Podcast appearances and mentions of hugo guerra

Antes de ser chef, Hugo Guerra chegou à Penha Longa para fazer serviço extra e acabou a ficar quatro anos. Os turnos eram muito longos, todos passavam por todas as funções, mas a camaradagem fez valer a pena.

Nasceu numa família de militares, mas o chef Hugo Guerra era um rebelde. A viagem na cozinha começou quando o inscreveram na escola de hotelaria e o primeiro impacto foi num restaurante com três estrelas Michelin.

#BaellaTalks 25.2.25 Invitados: José Quesada Seminario - Hugo GuerraTema: ¿ESTE 2025 CRECEREMOS AL 4%? ¿CAEN PUENTES Y TECHOS PERO QUÉ MÁS ENSOMBRECE AL PERÚ?

#BaellaTalks Invitados: José Baella - Hugo Guerra Tema: Nuevo ministro del interior Crisis terminal en la prensa

#BaellaTalks 3.5.24 Invitados: HANS ROTHGIESSER - PEPE LUCHO DELGADO - HUGO GUERRA Tema: El APRA; Hay luz al final del túnel; La verdad se abre paso.

Hugo Guerra is the dictionary definition of multitasking. Having taken his eye for compositing into directing short films and commercials, and supervising VFX, Hugo fills his spare time with producing content for his successful YouTube channel and recording the VFX Notes podcast with Ian Failes. If that's not enough, he's also produced a cookbook with his wife. Hugo talks about his early career in Portugal and how he took his love for movies into short films, and then compositing and directing. He also tells you why you need to go on-set, talks about the benefits of teaching, gives his thoughts on AI and “invisible” CGI, and reveals the inner workings of YouTube.  

Son grupos organizados con un enorme poder logístico, operativo, comercial y con relaciones transnacionales, por tanto, con grandes impactos en las economías.   Pero al revisar su portafolio de bienes y servicios se encienden todas las alarmas. Entre ellos se encuentran el tráfico internacional de drogas, armas, contrabando, extorsión y minería ilegal.   Sus actividades se extienden de forma macabra al tráfico y trata de personas, asaltos y asesinatos. Otras operaciones las han logrado “blanquear” y son negocios legales surgidos desde la ilegalidad.   Las economías criminales son una realidad acerca de la cual hay que actuar con políticas públicas, no solo a lo interno de las naciones sino también internacionalmente, pues es necesario enfrentarlas dado el deterioro que causan a la institucionalidad democrática.   Aprovechando la presentación de un libro acerca de este candente tema, conversaremos con el Brigadier General de la reserva activa de la Policía Nacional de Colombia, Juan Carlos Buitrago y con Víctor Hugo Guerra, especialista en comercio ilícito para el continente y editor de la publicación.

#BaellaTalks 6.3.24 Invitados: Omar Neyra y Hugo Guerra Tema: Nuevo Premier

Ian Failes from befores & afters chats to Hugo Guerra about the process of designing and directing a promo for the ZEISS CinCraft Scenario camera tracking system, using virtual production techniques and more.

#Baella Talks 26.6.23 Invitado: Hugo Guerra Tema: ¿Quiénes realmente están detrás de la toma de Lima?

#Baella Talks 31.5.23 Invitado: Hugo Guerra. Tema: La lucha por la democracia continúa

#Baella Talks 3.3.23 Invitado: Hugo Guerra. Tema: ¿Cuál es la responsabilidad de los medios en la crisis política

In the latest VFX Notes podcast, Hugo Guerra and Ian Failes discuss the visual effects in Black Panther: Wakanda Forever. Many VFX studios contributed to the film, principally Weta FX, ILM, Digital Domain and Cinesite, among others.

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters discuss the making of VFX Oscar-nominated 'All Quiet on the Western Front.'

Hugo Guerra and Ian Failes break down the big ticket VFX items in the new James Cameron film.

Hugo Guerra and Ian Failes explore the extensive visual effects work in Top Gun: Maverick, which has largely not received any VFX coverage in the press so far. The use of real aerial photography mixed and matched with CG planes, environments and other elements is seamless.

#BaellaTalks 16.12.22 Invitado: Hugo Guerra. Tema: ¿Estamos al principio del final de la crisis?

Hugo Guerra and Ian Failes discuss 'Everything Everywhere all at Once' and its unusual approach to VFX.

#BaellaTalks 24.11.22 Invitados: ANTONIO RAMÍREZ y HUGO GUERRA Tema: Coyuntura política

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters go back to 2009 and the release of James Cameron's Avatar, which changed the game in movie making in several ways, including stereo, virtual production and performance capture.

Behind The Desk with Hugo Guerra | TVAP EP47Hugo Guerra, Director,  VFX supervisor, and creator of Hugo's Desk.In this episode, Kofi chats to Hugo about his career in the VFX industry. Uncovering decisions and steps that have made Hugo the Director and Supervisor he is today.With an incredible industry footprint, Hugo has a huge voice across the VFX industry, and I felt it quite relevant to learn more about the man behind the glasses, or as our title says, 'Behind The Desk'.In this episode, we discuss the creative and VFX industry in Portugal, and Sweden, remote working, industry overtime, Hugo's VFX journey in London during his time at The Mill, mistakes VFX artists to make when looking for work, steps they could take to protect themselves from being taken advantage of, best video games, movies, series of 2022, industry-wide issues, how we could tackle them, and many more.It was a packed and insightful discussion worth listening to the end, as well as one to be shared!A massive thank you to Hugo for his time and for being such a gem to the industry.As always, if you liked this episode, please

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters dive into Jordan Peele's NOPE, and the visual effects by MPC.

This week on VFX Notes with Hugo Guerra and Ian Failes, we're looking at the stunning C-17 / car / skydiving sequence in Uncharted, featuring Tom Holland. An array of bluescreen shooting, wire work, robot arms, and even a bluescreen car stuffy, were used. VFX were crafted by DNEG.

This week on VFX Notes with Hugo Guerra and Ian Failes, we're looking at the stunning C-17 / car / skydiving sequence in Uncharted, featuring Tom Holland. An array of bluescreen shooting, wire work, robot arms, and even a bluescreen car stuffy, were used. VFX were crafted by DNEG.

This week on VFX Notes, Ian Failes and Hugo Guerra wrap up our coverage of the global phenomenon that is RRR. We discuss the tiger sequence, the Intermission fight, fighting with hoses, the use of Blender in the film, the tiger punch and the leopard throw, the prison break and the final forest fight.

In this new VFX Notes episode, Hugo Guerra and Ian Failes look into the making of this incredible film, including aspects of its production and some of the major VFX moments. 

What was the first composite done in Nuke at Digital Domain? That's what Ian Failes from befores & afters and Hugo Guerra from Hugo's Desk discuss in this episode.

Melting rats, goop, the Tom/Bruce Monster and Starcourt Mall are all covered in VFX Notes, with Hugo Guerra and Ian Failes.

This week on VFX Notes, Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters head back into the Upside Down to look back at Stranger Things, series 2. 

This week on VFX Notes, Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters head into the Upside Down to look back at Stranger Things, series 1

This week on VFX Notes, Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters jump into Wētā FX's visual effects for the stunning batmobile chase sequence in The Batman.

Hugo Guerra and Ian Failes go back in time on DNEG's VFX for Last Night in Soho. We also explore some key mirror gags and VFX shots from history. 

#BaellaTalks 7.6.22 Invitado: Hugo Guerra. Tema: Coyuntura política

In part 3 of our 'Doctor Strange' VFX Notes series, Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters delve into ILM's incredible work on the NYC mirror dimension scenes and Hong Kong reverse shots.

In part 2 of our 'Doctor Strange' discussion at VFX Notes, Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters break down Method Studios' work on the multi-verse sequence in the film.

      Hugo Guerra is a Psychologist and Mental Trainer for several Taekwondo sportspeople. Listen to his strategies to maximize sports performance and how he deals with some situations.  In this episode, Coaches César Valentim and Hugo Guerra talk about the importance of Mental Training in our sport.  In this episode, you can get some tips and listen to how Hugo Guerra deals with athletic anxiety and issues Taekwondo players can overcome with mental training.  This podcast is supported by Hawkin Dynamics, Firstbeat Sports and Athlete Analyzer!  Visit our Instagram @taekwondopodcast and Facebook @taekwondocast Support the show

In part 1 of VFX Notes' 'Doctor Strange' series, Hugo Guerra and Ian Failes review the film and also cover the amazing VFX for the whips, the eyes, the freakin' cloak and the car crash. 

Hugo Guerra grew up with a tough home life in Guatemala. He used his guitar to help cope and to overcome challenges as a teenager. When he immigrated to America, it became a tool to survive. RadioActive's Adrian Guerra tells his dad Hugo's story.

Catchphrase! Ian Failes from befores & afters and Hugo Guerra from Hugo's Desk explore this Ryan Reynolds film and the VFX behind it, including the incredible face replacement work.

Ian Failes from befores & afters and Hugo Guerra from Hugo's Desk explore the visual effects of Denis Villeneuve's 'Dune'. 

Stef Ceretti is a visual effects supervisor with some incredible credits, most recently on Marvel films Eternals, Ant-Man and the Wasp, Dr. Strange and Guardians of the Galaxy. Previously he worked at BUF and then in some London VFX studios. Hugo Guerra and Ian Failes have some fun asking Stef about all sorts of VFX things.

What was the first composite done in Nuke at Digital Domain? That's what Ian Failes from befores & afters and Hugo Guerra from Hugo's Desk discuss in this episode.

Hugo Guerra, periodista, abogado y economista, uno de los impulsores de la acusación constitucional contra el presidente de Perú, Pedro Castillo, por traición a la patria, explica en Conclusiones las razones de contexto de esta denuncia. Advierte que un presidente no puede emitir una opinión personal, en referencia a sus declaraciones sobre darle la salida al mar a Bolivia. Además, Fernando del Rincón charla con el congresista peruano Jorge Carlos Montoya Manrique, del partido Renovación Popular, sobre la situación política en Perú.    Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

Hugo Guerra, periodista, abogado y economista, uno de los impulsores de la acusación constitucional contra el presidente de Perú, Pedro Castillo, por traición a la patria, explica en Conclusiones las razones de contexto de esta denuncia. Advierte que un presidente no puede emitir una opinión personal, en referencia a sus declaraciones sobre darle la salida al mar a Bolivia. Además, Fernando del Rincón charla con el congresista peruano Jorge Carlos Montoya Manrique, del partido Renovación Popular, sobre la situación política en Perú. Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

Hugo Guerra and Ian Failes look back at last year's VFX Oscar winner, Tenet, and dive into the time-bending effects work.

#BaellaTalks 25.1.22 Invitados: Hugo Guerra Y Luis Benavente. Tema: El rol de la prensa

#BaellaTalks 6.1.22 Invitado: Hugo Guerra Tema: El papel de los medios

Hugo Guerra and Ian Failes discuss the VFX of The Matrix. We go over bullet time, miniatures, the filming and behind the scenes. We also discuss the brand new The Matrix Awakens: An Unreal Engine 5 Experience.

Hugo Guerra and Ian Failes discuss the visual effects in 'Shang-Chi and The Legend of The Ten Rings'. 

Ian Failes from befores & afters and Hugo Guerra from Hugo's Desk are joined by Craig Barron, creative director at Magnopus, and co-founder and VFX supervisor at Matte World Digital.

Ian Failes from befores & afters and Hugo Guerra from Hugo's Desk chat to Foundry Director of Product - New Technology Mathieu Mazerolle for a special exclusive interview about the new Unreal Reader for Nuke.

#BaellaTalks 11.11.21 Invitado: Hugo Guerra. Tema: Vacancia presidencial

Hugo Guerra and Ian Failes discuss the practical, miniature, matte painting and optical visual effects behind the 1984 film, Dune. 

This week Ian Failes and Hugo Guerra discuss David Fincher, focusing on the incredible invisible effects work achieved by his team, including from Digital Domain, on films such as Zodiac and The Curious Case of Benjamin Button.

#BaellaTalks 21.9.21 Invitados: Hugo Guerra y Eduardo Ponce Vivanco. Tema: Libertad de expresión y gira presidencial

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters dive deep into the art of films based on video games (and yes we talk about...Angry Birds 2). 

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters discuss the miniatures, practical effects and digital effects of 2010: The Year We Make Contact, and also ask, 'Are miniatures dead?'

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters chat about the VFX in The Suicide Squad, Jungle Cruise and Old, and discuss the huge prevalence of digital de-ageing.

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters do some deep discussion on the latest films and TV series, and talk about the latest in LED wall and real-time tech.

Hugo is a Director & VFX Supervisor working in both the VFX and the Videogames industry for the past 20 years. After working as a freelancer in Portugal, Sweden, and the UK, he became the Head of Nuke and VFX Supervisor at The Mill London. Most recently, Hugo worked as a Director for Fire Without Smoke, as a VFX Supervisor for Sony Playstation, and is currently working as a Film Director for Rebellion Games. He is also a VES Jury member, teaches VFX in several universities, and runs the largest YouTube channel about Nuke compositing called Hugo's Desk. Highlights “Artist empowerment” at the core of his content - 1:52 The worst content in his channel - 5:52 Caring for people - 6:47 Working on a lot of projects in a year - 9:25 Resting and sleeping more - 13:46 Loving video games and being a gamer - 17:04 The industry is used to the “shiny” things - 37:44 A huge project that was canceled - 42:01 It takes weeks to make a video - 47:09 Episode Resources Connect with Luke Thompson LinkedIn: https://www.linkedin.com/in/luke-thompson-97281555/ Instagram: https://www.instagram.com/lukethompsonfilm/?hl=en ActionVFX Instagram: https://www.instagram.com/actionvfxofficial/?hl=en https://www.actionvfx.com/blog?category=podcast https://www.actionvfx.com/ Twitter: @HugoCGuerra Youtube: https://youtube.com/c/HugosDesk 

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters discuss Black Widow, preview SIGGRAPH 2021, talk about why VFX artists need to know LUTs, and enter the discourse on CG vs. practical filmmaking.

Hugo Guerra and Ian Failes discuss what they've been watching (hint, it's fast and furious), look at the major leaps in sytlization in animation, discuss z-depth and talk about the best VFX forums on the web.

Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters discuss the ethics of actor replacement like in Army of the Dead, the latest on UE5 from Epic Games, a new Unreal Engine bridge in Nuke, what gamma means and the best VFX things to check out on the web right now. 

Desde que te amo. Hugo Guerra.

Hugo Guerra is a Portuguese born award-winning Director and VFX Supervisor. After finishing his Fine Arts degree, he worked in Portugal and Sweden before moving to the UK where he was a freelancer for several years.  He joined The Mill in 2010 as a VFX Supervisor and as Head of the Nuke Department. Over that time, Hugo was a Lead Artist and Onset Supervisor for several productions, including Codemaster's Bodycount, Ubisoft's Rainbow Six, the VES awarded Audi “Hummingbird”, Activision's Call of Duty, and BBC Music God Only Knows among others. In 2014, Hugo joined Fire Without Smoke as a Director and Visual Effects Supervisor, working on trailers for CCP, Ubisoft, Deep Silver, Square Enix, Sony, Warhammer and many others. Most recently Hugo worked as a VFX Supervisor for Sony Playstation San Diego and is currently working as a Film Director for Rebellion Games.  He is also a Visual Effects Society Jury member and created Hugo's Desk, the largest YouTube channel about Nuke compositing. In this Podcast, Allan McKay and Hugo Guerra tackle the subjects of having a business mentality as an artist, learning to negotiate and the importance of knowing your worth. For more show notes, visit www.allanmckay.com/283/.

No episódio de estreia do Gera Highlights, gravado durante a 49ª Jornada Paulista de Radiologia, realizada em maio de 2019, em São Paulo, o Dr. Nelson Caserta entrevista o Dr. Hugo Guerra, convidado internacional homenageado na JPR 2019 pelo trabalho em radiologia abdominal e no desenvolvimento da residência de radiologia. Os episódios do Highlights produzidos durante a 49ª Jornada Paulista de Radiologia serão publicados às segundas-feiras, no mês de maio até o mês de julho. Serão oito episódios que abordam os assuntos mais relevantes da área da radiologia. A produção conta com o apoio dos grupos de estudos da SPR. Confira a agenda de reuniões do Gera em https://spr.org.br/grupos-de-estudos/gera-grupo-de-estudos-de-radiologia-do-abdome/ e participe online (https://spr.org.br/cursos-via-web/).

PHILLIP BUTTERS EN EXITOSA 16-07-2018 - Hugo Guerra - Juan Carlos Valdivia - audio - Castellano

Lee shares his approach to Directing and the relationships that make for a better result. Host Blair Walker discusses with Lee how they work as a team with everyone at FCB New Zealand. A lot of discussions about Cinematography, lighting approaches and career development.   Show Notes: Compiled by Matt Lloyd 00.40 - Lee introduces himself and explains his role as a content director 04.50 - Discussion of problem solving as a fundamental creative process across all aspects of a production 06.00 - “Stress is contagious” 07.00 - Metrofilm 07.15 - Shooting: with quality gear and expertise, much time and money is saved: you can craft your film, instead of having to rescue shoddy footage 08.45 - Imaginarium 09.00 - Discussion of in-camera effects, such as contact lighting, which are then supplemented by VFX. 10.00 - How open conversations between director and crew during pre-production can make for a happy production (listen to Hugo Guerra on this topic) 14.00 - How being transparent about the limits of your knowledge and abilities as opposed to trying to hide them (e.g. with a technique you have never used before) can garner extra support and appreciation for you. 16.10 - An overview of Lee’s role 18.00 - “Editing in your head”: shooting with the edit front and centre in your mind. 21.00 - Always have backup e.g. audio and cutaway shots 23.20 - Building relationships with producers, and Lee’s preference for being on top of budgets 27.00 - “Never stinge on kit” 28.05 - Imagezone, Kingsize film gear rental 28.20 - Arri Alexa Mini camera 28.55 - Sony A7S II camera 30.23 - Lighting tips, including cutting light 33.19 - Fun fact about the Raiders of The Lost Ark sword fight scene 34.33 - Lee’s career, including a stint in the porn industry 36.45 - Lee learned most of what he knows about lighting in the porn industry   37.46 - Pro Video Picks: “Keep it in-camera” see Mad Max effects breakdowns   39.15 - Inspirational Video: Fresh Guacamole by Pes 40.43 - Audio and video are 50/50 in any video project. “Make sure you spend just as much time on the audio as you do on the video” 41.07 - Sources of Inspiration: Theatre 42.11 - Who should we have on the show? James Solomon   43.04 - Follow Lee Online: Lee Stapleton - Instagram

Hugo has an extensive career as an award-winning Director and Visual Effects Supervisor across games cinematics, film and commercials. Previously, leading the Nuke team at The Mill London. Host Blair Walker discusses his company, clients and projects.   Show Notes: Compiled by Matt Lloyd 01.30 - Hugo’s Desk 02.00 - Hugo’s background 04.00 - Nexus productions 04.20 - Head of Nuke at the Mill for four years 05.48 - Now directing cinematics for the games industry 06.30 - his Oaklake horror short is nearing completion 07.00 - http://www.firewithoutsmoke.com/ 07.30 - Hugo says: making game cinematics as the dream job for motion designers/compositors 08.17 - The drawbacks of only working on films on the one hand, or commercials on the other 09.40 - Hugo’s favourite part about working for games companies is that he gets to work alongside like-minded people on the client side. 10.30 - “I don’t mind doing smaller things because I have creative control over them” 11.15 - Co-directing with Will O’Connor: The Walking Dead and Mario Rabbids trailers 12.35 - “What fascinates me about the games industry… it’s like the opera of [our] time” in Wagner’s words, it’s a modern day gesamtkunstwerk, a synthesis of all art forms 14.00 - The creative process for the Walking Dead trailer. 15.50 - Vertex keynote on the Walking Dead and the "evolutionary" approach when developing a project 16.10 - "I always prefer to have time than money for a project" 17.00 - "I always use the same tools: Nuke, Photoshop, Maya and Redshift" 18.00 - "My students are obsessed by... knowing the tech... what matters is that you know composition and colour, art theory, then you can be an artist on any software" 18.50 - "Maybe this is because tech is more tangible than creativity" 19.15 - When at the Mill, Hugo used to have a hard time finding artistic people to hire, people who have taste. 20.15 - People forget the basics are the most important thing to learn 20.50 - Hugo's classical art background informs all his work now. 22.00 - Hugo's FXPHD courses 22.35 - "I don't believe that teachers should not do production, so I split my time between production and teaching" 23.06 - I believe in sharing: I want to share as much of my knowledge as possible because eventually some of these people are going to be working with me. I believe it's my responsibility to share my knowledge because I was so fortunate to work on these projects, so why not share that knowledge so that we all together can advance the art form. 25.15 - Sharing knowledge as an opportunity to connect with people. 26.00 - How Hugo's breakdowns are winning him new work 27.32 - Hugo's Desk "You Just Have To Be Better" series 29.25 - BBC God Only Knows 34.35 - Guerilla film-making: being a supervisor and also being hands on (see Robert Rodriguez on this topic) 36.00 - The Mill is totally focused on results; it doesn't get stuck on the process and is completely software agnostic. 37.30 - Leonard In Slow Motion 39.00 - Motion control 39.15 - "Spanish" (or budget) motion control techniques. Whilst we’re on the topic, this guy has a million budget ideas for budding film makers 40.45 - The ultimate trick for the VFX supe: really get to know the crew, the 1st AD, the DOP, weeks before the shoot, take them for a beer, grab lunch. Then you'll be listened to on set. 43.00 - Technical process behind Leonard 46.00 - Pro Video Picks Inspiration - YouTube Channels: Every Frame A Painting Channel Criswell Art Regard Now You See It For relaxation: LGR: Lazy Game Reviews Inspiration and Influence: Cinema Directors Stanley Kubrick David Lynch David Cronenberg John Carpenter Sergei Eisenstein Max Ophüls Games: Silent Hill series Shadow Of Colossus The Last Guardian Art: Every "Art Of" film book Inspirational Video Of The Week: Under The Skin Follow Hugo Online: @hugocguerra - twitter Hugo's Desk - Youtube patreon.com/hugosdesk Pro Video Podcast Online: Blair Walker - Twitter Pro Video Podcast - Slack Pro Video Podcast - Facebook Group Pro Video Podcast - Twitter Pro Video Podcast - Website

No final dos anos 90, um grupo de estudantes de Caldas da Rainha resolveu filmar uma paródia propositadamente má com ninjas assassinos, vilões tenebrosos, braços decepados e sangue... muito sangue. O inesperado aconteceu nos anos seguintes, ao transformar-se num dos mais bizarros fenómenos virais do cinema amador em Portugal. A TV por cabo e o advento da internet acabariam por tornar O Ninja das Caldas numa lenda audiovisual.O seu autor é hoje um prolífero diretor de efeitos visuais para cinema e videojogos e está a milhas daquilo que, ironicamente, é ainda o seu mais mediático trabalho. Pelo menos por terras lusas. Hoje sentamos Hugo Guerra no cadeirão e obrigamo-lo a sentir "a supremacia da dor!"

Nuke is the better tool... ...for compositing. After Effects is king in many areas (like animation) that are important to us Motion Designers, but Nuke is a far more powerful tool for compositing things like VFX and 3D passes. Now, as a Motion Designer you might think that knowing compositing is a waste of your time, but if you’ve hung around School of Motion long enough you know that compositing is a super important skill that every MoGrapher should know at least a little bit of. Not only will you be able to land more jobs, you’ll also be able to think like a compositor which is a very valuable skill to have in your arsenal. Compositing Pro-Tips from a Master. In this episode of our Podcast Joey is going to pick the brain of Hugo Guerra, who is an absolute compositing genius. Hugo is so good at what he does that he ran the entire Nuke division at The Mill in London. He also has a YouTube channel called Hugo’s Desk where he shows you how to composite like a pro. Hugo drops a TON of knowledge bombs in this one and by the end of it you’ll be itching to dive deep into the compositing world, and maybe even learn some Nuke yourself. Check out this episode on our site: http://www.schoolofmotion.com/smoke-without-fire-compositing-pro-tips-hugo-guerra/