Podcasts about stendahl

In this week's Bleach Boys episode, we finally settle one of Bleach's longest-standing debates—was Isshin using a spiritual limiter when he fought White? According to Tite Kubo's latest Klub Outside answer, yes, he was! We break down what this means for Bleach power scaling and Isshin's true strength. We also get a fun question about what swimsuit Mashiro would wear, and Kubo's surprising answer might make you smile. Plus, Kubo attended another mangaka's wedding and shared some heartfelt comments about being the most senior artist in the room now.Outside the world of Bleach, Sam finally showed his fiancée the emotional anime film I Want to Eat Your Pancreas, and we discuss the movie's tearjerking story. Jose has watched more Frieren: Beyond Journey's End and finally meets the character we've been calling “Jose” this whole time. And for our My Hero Academia: Vigilantes fans, we dive into the introduction of the mysterious Stendahl and what he means for the series going forward.

Alex Kentucky inspires and motivates you with his live mix from the paradise island of Ibiza. Dont miss the opportunity to enjoy the full experience at XF Gym. XF Ibiza 024 1. Stendahl, Chris Savor - Rosso 2. Hires - Liquid Song 3. Chanknous - Fandango 4. Chanknous - Finding Shells 5. Rhye, Adam Ten - 3 Days Later 6. Wisso, Jake Boehm - Red Lines 7. Angie Stone - Wish I Didn't Miss You (John Junior Rmx) 8. Philippa - Listen For A Heart Sound 9. TSDC - The Sunshine (Unclepasha Remix) 10. Cee Elassaad, Beatkozina - Crossing Paths 11. Danny Howells - Powershow (Payoff Mix) Thanks to all the labels and artist for his music. All tracks selected and mixed by Alex Kentucky www.alexkentucky.com Encoded by MUSICZONE PODCAST SERVICES

Paradise-Projects tours you around the planet of good music! Join us on our voyage of sound and emotions! Come and feel the Paradise... Paradise Projects 346 1. Stendahl, Chris Savor - Rosso 2. Rhye, Adam Ten - 3 Days Later 3. Agoria, Madison McFerrin - Getaway (Henrik Schwarz Remix) 4. Odagled - Walking Alone 5. Ashrr - Please Don't Stop The Rain (Ashrr Soundsystem Remix) 6. Jerry K - 10 HP 7. Deephope - My Dreams 8. Monkey Safari - Voices 9. Nico Morano, Mondingo - Misunderstood 10. Aaron Smith, Indiblu - Give Me More 11. Rasmus Vels - Winter Geese Thanks to all the labels and artist for their music. All tracks selected and mixed by Alex Kentucky www.alexkentucky.com Encoded by MUSICZONE PODCAST SERVICES

We are so happy to present you our weekly podcast since 2020, putting together the superb selections by our favorite label artists, and friends. Broadcasted live @ Pure Ibiza Radio, Friday 14th March 2025 4pm CET Follow the artists: @aitor-robles On this weekly show you will find a selection of soft and special grooves curated by label owners as well as special guests, avoiding any signature sounds offering the listener a mixture of easy-listening music, moving from Deep House beats to Lounge or open-minded electronica. 1. Atley Bestoren - Try To Hide (Original Mix) Personal Belongings 2. Birds of Mind - Miss You Babe (Extended Mix) Get Physical Music 3. Stendahl, Chris Savor - Rosso (Extended Mix) Rewoven 4. Lost Desert - Dear to Me (Original Mix) All Day I Dream 5. Rhye, Adam Ten - 3 Days Later (Extended) Higher Ground 6. Sarandub - Velours (Original Mix) GNTLMN 7. Chris Sterio, Stan Seba - A Galaxy Above (Dreamteller Remix) Massive Harmony Records 8. Lenz (DE), M-Sol DEEP - Saoirse (Original Mix) M-Sol DEEP 9. Dnote - Shed my skin (ZooL Edit) Anoka Free Download 10. Evren Furtuna - Little Flower (Alex Kentucky Remix) Be Adult Music 11. Gio Vandal - Open Wide (Original Mix) Personal Belongings 12. Cameron Machado - Déjà Vu (Extended Mix) Mirrors Label 13. Missfeat - One Way on Night (St.Ego Remix) Empty World 14. Gio Vandal - Fever (Original Mix) Personal Belongings 15. Marga Sol, M-Sol DEEP - Heaven feat. Hal McMillen (Utopia Sax Mix) M-Sol DEEP

Tracklist Episode #634: 1) Roam Fiialo - Together as one 2) Soul Engineers - Heritage 3) Stev Dive - Aliente 4) DJ Leandro - Tribal Soul 5) 9Department - Skyfall 6) Cubicolor - summer and smoke (BluePaper remix) [TRACK OF THE WEEK] 7) DJ Leandro - Heaven's Touch 8) Moori - Just nudes 9) Ollie Munday - no pain 10) Stendahl - the wilt 11) Romain Garcia - Next to you

Är det dags att omvärdera pessimismen som levnadskonst? Pessimismen förknippas med en mörk livssyn. Men hos pessimismen finns också tankar om tröst och att en nykter blick på världen kräver handling. Lyssna på alla avsnitt i Sveriges Radio Play. Det brukar anses vara bättre att vara optimist, att se saker från den ljusa sidan, att optimistiskt tänkande både får oss att må bättre och gör oss bättre på att hitta lösningar. Men kan det ibland vara tvärtom? Att pessimismens fokus på världens lidande kan vara en motor för att handla. Och att synen att det är okej att inte må bra, och att vi ska ha medkänsla med dem som lider, leder till empati och solidaritet med våra medmänniskor.En som försöker bättra på pessimismens rykte är den skotska filosofen Mara van der Lugts vars bok Mörkret i oss – pessimismen och lidandets filosofi lyfter fram pessimismens mer positiva sidor, även när det gäller svåra frågor som självmord och att världen består mer av ont än gott. Kan pessimismen ge oss en sannare bild av världen? Kan mörkret bli en motor för handlande? Bör vi känna medlidande för dem som lider i stället för att sträcka över en självhjälpsbok? Medverkande: Tobias Dahlkvist, docent i idéhistoria vid Stockholms universitet och Jenny Björkman, docent i historia och samverkansdirektör vid Riksbankens jubileumsfondProgramledare: Cecilia Strömberg WallinProducent: Marie LiljedahlResearch: Anton ÅhlbergVeckans tips:TV-serie:Leftovers - Damon Lindelof, Tom Perrotta, Patrick SommervilleBok:Rött och svart - Stendahl

Heb je wel eens een appelflauwte, hartkloppingen of wankele benen bij het aanschouwen van kunst? Dan leid je aan het syndroom van Stendahl! We vragen je bij het beluisteren van deze aflevering van de Lekker Uitgelegd podcast speciaal te letten op enig waar te nemen fysieke manifestaties. Neemt u ze waar, dan is deze podcast een vorm van hoge kunst. Neemt u ze niet waar, dan kunt u met een gerust hart concluderen dat u niet leidt aan het syndroom van Stendahl.     Alvast bedankt!

Follow Monstercat Silk on all platforms - https://monster.cat/silk Follow our playlists: https://ffm.bio/monstercat Tracklist 1. Etza - Este [Monstercat Silk] [00:35] 2. birø & ALLKNIGHT - Something [Monstercat Silk] [04:13] 3. Shingo Nakamura - Driving [Monstercat Silk] [07:05] 4. Stendahl & Meeting Molly - Outlines [Monstercat Silk] [10:59] 5. Shingo Nakamura - Longing For You [Monstercat Silk] [15:13] 6. Hausman, Wynnwood & Lumynesynth - Calliope [Monstercat Silk] [19:22] 7. Flexible Fire & Etza - Sunlight [Monstercat Silk] [25:21] 8. ATTLAS & Jodie Knight - Used To The Silence [Monstercat Silk] [30:02] Silk Spotlight: 9. birø - Jealousy [Monstercat Silk] [33:25] 10. Shingo Nakamura & Hausman - Sense Of Adventure [Monstercat Silk] [36:48] Silk Exclusive: 11. ORACLE & MØØNE - Tether [Monstercat Silk] [40:42] 12. Dokho - Balao [Anjunabeats] [43:50] 13. Darren Tate - Adrift (LAR Remix) [Anjunabeats] [48:03] 14. BT & Shingo Nakamura - Lifeforce [Monstercat Silk] [52:17] 15. Nitrous Oxide & Simon Gregory & Katey Brooks - Skylight [Enhanced Progressive] [55:39] Thank you for listening to Monstercat Silk Showcase! Learn more about your ad choices. Visit megaphone.fm/adchoices

A yearly tradition at HDS, the Stendahl Symposium honors the memory of former professor Krister Stendahl, who tirelessly sought to repair fractions between Jews and Christians, supported the ordination of women, and pushed for the full inclusion and participation of women and minority voices in academia and interfaith work. Opening Remarks: Given by Samirah Jaigirdar, HDSSA Academics Chair Panel 1: Conversations Across Religious Boundaries "Christian Zen: Innovative Syncretism or Cultural Appropriation?" by Jeffrey Ng "Are You My Mother: Redefining Adoptive Relationships Through a Comparative Study of Western-Christian and Neo-Confucian Ethics" by Grace Sill "They said that he was the image of Tezcatlipoca: Dress and iconography in technologies of ritual remembrance in 1500s Texcoco" by Marisol Andrade Muñoz "Humanism in the Eastern and Western Philosophy and Religion: Concerning Confucius/Mencius and Kant" by Juye Han Panel 2: Religion and the Digital Age "Meme-ing Making: Our Newest Testament" by Maddison Tenney "Religion's On Her Lips: Exploring the “Good Girl Faith” of Taylor Swift's Lyricism" by Olivia Hastie and Anna Guterman "New Media, New Narratives, New Nuns: Catholic Nuns Making a Habit of Social Media" by Lauren Tassone "The Spiritual Value of Slasher Films: Watching Horror Movies as a Sacred Practice" by Kristen Maples Panel 3: Religion and Current Affairs "From Haven to Hazard: Examining the Role of Family as Sanctuary in Mormon Discourse" by Perlei Toor ""We Are Both First Responders and Vulnerable": Religious Actors as Implementing Partners for Climate Adaptation in Kenya" by Miriam Israel "Vacation to Auschwitzland: The Commodification of Grief and Fear in Auschwitz Dark Tourism and its Implications for the Divine" by Hannah Eliason "Is QAnon a Cult? An Analysis of Religious Rhetoric in Q Drops" by Brady W Schuh "The Transformative Power of Humility: The Irony of American History and a Reorientation of American Foreign Policy in the 21st Century" by Ailih Weeldreyer Panel 4: Studying Religion "“Christian Writers on Judaism” at Harvard: Who Studies Whom in the Academic Study of Religion?" by Rachel Florman "Rassenfrage, Judenfrage, Schwarzen-frage: Liminal Identities in W.E.B. Du Bois's Prayers for Dark People" by Becca Leviss "Reimagining Religious Studies: Wilfred Cantwell Smith's Revolutionary Legacy" by Yanchen Liu Panel 5: Religion and Identity "Thus Spoke the Child " by Micah Rensunberg "Coming Out as Evangelical, Converting to Queerness" by Karina Yum "Heritage Judaism, Race Science, and the Embodied Past: Searching for the Anti-Zionist Jewish Body" by Shir Lovett-Graff "Building a Theological Home for Korean Queers: The Possibilities for Korean Queer Theology through the Eyes of Korean Christian Queers" by Jihyun Son This event took place on April 19, 2024. For more information: https://hds.harvard.edu A full transcript is forthcoming.

I 2. klasse blev Janne dybt berørt af en salme. Som åndeligt søgende blev hun involveret i det okkulte. En ven sagde: Smeden i Bjergegade kan hjælpe dig. Janne ville takke Gud ved at udgive en cd. Senere fik hun stadig nye vers til en profetisk sang. Janne Pia Stendahl, 58 år, uddannet på Nordjysk Musikkonservatorium, gift med Jacob, sammen har de 2 voksne børn. Redigeret og produceret af Kirsten og Bjørn Hansen for Hansenmedie

We continue our plunge into Giallo and Italian horror the The Stendahl Syndrome, but the maestro himself, Dario Argento. Intro:     “Necromaniacs” – Mike Hill Outro:   “Canto for Alexis” – Ennio Morricone

Follow our playlists: https://ffm.bio/monstercat Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. zensei ゼンセー - lucid [Monstercat Sllk][00:00] Silk Spotlight 2. Finding Mero - Need You [Monstercat Silk][03:12] 3. Sultan + Shepard with Panama - Falling Behind [This Never Happened][06:08] Silk Exclusive 4. Angara & Gregory Esayan - Sun [Monstercat Silk][10:39] 5. Stendahl & Shingo Nakamura - Tribute, Chapter II (Terry Da Libra Remix) [Monstercat Silk][14:35] 6. Feiertag - Matic [Anjunadeep][20:25] 7. Ezequiel Arias & FOLGAR - You [Anjunadeep][24:31] 8. Enamour - Crystallized (ft. Run Rivers) [Anjunadeep][29:56] 9. Jody Barr - Eleanor [Anjunadeep][36:04] 10. PARIS feat Keepa - Only You [This Never Happened][42:31] 11. Nopi, Jody Wisternoff & James Grant - Freefly [Anjunadeep][48:44] 12. Terry Da Libra - Your Eyes [Monstercat Silk][53:13]  Thank you for listening to Monstercat Silk Showcase! Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow our playlists: https://ffm.bio/monstercat Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. zensei ゼンセー - haunted [Monstercat Silk] [00:35] 2. Meeting Molly - Indigo [Monstercat Silk] [03:30] 3. Marsh - Life On The Shore (ft. Katherine Amy) [Wynnwood & Hausman Remix] [Monstercat Silk] [07:43] 4. zensei ゼンセー - ID [Unreleased] [13:45] 5. zensei ゼンセー - magic [Monstercat Silk] [16:58] Silk Exclusive: 6. Finding Mero - Need You [Monstercat Silk] [19:32] 7. zensei ゼンセー & Mr. Hilroy - begin again [Monstercat Silk] [21:56] 8. A.M.R x Kymira - Lacuna [Monstercat Silk] [25:00] 9. Blake.08 - Eyes Ablaze [Anjunadeep] [28:19] 10. Luttrell - Sunrise Song [Anjunadeep] [31:15] 11. Illumia - I Know [Monstercat Silk] [36:10] 12. Nox Vahn - When I'm With You [Anjunadeep] [40:15] 13. zensei ゼンセー - stay [Monstercat Silk] [42:50] 14. Stendahl x LaMeduza - You Get Me (Talamanca Remix) [Monstercat Silk] [46:02] 15. Jordin Post - Just Hold On [Colorize] [51:02] 16. Mark Novas - Give Me A Feeling [Anjunadeep] [54:55] Thank you for listening to Monstercat Silk Showcase! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The eCommerce Toolbox: Expert Perspectives, host Kailin Noivo is joined by Ben Standahl, Former Director of Engineering at Peloton Interactive, to discuss the brand's approach to eCommerce. Join them as they delve into the importance of well-functioning websites for considered purchases, including how to explain abandoned carts and user sessions; highlight the challenges of utilizing AI and ML today; and dip into the potential of new technologies to aid in the brand's current focus on improving customer experience across platforms.

"In 1985, Krister Stendahl, then Lutheran Bishop of Stockholm, stepped to the microphone at a potentially volatile press conference in Stockholm, Sweden, and “offered support for The Church of Jesus Christ of Latter-day Saints building a temple there, against which there was growing opposition.” In that watershed moment, when many of his own countrymen and parishioners were angry at the prospect of an “American” church planting their temple on Swedish soil, the wise and gentle Stendahl stood alone and not only called for tolerance, but expressed his own respect for some aspects of Latter-day Saint doctrine and practice and further urged all to leave room for “holy envy” and the honoring of beautiful elements in faith traditions other than their own. "We concur with Stendahl, later Dean of Harvard Divinity School, that if we follow the better angels of our nature, we will seek ways to honor the best elements of other religions—indeed, that we will look with such depth and consideration that we will develop a little holy envy. We are also convinced that given the cultural climate in which we find ourselves in 2021, it has never been more important to seek to climb over what sociologist Arlie Hochschild (2016) has called “the empathy wall,” the wall that serves as a barrier to empathy for others." Loren Marks reads the article, "What is Holy Envy and Can It Heal Our World?" which was originally published in Public Square Magazine on December 3, 2021.

Follow our playlists: https://ffm.bio/monstercat Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. TOMB - Intermodal [Monstercat Silk] [00:35] 2. Flexible Fire & Dias Ridge - Time Trials [Monstercat Silk] [06:00] 3. Shingo Nakamura - Wherever You Go [Monstercat Silk] [09:48] 4. TOMB - Equinox [Monstercat Silk] [14:16] 5. Stendahl & Meeting Molly - Balearis [Monstercat Silk] [18:37] 6. Shingo Nakamura - Golden Leaves [Monstercat Silk] [23:29] 7. PROFF - Whale Song [Monstercat Silk] [27:01] Silk Spotlight: 8. Terry Da Libra - Air [Monstercat Silk] [34:45] 9. Flexible Fire - Costa Serena [Monstercat Silk] [39:21] Silk Exclusive: 10. A.M.R - Holding On Is Human [Monstercat Silk] [42:53] Silk Spotlight: 11. Terry Da Libra & Elliot Vast - The Journey [Monstercat Silk] [48:02] 12. LAR x Fagin x Marg Pappas - Shadow Of A Doubt [Monstercat Silk] [51:58] Silk Exclusive: 13. A.M.R & Brandon Mignacca - Wounds [Monstercat Silk] [55:54] Thank you for listening to Monstercat Silk Showcase!

Follow our playlists: https://ffm.bio/monstercat Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist Silk Exclusive: 1. Øneheart & Kazukii - ID [Monstercat Silk] [00:35] Silk Exclusive: 2. Sound Quelle - ID [Monstercat Silk] [02:28] 3. Hosini - Cope [Anjunadeep] [06:52] Silk Exclusive: 4. Dokho & Not Now Please - Follow The Princess [Monstercat Silk] [12:14] 5. Igor Garanin & Hiski - Clean Slate [Anjunadeep] [15:28] 6. Khen - Yellow [Anjunadeep] [21:47] 7. Nils Hoffmann - Nightflower [Anjunadeep] [27:01] Silk Exclusive: 8. A.M.R & Fractures - ID [Monstercat Silk] [32:04] 9. Hosini - Lone Surfer [Anjunadeep] [35:13] 10. Wassau & Mimi Page - Within Me [Monstercat Silk] [38:22] 11. Stendahl & Meeting Molly - Outlines [Monstercat Silk] [44:40] 12. Mango - Skyline [Monstercat Silk] [49:58] 13. PROFF - Nibbana [Monstercat Silk] [54:10] Thank you for listening to Monstercat Silk Showcase!

From the New French Extremity to some old Italian Sleaze, good, clever Loathsome Things is here to make everything nice for you, our sweet, sweet babies! From the guy that mostly did hardcore porn with a splattering or horror-porn crossover films, comes a film that advanced the boundaries of gore and showed us that the most potent strains of marijuana in history looks surprisingly exactly the same as 1970s euro-lady pubes. That's right, it's schlocky, it's exploitative, it's unfortunate, and it's all set to Goblin's most perplexing soundtrack, it's the 1979 horror cinema experience from the cum-soaked mind of Joe D'Amato lovingly and alternately known as Beyond the Darkness, Buio Omega, Buried Alive, In Quella Casa Buio Omega, House 6: El Terror Continua, and Zombi 10. Tune in to learn all this information and so much more in this most absurd episode of Loathsome Things: the official horror movie podcast of 1970s bush-centric European stag films! If you would like to recommend a movie, tell us what kind of wine comes in that kind of bottle, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!   Transcript Josh  Body of a *****. Body three times. Pain and torture. First body in a bed. Body growing dead body in a crypt body. Hell fire dipped. Body ringing bell body into hell. Always be a taker. Meet your maker. No one's life you save robs some in your grave. It's loathsome things, a horror movie podcast with be the Josh and he the John. John. How are you on this most horrific of?  John  I'm hell be.  Josh  Dipped dipped hell fire dipped.  John  Hell be doing whatever the **** it was. Somebody actually wrote a rhyme to go along with whatever they said in Italian.  Josh  I know, I know. Like someone's job was to come up with a little, like set of rhyming couplets to to go with whatever was actually. Supposed to be there.  John  Man, I would love to see this movie in Italian with English subtitles.  Josh  Ohh man yeah that would be good. You could also do what I did. I watched the movie that this is a remake of in Italian without subtitles.  John  Ohh, that's even better. Yeah, the third eye, right?  Josh  The third eye? Yeah, it's it's real confusing when you have no idea what. People are saying.  Josh  So, John, what are we?  Josh  Even talking about.  John  Oh my God, I'm so glad you asked. Because this time around. We shall be talking about. We're going to talk about a little Italian schlock exploitation film that was directed by a fine fellow named occasionally named Joe Di Amato.  Josh  Some types named Joe Demon.  John  1970 nines. Delightful and absolutely delicious. I don't know what I'm talking about. I'm a moron beyond the darkness.  Josh  Also known by other names. A lot of other names, some of them. Some of them just just out of nowhere. That thing, but yeah, it was the whole thing. Apparently the director, Joe D'amato, was friend with Mino Guerini, who directed the third eye. And one day they were hanging out. Just spit balling ideas and he was like, hey, what if I remade your movie but made it sleazier?  John  It's an interesting film. It's gonna be fun to talk about. I liked the I was excited to hear that Goblin did the soundtrack, or as they mistakenly referred to. Them the goblins. But except for a few bits, overall, the soundtrack is terrible.  Josh  Yeah, it's if you have ever had your manager pop in a VHS tape so you could watch a training video on your first day on the job, then you know what this movie sounds.  John  Like please contact the HR department if you have any issues with other employees.  Josh  There are times where the soundtrack's really cool, like they'll purposefully hit these flat notes to like, reflect what's going on, like like it's entertaining at times and other times just very irritating.  John  When I make my movie, I'm going to have the entire soundtrack be done live with a guy with a French horn who just makes fart noises.  Josh  Yeah, I I want. I want my life soundtrack to be done by someone with a severe anxiety disorder that wasn't given their medicine today and they have to like. They're always trying to catch up with what's going on, like, Oh my God, I can't believe this is happening to me. The soundtrack I want.  John  They have to play it on a hooter.  Josh  Of course, Goblin to they did the soundtrack for the original dawn of the dead phenomena, Suspiria and Tenebre. So lot of lot of good Italian movie horror movies with that, and by a lot I mean mostly just those that I listed. They also had a song in Shaun of the Dead.  John  Yeah, that's true. And just in case you really enjoyed this music, in which case, by the way, you're an idiot. It was also used in the films the other Hell and Hell of The Living Dead, because in Europe all horror films are of the Living dead.  Josh  And one thing that was cool. So the actor in here, Frank Astolfi, who plays clever, sweet, good Iris actually was reunited with this soundtrack whenever she starred in the other hell.  John  Wonderful. The amazing franca stoppi. Veteran of the Women's Prison series of films and also a little a little number known in English as dog lay afternoon or in its native Italian bestiality or something like that.  Speaker 5  Good it is what you think it is if.  Josh  If, if you're if you're.  Josh  Catching on to to a like a a niche like a specific what? What what's happening here? So I want to go into a little bit about Joe D'amato. Joe D'amato is the king of 1970s and 80s Italian sleaze cinema. He has 199 directing credits to his name and about 100 and 21120 of those are just straightforward *********** videos.  John  Gotta love it.  Josh  This is one of his most famous horror movies, along with Anthropophagus and the semi sequel to that absurd, this came out. This film came out during his horror **** over crossover era, which included Papaya love, goddess of the cannibals, orgasmo. Arrow, Emmanuel and the white slave trade ****** Knights of the Living Dead and poor no Holocaust.  John  **** in a that is fantastic. By the by the way, and Trump of Vegas and that absurd are those movies are.  Josh  Yes, they they rock. This guy like while while he was mostly about the the ******* and portraying the penetration and stuff like that he when his in his ***** she was like we need to really like push the boundaries of what's allowable as far as gore is concerned and. Boy, does he ever. And it is fantastic. Like this isn't the kind of movie that you would expect to watch and think ohh wow, this contributed to the artistry of horror. Cinema but it. Actually does and it's amazing also very.  John  Yes, yes, yes, on all counts. The it's funny because he I was reading a little bit about it and said that he he was kind of down on his own ability to build suspense. In other words, he couldn't do it. So he went ahead and just did the extreme. Shock value instead, and he's very proud of that which he damn well ought to be.  Josh  Yeah, yeah, I like that. He's like, I don't feel confident in my ability to build suspense, so I'm just gonna not try.  John  You got to know your strengths. I like that the.  Josh  Like what if?  John  Ohh yeah, go ahead. Well, I was gonna say.  Speaker 5  No, no, you.  John  It was a. The film was released in 87, called in Inquiry a Casa built Omega to try to to try to pass it off as being related to the Evil Dead series, which it of course was not at all, and then it was released in Italy as Lacasa and. Macasa do way I guess as you would. Today in Spain, the movie was marketed as being a sequel to the House franchise. Therefore, House 6 and then El Terror, or El Perro continua, and then in Mexico it was billed as being part of the.  Josh  Zombie franchise it was listed as Zombie Ten. Oh my God. Yeah, this is. That's one of my favorite things about this era of horror movies is like. It's just nonsense. They're like, what if we just said it was part of another thing? And I I honestly think that's beautiful. I I love it because it just creates such a tangled mess of history to try to a.  John  Not it wasn't. Wasn't Fulci's zombie build as? Night of the Living Dead sequel wasn't that I think so, yes, yeah. It's all complete ********. No one gave any *****. I love Italians. They just lie and they don't give a damn. I was looking for the Napolitano Pizza house. Is it this direction C?  Josh  Thank you.  John  Where am I? There's no pizza restaurant here.  Josh  Let's see Joe's other directing credits include Ator, the Fighting Eagle famous from mystery science.  Speaker  Right.  John  Theater 3, yes.  Josh  The Devil's wedding night, the crawlers. Black Cobra woman paradiso, blue blue, ****** climax. Super Climax sex penitentiary cop sucker cop. Sucker two and zombie 5.  John  Oh, my God. Get it together. OK.  Josh  Yeah, famously in the 1990s he was resistant to the change from film to video in the pornographic **** ***********. And he was like, yeah, it just doesn't feel as good. But I guess I'll do it. He also didn't like the fact. People wanted *********** to just portray a lot of extreme sex. He really wanted it, which is funny when you. Watch this movie. He was like, yeah, but what about the story element? Don't want the story element of *********** anymore.  John  What about the art?  Josh  So, yeah, this movie stars Kieran Kantor as Frank. Kieran Kantor would go on to be in some ****, but not much.  John  Yeah, basically just a bunch of soft **** or not a whole lot of. What was the other like? What do you say? Monreale Monreale, who plays Anna.  Josh  And spoiler alert, she's awesome. Oh no, she also plays Elena.  John  She plays her sister. Yeah, she's Christ. She was she was in full. She's the beyond, which is absolutely ******* **** ***. I love that moon. She's the lady with the whited out eyes.  Josh  Also, she was in full cheese. The Sweet House of horrors.  John  That I have not seen it sounds delightful.  Josh  Yeah, I know. That's what is you doing in here?  John  She was and Dario Argento. Argentos the Stendahl syndrome, so a definite veteran of some classic horror, even outside of this fine piece of film.  John  This fine pizza.  John  Which I'm so glad was shot on 16 millimeter film, apparently because if it had it been shot on video, it would have looked bad.  Josh  So a lot happens in this movie. John, do we need to warn? I mean, there's a yeah. There's a dead baboon. That was kind of upsetting. I forgot about that.  John  Yeah, that was upsetting. There was some possible well hints. More at necrophilia, probably in the Italian version. Straight up necrophilia. Yeah, there was a lot of dancing around, some really terrible things. If you're not a fan of of using actual pig body parts to make your gore scenes, then this is not the movie for you. If you don't like to see.  Josh  Grown men breastfeed. This is probably not gonna be the one for.  John  You, Jesus Christ. Yes, I forgot. Forgot about the breast. Feeding their nursemaid.  John  Oh my God.  Josh  This movie is ridiculous. There's also if you're offended by the naked female Bush, then this movie is not gonna be for you.  John  Yeah, you better get whipped. The hedge trimmers out because this one goes for it, yeah.  Josh  Ohh some some very homage to Herschel Gordon Lewis dismemberment so. So just be prepared for that before you view it, which you may have already done. Because we told you 2 two weeks ago.  John  In 2023, the the It's kind of you'd be kind of hard pressed to find the effects believable, but if you're squeamish and you're not somebody that you know, if you just react to that stuff, period, then yeah, this this movie might be a little tough for you to watch.  Josh  Yeah, I liked that there was. There was a a fake arm, just like the one in dance mapu, but the IT was. Like, oh, the one in dance mapu. Actually does look better than this. One nice technology advanced that's right, moving right along.  Josh  Yeah, you couldn't see through.  Josh  The one in dance mafoo.  John  Ohh yeah, I also wanted to mention which I thought was hilarious, that the reason Francastel Papi got the role. Toby was because another actress agreed to play Iris, sight unseen, read the script and was like no. And Frank Estopa, I was like.  John  Well, **** yeah, I'll do it.  John  Nice because she's awesome. What a trooper. Kick us off. Alright, well, the movie starts with a weird looking European red van truck driving through the woods while we listen to pretty awful goblin music. It's very 70s, of course, the guys driving along in his obscenely loud truck and he arrives at what I would describe as a ship house. He gets, gets out and meets a swarthy other douche, and then they work together to lift a very heavy box inside the van. Then Jordi Ouche leaves. He gets back in his van because it looked like he was wearing jordash jeans. If I was, if I wasn't mistaken, OK.  Josh  Just wondering where that was coming, Jordan?  John  So he drives away and we cut to a hazy filtered shot of a Crone, putting needles in voodoo dolls. While that are basically, you know based on a picture of the main character and what I'm assuming is his girlfriend, which of course it is and. Another lady with weird lips is sitting there watching this happen, and she's obviously loving it, so that's that's setting up something. They the the girlfriend, as it turns out, is in the hospital, ****** ** and moaning and she is doing a lot of gasping and then sort of red lines. Except I don't know what that meter is that's regulating her heart. I looks like something else entirely, but whatever.  Josh  I think it I think it's measuring whether or not her makeup needs to be replaced.  John  There's some lady in there who I thought was a nurse, but she like. Very not too worried, gets up and says. Nurse and then a doctor comes in and gives her an Ivy shot of some sort, and then she moans a lot and calls for Frank. So that's the red. That's the jordache. So meanwhile, Frank arrives at a Chateau and opens the little gate drives in. Suddenly the box. That he carries inside by himself is really not that heavy anymore, which I thought was interesting. He brings it into the Chateau and unpacks what turns out to be a dead male baboon. Which looked like a dead male baboon. It was pretty disgusting, not not disgusting, but little disturbing. He doses it with some sort of amber juice in this giant syringe that he has. And then while this is going on, the lady with the lips is snooping as he. Leaves that room and heads upstairs into the Chateau. Back at the hospital, the dying lady wants makeup as as you do, and the nurse deftly applies man makeup on with might. Might as well be a house painting brush. She's just like. Ah, there you go. It's so great back again at these chitter lips picks up. She picks up after douche cause he's he's made a mess in his bedroom, you know, cause he's a he's a naughty boy who's, like 30, she tells Frank. That the hospital called and then naked and tan Frank comes out. Grabs like with his clothes holding his junk, which I don't know why shy after what happens later, but he grabs his regular clothes and calls lips a stupid idiot for not telling him sooner.  Josh  You stupid idiot.  John  Back at the hospital, Frank Frank rushes in. He runs into. The best character in the movie, a random old person. With a funny.  Josh  Hey, where'd you get your license?  Josh  I I want to know what the original like was that what it was supposed to be in the original, or I can't imagine.  John  God only knows he's great. He he gets to, he gets to Anna's bedside, and he tenderly makes out with her to death. Back at the back at.  John  The ship, yeah.  John  In a very ornate bedroom, apparently Frank is the King of Italy. Uhm, he mopes. He's like sitting at this little desk or, you know, bedside, dresser or whatever. Just moping over these two horrible photos like one of of two people, another, neither of which look like her. And then a big portrait of himself. And he's just like, moping and then lips comes in and. You know, I mean, it's perfectly understandable. He's he's having a hard time. His girlfriend just died. So she whips it tight out and breastfeeds him. And it's extremely sexual and very strange.  Josh  Yeah, yeah. She's just, like, cooing at him and telling him that everything's gonna be OK and saying her own name over and over to him, she's like, it's OK. Sweet, Sweet Iris is gonna make everything good for you.  John  And he's like.  Josh  So bizarre this is the point. Whenever I first watched the movie I. Ohh I have to show John.  John  Doing it now we're back at or we're we're at at the Funeral Home and she's in her casket and Frank goes to visit her and he juices her with the amber hoist that he gave the baboon. While for no reason. The mortician who had just left. In the other room peeks back in to spy on the guy. What what reason? He's just sitting there, looking at her. He doesn't look weird or anything, and the dude peeks back in just in time to see him inject the juice into her neck. Then it's her funeral. There's a bunch of very serious Italian people in the background are a bunch of half naked Italian guys who are, like, working on something I don't. I think it was a mistake that they left that in the shot or something.  Josh  They're probably working on the *********** in the background.  John  I was like, are those people naked? What is going on?  Josh  Back there I didn't notice. I'll have to go back.  John  And watch it again.  Josh  It's ohh no.  John  It's so weird.  John  They they lower her casket with two ropes into this really narrow hole. That's like super deep. And then they show, like her parents, you know, mourning her mother has a gargantuan cold sore on her lip. Then her dad's there and a super hot blonde lady who looks just like her named Ellen's dad after the funeral, begs the priest essentially to do all The Dirty work. Because he can't handle, it's too much for him so he could bail and his wife can leave Italy. The daughter is gonna stick back though, and and complete her school. The mortician is is very conspicuously snooping on the proceedings. Now we're back at the cemetery. It's at night, and there's there's George Douche digs. Anna, who, by the way, is suddenly like, 6 inches below the surface, like, somehow the. And there's roses on top of her casket, which are clean, even though he just dug her up. He takes her and wraps her up in like a blanket and takes her and and then he drives the the van and spots a hitchhiker out in the middle of ******* nowhere. Who's like, hey, stop. And he just drives away.  Josh  But much to his. Misfortune, his tiny red van gets a flat tire. He has to stop. He changes the tire. There's some police officers in a station wagon. They offer him help. He's like, Nah. And then they drive along, he gets back in his van and ohh the the British hitchhiker from earlier is now in the passenger seat. She's just invited herself into his car and is offering him high-powered weed. Which she then begins to roll a joint and we can all see that it is **** tobacco. Just it's just so obvious. It is if you've ever rolled tobacco and you got the like Bally, **** or something, you know what this is? It's not weed. Weed does never look like this.  John  No, it looks like if somebody took the world's smallest sheet of brown paper and ran it through the world's smallest paper shredder, yes.  Josh  And she's just going on and on about how like she even says that this stuff is worth its weight in gold and how like it's gonna, like, really, like, knock your **** out or whatever. She she rolls it up. She takes a. Passes it to him and he's like, no, thank you. And then she just passes out, like she cannot handle her ****. There's also a thing that's supposed to be suspense, which Joe D'amato has said he cannot do about like Anna's hand flopping in through the little window and him like. Her not seeing it and him trying to hide it, it does nothing. It's stupid. Yeah, I love how they tried to set it up by having him notice that the glass window that took effort to move just opens on its own for some reason. Yeah, I love how jiggly Anna's body is, too. It is just. It's another case of the very bouncy cars of yore.  John  It's that it's that brown juice.  Josh  Yeah, that jiggly brown juice. Uh, back at home, Frank unloads Anna's body and dissects her while the hitchhiker is still asleep in the van. Anna's ***** can be seen prominently and look remarkably similar to the **** tobacco that is keeping this whole situation afloat. There's some great skin cutting and gut pulling scene. This is done with the aforementioned pigskin and guts from the slaughterhouse. It looks real good, but apparently they like. Soaked the pig guts in red dye because like it is just staining her skin in a very not normal blood way, but it still looks great and there's like this whole scene where it's like she's lying naked on the table and you can see this like this pink foldy lip incision running down her body. And it's like, wow, that looks really gross.  John  Yeah, yeah, they did a good job with that as impress.  Josh  Yeah, and she almost did a really good job of looking dead and not like giggling at being tickled or like breathing and stuff like that. Every once in a while, you're like, oh, I saw you. I saw you. But you know.  John  She does a pretty good job for for someone who has to basically do nothing on camera.  Josh  And then then Frank Yanks out Anna's heart. He kisses it and then takes a big old chunky bite out of it, which causes blood to spurt out of the ventricles. It's so stupid. It's really stupid and amazing. Yeah, but yeah, it's real dumb. And it doesn't make any sense with the type of stuff that happens later in this movie, much less the stuff that has already happened.  John  And he's like, semi orgasmic when he. Does it too.  Josh  Oh yeah, he's super into it. Also, that heart is enormous.  John  It's like the size of his skull. I read that they used to sheep's heart and I just was looking at. That and going. I don't think that's a. Real heart that looks.  Josh  Plastic. I don't know. I don't know. Then he he pulls out his copper tubes, which he gets all heated up and shoves them just right up into Anna's nostrils. And then he vacuums out annae's guts. I guess her brain. Through the nose and it comes out as the chicken Mcnugget pink slime that we all saw on YouTube back in the day.  John  A watermelon smoothie.  Josh  So apparently all you do is you just shove a copper tube into each one and you start pushing air through one end and everything from the body just comes out the other tube in a nice like protein shake style.  John  Cleans it, right?  Speaker 5  Yeah, it's good you don't have.  Josh  To do anything. At the time, Nope. You ain't gotta blend it. Up it's fine.  John  No prep work at all.  Josh  At this point, the hitchhiker wakes up flops her way around the whole place, finds Frank doing this horrible thing with a dead body, screams, and then Frank goes and grabs her to get her.  John  To to get her.  Josh  And then he grabs a giant pair of like horse nail Clippers or something. And then while she is screaming and struggling for her life, he. Carefully and precisely proceeds to rip her fingernails off of her hand while she's screaming and struggling, and then after he gets the fingernails off of one hand, he smothers her to death. What's going on there, bro?  John  It makes no sense. And her screams are agonizing.  John  Ohh man yes.  Josh  And it's like that scene that is like the most. Italian horror movie scene I've ever watched in my life. He's like, ah, yes, you're screaming here. Let me torture your fingernails. I'm so strong.  Speaker 5  Then I'll smother you to death.  Josh  He stashes her body in the tiny van, which we can now see is about four feet tall. It it's really an amazing Little Feat of engineering. We see that Iris has witnessed the whole thing. She looked sternly at him. Then helps him dress Anna's body in a nice gown, paints her fingernails red, and they put her in the Lucy Desi twin bed up against each other. Situation the the next morning the the baboon guy shows back up. His client is interested in the baboon, he says, and he wants to. He wants to buy it back from from Frank and so he can sell it for a bunch of money. Frank's like, no, I don't need money. I don't do this for this. This is my hobby guy. That's right. He's he's. Yeah, he does. Taxidermy. Lots of taxidermy everywhere.  Speaker 5  It's so stupid.  Josh  It's so stupid and it turns out that it's just to let the funeral guy sneak into the house. We see him sneaking in through a back room. He doesn't find the Hitchhiker's body, but he does find some blood. He finds her necklace and then he gets back in. The funeral guy pays paid the the baboon guy the baboon. Guys like hell. What was the deal with that? And he's like, hey, why don't you go **** ***? Guy Frank sees that someone snooped it. It turns out that Iris hid the body. The two of them go into the bathroom now together after, like, saying. Mean things to each other to dispose of the body. They start taking all of her clothes off. She's a large woman, yeah. Iris starts hacking off body parts just like she's got. She's got this big butchers axe and she's just like looking around trying to figure out where to even begin. And then she just like, it's like, all right, I'm going to start over here and starts hacking away over here. Has a breathing mask on and he starts filling the bathtub with acid from. Bottles of what you would assume is port wine because it's a green glass bottle with the rope.  Josh  Stuff on the outside.  Speaker 5  It's like a.  John  Tea and tea bottle.  Josh  And they have five of. Them he just keeps.  Josh  Pouring more and more acid into the bathtub and he like the scene. Goes on forever. So she's she's chopping off the head. She like she. You see it? She like hangs. It's like dangling. She's got it from the hair. She flings it in there. So it's this horrible flesh eating acid and she's just chunking body parts into it without any regard for the splash.  John  No regard for the splash. She has no body protection on of any kind. He's wearing a giant rubber apron and gloves and that stupid mask, and she's just going.  Josh  They did a great job. It's it's one of those situations where, like they had the the actor like, move her head over to the side so that you don't see it in the shot anymore. Cause now it looks like she's like her head is gone. Same thing with her arm. They're just chopping off bits. It's real good, but it goes on forever. And at first, you're like, wow, this is taking too long. And then after a. While you're like this. Is ******* amazing.  John  I mean afterwards they have real carnage on the floor and she's like. Scooping up chunks of meat and like hip sockets and just blood like actual animal blood, you could tell just by looking at it. It's really disgusting and she's like basically cleaning up the carnage that she left behind and just, you know, and then the meantime, like dumping it all into this bathtub. Yeah, it's ******* great. I loved this scene. I love when the the cheesy skull with the eyeball still in it. Like floats up to the surface of the tub.  Josh  So much eyeball stuff in this movie, I didn't mention it earlier, but the part that the hitchhiker walked in on was when he was like, shoving a fake eye into Anna's empty eye socket. And she's.  Speaker 5  Like, it's so good.  John  Oh my God. And then so then. Let's buries the. Loopy remains of the hitchhike Chris and then and then afterwards they're in the they're in the kitchen slash. Eating table, whatever he's sitting at the table, she's washing up, like cleaning the bucket out from. You know this, this burial or dumping or whatever. And then without washing her hands or anything, she pours 2 bowls of disgusting soup. And then while she's doing and then she sits down and starts eating it like she's. Some kind of like cave woman. Just it's just like like basically just taking hands full of it and justice rubbing it across her face, hoping some will get in her mouth. And Frank is is is clearly like in his mind, he's seeing the gore from the scene earlier and then he can't take it, he gets up and barfs. What I can only describe his heavy cream. It's like, what the hell did this guy just drink a Fort like a pint of heavy cream for breakfast?  Josh  He up Chuck some half and half.  John  So it's so disgusting.  Josh  And she's still got, like, her arms are covered in, like, the black chunky water from the burial and. When did she have time to cook the slop? Is it implying that they're eating the hitchhiker like I don't understand?  John  That's what I kind of thought it. But then I'm like, but they they don't show or save anything. They threw it all in the in the splashy acid. So I don't, I don't know. It was great though.  Josh  It it is great and it doesn't make any sense because we just saw him kiss and take a chump out of a heart after like dissecting someone and yanking on the guts and stuff. So why is he now, like sickened by? It doesn't make sense.  John  He is an aversion to sue. So now we're at we're at. Anna's bed side. And he's moping again. And you know, whenever whenever Frank's moping, you can count on Mama lips to come in and and calm him down. So she sits next to him and starts feeling him up. Basically, she's like sticking your hands up under his. V next sweater. And then she dips, trowel and is like digging in for the happy ending and saying things like. Iris knows how to take care of him, doesn't she? So she's yeah, she strokes him out of his sadness, I guess. And then I guess I'm assuming he ****** his pants and then had to go change his pants. But anyways, back at the Funeral Home, we're in a back office and it's ******* filthy. It's a place. Like, what is going on? He's got, like, a looks like a bookshelf. Behind him and on one of the shelves is a casket. What a cool guy. So where this guy shows up and it's like he's hired a Private Eye to appear. Without any pay, go, go, research and provide this mortician Frank's entire life story, and then what he does, the guy like whips his wallet. He's like, here you go. Good work now.  Josh  He he pays him like you pay a bell, man.  John  It gives him a tip. And then we see Frank, who, who's dressed up like marathon man. He's like jogging through town and then suddenly he's in the mountains. And I mean the setting is beautiful. And then yeah, oh, what do you know, he's just happens to be jogging behind some hot girl who looks like she's never run a step in her life. She's like, first of all, she's not sweating at all, and she she can't. I mean, she could barely run in a straight line. And then, wow, she had twisted her ankle, and he's gonna have to help her, you know? So he he. He wants her to wait. You know, cuz he's going to go to the to the pharmacy. And get some liniment but. Then he realizes it would just be easier to carry her to his house. Where he rubs white cream on her ankle and she asks him if he's a doctor. Wow, you're really.  Josh  Good at that.  John  It's like with he just put.  John  And he, he like, kisses her hand and stuff like it's obvious that he's he's, you know, he's down to clown. Because apparently the handy that he just. Andy, that lips gave him earlier wasn't enough, so he he goes somewhere in the house to get he's on a gauze run and he stops. Of course, cause he has to visit dead Anna for a second. I don't know if he's like to get it up or whatever. And then and then jangle the jogger with the ankle calls for him. Calls for him, so he hides Hannah real quick, like, flips the bedspread up over her. She's like, like, weighs like £80.00, so he can kind of hide her under a bedspread. And then he he wraps her ankle. And you know, it's getting all good and she's. Like, oh, wait until you finish wrapping the ankle. So then they get into the bed right next to Anna, where the the matching twin beds with velvety blankets, and they start getting all feely and Frank pulls the bedspread down so he can look at Anna and kind of touch her or whatever so he can get the full corpse ***** and the jogger sees her. And for some reason this is upset by this. I don't know why. Freaks the **** out. So Frank bites a hole in her neck, which kills her, and then he eats it.  Josh  Whatever, it's so good.  John  So he's in some sort of strange orgasmic.  Speaker 5  Daze. He's just.  John  Blood on him. And the lips walks in, of course, because she's always there at the key moment, takes the jogress and tosses her into. That dude has a ******* crematorium in his basement.  Josh  She she hadn't.  Josh  Thought about that at the after the first one, she was like, all right, look, I can't chop up another body.  John  That was too much work, I thought, chopping up a body was going to be no big deal. How silly of me to forget that you have a crematorium in your taxidermy station. So they just they just toss the jogger into the crematorium thing and, uh, fire it up and then she does this cool, like scrunching up thing like she's. Yeah, it's great I call. Oh, yeah, I called it the taxidermy torium. And then, yeah, so it's amazing. But anyways, lips now has suggested that. She just she just she suggests that Frank get rid of Anna because you know, because she wants all the attention basically, but also because the, you know, it's crazy. And the odds of keeping a weirdly preserved dead body in your bedroom is probably. Not a good idea so. She says it's for his safety and she's like.  John  Forget about her. She's dead.  John  And we're alive. But Frank's not having it. He's going to keep her in her own room. She's getting all dressed up because, you know, they're going to have guests or whatever. Then the cops show up and she immediately puts on her nursemaid. Get up with an apron again because she can't have guests. You know, with the police to know that you're having guests. I didn't understand that.  Josh  There was a lot of her walking back and forth in a room, taking a gown off, putting a gown back on. It was like.  John  I don't think.  John  The cops care. They're just looking for a missing jogger. So she's kind of, you know, they're they're asking a bunch of questions outside and frank. Answering their questions, but obviously being vague and then she's a little bit more kind of aggressive, like pushing back and then they're like, you know, well, we could get a we could get a warrant, but we would really like to search the place if we could. And she's like, sure come on in. So they they go straight to the taxidermy torium. They're like looking around and the guys like, oh, these are these are amazing. What is this? It's like some taxidermied animal I didn't even. Catch what it was.  Josh  It's like a bird or.  John  Something. Yeah, like a bird.  Josh  Or a squirrel like it was. Just one he's like ooh.  John  And she's like, ohh well here, let me wrap that for you so you can take it home for free.  John  She just puts a piece of paper.  Josh  Like ohh here. Yeah, you wouldn't wanna.  Josh  Touch that. That's so weird.  John  Oh my God. And then the cops are like, well, you know, I think I've. Seen enough and they leave.  Josh  And yeah, whatever, and and then.  John  That was so strange. And then we we cut to a dinner table. She's back in her her gown or dress or whatever the ****. There's all these weird people in that in like leader hose and and **** sitting around the table and and then there's this woman who has a full on mustache. Like just rocking the stash? Like where no one's going to mention this, OK, Italy. And they're like, EZ, what the fathers spread, that you got the and she she brings in this suckling pig or piglet. It's really small, I don't know. And they're all sitting there and they ask about Frank.  Josh  Know Liz Wizard the Frank Carini?  Josh  They're all drinking like they've got like these, these tiny little cordial cups full of cranberry juice. I assume they're there's even this one, like, whenever the pig comes out there like and he's like alright, I know when people want me to do a thing and he like he goes to carve the pink but it like leaves the pig all the way in the middle of the table. So he's having to, like, reach all the way over with the fork and knife, and it's real awkward. And meanwhile, Frank is just moping outside. And then yeah, they call for him. He comes in. He doesn't say ****, but then Iris announces that they're going to get married.  John  What the **** was that? Where I'm like, how? How many times do I have to watch this movie and, you know, to go back and see the part where they talk about getting married because they don't? They never talked about it. This is literally the only scene in which that gets mentioned.  Josh  And we don't know who these people are. It seems like they're her friends, but she's the maid. I don't know what's happening.  John  It's it's butcher, Baker linguine maker.  Josh  Nice. Ohh man.  Josh  So that he just leaves while everyone's like mid cranberry juice toast and they're like ohh he must be feeling weird. I don't know. I got a little French in there. He goes to Anna's bedside and begins to cry and profess his forever love for her, and then goes for a jog. For some reason, yeah. At this point, the funeral guy is back. He's sneaking into the house again. Iris, all of the guests are gone. Iris is just **** face drunk. Honestly, the best job I've ever seen of a person in a movie. Stumbling around after waking up drunk like I was like, wow, that is, that is exactly what it looks like.  John  Her hair's all messy. It's great.  Josh  Yeah, she just can't really do a straight line. All good, she thought she heard someone. She's so she's. Stumbling around the house looking for Frank. It doesn't matter that she's drunk. Meanwhile, the funeral guy has found the one ugly, dingy poor people. Part of the house. It's like some basement or something where the ceiling is like 6 feet high. And it's all painted like ****, and he's, like, looking through stuff, and he finds Anna's body in a in a closet. It falls out like in the movie pieces, but this did come out before the movie pieces. I'm sure there are other movies that this coping, but I was like, hey. Just like in.  Josh  Then he he takes a photo.  Josh  Of the body laying on the floor and scoots out and then we see him developing the photo somewhere else.  John  Now we're in his his personal black room, yeah.  Josh  Ohh, it's so ******.  John  And why did she fall face first out of the dresser and land on her back?  Josh  She standing up in there?  John  It gets better.  Josh  It does, Iris then tells Frank to get rid of his gross doll. He slaps her. She tells him he'll be sorry. Then he leaves and goes to a discotheque.  John  As one do.  Josh  Yeah, he finds the one hoochie in the whole place. She's on the dance floor, surrounded by only men who are also dancing by themselves. No one is dancing together. None of these ***** Italian dudes are trying to approach her, and she is just doing the thing where you swing. Their ***** left and right as hard as possible. It's the most deliberate attempt for male attention I've ever seen. So he's just watching like a creep. He ends up bringing her home where she spends a good deal of time washing her **** in 1970s green water. John, you lived in the 70s, right? Why was the water always green?  John  Well, you see. In in France, what they would do is instead of having water run through the plumbing, they would use absinthe and then what you would do is put a little filter over the faucet head with sugar cubes in it. So as the absinthe passed through, it turned green.  Josh  That makes sense. That makes sense. I I I would assume in Ireland what it was is the pipes were made out of Clover.  John  That's exactly correct. Yes, the pipes were made of Clover and and so then you would. Then you would have boxes of Lucky Charms. I don't know. What I'm talking about?  Josh  There it is. That was good. I liked it. You stuck the. So yeah, so she's just in the bathtub washing her ****. Meanwhile, someone pulls up to the house in a taxi. Opens the door. It's Elena and his twin sister. Uh, iris is just. **** like she has no ******* idea what's up. She is just done with expressions. Yeah, she's lost. Frank sees this from the top of the stairs. She goes he he goes and he bullies. This is such a weird movie. He goes to to the discotheque. In the bathroom, he's. Like, hey, you have to leave now. I'll take you home. But you have to leave. And she's like, I'm not leaving until you put your come on me. And he's like, no, no, no. You have to leave. I'm gonna drive you home. And that's what happens. He like like. Smuggles her out the back, drives her home. This guy that just kills people. He's like, yeah. I'll take you home. It's going to be fine. So yeah, it's. Just that that happens and.  John  So well, you have to understand that he he felt sorry for her because she had very dirty ****.  Josh  So while while he's driving disco hoochie home. Iris is now left alone in the house with Anna. And So what she decides to do is she's going to. Move annas body into a spooky spot. Cut off the lights and then do a spooky voice at Elena like.  Josh  Woo the house is.  Josh  Jesus Christ, and to her credit, this is entirely effective and Elena cannot handle her ****. So she, like, backs up everywhere. Also, there's an amazing like giant bronze like furnace in the side of the room. I don't know what's going on. But that thing was ******* awesome. I need one of those.  John  Is that is that the thing that's covered in what looks like jade or something like? What the hell was that?  Josh  Like, like, shiny green.  John  Like wow, that is, it was a time machine.  Josh  You must have done so good in fascist Italy in this.  Josh  House time machine. I just come.  Josh  And so, yeah. So Elena is, like, spooking her way through the house. And then, like, I think she sees Anna's body propped up in the chair. And then she she turns around, and there's Iris in the shadows holding a knife the wrong way. Like they're they're. All sorts of different ways that you can hold the knife in a minute. Don't imagine any of those this is. The wrong way to.  John  Yeah, this is one step short of carrying it by the blade. I like when Elena's going through the House and she's got a candle to light her way and the way they they decided to shoot that was to hit her with a flashlight so that it would look like her. Candle was lighting the way when it's so clear that someone behind.  John  The camera is.  John  Just dosing her with a flashlight. It's like, yeah, why not?  Josh  So the very sight of Iris in the darkness with the knife is enough to cause her to collapse into a coma. Yeah, apparently she's done. Yeah, yeah, she she goes full blown, comatose, and then I. Chris very slowly comes up like it's it's hard. Like we're like, OK, she just wanted to scare the **** out of her, I guess. But no, she comes up to her very slowly and is like just step out because he can't build tension for ****. Joe Tomato knows this about himself after watching this movie, he cannot build. Mentioned for ****. So she just very slowly comes up to stab her. And then at the last second, I guess ******* frank, like, really took that hoochie home fast. She must live near by, that turns out.  John  She lives right.  Josh  Next door, Jesus in his in his like like isolated estate in the Italian countryside. He's just, like, got her back and and then drove back home real quick. I guess he knew that this was gonna be a problem. And so, just as she's bringing the knife down to stab Elena, he grabs her arm. He's suddenly there. And now they're fighting. ** *** she stabs him in the penis.  John  In the brown Jenkins.  Josh  Yeah, she separates the Frank from the beans. And he, like, does the whole. But then it's still good to keep fighting. So, so part of him getting stabbed in the penis as he falls back and, like sits in Anna's dead lap, the chair folds over there. He's, like, sprawling out on top of her.  John  He bites Iris's cheek off. He gives her a 50% Chelsea Grin.  Josh  She rips out his eye and more eyeball stuff. Yeah, and then he stabs her in the heart, which, which I'm sure Joe was like, ohh man, this is going to be really symbolic and help add to the tension.  Speaker 5  I'll teach them about suspense.  Josh  And then so Iris is now dead. He's stabbed her in the heart. Then he walks over to make sure that Elena's heart is beating. It is, and then he picks her up and carries her away. Later or something? Funeral Guy is now snooping around again. He just he can't get his fill of this situation.  Speaker 5  Is a new obsession.  Josh  We don't really know what his motive is either. He's just like looking for it. He he's snooping around, he finds Frank. Frank is still covered in blood. There's just blood all over his, like, dripping down out of his eye and and Frank is Manning the furnace and and Frank is, like, just conscious enough to, like, see the funeral guy and then pass out himself. And so the funeral guys like, oh, that's that's convenient. He looks in the furnace, he sees that there are bodies being burned. He he then sees Anna's body on the table and we find out this is in fact what he was here for, so he he picks up Anna's body. He drives. He puts the body in his car, drives away as he's driving off the property. We see he has the the photo that he took of Anna's body on the floor, and he drops it on the on the driveway, leaving the thing which is weird like it. Now we see what he wanted was Anna's body. Why he took the photo instead of just taking her body then we will never know. No, but he he he takes takes the body out. The photo he brings her body to the priest that presided over the funeral. They're talking about it. There's something about money being exchanged that didn't make sense. I guess I I think what we're supposed to get from it is that they found out that her body had been exhumed. And her parents paid him extra to get the body back or something like that, yeah. But it's super not clear. And then he he puts, he puts her body into the casket and him and the priest are talking. And then he slowly starts screwing the casket closed, and at this very moment with the coffin, shut the lid. Off and we see it's not Anna. In fact, it was Elena, and she's now flinging her arms and and just Jack Jaw opening her mouth in the most horrific, torturous expression ever screaming, screaming, flinging around, screaming, freeze frame. On her screaming face, it says the end, the end credits roll the goblin training video. Music plays movie over.  John  Oh my God. Ah, not never a dull moment.  Josh  No, no, many a confusing moment, but not dull.  John  Ohh yeah yeah yeah. Like like all Italian 70s or 90% of it makes no ******* sense. No idea.  Josh  I'm guessing there maybe there is a criticism of like the the wealthy Italian families. Like maybe this was playing into some stereotypes that I just don't know about.  John  Yeah, cause he's he like, inherited that fortune.  Josh  Right.  John  So he's just some spoiled rich kid who gets blow. He's from his nursemaid. I don't know what.  Josh  Yeah, that's right, the that's the the private investigator was like, yeah, I found out he's. Let's see here. He's like, ohh. OK. Here's a here's a tenner.  John  I couldn't have figured that out myself. He lives like *** **** castle.  Josh  So so John, yeah. But before we, before we. Dive into the things let's do the ratings.  Speaker 5    Josh  On a scale of 0 to 5, lonesome thing zero being this movie, doesn't it deserve to exist? And five, being that this is a masterpiece that other movies should be trying to emulate, and none of them ever will successfully rise to the occasion of, how would you rate Joe Demattos beyond the darkness parentheses? 1979.  John  I I don't know why I chose to do this 50. What four or five movies into the show, but it is. I decided to like break down into a comprehensive rating system, so like my first question is it horror 5? Yes, it's horror. It's straight up. Did I enjoy it? I gave it a.  John  3.5 you know?  John  OK, I enjoyed it. You know, overall production quality 2.5 pretty.  Josh  Yeah, that's that's yeah. But that's in.  Josh  The middle right? Yeah, yeah.  John  Effects, effects and makeup. I'm gonna give it a 4.5 because. Loved it. Atmosphere, which I think is important in horror films. I'm going to give it a 2.8 because the atmosphere is.  Josh  OK, OK. Yeah, yeah.  John  Terrible in that film. It's not scary at all. It's place and horror, I think is another important category. I gave it. A 3.8 because I think it is. It does have its place, but most people, and if they're not. Horror fans won't know about this, but if you study horror, particularly the 70s, this film does have its place and it is well deserved writing and acting. I gave it A2 and I think I was being generous. Overall, divided by what was that seven? I believe it comes out to 3.44, which is probably pretty damn close to what I would have come up with. Anyway, had I been purely subjective, which it's all purely subjective.  Josh  Right. Yeah. Fantastic.  Josh  I gave it a 3.4. What the ****? I.  Josh  I I I mean, I agonized over that 3.4 I I was like oh man. But I need to I need to move these numbers here. Alright so so my my rubric is 1. So in each of these it's a number between .0. 1 so it's like on a 10 scale. And then I just add them all together. So is it a horror movie? I gave it a .8 like so. That's a that's a 8 out of 10. Basically I enjoyed it. I gave it a nine technical horror. I gave it A7. You know, there's some some ways in which it like it wasn't scary and that, but but the actual. Effects were just phenomenal and and and really good technical film. I gave it a .2. Yeah, artistry and contribution. I gave it 8 and all at like .8 point 9, point 7.2 and .8. That's a 3.4. We've got good rubrics.  John  They're actually pretty and and quite similar in in certain respects. Now, to be fair, like so.  Josh  We both gave this 3 point a 3.4 and. A 3.44. This is not a 3.4 out of five movie it is. It is not nearly a what? That's almost A7. Of 10 it's not, but it is definitely a 3.4 out of five loathsome things, like on on our scale. That's where it belongs.  John  That's right. We we will not be included in the Pantheon, but if you're going based entirely on our our mentality, which you know we all know about that by now, then yeah, I think a 3.4 ish 3 point. Yeah, I think that's fair. I like that. We were off by 4-1 hundredths of.  John  A point, yeah, yeah.  Josh  Yeah. So that is a 6.84 out of 10 loathsome things. That's way, way high.  John  This movie sucked ***.  Josh  This movie is terrible, but I just enjoyed it so much.  John  I I mean, I could. I could watch it as soon as we're done recording again and love it just as much.  Josh  So we've got like the other ones like a a muck train and and the pit this is like in those that vein of movies where it's just ridiculous. But this was just way better than those.  John  It is it is it? It it's almost an actual movie.  Josh  Yeah. So so Joe D'amato. Rest in ***********. You you made something that we really enjoyed, even though it was like sleazy as ****. There's so much like. Unlike just like, yeah, let's get some **** in here. Let's, let's show the whole Bush like. We're going for it, but. But I mean it it it's just one of the only movies I've ever seen that transcends the sleaze into just. Absurdly amazing nonsense.  John  Yeah, it it really. It really is a blast to watch. It's so ridiculous. It's such so 70s. It's it's great.  Josh  Whenever whenever I saw the suckling and I was like, oh, I'm gonna have to tell John about this. And then when I. Talked to you about it? I was like, hey, have you heard of this movie? You've seen it. You're like, no, I. Haven't I was like.  Josh  Ohh yeah, it's gonna be so good. This is why we do this podcast. It's movies like this.  John  Ohh yeah absolutely. Yeah, I saw the cover. Maybe it looked vaguely familiar, but I didn't know. About this movie not at yeah.  Josh  And then I didn't even realize it until I was like going through it like the the goblin element. I was like ohh God John's gonna like this like, but it's all so terrible.  John  I know I'm. I'm like, oh, I'm gonna pinch a link on this and then it starts, starts good, starts strong for a good solid 8 or 9 seconds and then. Man, it just devolves into like training video stuff like you said. Yeah, that's it's that. Remember to turn your badge in at the end of the day.  Josh  You are required to wear the T-shirt and we will charge you for the T.  John  We will be leaving the bathroom doors open as a safety feature.  Josh  Remember, your manager is your friend.  John  If you encounter a homeless person washing their testicles in the sink.  Josh  Ohh, you get the idea. Yeah, yeah, if. A guy is hiding a baseball bat in his pants approach. Him from a distance. Please watch tape two to figure out what to do if you come across a pile of magazines covered and come.  John  And please grab a gluten free bagel on your way out the door.  Josh  Oh Barnes in problems. Good. All right. So yeah, yeah, a 6.84 any anything that you want to like, zoom in on and and and like, pay a special attention to or a favorite moment. Something that that made this a gym for you.  John  I mean the. The God there's. There were a lot. That's that's true. The the whole dismemberment scene was just classic. It was it was just pure. Pure Italian schlock. I mean that's that's what you you come for that and you have it. And yourself, Sir?  Josh  Ohh man I I just. All, all of the stuff with Iris, I mean, she's. The movie is about Frank, but it she is just such a great, weird villain. She's not even the villain, he's the villain. It's like he's the bad guy of the movie, but she's just so good and she eats up the screen every. Time she's on it. Your eyeball, like I could see why his career in softcore core *********** got started, but then didn't like finish because like, yeah, he's got, like, the eyes, he's got the hair, the jaw, like he's handsome. But your eyeballs just slip right off of him like he he could blend into a crowd of pretty people, but like the instant that she's on camera, you're like, whoa, what is she doing?  John  She's got a look. She just has that. There's just a look to her. He he has a look. What I would describe as a young Billy Joel.  John  So there you go with that.  Josh  So yeah, it was good. I loved it. If you can handle the problems, it's got some problems, but it's it's much easier to watch than some of the other weird stuff we've seen.  John  Yeah, yeah, it this this falls. Firmly in the place of horror.  Speaker 5  Yeah, you're you're good there.  Josh  Speaking of other things that things that we've watched, Sean, what about have you been watching anything else or consuming any other media or or doing any other cool things?  John  Hey, just the usual listening to a lot of audio books at work, horror audiobooks currently listening to a book called The Shoemakers Magician, which is written by an author out of Chicago named Cynthia Pelayo. She just won the Bram Stoker Award last night for her poetry, which is cool. And I guess is what like as long as I'm and it's a great book, by the way, it's it's about a woman who's, like, kind of obsessed with folklore, with old horror movies. And her husband is a homicide detective who is investigating a bunch of weirdly cult related murders. It's it's really interesting. And it's a nice mix of elements. So anyways, that's that's really the main one. The rest of this stuff is like I haven't seen any really horror movies or anything like that. I don't know. How about you?  Josh  It's a new. Movie The the directors name is DW Medoff it it's his feature film debut, it's called Pollen. It's.  John  Oh yeah, yeah.  Josh  Yeah, it's, it's good. It's super low budget and it it's kind of a I, I don't know if you're familiar with the mumble core idea of movies, it's very mumble core, very, very low budget like it you. You can see it in there. And it and it doesn't pull itself all the way out of the the low budget slums of like. Where it could be. Rated But it it it gets a little. Bit out of there. There's actually some some meat on the bones and it's it's an interesting watch. In some ways. It's kind of problematic. It would probably be better if. It was written and directed by a a woman because it's very much like a **** **** and me too, and a status quo in the workplace type of deal. I'd recommend watching it. I think it's only available for rent, so I would recommend y'all go out there, throw a few dollars on it, give a a new upcoming creator a a little, a little extra spending cash for and encouragement for their next project. It's it's good like they're they're trouble. I'm not, I'm not. Qualified to to say whether or not it portrays things like that in a good way, so it's very possible that the. Like did his research had, like, consultants, that made sure that this was done the right way? It's just like they're little parts of me. That's like I suspect maybe this. Could have been done. Better, but I don't know, but it was enjoyable to watch.  John  Well, I I I I hadn't seen it and I. Mean saw that it was. Out there and it looked interesting. So yeah, now I'll definitely watch it.  Josh  Yeah, it's really good. And so my TV just died, right? Right. Right before our we recorded our last episode. And I got a replacement. And I actually. It, like the old one, was 4K, but it was one of those like, not really 4K things. And this one is actually 4K with the O LED. And the first thing that we watched on, well, the first thing I watched on it was a old system of a down music video which looked like trash because it was from like 2004. And then we watched King of the Hill. So it was like we're not really doing this TV justice. So we watched Ant-Man. And it's ******* gorgeous on this TV. It like, I'm gonna try to watch as much as possible on there. I'm gonna have to see if I can get my headphones on there, because watching stuff on a really actually high quality screen TV is amazing. It's it's a game changer for real, yeah. Yeah, like with that other TV, like when we got it. And watch stuff on. It I was like ohh neat. It's big and then. With this one I'm like. Ohh look I can see. Stuff moving and ah, it's good. Yes, that's it's.  John  Yeah, it's a totally different experience when some when something shot in 4K it it, it looks different. I mean it. The motion tracks different and you know the the the the level of clarity is is like like it's yeah. Like you do see a lot of things you wouldn't see otherwise, but it's just. It's almost like you're looking through a damn window.  John  Yeah. Yeah, yeah, that's.  Josh  And sometimes some of the things even look a little bit weird, like like on old British TV shows where, like it, it's got like that weird blurry effect. It kind of does that sometimes, but it's still good. I'm still getting used to it. Sometimes I kind of hate it, but most of the time it's very rad. And what are we watching? Next time, John.  John  Now, next time we're watching a movie that is heavily influenced by the Texas Chainsaw Massacre, which is fine with me if you pull it off, it's a A I believe it's an Indonesian film called Maccabe. And it's directed by Timo Jazz Zanto or something like that. I can't pronounce his name. He did some of the VHS stuff. He did my my personal favorite VHS film, the one with the Crazy murder cult that summons a demon.  Josh  I see, yes.  John  I love that film. He made that. We also made some of. Those like super high violence tower type movies, you know, like he kind of got in on that thing you. Know where the. Guys are that kind of world. He did some. Of that stuff too.  Josh  Was was he involved in, like the raid redemption?  John  He might have been. I can't remember the connection I'll have. I'll look it up for the next for the for when we recorded. But the movie itself is it's like a bunch of young people in a van and. They basically you're out in the middle of nowhere and it breaks down and they get taken to this house, which in this case is like this big Gothic kind of mansion, and it's run by this matriarch and her weird family. And yeah, it turns out that they're just like, murderous cannibals. And it is ******* over the top and amazing.  Josh  Oh yes, I haven't looked up anything about it, but that that sounds ******* great. Do we there? Have you seen it recently? Are there anything that we can warn our fans about?  John  Well, it's extremely violent and the violence is.  Speaker    John  Is yes, it's over the top, but it is. It is pretty, you know. I mean it's very graphic like it's, you know, there's insane amounts of blood and stuff like that, but it's just and and and then the situations that the violence is presented in are are pretty intense. I mean, so it's it's a very unflinching movie which is kind of his thing. But he's a he's kind of a gonzo guy, but it's a lush film. So, yeah, it's gonna be a lot of fun.  Josh  I'm looking forward to it and I hope you, our listeners are looking forward to it as well. We will be releasing the episode where we cover that in two weeks. So do watch it cautiously so that you can keep up with us because we're so good at what we do.  John  Ohh we are state-of-the-art and in the meantime I'm sorry that you all have to take a bath in Chianti. Acid. 

The guys are joined by Tianna Country Club General Manager and head coach at Walker-Hackensack-Akeley High School, Carrie Johnson. Live from the team van returning from a practice round for the state championship, Carrie discusses everything high school golf and Tianna, where she has been the GM since 2010, following in her father's footsteps. From the course to the hospitality to the food, Tianna is a Minnesota gem. They also talk the food scene in the Walker-Hackensack area.The guys also talk about the wild, dramatic finish at the Charles Schwab Challenge at Colonial where Emiliano Grillo overcame a bizarre double bogey on 18 to beat Adam Schenk on the second playoff hole. They also recap the Senior PGA where Rush Creek general manager Derek Stendahl played his last 27 holes in even par to just miss the cut by a single shot.

Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. Leaving Laurel - this time last year [Anjunadeep] [00:35] 2. Flexible Fire - Marea Turquesa [Monstercat Silk] [05:27] 3. Robby East & A.M.R - Marula [This Never Happened] [08:55] 4. Marsh - Pneuma [Anjunadeep] [14:15] 5. Seawayz - Sunflowers [Monstercat Silk] [19:19] 6. Aether - Sapphire [Monstercat Silk] [22:31] 7. Khen - Yellow [Anjunadeep] [24:55] 8. Wassu & Mimi Page - Within Me [Monstercat Silk] [31:51] Silk Spotlight: 9. ORACLE & Nina Carr - Golden [Monstercat Silk] [36:55] 10. Ben Böhmer - Flug & Fall [Anjunadeep] [40:55] 11. LTN, Stendahl & Arielle Maren - Black Hole (Elypsis Vocal Remix) [Monstercat Silk] [45:35] 12. Simon Doty - House For All [Anjunadeep] [49:35] 13. A.M.R - Orchids [Monstercat Silk] [56:15] Thank you for listening to Monstercat Silk Showcase!

Большое спасибо Jamie & Elissa Stevens за приглашение поиграть на вечеринке ? 01. Nikola Melnikov, Max Sorokin - Quadrennium (Rammo X Spaniol Remix) [RADI MIRA I LUBVI] 02. Stendahl, Meeting Molly - Balearis (Extended Mix) [Monstercat] 03. Zankee Gulati - The Magic Spoon [Meanwhile Horizons] 04. Juan Deminicis - The Middle Path [Univack] 05. Christopher Ivor - Honouring (Fabri Lopez Remix) [Massive Harmony Records] 06. A.M.R - Sailor's Cry (djimboh Remix) [Monstercat] 07. Strange Malcolm - Happy Little Clouds [Resonate Together] 08. Chris Zippel, Ghenwa Nemnom - To Follow (GMJ Remix) [Pillbox] 09. Ivan Aliaga - Futura [Meanwhile] 10. Mango, Ric Niels - Trip to South (Blood Groove & Kikis Remix) [Mango Alley] 11. Sebastian Sellares - Renaissance [Proportion] 12. Forty Cats - ID (ID Remix) [ID] 13. Analog Jungs - Namaste [Mango Alley] 14. Danny Serrano - I Don't Care (Kamilo Sanclemente Remix) [Serrano's Kitchen] 15. Bondarev, Dowden - Tranquility (Alan Cerra Remix) [One Of A Kind] 16. Sebastian Sellares - The Blitz [Proportion] 17. Andre Moret - Cloudy Soul (Matias Ocano Remix) [Transensations Records] 18. ID - ID (Vitaly Shturm Remix) [ID]

00:00:00 Ventt & Keparys - Arcana [Melody Of the Soul] 00:06:57 Ranta - Richenka [Journey of the Soul] 00:11:46 Savvas - Reminisce (RIGOONI Remix) [Proton Music] 00:16:01 Stendahl & Meeting Molly - Balearis (Extended Mix) [Monstercat] 00:20:24 Rebelski, Madraas - Leaving Places (Erdi Irmak Remix) [Where The Shadow Ends] 00:25:27 Caymane - Forgotten Paths (Extended Mix) [Songuara] 00:31:02 Dyab - Out There (Original) [Profundo] 00:35:21 Alan Cerra - Radiant [The Purr] 00:40:03 Kasper Koman - The Observer [Lost Miracle] 00:46:18 Yonsh - Aspiration [Mistique Music] 00:51:30 Florian Gasperini - A Man Said (Original Mix) [Univack] 00:56:12 Hermanez - Areia (Original Mix) [All Day I Dream] 01:01:58 Hotmode - Absolution (Original Mix) [Sangraal] 01:06:21 Damate - YinYang (Extended mix) [Colorize (Enhanced)] 01:10:46 Diass, Matizze - Moonshine [SCM] All about studio working & music production. Help with music production, mastering and mixing. Exclusive content: releases, mixes, sample packs. DP-6 Patreon Community. Join us: www.patreon.com/dp6 You can support DP-6 music in crypto donations: BTC: bc1qwdeu4qyl0m7zmdn6tjv6nthme2p2e2afnu54nu ETH (ERC20): 0x2C2a670C0bC7e9e922c0fBCc81a28d788DE4cC6c USDT (BEP20): 0xEAcdf3F4783C6a991d021359a4125498b036e140 + other crypto wallets on request

A proverb from Stendahl explains why social media is so bad for mid-level Christian intellectuals. Hopefully no one too famous is listening. Hosted on Acast. See acast.com/privacy for more information.

01. Stendahl & Meeting Molly - Balearis [Monstercat Silk] 02. Zankee Gulati - Tomorrow Will Be Better [The Soundgarden] 03. Molokova, Alona Gontcha - Just Be (Themis Georgoudis Remix) [DP-6 Records] 04. Ed Steele - Over to You (EMPHI Remix) [Mango Alley] 05. Maximo Lasso - Pulse [Mango Alley] 06. Jamie Stevens & GMJ - Force of Nature (Original Mix) [Balance Music] 07. Ezequiel Arias, Sebastian Sellares - Imaginear [Replug] 08. Jiminy Hop - Parake [Plaisirs Sonores Records] 09. Kyotto - Shifting Reality [WARPP] 10. Andres Moris - Owen's Dream [Meanwhile] 11. Dave Shtorn - Creators (Extended Mix) [Magic Room] 12. Forerunners - Night Symmetry [Pure Progressive] 13. Zankee Gulati, Amega - We Are One feat. Amega [The Soundgarden] 14. atish, Vridian - Salvation [Manjumasi]

Programledere: Gøril Helene Christoffersen og Terje Kingsrød Gjester: Erlend Johannesen, Svein Andersen, Clara Stendahl. Simon Friis Larsen, Christina Sengsvoll og Jørn Bue Olsen

It's a Fathers Day treat as the guys are joined by Rush Creek General Manager and Minnesota Senior Open champion Derek Stendahl and his son, one of the top juniors in the Midwest, Ryan Stendahl. From the chilled apples on the first tee, to the Highlander Restaurant to the awesome Mac 9 to the Championship course, Rush Creek has everything. We hear about their favorite holes, the Stendahl family competition and what makes Rush Creek a special place.

Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. Vintage & Morelli x Arielle Maren - The Light (Flexible Fire Remix) [Monstercat] [00:35] 2. Melchi - Lepus [Monstercat] [05:56] 3. Stendahl & Meeting Molly - Outlines [Monstercat] [10:12] Silk Spotlight: 4. LAR - Gaze [Monstercat] [14:31] 5. Claes Rosen - True Love [Monstercat] [18:52] 6. Bound to Divide - Holding On [Monstercat] [24:39] Silk Exclusive: 7. Hausman & Lumynesynth - Higher Peaks [Monstercat] [29:52] 8. Vintage & Morelli x Arielle Maren - Valley Of Hope (Dave Graham Remix) [Monstercat] [35:34] 9. Bound to Divide - Let You Go [Monstercat] [41:09] 10. Hausman & Lumynesynth - Waiting [Monstercat] [44:12] 11. Hausman & Lumynesynth - In The Clouds [Monstercat] [50:47] 12. Tom Fall - Dive [Monstercat] [55:18] Thank you for listening to Monstercat Silk Showcase!

Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. Ben Böhmer - Erase (ft. lau.ra) [Rezident Remix] [Anjunadeep] [00:35] 2. Bound to Divide - Spirals [Monstercat] [06:30] 3. Terry Da Libra - Your Eyes [Monstercat] [10:18] 4. Nicky Elisabeth - Fading [Anjunadeep] [15:11] Silk Spotlight: 5. Manu Zain - Malibu [Monstercat] [18:43] 6. Makebo & Amonita - Back To The Roots [Anjunadeep] [21:36] 7. A.M.R - Fireflies [Monstercat] [28:22] 8. Le Youth & Sultan + Shepard - Pattern (ft. Emily Falvey) [This Never Happened] [32:59] 9. Stendahl & Meeting Molly - Outlines [Monstercat] [37:03] Silk Exclusive: 10. Melchi - Lepus [Monstercat] [42:00] 11. Mona Vale - Pieces Of You [Anjunadeep] [46:20] 12. Lane 8 - Hold On (ft. Fractures) [Ben Böhmer Remix] [This Never Happened] [50:24] 13. Sam Davies - Northern Lights [Monstercat] [54:28] 14. Promnite - Absolute [Anjunadeep] [59:05] Thank you for listening to Monstercat Silk Showcase!

After fridays broadcast on DI FM we present you the 95th episode of the Spring Tube podcast. During 2 hours here for you another selection of some of the brightest this month's stuff from Spring Tube and other labels. Your hosts as always are SlanG and Technodreamer. For our May 2022 episode we have new music from Magitman, Gai Barone, Roger Martinez, Hernan Cerbello, Paul Sawyer & Damien Spencer, Michael A, and others. In a last 30 minutes of this month's podcast - - the special guestmix by Lokovski from Morocco who this week together with David Folkebrant released his new EP on our label. Have a nice listening *available for download Tracklist: PART 1 – SlanG 01. Magitman - Dissonance [Good News] 02. Hernan Cerbello - Whistles [Spring Tube] SPR327 03. Roger Martinez - Love Sphere [Higher States] 04. Roger Martinez - Euphoria [Higher States] 05. Paul Sawyer & Damien Spencer - Where Do We Go [Pro B Tech] 06. Digital Mess - Generic House [Mango Alley] 07. Rodrigo Kesovija - Love In The Rain [MNL] 08. Galatea - Farewell [Ayurveda] PART 2 – Technodreamer 01. Lateral Shift - Afterlife [Spring Tube] SPR326 02. NOIYSE PROJECT - Remember Me [Till The Sunrise] 03. Not Demure - The Hourglass [Univack] 04. Subalpine - Heart Fog [Spring Tube] SPR325 05. Tonaco - Mars Sunset (EMPHI Remix) [Terasonic] 06. Michael A - Reload [Mashbuk Progressive] 07. Paul (AR) - Dimentional (Figueras Remix) [3rd Avenue] 08. Rafa'EL - Ethereal Minds (Gai Barone Remix) [Beat Boutique] 09. Ric Niels & Will DeKeizer - Detoner [Deepwibe Underground] PART 3 – Lokovski guestmix 01. David Folkebrant & Lokovski - Everything [Spring Tube] SPR328 02. Stendahl & Meeting Molly - Outlines [Monstercat] 03. David Folkebrant & Lokovski - Above [Spring Tube] SPR328 04. Jeef B - Give Me Love [Avanti] 05. Eelke Kleijn - The Hierophant (Tim Green Remix) [DAYS like NIGHTS]

K. Stendahl, teólogo supõe que há uma escola teológica por trás deste evangelho. Dessa forma teriam sido instruídos mestres e líderes das igrejas no cristianismo primitivo.

Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. The Midnight - Lost Boy (A.M.R Remix) [Monstercat] [00:35] 2. Stendahl & Meeting Molly - Balearis [Monstercat] [06:27] Silk Exclusive: 3. Terry Da Libra - Sparkles [Monstercat] [11:15] 4. Odsen - You Keep Breaking [Monstercat] [17:07] 5. Talamanca & Roald Velden - Silk Road [Monstercat] [21:09] 6. il:lo - List (Live Edit) [Anjunadeep] [27:33] 7. Elypsis - All Around Me [Monstercat] [35:33] 8. OCULA - Green Willow (ft. Philip LaRue) [This Never Happened] [39:33] 9. Jerro - Are You There (Falden Remix) [This Never Happened] [43:18] Silk Spotlight: 10. Bound to Divide & Lauren L'aimant - When The Sun Goes Down [Monstercat] [46:55] Silk Spotlight: 11. Bound to Divide - Holding On [Monstercat] [51:02] 12. Z:N vs. Boom Jinx & Katrine Stenbekk - Come Alive (A.M.R Remix) [Monstercat] [56:14] Thank you for listening to Monstercat Silk Showcase!

Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. Not Now Please - The Intimate Space [Monstercat] [00:35] 2. PROFF - I'll Try (ft. Gliss) [Acoustic] [Monstercat] [05:29] Silk Exclusive: 3. zensei ゼンセー & Mr. Hilroy - roadtrip [Monstercat] [10:40] 4. Stendahl & Meeting Molly - Outlines [Monstercat] [13:03] 5. Terry Da Libra - Nightfall [Monstercat] [16:44] 6. Hausman & Lumynesynth - Faded [Monstercat] [21:23] 7. Talamanca & Roald Velden - Silk Road [Monstercat] [26:01] Silk Spotlight: 8. Claes Rosen - True Love [Monstercat] [31:11] 9. Vintage & Morelli - Campfire In Bali [Monstercat] [37:24] 10. Deeparture - Let's Remember (ft. Dan Soleil) [This Never Happened] [43:43] 11. Sam Davies - Cosmos (Sundriver Remix) [Monstercat] [48:53] 12. Allay & Delectatio - Crossing The Vermillion Dunes [Monstercat] [56:37] Thank you for listening to Monstercat Silk Showcase!

Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. Aftruu - Addiction [Monstercat] [00:35] 2. Odsen - You Keep Breaking [Monstercat] [04:08] 3. Shingo Nakamura - Focus [Monstercat] [08:50] Silk Spotlight: 4. Stendahl & Meeting Molly - Outlines [Monstercat] [13:11] 5. Fløa & Ra5im - Overthinking [Monstercat] [18:39] 6. Talamanca & Roald Velden - Silk Road [Monstercat] [23:54] 7. Stendahl & Meeting Molly - Balearis [Monstercat] [30:19] Silk Exclusive: 8. Hausman, Discognition & Lumynesynth - Garden Of The Gods [Monstercat] [35:06] 9. Banaati & Haen - Blossom [Monstercat] [41:27] 10. IPeiqi - This Is The Life We Dreamed Of [Monstercat] [46:03] 11. Odsen - Shadow Settles [Monstercat] [50:46] 12. Blood Groove & Kikis x Brandon Mignacca - Let Me Hold You [Monstercat] [54:44] Thank you for listening to Monstercat Silk Showcase!

INTRODUCCIONLucio Fulci fue un director, escritor y actor italiano. Dirigio muchas peliculas incluyendo comedias y Spaghetti Westerns, pero gano fama gracias a sus peliculas de finales de los 70s donde incursionó en el genero de terror y mas puntual el tema de los muertos vivientes, ademas por contener mucha violencia y gore. No por nada le dicen “The Godfather of Gore”.Alabado por muchos, criticado por otros mas, si bien las peliculas de Fulci no son lo mejor en cuanto a historia (muchos aseguran que fueron plagios) pero si en sus famosas escenas de gore y tecnicas de filmacion. Ademas que son cintas ya de culto y de inspiracion para directores como Quientin Tarantino.Nacio un 17 de junio de 1927 en Trastevere, Roma. Fue criado solo por su madre y pronto se intereso en el arte, musica y peliculas. Estudio por un tiempo medicina, pero abandono sus estudios para dedicarse a la industria cinematografica, ya que el creia que se ganaba mas dinero ahi.Inicio como critico de cine escribiendo para Gazzetta delle Arti.Sus intereses artisticos lo llevaron a la escuela de cine en Roma: Centro Sperimentale, donde empezo a realizar pequeños documentales y participar como asistente de director en peliculas.Durante los 50's estuvo muy involucrado en el cine de comedia y fue arropado por el director Steno.Dirigió más de 60 películas y escribió más de 120 guiones, saltanto entre géneros y buscando siempre lo nuevo, lo excitante y lo innovador.Fase de director de documentalesPrimero estuvo un tiempo trabajando como director de noticieros y documentales, sin embargo, se metió en un escándalo con un gurú llamado El Boda y esto lo metió en un lío que lo sacó de la escena. Sin trabajo, fue contactado por un amigo que lo invitó a dirigir una película: I Ladri con el famoso Totó.La película no le fue muy bien, era de comedia, pero lo trajo ahora a la pantalla grande. Entonces empezaría a escribir más guiones y a comenzar la producción de más películas.Motivación del cineLucio Fulci similar a Ruggero Deodato, coincidía en que las noticias eran muy amarillistas, mostrando los reportajes de crímenes en horario familiar 7-8 PM. Además, era un ávido creyente de que este tipo de reportajes debían ponerse después de las 10PM. Una motivación de sus películas era llevar las noticias de crímenes a la pantalla grande a través del horror. ¿Ustedes creen que se refleja este estilo en su cine?Finales de los 60s y peliculas Giallo.En 1969, Fulci dirigió la película Beatrice Cenci, que es un melodrama, pero el lo describe como un horror histórico y que, a pesar de que nunca tuvo éxito en taquilla, el considera es la mejor película que hizo. Este pelicula fue influenciada por eventos que sucedieron en la vida de Fulci. La película también tuvo influencias literarias de Shelley y Stendahl.Como estaba surguiendo este genero en Italia, pronto Fulci se intereso en dirigir peliculas de esta tematica, destacando A Lizard In a Woman Skin de 1971. Pero no fue hasta que estrena Don't Torute A Duckling (1972) donde adquiere una gran notoriedad en Italia. Tuvo otras peliculas como  Four Of The Apocalypse (1975) y Silver Saddle (1978) todas ellas con un grado de violencia no antes vista.Curiosamente, el mismo Fulci dice que no se considera cercano a otros directores italianos, con excepción de Steno porque fue su mentor y lo apoyó. Sin embargo, considera que su cine tiene fuertes influencias de otros autores como Mieville. ¿Ven estas influencias en su obra?Durante este tiempo de películas Giallo, es cuando empiezan a compararlo con la obra de Argento y Bava, por la naturaleza de los temas, que quizá se relacionen por la escena que se vivía en italia y traía estos temas a luz. ¿Ustedes creen que haya similitudes entre el trabajo de Fulci y estos otros dos directores? ¿Cuáles serían?¿Qué diferenciaba la obra de Fulci de estos otros dos directores italianos?La Fama Internacional y los ZombiesDurante finales de los 70s y gracias a la adaptacion italiana de la segunda pelicula de Zombies del director George A. Romero, Dawn Of The Dead, con ayuda del ya conocido Dario Argento, a la cual llamaron Zombi; Lucio Fulci encuentra un tema el cual podria explotar facilmente: El cine de Zombies.en 1979 estrena Zombie 2 (se le titulo asi en Italia para atraer a la audiencia y aprovechar el exito de Dawn Of The Dead, pero la verdad la cinta de Fulci no tenia ninguna relacion con la de Romero).Cinta extremadamente violenta y gore, con escenas inolvidables y una historia algo absurda pero al final funciono muy bien.Continuaria con lo que se le conoce como la Trilogia de las 7 Puertas: City Of The Living Death (1980), The Beyond(1981) y The House By The Cemetery (1981).En todas ellas cabe señalar que la actriz protagonista en todas ellas es Katherine MacCroll interpretando a diferentes personajes.Estas peliculas ademas de ser muy violentas y gore, Fulci siempre incluia una escena donde a un pobre personaje le ocurria algo a los ojos, haciendo acercamientos con la camara. Tenia una extraña fijacion por ello.¿porque creen que esto sucedia?Esta trilogía también aborda temas lovecraftianos, incluso en una llegan a mencionar Dunwich. ¿Qué nos pueden platicar de esto?Las películas que realizó del género de horror, generalmente se le asocian atributos de temporalidad, es decir, en una película típica, lo que sucede atiende a una cronología. En las películas de Fulci, hay una atención mayor en la creación de atmósferas y se vuelve más vago la precisión en cuanto la sucesión de eventos y/o narrativa. ¿Coinciden con esto?¿Podrían mencionar algunos ejemplos?Algunos críticos dicen que la potencia de las películas de Fulci no está en sí en la narrativa, sino en mostrar imágenes poderosas que evocan efectos en la audiencia. ¿Creen que es verdad?¿Qué pedazo de película les creó una reacción fuerte al verla?Pero no todo era felicidad, estas cintas que en su momento era muy dificil que se estrenaran en cine extranjero, y a su vez muy pocos conocias de ellas, eran duramente criticadas como plagios y querer aprovecharse del exito de otras peliculas.Inclusive en la era del videocassette la mayoria de las peliculas de Fulci eran parte de la lista llamada Video Nastys, peliculas que estaban censuradas en la mayor parte de europa.Desde los años 2000s y gracias al DVD y BluRay, podemos gozar de estas peliculas sin corte alguno. Inclusive Quentin Tarantino estreno una breve temporada en cines The Beyond en 1998.Ya en la decada de los 80s y con la popularidad del cine Slasher, Fulci no se podia quedar atras, estrenando cintas como The New York Ripper (1982) y Manhattan Baby (1982) esta ultima con toques paranormales.En lo que leí mencionan que el cine de Fulci es anti-misógino, porque no glorifica la violencia a la mujer como algo “gracioso”, presenta a los personajes femeninos como interesantes, inteligentes, y además, suceden muertes igual de terribles a hombres como mujeres. ¿Están de acuerdo en esto? ¿Creen que puede ser algo diferenciador en su cine?Aqui empezaria su declive aunque dirigio 9 peliculas mas en los 80s y un par en los 90s.Destacan Aenigma (1988) y A Cat In The Brain (1990)Parte de su declive en dirigir peliculas fue por su salud, empezo a debilitarse demasiado que perdio mucho peso. Padecia de diabetes y problemas en el higado.Ademas que en su vida personal, habia perdido a su esposa en 1969 (suicidio) y de la paralisis de una de sus hijas por un accidente de automovil. Aunque unos dicen que murio realmente. Esto aun no se sabe muy bien.MuerteMurio en Roma el 13 de Marzo de 1996 por complicaciones de diabetes a los 68 años.Se dice que Dario Argento pago el funeral ya que Fulci habia gastado todo su dinero en sus tratamientos.2 meses antes de su muerte, hizo una aparicion publica en una convencion de la revista Fangoria, en Nueva York. Estaba muy impresionado porque no sabia que sus peliculas fueran tan conocidas fuera de Italia.Tuvo una buena amistad con Dario Argento, inclusive estaban trabajando en dirigir juntos un re-make de la pelicula Wax Mask, pero Fulci no pudo seguir por su salud y fallecio.La Pelicula se llevo a cabo pero Argento le entrego el proyecto a otro director. Se estreno en 1997 y se le dio credito como gionista a Lucio Fulci.Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música Closing Theme Hounds of Love por Dan Luscombe (Intro)Insiders por Joe Crotty (Intro)Patchwork por Patchworker f.k.a. [friendzoned] (Spoilers)Nightlong por FSM Team (Outro)★ Support this podcast on Patreon ★

A yearly tradition at HDS, the Stendahl Symposium honors the memory of former professor Krister Stendahl, who tirelessly sought to repair fractions between Jews and Christians, supported the ordination of women, and pushed for the full inclusion and participation of women and minority voices in academia and interfaith work. Each year, the symposium carries Stendahl's legacy forward by presenting student papers centered around the topic of “Conversations Across Religious Boundaries.” This year's symposium centered the political nature of Stendahl's legacy by engaging the following subtheme: "Solidarity, Resistance, and Liberation In and Through Religious Difference." This event took place on April 19, 2022.

Level: Expert In this episode Sam and I talk about justification in St. Paul.Stendahl's essay:01Stendahl.pdf (squarespace.com)E. P. Sanders's book:Paul and Palestinian Judaism (ISBN-10 ‏ : ‎ 1506438148 or ISBN-13 ‏ : ‎ 978-1506438146)If you enjoy this content, please leave us a review!Intro: Robin Mitchell - purple tide (intro)Outro: Robin Mitchell - purple tide (intro)Support the show (https://www.patreon.com/thelogosproject)

David Stendahl from SignalTradingGroup joins us to discuss techniques traders can use to achieve more stable results, including: Why it's good to understand a systems logic and will simple systems continue to work, How to apply adaptive logic to simple systems, Mistakes traders make using seasonals, How "seasonal depth" can identify when a market is likely to make a big move, Using environmental overlays to adjust position sizing, Using VIX to switch strategies on/off, Plus, we discuss which is better: diversification of systems or markets?

Why cover justification by faith once when you can do it twice? In this episode we look at the "faith(fulness) of Christ" controversy, how much it's rooted in a faulty understanding of what Luther meant by "faith," what Luther really did mean by "faith," and how that pretty much solves the problem. Whew. Also, why good works don't justify but also why love doesn't justify, either. Notes: 1. Bird and Sprinkle eds., The Faith of Jesus Christ 2. Vainio, Justification and Participation in Christ 3. From the Book of Concord: Augsburg Confession, Apology of the Augsburg Confession, Formula of Concord 4. From Luther: Galatians commentary, Preface to Romans, Freedom of a Christian, Small Catechism-Apostles' Creed-Third Article (all easy to find online) 5. From Barth's Church Dogmatics: II/2 and IV/1 6. Thanks a lot Pope Leo for your lousy semi-Nestorian Tome 7. More again this time from Morgan, Roman Faith and Christian Faith 8. Stendahl, "The Apostle Paul and the Introspective Conscience of the West" 9. From Dad: Paths Not Taken, Luther for Evangelicals 10. Previous episodes related to this one: Justification by Faith, Romans, Galatians And hey! If you've made it this far in the show notes, you're probably a super fan, and should consider declaring yourself as one on Patreon. You can start at just $2 a month (which is basically a buck an episode). Give more monthly and you get swag. Or just pay us a visit at sarahhinlickywilson.com and paulhinlicky.com!

Follow Monstercat Silk on all platforms - monster.cat/silk Tracklist 1. Lil Hank - Stole Ur Girl Pt. 2 [Monstercat] [00:35]  2. Tisoki - SENSITIVE (ft. Charity Vance) [Monstercat] [02:15] 3. CloudNone - Flashlight (ft. Micah Martin) [Monstercat] [04:05] 4. Jayeson Andel - Walking With A Colossus [Monstercat] [05:39] 5. Seven Lions & Echos - Cold Skin [Monstercat] [07:28] 6. TwoThirds - Daydreamer (ft. Bijou) [Monstercat] [09:44] 7. eleven.five - The Way We Were (Toby Hedges Remix) [Monstercat] [11:42] 8. Hellberg - Synchronize (ft. Aaron Richards) [Monstercat] [13:11] 9. Case & Point - Error Code [Monstercat] [15:19] 10. Talamanca - Getaway [Monstercat] [16:19] 11. Puppet - Answers (ft. Koo) [Monstercat] [17:19] Silk Exclusive: 11. Shingo Nakamura - Before You Go (Matt Fax Remix) [Monstercat] [21:49] 12. Blood Groove & Kikis - Garden [Monstercat] [24:08] Silk Spotlight: 13. Shingo Nakamura x Brandon Mignacca - Darling Midnight (BT Remix) [Monstercat] [25:40] 14. Tony Romera vs Summer Was Fun - VHS vs Run To You (ft. Meron Ryan) (Jayeson Andel Smash) [Monstercat] [28:46] 15. Nigel Good - Space Plus One [Monstercat] [30:50] 16. Jacqueline - My Paradise [Monstercat] [34:19] 17. Aiobahn & NUZB - All of This [Monstercat] [36:49] 18. CloudNone - Dizzy Lifted [Monstercat] [38:04] 19. Vintage & Morelli x Arielle Maren vs PROFF - Breathe vs Innervate (Jayeson Andel Smash) [Monstercat] [40:35]  20. Just A Gent - Time Voyage (ft. Hauskey) [Monstercat] [45:08] 21. Stendahl & LaMeduza - You Get Me (eleven.five Remix) [Monstercat] [46:10] 22. Nigel Good - Atmo [Monstercat] [49:00] 23. WRLD & Keepsake - Wishful Thinking (2018) [Monstercat] [49:45]  24. Half an Orange, Disero & Josh Bogert - Sit like a Flamingo [Monstercat] [52:26] 25. Dan & Sam - Walls (ft. Maxx Hennard) [Nigel Good Remix] [Monstercat] [54:41] 26. Nitro Fun - Home [Monstercat] [55:33] 27. SLANDER & Said The Sky - Potions (ft. JT Roach) [William Black Remix] [Monstercat] [58:05] Thank you for listening to Monstercat Silk Showcase!

L'habillage d'une radio, ou ici d'un podcast, c'est à peu près tous les éléments sonores qui font lui donner un style. Justement, tous les styles sont permis : classique, décontracté, moderne, sportif, Old School… C'est vous qui choisissez. Mais attention, pas n'importe comment et pas à n'importe quel prix ! L'habillage, c'est donc tout ce qui gravite autour du son que vous utilisez pour habiller votre podcast : une voix off, une voix montée, un tapis musical, un générique, une rampe, des jingles… Bref, c'est votre signature sonore. Et, à la longue, vos auditeurs vont s'y habituer et reconnaîtront par exemple et à coup sûr, la voix qui illustre vos jingles ou encore les tapis sonores qui sont utilisés. À la radio, par exemple, l'habillage c'est le top horaire, les 1 001 jingles qui ponctuent le programme musical (ils sont chantés ou parlés), ce sont aussi les génériques, les tapis pour la météo et l'info trafic… La question qu'il faut que vous vous posiez est simple : ai-je besoin d'un habillage ? Personnellement, j'aurai tendance à répondre par l'affirmative y compris d'ailleurs pour les podcasts. Dans l'absolu, il vous faudrait probablement un jingle d'ouverture et un autre de fermeture. Probablement aussi, un tapis sonore caractéristique ou encore une voix qui peut, le cas échant, faciliter les transitions et les enchainements entre les différentes parties de votre podcast. Finalement, votre podcast, c'est le contenu et l'habillage, c'est le contenant. Alors, si jamais vous souhaitez investir dans un habillage pour votre podcast, il faut d'abord trouver une voix. Vous avez compris : cette voix est là pour porter votre podcast et pour l'identifier. La vôtre, elle est là pour animer, pour poser des questions ou pour raconter une histoire.  Donc, trouver d'abord une voix (féminine ou masculine peu importe, vous seul savez). Alors, les voix aujourd'hui, et notamment depuis l'avènement du haut-débit, c'est comme les pâquerettes, il vous suffit de vous baisser pour en ramasser. On trouve de tout et à tous les prix mais en ce qui concerne l'habillage il y a une réalité à laquelle il est très difficile d'échapper : moins c'est cher, moins c'est bon. Et généralement, plus c'est cher, plus c'est bon. Voilà maintenant, vous savez. L'habillage, c'est exactement comme le vin : à 3 euros la bouteille, impossible de faire un Syndrome de Stendahl. En revanche, à 150 euros, les émotions commencent à se bousculer au portillon. Attention, comme la plupart des bouteilles de vinasse, l'habillage vieillit très vite et très mal. Cela signifie qu'il faut régulièrement en changer ou mieux, généralement sa date de. Péremption. Arrive. Dès la fin de la saison. Sinon, à condition d'être malin, on pourra le faire évoluer doucement mais surement avec le temps.

Brad Cole, David Branstad and the Stendahl family break down what's happening in Minnesota Golf!

Growing up on a dairy farm in Minnesota, Lea Stendahl wasn't quite sure what she wanted to do in life.  Having gained some digital knowledge during an internship in high school, Lea found her way in the early days of digitizing services and products when she volunteered to help bring the bank where she was working online.  This experience, coupled with her love of marketing, paved the way to Lea's 20+ years in digital finance and was the foray into becoming an award winning and widely recognized leader in marketing and tech today.  As EVP and Chief Marketing Officer for Suffolk, a revolutionary construction company, Lea is responsible for defining and implementing a strategic marketing vision aligned with the company's ambitious growth goals. She has led the transformation of Suffolk's marketing function by creating and executing an integrated, diverse marketing strategy that encompasses innovative branding, media, communications, digital marketing and promotional strategies.  Before Suffolk Lea was the CMO at E*TRADE where she defined and drove the brand and marketing initiatives through innovative campaigns, positioning the organization as the undisputed source for digital investing and training.  Under her leadership, E*TRADE deployed a fresh bold marketing and advertising approach that rejuvenated the iconic brand and earned a Gold Effie Award.  Prior to her CMO role at E*TRADE, Lea was a managing director of brand and marketing communications for td Ameritrade.  She is a member of Tech NYC which is an engaged network of strategic tech and business leaders working to foster a dynamic, diverse and creative New York.  Lea has been recognized for her marketing and branding vision and leadership and was recently named to Ad Week's 50 most indispensable media marketing and tech players.     What You Will Hear in This Episode Lea's origin story Lea's first job and first opportunity to apply her digital knowledge Women in marketing vs Women in leadership in marketing. Obstacles and the challenges of career change. Developing her own narrative and leveraging her points of difference. Humility, self awareness, listening and winning hearts and minds. Being a different voice and opinion in the room. Tips on building a successful career in a male dominated space. Personal professional brand and value proposition. Attracting, retaining and advancing more women in the construction industry. Quotes: “Everyday, I'm still learning and finding my way.” “I was extremely purposeful in transitioning my brand.” “Sometimes being a little bit different voice in the room can actually be an advantage as people instantly pay attention to something different.” “Become the Chief Marketing Officer of yourself” “Seek self reflection and an unbiased view of your own professional brand.” “Self perception vs others perception can sometimes be greatly at odds.” Mentioned: Rebuildtheratio.com Not Done Yet! Not Done Yet! Amazon Bonniemarcusleadership.com Iammusicgroup.com The Politics of Promotion  

Follow Monstercat Silk on all platforms - monster.cat/silk​ Silk Spotlight: 1. Veeshy & Phonic Youth - Arcade Highs [Monstercat] [00:35] 2. Aeron Aether - Samsarana [Monstercat] [05:22] 3. Lycoriscoris - Shizumu [Anjunadeep] [12:14] Silk Exclusive: 4. Shingo Nakamura & Stendahl - Tribute, Chapter III [Monstercat] [17:48] 5. M.O.S - Paenoia [Anjunadeep] [22:20] 6. Meeting Molly - Thu'um [Anjunadeep] [25:13] 7. Stendahl & Shingo Nakamura - Tribute, Chapter II (Terry Da Libra Remix) [Monstercat] [31:00] 8. Hausman & Wynnwood - Catharsis [Monstercat] [36:34] 9. Glaue - A Field In England [Monstercat] [41:48] 10. Vintage & Morelli x Arielle Maren - Away [Monstercat] [47:27] 11. Manu Zain - Sisters [Monstercat] [53:45] 12. Manu Zain - Bamboo [Monstercat] [57:16]

Lea Stendahl, executive vice president and chief marketing officer at Suffolk Construction, shares her unique path into the industry and the various career opportunities she sees for other women in construction. She also highlights Suffolk’s “Rebuild the Ratio” campaign, which not only targets 10% growth in the company’s female workforce over the next 10 years, but partners with two youth-centered organizations to offer STEM education to girls at an early age to help build the next-generation workforce.

Krister Stendahl, the Lutheran Bishop of Stockholm and Harvard Professor, taught that Christians should cultivate a "holy envy" for what you admire in other religions and wish you could make part of your own tradition. In this weeks sermon Dr. Keck will follow Stendahl's advice and look at what elements of Buddhism, Judaism, Islam and Hinduism could enhance our own Christian tradition.

I've been sitting on something for a while because I didn't know how or even if I should share it. But, I think it's important and while I won't share it in its entirety, I would like to share a portion of it because as I said, I think it's important — both for me to say and maybe for you to hear. It all centers around a conversation I had with Adrianne that was one of if not the most difficult conversations we've ever had. It started with a podcast I was listening to which was a terrific interview with a conflict photojournalist named Giles Penfound. I was telling Adrianne about it and told her that when I was in high school, I thought seriously about becoming a photojournalist—specifically a combat photojournalist after seeing some of the work of Larry Burrows—and that photojournalism was one of the two types of photography that I was most drawn to.Subscribe: iTunes | Pocket Casts | Overcast | RSSA British sculptor known as Anna & the Willow makes beautiful large scale outdoor sculptures out of rods of willow, which she then places in the forest near her North Yorkshire studio.Can art be so beautiful that it makes you ill? According to an article in The Guardian, yes, provided you're in Florence and looking at Renaissance art. It's called Stendahl syndrome and apparently there are cases dating back to 1817 and a man is currently recovering from a heart attack in a Florence hospital after gazing at Botticelli's Birth of Venus.If you're a fan of street photography, take a look at In-Sight, a short film by street photographer Nick Turpin, which profiles 10 photographers from the In-Sight collective on why they are drawn to shooting street.Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0

Michael and Ashley discuss the seventh episode of Season 3! The Meyerist bigwigs head to France. Hawk goes to a concert to watch Caleb belt, and then takes off his belt. Stendahl puts the 'hip' in hypnotize. Felicia climbs a ladder--she gets promoted. Hawk has a pizza date with Caleb...I think it was a meat lovers'. Young Lilith created the Ladder story, and Kordjack was involved. Vera doesn't stop Jean Paul from embarrassing Eddie with a burning ladder, so she gets fired. The Path streams on Hulu every Wednesday. Leave your feedback at thepathcast@gmail.com Is the Meyer magic real?

1.Sami Sivananda - Temple Tunes 2.Bitter Sweet feat. Serj Tankian - Drama (Sandro Noir Remix) 3.Van - Air Anjuna 4.Makia Blue - Reformation 5.Rain Dog - See Hear 6.Glint - A Fleeting Glanc 7.Despacito feat. Don Sharicon - No Lie 8.Inventors Of The Sun - Desert Moon 9.Shalimar Sector - Garden of Lust 10.Peter Pearson - Stellar Bliss 11.The Sura Quintet - Shared Moments 12.Stendahl feat. Jama - Follow Me 13.Koan - Odysseus Under the Old Tree 14.Jaques Divo - Grab and Go (Nova Lounge Mix) 15.Rock Candy - Indonesia Facebook: https://www.facebook.com/zoltanbiroChillOutSession iTunes: https://itunes.apple.com/ro/podcast/chill-out-session/id1084852818?mt=2 Hearthis: https://hearthis.at/zoltanbiro Homepage: http://chilloutsessionworld.blogspot.com © All Rights are Reserved by the artists! Cover: Anthony Intraversato / unsplash.com