Podcast appearances and mentions of David S Ware

On this episode, Marc talks with Matthew Shipp, author of "Black Mystery School Pianists and Other Writings," published in April 2025 by Autonomedia. It's a collection of essays, poems, tributes, obituaries and more. Shipp, best known for his piano playing (solo, in collaboration, and with the David S. Ware quartet), presents much of what he's learned and contemplated over decades as an artist, touching on inspiration, improvisation, language, and many other big ideas.As he writes, "I don't consider myself a poet, but I do consider myself able to write about what inspires me to play the way I do. And the reason I'm able to do that, even though I'm not a poet, is because obviously I know myself to some extent."You can buy Matt's book at Autonomedia's website or here. We hope you enjoy Marc's conversation with Matthew Shipp!

THIS WEEK's BIRDS: Algerian cha'abi singer Mohsaïd Oubelaïd;  Moroccan cha';abi from Abdelkader Rachdi Balkan song from Kurbeti. Saban Bajkramoviç; Roma song from Vera Bila & Sendreiovci; Experimental Hungarian song from Kampec Dolores;l vocal jazz from Jeri Brown; David S. Ware as well as  Zoh Aba and Sun Ra Arkestra;  West African vocals from Salon Camara and Lassana Hawk Cissoko; Brazilian vocals from Marina Iris; samba from Bezzera da Silva;  flamenco from David de Arahal & David El Galli; Camarón; and Jimenez Rejano; and (as always) so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/m/playlist/view/20496412 and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Sax tenore ma anche valente polistrumentista, Charles Gayle, afroamericano, nato a Buffalo nel 1939, emerge nel jazz d'avanguardia solo negli ultimi anni ottanta. Nei sessanta insegna musica all'università e a New York partecipa alla scena del free jazz, ma senza cercare di farsi notare. Poi sceglie la vita dell'homeless, e suona per strada e nella metropolitana a New York e dintorni, rarissimamente in bar o club, facendo una musica senza compromessi, completamente libera: nel suo sax tenore è potentemente sedimentata la memoria di Sonny Rollins, Albert Ayler, John Coltrane, ma Gayle ha una sua fortissima personalità. Alla metà degli ottanta però la Knitting Factory gli offre un ingaggio settimanale, e nell'87 una etichetta svedese decide di fargli incidere un album: è il primo di una lunga serie di dischi sotto suo nome, e l'inizio di una carriera che Gayle non aveva mai avuto né cercato di avere. Profondamente religioso, Gayle riversa nelle sue energetiche improvvisazioni tutto il suo trasporto spirituale, ma anche il desiderio di suonare con la potenza e lo scatto con cui si tira di boxe, sua grande passione. Con Charles Gayle, morto a 84 anni il 5 settembre, se ne va quello che assieme a David S. Ware, mancato già da diversi anni, è stato il più importante sax tenore di quell'area free newyorkese che negli ultimi decenni ha ruotato interno a William Parker, e in assoluto uno dei più formidabili sax tenori di tutto il jazz - non solo dell'avanguardia - a cavallo tra secolo scorso e nuovo millennio. Lo ricordiamo col classico Touchin' On Trane (1991), in trio con William Parker al basso e Rashied Ali, il batterista dell'ultimo Coltrane; con Always A Pleasure (1993), in cui è nel gruppo di Cecil Taylor; con Requiem (2004) di William Parker; e con Live in Belgium (2015) in trio con gli italiani Manolo Cabras e Giovanni Barcella.

Sun-Mi Hong, Jen Shyu, Mark Guiliana and William Parker discuss art as an outlet to process grief, and how touring is the best way to meet interesting people. Sun-Mi Hong is a jazz drummer and composer. She was born and raised in Incheon, South Korea, but moved to Amsterdam in 2012 to study music. She's since made her mark on the European jazz scene and in 2017 formed the Sun-Mi Hong Quintet, performing original contemporary compositions as well as improvised jazz music. Her latest album “Third Page: Resonance” was released in November 2022. William Parker is a double bassist who is a giant of the American avant-garde jazz scene. His boundary-pushing antics over the last 40 years have led him to being labelled "the most consistently brilliant free-jazz bassist of all time", as well as playing next to some of the greats, including pianist Cecil Taylor and David S Ware. Mark Guiliana is a drummer and composer known for his technical mastery and genre-shifting abilities. Whether it's acoustic jazz, boundary-stretching electronic music or next-level rock, he's become one of the most influential drummers of his generation. He's worked with David Bowie, and former Music Life guests Meshell Ndegeocello and St Vincent. Singer, composer and multi-instrumentalist Jen Shyu is widely regarded for her virtuosic singing and riveting stage presence. Her extensive career has seen her study traditional music and dance all over the world, and she speaks 10 languages and plays 10 instruments.

"You inspire us to work hard to improve the service we do for the music community." In this episode of MFM Speaks Out, Dawoud Kringle offers a retrospective of the progress of the MFM Speaks Out podcast in 2022. The guests mentioned, and / or whose music was included, include Ken Butler, Ariel Hyatt, Neel Murgai, Banning Eyre, Baba Don Eaton Babatunde, William Parker, Bruce Lee Gallanter, Jeff Slatnick, Hubert Howe, and April Centrone.The progress and accomplishments of MFM as a whole during the year 2022 were also briefly discussed. Topics discussed:Our guest for episode 35 in January was musician, experimental musical instrument builder, and visual artist Ken Butler. He builds hybrid musical instruments and other artworks that explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence.He is internationally recognized as an innovator of experimental musical instruments created from diverse materials including tools, sports equipment, and household objects.February's episode 36 featured Ariel Hyatt. Ariel is a digital marketer, writer, and teacher who assists independent musicians in career development. She is the author of Music Success in 9 Weeks, Cyber PR For Musicians, Crowdstart, and other books. Hyatt worked at New York City's WNEW-FM, and the What Are Records? record label. She moved to Boulder CO, where she managed and handled publicity for the funk band, Lord of Word. She is also the founder and owner of the New York-based public relations firm Cyber PR. Her clients included the Toasters and George Clinton.Neel Murgai was our 37th guest in March. Neel is a sitarist, overtone singer, percussionist, composer, teacher, and Co-Artistic Director of the Brooklyn Raga Massive, a raga inspired musician's collective.Banning Eyre is a writer, guitarist and producer, and the senior editor and producer of the public radio program Afropop Worldwide.  He has traveled and done music research in over 20 African countries, as well as in the Caribbean, South America and Europe. His latest initiative is the launch of Lion Songs Records, an independent label dedicated to uplifting overlooked, mostly acoustic music from the African universe. He is the author of several books, and the co-author of AFROPOP! An Illustrated Guide to Contemporary African Music. Eyre is a contributor to National Public Radio's All Things Considered, and his writing has been published in Billboard, Guitar Player, Salon, the Boston Phoenix, College Music Journal, Option, The Beat, Folk Roots, Global Rhythm, and other publications. He also has a background in technology, and worked for 10 years as a software technical writer. Eyre is also on the Advisory Committee of Musicians for Musicians.  Baba Don Eaton Babatunde. He is a percussionist and master of African Drumming and the rhythms of the African Diaspora in the Americas. Baba Don has performed and recorded with Abidun Oyewole and The Last Poets, Pattie Labelle, Joe Henderson, Donald Brown, Jason Linder, Tyrone Jefferson, Tevin Thomas, James Spaulding, Ron Carter, George Clinton, Pharaoh Sanders, the Metropolitan Orchestra, Bill Laswell, and Philycia Rashadto name a few. His work with dance companies and choreographers includes The Dance Theatre of Harlem, Alvin Ailey Dance Theatre, Maurice Hines, Gregory Hines, Andy Williams, Chuck Davis Dance theatre, Frank Hatchet, Geoffrey Holder, Louis Johnson, and Pyramid Dance Company.Episode 40 featured free jazz bass master William Parker. He has also performed and recorded with Cecil Taylor, Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He was the leader of the Little Huey Creative Music Orchestra and In Order to Survive, a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. Our guest for episode 41 was Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music.Jeff Slatnick was our 42nd guest. Jeff has been an employee and later the owner of Music Inn for over 54 years. Music Inn is one of the oldest music stores in New York City (second in longevity only to Sam Ash). It is a landmark music store in the West Village of NYC specializing in imported world and western instruments, rare and exotic music items, and records. Music Inn has been described as “a museum, rich with music history from around the world.” Music Inn is also the headquarters of Limulus, a company that designs and manufactures unique solid body string instruments. Hubert Howe graced the annals of our podcast as our 43rd guest. Hubert was one of the first researchers in computer music, and became Professor of Music and Director of the Electronic Music studios at Queens College in New York, where he was also Director of the Aaron Copland School of Music from 1989 to 1998, 2001 to 2002, and Autumn 2007. He taught at the Juilliard School from 1974 through 1994. In 1988-89 he held the Endowed Chair in Music at the University of Alabama. He has been a member of the Society of Composers, Inc. , President of the US section of the League of Composers / International Society of Contemporary Music, a member of the International Computer Music Association, and directed the International Computer Music Conference at Queens College, a member of Society for Electro-Acoustic Music, a member of BMI, and the American Composers Alliance since 1974 and served as their President from 2002 to 2011. He is a member of the New York Composer's Circle and has served as Executive Director since 2013. In 2009, he founded the New York City Electroacoustic Music Festival, and he continues as Director.Our final guest for for 2022 was April Centrone. April Centrone is a multi-instrumentalist (specialising in the riqq, darbuka, frame drum, trap drum, and oud), co-founder of the New York Arabic Orchestra, teacher, composer, film producer and director, and music therapist. She is a Carnegie Hall World Explorer musician and educator, business owner and founder of 10PRL, arts/film/event space on the Jersey Shore. Shehas performed in venues such as the United Nations, NYC Opera House, Carnegie Hall and Lincoln Center, and has toured throughout Europe, the Americas, Middle East and Far East.Music on this episode:"Aurora" by Adam Reifsteck / Sonic Fear"Building a Desert Blizzard" by Ken Butler"Bagheshri Unbound" by Neel Murgai"Today is a New Day" by Voyagers"25 Years" by Abiodun Oyewole, featurning Baba Don Eaton"Give Me Back My Drum" by William Parker"Warm Arms to Hold You" by Dawoud the Renegade Sufi (a.k.a. Dawoud Kringle)"Inharmonic Fantasy No. 7" by Hubert Howe"New Moon" by April Centrone"Welcome New Iran" by SoSaLa (a.k.a. Sohrab Saadat Ladjevardi)(All music used by permission)

This week: Maria Grand; Gregg August; Camarón;  Susana Baca; Rocío Bazán;Vera Bila; Naima Samih; Glenn Spearman; Ricardo Ray; Seydina Ndiaye Spain; Ouzon Ndiaye; David S. Ware; Batoma Sissoko; Wayne Shorter; Freddie Hubbard;  much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/16068975/Conference-of-the-Birdshttps://spinitron.com/WRFI/pl/16068975/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

"Music is Defined as Anything that is Beautiful, and What Makes Something Beautiful is Music"Our guest for this episode of MFM Speaks Out is free jazz bass master William Parker. Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instruments were the trumpet, trombone and cello. Parker had no formal training as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis and Wilbur Ware.In the 1980s, he first came to public attention playing with Cecil Taylor. He has also performed and recorded with Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He also led several groups, such as the Little Huey Creative Music Orchestra and In Order to Survive.His discography is extensive, with dozens of albums as a leader and co-leader, and with the aforementioned artists. They received very favorable reviews from publications such as Downbeat, The Village Voice, The Wall Street Journal, Parker is a prominent musician in the New York City experimental jazz scene, where he leads a number of groups and is associated with the Vision Festival, organized by his wife, dancer / choreographer Patricia Nicholson. He is also a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. He has performed at many prestigious venues and music festivals around the world. In addition to double bass, Parker also plays trumpet, tuba, bamboo flutes, shakuhachi, flute, double reeds, Kora, gembri, and donso ngoni.In 2006, Parker was awarded the Resounding Vision Award from Nameless Sound. In March 2007, his book of political thoughts, poems, and musicological essays, Who Owns Music?, was published by Buddy's Knife Jazzedition in Cologne, Germany.  In June 2011, Parker's second book, Conversations, a collection of interviews with notable free jazz musicians and forward thinkers, mainly from the African-American community, was published by RogueArt. Parker is frequently noted for his community dedication, mentorship, and status as "unofficial mayor of the New York improvisational scene." The Village Voice named him "the most consistently brilliant free jazz bassist of all time" and Downbeat has called him "one of the most adventurous and prolific bandleaders in jazz."Topics discussed:His beginnings as a musician and what led him to free jazz, his work with Cecil Taylor, Roy Campbell, Hamid Drake, Jimmy Garrison, and many others, his work and long association with Arts for Art (AFA), the Vision Festival, the Other Dimensions in Music Cooperative, AFA's kinship with other musician's organizations, his thoughts on hip hop, social media, and modern music technology, racism in America, the spiritual essence of music (especially free / improvised music), the future of free jazz, and his experience, thoughts, and advice about the political and economic climate of the the music business.Music on this episode:"Give Me Back My Drum""It's A Great Day to Be Dead""Canyons of Light"All Music by William Parker

"Solitude" Sonny Rollins: Way Out West (Contemporary, 1957) Sonny Rollins, Ray Brown, Shelly Manne. El tema es una composición de Duke Ellington. ¿Sabías que? Way Out West fue una de las primeras grabaciones de Sonny Rollins en formato de trío de saxo tenor, contrabajo y batería. Otro disco célebre grabado en ese mismo año fue A Night At The Village Vanguard. Un formato que ha inspirado grabaciones a músicos como Branford Marsalis, Joe Henderson, Joe Lovano, David S. Ware o Joshua Redman. La foto de portada la tomó el famoso fotógrafo William Claxton. La selección del tema está inspirada en la entrada sobre este disco del melómano y escritor Gonzalo Aróstegui Lasarte en su blog Ragged Glory: https://raggedglory.blogspot.com/2022/04/way-out-west.html © Pachi Tapiz, 2022 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=60482 Más información sobre Sonny Rollins https://sonnyrollins.com/ https://www.tomajazz.com/web/?s=sonny+rollins&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

"African Drums" David S. Ware Quartet: Surrendered (Columbia, 2000) David S. Ware, Matthew Shipp, William Parker, Guillermo E. Brown. El tema es una composición de Beaver Harris. ¿Sabías que? Surrendered fue la última grabación del saxofonista David S. Ware en Columbia. Posteriormente, hasta su fallecimiento en 2012, publicaría sus grabaciones en AUM Fidelity, Thirsty Ear Recordings y Splasc(H). Antes de Surrendered ya había estrenado el sello AUM Fidelity. El sello fue fundado por Steven Joerg, que fue a su vez el productor de Surrendered. La primera grabación de su catálogo fue Wisdon of Uncertainty de David S. Ware Quartet. Beaver Harris, el autor del tema, fue un baterista que trabajó con Albert Ayler y con Archie Shepp, entre otros. En Surrendered no fue la primera vez que David S. Ware grabó el tema "African Drums": lo había hecho en el disco homónimo de 1978 en un potente mano a mano de más de diez minutos de duración con Beaver Harris. El disco African Drums se editó en el sello Owl Records a nombre de Beaver Harris, ya que es un disco esencialmente a batería sola, salvo la colaboración con el saxofonista. © Pachi Tapiz, 2022 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=31329 Más información sobre David S. Ware http://www.davidsware.com/ https://www.tomajazz.com/web/?tag=david-s-ware Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

The bassist, composer and poet William Parker is the soul of the Lower East Side free jazz scene. A veteran of ensembles led by Cecil Taylor, Bill Dixon, Billy Bang and David S. Ware, Parker is also remarkable leader in his own right. In 2021 he released a ten-disc boxed set, The Music of William Parker: Migration of Silence into and out of the Tone World, Volumes 1-10, featuring compositions in a dizzying range of styles. With his wife and collaborator, the dancer Patricia Nicholson Parker, Parker has turned the annual Vision Festival into one of the defining events in New York creative music. In our conversation, William spoke to me about his early years in the Bronx, how he rose up in the “Loft scene” of the 1970s, his experiences with Cecil Taylor, and his understanding of music as a force of revolutionary social transformation.Links and References:recordings in this episodeMigration of Silence into and out of the Tone WorldI Plan to Stay a Believer: The Inside Songs of Curtis MayfieldPiercing The VeilFarmers by Nature: Love and GhostsCecil Taylor Unit: The EighthBlue Lime Light: A Tribute to Cecil TaylorDavid S. Ware Quartet - SurrenderedJames Brandon Lewis: Jesup Wagonlinks and additional music Universal Tonality - Cisco BradleyArts for Art / Vision FestivalWilliam Parker Tone World - New York TimesThe Life and Music of William Parker - Brooklyn RailLisa SokolovDavid S. Ware & ApogeeDavid S. Ware - Passage to MusicAmiri Baraka - Black Music (re: Jazz and the White Critic)Art Taylor - Notes and Tones

The bassist, composer and poet William Parker is the soul of the Lower East Side free jazz scene. A veteran of ensembles led by Cecil Taylor, Bill Dixon, Billy Bang and David S. Ware, Parker is also remarkable leader in his own right. In 2021 he released a ten-disc boxed set, The Music of William Parker: Migration of Silence into and out of the Tone World, Volumes 1-10, featuring compositions in a dizzying range of styles. With his wife and collaborator, the dancer Patricia Nicholson Parker, Parker has turned the annual Vision Festival into one of the defining events in New York creative music. In our conversation, William spoke to me about his early years in the Bronx, how he rose up in the “Loft scene” of the 1970s, his experiences with Cecil Taylor, and his understanding of music as a force of revolutionary social transformation.Links and References:recordings in this episodeMigration of Silence into and out of the Tone WorldI Plan to Stay a Believer: The Inside Songs of Curtis MayfieldPiercing The VeilFarmers by Nature: Love and GhostsCecil Taylor Unit: The EighthBlue Lime Light: A Tribute to Cecil TaylorDavid S. Ware Quartet - SurrenderedJames Brandon Lewis: Jesup Wagonlinks and additional music Universal Tonality - Cisco BradleyArts for Art / Vision FestivalWilliam Parker Tone World - New York TimesThe Life and Music of William Parker - Brooklyn RailLisa SokolovDavid S. Ware & ApogeeDavid S. Ware - Passage to MusicAmiri Baraka - Black Music (re: Jazz and the White Critic)Art Taylor - Notes and Tones

1. Organica 1 – David S. Ware – Organica – 2011 2. Tlalaatala – Jose Luis Castillejo – Tlalaatala – 2001 3. The Call – Anthony Braxton & Mario Pavone – Duets (1993)  – 1993 4. Made Visible – Flin van Hemmen – You Can Know Where the Bombs Fell – 2021 5. Mind Cinema … Continue reading tone science 449

1. Bloodletting – Wendy Eisenberg – Bloodletting – 2021 2. Children Undressing Animals – Doo-Dooettes – L.A. Free Music Society Live at the Brand – 1976 3. Illumination – Charlemagne Palestein & Simone Forti – Illuminations – 2010 4. Seven2 – John Cage/Apartment House – Number Pieces – 2021 5. Methone – David S. Ware … Continue reading tone science 448

David S. WARE fût une figure emblématique de la scène jazz new yorkaise, sa musique libre n'est pas revendicative ou politique,… The post S04E39 David S. WARE first appeared on Radio Campus Angers.

David S. WARE fût une figure emblématique de la scène jazz new yorkaise, sa musique libre n'est pas revendicative ou politique,… The post S04E39 David S. WARE first appeared on Radio Campus Angers.

Es un músico cuya música nos ilumina en tiempos de oscuridad. Es uno de los versos libres del jazz, uno de los espíritus de la escena neoyorquina desde los años 70. Tiene 69 años y 150 discos grabados. Y ahora publica una caja de 10 discos con el título de "Migration of silence into and out of the tonal world". Conversamos con William Parker. Contrabajista, multiinstrumentista, compositor, el neoyorquino ha tocado desde con Cecil Taylor hasta su socio de años, Hamid Drake, pasando por David S. Ware, Agustí Fernández o Peter Brötzmann, entre otros muchos. Una conversación sobre la belleza, el sonido, la poesía o la justicia según William Parker. Toda información y derechos: http://www.elclubdejazz.com

Homestead Records était un sous-label de Dutch East India Trading Dutch East India Trading a été crée en 1983 par Barry Tenenbaum Il a commencé adolescent, depuis sa chambre en important des disques des Beatles et d'autres artistes d'Angleterre qu'il revendait aux États-Unis. Petit à petit, il a mis en place un vaste réseau de distribution, qu'il appelé Dutch East India Trading. Lorsque la loi sur le droit d'auteur de 1976 a restreint sa capacité d'importer des artistes qui avaient déjà des labels américains, il a commencé à octroyer des licences pour les disques labels et il a créé Homestead Records à cette fin. Sam Berger, qui a travaillé pour Dutch East, est devenu le premier manager du nouveau label il a rapidement quitté Homestead en 1984 et il sera remplacé par Gerard Cosloy, le créateur du fanzine d'art underground Conflict. Gerard Cosloy dirigera un long moment label et marquera Homestead de son empreinte. Un label principalement consacré à la production de musique expérimentale et considéré comme un des principaux acteurs du lancement du noise rock. Par manque d'argent et aussi à cause de sa réputation sulfureuse le label a mis la clef sous la porte en 96 avec comme dernière sortie Cama de Terra d'Ivo Perelman. Même si Homestead Records était connu pour ne pas payer ses artistes et pour ne pas dépenser de l'argent sur la promotion, il fut un découvreur de talents de la musique alternative américaine en sortant notamment le premier album de Dinosaur Jr, les trois premiers albums de Sebadohet le deuxième album de Sonic Youth. Le label était aussi présent aux débuts de la scène de Seattle avec Green River et Screaming Trees et aussi sortis les disques des figures de proue du free-jazz new-yorkais avec David S. Ware et William Parker. Naked Raygun/Rat Patrol Volcano Suns/Balancing Act Uzi/Gabrielle Sonic Youth/I'm Insane Squirrel Bait/Sun God Beat Happening/Tales of Brave Aphrodite Bastro/Tobacco in the Sink Big Black/Kerosene Live Skull/5-D Bratmobile/Kiss And Ride (from Pottymouth) Seam/Sky City Honor Role/Absolve Merci à Guillaume (alias Jed Robin jedrobin.bandcamp.com) de nous accueillir dans son studio improvisé.

Dalla metà degli anni ottanta anima di "Ai confini tra Sardegna e Jazz", l'11 novembre scorso è mancato improvvisamente a Sant'Anna Arresi Basilio Sulis, che per chi ha frequentato il festival di Sant'Anna Arresi, così come per centinaia di musicisti fra i più importanti a livello internazionale che al festival hanno suonato, e che in generale non conoscevano nemmeno il suo cognome, era, semplicemente, Basilio. Con il suo temperamento, con la sua personalità speciale, Basilio con una determinazione non comune, in cui certo c'era moltissimo di sardo, è stato capace di portare avanti per trentacinque anni andando contro venti e maree il festival che aveva fatto nascere "in un angolo di periferia dell'impero", come gli piaceva dire. Votato al jazz più avanzato e audace, grazie a Basilio che lo ha guidato, "Ai confini tra Sardegna e Jazz" può vantare una tradizione, una identità e una indipendenza di scelte più uniche che rare. Rendiamo omaggio a Basilio Sulis con alcuni degli album che sono stati ricavati da concerti di protagonisti di primo piano del jazz d'avanguardia che il festival di Sant'Anna Arresi ha proposto nell'ultimo ventennio: Matthew Shipp, David S. Ware, Butch Morris, Roscoe Mitchell, Nicole Mitchell, Rob Mazurek, Evan Parker.

Dalla metà degli anni ottanta anima di "Ai confini tra Sardegna e Jazz", l'11 novembre scorso è mancato improvvisamente a Sant'Anna Arresi Basilio Sulis, che per chi ha frequentato il festival di Sant'Anna Arresi, così come per centinaia di musicisti fra i più importanti a livello internazionale che al festival hanno suonato, e che in generale non conoscevano nemmeno il suo cognome, era, semplicemente, Basilio. Con il suo temperamento, con la sua personalità speciale, Basilio con una determinazione non comune, in cui certo c'era moltissimo di sardo, è stato capace di portare avanti per trentacinque anni andando contro venti e maree il festival che aveva fatto nascere "in un angolo di periferia dell'impero", come gli piaceva dire. Votato al jazz più avanzato e audace, grazie a Basilio che lo ha guidato, "Ai confini tra Sardegna e Jazz" può vantare una tradizione, una identità e una indipendenza di scelte più uniche che rare. Rendiamo omaggio a Basilio Sulis con alcuni degli album che sono stati ricavati da concerti di protagonisti di primo piano del jazz d'avanguardia che il festival di Sant'Anna Arresi ha proposto nell'ultimo ventennio: Matthew Shipp, David S. Ware, Butch Morris, Roscoe Mitchell, Nicole Mitchell, Rob Mazurek, Evan Parker.

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Episode 56 of the Burning Ambulance podcast features an interview with saxophonist Alan Braufman. Braufman is about to release his first album under his own name in 45 years. He made his debut in 1975 with Valley of Search, recorded at his loft at 501 Canal Street in New York and released on India Navigation. It was reissued in 2018 by his nephew, Abil Nyers, on the Control Group/Valley of Search label, and it sparked enough interest as a lost artifact of the loft jazz era (full disclosure: I reviewed it for The Wire) that he performed in NYC for the first time in decades, and wound up taking almost the same band used at those shows into the studio. Now he's got The Fire Still Burns coming out, featuring James Brandon Lewis on tenor sax, Cooper-Moore on piano, Ken Filiano on bass and Andrew Drury on drums. Braufman and Cooper-Moore lived together at 501 Canal Street in the early 1970s, along with David S. Ware, bassist Chris Amberger, drummer Tom Bruno, and others. The building had a storefront on the first floor, where they set up a sort of house band, but they also hosted other performers; in our interview, Braufman claims David Murray may have given his first New York performance at 501 Canal. In addition to Valley of Search, Braufman played with Cecil McBee on the bassist's album Mutima, and was a member of one of Carla Bley's groups in the late '70s. I think you’re going to enjoy hearing this conversation; it's full of history and memories of an era that hasn't been documented nearly as well as it should have been. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Alan Braufman, "Home" (The Fire Still Burns) Alan Braufman, "Thankfulness" (Valley of Search)

This week: Selim Sesler; Marika Ninou; Marika Kanaropoulou; Thouraya; Sara Serpa; Rosa Eskenazi; Martin Küchen & Landæus Trio; David S. Ware; Skip James; Parween Sultana; Szilard Mezei; Steve Swell; Dave Holland; Siama Matuzungidi; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. ***Apologies for pronunciation inconsistencies of late! I suffered a broken dental bridge in March for which no dental assistance has been available due to the pandemic. We will restore the more customarily articulate mumbling when circumstances permit.  In response to the COVID-19 pandemic, Conference of the Birds will be broadcasting remotely, with little to no back-announcing, for the foreseeable future. Playlists will be updated live, in real-time, on the pop-up player on the WRFI website (for those listening live via WRFI's live-stream), and on Spinitron at the Conference of the Birds page:  https://spinitron.com/WRFI/pl/10972428/Conference-of-the-Birdsand via the Conference of the Birds page at WRFI.ORG:https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

11e émission de la 45e session... Cette semaine, postbop, freebop et free-jazz! En musique: Miyasaka + 5 sur l'album Animals Garden  (ALM, 1979, rééd. BBE Music, 2019); Todd Marcus sur l'album Trio +  (Stricker Street, 2019); Avram Fefer Quartet sur l'album Testament  (Clean Feed, 2019); David S. Ware New Quartet sur l'album Théâtre Garonne, 2008  (AUM Fidelity, 2019); Nick Mazzarella Trio sur l'album Counterbalance  (Astral Spirits, 2019);

In this week's episode, JAZZIZ online editor Matt Micucci joins Backstage Pass host Brian Zimmerman to review the 10 Albums You Need To Know for November 2019! Also discussed in this podcast: gnarly beards, college film majors, jazz bagpipes and more! Here's the full list of albums discussed in this episode: Bria Skonberg, Nothing Never Happens (self-released) Release date: November 1 Jeff Goldblum and the Mildred Snitzer Orchestra, I Shouldn’t Be Telling You This (Decca) Release date: November 1 Jon Batiste, Chronology of a Dream: Live at the Village Vanguard (Verve) Release date: November 1 Keith Jarrett, Munich 2016 (ECM) Release date: November 1 Dave Douglas, Engage (Greenleaf) Release date: November 8 Kyle Eastwood, Cinematic (Jazz Village) Release date: November 8 David S. Ware, Théâtre Garonne, 2008 (AUM Fidelity) Release date: November 15 Marius Neset and London Sinfonietta, Viaduct (ACT) Release date: November 22 Bobby Watson, Vincent Herring, Gary Bartz, Bird at 100 (Smoke Sessions) Release date: November 29 Various Artists, If You’re Going to the City: A Tribute to Mose Allison (Fat Possum) Release date: November 29 Feature photo of Bria Skonberg by Dario Acosta --- Support this podcast: https://anchor.fm/brian-zimmerman/support

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Drummer Whit Dickey is a well-known figure on the New York free jazz scene; he came to prominence as a member of the Matthew Shipp Trio and the David S. Ware Quartet in the 1990s, but has made multiple albums as a leader and collaborated with a lot of other musicians, including Joe Morris, Ivo Perelman, and Mat Maneri. His latest releases are a double CD, Tao Quartets, on AUM Fidelity — each CD features a different band — and a duo CD with cornet player Kirk Knuffke, Drone Dream, on NoBusiness. In this interview, we talk about the evolution of his style, the musicians he studied with — including Bill Dixon, Milford Graves, and Andrew Cyrille — and his various bands and projects. We also talk about aspects of his personal life that some listeners and fans may not know about. It's one of the longest episodes I've done, but it's really interesting, and I hope you'll enjoy listening to it. This episode is sponsored by nugs.net - visit nugs.net/burningambulance to get 35% off a year's subscription. Music heard in this episode: Whit Dickey, "Suite for DSW" (Tao Quartets) Whit Dickey/Kirk Knuffke, "Soaring" (Drone Dream) Whit Dickey, "Ethereality" (Tao Quartets)

11e émission de la 40e session... Cette semaine, du soul-jazz et deux concerts free tirés des archives! En musique: Lou Donaldson sur l'album Cosmos  (Blue Note, 1971); Medline sur l'album Solstice  (My Bags, 2018); Tenderlonious featuring The 22archestra sur l'album The Shakedown  (22a, 2018); Marion Brown & Dave Burrell sur l'album Live at the Black Musicians' Conference, 1981  (NoBusiness, 2018, enr. 1981); David S. Ware Trio sur l'album The Balance (Vision Festival XV +)  (AUM Fidelity, 2018, enr. 2010)...

Music * Under the credits is Harlaamstrat 74 off of John Dankworth’s Modesty Blaise score. * The opening loop is from Mr. Knight from Coltrane Plays the Blues, which you should own. * The violin piece is Occam II for Violin, a piece by Silvia Tarozzi, played by Pauline Oliveros. * Next up is Mikuro’s Blues from the mighty David S. Ware’ mighty Go See the World. * The amazing orchestral pieces is Triumph by Miguel Atwood-Ferguson and Carlos Nino from Fill the Heart- Shaped Cup * Finally, there’s 13 Ghosts II by Nine Inch Nails from Ghosts I-IV White Heat, White Lights

Episode 17 of the Burning Ambulance podcast features an interview with bassist William Parker, whose latest album, the 3CD set Voices Fall from the Sky, is out now, and his wife Patricia Nicholson, who runs Arts For Art, the organization that has put on the Vision Festival every year since 1996 and has recently expanded to running additional concert series during the fall and winter. William Parker has been a crucial figure on the international avant-garde jazz scene since the 1970s. His first recorded appearance was in 1973, backing saxophonist Frank Lowe on the album Black Beings, and he’s made literally hundreds of records since then. He was the bassist in the David S. Ware Quartet for something like 20 years, and continued working with Ware until the saxophonist's death in 2012. He played with Cecil Taylor in the 1980s and 1990s, he was the bassist in Matthew Shipp’s trio for decades, and has played with almost everyone else you’ve ever heard of in this genre of music. As a leader, he’s done everything from solo bass albums to massive orchestral projects. Voices Fall from the Sky showcases his work with vocalists. Patricia Nicholson is also a hugely important figure to the New York avant-garde jazz scene, because she runs the annual Vision Festival, a massive, weeklong event that gathers amazing musicians from all across the spectrum, from players who’ve been around since the 1960s to people who’ve just made their debut in the last few years and are keeping the spirit of free music alive. She’s also a dancer and choreographer who performs at the festival every year, and she’s just made her debut as a spoken word performer on the album Hope Cries for Justice, a duo performance with Parker. In this interview, I’m talking to William about what he’s doing musically, and I’m talking to Patricia about her thoughts on dance, and what it takes to run the Vision Festival and all the other programs that the nonprofit Arts For Art, which she leads, put on every year. They’re an extremely ambitious organization working in a city and a cultural environment that offers equal parts apathy and hostility, but what they do is pretty amazing, so I hope you’ll find this conversation as interesting and inspiring as I did.

9e émission de la 36e session... Cette semaine, pas mal juste du vieux groove en hard-bop, funk, jazz modal, spirituel et free ! En musique: Harold Land sur l'album West Coast Blues!  (Jazzland, 1960); Gene Russell sur l'album New Direction  (Black Jazz, 1971); Maceo Parker sur l'album Life on Planet Groove  (Minor Music, 1992); Dadisi Komolafe sur l'album Hassan's Walk  (Nimbus West, 1983); David S. Ware Trio sur l'album Live in New York, 2010  (AUM Fidelity, 2017)...

Cuatro grabaciones en HDO 213 del 27 de diciembre: My Head Is Listening (Clean Feed, 2016) del sexteto MOTIF; Live in Sant’Anna Arresi, 2004 (AUM Fidelity, 2016) de David S. Ware – Matthew Shipp; Noise from the Neighbours (Setola Di Maiale – Musiche Non Convenzionali, 2016) de Carlo Actis Dato/Enzo Rocco; finalmente otro dúo en el LP The Crave. Play the music of Jelly Roll Morton and Dave Burrell (NoBusiness Records, 2016) de Dave Burrell – Bob Stewart. © Pachi Tapiz, 2016 ?HDO ?es un ?podcast ?editado, presentado y producido por ?Pachi Tapiz?. Toda la información de HDO 213 disponible en http://www.tomajazz.com/web/?p=28390 Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

On today's episode I talk to free jazz pianist Matthew Shipp. Originally from Delaware, Matt moved to New York in 1984 and quickly became one of the leading lights in the New York jazz scene. He was a sideman in the David S. Ware quartet and also for Roscoe Mitchell's Note Factory before making the decision to concentrate on his own music. Since then, dozens of his albums have been released, mostly on the labels Hatology and Thirsty Ear. His latest album Cactus, recorded with drummer Bobby Kapp, is available now from Northern Spy. This is the website for Beginnings, subscribe on iTunes, follow me on Twitter.

F2K Ep. 24 William Parker Among the most prominent New Yorkers in the world of contemporary jazz and creative music, Parker first gained notice playing with the groundbreaking pianist Cecil Taylor in the 1980s and has gone of to release dozens of his own recordings on numerous labels internationally as well as on his on Centering label. Parker has worked extensively with many of the most-uncompromised talents of his time including David S. Ware, Matthew Shipp, Billy Bang, Charles Gayle and Jeanne Lee. For me, he is a favorite artist among musicians worker today with an endlessly searching quality that makes each of his many diverse releases a discovery. Much like his music, I was delighted to find the man to be of big ideas and goods humor and our time together seemed to go by much too soon. We discuss Parker's beginnings on the bass, his love of foreign films, The NYC "Loft Scene" of the 70s and 80s, "The Hallelujah Stage," his late collaborators Billy Bang & David S. Ware, his poetry and other writing, The Vision Festival and future projects. This conversation took place in May of 2014

1ère émission de la 32e session Cette semaine, retour de vacances avec la perte de certaines idoles, postbop et free... En musique: Paul Bley sur l'album Footloose! (Savoy, 1963); Erik Friedlander sur l'album Oscalypso (Skipstone, 2015); Geof Bradfield Quintet sur l'album Our Roots (Origin, 2015); Stirrup sur l'album A Man Can't Ride On One (Whistler, 2015); Davie Bowie sur l'album Blackstar (Columbia, 2016); David S. Ware / Apogee sur l'album Birth of a Being (Expanded) (AUM Fidelity, 2015, enr. 1977)...

Episode 3 of the Summer Season.    Music   * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score. * The opening loop is from Mr. Knight from Coltrane Plays the Blues, which you should own.  * The violin piece is Occam II for Violin, a piece by Silvia Tarozzi, played by Pauline Oliveros. * Next up is Mikuro's Blues from the mighty David S. Ware' mighty Go See the World. * The amazing orchestral pieces is Triumph by Miguel Atwood-Ferguson and Carlos Nino from Fill the Heart- Shaped Cup  * Finally, there's 13 Ghosts II by Nine Inch Nails from Ghosts I-IV

Pianist and composer Matthew Shipp is an original voice on the modern improvisational music scene. Having been in the ensembles of noted improvisers such as Roscoe Mitchell, William Parker and David S. Ware, Shipp has enhanced his musical legacy primarily through assembling a string of his own intense and diverse musical ensembles. Recent recordings, “One”, […]

Pat whispers sweet nothings about neglected alto player Strozier while Mike risks a big Mac attack in this not quite maiden voyage of the bastard. Frank Strozier - REMEMBER ME, David S. Ware - FREEDOM SUITE and SURRENDERED, Nellie McKay - NORMAL AS BLUEBERRY PIE.

  Sixième de la vingt-deuxième session !   Cette semaine, deux grands ensembles et un grand disparu...   En musique:   Gil Evans Orchestra sur l'album Out of The Cool (Impulse!, 1960);   William Parker Orchestra sur l'album Essence of Ellington - Live in Milano (Centering Music, 2012);   David S. Ware sur l'album From Silence To Music (Palm, 1978);   Sean Noonan sur l'album A Gambler's Hand (Songlines, 2012)...        

Joan Saura, David S. Ware y Malik Yaqub han sido tres grandes pérdidas para la música creativa y han llegado en la misma semana. En esta edición de "Club de Jazz" del 24 de octubre de 2012 les rendimos tributo en una sección extendida de "desde mi cadiera" con Jesús Moreno. Además, conversamos con el zanfonista Germán Díaz y con su socio en la discográfica 'Producciones Efímeras', Fernando Fuentes, organizadores del Primer Congreso Internacional de Observadores de Nubes. También tiempo para los "Ritmos Latinos" de Anxo con el proyecto discográfico de la Fundación Robo que incluye la música de Xavier Baró y Furia. Toda la información y derechos: http://www.elclubdejazz.com

Joan Saura, David S. Ware y Malik Yaqub han sido tres grandes pérdidas para la música creativa y han llegado en la misma semana. En esta edición de "Club de Jazz" del 24 de octubre de 2012 les rendimos tributo en una sección extendida de "desde mi cadiera" con Jesús Moreno. Además, conversamos con el zanfonista Germán Díaz y con su socio en la discográfica 'Producciones Efímeras', Fernando Fuentes, organizadores del Primer Congreso Internacional de Observadores de Nubes. También tiempo para los "Ritmos Latinos" de Anxo con el proyecto discográfico de la Fundación Robo que incluye la música de Xavier Baró y Furia. Toda la información y derechos: http://www.elclubdejazz.com

"Accelerando" llega Vijay Iyer con su trío en esta edición de "Club de Jazz" del 29 de febrero de 2012 en la que escucharemos el homenaje del trombonista Steve Turre a su mentor Woody Shaw en "Woody´s delight". Otro trombonista, Roswell Rudd se fue a Malí en 2001 para grabar "Malicool" junto a músicos como el intérprete de kora Toumani Diabate. Jesús Moreno llega con "Organica", los soplos en solitario de David S. Ware. En los "Ritmos Latinos" de Anxo el pianista Roberto Fonseca suena "Live in Marciac". En el "PuroJazz" de Roberto Barahona grabaciones de 1953 y 1954 de Sonny Rollins junto a Thelonious Monk. Y Alberto Varela en el "Jazz Porteño" nos ofrece la trompeta de Valery Ponomarev junto a los Jazz Messengers de Art Blakey. Toda la información y derechos: http://www.elclubdejazz.com

"Accelerando" llega Vijay Iyer con su trío en esta edición de "Club de Jazz" del 29 de febrero de 2012 en la que escucharemos el homenaje del trombonista Steve Turre a su mentor Woody Shaw en "Woody´s delight". Otro trombonista, Roswell Rudd se fue a Malí en 2001 para grabar "Malicool" junto a músicos como el intérprete de kora Toumani Diabate. Jesús Moreno llega con "Organica", los soplos en solitario de David S. Ware. En los "Ritmos Latinos" de Anxo el pianista Roberto Fonseca suena "Live in Marciac". En el "PuroJazz" de Roberto Barahona grabaciones de 1953 y 1954 de Sonny Rollins junto a Thelonious Monk. Y Alberto Varela en el "Jazz Porteño" nos ofrece la trompeta de Valery Ponomarev junto a los Jazz Messengers de Art Blakey. Toda la información y derechos: http://www.elclubdejazz.com

Conversación con el escritor y pianista Quinito López Mourelle con motivo de la presentación de su nueva novela publicada, "Sin Ana Beatriz" (Ézaro Ediciones). En esta edición de "Club de Jazz" del 28 de diciembre de 2011 charlamos con Quinito que además selecciona parte de la música escuchada durante la escritura y que figura en el libro. Junto a él escuchamos la música de Franz Koglmann ("L´heure bleue"), Lee Konitz & Kenny Barron ("Jazz Nocturne"), David S. Ware String Ensemble ("Threads"), Django Bates ("Quiet Nights") y Gary Thomas ("Till we have faces"), además de la del propio escritor y pianista a través de su disco "Pasavaris". "La duda permanente" de Ferran Esteve selecciona un par de solos de Ken Vandermark en "Mark in the water". Roberto Barahona y el "PuroJazz" cierran año con el saxo de Agustín Moya y su "Espacio elástico" de reciente publicación. Jesús Moreno canta villancicos "desde mi cadiera" con los gascones Familha Artús. En los "Ritmos Latinos" de Anxo suena el "Directo en Barcelona" de Rosendo y "El problema de los tres cuerpos", colaboración entre Francisco Nixon, Ricardo Vicente y The New Ramone. Alberto Varela sigue preparándose en el "Jazz Porteño" para el próximo Festival de Jazz de Punta del Este (Uruguay) con el piano del brasileño David Feldman. Toda la información y derechos: http://www.elclubdejazz.com

Conversación con el escritor y pianista Quinito López Mourelle con motivo de la presentación de su nueva novela publicada, "Sin Ana Beatriz" (Ézaro Ediciones). En esta edición de "Club de Jazz" del 28 de diciembre de 2011 charlamos con Quinito que además selecciona parte de la música escuchada durante la escritura y que figura en el libro. Junto a él escuchamos la música de Franz Koglmann ("L´heure bleue"), Lee Konitz & Kenny Barron ("Jazz Nocturne"), David S. Ware String Ensemble ("Threads"), Django Bates ("Quiet Nights") y Gary Thomas ("Till we have faces"), además de la del propio escritor y pianista a través de su disco "Pasavaris". "La duda permanente" de Ferran Esteve selecciona un par de solos de Ken Vandermark en "Mark in the water". Roberto Barahona y el "PuroJazz" cierran año con el saxo de Agustín Moya y su "Espacio elástico" de reciente publicación. Jesús Moreno canta villancicos "desde mi cadiera" con los gascones Familha Artús. En los "Ritmos Latinos" de Anxo suena el "Directo en Barcelona" de Rosendo y "El problema de los tres cuerpos", colaboración entre Francisco Nixon, Ricardo Vicente y The New Ramone. Alberto Varela sigue preparándose en el "Jazz Porteño" para el próximo Festival de Jazz de Punta del Este (Uruguay) con el piano del brasileño David Feldman. Toda la información y derechos: http://www.elclubdejazz.com

For The Jazz Session's 300th episode, a rare chance to sit down with four musical veterans: David S. Ware, William Parker, Cooper-Moore and Muhammad Ali. The four have just released Planetary Unknown (Aum Fidelity, 2011). This interview was recorded in the dressing room just after their performance at the 2011 Vision Festival. In this interview, they talk about the spiritual side of music; give advice to young musicians; and tell stories from their 100+ years as performers. Learn more at Aum Fidelity's Planetary Unknown page. NOTE: Today (August 11, 2011) is the final day of the "100 By 300" membership campaign and I haven't quite reached my goal. Please support the show by joining today for as little as $10 a month. Tracks used in this episode: Passage Wudang; Shift; Duality Is One; Divination; Crystal Palace; Ancestry Supramental. Three of the four members of this band have been on The Jazz Session before: Cooper-Moore William Parker David S. Ware

  Septième de la dix-huitième session !   Cette semaine, presque simplement de la musique d'avant-garde et free !   En musique:   Atomic sur l'album Theater Tilters (Jazzland, 2010);   Satoko Fujii ma-do sur l'album Desert Ship (Not Two, 2009);   Full Blast Trio sur l'album Black Hole (Atavistic, 2010)...   En concert:   Dans le cadre des Suoni Per Il Popolo 2011:   David S. Ware, 14 juin 2011, 20h, Sala Rossa;   Colin Stetson + Hangedup, 17 juin 2011, 20h30, Sala Rossa;   Satoko Fujii ma-do, 19 juin 2011, 20h, Sala Rossa...

  Sixième de la dix-huitième session !   Cette semaine, Marie-Eve Boulanger et sa sélection vocale, du jazz from New Orleans et une solide nouveauté free-jazz !   En musique:   Preservation Hall Jazz Band, sur l'album New Orleans, Vol. 1 (Columbia, 1977);   Anat Cohen;   Linda Racine;   Hugh Laurie alias Dr. House;   David S. Ware, Cooper-Moore, William Parker et Muhammad Ali sur l'album Planetary Unknown (AUM Fidelity, 2011)...   En compte-rendu:   Trio Rosenberg et leurs amis Djangologistes présenté le 5 juin 2011 à la salle Wilfrid Pelletier...   En concert:   Dans le cadre des Suoni Per Il Popolo 2011:   Charles Gayle, 8 juin 2011, 20h30, Casa Del Popolo...   Last Seen Headed, 12 juin 2011, 20h, Sala Rossa...   Many Worlds, 13 juin 2011, 20h30, Casa Del Popolo...

David S. Ware's new album is Onecept (Aum Fidelity, 2010). In this interview, he talks about the decision to make a completely improvised trio recording; and the ideas of yoga and philosophy that underlie his music. Learn more at www.davidsware.com.

David S. Ware’s new album is Onecept (Aum Fidelity, 2010). In this interview, he talks...

"To me, music is an occult alphabet of frequencies and vibrations that are transmitted on an instrument." So says pianist Matthew Shipp, whose new solo piano recording, 4D (Thirsty Ear, 2010) comes out on January 26. In this interview, Shipp talks about the joy of solo piano; the lessons he learned from David S. Ware and Roscoe Mitchell; and the origins of music itself. Learn more at www.matthewshipp.com. If you'd like to buy this album, you can support The Jazz Session by purchasing it via the link below:

Troisième de la onzième session... Cette semaine, de l'Afrobeat...du Mingus...et une pensée pour David S. Ware... En introduction, deux pièces de Fela Ransome Kuti, père de l'Afrobeat, tirées de l'album Alagbon Close / Why Black Man Dey Suffer (WrasseRecords, réédition 2008). Par la suite, on se fait plaisir avec une longue pièce du Charles Mingus Sextet tiré de l'album Cornell 1964 (Blue Note, 2007). Finalement, on écoute deux pièces de David S. Ware sur l'album Surrendered (Columbia, 2000) et un peu de Roy Ayers sur l'album Change up the Groove (Polydor, 1974).

Troisième de la onzième session... Cette semaine, de l'Afrobeat...du Mingus...et une pensée pour David S. Ware... En introduction, deux pièces de Fela Ransome Kuti, père de l'Afrobeat, tirées de l'album Alagbon Close / Why Black Man Dey Suffer (WrasseRecords, réédition 2008). Par la suite, on se fait plaisir avec une longue pièce du Charles Mingus Sextet tiré de l'album Cornell 1964 (Blue Note, 2007). Finalement, on écoute deux pièces de David S. Ware sur l'album Surrendered (Columbia, 2000) et un peu de Roy Ayers sur l'album Change up the Groove (Polydor, 1974).

Troisième de la huitième session: Beaucoup de musique cette semaine avec la présentation du pianiste québécois François Bourassa (extraits de l'album Indefinite Time). Aussi au menu, David S. Ware, Hank, Mobley et John Coltrane (saxophone), un peu de Chico Hamilton (batterie) et Barney Kessell (guitare).

Troisième de la huitième session: Beaucoup de musique cette semaine avec la présentation du pianiste québécois François Bourassa (extraits de l'album Indefinite Time). Aussi au menu, David S. Ware, Hank, Mobley et John Coltrane (saxophone), un peu de Chico Hamilton (batterie) et Barney Kessell (guitare).

Dixième de la sixième session. Grande variation musicale cette semaine avec du Brad Mehldau, Brian Blade, Thomas Chapin, David S. Ware, Johnny Coles...On écoute donc des artistes que l'on connait. Je reviens sur le concert de The Cinematic Orchestra et lecture de deux extraits du Théâtre et son double d'Antonin Artaud

Dixième de la sixième session. Grande variation musicale cette semaine avec du Brad Mehldau, Brian Blade, Thomas Chapin, David S. Ware, Johnny Coles...On écoute donc des artistes que l'on connait. Je reviens sur le concert de The Cinematic Orchestra et lecture de deux extraits du Théâtre et son double d'Antonin Artaud

Douzième émission de la cinquième session. Cette semaine une sélection variée de plusieurs artistes (Charlie Parker, Cecil Taylor, David S. Ware, Lou Donaldson, Frank Sinatra et quelques autres), donc accent mis sur le contenu musical.

Douzième émission de la cinquième session. Cette semaine une sélection variée de plusieurs artistes (Charlie Parker, Cecil Taylor, David S. Ware, Lou Donaldson, Frank Sinatra et quelques autres), donc accent mis sur le contenu musical.