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4 episodes with Bobby Keys
7 episodes with Bobby Keys
2 episodes with Bobby Keys
2 episodes with Bobby Keys
4 episodes with Bobby Keys
2 episodes with Bobby Keys
2 episodes with Bobby Keys
2 episodes with Bobby Keys
2 episodes with Bobby Keys
George Harrison played with many associates of both Dylan and the Stones. Bobby Keys was one of the most renowned sax men of rock and roll, Nicky Hopkins contributed to the buzz of "Revolution", and Jesse "Ed" Davis had his fingerprints all over early seventies solo Beatles. This week, we consider some recordings, most made at Apple Studios, most featuring George Harrison on electric (usually slide) guitar. Who knew George could compose Mexicali blues (as some call "The Holdup")
Sticky Fingers is considered by many to be the greatest studio album the Rolling Stones ever created. This ninth studio album represented a return to a more basic sound for the Stones after several albums with less conventional instrumentation. It was also known for its cover artwork from Andy Warhol which featured a man in jeans with a working zipper. The album won a Grammy for “Best Album Cover” for this innovative design.This was the first album that was released on their own label, Rolling Stones Records. It was also the first album the group produced without Brian Jones, who had died two years earlier. The members of the band were Charlie Watts on drums, Bill Wyman on bass, Mick Taylor on guitar, Keith Richards on guitar and backing vocals, and Mick Jagger on lead vocals and some guitar and percussion. There were a number of session musicians and frequent collaborators involved in the album, including Bobby Keys on sax, and Billy Preston and Ian Stewart on keyboards.Sticky Fingers was the band's first album to reach number 1 on album charts in both the US and the UK. It has since reached triple platinum status, and was inducted into the Grammy Hall of Fame in 1999. The album was also the first album to utilize the now-iconic “mouth” for which the group would be known.Friend of the show Mike Fernandez joins us in Bruce's absence, while Rob brings us this amazing album from one of the giants of the rock world in this week's podcast. Wild HorsesThis softer song with a country bent was first released in 1970 by the Flying Burrito Brothers, and subsequently recorded by the Stones after originally thinking the demo wasn't worth recording. It was originally recorded over a three-day period at Muscle Shoals Studio in Alabama in 1969. The lyrics are about being on the road, and not being where you really want to be.Brown SugarThe opening track to the album was also the lead single, and reached the top of the charts in the US and Canada, while reaching number 2 on the UK singles chart. The song sounds like a strong rocking one, but the lyrics discuss slavery and rape, a much more serious topic than most realized the lyrics covered.BitchThis track which leads off side two of the album was the B-side to the single “Brown Sugar.” It has a strong brass section — the song originated in a jam, and features Bobby Keys on sax and Jim Price on trumpet. The lyrics are describing love as a bitch but the title probably didn't help the band in its problems with women's groups. Can't You Hear Me KnockingThis is the longest song on the album, clocking in at over seven minutes. The central part of the song lasts for 2:43, with an extended jam following. The entire track was captured in one take, and the band continued with the jam, thinking that the recording was complete. ENTERTAINMENT TRACK:One Tin Soldier (from the motion picture “Billy Jack”)This counterculture song was a prominent part of the soundtrack to the action drama "Billy Jack" a part Navajo Green Beret and Vietnam War veteran defending his Freedom School students from angry townspeople. STAFF PICKS:Get It On by ChaseWayne starts out the staff picks with a high energy song from an artist known for his jazz trumpet. Bill Chase brought together a band including three other trumpet players, a rock rhythm section, and front man Terry Richards on lead vocals. This jazz fusion rock piece peaked at number 24 on the Billboard Hot 100.Let's Get It On by Marvin GayeLynch brings us a track that has taken on a life of its own as the ultimate romance song. Backed by the Funk Brothers, it is the most successful song Gaye produced on Motown Records. It reached number 1 on both the Billboard Hot 100 singles chart and the US Hot Soul Singles chart.Love Her Madly by the DoorsMike features the first single from the album “L.A. Woman,” the sixth studio album from the Doors, and the final album with Jim Morrison before his untimely death. Guitarist Robby Krieger wrote this song while experimenting with a 12-string guitar. It Don't Come Easy by Ringo Starr Rob finishes the staff picks with a non-album single from the drummer of the recently-disbanded Beatles. Fellow Beatle George Harrison produced the single and helped Starr write the song which peaked at number 4 on the US and UK singles charts. INSTRUMENTAL TRACK:Main Theme from the motion picture “The Summer of 42”We exit this week's podcast with the signature song from this Academy Award nominee and coming-of-age movie in the theaters in April 1971. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
Send us a textPicture this: It's the summer of 1974, and a casual bet between music legends John Lennon and Elton John ends up changing the course of music history. We promise you'll be captivated by the story of Lennon's surprise performance at Madison Square Garden, a bet fulfilled after their collaboration on "Whatever Gets You Through the Night" soared to the top of the charts. Discover the remarkable musical synergy that defined this era, with vibrant contributions from saxophonist Bobby Keys and bassist Klaus Voormann, adding dimensions that turned the track into a timeless hit. We also reflect on Lennon's musical journey, including his work with Elton on "Lucy in the Sky with Diamonds," and relive the emotional farewell of his final major concert appearance.Our episode doesn't just stop at these historic musical moments. We shift gears to celebrate enduring Thanksgiving traditions that have become as essential as the turkey on the table. Revisit the nostalgic charm of the 1934 classic "March of the Wooden Soldiers" and the quirky tradition of Arlo Guthrie's "Alice's Restaurant" on the radio, woven into the cultural fabric of Thanksgiving. Join us as we explore these cherished customs, blending tales of music and tradition into a heartfelt tribute to the moments that have shaped our appreciation for music and family.
Albums and All That, Starting with the letter S as in Sierra, Part 9 From Something to Shout About (Lulu) to Sophisticated Boom Boom (Dead or Alive) Oh hey, by the way... there is now a Vinyl-O-Matic Patreon (https://patreon.com/youroldpalwill) Lulu with The Luvvers [00:30] "Chocolate Ice" Something to Shout About Decca LK 4719 1965 Hey hey hey! It's Lulu! This is her debut album. Despite what you might guess from her voice, she was 17 when she recorded this album. "Chocolate Ice" is the excellent title song to the very weird Gonks Go Beat (https://youtu.be/XhozBIMplQA?si=ULHH1FdCqSWJPyJ5) (Hartford-Davis, 1964), featuring Lulu and The Luvvers, The Nashville Teens, and the Graham Bond Organisation Todd Rundgren [02:40] "Hello It's Me" Something / Anything? Bearsville 2BX 2066 1972 Rundgren's 3rd solo album, spreading his musical wings a bit more than previous releases. Todd had originally written the song as a very mellow ballad with the Nazz in 1967, and was released as a b-side (https://youtu.be/FmLnDL_pNZQ?si=enMwjWzgNe_iplus) to their psyche rocker "Open My Eyes". Usually I'd go with the power pop progenitor "Couldn't I Just Tell You (https://youtu.be/fosMLTCFKQ8?si=Dgn25DMa61xCFRbJ)", but well, I'm feeling more mid-tempo at the moment. Jimmy Buffett [07:29] "Cheeseburgers in Paradise" Son of a Son of a Sailor ABC Records AA-1046 1976 Let me be perfectly clear: I am not now, nor have I ever been a Parrot Head. However, I do love cheeseburgers. This is the lead single from Buffett's eighth solo album. The single made it to #32 on the Hot 100. There's also a much-watered-down version of "Livingston Saturday Night", which can be heard to greater effect (https://youtu.be/5uizFyDRxso?si=ZfVrun8krTdxzagG) on the Rancho Deluxe (Perry, 1975) soundtrack, see also: Season 5, Episode 76 (https://vinylomatic.com/s05e76). Harry Nilsson [10:20] "It Is He Who Will Be King/Daybreak" Son of Dracula Rapple Records ABL1-0220 1974 The only new Nilsson song on this soundtrack. The less said about the actual film. Count Downe (Nilsson) is invited to take over Count Dracula's throne by Merlin (Ringo Starr). Lots of monsters and lots of rock stars, including Keith Moon and John Bonham, Peter Frampton, Bobby Keys, Klaus Voorman, and Leon Russell. Watch at your own peril (https://youtu.be/IIik_o16sro?si=WvmR54QPJ16Qmd6s). Great packaging for the record though, includine a die-cut gatefold and an iron on transfer for the cover image with "Bite Me" written in goth script below. Julian Bahula's Jazz Africa [16:15] "Molebatsi" Son of the Soil Tsafrika Records TSA 001 1982 A great collective outing composed by this South African by way of Britain drummer/composer/bandleader. I picked this one up at Revolution Records in Amsterdam. If Google Translate isn't lying to me, this title translates to "Smoker" from Swati. And a smoker it is. The Temptations [21:46] "Shakey Ground" A Song for You Gordy G6-969S1 1975 One of several excellent P-Funk-backed tracks on this album. There's a pretty excellent Delbert McClinton version of this song as well (https://youtu.be/w7JCWoxtGLs?si=tLtnwaOT1j24Tgvy). The Exbats [25:47] "Like It Like I Do" Song Machine Goner Records GONE 192 2023 And boy do I like it! Another excellent outing from Bisbee AZ denizens Inez and Kenny and friends (https://youtu.be/l-Onx5zVfMs?si=OSeD0DJHPaOZ4NGW). They pretty much just keep getting awesomer and awesomer. Big Black [28:17] "L Dopa" Songs About Fucking Touch and Go T&G LP #24 1987 Scorching. And sadly, fare thee well, Steve. To anyone interested in recording, Steve and Electric Audio provided (and still provide) a wealth of information, as for instance: Everything you've ever wanted to know about tape alignment but were afraid to ask (https://youtube.com/playlist?list=PLXA7imybaTsFWOFpaeP8wgXNDlZ4Xc8yq&si=ZMsU_ifbEBbmp6Kh). THE FOLLOWING TRACK IS INTENDED FOR MATURE AUDIENCES. LISTENER DISCRETION IS ADVISED
We marvel at Papa Roach joining the Billion Stream Club on Spotify, gives awes to Wolfgang Van Halen on his recent nuptials. Nikki rants about the parking garage who is fighting not to pay for the damages they caused to her car and we talk about the legendary Rolling Stones saxophonist & Keith Richard's party partner, Bobby Keys, who was also in a cover band with Steve. See omnystudio.com/listener for privacy information.
In this episode, we discuss the Rolling Stones' 'Goats Head Soup' album in belated celebration of the 50th anniversary of its August 31, 1973 release. Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com
In this episode, Kent Hance shares intriguing tales, from the remarkable life of Adolph Sax, inventor of the saxophone, to the legendary saxophonist Bobby Keys, who played with icons like The Beatles and The Rolling Stones. Kent also reflects on the state of American politics, the challenges of compromise, and the recent turmoil in the Middle East.
6 juillet 1971. Villefranche-sur-Mer. Villa Nellcôte. Cinq heures du matin. Une légère brise marine rafraichit l'air. Debout, sur la terrasse de la villa, une cigarette à la main, Keith Richards, l'emblématique guitariste des Rolling Stones contemple la mer. Il peut enfin se détendre. Il faut dire que la nuit a été longue et épuisante. La faute à cette séance d'enregistrement qui vient à peine de se terminer. Mick Jagger, Bill Wyman, Charlie Watts, Mike Taylor, Bobby Keys…ne tardent pas à le rejoindre. C'est ici à Villefranche-sur-Mer, entre les collines de l'arrière pays-niçois et le front Méditerranéen, que les Rolling Stones, ont choisi d'enregistrer leur dernier album : « Exile on Main Street ». Bien qu'ayant cherché plusieurs mois, les musiciens les plus célèbres du moment n'ont pas trouvé de studios appropriés pour les accueillir. C'est donc dans l'une des caves du somptueux manoir Belle Époque loué par Keith Richards qu'ils ont fini par improviser un studio d'enregistrement. Les murs ont été recouverts, à la va-vite, de moquette pour atténuer les sons et le matériel d'enregistrement branché. Un studio bien loin des standards auxquels ils sont habitués C'est donc dans un sous-sol où il fait une chaleur à crever, où l'humidité désaccorde sans cesse les guitares, où les coupures d'électricité sont fréquentes, où l'air est moite et épais et où les musiciens peinent à s'entendre que les Rolling Stones ont décidé de mener à bien à cette folle opération musicale. Mais malgré ces conditions improbables et des tensions au sein du groupe, on pressent, sans se le dire, qu'il y a là, au centre de ce bunker musical, un je ne sais quoi qui pourrait donner un son unique à l'album à venir… Retour sur un album de légende, enregistré face à la Méditerranée, qui a laissé une trace indélébile dans l'histoire du rock anglais.Texte : Salome BaudinoVoix : Françoise CadolEncore plus de Podcast à écouter ici sur PODCAST STORY
Equal parts myth and legend, the New Barbarians are one of the greatest bands many people have never heard — or heard of! Put together by Ron Wood, the band featured fellow Stone Keith Richards, the Faces' Ian MacLagan, sax player Bobby Keys, and a legendary rhythm section of the Meters Ziggy Modeleste and jazz great Stanley Clarke. If you missed this the first time around, tune in to hear Rob Chapman tell wild and rollicking stories featuring behind-the-scenes anecdotes about the band members, dirt on its famous tour, and background on the widespread influence of the band's music. Learn more about your ad choices. Visit megaphone.fm/adchoices
Equal parts myth and legend, the New Barbarians are one of the greatest bands many people have never heard — or heard of! Put together by Ron Wood, the band featured fellow Stone Keith Richards, the Faces' Ian MacLagan, sax player Bobby Keys, and a legendary rhythm section of the Meters Ziggy Modeleste and jazz great Stanley Clarke. If you missed this the first time around, tune in to hear Rob Chapman tell wild and rollicking stories featuring behind-the-scenes anecdotes about the band members, dirt on its famous tour, and background on the widespread influence of the band's music. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we discuss the Rolling Stones' February 1973 tour of Australia and New Zealand — and the Los Angeles and Honolulu shows preceding it — in celebration of its 50th anniversary. This tour found the Stones at — or very near — their peak, and when you include the "sidemen," was the last hurrah for their classic Mick Taylor-era lineup...Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com
Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho Rock & Roll Hall of Famer Dave Mason kicks off his Winter tour on Thursday, January 19 in Atlanta, GA and continues South with performances set in Charleston, six shows in Florida including Ft. Lauderdale and Orlando before heading to Nashville, Cincinnati, Detroit. This new leg will end with multiple performances in Chicago on February 20 & 21. This perpetual ongoing world tour is a testament to Mason's six-decade enduring role as a Rock Icon as well as the unrelenting support of his music loving fans the world over. A self-described endangered species, Mason enjoyed a successful cross country run this Fall and is thrilled to get back out on the road to see his friends and fans - “There is nothing quite like performing live. I love it!” exclaimed Mason. Early next year will see the release of his first ever autobiography Only You Know & I Know, where Dave will share some of the great untold tales in rock and roll. Dave has a unique and rare viewpoint as he recorded an album with Mama Cass, played rhythm guitar on “All Along the Watchtower” with Jimi Hendrix, was a founding member of Traffic, recorded with Paul McCartney, George Harrison, and The Rolling Stones, was part of Fleetwood Mac for a spell, as well as a guitar designer and a Rock & Roll Hall of Fame Inductee …. Yep, that's Dave Mason. PLEASE WELCOME Legendary singer-songwriter-guitarist and Rock & Roll Hall of Famer DAVE MASON to Interviewing the Legends … PURCHASE THE LATEST RELEASE BY DAVE MASON ALONE TOGETHER AGAIN (Also available on vinyl) At amazon.com FOR MORE INFORMATION ABOUT DAVE MASON www.davemasonmusic.com Official website www.facebook.com/DaveMasonMusic Facebook www.instagram.com/davemasonmusic Instagram https://twitter.com/davemasonband?lang=en Twitter www.youtube.com/user/davemasontv YouTube Dave Mason on Tour 2023 ROCK & ROLL HALL OF FAMER DAVE MASON ANNOUNCES 2023 ENDANGERED SPECIES TOUR Leads into the Release of His Tell All Memoir - ‘Only You Know & I Know' due May 2023 January 19 Atlanta, GA City Winery January 21 Charleston, SC Charleston Music Hall January 25 Ft. Lauderdale, FL Broward Center for the Performing Arts January 26 Vero Beach, FL The Emerson Center January 28 Miami Gardens, FL On the Blue Cruise 2023 February 3 Orlando, FL The Plaza Live February 4 Clearwater, FL Capitol Theatre February 6 Ponte Vedra, FL Ponte Vedra Concert Hall February 8 Atlanta, GA City Winery February 10 Nashville, TN CMA February 14 Kent, OH The Kent Stage February 15 Detroit, MI Sound Board Theater February 17 Nashville, IN Brown County High School February 18 Cincinnati, OH Memorial Hall February 20 Chicago, IL City Winery February 21 Chicago, IL City Winery DISCOGRAPHY With TRAFFIC Mr. Fantasy - 1967 Traffic - 1968 Best of Traffic - 1969 Last Exit - 1969 Welcome to the Canteen - 1971 Smiling Phases – 1991 Dave Mason studio albums 1970 Alone Together 1971 Dave Mason & Cass Elliot 1972 Headkeeper 1973 It's Like You Never Left 1974 Dave Mason 1975 Split Coconut 1977 Let It Flow 1978 Mariposa de Oro 1980 Old Crest on a New Wave 1987 Two Hearts 1987 Some Assembly Required 2008 26 Letters - 12 Notes 2014 Future's Past 2017 Pink Lipstick (EP) 2020 Alone Together, Again Singles 1968 "Just for You" b/w "Little Woman" 1970 "Only You Know and I Know" 1970 "Satin Red and Black Velvet Woman" 1972 "To Be Free" 1977 "So High (Rock Me Baby and Roll Me Away)" 1977 "We Just Disagree" 1978 "Mystic Traveller" 1978 "Don't It Make You Wonder" 1978 "Let It Go, Let It Flow" 1978 "Will You Still Love Me Tomorrow?" 1980 "Save Me" (with Michael Jackson) 1987 "Something In The Heart" 1988 "Dreams I Dream" (duet with Phoebe Snow) Session work 1967: Julian Covey & The Machine, "A Little Bit Hurt" / "Sweet Bacon" single guitar and vocals 1968: Family, Music in a Doll's House producer, songwriter of "Never Like This" 1968: The Jimi Hendrix Experience, Electric Ladyland acoustic guitar on "All Along the Watchtower", backing vocals on "Crosstown Traffic" 1968: The Rolling Stones, Beggar's Banquet shehnai on "Street Fighting Man" and mellotron on "Factory Girl" 1969: Gordon Jackson, Thinking Back producer, bass guitar, electric guitar, and slide guitar 1969: Merryweather, Word of Mouth songwriter, guitar, bass, and vocals 1970: Delaney & Bonnie & Friends with Eric Clapton, On Tour guitar 1970: George Harrison, All Things Must Pass guitar on various tracks 1970: Bobby Lester, Bobby Lester guitar on "Freedom" 1971: Delaney & Bonnie & Friends, Motel Shot guitar and vocals 1971: Graham Nash, Songs for Beginners electric guitar on "Military Madness" 1972: Jim Capaldi, Oh How We Danced harmonica on "Big Thirst", guitar on "Don't Be a Hero" 1972: Crosby and Nash, Graham Nash / David Crosby lead guitar on "Immigration Man" 1972: Bobby Keys, Bobby Keys songwriter on "Steal from a King" and "Crispy Duck" 1973: David Blue, Nice Baby and the Angel acoustic guitar, electric guitar, and vocals on "Outlaw Man" 1973: Graham Nash, Wild Tales 12-string guitar on "Oh! Camil (The Winter Soldier)" 1974: Phoebe Snow, Phoebe Snow electric guitar on "No Show Tonight" 1975: Wings, Venus and Mars electric guitar on "Listen to What the Man Said" 1978: Mike Finnigan, Black and White lead guitar on "Hideaway From Love" 1978: Stephen Stills, Thoroughfare Gap vocals on "You Can't Dance Alone", "We Will Go On", "What's the Game", and "Midnight Rider" 1979: Ron Wood, Gimme Some Neck acoustic guitar on "F.U.C. Her" 1983: Donovan, Lady of the Stars guitar on "Boy for Every Girl" 1983: Don Felder, Airborn vocals on "Never Surrender" 1988: Eric Clapton, Crossroads guitar on "Ain't That Loving You", originally recorded ca. 1974 1995: Fleetwood Mac, Time songwriter, producer, vocals, and guitar 2004: Noel Redding, The Experience Sessions sitar on "There Ain't Nothing Wrong", originally recorded ca. 1968 2010: Jimi Hendrix, West Coast Seattle Boy sitar on "Little One", originally recorded ca. 1968 2011: Derek and the Dominoes, Layla and Other Assorted Love Songs: 40th Anniversary Edition guitar and vocals on "Roll It Over", originally recorded June 1970 Support us!
13. Don McLean / American Pie 14. Buddy Holly / Peggy Sue Got Married 15. Crying, Waiting, Hoping / Marty Stuart & Steve Earle16. Maybe Baby / Justin Townes Earle17. Eric Clapton / Someone, Someone 18. Linda Ronstadt / It's So Easy 19. The Mavericks / True Love Ways 20. Rodney Crowell / That'll Be the Day (LR) 21. Joe Ely & Todd Snider / Oh Boy! 22. The Tractors / Think It Over 23. The Rolling Stones / Brown Sugar (featuring Bobby Keys on saxophone) 23. The Rolling Stones / Not Fade Away25. Los Lonely Boys / Well All Right 26. Los Lobos / Midnight Shift 27. Learning the Game / Waylon Jennings & Mark Knopfler (Dire Straits) 28. Stop the World / Dwight Yoakum 27. Heartbeat / Detroit Cobras 28. Black Keys / Dearest29. Ce Lo Green / You're So Square30. Bruce Springsteen / Rave On
En este episodio revisamos algunos de los puntos más importantes de "Let It Bleed" de The Rolling Stones, conversando sobre sus principales canciones, el inicio de la etapa dorada de la banda, el contexto musical y de la banda en la época, entre otros factores.
Only his mother and Micky D., call Lol, LaurenceBudgie posits, Micky D., polished the shoes on the tour bus Were the banshees upset when Robert left the Banshees?What would have happened - had that not happened?Strangeness in the Studio Robert there, but not there - nothing was said there.Bobby Keys only for Hyaena - It was a long album.Bob's position was untenable. Ideal of the band was primo important to Lol Post Pornography Chemistry Dysfunction (PPCD)Lol went to Cadaques with a French girl They had a cat on a lead – Dali-esque.Hyaena and The Top, released simultaneously!The Top was restful - Japanese Whispers – was a fitting title Budgie visited the filming of The Walk video and most Cure videos Did Severin want Robert to remain a Banshee?Lisa from Newcastle carved the Fish guitar .Budgie spots the Cure constant – (?)Pornography was the pinnacle of the 3-piece Cure Budgie recalls Robert and sister Janet sitting side-by-sideRecording the harpsichord for Dear Prudence Songs built from Jams - until they're not.Did the Banshees change Robert or did Robert just change? Where The Banshees always a 3-piece at heart? “What did we say Budgie?”“I dunno' what did we say Lol?”“We said, what we said, is what we said.”“'Nuff said then…” CONNECT WITH US:Curious Creatures:Website: https://curiouscreaturespodcast.comFacebook: @CuriousCreaturesOfficialTwitter: @curecreaturesInstagram: @CuriousCreaturesOfficialLol Tolhurst: Website: https://loltolhurst.comFacebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whooInstagram: @budgie646Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.
Hello there. A week of time travel in less than 10 minutes. Welcome to October 17th to 21st when in 1973 saxphonist Bobby Keys is booted from The Stones because of a Champagne bath! In 1989 Axl Rose is on the war path and a plane crash in 1977 changes everything for Lynyrd Skynyd. Enjoy! MartySee omnystudio.com/listener for privacy information.
Hello there. A week of time travel in less than 10 minutes. Welcome to October 17th to 21st when in 1973 saxphonist Bobby Keys is booted from The Stones because of a Champagne bath! In 1989 Axl Rose is on the war path and a plane crash in 1977 changes everything for Lynyrd Skynyd. Enjoy! MartySee omnystudio.com/listener for privacy information.
Keith Richards made Talk is Cheap in 1988 as a response to Mick Jagger's efforts as a solo artist and the sniping the two had engaged in via the press in the mid-80s. But the Glimmer Twins made up, recorded Steel Wheels in 1989 and launched one of the biggest tours in rock history, reestablishing the Stones as a viable touring act.However, Keith didn't want to give up this fabulous band he'd created with Steve Jordan (now in the Stones), Charlie Drayton, Ivan Neville, Waddy Wachtel, Sarah Dash and Bobby Keys. So while the Stones paused before Voodoo Lounge, Keith & the X-Pensive Wynos released Main Offender. Wicked As It Seems was a bit of a hit on rock radio and inspired Mick to work with Keith to create Love Is Strong off Voodoo Lounge.It's a great album and the band did tour to support it. We're reviewing the 30th anniversary edition which includes a live performance from England in 1993. Truth be told this one has been on the shelf for a while as the 30th anniversary edition was released in March 2022 but we've been busy with interviews, live concert reviews and lots of fun stuff. So ahead of its official anniversary on October 19, we offer our review of Main Offender 30th Anniversary Edition.Ugly American Werewolf in London WebsiteThe RockonteursTwitterInstagramYouTubeLInkTreewww.pantheonpodcasts.comWant to win front row seats to Nick Mason's Saucerful of Secrets in the US?Enter here to win tickets and a chance to be on a Pantheon Podcast: https://pantheonpodcasts.com/nickmasonWe'll be at the Indianapolis show Friday, October 14, Get tickets here: https://www.thesaucerfulofsecrets.com/
Keith Richards made Talk is Cheap in 1988 as a response to Mick Jagger's efforts as a solo artist and the sniping the two had engaged in via the press in the mid-80s. But the Glimmer Twins made up, recorded Steel Wheels in 1989 and launched one of the biggest tours in rock history, reestablishing the Stones as a viable touring act.However, Keith didn't want to give up this fabulous band he'd created with Steve Jordan (now in the Stones), Charlie Drayton, Ivan Neville, Waddy Wachtel, Sarah Dash and Bobby Keys. So while the Stones paused before Voodoo Lounge, Keith & the X-Pensive Wynos released Main Offender. Wicked As It Seems was a bit of a hit on rock radio and inspired Mick to work with Keith to create Love Is Strong off Voodoo Lounge.It's a great album and the band did tour to support it. We're reviewing the 30th anniversary edition which includes a live performance from England in 1993. Truth be told this one has been on the shelf for a while as the 30th anniversary edition was released in March 2022 but we've been busy with interviews, live concert reviews and lots of fun stuff. So ahead of its official anniversary on October 19, we offer our review of Main Offender 30th Anniversary Edition.Ugly American Werewolf in London WebsiteThe RockonteursTwitterInstagramYouTubeLInkTreewww.pantheonpodcasts.comWant to win front row seats to Nick Mason's Saucerful of Secrets in the US?Enter here to win tickets and a chance to be on a Pantheon Podcast: https://pantheonpodcasts.com/nickmasonWe'll be at the Indianapolis show Friday, October 14, Get tickets here: https://www.thesaucerfulofsecrets.com/
Rock Around The Blog perehtyy rockin alkuperäiseen syntiseen soolosoittimeen, saksofoniin. Fonin historiasta ja merkityksestä keskustelevat esimerkkien kautta Sami Ruokangas ja Pauli Kauppila. Jakson soittolista: https://open.spotify.com/playlist/7BWy6mVuUy2kTC7RmJOwJ4?si=59fbe075c83b4a01 Muista myös RATB:n FB: facebook.com/RockAroundTheBlogFinland/ Tämän jakson menossa ovat mukana Chuck Berry, Jimi Hendrix, Little Richard, Big Joe Turner, Lynyrd Skynyrd, Rolling Stones, Blues Live!, Adolphe Sax, Illinois Jacquet, Bill Haley And His Comets, Rudy Pompilli, Lee Allen, Phil Alvin, Dave Alvin, The Blasters, Jim Campilongo, Fabulous Thunderbirds, Gene Taylor, GA-20, Hound Dog Taylor, The HouseRockers, Alligator Records, Bruce Iglauer, Professor Longhair, Alvin ”Red” Tyler, Dr. John, Earl Palmer, Robert Parker, Charles Burbank, Charles Burbeck, Bobby Keys, Eric Clapton, Earl Bostic, Charlie Christian, Mickey Spillane, John Zorn, Bill Frisell, Ennio Morricone, Pink Floyd, Neville Brothers, Daniel Lanois, Brian Eno, Art Neville, Charles Neville, Aaron Neville, Cyril Neville, Bob Dylan, Tony Hall, Keith Richards, Grateful Dead, Jerry Garcia, Carlos Santana, The Meters, Booker T. & the M.G.'s, Royal Southern Brotherhood, Matt Schofield, David Bowie, Donny McCaslin, Maria Schneider, Tony Visconti, Ziggy Stardust, Alice Cooper, Arthur Brown, The Crazy World Of Arthur Brown, Screamin´ Jay Hawkins, King Diamond, John Fogerty, Sam ”The Man” Taylor, Charlie Haden Quartet West, Liberation Music Orchestra, Humphrey Bogart, Philip Marlowe, Raymond Chandler, Chet Baker, Ernie Watts, Sonny Rollins, Wayne Shorter, James Brown, Maceo Parker, Pee Wee Ellis, Fred Wesley, Marvin Gaye, Los Lobos, Steve Berlin, Thin Lizzy, Bruce Springsteen, Van Morrison, Supertramp, UFO, Michael Schenker, Paul Chapman, Paul Raymond, Neil Carter, Gary Moore, Bobby Womack, The Dirty Dozens Brass Band, Sakari Kukko, Piirpauke, Van Der Graaf Generator, Tom Waits, Clarence Clemons, Deep Purple ja Billy Joel.
In this episode, we celebrate the 50th anniversary of the release of the Rolling Stones' double album opus, 'Exile On Main St.' The culmination of their four-album streak that began with 'Beggars Banquet' and is as good of a four-album run as any artist has ever had, many consider 'Exile' to be the Stones' definitive work. This exercise unlocked an even greater appreciation of it for me, and I hope it will for you as well...Head over to Dr. Cropper's Office Hour to hear my conversation with my friend, Alex Mihalopoulos, about it: https://podcasts.apple.com/ca/podcast/dr-croppers-office-hour/id1576794096?i=1000561487492Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.comSupport the show
Welcome to Roadcase!! We are incredibly psyched that a Rolling Stone is on the bus for this episode: the one and only Karl Denson!! Karl has been rocking the saxophone for decades with his unique brand of funk, soul, jazz and blues in his various incarnations -- Tiny Universe and The Greyboy Allstars -- as well as lending his musical genius on tour with The Rolling Stones since 2015. Apart from his musical endeavors, Karl is a true Renaissance Man, contemplating many unique forms of artistic expression including writing a TV screenplay based on String Theory, the notion that all things are connected down to a molecular level. This type of ground-up thinking is just one of the many aspects that endears Karl to his legion of dedicated fans. But Karl also operates from a standpoint of extreme gratitude and grace, punctuated by his outspoken nature regarding his sharp socio-political points of view. He is truly a unique human and artist and we are honored to have him on the show. So hop aboard the Roadcase bus learn more from this elder-statesman of funk, Karl Denson. It's gonna be a great ride!For more information: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music: "Eugene (Instrumental)" by Waltzer
Hippy Hippy Shake! Hello Cleveland! Miten uuteen huippuluokan live-levyyn liittyy Tom Cruise?! Mitä punaista Juha nappasi mukaansa Kööpenhaminassa 1992? Kuuntele, viihdy ja äimisty! Uutisissa Rolling Stonesin El Mocambo -live, GA-20, Skid Row, Deep Purple, Mavis Staples, Levon Helm, Frank Zappa, Florence and the Machine, Southside Johnny and the Asbury Jukes, Ville Valo sekä Mick Jagger. Studiossa Sami Ruokangas ja Juha Kakkuri. Kuunnelluissa levyissä Keith Richards: Main Offender ja Georgia Satellites: Lightnin' In A Bottle - The Official Live Album. Jakson soittolista: https://open.spotify.com/playlist/0LeGIAotSVe58ZwQnn85kR?si=4ac1a5ea59d546fb Jutuissa mukana ovat myös April Wine, Chuck Berry, Hound Dog Taylor, Erik Grönwall, H.E.A.T, ZP Theart, Tank, Sebastian Bach, Hooters, Blue Öyster Cult, Sweden Rock, Motörhead, Scorpions, Mikkey Dee, Steve Morse, Simon McBride, Ian Gillan, Don Airey, Agents, Nick Cave, Tom Waits, Daniel Pemberton, Guy Richie, Steve Jordan, Charlie Watts, X-pensive Winos, Bobby Keys, Babi Floyd, Sarah Dash, LaBelle, Waddy Wachtel, Charley Drayton, Ronnie Wood, The Swinging Blue Jeans, Dan Baird, Dan Baird & Homemade Sin, Mick Brown, Jerkin' Crocus, Tom Cruise, Jerry Lee Lewis, Rick Richards, Rick Price, Mauro Magellan, Bon Jovi, Status Quo, Ian McLagan, George Jones, Del Shannon, Bill Haley, Ramones, Bruce Springsteen, Beatles ja Ringo Starr.
Sami Ruokankaan ja Juha Kakkurin rockuutisten katsauksen jälkeen Pauli Kauppilana haastattelussa vieraana on pitkän linjan muusikko, säveltäjä ja tuottaja Lasse Turunen. Lasse on kulkenut pitkän matkan rock- ja funk-juurilta kohti elektronisen musiikin tuotantoja. Jakson äänityshetkellä takana on jo 14 albumia ja lukuisia musiikki- sekä teatteriprojekteja. Tällä hetkellä Lasse toimii Pihka Is My Name -yhtyeessä Henna Helasvuon kanssa. Uusin Pihka Is My Name -albumi on jo kuunneltavissa Bandcampissa ja julkaistaan muihin steaming-palveluihin 25.2. Lassen ja Hennan musiikkia voi kuulla myös Ylen ja MTV:n tunnusmusiikkeina. Kuuntele mielenkiintoinen ja rento juttutuokio, josta mm. selviää miten sadepäivän ajanvietteeksi tehdyistä kotisohvan koeäänityksistä päästään Ilosaarirokkiin ja kiertueille. Lasse Turusen valinnat: https://open.spotify.com/playlist/4eUBChY9lC63CRpB303Wvz?si=94fa7473ef5a4023 Pihka Is My Name -soittolista: https://open.spotify.com/playlist/14oR2JciYzBCr9noUfVZ7i?si=5cb630a4d3654189 Jaksossa ovat mukana Slash, Michael Monroe, Franz Ferdinand, Keith Richards & The X-Pensive Winos, Allman Brothers Band, Debbie Harry, Mavis Staples, Warren Haynes, Gov´t Mule, Melissa Etheridge, Larkin Poe, Tyler Bryant, Anders Osborne, Jimmy Vivino, Maggie Rose, Kiefer Sutherland, Waddy Wachtel, Charley Drayton, Ivan Neville, Sarah Dash, Babi Floyd, Bobby Keys, W.A.S.P., Blackie Lawless, Uriah Heep, Aerosmith, Leslie West, Mountain, Zakk Wylde, Joe Lynn Turner, Robby Krieger, Steve Morse, Yngwie Malmsteen, Willie Nelson, Guns N' Roses, Myles Kennedy, Eddie Van Halen, Paul Brannigan, Brad Tolinski, Chris Gill, Henna Helasvuo, Sly & The Family Stone, Graham Central Station, Red Hot Chili Peppers, Ville Karttunen, Ukkosmaine, Pihka ja Myrsky, Pihka Is My Name, Beatles, Rolling Stones, Camden Live, U2, Bono, The Ark, John Frusciante, Jon Hopkins, Led Zeppelin, Neil Young, Sisters With Transistors, Daphne Oram, Robert Johnson, Kurt Cobain, The Pixies, Larry Graham ja Flea. Pihka Is My Name Bandcampissa https://pihkaismyname.bandcamp.com/
In 2017 I was able to attend a homecoming show for Bobby Whitlock. A Memphis native, Whitlock's initial foray into fame included playing a pivotal role in a band popular among musicians, Delaney & Bonnie. Whitlock had played with several local Stax Recording artists including Sam & Dave, Albert King, The Staple Singers, and Booker T & the MGs. He joined Delaney and Bonnie in 1968. While a member of this highly touted band, Whitlock met and played with what would become Derek & the Dominos including Carl Radle, Jim Gordon, and Eric Clapton. He also met and played with key musicians who would go on to significant roles including Bobby Keys (childhood neighbor of Buddy Holly and long-time sax player in the Rolling Stones) and Jim Price. In 1970 Whitlock recorded several tracks with George Harrison for his All Things Must Pass album. He also played with John Lennon, Apple Recording artist Doris Troy, and toured the album for Joe Cocker's Mad Dogs and Englishmen. Eventually, Whitlock, Gordon, Clapton, and Radle would form the band Derek and the Dominos (1970 - 1971) considered by many to be Clapton's finest 'band' ensemble. Working with Tom Dowd, Whitlock would get co-writing credits on nine tracks for the band's landmark album, Layla & Other Assorted Love Songs: Clapton's homage to then George Harrison's wife, Patti Boyd (whom Harrison met while filming A Hard Days Night with the Beatles). Interview with Bobby Whitlock (Derek & the Dominos feat Eric Clapton)1. Derek & the Dominos / Layla2. Derke & the Dominos / Keep on Growing3. Derke & the Dominos / Bell Bottom Blues 4. George Harrison / Let It Down 5. George Harrison / My Sweet Lord6. Rolling Stones / Just Wanna See His Face7. Derek & the Dominos / Little Wing 8. Derek & the Dominos / Tell the Truth/ Why Does Love Got to be So Sad?
Urodzeni: Włodzimierz Plaskota (Elita, Studio 202), Marek Ałaszewski (Klan), Peter Kingsbery (Cock Robin), Nelly Furtado [FOTO], Britney Spears, Maciej Szczepanik (Pectus).Zmarli: Mariska Veres (Shocking Blue), Eric Woolfson (Alan Parsons Project), Bobby Keys.Nagranie z roku 2021.
A fabulous discussion with drumming legends, Simon Kirke (Bad Company/Free) Steve Gorman (Black Crowes/Trigger Hippy), Gregg Bissonette (Ringo Starr All Star Band) and Don McAulay (Charlie's drum tech and currently Steve Jordan's drum tech). Lots of great and funny stories!
Ken, Chip and Kahuna are joined by actor Brian O'Halloran (Clerks 1-3)to review the long lost Seventies rock horror musical, Son of Dracula. How was a rock movie starring Ringo Starr, Harry Nilsson, Keith Moon, John Bonham, Peter Frampton, Leon Russell and Bobby Keys at the height of their fame unable to find distribution? How is it no one has ever even heard of this movie? Were there any drugs left in the UK by the time they wrapped shooting? Listen up and find out! And go see "Clerks 3" when it's in theaters next year!
Kesälähetyksessä Sami Ruokangas käy pikaisesti läpi muutaman uutisen, kuten Rolling Stonesin tulevan kiertueen ja esittelee live-levysuosikkina albumin, jolla kitaralegenda Eric Clapton asettui rivimuusikon rooliin Delaney ja Bonnie Bramlettin taustalle. Paitsi Samin suosikki, tämä albumi on myös esim. Black Crowes -yhtyeen Rich Robinsonille rakas ja se luetaan southern rockin alkuteoksiin. Jakson soittolista: https://open.spotify.com/playlist/2qlhvmySxaMXQUeUcE6nji?si=9f017d94bf044849 Kesäterassin menossa ovat mukana myös Uriah Heep, Cliff Evans, Tank, Bernie Marsden; Whitesnake, B.B. King, Albert King, Freddie King, Dr. John, Albert Collins, Jimi Hendrix, George Harrison, Blind Faith, Ike & Tina Turner, The Ikettes, Duane Allman, Wilson Pickett, The Beatles, Allman Brothers Band, Black Crowes, Humble Pie, Bobby Whitlock, Carl Radle, Jim Gordon, Jim Price, Bobby Keys, Rita Coolidge, Dave Mason, Traffic, Motörhead, Jimmy Miller, Andy Johns, Glyns Johns, Peter Green, Free, Derek and The Dominos, Spencer Davis Group, Steve Winwood, Mikko Alatalo, Juha Kakkuri, Outlaws, Molly Hatchet, Lynyrd Skynyrd, Cream, The Band, Merry Clayton, Gram Parsons, Flying Burrito Brothers, Mac Rebennack, Jimmy Page ja Led Zeppelin.
On Episode 183, I'm joined by Joe Ely, the acclaimed singer-songwriter and member of the legendary Lubbock band The Flatlanders. During this conversation, we talk about The Flatlanders' newest album, Treasure of Love (July 9), lost band names, other Ely supergroups, albums like Panhandle Rambler & Hi-Res, the collaboration musical Chippy, playing with Bobby Keys, and hear a few Stubb's stories. Note: This is the first in a three-part installment of interviews with Jimmie Dale Gilmore, Joe Ely, and Butch Hancock of The Flatlanders.This episode's presenting partner is Desert Door Texas Sotol and The Blue Light Live.New Slang PatreonNew Slang TwitterNew Slang InstagramNew Slang FacebookNew Slang Merch StoreThe Neon Eon PodcastThe Neon Eon Merch Store Support the show (https://www.paypal.me/ThomasMooney)
Band It About - Proudly Supporting Live Music "Podcast Series"
S2 E29 PAUL JIMMY SHARMAN Part 2. Paul is giving 4 Band It About podcast listeners the chance to WIN a Free Double Entry to the 'SATISFACTION - The Stones Show, at the Arkaba Hotel, Saturday 29th of May. Email your answer to the question given in the episode, along with your name and mobile number to: banditabout17@gmail.com Drawn Thurs 26th, SA only. In part 2, Paul miraculously manages to mention all of the following people: his wife Tracey, Bette Midler, Steve and Ben Todd, Steve Prestwich, Satisfaction band members plus Nigel Bourne, Louise Pearson, Peter Kershaw, Tonkin Family, Mark Meyer, Mario Marino, Bobby Keys, Rolling Stones, Royal Crown Revue, Jeff Algra, ABC's Snowflake podcast, Daniel Glass, Charlie Watts, Mick Jagger, a shout-out to Enrico Morena, and I get to ask the occasional question! Music: "Band It About" I would like to thank Catherine Lambert and Michael "Mitzi" Bryant for their collaboration on the very first Band It About podcast series theme. I think they did an amazing job don't you? Finish with Paul and his Satisfaction band members performing 'The Rolling Stones' hit from 1968, "Sympathy For The Devil", written by Mick Jagger and Keith Richards. I filmed the band performing this song at The Gov, Satisfaction video YouTube https://youtu.be/cMRnFDPRl8Q Don't forget to leave your voice message for a chance to win a free snare tune up and overhaul, from John Stephens. Subscribe Android phones http://www.subscribeonandroid.com/anchor.fm/s/10a6ecfc/podcast/rss Apple iPhone banditabout Paul Sharman 'Jim Sharman Presents' 0408 877 769 https://www.facebook.com/Voodoo-Lounge-Rehearsal-Room-Adelaide-398078234024217/ https://www.facebook.com/Satisfaction.thestonesshow Listen on Google Podcasts Listen on Apple podcasts Listen on Spotify https://www.podpage.com/band-it-about-podcast-series/ https://www.buymeacoffee.com/BANDIT https://www.facebook.com/allowmetoguideyoutothegig https://www.youtube.com/playlist?list=PLhg0WMgLVQYhLjgcWNQYKrg63Vh5suSfX https://www.instagram.com/banditaboutpodcastseries/ Email: banditabout17@gmail.com #musicinterviews #podcasts #banditabout #jimsharman #zillicymbals --- Send in a voice message: https://anchor.fm/dianne-spillane/message
In this episode, we take a deep dive into the life of Bobby Keys, an American sax player who got thrown out of The Rolling Stones for partying too hard.
Happy Monday, friends. This week Hank and Dave were joined by our newest buddy, the thoughtful and introspective Ryan Deffet; settle in for a soothing journey.Ryan is a driving force and singer/songwriter/guitarist for Chicago bands Space Gators and Faux Furrs while also finding the time to be an in-demand record producer and engineer. While following Ryan’s path we mull over the idea of writing for your audience, the dichotomy between the introverted artist and raucous rock and roll stage performance, being mindful in sharing and juggling energies across multiple projects, and the joy of moving into one’s own studio space.Also discussed: Melda Productions free plugin suite, Jack White being a good dude, Novation’s Aphex Twin collab, Behringer’s ARP 2600 clone, Google Hum to Search, Bobby Keys, officially kicking off the rename of Hank Hits with Neil Young’s After the Goldrush, perfect sandwiches, and the inherently debatable philosophy of Partscasters.The world’s scary enough, don’t yell at me when I’m trying to buy your stuff.
In this episode I review the Rolling Stones' recently released deluxe edition of Goats Head Soup, featuring the legendary Brussels Affair live album.
Syyskuun alussa julkaistiin Rolling Stonesin vuoden 1973 albumi Goats Head Soup, monenlaisena messevänä boxina. Rock Around The Blogin Sami Ruokangas, Juha Kakkuri ja Pauli Kauppila hämmentävät kauriinpääsoppaa, analysoivat levyä ja purkavat Rollari-myyttejä. Jamaicalla puukkomies hyökkää Billin ja Astridin hotellihuoneeseen. 10-vuotias piikittää heroiinia puistossa ja ilmassa on huumeista väkivaltaa. Musiikki on rock-funkia. Vastapainona kuullaan Angie-hittiballadi, mutta kenestä se kertoo? Van Morrisonin ja Gram Parsonsin vaikutus ulottuu impressionistisiin sanoituksiin. 1973-kiertueeella äänitetään Stonesin paras livelevy. Bobby Keys kylpee samppanjassa ja saa kenkää. Nicky Hopkins on merkittävässä roolissa Goats Head Soupilla, mutta hänetkin vaihdetaan pian Billy Prestoniin. Rock Around The Blogin omien nuoruusmuistojen lisäksi käsitellään ennen julkaisemattomat harvinaisuudet: All The Rage, Criss Cross ja Scarlet, jolla Jimmy Pagen vierailee. Dancing With Mr. D ja koko albumi heijastelee myös New Orleansin voodoo pappi Dr. Johnin vaikutusta ja kaurinpääsoppa lisää mieskuntoa. Mukana menossa ovat myös Uglu & The Silkience, Jimmy Miller, Mick Taylor, Keef Richards, Pink Floyd, Ian ”Stu” Stewart, Bill Janovitz, Funkadelic, Muddy Waters, Quireboys, Hanoi Rocks, Esko Riihelä, Petri ja Pettersson Brass, David Bowie ja Tuhmat Tädit.
Other topics include: The Seattle music scene being totally inbred. Portland musical cliques. The Stone Roses, Grant Heart and Husker Du, Joe Bass and Bobby Keys. Mike giving an audition tape to Sunny Day Real Estate. What a mistake it is for labels to not make digital copies of their existing tape inventory. Jamie tells his attempt to get on a major tour with the Violent Femmes strategy. "Cure hair" and Randy Rhoads. Microfiche vs the smart phones How being nineteen in 1990 is way different than being nineteen in 2020 and living Groundhog Day. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/goldenshower/message Support this podcast: https://anchor.fm/goldenshower/support
In this episode Jamie and Mike gush over their love of each of The Who members, but take them to task over some of the covers on this record. A word of advice, never ever cover James Brown. As always, the conversation veers to other bands, and their influences. The missed opportunity of Bobby Keys not being a keyboard player, and the playability of three pickup Gibson SGs The end of the episode almost sees the end of the podcast in general, as Jamie and Mike clash over the idea that Jimi Hendrix is on the same songwriting plane as The Who. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/goldenshower/message Support this podcast: https://anchor.fm/goldenshower/support
Bravid (as they are sometimes known) discuss Harry Nilsson's "Nilsson Schmilsson". David attempts and fails to compare Harry Nilsson to Mickey Rourke and Brandon gives a huge shout out to Bobby Keys. You know Bobby Keys, right? Don't we all know Bobby Keys? Am I the only one who doesn't know Bobby Keys? --- Send in a voice message: https://anchor.fm/latetotheparty1989/message
Gestur þáttarins að þessu sinni er Björn Ingi Hrafnsson frá Viljanum. Hann mætir með uppáhalds ROKKplötuna sína klukkan 21.00. Vinur þáttarins sendir lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er Sticky Fingers með Rolling Stones sem kom út 23. Apríl 1971. Sticky Fingers þykir ein af betri plötum Rolling Stones og hún er níunda stóra platan sem sveitin sendi frá sér í Bretlandi, ellefta í Bandaríkjunum. Plöturnar sem komu út í Bretlandi voru ekki eins og þær sem komu út í Bandaríkjunum til að byrja með, en svo breyttist það. Sticky Fingers er fyrsta plata Rolling Stones sem kom út á þeirra eigin vegum, undir merkjum Rolling Stones Records, en sveitin hafði fram til þessa frá 1963 verið samningsbundin Decca útgáfunni. Þetta er önnur plata Stones þar gítarleikarinn Mick Taylor spilar, en hann tók við af stofnanda sveitarinnar, Brian Jones. Platan seldist gríðarlega vel þegar hún kom út og það er slatti af smellum og þekktum lögum á henni, t.d. Brown sugar, Dead flowers, Wild horses og Can?t you hear me knockin. Umslagið hannaði sjálfur Andy Warhol. Það sýnir ljósmynd í fullri stærð af karlmannsmiðju í gallabuxum. Og á gallabuxunum er alvöru rennilás. Það er að segja, á upprunalegu útgáfunni. Og ef maður renndi niður sást í nærbuxur. Rennilásinn átti það til að skemma vinylinn og þess vegna var rennilásnum sleppt í endurútgáfum plötunnar, þá var bara mynd af rennilásnum. Sticky Fingers þykir afturhvarf til fyrri tíma Rolling Stones. Það er lítið um aukahljóðfæri á plötunni eins og þeir höfðu verið að gera tilraunir með á plötunum á undan henni. Liðsmenn hljómsveitarinnar eru allir í aðalhlutverkum; Mick Jagger (söngur, slagverk og gítar), Keith Richards (gítar og raddir), Mick Taylor (gítar), Bill Wyman (bassi), og Charlie Watts (trommur). Þar fyrir utan spila með þeim á plötunni nokkrir góðir og fastir liðsmenn; Bobby Keys (saxófónn), og píanóleikararnir Billy Preston, Jack Nitzsche, Ian Stewart, og Nicky Hopkins. Miðnes - Einar Rolling Stones - Bitch (plata þáttarins) Rock paper Sisters - Restless QOTSA - Turnin on the sqrew Ramones - Rockaway beach Deep Purple - Jelp VINUR ÞÁTTARINS Deep Purple - Hush SÍMATÍMI Iron Maiden - Brace new world Black Sabbath - Iron Man Rolling Stones - I got the blues (plata þáttarins) Roxy Music - Out in the fields (óskalag) Phil Lynott og Gary Moore - Out in the fields (óskalag) At the Drive in - One armed scissor (óskalag) Sports Team - Going soft Jet Black Joe - Fuzz GESTUR FUZZ - Björn Ingi Hrafnsson U2 - Pride in the name of
Gestur þáttarins að þessu sinni er Björn Ingi Hrafnsson frá Viljanum. Hann mætir með uppáhalds ROKKplötuna sína klukkan 21.00. Vinur þáttarins sendir lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er Sticky Fingers með Rolling Stones sem kom út 23. Apríl 1971. Sticky Fingers þykir ein af betri plötum Rolling Stones og hún er níunda stóra platan sem sveitin sendi frá sér í Bretlandi, ellefta í Bandaríkjunum. Plöturnar sem komu út í Bretlandi voru ekki eins og þær sem komu út í Bandaríkjunum til að byrja með, en svo breyttist það. Sticky Fingers er fyrsta plata Rolling Stones sem kom út á þeirra eigin vegum, undir merkjum Rolling Stones Records, en sveitin hafði fram til þessa frá 1963 verið samningsbundin Decca útgáfunni. Þetta er önnur plata Stones þar gítarleikarinn Mick Taylor spilar, en hann tók við af stofnanda sveitarinnar, Brian Jones. Platan seldist gríðarlega vel þegar hún kom út og það er slatti af smellum og þekktum lögum á henni, t.d. Brown sugar, Dead flowers, Wild horses og Can?t you hear me knockin. Umslagið hannaði sjálfur Andy Warhol. Það sýnir ljósmynd í fullri stærð af karlmannsmiðju í gallabuxum. Og á gallabuxunum er alvöru rennilás. Það er að segja, á upprunalegu útgáfunni. Og ef maður renndi niður sást í nærbuxur. Rennilásinn átti það til að skemma vinylinn og þess vegna var rennilásnum sleppt í endurútgáfum plötunnar, þá var bara mynd af rennilásnum. Sticky Fingers þykir afturhvarf til fyrri tíma Rolling Stones. Það er lítið um aukahljóðfæri á plötunni eins og þeir höfðu verið að gera tilraunir með á plötunum á undan henni. Liðsmenn hljómsveitarinnar eru allir í aðalhlutverkum; Mick Jagger (söngur, slagverk og gítar), Keith Richards (gítar og raddir), Mick Taylor (gítar), Bill Wyman (bassi), og Charlie Watts (trommur). Þar fyrir utan spila með þeim á plötunni nokkrir góðir og fastir liðsmenn; Bobby Keys (saxófónn), og píanóleikararnir Billy Preston, Jack Nitzsche, Ian Stewart, og Nicky Hopkins. Miðnes - Einar Rolling Stones - Bitch (plata þáttarins) Rock paper Sisters - Restless QOTSA - Turnin on the sqrew Ramones - Rockaway beach Deep Purple - Jelp VINUR ÞÁTTARINS Deep Purple - Hush SÍMATÍMI Iron Maiden - Brace new world Black Sabbath - Iron Man Rolling Stones - I got the blues (plata þáttarins) Roxy Music - Out in the fields (óskalag) Phil Lynott og Gary Moore - Out in the fields (óskalag) At the Drive in - One armed scissor (óskalag) Sports Team - Going soft Jet Black Joe - Fuzz GESTUR FUZZ - Björn Ingi Hrafnsson U2 - Pride in the name of
Gestur þáttarins að þessu sinni er Björn Ingi Hrafnsson frá Viljanum. Hann mætir með uppáhalds ROKKplötuna sína klukkan 21.00. Vinur þáttarins sendir lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er Sticky Fingers með Rolling Stones sem kom út 23. Apríl 1971. Sticky Fingers þykir ein af betri plötum Rolling Stones og hún er níunda stóra platan sem sveitin sendi frá sér í Bretlandi, ellefta í Bandaríkjunum. Plöturnar sem komu út í Bretlandi voru ekki eins og þær sem komu út í Bandaríkjunum til að byrja með, en svo breyttist það. Sticky Fingers er fyrsta plata Rolling Stones sem kom út á þeirra eigin vegum, undir merkjum Rolling Stones Records, en sveitin hafði fram til þessa frá 1963 verið samningsbundin Decca útgáfunni. Þetta er önnur plata Stones þar gítarleikarinn Mick Taylor spilar, en hann tók við af stofnanda sveitarinnar, Brian Jones. Platan seldist gríðarlega vel þegar hún kom út og það er slatti af smellum og þekktum lögum á henni, t.d. Brown sugar, Dead flowers, Wild horses og Can?t you hear me knockin. Umslagið hannaði sjálfur Andy Warhol. Það sýnir ljósmynd í fullri stærð af karlmannsmiðju í gallabuxum. Og á gallabuxunum er alvöru rennilás. Það er að segja, á upprunalegu útgáfunni. Og ef maður renndi niður sást í nærbuxur. Rennilásinn átti það til að skemma vinylinn og þess vegna var rennilásnum sleppt í endurútgáfum plötunnar, þá var bara mynd af rennilásnum. Sticky Fingers þykir afturhvarf til fyrri tíma Rolling Stones. Það er lítið um aukahljóðfæri á plötunni eins og þeir höfðu verið að gera tilraunir með á plötunum á undan henni. Liðsmenn hljómsveitarinnar eru allir í aðalhlutverkum; Mick Jagger (söngur, slagverk og gítar), Keith Richards (gítar og raddir), Mick Taylor (gítar), Bill Wyman (bassi), og Charlie Watts (trommur). Þar fyrir utan spila með þeim á plötunni nokkrir góðir og fastir liðsmenn; Bobby Keys (saxófónn), og píanóleikararnir Billy Preston, Jack Nitzsche, Ian Stewart, og Nicky Hopkins. Miðnes - Einar Rolling Stones - Bitch (plata þáttarins) Rock paper Sisters - Restless QOTSA - Turnin on the sqrew Ramones - Rockaway beach Deep Purple - Jelp VINUR ÞÁTTARINS Deep Purple - Hush SÍMATÍMI Iron Maiden - Brace new world Black Sabbath - Iron Man Rolling Stones - I got the blues (plata þáttarins) Roxy Music - Out in the fields (óskalag) Phil Lynott og Gary Moore - Out in the fields (óskalag) At the Drive in - One armed scissor (óskalag) Sports Team - Going soft Jet Black Joe - Fuzz GESTUR FUZZ - Björn Ingi Hrafnsson U2 - Pride in the name of
Birthday twins exist in many of our lives. Knowing two people who share the same birthday and year is fairly common, even surprisingly, in Rock And Roll! Most knowledgeable Rockers know that Keef and Bobby were born on the same day, December 18, 1943.As we delved into it, we found a surprising number of Birthday Twins with interesting musical and daily life connections. So, pop in your Jack Daniels IV and kick back for some misadventure with the "pride" of Texas and Dartford, Kent!!This show is part of Pantheon Podcasts
Birthday twins exist in many of our lives. Knowing two people who share the same birthday and year is fairly common, even surprisingly, in Rock And Roll! Most knowledgeable Rockers know that Keef and Bobby were born on the same day, December 18, 1943.As we delved into it, we found a surprising number of Birthday Twins with interesting musical and daily life connections. So, pop in your Jack Daniels IV and kick back for some misadventure with the "pride" of Texas and Dartford, Kent!!This show is part of Pantheon Podcasts
Birthday twins exist in many of our lives. Knowing two people who share the same birthday and year is fairly common, even surprisingly, in Rock And Roll! Most knowledgeable Rockers know that Keef and Bobby were born on the same day, December 18, 1943. As we delved into it, we found a surprising number of Birthday Twins with interesting musical and daily life connections. So, pop in your Jack Daniels IV and kick back for some misadventure with the "pride" of Texas and Dartford, Kent!! This show is part of Pantheon Podcasts
Birthday twins exist in many of our lives. Knowing two people who share the same birthday and year is fairly common, even surprisingly, in Rock And Roll! Most knowledgeable Rockers know that Keef and Bobby were born on the same day, December 18, 1943. As we delved into it, we found a surprising number of Birthday Twins with interesting musical and daily life connections. So, pop in your Jack Daniels IV and kick back for some misadventure with the "pride" of Texas and Dartford, Kent!! This show is part of Pantheon Podcasts
Rock Around The Blog -tiimimme tuo jälleen valoa synkkyyteen ja piristystä huolestuneeseen tunnelmaan. Sami Ruokangas ja Juha Kakkuri heittävät kumpainenkin kolme levyvinkkiä ja juttu juoksee niiden ymärillä. Kuuntele, viihdy ja sivisty. Mukana mm. Buddy Holly, Richie Valens, Big Bopper, Don McLean, Madonna, Roberta Flack, Hector, Elvis, Paul McCartney, Rolling Stones, Johnny Kidd & The Pirates, Cliff Richard & The Shadows, Magic Slim & The Teardrops, Morris Holt, Hessu Heinonen, Magic Sam, Hound Dog Taylor, Muddy Waters, John Primer, Nick Holt, Blues Live! Rauma Blues, Blues News, Professor Longhair, George Thorogood, Bo Biddley, Chuck Berry, Willie Dixon, Joe Ely, Bobby Keys, Dion, Status Quo, Keith Richrads, Jimmy Page & The Black Crowes, Robert Plant, The Who, GA-20, Luther Dickinson, North Mississippi All-Stars, Larkin Poe, Black Keys, Jim Dickinson, Magnum, Tony Clarkin, Bob Catley, Uriah Heep ja Deep Purple.
Fanny special with in conversation with David Eastaugh. Fanny was an American rock band, active in the early 1970s. They were one of the first all-female rock groups to achieve critical and commercial success, including two Billboard Hot 100 top 40 singles. The group was founded by guitarist June Millington and her sister, bassist Jean, (who had been playing music together since they moved from the Philippines to California in the early 1960s). After playing through several variations of the band, they attracted the interest of producer Richard Perry who signed them to Reprise Records in 1969 as Fanny. The band recorded four albums together before June Millington quit the group, leading to the original line-up splitting. Following a final album, Fanny disbanded in 1975. The Millington sisters have continued to play music together since the split, and with a former drummer, Brie Howard Darling, formed the spin-off group Fanny Walked the Earth in 2018. The group has continued to attract critical acclaim for rejecting typical girl group styles and expectations of women in the rock industry generally, and emphasizing their musical skills. Later groups, such as The Bangles and The Runaways, cited Fanny as a key influence. Sisters June and Jean Millington moved with their family from the Philippines to Sacramento, California, in 1961. They began to play music together on ukuleles as they found it helped them gain friends. In high school they formed an all-female band called the Svelts with June on guitar, Jean on bass, Addie Lee on guitar, and Brie Brandt on drums. Brandt left to get married and was later replaced by Alice de Buhr. When the Svelts disbanded, de Buhr and Lee formed another all-female group called Wild Honey. The Millington sisters later joined this band, which played Motown covers and eventually moved to Los Angeles. Frustrated by a lack of success or respect in the male-dominated rock scene, Wild Honey decided to disband after one final open-mic appearance at the Troubadour Club in Los Angeles in 1969. They were spotted at this gig by the secretary of producer Richard Perry, who had been searching for an all-female rock band to mentor. Perry convinced Warner Bros. Records to sign the band, still known as Wild Honey, to Reprise Records. The group won the contract without the label hearing them play, on the grounds of being a novelty act, despite their genuine musical talent. Prior to recording their first album, the band recruited keyboardist Nickey Barclay. The band was then renamed Fanny, not with a sexual connotation but to denote a female spirit. The initial lineup consisted of June Millington on guitar, Jean Millington on bass, de Buhr on drums, Barclay on keyboards, and Brandt on lead vocals and percussion. Perry dismissed Brandt because he wanted the group to be a self-contained four piece band like The Beatles. The Millingtons and Barclay all assumed lead vocal duties on alternating songs, while de Buhr sang lead occasionally on later albums. Perry produced the band's first three albums, beginning with Fanny in 1970. Because of the connection to Perry and Reprise Records, Barclay was invited to tour with Joe Cocker as a backing singer, and consequently appeared on the album Mad Dogs and Englishmen. The group's cover of Cream's "Badge" from the first album had significant radio airplay. The follow-up album, Charity Ball was released the following year, and its title track reached #40 on the Billboard Hot 100. The members of Fanny also worked as session musicians, and played on Barbra Streisand's 1971 album Barbra Joan Streisand, after Streisand had wanted to record with a small band. The group continued to pick up well-known fans; David Bowie sent the group a letter admiring their work and invited the band to a post-show party where he showed them mime techniques. With young engineer Leslie Ann Jones as their road manager and live sound mixer, Fanny toured worldwide, opening for Slade, Jethro Tull and Humble Pie, gaining widespread popularity in the United Kingdom. A 1971 article in Sounds remarked that the group "seems that they are the support group to everyone these days". The group made several live television appearances during tours, including The Sonny and Cher Show, American Bandstand, The Old Grey Whistle Test and Beat-Club. The group's third album, Fanny Hill (1972) featured the Beatles' engineer Geoff Emerick in addition to Perry's production. It included a cover of "Hey Bulldog" and Marvin Gaye's "Ain't That Peculiar". The latter featured regular Rolling Stones saxophonist Bobby Keys, and was released as a single, reaching #85 on the Billboard Hot 100.[16][17] Fellow Stones sideman Jim Price also played brass on the album.Rolling Stone wrote a rave review of the album, praising the group's musical skills and particularly June Millington's ability to play both lead and rhythm guitar. Their fourth album, Mother's Pride (1973), was produced by Todd Rundgren. By the time Mother's Pride was released, June Millington was feeling constrained by the group format. The record label wanted her to wear certain designer clothes and adopt a hard rock image, which she resisted. She decided to quit the group, later saying "I needed to figure out who I was" and regularly clashed with Barclay, who had a different personality to her. June moved to Woodstock to study Buddhism, but insisted the group continue without her. de Buhr also left the band, with Brandt returning on drums. Patti Quatro (sister of Suzi Quatro) replaced June on guitar. This lineup signed with Casablanca Records and released the final Fanny album, Rock and Roll Survivors, in 1974. The first single, "I've Had It" reached #79 on the Billboard Hot 100. Brandt left the band shortly after the album's completion when she married composer James Newton Howard, and was briefly replaced by Cam Davis. Barclay quit the group at the end of 1974, thinking it was not working without June Millington. The second single, "Butter Boy" was written by Jean Millington about Bowie, and became their biggest hit, reaching #29 on the Billboard Hot 100 in April 1975. By the time that was released, the group had split.
In which the Simple Man reviews Don't Ask Me No Questions, tells a whale of a tale about Bobby Keys, shares Dad reviews, and introduces the new Ronnie Rumbyles segment. Turn it up.
Equal parts myth and legend, the New Barbarians are one of the greatest bands many people have never heard — or heard of! Put together by Ron Wood, the band featured fellow Stone Keith Richards, the Faces’ Ian MacLagan, sax player Bobby Keys, and a legendary rhythm section of the Meters’ Ziggy Modeleste and jazz great Stanley Clarke.Author Rob Chapman details how the band came about, it’s singular tour, and how this unique ensemble of incredible talent played — both onstage and off!
Nos habíamos quedado la semana pasada repasando la pléyade de artistas que eclosionaron en el pequeño espacio de tiempo que va de inicios de 1972 hasta mediados del 1973, nombres importantes en la historia de la música popular que, con mayor o menor fortuna, consiguieron, al menos en una ocasión, captar la atención de los aficionados. Pasaron por el programa un buen número de ellos pero fueron muchos más. Así que, hoy, nos ocuparemos de todos, bueno, de casi todos ellos. Todavía a este lado del Atlántico, nos encontramos con un gran grupo inglés, Faces, liderado por el carismático Rod Stewart. Les hemos oído interpretando su éxito Maggie may. En ediciones anteriores ya nos ocupamos de este consagrado cantante por lo que, hoy, lo citamos solo de pasada. Con nuestro siguiente invitado nos pasa más o menos lo mismo. Ya hablamos de él en otro programa pero, merece la pena, y mucho, volver sobre su obra y su genial estilo de tocar la guitarra, esa manera descarnada y directa de ponernos el corazón en un puño. Estamos hablando de Rory Gllagher, líder del grupo Taste y guitarrista de técnica envidiable. Lo escuchamos en Cradle rock. Hablaremos ahora de un tipo especialmente controvertido. Yusuf Islam, más conocido por su nombre artístico Cat Stevens y que antes se llamó Steven Demetre, nacido en Londres, el 21 de julio de 1948, y que fue un brillante cantautor, compositor y multinstrumentista. Desde su debut en 1967 fue cosechando éxito tras éxito con, entre otros, dos álbumes triple platino. Y esto no es cualquier cosa. Concretamente, su álbum debut de 1967 ingresó en el Top 10 de éxitos en el Reino Unido, y la canción "Matthew and Son" logró colarse en la segunda posición en la lista UK Singles Chart. Le escuchamos en Morning has broken Tras alguna crisis entre existencialista y mística, Stevens se convirtió al Islam en 1978 y adoptó el nombre Yusuf Islam al año siguiente. Aunque renunció a su carrera como músico pop, fue persuadido para realizar un último recital. Apareciendo con cabello corto y una larga barba, encabezó un concierto benéfico el 22 de noviembre de 1979 en el estadio de Wembley en beneficio del Año Internacional del Niño de UNICEF. Después de esta aparición, Yusuf abandonó su carrera musical durante casi tres décadas. Desde su conversión, su actividad ha estado seguida con lupa y fue duramente criticado cuando supuestamente apoyó con sus declaraciones la fatua o pronunciamiento jurídico del ayatollah Jomeini contra el escritor anglo-indio Salman Rushdie, debido a la presunta blasfemia cometida en su novela Los versos satánicos. Más tarde aseguró que había sido tomado por sorpresa y que los medios, de una manera tendenciosa, desnaturalizaron el sentido de sus palabras. Días después hizo un comunicado donde dejaba muy claro que, aunque detestaba el contenido del libro, no estaba de acuerdo con la fatua, diciendo: "Según la ley del islam, los musulmanes deben ceñirse a las leyes de los países donde tengan residencia". Supongo que, para curarse en salud, inmediatamente después de los ataques del 11 de septiembre de 2001 en los Estados Unidos, Yusuf afirmó: Quiero expresar el horror que siento por los atentados terroristas contra personas inocentes en Estados Unidos el día de ayer. Aunque aún no hay claridad sobre los causantes de este acto, debo recordar que ningún musulmán en sus cabales podría siquiera avalar semejante acción. El Corán considera el asesinato de una sola persona igual al asesinato de toda la humanidad. Oramos por las familias de los que fallecieron en este acto de violencia y por los heridos y espero reflejar los sentimientos de todos los verdaderos musulmanes en relación a este penoso momento. A pesar de todo, Yusuf, que se encontraba en un vuelo entre Londres y Washington para asistir a una reunión con la actriz y cantante Dolly Parton, fue detenido por el Departamento de Seguridad de los Estados Unidos, se le negó el acceso al país y fue enviado de vuelta al Reino Unido. Por suerte, y después de muchas gestiones, dos años más tarde Yusuf fue admitido sin problema en los Estados Unidos para brindar algunos recitales y entrevistas como promoción de su nueva producción discográfica. Y bueno, ahí sigue. Y cambiando de registro, pero en este mismo lado del océano, nos topamos con la ELO, Electric Light Orchestra y su vibrante Rock n' Roll Is King. Electric Light Orchestra (ELO) es un grupo inglés de rock progresivo natural de Birmingham (Inglaterra) y liderado por el músico Jeff Lynne. La ELO se formó para dar cabida al deseo de Lynne y de su colega Roy Wood de crear canciones de rock modernas con tintes clásicos. A pesar del éxito de sus primeros sencillos en el Reino Unido, donde el grupo obtuvo una mayor popularidad fue en los Estados Unidos; alli se convirtieron en una de las bandas con mayores ventas de la industria. Entre 1972 y 1986, y a pesar de no obtener ningún número uno, la Electric Light Orchestra acumuló un total de quince sencillos top 10 en el Reino Unido y siete en los Estados Unidos, y mantiene el récord de éxitos en el top 40 de la historia de Billboard sin haber cosechado un número uno. Tras su separación en 1986, Lynne volvió a reformar la Electric Light Orchestra en dos ocasiones: en 2001, con la publicación de Zoom, y en 2015, bajo el nombre de Jeff Lynne's ELO, para el lanzamiento de Alone in the Universe. Como colofón, la banda entró en el Salón de la Fama del Rock and Roll el 7 de abril de 2017. Y ahora amigos, abróchense los cinturones porque vamos a cruzar el charco. Y, allí, en mitad todo, estaba la mastodóntica Motown que, aunque en sus orígenes estaba dedicada en cuerpo y alma a la promoción de la música negra, con notable éxito por cierto, no tardó en sumarse a las nuevas tendencias, el negocio es el negocio (como día Marx, señora estos son mis principios pero si no le gustan tengo otros), y lanza su primer grupo blanco: Rare Earth. Esta banda, radicada en Detroit, se mantuvo activa entre 1967 y 1979. Aunque lo cierto es que, su mayor mérito ha sido el ya citado, ser el primer grupo blanco del famoso sello. En fin, no digo que fueran unos mantas pero dejaron poca huella de su carrera. Quienes si que la dejaron por varios motivos fueron The James Gang, un grupo de rock y hard rock estadounidense, formado en Cleveland, Ohio, en el año 1966. Y por cierto, uno de los miembros de la banda, el guitarrista y vocalista Joe Walsh, se haría mundialmente famoso al incorporarse posteriormente a la banda Eagles. Entre sus composiciones más conocidas, se encuentran «Funk #49» y «Walk Away». El grupo se separó oficialmente en 1976, no sin antes dejarnos la ya citada joya: Walk Away. Zager & Evans fueron un grupo de música rock de Lincoln, Nebraska de finales de los años 1960 y principios de los 1970. El nombre proviene de sus dos miembros, Danny Zager y Rick Evans, quienes se conocieron en la universidad de Nebraska. Zager y Evans se hicieron famosos por el tema "In the Year 2525" ("En el año 2525"), escrita por Rick Evans, que alcanzó el número 1 de las listas en julio de 1969. La canción prevenía sobre los peligros de la tecnología, dibujando un futuro en el cual la raza humana sería destruida por sus propias innovaciones tecnológicas y médicas, por los robots, así como por la ira divina. En fin, lo de la ira divina no lo sé, pero el resto… ahí está. La última estrofa de la canción insinúa un onírico ciclo continuo de nacimiento-muerte-renacimiento de la humanidad. ¡Que cosas! "In the Year 2525" estuvo durante 6 semanas como número uno en las listas de los más populares en 1969. También llegó a ser número 1 en el Reino Unido. La coincidencia hizo que fuera número 1 de las listas en los EE.UU el 20 de julio de 1969, fecha en la que los astronautas Armstrong y Aldrin pisaron la luna por primera vez Zager y Evans disolvieron el dúo, pero ambos continúan en el mundo de la música y siguen siendo amigos. Por cierto, si alguien está interesado, Danny Zager se dedica en la actualidad a construir guitarras a medida. Harry Nilsson nació el 15 de junio de 1941, Brooklyn, Nueva York fue un notable compositor y cantante que colaboró estrechamente con el famoso productor Phil Spector. En 1967 obtuvo un considerable éxito con su canción Everybody’s talkin, tema principal de la banda sonora de la película Midnight Cowboy, pero la fama no le sentó nada bien porque, desde ese momento, el hombre empezó a beber como un autentico cosaco. A finales del mes de enero del año 1971, Nilsson se encontraba en la casa de Mama Cass, en Hollywood. Unos cuantos amigos, entre ellos, Graham Nash, jugaban al póker y bebían hasta la intoxicación, con la música puesta como fondo. En el tocadiscos sonaba el nuevo álbum de los Badfingers, un grupo patrocinado por los Beatles. En un momento dado, alguien dio la vuelta al disco de vinilo y empezó a sonar la canción ‘Without you’, el primera tema de la caba B del disco. Nilsson apartó la cartas, el alcohol, y a sus amigos y empezó a prestar atención a la canción. Como vio el sello de Apple, creyó que Paul o John le habrían dado esta enorme canción a sus patrocinados, pero en el disco de vinilo ponía claramente que la canción la habían escrito Pete Ham y Tom Evans, componentes de Badfinger. El resto es historia. Nilsson grabó ‘Without you’ en los estudios Trident de Londres, donde se había grabado y mezclado la canción. Richard Perry le sugirió que hicieran una versión más sentimental que la original, más lenta y profunda, le sugirió incluso, que se atreviera con un arreglo de cuerda. Así fue: Nilsson logró un numero uno mundial. En 1974 conoció a John Lennon y coincidiendo con una separación temporal con Y?ko Ono, se hicieron amigos y compañeros de juergas. Lennon produjo y colaboró con Nilsson en un álbum llamado: Pussy Cats en la que también participó Ringo Starr. También en ese año, Harry co-protagonizó una película titulada "Son of Dracula" al lado de Ringo Starr y cuya banda sonora fue co-producida por ambos. En la edición del disco colaboraron gente tan importantes como Peter Frampton, Klaus Voormann, Ray Cooper, Bobby Keys, Nicky Hopkins, Gary Wright, Jim Gordon, y otros. Harry Nilsson aparece también en el video de la canción "Only You" de Ringo Starr, en la cual colaboró también John Lennon. La verdad es que los Beatles, a veces, hacían cosas muy raritas. La salud de Nilsson se había deteriorado como consecuencia de su disoluta existencia. Este deterioro le provocó un ataque cardíaco masivo en 1993. Embarcado en un proyecto para lanzar una caja con los grandes éxitos de su carrera, había terminado de grabar las voces para el álbum y aquella misma noche del 15 de enero de 1994 falleció por una insuficiencia cardiaca. Amen. En 1959 murieron Buddy Holly, Ritchie Valens y The Big Booper. Sobre este acontecimiento, que se conoció como el día que murió la música, el neoyorkino Don McLean compuso su famosa balada «American Pie» que fue número uno en todas las listas. En 1981, McLean llegó al número uno internacional con el clásico de Roy Orbison «Crying». El mismo Orbison describió, en una oportunidad, a McLean como «la voz del siglo», y una posterior regrabación del tema por Orbison incorporó elementos de la versión de McLean. Un músico que influenció en gran medida a un gran número de estrellas fue JJ Cale. Cale nació el 5 de diciembre de 1938 en Oklahoma City y se trasladó a Los Ángeles a comienzos de la década de 1960, donde comenzó a trabajar como ingeniero de sonido en diferentes estudios. Debido a su poco éxito como artista, regresó a su pueblo y consideró abandonar la industria de la música hasta que Eric Clapton hizo una nueva versión de «After Midnight» en 1970. Escuchamos una versión interpretada por ambos. Su primer álbum, Naturally, estableció su propio estilo musical, que en el periódico Los Angeles Times definia como «un híbrido único de blues, folk y jazz, marcado por surcos relajados, la guitarra fluida de Cale y una voz lacónica. Su uso temprano de cajas de ritmos y su mezcla poco convencional dio una calidad distintiva y atemporal a su trabajo.» En 2013, Neil Young comentó también que de todos los músicos que había escuchado, Cale era, junto a Jimi Hendrix, el mejor guitarrista eléctrico. Su mayor éxito en los Estados Unidos, "Crazy Mama", alcanzó el puesto 22 en la lista Billboard Hot 100 en 1972. En el documental To Tulsa and Back, Cale relató que recibió una oportunidad para aparecer en el programa American Bandstand para promocionar la canción. Cale declinó la oferta cuando supo que no podía llevar a su grupo y que tenía que cantar en playback. Cale también fue conocido por su rechazo y aversión al estrellato, a las giras largas, y a las grabaciones periódicas. Fue un artista de culto para los músicos, y relativamente desconocido para el público durante los últimos 35 años. El 26 de julio de 2013, Cale falleció en el Scripps Hospital de La Jolla, California a consecuencia de un ataque al corazón. Nos despedimos de este gran artista con otro de sus grandes éxitos, por cierto también popularizado por Eric Clapton, aunque en esta ocasión lo escucharemos en su versión original. Cocaine. Es tremendo que, después de dos programas dedicados a acercarnos al año 1973, todavía nos queden en el tintero un montón de artistas imprescindibles. No importa, daremos buena cuenta de todos ellos en el próximo programa. Gente como Isaac Hayes, Linda Ronstadt, John Denver, Johnny Winter, y tantos otros buenos músicos. Por hoy nada más, el equipo de nada más que música ha disfrutado enormemente con vuestra compañía y esperamos que vosotros lo hayáis hecho con la nuestra. La amenaza de volver la próxima semana sigue vigente. Así que, hasta entonces… buenas vibraciones!!!
Nos habíamos quedado la semana pasada repasando la pléyade de artistas que eclosionaron en el pequeño espacio de tiempo que va de inicios de 1972 hasta mediados del 1973, nombres importantes en la historia de la música popular que, con mayor o menor fortuna, consiguieron, al menos en una ocasión, captar la atención de los aficionados. Pasaron por el programa un buen número de ellos pero fueron muchos más. Así que, hoy, nos ocuparemos de todos, bueno, de casi todos ellos. Todavía a este lado del Atlántico, nos encontramos con un gran grupo inglés, Faces, liderado por el carismático Rod Stewart. Les hemos oído interpretando su éxito Maggie may. En ediciones anteriores ya nos ocupamos de este consagrado cantante por lo que, hoy, lo citamos solo de pasada. Con nuestro siguiente invitado nos pasa más o menos lo mismo. Ya hablamos de él en otro programa pero, merece la pena, y mucho, volver sobre su obra y su genial estilo de tocar la guitarra, esa manera descarnada y directa de ponernos el corazón en un puño. Estamos hablando de Rory Gllagher, líder del grupo Taste y guitarrista de técnica envidiable. Lo escuchamos en Cradle rock. Hablaremos ahora de un tipo especialmente controvertido. Yusuf Islam, más conocido por su nombre artístico Cat Stevens y que antes se llamó Steven Demetre, nacido en Londres, el 21 de julio de 1948, y que fue un brillante cantautor, compositor y multinstrumentista. Desde su debut en 1967 fue cosechando éxito tras éxito con, entre otros, dos álbumes triple platino. Y esto no es cualquier cosa. Concretamente, su álbum debut de 1967 ingresó en el Top 10 de éxitos en el Reino Unido, y la canción "Matthew and Son" logró colarse en la segunda posición en la lista UK Singles Chart. Le escuchamos en Morning has broken Tras alguna crisis entre existencialista y mística, Stevens se convirtió al Islam en 1978 y adoptó el nombre Yusuf Islam al año siguiente. Aunque renunció a su carrera como músico pop, fue persuadido para realizar un último recital. Apareciendo con cabello corto y una larga barba, encabezó un concierto benéfico el 22 de noviembre de 1979 en el estadio de Wembley en beneficio del Año Internacional del Niño de UNICEF. Después de esta aparición, Yusuf abandonó su carrera musical durante casi tres décadas. Desde su conversión, su actividad ha estado seguida con lupa y fue duramente criticado cuando supuestamente apoyó con sus declaraciones la fatua o pronunciamiento jurídico del ayatollah Jomeini contra el escritor anglo-indio Salman Rushdie, debido a la presunta blasfemia cometida en su novela Los versos satánicos. Más tarde aseguró que había sido tomado por sorpresa y que los medios, de una manera tendenciosa, desnaturalizaron el sentido de sus palabras. Días después hizo un comunicado donde dejaba muy claro que, aunque detestaba el contenido del libro, no estaba de acuerdo con la fatua, diciendo: "Según la ley del islam, los musulmanes deben ceñirse a las leyes de los países donde tengan residencia". Supongo que, para curarse en salud, inmediatamente después de los ataques del 11 de septiembre de 2001 en los Estados Unidos, Yusuf afirmó: Quiero expresar el horror que siento por los atentados terroristas contra personas inocentes en Estados Unidos el día de ayer. Aunque aún no hay claridad sobre los causantes de este acto, debo recordar que ningún musulmán en sus cabales podría siquiera avalar semejante acción. El Corán considera el asesinato de una sola persona igual al asesinato de toda la humanidad. Oramos por las familias de los que fallecieron en este acto de violencia y por los heridos y espero reflejar los sentimientos de todos los verdaderos musulmanes en relación a este penoso momento. A pesar de todo, Yusuf, que se encontraba en un vuelo entre Londres y Washington para asistir a una reunión con la actriz y cantante Dolly Parton, fue detenido por el Departamento de Seguridad de los Estados Unidos, se le negó el acceso al país y fue enviado de vuelta al Reino Unido. Por suerte, y después de muchas gestiones, dos años más tarde Yusuf fue admitido sin problema en los Estados Unidos para brindar algunos recitales y entrevistas como promoción de su nueva producción discográfica. Y bueno, ahí sigue. Y cambiando de registro, pero en este mismo lado del océano, nos topamos con la ELO, Electric Light Orchestra y su vibrante Rock n' Roll Is King. Electric Light Orchestra (ELO) es un grupo inglés de rock progresivo natural de Birmingham (Inglaterra) y liderado por el músico Jeff Lynne. La ELO se formó para dar cabida al deseo de Lynne y de su colega Roy Wood de crear canciones de rock modernas con tintes clásicos. A pesar del éxito de sus primeros sencillos en el Reino Unido, donde el grupo obtuvo una mayor popularidad fue en los Estados Unidos; alli se convirtieron en una de las bandas con mayores ventas de la industria. Entre 1972 y 1986, y a pesar de no obtener ningún número uno, la Electric Light Orchestra acumuló un total de quince sencillos top 10 en el Reino Unido y siete en los Estados Unidos, y mantiene el récord de éxitos en el top 40 de la historia de Billboard sin haber cosechado un número uno. Tras su separación en 1986, Lynne volvió a reformar la Electric Light Orchestra en dos ocasiones: en 2001, con la publicación de Zoom, y en 2015, bajo el nombre de Jeff Lynne's ELO, para el lanzamiento de Alone in the Universe. Como colofón, la banda entró en el Salón de la Fama del Rock and Roll el 7 de abril de 2017. Y ahora amigos, abróchense los cinturones porque vamos a cruzar el charco. Y, allí, en mitad todo, estaba la mastodóntica Motown que, aunque en sus orígenes estaba dedicada en cuerpo y alma a la promoción de la música negra, con notable éxito por cierto, no tardó en sumarse a las nuevas tendencias, el negocio es el negocio (como día Marx, señora estos son mis principios pero si no le gustan tengo otros), y lanza su primer grupo blanco: Rare Earth. Esta banda, radicada en Detroit, se mantuvo activa entre 1967 y 1979. Aunque lo cierto es que, su mayor mérito ha sido el ya citado, ser el primer grupo blanco del famoso sello. En fin, no digo que fueran unos mantas pero dejaron poca huella de su carrera. Quienes si que la dejaron por varios motivos fueron The James Gang, un grupo de rock y hard rock estadounidense, formado en Cleveland, Ohio, en el año 1966. Y por cierto, uno de los miembros de la banda, el guitarrista y vocalista Joe Walsh, se haría mundialmente famoso al incorporarse posteriormente a la banda Eagles. Entre sus composiciones más conocidas, se encuentran «Funk #49» y «Walk Away». El grupo se separó oficialmente en 1976, no sin antes dejarnos la ya citada joya: Walk Away. Zager & Evans fueron un grupo de música rock de Lincoln, Nebraska de finales de los años 1960 y principios de los 1970. El nombre proviene de sus dos miembros, Danny Zager y Rick Evans, quienes se conocieron en la universidad de Nebraska. Zager y Evans se hicieron famosos por el tema "In the Year 2525" ("En el año 2525"), escrita por Rick Evans, que alcanzó el número 1 de las listas en julio de 1969. La canción prevenía sobre los peligros de la tecnología, dibujando un futuro en el cual la raza humana sería destruida por sus propias innovaciones tecnológicas y médicas, por los robots, así como por la ira divina. En fin, lo de la ira divina no lo sé, pero el resto… ahí está. La última estrofa de la canción insinúa un onírico ciclo continuo de nacimiento-muerte-renacimiento de la humanidad. ¡Que cosas! "In the Year 2525" estuvo durante 6 semanas como número uno en las listas de los más populares en 1969. También llegó a ser número 1 en el Reino Unido. La coincidencia hizo que fuera número 1 de las listas en los EE.UU el 20 de julio de 1969, fecha en la que los astronautas Armstrong y Aldrin pisaron la luna por primera vez Zager y Evans disolvieron el dúo, pero ambos continúan en el mundo de la música y siguen siendo amigos. Por cierto, si alguien está interesado, Danny Zager se dedica en la actualidad a construir guitarras a medida. Harry Nilsson nació el 15 de junio de 1941, Brooklyn, Nueva York fue un notable compositor y cantante que colaboró estrechamente con el famoso productor Phil Spector. En 1967 obtuvo un considerable éxito con su canción Everybody’s talkin, tema principal de la banda sonora de la película Midnight Cowboy, pero la fama no le sentó nada bien porque, desde ese momento, el hombre empezó a beber como un autentico cosaco. A finales del mes de enero del año 1971, Nilsson se encontraba en la casa de Mama Cass, en Hollywood. Unos cuantos amigos, entre ellos, Graham Nash, jugaban al póker y bebían hasta la intoxicación, con la música puesta como fondo. En el tocadiscos sonaba el nuevo álbum de los Badfingers, un grupo patrocinado por los Beatles. En un momento dado, alguien dio la vuelta al disco de vinilo y empezó a sonar la canción ‘Without you’, el primera tema de la caba B del disco. Nilsson apartó la cartas, el alcohol, y a sus amigos y empezó a prestar atención a la canción. Como vio el sello de Apple, creyó que Paul o John le habrían dado esta enorme canción a sus patrocinados, pero en el disco de vinilo ponía claramente que la canción la habían escrito Pete Ham y Tom Evans, componentes de Badfinger. El resto es historia. Nilsson grabó ‘Without you’ en los estudios Trident de Londres, donde se había grabado y mezclado la canción. Richard Perry le sugirió que hicieran una versión más sentimental que la original, más lenta y profunda, le sugirió incluso, que se atreviera con un arreglo de cuerda. Así fue: Nilsson logró un numero uno mundial. En 1974 conoció a John Lennon y coincidiendo con una separación temporal con Y?ko Ono, se hicieron amigos y compañeros de juergas. Lennon produjo y colaboró con Nilsson en un álbum llamado: Pussy Cats en la que también participó Ringo Starr. También en ese año, Harry co-protagonizó una película titulada "Son of Dracula" al lado de Ringo Starr y cuya banda sonora fue co-producida por ambos. En la edición del disco colaboraron gente tan importantes como Peter Frampton, Klaus Voormann, Ray Cooper, Bobby Keys, Nicky Hopkins, Gary Wright, Jim Gordon, y otros. Harry Nilsson aparece también en el video de la canción "Only You" de Ringo Starr, en la cual colaboró también John Lennon. La verdad es que los Beatles, a veces, hacían cosas muy raritas. La salud de Nilsson se había deteriorado como consecuencia de su disoluta existencia. Este deterioro le provocó un ataque cardíaco masivo en 1993. Embarcado en un proyecto para lanzar una caja con los grandes éxitos de su carrera, había terminado de grabar las voces para el álbum y aquella misma noche del 15 de enero de 1994 falleció por una insuficiencia cardiaca. Amen. En 1959 murieron Buddy Holly, Ritchie Valens y The Big Booper. Sobre este acontecimiento, que se conoció como el día que murió la música, el neoyorkino Don McLean compuso su famosa balada «American Pie» que fue número uno en todas las listas. En 1981, McLean llegó al número uno internacional con el clásico de Roy Orbison «Crying». El mismo Orbison describió, en una oportunidad, a McLean como «la voz del siglo», y una posterior regrabación del tema por Orbison incorporó elementos de la versión de McLean. Un músico que influenció en gran medida a un gran número de estrellas fue JJ Cale. Cale nació el 5 de diciembre de 1938 en Oklahoma City y se trasladó a Los Ángeles a comienzos de la década de 1960, donde comenzó a trabajar como ingeniero de sonido en diferentes estudios. Debido a su poco éxito como artista, regresó a su pueblo y consideró abandonar la industria de la música hasta que Eric Clapton hizo una nueva versión de «After Midnight» en 1970. Escuchamos una versión interpretada por ambos. Su primer álbum, Naturally, estableció su propio estilo musical, que en el periódico Los Angeles Times definia como «un híbrido único de blues, folk y jazz, marcado por surcos relajados, la guitarra fluida de Cale y una voz lacónica. Su uso temprano de cajas de ritmos y su mezcla poco convencional dio una calidad distintiva y atemporal a su trabajo.» En 2013, Neil Young comentó también que de todos los músicos que había escuchado, Cale era, junto a Jimi Hendrix, el mejor guitarrista eléctrico. Su mayor éxito en los Estados Unidos, "Crazy Mama", alcanzó el puesto 22 en la lista Billboard Hot 100 en 1972. En el documental To Tulsa and Back, Cale relató que recibió una oportunidad para aparecer en el programa American Bandstand para promocionar la canción. Cale declinó la oferta cuando supo que no podía llevar a su grupo y que tenía que cantar en playback. Cale también fue conocido por su rechazo y aversión al estrellato, a las giras largas, y a las grabaciones periódicas. Fue un artista de culto para los músicos, y relativamente desconocido para el público durante los últimos 35 años. El 26 de julio de 2013, Cale falleció en el Scripps Hospital de La Jolla, California a consecuencia de un ataque al corazón. Nos despedimos de este gran artista con otro de sus grandes éxitos, por cierto también popularizado por Eric Clapton, aunque en esta ocasión lo escucharemos en su versión original. Cocaine. Es tremendo que, después de dos programas dedicados a acercarnos al año 1973, todavía nos queden en el tintero un montón de artistas imprescindibles. No importa, daremos buena cuenta de todos ellos en el próximo programa. Gente como Isaac Hayes, Linda Ronstadt, John Denver, Johnny Winter, y tantos otros buenos músicos. Por hoy nada más, el equipo de nada más que música ha disfrutado enormemente con vuestra compañía y esperamos que vosotros lo hayáis hecho con la nuestra. La amenaza de volver la próxima semana sigue vigente. Así que, hasta entonces… buenas vibraciones!!!
Fox and Jaso Kick another hiatus right in the nut sack as the Condition Mint podcast returns for a new triumphant season. And what better way to get back in the grooooove than by celebrating one of the musical multiverse’s most celebrated acts, The Rolling Stones. You’ll find out all you ever wanted to know about Mick, Keith and the lads along with plenty of stuff you probably didn’t - including what band member favours the taste of rodent, what’s gone wrong with Bobby Keys long game and who was the most high profile victim of the Bill Wyman flipper. Songs discussed in the podcast includeStart It Up- The Rolling StonesFrom: Tattoo You (1981)Happy - The Rolling StonesFrom: Exile On Main Street (1972)I'm Broke - BlowhardFrom: Five Minute Ride Through Hell
Kansas City's Nonprofit Digital Resource! Sharing the stories of local nonprofits and connecting them with the community! We talk with philanthropists, volunteers, community activists, executive directors, and nonprofit lovers from the Kansas City nonprofit community. Be seen, be heard with KC Cares! Kansas City's Nonprofit Voice! Hosted by Ruth Baum Bigus and Bobby Keys This Weeks Guests: _______________________________________ Ewing Marion Kauffman School Candace Potter, Talent Recruiter for school; Teach for America alum Web site: www.kauffmanschool.org Twitter: @kauffmanschool __________________________________________ U.S. Bank Mark Jorgenson, Executive Vice President, Group Head | Community Banking Web site: www.usbank.com __________________________________________ Philanthropy Profile w/ Priest Holmes Priest Holmes, former running back for Kansas City CHiefs Web site: www.priestholmesfoundation.org Twitter: @PHfSA _______________________________________ Find us on Facebook: Kccaresradio Twitter: @kccaresradio Instagram: Kccaresonline _____________________________________ Also available on Itunes and Spotify KC Cares, Kansas City's nonprofit voice, tells the stories of Kansas City nonprofits and connects them with the community. Produced by Charitable Communications
Kansas City's Nonprofit Digital Resource! Sharing the airwaves and telling the stories of local nonprofits and connecting them with the community! We talk with philanthropists, volunteers, community activists, executive directors, and nonprofit lovers from the Kansas City nonprofit community. Be seen, be heard with KC Cares! Kansas City's Nonprofit Digital Resource! Hosted by Ruth Baum Bigus and Bobby Keys This Weeks Guests: _______________________________________ Corey's Network Michelle Metje, Founder Web site: www.coreysnetwork.org Twitter: @coreys_network __________________________________________ The Battle Within Josh Krasovec, Programs Director; Walt Disney, Therapist, Program Coordinator. Web site: www.mybattlewithin.org Twitter: @joinmybattlewithin __________________________________________ Kansas City Missouri Police Department Kari Thompson, Public Information Officer www.kcmo.gov/police _______________________________________ Find us on Facebook: Kccaresradio Twitter: @kccaresradio Instagram: Kccaresonline _____________________________________ Also available on Itunes and Spotify KC Cares, Kansas City's nonprofit voice, tells the stories of Kansas City nonprofits and connects them with the community. Produced by Charitable Communications
Kansas City's Nonprofit Digital Resource! Sharing the stories of local nonprofits and connecting them with the community! We talk with philanthropists, volunteers, community activists, executive directors, and nonprofit lovers from the Kansas City nonprofit community. Be seen, be heard with KC Cares! Kansas City's Nonprofit Digital Resource! Hosted by Ruth Baum Bigus and Bobby Keys This Weeks Guests: _______________________________________ Bier Station John Couture, owner Web site: www.bierstation.com Twitter: @bierstation __________________________________________ Ability KC Amy Castillo, CEO and Sarah Pence Bloss, Board chair Web site: www.abilitykc.org Twitter @_AbilityKc __________________________________________ Philanthropy Profile Dail Blake, Dave Kepper-Vice President BMO-Harris/Leawood Web site: www.makeitcountroday.org Twitter: @makeitcount5K _______________________________________ Find us on Facebook: Kccaresradio Twitter: @kccaresradio Instagram: Kccaresonline _____________________________________ Also available on Itunes and Spotify KC Cares, Kansas City's nonprofit voice, tells the stories of Kansas City nonprofits and connects them with the community. Produced by Charitable Communications
Kansas City's Nonprofit Digital Resource! WE tell the stories of local nonprofits and connecting them with the community! We talk with philanthropists, volunteers, community activists, executive directors, and nonprofit lovers from the Kansas City nonprofit community. Be seen, be heard with KC Cares! Kansas City's Nonprofit Digital Resource! Hosted by Ruth Baum Bigus and Bobby Keys This Weeks Guests: _______________________________________ Plaza Academy Ward Worley, Executive Director (*and 1985 graduate) Web site: www.plazaacademy.org Facebook: @theplazaacademy __________________________________________ Young Women on the Move Mary Beth Gentry, Executive Director Web site: www.youngwomenonthemove.org Facebook: @youngwomenonthemove __________________________________________ World War I National Museum and Memorial Mike Vietti Director of Marketing, Communications & Guest Services Web site: www.theworldwar.org Twitter: @TheWorldWarImuseum _______________________________________ Find us on Facebook: Kccaresradio Twitter: @kccaresradio Instagram: Kccaresonline _____________________________________ Also available on Itunes and Spotify KC Cares, Kansas City's nonprofit voice, tells the stories of Kansas City nonprofits and connects them with the community. Produced by Charitable Communications
Kansas City's Nonprofit Digital Resource! Sharing the stories of local nonprofits and connecting them with the community! We talk with philanthropists, volunteers, community activists, executive directors, and nonprofit lovers from the Kansas City nonprofit community. Be seen, be heard with KC Cares! Kansas City's Nonprofit Digital Resource! Hosted by Ruth Baum Bigus and Bobby Keys a program of Charitable Communications _______________________________________ This Weeks Guests: _______________________________________ Kidz Just Wanna to Have Fun June Goods (CEO) www.kjwhavefun.org Twitter: @ KJWhavefun __________________________________________ Parkinsons' Foundation-Heartland Jane Ann Gorsky, Executive Director www.parkinson.org/heartland __________________________________________ The Rabbit hOle Pete Cowdin, Co-founder and director www.rabbitholekc.org Twitter: @RabbitHoleKC _______________________________________ Find us on Facebook: Kccaresradio Instagram: Kccaresonline Twitter @Kccaresradio
Kansas City's Nonprofit Voice! Telling the stories of Kansas City local nonprofits and the people they serve. We talk with philanthropists, volunteer, community activists, executive directors from various nonprofits in the Kansas City community. Hosted by Ruth Baum Bigus and Bobby Keys This Weeks Guests: Janee Hanzlick-Non profit professional with SAFEHOME Janee Hanzlich, executive director of SAFEHOME www.SAFEHOME-KS.org __________________________________________ The Moran Company Bill Moran www.morancompany.com __________________________________________ NonProfit Connect Jackie Baker-Director of Marketing www.npconnect.org __________________________________________ Find us on Instagram & Facebook @kccaresonline Twitter @Kccaresradio
Kansas City's Non-profit Voice! Kansas City-Based podcast that tells the stories of local nonprofits and the people they serve! Hosted by Ruth Baum Bigus and Bobby Keys This Weeks Guests: __________________________________________ Our Legacy Foundation Jonathan Smith, Founder www.ourlegacyfoundation.org __________________________________________ Kansas City Kansas Chamber of Commerce Kate Kershaw, Director of Partnerships & Membership www.kckchamber.com __________________________________________ Adopt Don't Shop KC Scott Poore, Volunteer & Entrepreneur www.adoptdontshopkc.com __________________________________________ Find us on Instagram @kccaresonline Twitter and FB @Kccaresradio
Vanavond om 21:00 uur Felix Rottenberg met een nieuwe aflevering van Stormy. Muziek van Robbie Robertson, Delaney & Bonnie, Curtis Mayfield, Bobby Keys en Rufus Thomas.
Just Passing Through...Tonight We Say Goodbye to Two Legends of Ahmet's HouseIt seems to be hitting us so fast these days...the passing of so many irreplaceable legends. This past week we lost two greats...giants...and will do our best to thank them, for the music, the friendship and so much more. This week in Ahmet's House, the music of Bobby Keys and Ian McLagen. Forever...
Just Passing Through...Tonight We Say Goodbye to Two Legends of Ahmet's House It seems to be hitting us so fast these days...the passing of so many irreplaceable legends. This past week we lost two greats...giants...and will do our best to thank them, for the music, the friendship and so much more. This week in Ahmet's House, the music of Bobby Keys and Ian McLagen. Forever...
Ian McLagan of The Small Faces, The Faces and many other musical entities died this week as did Bobby Keys, the longtime sax player for The Rolling Stones. On this episode, Matt looks at the holes... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]
Today on the Heritage Radio Network, we congratulate Mike & Judy on their 100th show! To commemorate Mike & Judy’s centennial, together they take us through a reel of the show’s greatest highlights. Bringing us back to The Newlywed Game, Bobby Keys of the Rolling Stones, the “2012 Apotcalypso”, Rockaway Beach, XMAS, and more! As a result of their amazing run, Mike & Judy have decided to move on to their next venture, by ending The Mike & Judy show, and starting next week with their new show, Arts & Seizures. Be sure to tune-in next week for their first episode! This program has been sponsored by Robertas Pizza.
This week on The Mike & Judy Show, Mike Edison & Judy McGuire welcome rock ‘n’ roll royalty to the show in the form of saxophonist Bobby Keys who has played with The Rolling Stones, Elvis Presley, The Beatles and a long list of other legendary bands. Hear some of his stories from the road as he gives listeners a preview of what’s in his recently published book, “Every Night’s A Saturday Night.” This program was sponsored by Roberta’s. “I started playing the horn when I was a freshman in high school so I could join the band, because I got hurt playing little league baseball. The only instrument left that you didn’t have to buy was an old baritone sax.” “The only thing I ever saw [Phil Spector] shoot was a tape recorder.” –saxophonist Bobby Keys on The Mike & Judy Show
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