Podcasts about junos

Von Christine Mayrhofer. Von 13. bis 15. Mai sind Österreichs Studierende zur Wahl aufgerufen. Was versprechen und fordern die elf antretenden Listen und Fraktionen? Und wieso ist die Wahlbeteiligung bei ÖH-Wahlen traditionell so niedrig?

Die ÖH-Wahlen finden zwischen 13. und 15. Mai 2025 statt, 400.000 Studierende sind wahlberechtigt. Was die Studierendenvertreter fordern und was sie anbieten, erfahren Sie in dieser Sendung. In dieser ersten Runde zu hören: Selina Wienerroither (VSStÖ), Laurin Weninger (AG), Alexandra Budanov (KSV-Lili), Julian Gredinger (Who the fuck is Herbert?).Die zweite Runde mit Viktoria Kudrna (GRAS), Manuel Grubmüller (JUNOS), Pia-Marie Graves (Unabhängige Fachschaftslisten FLÖ) und Sebastian Redl (KSV-KJÖ) finden Sie hier. Hosted on Acast. See acast.com/privacy for more information.

Die ÖH-Wahlen finden zwischen 13. und 15. Mai 2025 statt, 400.000 Studierende sind wahlberechtigt. Was die Studierendenvertreter fordern und was sie anbieten, erfahren Sie in dieser Sendung. Zu hören: Viktoria Kudrna (GRAS), Manuel Grubmüller (JUNOS), Pia-Marie Graves (Unabhängige Fachschaftslisten FLÖ) und Sebastian Redl (KSV-KJÖ).Die erste Runde mit Selina Wienerroither (VSStÖ), Laurin Weninger (AG), Alexandra Budanov (KSV-Lili) und Julian Gredinger (Who the fuck is Herbert?) finden Sie hier. Hosted on Acast. See acast.com/privacy for more information.

This is quite possibly our most Canadian episode to date. We are joined by John Batt of @canada.gov.ca instagram fame. For those of you who don't live in Canada, John is basically Canadian royalty at this point. Topics include the NHL playoffs, Sloan, Wolf Parade, The Junos, Weird Al (not Canadian somehow) and Eastern Canada's love of Jam bands. 

In dieser Folge "Diskussionsbedarf" sprechen wir mit Larissa Zivkovic, Vorsitzende der Sozialistischen Jugend Österreich. Wir fragen uns, wie wir der Jugend das Vertrauen in die Politik zurückgeben. Außerdem diskutieren wir über Mitbestimmung am Arbeitsplatz, gerechtes Wohnen, politische Bildung und darüber, warum Frauen sich nach wie vor zu selten selbst etwas zutrauen.Mehr über uns JUNOS findest du auf Instagram und Co. unter @junosat oder auf unserer Website unter www.junos.at! Wo siehst du den größten Diskussionsbedarf in Österreich? Schicke uns deine Anregungen gerne per Mail an diskussionsbedarf@junos.at oder per DM auf Social Media!Moderation: Sophie Wotschke Gast: Larissa Zivcovic Recherche & Redaktion: Emma Sehic Produktion: T3 Podcaststudio Wien/David Lippert

Host Sarah Burke catches up with Alicia Chirrey, the Series Producer of Dragon's Den. They discuss Alicia's journey from intern to series producer, the evolution of female entrepreneursip on the show, and the inspiring stories of resilience from Canadians. Alicia shares insights into the casting process for the upcoming 20th season, the role of the 'Dragons', and the importance of supporting Canadian businesses. More About Alicia Chirrey: As Series Producer of Dragons' Den, Alicia oversees all content-related aspects of the production, from casting and creative direction to ensuring each episode delivers a dynamic mix of inspiring stories, bold entrepreneurs, Dragon fire, and big innovation. With a specialization in unscripted studio television, she has crafted a dynamic career shaping compelling narratives and high-stakes entertainment. Over the course of more than a decade on Dragons' Den, Alicia has played a pivotal role in bringing to life the stories of Canada's most ambitious entrepreneurs. With the show entering its 20th anniversary season, Alicia is leading the charge with a patriotic "Canada-strong" theme that celebrates the nation's entrepreneurial spirit and innovation. Alicia's career spans multiple high-profile roles in Canadian television. She previously served as Casting Producer for Family Feud Canada, where she curated a diverse and engaging group of contestants for the beloved game show. Her experience also includes working as Script Coordinator for the Royal Canadian Air Farce New Year's Eve Special, as well as Talent Assistant on some of Canada's most prestigious live award shows, including the Junos, Canadian Screen Awards, and Canada's Walk of Fame.   Watch out for Season 20 this fall on CBC! https://www.cbc.ca/dragonsden/ Women in Media Listeners get 41% off at Cozy Earth! https://cozyearth.com/discount/WOMENINMEDIA Women in Media Listeners Get 15% off at Stand! https://www.standshoes.com/discount/WOMENINMEDIA Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode, Rosalyn chats with Joel Plaskett. Joel takes us deep into the making of his latest album, ‘One Real Reveal' released in 2024. Drawing from his long and varied career in music, he opens up about the creative journey behind making this record — from songwriting and theme development to the hands-on process of analog recording. Joel shares why analog matters to him, both technically and philosophically, and how it shaped the album's distinct sound. He also reflects on how he balances discipline and inspiration in the studio, offering a candid look at his approach to making music.Check out ‘One Real Reveal', the latest album from Joel Plaskett.Find Joel Plaskett online:Website & Upcoming ShowsInstagramFacebookBandcampAbout Joel PlaskettFor over three decades, Joel Plaskett has proven himself a spinning wheel of reinvention. The Nova Scotia songwriter's eclectic body of work reveals a restless and playful spirit, always transforming and expanding. Coast-to-coast and the world 'round, Joel has rocked crowds at clubs, festivals and grand old theatres with longtime Emergency bandmates Dave Marsh and Chris Pennell as well as drawn audiences close with intimate acoustic shows, both solo and with his father, Bill. Then there are the special events that have really allowed Joel to reach the rafters, like headlining Toronto's Massey Hall with everyone in tow, playing the NAC in Ottawa backed by the national orchestra, and warming up huge stages for artists like The Tragically Hip and Paul McCartney. Joel and the Emergency have also been roundly celebrated within the music industry for their work, racking up awards and nominations from the JUNOs, the Polaris Music Prize, the East Coast Music Awards, Music Nova Scotia, and numerous others. For his latest release, the 4-track project One Real Reveal (2024), Plaskett strips his songwriting down to its raw materials, allowing everything in—all the human touches the tape could pick up.______________If you're interested in submitting questions for our upcoming episodes, be sure to follow Folk Canada on Instagram where we will be posting our upcoming guests.Tune in to the latest episodes of the Refolkus Podcast, featuring the latest music releases from Folk Canada members as well as some of our special guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn

Canada is very cross right now! Anyhow, loads of new releases today, many of them courtesy of fellow DJ Daniel Rosenberg, who was in town for last week's Junos. Thanks, Dan! I managed to play at least one song from each of the ten Canadian provinces and two Canadian Territories. While Lindisfarne's tirade against the Tory government in the UK in the early 1970s was somewhat tongue-in-cheek I added this with an impassioned plea to my American friends to "bring down the government". For all our sakes!

Greenland's government coalition and resistance to Trump, Norway's historic space launch ending in explosion, Sweden's massive armament plan, Iceland's fully female-led society, and The Junos. All this and much more, coming right up!Thanks for tuning in!Let us know what you think and what we can improve on by emailing us at info@rorshok.com Like what you hear? Subscribe, share, and tell your buds.Livestream: First test flight of Isar Aerospace: https://www.youtube.com/live/IKLQxe2MvpQ?si=txyiAzIZH3WbAZsa We want to get to know you! Please fill in this mini-survey: https://forms.gle/NV3h5jN13cRDp2r66Wanna avoid ads and help us financially? Follow the link: https://bit.ly/rorshok-donate

Forecast = Cloudy with a chance of cyber meatballs. ‍ We're not fooling around in this episode of Storm⚡️Watch! The show kicks off with some positive news about the Journal Times returning to full operations following a cyberattack. This is followed by important information for VMware users regarding Broadcom's significant licensing changes effective April 10, including an increase in minimum core requirements from 16 to 72 cores per command line and a new 20% penalty for late subscription renewals that will be applied retroactively. The crew then reviews results from their recent poll asking listeners which feature of encrypted messaging apps concerns them most, with options including data storage, unencrypted backups, metadata, and accidental adds. In our first segment, we discuss security concerns with the Unitree Go1 consumer-grade robot dog, specifically focusing on the recently disclosed Zhexi Oray Tunnel backdoor that has raised alarm in the security community. Next up, the team explores FamousSparrow and their SparrowDoor malware, examining the techniques and implications of this threat actor's operations. In light of recent event, the hosts provide comprehensive guidance on secure messaging practices, drawing from recent Washington Post and Wired articles. They emphasize that secure communication depends not just on the app but also on how you use it. Key recommendations include choosing contacts wisely, securing your devices by using personal rather than work equipment, setting messages to automatically delete, and selecting the right messaging apps with Signal being the top recommendation for its verifiable end-to-end encryption. They also warn about potential vulnerabilities in cross-platform messaging and advise caution with apps like Telegram. We quickly review Europol's 2025 report on the evolving landscape of organized crime, which now heavily intersects with cybercrime. Traditional criminal networks have transformed into technology-driven enterprises using AI, blockchain, and cryptocurrency to enhance their operations. The internet has become the primary theater for organized crime with data as the new currency of power. The report identifies seven key threat areas and calls for improved global financial security measures, noting that criminal asset confiscation remains stagnant at around 2%. Finally, we conclude with updates from our benevolent overlords, including Censys' reports on JunOS vulnerabilities and Kubernetes issues, VulnCheck's partnership with Filigran, runZero's approach to exposure management, and GreyNoise's observations on DrayTek router activity and Palo Alto Networks scanner activity that may indicate upcoming threats. Storm Watch Homepage >> Learn more about GreyNoise >>  

In dieser Folge "Diskussionsbedarf" sprechen wir mit Irmgard Griss, ehemalige OGH Präsidentin, ehemalige Bundespräsidentschaftskandidatin und ehemalige Nationalratsabgeordnete. Irmgard Griss spricht über ihren Weg von der Richterin zur OGH-Präsidentin und in die Politik. Sie teilt Erfahrungen aus dem Wahlkampf, kritisiert parteipolitische Postenbesetzungen und zeigt, was gute Verwaltung wirklich ausmacht. Ein Gespräch über Rechtsstaat, Vertrauen und die Frage, wie Demokratie wieder funktionieren kann – und vieles mehr.Mehr über uns JUNOS findest du auf Instagram und Co. unter @junosat oder auf unserer Website unter www.junos.at! Wo siehst du den größten Diskussionsbedarf in Österreich? Schicke uns deine Anregungen gerne per Mail an diskussionsbedarf@junos.at oder per DM auf Social Media! Moderation: Sophie Wotschke Gast: Irmgard GrissRecherche & Redaktion: Emma SehicProduktion: T3 Podcaststudio Wien/David Lippert

On parle de pourquoi on fait ce qu'on fait, des fois qu'on s'est perdus dans la nature et le crabe est en vedette dans le Zoo d'Isa. Au culturel: de la relève à Bonsoir bonsoir, le Gala des Junos et retour de Scooby Doo.

Aqyila joins iHeartRadio's Amy Spencer to talk about being nominated for the JUNOS, new album and writing 50 songs.Aqyila tells Amy about releasing her debut album ‘Falling Into Place’ and writing process to ensure it reflects the stage she is currently at in life.She talks about some of her favourite tracks she worked on including ‘I love down’, ‘Breathless’ and the secret to dictate if an album is ready to be released.Aqyila shares why she chooses to always take time to credit in detail everyone on Instagram after every project.

Snotty Nose Rez Kids sit down with iHeartRadio's Amy Spencer to chat about leaving home to pursue their dream and performing at the JUNOS. Snotty Nose Rez Kids describe what is is going through their minds performing at the Junos 2025 and the process of making their album ‘Red Future’. Snotty Nose Rez Kids reveals how they took the leap to move away from their hometown to reach the JUNOS with their music. Yung Trybe and Young D share how they push through any difficult times to reach success in the music industry. Finally what other names were in the running for the iconic duo before Snotty Nose Rez Kids was chosen!

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Claire Newell from TravelBestBets.com on the Canada/US Spring Break travel; and Eric Alper is here to talk Junos!

(Photo: CTV News)

$1000 Minute advantage (0:07), what the fact (2;00), spring cleaning & you found WHAT?! (7:25), What's Trending: Anne Murray at the Junos & Nathan MacKinnon (18:15), Password To Paradise (26:00), $1000 Minute (27:00), what 'cheap' thing do you do? (32:30), Bingo & what we watched this weekend (41:00), Mindbender: 31% of singles say they have dated someone that they met here! (52"50) Follow us on Instagram: @MOVE100Halifax, @ErinHopkinsFM & @PeterAtMove100

Trump veut un 3e mandat. Résumé du week-end de la campagne électorale. Les prix Junos à saveur politique. TOUT SAVOIR EN QUELQUES MINUTES avec Alexandre Dubé, Isabelle Perron et Mario DumontPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Detroit businesses have noticed a drop in Canadian visitors and the Junos get political. These stories and more are in your morning news on the go.

The latest from the campaign trail with Richard Zussman! Using science to help others heal. This fall, Dr. Jacquelyn Cragg is launching a mentorship program for youth affected by violent crime. Up to 30 youth will be paired with 30 UBC graduate student mentors who will guide them in building a science fair project! Michael Bublé's monologue at the Junos set a truly patriotic tone as several artists boasted their Canadian pride during last night's awards ceremony. Learn more about your ad choices. Visit megaphone.fm/adchoices

Trump veut un 3e mandat. Résumé du week-end de la campagne électorale. Les prix Junos à saveur politique. TOUT SAVOIR EN QUELQUES MINUTES avec Alexandre Dubé, Isabelle Perron et Mario DumontPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

For the latest and most important news of the day | https://www.thecanadianpressnews.ca To watch daily news videos, follow us on YouTube | https://www.youtube.com/@CdnPress The Canadian Press on X (formerly Twitter) | https://twitter.com/CdnPressNews The Canadian Press on LinkedIn | https://linkedin.com/showcase/98791543

This weekend, Sum 41 will perform one final time at the Junos in Vancouver. The legendary Canadian rockers will also be inducted into the Canadian Music Hall of Fame. Lead singer Deryck Whibley joins Tom Power live onstage at Hollywood Theatre in Vancouver to talk about the band's journey and their swan song. If you want more Sum 41, check out Tom's conversations with Deryck from this past February and last April.

Prime Minister Mark Carney and US President Donald Trump spoke on the phone on Friday, a conversation the leaders are describing as "extremely productive" and "constructive".Also: Rescue operations continue in Myanmar and Thailand following a devastating earthquake. Hundreds are feared dead.And: There are sobering messages landing in the heart of Kentucky bourbon country. One of the state's main exports is caught up in the cross-border trade war.Plus: The battle for Vancouver Island, Vice President Vance gets frosty reception in Greenland, South Asian music at the Junos and more.

How much do you know about the Juno Awards? You'll have a chance to test your knowledge in a game of Juno trivia with CBC Music's Grant Lawrence.

The Junos are happening this weekend! Guest: Allan Reid, President and CEO of The Junos Learn more about your ad choices. Visit megaphone.fm/adchoices

NICE DAY IN THE PIND LISTEN HERE Get MORE Coaches Don't Play at our PATREON!Thank you to our Sponsors: Mike Thiara Mortgages & Glow Room BCMike Thiara MortgagesGlow Room BC: Mention the pod for 15% off servicesYVR Sounds March 26th Shally Rehal RSVP HERE⁠⁠⁠⁠Follow Gurk ⁠⁠⁠⁠⁠⁠⁠⁠Desi Dontdoze Playlist⁠⁠⁠Producer/Audio Engineer ⁠⁠⁠Kyle Bhawan⁠⁠⁠--------------------------------------------00:00 Gidda, singers, or baazigarniaya05:10 Chani & Moga pod regulars08:10 Debut album response 11:33 Girls Like You19:35 Moga In Love 23:26 Randhir Mann shoutout 26:00 G-funk secret sauce 29:25 Advice from Diljit 33:30 Junos 2025 40:25 Pakistan Wedding 46:30 Qawwali music 50:00 Chani Nach 59:30 Chani's Dad 1:02:40 Next EP   1:05:00 Moga from Moga?1:07:10 Chani & Moga go Bollywood1:13:50 CBC visits Chani 

For the latest and most important news of the day | https://www.thecanadianpressnews.ca To watch daily news videos, follow us on YouTube | https://www.youtube.com/@CdnPress The Canadian Press on X (formerly Twitter) | https://twitter.com/CdnPressNews The Canadian Press on LinkedIn | https://linkedin.com/showcase/98791543

Forecast = Router-geddon: Ballista storms brewing with a chance of unforgivable vulnerabilities. Patch umbrella required. ‍ In this episode of Storm ⚡ ️Watch, the crew laments the sorry state of modern edge computing through the lens of Steve Coley's 2007 paper on "Unforgivable Vulnerabilities". The discussion examines security flaws that should never appear in properly developed software yet continue to plague systems today. These vulnerabilities demonstrate a systematic disregard for secure development practices and would be immediately obvious to anyone with basic security awareness. The team breaks down "The Lucky 13" vulnerabilities, including buffer overflows, cross-site scripting, SQL injection, and hard-coded credentials, while also exploring how modern AI tools might inadvertently introduce these same issues into today's codebase, and how one might go about properly and safely use them in coding and security engineering. The episode also features an in-depth analysis of the newly discovered Ballista botnet that's actively targeting TP-Link Archer routers through a vulnerability discovered two years ago. First detected on January 10, 2025, this botnet has already infected over 6,000 devices worldwide, with the most recent activity observed in mid-February. The threat actors behind Ballista, believed to be based in Italy, have targeted organizations across multiple sectors including manufacturing, healthcare, services, and technology in the US, Australia, China, and Mexico. The botnet exploits CVE-2023-1389 to spread malware that establishes encrypted command and control channels, enabling attackers to launch DDoS attacks and further compromise vulnerable systems. The team rounds out the episode with updates from their partner organizations. Censys shares insights on JunOS vulnerabilities and the RedPenguin threat actor, along with an investigation into server misidentification issues. RunZero discusses the importance of cybersecurity labeling for end-of-life and end-of-support consumer IoT devices. GreyNoise alerts listeners to a new surge in SSRF exploitation attempts reminiscent of the 2019 Capital One breach and promotes their upcoming webinar on March 24th. As always, the Storm⚡️Watch crew delivers actionable intelligence and expert analysis to help security professionals stay ahead of emerging threats in the ever-evolving cybersecurity landscape. Storm Watch Homepage >> Learn more about GreyNoise >>  

The Ancestral Science Podcast wanted to support our friend JUNO AWARD NOMINEE Walter McDonald White Bear....so... we decided to gather some friends, a few guitars, and some pizza. Along with some impromptu riffs and freestyle we got to chat about embodying music, spirit as an additional voice/instrument, connections between goosebumps and music, frequencies, songs, & language of the Land, the suppressed Native American Influence on Rock n Roll, Rhythm and Poetry, and the connection between snagging blankets and flutes. Hand to heart to support from Indigenous Screen Office and BESPOKE Productions HUBTake a moment to like, share, follow, and rate, it is much appreciated.Cheer on Bear at the JUNOS and check out his website www.walterwhitebear.comFor all you educators or if you just want to learn more about all the cool stuff we talked about, check out the SHOWNOTES. These are also available here.Grab a non-alcoholic beer or a Bepsi, grab your favourite instrument, and come jam along with Bear and friends. Hosted on Acast. See acast.com/privacy for more information.

File Hashes Analysis with Power BI Guy explains in this diary how to analyze Cowrie honeypot file hashes using Microsoft's BI tool and what you may be able to discover using this tool. https://isc.sans.edu/diary/File%20Hashes%20Analysis%20with%20Power%20BI%20from%20Data%20Stored%20in%20DShield%20SIEM/31764 Apache Camel Vulnerability Apache released two patches for Camel in close succession. Initially, the vulnerability was only addressed for headers, but as Akamai discovered, it can also be exploited via query parameters. This vulnerability is trivial to exploit and leads to arbitrary code execution. https://www.akamai.com/blog/security-research/march-apache-camel-vulnerability-detections-and-mitigations Juniper Patches Junos Vulnerability Juniper patches an already exploited vulnerability in JunOS. However, to exploit the vulnerability, and attacker already needs privileged access. By exploiting the vulnerability, an attacker may completely compromised the device. https://supportportal.juniper.net/s/article/2025-03-Out-of-Cycle-Security-Bulletin-Junos-OS-A-local-attacker-with-shell-access-can-execute-arbitrary-code-CVE-2025-21590?language=en_US AMI Security Advisory AMI patched three vulnerabilities. One of the, an authentication bypass in Redfish, allows for a complete system compromise without authentication and is rated with a CVSS score of 10.0. https://go.ami.com/hubfs/Security%20Advisories/2025/AMI-SA-2025003.pdf

For the latest and most important news of the day | https://www.thecanadianpressnews.ca To watch daily news videos, follow us on YouTube | https://www.youtube.com/@CdnPress The Canadian Press on X (formerly Twitter) | https://twitter.com/CdnPressNews The Canadian Press on LinkedIn | https://linkedin.com/showcase/98791543

The Grammy-winning Canadian producer Boi-1da has found massive success by crafting hits for the likes of Drake, Beyoncé, Rihanna, Eminem and more. Ahead of being honoured with the International Achievement Award at this year's Junos, Boi-1da sits down with Tom Power for a rare conversation about his career, what Canadian artists need now more than ever, and how his dad playing a certain couple of tapes in the car led to one of his biggest hits.

Forget the Grammys, forget the Junos! isletunes has the Music PEI Awards and is ready to take you on a musical red carpet ride through a baker's dozen of songs done up by this year's nominees. isletunes is all genres. All decades. All-inclusive. And all PEI!Grab isletunes T-shirts, hoodies, mugs, and a 2025 calendar on Spring at https://isletunes.creator-spring.com.Donate to the podcast through PayPal at https://tinyurl.com/isletunespaypal - thank you!!Subscribe on Patreon for exclusive videos: https://www.patreon.com/isletunes.Become an isletuner on Facebook, Instagram, TikTok, and Bluesky!

It's that time again. Our little longtime listeners know what the Juno Awards (Canada's answer to the Grammies) mean to us. At least the Metal category, being two time judges ourselves. So we're stoked for this year's nominees. Especially since four out of five are Radioactive Metal alum. So in the spirit of the Junos, we go over the list and “cast our vote” over the air. You'll find making... The post Radioactive Metal 822: And The Nominees Are… appeared first on Shining Wizards Network.

In this 1640th episode of Toronto Mike'd, Mike chats with David Aaron, a Toronto vinyl junkie, record store geek and independent record store owner before working for record labels, radio, the Junos, and oh yes, he's a musician, producer and private music teacher. He also gets Toronto Mike'd and the TMU. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com

It's that time again. Our little longtime listeners know what the Juno Awards (Canada's answer to the Grammies) mean to us. At least the Metal category, being two time judges ourselves. So we're stoked for this year's nominees. Especially since four out of five are Radioactive Metal alum. So in the spirit of the Junos, we go over the list and "cast our vote" over the air. You'll find making a pick to be a Herculean task too.   In our "News, Views and Tunes", we go over the "Back To The Beginning" final Ozzy gig and announce the Manitoba Metalfest. Musically, we crank Deceased, Anciients, Striker, Warpig, Steel Inferno, Pupil Slicer, Drop Off Point, Malefaction and introduce Finland's Steel Machine in our "Indie Spotlight".   Horns Up!

One of the true pleasures of a lifetime in music and broadcasting is connecting with artists at the very beginning of their careers. If the connection is a strong friendship, emotionally you get to go along for the ride. On the downside,  you must be prepared to lose those friends along the way through attrition, lifestyle and medical issues. I'm pleased to say Colin James has given all of us a great ride. 8 Junos, 31 Maple Blues Awards, Induction into the Canadian Music Industry Hall of Fame, Order of BC and turning 60 years old with 21 studio albums under his belt. Colin has played his way through an amazing collection of audiences.  Starting with Stevie Ray style  Texas blues, then blues rock, big band swing, roots, Americana and all the way back to blues. What a Ride!! Following a stellar concert at Massey Hall, Colin is on a Canadian tour now and he's heading our way.  With the wonderful Terra Lightfoot! Feb 26 -Grey Eagle   Calgary Feb 27 – N Jubilee Edmonton March 1 – Orpheum Vancouver March 3 – Royal Theatre  Victoria March 4 & 5 – Port Theatre Nanaimo Colin is a master storyteller. This time he has tales of recovering from a road accident on his scooter in the USA. Damage to his foot and fret hand slowed him down considerably. He has stories of becoming what he dreamed of as an 8-year-old and the biography he's almost finished writing. The complete interview can be heard on the Mulligan Stew Podcast and the terrydavidmulligan YouTube Channel.  

Music to our ears! We have singers in the studio to celebrate local choir director Robert Colbourne's nomination for the MusiCounts Teacher of the Year Award at this year's Junos. (Krissy Holmes with Robert Colbourne, Holy Heart of Mary choir members)

From Lady Gaga to Kendrick Lamar, all your Super Bowl coverage. Patrick Schwarzennegger talks ‘The White Lotus' season 3. Jelly Roll gives amazing advice on exercise. We chat with BBNO$ and Preston Pablo about their JUNO nominations. RIP Rex from ‘Hudson & Rex'. Cardi B blames Trump for her busted up shoes! Everyone this week was talking about ‘Big Balls'.

River, Diverted is a wild and wonderfully dark and campy novel by Jamie Tennant, published by Palimpsest Press in 2022. River Black found cult success writing slasher flicks but has grown increasingly disillusioned and unhappy. When a mysterious book appears in her mailbox, her life is turned upside down. River returns to Nagano, Japan, where the book originated, hoping to pay respects to old friends and revisit her past. Instead, she finds her memory is duplicitous, her reality is porous, and the mysterious book is more alive than she could have believed. River, Diverted is a dark fairy tale that explores the trickery of memory, the delicacy of friendship, the nature of creativity and the deliverance of hope. Filled with pop culture references and a deep love of monster movies, River, Diverted is both a light-hearted and subtly serious read that will captivate readers. About Jamie Tennant: Jamie Tennant is a writer and radio program director based in Hamilton, ON. A long-time music enthusiast, James has covered music and pop culture both locally and nationally. He is the Program Director at 93.3 CFMU at McMaster University, hosting two shows. In 2014, he was co-founder of the Hamilton Independent Media Awards. When he is not helping set up the JUNOs, being on the Grand Jury for the Polaris Prize, or blogging for the Fujirock festival in Japan, Tennant continues to write for several magazines and blogs; his 2009 article on rock band Simply Saucer was nominated for a National Magazine Award. He currently lives in Hamilton with his wife and son. The Captain of Kinnoull Hill is his debut novel. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

River, Diverted is a wild and wonderfully dark and campy novel by Jamie Tennant, published by Palimpsest Press in 2022. River Black found cult success writing slasher flicks but has grown increasingly disillusioned and unhappy. When a mysterious book appears in her mailbox, her life is turned upside down. River returns to Nagano, Japan, where the book originated, hoping to pay respects to old friends and revisit her past. Instead, she finds her memory is duplicitous, her reality is porous, and the mysterious book is more alive than she could have believed. River, Diverted is a dark fairy tale that explores the trickery of memory, the delicacy of friendship, the nature of creativity and the deliverance of hope. Filled with pop culture references and a deep love of monster movies, River, Diverted is both a light-hearted and subtly serious read that will captivate readers. About Jamie Tennant: Jamie Tennant is a writer and radio program director based in Hamilton, ON. A long-time music enthusiast, James has covered music and pop culture both locally and nationally. He is the Program Director at 93.3 CFMU at McMaster University, hosting two shows. In 2014, he was co-founder of the Hamilton Independent Media Awards. When he is not helping set up the JUNOs, being on the Grand Jury for the Polaris Prize, or blogging for the Fujirock festival in Japan, Tennant continues to write for several magazines and blogs; his 2009 article on rock band Simply Saucer was nominated for a National Magazine Award. He currently lives in Hamilton with his wife and son. The Captain of Kinnoull Hill is his debut novel. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The commissioner of the public inquiry into foreign interference issued her final report looking into how foreign actors have tried to interfere in the electoral process of the 2019 and 2021 federal elections. She remarked that disinformation and misinformation pose a major risk to Canadian democracy. Ronaldo Au-Yeung, a political scientist from Notre Dame University, discusses the impact of disinformation in democratic institutions as we ask viewers how they stay informed as they head to the ballot box this year. We take audience calls for their reaction.Many users are flocking to join Chinese tech startup DeepSeek's new artificial intelligence chatbot. Tech analyst Carmi Levy unpacks what it is and what it means for the competition between U.S. and Chinese tech companies. The 2025 Juno Awards will take place in Vancouver on March 30. In the leadup, CBC is presenting Road to the Junos, a concert series that celebrates local talent. Juno Award-winning musician Tom Landa previews the event. We ask audience members to phone in to let us know their favourite B.C. musicians for a chance to win a pair of tickets to "Road to the Junos"!

Canadian folk musician Valdy has been making music and criss-crossing the country for over 50 years. Valdy has 16 albums to his name, sold over half a million records and received the Order of Canada and two Junos. Valdy joins Tom in the Q studio to talk about his iconic 1972 hit “Rock and Roll Song,” what keeps him playing almost 200 shows per year at the age of 79 and his political and social activism.

Steven sings some amazing songs and talks about The BareNakedLadies, Trans-Canada Highwaymen, the creative process, blowing up your life, breaking up with your partners, repairing your life, finding freedom working for yourself, being a self starter, zoom shows, Brian Wilson, Yoko Ono, band camp, and getting pelted with mac & cheese. Bio: Over the last thirty-five years, Steven Page has established himself as one of the most recognizable and enduring voices in music. The release of his latest album, Excelsior, shows that he has no plans of slowing down anytime soon. Since its release, Steven has toured Canada, The US and the UK with The Steven Page Trio, and has performances planned well into 2024. As a co-founder, vocalist and songwriter for Barenaked Ladies, Steven sang and wrote classics like “Brian Wilson,” “If I Had A Million Dollars,” “What A Good Boy,” “It's All Been Done” and many more. With the band, he sold over 15 Million albums and scored multiple Junos, Billboard Music Awards, SOCAN awards, Gemini Awards and two Grammy nominations. After leaving the band in 2009, Steven embarked on a solo career that has produced five solo albums, including 2022's Excelsior, and has seen him tour worldwide, from folk festivals to cabarets and theatres, all the way to packed arenas on his recent string of dates opening for rock legends The Who.  Steven performs in many configurations, from solo to full band with horn section, but, since 2016, he has been playing most often with his pals in The Steven Page Trio, Craig Northey of Vancouver legends Odds on guitar, and Kevin Fox on cello. The trio configuration provides the right amount of portability, intimacy and power to fill just about any venue imaginable. Steven has performed arrangements of some of his best-loved songs from his long career with orchestras including the Vancouver Symphony Orchestra, Victoria Symphony, Symphony New Brunswick and has more symphony shows on the horizon in the next two years. A passionate mental health advocate, Steven has been in demand as a public speaker since 2011, sharing his own story with audiences across North America. In 2018, Steven was inducted into the Canadian Music Hall of Fame with his former bandmates in Barenaked Ladies, at the Juno Awards Ceremonies in Vancouver. In 2020, when work on the musical he wrote with playwright Daniel MacIvor for Canada's Stratford Festival, Here's What It Takes, was interrupted by the Covid-19 pandemic, Steven began performing weekly livestream concerts over Zoom, Steven Page Live From Home. These Live From Home shows, sometimes selling 1000 tickets at a time, cultivated a tightly-knit community of music fans from all over the world, and kept them feeling connected when it was most needed. Steven continues to perform Live From Home shows on Saturdays when he's not on the road, with the 100th episode planned for early in 2023.  The Governor-General's Performing Arts Awards approached Steven in 2021 about writing a song as a surprise tribute to his friend, Ryan Reynolds, and the result was “Canada Loves You Back,” a song as poignant, humourous and Canadian as the actor it honours. Steven is a frequent collaborator with Toronto's Art of Time Ensemble, made up of some of Canada's best classical, jazz and pop musicians. With them, he released an album of covers, A Singer Must Die, in 2009, and also appears on their Sgt. Pepper and Songs of Leonard Cohen albums. Along with Chris Murphy (Sloan), Moe Berg (The Pursuit of Happiness), and Craig Northey (Odds), Steven makes up a quarter of The Trans-Canada Highwaymen, four lead singers of classic Canadian bands, whose first album of Canadian covers is set to be released in the fall of 2023.

In a letter obtained by The Canadian Press this week, the JUNOs revealed plans to put several categories on hiatus, including reggae recording, children's album, Christian/gospel album and international album of the year. Host Jeff Douglas is joined by Jamaican-Canadian musician Jah'mila, a previous winner of the Reggae Recording of the Year, to talk about the genre's history in Jamaica and Canada.

This week the gang gets together to discuss the rest of Inroduce Yerself.Transcript:Track 1:[0:00] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing presents a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver, Kirk is coming from LA, I'm driving from Vermont, and JD's like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com, and when you get your tickets, that means you can come Come hang out with us and our very special guest, Patrick Downey, and you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip, and most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on discovering Downey, and then crack open another long slice on July 19th and hang out with us in the six. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Christmas Day for Edgar. My dad always used to say just after the presents, well, it's as far away now as it will ever be. I'm thinking about that as the stewardess cracks the public address system. For those sitting in economy, there's no music for you today.Track 1:[1:21] Welcome, music lovers. Long Slice Brewery presents. Discovering Downey.Track 2:[1:31] Hey, it's JD here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal local acrobats that wowed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of the hip out there, but have you really listened to these solo records? Because I'm an inquisitive podcaster, I enlisted my friends, Craig, Justin, and Kirk, giant fans of the hip in their own right, to discover Downey with me, JD, as their host. Every week, we're going to get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about the back half well plus two songs from the front half of introduce yourself justin my friend how are you doing on this gray fucking oh is it gray there toronto oh oh it's terrible all day maybe because i was wearing sunglasses wait a minute.Track 4:[2:55] It is it was the opposite of that here in in beautiful vermont today it's it was a beautiful day i I think it's going to be great for the rest of the week, though. So whatever you're getting today, we'll get tomorrow.Track 1:[3:05] Oh, that's weather with Justin. We'll be back with Craig and Traffic. Remember, news on the fives.Track 2:[3:12] Where in the world is Kirk from Fuckachino? How's it going, man?Track 5:[3:22] I am in Washington, D.C. Right now for work in a hotel room. so having some technical difficulties so my apologies but things are good and uh excited to continue the conversation greg.Track 2:[3:41] What say you things.Track 3:[3:44] Are going well a little uh a little tired after a night out uh watching the sadies last night so they played a small venue downtown and got to see the boys rock out and um yeah it was it was a pretty awesome show a big banner of Dallas in the background and yeah, some touching moments, but mostly they, they just rocked.Track 2:[4:03] I haven't been to a live show in a little while now.Track 4:[4:06] Super cool.Track 2:[4:12] All right, fellas, before we get into the music, I want to talk to you about an email that I got from an organization called Lake Fever Wilderness Company. Basically, the gist of this email is that the Lake Fever Wilderness Company has submitted all the paperwork required to City Hall to get At Riverdale Park East, here in Toronto, mere footsteps from my home, renamed Gord Downie Park. I saw an article on BlogTO, and then they also gave us a couple other links to stories. But I'm hoping that our little podcast here, that people who listen to it will hear this, and you know we can build some awareness around this somehow anything you want to say about this or comment about this are you jealous and ate in your town yes.Track 4:[5:17] That sounds like a great cause and um for what it's worth i love the song lake fever so.Track 2:[5:25] Right Right?Track 4:[5:26] Yeah. Yeah. Oh, that's a, that's whatever we can do to help, man. That sounds great.Track 5:[5:31] Sounds very cool.Track 3:[5:32] I'm jealous. We, who do we get? Brian Adams Avenue.Track 2:[5:39] Probably already have it. Don't you?Track 3:[5:41] I don't know. I don't know. Maybe in England.Track 2:[5:45] Really? There's not a. Right mind-blowing to me one of the top songs of all time in terms of played, everything i do i do for you right, yeah but this is not a brian adams podcast this is a podcast called discovering downy and let's pick it up where we left off last time that puts us on side two of the first record With the very candid, my first self.Track 5:[6:47] I mean, just explains it like I remember it. And yeah. could feel all of those crazy, stupid emotions and, uh, could just totally wrap my head around and embrace, you know, the message that he was writing, you know, a piano forward tune again. You know, I think we talked about that the last one, uh, I love the vocal and the background that starts coming in uh you know echoing essentially the line um and then the last line is just classic so yeah uh it's a it's a brilliant tune in my assessment.Track 3:[7:28] Yeah, what I liked about it is that it really instantly just takes you to a place in your own life, whether the story is one you connect with or not, it takes you back to, you know, when you were in your teens or whatever. And that's what I appreciated about this song. Another thing before the echoing vocal you're talking about there's i just noticed today for the first time very very faintly in the opposite channel is something that sounds like a, a meowing cat i think it's a person but it's almost this little it's so subtle it's almost like one of those hearing tests you get where there's a little beep and you're like did i hear that but i listened a second time and there's something that comes in about 30 seconds before for the more noticeable vocal on the other side so i.Track 4:[8:19] Did not on that view yeah i listened to it today too actually and.Track 3:[8:24] Um i.Track 4:[8:26] Mean this this girl sounds cool as hell you know like he says in the song six years older so it's definitely you know she's his girlfriend but he may not be her boyfriend from what i'm picking up on you know like and and i certainly related to the you.Track 3:[8:41] Told me off and could she be responsible for uh hooking gourd on reading because he wanted to be like her.Track 4:[8:50] Oh yeah yeah yeah yeah interesting thought yeah yeah yeah i don't know again like i did feel a little awkward listening to this song let's.Track 2:[9:02] Move to the next track on the record you're ashore.Track 3:[9:05] Well this is probably the song i have the least to say about it's maybe the least memorable for me I think probably it's the type of song that if it's about you it's probably a maybe a bit of an inside joke or I'm not really sure what the you know what it's about who it's about, I appreciated the gentleness in his voice. I was glad that it was the length that it was because it was not my favorite. What did you guys think?Track 5:[9:38] I loved it me too i uh i i uh i mean it's the shortest song on the album it's a minute 30 you know the lyrics are simple it's you know essentially you're sure you're sure repeated and a few little straight lines but the brilliant in the very beginning is you know he's strumming and then it's the let flow it down i believe is what he says and uh yeah it's um Um, I think especially amongst this body of work amongst this album, like, you know, there's a lot of, there's a lot of piano, there's a lot of synths, there's even some beats and things of that nature. And it was kind of nice to just get a little short acoustic ditty in my opinion. But, you know, I'm, I'm, I'm a sucker for that. That's, uh, just like, just like back in the eighties, right? Every metal band had its little ballad. so uh i i love the ballads so.Track 4:[10:38] Yeah i don't know who it's about but it's an earworm i find myself humming the tune uh quite often and there's only a few words in the song so it's not like, you know like you said craig the lyrics aren't nothing about it is really memorable but it is it does get into your brain and it's an easy little like you could just walk through the the park and just sing that all day. But yeah, I mean, it's a minute 30 and that's about right.Track 2:[11:07] Yeah, that's about right. It's interesting you say that you couldn't determine who that's about, because I, so far, have really sucked at that game, listening to the first record. So, as we go into the second record, Gord lobs a softball at me, and even I know that this next track, Love Over Money, is about the fucking Tragically Hip.Track 4:[11:37] Damn right it is.Track 2:[11:39] Yeah who wants to go first here kirk.Track 5:[11:42] Yeah i'll go first um yeah i i you know uh i would say jd i've had a similar you know a similar experience in in trying i have little parentheses in my notes of who i think the note might be or the song might be too and i you know i can't even get specifics i just write like brother you know question mark things of that nature so this one was obvious what i loved about it as well and and i think i might have mentioned it on on the last of the first the first album it's such a pop it's like a synth pop tune is what i have and this is gonna sound weird but for whatever reason when i hear the song i think of that snl skit where you've You've got like Jimmy Fallon and they're all playing like they're doing that little, you know, they do the little dance.Track 2:[12:36] Oh, right, right, right.Track 5:[12:37] You know, when I heard this song, I, by the second time, I just, I couldn't get that shit out of my brain. So, but just beautiful lyrics talking about the band. So direct and so loving and so to the point. To me, an absolute, brilliant Gord Downie song. I mean, you know, just wonderful, wonderful song.Track 3:[13:06] The moment he said the line, we played to no one, and then no one plus one, I knew it was about the hip. Because I remember in 1996, a band I played in, we went across Canada two times that year, self-booked tours. And we ended up in Thunder Bay on one of the tours.Track 3:[13:24] And we played in a tiny club called crocs and rolls which is sort of like a legendary club in in thunder bay a guy named frank lefredo was the booker there who was kind of like a legend, in uh in music across canada and anyway frank um the first night we we played and we didn't draw much of a crowd and he said you know don't worry guys the you know first time the tragedy hit played here they played to to no one and then they played a second night and they got a couple more and the next night and you know they played i think three nights in a row on an early tour, and so that made us feel a little better and he and he um he felt bad about the the draw so when we came back um he found us a gig at another venue um for the for the drive back so that's the the memory that that comes up for me um and also the other thing the queen's jubilee uh so the reference to the um to the playing to the the deafening the husband of the queen um that would be that that show which i looked up and uh and yeah they played poets and interesting enough in that version of poets he changes the lyrics he censors himself a little bit i noticed so for the queen he he He changed bare-breasted to bare-chested, and there was one other change I can't recall.Track 4:[14:44] Yeah, it was a great performance. I remember seeing that. I wish that I had looked it up just to bring the memory of it back, but that line stuck out to me. I remember seeing that performance.Track 3:[14:57] And he used the laminar flow line as well in that version of Poets.Track 4:[15:01] Oh, that I didn't remember.Track 2:[15:04] Wow.Track 3:[15:05] Which ended up in Coke Machine Glow on Every Irrelevance.Track 4:[15:11] Yeah. Obviously, the bond between those five guys is unbreakable, and this song is funny, too. I laughed at this song the first time that I heard it and heard the lyrics. We missed death and marriage and a birth. I did notice the words hotel worth, which is kind of a preview to an upcoming thing. There's a song that actually got a lot of airplay here locally a few years ago. But yeah, yep, it did. Yep, it was on the radio two or three times a day for a couple months here.Track 3:[15:47] The love over money line um made me also think about the way that they split their royalties and i'm not sure if if it was like a 20 all the way around that would be my guess but but often the the lyricist will take 50 and then the people who wrote the music take the other 50 so you know maybe it's not that simple but the fact that all five of them were as far as i know listed on all all the all the credits sort of um you know over their career that's something that drives so many bands apart is that fight over you know well i wrote this i wrote this and like even in the band i spoke about a while ago like we had some really crazy discussions around royalties and who should get what and you know in my mind i've always been a equal share guy i don't care if you're the drummer if you're you know you wrote your part that's just you know then again i've not not like i'm making a ton of a ton of money in music or anything but but um it was nice to to see them stick together so long and the same five guys like what other band can you think of that released that many albums with the same lineup it's got to be a very very.Track 2:[17:02] Very short list.Track 3:[17:03] Like there may be some three pieces i mean but a five piece band think of all the potential for conflict and for you know one guy leaving it like no one there's some sleuthing.Track 2:[17:17] Some sonic sleuthing for you listeners out there send us an email at discovering downy at gmail.com with bands that have a lineup up that was consistent with at least 15 records released? Are there any? Is there a database that you could just plug that into and get it from?Track 3:[17:40] No idea. I mean, Aerosmith would be close, but they had that lineup change in the mid-career.Track 2:[17:49] Right.Track 3:[17:51] For one album anyways.Track 2:[17:53] Joe Perry left, right? Joe Perry and Brad Whitford.Track 3:[17:55] Yeah.Track 2:[17:57] Yeah, yeah. Okay, so the next track is You, Me, and the Bees. Do I go two for two here when I say this is an ode to the Boston Bruins? Yeah. And its ability to connect with your family, particularly in this case to Gord's brother, Patrick.Track 3:[21:03] That sounds about right to me.Track 2:[21:04] Take us away.Track 3:[21:06] Took me right to my childhood as well. And a good friend of mine, so my friend Blair and I, we played a game called hall hockey. Hockey's in my parents basement with you know those fisher price um bowling sets we take take one of the pins and a ball and we would just hit the ball back and forth and if you hit the wall you score and we had this ongoing game every time he came over and we would you know do the play by play and we were both oilers fans so you weren't allowed to be the oilers you had to choose another team and i'll never forget the quebec nordique if you were the nordique and you you know you'd be Stastny and then you pass over to to you know Michelle Goulet and as soon as Michelle Goulet, got the puck you know you're getting a shot in the balls every single time I don't know what it was but and um yeah and then Blair became a little bigger than me and started winning every single game and then we yeah we aged out of that game but anyways that's where it took me yeah what What about you guys?Track 4:[22:06] Oh man, this was me and my old man playing pond hockey. Yeah, I loved the song and I loved I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. And you know, again, I laughed in this song several times and the line about the trading of George Thornton and you know, it's, I don't know, like Like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time. This song is that relationship. And, you know, and as a Habs fan, I freaking hate the Bruins, but I get it. You know, I totally get it. And, yeah, this is just a really cool song about your brother. You know, it's fun.Track 5:[22:57] Yeah, I loved the song. And I loved, I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. You know, again, I laughed in this song several times and the line about the trading of George Thornton. And, you know, it's, I don't know, like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time, you know, and the song is that.Track 4:[23:30] I, um, I really liked how Gord's voice was very staccato and this, um, he was really kind of a minimalist with, you know, he didn't drag any of the, any of the, the lines out the Bruins. You know, like just very on the beat and kind of not screwing around. Or maybe this is screwing around for him, I guess. But, you know, he turned the word Bruins into Bruins, just one syllable. And I don't know, it felt like a different approach lyrically or sonically, I guess.Track 3:[24:02] Yeah, that phrasing really matched the style of the song too. That sort of, like the percussion that Kirk was talking about. It just, yeah, had that staccato feel.Track 5:[24:11] The phrasing, thanks for bringing that up, Craig. I had just recently watched the Juno Award tribute, Dallas Green and Sarah Harmer and Kevin Hearn, I believe it was, and I believe it was the Junos. And gore you guys both talked mentioned like the way he phrases like the way he takes his lyrics and will you know enunciate them to fit into the line it is like no one else right and then when you watch this tribute and you see her singing introduce yourself and trying to you know keep the cadence that that that gourd has i guess that's a good way to describe it there's a uh, a unique cadence to it so i i was blown away by that if you guys haven't seen it you you must watch it and then when they go into bob cajun and the harmonies are just incredible but like goosebumps you know it's so incredible and then especially when she comes in with that harmony But to hear her do the phrasing was wonderful as well, because that has to be difficult.Track 2:[25:25] Yeah, it's what we love about him, right? His ability to twist and turn and put round pegs into square holes or square pegs into round holes probably is more difficult, in fact. Snowflake has a haunting piano line that works well with Gord's almost pastime. What do you think of Snowflakes.Track 5:[25:46] Kirk? Yeah, Melancholy was my note. Again, the piano is used heavily throughout this whole album, but on this song in particular. My guess at who it is to is just a girlfriend is all I wrote. Um but uh the the other note that i wrote was the the woman leaned in to say goodbye but i don't remember his name and uh just the um where is gourd going with that you know i i uh i i wondered i wrote that down as a note so um but just again uh fully emotional song.Track 3:[26:34] Yeah i wondered if that was almost like a reference to maybe his fading memory yeah the oh yeah i was a bit puzzled by that too craig yeah it was a very eerie song and i really loved it i love the um the jangling sounds gave it like a really eerie feeling like you're in a i don't know like a haunted ballroom of some ancient house like i just picture this as a movie when I'm listening to it the the, vocal delivery makes me wonder if it was one of the later tracks that he he did and i really love the chorus and the the reverb they put on like just like in a natural there is a ton of reverb, like way too much reverb but it works really well it's so powerful when they do it on this album not something i would normally like um yeah his voice is is gorgeous in the song um a lot of feeling to the piano playing as well by by kevin um yeah and again i had a note about phrasing when he says my name and when he says goodbye it's kind of rushed and it made me wonder if it was just a lack of time just you know doing it in one take and not worrying too much about yeah about how it came off um but again that's what we love about you too yeah yeah.Track 5:[27:58] You i mean craig you sing when you play takes a lot of energy um so that's that's one thing that i wondered throughout this this album in particular when like if you just say you're looking at it on your phone and you're listening and you bring up the lyrics and you're you're you're questioning some of the enunciations i guess of some of the words but it's that's gourd and that's uh you know Him making it work for that particular song. And sometimes different than what the lyrics are written as. I don't know if that's just typo type stuff or if that's on purpose. this.Track 4:[28:37] So I actually, I don't know, my, my thought on this was that maybe this was, um, something that he was remembering from his childhood and maybe, um, with a, an older sibling or, a relative or somebody, you know, that he knew well. And, um, the thing that stood out to me.Track 4:[29:00] More was the, his recollection of the lake and, um, of the house and describing everything about the scene and that this woman is somebody, an acquaintance of whoever he's walking down the road with, and they're going to see her. Um, cause there's the line, she told me to go explore the quiet rooms. Uh, it like, so this is all right, kid, go check out the house. We got stuff to talk about you know um and i actually um somehow connected this to the you know affluent woman in the video for it's a good life if you don't weaken um my my head kind of went to that music video and i don't don't know why or where that happened but um it just felt to me like it that type of house and that type of, of meeting. And, you know, and then at the end of that video, Gord leans down and whisper something into her ear and, and then, then they walk out. I don't, I don't really know why that's where I went, but, um, it's sort of a mishmash of two different things. Yeah.Track 4:[30:13] So like there's the song that we'll get to called the lake. When I first heard that, I thought that was about the lake, But now I think this song might be about the lake. I don't know.Track 5:[30:23] Just the fact that when he writes his lyrics, like, yeah, he, it's inspired by something, but it may even have a different meaning than what it was inspired by for him. And I don't think he really intends for the listening audience to do anything other than interpret it for their own selves or application. So, um, you know, I, you just, I never got the feeling like he'd be offended by that.Track 2:[30:49] Yeah, I can't agree with you more. Again, that's one of these great things about this performer that we all love. We can get behind that. The next song is called A Better End, and it makes me sad. Lonesome for Gord, I suppose. How does it make you feel, Justin?Track 4:[31:17] Yeah, the same. I mean, it sounds a lot like the Man Machine Poem album. There's some melancholy in a lot of those songs. And this album came together in a different context, but it's musically a lot similar to or very similar to a lot of the songs on there. And there are connections with the lyrics, the line, for treasure or worse. That's in, is that in Man? or machine, one of the others. You know, where God walks with persons, even the may be doomed, that line crushes me every time I hear it.Track 2:[32:00] Repeat it?Track 4:[32:02] Where God walks with persons, even the may be doomed. And, you know, there's an end to that sentence, right? There's a finality in that one. And I don't know. I don't know who it's about. The song is called A Better End, but he says bitter. Um you know and that only at the very end of the song does it say the better end um so maybe there's some letting go you know i i i don't know yeah.Track 5:[32:37] I i uh i have a description written as dark melancholy but then my final note was a plea and that to me as i think you had mentioned, Craig, you know, maybe it was to a family member. And I kind of felt like it was to all family members and all of his like close friends, like, this is the letter, like, this is it. And so I just wrote a plea, question mark. And the beat, I think we talked about this before, you know it's it had the clock feeling to me throughout um and then like you had mentioned justin uh you know you you the title's a better end the the lyric that he uses is stay to the bitter end but it stayed in the bitter end and uh uh just uh, He's put out so much energy at this point, you know, because it is when they've recorded this, you know, it's 20, 2017. They've done the they've done the. The tours, he's done the secret path stuff like he knows what's coming, he knows the bitter end and he gave everything he could. And this is like his like, hey, somebody give me some energy for, you know, here for a better end.Track 3:[34:04] Yeah, I wondered if this was a close family member maybe saying to stay with me until the bitter end. Really, yeah, this was an emotional song, but it's also the type of song that's going to keep bringing me back to this album. I love this song. i found that again another powerful chorus with that big reverb sound and the way he belts out songs like this and snowflake and uh in the choruses is a real strength of this album nancy and yeah just a very powerful um i i had a note i would be interested to hear a heavy version of the song like a full band version um yeah but yeah haunting piano it gave me um secret path vibes it felt very much like musically could have been on secret path he.Track 4:[35:02] He hits a lot of different spots um um in his range too he sings very deeply and then he sings very high um there's There's a lot of, you know, he's probably in three octaves or maybe four during the song. Probably three.Track 2:[35:22] Yeah. So when I hear this song, I think of it, I think of an LP, like an old LP, like a 72, you know, RPM record. And I picture it being played on my grandparents' couch-sized hi-fi. It just sounds, it sounds old. It sounds authentic.Track 5:[35:50] Authentic it sounds like a needle you know the indie rock on the vinyl right it.Track 2:[35:56] Sounds like which sorry.Track 5:[35:57] It sounds like the needle on the vinyl it's just yeah it's you you and then you got that the dining you know the the dining room or whatever recording that's going on in the background and then and then it just sounds like they have the actual, you know the the needle and the vinyl that that that that static sound going it's it's brilliant it's a little soft guitar it's it's a sweet song it really is it's a sweet song yeah.Track 3:[36:28] And the way he sings it too it's almost like a bit of a like a shaky vocal like a bit of a warble to his voice which maybe it was actually maybe they added an effect to make to give it that vinyl quality to it. But I think maybe it's just his, I think it's just his performance. And when I say shaky, I mean, in a deliberate way, I talked last week about how I can't think of any singer who has as many qualities to his voice as Gord and he does it better than anyone. Yeah. Yeah.Track 2:[37:09] But then it did go away. You know, sort of, right? Yeah.Track 3:[37:17] When he wanted it to, yeah. He just gained so much control over his voice. He had power from early on, but then he developed different subtleties. And when he gets into an album like Secret Path, and he's singing sort of in character, he can just go into all these different places depending on the emotion of the song. And another note about Nancy is, first of all, I'm guessing it's about a sister. I didn't actually look up the names of his sisters, but that's just my guess. I liked how it talked about the beginning, the middle, and the end. And Gord forever being the storyteller. He's always thinking in terms of story. Just a little nugget I picked up. And the conversation at the beginning too when they're just starting to hit record he's talking about his cuff link.Track 4:[38:16] It's a good one.Track 2:[38:17] It is. It's really good. And I think on first listen, it would have been bottom third for me. And now it's firmly somewhere in the middle third. Like, it has a crack top third for me. But, you know, it's moved up for sure.Track 4:[38:36] Yeah.Track 3:[38:37] I feel like this album gets better as it goes on. I actually prefer the second half.Track 5:[38:42] That's fair.Track 3:[38:43] Um i think at first i really enjoyed the first half more maybe because i was really preparing for that first half um for our pod but i i love the the second half yeah i.Track 4:[38:57] Actually very much agree with that i think for me it starts to really get good at you're ashore and like i said it's it's a kind of a forgettable song but the the tone sort of changes isn't that wild yeah well.Track 2:[39:11] We are at the last song of the first side the remarkably upbeat think my about us.Track 5:[41:21] This is brilliant. This song is brilliant for me from the first listen to the critical listens in the middle to listening again just recently before this. And just the way it made me feel, the swagger it had, the message it had, um that just incredible descending piano line um it it was uh it it it's up there for me it's really really really up there i love love this tune i.Track 3:[42:03] Agree this is a masterful song really it's just it comes at a place on the album.Track 3:[42:11] Where you really need something that's a little, kind of cute is the word i'll use and you've got that little piano melody that almost just sounds like a finger exercise you would do if you're learning how to play piano and some really cool sounds on the synth or maybe it's a theremin but i'm pretty sure it's a synth, and i also had a note that the the drums enter in an interesting way the bass and drums come in and just maybe a spot you're not quite ready for and yeah just just like a playful song that i really enjoy just super catchy i i wish the world could hear this music like i wish more people, would give this a chance because it should be words were i mean maybe this is my thesis for the end of this whole thing but gourd's work should be appreciated like like josh even said like they're both up they're both equal they're both amazing yeah.Track 4:[43:09] I had the word super catchy exactly the same in my in my notes and i really don't have a lot of other notes about this song but i i can't stop listening to it i know that um it's a yeah it's a it's a and you're right craig it came at the right time um in the sequencing um it was needed in this spot.Track 3:[43:31] It's a little heavy before that.Track 2:[43:32] Right?Track 3:[43:33] Yeah, and it's going to get heavy again. Yep, that's right. Really heavy.Track 2:[43:37] I learned a really valuable... I gained access to some valuable experience today, when I was preparing for this recording, because it's the first time that I've flipped the record over, and had to tackle the final five songs that we ever get to hear from Gord Downie, or so we thought at the time. You know, like, we didn't know there was going to be posthumous releases.Track 5:[44:17] Right.Track 2:[44:19] We knew he wrote this right before he passed, So either way, you know, it's fucking heavy. Craig, when you think of The Road, do you think of that as heavy?Track 5:[44:35] Yes.Track 3:[44:36] Wow, The Road, this song destroys me. Again, there's a bit of a theme on the album in a few songs about The Road, about missing out on life events. Yes. On, you know, the sacrifice. Of you know being a touring musician um you know a dream that i had when i was young and it didn't work out and you know i'm you know thankful for the life i have um and you know i'm sure gourd was as well but man like it had to be there had to be some really tough times being out away from your family all the time and missing things and um anyways this song is so good and the um the thing i want to say about this is when the drums come in there's no hi-hat it's just sort of kick and snare and that space really sets the the mood for this song um you know along with you know the piano of course um and there's one line i want to point out the machines are somewhat suitable now um you know is that is that the hospital machines is it is it a reference to man machine poem um i'm not sure but but this song like.Track 3:[46:06] Depresses me almost as much as the the book the road which destroyed me when i was um a young parent uh you know or not you know i wasn't young but my my son was young and if you you know um cormac mccarthy's the road it is absolutely devastating it is the a book that took me well i've never gotten over it really and the movie as well i watched the movie and it took me about six months to watch the movie i had to watch it like a little bit at a time when i was in the right headspace and it just it is if you haven't read it's maybe don't but it's incredible um but this this yeah if you name something the road it's probably going to destroy me well.Track 4:[46:51] So I had a bit of an awakening about three years ago when in May of 2021, my wife had something that she had to do at work late at night or 8 o'clock, 9 o'clock, whatever. And she couldn't be home to make dinner. And it was like a Tuesday or something. I don't know. And she messaged me during the day and said, you need to be home and make Evelyn dinner tonight. night. Evelyn's our daughter. And at the time she was, uh, almost four and I got home and I realized, holy shit, I've never made dinner for my daughter before. Um, I was working 80 hours a week and I was missing everything. And my wife had an Instagram account for our daughter. And that was the only way that I was keeping up. I lived in the same house, but I wasn't in the same family. You know what I mean? And yeah, the song brings all that back and made a big life change that very night. I sent a long message to my boss and said, we got to talk tomorrow, but I'm going to get it all out right now. Cause if I didn't say it now, I'm not going to say it. And I told him I'm done at the end of the year. I've I'll stick with you for my commitment through this year, but but I'd put 10 years into my job and missed everything in that 10 years. And, um.Track 4:[48:16] Give Gord another three decades on top of that. Um, I don't know who the song's about and I guess it doesn't matter, but, um, but obviously it matters, but, um, yeah, I, I really identified with the missing everything and even going back to the song about, um, uh, what is it? Love over money, um, about the band, you know, we missed funerals and births and all this stuff. And yeah, that's me. I've been there, man. I've, I still, to some degree, I'm there a little bit, but, um, yeah, I missed my daughter's first four years of her life.Track 5:[48:54] Everyone knows in this group here, I'm on the road all the time. I'm talking to you from a hotel room in, in Washington, DC. And, um, and so, I mean, Justin, I think this is actually a letter to the road and a letter to everyone that he's been on the road with, including his wife, his part, you know, his, his kids, his bandmates. It's, it's that, you know, that's that life you choose, you know, whether it's a traveling musician, whether it's a a traveling salesman, whether it's a, you know, a producer. Um, and, and, and it's, uh, it's tough, but when you're not on the road, if you are a road person, it's your, your, you know, jittery, you're nervous, but how do you, how do you give to your family and to yourself and to your job and to your art? And, uh, he wouldn't have been able to do that without the road. So but you know it's a blessing and a curse um i we mentioned this about another song here and this one i wrote was also a song that could have been on secret path was the note for me.Track 4:[50:17] Yeah yeah but musically yeah again.Track 5:[50:19] We there's not enough hours in the day right lads to uh just talk about the amazing insight and that we have it here you know to listen to to watch to read to just just beautiful.Track 4:[50:36] Well there's there's that point where you know you're you're young and and full of energy and you've got these huge goals and then you start to achieve them and then at the same time you have this other life going on behind the scenes that has always played second fiddle to that and then you realize at some point you're too deep into the pursuit to stop now but that this other life that was didn't even exist when you started uh has now taken the spot you know is number one on your on your pecking order and how the hell do you make that change without destroying everything that you've created you know yep.Track 5:[51:14] Oh you are the bird.Track 2:[51:18] Yeah it's uh it's a slow and lovely song right what do you think about it kirk to.Track 5:[51:28] Me this this was uh uh, uh, just a letter. It seemed like a letter to a sibling, right? You, you became the bird you, uh, and then it just, it made sense. And, uh, um, um.Track 5:[51:44] I, it, it starts getting heavy after a while, right? When you, when we break, I mean, we talked about it with the last week when we talked about the first one and how emotional it was and, you know, here we are, you know, however many songs in and you just, you stop. And like you said, you know, JD, it was like, these are the last five tunes and it's, it's, it's almost hard to embrace, um, and think about without just getting, you know, overwhelmed. I, I think it is, I think largely because of the love we have for, uh, you know, what, what, what Gord Downie has done solo and with the hip and, and in jazz as a human. So, um, but, uh, yeah, just, uh, you know, Another note was, again, I think I mentioned it earlier, just lyrics that are written different than what is being sung. And I didn't know if that was on purpose. I think I mentioned that. And I didn't know if it was something Gord was trying to do on purpose. Or it's probably nothing. It's probably just what was written and what was sung.Track 5:[53:04] You know, he probably had it written down as such and just like we do when you have a script in front of you, your brain has already chosen what the next word is going to be. So, anyway.Track 4:[53:15] I noticed that this shared a lot of similarities with Spoon from the first half where he talks about help being the only reason why we're here. You help others and the child in the song Spoon is, I guess, tasked with the same thing. I don't know if task is the right word, but this is a common thread throughout the album. And this lyrically shares a lot with that song.Track 3:[53:48] Yeah. I agree, Justin. That was my real only, my only real note on this song was that, that, you know, it's the only reason we're here. And that seems to be like, yeah, like if I had to break down this album into one message, that would be, I mean, other than like a goodbye and, uh, you know, uh, a lot, you know, a love letter to his close ones. Um, that is like the, yeah, the summation of this album. I also thought probably about A Child, the song, and also there's the line about he was the bird, he passed it down, you want to help people out. So, you know, he's referencing not only the person he's talking to, but someone, maybe another family member, a grandfather or someone who's passed down that quality that, he respects.Track 4:[54:35] There's one of my mentors. I kind of think of him as a father figure. His name is John Adams and he was a very bottom level race car driver around these parts. And, he and my father were about the same age and they were friends. And I started hanging out with John when I was 13 or 14 years old, trying to learn how to work on race cars. And there was one night he went off, he got pushed off the racetrack and he's, you know, this massive six foot six, 300 pound guy. And he comes barreling out of the car and climbs up to the top of the racetrack and gives a, gives the driver that, that wronged him the double bird. So he became the bird man that night. Um, that was his, that was his nickname. And so everybody calls him bird. And, you know, I thought, wouldn't that be silly if he passed his nickname down to me somehow, how you know because he doesn't all of his all of his kids are girls and i'm kind of like his sort of son um i don't think that's going to happen but i i know the song isn't made to laugh, but i laughed thinking about that that's.Track 2:[55:42] A nice memory though yeah.Track 4:[55:44] He's still with us he's still with us flipping people off all the time, yeah i.Track 5:[55:51] Love that the lake.Track 2:[58:56] Yeah, this one's a fucking tearjerker to me. So proceed with caution on this one. Justin?Track 4:[59:04] Yeah. I kind of mentioned it before that I thought that this song was about Lake Ontario, which has been such a constant theme throughout Gord's entire career with the hip and with the solo stuff. And there's so many references to the lake. Um but this song is not about the lake this song is is about his daughter willow i mean that's right at the end of the song uh i realized today you are lake ontario the love of my life you are willow and then he does this fantastic call and answer thing with his own you know backup vocals um saying willow over and over again and it's like wow this one this one is something um it's a it's a beautiful song um it's just gorgeous um and yes he does describe the lake or a lake um but all these same qualities could be about your child and man it's uh it's a crusher very.Track 5:[1:00:09] Astute observation mr justin that's uh i i think spot on um and as you mentioned you know it's obviously and and to compare the two is is that there's no disservice in that he loves them both dearly so um i loved how the keys on this made it feel like you were on the lake like you listen to the.Track 4:[1:00:37] Song and you feel like.Track 5:[1:00:39] You're floating in you know in a boat a canoe whatever on the lake and you hear the lake in that song. Um, absolutely amazing. Absolutely amazing.Track 4:[1:00:55] You know, I, I grew up on the water. Um, Lake Champlain is, they call it the sixth great lake. Um, and that's, I can see it out the window. Um, and my family had a camp on a little lake, uh, Hall's lake. And my wife grew up on a lake in Ohio, Guilford lake. And we go there They're three, four, five times a year. We're headed there next week. And she also came to Vermont working at a summer camp for, I think, seven summers on Lake Fairley, which is a gorgeous resort area. And so on first hearing this song, The Lake, and probably the first 10 times I heard it, I was like, man, I can see it. And then I picked up on the willow thing after, you know, 11th on my 11th listen, I guess. And I was like, Oh no, it's just something completely different. But if it is just about the lake, Oof, that's just as devastating and lovely.Track 3:[1:01:57] Yeah, I also grew up near a lake. Our house in Peachland, which my parents still live in, overlooks Okanagan Lake, which is a very large lake. And yeah, it just brings back memories. And it is maybe my favorite spot on earth. Right across the lake from where we live is a small island. There's no roads. There's no power. There's no development on the other side of the lake. And it's just a place that we would boat to when I was a kid and try to get over there every summer. And it's just, you know, this song takes me there. And also, you know, with the mention of his daughter at the end and, you know, the, you're the love of my life and it, yeah, it's just a beautiful song.Track 2:[1:02:46] It's gorgeous. Kirk?Track 5:[1:02:49] Again, we've said it already. you know these last five songs are they're crushers it's like it it was really hard to listen to them in succession like i really needed to stop you know this these last two far far away and blurred i you know my my my space that i left for what is supposed to be my guess of who it is who the song is to the letters to, is blank. And it is blank because to me it could be anyone. Maybe it was obvious to one of you guys, but I really felt like it was almost like a letter to everyone.Track 5:[1:03:34] We smile. All that we've been through, up and down for sure, onwards and upwards, up close, far away, and blurred. Um, the tempo changes in this song are amazing. It goes into a, a swing almost during the chorus. Um, and, uh, I, I, again, just the instrumentation and the, the combination of what, you know, uh, you know, obviously not just, um, Gordon, Kevin, but, you know, the others that contributed as well. So just add, I think, to each one of these letters, as it were, you know, as they started out. What'd you think about Far Away and Blurred, Craig?Track 3:[1:04:25] I really love this song. Another strong song on the second half of this album. And I almost wondered if maybe it could be another touring song, or maybe he's talking about traveling with his family. Great melody. And I agree with what you said, Kirk, when it changes tempo halfway through the song, and the drums come in with that slow beat, and the echo the the vocals are echoing and i i found that part very powerful and it's like, again i just can't, get over the the brilliance of his work it is like so emotional um and there's this like guitar pattern going on that's really really cool in the background as well and yeah and justin you yeah.Track 4:[1:05:20] I i guess i'm echoing what you guys have said um it's just a if i mean it's a little bit upbeat um for a hot minute there and again comes at a at a place where you need it um Um, yeah, it's, it's lovely. It's how it's a guy who's frigging dying, um, and telling everybody how much he loves them and that he always has, whether, whether you're in view or not. Right. Um, yeah, the.Track 5:[1:05:53] Passion in his voice in the vocal, um, is just so palpable. And so it just, I mean, wrenching, but almost in a, just again, another reminder of just how amazing, how amazing every part and ounce of the art that comes out of this guy is just incredible, incredible.Track 3:[1:06:23] Yeah, JD, did you have anything to add for this one?Track 2:[1:06:26] I don't know if I could get anything out right now if I tried. it's.Track 3:[1:06:30] A tough one I.Track 2:[1:06:32] Think you know his voice in the verses I've got written down that it's playful and painful at the same time, and you know it builds the chorus is obviously as powerful a gourd voice as we've heard in almost any song on this record, We'll get more of that in later records that we'll discuss in future episodes, but yeah, it's a great song, but it's the second-to-last song, and the North is a really powerful way to end. A callback to Secret Path and The Bridge. But overall, it's an interesting tracking decision. It can't be a coincidence. Right, Justin?Track 4:[1:11:07] No, of course it's not. It's a reminder. It's like he spent a good portion of that final show in Kingston reminding everybody to pay attention and to keep paying attention. And that's exactly what this song is. is it's it's uh yeah i did secret path but keep going forward keep talking about it keep moving keep changing um keep trying to figure this out um you know i don't know if we i don't think we've said this on air but when we first started talking about this album there i i mentioned to you guys in our in our group chat that i thought this was some of the songs on this album were like a stream of consciousness and i think i know that there's the video of of them recording this song and i know that it's not a stream of consciousness but i think when he was writing this song, what he wrote down is whatever came to his head first and i'm going to find a song to to put it to and i got to get this message out i don't care if it's rhymes or makes sense musically or what This has to be said again and again and again and again. And good on him, you know. Yeah.Track 3:[1:12:22] Yeah. So he makes the reference to, um, you know, a place West of, of James Bay, which would be Ottawa, Piscat, which of course the hip have, have the song about. And, um, I, I, I'm wondering if this song is either about or to Joseph Boyden, the author who, at the same time secret path was released, released a book called when Jack, um, I didn't mention him on the secret path episode only because there is some controversy you can look it up if you're interested but calling his um his roots into you know question um you know people questioning that he may not be in fact indigenous so you know that's definitely something you can kind of look into yourself but um joseph boyden is famous for a book called three day road and And just an interesting little thing that I came across about a week ago was a story related to this. So this story, Three Day Road, is about from just, I haven't read the book, but I've read a different story about a sniper in World War I named Francis Paganagabo. And he was nicknamed Peggy. And he has more kills than any sniper in North America.Track 3:[1:13:44] And his story is relatively unknown. And it's a really fascinating story. And anyways, I was reading a short story about that last week and then made this discovery about the connection to Joseph Boyden. Anyways, I highly encourage you to check out a story called Peggy. There's actually a podcast too by CBC called This Place. which is 150 years of Canadian history told by indigenous voices. And the episode on Peggy is incredible.Track 5:[1:14:19] The line Canada, we should have never called Canada. Um, I thought was pretty bold as well to put out there as you guys all had been mentioning, you know, obviously when he had addressed the crowd, you know, at several of the shows and, and several of his interviews. So I think that's, uh, bold, but expected. So I, I, uh, I think we all appreciate that. He would, would, go out there to this level.Track 3:[1:14:51] Yeah there's definitely a call back to that that statement in the last show that he made to the prime minister and i always um really admired that and, i always wondered what it would be like if an american artist did the same thing, you know like a high profile of bruce springsteen or someone went out and said something like that just the absolute division that would that would ensue um yeah yeah oh.Track 5:[1:15:18] Yeah I was going to say the dick and chicks are a good example.Track 3:[1:15:22] Of it.Track 4:[1:15:22] Happening.Track 5:[1:15:23] So but yeah.Track 4:[1:15:27] Or the opposite of that lady antebellum who's then sued the person that they stole their name from well fellas.Track 2:[1:15:36] It's time to ask the question will you be keeping this record in your rotation.Track 4:[1:15:44] I'm going to say not all the time And it's got nothing to do with the music. It's the subject. It's the heaviness of it. It's I don't want to, I don't want to be down. Um, there are some songs on this, on this record that are frigging awesome. They're all, they're all very good, but you know, there's some songs that certainly fit into the hip like catalog.Track 2:[1:16:07] Sure. And you can add them to your mixtape, right?Track 4:[1:16:10] Exactly. And that's probably how I'll consume them. Um, but this is going to be something that I listened to once every couple of years, maybe.Track 5:[1:16:19] Yeah, it's a commitment. I was just going to say it's a commitment. So I would answer very similarly to what Justin said. Even for this particular purpose of this podcast, it was heavy listening every time, every time you went through it. And so definitely some tunes I want to keep hearing regularly, but it's not something that I would. All i have on regular rotation like like i would would some of the others that that have definitely been fantastic in my opinion i.Track 3:[1:16:58] Agree with you guys i i definitely will come back to this album, um considering i gave it you know it took me six and a half years just to give it a first listen i'm definitely not going to wait that long um but i think i'll just have to be in the right frame of mind to put it on but i absolutely will i really do love it in fact coming up with an mvp track for this is definitely the hardest decision i've had to make i was hoping we were going to do one last week and one this week but so i'm it's going to be a last uh last second decision i was.Track 4:[1:17:31] Hoping jd would forget the question this time.Track 2:[1:17:33] I've got it written down so i don't forget my My memory is so piss poor.Track 3:[1:17:39] Right in on your hand.Track 2:[1:17:40] I call it a format sheet, but for real, it's cheating. Craig, we're going to stick with you. And we're going to go to MVP track.Track 3:[1:17:48] I want to know what they say first. So to clarify, is this my absolute favorite track or is this the track that I want to put onto a mixtape?Track 2:[1:18:00] It can be, that can be your interpretation. It can, it's the most valuable player. It's the, you know.Track 3:[1:18:07] So I had so many I mean my first instinct was a natural but I think I'm going to have to go with Snowflake it's.Track 2:[1:18:17] So good it.Track 3:[1:18:18] Is such a powerful song to me and I love the chorus I love the way again that big reverb sound and it's just a really gorgeous song and takes me you know visually takes me somewhere.Track 2:[1:18:36] We could definitely overuse the word gorgeous on this record because there's so much gorgeosity on it, you know?Track 4:[1:18:45] Nice.Track 5:[1:18:46] There is that.Track 2:[1:18:48] Right?Track 5:[1:18:49] There is that.Track 2:[1:18:50] Kirk.Track 5:[1:18:51] Yeah. MVP? Thinking about us, man.Track 3:[1:18:54] Good call.Track 5:[1:18:55] That tune, just thinking about us. It's thinking about us. That's all I need to say.Track 2:[1:19:01] You didn't have to hesitate at all. Wow.Track 5:[1:19:04] No.Track 2:[1:19:06] Justin, how are you going to react to the question? Craig was very concerned and didn't want to say anything. Kirk was very resolute and just put a flag in her. And Justin, where are you on this one? I'm giving you some time to think, so it's not really fair.Track 4:[1:19:25] Well, I don't need time to think. I just don't have an answer. I've been thinking about this since the first listen because I knew that this was coming. Um i will i i do have an answer um but i'll tell you the pics that i had wolf's home because it makes me think of my dad bedtime because of just the connection with my daughter and when this song or when this record came out um i love introduce yourself for the reasons that we talked about it's it's a great song about your buddy and and you know get me out of another jam please you know There was some interview that Gord did that he told Billy Ray. He goes, something happened with a guitar. And he goes, I will literally blow you if you fix this. I love Spoon, that song Spoon, because I really like the band. But I also like the story of going to the show with a kid. um but i'm gonna go with love over money because that's why we're all here in the first place yeah right good job justin yeah thank.Track 2:[1:20:37] You what bow you put in it love.Track 4:[1:20:39] It yeah yeah.Track 2:[1:20:42] And that brings us to the end of Introduce Yourself. Just a, you know, what a, I'm going to use the word again, what a gorgeous piece of work. And so memorable and so thoughtful. And, you know, this is the last stuff he recorded. It's really, really quite heavy. And we're sorry if we brought you down a little bit with these last two episodes, um but trust us we're celebrating this music we're not mourning we are celebrating and.Track 3:[1:21:23] Jd i want to thank you one more time for bringing me on board for this project because this is the album that i told you right from the start has been sitting on my shelf and i needed i wanted to listen to it. It's been staring at me for years and I just couldn't do it. And I think maybe just having, you know, you guys along with the ride makes it, you know, easier to do.Track 2:[1:21:50] Thank you very much. Thank you for doing it.Track 4:[1:21:53] Yeah. I a hundred percent. Thank you. I, I didn't know about any other records, um, um that gourd had done um but i knew about this one and i was choosing to not listen to it you know i i wanted nothing to do with it um and i gotta be honest with you i'm glad it's over i'm glad it's behind us um i listened to this this album in its entirety probably 25 to 30 times um it's.Track 2:[1:22:22] A lot yeah.Track 4:[1:22:23] It's a lot and the last week or so um leading up to recording this i stopped listening completely um i had to stop it was just killing me and i started listening to um some of the older hip stuff and i started listening to some sadie stuff and i listened to conquering sun quite a bit um but i had to get away from the heaviness and go back to being a fan, because this was a hard one.Track 2:[1:22:57] Completely agree well on behalf of uh craig and justin and kirk it's me jd and we're saying goodbye for another week we'll be back we've just got a couple episodes left fellas we've got away is mine and we've got luster parfait and then we've got the finale and i'm getting excited about yeah.Track 4:[1:23:21] Hell yeah oh yeah yeah and you know it's gonna.Track 2:[1:23:26] Be a good time.Track 4:[1:23:27] I got it you know we got to give a shout out to our our social media following you guys are really starting to step up and kick ass lately and it's really re-energized all of us a lot um we're our group chat has been on fire the last several days as we record this because we're just like did you see this one did you see the message there did you see the email oh my god you know it's yeah we're obsessing over the rankings and it's it's great it's fun it's a lot of fun well.Track 5:[1:23:52] So it was so crazy too to get some like some you know some of the official accounts of these people that we were talking about are.Track 4:[1:24:01] Right are.Track 5:[1:24:02] Sharing some of the you know the links and stuff to some of these episodes and and uh we're getting just some great amazing comments you know through the right you guys mentioned social media you know instagram facebook and uh just i don't think any of us had that on our bingo cards when we woke up in the morning, you know?Track 2:[1:24:22] I didn't.Track 4:[1:24:27] Right. And the Sadies messaged you back today, Craig. That's cool.Track 2:[1:24:33] Holy shit.Track 4:[1:24:34] And JD's putting in the legwork tenfold over what we're doing.Track 2:[1:24:38] Stop.Track 4:[1:24:39] He's listening. He's throwing everything together and doing interviews and making all this happen. I mean, I don't know if any of us are getting rich off this.Track 2:[1:24:48] Oh, not fucking me.Track 4:[1:24:50] You know, JD is certainly reaping the benefits of, I think a lot of people are appreciating what you're doing and I know we are.Track 5:[1:24:57] Yeah, absolutely.Track 2:[1:24:59] It's a group effort, guys. It's a group effort, man. All right, folks. Pick up your shit.Track 1:[1:25:07] Thanks for listening to Discovering Downey. To find out more about the show and its host, visit DiscoveringDowney.com. You can email us at discoveringdowney at gmail.com. And hey, we're social. Check us out.Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Montreal pianist Alexandra Stréliski was working at an ad agency when the late director Jean-Marc Vallée discovered her music and started using it in his work. That gave her the push she needed to quit her job and pursue music full-time. This year, Alexandra was nominated for album of the year at the Junos. Just before that, she joined Tom to talk about the nomination and chasing her dreams.

It's like a JNCO Jean! This week Johnny and Tyler discuss the Little Compton cemetery mystery, as well as the story of Tarrare. Plus: dark histories get revealed at the Antiques Roadshow, it was Nelly Furtado day at the JUNOs this year, and Daphne makes a big impression at a small dog social.Join the Secret Society That Doesn't Suck for exclusive weekly mini episodes, livestreams, and a whole lot more! patreon.com/thatsspookyCheck out our new and improved apparel store with tons of new designs! thatsspooky.com/storeCheck out our website for show notes, photos, and more at thatsspooky.comFollow us on Instagram for photos from today's episode and all the memes @thatsspookypodWe're on Twitter! Follow us at @thatsspookypodDon't forget to send your spooky stories to thatsspookypod@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.