Podcast appearances and mentions of jesse ed davis

George Harrison played with many associates of both Dylan and the Stones.    Bobby Keys was one of the most renowned sax men of rock and roll, Nicky Hopkins contributed to the buzz of "Revolution", and Jesse "Ed" Davis had his fingerprints all over early seventies solo Beatles.   This week, we consider some recordings, most made at Apple Studios, most featuring George Harrison on electric (usually slide) guitar.      Who knew George could compose Mexicali blues (as some call "The Holdup")

The Cars' self-titled 1978 debut record changed the world of power pop forever. Guitarist and co-vocalist Ric Ocasek penned all the tunes, but lead guitarist Elliott Easton transformed them with his tasteful 6-string stylings. This time on Shred With Shifty, Easton sits down with Chris Shiflett to show him how to play the solo from “My Best Friend's Girl.” Born in Brooklyn before winding up in Long Island, Easton washed dishes to save up for his first 1971 Fender Telecaster, and after high school he studied at Berklee College of Music in Boston, where he picked up key theory and technique that he still holds dear. Reared on country and rockabilly players like Roy Buchanan, Jesse Ed Davis, Gram Parsons, James Burton, and Roy Nichols, Easton brought a slick twang to Ocasek's new-wave gems. Easton tells Shifty how the band came to work with producer Roy Thomas Baker in London, while crashing at a label-provided mansion nearby and driving a loaned Jaguar and Land Rover to the sessions. Easton's celebrated leads didn't take long to come together. “On my mother's memory, I did all my guitar parts in a day and a half,” he says. All he had with him was a 1978 or '77 Telecaster with a Bartolini Firebird-style mini humbucker in it, a red Les Paul, a Martin acoustic, and two effects: the brand-new Boss CE-1 and a Morley EVO-1 Echo Volume pedal. His amp of choice in those days? An Ampeg VT-22 or VT-40. After running down his giddy-up guitar parts from “Best Friend's Girl,” Easton talks about which modern players impress him, why he doesn't consider himself a shredder, and the experience of working with Mutt Lange: “I spent as much time tuning with him as playing!” If you're able to help, here are some charities aimed at assisting musicians affected by the fires in L.A:  https://guitarcenterfoundation.org https://www.cciarts.org/relief.html https://www.musiciansfoundation.org https://fireaidla.org https://www.musicares.org https://www.sweetrelief.org Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudion Video Editor: Addison Sauvan Graphic Design: Megan Pralle Special thanks to Jon Romeo, Michelle Yoon, Chris Peterson, Greg Nacron, and the entire Volume.com crew.

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On this week's edition of RITY, our mini theme is Down By The Railroad Tracks... Also, music from three Cincinnati area bands... How Paul Simon found love on Saturday Night LIVE... Mr. Sardonicus and his connection to rock 'n' roll... Music from a group named after a random 93 year old woman... Deep cuts from Hall & Oates, Belly, Jesse Ed Davis, Genesis, Richard & Linda Thompson, and much more! For more info on the show, visit reelinwithryan.com

Governor Stitt puts forth his wish list of state spending and tax cuts.Legislation bans gay pride in state government.An upcoming concert honors an Oklahoma guitarist who died in 1988.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Blue Sky and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

Henry St. Claire Fredericks, Jr., aka Taj Mahal is 82 years of age, and like that monument in Agra, he stands as an ageless edifice of blues - rock grace. On his latest recording he croons in that familiar rasp: “I'm too young to be this old,” and there's no denying the truth of that declaration. As the years have passed, it's gratifying to contemplate that, 60 years ago, Taj and Ry Cooder combined forces in the seminal, interracial rock group The Rising Sons, then went their separate ways to establish themselves as the foremost living treasures of Americana and world music.  I would venture to say that, similarly to the white British rockers who influenced a generation when they recycled the blues back to America, Taj and Ry did the same thing, on their home soil, with more humility..I have a distinct memory of being ensconced during an arduous Iowa winter, laboring to get this song down for my set at the student union: one man, one guitar,- trying to catch the funky groove of the thing. The syncopation between Al Kooper's piano, Jesse Ed Davis's guitar and Gary Gilmore's bass, propels this cut forward, moving it along a track of joy - even as the singer is bemoaning his lost love. That's the thing about Taj: his ever-present, infectious humor is fundamental to his magical appeal. And, the fact that he took his name in tribute to Gandhi, a man of peace, speaks mightily to his personal mission to make us all happy.

Guitarist Jesse Ed Davis (Kiowa) was an in-demand session player starting in the mid 1960s, appearing on dozens of recordings with artists such as Taj Mahal, Johnny Cash, Eric Clapton, and Jackson Browne. He appears on solo albums by three of the four Beatles. Davis toured with The Faces, alongside Rod Stewart and Ron Wood. The Bob Dylan Center in Tulsa, Okla., is mounting an exhibition celebrating Davis' life and work along with a tribute concert featuring Jackson Browne, Taj Mahal, and Joy Harjo. We'll hear from some of the people who knew and worked with the man Bonnie Raitt called “one of the most original, and soulful, and cool guitar players.” We hear about Davis and the exhibition honoring him in this encore show (we won't be taking live telephone calls from listeners).

Guitarist Jesse Ed Davis (Kiowa) was an in-demand session player starting in the mid 1960s, appearing on dozens of recordings with artists such as Taj Mahal, Johnny Cash, Eric Clapton, and Jackson Browne. He appears on solo albums by three of the four Beatles. Davis toured with The Faces, alongside Rod Stewart and Ron Wood. The Bob Dylan Center in Tulsa, Okla., is mounting an exhibition celebrating Davis' life and work along with a tribute concert featuring Jackson Browne, Taj Mahal, and Joy Harjo. We'll hear from some of the people who knew and worked with the man Bonnie Raitt called “one of the most original, and soulful, and cool guitar players.” We hear about Davis and the exhibition honoring him in this encore show (we won't be taking live telephone calls from listeners). GUESTS Joy Harjo (Mvskoke), 23rd U.S. Poet Laureate, musician, playwright, and co-curator of the Jesse Ed Davis: Natural Anthem exhibition Chebon Tiger (Seminole and Mvskoke), musician Douglas Miller, author of Washita Love Child: The Rise of Indigenous Rock Star Jesse Ed Davis and co-curator of the Jesse Ed Davis: Natural Anthem exhibition Steven Jenkins, director of the Bob Dylan Center

Mike Brewer, who partnered with Tom Shipley in the folk-rock duo Brewer & Shipley beginning in the late '60s - best known for their 1971 hit single, “One Toke Over the Line,” has died. The news of his passing at age 80 at his home in Missouri, was announced by Shipley. The latter had visited “my friend of 65 years and musical partner for over 60” three days earlier at a hospital in Branson. By the mid-'60s, Brewer had relocated to Los Angeles and formed a band with Tom Mastin, Billy Mundi (later of the Mothers of Invention) and Jim Fielder (who became an original member of Blood, Sweat and Tears). When Brewer became a staff song writer for A&M Records' music publishing company, he reunited with Shipley and they began writing songs together. The pair recorded a debut album for A&M but ultimately moved back to the midwest, settling in Kansas City, Missouri. Mike Brewer was born in 1944, in Oklahoma City, Okla. While in high school, he played in a rock ‘n' roll band with Jesse Ed Davis, a native American who went on to perform with such stars as Taj Mahal, Eric Clapton and John Lennon, among many others. After graduating, he traveled the folk circuit performing in coffee houses. Though he met Shipley in 1964, they didn't become musical partners until 1968. They were soon signed to Kama Sutra Records in New York and their second album for the label, 1970's Tarkio, featured “One Toke Over the Line,” written a few years earlier, as its lead-off track. During this interview Mike Brewer tells us all about his life and that famous track.

During his career, guitarist Jesse Ed Davis played with over 100 major artists, including Bob Dylan, the Allman Brothers, John Lennon, and Rod Stewart. His first brush with notoriety was playing with Conway Twitty in Oklahoma City, and he honed his chops with Taj Mahal after moving to Los Angeles. Jackson Browne credits Davis's guitar solo on “Doctor, My Eyes” with helping that song to become a Billboard Top 10 hit in 1972. In this latest episode of A Very OK Podcast, Trait Thompson and Dr. Bob Blackburn discuss Davis's Oklahoma roots, influences, and illustrious career. Their guests are Dr. Douglas Miller, author of Washita Love Child: The Rise of Indigenous Rock Star Jesse Ed Davis (2024), and Jake Krumwiede, director of the OKPOP Museum in Tulsa.

Those who have been paying attention might have noticed a recent movement in the cultural zeitgeist in remembrance of the great life and career of Norman-born musician Jesse Ed Davis. A good portion of those new attention paid toward a historically under-appreciated talent comes to use due to the work of historian and author Douglas Miller, whose book Washita Love Child: The Rise of Indigenous Rock Star Jesse Ed Davis is available for purchase now. Miller joins this week's episode of the podcast to talk about the immense musical legacy Davis left behind—having worked alongside the likes of Leon Russell, Paul McCartney, John Lennon, George Harrison, Eric Clapton, and more—and the many coming tributes to JED which include tribute concerts, a new archival record of unissued songs, and an exhibition at the Bob Dylan Center curated by Joy Harjo. Also on this week's episode, the editors discuss their ideal Thanksgiving dessert plate, and podvents lets us know where we can have an extravagant Thanksgiving meal without having to do any dishes afterwards. You won't want to miss it!

Guitarist Jesse Ed Davis (Kiowa) was an in-demand session player starting in the mid 60s, appearing on dozens of recordings with artists such as Taj Mahal, Johnny Cash, Eric Clapton, and Jackson Browne. He appears on solo albums by three of the four Beatles. Davis toured with The Faces, alongside Rod Stewart and Ron Wood. The Bob Dylan Center in Tulsa, Okla., is mounting an exhibition celebrating Davis' life and work along with a tribute concert featuring Jackson Browne, Taj Mahal, and Joy Harjo. We'll hear from some of the people who knew and worked with the man Bonnie Raitt called “one of the most original, and soulful, and cool guitar players.” GUESTS Joy Harjo (Mvskoke), 23rd U.S. Poet Laureate, musician, playwright, and co-curator of the Jesse Ed Davis: Natural Anthem exhibition Chebon Tiger (Seminole and Mvskoke), musician Douglas Miller, author of Washita Love Child: The Rise of Indigenous Rock Star Jesse Ed Davis and co-curator of the Jesse Ed Davis: Natural Anthem exhibition Steven Jenkins, director of the Bob Dylan Center

Guitarist Jesse Ed Davis (Kiowa) was an in-demand session player starting in the mid 60s, appearing on dozens of recordings with artists such as Taj Mahal, Johnny Cash, Eric Clapton, and Jackson Browne. He appears on solo albums by three of the four Beatles. Davis toured with The Faces, alongside Rod Stewart and Ron Wood. The Bob Dylan Center in Tulsa, Okla., is mounting an exhibition celebrating Davis' life and work along with a tribute concert featuring Jackson Browne, Taj Mahal, and Joy Harjo. We'll hear from some of the people who knew and worked with the man Bonnie Raitt called “one of the most original, and soulful, and cool guitar players.”

Welcome to the LEGENDS: Podcast by All Day Vinyl, hosted by Scott Dudelson.  In this episode, we dive into the extraordinary career of Bob Glaub, a legendary touring and session musician whose bass playing has graced hundreds of recordings since the 1970's. Glaub's impressive credits include Jackson Browne's "The Pretender," Stevie Nicks' "Edge of Seventeen" Warren Zevon's "Excitable Boy," and albums by John Lennon, Rod Stewart, John Fogerty, Linda Ronstadt, and many more. Bob shares fascinating anecdotes from his time in the studio, including his first recording session with Jesse Ed Davis, the chaotic yet exhilarating experience of working on John Lennon's "Rock 'n' Roll" sessions with Phil Spector, and his long-standing collaborations with iconic artists like Jackson Browne and Warren Zevon. He also discusses his experiences touring with Linda Ronstadt and the unique dynamics of working with renowned producers such as Peter Asher and Jimmy Iovine. Join us for an in-depth conversation filled with behind-the-scenes stories and insights into the life of a musician who has left an indelible mark on the music history

Mal Evans was the Beatles' right-hand man, their bouncer, bodyguard, gofer, chauffeur, drug-runner, roadie, fellow party animal, confidante and friend. Along with Neil Aspinall he was the man who allowed the band to function daily and catered to their every need. He was such a central cog in the machine that Ringo declared, “now Mal's left, the Beatles are really over.” Mal's son delivered his archive of photos, manuscripts and memorabilia to the author, lecturer and world-renowned Beatles authority Kenneth Womack and asked him to write his father's memoir, and the result – ‘Living The Beatles Legend: On the Road with the Fab Four – the Mal Evans Story' – has just been published. It sees the whole story through a completely different lens. Among the highlights in this illuminating conversation with Ken you'll find … ... Mal's delicate relationships with the band and role as a peace-keeper.   … further proof that Allen Klein “caused despair”. … why Lennon said life on the road “was like Satyricon”. … Mal's brief tenure as Apple's MD. … how Cynthia Lennon unknowingly shopped him to his wife. … the internal world of “the eight outsiders” (the Fabs, Brian, George M, Neil and Mal). … the reunion with John and Paul at a Harry Nilsson session and the Jesse Ed Davis incident on the Lost Weekend. … echoes of Mal in John Junkin's character in A Hard Day's Night. … and the tragic and complex circumstances of his death at the hands of the police in 1976. Order Ken's book here: https://www.waterstones.com/book/living-the-beatles-legend/kenneth-womack//9780008551216?awaid=3787&utm_source=redbrain&utm_medium=shopping&utm_campaign=css&sv1=affiliate&sv_campaign_id=176013&awc=3787_1701449123_6949508e18ba11ed742bd07b0529cc8eSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Mal Evans was the Beatles' right-hand man, their bouncer, bodyguard, gofer, chauffeur, drug-runner, roadie, fellow party animal, confidante and friend. Along with Neil Aspinall he was the man who allowed the band to function daily and catered to their every need. He was such a central cog in the machine that Ringo declared, “now Mal's left, the Beatles are really over.” Mal's son delivered his archive of photos, manuscripts and memorabilia to the author, lecturer and world-renowned Beatles authority Kenneth Womack and asked him to write his father's memoir, and the result – ‘Living The Beatles Legend: On the Road with the Fab Four – the Mal Evans Story' – has just been published. It sees the whole story through a completely different lens. Among the highlights in this illuminating conversation with Ken you'll find … ... Mal's delicate relationships with the band and role as a peace-keeper.   … further proof that Allen Klein “caused despair”. … why Lennon said life on the road “was like Satyricon”. … Mal's brief tenure as Apple's MD. … how Cynthia Lennon unknowingly shopped him to his wife. … the internal world of “the eight outsiders” (the Fabs, Brian, George M, Neil and Mal). … the reunion with John and Paul at a Harry Nilsson session and the Jesse Ed Davis incident on the Lost Weekend. … echoes of Mal in John Junkin's character in A Hard Day's Night. … and the tragic and complex circumstances of his death at the hands of the police in 1976. Order Ken's book here: https://www.waterstones.com/book/living-the-beatles-legend/kenneth-womack//9780008551216?awaid=3787&utm_source=redbrain&utm_medium=shopping&utm_campaign=css&sv1=affiliate&sv_campaign_id=176013&awc=3787_1701449123_6949508e18ba11ed742bd07b0529cc8eSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Mal Evans was the Beatles' right-hand man, their bouncer, bodyguard, gofer, chauffeur, drug-runner, roadie, fellow party animal, confidante and friend. Along with Neil Aspinall he was the man who allowed the band to function daily and catered to their every need. He was such a central cog in the machine that Ringo declared, “now Mal's left, the Beatles are really over.” Mal's son delivered his archive of photos, manuscripts and memorabilia to the author, lecturer and world-renowned Beatles authority Kenneth Womack and asked him to write his father's memoir, and the result – ‘Living The Beatles Legend: On the Road with the Fab Four – the Mal Evans Story' – has just been published. It sees the whole story through a completely different lens. Among the highlights in this illuminating conversation with Ken you'll find … ... Mal's delicate relationships with the band and role as a peace-keeper.   … further proof that Allen Klein “caused despair”. … why Lennon said life on the road “was like Satyricon”. … Mal's brief tenure as Apple's MD. … how Cynthia Lennon unknowingly shopped him to his wife. … the internal world of “the eight outsiders” (the Fabs, Brian, George M, Neil and Mal). … the reunion with John and Paul at a Harry Nilsson session and the Jesse Ed Davis incident on the Lost Weekend. … echoes of Mal in John Junkin's character in A Hard Day's Night. … and the tragic and complex circumstances of his death at the hands of the police in 1976. Order Ken's book here: https://www.waterstones.com/book/living-the-beatles-legend/kenneth-womack//9780008551216?awaid=3787&utm_source=redbrain&utm_medium=shopping&utm_campaign=css&sv1=affiliate&sv_campaign_id=176013&awc=3787_1701449123_6949508e18ba11ed742bd07b0529cc8eSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - www.askzac.comJBL began producing efficient, high-wattage speakers in 1948 with the introduction of the D-130 model 15" speaker. The speaker was mainly used in public address (PA) systems until 1953 when Bob Crooks decided to spare no expense with his new Standel line of guitar amps, and factory install D-130's in them. Standel became the Dumble of the early 50s with their innovative cabinet and circuit designs, and also due to their use of a speaker that could produce a much clearer and louder tone than the less expensive pressed frame speakers being produced by Jensen and others. Stars from Chet Atkins to Speedy West began using Standel models over Fender, and the boys in Fullerton began to take note. Leo Fender, whose goal was always to make a great instrument at a more pocketbook-friendly price, continued to use lower-cost Jensen units until he finally relented in late 1959, producing the Vibrasonic amp, which was his first factory-equipped model with a JBL and the first Fender with Tolex covering and forward facing controls.  In today's episode, we will look at some of the myths about them concerning brightness, the actual weight of the popular alnico magnet D120F & K120 models, and the differences between cast frame and pressed from speakers. Also, we will discuss the polarity issue and the frame thickness of the later D120F and K120 models that can require modifications to be utilized in some amps.    A short list of guitarists that have used JBL speakers during important phases of their careers would include, Stevie Ray Vaughan, Eric Clapton, Albert Lee, Albert Collins, James Burton, Jerry Garcia, Roy Nichols, Duane Allman, Chet Atkins, Dickie Betts, Vince Gill, Mick Taylor, Keith Richards, Jesse Ed Davis, and Eric Johnson.Gear Used:1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.Strings: D'Addario NYXL 10-44 (10,12,16,24,34,44)Pick:D'Andrea Medium-HeavyAmp:1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113vEffects used:Amp reverb#askzac #jbld120f #zacchildsSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - www.askzac.comDuane Allman wasn't always a Gibson/Marshall guy. In today's episode, we cover the era while he was with the Allman Joys, The Hourglass, and his much-celebrated session career in Muscle Shoals. During this era, he mainly played a Telecaster with a homemade fuzz unit attached to the instrument, or a Strat with a Fuzz Face through Fender amps. It is also during this time period that he saw Jesse Ed Davis playing slide with Taj Mahal, causing him to pursue slide with a vengeance.Gear for this video:1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.Strings: D'Addario NYXL 10-46Pick:D'Andrea Medium-HeavyAmp:1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.Effects used:amp verbAnalogman Sun Face 2N Fuzz#askzac #duaneallman  #telecasterSupport the show

Originally heard in May of 2022, we start out of the gate with Bonnie Raitt and hear The Dead, Laura Nyro, Alison Krauss, Taj Mahal, Jesse Ed Davis and yes, there are more artists this hour. Before we get rocking, I want to ask for your support.  Will you take a moment and surf to support Brian and this podcast, Tales Vinyl Tells?  My story is there, so is my ask.  Thanks for checking it out and supporting this podcast. And thank you to those who have already shown their support. Tales Vinyl Tells can be heard Wednesdays at 5 central time at RadioFreeNashville.org. There's a play button up on the right. We are a low power station so the best way to listen is either live or catch the replay here or on the podcast app of your choice. We're on a bunch of them! I'd love to get email from you at TalesVinylTells@gmail.com.

To Support the Channel:Tip jar:  https://paypal.me/AskZacOr check out my store at  - www.askzac.comMy son told me, "Dad, you ought to do a video on your favorite Telecaster licks." So here are my 10 favorite Telecaster licks of all time.1. Cornell Dupree "Rainy Night in Georgia."2. Reggie Young "Memphis Soul Stew."3. James Burton "Suzy Q."4. Jesse Ed Davis "Six Days On The Road."5. Pete Anderson "Guitars Cadillacs."6. Bobby Womack "I'm In Love."7. Clarence White "You Ain't Goin' Nowhere."8. John Jorgenson "Highlander Boogie."9. Luther Perkins "Folsom Prison Blues."10. James Honeyman-Scott "Kid."Bonus lick11. Jimmy Olander "Meet In The Middle."Spotify playlist:https://open.spotify.com/playlist/1au...Gear for this video:1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.Strings: Gabriel Tenorio NíquelPuro Pure Nickel Strings 10-46Pick:Blue Chip TPR 35Amp:1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.Effects used:Amp Verb. #askzac #guitartech #telecasterSupport the show

To Support the Channel:Tip jar:  https://paypal.me/AskZacOr check out my store at  - www.askzac.comRhythm guitar techniques in the styles of Ry Cooder, Keith Richards, Jimmie Vaughan, and Jesse Ed Davis. I had so many comments on how players had both enjoyed and incorporated concepts from my "Country Electric Rhythm Guitar," that I decided to do a companion piece covering more roots/rock styles.Gear for this video1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.Strings: D'Addario NYXL 10-46Pick:Danocaster MediumAmp:1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.Effects used:Amp Reverb and tremolo #askzac #guitartech #telecasterSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - www.askzac.comJesse Edwin Davis made a huge impact on the guitar during his relatively short career. He influenced Duane Allman to learn slide, was an earlier user of the Leslie/Vibratone on guitar, and was a session man for Eric Clapton, John Lennon, Ringo Starr, George Harrison, Jackson Browne, Bob Dylan, and so many more. Today we pay tribute to Jesse by taking a look at his history, gear, and a key part of his solo on Jackson Browne's "Doctor My Eyes."Spotify Playlist for Jesse Ed Davishttps://open.spotify.com/playlist/17C...Gear for this video1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Refin by Danocaster.Strings: D'Addario 10-46Pick:Fender MediumAmp:1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel. #askzac #guitartech #telecasterSupport the show

this shows topics are producer Roy Thomas Baker....914 recording studio..also guitar great Jesse Ed Davis... a review of debut album by Dream Academy and Mark's album reveal and much more with Perry Mark & Lou --- Send in a voice message: https://podcasters.spotify.com/pod/show/perry--dedovitch/message

Quick one today – we’re babysitting and will be heading out to pick apples and have fun at a local farm/orchard. Hope everyone’s had a good weekend. Today’s podcast includes Little Feat, Jesse Ed Davis, Bob Dylan, the Byrds, the Delgados, Steve Wynn, the Primitives, La Sera, Murray Head, Paul McCartney, Elvis Costello, John Lennon, … Continue reading "Owen Day"

Esta semana suenan en Islas de Robinson: J.J. CALE - "THE OLD MAN AND ME" ("OKIE", 1974) / LEON RUSSELL - "CAN'T GET OVER LOSING YOU" ("WILL'O THE WISP", 1975) / JESSE ED DAVIS - "WHERE AM I NOW (WHEN I NEED ME)" ("KEEP ME COMIN'", 1973) / THOMAS JEFFERSON KAYE - "THE DOOR IS STILL OPEN" ("THOMAS JEFFERSON KAYE", 1973) / GENE CLARK - "THE TRUE ONE" ("NO OTHER", 1974) / WAYNE BERRY - "ALL I NEED" ("HOME AT LAST", 1974) / LITTLE FEAT - "JULIETTE" ("DIXIE CHICKEN", 1973) / CAROLE KING - "HAYWOOD" ("FANTASY", 1973) / KEITH WEST - "KNOW THERE'S NO LIVIN' WITHOUT YOU" (SINGLE CARA B, 1974) / EMMITT RHODES - "WARM SELF SACRIFICE" ("FAREWELL TO PARADISE", 1973) / BRINSLEY SCHWARZ - "I WON'T MAKE IT WITHOUT YOU" ("PLEASE, DON'T EVER CHANGE", 1974) / JESSE COLIN YOUNG - "COUNTRY HOME" ("SONG FOR JULI", 1973) / CHRIS DARROW - "TAKE GOOD CARE OF YOURSELF" ("CHRIS DARROW", 1973) / Escuchar audio

On this episode host David Cachat takes you back to the year 1972. Here are the songs: Moby Grape – Omaha Hot Tuna – Keep on Truckin’ Jesse Ed Davis – Red Dirt Boogie Brother The Stairsteps – My Sweet Lord Carole King – Sweet Seasons Dr. Hook – Sylvia’s Mother Harold Melvin & The Blue Notes – If You Don’t Know Me By Now Brewer & Shipley – Shake Off The Demon The Blues Project – Brown Eyed Handsome Man Dave Edmunds – I Hear You Knockin’ Blue Oyster Cult – Cities on Flame with Rock n Roll Grand Funk Railroad – Footstompin’ Music Cream – Tales of Brave Ulysses (Live)

Maxwell had his first professional appearance as a drummer at the age of twelve; his career began with blues guitarist Jesse Ed Davis. He then belonged to The Third Avenue Blues Band, who produced an album with T-Bone Burnett in 1969. In 1972 he moved to Los Angeles with the band Andraé Crouch and the Disciples. There he also worked as a producer, including for The Winans and Andraé Crouch. He also founded the jazz formation Koinonia with Abraham Laboriel in 1980 and was musical director of various television shows such as The Jamie Foxx Show, Martin, Living Single, For Your Love, or amen. As an accompanist, he has worked on recordings by Cassandra Wilson, T-Bone Burnett, Ray Charles, Billy Preston, Quincy Jones, The Crusaders, The Nappy Roots, Freddie Hubbard, Anita Baker, and Luther Vandross. As a music producer, he worked on the soundtrack of films by the Coen brothers ( Ladykillers ) and John Turturro ( Romance & Cigarettes ) and was involved as a musician in the film Walk the Line. Maxwell is currently a member of the band Open hands with Abraham Laboriel, Justo Almario, and Greg Mathieson. In 2007 Bill Maxwell was inducted into the Oklahoma Jazz Hall of Fame. The Carl Jackson Podcast is available on Spotify. See new episodes every Tuesday night at 10/9c on CJC. CJC is available on LOCAL NOW, DistroTV channel 170, SimulTV channel 33, SelectTV channel 415, AtariVCS channel 33, and channel 54 on Tikilive in every city in America, Canada, and Latin America. Internationally you can watch on HedexTV and LimeX Broadcasting systems.

Stevie Salas is one of the most respected guitarists in the world today. He has played with the who's who of music royalty including: George Clinton Justin Timberlake Buddy Miles T.I. Mick Jagger Rod Stewart and so many others. Stevie has sold well over 2 million solo records while contributing to well over 70 different albums. Stevie also brought to the screen the documentary, RUMBLE: The Indians Who Rocked The World. This profound documentary tells the story of the essential, and, until now, missing chapter in the history of American music: the Indigenous influence. Featuring music icons CHARLEY PATTON, MILDRED BAILEY, LINK WRAY, BUFFY SAINTE-MARIE, JIMI HENDRIX, JESSE ED DAVIS, ROBBIE ROBERTSON, REDBONE, RANDY CASTILLO, TABOO and others. RUMBLE shows how these talented Native musicians helped shape the soundtracks of our lives. Image from Billboard

50 years ago George Harrison called some friends and put together afternoon and evening concerts at Madison Square Garden on August 1st, 1970. The results were assembled into both a 1971 3-LP album and a 1972 film, THE CONCERT FOR BANGLADESH. Bob Dylan, who performed in both shows (his first major concert appearances in two years) would feature heavily in the album and film, with his evening concert performance of five of his songs composing all of the first side of the album's 3rd LP disc. We are looking back at THE CONCERT FOR BANGLADESH on the occasion of its 50th anniversary. In "20 Pounds of Headlines," we round up news from the world of Bob Dylan as it was in 1971 and in "Who Did It Better?" we ask you who did "Something" better live, George Harrison and friends from the stage of Madison Square Garden at THE CONCERT FOR BANGLADESH in 1971 or Bob Dylan and his band from the stage of Madison Square Garden in tribute to George Harrison in 2002? For more on Bob Dylan's activities and music from 1971, look up and listen to the 6/17/2021 episode of HARD RAIN & SLOW TRAINS: BOB DYLAN & FELLOW TRAVELERS: "1971: A Golden Anniversary."

Hear a brand new track from Jayden Grahlman produced at Grey Noise in Meaford, a cut from Platinum Sweat live at Pride 2010 and a deep dive for National Indigenous History Month (Chippewa Travellers, Nadjiwan, Cheghano, Bryden Gwiss Kiwenzie, Ansley Simpson, Leanne Betasamosake Simpson, Helen Roy, David Fuhst, Jesse Ed Davis) including an incredible teamup of Summerfolk alumni The Sadies and Buffy Sainte Marie!

On this Bob Glaub interview, a cool story about hitchhiking around Europe & Israel and how this led him to finding his career, GREAT stories about working with Jesse Ed Davis, Jim Keltner, John Lennon, Phil Spector (probably the only producer walking around the studio with a gun strapped into his shoulder holster), Dave Mason, Jackson Browne, Robbie Kreiger, Jim Morrison, Ray Manzarek, Dwight Yoakam, Bob Dylan, Neal Casal, Linda Rondstat, Bonnie Raitt, Stevie Ray Vaughan, Tommy Shannon, Chris Layton, Percy Sledge, why “enthusiasm is infectious,” getting through two divorces and having the courage to bounce back, lovely stories about both his parents who were immigrants from Eastern Europe, laughing, friends, work ethic, Japan, his short-lived but valuable side hustle, 50 years of music, Hawaii, becoming more self-aware and tons of other interesting things. Bob is amazingly cool, funny as hell, and just a lovely human being who finds the good in things, a MUST listen! If you'd like to support this show: http://www.everyonelovesguitar.com/support Bob Glaub has been a first-call session and touring bass player in LA for over 45 years. He's played or toured with artists and bands including Journey, Steve Miller Band, John Fogerty, Bruce Springsteen, Bob Dylan, Neil Diamond, Ringo Starr, Jackson Browne (who he is currently touring with), Warren Zevon, Donna Summer, John Lennon, Rod Stewart, Crosby, Stills & Nash, Linda Ronstadt (who he toured with as well, for almost 20 years), Leo Sayer, Carly Simon, Robby Krieger, Gladys Knight, Bonnie Raitt, Cher, Eric Carmen, Stevie Nicks, Bee Gees, Jimmy Buffett, Steve Perry, Donovan, Dan Fogelberg, Patti Smith, members of The Eagles, Aaron Neville, Jon Bon Jovi, Randy Travis, Bob Seger, Leonard Cohen, Tracy Chapman & literally hundreds of other artists Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/

Legendary session bass player talks about playing with Jesse Ed Davis and the late great Don Heffington. --- Support this podcast: https://anchor.fm/jake-feinberg/support

There has always been ways of getting expression out. In the sixties I was in High School we had AM radio and FM radio. There was a show called "Morning Becomes Eclectic," that was on a station that played a little of anything. That had all kinds of music including free jazz. In the bigger cities like Los Angeles in the late sixties and early seventies they had everything. There wasn't a lot of country western actually, you had to drive up to Bakersfield to hear that. When I first moved out to California The Whiskey A-Go-Go was in its heyday. Taj was playing at the Whiskey A-Go-Go with Jesse Ed Davis. Jesse got off the stage and I went up on stage and said, "hey man you sound beautiful." Paul introduced me to Don and Larry Taylor and we did a couple of gigs at The Troubadour. They were pretty well received and then Larry said, "man this ain't it, this is jaaassss...he wanted to do something else and he left. I brought in a friend of mine from Fresno named Victor Conte. Victor became famous for a couple of other things- he played with Tower of Power-he's a great, great bass player. I'm willing to bet that if he hasn't touched his bass in ten years he could pick it up and be as funky as anyone on the planet right now. Bad jazz is when people are playing real hard and nobodies listening. Lagos used to call it "Bar Mitzvah Jazz." No matter what kind of music you play people kind of expect a show. There's so much offer on cable, concerts are huge and the magic of ensemble playing which is people who can play even if there just playing chords behind somebody else. Even when it's a singer it can be smokin" if its ensemble playing and people are listening to each other. Don't get me wrong, we practiced for hours. It's not a question of practicing, what it is a question of is hearing the other person. Getting off on backing up, you don't have to take a solo to get off. It's not like watching a porn movie. Your part of it. If your playing rhythm guitar behind Sugarcane, your part of it. Paul (Lagos) knew so much. He used to study Joseph Schillinger compositions. He and Cane used to play duets that would just fly off, you can hear that on the recordings but we did that all the time. Sometimes that's shit would last 15 minutes. We do the intro to the song, Don would sing a couple of versus, he'd take a solo, sing another verse. The bass player and I would stop and he and Paul would play for 15 minutes. When we came back in it was knowing when to come back in. This isn't to say that Victor and I were so brilliant we just came in at the right time. No one ever said, "I needed you cats to come in later or early because their was no later/earlier it was just so obvious from the ensemble playing that we were doing. We would bring it down to a certain level and come back in and that's called music." --- Support this podcast: https://anchor.fm/jake-feinberg/support

Deze week een special, gewijd aan Jesse Ed Davis, native Amerikaan en een gitarist die alles kon en met heel veel totaal verschillende artiesten werkte.

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Vandaag een lekkere Blues uitzending! Je hoort muziek van T-Bone Walker, Blind Melon Jefferson, Blind Willy Mc Tell, Son House, Jesse Ed Davis en Rory Gallagher.

Jesse Ed Davis was maybe the most requested Recording Session Guitar Player in the 60's and 70's. He was a Slide Guitar Stylist whose techniques were often copied. He played on a long list of Who's Who in the Music Industries records.

With RAM sitting high atop the charts, It Don't Come Easy blaring across radios worldwide and the finishing touches being placed on the Imagine album, the summer months of 1971 were bustling with former Beatle activity. Though mocked for its perceived underperformance by George and John, Paul McCartney's second outing was a steady seller that leap-frogged early criticism and seemed to only improve with age, even to this very day. But while a success for Paul was welcome news in the McCartney camp, it was another former Beatle in the summer of '71 that would steal the show...by putting one on. The Concert for Bangladesh was conceived and executed by George Harrison after his friend and mentor Ravi Shankar expressed to George the plight of refugees from war-torn Bangladesh. George was moved by his friend's plea and hastily prepared what was, at the time, an unprecedented benefit concert that included the likes of Eric Clapton, Billy preston, Leon Russell, Billy Preston, Ringo Starr, Badfinger, Jesse Ed Davis, Klaus Voorhman and, perhaps most surprisingly of all, Bob Dylan. It was a charitable event that would go on to inspire an entire movement, from Live Aid to Farm Aid and many more in the decades beyond. The spotlight may have been uncomfortable for Harrison, but in the summer of 1971 it was blazing as brightly upon him as the star underneath, and George rose to the occasion. See acast.com/privacy for privacy and opt-out information.

Tulsa's Quintet of Superstar Drummers are Jamie Karstein, Chuck Blackwell, Jim Keltner, David Teegarden and Jamie Oldaker. These four incredible Drummers have played on some of the worlds most iconic recordings and backed some of the best performers of all time.

Kurt Andersen talks with Stevie Salas, whose documentary, “RUMBLE: The Indians Who Rocked the World,” highlights rockers like Link Wray, Jimi Hendrix, Jesse Ed Davis, and Robbie Robertson.  Bestselling Young Adult author Angie Thomas on how the late TLC performer Lisa “Left Eye” Lopes spoke to her at a very troubling point in her life. And the real story by “Naked Came the Stranger,” the 1969 bodice-ripper which turned out to be a hoax by a bunch of bemused newspaper journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Andersen talks with Stevie Salas, whose documentary, “RUMBLE: The Indians Who Rocked the World,” highlights rockers like Link Wray, Jimi Hendrix, Jesse Ed Davis, and Robbie Robertson.  Bestselling Young Adult author Angie Thomas on how the late TLC performer Lisa “Left Eye” Lopes spoke to her at a very troubling point in her life. And the real story by “Naked Came the Stranger,” the 1969 bodice-ripper which turned out to be a hoax by a bunch of bemused newspaper journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

show#40810.15.11   WOMEN!!!!! Jackson Browne & David Lindley - You Asshole You (You Just Want Meat) (Live at The Main Point (sept 7 1975)Bonnie Raitt - Women Be Wise (Live in the Rainbow Room, Philadelphia - 1972 (WMMR Radio)Tony Joe White - Red Neck Women (Live From Austin TX 2006)Mason Casey - Two Crazy Women (Deep Blue Dream 2003)J.J. Cale - Louisiana Women (Really 1972)James Harman - (I Got) So Many Womens (Side Dishes 2003)Kaye Bohler - Just Another Woman (Men and Music 2002)Nick Curran - Women and Cadillacs (Fixin' Your Head 2000)Lightnin' Malcolm - So Many Women (Renegade 2011)Little Junior Parker - Bad Women Bad Whiskey (1952-1955 2008)Stick McGhee - Whiskey, Women & Loaded Dice (The R&B Years - 1953 [Disc 2])Michael Hill's Blues Mob - Women Make the World Go 'Round (Have Mercy 1996)Alexis Korner - Evil Hearted Woman (Bootleg Him 1972)Craig Erickson - Wild Little Woman (Retro Blues Express 1994)David Maxwell & Louisiana Red - New Jersey Women (You Got To Move 2009)Coco Montoya - Women Have A Way With A Fool (Can't Look Back 2002)Gary Moore - I Loved Another Woman (Blues for Greeny 1996)Guitar Shorty - Texas Women (Bare Knuckle 2010)Charlie Musselwhite - Cadillac Women (The Well 2010)Spinner's Section:some stuff I bet you never heard before (all vinyl)Dick Destiny & the Highway Kings: Dweezils ripped my flesh (0:38) (Brutality, Destination, 1987)Peter "Madcat" Ruth: baby scratch my back (2:57) (Heavy Duty Harpin', Hohner, 1984)Merle Travis: black diamond blues (3:06) (The Merle Travis Guitar, Capitol, 1956)Sweet Salvation: have you ever had the blues (2:22) (-, Elektra, 1972)BB King: recession blues (1958) (2:21) (Blues Rarities, Chess, 1985)Crew: struggle (6:02) (Doin' Overtime, Blue Sting, 1986)Jesse "Ed" Davis: bacon fat (4:40) (Keep Me Comin', Epic, 1973)Keith Sykes: truck driver blues (3:16) (1-2-3, Vanguard, 1971)Toots Thielemans: blues talk (2:15) (The Salient One, ABC, 1973)Pete Johnson: somebody (3:34) (Blowin' The Family Jewels, Bleu Shadow, 1988)Ted & the Tall Tops: crazy date (3:35) (untittled mini album, New Rose, 1987)Jump Dickie Jump: who's the one you gonna put the chainball to his feet (3:55) (-, Rockhouse, 1986)