Podcasts about DNEG

"Your work is to discover your work, then with all your heart to give yourself to it." — Buddha Namit Malhotra started with just one Apple Mac in a Mumbai garage...Today, his company, DNEG, powers the entertainment industry with over 10,000 employees and eight Academy Awards for films like Inception, Interstellar, and The Dark Knight.In this episode:• The formula for dominating at the highest level.• How to excel in high-stakes environments.• Practical tips for nurturing motivated kids.• Lessons from the world's most visionary filmmakers.• How to scale a garage startup into a global powerhouse.Let's WIN THE DAY with Namit Malhotra!_

DNEG's Chris McLaughlin and Robyn Luckham join Mike Seymour for this episode of the fxpodcast and discuss their work on Bong Joon Ho's Mickey 17.

Joey and Addy tackle the breaking news of Technicolor's potential collapse and what it means for the 15,000 employees worldwide at iconic VFX houses like The Mill and MPC. They analyze how the future of VFX might shift toward smaller, specialized teams and discuss DNEG's strategic acquisition of Metaphysic AI. The conversation shifts to the escalating tax incentive battles keeping productions away from L.A., with the U.K. raising its relief to 40% and Netflix investing $1B in Mexico. Plus, they examine several AI products recently laid to rest, including the Humane Ai Pin and Skyglass's virtual production app. A sobering but essential episode on the rapidly evolving state of the film and tech industries.

En este episodio de CinemaNerds, hablamos con Eduardo Parra un artista de efectos visuales que ha trabajado en One Piece, The Walking Dead, Marvel's What If...? y The Conjuring 3. Con más de 15 años en la industria, ha sido parte de estudios como DNEG, MPC y Mr. X, liderando equipos y supervisando efectos en el set.Nos cuenta sobre su trayectoria, anécdotas en el set y la evolución del VFX. ¡No te lo pierdas!

Ian Failes from befores & afters chats to DNEG visual effects supervisor Greg Butler about his studio's work on season 2 of 'The Rings of Power'.

Why are more traditional filmmakers making the leap into AI Filmmaking? (00:00).Renowned music video director Nem Perez joins Peter to discuss why AI and how big of an impact you need to make to get seen (03:41).Then, Nem shares his vision of the future with his AI app Storyblocker (16:07).To cap the week off, Peter has a solo rant on OpenAI charging $200 for o1, Google's attempt to dominate the video game industry, and VFX powerhouse DNEG going all in on AI (25:29).You can learn more about Nem Perez and connect on Instagram at https://www.instagram.com/nemperez/?hl=enWatch "Our T2 Remake" here: https://www.t2remake.comWatch the OpenAI launch video here: https://x.com/OpenAI/status/1864735515121168695Follow the Virtually Everything! Podcast on Instagram: https://www.instagram.com/virtually.live/?hl=enThe Virtually Everything! Podcast is presented by Vū Technologies. #VuStudio #ContentAtTheSpeedOfThoughtEmail virtually.everything@vustudio.com to connect with our Sales Team and discuss opportunities to partner with us! Hosted on Acast. See acast.com/privacy for more information.

Today's episode includes: Adult Swim reveals Japanese and English cast of Uzumaki Despicable Me 2 and Inside Out 2 are leading the summer box office DNEG, the studio behind the visuals of Dune and The Garfield Movie, received $200 million to invest in AI Skydance Media acquires Paramount Global for $8 billion

In this episode, Allan McKay sits down with Xavier Bernasconi, VFX Supervisor at DNEG, to dive deep into the world of virtual production. They discuss Xavier's fascinating career journey, his recent work on the highly anticipated Masters of the Air, and the decision to utilize virtual production for the project. Xavier shares insights into the current state of virtual production technology, its challenges and limitations, and the exciting future potential as the tech continues to evolve. The conversation also covers the impacts of virtual production on actor performances and the shifts in collaboration it brings to VFX workflows. This is a must-listen for anyone curious about the cutting-edge of filmmaking innovation.   Table of Contents Introduction (00:00:00) Introducing Xavier Bernasconi (00:00:03) Xavier's Background and Journey (00:00:46) From Proskier to Visual Effects (00:00:46) Developing Compositing Software (00:02:05) Becoming a VFX Supervisor (00:03:40) Masters of the Air Project (00:04:17) Overview and Initial Thoughts (00:04:25) Complexity and Challenges (00:05:27) Virtual Production Decision (00:05:46) Logistical and Creative Reasons (00:06:11) Comparison to Traditional Green Screen (00:06:57) Challenges and Limitations of Virtual Production (00:09:18) Technological Advancements and Limitations (00:09:55) Limitations with Unreal Engine (00:12:03) Preparation and Pressure on Set (00:13:35) Workflow and Collaboration (00:14:09) Pressure on VFX Team (00:16:48) Current State and Future of Virtual Production (00:22:02) Infancy and Potential for Growth (00:22:09) Advantages and Limitations (00:22:36) Virtual Production and Final Pixel (00:26:59) Misconceptions and Post-Production Work (00:27:33) Developing an End-to-End Pipeline (00:28:29) Virtual Production in Episodic vs. Feature Films (00:31:48) Prevalence in Episodic Content (00:31:53) Blurring Lines Between Episodic and Feature Budgets (00:33:30) Proprietary vs. Out-of-the-Box Tools (00:34:53) Use of Unreal Engine and Cost of Setup (00:35:43) Virtual Production for Previs and Pitching (00:36:27) Quick and Cheap Iteration (00:37:10) Benefits for Certain Types of Directors (00:38:14) Collaboration in Virtual Production vs. Traditional Post (00:38:36) Real-Time Collaboration and Creativity (00:39:15) Challenges of Remote Work (00:39:21) Actor Reactions to Virtual Production (00:42:48) Immersion and Performance Benefits (00:43:31) Conclusion (00:44:41) Appreciation and Wrap-Up (00:44:41)   Memorable Quotes "I love telling stories. I felt that I was drawn more to the end of the pipeline, more to the beginning of the pipeline, so I was more drawn into lighting and compositing." Virtual production was the most logical choice for Masters of the Air due to logistical, budgetary and creative reasons. Virtual production is still in its infancy with lots of room for technological development. Extraction of foreground elements from LED screens is an important area of research. Virtual production fosters real-time collaboration and creativity compared to traditional segmented workflows. However, on-set experience and mentorship is still crucial. Actors appreciate virtual production as it helps their performances by providing interactive environments rather than pure green screen.   Xavier Bernasconi Bio Xavier Bernasconi is a VFX Supervisor at DNEG. Originally from Italy, he now lives in Canada. His recent projects include Masters of the Air, Mad Max Furiosa and Godzilla x Kong.  

While most five-year-olds were playing with Legos and Barbies, Junaid Baig was taking his first steps with 3D Max. From this early start, Junaid developed an incredibly in-depth understanding of 3D, lighting, and rendering from working on VFX for movies, including Fantastic Beasts: The Crimes of Grindelwald, Avengers: Endgame, and Venom. Today, Junaid is head of applied technology at DNEG, where he's helping pioneer virtual production on films and series including Masters of the Air. Junaid combines his knowledge and passion for technology with deep respect for artists, and he reveals how virtual production — and Chaos' Project Arena — are changing the way crew and cast can work together to create new worlds for audiences to enjoy.

For this episode, number 102, I am speaking to to gentleman that worked on the visual effects for Masters of the air, the Apple TV series which is a continuation of Band of Brothers and The Pacific. This time tackling World War Two airmen and their various missions.  So I chat with Xavier Bernasoni  who was one of the vfx supervisors on the show for DNEG and also two Steve jelly of Dimension studio who is responsible for a lot of the virtual production stuff, the big volume that you'll know from shows like The Mandalorian. Well it's now of course being used in many different ways in many different productions and not necessarily the ways that you would imagine...I hope you enjoy the conversation.Donate ButtonAll the links

Simone Coco, esperto di fama mondiale dei VFX, gli effetti visivi del cinema e della televisione, ci ha raccontato la sua vita e i suoi successi Dietro la buona riuscita di un film ci sono molte maestranze, dei veri e propri talenti che spesso vengono sottovalutati. È il caso di Simone Coco, cagliaritano che collabora con la Walt Disney Company come supervisore dei VFX, ossia degli effetti speciali visivi. Lo abbiamo intervistato in merito ai suoi successi, tra cui spiccano senza dubbio le due nomination agli Oscar 2024 per “Mission Impossible – Dead Reckoning Part One” e per “Napoleon”. Di quest'ultimo, ho personalmente apprezzato molto la resa scenica della battaglia di Austerlitz. Durante la sua intervista, Coco ci ha raccontato la sua storia professionale, svelandoci i dietro le quinte di questo settore. Ci ha anche dato dei consigli per i giovani che vogliono approcciarsi a questo mondo. Qui la manualità, la creatività e la tecnologia servono per creare dei risultati sorprendenti e realistici. Insomma, è un mondo in cui si concretizzano i sogni degli spettatori con immagini sempre più ricche e precise. Simone Coco ha lasciato la Sardegna nel 2002 per andare a Londra a imparare la lingua. Dopo un periodo in Spagna, è tornato in Gran Bretagna e ha frequentato un corso di specializzazione sul compositing agli Escape Studios di Londra, un'accademia sugli effetti visivi. Subito dopo ha lavorato alla società di post-produzione Rushes per tre anni. In seguito, ha aperto con alcuni colleghi il dipartimento tv alla Dneg, dove ha trascorso sei anni. Dal 2019 è alla ILM, l'Industrial Lights and Magic, prima parte della Lucasfilm e ora parte della Walt Disney Company. Ha collaborato anche con Paolo Sorrentino, con cui ha realizzato le acclamate serie tv “The Young Pope” e “The New Pope” e il film in due parti “Loro”.

DNEG and Wētā FX discuss crafting Godzilla x Kong: The New Empire

DNEG and Wētā FX discuss crafting Godzilla x Kong: The New Empire

Today we're talking to Paul Salvini, Global CTO at DNEG. We dive into the world of VFX behind some of the biggest blockbuster films, what it takes to persist in the exponentially shifting media landscape, and what AI will do to cinemas, actors and film. All of this right here, right now, on the Modern CTO Podcast!  To learn more about DNEG, check out their website here. To listen to The Engadget Podcast, check out their website here or wherever you get your podcasts. Have feedback about the show? Let us know here. Produced by ProSeries Media. For booking inquiries, email booking@proseriesmedia.com

If you've seen Oppenheimer, Dune, or Blade Runner 2049, then you've seen the work of DNEG. The British visual effects firm, formerly known as Double Negative, has had to contend with growing compute and data demands in its 26 year history, with thousands of hours of rendering required to bring the latest visuals from servers to the cinema screen. In recent years, DNEG's legacy infrastructure began to feel the strain of this task, leading the firm to work with Red Hat to adopt a cloud-native approach.In this episode, Jane and Rory speak to Ian Abbott, software architect at DNEG, and Ollie Harding, software infrastructure architect at DNEG, to discuss how the visual effects firm has adopted a cloud-native approach to help its artists be more productive.Read more:How cloud-native agility helped DNEG level up its award-winning VFXCloud-native tools are becoming more popular in Europe than the USRed Hat launches OpenShift Platform Plus alongside new managed cloud servicesRed Hat unveils new application services toolbox for developers

pWotD Episode 2464: Fighter (2024 film) Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 198,101 views on Tuesday, 30 January 2024 our article of the day is Fighter (2024 film).Fighter is a 2024 Indian Hindi-language action film directed by Siddharth Anand, based on a story he wrote with Ramon Chibb. Produced under Viacom18 Studios and Marflix Pictures, the film stars Hrithik Roshan, Deepika Padukone and Anil Kapoor, and serves as the first installment in a planned aerial action franchise. The film was announced on 10 January 2021. The pre-production was delayed as a result of the COVID-19 pandemic. Principal photography finally began in November 2022 with filming proceeding in various schedules across Assam, Hyderabad, Jammu and Kashmir and Mumbai, and wrapped in late-October. Real life Indian Air Force cadets worked for the film. The film has references to 2019 Pulwama attack, 2019 Balakot airstrike and 2019 India–Pakistan border skirmishes. The film's soundtrack album composed by Vishal–Shekhar consists of five songs. Satchith Paulose serves as the film's cinematographer. The visual effects are handled by DNEG.Fighter was originally scheduled for a theatrical release on 30 September 2023 but was delayed due to production delays. It was theatrically released on 25 January 2024, coinciding with the Republic Day weekend.This recording reflects the Wikipedia text as of 01:54 UTC on Wednesday, 31 January 2024.For the full current version of the article, see Fighter (2024 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Olivia Neural.

Eric J. Robertson is the Executive Vice President of ReDefine, as well as a Producer, Cinematographer and Entrepreneur. As part of the DNEG Group, ReDefine leverages an incredible legacy of creative and technical innovation to cater to projects that benefit from their agile boutique approach. The studio designs solutions that are tailored to the requirements of each show and always delivers to the highest levels of quality. The list of their credits includes DUNE: PART II, BORDERLANDS, WACO: THE AFTERMATH, and so many more! Prior to joining ReDefine, Eric co-founded a New York based VFX Studio Mr. X Gotham. Over the course of his career, he supervised and produced visual effects for over 50 feature films and worked with some of film's most respected directors including Ron Howard, Jonathan Demme, Sam Mendes, Joel and Ethan Cohen, Jim Jarmusch and Charlie Kaufman. With a career that spanned all genres, Eric enabled Sacha Baron Cohen's General Alladeen to walk a tightrope above midtown New York in THE DICTATOR; he transformed Phillip Seymour Hoffman's vision into a vast warehouse that enclosed the entire island of Manhattan in SYNECDOCHE, NEW YORK and convinced moviegoers that they're watching Richard Nixon's confessions in real time in FROST / NIXON. Eric's creations go from exhilarating and hilarious, to emotional and engaging, all with the visual effects integrated seamlessly with the storyteller's vision.  Eric is also an accomplished photographer and cinematographer whose 20+ years of experience in production gives him a storyteller's eye along with the technical skills that encompass all aspects of the filmmaking process, from script to screen. Eric was instrumental in expanding the V.E.S. into an NYC section and served as its first Secretary / Treasurer. He is a member of IATSE Local 600. In this Podcast, Allan McKay interviews the Executive Vice President of ReDefine Eric J. Roberson about overcoming challenges and pushing the limits in visual effects; teaching filmmaking principles to the next generation of VFX Supervisors; the future of streaming content in 2024 post industry strikes; as well as Eric's career in visual effects and the legacy of DNEG in ReDefine's work and international presence. For more show notes, visit www.allanmckay.com/432.

小額贊助支持本節目： https://open.firstory.me/user/ck2ymcbpa2cpi0869qq23bkji 留言告訴我你對這一集的想法： https://open.firstory.me/user/ck2ymcbpa2cpi0869qq23bkji/comments (00:00:00) 開場引言 (00:07:37) 【台北票房】2023年09月15日至09月17日，台北週末票房TOP 10 (00:10:44) 01 知名特效大廠DNEG要求員工減薪25%或自願加入貸款計畫，以度過罷工潮造成的製作停頓期 (00:36:50) 02 CGI真的那麼罪大惡極嗎？知名特效導演、YouTuber 雨果格拉：電影中的CGI應該要被讚賞，而不是貶低 (00:50:52) 03 基努李維拍打戲拍到「身心俱疲」；《捍衛任務4》製片人：是他主動要求被賜死 (00:56:25) 04 提姆波頓對《閃電俠》當中的「基頓蝙蝠俠」與「凱吉超人」登場，冷回：他們可以拿你的心血做任何事 (01:02:29) 05 參演女版《魔鬼剋星》萊絲莉瓊斯，不滿《未來世》導演貶低女版《魔鬼剋星》自爆當年片酬少得可憐 (01:07:58) 06 《黑暗騎士》編劇大衛 S. 高耶爆料：與吉勒摩戴托羅合作的《星際大戰》電影被腰斬 (01:13:00) 07 「美國隊長」克里斯伊凡認同昆汀塔倫提諾：「漫威角色才是真正的電影明星」 (01:17:41) 補充新聞 (01:29:56) CALL IN 時間 ▶ 收看本篇YouTube影像版本（直播存檔）：https://youtube.com/live/syBYpmWM86M ▶ 收聽本篇PODCAST聲音版本：https://open.firstory.me/story/clmyb2d0s05m301w72j621on1/platforms #新聞 #電影 #娛樂 【2023-SEP. W3 國內外影劇新聞總整】

Deb Cramb has had a fantastic and varied career in film, multimedia and technical industries, including stints with Walt Disney Studios, Industrial Light and Magic, Spinifex Group and in her current role with DNEG - a leading visual effects and animation studios for feature film and television - but also start ups and smaller creative organisations such as Autopilot and Mable. Skilled in scaling companies - and their cultures - to quickly meet business growth, she prides herself on the ability to build strong relationships, practice effective communication style and work within creative environments to help others thrive. Although Deb works in an exciting, ever-evolving industry full of passion projects and life-changing products, she is increasingly finding that success is all about people. Creating culture where deadline driven pipelines can thrive and quality is never compromised means more than finding and keeping the right people! Deb generously shares her career story and how she keeps pace with ever-changing skills demands of the film industry. --------------- Find out more about Colin ⁠www.colindellis.com⁠ --------- Incidental show music courtesy of ⁠Purple Planet ⁠--------- --- Send in a voice message: https://podcasters.spotify.com/pod/show/culturemakers/message

Does Oppenheimer use CGI? On this SPECIAL EDITION of The Movie Podcast, Daniel, Shahbaz & Anthony are joined by Oscar-Winning VFX Supervisor Andrew Jackson of DNEG for a conversation on recreating the atomic bomb, AI, making Christopher Nolan's vision for Oppenheimer a reality. Oppenheimer is an IMAX-shot epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it. It is now playing exclusively in theatres by Universal Pictures. DNEG was built on feature film visual effects (VFX) work and opened their first studio in London in 1998. They are a long-time collaborators with visionary director Christopher Nolan and serve as the sole VFX partner on Oppenheimer.Watch and listen to The Movie Podcast now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

"Attaching oneself to the right network and mentors can lead to substantial growth opportunities, enhanced networking, and the confidence to assume leadership roles."In this episode of The Shape of Work Podcast, join us on an exciting journey with Delna Dhamodiwala, the Global HR Head at DNEG, the seven-time Oscar-winning VFX studio. Delna has an overall work experience of over nineteen years. She spent most of her career at Prime Focus World prior to her time at DNEG, where she was the HR Vice President. She did her MBBS at the University of Mumbai and did her MBA from SVKM's Narsee Monjee Institute of Management Studies.In this episode, we get to dive into the impressive strides taken in uplifting women to senior management roles in India and the platforms developed to supercharge their growth. We're chatting about the urgent need for adaptability in a rapidly changing work environment, HR strategies that fuel sustainable growth, employee engagement, and retention.Episode HighlightsThe role of women in leadershipWhat are prevalent HR strategies that organisations must adopt to see sustainable growth?How to keep employees engaged at the workplace and incentives to increase retention?Advice on promoting equity in the workplaceFollow Delna on LinkedinProduced by: Priya BhattPodcast Host: Archit SethiAbout Springworks:Springworks is a fully-distributed HR technology organisation building tools and products to simplify recruitment, onboarding, employee engagement, and retention. The product stack from Springworks includes:SpringVerify— B2B verification platformEngageWith— employee recognition and rewards platform that enriches company cultureTrivia — a suite of real-time, fun, and interactive games platforms for remote/hybrid team-buildingSpringRole — verified professional-profile platform backed by blockchain, andSpringRecruit — a forever-free applicant tracking system.Springworks prides itself on being an organisation focused on employee well-being and workplace culture, leading to a 4.8 rating on Glassdoor for the 200+ employee strength company.

小額贊助支持本節目： https://open.firstory.me/user/ck2ymcbpa2cpi0869qq23bkji 留言告訴我你對這一集的想法： https://open.firstory.me/user/ck2ymcbpa2cpi0869qq23bkji/comments (00:00:00) 開場引言 (00:23:18) 【台北票房】2023年07月21日至07月23日，台北週末票房TOP 10 (00:27:44) 01 《奧本海默》零CG神話被打破？127位特效人員被行銷操作搞消失 (00:58:00) 02 奧本海默之孫大讚《奧本海默》引人入勝，但不愛「毒殺老師」橋段批竄改歷史 (01:09:03) 03 早就想找席尼墨菲演「奧本海默」？《曼哈頓計畫》影集編劇透露曾考慮過他 (01:13:49) 04 《奧本海默》在部分地區用CG遮點，性愛場面遭指控「褻瀆宗教」 (01:22:48) 05 《芭比》首週全球吸金3億美金，阿湯哥、閃電俠、唐老大票房全被打趴 (01:32:23) 06 《芭比》有望開啟電影宇宙，美泰兒計劃推出《芭比》外傳影集 (01:36:01) 07 《蜘蛛人：超越新宇宙》撤檔，索尼影業公布旗下眾多電影檔期調整 (01:41:44) 08 《派拉蒙坦言《變形金剛：萬獸崛起》票房不理想，麥可貝原本不准片尾出現《特種部隊》伏筆 (01:49:12) 09 《龍與地下城：盜賊榮耀》好評但票房慘賠，派拉蒙CEO：會設法壓低成本拍續集 (01:54:50) 10 「絕命毒師」布萊恩克蘭斯頓開嗆迪士尼CEO：絕不讓你用AI害我們失業！ (01:57:50) 11 喬瑟夫高登李維出聲反對人工智慧：AI訓練師們也將成為受害者 (02:02:04) 12 凱文史貝西「更多性侵案」獲判勝訴，九項罪名通通不成立、逃過無期徒刑 (02:08:54) 13 陶比麥奎爾、山姆雷米有望再拍《蜘蛛人4》？「沙人」男星：我有聽到一些風聲了 (02:12:42) 補充新聞 (02:24:09) CALL IN 時間 ▶ 收看本篇YouTube影像版本（直播存檔）：https://youtube.com/live/gIUWt8-1Rzc ▶ 收聽本篇PODCAST聲音版本：https://open.firstory.me/story/clkqcchzp04sr01ve0o9d7nv2/platforms #新聞 #電影 #娛樂 【2023-JUL. W4 國內外影劇新聞總整】

Jim Geduldick is a visionary Virtual Production/Visual Effects Supervisor and Production Executive with a solid background as a cinematographer. He's had a distinguished career in virtual production and visual effects, notably serving as the Director of Virtual Production and SVP at Dimension North America, while simultaneously acting as the Virtual Production Supervisor at DNEG. Jim's experience also spans across companies such as Apple, GoPro, and Autodesk, and he's widely recognized as an early adopter and experimenter of emerging cinematic technologies. In today's episode, we delve into a variety of topics, including Jim's early career, experiences at industry-leading studios such as DNEG and Dimension, his role as a VFX and Virtual Production Supervisor, and his advice on entering the industry and essential skills to learn. Episode 24 Timestamps: 00:00:00 Introduction 00:06:03 Importance of Content 00:11:46 How easy it is to get noticed? 00:14:27 Early career 00:21:20 Formal Education or Online? 00:24:11 Experience at Big Studios (Dneg, Dimension and etc.) 00:42:59 VFX and Virtual Production Supervisor Role 00:46:12 Unreal Engine in Virtual Production 00:49:52 How to get into Virtual Production? 01:02:26 What should you learn? 01:14:06 Latest tech in feature films 01:23:30 Gatekeeping in the industry 01:29:53 NeRF and its use-cases 01:39:48 Power of iPhone in production sets 01:42:25 Zero cost production 01:51:31 Developing for Vision Pro 01:54:38 [Ur Questions] Softwares for Virtual Production 01:55:20 [Ur Questions] Films and Games Blending 01:57:14 [Ur Questions] Shooting without Vive tracker 02:00:15 [Ur Questions] Dynamic lighting on LED Walls 02:07:26 [Ur Questions] Multiple cameras and frames Find out more about Jim: https://twitter.com/Filmbot https://www.instagram.com/filmbot/ https://www.linkedin.com/in/jimgeduldick/ Join our discord server where we connect and share assets: https://discord.gg/zwycgqezfD Bad Decisions Audio Podcast

Marc Simonetti's dreamy visual style has made him a big name in sci-fi and fantasy art — but what does this mean in the age of AI? In this podcast, Marc tells Chris how it feels to have your name used as an AI art prompt some 400,000 times, and what it's like to see your name attached to artwork that isn't yours. But it's not all bad — Marc delves into the advantages of AI art and how it might put the concept back into concept art, and offers positive advice for budding artists who are about to embark on art courses. He also talks about his fascinating career, which has seen him rub shoulders with George RR Martin, and he discusses his work on movies including Valerian and the City of a Thousand Planets and the upcoming Ghostbusters: Afterlife sequel.

The Naked Texture Artist is a podcast where VFX/animation veterans have deep and honest conversations about their challenges and growth as working artists.This is the third episode with the phenomenal Myriam Catrin, The Dragon Lady, who for multiple decades have created textures and looks for some of cinema's most memorable assets in modern times. Myriam is absolutely one of the world's very best texture artists (my calculation, not hers)!Over the course 4 hours in 2021, we had an in-depth and very wide ranging conversation. If you have not listened to the first two, do yourself a favour and check them out as well. In this episode we talk a lot about what makes Myriam tick as an artist, and how she thinks about her work as a texture artist.Myriam is a fantastic artist, who's work and interests reach far beyond VFX. Do yourself a favour, please, and explore and support the amazing work Myriam also does:https://www.artstation.com/myriamcatrinSadly her amazing comic book, Passages, is currently sold out. But look out for new print runs here:https://shop.publicdomain.paris/product/passages-myriam-catrinMyriam has also recently contributed beautiful artwork to the Modern Calligraphy Bible:https://schifferbooks.com/products/modern-calligraphy-bibleAs well as the exciting project Nariko's Voyage, which is in development for TV:https://www.narikosvoyage.com/Footer:The Naked Texture Artist is produced by Marque Pierre Sondergaard.Support us on https://ko-fi.com/thenakedtextureartistContact us on thenakedtextureartist@gmail.comFollow us on https://twitter.com/nakedtexture and https://www.instagram.com/thenakedtextureartist/Music copyright belongs to Tycho for the song Awake - https://tychomusic.com/Additional sound effects from https://www.zapsplat.comThe Naked Texture Artist is produced by Marque Pierre Sondergaard. Support us on https://ko-fi.com/thenakedtextureartist Contact us on thenakedtextureartist@gmail.com Follow us on https://twitter.com/nakedtexture and https://www.instagram.com/thenakedtextureartist/ Music copyright belongs to Tycho for the song Awake - https://tychomusic.com/ Additional sound effects from https://www.zapsplat.com

The Naked Texture Artist is a podcast where VFX/animation veterans have deep and honest conversations about their challenges and growth as working artists.I am excited to present this, the first episode with my good friend Manuel Huertas Marchena. I met Manuel a million years ago, when we worked on Deadpool together. He was already doing amazing hero work back then. More than that, he quickly became my favourite ex-colleague, with whom I discuss all of the big, small and everything in between things relating to our craft and our industry. This episode is taken from a recording we did 2 years ago.Find out more about Manuel here:https://www.linkedin.com/in/manuelhuertas/Footer:The Naked Texture Artist is produced by Marque Pierre Sondergaard.Support us on https://ko-fi.com/thenakedtextureartistContact us on thenakedtextureartist@gmail.comFollow us on https://twitter.com/nakedtexture and https://www.instagram.com/thenakedtextureartist/Music copyright belongs to Tycho for the song Awake - https://tychomusic.com/Additional sound effects from https://www.zapsplat.comThe Naked Texture Artist is produced by Marque Pierre Sondergaard. Support us on https://ko-fi.com/thenakedtextureartist Contact us on thenakedtextureartist@gmail.com Follow us on https://twitter.com/nakedtexture and https://www.instagram.com/thenakedtextureartist/ Music copyright belongs to Tycho for the song Awake - https://tychomusic.com/ Additional sound effects from https://www.zapsplat.com

Что отличает крутого супервайзера, почему не нужно делать чужую работу и самое главное - всё что нужно уметь чтобы устроиться в DNEG?

HBO's "The Last Of Us" concluded last weekend and has received a ton of praise for its story, characters, performances, and overall design atheistic. One crucial part of creating the world of "The Last Of Us" is the visual effects work from DNEG. Visual Effects Supervisor Stephen James and Digital Effects Supervisor Nick Marshall were kind enough to talk with us about their work on the acclaimed HBO series, which you can listen to and watch below. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Philipp Wolf has always had a passion for storytelling. He began his career in journalism, then helped shape stories for the reality TV show Big Brother before moving into visual effects production on movies and TV series, including Game of Thrones, Ghost in the Shell, and The Predator. Today, Philipp works at DNEG in Montreal, where his credits include Dune, Glass Onion: A Knives Out Mystery, Altered Carbon, and The Battle at Lake Changjin. As well as discussing his incredible career, Philipp details his role in the RealTime Society and how he's helping the industry tap into more diverse pools of talent. He also talks about the effects of the pandemic on the industry, and he offers some interesting thoughts on virtual production, AI, and what's needed to take the metaverse to the next level.  

Taylor Moll has worked on a string of hit animated movies, including Happy Feet, Shrek Forever After, and Rise of the Guardians. Recently, she founded the feature animation department at London-based effects studio DNEG, whose projects include ​​Ron's Gone Wrong, Entergalactic, and the Unreal animated short “Mr. Spam Gets A New Hat.” In this podcast, recorded at THU, Taylor shares some of the important lessons she's learned throughout her career, including how to respect people and deal with difficult situations. She talks about being a female VFX supervisor in the mid-00s and how her experiences in the workplace made her a better supervisor.

Do our phones and social media give us short-term happiness but long-term loneliness and isolation? Or are there actually ways we can connect digitally in meaningful ways? Dr. Drea Letamendi is back to answer all these questions/tell us if we've turned into complete zombies. More about Dr Drea: She is a fellow with the Institute of Coaching at McLean, an affiliate of the Harvard School of Medicine, and served as the Director of Resilience at UCLA. Dr. Drea's work about the positive impacts of entertainment media on mental health has been featured in the Atlantic, the Guardian, the Los Angeles Times, and on Disney+. She has partnered with Warner Bros., Fandom, DNEG, and other media companies to amplify and improve health consciousness, disseminate wellness practices, and center authentic identities as a part of healing. Her mental health podcast, The Arkham Sessions, celebrates and explores how pop culture can help us cope, recover, and thrive. https://podcasts.apple.com/us/podcast/the-arkham-sessions-psychology-of-batman-more/id806565467 Get early access to our live unedited podcast recordings by joining our PATREON community: https://www.patreon.com/thewhirlgirls MORE WHIRL GIRLS + MERCH: https://www.thewhirlgirls.com SUPPORT: https://streamlabs.com/thewhirlgirls

#Cyberpunk: Edgerunners, #Blonde y #Entergalatic (Netflix)Esta semana en Cinemamando analizamos 1 serie y 2 películas de Netflix, el gigante del streaming anda con todo, a continuación te platicamos:- Cyberpunk: Edgerunners: Anime creado por el estudio Trigger, en asociación con Netflix y el estudio de animación CD project red, quien nos trajo el videojuego de Cyberpubk 2077. Una serie animada con un estilo visual increíble y dirigida a jóvenes /adultos, ya que contiene mucho contenido gráfico y violento. Tiene el sello de “Garantía Cinemamando”.- Blonde: Una película del director neozelandés Andrew Dominik, adaptada de la novela Blonde (2000) de Joyce Carol Oates. La película es una versión ficticia de la vida de la actriz Marilyn Monroe, interpretada por Ana de Armas, Adrien Brody, Bobby Cannavale y Julianne Nicholson. Tiene una duración de 2 horas con 46 minutos. Ha sido duramente criticada por la audiencia.- Entergalatic: Codirigida y coescrita por Scott Ramón Seguro Mescudi, más conocido como Kid Cudi, rapero, cantante y actor estadounidense. El estudio de animación que lidereó el proyecto se llama DNEG que se encuentra en Londres. Es una propuesta sumamente valiosa y a todos los cinemamadores nos encantó y la recomendamos ampliamente, por lo que le damos el sello de “Garantía Cinemamando”.Nos encantará saber de ti y conocer lo que opinas de estas producciones. Escríbenos mandando un correo a cinemamando@gmail.com o a través de nuestras redes sociales.Recuerda suscribirte, dejarnos tus comentarios y ¡darnos un buen review!www.cinemamando.comTikTok: https://www.tiktok.com/@cinemamandoInstagram: https://www.instagram.com/cinemamando/Twitter: https://twitter.com/CinemamandoMXSpotify: https://open.spotify.com/show/6ZWUGcRzoB0YFYsBHLO55C

This week on VFX Notes with Hugo Guerra and Ian Failes, we're looking at the stunning C-17 / car / skydiving sequence in Uncharted, featuring Tom Holland. An array of bluescreen shooting, wire work, robot arms, and even a bluescreen car stuffy, were used. VFX were crafted by DNEG.

Everyone's hustling, on the grind, chasing the bag, but is it worth it? At what point are we burnout? What is burnout? Are there healthy ways of "hustling" that don't kill us? Dr. Drea Letamendi is here to help us. Dr. Drea is a consulting psychologist, behavioral health advisor, and coach who specializes in organizational development, mental health education, and workplace wellness. More about Dr Drea: She is a fellow with the Institute of Coaching at McLean, an affiliate of the Harvard School of Medicine, and served as the Director of Resilience at UCLA. Dr. Drea's work about the positive impacts of entertainment media on mental health has been featured in the Atlantic, the Guardian, the Los Angeles Times, and on Disney+. She has partnered with Warner Bros., Fandom, DNEG, and other media companies to amplify and improve health consciousness, disseminate wellness practices, and center authentic identities as a part of healing. Her mental health podcast, The Arkham Sessions, celebrates and explores how pop culture can help us cope, recover, and thrive. https://podcasts.apple.com/us/podcast/the-arkham-sessions-psychology-of-batman-more/id806565467 Get early access to our live unedited podcast recordings by joining our PATREON community: https://www.patreon.com/thewhirlgirls MORE WHIRL GIRLS + MERCH: https://www.thewhirlgirls.com SUPPORT: https://streamlabs.com/thewhirlgirls

Find Pedro: https://www.https://www.complairvfx.com/Learn Compositing: https://www.cgspectrum.com/courses/vfx-compositingThis week, Maxine interviews Pedro Andrade, Head of Compositing as well as Founder of the Comp Lair podcast and The Next Level training program, a Compositing Supervisor training program he created. They talk about how Pedro started his podcast and The Next Level training program out of a desire to share knowledge, and exactly what tools, skills and perspectives helped Pedro jump from a compositor to supervisor position in only two years. Tune in to hear Pedro talk about embracing your unique perspective, the freedom of letting go of expectations, and the value in being prepared for opportunities that come your way.As a 2D Supervisor, Pedro has worked at companies such as DNEG, Cinesite, and Milk VFX. As former Head of Compositing at MPC, he managed 100+ people across London, Berlin, and Montreal, from junior artists to supervisors, on both episodic and film projects. Pedro's credits include House of the Dragon, Avengers: Endgame, The Boys (season 3), Doctor Who, and Guardians of the Galaxy.

Interview with Lorie Corcuera – Lorie is the Head of HR for North America West at DNEG. She is a strategic people and culture executive with 25 years of experience in talent, culture and belonging strategy and implementation, executive coaching and leadership alignment, organizational development, diversity and inclusion, mental health and well-being, learning and development, and elevating workplace experiences that inspire purpose, connection, and impact.

Episode 97 – The One with vfx ft. Livvy Edwards Welcome to our podcast. This is episode 97 of Kaiju Curry House – The One with vfx ft. Livvy Edwards....Continue Reading››

Hugo Guerra and Ian Failes go back in time on DNEG's VFX for Last Night in Soho. We also explore some key mirror gags and VFX shots from history. 

On today's show we talk about visual effects and movies with DNEG Chairman and CEO Namit Malhotra. DNEG is a high-growth, technology-enabled visual effects and animation company executing ground-breaking, award-winning work for the world's largest content creators. On the show, Namit discusses: How he got involved in the movie business The barriers to entry for blockbuster movies effects companies How DNEG won 7 Oscars for visual effects in movies DNEG as the only pure-play publicly-traded visual effects and animation company And more  

This week's episode was streamed live in Twitch through Sacramento's own STAB comedy theater. Watch the VOD here--> https://www.twitch.tv/videos/1311588701On this episode: Winnie the Pooh's new nightmare & Neill Blomkamp behind the wheel. Plus! Behind the scenes with Dino DNA, and good news for apprehensive fans of The Last of UsStreaming on twitch.tv/stabcomedyIn news: David Cronenberg, Crimes of the Future, potato guns, The Boys, Danzig, Futurama, Winnie The Pooh: Blood and Honey, Wally's Wonderland, Toy Story, Grand Tourismo, Days of Thunder, Uncharted, Tom Holland, Battleship, Jefferey Epstein, Gran Torino, Demonic, Neil Breen, Neal Brennan, The Last of Us, Uncharted, Twisted Metal, Death Race 2000, Halo, Jurassic Park, Michael Crichton, Stephen Spielberg, Hot Tub Time Machine, An American Pickle, The Lighthouse, Pedro Pascal, Speed Racer, The Wachowskis, Kurosawa, DNEG, Bladerunner 2049, Interstellar, Dune Inception, Westworld, Fuck Boy Island, ILM, Industrial Light and Magic, Ray Liotta, Goodfellas, Joe Pesci, The Godfather, Casino, A Bronx Tale, The Departedhttp://www.MCFCpodcast.comEmail us at MCFCpodcast@gmail.com    Leave us a voicemail (209) 730-6010Joseph Navarro    Pete Abeytaand Tyler Noe    Streaming Picks:A Cinderella Story - NetflixIt Takes Two - HBO MaxHeavyweights - Disney+Mask of Zorro - NetflixObi-Wan Kenobi - Disney+Starship Troopers - HuluChip & Dale Rescue Rangers - Disney+About Time - StarzHello My Name is Doris - Netflix

This episode we are joined by David Vickery, the visual effects supervisor for “Mission: Impossible - Rogue Nation.” This week we talk about DNEG's (formerly called Double Negative) contribution to the project, Tom Cruise's commitment to hold his breath underwater, and how they captured the shot of him jumping into the Torus (and how long they worked on that sequence). Also: some good-natured Robert Elswit antagonism! Get ready! 

DNEG Lead Hard Surface Modeler David Cunningham joins Maxine to chat about how he got into 3D modeling, taking bold steps to advance his career, how a coaching session altered his path dramatically and shares career tips from his own work as a leadership coach. Plus, why he's known as “the train guy.” Learn about our 3D Modeling courses at https://www.cgspectrum.com/3d-modelingConnect on:

Interview with Lorie Corcuera – Lorie is the Head of HR of North America West at DNEG. She is a strategic people and culture executive with 25 years of experience in talent, culture and belonging strategy and implementation, executive coaching and leadership alignment, organizational development, diversity and inclusion, mental health, and well-being, learning and development, and elevating workplace experiences that inspire purpose, connection, and impact.

DNEG (www.dneg.com) is one of the world's leading visual effects (VFX) and animation studios for the creation of feature film, television and multiplatform content. DNEG employs nearly 7,000 people with worldwide offices and studios across North America (Los Angeles, Montréal, Toronto, Vancouver), Europe (London) and Asia (Bangalore, Chandigarh, Chennai, Mumbai). DNEG's critically acclaimed work has earned the company six Academy Awards® for Best Visual Effects and numerous BAFTA and Primetime EMMY® Awards for its high-quality VFX work. Upcoming DNEG projects on behalf of its Hollywood and global studio and production company partners include Dune (October 2021), No Time To Die (October 2021), Ron's Gone Wrong (October 2021), Last Night In Soho (October 2021), Ghostbusters: Afterlife (November 2021), The Matrix 4 (December 2021), Uncharted (2022), Borderlands (2022), Aquaman and the Lost Kingdom (2022), The Flash (2022), and Shazam! Fury of the Gods (2023). Chris Keller is a Filmmaker and Visual Effects supervisor with VFX credits that include Pacific Rim Uprising, Assassin's Creed, Avengers: Age of Ultron, Man of Steel, The Hunger Games: Catching Fire, and Netflix' Triple Frontier. Most recently, he supervised Foundation for Apple TV+. Chris has written and directed several award-winning short films. His new horror short Father was released in October 2018 after more than 40 screenings. The Last Dance, a touching Sci-Fi love story which was produced with support by DNEG, has recently completed its festival run. It is his most ambitious film to date. In 2015, Chris released his horror short 20 HZ which has been praised for its atmosphere and assured direction. His film Life External won 3rd prize out of 217 submissions at the renowned Sci-Fi London 48hr Film Challenge 2014. The year before, his romantic short Valse garnered numerous awards, most notably Grand Prize at the 2013 Movie Machine Digital Cinema Festival. In 2012, he won the “Million Hits Viral Competition” with a spec beer commercial. In 2016, Chris published a series of carefully designed viral videos showing a giant sea monster in the river Thames that received dozens of millions of views and generated massive hype in the UK's capital. At present, Chris is in post production with his next short (a live action / animation hybrid), and is developing more short, TV and feature scripts to direct in the future. In this Podcast, Allan McKay interviews Chris Keller DNEG's VFX Supervisor and Filmmaker about his work on Foundation, his own short films, the importance of making your own work, the imposter syndrome and how to get out of a creative rut. For more show notes, visit www.allanmckay.com/348/.

DNEG (www.dneg.com) is one of the world's leading visual effects (VFX) and animation studios for the creation of feature film, television and multiplatform content. DNEG employs nearly 7,000 people with worldwide offices and studios across North America (Los Angeles, Montréal, Toronto, Vancouver), Europe (London) and Asia (Bangalore, Chandigarh, Chennai, Mumbai). DNEG's critically acclaimed work has earned the company six Academy Awards® for Best Visual Effects and numerous BAFTA and Primetime EMMY® Awards for its high-quality VFX work. Upcoming DNEG projects on behalf of its Hollywood and global studio and production company partners include Dune (October 2021), No Time To Die (October 2021), Ron's Gone Wrong (October 2021), Last Night In Soho (October 2021), Ghostbusters: Afterlife (November 2021), The Matrix 4 (December 2021), Uncharted (2022), Borderlands (2022), Aquaman and the Lost Kingdom (2022), The Flash (2022), and Shazam! Fury of the Gods (2023). DNEG's VFX Supervisor Tom Proctor talks about leadership and relationships skills, fine arts versus craftsmanship in VFX, the impact of virtual production on pipelines – and discusses his work on iconic titles like The Matrix, Justice League, as well as most recently, Last Night in Soho. For more show notes, visit www.allanmckay.com/346/.

In February 2020 I had the pleasure of speaking with fellow Brit, Senior Visual Effects Consultant Paul Franklin.Paul famously worked with director Chris Nolan on both Inception and Interstellar. He won a BAFTA for his work on Inception and an Academy award for both Inception and Interstellar.Early in his career he was a videotape editor, then he worked for Psygnosis, the video game developer and publisher. Finally arriving in film in the mid to late 1990's.LinksThe Escape - https://www.youtube.com/watch?v=Tg2NBn2x6w0TED Talk - https://www.ted.com/talks/paul_franklin_the_art_and_science_of_special_effectsCrystal Palace Film Festival - https://cpiff.co.uk/schedule2022/Support the show (https://www.patreon.com/jamiebenning)

DNEG (www.dneg.com) is one of the world's leading visual effects (VFX) and animation studios for the creation of feature film, television and multiplatform content. DNEG employs nearly 7,000 people with worldwide offices and studios across North America (Los Angeles, Montréal, Toronto, Vancouver), Europe (London) and Asia (Bangalore, Chandigarh, Chennai, Mumbai). DNEG's critically acclaimed work has earned the company six Academy Awards® for Best Visual Effects and numerous BAFTA and Primetime EMMY® Awards for its high-quality VFX work. Upcoming DNEG projects on behalf of its Hollywood and global studio and production company partners include Dune (October 2021), No Time To Die (October 2021), Ron's Gone Wrong (October 2021), Last Night In Soho (October 2021), Ghostbusters: Afterlife (November 2021), The Matrix 4 (December 2021), Uncharted (2022), Borderlands (2022), Aquaman and the Lost Kingdom (2022), The Flash (2022), and Shazam! Fury of the Gods (2023). Dan Glass is an acclaimed VFX Supervisor with numerous accolades over the course of his 25-year career, including a BAFTA nomination and two Visual Effects Society awards. He is a long-time collaborator of the Wachowskis and Terrence Malick, and production VFX Supervisor on films such as Jupiter Ascending, Cloud Atlas, Tree of Life, Batman Begins, The Matrix sequels, Deadpool 2, and many more. In addition to his impressive list of film credits, Dan also served as VFX Supervisor on two seasons of Netflix's sci-fi cult hit Sense8, while directing two episodes himself; and previously served as Executive Vice President and Chief Creative Officer for Method Studios. In this Podcast, the acclaimed VFX Supervisor for The Matrix: Resurrections Dan Glass talks about the underlying message of the film, shares some behind-the-scenes, and discusses technological innovations throughout the franchise's history. For more show notes, visit www.allanmckay.com/342/.

It's been over twenty years since the original "Matrix" won the Oscar for Best Visual Effects at the 1999 Academy Awards. While the two sequels, "Reloaded" and "Revolutions," did not go on to receive nominations, "The Matrix Resurrections" finds itself shortlisted for Best Visual Effects once again. Recently nominated for a Critics Choice Award for Best Visual Effects and receiving two nominations from the Visual Effects Society, enough time may have passed for voters to want to return to Lana Wachowski's world. DNEG visual effects supervisor Huw J Evans was kind enough to talk with us about the work he and his team completed for the film, which you can listen to down below. Enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture