Podcast appearances and mentions of walter miller

Thomas J. Slater talks about the subject of his new book, silent era screenwriter June Mathis, who didn't let her gender stop her from becoming one of the most influential people working in the movies in the 1920s. Her affiliation with Rudolph Valentino boosted him to super stardom.  Serial expert Bob Bloom offers a spotlight on Walter Miller who hailed from Dayton, Ohio.

This month, after being the runner up for almost a year, Walter Miller's A Canticle for Leibowitz finally wins the vote. Come listen to us chat about this excellent book! Note: This is an unedited audio copy of the live-streamed discussion over on YouTube, so you'll hear us interact with the audience a bit. Click here to submit a book for the Book Club Our next book is a big one. We're reading Lonesome Dove by Larry McMurtry. Because this book is so long we'll be skipping the month of April and will be meeting up at the end of May to chat about it. Come join us on Friday May 30th at 9:30 PM Central Time Support us on Patreon Matt's Twitter: @moridinamael Scott's Twitter:@scottdaly85 Stay updated with Doof Media: @doofmedia See all of our podcasts, writing, and more at www.doofmedia.com

Episode 117 Electronic Keyboards in Jazz, A Recorded History, Part 1 of 2 Playlist   Length Start Time Introduction 05:42 00:00 1.             Vernon Geyer, “Day After Day” from All Ashore / Day After Day (1938 Bluebird). Soloist, Hammond Electric Organ, Vernon Geyer. 02:22 05:42 2.             Milt Herth Quartet / Milt Herth Trio, “Minuet in Jazz” from Home-Cookin' Mama With The Fryin' Pan / Minuet In Jazz (1938 Decca). Milt Herth was one of the first to record with the Hammond Organ Model A. His playing was more focused on melody and counterpoint and not so much on creating a lush progression of chords. This was recorded a few years before the availability of the Leslie rotating speaker, which added a special tone quality to later Hammonds, such as the model B3. 02:44 08:04 3.             Milt Herth Quartet / Milt Herth Trio, “Looney Little Tooney” from Flat Foot Floojie / Looney Little Tooney (1938 Decca).  Vocals, O'Neil Spencer; Drums, O'Neil Spencer; Guitar, Teddy Bunn; Hammond Organ, Milt Herth; Piano, Willie Smith (The Lion). 02:50 10:46 4.             "Fats" Waller And His Rhythm, “Come Down to Earth, My Angel” from Come Down To Earth, My Angel / Liver Lip Jones (1941 Bluebird). Waller was an extremely popular ragtime and stride piano player and vocalist. In this number, he takes a rare turn on an electric organ, presumably an early model Hammond. Vocals, Piano, Electric Organ, "Fats" Waller; Bass, Cedric Wallace; Clarinet, Tenor Saxophone, Gene Sedric; Drums, Slick Jones; Guitar, Al Casey; Trumpet, John Hamilton. 03:10 13:36 5.             Collins H. Driggs, “When Day is Done” from The Magic Of The Novachord (1941 Victor). Soloist, Hammond Novachord, Collins H. Driggs. This was an early polyphonic keyboard that generated its sounds using valve, or vacuum tube, oscillators. Made by Hammond, the Novachord was an entirely different electronic instrument than its tone-wheel organs. The Novachord had unique, synthesizer-like controls over envelope generation, band pass filtering and vibrato controlled by a series of flip switches, offering the keyboardist a unique suite of sounds. 03:11 16:45 6.             The Four Clefs, “It's Heavenly” from It's Heavenly / Dig These Blues (1943 Bluebird). Hammond Electric Organ, James Marshall. Another organ recording and a nice duet with a guitarist Johnny "Happy" Green. 02:41 19:54 7.             Ethel Smith And The Bando Carioca, “Tico-Tico” from Tico-Tico / Lero Lero / Bem Te Vi Atrevido (1944 Decca). Another was a popular and skilled organist using a pre-B3 Hammond. 02:45 22:36 8.             Slim Gaillard Quartette, “Novachord Boogie” from Tee Say Malee / Novachord Boogie (1946 Atomic Records). Bass, Tiny Brown; Drums, Oscar Bradley; Guitar, Slim Gaillard; Piano, Dodo Marmarosa. While the Hammond Novachord plays a prominent role in this recording, the player is not credited. 02:57 25:20 9.             Milt Herth And His Trio,” Twelfth Street Rag” from Herthquake Boogie / Twelfth Street Rag (1948 Decca). Recorded in New York, NY, September 5, 1947. Described on the recording as a “Boogie Woogie Instrumental.” Hammond Organ, Milt Herth; Drums, Piano, Uncredited. Herth had been recording with the Hammond organ since 1937. 03:10 28:16 10.         Ben Light With Herb Kern And Lloyd Sloop, “Benny's Boogie” from Benny's Boogie / Whispering (1949 Tempo). This track includes the triple keyboard combination of piano, organ, and Novachord. Hammond Electric Organ , Herb Kern; Piano, Ben Light; Hammond Novachord, Lloyd Sloop. 02:37 31:27 11.         Johnny Meyer Met Het Kwartet Jan Corduwener, “There's Yes! Yes! in your Eyes” from Little White Lies / Thereʼs Yes! Yes! In Your Eyes (1949 Decca). Accordion player Johnny Meyer added a Hammond Solovox organ to his musical arrangements. The Solovox was monophonic and it added a solo voice to his performances. This recording is from the Netherlands. 03:22 34:04 12.         E. Robert Scott, R.E. Wolke, “Instructions For Playing Lowrey Organo” (excerpt) from Instructions For Playing Lowrey Organo (circa 1950 No Label). Promotional disc produced by piano and organ distributor Janssen, presumably with the cooperation of Lowrey. This is a 12-inch 78 RPM disc, but is undated, so I believe that picking 1950 as the release year is safe because the Organo was introduced in 1949 and 78 RPM records were already beginning to be replaced in 1950 by the 33-1/3 RPM disc. Recordings of this instrument are extremely rare. I have no such examples within a jazz context, but being a competitor of the Hammond Solovox, I thought this was worth including. 03:23 37:26 13.         Ethel Smith, “Toca Tu Samba” from Souvenir Album (1950 Decca). One of the great female masters of the Hammond Electric Organ was Ethel Smith. Her performances were mostly considered as pop music, but she had the knack for creating Latin jazz tracks such as this. Featuring The Bando Carioca; Hammond Electric Organ soloist, Ethel Smith. 02:25 40:48 14.         The Harmonicats, “The Little Red Monkey” from The Little Red Monkey / Pachuko Hop (1953 Mercury). Jerry Murad's Harmonicats were an American harmonica-based group. On this number, they included the electronic instrument known as the Clavioline. The Clavioline produced a fuzzy square wave that could be filtered to roughly imitate many other instruments. The record is inscribed with the message, “Introducing the Clavioline,” but the player is not mentioned. 01:56 43:12 15.         Djalma Ferreira E Seus Milionarios Do Ritmo, “Solovox Blues” from Parada De Dança N. 2 (1953 Musidisc). From Brazil comes a jazz group that included the Hammond Solovox Organ as part of its ensemble. Invented in 1940, the Solovox was a monophonic keyboard intended as an add-on to a piano for playing organ-flavored solos. It had a 3-octave mini keyboard and controls over vibrato and attack time, and tone settings for deep, full, and brilliant. Piano, Hammond Solovox Organ, Djalma Ferreira; Bass, Egidio Bocanera; Bongos, Amaury Rodrigues; Drums, Cecy Machado; Guitar, Nestor Campos. 02:31 45:08 16.         Eddie Baxter, “Jalousie” from Temptation (1957 Rendezvous Records). Piano, Hammond Organ, Celesta (Electronic Celeste), Krueger Percussion Bass, Eddie Baxter; rhythm section, uncredited. Like Ethel Smith, Baxter was pushing the limits of popular music with his virtuosity on the organ and other instruments. In this track you can hear the electronic celesta with its chime-like sounds near the beginning before the electric organ and guitar dominate the rest of the piece. 02:33 47:38 17.         Eddie Baxter, “Temptation” from Temptation (1957 Rendezvous Records). Hammond Electric Organ, Eddie Baxter. Piano, Hammond Organ, Wurlitzer Electric Piano, Krueger Percussion Bass, Eddie Baxter. In this track, you can clearly hear the Wurlitzer electric piano in several sections. 02:08 50:10 18.         Le Sun Ra And His Arkestra, “Advice to Medics” from Super-Sonic Jazz (1957 El Saturn Records). This excursion into one of the first records released by Sun Ra as a bandleader of the Arkestra was recorded in 1956 at RCA Studios, Chicago. This track is a solo for the Wurlitzer Electric Piano, an instrument invented in 1954 and that was quickly adopted by many jazz and popular music players. 02:02 52:17 19.         Le Sun Ra And His Arkestra, “India” from Super-Sonic Jazz (1957 El Saturn Records). A work featuring the Wurlitzer Electric Piano played by Sun Ra, miscellaneous percussion; electric bass, Wilburn Green; Drums, Robert Barry and William Cochran; Timpani, Timbales, Jim Herndon; and trumpet, Art Hoyle. 04:48 54:18 20.         Le Sun Ra And His Arkestra, “Springtime in Chicago” from Super-Sonic Jazz (1957 El Saturn Records). This work features Sun Ra playing the acoustic and electric pianos. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran. 03:50 59:14 21.         Le Sun Ra And His Arkestra, “Sunology” from Super-Sonic Jazz (1957 El Saturn Records). Another number with both the acoustic and electric pianos. Of interest is how Sun Ra moves deftly from one keyboard to the other (these recordings were made in real time), often mid-phrase. This was a style of playing that Sun Ra would continue to perfect throughout his long career and many electronic keyboards. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran; Alto Saxophone, James Scales; Alto Saxophone, Baritone Saxophone, Pat Patrick. 12:47 01:02:54 22.         Steve Allen, “Electronic Boogie” from Electrified Favorites (1958 Coral). From Steve Allen, who played the Wurlitzer Electric Piano on this track. This track has the characteristic brashness that was typical of the Wurlitzer sound. 02:23 01:15:40 23.         Steve Allen, “Steverino Swings” from Electrified Favorites (1958 Coral). From Wurlitzer Electric Piano, Steve Allen. Unlike many tracks featuring the Wurlitzer Electric, which make use of its distortion and emphasize its sharp attack, it was possible to closely mimic an acoustic piano as well, as Allen does here. I had to listen to this several times before I believed that it was the Wurlitzer, as the liner notes state. But you can hear certain tell-tale sounds all along the way—such as the slight electrified reverb after a phrase concludes and the occasional thump of the bass notes played by the left hand. 02:54 01:18:02 24.         Michel Magne, “Larmes En Sol Pleureur (Extrait D'un Chagrin Emmitouflé)” from Musique Tachiste (1959 Paris). Jazz expression in a third-stream jazz setting by French composer Michel Magne. Third-stream was a music genre that fused jazz and classical music. The term was coined in 1957 by composer Gunther Schuller after which there was a surge of activity around this idea. In this example, the Ondes Martenot and vocalist add jazz nuances to a chamber music setting, the interpretation being very jazz-like. Ondes Martenot, Janine De Waleine; Piano, Paul Castagnier; Violin, Lionel Gali; Voice, Christiane Legrand. 02:38 01:20:54 25.         Ray Charles, “What'd I Say” from What'd I Say (1959 Atlantic). This might be the most famous track ever recorded using a Wurlitzer Electric Piano. The fuzzy, sharp tone added depth and feeling to the playing. The opening bars were imitated far and wide for radio advertising of drag races during the 1960s. 05:05 01:23:30 26.         Lew Davies And His Orchestra, “Spellbound” from Strange Interlude (1961 Command). This was one of Enoch Light's productions from the early 1960s, when stereo separation was still an experiment. This is the theme from the Hitchcock movie with a melody played on the Ondioline, a monophonic organ and an otherwise jazzy arrangement with a rhythm section, reeds, and horns. Arrangement, Lew Davies; Ondioline, Sy Mann; Bass, Bob Haggart, Jack Lesberg; Cymbalum, Michael Szittai; Drums, George Devens, Phil Kraus; French Horn,Paul Faulise, Tony Miranda; Guitar, Tony Mottola; Reeds, Al Klink, Ezelle Watson, Phil Bodner, Stanley Webb; Trombone, Bobby Byrne, Dick Hixon, Urbie Green; Produced by, Enoch Light. 03:29 01:28:34 27.         Sy Mann and Nick Tagg, “Sweet and Lovely” from 2 Organs & Percussion (1961 Grand Award). Duets on the Hammond B3 and Lowrey Organs “propelled by the urgent percussive drive of a brilliant rhythm section.” This is a unique opportunity to contract and compare the sounds of the Hammond and Lowrey organs with percussion. Hammond B3 Organ, Sy Mann, Nick Tagg. The track begins with the Lowrey and demonstrates the sliding tone effects made possible by its Glide foot switch. 02:58 01:32:02 28.         Enoch Light And The Light Brigade, “Green Eyes” from Vibrations (1962 Command). More stereo separation hijinks from Enoch Light. This tune features the Ondioline in an exchange of lines with the guitar and other instruments. The Ondioline is first heard at about 35 seconds. Ondioline, Milton Kraus; Bass, Bob Haggart; Guitar, Tony Mottola; Percussion, Bobby Rosengarden, Dan Lamond, Ed Shaughnessy, Phil Kraus; Piano, Moe Wechsler; Trumpet – Doc Severinsen; Woodwind – Phil Bodner, Stanley Webb; Produced by, Enoch Light. 02:50 01:34:59 29.         Jimmy Smith, “Begger for the Blues” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). Jimmy Smith was a great jazz soloist on the Hammond B3 organ. This stripped-down arrangement shows his nuanced expression skills with the organ. 07:26 01:37:49 30.         Jimmy Smith, “Walk On The Wild Side” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). This big band arrangement of a theme from the movie Walk on the Wild Side features the Hammond B3 of Smith in the context of a full jazz orchestration. 05:54 01:45:12 31.         Dick Hyman And His Orchestra, “Stompin' At The Savoy” from Electrodynamics (1963 Command). Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Hyman shows off the steady, smooth tonalities of the Lowrey and also makes use of the Glide foot switch right from the beginning with that little whistling glissando that he repeats five times in the first 30 seconds. 02:50 01:51:06 32.         Sun Ra, “The Cosmos” from The Heliocentric Worlds Of Sun Ra, Vol. I (1965 ESP Disc). The instrumentation on this entire album is quite experimental, especially the dominance of the bass marimba, Electronic Celesta, and timpani of Sun Ra. The celesta is seldom heard on jazz records, but it is the only electronic keyboard found on this track. Marimba, Electronic Celesta, timpani, Sun Ra; Percussion, Jimhmi (sp Jimmy) Johnson; Performer, Sun Ra And His Solar Arkestra; Baritone Saxophone, Percussion, Pat Patrick; Bass, Ronnie Boykins; Bass Clarinet, Wood Block, Robert Cummings; Bass Trombone, Bernard Pettaway; Flute, Alto Saxophone, Danny Davis; Percussion, timpani, Jimmi Johnson; Piccolo Flute, Alto Saxophone, Bells, Spiral Cymbal, Marshall Allen. 07:31 01:53:54 33.         Sun Ra And His Solar Arkestra, “The Magic City” from The Magic City (1966 Saturn Research). You won't be disappointed to know that Sun Ra gave the Clavioline a turn on this album. This was prior to his experimenting with synthesizers, which we will cover in Part 2 of this exploration of early electronic keyboards in jazz. He incorporated the Clavioline in many of his mid-1960s recordings. Clavioline, Piano, Sun Ra; Alto Saxophone, Danny Davis, Harry Spencer; Percussion, Roger Blank; Trombone, Ali Hassan; Trumpet, Walter Miller. 27:24 02:01:22 34.         Clyde Borly & His Percussions, “Taboo” from Music In 5 Dimensions (1965 Atco). Vocals, Ondes Martenot, Janine De Waleyne. Yes, Ms. De Waleyne was a French vocalist and Ondes Martenot player. 03:33 02:28:44 35.         Jeanne Loriod, Stève Laurent and Pierre Duclos, ''Ordinateur X Y Z” from Ondes Martenot (1966 SONOROP). Album of broadcast library music from France that happened to feature the Ondes Martenot played Jeanne Loriod; drums, uncredited. The dynamic expression features of the monophonic electronic instrument can be clearly experienced on this track. 02:05 02:32:16 36.         Roger Roger, “Running with the Wind” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. This track features a solo Ondes Martenot and is backed by an electric harpsichord. The Ondes Martenot used the same electronic principle to create smooth, flowing tones as the Theremin, only that it was controlled by a keyboard. In this piece, the articulation of the Ondes Martenot is quite apart from that of the Theremin, including its double-tracked tones and the quick pacing which is rather un-Theremin-like. 01:28 02:34:20 37.         Roger Roger, “Night Ride” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. While this track features a flute solo, you can hear the Ondes Martenot from time to time, especially in the middle break. Other uncredited musician play drums, harp, and perhaps a celesta on this track. 01:35 02:35:45 Opening background music: Dick Hyman And His Orchestra, “Mack the Knife,” “Satin Doll” and “Shadowland” from Electrodynamics (1963 Command). Dick Hyman playing the Lowrey organ. Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can download the PDF, for free, on my blog, Noise and Notations at thomholmes.com

In this episode:Zak Slayback, Marlo's husband and a partner at 1517 Fund, joins the podcast to discuss the critical distinctions and concepts regarding discussions about technology in the modern worldwhat “scale” and “time-frame” considerations do on a social scale with different technological disruptions, especially in the information agehow techno-realism charts the right course for conservatives between techno-optimism and techno-pessimismTexts Mentioned:“How Tech Works” by Zak SlaybackThat Hideous Strength by C.S. Lewis“Living in a Tech Age” with Jon AskonasThe Epic of Gilgamesh“The Optimistic Thought Experiment” by Peter ThielRerum Novarum by Pope Leo XIIIA Canticle for Liebowitz by Walter Miller, Jr.Become a part of ISI:Become a MemberSupport ISIUpcoming ISI Events

Greg Humphreys, a talented software engineer and accomplished bridge player features in this episode of The Setting Trick. He is the winner of the Mott-Smith Trophy at the recent spring North American Bridge championships, a three-time North American champion, and the best bridge player in Charlottesville, Virginia. He got hooked on Bridge in 1998 and quickly joined a local club, where he found success playing with Walter Miller's 49er club. Greg studied computer science at Princeton and Stanford before moving to Charlottesville, VA, to teach at the University of Virginia. Also, Greg has since left academia and worked for several startups and major tech companies like Nvidia, Google, and Twitch. [07:00] Improving Your Bridge Game -  Greg emphasizes the importance of immersing oneself in Bridge and discussing hands with better players. [12:48] Recursive Diamond - Advantages of playing a solid diamond system and the benefits of opening with one club instead of one diamond. [18:50] Streaming Bridge on Twitch – Greg mentions his experience of streaming himself playing Bridge on Twitch. [28:16] Partner Support in Bridge - Importance of supporting your partner in Bridge and dealing with bad results. [32:54] Competitive Bridge Strategies and Performance – Greg outlines his experience playing Bridge in a competitive event, including strategies, gameplay, and the desire to perform well and achieve a high ranking. [57:04] Teaching beginners in Bridge - Frustrations and challenges Resources: Connect with Greg: LinkedIn: linkedin.com/in/greghumphreys/ Twitter: twitter.com/humper   Mentioned in the episode: Physically Based Rendering: From Theory to Implementation: amazon.com/Physically-Based-Rendering-Theory-Implementation/dp/0128006455?redirectFromSmile=1

Um Cântico para Leibowitz de Walter Miller Jr. Livro: https://amzn.to/43O68Rc Acesse: https://lereverbo.com Conheça o método da comunicação influente: https://mastrodeck.com Adquira o meu livro CONVENCER É PRECISO: https://amzn.to/41zvLmE

Greg Humphreys, a talented software engineer and accomplished bridge player is featured in this episode of The Setting Trick. He is the winner of the Mott-Smith Trophy at the recent spring North American Bridge Championships, a three-time North American champion, and the best bridge player in Charlottesville, Virginia. He got hooked on bridge in 1998 and quickly joined a local club, where he found success playing with Walter Miller's 49er club. Greg studied computer science at Princeton and Stanford before moving to Charlottesville, VA, to teach at the University of Virginia. Also, Greg has since left academia and worked for several startups and major tech companies like Nvidia, Google, and Twitch. In addition to his impressive career in computer science, Greg has also made a name for himself in the world of bridge. He has succeeded in various tournaments, including the Mixed Pairs, Platinum Pairs, Mixed BAM, and Fast Pairs. Greg and Jenni Carmichael typically play together once a year in the Mixed Pairs, which they won in 2016 and have also finished second, third, fourth, and fifth. In 2018 they made it to the finals of the World Open Pairs. This spring in Reno, they finished second in the Mixed Pairs. Greg also finished 11th in the Silodor Pairs and won the Fast Pairs, playing with Adam Parrish.  On the other hand, when not playing bridge, Greg enjoys spending time in his woodshop, playing video games, and traveling. He also enjoys watching RuPaul's Drag Race. Also, Greg streams his bridge games on Twitch, where he plays against friends and robots on BBO. In this conversation, Greg shares a wealth of insights and experiences about his journey in the world of Bridge. He discusses his best-ever result in a tournament, the pressure of leading, and the impact of small mistakes. He recalls an unusual game where the opposing team doubled their bid and made a strange opening lead. Greg explains how miscommunication about a bridge bidding system leads to confusion and the importance of immersing oneself in bridge and discussing hands with better players. He also talks about his accidental discovery of bridge on Yahoo and how he fell in love with the game through books and local clubs. Additionally, Greg discusses his unique relay precision system with Jenni and the advantages of playing a solid diamond system. He mentions his experience of streaming himself playing Bridge on Twitch and the importance of supporting your partner in Bridge and dealing with bad results. Lastly, he shares his experience playing Bridge in a competitive event, including strategies, gameplay, the desire to perform well and achieve a high ranking, and the frustrations and challenges of teaching beginners in Bridge. [06:37] Best Result Ever – Greg discusses what he considers to be his best-ever result. [10:11] Pressure: The pressure of leading in bridge tournaments and the impact of small mistakes. [19:53] Unusual Tactics – Greg recalls a bridge game where the opposing team doubled their bid and made a strange opening lead. [23:27] Bidding Confusion and Resolution – Greg explains how miscommunication about a bridge bidding system leads to confusion. [25:50] Discovering Bridge – Greg tells how he accidentally discovered Bridge on Yahoo and fell in love with the game through books and local clubs.  [34:03] Non-Standard Homebrew System-  Bizarre Bridge System Leads to Unforeseen Victory [43:43] UVA - Reasons for choosing UVA for an academic career [52.48] Partnership with Jenny – Greg talks about playing Bridge with Jenny and the frequency of playing together. He also discusses their effort to practice online before a tournament and their unique relay precision system, which requires some study. Resources: Connect with Greg: LinkedIn: linkedin.com/in/greghumphreys/ Twitter: twitter.com/humper   Mentioned in the episode: Physically Based Rendering: From Theory to Implementation: amazon.com/Physically-Based-Rendering-Theory-Implementation/dp/0128006455?redirectFromSmile=1  

Recording of Off the Shelf Radio Show from WDLR with co-hosts Molly Meyers LaBadie and Nicole Fowles. This week we talk to Jody Everett, owner of Beanbag Books in Downtown Delaware.  Recommendations include Here Goes Nothing by Eamon McGrath, A Canticle for Leibowitz by Walter Miller and A Long Stretch of Bad Days by Mindy McGinnis.   Read more about today's episode here. Listen live every Friday morning at 9 AM https://wdlrradio.com/program-schedule/off-the-shelf/  This episode originally aired on March 3, 2023. 

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here.

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022). Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues." In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)! Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones. Mentioned in the Episode Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules. John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable. Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention. Michael Tomasello works on children's rule-following and enforcement against violations, Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore. Recallable Books The Rule of Saint Benedict (516 onwards) Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges.... Walter Miller's Canticle for Liebowitz Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!") Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Fans of Catholic novels always mention the 1959 A Canticle for Leibowitz, by Walter Miller, as one of their favorites. In this episode of Book Club, Greg and Cory discuss this profound work of Catholic science fiction.

Good ol' fashioned Halloween Catholic Nerd-Out with Emma Fradd (now Kruse) about Catholic Horror Novels ... and just in time for Halloween!! Though awesome in her own right, Emma Fradd is the sister of Matt Fradd, the Catholic speaker known for his podcast Pints with Aquinas. First off! Emma and her husband David Kruse are launching a new Catholic record label this December called Enemy Love Records. Check out all their amazing music and artists here www.EnemyLoveRecords.com. There's Emma, David Kruse, and Valere -- all great to check out! Here are the links we promised in the show: Sibling Horror (YouTube link) - Here is the horror story podcast written and produced by Emma and Matt Knifepoint Horror - This is Soren Narnia's horror podcast, Soren is a frequent collaborator with Emma and Matt and and narrator of Sibling Horror True Ghost Stories & Hauntings: Real Catholic Exorcisms - Scott's book and audiobook (with spooky narrator) The Seventh Word - the first and only pro-life horror novel The Catholic Zombie apocalypse! Scott's ongoing series the Cajun Zombie Chronicles Manly Wade Wellman, (non-Catholic) author of Appalachian horror/fantasy yarns with the recurring character Silver John, including The Old Gods Waken and volumes Worse Things Waiting and Lonely Vigils Canticle for Liebowitz by Walter Miller - the classic Catholic Sci-Fi novel Consecration to St. Joseph for Children and Families - Scott's new book with Fr. Donald Calloway PLUS new consecration calendar Do you want to bedeck yourself in your #1 galactic source for quality Catholic nerdery? Of course, you do! And now you can … Check out the C-Nerd T-Shirts and Merch! Like the Catholic Nerds on Facebook. Tweet us @NerdsCatholic Email us at catholicnerdpodcast1@gmail.com Also, check out Scott's e-course on the Virgin Mary at All Saints University! Recent posts from Scott's blog: Pray the Rosary with Blessed Anne Catherine Emmerich: Emmerich's Revelations for the Mysteries of the Rosary --- Support this podcast: https://anchor.fm/scott-smith677/support

Walt Miller was raised in California by his father who was in sales and his mother who was a people person. So, sales came quite naturally to him. When he was 19, he started working for a company named Snap-on Tools the leader in automotive tools. Shortly thereafter he saw the opportunity to purchase his own franchise, and two-years later Snap-On offered him a management position. He recruited taught and managed eight franchisees. Walt then stepped away from his Snap-on career and bought another franchise with Cuda the leader in automatic parts washers He then came back to what he loved which was selling Snap-on tools and he has been a franchisee ever since.

This is the second of three talks from the 'Hope in Dystopia' mini conference by Matt Carpenter. Matt Carpenter taught history for fifteen years and has served in pastoral ministry for ten years. He is married to Amanda and they have four children: Phoebe, Simeon, Emmaline, and Olivia. In his spare time he enjoys cooking, reading, hiking, and fishing.  Trinity Reformed Church is a CREC mission church in Huntsville, AL. seeking to extend and unite the Kingdom in the Huntsville area. Check out our website, Facebook or YouTube!

Thank you for Listening Please Share Bobby Love is the name of a man who escaped prison over 40 years ago, and was finally arrested after he made a fatal mistake attending a funeral. Bobby Love's birth name is Walter Miller, but after committing a number of crimes and spending time in prison, he decided he wanted to be free. Walter escaped from a prison in North Carolina and fled to New York. He was able to start a new life, and even build a family, but it all came crashing down ea [...]

Rematamos el programa de actualidad con una nueva tertulia. Hablamos sobre el MSX3 de Nishi, la MSXDev 2021 que trae un montón de nuevos juegos, hablamos de hardware, software, reuniones. Araubi responde a una pregunta de un oyente sobre Walter Miller, Santi Ontañón nos comenta en primicia su nuevo juego y Raul Portales nos habla de él y de su libro de MSX Basic. Esperamos que lo disfrutéis!

This 1959 sci-fi/post-apocalyptic novel by Walter Miller is an absolute classic and a must read! Check out this episode for some of my thoughts on why that is. NOTE: This episode contains brief discussion on the immensely sensitive and important topic of suicide. Additionally, I misspoke in the video/podcast referring to the author as Walter J. Miller. I meant Walter M. Miller, Jr. Mea culpa! ------------ For more faith-enriching content than you'll know what to do with, be sure to visit https://thegraciousguest.org and follow The Gracious Guest on Twitter @mikecreavey ------------ Links/Resources “A Canticle for Leibowitz” Amazon link:  https://www.amazon.com/Canticle-Leibowitz-Walter-Miller-Jr/dp/0553273817/ref=sr_1_1?crid=3SHC5Z1KSC0P5&dchild=1&keywords=canticle+for+leibowitz+by+walter+m.+miller&qid=1629473757&sprefix=walter+miller+c%2Cdigital-text%2C169&sr=8-1 Audiobook link:  https://www.audible.com/pd/A-Canticle-for-Leibowitz-Audiobook/B005F5ZBRC Wikipedia entry on Walter Miller:  https://en.wikipedia.org/wiki/Walter_M._Miller_Jr. Catechism of the Catholic Church official teaching on suicide (see paragraphs 2280-2283):  https://www.vatican.va/archive/ENG0015/__P7Z.HTM “Dr. Peter Kreeft | The 10 Books Nobody Should Be Allowed to Die Without Reading” (he makes it 26 instead!):  https://www.youtube.com/watch?v=bLm5RggbhlE

Show 130 – Recorded 5-15-21 – This podcast features 10 outstanding blues artists and 12 great performances to enjoy. Plus Mr George Mitchell tells us how he met and field recorded blues legends Robert Nighthawk, Houston Stackhouse and James Peck Curtis. These songs were recorded in 1967. Our featured artists are: Napoleon Strickland, William Do Boy Diamond, Mississippi Fred McDowell and Johnny Woods, Walter Miller, Tom Turner, Furry Lewis, Robert Diggs, Dewey Corley and Walter Miller, Teddy Williams, Houston Stackhouse, Robert Nighthawk and James Peck Curtis – The Blues Rhythm Boys. We want to recognize and thank again Mr George Mitchell for his time and the beautiful music he helped create.

A lively discussion of Walter Miller's science fiction masterpiece, a future history in which mankind repeats the Dark Ages only to make the same mistakes again. Recorded: March 22, 2018 Original Air Date: May 2018 Show Run Time: 42 minutes Show Host(s): Dr. Thomas Fleming https://fleming.foundation/2018/05/a-canticle-for-leibowitz-part-2-boethius-book-club-episode-12/

30 MART 2021 DÜNYA TARİHİNDE BUGÜN YAŞANANLAR 1842 - İlk kez bir ameliyatta anestezi uygulandı. 1856 - Kırım Savaşı; Rus İmparatorluğu, Osmanlı İmparatorluğu, Birleşik Krallık ve Fransa arasında Paris Antlaşması'nin imzalanmasıyla sona erdi. 2006 - Marcos Pontes, uzaya çıkan ilk Brezilyalı astronot oldu. 2020 - Rusya-Suudi Arabistan petrol fiyat savaşı: Brent petrol fiyatı varil başına %9 düşerek Kasım 2002'den bu yana en düşük seviye olan $23'a düştü.[1] TÜRKİYE TARİHİNDE BUGÜN YAŞANANLAR 1863 - Türkiye'de eğitim alanında açılan ilk sivil toplum kuruluşu olan Darüşşafaka kuruldu. 2005 - Kabahatler Yasa Tasarısı, TBMM'de kabul edildi. BUGÜN DOĞANLAR 1432 -  Osmanlı İmparatorluğu'nun 7. Padişahı Fatih Sultan Mehmet, dünyaya geldi. 1853 -  Hollandalı ressam Vincent van Gogh, doğdu. 1910 -  Türk şair ve yazar Ziya Osman Saba, dünyaya geldi. BUGÜN ÖLENLER 1790 Cezayirli Gazi Hasan Paşa vefat etti. 1925 - Avusturyalı filozof, eğitimci, bilim adamı, sanatçı, yazar ve antropozofitin kurucusu Rudolf Steiner, hayatını kaybetti. 1940 -  Amerikalı sessiz film oyuncusu Walter Miller, öldü. 1956 -  Türk yazar Mithat Cemal Kuntay, vefat etti.

A lively discussion of Walter Miller's science fiction masterpiece, a future history in which mankind repeats the Dark Ages only to make the same mistakes again. Recorded: March 22, 2018 Original Air Date: May 2018 Show Run Time: 42 minutes Show Host(s): Dr. Thomas Fleming https://fleming.foundation/2018/05/a-canticle-for-leibowitz-part-1-boethius-book-club-episode-11/

During this catch up, host @thatssojenae is joined by comedian, photographer and reality tv personality Walter "Walt" Miller. Walt discusses his experience on VH1's "Black Ink Crew", comedy and his relationship with wifey. Walt brings the male point of view on dating and the black family that RVO has been missing. Ladies you will want to hear this ...fellas ya'll should listen too. This is Rich Vibes and Overdrafts. (Be sure to follow RVO on Instagram: @richvibesandoverdrafts).

While a lot of readers have struggled during the pandemic, Scott had a reading breakthrough this past year. We talk about BookTube, places for readalongs, and books we've read and liked recently.Download or listen via this link: Reading Envy 204: BookTube Season Subscribe to the podcast via this link: FeedburnerOr subscribe via Apple Podcasts by clicking: SubscribeOr listen through TuneIn Or listen on Google Play Or listen via StitcherOr listen through Spotify New! Listen through Google Podcasts Books discussed: A Memory Called Empire by Arkady MartineHow Long 'Til Black Future Month by N.K. JemisinThis is the Story of a Happy Marriage by Ann PatchettEmpire of Wild by Cherie DimalineLast Call by Tim PowersOther mentions:The Bully Pulpit by Doris Kearns GoodwinAltered Carbon by Richard K. MorganCoode St. Podcast with Arkady MartineForeigner by C.J. CherryhA Desolation Called Peace by Arkady MartineThe Fifth Season by N.K. JemisinAncillary Justice by Ann LeckieThe Killing Moon by N.K. JemisinSistah ScifiThe Only Good Indians by Stephen Graham JonesThe Marrow Thieves by Cherie DimalineOn Stranger Tides by Tim PowersThe Anubis Gates by Tim PowersThe Great & Secret Show by Clive BarkerThe Fall of Hyperion by Dan SimmonsGet Booked PodcastHugos There PodcastA Canticle for Leibowitz by Walter MillerThe Sparrow by Mary Doria RussellEveryone who Reads Must Converse (YouTube)Endymion by Dan SimmonsA Case of Conscience by James BlishWelcome Home: An Anthology of Love and Adoption edited by Eric SmithRelated episodes:Episode 009 - Pirates and Noonday DemonsEpisode 039 - Paranoid Squint with FredEpisode 058 - Wishing for a Sequel with Scott D. Danielson Episode 123 - Godlets and Forests with Lauren WeinholdEpisode 202 - Jacket Flap with Chris and Emily Shelf Wear - Book 3 - The Only Good Indians  Stalk us online: Scott on A Good Story is Hard to Find (podcast) Scott on Shelf Wear (blog and podcast)Jenny at GoodreadsJenny on TwitterJenny is @readingenvy on Instagram and Litsy All links to books are through Bookshop.org, where I am an affiliate. I wanted more money to go to the actual publishers and authors, and less to Jeff Bezos. I only link to Amazon in cases where Bookshop.org does not carry a backlist title, which took place a few times for this list.

Jesse & Rob talk quarantine from deep within their Fortresses of Social Distance! The economic effects of The Cove on the comics industry, conventions, and creators. Suggestions for how to support creators, plus plenty of book/movie/game recommendations.WANDERERS (novel by Chuck Wendig): https://www.indiebound.org/book/9780399182105A CANTICLE FOR LEIBOWITZ (novel by Walter Miller): https://www.indiebound.org/book/9780553273816STATION ELEVEN (novel by Emily St. John Mandel):https://www.indiebound.org/book/9780804172448EMPRESS OF FOREVER (novel by Max Gladstone):https://www.indiebound.org/book/9780765395818KUSHIEL'S DART (novel 1 of 9 by Jacqueline Carey):https://www.indiebound.org/book/9780312872380THE CITY WE BECAME (novel by N.K. Jemisin):https://www.indiebound.org/book/9780316509848DREAD NATION (YA novel by Justina Ireland):https://www.indiebound.org/book/9780062570611TRAIL OF LIGHTNING (novel 1 of 3 by Rebecca Roanhorse):https://www.indiebound.org/book/9781534413498Film & TV recommendations: The Expanse (Amazon Prime), The Man in the High Castle (Prime), One Strange Rock, Pi (movie), Donnie Darko, Sorry to Bother You (Hulu), Snowpiercer, Horizon: Zero Dawn (PS4 game), Castlevania (Netflix), Starship Troopers, Kim's Convenience (Netflix), Equilibrium (movie), The Fifth Element, Dark City, Pokemon (game), Samurai Showdown (PS4).

A new episode

  Show 80 – Recorded 5-16-20 This podcast features Great blues artists discovered and or recorded by the legendary music historian, discoverer, promoter and producer, Mr George Mitchell with excerpts from prior podcasts 64, 65 and 66. The musical artists we showcase here are Jesse Mae Hemphill & James Shorter, Robert Nighthawk, Jimmy Lee Williams, Mississippi Fred McDowell & Johnny Woods, Libby Rae Watson, The Other Robert Johnson, RL Burnside, Houston & Sara Mae Stovall, John Lee Zeigler, Furry Lewis, Precious Bryant, Dewey Corley & Walter Miller, Cecil Barfield.

  Show 80 – Recorded 5-16-20 This podcast features Great blues artists discovered and or recorded by the legendary music historian, discoverer, promoter and producer, Mr George Mitchell with excerpts from prior podcasts 64, 65 and 66. The musical artists we showcase here are Jesse Mae Hemphill & James Shorter, Robert Nighthawk, Jimmy Lee Williams, Mississippi Fred McDowell & Johnny Woods, Libby Rae Watson, The Other Robert Johnson, RL Burnside, Houston & Sara Mae Stovall, John Lee Zeigler, Furry Lewis, Precious Bryant, Dewey Corley & Walter Miller, Cecil Barfield.

True crime fans I got your fix with some old school murders from Scotland Yards Files to your ear holes.

On this week's episode of the Femme Cave Podcast, the Cave discuss a controversial issue...Walter Miller aka Bobby Love.. Are you willing to “ride or die” for your mate?! Tune in to hear a heated debate on the hosts' thoughts. You will be surprised to see how each host tackles this sensitive topic.     Want some advice...email us at thefemmecave@gmail.com Follow us on IG @thefemmecavepodcast & on Facebook The Femme Cave Podcast

Show 66 – Recorded 2-8-20. This podcast is the third part of a 3-week interview with blues music historian, discoverer, producer and artist’s coach Mr George Mitchell, who has discovered and recorded more blues artists than anyone else alive today. This podcast has Mr Mitchell discussing his trying to find blues legend Son House in the very early 1960’s and then we speak about Atlanta blues legend Blind Willie McTell. We play recordings of Son House and Blind Willie McTell along with 14 of the blues artists discovered and recorded by Mr Mitchell including James Shorter, Joe Callicott, Robert Johnson, Will Shade, Robert Nighthawk, Houston and Sara Stovall, George Henry Busey, Jessie Clarence Gorman, Cliff Scott, RL Burnside, Robert Longstreet, John Henry Barbee, Dewey Corley and Walter Miller, Bud White. Along with our interview, this group of great blues artists perform 18 excellent songs for you. This group of performances were recorded during a period from 1928 through 1969.  

Show 66 – Recorded 2-8-20. This podcast is the third part of a 3-week interview with blues music historian, discoverer, producer and artist’s coach Mr George Mitchell, who has discovered and recorded more blues artists than anyone else alive today. This podcast has Mr Mitchell discussing his trying to find blues legend Son House in the very early 1960’s and then we speak about Atlanta blues legend Blind Willie McTell. We play recordings of Son House and Blind Willie McTell along with 14 of the blues artists discovered and recorded by Mr Mitchell including James Shorter, Joe Callicott, Robert Johnson, Will Shade, Robert Nighthawk, Houston and Sara Stovall, George Henry Busey, Jessie Clarence Gorman, Cliff Scott, RL Burnside, Robert Longstreet, John Henry Barbee, Dewey Corley and Walter Miller, Bud White. Along with our interview, this group of great blues artists perform 18 excellent songs for you. This group of performances were recorded during a period from 1928 through 1969.  

Message from Walter Miller on Aug 19, 2018

Since this was Annie's show last week, it's only fair that Chris gets a turn, too! He's thoughtfully prepared four sets of discussion-based course curriculum just like he would for one of his classes at Florida State--in fact, two of them are adapted from courses he's actually taught. These curated lists of five books each are centered around asking questions. Perfect for book clubs! The ranking Annie mentions at the top of the show can be found here. The 'Other' Mother (for fans of That Kind of Mother) + Dear Ijeawele by Chimamanda Ngozi Adichie + The Mothers by Brit Bennett + Marriage of a Thousand Lies by SJ Sindu + The First Bad Man by Miranda July + Rabbit Cake by Annie Hartnett How to be a Human (for fans of Station Eleven) + Brave New World by Aldous Huxley + Fahrenheit 451 by Ray Bradbury + A Canticle for Leibowitz by Walter Miller, Jr. + Never Let Me Go by Kazuo Ishiguro + The Handmaid's Tale by Margaret Atwood Florida, O Florida (for people who wonder how we live here) + Best. State. Ever. by Dave Barry + Swamplandia! by Karen Russell + Sunshine State by Sarah Gerard + Florida by Lauren Groff + Annihilation by Jeff VanderMeer Small Town Living (for fans of A Man Called Ove) + Jayber Crow by Wendell Berry + This is Where You Belong by Melody Warnick + The Little Bookstore of Big Stone Gap by Wendy Welch + The From-Aways by CJ Hauser + Beartown by Frederik Backman Thanks, as always, to Forlorn Strangers for the use of our theme music. Learn and listen more here. Listen to a full back catalogue of our show here, and, if you're interested in some exclusive content like a collaborative newsletter, consider supporting us on Patreon here. 

File today's show under comedy.

This episode, we take a hopefully-not-too-grim look at the genre of post-apocalyptic fiction. Emily wonders why the genre attracts so many hyper-masculine writers and Kyle talks about one of his favorite and one of his least favorite novels. No spoilers to speak of in this episode. Episode Breakdown: 0:00 – 9:00: What We're Reading 9:00 – 1:00:00: Post-Apocalyptic Fiction What Emily's Reading: The Goblin Emperor by Katherine Addison The Incorruptables by John Horner Jacobs What Kyle's Reading: Between the World and Me by Ta-Nehisi Coates Other Works Mentioned: "Sleep Donation" by Karen Russell "Black Moon" by Kenneth Calhoun The Hunger Games by Suzanne Collins The Road by Cormac McCarthy Farnham's Freehold by Robert Heinlein A Canticle for Leibowitz by Walter Miller, Jr. Station Eleven by Emily St. John Mandel California by Edan Lepucky The Stand by Stephen King "There Will Come Soft Rains" by Ray Bradbury Buying books at Powell's by using these affiliate links helps support the show! Do you love or hate to read about the end of the world? Email the show at portablemagicpodcast@gmail.com or tweet us @PortableMagicPC! 

Book II 2:35:05  Book III 4:10:00 On Duties (Latin: DE OFFICIIS) discusses virtue, expediency and apparent conflicts between the two. St. Ambrose, St. Jerome and other Doctors of the Roman Catholic Church considered it to be legitimate for study. Anthony Grafton says that it was the second book after the Bible printed on Gutenberg's press.  It was a standard text taught at Eton College. Translated by Walter Miller. Painting: Phryne Revealed Before the Areopagus by Jean-Léon Gérôme.