons. And so that's how I landed up in Western classical music as opposed to doing Indian classical music. Um, so yeah, I kind of went through the Western classical scene. I was very interested in being a pianist. And, you know, I'm glad that I'm glad I'm a failed pianist in all honesty, because I see what my colleagues who are real, you know, professional pianists have to go through. And I just don't think I have what it takes to do that. It's really an intense job. Um, but when I was in high school, um, one of my theory teachers kind of said, hey, you know, you might be a composer. It seems like you think like a composer thinks, why don't you try composing and why don't you try writing things down? and one thing led to another. And basically a year and a half to two years after studying, I got one of a very few spots in the undergrad program in composition at Juilliard. And that was a point where my parents kind of said, okay, you know, we don't know a lot about the music world, but it seems like if she got into Juilliard, she's probably like somewhat good at this. Maybe we should kind of see how this goes. And, you know, from there on, I pursued composition. IL: And when and why did you start to study Indian classical music, which is a big element in your compositions now? RE: Yeah, absolutely. So I think it's interesting because in every generation, I've seen so much change in how the diaspora views itself. And certainly when I was growing up, you know, I know this is hard to believe, but there were not if you were an Indian going to school, you were kind of the only one. If you were an Indian music, you were kind of the only one. So there was this element where when I went to Juilliard, um, there were I to my knowledge, two Indians in the entire school, me and an actress who had actually come from Calcutta. And so people were trying to, you know, make conversation with me and they'd be like, well, you know, do you do stuff with Indian classical music? And I would just be like, no, I'm trying so hard to even write music for orchestra and, you know, string quartet and all the things that my peers are trying to do. Like, is that not enough? Because I'm Indian, I also have to be doing all this other stuff. And so I resisted it for a long time because I was just trying so hard to do one thing well. But then, you know, I think what, what made me kind of unique is that, you know, I stood out, I was Indian and then, you know, when I was young, that felt really cool. The older I got, the more I thought, well, you know, I know I'm from this culture that has incredible music and I know it when I hear it, I know nothing about it, and maybe I should actually pursue it. And so I really separately kind of started meeting Indian musicians who lived in New York, and I would just ask them questions, and I got to know them. And I realized that while we didn't share a type of music, we did share a culture and we did share a love of music because it is interesting that the culture of Indian classical music is actually quite similar to the culture of Western classical music. You know, you study with a teacher over a really long period of time. You're practicing for hours a day. The kind of personality that would love Western classical music would also love Indian classical music. And so I just made friends with some of these Indian classical musicians. And of course, being a composer, I thought, why don't I put them in my music? You know, how do I do that? And so it was really just curiosity that led me down that path. And for many years, that path was very separate. Because again, I know it's very hard to believe now, but there was a time where people really did not want these cultures to be combined, and people just really looked down on cultures that were not, you know, the dominant Western European classical culture. And so I kept them really separate. And even when I started combining them, people were like, oh, that's sweet. She does stuff with Indian music, you know? And it was really not taken seriously. It's only really in the last decade that people have been embracing other musical cultures. And I mean, how glad I am that that's happening. But it was very, very hard fought and very separate at first. IL: And on that note, how do you navigate the unique challenges of composing with both these cultures in mind, but also being situated in the United States, where people come from all different backgrounds? And how do you as a composer approach that in this context? RE: I mean, I think it's interesting because first of all, I am musically bilingual now, so I can. I went to India, I studied Indian classical music. Seriously. I still work with Indian classical musicians very closely. And so, you know, I can be working on a piece that has Indian classical musicians in it, and I can turn to them and immediately speak in their language and their musical language. And then I can turn to the Western musicians and speak in their musical language. So every single piece I write, especially the ones that involve Indian classical musicians. There is a way through those pieces, both through the Western lens and through the Indian lens. And so I think I'm working in a position where I actually do know how to speak both those languages. And when you do speak both those languages, you know, just the way that if you speak any two, you know, verbal languages, you would know that there are sounds that are cognates. And so you're like, oh, I say the sound. So maybe and it means one thing in one culture and one thing in another culture. But you know that that sound is the same. And so with musical language, you can actually use those musical cognates to connect across cultures by saying, just listen for this thing. And when you listen for this thing, interpret it through the lens of your own culture. So that's certainly how I work. But, you know, I mean, again, I want to say that's not the only way to work. I don't think that you have to be, you know, I mean, again, there's probably most people who are listening to this probably have one musical culture and then maybe they know much less about the other musical culture. That is also fine. You know, you don't need to be an expert in order to want to explore and, and love a thing that's just, you know, where I am because it's the, the center of my musical practice. IL: Well, let's hear a selection from Reena Esmail's oratorio, “This Love Between Us.” This is the second movement titled Sikhism. David Hill conducts Juilliard415 with the Yale Schola Cantorum. [MUSIC: This Love Between Us “Prayers for Unity”: II. Sikhism] IL: That was Sikhism, the second movement from the oratorio This Love Between Us by Reena Esmail, who is here in conversation with me today on KPFA for APEX Express. Something that I really found interesting in especially your work — and I'm sure this has been asked many times, but This Love Between Us: Prayers for Unity. This oratorio that you wrote, beautiful work where you use words from the seven major religions of India. And each movement of the choral work is also named after a different religion. In what ways did you adhere to or challenge norms of spiritual music? Because religion is so religion and music are so deeply tied together. How did you challenge those norms or how did you express those norms when you wrote this work? RE: You know, I think it's interesting because my own spiritual background is very kind of multi spiritual multi-faith. But like I said, my, my father is, is my father's side of the family is Muslim. My mom's side of the family is Catholic. My husband is Hindu. All of them grew up in a very singular practice in each of their religions. But for me, I grew up, you know, around my mom and my dad and then, you know, my husband later. And just there's a part of me that takes in the essence of each of these spiritual traditions. And, you know, I'm trying to kind of find what feels true to me in each of those places. And so to me, you know, this love between us is, is a place where I'm trying to essentially say, yes, we express things differently through whatever cultural, uh, history, that language or that that religion emerged through. And yet we're all trying to get at that same numinous thing. And, you know, I mean, I'm not saying, oh, all religions are the same. Definitely not. You know, there's, there's many different ways to practice things. And, you know, your unique way into your spirituality is your own. And that's, that's amazing. But also, we all kind of our cultures form religions for a certain reason, and it's because we want to try to understand things that are beyond ourselves. And so that's essentially what the piece is saying. So I know I'm sure there are purists who are like, you shouldn't be combining these things, but, you know, there's always going to be purists who do that and there's a role for that. But that's not really my role. So, I mean, I picked the pieces and I picked the religion specifically because of the numbers of people who practice that religion currently within India. And so it is like the largest, um, populations, you know, like Hinduism, Islam, Buddhism, all, all of those things. And then there's one little tiny religion, Zoroastrianism. And while they are not, there's not many of them within India. They are the ones who are practicing Western classical music in India. So people like Zubin Mehta and all, they are Parsis that are Zoroastrians. So I thought, you know, it's important to include them too, because it's a piece that involves a lot of Western classical musicians. IL: I'm wondering now, as a composer who's working with music of different languages and religions and origins and also evoking a lot of these spiritual truths that are pretty universal in nature. What is your view on the function of music? There's the platitude that music is a universal language. Do you how to what extent do you agree with that? RE: You know, yeah, it's hard to, to, um, to think of music as a universal language. But I think sometimes we, how can I say this? It's such a broad question. When we are working in a form that isn't completely narrative, it gives us a little more chance to get at things that don't have to follow logically after one another. They're just feelings that we're able to feel. And I like working even when there are words, you know, there are certainly words in all of these, these, uh, pieces in this love between us. But I feel like sometimes we just feel something within us. And, you know, I experience this a lot when I have a piece performed, people will come up to me and say like, oh, this made me feel like this. And then the next person will come up to me and say, oh, this made me feel exactly the opposite thing. And I, I really love that we can have those experiences. And, you know, recently it's been really interesting because people have been asking these questions like interviewers, you know, before performances will be like, well, what do you want the audience to feel? And I'm like, oh, I don't want to answer that question. I want you to feel whatever you feel. There's nothing right to feel. And often, I mean, I'm not the one to ask. I'm so close to the music because when I'm listening, I'm thinking like, okay, was that C sharp in tune? Okay, you know, that's what I'm feeling. And I certainly don't want them to feel that. So I don't know. I think it's, it's just exciting to see how when we get out of these, what we should do this and this is the right thing to do. And this is the only way to do it. Um, how do we behave? And there are so few spaces left where if we don't say exactly the right words at the right time to the right people, you know, if we don't have exactly the right opinions that everyone around us has, We are so condemned and music might be one of the last places that we're allowed to feel whatever's inside of us. IL: Mhm. That's really interesting to think about. I think art in general is very beautiful because it allows people to interpret it in many different ways. I think for your music, you really draw on cultural specificity in terms of Hindustani music. What advice would you give to other young composers or also maybe artists of different mediums in creating that balance between specificity and universality? RE: Yeah, I think the thing is that the way into a deep practice is specificity. You know, I know people have asked me like, oh, you've done stuff with Indian music. Are you going to do stuff with other music? And I'm like, gosh, there's still so much to explore. I could have like three lifetimes and still not explore everything I want to explore just in the relationship between Indian and Western classical music. I mean, goodness knows I have four degrees in Western classical music, and I still am barely scratching the surface of it. Right. So I kind of feel like specificity is important because it allows you to access depth. And yet, you know, when you are specific about a certain thing, um, like for instance, like a scholar who only speaks Italian, I mean, they're going to know more than someone who maybe speaks five words of each language, right? So they can transfer over at a higher level and make more sophisticated points and understand the world with a more universal lens if they've gone really deep on one thing. So I would say, you know, to young composers, to young musicians, pick one practice and know it really, really well and deeply become go as far as you possibly can and then, you know, try to see if you can find relations between your primary practice and a different practice. Um, and I mean, some people, you know, I know in this generation that's coming up, that's like in their teens and twenties, there are South Asian, uh, kids who are here whose parents have come from India that are learning Indian and Western classical music side by side. And I think that's great. I mean, that's awesome. But I would also say make sure you don't just learn halfway. Both of those things, you know, if you're going to learn them, if at least with one thing, try to go as absolutely far as you can. IL: Let's hear another example of Reena Esmail's bilingual musicality with her work, Malhaar: A Requiem for Water, which was recorded fairly recently. The vocalist is Graycen Gardner with the choir conducted by Amy Fogerson. [MUSIC: Lacrimosa (from Malhaar: a Requiem for Water)] IL: Composer Reena Esmail used Indian classical instruments in that work, titled Malhaar: A Requiem for water. The vocalist was Graycen Gardner, with the choir conducted by Amy Fogerson. Percussionist was Rohit Panchakshari. I'm Isabel Li in conversation with composer Reena Esmail on this edition of Apex Express here on KPFA 94.1 FM. So when you integrate Hindustani classical Hindustani music, Indian classical music and those instruments into your scores, did you happen to did you have to develop a way to translate the notation of those notes in Western classical music notation, or vice versa? RE: Yeah, it it begs the greater question of what is notation for? Right? Because notation is essentially a way for Western musicians who read notation to look at a thing and be able to associate sounds with that thing. And so when I'm notating for Western classical musicians, I'm saying, okay, what is a cellist typically seeing and what are they doing based on what they're seeing? And then how can I take that language that they know really well that they play in Bach suites, that they play in Elgar, Cello Concerto, whatever it is, how can I take that language and just move it, you know, a couple degrees outward so that they're able to express different things, right? And so it's very much a psychological thing. You know, it's not a science the way that we think of it as and we learn it as this, oh, you know, eighths and sixteenths, and they divide this way. There's a lot you can do just to make someone feel a certain way with notation. On the other hand, if I'm writing for a sitar or tabla, the question is what? What is the role of the notation? Because the role of the notation for tabla player who has only Hindustani training and doesn't read music. It's certainly not for the tabla player that I'm doing the notation. Usually what I'll do is sit down with the tabla player in a, you know, more Hindustani style and say, hey, this is what I want. I want you to have like six overtones of teental. It should be at this tempo, blah, blah, blah. And they're like, oh, got it. I see what you want me to do. Right? And so all you need to figure out is the alignment points with the Western classical musicians. And so then the notation I put in the score is not really for them. It's for a conductor, for the Western musicians to be able to understand what they are doing and to be able to cue them in and help them kind of be in dialogue to one another. So it's interesting because, I mean, these days now I'm finding that there are tabla players who are both Indian and Western classical trained, and they want a part, but parts are not a thing. When I first wrote This Love Between Us, there were no parts for the tabla and sitar player. I actually had a cue sheet that I would actually point to as they were going, so that they knew, you know, what the different cues were because a part, you know, counting rests and stuff is not going to help them at all. So I think it's mostly trying to understand how is someone perceiving something and how can you give them the information they need in the most seamless way possible so that you can express what you want to express? IL: I love how technical that entire rundown was. I also wanted to talk a bit about your work, Terra Infirma, which is pretty recent. I had the honor of attending the premiere of Terra Infirma, a harp concerto that you composed based on your experiences with the Los Angeles fires in January of 2025. Um, it was such a wonderful work. I personally really loved hearing how you musically depicted the progression of a wildfire from despair to hope. It's also not the first environment based piece that you've written. YYou've written, for example, Earth Speaks in 2015. How do you approach composing works that are so rooted in environmentalism? And of course, have, have the undertones of speaking to the larger climate crisis at hand? RE: The thing that is interesting is, you know, someone was asking me about that piece, you know, you, you're, they're asking like, how do you kind of deal with activism in your work? And I was saying like, you know, I don't really think of myself as an activist because I think these issues are so fundamental to all of us, right? It's like you turn on your tap and you're just afraid that there's only going to be so long before water stops coming up. That's not, um, it doesn't feel like activism. It just feels like, you know, fear and it feels like we're tapping into these human emotions where people are so worried about what's going to happen. We don't really know what to do. And I think, you know, with anything, most people who have fear about things, you're going to just clam up if you feel that it's too, um, too much to deal with. And it is I mean, the environmental crisis is so huge that I think most people are just clamming up. And I guess, you know, what is our role as musicians? I think it's maybe to have some moments where we're not just like on our phones, seeing pictures of things burn down and freaking out where we can actually take some time to just reflect and be with one another. Because if we're going to solve this, it's going to be together and we need to come to some kind of like calm understanding of what is happening. And so a lot of my pieces are not accusatory. They're not, you know, pointing a finger. They're not supposed to rile people up. They're supposed to actually depict that experience of what it feels like to really sit with a hard thing for a long time and come to terms with it and then figure out how to move forward. And that's certainly the case with Terra Infirma and certainly the case with my Requiem. Certainly the case with curiosity, like you were saying, it's from Earth Speaks, which is many years ago. And that piece actually talks about the, the Pasadena institution's. It was actually for an organization called Pasadena Master Chorale. They commissioned the work many years ago. And what's so funny is I now live in Pasadena. I live in Altadena, up in the hills. So it's I wasn't living here at the time, but it is, you know, a place where many scientific institutions like the U.S. Geological Survey, you know, JPL, Caltech, all these places that are really exploring the environment in important ways are based. And so the piece kind of honors that and honors how we can interact positively with our environment. We can get data, we can find ways to do things that are, I mean, beyond my understanding, you'd have to ask a scientist, but but I just love that that we're in this place that sees the environment as something to understand more deeply instead of something that's just going to turn on us at a certain point. IL: Certainly. And I'm really curious, because Terra Infirma is also a work that was paired with multimedia animation and performance. Was there anything in your compositional process that differed when you're collaborating across these different mediums? RE: Yeah. So it's interesting because so the, there was, there were projections that were happening. And also in addition to that, it was a harp concerto, but a harp concerto where the harpist was also playing percussion. And so there were some elements that were so different than what would be typically like if harpist was like, I want a concerto. You would just be like, okay, you know, she sits there, she plays these notes. They're in that one position. That's all fine. Um, there was so much more, you're right with this piece than with, um, with my normal pieces. Um, and to me it's both, how can I say this? There's, there's such a different way I have to think about it, but I think that way starts with collaboration. So Yolanda Kondonassis, the incredible harp player, and Camilla Tassi, who was the production designer. These are people I know well and I've had multiyear relationships with. And so when you're thinking about how to build something, you're totally aware of what their work is like. I knew kind of the not even what Camilla's projections were going to look like, but the way that they interact with things. We've done projects together before. And so I pretty much had the sense of how she was going to respond. And I knew what she needed to know in order for her to do her work and make things kind of match up with one another. And then also with Yolanda, a lot of the stuff I put in that was like harp and percussion together. It wasn't something that I was making her do, right? It were things that we came up with together. We've spent so long workshopping things in percussion studios in, um, you know, we've met in all these different cities and we're basically like banging things against a harp and doing, you know, just so much experimentation. So for every technique you see in the concerto, you, um, you basically there's like ten things that we didn't do that didn't put in. So you're really only seeing the best of all the kind of crazy stuff that we tried. So I do think the thing is that when you're trying to invent something new and you're trying to invent new styles and new techniques, I mean, you can think of anything, but you're trying to find the things that A practically work and B allow the performers and the artists to really express themselves. So I found that I was actually choreographing the piece before I was composing it, um, that I had to figure out, okay, where are these percussion setups going to be? What are the instruments that I want? Okay. Are these chimes going to be like over her head? Or is she going to have to reach really far to get them? Are they going to be near the low end of the harp? Things like that that seem so practical. But the difference between having to reach out far and slowly versus having to like, quickly swat something near your ear, right? It makes a different choreography. And so I thought that way first. And then I kind of put the notes and rhythms and melodies and stuff in. IL: Let's now hear a selection from Reena Esmail's Terra Infirma. This is the fourth movement titled “Roaming the Ghost Forest.” Yolanda Kondonassis is the harpist with the Interlochen Center for the Arts Orchestra. [MUSIC: Terra infirma: IV. roaming the ghost forest] IL: The harpist was Yolanda Kondonassis with the Interlochen Center for the Arts Orchestra, playing the fourth movement of Terra Infirma by composer Reena Esmail. I'm Isabel Leigh, and in this episode of Apex Express, I'm joined by Reena Esmail, the composer, in conversation about her music and her approach to making art. Something else that I really was fascinated with on your on your Instagram account. You actually made a post a while back that I found to be very powerful. It's pinned as the letter to the young artists' immigrant parents. It's such an empathetic message that I also really relate to as a daughter of immigrants in the arts. And you kind of argue that these children's pursuit of the arts is a tribute to their parents immigrant struggles. Um, what motivated you to write this letter? RE: You know, I'm so glad you asked about that because so much has changed since I wrote that letter in a really good way. You know, first of all, I will say that when I wrote that letter, if you weren't a child of, you know, like Asian immigrant parents, you. And actually, I think this is true for most immigrant parents who, you know, have kind of given up everything to move to America so that their kids can explore all these opportunities they wouldn't get in their country of origin. When I first wrote this letter, it was really just, I felt like I was saying something really new. And now I think what's really interesting is that we have both parents who understand this and, um, kind of almost this parody way of seeing what Asian parents are like. Right. For me, one thing that I, that just makes my heart sing is the comedy of Zarna Garg. I don't know if you know who she is, but she is like an Indian American comic and she plays this role of being like this very typical Indian parent. And I will say, my parents weren't really like this because again, they were two different religions and married one another. So they were already quite open minded. But like 99% of Indian parents and even my parents, sometimes they have this thing of like, well, ‘why are you going into this?' Like you should make money, you should do this stuff. And I feel like, um, since Zarna's comedy came into the world, it's such an easy way to just point a finger at that and say, hey, this is what we're really dealing with as Indian immigrants. And, you know, we all just laugh at it. And I find that, you know, sometimes my friends who are just, you know, white Americans who have been in this family has been in this country for many generations. They don't get it. But like anyone who's a child of immigrant is like, oh yes, I completely understand what she's saying. So we have that. And I think that's really healthy and awesome. And she's very talented. Um, and on the other hand, I found that when I was first going into music and I mean, I, you know, when I was 18 and I was going to go to Juilliard, my parents were certainly supportive and curious and wanted me to do whatever they thought I might be good at enough to make a living and didn't want to optimize for, oh, you need to earn the most money or you need to, etc. but most other Indians around us were like, oh my God, she's so smart. Why is she like wasting her life doing music? You know, that was kind of the dominant narrative. And so I had to become very good at explaining why. And imagine my complete disbelief when I would go to conservatory and meet people whose parents had encouraged them to do music. I was like, what is happening? Like, we're like, there'd be four siblings and all of them would be in the arts. And I was like, oh wait, you're not the black sheep of your family. Like, I mean, half of my family, I don't think really knows what I do still even. Right? And so to me, it was so important to provide some kind of context. And like you said, it's like to, to come to this country and be an immigrant and to come with a lot of skills, but to have to just work in silence for so many years with no congratulation, with no one just constantly propping you up. That is what being an artist is. And you know, it's only maybe the past 10 years of my career that I've even been visible to people. Before that, it was just me doing my thing and like, no one cared about it. It was not not glamorous at all. And for me, that's what built the kind of strength in me to be able to sustain the career that I have now. And so I think if it had been a little too easy, I don't know that I would be able to handle, um, the, what I have now. So I think what's great though is that the Indian parents of kids who are teenagers and in their twenties nowadays are not coming to me being like, oh my God, what do I do with this kid who wants to be a musician? I've failed as a parent. Which again, for those of you who are not Asian, this is totally a true thing out there. They will come to me and say, hey, look, my, my child doesn't wants to be a musician. I want to help them. I can't tell like, are they good at this? Where should they be? Can you help me understand things? And that is really what my parents did. And I will, you know, kind of go further to say — PBS did a special on me a number of years ago, and I insisted on putting my parents in this special because I wanted people to see what it looked like to have really encouraging Indian parents who, again, they weren't going in blind. They were. They would go to my teachers and be like, well, I mean, is she good? Can she do this? We don't know what these answers are. Can you help us understand? And they really relied on the right people to be able to help me get to places that they couldn't get, but they also weren't just immediately dismissive of it. And that's what allowed me to kind of have a massive advantage, because I didn't have to also go back to school and do a medical degree. Or like most of my my peers of my age actually did. So I wanted to put them on that special to actually show that that is possible. And I'm seeing more and more that it is. There are many more parents like that now. And oh my goodness, I love every one of them. IL: That's wonderful. When you look back at your compositional career and how everything has changed since then, how do you think your work has evolved? RE: Oh, so you mean like since I began being a composer? IL: Yeah. Or maybe in the past ten years, even. RE: Yeah. It's interesting because I think one of the big inflection points in my work was when I did my Fulbright in India. So before that, I really didn't know very much about Indian classical music. And then the year before that, I really started to get deeper and started to integrate my Indian and Western classical world with one another. And then, you know, I from 2011 to 2012, I went to India and what was so different was actually seeing the music in its culture and actually getting to participate as an Indian in India, studying Indian classical music. Right. Because there's no filter. You're not going through a Western filter. You're just there in this culture. And I know that many of my Indian teachers, they kind of had this attitude of like, look, we don't know what kind of music you were doing before, but we're so glad you're here and studying your own music. And this is great. And so there wasn't this sense of having to go through another culture to get to their, their music. And to me, that really changed things because I don't see myself as writing music. That's one through the conduit of the other. I just see it as two streams that are equally incredible and equally independent, and they just meet each other in these interesting places. IL: And looking ahead into the future, is there an ensemble or an artist who you haven't worked with before that you'd love to work with? Ooh. It's interesting because, like, almost everyone who comes to mind is not a musician. Um, I've worked with so many. I mean, truly, I've been so lucky to work with musicians like Gil and Orli Shaham. Yolanda Kondonassis. I'm writing a piece for Hilary Hahn and Matthias Goerne right now. It's I mean, just like literally anyone who I could ever ask to work with, I have. I don't know. I mean, to me, it's like, gosh, someone like Misty Copeland would be amazing. Like, you know, there are so many actors like the world of Indian/South Asians in comedy and in drama and stuff like that is just incredible. People like Mindy Kaling who have done incredible things to me, people like that are just going outside of just music would be fascinating to me. IL: Absolutely. And I will put a link to your website, as well as the links to the music that will also be aired on this in this episode on KPFA.org, so our listeners can learn more about you and your wonderful work. Well, Reena, thank you so much for your time and thank you for talking to me today. RE: Absolutely. The post APEX Express – 8.06.26 – Obbligato – In Conversation with Composer Reena Esmail appeared first on KPFA.

Kuljinder Dhillon is a common man from Majha region in Punjab. Like tens of thousands of youth, he also got swept away by the Jarnail Singh Bhindranwale-led Khalistan movement in late 1970s and early 1980s. He was inside the Golden Temple when the Indian Army launched a military operation codenamed 'Blue Star' to take control of the holy complex back from Jarnail Singh Bhindranwale, who was using the Sikhism's holiest site as a launchpad for his terrorism and anti-India activities.Kuljinder Dhillon actively participated in the battle with Indian army on 4th & 5th June 1984. He was arrested later from the Golden Temple but managed to flee from a hospital where he was referred to for treating injuries inflicted by a grenade attack. He later fled to Pakistan in search of Jarnail Singh Bhindranwale, believing like lakhs of other Sikhs that 'Sant' was hiding in Pakistan.Kuljinder Dhillon later got involved in smuggling activities across the border but was caught few years later. Ultimately, he got disillusioned with the Khalistan movement and is a strong opponent of the same now. His journey from extremism to mainstream is an important one that needed to be documented. Though, Kuljinder Dhillon lives like a family man in Punjab, he is constantly under the threat from Khalistanis who have made attempts on his life for speaking truth.

​ Sath Paal  from  Nanak Naam  Joins us today to explain the entire history of Sikhism, from the ancient origins of the Guru Granth Sahib to the Langar philosophy and many other interesting topics… WELCOME TO RELIGION CAMP!

Clint and Wendy discuss the concept of sainthood in various religions. How saints are recognized in Catholicism, Eastern and Oriental Orthodox Christianity, Anglicanism, Lutheranism, Methodism, the Church of Jesus Christ of Latter-day Saints, Islam, Hinduism, Buddhism, Jainism, Sikhism, and Judaism. They note that while Catholicism has a formal canonization process, other religions often recognize saints through community reputation and spiritual realization. Wendy is considered a saint in her faith.

Download my meditation and wellness app, Swa:aha.https://app.level.game/?c=zSbmYnCheck out BeerBiceps SkillHouse Courses Here -https://linktr.ee/bbskillhouseFor all BeerBiceps vlog content Watch Life Of BeerBiceps - https://www.youtube.com/@LifeOfBeerBicepsShare your guest suggestions hereMail - connect@beerbiceps.comLink - https://forms.gle/aoMHY9EE3Cg3Tqdx9Follow BeerBiceps SkillHouse's Social Media Handles:YouTube: https://www.youtube.com/@BeerBicepsSkillHouseInstagram: https://www.instagram.com/beerbiceps_skillhouseWebsite : https://beerbicepsskillhouse.inFor any other queries EMAIL: support@beerbicepsskillhouse.comIn case of any payment-related issues, kindly write to support@tagmango.comFollow Simranjeet Singh's Social Media Handles:-Instagram: https://www.instagram.com/pmkctohana/YouTube: https://www.youtube.com/@PrabhMilneKaChaoTohanaWebsite: https://www.pmkctohana.com/Facebook: https://www.facebook.com/PrabhMilneKaChaoTohana/In this 523rd episode of The Ranveer Show, we are joined by Simranjeet Singh, a Sikh spiritual teacher devoted to Naam Simran and meditation, for one of the deepest conversations we've ever had on Sikhi, Kundalini, Karma, and the unseen dimensions of human life.We talk about Simranjeet Singh's journey from his college life to years of intense Naam Jaap, the exact technique behind Waheguru Simran, Kundalini and the three Naadis, why Sikhs keep Kesh and wear the turban, Prarabdh and the Law of Attraction, past-life visions through meditation, the truth about Bhaang and intoxicants, the untold history of Guru Gobind Singh Ji, the spiritual architecture of the Golden Temple, and what it truly takes to attain Moksha.This podcast is a must-watch for anyone interested in Sikhi, meditation, kundalini awakening, Gurbani, karma, and the deeper truths of existence.00:00 – Simranjeet Singh On TRS03:20 – The Technique Behind Naam Jaap05:28 – Leaving Politics for a Life of Simran06:49 – First Experiences of Anhad Vaani08:47 – The Science in Vigyan Bhairav Tantra12:40 – Why Sikhs Keep Kesh and Wear the Turban14:51 – Kundalini Awakening Explained19:17 – Prarabdh, Karma and the Law of Attraction25:43 – How Bhakti Becomes a Spiritual Shield29:17 – Dev Bhakti vs Daint Bhakti31:33 – Time Travel, Past Lives and Other Worlds37:22 – The Truth About Bhaang and Intoxicants40:48 – "This Is My Last Birth"44:51 – A Past Life Vision: The Jogi Who Lost to Ego49:28 – The Untold History of Guru Gobind Singh Ji57:15 – Decoding the Golden Temple's Spiritual Map1:02:09 – Shaheed Singhs: Sikhi's Guardian Souls1:05:58 – Why You Need a Daily Simran Practice1:08:53 – Is One Life Enough for Moksha? The Story of Ajamal1:12:23 – Decoding the Third Eye in Gurbani1:18:31 – Wrestling With Spiritual Ego1:21:36 – Struggle, Blessings and Simranjeet's Final Message

Understanding the WisdomThis profound composition is from the Guru Granth Sahib (the holy scripture of Sikhism), authored by Guru Arjan Dev Ji (the fifth Sikh Guru, though writing under the spiritual lineage name "Nanak").It delivers a timeless, sobering reality check about the human condition, the illusion of the material world (Maya), and what truly matters at the end of life's journey.Key Themes Broken DownThe Illusion of the Material World (Maya) The Shalok (verse) starts by labeling power, beauty, wealth, and high ancestry as "fraudulent." They are described as poison gathered through deception. They aren't inherently evil, but the attachment to them is a trap because they promise permanent happiness but deliver temporary satisfaction.The Metaphor of the Bitter Melon (Tumma)“Beholding the bitter melon, he is deceived, since it appears so pretty.”The Guru uses the colocynth or bitter melon (tumma) as a brilliant metaphor. It looks bright, beautiful, and inviting on the outside, but it is incredibly bitter and toxic to eat. Similarly, worldly riches and superficial pleasures look beautiful from afar but leave the soul empty and bitter.The Futility of Hoarding The Pauree (stanza) asks a deeply practical, philosophical question: Why exhaust yourself accumulating things you cannot take past the grave? It highlights the irony of human effort—we spend our entire lives securing the temporary while completely ignoring the permanent.The True Remedy The verse concludes with a plea for divine grace. True peace doesn't come from external acquisitions, but from internal alignment with the Divine (the Lord). Without this connection, the mind remains in a constant state of anxiety and fear.Core TakeawayThis text isn't asking you to abandon the world or live in poverty. Instead, it is an invitation to shift your perspective. It serves as a gentle but firm reminder to stop anchoring your identity and happiness to things that have an expiration date—like wealth, status, or looks—and instead cultivate inner peace, humility, and spiritual wealth.ਸਲੋਕ ॥ ਰਾਜ ਕਪਟੰ ਰੂਪ ਕਪਟੰ ਧਨ ਕਪਟੰ ਕੁਲ ਗਰਬਤਹ ॥ ਸੰਚੰਤਿ ਬਿਖਿਆ ਛਲੰ ਛਿਦ੍ਰੰ ਨਾਨਕ ਬਿਨੁ ਹਰਿ ਸੰਗਿ ਨ ਚਾਲਤੇ ॥੧॥ ਪੇਖੰਦੜੋ ਕੀ ਭੁਲੁ ਤੁੰਮਾ ਦਿਸਮੁ ਸੋਹਣਾ ॥ ਅਢੁ ਨ ਲਹੰਦੜੋ ਮੁਲੁ ਨਾਨਕ ਸਾਥਿ ਨ ਜੁਲਈ ਮਾਇਆ ॥੨॥ ਪਉੜੀ ॥ ਚਲਦਿਆ ਨਾਲਿ ਨ ਚਲੈ ਸੋ ਕਿਉ ਸੰਜੀਐ ॥ ਤਿਸ ਕਾ ਕਹੁ ਕਿਆ ਜਤਨੁ ਜਿਸ ਤੇ ਵੰਜੀਐ ॥ ਹਰਿ ਬਿਸਰਿਐ ਕਿਉ ਤ੍ਰਿਪਤਾਵੈ ਨਾ ਮਨੁ ਰੰਜੀਐ ॥ ਪ੍ਰਭੂ ਛੋਡਿ ਅਨ ਲਾਗੈ ਨਰਕਿ ਸਮੰਜੀਐ ॥ ਹੋਹੁ ਕ੍ਰਿਪਾਲ ਦਇਆਲ ਨਾਨਕ ਭਉ ਭੰਜੀਐ ॥੧੦॥ ਅਰਥ: ਹੇ ਨਾਨਕ! ਇਹ ਰਾਜ ਰੂਪ ਧਨ ਤੇ (ਉੱਚੀ) ਕੁਲ ਦਾ ਮਾਣ-ਸਭ ਛਲ-ਰੂਪ ਹੈ। ਜੀਵ ਛਲ ਕਰ ਕੇ ਦੂਜਿਆਂ ਤੇ ਦੂਸ਼ਣ ਲਾ ਲਾ ਕੇ (ਕਈ ਢੰਗਾਂ ਨਾਲ) ਮਾਇਆ ਜੋੜਦੇ ਹਨ, ਪਰ ਪ੍ਰਭੂ ਦੇ ਨਾਮ ਤੋਂ ਬਿਨਾ ਕੋਈ ਭੀ ਚੀਜ਼ ਏਥੋਂ ਨਾਲ ਨਹੀਂ ਜਾਂਦੀ।੨।ਤੁੰਮਾ ਵੇਖਣ ਨੂੰ ਮੈਨੂੰ ਸੋਹਣਾ ਦਿੱਸਿਆ। ਕੀ ਇਹ ਉਕਾਈ ਲੱਗ ਗਈ? ਇਸ ਦਾ ਤਾਂ ਅੱਧੀ ਕੌਡੀ ਭੀ ਮੁੱਲ ਨਹੀਂ ਮਿਲਦਾ। ਹੇ ਨਾਨਕ! ਇਹੀ ਹਾਲ ਮਾਇਆ ਦਾ ਹੈ, ਜੀਵ ਦੇ ਭਾ ਦੀ ਤਾਂ ਇਹ ਭੀ ਕੌਡੀ ਮੁੱਲ ਦੀ ਨਹੀਂ ਹੁੰਦੀ ਕਿਉਂਕਿ ਏਥੋਂ ਤੁਰਨ ਵੇਲੇ) ਇਹ ਮਾਇਆ ਜੀਵ ਦੇ ਨਾਲ ਨਹੀਂ ਜਾਂਦੀ।੨।ਉਸ ਮਾਇਆ ਨੂੰ ਇਕੱਠੀ ਕਰਨ ਦਾ ਕੀ ਲਾਭ, ਜੋ (ਜਗਤ ਤੋਂ ਤੁਰਨ ਵੇਲੇ) ਨਾਲ ਨਹੀਂ ਜਾਂਦੀ, ਜਿਸ ਤੋਂ ਆਖ਼ਰ ਵਿਛੁੜ ਹੀ ਜਾਣਾ ਹੈ, ਉਸ ਦੀ ਖ਼ਾਤਰ ਦੱਸੋ ਕੀਹ ਜਤਨ ਕਰਨਾ ਹੋਇਆ? ਪ੍ਰਭੂ ਨੂੰ ਵਿਸਾਰਿਆਂ (ਨਿਰੀ ਮਾਇਆ ਨਾਲ) ਰੱਜੀਦਾ ਭੀ ਨਹੀਂ ਤੇ ਨਾਹ ਹੀ ਮਨ ਪ੍ਰਸੰਨ ਹੁੰਦਾ ਹੈ। ਹੇ ਪ੍ਰਭੂ! ਕਿਰਪਾ ਕਰ, ਦਇਆ ਕਰ, ਨਾਨਕ ਦਾ ਸਹਿਮ ਦੂਰ ਕਰ ਦੇਹ।੧੦।Shalok : Power is fraudulent, beauty is fraudulent, and wealth is fraudulent, as is pride of ancestry. One may gather poison through deception and fraud, O Nanak, but without the Lord, nothing shall go along with him in the end. || 1 || Beholding the bitter melon, he is deceived, since it appears so pretty. But it is not worth even a shell, O Nanak; the riches of Maya will not go along with anyone. || 2 || PAUREE: It shall not go along with you when you depart — why do you bother to collect it? Tell me, why do you try so hard to acquire that which you must leave behind in the end? Forgetting the Lord, how can you be satisfied? Your mind cannot be pleased. One who forsakes God, and attaches himself to another, shall be immersed in hell. Be kind and compassionate to Nanak, O Lord, and dispel his fear. || 10 ||

A Reason 4 Hope Bible Q&A - Pluralism, Sikhism, and Islam June 12, 2026 by Calvary Christian Fellowship of Tucson

Clint and Wendy discuss holy water in various religious contexts. They explore its use in Catholicism, where it is blessed by priests and used for rituals like baptism and blessings. They delve into the significance of holy water in Hinduism, Sikhism, Islam, Shinto, and Eastern Orthodox Christianity, noting its roles in purification, spiritual protection, and reminders of faith.

This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice. Guest bio Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste. References Thenmozhi Soundararajan, The Trauma of Caste Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority. Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion. Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world's worst industrial disaster. Reservation: India's system of caste-based affirmative action. Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women's Alliance. Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974. Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same. Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women's education from Maharashtra. Ruth King: Founder of the Mindful of Race Institute Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism. Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence. Kolar Gold Fields: former gold mining region in Karnataka, India Equality Labs: a South Asian Dalit civil rights organization. BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice. Guest bio Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste. References Thenmozhi Soundararajan, The Trauma of Caste Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority. Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion. Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world's worst industrial disaster. Reservation: India's system of caste-based affirmative action. Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women's Alliance. Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974. Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same. Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women's education from Maharashtra. Ruth King: Founder of the Mindful of Race Institute Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism. Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence. Kolar Gold Fields: former gold mining region in Karnataka, India Equality Labs: a South Asian Dalit civil rights organization. BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice. Guest bio Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste. References Thenmozhi Soundararajan, The Trauma of Caste Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority. Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion. Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world's worst industrial disaster. Reservation: India's system of caste-based affirmative action. Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women's Alliance. Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974. Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same. Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women's education from Maharashtra. Ruth King: Founder of the Mindful of Race Institute Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism. Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence. Kolar Gold Fields: former gold mining region in Karnataka, India Equality Labs: a South Asian Dalit civil rights organization. BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice. Guest bio Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste. References Thenmozhi Soundararajan, The Trauma of Caste Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority. Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion. Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world's worst industrial disaster. Reservation: India's system of caste-based affirmative action. Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women's Alliance. Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974. Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same. Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women's education from Maharashtra. Ruth King: Founder of the Mindful of Race Institute Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism. Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence. Kolar Gold Fields: former gold mining region in Karnataka, India Equality Labs: a South Asian Dalit civil rights organization. BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice. Guest bio Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste. References Thenmozhi Soundararajan, The Trauma of Caste Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority. Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion. Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world's worst industrial disaster. Reservation: India's system of caste-based affirmative action. Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women's Alliance. Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974. Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same. Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women's education from Maharashtra. Ruth King: Founder of the Mindful of Race Institute Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism. Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence. Kolar Gold Fields: former gold mining region in Karnataka, India Equality Labs: a South Asian Dalit civil rights organization. BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice. Guest bio Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste. References Thenmozhi Soundararajan, The Trauma of Caste Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority. Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion. Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world's worst industrial disaster. Reservation: India's system of caste-based affirmative action. Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women's Alliance. Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974. Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same. Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women's education from Maharashtra. Ruth King: Founder of the Mindful of Race Institute Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism. Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence. Kolar Gold Fields: former gold mining region in Karnataka, India Equality Labs: a South Asian Dalit civil rights organization. BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Sunday school class on Religions of the World (Part 7): Sikhism, taught by Elder Pat Devine. April 26, 2026.

In this episode of The Winston Marshall Show, I sit down with restaurant owner and activist Harman Singh Kapoor.We begin with his arrest after posting a video defending himself and his family, following years of harassment, threats, and attacks linked to his refusal to serve halal meat at his restaurant. Kapoor explains why he believes he was targeted by the police, how the incident unfolded, and why he sees it as evidence of two-tier policing and institutional failure.The conversation explores rising community tensions, the role of radicalism, and the failures of law enforcement to protect ordinary citizens. Kapoor describes repeated incidents of intimidation, the breakdown of trust in the police, and why he believes the state is no longer upholding equal protection under the law.We also discuss his Sikh identity, the history of Sikhism as a warrior tradition, and how his beliefs shape his sense of duty, patriotism, and activism in Britain today. He reflects on immigration, integration, and why he believes more immigrants should stand up for British values and national identity.Finally, we examine his political activism, his break with figures on the British right, and the personal cost of speaking out, from financial loss to ongoing threats against him and his family.-----------------------------------------------------------------------------------------------------------------------WATCH THE EXTENDED AND AD-FREE CONVERSATION HERE: https://www.winstonmarshall.co.uk/-----------------------------------------------------------------------------------------------------------------------Chapters00:00 Introduction00:59 Why Harman Refuses to Serve Halal Meat03:03 Harassment Campaign & Police Inaction05:00 Mob Outside Restaurant & Arrest Within 30 Minutes07:19 Claims of Violence, Car Attacks & Lack of Protection10:00 “Two-Tier Policing” & Previous Arrest13:41 Why He Put Up the “Non-Halal” Sign14:43 “My Fight Is With the Establishment”16:23 Protests, Activism & Backlash From Sikh Community18:29 Grooming Gangs & Community Response25:00 Sikh Identity, Patriotism & Loyalty to Britain27:00 Fallout With Tommy Robinson33:38 Sikh Radicalism, Khalistan & Internal Conflict44:11 British Identity, Immigration & Integration49:15 Restaurant Rebrand & Refusal to Back Down Hosted on Acast. See acast.com/privacy for more information.

In this Easter episode of Things Unseen, Amir Suleman speaks with Sister Liz Dodd about rethinking Lent and Easter through her book Easter in Disguise. Reflecting on the rare overlap of Lent and Ramadan, they explore shared themes of fasting, justice, and compassion, and consider how faith traditions can inspire meaningful action and hope in today's world.

Clint and Wendy discussed Jesus's role in Islam, Judaism, Hinduism, Buddhism, and Sikhism, highlighting how each religion perceives him as a prophet, teacher, or holy figure while maintaining distinct theological positions. They examined how Jesus is recognized as a great spiritual teacher in Hinduism, an enlightened teacher in Buddhism, and a respected but not divine figure in Sikhism, while noting that Islam and Judaism have specific, divergent views on his nature and role. 

Why have we become so good at identifying what's wrong in society, but struggle to imagine a solution for them? How do visionary leaders, reformers and saints think, view and act in the world? What place can we take refuge in when we want clarity to our most burning questions? And what is the true meaning of service, and how can we make our spirituality more practical Find out from Simran Jeet Singh—and from the great saints of Sikhism—exclusively in conversation with Dr. Hitendra Wadhwa on Intersections Podcast.An award-winning educator, acclaimed author, sought-after speaker and renowned faith leader, Simran Jeet Singh is a professor of history at the historic Union Theological Seminary, Executive Director of the Inclusive America Project at the Aspen Institute, Senior Fellow for the Sikh Coalition and host of the Wisdom & Practice podcast. Simran's thought leadership on bias, empathy, and justice extends across corporate, university, and government settings, and has been invited to speak at prestigious institutions including Stanford University, Fortune 500 companies, The White House and Pentagon. Simran writes regularly for The Washington Post, CNN, TIME Magazine, Harvard Business Review, and Religion News Service, and is the author of the national bestseller, The Light We Give: How Sikh Wisdom Can Transform Your Life and the award-winning children's book, Fauja Singh Keeps Going: The True Story of the Oldest Person to Ever Run a Marathon.

00:00 Well, today, Jake Tapper started his program off with a little bit of a monologue. We're in a press conference this morning. Democratic governor of Michigan, Gretchen Whitmer, laid out what she saw as the clear motive. 00:17 Yesterday's attack was anti-Semitism. It was hate. Plain and simple. Temple Israel, as have many synagogues in this country, uh had prepared for the worst. There were armed security guards, multiple armed security guards already on site. Employees had taken an active shooter prevention class just a few weeks earlier. Their own caution prevented a far more horrible outcome in Michigan yesterday. 00:44 We should note that attack was just the latest in a long string of anti-Semitic violence in the United States and around the world in recent months. So why is it that so many public officials are still reluctant to call it out by name? In Dearborn, Michigan, police last night increased patrols around schools and mosques all across the city as a precautionary measure. Wait a minute. Hold on. Just a second. 01:16 You had an attack? 01:19 at a Jewish synagogue. 01:25 and they increased patrols at mosques? 01:30 Is that what you're trying to tell me? Jake Tapper? 01:35 Yes, Islamic, so an Islamic individual, Eman Mohammed Ghazali, 01:44 drives his truck into uh a Jewish temple and you increase patrols at mosques? Is that what you're telling me, Jake Tapper? 01:57 uh I am just, you would have thought, no, I'm no law enforcement expert. But if I've got an attack at a Jewish temple, I think I might be increasing security at Jewish temples. see, not the places of worship of the ideology that just attacked the Jewish temple. You see how weird that is? 02:28 But all during that monologue, Jay Tapper... 02:34 did not mention. 02:37 Islam did not mention Muslim, oh my gosh, was a joke told one time that said. 02:48 that said could you imagine 02:54 A Muslim got ahold of a dirty bomb and exploded it over a city and hundreds of thousands of Americans were killed. That would be horrible because of the backlash against the Muslim community. that was one of those jokes where people go, yeah, would be bad. But they didn't realize it. Hundreds of thousands of people are just killed by a Muslim terrorist attack and you're worried about 03:23 The backlash against the Muslim community? I think you got your priorities kind of mixed up there. Extremely mixed up. 03:34 This is a problem that's not only going on here, it's going on around the world. I want you to listen to this. 03:53 Do you know what that is? That is the Islamic call to prayer at the largest soccer stadium in England. 04:07 The biggest. Home of Manchester United. 04:14 and they allowed the Muslim call to prayer. I want to go back and check. If I went to... 04:24 Old Trafford Stadium and I said, Hello, love, like to go in there and sing some hymns about the Lord. No, you wouldn't be able to do that. It wouldn't allow that. Can I just go in here and read some Psalms? No, can't do that. No, can't do that. Can I go in here and just read a few passages out of the Bible? No, no, no, Can I go do the Islamic call to prayer? Come on in. Everything's fine. Yes, you can. 04:53 England has been colonized. 100%. So last night over on, um over on X, which by the way, if you're not following me over on X, I would love if you were to do that at Charlie on air. That's at Charlie on air. also streamed the show live over there. um One person says, a hundred bucks says you never tweet when a good old American white dude kills anyone. 05:24 Okay, well, you see there's a difference here, and I'll explain that difference to you. um Here in the United States, sociologists group Americans into about 10 to 12 major religious families, so to speak. Christianity, Judaism, Islam, Buddhism, Hinduism, Sikhism, Taoism, Confucian traditions, Baha'i faith, 05:53 Native American religions and others. Okay, of that list, of that list of re ...

00:00 Well, today, Jake Tapper started his program off with a little bit of a monologue. We're in a press conference this morning. Democratic governor of Michigan, Gretchen Whitmer, laid out what she saw as the clear motive. 00:17 Yesterday's attack was anti-Semitism. It was hate. Plain and simple. Temple Israel, as have many synagogues in this country, uh had prepared for the worst. There were armed security guards, multiple armed security guards already on site. Employees had taken an active shooter prevention class just a few weeks earlier. Their own caution prevented a far more horrible outcome in Michigan yesterday. 00:44 We should note that attack was just the latest in a long string of anti-Semitic violence in the United States and around the world in recent months. So why is it that so many public officials are still reluctant to call it out by name? In Dearborn, Michigan, police last night increased patrols around schools and mosques all across the city as a precautionary measure. Wait a minute. Hold on. Just a second. 01:16 You had an attack? 01:19 at a Jewish synagogue. 01:25 and they increased patrols at mosques? 01:30 Is that what you're trying to tell me? Jake Tapper? 01:35 Yes, Islamic, so an Islamic individual, Eman Mohammed Ghazali, 01:44 drives his truck into uh a Jewish temple and you increase patrols at mosques? Is that what you're telling me, Jake Tapper? 01:57 uh I am just, you would have thought, no, I'm no law enforcement expert. But if I've got an attack at a Jewish temple, I think I might be increasing security at Jewish temples. see, not the places of worship of the ideology that just attacked the Jewish temple. You see how weird that is? 02:28 But all during that monologue, Jay Tapper... 02:34 did not mention. 02:37 Islam did not mention Muslim, oh my gosh, was a joke told one time that said. 02:48 that said could you imagine 02:54 A Muslim got ahold of a dirty bomb and exploded it over a city and hundreds of thousands of Americans were killed. That would be horrible because of the backlash against the Muslim community. that was one of those jokes where people go, yeah, would be bad. But they didn't realize it. Hundreds of thousands of people are just killed by a Muslim terrorist attack and you're worried about 03:23 The backlash against the Muslim community? I think you got your priorities kind of mixed up there. Extremely mixed up. 03:34 This is a problem that's not only going on here, it's going on around the world. I want you to listen to this. 03:53 Do you know what that is? That is the Islamic call to prayer at the largest soccer stadium in England. 04:07 The biggest. Home of Manchester United. 04:14 and they allowed the Muslim call to prayer. I want to know, I want to go back and check. If I went to... 04:24 Old Trafford Stadium and I said, Hello, love, like to go in there and sing some hymns about the Lord. No, you wouldn't be able to do that. It wouldn't allow that. Can I just go in here and read some Psalms? No, can't do that. No, can't do that. Can I go in here and just read a few passages out of the Bible? No, no, no, Can I go do the Islamic call to prayer? Come on in. Everything's fine. Yes, you can. 04:53 England has been colonized. 100%. So last night over on, um over on X, which by the way, if you're not following me over on X, I would love if you were to do that at Charlie on air. That's at Charlie on air. also streamed the show live over there. um One person says, a hundred bucks says you never tweet when a good old American white dude kills anyone. 05:24 Okay, well, you see there's a difference here, and I'll explain that difference to you. um Here in the United States, sociologists group Americans into about 10 to 12 major religious families, so to speak. Christianity, Judaism, Islam, Buddhism, Hinduism, Sikhism, Taoism, Confucian traditions, Baha'i faith, 05:53 Native American religions and others. Okay, of that list, ...

00:00 - Are the Sikh Community under attack in New Zealand?04:25 - What is a Nagar Kirtan?09:45 - Are ethnic minorities "assimilating"?17:13 - Why the Haka is being misused & how Sikhs aren't the problem24:01 - How do you confront religion-based hate?29:10 - Are people moving away from Sikhi?32:36 - The purpose of a Gurdwara 36:23 - Stress testing Sikhi or doing Vichar?38:35 - Is being a good person enough as a Sikh?43:26 - How can we make Gurdwaras more accessible to more Sikhs?Follow Us On:Tik Tok - https://bit.ly/indy-and-dr-tik-tokInstagram - http://bit.ly/indy-and-dr-instaFacebook - http://bit.ly/indy-and-dr-facebookSpotify - http://bit.ly/indy-and-drAlso available at all podcasting outlets.#sikh #sikhism #nanaknaam

Send us a textWhy do we call certain places holy? Through a powerful teaching sakhi shared by Guru Amar Das Ji, this episode explores how even the toughest penance can be destroyed by ego and how Sikhism gently guides us away from miracles and harsh practices toward a simple life of Naam, humility, and Gurbani. music-Puratan Shabad kirtanhttps://www.instagram.com/sikh_history_sakhi/ https://www.sikhhistorysakhi.com/

In this episode Toby sits down with Theo Kogan of the Lunachicks! She talks about going from Ecuador to Brooklyn, ballet, discovering rock and punk, parents converting to Sikhism, going to LaGuardia and meeting the bandmates, the scene back then, first show in '88, Theo & the Skyscrapers, having a kid, therapy, becoming a make up artist, book, the documentary, playing again after their 17 year hiatus and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/  

In this episode, we first explore the little known world of Sikhism in Slovakia. A brand new Sikh Temple opened recently in Bratislava, the first in the country. RSI was there to meet the founders and hear about the experiences of this growing minority. Then, we head to Trenčín for the 25th anniversary of the independent record label Deadred. At a celebration marking this quarter century achievement, we hear from the founder about the humble origins of the label and from musicians about what the label means to them.

Send us a textFor this, the first episode of 2026, our 'Art of Dying Well' podcast steps away from the usual interview format to bring you a special interfaith panel discussion titled 'Dying to Live'. Contributors from six major faith traditions - Judaism, Islam, Hinduism, Buddhism, Sikhism, and Christianity - shared their insights on dying, death, and bereavement.Moderated by Associate Professor Maggie Doherty, Lead at the Centre for the Art of Living and Dying Well at St Mary's University, this discussion not only explored how different religious and cultural practices are observed in end-of-life settings, but also presented findings from their recent community-based participatory research on death literacy and end-of-life care.You'll hear from Ruth Jacobs representing the Jewish community, Shamim Merali from the Muslim community, Shobha Sharma from the Hindu community, Simon Romer from the Buddhist community, Harr-Joht Kaur from the Sikh community, and Christina Ronayne from the Christian community. The Catholic Archbishop of Birmingham, the Most Reverend Bernard Longley, opens our discussion, and the Right Reverend Patrick McKinney, Bishop of Nottingham and Lead Bishop for Interreligious Dialogue for the Catholic Church in England and Wales, offers concluding reflections.Whether you're a healthcare professional, someone supporting a loved one through their final journey, or simply interested in how different traditions approach this universal human experience, this conversation offers wisdom, compassion, and practical insights.

Sikhism is a rapidly growing religion in Australia, but it's still poorly understood. How are community leaders responding to misinformation and discrimination? - Sihlik Avustralya'da hızla büyüyen bir din olmakla birlikte, hala yeterince anlaşılmıyor. Peki, toplum liderleri yanlış bilgilendirme ve ayrımcılığa nasıl tepki gösteriyor?

Mina Shannon is a reality TV personality and broadcaster with a growing presence across radio and television. Raised between Uganda, Glasgow, Birmingham, and Liverpool, her diverse upbringing shaped her confidence and adaptability. In conversation with Liz Adekunle, Mina reflects on her journey into broadcasting, her experience on The Traitors UK 2025, and her non-traditional Christian faith.

Tweeny Randall's powerful One80 starts with her growing up in the Sikh culture in Brussels. We slowly hear how the brokenness felt in her family of origin gave root to an identity crisis that made itself known in attention seeking and substance abuse of her own.As an adult Tweeny would continue this misguided lifestyle, but her world shattered with her mother's illness. Alcohol came in and a stable marriage went out. In her utter depravity a caring friend's request for help, an invitation to church, and a message from God directed right at Tweeny begins her journey to Jesus.Part 2:See how the Bible transforms Tweeny and helps her truly repent. Her marriage to Will was in total shambles but see how Tweeny becomes a prayer warrior and then watch God do a miracle.This is an inspiring story for anyone in a troubled marriage, battling addiction, or otherwise seemingly far from God. Press play and be amazed at what God can do.Helpful links:Tweeny's book, Nothing Broken, Nothing MissingStephen MinistersTweeny's BlogLion and the Lamb song, Crystal LewisPower of a Praying Wife, Stormie OmartianAlcoholism, where to get help:Teen Challenge adults tooCelebrate RecoveryFocus on the Family addiction resourcesSundar SinghLet us know what you thought of the show!Follow One80 on Apple Podcasts, Spotify, or our website.Never miss a One80. Join our email list. Follow us on Instagram.Share One80, here's how!OneWay Ministries

Mai Bhago was a Sikh woman warrior who led an army of 40 men in a fight for justice during the early 1700s. During a time of brewing conflict between the Mughal Empire and the Sikh Faith, Mai Bhago maintained her unwavering faith in Sikhism. Her legacy lives on through the Mai Bhago Armed Forces Preparatory Institute for Girls. Tune in to learn more about Mai Bhago's bravery! This podcast is a production of Rebel Girls. It's based on the book series Good Night Stories for Rebel Girls. This episode was narrated by Ajuni. It was produced by Rebecca Chaisson and directed by Ashton Carter, with sound design and mixing by Carter Wogahn. The story was written by Rebecca Chaisson and edited by Haley Dapkus. Fact checking by Danielle Roth and Sam Gebauer. Haley Dapkus was our senior producer. Our executive producers were Anjelika Temple and Jes Wolfe. Original theme music was composed and performed by Elettra Bargiacchi. A special thanks to the whole Rebel Girls team, who make this podcast possible! Until next time, stay rebel!

What happens when the life you built on charm, control, and distraction collapses overnight? Tweeny Randall's powerful One80 starts with her growing up in the Sikh culture in Brussels. We slowly hear how the brokenness felt in her family of origin gave root to an identity crisis that made itself known in attention seeking and substance abuse of her own.As an adult Tweeny would continue this misguided lifestyle, but her world shattered with her mother's illness. Alcohol came in and a stable marriage went out. In her utter depravity a caring friend's request for help, an invitation to church, and a message from God directed right at Tweeny begins her journey to Jesus.Part 1: Learn what Sikhism is and how young Tweeny's life began to spiral in Brussels, Belgium. Hear how her life spiraled out of control and her invitation to get help from a Stephen Minister, to whom she proclaimed, “I'm not a Christian and I don't intend to be one!” See how God had other plans and powerfully intervenes in her life. See how she powerfully comes to Jesus in church and the pastor who challenges her to read scripture.This is an inspiring story for anyone in a troubled marriage, battling addiction, or otherwise seemingly far from God. Press play and be amazed at what God can do.Helpful links:Stephen MinistersTweeny's BlogLion and the Lamb song, Crystal LewisPower of a Praying Wife, Stormie OmartianAlcoholism, where to get help:Teen Challenge adults tooCelebrate RecoveryFocus on the Family addiction resourcesSundar SinghLet us know what you thought of the show!Follow One80 on Apple Podcasts, Spotify, or our website.Never miss a One80. Join our email list. Follow us on Instagram.Share One80, here's how!OneWay Ministries

Happy Diwali and Bandi Chorr Divas! ✨We are trying something new on the podcast this week and doing a South Asian holiday deep dive and breaking down why different religions like Hinduism, Sikhism and Jainism celebrate Diwali and Bandi Chorr Divas. Growing up in the UK, unfortunately all these festivals are sometimes bucketed into one celebration when each community celebrates for a slightly different reason. I find it really interesting to learn more about different cultures and hopefully you find it interesting too. So today we are learning more about Diwali and Bandi Chorr Divas! If you are celebrating, wishing you loads of love and light

Sikhism is a rapidly growing religion in Australia, but it's still poorly understood. How are community leaders responding to misinformation and discrimination? - Đạo Sikh là một tôn giáo đang phát triển nhanh chóng ở Úc, nhưng vẫn chưa được hiểu rõ. Các nhà lãnh đạo cộng đồng đang phản ứng thế nào trước thông tin sai lệch và nạn phân biệt đối xử?

Sikhism is a rapidly growing religion in Australia, but it's still poorly understood. How are community leaders responding to misinformation and discrimination? - 시크교는 호주에서 빠르게 성장하는 종교이지만, 아직 제대로 알려지지는 않고 있습니다. 지역 사회 지도자들은 잘못된 정보와 차별에 어떻게 대응하고 있을까요?

Sikhism is a rapidly growing religion in Australia, but it's still poorly understood. How are community leaders responding to misinformation and discrimination? - シク教はオーストラリアでは人口が著しく増加している宗教にも関わらず、まだ十分に理解されていません。コミュニティのリーダーたちは、差別や偏見にどのように対応しているのでしょうか？

Sikhism is a rapidly growing religion in Australia, but it's still poorly understood. How are community leaders responding to misinformation and discrimination? - 锡克社区在澳大利亚发展迅速，但公众对其仍然知之甚少。社区领袖们正在如何应对错误信息和歧视？（点击上方收听音频）

In this episode I am joined by Dr Francisco José Luis, scholar of Indo-Iranian Studies and Comparative Religion trained at the Sorbonne, Paris and SOAS, London. Francisco recalls his upbringing and education in Luxembourg; details his rigorous academic training in classical languages such as Latin, Greek, and Sanskrit; and laments what he sees as the rise of idealogical indoctrination in modern education Francisco discusses his PhD in pre-reformist Sikhism, his years of field work living in the Punjab, and expresses his love of the German intellectual tradition. Francisco reveals the influence of Neoplatonism in Islamic theology and mysticism, describes his own turn to Shiʿi Islam, and explains why he believes that even today there is a living lineage of Neoplatonism that stretches directly back to Plotinus. … Video version: https://www.guruviking.com/podcast/ep327-neoplatonic-mystic-dr-francisco-jos-luis Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'. … Topics include: 00:00 - Intro 01:01 - Upbringing in Luxembourg 02:56 - Classical education 04:28 - Learning Latin, Greek, and Sanskrit 08:03 - Germanic intellectual tradition and WW2 12:37 - Advantages of an anti-American education 15:06 - Critical thinking and intellectual independence 17:04 - Boomer educators and idealogical indoctrination 20:59 - German literature 22:56 - Post WW2 culture shock and the boomer revolution 27:20 - Vatican II and loss of trust 30:35 - Filling education gaps 32:06 - A deeply pagan Catholic 35:21 - Meditation practice and interest in Neo-Vedanta 37:52 - Studying two masters degrees simultaneously at the Sorbonne 39:57 - Rigorous training in Sanskrit 43:56 - MA theses in French literature and pre-reform Sikhism 45:20 - PhD at SOAS in pre-reformist Sikh monastic orders 46:48 - Living among the Sikh community and learning Punjabi 49:54 - Young Sikh's interest in pre-reformist religion 50:54 - Death threats from Sikhs 53:00 - Changes in Sikhism 55:20 - Tradition religious music of Sikhism and other pre-reformist features 01:00:18 - Neo-traditionalist Sikh movements in the UK and India 01:03:59 - Falling in love with Shiʿi Islam 01:10:16 - Conversion to Islam? 01:11:45 - Shi'ism as a personal practice 01:13:23 - Cultural barriers against European converts 01:16:12 - Neo-Platonic Vajrayanism 01:17:43 - Mysticism perceived as a threat 01:21:48 - Neoplatonic influence on Islam 01:27:28 - Surprising Neo-Platonic features of Islamic mysticism 01:33:30 - Metempsychosis in Islam 01:37:16 - Francisco is a Neoplatonist 01:43:08 - Vajrayana and Shiʿi inner alchemy and dream yoga 01:50:43 - Islamic tummo … To find our more about Dr Francisco José Luis, visit: - https://www.instagram.com/hludvig_tradicionalista For more interviews, videos, and more visit: - https://www.guruviking.com Music ‘Deva Dasi' by Steve James

We're living in a time of radical resentment — where even when people or companies change, some voices still say, “I won't forgive them even if they change their ways.” This posture leaves no room for growth, no chance for transformation.In this episode, I reflect on how forgiveness is upheld across the world's great faith traditions — from Christianity and Islam to Buddhism, Hinduism, Judaism, Sikhism, the Bahá'í Faith, and Jainism — and how Shinto and Taoism teach us that forgiveness can also be understood as realignment and balance.Forgiveness is not about excusing the harm; it's about creating space for something new. When we don't forgive others, we also withhold forgiveness from ourselves. I invite you to reflect on the last seven days: where have you been hard on yourself? Can you forgive that moment and release it? Because only when we forgive do we open the door to healing and change.Try a little radical forgiveness this week — it's a lot lighter to carry than radical resentment.Want to learn more about CJ Miller? Check out his Spiritual Artist Retreats, 1:1 Personal Coaching, and Speaking Engagements at www.spiritualartisttoday.com. His retreats are designed to help you reconnect with your Creative Intelligence and express your true artistic voice. You can also find his upcoming schedule there, and his book, The Spiritual Artist, is available on Amazon.

Missionary Evangelist Robert Breaker talks about many of the world's religions and asks: "Which one is Right?"

Dr. Adam Francisco, author, “One God, Many Gods” One God, Many Gods The post Christianity and Other World Religions: Confucianism, Daoism, Shinto and Sikhism – Dr. Adam Francisco, 6/2/25 (1532, Encore) first appeared on Issues, Etc..