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In today's episode of the Tranquil Awakenings Podcast, Debbie will be in conversation with Alison Cooper-Moore who is a spiritual medium and psychic. During this podcast Alison talks about how she had an awareness of spirit since being a young child, however, she quickly learnt from her parents' reactions that it was not something that was acceptable to discuss. As an adult however, she returned to these gifts, working hard to develop them to become an integral part of her life. Alison now works with others to help them develop their psychic and mediumship abilities as well as giving readings. KEY TAKEAWAYSYounger children often have an awareness of spirit.We tend to shut off our spiritual gifts from a young age due to other people's belief systems.Different people perceive spiritual messages in different ways such as visions, smells, hearing and knowing.It takes patience and practice to develop spiritual abilities.There are various methods of developing psychic and spiritual abilities, so it is important to take your time to explore what is right for you.When people pass away, they are often greeted by loved ones from the spiritual realm. BEST MOMENTS“ I've always known I can see spirits but I just assumed that everybody else could as well. So, when I was younger, people would be in my house, people would move things and it was just, Oh, I'll put it back. I didn't think anything of it.” ”I remember once going to see a medium and she did my palm and she said, you could do this, you know, and I thought, yeah, they tell that to everybody.” ”We knew she was in there. We knew she was bothering the dog. We knew that she was touching things, but I thought, well, it's okay. She's fine. She's not causing any trouble. And then one night, she really shoved my shoulder hard. I reasoned in my head, maybe it isn't that, maybe it was just a muscle spasm.”“ My mum was dying and I held my mum's hand, I said, Mum, show me who's with you, and I could see everybody that was waiting for her.” ”I was speaking to my nana when I was about nine. I spoke to my mum and said, I've been speaking to Nana. Mum cried, Dad got angry, shouted a lot. I thought, oh, we don't speak about this kind of thing then. So I didn't speak about it again.”HOST BIODebbie is a seasoned therapist whose journey from being a primary school teacher to an adept therapist has been fuelled by her fascination with the intricacies of human nature. Equipped with advanced certifications in diverse modalities like hypnotherapy, neuro-linguistic programming, mindfulness, meditation, past life regression and many more she has honed her expertise to bring about transformative change.As a full-time therapist and trainer, Debbie's driving passion is guiding others, as well as herself, towards their best selves. Embracing the concept of holistic beings, she firmly believes in addressing the mental, emotional, physical, social, energetic, and spiritual facets of well-being and healing. Hosted on Acast. See acast.com/privacy for more information.
Hello and Welcome Back! We are wading into the unchartered waters of the professional game this week as we preview this week's NZ Open. So many fascinating storylines heading in, with home heroes Daniel Hillier, Sam Jones and Michael Hendry (and many more) flying the NZ flag this week. Plus a great collection of international stars lead by Australian, Lucas Herbert. I was fortunate to be joined by amateur golfing sensation, Cooper Moore. Who is teeing it up this week at the age of 16! It was great to hear his thoughts heading into his first NZ Open. We are looking forward to a great event this week at Millbrook Resort and can't wait for it to get started. Enjoy!
Anksčiau neviešintas Europos džiazo legendos lenko Tomaszo Stańko kvarteto koncerto įrašas; neatrastas simfoninis Kurtas Weillis; 100 metų simfoninei Turkijos muzikai; Williamo Parkerio, Cooper-Moore‘o ir Hamido Drake‘o etninių improvizacijų „Širdies trio“; kylanti smuiko žvaigždė iš Singapūro Chloe Chua, jungianti kinišką muziką ir Paganinį! Visa tai leidybinės naujienos „KItame laike“.Ved. Domantas Razauskas
On the verge of his league debut win over West Coast, (which we had no idea about), Cooper Moore joined us to talk about his ultra consistent block of form which has seen him rocket up the colts coaches votes' leaderboard by his brother's account! Cooper's IG:
9e émission de la 59e session...Cette semaine, jazz modal et freebop! En musique: Eje Thelin Quintet sur l'album So Far (Columbia, 1963); Yoshio Suzuki sur l'album Friends (CBS/Sony, 1973); Frank London Elders sur l'album Spirit Stronger Than Blood (ESP-Disk', 2024); William Parker, Cooper-Moore, Hamid Drake sur l'album Heart Trio (AUM Fidelity, 2024); Michel Pilz, Reiner Winterschladen, Frank Paul Schubert, Christian Ramond, Klaus Kugel sur l'album Yamabiko Quintet (Nemu, 2023); Álvaro Torres Quartet sur l'album Live in Barcelona (Fresh Sound, 2024)...
An den Rändern des Jazz - heute mit: Dani Gurgel & Debora Gurgel: DDG19 Big Band | William Parker & Ellen Christi: Cereal Music | William Parker, Cooper-Moore, Hamid Drake: Heart Trio (Sendung vom 25.6.)
In this episode, Dr. Janaya Lasker-Ferretti, who currently serves as coordinator of second-year Italian courses in the Department of Romance Languages and Literatures at the University of Michigan, discusses her application of the Italy country site interviews in Italian language learning courses. Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Department of Women's Studies at the University of Michigan
In this episode, Dr. Durba Mitra, Richard B. Wolf Associate Professor of Studies of Women, Gender, and Sexuality at Harvard University discusses her utilization of the Global Feminisms Project Archive in her undergraduate General Education class entitled “Global Feminisms”. Dr. Mitra emphasizes her appreciation for GFP's archive of primary source materials from modern transnational activists to further her students' and own studies on international feminist movements. Full transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Department of Women's Studies at the University of Michigan
In this episode, Dr. Abigail Stewart, Sandra Schwartz Tangri Distinguished University Professor Emerita of Psychology and Women's and Gender Studies at the University of Michigan, discusses how she and her students engaged with the GFP archive to learn more about the global contexts of women's movements. Dr. Stewart encouraged her students to recognize both parallels and differences between interviews to better understand the cultural and historical contexts of women's movements. Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
In this episode, Abigail Stewart interviews University of Michigan Professor Abigail Dumes on the United States country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
In this episode, Dr. Desi Rios, Associate Professor of Social Psychology at the University of Houston-Clear Lake (UHCL), discusses her use of the Global Feminisms Project interviews in her “Psychology of Women and Gender” and “Psychology of Gender, Race, and Sexuality” classes, as she encourages students to discover more about the lives of GFP interviewees. Podcast (Audio File; YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
In this episode, Dr. Patrick Grzanka, Professor of Psychology and Chair of the Interdisciplinary Program in Women, Gender, and Sexuality at The University of Tennessee, Knoxville, discusses his integration of the Global Feminisms Project interviews in introductory to graduate-level classes to reveal the personal narratives behind broad social transformations. Podcast (Audio File; YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
Abrimos el año con un nuevo número de Libertad Jazzera, nuestro programa dedicado al Free Jazz y el Avantgarde. Nuestra portada fue el estupendo nuevo trabajo del saxofonista James Brandon Lewis y su Quartet, MSM Molecular Systematic Music, publicado en 2022. A continuación escucharemos That's My Life, directo de 1989 con Paul Dunmall, Paul Rogers and Tony Orrell y que ha visto la luz este 6 de Enero de 2023. Recordaremos la música de Keiji Haino, esta vez «destrozando clásicos del rock» acompañado por The Hardy Rocks en Keiji Haino & The Hardy Rocks, publicado en 2021. Seguir leyendo Libertad Jazzera 01.2023. James Brandon Lewis Quartet. Paul Dunmall, Paul Rogers and Tony Orrell. Keiji Haino & The Hardy Rocks. Tetragrammaton. Francisco Mela, Cooper-Moore & William Parker. en La Montaña Rusa Radio Jazz.
In this episode, University of California Santa Cruz Professor Shelly Grabe describes her use of the Global Feminisms Project archive in a graduate student seminar on social psychology and transnational feminism. Podcast (Audio File; YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
In this episode, Professor Christi Merrill discusses the ways in which she used the archive to explore language politics in a course on Indian narratives of gender discrimination. Podcast (Audio File; YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
In this episode, Professor Emerita Wang Zheng reflects on her use of the archive in comparative courses on global feminist activism and highlights the powerful effect on two students of being exposed to the interviews. Podcast (Audio File; YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
Teaching with the Global Feminisms Project: Courses on the History of Latin America and Latin American Feminisms In this episode, Professor Sueann Caulfield reflects on her use of GFP interviews and teaching modules in her History courses on Latin America at the University of Michigan. Podcast (Audio File; YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
Teaching with the Global Feminisms Project: Introduction to Women's and Gender Studies In this episode, Professor Elizabeth Cole outlines her use of the interviews in the Introduction to Women's and Gender Studies course at the University of Michigan, Professor Abigail Dumes talks about using the archive in a different way when she taught the same course, and Hanna Smith comments on her experiences in that course as a student. Podcast (Audio File; YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These episodes of “Contextualizing Feminist Voices: Teaching with the Global Feminisms Project” focus on how individual teachers have used the materials in their courses. In each episode, you will hear strategies for using the materials that different faculty tried, as well as their thoughts about what those strategies allowed them to accomplish in their teaching. Though each podcast is based on material for a particular course, we think they have ready applicability to courses on different topics GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: Peru Podcast In this episode, Shelly Grabe interviews Universidad Científica del Sur Professor Karen Bernedo Morales on the Peru country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: India Podcast In this episode, Kristin McGuire interviews Wake Forest University Professor Jayati Lal on the India country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: Germany Podcast In this episode, Kristin McGuire interviews University of Michigan Visiting Scholar Verena Klein on the Germany country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: China Podcast In this episode, Abigail Stewart interviews University of Michigan Professor Wang Zheng on the China country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: Poland Podcast In this episode, Kristin McGuire interviews University of Michigan Professor Magdalena Zaborowska on the Poland country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: Nigeria Podcast In this episode, Abigail Dumes interviews University of Michigan Professor Elisha Renne and doctoral candidate Ronke Olawale on the Nigeria country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: Nicaragua Podcast In this episode, Eimeel Castillo interviews University of California, Santa Cruz Professor Shelly Grabe on the Nicaragua country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: Brazil Podcast In this episode, Marisol Fila interviews University of Michigan Professor Sueann Caulfield on the Brazil country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: United States Podcast In this episode, Özge Savas interviews University of Michigan Professor Elizabeth Cole on the United States country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
The Country Sites: Russia Podcast In this episode, Macy Afsari interviews American University of Central Asia Assistant Professor Christopher Fort on the Russia country site. Podcast (Audio File, YouTube) Podcast Transcript Music credit: Banjo Arba Minch Garden by Cooper Moore. Creative Commons. https://freemusicarchive.org/music/Cooper-Moore/A_Retrospective_1990-2010/h_Banjo_Arba_Minch_Garden These podcasts, recorded in 2021 by the Global Feminisms Project Podcast team aim to provide listeners with additional information on the project's interviews. In each episode, a project collaborator briefly interviews an expert on one of the country sites. GFP originated in 2002 to create an archive of oral histories from women scholars and activists from different countries around the world. Check out https://sites.lsa.umich.edu/globalfeminisms/ to access the interviews and additional resources on the country sites, including lesson plans and sample syllabi. The GFP is based at the Institute for Research on Women and Gender (IRWG) at the University of Michigan
Order and disorder, a freeform haze of garbage guitars, shorted electronics, found detritus, collage, linear songs, sounds from strange lands. Contact me at btradio85@gmail.com.PLAYLIST:THE MABUSES - The Gibbon Walk - The Mabuses (Shimmy Disc, 1991)CAMPFIRE WALKERS - The Modern Dance - V/A: Ubu Dance Party: A Tribute To Pere Ubu (Datapanik, 1997)BART AND JAN - De Dag Dat De Derde Wereldoorlog Ook Aan Ons Land Niet Onopgemerkt Voorbij Ging - 7" (Torso, 1981)PLASTICMAN - Old Street Tube - Forward Live: Vol 02 (Soulja/Tempa, 2005)WAMANI - Yaku - V/A: Urbanismo Primitivo (Pakapi, 2021)MARK STEWART VS LEE 'SCRATCH' PERRY VS PETER HARRIS - Alpha (Adrian Sherwood Mix) - Mark Stewart VS (Emergency Hearts, 2021)RHYTHMUS RADIKAL - Jennifer - 12" (Intoleranz, 1983)VAN DER GRAAF GENERATOR - Door (Live at the Marquee Club, London 1978) - The Charisma Years 1970-78 20-CD Box (Virgin, 2021)CURLY CURVE - Shitkicker - Curly Curve (Brain, 1973)23 YEAR OLD BURZUMER - Rhythmic Black Metal Shitposting - Rhythmic Black Metal Shitposting (BC, 2021)CZAR - Iron Curtain - V/A: Scrap Metal Vol. 1 (Riding Easy, 2021)EMILY AND THE TOXIC BAIT - Burning Doll - Emily and the Toxic Bait (Mutant Embryo, 2020)SOPHIE AZAMBRE-LEROY - Presque Calme - Mix Tape Kaos (La Souterraine, 2021)SAADAT TÜRKÖZ / ELLIOTT SHARP - NYC - Kumuska (Intakt, 2019)J.P. SHILO - Out of Body (Hors du Corps) - Jubjoté (Heavy Machinery, 2021)OV PAIN - Excess and Expenditure - The Churning Blue of Noon (It, 2021)FHAB 4 - Dead Beatles - V/A: We Are Not Devo: US Synthpunk 79-84 (Energy Dome, 2021)ZZ TOP AT THE BEACON ON MY IPHONE 2012DIE SCHIEFE BAHN - Flammen - 6 Song Demo 7" (Emotional Response, 2021)BONDO - If - 77 (cs, Universal Freeing Object, 2021)MIAOW - When It All Comes Down - 12" (Factory, 1987)COOPER-MOORE & STEPHEN GAUCI - Improvisation 8 - Conversations Vol. 2 (577 Records, 2021)ANTELOPER - Fossil Record - Kudu (International Anthem, 2018)ONION ENGINE - Clods - Bulbs 7" (NL, 2021)ROBERT STARKS & THE GENIUSES - Space Traveling Part 2 - 7" (Big Star)SUN RA - Nidhamu (Pt. 2) (House Of Hartmut Geerken, Heliopolis 12.12.71) - Egypt 71 4CD (Strut, 2021)BUÑUEL - When God Used a Rope - Killers Like Us (Profound Lore, 2022)BLACK CILICE - Returning From Dimensions Below - Tomb Emanations 7" (Iron Bonehead, 2021)CHRIS WATSON - Hippopotami Emerging From River Mara - Outside the Circle of Fire (Touch, 1998)--
Una de las referencias del contrabajista Juan Pablo Balcázar para su "Suite resbalosa" es el disco "The vastness of space" del bajista Reid Anderson, que decía querer "comunicar y expresar belleza a través del sonido y el ritmo". Un propósito que cumple con creces el colombiano en un disco que comparte con Marcel·lí Bayer y Joan Mas (saxo alto), Antonio Mazzei (piano) y Oriol Roca (batería). Es la historia de un reencuentro, es el fuego que se aviva después de décadas de brasas que esperaban que alguien las avivara. Desde que en 1975 grabara "Valley of search" junto, a entre otros, el pianista Cooper-Moore, el saxofonista y flautista Alan Braufman se reencontró con su amigo para celebrar la reedición de aquel y grabar "The fire still burns". Junto a ellos, el saxofonista James Brandon Lewis, el contrabajista Ken Filiano y el baterista Andrew Drury. Dice el guitarrista Guillermo Bazzola que tenía 17 años cuando descubrió la música del canadiense Kenny Wheeler. "Cada vez que escucho su música, me sorprende como si fuera la primera vez. Kenny creó un universo sonoro lleno de detalles sutiles", explica el argentino. Junto a los saxofonistas Rodrigo Domínguez y Natalio Sued, al contrabajista Jerónimo Carmona y al baterista Hernán Mandelman, Bazzola se inspira en el trompetista para su "Lost & Found". Toda la información y derechos: http://www.elclubdejazz.com
Una de las referencias del contrabajista Juan Pablo Balcázar para su "Suite resbalosa" es el disco "The vastness of space" del bajista Reid Anderson, que decía querer "comunicar y expresar belleza a través del sonido y el ritmo". Un propósito que cumple con creces el colombiano en un disco que comparte con Marcel·lí Bayer y Joan Mas (saxo alto), Antonio Mazzei (piano) y Oriol Roca (batería). Es la historia de un reencuentro, es el fuego que se aviva después de décadas de brasas que esperaban que alguien las avivara. Desde que en 1975 grabara "Valley of search" junto, a entre otros, el pianista Cooper-Moore, el saxofonista y flautista Alan Braufman se reencontró con su amigo para celebrar la reedición de aquel y grabar "The fire still burns". Junto a ellos, el saxofonista James Brandon Lewis, el contrabajista Ken Filiano y el baterista Andrew Drury. Dice el guitarrista Guillermo Bazzola que tenía 17 años cuando descubrió la música del canadiense Kenny Wheeler. "Cada vez que escucho su música, me sorprende como si fuera la primera vez. Kenny creó un universo sonoro lleno de detalles sutiles", explica el argentino. Junto a los saxofonistas Rodrigo Domínguez y Natalio Sued, al contrabajista Jerónimo Carmona y al baterista Hernán Mandelman, Bazzola se inspira en el trompetista para su "Lost & Found". Toda la información y derechos: http://www.elclubdejazz.com
This hour long Christmas special is filled with festive cheer, Christmas trivia and about 900 candy canes. A host of guests join us to talk about what they're proud of in 2020 and what they're looking forward to in 2021. We have a Christmas game show featuring Ms Shbla and Ms Makari, supported by the outstanding singing talents of Mrs Drumond. Plenty of students and staff in this ep to round out what's been a tough year for all, but one that we got through together. It's a long one this week, so we imagine that most listeners would like to enjoy this episode in chunks. Here's a breakdown of this weeks podcast: 1. John XXIII Primary Leaders - Oliver and Natalia (0:00-4:12) 2. Senior College Leaders - Pranav and Makayla (4:13-14:37) 3. Dr Webster (14:38-22:08) 4. Christmas Game Show! with Ms Makari and Ms Shbla feat. vocals by Mrs Drumond (22:09-30:39) 5. Mrs Diener and Mr Gami (30:40-38:21) 6. Hayley Pfitzner (Yr 7) and Raphael Deang (Yr 8) (38:22-43:32) 7. CLCMedia's Mr Magsino and Mr Drumond (43:33-58:12) 8. Shoutouts for 2020 ( 58:13-1:00:08) Remember to subscribe/follow on the podcast platform of your choice, and head to our socials to check out the video simulcast as well as other content (search "clcstanhope" on YouTube, Facebook and Instagram). Concept: David Drumond, Justin Magsino, Luke De Cruz, Zac Flores, Cooper Moore, Robert Lehrer, Aniketh Sharma. Production Crew: Luke De Cruz, Zac Flores, Cooper Moore, Robert Lehrer, Aniketh Sharma. Editing and Post production: David Drumond.
This week I talk a little bit about how and why we bear fruit. I lay out some of my own struggles with this topic of wanting to impress people or prove people wrong, and how our wrong motives can cause us to get tired. I also discuss the right motive for the desire to bear fruit for God! Don't forget to check out the Moore than Mondays blog!Moore Than Mondays BlogFollow Moore than Mondays and Cooper on instagram:@moorethanmondays@coopersmoore
Los Rams vencieron a los Buccaneers y se encuentran en el liderato del Oeste de la Conferencia Nacional. Sigue esta charla con Gustavo Rivadeneyra, Toño de Valdés y Memo Schutz. ¿Cuál es la situación de Tom Brady con Buccaneers?, ¿Quién ganará el Este de la NFC?....
Here it is - episode 3 of the CLCMedia Podcast! In this episode we welcome Matthew Dino from our Year 5 cohort to discuss his musical journey in 2020. Matthew unpacks and presents his song "Superheroes in Disguise", a tribute to our front-line medical workers during the pandemic. Ms Erin Doolan discusses the upcoming St Vincent De Paul Christmas hamper appeal that the College aims to support over the next fortnight, a continually well-represented tradition of our Community. Finally, we welcome Mr Daniel Moschione and Mr Blake Schembri to discuss what Movember has looked like in our College community, and why it's so important to start the discussion around men's health. They'll then battle for ultimate Moustached supremacy in our first game show "Mou-sterious Moustaches". Remember to subscribe/follow on the podcast platform of your choice, and head to our socials to check out the video simulcast as well as other content (search "clcstanhope" on YouTube, Facebook and Instagram). Concept: David Drumond, Justin Magsino, Blake Schembri, Luke De Cruz, Zac Flores, Cooper Moore, Robert Lehrer, Aniketh Sharma. Production Crew: Luke De Cruz, Zac Flores, Cooper Moore, Robert Lehrer, Aniketh Sharma. Editing and Post production: David Drumond.
Welcome to the second episode of the CLCMedia podcast! In this episode, we discuss the Socktober initiative with Lilly and Nicole from our Primary Faith in Action Team. We also talk with CLCMedia's own Luke DeCruz about accelerated HSC Hospitality studies and what it's like to complete the your HSC through this learning pathway. Finally, we welcome Mr Daniel Langford (Team Leader of Data and Pedagogy) to discuss 'Through the Classroom Window', an exciting new initiative that aims to bring parents into the conversation around their child's learning, and showcases the dynamic learning that occurs within our Catholic Learning Community. Remember to subscribe/follow on the podcast platform of your choice, and head to our socials to check out the video simulcast as well as other content (search "clcstanhope" on YouTube, Facebook and Instagram). Concept: David Drumond, Justin Magsino, Blake Schembri, Luke De Cruz, Zac Flores, Cooper Moore, Robert Lehrer, Aniketh Sharma. Production Crew: Luke De Cruz, Zac Flores, Cooper Moore, Robert Lehrer, Aniketh Sharma. Editing and Post production: David Drumond.
First episode of season 2 focused on the importance of Lamenting.
We are proud and excited to announce the launch of the CLC Media podcast! In the launch episode (hosted by Cooper Moore), we meet Mr Justin Magsino, one of the CLC Media team leaders. Mr Magsino unpacks our goals for CLC Media and what the future holds for this exciting initiative. We also hear from 2020 Leader of the Arts and quadruple major project student, Piere Tamargo, who explains his 2020 HSC journey and tips for students considering major works. He premieres his Multimedia major project film, "Nephesh", which can be viewed on the Episode 1 simulcast. Production crew: Luke De Cruz, Zac Flores, Cooper Moore, Robert Lehrer, Aniketh Sharma. Editing and Post-production: Mr David Drumond
After bearing witness to the collision of two Standard Oil of California tankers in the San Francisco Bay, Dr. John Francis stopped using motorized vehicles, a commitment that lasted 22 years. Soon after he made this promise, he decided to take a vow of silence, which lasted for 17 years. In this episode of For The Wild, Dr. Francis shares how his journey came to be and the profound impact that silence and slowing down can have on us. In a world polluted by noise, how can we experiment with silence? What other forms of communication and Earthly rhythms arise when we do so? Dr. John Francis is a National Geographic Explorer, environmental educator, and a former United Nations Environment Program goodwill ambassador. Music by Rajna Swaminathan, Cooper-Moore, and Carter Lou McElroy. Visit our website at forthewild.world for the full episode description, references and action points.
Thumbscrew, Tomeka Reid & Alexander Hawkins, Chad Taylor, James Brandon Lewis, HAGL, William Parker, Alan Braufman, Jason Kao HwangPlaylist: Tomeka Reid & Alexander Hawkins - Shards and ConstellationsChad Taylor Trio, featuring Brian Settles and Neil Podgurski - PrismJames Brandon Lewis, Chad Taylor - Watakushi No Sekai (Live)Heroes Are Gang Leaders, featuring William Parker - London ButterfieldWilliam Parker - Lakota Song [From Manzanar]Jason Kao Hwang, featuring Ken Filiano and Andrew Drury - 2 AmAlan Braufman, featuring James Brandon Lewis, Cooper-Moore, Ken Filiano and Andrew Drury - SunriseCooper-Moore, Stephen Gauci - Improvisation FourIngrid Laubrock, Kris Davis - Snakes and LatticeInland Empire - Surf CurlThumbscrew - Composition No. 150Thumbscrew - Composition No. 274Thumbscrew - Composition No. 61Steph Richards - UnderbellyLina Allemano's Ohrenschmaus - Gerostet Peanut
Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Episode 56 of the Burning Ambulance podcast features an interview with saxophonist Alan Braufman. Braufman is about to release his first album under his own name in 45 years. He made his debut in 1975 with Valley of Search, recorded at his loft at 501 Canal Street in New York and released on India Navigation. It was reissued in 2018 by his nephew, Abil Nyers, on the Control Group/Valley of Search label, and it sparked enough interest as a lost artifact of the loft jazz era (full disclosure: I reviewed it for The Wire) that he performed in NYC for the first time in decades, and wound up taking almost the same band used at those shows into the studio. Now he's got The Fire Still Burns coming out, featuring James Brandon Lewis on tenor sax, Cooper-Moore on piano, Ken Filiano on bass and Andrew Drury on drums. Braufman and Cooper-Moore lived together at 501 Canal Street in the early 1970s, along with David S. Ware, bassist Chris Amberger, drummer Tom Bruno, and others. The building had a storefront on the first floor, where they set up a sort of house band, but they also hosted other performers; in our interview, Braufman claims David Murray may have given his first New York performance at 501 Canal. In addition to Valley of Search, Braufman played with Cecil McBee on the bassist's album Mutima, and was a member of one of Carla Bley's groups in the late '70s. I think you’re going to enjoy hearing this conversation; it's full of history and memories of an era that hasn't been documented nearly as well as it should have been. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Alan Braufman, "Home" (The Fire Still Burns) Alan Braufman, "Thankfulness" (Valley of Search)
Cooper-Moore: The History As a composer, performer, instrument builder/designer, storyteller, teacher, mentor, and organizer, Cooper Moore has been a major, if somewhat behind-the-scenes, catalyst in the world of creative music for over 40 years. His performance roots in the realm of avant jazz music date to the NYC Loft Jazz era in the early/mid-70s. Cooper-Moore sits down with Susan James to discuss his career and his current projects. https://roulette.org/
Pianist, composer, multi-instrumentalist, and instrument builder Cooper-Moore in conversation about roots and priorities, singing pianos, collaborators and influencers, and how life and music intersect, alongside some of his free jazz and cross-disciplinary projects recorded at Roulette. The Vision Festival awarded him Lifetime Achievement honors in 2017.
Born Gene Ashton in Virginia 1946, Cooper-Moore is a pianist, instrument builder, activist, singer and man of God based in New York City. We met in Washington DC for a conversation on musical freedom and his view on civil rights in Trump's America. All rights reserved: http://www.elclubdejazz.com
Born Gene Ashton in Virginia 1946, Cooper-Moore is a pianist, instrument builder, activist, singer and man of God based in New York City. We met in Washington DC for a conversation on musical freedom and his view on civil rights in Trump's America. All rights reserved: http://www.elclubdejazz.com
Inventor de instrumentos, cantante, pianista, activista..., y hombre de Dios, Cooper-Moore regresa a Club de Jazz seis años después de nuestro encuentro en Huesca junto a sus compañeros de Digital Primitives. Conversamos con Cooper-Moore sobre música, libertad y derechos civiles en un programa en el que escuchamos algunas de sus grabaciones, que muestran al artista, bautizado Gene Y. Ashton, en 1946, en sus múltiples facetas creativas. Alberto Varela y el tiempo del Jazz Porteño nos acercan un año más al Festival de Jazz de Punta del Este, en Uruguay. Una de sus invitadas es la vocalista de origen armenio Lucy Yeghiazaryan. Toda la información y derechos: http://www.elclubdejazz.com
Inventor de instrumentos, cantante, pianista, activista..., y hombre de Dios, Cooper-Moore regresa a Club de Jazz seis años después de nuestro encuentro en Huesca junto a sus compañeros de Digital Primitives. Conversamos con Cooper-Moore sobre música, libertad y derechos civiles en un programa en el que escuchamos algunas de sus grabaciones, que muestran al artista, bautizado Gene Y. Ashton, en 1946, en sus múltiples facetas creativas. Alberto Varela y el tiempo del Jazz Porteño nos acercan un año más al Festival de Jazz de Punta del Este, en Uruguay. Una de sus invitadas es la vocalista de origen armenio Lucy Yeghiazaryan. Toda la información y derechos: http://www.elclubdejazz.com
(Photo by Peter Ganushkin) In this archive interview from December 2009 (updated with a new intro), Cooper-Moore talks about his childhood days as the town musician; why he feels that playing music is far more than a profession; how and why he began creating his own instruments; and more. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album. Big thanks to Ron Weinstock for becoming a member.
(Photo by Peter Ganushkin) In this archive interview from December 2009 (updated with a new intro), Cooper-Moore talks about his childhood days as the town musician; why he feels that playing music is far more than a profession; how and why he began creating his own instruments; and more. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album. Big thanks to Ron Weinstock for becoming a member.
In this archive interview from December 2009 (updated with a new intro), Cooper-Moore talks about his childhood days as the town musician; why he feels that playing music is far more than a profession; how and why he began creating his own instruments; and more. / / / I’ve been recording conversations with jazz musicians … Continue reading "The Jazz Session #502: Cooper-Moore (2009)"
I get a little self-indulgent in this episode as I talk with David Cooper Moore about teaching and media literacy, but also a bunch about music.Specific topics discussed include digital literacy, what criticism brings to teaching, how our feelings inform our practice, Taylor Swift and youth culture, relating to youth culture (or not), rating yourself as a teacher through the Pitchfork rating scale, understanding your students, how we can address the gaps in student learning when they arrive in high school, working hard and a problem with the structure of the school day, and a bonus question about the new Taylor Swift album, which was about to be released at the time of this recording.
00:00 Digital Primitives - "Crackle & Pop" 05:42 Allison + 1 - "I Fear An Eclipse" 07:52 Cooper-Moore & Assif Tsahar - "Oracles" 13:37 Love Story In Blood Red - "I Made Out" 15:17 Mathieu Lamontagne & Emmanuel Toledo - "Déjouer les intrigues" 19:44 junior85 - "Christmas Card" All music sourced from the Free Music Archive under Creative Commons licenses. Info, licenses, and downloads: Crackle & Pop I Fear An Eclipse Oracles I Made Out Déjouer les intrigues Christmas Card
En este episodio: -El Ser besa. -El Vino que nunca se irá. -Desde Rusia -y Polonia- con amor. -El agua de vida y muerte. -La admirable Mayahuel. -El paraíso evaporado y la china borracha. -La felicidad finlandesa. -Salud. Musica: -Funky Element, Bensound. -Still Standing, Anno Domini Beats. -Dessert Caravana, Aaron Kenny. -Let´s go, Soviet Plump. -Road to Moscow, Jingle Punks. -Saint Patric Parade, Doug Maxwell. -Finnegan's Wake, The Irish Rovers. -Tequila, The Champs. -NY Piano, Cooper Moore. -Pop Killer, The Mini Vandals.
UNI wrestling's Cooper Moore was a three-time NCAA qualifier at 165 pounds. He battled through injury his junior year but was on track to enjoy the success of his hard work his senior year. He won his first two matches with bonus points and then suffered an injury that ended his college career early in the season. Moore graduated from UNI with a degree in political science and dream of pursuing work in ministry.
Brett Robbins, Joey Lazor and Cooper Moore to go ‘On the Mat’ this week It's the Panther Wrestling Club edition of On The Mat with host Jeff Bradley. This week, we'll talk with Brett Robbins, Joey Lazor and Cooper Moore. “On the Mat" is a presentation of the National Wrestling Hall of Fame Dan Gable Museum. The show can be heard live on the Internet at 1650thefan.com or locally in Northeast Iowa each Wednesday at 5 p.m. Central on AM 1650, The Fan. A podcast of the show is available on mattalkonline.com E-mail dgmstaff@nwhof.org with any questions or comments. Subscribe to On The Mat and listen anytime iTunes | Stitcher Radio | Spreaker | iHeartRadio | SoundCloud | Google Play Music | RSS GET DAILY WRESTLING NEWS! You like wrestling news, right? Of course you do. Did you know you can sign up for FREE to subscribe to the Mat Talk Online DAILY WRESTLING NEWS e-mail newsletter that's published EVERY morning with the previous day's top news stories from outlets all around the globe. It's free and it's a great way to start your wrestling day. Almanac Time! Get the Cadet & Junior Nationals All-American Almanac, a 219-page digital download. It's available now and if you use the promo code "JB" you'll save $5 off the cover price. It's got every All-American EVER in Fargo (and the locations that were before Fargo) and every breakdown by year and state. Oh, you know this guy who says he placed at Juniors? Fact check him or her quickly by buying one now! JOIN THE TEAM And if you're a fan of the extensive and broad-based reach of the shows on the Mat Talk Podcast Network, become a TEAM MEMBER today. There are various levels of perks for the different levels of team membership. If you like wrestling content -- scratch that -- if you LOVE great wrestling content, consider becoming a team member. You'll get some cool stuff too. Looking to start a podcast of your own? Get a free month with Libsyn by using the promo code MTO when you sign up. You'll get the remainder of the month from when you sign up as well as the next month free. It'll be enough time to kick the tires and lights some fires.
UNI wrestling: Three-time NCAA qualifier Cooper Moore started his senior year as just the second Panther to ever earn consecutive MAC titles. The 165-pounder suffered a severe injury that lingered his junior year. He returned to the mat focused on an All-American title, but injury ended his career. He continues to play a vital role for his teammates and younger brother, Paden. Sons of Jay and Rhonda Moore, the siblings were raised in Minnesota with their four older sisters and younger brother who also wrestles in Division I.
Cooper Moore, Bryce Steiert to go ‘On the Mat’ this week Jeff Bradley will host a special edition of “On the Mat” is this Wednesday, Dec. 16 with Northern Iowa wrestlers Cooper Moore and Bryce Steiert. “On the Mat” is a presentation of the National Wrestling Hall of Fame Dan Gable Museum. The show can...
Los atentados de París del 13 de noviembre, el del Líbano del día anterior, los bombardeos indiscriminados de Gaza (Palestina), los de Yemen desde hace unos meses... Edición especial de 'Club de Jazz' del 14 de noviembre de 2015 que combate los escenarios del horror con la música. A lo largo de algo más de una hora, música de Mazen Kerbaj (con la colaboración de las Fuerzas Aéreas de Israel), del trompetista libanés Ibrahim Maalouf, de la noruega Sidsel Endresen, del saxofonista ex-israelí Gilad Atzmon, del intérprete tunecino de oud Anouar Brahem, del dúo Cooper-Moore y Assif Tsahar (cantándole las cuarenta a los Estados Unidos), de Vijay Iyer junto a Mike Ladd poniendo voz y música a las vivencias de los veteranos estadounidenses de las guerras post-11S, y del dúo francés Tamia y Pierre Favre. Toda la información y derechos: http://www.elclubdejazz.com
Los atentados de París del 13 de noviembre, el del Líbano del día anterior, los bombardeos indiscriminados de Gaza (Palestina), los de Yemen desde hace unos meses... Edición especial de 'Club de Jazz' del 14 de noviembre de 2015 que combate los escenarios del horror con la música. A lo largo de algo más de una hora, música de Mazen Kerbaj (con la colaboración de las Fuerzas Aéreas de Israel), del trompetista libanés Ibrahim Maalouf, de la noruega Sidsel Endresen, del saxofonista ex-israelí Gilad Atzmon, del intérprete tunecino de oud Anouar Brahem, del dúo Cooper-Moore y Assif Tsahar (cantándole las cuarenta a los Estados Unidos), de Vijay Iyer junto a Mike Ladd poniendo voz y música a las vivencias de los veteranos estadounidenses de las guerras post-11S, y del dúo francés Tamia y Pierre Favre. Toda la información y derechos: http://www.elclubdejazz.com
A special edition of the Spanish Jazz radio show "Club de Jazz" featuring a lengthy interview with Assif Tsahar, Chad Taylor and Cooper-Moore (Digital Primitives). The trio played in Huesca (Spain) on March, 6th, where both the interview and the concert were recorded. Since 2007 Digital Primitives have recorded three CDs in Hopscotch Records, a record label owned by Assif Tsahar. On stage, Assif plays tenor saxophone and mbira, Chad Taylor plays drums and mbira and Cooper-Moore sings and plays fretless banjo, didley-bow and tin whistle. Here you can hear the interview and the concert originally broadcasted on March, 20th 2013. All rigths reserved: http://www.elclubdejazz.com
A special edition of the Spanish Jazz radio show "Club de Jazz" featuring a lengthy interview with Assif Tsahar, Chad Taylor and Cooper-Moore (Digital Primitives). The trio played in Huesca (Spain) on March, 6th, where both the interview and the concert were recorded. Since 2007 Digital Primitives have recorded three CDs in Hopscotch Records, a record label owned by Assif Tsahar. On stage, Assif plays tenor saxophone and mbira, Chad Taylor plays drums and mbira and Cooper-Moore sings and plays fretless banjo, didley-bow and tin whistle. Here you can hear the interview and the concert originally broadcasted on March, 20th 2013. All rigths reserved: http://www.elclubdejazz.com
Escuchamos a dos clásicos de la batería, el italiano Aldo Romano y el suizo Daniel Humair, en tres grabaciones. El primero lidera Inner Smile, proyecto que le reunió en 2011 con Enrico Rava (trompeta), Baptiste Trotignon (piano) y Thomas Bramerie (contrabajo) y enciende Lights junto al trompetista Nicolas Folmer. El segundo daba en 2008 forma en Full contact a un trío junto a Joachim Kühn (piano) y Tony Malaby (saxo tenor). Además nos acercaremos de nuevo a En Jota, proyecto del saxofonista Josetxo Goia-Aribe que incluye una versión de Il piacere de Romano. En esta edición de "Club de Jazz" del 3 de abril de 2013, la música del cuarteto Made to Break, formado por Tim Daisy (batería), Devin Hoff (bajo eléctrico), Christof Kurzmann (electrónicas) y Ken Vandermark (saxos y clarinete). Acaban de publicar el disco Provoke. Volvemos a invocar a los Saxophone Spirits del saxofonista Liba Villavecchia, trabajo de solo de saxo del que es coproductor el pianista Agustí Fernández, de quien escuchamos su Barcelona junto al guitarrista Derek Bailey registrado en el año 2001. El pianista israelí Yaron Herman presenta Alter Ego en formato de quinteto con los saxofonistas Emile Parisien y Logan Richardson, el bajista Stephane Kerecki y el baterista Ziv Ravitz. Dos tercios de Digital Primitives (de los que escuchamos en un reciente programa un concierto y entrevista), se reunieron en 2003 en America. Son el saxofonista Assif Tsahar y el pianista, intérprete de banjo, diddley-bo y más instrumentos de su creación, Cooper-Moore. Toda la información y derechos: http://www.elclubdejazz.com
Escuchamos a dos clásicos de la batería, el italiano Aldo Romano y el suizo Daniel Humair, en tres grabaciones. El primero lidera Inner Smile, proyecto que le reunió en 2011 con Enrico Rava (trompeta), Baptiste Trotignon (piano) y Thomas Bramerie (contrabajo) y enciende Lights junto al trompetista Nicolas Folmer. El segundo daba en 2008 forma en Full contact a un trío junto a Joachim Kühn (piano) y Tony Malaby (saxo tenor). Además nos acercaremos de nuevo a En Jota, proyecto del saxofonista Josetxo Goia-Aribe que incluye una versión de Il piacere de Romano. En esta edición de "Club de Jazz" del 3 de abril de 2013, la música del cuarteto Made to Break, formado por Tim Daisy (batería), Devin Hoff (bajo eléctrico), Christof Kurzmann (electrónicas) y Ken Vandermark (saxos y clarinete). Acaban de publicar el disco Provoke. Volvemos a invocar a los Saxophone Spirits del saxofonista Liba Villavecchia, trabajo de solo de saxo del que es coproductor el pianista Agustí Fernández, de quien escuchamos su Barcelona junto al guitarrista Derek Bailey registrado en el año 2001. El pianista israelí Yaron Herman presenta Alter Ego en formato de quinteto con los saxofonistas Emile Parisien y Logan Richardson, el bajista Stephane Kerecki y el baterista Ziv Ravitz. Dos tercios de Digital Primitives (de los que escuchamos en un reciente programa un concierto y entrevista), se reunieron en 2003 en America. Son el saxofonista Assif Tsahar y el pianista, intérprete de banjo, diddley-bo y más instrumentos de su creación, Cooper-Moore. Toda la información y derechos: http://www.elclubdejazz.com
Concierto y entrevista con Digital Primitives, trío formado por Assif Tsahar (saxo tenor y mbira), Chad Taylor (batería y mbira) y Cooper-Moore (voz, banjo sin trastes, diddley-bo...). En esta edición de "Club de Jazz" del 20 de marzo de 2013 escuchamos su actuación en Huesca del pasado día 6 de marzo y la conversación registrada antes de la misma. "desde mi cadiera" Jesús Moreno presenta el proyecto del Free Art Ensemble con Agustí Fernández. En el "Tren Azul" de Luis Díaz García, "Ella Fitzgerald sings the Duke Ellington Song Book" de 1957. Los "Ritmos Latinos" de Anxo están dedicados al cantautor José María Guzmán y su reciente "Sentado en la cumbre del mundo". En el "Jazz Porteño" de Alberto Varela la música del pianista venezolano Leo Blanco en "Roots & Effects". Y estrenamos el nuevo trabajo del trompetista Peter Evans, su "Zebulon Trio", con John Hébert (cb) y Kassa Overall (bt). Toda la información y derechos: http://www.elclubdejazz.com
Concierto y entrevista con Digital Primitives, trío formado por Assif Tsahar (saxo tenor y mbira), Chad Taylor (batería y mbira) y Cooper-Moore (voz, banjo sin trastes, diddley-bo...). En esta edición de "Club de Jazz" del 20 de marzo de 2013 escuchamos su actuación en Huesca del pasado día 6 de marzo y la conversación registrada antes de la misma. "desde mi cadiera" Jesús Moreno presenta el proyecto del Free Art Ensemble con Agustí Fernández. En el "Tren Azul" de Luis Díaz García, "Ella Fitzgerald sings the Duke Ellington Song Book" de 1957. Los "Ritmos Latinos" de Anxo están dedicados al cantautor José María Guzmán y su reciente "Sentado en la cumbre del mundo". En el "Jazz Porteño" de Alberto Varela la música del pianista venezolano Leo Blanco en "Roots & Effects". Y estrenamos el nuevo trabajo del trompetista Peter Evans, su "Zebulon Trio", con John Hébert (cb) y Kassa Overall (bt). Toda la información y derechos: http://www.elclubdejazz.com
Made to Break es un cuarteto formado por Ken Vandermark (saxo y clarinete), Christof Kurzmann (electrónicas), Devin Hoff (bajo eléctrico) y Tim Daisy (batería). Estrenamos música de "Provoke", uno de sus dos próximos trabajos discográficos. En esta edición de "Club de Jazz" del 6 de marzo de 2013 recuperamos las "Quiet nights" de Django Bates que presentó en 1998. "desde mi cadiera" Jesús Moreno nos acerca el "Duets & Solos" de Bill Cole y The Untempered Ensemble, con Cooper-Moore. El saxofonista Liba Villavecchia fotografía su vida en solos de saxo registrados en "Saxophone Spirits". En los "Ritmos Latinos" de Anxo, el recopilatorio "Fetén (Rare Jazz Recordings from Spain 1961 - 1974)" y la música de Vlady Bas. En el "Jazz Porteño" de Alberto Varela el cuarteto del saxofonista Natalio Sued y su "Amistad" de 2007. Y en el "Tren Azul" de Luis Díaz García escuchamos "The Congregation" de Johnny Griffin. Además, lectura de los textos ganadores de nuestro concurso "Memorias Líquidas del Jazz". Toda la información y derechos: http://www.elclubdejazz.com
Made to Break es un cuarteto formado por Ken Vandermark (saxo y clarinete), Christof Kurzmann (electrónicas), Devin Hoff (bajo eléctrico) y Tim Daisy (batería). Estrenamos música de "Provoke", uno de sus dos próximos trabajos discográficos. En esta edición de "Club de Jazz" del 6 de marzo de 2013 recuperamos las "Quiet nights" de Django Bates que presentó en 1998. "desde mi cadiera" Jesús Moreno nos acerca el "Duets & Solos" de Bill Cole y The Untempered Ensemble, con Cooper-Moore. El saxofonista Liba Villavecchia fotografía su vida en solos de saxo registrados en "Saxophone Spirits". En los "Ritmos Latinos" de Anxo, el recopilatorio "Fetén (Rare Jazz Recordings from Spain 1961 - 1974)" y la música de Vlady Bas. En el "Jazz Porteño" de Alberto Varela el cuarteto del saxofonista Natalio Sued y su "Amistad" de 2007. Y en el "Tren Azul" de Luis Díaz García escuchamos "The Congregation" de Johnny Griffin. Además, lectura de los textos ganadores de nuestro concurso "Memorias Líquidas del Jazz". Toda la información y derechos: http://www.elclubdejazz.com
La gaita gallega ha encontrado un hueco en el jazz de la mano de la orensana Cristina Pato y sus "Migrations". En esta edición de "Club de Jazz" del 27 de febrero de 2013 escuchamos su trabajo junto a Víctor Prieto (acordeón), Edward Pérez (contrabajo) y Eric Doob (batería), además de diversas colaboraciones, con la producción de Emilio Solla. Seguimos indagando en las "Songs of the Metropolis" de Gilad Atzmon & The Orient House Ensemble. Jesús Moreno presenta "desde mi cadiera" una selección de la "Long Story Short" cordinada en Wells (Austria) por Peter Brötzmann. Adelantamos el nuevo trabajo de Digital Primitives (Assif Tsahar, Cooper-Moore y Chad Taylor) y su gira que incluye Barcelona (5) y Huesca (6). El "Tren Azul" de Luis Díaz García recupera el "Trio 64" de Bill Evans. En los "Ritmos Latinos", Anxo nos presenta a Dom La Nena, nombre artístico de la brasileña Dominique Pinto. Y en el "Jazz Porteño" de Alberto Varela, la pareja Enrico Rava (trompeta) y Stefano Bollani (piano). Toda la información y derechos: http://www.elclubdejazz.com
La gaita gallega ha encontrado un hueco en el jazz de la mano de la orensana Cristina Pato y sus "Migrations". En esta edición de "Club de Jazz" del 27 de febrero de 2013 escuchamos su trabajo junto a Víctor Prieto (acordeón), Edward Pérez (contrabajo) y Eric Doob (batería), además de diversas colaboraciones, con la producción de Emilio Solla. Seguimos indagando en las "Songs of the Metropolis" de Gilad Atzmon & The Orient House Ensemble. Jesús Moreno presenta "desde mi cadiera" una selección de la "Long Story Short" cordinada en Wells (Austria) por Peter Brötzmann. Adelantamos el nuevo trabajo de Digital Primitives (Assif Tsahar, Cooper-Moore y Chad Taylor) y su gira que incluye Barcelona (5) y Huesca (6). El "Tren Azul" de Luis Díaz García recupera el "Trio 64" de Bill Evans. En los "Ritmos Latinos", Anxo nos presenta a Dom La Nena, nombre artístico de la brasileña Dominique Pinto. Y en el "Jazz Porteño" de Alberto Varela, la pareja Enrico Rava (trompeta) y Stefano Bollani (piano). Toda la información y derechos: http://www.elclubdejazz.com
El periodista Enric González es nuestro invitado especial en la edición de 12º cumpleaños de "Club de Jazz" del 12 de febrero de 2013. Autor de "Memorias Líquidas" (Jot Down), ha trabajado como corresponsal durante muchos años en el diario 'El País'. Ahora trabaja para 'El Mundo'. Con él charlamos de periodismo y escuchamos su selección musical para el programa (Michel Petrucciani, Chet Baker, Django Reinhardt, Billie Holiday y Mel Tormé) y le regalamos la de Nguyên Lê. Nuestro colaboradores se suman con sus respectivas secciones: Ferran Esteve en "La duda permanente" nos acerca el directo del trío de Albert Bover; Jesús Moreno "desde mi cadiera" presenta un inédito de Cooper-Moore y Assif Tsahar; Alberto Varela en el "Jazz Porteño" recupera un clásico del jazz argentino, el saxofonista Enrique Varela; Anxo en los "Ritmos Latinos" escucha el "Viento desatado" de Julio Bustamante; Luis Díaz García rinde tributo en el "Tren Azul" a Donald Byrd y presenta la recopilación "Crime Jazz: Music in the first degree". Toda la información y derechos: http://www.elclubdejazz.com
El periodista Enric González es nuestro invitado especial en la edición de 12º cumpleaños de "Club de Jazz" del 12 de febrero de 2013. Autor de "Memorias Líquidas" (Jot Down), ha trabajado como corresponsal durante muchos años en el diario 'El País'. Ahora trabaja para 'El Mundo'. Con él charlamos de periodismo y escuchamos su selección musical para el programa (Michel Petrucciani, Chet Baker, Django Reinhardt, Billie Holiday y Mel Tormé) y le regalamos la de Nguyên Lê. Nuestro colaboradores se suman con sus respectivas secciones: Ferran Esteve en "La duda permanente" nos acerca el directo del trío de Albert Bover; Jesús Moreno "desde mi cadiera" presenta un inédito de Cooper-Moore y Assif Tsahar; Alberto Varela en el "Jazz Porteño" recupera un clásico del jazz argentino, el saxofonista Enrique Varela; Anxo en los "Ritmos Latinos" escucha el "Viento desatado" de Julio Bustamante; Luis Díaz García rinde tributo en el "Tren Azul" a Donald Byrd y presenta la recopilación "Crime Jazz: Music in the first degree". Toda la información y derechos: http://www.elclubdejazz.com
¡11 años de "Club de Jazz"! Los celebramos en esta edición del 15 de febrero de 2012 con el regalo que la pianista jiennense Irene Aranda nos hace con el adelanto de la música de su próximo proyecto, "Yetzer". Además ponemos en órbita nuestro satélite radiofónico con "From the ghosts within" de Robert Wyatt, Gilad Atzmon y Ros Stephen, con el proyecto "Colla Voche" del chelista holandés Ernst Reijseger junto a Tenore e Concurdu de Orosei y con el octeto del pianista Simon Nabatov en "A few incidences". Jesús Moreno se suma "desde mi cadiera" a la fiesta con un directo inédito del dúo Assif Tsahar (saxo) y Cooper-Moore (percusiones) en Tarbes (Francia) en 2003. Los "Ritmos Latinos" de Anxo suenan "Live Paris" con Ben L´Oncle Soul. Roberto Barahona llega con un "PuroJazz" de resonancias clásicas con The Soft Winds. Alberto Varela nos regala una muy especial grabación: desde el año 1920 nos llegan los sonidos del saxofonista brasileño Pixinguinha. Culmina "La duda permanente" de Ferran Esteve con "The case of Charles Dexter Ward", la música literaria de Lovecraft´s Aunts. Toda la información y derechos: http://www.elclubdejazz.com
¡11 años de "Club de Jazz"! Los celebramos en esta edición del 15 de febrero de 2012 con el regalo que la pianista jiennense Irene Aranda nos hace con el adelanto de la música de su próximo proyecto, "Yetzer". Además ponemos en órbita nuestro satélite radiofónico con "From the ghosts within" de Robert Wyatt, Gilad Atzmon y Ros Stephen, con el proyecto "Colla Voche" del chelista holandés Ernst Reijseger junto a Tenore e Concurdu de Orosei y con el octeto del pianista Simon Nabatov en "A few incidences". Jesús Moreno se suma "desde mi cadiera" a la fiesta con un directo inédito del dúo Assif Tsahar (saxo) y Cooper-Moore (percusiones) en Tarbes (Francia) en 2003. Los "Ritmos Latinos" de Anxo suenan "Live Paris" con Ben L´Oncle Soul. Roberto Barahona llega con un "PuroJazz" de resonancias clásicas con The Soft Winds. Alberto Varela nos regala una muy especial grabación: desde el año 1920 nos llegan los sonidos del saxofonista brasileño Pixinguinha. Culmina "La duda permanente" de Ferran Esteve con "The case of Charles Dexter Ward", la música literaria de Lovecraft´s Aunts. Toda la información y derechos: http://www.elclubdejazz.com
For The Jazz Session's 300th episode, a rare chance to sit down with four musical veterans: David S. Ware, William Parker, Cooper-Moore and Muhammad Ali. The four have just released Planetary Unknown (Aum Fidelity, 2011). This interview was recorded in the dressing room just after their performance at the 2011 Vision Festival. In this interview, they talk about the spiritual side of music; give advice to young musicians; and tell stories from their 100+ years as performers. Learn more at Aum Fidelity's Planetary Unknown page. NOTE: Today (August 11, 2011) is the final day of the "100 By 300" membership campaign and I haven't quite reached my goal. Please support the show by joining today for as little as $10 a month. Tracks used in this episode: Passage Wudang; Shift; Duality Is One; Divination; Crystal Palace; Ancestry Supramental. Three of the four members of this band have been on The Jazz Session before: Cooper-Moore William Parker David S. Ware
Sixième de la dix-huitième session ! Cette semaine, Marie-Eve Boulanger et sa sélection vocale, du jazz from New Orleans et une solide nouveauté free-jazz ! En musique: Preservation Hall Jazz Band, sur l'album New Orleans, Vol. 1 (Columbia, 1977); Anat Cohen; Linda Racine; Hugh Laurie alias Dr. House; David S. Ware, Cooper-Moore, William Parker et Muhammad Ali sur l'album Planetary Unknown (AUM Fidelity, 2011)... En compte-rendu: Trio Rosenberg et leurs amis Djangologistes présenté le 5 juin 2011 à la salle Wilfrid Pelletier... En concert: Dans le cadre des Suoni Per Il Popolo 2011: Charles Gayle, 8 juin 2011, 20h30, Casa Del Popolo... Last Seen Headed, 12 juin 2011, 20h, Sala Rossa... Many Worlds, 13 juin 2011, 20h30, Casa Del Popolo...
Sixième de la dix-huitième session ! Cette semaine, Marie-Eve Boulanger et sa sélection vocale, du jazz from New Orleans et une solide nouveauté free-jazz ! En musique: Preservation Hall Jazz Band, sur l'album New Orleans, Vol. 1 (Columbia, 1977); Anat Cohen; Linda Racine; Hugh Laurie alias Dr. House; David S. Ware, Cooper-Moore, William Parker et Muhammad Ali sur l'album Planetary Unknown (AUM Fidelity, 2011)... En compte-rendu: Trio Rosenberg et leurs amis Djangologistes présenté le 5 juin 2011 à la salle Wilfrid Pelletier... En concert: Dans le cadre des Suoni Per Il Popolo 2011: Charles Gayle, 8 juin 2011, 20h30, Casa Del Popolo... Last Seen Headed, 12 juin 2011, 20h, Sala Rossa... Many Worlds, 13 juin 2011, 20h30, Casa Del Popolo...
Cooper-Moore is a musical renaissance man. He's a pianist who also invents and builds his own instruments. He's steeped in history and tradition, and refreshingly free from convention. In this interview, Cooper-Moore talks about his childhood days as the town musician; why he feels that playing music is far more than a profession; and how and why he began creating his own instruments. Learn more at www.hopscotchrecords.com/cooper.html. Several of the tunes in this interview come from the new Digital Primitives album. If you'd like to buy this recording, you can support The Jazz Session by purchasing it via the link below:
Cooper-Moore is a musical renaissance man. He’s a pianist who also invents and builds his...
Virginia-born saxophonist Darius Jones wants to tell his story, and he's chosen as his vehicle his new album, Man'ish Boy (AUM Fidelity, 2009). This is an album born of economic poverty and emotional wealth. Joining Jones are multi-instrumentalist Cooper-Moore and drummer Rakalam Bob Moses. This powerful and beautiful album is an important statement by a voice that needs to be heard. Learn more at Darius Jones' MySpace page. If you'd like to buy this album, you can support The Jazz Session by purchasing it via the link below:
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