Podcasts about Teresa Teng

1300 Kilometer ist Micha gerade mit dem Fahrrad durch Taiwan gefahren - aber ganz entspannt und Low-Tech. Wie plant er so eine Reise, was für Tipps kann er anderen Radtouristen geben? Unser Stammhörer mit Retro-Vorliebe klappert auf seinen Reisen gezielt Plattenläden ab, denn eine seiner Leidenschaften ist taiwanische Musik aus den 60er bis 80er Jahren. Natürlich auf Vinyl. Wir hören in fünf funkige Songs rein und sind überrascht von der Bandbreite - Teresa Teng, Mandopop und mehr. Außerdem geht es darum, wie Radfahrer im Verkehr in Taiwan und Deutschland behandelt werden und was besser laufen könnte. FOLGE 39 – KAPITEL: 00:00 Michas Radurlaube in Taiwan 36:46 Mandopop, LPs und Plattenläden 37:26 Teresa Teng - 一枝梅 - 1968 47:01 Yao Su Yong - 偷心的人 - 1968 52:47 Chou Ya-fang 周雅芳 - 心花一朵朵 - 1976 58:13 Zhen Xiu Zhen - 心滿意足 - 1977 1:03:05 Radfahren und Verkehrspolitik in Taiwan und Deutschland 1:24:18 Mu Jie Xie - 夜間巡航 - 1988 MEHR ZUM PODCAST: Zu den Links und Shownotes: https://intaiwan.net/2024/04/29/radurlaub-fahrradreisen-vinyl-mandopop/ Alle Folgen in der Übersicht Taiwancast-Shop (Merchandise) Taiwancast bei Spotify Taiwancast bei Apple Podcasts / iTunes RSS-Feed Taiwancast bei YouTube Taiwancast unterstützen bei Patreon Auf Twitter: Taiwancast / Klaus / Mariano Auf Twitter: Taiwancast / Klaus / Mariano Auf Mastodon: Klaus / Mariano Feedback als Audiokommentar hinterlassen: Aufnahme möglichst per Mail an podcast (at) taiwanreporter (punkt) de senden. Oder (mit Zeitbegrenzung) hier aufsprechen: (04765) 407 9995 bzw. +49 (4765) 407 9995. Bitte angeben, wenn es nicht im Podcast gespielt werden soll. Folge direkt herunterladen

KJ, famous Shed Dog stage and screen actor, continues to be sought after in the acting world. Less important is our apology for the long delay between episodes. PJ has been asleep at the editing switch once more. Still…have you ever wondered what bath bombs do or what they're made of? Me neither, but all of a sudden here's KJ explaining it and working on making his own with Pattie of Vancouver. We also have Snappers in this episode, and whoever is feeding him these killers needs to knock it off. Halloween is reviewed (we're talking to you, Jessie of Montreal) and there's yet another solid gold money making idea from PJ. A long delay, yes, but worth the wait? You be the judge.Links: Shed Dogs; The London Beer Flood; collective nouns for animals; Notches of New England; The Camino and Porto; that Teresa Teng song referred to in the episode; Matthew Perry obituary; bath bombs; Taylor Swift; Leonard Nimoy sings that Bilbo Baggins song; William Shatner sings Mr. Tambourine Man.

EPISODE 95: Kevin So has garnered the attention and respect of 5-time Grammy award winner Keb' Mo', singer/activist Billy Bragg and Tony Award winning playwright David Henry Hwang, and has built a loyal fan base around the world for the past 30 years. He has performed at Carnegie Hall, as well as Hollywood Bowl, Wiltern Theatre, and The Ryman in Nashville. In 2007, Kevin was proud recipient of the NYC International Fringe Festival Award (Best Music & Lyrics) for “Great Wall” – a musical loosely based on his life and times. Kevin has also served as multi-instrumentalist (keyboards, guitar, harmonica, mandolin) in the Keb' Mo' Band for the past 15 years. His songs have been recorded by India Arie (“Crush On You”), Keb' Mo' ("Talk”), Crystal Bowersox (“I Got Angels”), Ana Popovic (“Slow Dance”), Ronnie Baker Brooks (“Wham Bam Thank You Sam”) and Shemekia Copeland ("Sounds Like The Devil”).  Kevin resides in Massachusetts. He is currently completing his next album, titled "TERESA” - an interpretation and musical exploration of the songs of legendary singer Teresa Teng.  He is Americana, soul and blues in its finest blend. kevinso.com/Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

鄧麗君是台灣超級有名的歌手，她唱歌很柔，而她唱的歌曲〈月亮代表我的心〉紅遍了全世界。這首歌的作詞者 - 孫儀，曾經幫很多膾炙人口的歌曲作詞，而〈月亮代表我的心〉這首歌原唱是陳芬蘭，她唱這首歌時，像是母親對孩子在說話，而鄧麗君唱的感覺，像是在跟一個遠方的情人說話。鄧麗君唱了以後，這首歌翻紅，她的聲音清澈，因此讓人覺得她的聲音代表著月亮，而她的感情也像月亮一樣真誠... 鄧麗君 Dènglìjūn: Teresa Teng, a famous Taiwanese singer 柔 róu: gentle; soft; sweet 作詞者 zuòcí zhě (作詞zuòcí: to write words (for a song)； songwriting): lyricist 膾炙人口 kuàizhìrénkǒu: good songs/articles are praised and appreciated by many people 翻紅 fān hóng: to become popular again 清澈 qīngchè: clear … To keep learning this episode, go here: https://www.taiwanfeng.com/podcast/teresa-teng/ If you're more familiar with simplified Chinese, we also have a simplified version for this episode, please visit: https://www.taiwanfeng.com/simplified/podcast-cn/teresa-teng-simplified/ We hope you like our podcast today! Got feedback? We'd love to hear it! Rate us or leave us a review! Learn Chinese Podcast | Chinese Listening Practice | Learn Taiwanese Mandarin

De laatste week van de zomerserie Verre Geluiden is aangebroken en daarin reizen we als eerste af naar Taiwan. Het eiland dat momenteel volop in de schijnwerpers staat, nu de bestaande spanningen tussen Amerika en China verder oplopen na het bezoek van de voorzitter van het Amerikaanse huis van Afgevaardigden, Nancy Pelosi. En China is, in antwoord daarop, bezig met zijn grootste militaire oefeningen rond Taiwan. De Taiwanezen leven al decennialang onder militaire dreiging en hebben in diezelfde jaren aan een democratie gewerkt. En dat is ook duidelijk te horen in de muziek van Taiwanese artiesten, die zingen over 'het harde werk' dat het volk heeft moeten verrichten voor het opbouwen van een democratie. Hierover Gerrit van der Wees, docent Taiwanese geschiedenis aan de George Washington Universiteit. Muziek uit de uitzending: To win you have to fight - Ye Qitian Wish you return home soon - Jiang Hui Song of the sea – Een lied van oorspronkelijke bewoners in Taiwan Anping Memorial song - Teresa Teng

Teresa Teng (Deng Lijun 鄧麗君) was arguably Asia's first pop superstar, a singer from Taiwan who won hearts across the continent and the world. Teng got so famous in behind-the-bamboo-curtain China that PLA air force defectors to the Republic of China (Taiwan) cited her music as an inspiration for literally flying to freedom. Teresa Teng recorded more than 1,500 songs in Mandarin, Taiwanese, Cantonese, Japanese, English, Indonesian and Italian -- and is credited with laying the foundations of popular Chinese music.

Taipei-based DJ and New Bloom editor Brian Hioe (@brianhioe) takes us on a tour of the local indie music scene and explains what some of last year's top tunes can tell us about Taiwanese politics and culture, from the influence of indigenous communities to attitudes towards China.We also discussEarning a living making music in Taiwan v ChinaBrian's twitter fights with tankie rappersTaiwan's indie music dating appHow Wang Leehom's divorce drama overshadowed a national referendumSong links"拍謝少年 Sorry Youth - 歹勢中年 Sorry No YouthTALACOWA - CollageABAO阿爆（阿仍仍)【tjakudain 無奈】 feat. 李英宏 aka Dj DidilongSonia Calico - Mukbang Roller無妄合作社 No-nonsense Collective - 平靜的告別 Quiet Farewell鍾翔宇 Xiangyu - 流言蜚語 Rumors and SlandersRainbow Chan - StanleyOutro Music: The Moon Represents My Heart by Teresa Teng https://www.youtube.com/watch?v=gk3VQoAKMUICHECK OUT THE CHINATALK SUBSTACK! https://chinatalk.substack.comSupport us on Patreon! https://www.patreon.com/ChinaTalk Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Taipei-based DJ and New Bloom editor Brian Hioe (@brianhioe) takes us on a tour of the local indie music scene and explains what some of last year's top tunes can tell us about Taiwanese politics and culture, from the influence of indigenous communities to attitudes towards China.We also discussEarning a living making music in Taiwan v ChinaBrian's twitter fights with tankie rappersTaiwan's indie music dating appHow Wang Leehom's divorce drama overshadowed a national referendumSong links"拍謝少年 Sorry Youth - 歹勢中年 Sorry No YouthTALACOWA - CollageABAO阿爆（阿仍仍)【tjakudain 無奈】 feat. 李英宏 aka Dj DidilongSonia Calico - Mukbang Roller無妄合作社 No-nonsense Collective - 平靜的告別 Quiet Farewell鍾翔宇 Xiangyu - 流言蜚語 Rumors and SlandersRainbow Chan - StanleyOutro Music: The Moon Represents My Heart by Teresa Teng https://www.youtube.com/watch?v=gk3VQoAKMUICHECK OUT THE CHINATALK SUBSTACK! https://chinatalk.substack.comSupport us on Patreon! https://www.patreon.com/ChinaTalk Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Jenn speaks to Meredith Schweig, a Harvard PhD, Fulbright Scholar, and assistant professor of ethnomusicology at Emory University. Meredith talks about the field of ethnomusicology, her interest in East Asia which led her to focus her research on Taiwanese popular music and coincidently marry her best friend, Andres a Taiwanese American. She shares the many challenging encounters she has had from a childhood accident that left her with a vision disorder that she has always felt uncomfortable speaking up about, to enduring a long-distance marriage, pregnancy journey, to the loss of her parents right before the pandemic hit. How her fear of flying and learning to develop a strategy has helped her manage the different spheres she encounters in her life. (Recorded on August 5, 2021)About Meredith:Meredith Schweig's research explores twentieth- and twenty-first-century popular musics of East Asia, with a particular emphasis on narrativity, gender, and cultural politics in post-authoritarian Taiwan. She completed her MA and PhD in ethnomusicology at Harvard University, where she also received her BA in Music and East Asian Studies.An assistant professor of ethnomusicology at Emory, she is currently completing a book about Taiwan's vibrant rap scene. Her second book project refracts questions about vocality, agency, and transmedia storytelling through a study of global pop icon Teresa Teng. She maintains additional research interests in sensory studies, migration studies, disability studies, history of art and architecture, and the museology/musicology nexus.Episode Resources:WebsiteIGYebba October Sky大嘻哈時代 The RappersRenegade Rhymes: Rap, Music, Narrative, and Knowledge in Taiwan

С Александром Юрловым я выяснял, какие прелести ждут туриста в Гуанчжоу и чем же так замечателен Вичат, чтобы в нем заводить официальные каналы. В итоге, про Гуанчжоу нашлись только хорошие слова, а вот про Вичат Александр меня не убедил ни в чем - впрочем, это может быть только мое проф-деформированное мнение.Грамота: 开门见山 (kāimén jiànshān) - открыть дверь и увидеть горы, обр. прямиком, перейти прямо к делу.Музыка: 鄧麗君《甜蜜蜜》Teresa Teng “Сладкая как мед [твоя улыбка]”Laowaicast выходит регулярно! Мы есть на всех основных платформах, в iTunes, Google Podcasts, на Яндекс.Музыке, Spotify и Youtube. Вопросы, пожелания и комментарии пишите на почту we@laowaicast.ru или на сайт.Поддержать проект:Дать донат! (Patreon, PayPal, Яндекс.Деньги, WeChat, Alipay).Поставьте Лаовайкасту пять звёзд в iTunesBTC: 1C6ePJcqLZTr6nEDoTCD8usenSju1TQ2p8ОГРОМНОЕ спасибо нашему главному патрону Дмитрию Брянцеву!Большое спасибо патронам MSYU, Maxim, Vasiliy Galkin, Мария, Павел Яковлев, Alex RomanovОтдельное спасибо патронам Полина Струкова, Evgeny Sher, Yaroslav, Andrej Fedotov, Wolfcub, Dmytro Gomov, Fooby, ZyablikСпасибо всем остальным за донаты: Anton Lokhanin, Oleg Fomin, Roman Drozhzhin, Mixei, Dmitry Erohin, Rastsislau Datsenka, Krotov, Petr Didenko, Lao Bu, Rod Iv, Asya Kalinina, Evgeny Kosolapov, Nikolay Antonchenko, Alexandr Skurikhin, Krukru Studio, Serge B, Julia Mensсhikowa

Hacker, zoologist, DJ, and angry Asian nanny, Jex Wang (they/she) takes a break from dancing in Berlin supermarkets to pop into the pod for our 24th episode! (Yes, that a full day of Bitten Peach Pod you can now bite into!) Jex, the inventor of ghosting and pillar of Eastern Margins (the platform for East and Southeast Asian artists in the music scene), talks about writing science fiction, Teresa Teng, tattoos, Crayon Shin-Chan, Animorphs and more! @bittenpeachpod Jex Wang @asiangirlfriend Hosted and produced by ShayShay @shayshayshow Music featured: Dance with me - Dayz Musiq www.instagram.com/dayzmusiq/ Bad Snacks - Mitsuki

Taiwanese songwriters such as 罗大佑 and 李宗盛, and of course the legendary singer Teresa Teng 邓丽君 gifted us classic songs that almost every Chinese-speaking person could sing by heart. Chi explains the beautiful music and lyric-writing in these “经典中的经典” (lit. “the classics of classics”). Song in focus: 罗大佑 – 童年 (1983). Songs featured: 邓丽君 – 月亮代表我的心 (1977) 邓丽君 – 甜蜜蜜 (1979) 邓丽君 – 我只在乎你 (1979) 陈淑桦 – 这样爱你对不对 (1991) 张雨生 – 我期待 (1994) 优客李林 – 输了你赢了世界又如何 (1994) 张惠妹 – 听海 (1997) 黄品源 – 你怎么舍得我难过 (1991) Episode link: https://www.chinesepod.com/4335

Music from East Asia has recently been making its way round the world on waves created and mediated by new technologies and global interconnections. This may seem like something very novel, but as Andrew Jones shows in Circuit Listening: Chinese Popular Music in the Global 1960s (U Minnesota Press, 2020), popular music from this region – and here specifically varieties of Chinese music – has been riding revolutionary technological and socioeconomic currents for a long time. Events during the 1960s, that quintessentially musical decade, prove this, and Jones' book asks the key questions about genre and periodisation which help us understand whether there was a ‘global 60s', while also examining the geopolitical currents connecting and dividing Taiwan, China and Hong Kong at this time. The book is thus not only a rich source of insights into stars such as Grace Chan, Teresa Teng and Taiwanese folk troubadour Chen Da, but also offers a whole framework for understanding the shifts in globalisation and communication which continue to shape our soundscape today. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Music from East Asia has recently been making its way round the world on waves created and mediated by new technologies and global interconnections. This may seem like something very novel, but as Andrew Jones shows in Circuit Listening: Chinese Popular Music in the Global 1960s (U Minnesota Press, 2020), popular music from this region – and here specifically varieties of Chinese music – has been riding revolutionary technological and socioeconomic currents for a long time. Events during the 1960s, that quintessentially musical decade, prove this, and Jones' book asks the key questions about genre and periodisation which help us understand whether there was a ‘global 60s', while also examining the geopolitical currents connecting and dividing Taiwan, China and Hong Kong at this time. The book is thus not only a rich source of insights into stars such as Grace Chan, Teresa Teng and Taiwanese folk troubadour Chen Da, but also offers a whole framework for understanding the shifts in globalisation and communication which continue to shape our soundscape today. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Music from East Asia has recently been making its way round the world on waves created and mediated by new technologies and global interconnections. This may seem like something very novel, but as Andrew Jones shows in Circuit Listening: Chinese Popular Music in the Global 1960s (U Minnesota Press, 2020), popular music from this region – and here specifically varieties of Chinese music – has been riding revolutionary technological and socioeconomic currents for a long time. Events during the 1960s, that quintessentially musical decade, prove this, and Jones' book asks the key questions about genre and periodisation which help us understand whether there was a ‘global 60s', while also examining the geopolitical currents connecting and dividing Taiwan, China and Hong Kong at this time. The book is thus not only a rich source of insights into stars such as Grace Chan, Teresa Teng and Taiwanese folk troubadour Chen Da, but also offers a whole framework for understanding the shifts in globalisation and communication which continue to shape our soundscape today. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Music from East Asia has recently been making its way round the world on waves created and mediated by new technologies and global interconnections. This may seem like something very novel, but as Andrew Jones shows in Circuit Listening: Chinese Popular Music in the Global 1960s (U Minnesota Press, 2020), popular music from this region – and here specifically varieties of Chinese music – has been riding revolutionary technological and socioeconomic currents for a long time. Events during the 1960s, that quintessentially musical decade, prove this, and Jones' book asks the key questions about genre and periodisation which help us understand whether there was a ‘global 60s', while also examining the geopolitical currents connecting and dividing Taiwan, China and Hong Kong at this time. The book is thus not only a rich source of insights into stars such as Grace Chan, Teresa Teng and Taiwanese folk troubadour Chen Da, but also offers a whole framework for understanding the shifts in globalisation and communication which continue to shape our soundscape today. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Music from East Asia has recently been making its way round the world on waves created and mediated by new technologies and global interconnections. This may seem like something very novel, but as Andrew Jones shows in Circuit Listening: Chinese Popular Music in the Global 1960s (U Minnesota Press, 2020), popular music from this region – and here specifically varieties of Chinese music – has been riding revolutionary technological and socioeconomic currents for a long time. Events during the 1960s, that quintessentially musical decade, prove this, and Jones' book asks the key questions about genre and periodisation which help us understand whether there was a ‘global 60s', while also examining the geopolitical currents connecting and dividing Taiwan, China and Hong Kong at this time. The book is thus not only a rich source of insights into stars such as Grace Chan, Teresa Teng and Taiwanese folk troubadour Chen Da, but also offers a whole framework for understanding the shifts in globalisation and communication which continue to shape our soundscape today. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Music from East Asia has recently been making its way round the world on waves created and mediated by new technologies and global interconnections. This may seem like something very novel, but as Andrew Jones shows in Circuit Listening: Chinese Popular Music in the Global 1960s (U Minnesota Press, 2020), popular music from this region – and here specifically varieties of Chinese music – has been riding revolutionary technological and socioeconomic currents for a long time. Events during the 1960s, that quintessentially musical decade, prove this, and Jones' book asks the key questions about genre and periodisation which help us understand whether there was a ‘global 60s', while also examining the geopolitical currents connecting and dividing Taiwan, China and Hong Kong at this time. The book is thus not only a rich source of insights into stars such as Grace Chan, Teresa Teng and Taiwanese folk troubadour Chen Da, but also offers a whole framework for understanding the shifts in globalisation and communication which continue to shape our soundscape today. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On this episode of Good Pop we discuss Dead Pigs, director Cathy Yan's debut film that premiered in 2018 at the Sundance Film Festival and has finally been released in the US on the arthouse streaming  platform Mubi. We share our thoughts on Yan's beautiful and sprawling dramatic comedy about  a group of loosely connected characters in Shanghai whose lives intersect around a housing development and a mystery around dead pigs found floating in the Huangpu River. Jess and Marvin also teaches Hanh about the power of Teresa Teng.What's Popping? - 2021 Grammy's, The Irregulars, Ducktales Series Finale---The Asian American community is going through a time of collective grief following a year of rising racial tensions and fear, punctuated by this week’s tragic murders in Atlanta. To our listeners who are looking for ways to take more direct action, either to spread the word, protect our community, or support the victims, here are some resources for you:Support the AAPI Community Fund to uplift and protect Asian Americans and Pacific Islanders3 Ways to support our community in Atlanta (courtesy of Asian Americans Advancing Justice – Atlanta):Sign on to AAJA-Atlanta’s collective community statementDonate to support the victims and their families and to support crisis interventionOffer to share crisis response resources to those in need---Follow our hosts:Marvin Yueh - @marvinyuehJess Ju - @jessjutweetsHanh Nguyen - @hanhonymousFollow the show and engage with us at @goodpopclubPart of the Potluck Podcast CollectiveProduced by HappyEcstatic Media---This episode was brought to you by IRVINS Salted Egg Chips, now available in the US! Order your IRVINS chips at eatirvins.com and get free shipping on your order with the code GOODPOPCULTURECLUB#dangerouslyaddictive

May it be enlightenment at first sight, or togetherness for the rest of life. We don’t know what love is, and it doesn’t stop us from being always in the mood for it. The cure? Your best love might be just around the corner, simply look up and give it a wink in the mirror. 情人节特别节目。一见钟情又或是长厢厮守。我们不确定爱情最美好的样子，但这也不妨碍我们永远拥有一份需要浪漫的心情。 Tracklist: 19:19 - 22:43 ｜Teresa Teng 邓丽君 - 甜蜜蜜 28:30 - 33:00｜Sade - Sweetest Taboo 37:55 - 43: 52｜Grover Washington Jr., Patti LeBelle - The Best Is Yet to Come -------------------- Hi, this is Other Disco. A brainchild of two homebound ex dance floor regulars, Other Disco was born as a virtual space where we take our mind for a dance to the other place. Like any other discotheque, this is a place where we express, connect, and just be free. Unlike many others, this is a place infused with cultural influence from the east & the west. Good music, special drinks, and intimate chatter are served 24/7. Hope you join us and have some fun. Made in English & Mandarin Chinese, with love, from Brooklyn. Say hi @otherdisco

Yu Hayami 早見優 (ASIJ 1984) Singer and TV Actress Hayami is a J-pop singer and TV actress in Japan. In 2011, the Japanese music television program Music Station listed her as the 50th all-time best-selling idol in Japan, with 2,850,000 records sold. Yu Hayami was born in Atami, Shizuoka, and was raised in Guam and Hawaii from the age of 3 to 14 years old. She was scouted by an agent at the age of 14 and soon moved back to Japan to start her career as a singer. She attended ASIJ from 1981 to 1982. She entered Sophia University and graduated, receiving a Bachelor's Degree in Comparative Culture. In 1982, Hayami gained her J-pop singer's debut with the single "Isoide Hatsukoi" (ASAP, my first love!) after being scouted by a talent agent in a shopping mall's elevator in Hawaii in 1980 when she was only 14 years old. Named “Bilingual girl back from Hawaii” due to her ability to speak very fluent English because of her background, Hayami was instantly recognized and touted as one of the best newcomers to watch out for. She proceeded to win most of the major newcomers' awards by end of 1982. In 1983, her fifth single, "Natsu Iro no Nancy" (Summer Coloured Nancy), was selected as a campaign song for a Coca-Cola commercial, and she became a cover girl of that. The single became Hayami's first Big Hit, making it to the top 10 of the Oricon Chart, winning countless awards. As a result of the success of the song, Hayami made her 1st appearance at the 34th edition of the year end NHK Kouhaku Red and White Song Festival. Hayami participated consecutively 3 years in the prestigious show. (1983 - 1985) ​ Hayami shifted her focus to become an actress and TV & Radio presenter in the 1990s. Being able to speak fluent English, Hayami's host programmes were all catered to English speaking education materials and were all very popular. Hayami continued her successful presenter's work till current, and can still be regularly seen on entertainment varieties programme singing her signature songs from the early stage of her idol career. TIMESTAMP 1:02 - Introduction 2:57 - Getting scouted - entering the Japanese "geinoukai" show business as a teenager 5:26 - Entering ASIJ and identity 7:46 - The challenges of being a "kikokushijo" (a Japanese returnee) 9:22 - Finding other "geinoujin"/celebrities that can relate (Ann Lewis and Teresa Teng) 11:04 - 2016 theme song for the UN SDGs 14:00 - Attending the United Nations Conference on Environment and Development (UNCED), also known as the "Earth Summit" in 1992 20:32 - Being part of the NHK Kōhaku Uta Gassen in 1983, 1984, 1985 Letter from Suizenji Kiyoko 25:17 - Expanding from "pop idol" to radio, theater, and TV 29:09 - Balancing television with theater 31:00 - Career after marriage and two children 32:50 - Being an ASIJ parent - returning to ASIJ 38:35 - What is to come in future

The universal language of music is once again front and center, as John & Heyang exchange more of their favorites, creating a cross-current of song. Heyang shares the music of the late, great Teresa Teng. With a career spanning 30 years, Teng remained widely popular throughout the 1970s and 1980s; she remained popular even up to the first half of the 1990s, up until her death in 1995. Teng was known as a patriotic entertainer whose powerful romantic ballads and performances revolutionized Chinese popular culture during the 1970s and 1980s. She is often credited for bridging the cultural barrier across Chinese-speaking nations, and first artist to connect Japan to much of East and Southeast Asia, by singing Japanese pop songs, many of which were later translated to Mandarin. John brings a few of his favorites to the show, and drops the needle on an eclectic group of artists including Stevie Wonder, Bonnie Raitt and The Four Tops.

Zum Jahresausklang wird es bei uns romantisch. Oder doch tragisch? In der Hongkong Love Affair (im Original Tian mi mi, international vor allem auch als Comrades, Almost a Love Story bekannt) aus dem Jahre 1996 folgen wir den Wegen der Festlandchinesen Qiao Li und Xiao Jun durch Hongkong, wo sie sich Mitte der 1980er Jahre die Erfüllung ihrer Träume erhoffen. Welche Träume bestimmen das Leben der Protagonist*innen? Und was macht man eigentlich, wenn man seine Träume tatsächlich verwirklicht hat? Viel wichtiger noch: Wie ist das eigentlich mit Fahrrad fahren? Wir sind bemüht, uns so sanft an die Geschichte anzunähern, wie es das zentrale Paar im Film tut. Dabei erörtern wir, was der innere Antrieb der Figuren sein mag. Nebenbei verraten wir auch, was uns an der Inszenierung immer mal wieder fasziniert hat. Max war im Spätfilm zu Gast: SF228 – Der neue Hays-Code und wird dort Anfang Januar mit der Besprechung eines ganz besonderen Films erneut zu hören sein. Das Filmpodcastverzeichnis von Schöner Denken findet sich: HIER Der von Max erwähnte Podcast rund um Manga, Anime, japanische Serien ist GosShip. Und die Verbindung von Schöner Denken und GosShip ist (vielleicht) der Themenmonat Japanuary. Also Japanische Kultur (bzw. acht Filme) im Januar entdecken. Die Internetanlaufstelle dazu findet ihr HIER. Das Titellied Tian Mi Mi von Teresa Teng ist beispielsweise bei YouTube zu hören. Comrades: Almost a Love Story bei der OFDb* | letterboxd * Wenn ihr über den Link etwas im OFDb-Shop kauft, erhalten wir eine kleine Provision. Unser bescheidener Dank gebührt euch.

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Welcome to Episode 6 of Holly Jolly X'masu! This being my first Christmas in July episode, I wanted to do something special. I covered a variety of summer-themed or summery-sounding Christmas songs instead of a single album. Considering the current state of the world, I wanted to stick with mostly upbeat songs. I’ll feature the downbeat songs next year. For anyone who’s ever wondered about the origins of Christmas in July, the earliest reference comes from the 1892 opera, Werther, which featured a scene with children rehearsing a Christmas song in July. In my house when I was a kid, that was just a normal day, but in the opera, it prompts one pre-ghost Scrooge of a character to remark, “When you sing Christmas in July, you rush the season.” The first known celebration of Christmas in July allegedly took place in 1933 at Keystone Camp in Brevard, NC. The camp’s founder, Fannie Holt, decided to stage a Christmas celebration for her campers, complete with Santa, a tree, presents, carolers and even fake snow. The tradition evolved from there and the camp still celebrates it to this day. The idea first gained some national attention in 1940 with the release Preston Sturges’ Christmas in July. Despite the title, the movie doesn’t feature an actual Christmas celebration, but instead is about a man who mistakenly believes he won $25,000 in a contest and then goes on a Christmas-like shopping spree, buying gifts for his family and friends. A handful of other local celebrations took place in the 1940s. By 1950, advertisers in America had taken hold of the idea and were using it as a summertime marketing tool. The idea has grown from there, so that now you have networks showing Christmas movies and specials, people decorating their houses, and podcasters creating special episodes. However you choose to observe it, it’s a fun way to divert your attention from the summer heat. In this episode, I feature ten Christmas songs from ten different artists, each with a summery or tropical feel, or a direct mention of summer. I would include links to where you can buy them, but none of them are available new or streaming in the US. I’ve included the songs, artists and albums below. You can find some of them on Amazon, although you’ll likely have to pay quite a bit to get them. 1. Halcali – Strawberry Chips (Sutoroberīchippusu / ストロベリーチップス), from their 2003 single, Strawberry Chips 2. Akiko Kobayashi – Midsummer Silent Night (Manatsu No Silent Night / 真夏のsilent Night), from the 1989 album, Merry Christmas To You, by Funhouse Ladies Vocal. 3. Yuki Uchida – Tight T-Shirt (Tīshatsu De Gyutto / Tシャツでギュッと), from her 1995 album, Merry Christmas For You. 4. Ginji Ito – Santa Claus In A Red Bikini (Makkana Bikini No Santakurōsu / まっ赤なビキニのサンタクロース), from his 1982 album, Baby Blue. 5. Junko Yamamoto – St. Martin's Summer (Sento Māchin No Natsu / セント・マーチンの夏), from her 1994 album, Junko Yamamoto. 6. Eri Hiramatsu – Holy! Hot Christmas ~Eve No Toubousha~, From her 1993 album, Ichiya Ichidai Ni Yumemikei. 7. MAX – Midsummer Eve (Manatsu No Eve / 真夏のイヴ), from their 2001 album, Feel So Right. 8. Mutant Monster Beach Party – Boys, Cars, Surf And Christmas, from the 1993 CD re-release of the 1987 classic, Mint Sound's X’mas Album. 9. Kuwata Band – Merry X'mas In Summer, from their 1986 single, Merry X’mas in Summer. One thing I need to point out about this song is that, in the episode, I said it was originally by Teresa Teng. This was based on multiple sources I found beforehand that listed her as the lyricist and referred to her cover as the original. As it turns out, Keisuke Kuwata wrote the song and Kuwata Band was the first to perform it. Teresa Teng wrote the Chinese lyrics and released it on her album, Drunken Tango, later that same year. 10. Hi-Fi Set – Christmas In July (7 Tsuki No Kurisumasu / 7月のクリスマス), from their 1984 album, Pasadena Park. As mentioned in the show, here’s the link to Robbie Nevil’s version of Merry X’mas in Summer, as well as a link to Halcali’s video for Strawberry Chips: Robbie Nevil's "Merry Christmas In Summer" Halcali's "Strawberry Chips" As always, thanks for listening. Next month, I’ll be talking about the 2014 compilation, Flying Dog Christmas. In the meantime, if you have any suggestions or recommendations, feel free to send them my way. Any feedback on this episode would be appreciated. If you’d like to recommend an album for a future episode, drop me a line and let me know. Remember, I've added a button to my Ko-fi page. If you'd like to support me one cup of coffee at a time, a donation is only $3. Any donations received will be put towards purchasing new Japanese Christmas music to review for future episodes. Thanks!

A look back at the Taiwanese Wave dramas of the 2000s, featuring music from F4, Fahrenheit, Kaneshiro Takeshi, Teresa Teng, Judy Ongg, the L.A. Boyz, the Tigers Boys from Taiwan, the Tiger Boys from Hong Kong, and Joanna Wang!

Learn another great love song from Teresa Teng in Mandarin Chinese! Learning and singing Chinese songs will greatly help you in your pronunciation and will also make your learning process more enjoyable. What are you waiting for? Let’s get started! Please signup and become a registered subscriber to access ALL 200+ audio lessons with full …

A note from Talking Taiwan host Felicia Lin:   Peter Lin, is a trombone player, leader of the jazz band, The Lintet, and music teacher. He is a man who wears a lot of different hats! In March of 2018, Peter spoke with me about his career as a professional musician, the difference between being a bandleader versus a sideman, and how he met jazz legend Slide Hampton. We also talked about the Lintet’s first upcoming album, and the connection between Jeremy Lin, Linsanity, and The Lintet- all of which incidentally are not related to me.   Peter shared why he describes jazz as democratic, and a barometer of the United States’ social climate. In his first album, The Lintet introduces Taiwanese music to jazz listeners and jazz music to the Taiwanese.   Two years later, we’ve invited Peter back on to Talking Taiwan to let us know what he’s been up to, how he’s been dealing with the COVID-19 pandemic, and to share some advice for how musicians can get through these tough times. Our follow up interview is coming up on the next episode of Talking Taiwan.   Here’s a little preview of what we talked about in this podcast episode:   How Peter got started playing the trombone How he decided to become a professional musician Where the band’s name The Lintet came from What Peter does as a bandleader How jazz has historically reflected the social climate and race relations in the U.S. How The Lintet incorporates Taiwanese and Chinese songs done in jazz style at his performances and on their first album The twofold purpose The Lintet’s album to introduce Taiwanese to jazz music and to introduce jazz listeners to Taiwanese and Chinese music Peter’s observation that more Taiwanese people are becoming interested in jazz     Here’s the sound clip from one of the Lintet’s 2018 Lunar New Year performances. It’s a rendition of a classic Teresa Teng song:     Related Links:   Peter Lin’s Facebook profile: https://www.facebook.com/peterlinmusic   The Lintet’s first album, With Respect: https://peterlin.bandcamp.com/album/with-respect   The Lintet’s website: www.lintet.com

This episode is about the famous Chinese artist Teresa Teng 邓丽君 who is one of the most famous and successful singers to originate from the Mandarin-speaking world. Unfortunately she passed away at a very young age. These are her stories.

For all you overachievers out there, Saturday School hosted an AP Honors discussion group with 5 people who have seen Crazy Rich Asians in theaters 5 TIMES *OR MORE.* The #CRA5timersclub. Like the SNL 5-timers club, but more Asian. Spoilers galore. And full disclosure, Ada's only seen it 3 times, so she's both hosting and crashing the party. Brian has only seen it once, so he was not invited. If you're obsessed with the movie as much as Phil Yu, David Magdael, Cheryl K, Minji Chang and Marvin Yueh are, we'd recommend first listening to Crazy Rich Asians episodes of our fellow Potluck Podcast Collective podcasts: They Call Us Bruce, KollabCast, First of All. And then come to Saturday School if you want to talk about stuff like: why Curtis was flown to Singapore, was that Teresa Teng's "Tian Mi Mi" playing in the background, and did the addition of that one line de-creepify Peik Lin's brother just a little bit or was it always there? Hang on tight, the super crazies have got the mike.

Nogle gange er det den musik der taler til alt det, der kommer indefra, som er den mest fremmede og provokerende. I dette afsnit handler det om den taiwanesiske popstjerne Denglijun (også kendt som Teresa Teng) hvis melankolske, længselsfulde kærlighedssange bjergtog store dele af Sydøstasien og Japan, og ikke mindst i Kina, netop som den voldsomme kulturrevolution sluttede i sidste halvdel 70'erne. Denglijuns historie bliver fortalt af Xiao-Qun Bao, som voksede op under kulturrevolutionen. Dette er fjerde afsnit af Musik Udefra på The Lake Radio, skabt i samarbejde med Tempi. En serie i seks dele, som dykker ned i den musik, der kommer udefra gennem specifikke møder med de mennesker, der har gjort det til deres liv at beskæftige sig med den. Mennesker som er rejst ud for at lære, samarbejde, dokumentere og udforske, og kunstnere, som spiller i og uden for en tradition. TRACKLISTE Deng Lijun (Teresa Teng) — Tian Mi Mi Deng fang hong (The East is Red) Yang ban xi (The 8 model works) Hong jun bu pa yuan zheng nan (Long March) Deng Lijun (Teresa Teng) — Yue liang dai biao wo de xin (The Moon Represents My Heart) Langgalamu — Qian yan wan yu (Thousands of Words)

Teresa Teng was a Taiwanese singer who gained popularity with her soft-focus image and romantic songs. But when her music reached mainland communist China, she became a superstar - and part of a propaganda battle between Taiwan and the mainland. Lucy Burns has been speaking to Teresa's brother Frank Teng about her life and early death. Image copyright: Teresa Teng Foundation

Teresa Teng was a Taiwanese singer who gained popularity with her soft-focus image and romantic songs. But when her music reached mainland communist China, she became a superstar - and part of a propaganda battle between Taiwan and the mainland. Lucy Burns has been speaking to Teresa's brother Frank Teng about her life and early death. Image copyright: Teresa Teng Foundation

Part 5/6 of our fourth episode, "Questionablé", featuring Paul, Gill and Ash on the 12/1/2017

Part 5/6 of our fourth episode, "Questionablé", featuring Paul, Gill and Ash on the 12/1/2017

Welcome to the Criterion Creeps podcast. A podcast hosted by two chums (Jarrett Duncan and RJ Balog) talking about the Criterion Collection in chronological order. In our eight episode we're talking spines #8 and 9: John Woo’s 1989 THE KILLER and 1992 HARD BOILED! First we talk about what we've been watching, and what's been chapping our asses! RJ’s been watching RECTIFY, Jarrett’s been watching the HELLRAISER franchise, Mel hates Batman vs Superman, and something about Nic Cage and his cat brother. Introduction is 'Criterion Creeps Theme' by petite petite, and musical interludes are by friends Teresa Teng, Leslie Cheung, and some Sam Hui. Like us on Facebook www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Stitcher!

今天是一代歌后邓丽君辞世19周年纪念日。让我们一起重温她动听的歌声。 Teresa Teng was a prominent pop diva from Taiwan during the 1970s and early 1980s. Her voice won her spectacular fame throughout East Asia and in areas which possess large Asian populations. For the past three decades her popularity remained unwavering among Chinese communities worldwide. Even today, her mellow voice and tender image remain vivid in the hearts of many Chinese people. Teresa was known for her folk songs and love ballads. Many of her songs were regarded as the tunes of a generation, such as the song we're listening to now, which is called "Comrades: Almost a Love Story". As you may have noticed, Teresa's singing style conveyed simplicity and sincerity. As many of her diehard fans during the 70s and 80s attested to, her songs were extremely important to impressionable young teenagers during this time. "In the early 1980s, I was a high school teacher. Once, I found students listening to Teresa's songs on a tape recorder. I borrowed the tape out of curiosity. They were really beautiful songs. Later on, I became a big fan of her. I've painted a thousand portraits of Teresa in various styles." "Teresa's songs have accompanied us all the way from being young girls up until now. Her songs are a part of our lives." Perhaps Teresa's voice offered spiritual solace for the youngsters of the seventies and eighties. Music has changed a lot since then. But her songs continue to resonate with those she touched long ago and with the new fans that discover her talent every passing year. In 1963, when Teresa was ten, she began to tour and perform with local bands. This was the same year that she won the first prize at a folk singing contest held by the local radio station with her song "Visiting Yingtai". This proved to be the stepping stone for Teresa's prolific singing career. In 1967, during her second year of middle school, Teresa made a decisive career choice. She dropped out of education as it was impossible for her to cope with schooling and singing professionally at the same time. Aged just 14, Teresa became a fulltime singer. Well-known in Taiwan, Hong Kong and other parts of South East Asia, she set her sights further afield and in 1973 she headed for Japan. What you're listening to now is one of Teresa's most popular Japanese hits, "Give yourself to the flow of Time", which was later covered in Chinese as "I Only Care about You". Singing in Cantonese, Japanese and English, as well as her native Mandarin, Teng's popularity quickly grew across East Asia. She was also the first Chinese singer to ever perform at the Lincoln Center in New York. Teresa Teng had been a lifelong sufferer of respiratory difficulties. She died from a severe asthma attack while on holiday in Thailand. She was only 42 years old. During her lifetime, Teng recorded over 100 CDs, each of which sold over a million copies. Although it's been almost two decades since her death, her music and the love for her displayed by her fans carries on.