Podcasts about Kim King

New Life Dresher's Women's Bible Study teaching of John 17 by Kim King

Larry talks about the debate over teacher raises with Rep. Kim King.  See omnystudio.com/listener for privacy information.

Larry talks to Rep. Killian Timoney and Rep. Kim King about Teacher's pay and retirement in hour 2.  See omnystudio.com/listener for privacy information.

The 1986 murder of 13 year old Cindy Zarzycki of East Detroit. Ties to cases including Kim Larrow, Kellie Brownlee, Kim King, Nadine O'Dell and others. **discussion of sexual abuse and assault, discretion advised** Written by Nina Innsted, researched by Haley Gray and Nina Innsted. Audio production by Bill Bert. #Michigan #Murder #childkiller 

Kim King talks about events happening during National Park and and Recreation Month. Get more information here.

Kim King talks about events happening during National Park and and Recreation Month. Get more information here.

The Parks, Recreation & Cultural Services Department is gearing up for summer fun, which includes the opening of several options for swimming and splashing starting Memorial Day weekend. From fountains and spray grounds to outdoor pools and lakes, there are numerous ways to make a splash this summer in Colorado Springs. Learn more at Ready to splash? City fountains and spray grounds open Memorial Day weekend | City of Colorado Springs.

The Parks, Recreation & Cultural Services Department is gearing up for summer fun, which includes the opening of several options for swimming and splashing starting Memorial Day weekend. From fountains and spray grounds to outdoor pools and lakes, there are numerous ways to make a splash this summer in Colorado Springs. Learn more at Ready to splash? City fountains and spray grounds open Memorial Day weekend | City of Colorado Springs.

Episode 88 The Theremin Part 1: From the Beginning to 1970 Playlist Leon Theremin, “Deep Night” (1930 Les Actualités françaises). Soundtrack from a short, early sound film of Leon Theremin playing an RCA production model Theremin. Zinaida Hanenfeldt, Nathaniel Shilkret, Victor Salon Orchestra, “Love (Your Spell is Everywhere)” (1930 Victor). RCA theremin, Zinaida Hanenfeldt; Victor Salon Orchestra conducted by Nathaniel Shilkret. The earliest records made with the Theremin were recorded in 1930 to highlight the release of the RCA Theremin. This was one of the first. This recording session dates from January 17, 1930 and was made in New York at the 28 West 44th St. studio. Billed as a recording of “Orchestra, with theremin soloist,” this was most likely made as a demonstration of the newly introduced RCA Theremin. Seven months later, Lennington Shewell (see next listing) took up making several demonstration records produced by his father, RCA VP G. Dunbar Shewell in the Camden, NJ recording studios. Lennington H. Shewell, “Dancing with Tears in My Eyes” (1930 Victor). Recorced on July 21, 1930, in Camden, NJ Studio 1. Theremin solo, Lennington H. Shewell; piano accompaniment, Edward C. Harsch. Noted as "R.C.A. theremin: Instructions and exercises for playing" and "G. Dunbar Shewell, present." Lennington H. Shewell, “In a Monastery Garden” from “Love Sends A Gift Of Roses” / “In A Monastery Garden” (1935 Victor). Shewell was an American pianist songwriter and Thereminist. He recorded several discs for RCA . Shewell was employed by RCA to travel around the USA demonstrating the Theremin as part of its marketing campaign. His father was George Dunbar Shewell, who was a vice-president of RCA for a time. Clara Rockmore, “The Swan” from Theremin (1977 Delos). Piano, Nadia Reisenberg; Produced by Robert Moog, Shirleigh Moog; Theremin, Clara Rockmore. Rockmore, of course, was the key master of the Theremin back in the 1930s and 40s, having originally learned from Leon Theremin himself. These recordings were later produced by the Moogs in the 1970s and feature some dazzling, virtuoso performances by Rockmore as she interprets many of her favorite classical works. “The Swan” was composed in by Camille Saint-Saëns (1983-1921) that was usually a showcase for a cellist and, with Rockmore's brilliant interpretation, became a much-loved work by Thereminists. Even Samuel Hoffman made a recording of it. Clara Rockmore, “Berceuse” from Theremin (1977 Delos). Piano, Nadia Reisenberg; Produced by Robert Moog, Shirleigh Moog; Theremin, Clara Rockmore. Here Rockmore interprets a piece by Pyotr Ilyich Tchaikovsky (1840-1893). Lucie Bigelow Rosen, “Concerto in F” b Mortimer Browning (1940, privately recorded practice session). Ms. Rosen recorded this rehearsal in preparation for a live performance. Of great interest is that you can hear her speaking at the beginning and end of the session, and her playing is quite sophisticated. Lucie Bigelow Rosen, “The Old Refrain” by Fritz Kreisler (circa 1940 privately recorded session). Another privately recorded session by Ms. Rosen. Miklós Rózsa, Suite from The Lost Weekend (excerpt) from The Lost Weekend (The Classic Film Score) (1945 privately issued). Conducted, composed by Miklós Rózsa; Theremin, Dr. Samuel J. Hoffman. “This is a limited-edition recording, produced for the promotional purposes of the composer and is not licensed for public sale. The music was transferred to tape from the original acetate masters.” This was not a score released on a conventional soundtrack. This recording comes from a privately issued disc commissioned by the composer and I date it to around 1970. I wanted to include it because it a notably obscure soundtrack recording Theremin playing by Hoffman from the same era as the more famous and widely distributed Spellbound soundtrack. Harry Revel and Leslie Baxter with Dr. Samuel J. Hoffman, “Lunar Rhapsody” from Music Out Of The Moon: Music Unusual Featuring The Theremin (1947 Capitol). Hoffman, a foot doctor by profession, was one of the best-known Theremin players of his time. Not as persnickety as Rockmore about playing “spooky sounds,” he basically filled a gap in Theremin playing in popular music that Clara Rockmore refused to fill. He played one of the RCA production model Theremins from 1930. His most famous contributions included collaborations with Les Baxter, Miklos Rozsa, Harry Revel, and Bernard Herrmann, and his momentous movie music for Spellbound (1945) and The Day the Earth Stood Still (1951). He was initially a classically trained violinist, and at age 14 he began playing the violin professionally in New York City. By 1936, he had taken up the Theremin and begun featuring it in publicity for his engagements. He quickly gained notoriety using the electronic instrument and he became one of the world's most famous Theremin players. Harry Revel and Leslie Baxter with Dr. Samuel J. Hoffman, “Radar Blues” from Music Out Of The Moon: Music Unusual Featuring The Theremin (1947 Capitol). Harry Revel, Leslie Baxter & Dr. Samuel J. Hoffman, “Fame” from Perfume Set to Music (1948 RCA Victor). Composed by Harry Revel; Orchestra Chorus conducted by Leslie Baxter; Theremin, Dr. Samuel J. Hoffman. "As interpreted by the British-born composer, Harry Revel, in a musical suite describing six exotic Corday fragrances." Harry Revel, Leslie Baxter & Dr. Samuel J. Hoffman, “Obsession” from Perfume Set to Music (1948 RCA Victor). Composed by Harry Revel; Orchestra Chorus conducted by Leslie Baxter; Theremin, Dr. Samuel J. Hoffman. "As interpreted by the British-born composer, Harry Revel, in a musical suite describing six exotic Corday fragrances." Elliot Lawrence and His Orchestra, featuring Lucie Bigelow Rosen, “Gigolette” (1949 Columbia). An attempt to bring the Theremin into popular music, this recording by Elliot Lawrence and his Orchestra made at the Columbia 30th Street Studio in Midtown Manhattan features Lucie Bigelow Rosen. Ms. Rosen and her husband Walter were instrumental in providing offices for Leon Theremin to work in New York during the 1930s. The inventor personally made two instruments for her. She was a practiced enthusiast and did much concertizing with the Theremin from about 1935 to 1940. Samuel J. Hoffman, “Remembering Your Lips” from Music for Peace of Mind (1950 Capitol). Orchestra conducted by Billy May; composed by Harry Revel; Theremin, Dr. Samuel J. Hoffman. “Music for PEACE OF MIND featuring the THEREMIN with orchestra.” Samuel J. Hoffman, “This Room Is My Castle of Quiet” from Music for Peace of Mind (1950 Capitol). Orchestra conducted by Billy May; composed by Harry Revel; Theremin, Dr. Samuel J. Hoffman. “Music for PEACE OF MIND featuring the THEREMIN with orchestra.” Bernard Herrmann, Dr. Samuel J. Hoffman, “Gort,” “The Visor,” “The Telescope” from The Day the Earth Stood Still (Original Motion Picture Soundtrack) (1951 20th Century Fox). Soundtrack recorded at the Twentieth Century Fox Scoring Stage August 1951, reissued in 1993. Composed by Bernard Herrmann; Conducted by Alfred Newman, Bernard Herrmann, Lionel Newman; Theremin by Dr. Samuel J. Hoffman. Hoffmnan played one of the RCA production model Theremins from 1930 but by this time around 1950 had modified it to include an external speaker connection for improved recording of the instrument during studio sessions. Samuel J. Hoffman, “Moonlight Sonata” (Theremin Solo with Piano Accompaniment) (1951 Capitol). Eddie Layton, “Laura”, from Organ Moods in Hi-Fi (1955 Mercury). This song is noted as including the “Ethereal sound of the theremin.” Layton was a popular Hammond organ player, later on in his career he played the organ at old Yankee Stadium for nearly 40 years, earning him membership in the New York Sports Hall of Fame. This is his first album, one many, and is notable for using some early organ electronics. “It must be stated that all of the sounds in this album were created by Eddie Layton solely on the Hammond Organ including the rhythm sounds of the bass and guitar, by means of special imported electronic recording devices and microphones.” With the exception of the Theremin, I would add. An unknown Theremin model, most likely vacuum-tube driven, possibly an original RCA model. Monty Kelly And His Orchestra with Dr. Samuel J. Hoffman, “Blue Mirage” from “Blue Mirage”/ “That Sweetheart of Mine” (1955 Essex). Single release from this Orchestra led by Monty Kelly and featuring Hoffman on Theremin. Unknown Artist, “The Fiend Who Walked the West” lobby recording (1958). Theremin or musical saw? This is from an LP recording I have that was used in movie lobbies to entice people to come and see the horror film, The Fiend Who Walked the West (1958). Could this be a Theremin, or a musical saw? I think the latter. I have no information on who played the instrument, but it makes for some curious listening from days gone by while acknowledging one of the key sources of confusion for those who collect Theremin recordings. Sonny Moon And His Orchestra, “Countdown” from “Rememb'ring”/ “Countdown” (1958 Warner Brothers). A 45-RPM single from this short-lived group od the late 1950s. Includes an uncredited Theremin performance. Milton Grayson and Dr. Samuel J. Hoffman Theremin and Orchestra, “I Paid the Penalty” (1960 Royalty Recording Co.). A 45-RPM single about capital punishment. On one side of the record a San Francisco Attorney speaks about capital punishment. On the other side is this vocal by Grayson that dramatizes the subject. This appears to be some sort of public service announcement, but the disc itself bears no clues. This is the only release on this label. The vocal by Grayson is part sermon, part monolog, part song, with the threatening aura of the Theremin provided by Dr. Hoffman. It is undated, so I'm guessing around 1960 when Grayson was most active. Lew Davies And His Orchestra, “Riders in the Sky” from Strange Interlude (1961 Command). From the early sixties comes this wonderful amalgamation of exotica and space-age instruments. The Theremin is played by none other than Walter Sear, later the manager of the Sear Sound Studio in New York and an influential programmer (and sometimes player) of the Moog Modular Synthesizer. Several members of this band also became associated with the Moog Modular, including Bobby Byrne, Sy Mann, and producer Enoch Light. Bass, Bob Haggart, Jack Lesberg; Cimbalom, Michael Szittai; Drums, George Devens, Phil Kraus; Executive Producer, Enoch Light; French Horn, Paul Faulise, Tony Miranda; Guitar, Tony Mottola; Reeds, Al Klink, Ezelle Watson, Phil Bodner, Stanley Webb; Ondioline, Sy Mann; Theremin, Paul Lippman, Walter Sear; Trombone, Bobby Byrne, Dick Hixon, Urbie Green. Yusef Lateef, “Sound Wave,” from A Flat, G Flat And C (1966 Impulse!). An innovative first from Mr. Lateef who foresaw the possibilities of the Theremin for new jazz. Lateef was known for his multi-instrumental talent on Tenor Saxophone, Alto Saxophone, Flute, Oboe and a variety of wooden flutes. Using the Theremin on this one track—I've never heard anything else he recorded with the Theremin—shows how a skilled jazz improviser can use the Theremin for self-expression. I would guess that this Theremin was made by Moog. Theremin, Yusef Lateef; Bass, Reggie Workman; Drums, Roy Brooks; Piano, Hugh Lawson; Produced by Bob Thiele. Captain Beefheart And His Magic Band, “Electricity” from Safe as Milk (1967 Buddah). The Theremin in this case was played by none other than Samuel J. Hoffman using his souped-up RCA Theremin model Theremin. It was perhaps the last appearance on record by Hoffman, who died later in 1967. Apparently, the record company hated the track so much that it led to their being dropped from the label, at which point Frank Zappa came to the rescue. Fifty Foot Hose, “War is Over” (1967) from Ingredients (1997 compilation Del Val). Psychedelic rock group from San Francisco, formed in 1967, disbanded in 1970 and re-formed in 1995. Drums, Gary Duos; Guitar, David Blossom; Theremin, Electronics, Audio Generator, Siren, Cork Marcheschi. Recorded in 1966 in San Francisco. Dorothy Ashby, “Soul Vibrations” from Afro-Harping (1968 Cadet Concept). Unknown Theremin player, although the producers at Cadet/Chess were known to add the instrument to a session, such as those by Rotary Connection. Recorded at Ter Mar Studios, Chicago, February 1968. The song was written by producer Richard Evans, then the go-to producer and de facto label head for Chess Records' jazz imprint Cadet. Perhaps he also played the Theremin, which was probably a Moog Troubadour. The First Theremin Era, “The Barnabas Theme from Dark Shadows" / “Sunset In Siberia” (1969 Epic). "Dark Shadows" was super-popular daytime drama about a vampire on ABC-TV. This record was not an official release of the television show, but an interpretation of the theme that is seldom heard. I thought it's exotic funky treatment was especially worth hearing. The soundtrack for the TV show also included Theremin, possibly played by composer Robert Cobert, but in its more traditional spooky role. This record was produced and arranged by Charlie Calello, a well-known producer who had worked with the Four Seasons (singing group) and later would produce such super stars as Frank Sinatra, Neil Diamond, Bruce Springsteen, Laura Nyro, and Barbra Streisand. Mutantes, “Banho De Lua (Tintarella Di Luna)” from Mutantes (1969 Polydor). Brazilian folk-rock-psychedelic group that featured the Theremin blended with many other instruments, both acoustic and electronic. Arranged by, Mutantes; Drums, Sir Ronaldo I. Du Rancharia; Theremin, electronic Instruments, Claudio Régulus. This innovative pop trio from Brazil also collaborated with other artists such as Caetano Veloso and Gilberto Gil and were threatened by the military government of Brazil. What Theremin did they use? Several Moog models would have been available, but they also may have built their own. One photo I've seen suggested that they built their own. Lothar and the Hand People, “It Comes on Anyhow” from Machines: Amherst 1969 (2020 Modern Harmonic). Live recording from 1969 featuring the Moog Modular Synthesizer played by Paul Conly and the Moog Theremin played by vocalist John Emelin. On this track, the synthesizer and Theremin sounds are intermingled, making it a fun challenge to distinguish between the two of them. Bass, Rusty Ford; Drums, Tom Flye; Guitar, Kim King; Keyboards, Moog Modular Synthesizer, Paul Conly; Vocals, Moog Troubadour Theremin (“Lothar”), John Emelin. Lothar and the Hand People, “Today Is Only Yesterday's Tomorrow” from Machines: Amherst 1969 (2020 Modern Harmonic). This track was recorded live in 1969. John Emelin starts by introducing the Moog Theremin, called “Lothar.” Bass, Rusty Ford; Drums, Tom Flye; Guitar, Kim King; Keyboards, Moog Modular Synthesizer, Paul Conly; Vocals, Moog Troubadour Theremin (“Lothar”), John Emelin. Opening background tracks: Bernard Herrmann, Dr. Samuel J. Hoffman, “Prelude, Outer Space” (excerpt), from The Day the Earth Stood Still (Original Motion Picture Soundtrack) (1951 20th Century Fox). Soundtrack recorded at the Twentieth Century Fox Scoring Stage August 1951, reissued in 1993. Composed by Bernard Herrmann; Conducted by Alfred Newman, Bernard Herrmann, Lionel Newman; Theremin by Dr. Samuel J. Hoffman. Zinaida Hanenfeldt, Nathaniel Shilkret, Victor Salon Orchestra, “(I'm a dreamer) Aren't we all?” (1930 Victor). “Orchestra, with theremin soloist.” Theremin, Zinaida Hanenfeldt. Recorded January 17, 1930 in New York at the 28 West 44th St. studio. Samuel J. Hoffman, “The Swan”( Saint-Saens) from “Moonlight Sonata” / “The Swan” (1951 Capitol). Arranged and performed on the Theremin by “Dr. Hoffman.” Orchestra and Chorus Under the Direction Of Leslie Baxter, Dr. Samuel Hoffman, “Struttin' with Clayton” from “Jet” / “Struttin' With Clayton” (1950 RCA Victor). Theremin, Dr. Samuel J. Hoffman. Miklós Rózsa, “Dementia” from The Lost Weekend (The Classic Film Score) (1945 privately issued). Conducted, composed by Miklós Rózsa; Theremin, Dr. Samuel J. Hoffman. This podcast is not intended as a thorough history of the Theremin itself. There are many excellent resources that provide that, including my own book on the history of electronic music, the Bob Moog Foundation website, Albert Glinsky's wonderful book about Leon Theremin, and the entire Theremin World website that is devoted to everything Theremin. I urgently suggest that you consult those resources for more detail on the actual history of the instrument and the people behind it. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

Kim King preaches on Romans 12:1-5,"The Little Toe" part of the It Is Well with My Soul sermon series https://youtu.be/gglsmB9ccFM?t=517

Kim King, Connecticut's 2022 Teacher of the Year. Discuss teaching and the the changes in teaching over the past few years and show our appreciation.

Larry Walsh talks to Hitachi Vantara Senior Vice President of Strategic Partners and Alliances Kim King on automating quoting for partners to ensure fast, easy access to accurate pricing with minimal human interaction. Buyer expectations have evolved. No longer are companies willing to wait for weeks for quotes on their IT projects. They want the same “Amazon Experience” in their business purchasing that they get in their consumer lives. In other words, they want quotes in days, if not hours. Quoting has been a longtime challenge for both vendors and distributors. Partners receive different discounts and incentives based on their status, sales performance and history, and competencies. Adding to the complexity is the impact of regional pricing differences, the varying needs of customers for different types of products, and the cost of distribution and fulfillment. Configure, price, and quote (CPQ) solutions go a long way toward automating many steps in the process. Through such systems, partners (in theory) gain access to product pricing and quoting based on customer specifications and fulfillment needs. CPQ works well, but to a point. These systems often lack the ability to take into account the nuances of incentives and other financial measures that influence partner buying. As a result, gaps remain that keep the quoting process running long. Storage vendor Hitachi Vantara decided to tackle this problem directly. Rather than adopting a CPQ system, the company formed a “tiger team” to develop a homegrown system based on Salesforce's CRM. The team set out with the goal of creating a platform capable of processing partner quote requests within hours – even for large enterprise deals. Moreover, the system would include all partner incentives, including deal registration and promotional discounts, in the quotes. The development took two years of work that included platform customization and the collection of volumes of pricing, discounting, promotional, and partner data. The effort, thus far, is paying off. The Hitachi Vantara partner quoting system is delivering enterprise-level quotes to partners, often in just hours. The tool, which gives partners a competitive advantage by turning around accurate prices with blazing speed, also gives partners more control over pricing, as they're able to add their own markups with greater ease and consistency. The Hitachi Vantara quoting system isn't perfect and remains a work in progress, but the company is demonstrating how vendors can create better quoting systems that improve partner experience and performance. In this edition of Channelnomics' Changing Channels, Kim King, senior vice president of strategic partners and alliances at Hitachi Vantara, joins host Larry Walsh to discuss how the company developed such a complex quoting system and extracted the benefits they sought.   Follow us, Like us, and Subscribe! Channelnomics: https://channelnomics.com/  LinkedIn: https://bit.ly/2NC6Vli  Twitter: https://twitter.com/Channelnomics    Changing Channels Is a Channelnomics Production Follow @Channelnomics to stay current on the latest #research, #bestpractices, and #resources. At @Channelnomics – the voice of thought leadership – we define #channel trends, chart new #GTM strategies, and #partner with industry leaders to champion #diversity in the channel.     Episode Resources Host Larry Walsh: https://bit.ly/3beZfOa Guest Kim King: https://www.linkedin.com/in/kimberly-king-746463/  

Kim King, Children's Services Director, Priestley Forsyth Memorial Library, Northumberland, on the returning young people coming back to the library, their evening tech sessions, the new STEM emphasis, Teen Reading Lounge, Girls Club and maybe even a ‘Touch a Truck' event this year.

On this episode, Kim King, author of the book, When Women Give – The Adventure of a Generous Life, and former attorney and executive in the Law Department of Exxon Mobil Corporation, talks candidly about why she is so passionate about helping others learn how to live generously and why she believes God wants us to give to others. 

Katie Kunker, owner and Founder of The Art of Hustle and Heart interviews Kim King, VP of Global Strategic Partners and Alliances at Hitachi Vantara. Kim was recently named to the CRN Women of the Channel Power 100 List. Katie and Kim discuss a broad range of topics from creating intentional changes to growing with children.

#HappyPride! This episode is a reflection on when this podcast was "conceived" and a #TBT with one of my 1st podcast guest and panelist. Yu never know where inspiration will hit. Embrace it! Check out "My "Out & Equal" Coming Out Story". Click here WATCH + LISTEN + SUBSCRIBE + SHARE Let's #SOAR and #ElevateWOCVoices #IntimateConversationWOC Stay connected, Signup at https://www.deneenlgarrett.com/

Esta mañana en #Noticias7AM, realizamos una entrevista vía telefónica con Fermin Kim King, Presidente de la Asociación de Profesionales Inmobiliarios de Tijuana, quen nos explica por qué el incremento en el costo de rentas de vivienda en Tijuana es de hasta 20%.

The 321 Lift Off crew will talk with the Visitor Services Manager Kim King-Wrenn. She works on permitting for eco-tour guides and her team hosts over 1.5 million visitors to the Center each year. They provide tours and lectures for visitors from around the world and environmental learning experiences for local schoolchildren.

Today we are celebrating Women's Health Month by giving you tips on how to love yourself better. We are also sitting down with the Founder and CEO of Posh Luxury Brand, Kim King to discuss entrepreneurship and the importance of finding your tribe.

On this episode Peter Richon discusses the 10 steps in moving from your working career to feeling fully prepared to make the transition to retirement. Some of these steps are taken along the way, some are absolutely necessary to be prepared. Download the full list by visiting www.RichOnPlanning.com

Kim King sits down with Father James Martin, SJ, an author, consultant, editor-at-large at America magazine and a friend to the Society of the Sacred Heart. On this episode, Jim discusses his body of work, including his latest book, "Learning to Pray: A Guide for Everyone," the themes that hold his work together, what grounds him in his Jesuit ministry, and his insights and joys from an unprecedented last year.

Kim King sits down with Suzanne Cooke, a Religious of the Sacred Heart and long-time educator. Suzanne currently serves as head of the Conference of Sacred Heart Education. She shares about how the work of anti-racism is an expression of the Society of the Sacred Heart's mission and her insights about this ongoing work as it pertains to Sacred Heart education.

Kim King sits down with Lori Wilson, an Associate of the Sacred Heart and former Sacred Heart educator. Lori shares about her coming to know the Society, its mission and more recently how that mission has informed her perspective and commitment to the ongoing work of anti-racism.

Episode 23 Music for Space Travelers Lingering Sounds from the Atomic Age   Playlist Hamilton O'Hara And Charlie Dobson Featuring Satellite Singers and Orchestra, Directed by, written by Jim Timmens, “With A Great Big Noise Like Thunder (Rocket Into Space),” from Journey to the Moon and More about Outer Space (1974, Golden Records). Excerpt. Eric Siday, “Challenge of Space” from “The Ultra Sonic Perception” (1961 Conroy). Magnetic tape music and effects by Eric Siday for this album of library music for broadcast. The Tornadoes, “Telstar” from The Sounds Of The Tornadoes (1962 London), written and produced by Joe Meek. The record was named after the Telstar communications satellite which was launched into orbit on July 10, 1962. It featured the Clavioline. Toru Hatano, “Solaris” from Space Adventure (1978 Mu Land). Musical Instruments: KORG Polyphonic Ensemble 1000, KORG Polyphonic Ensemble "Orchestra" 2000, KORG Synthesizer 800DV, KORG Synthesizer 770, Rhythm Machine-mini pops 120P, Drums, Electric Guitar, Strings Ensemble. Tom Dissevelt, “Moon Maid” from Song of the Second Moon (1968 Limelight). This was a North American reissue of a track from 1962 called “Drifting” recorded in the Netherlands at the Philips electronic music laboratory. Dick Raaijmakers, “The Ray Makers” from Song of the Second Moon (1968 Limelight). This was a North American reissue of a track from 1962 called “Mechanical Motions” recorded in the Netherlands at the Philips electronic music laboratory. The US song title is a play on the last name of the composer, which is pronounced “Ray-makers.” Hugues Dufourt, Ensemble D'Instruments Électroniques De L'Itinéraire, Peter Eötvös, “Saturne, Part C (1978),” from Saturne (1980 Sappho). The work was conceived for an ensemble of wind instruments (12 performers), a group of percussion (6 performers) and an ensemble of electrical instruments (4 performers). Saturne was recorded in the Espace de Projection of the IRCAM centre Pompidou on 1st and 2nd December 1979. The first public performance of the work was made on the same place on the 3rd December 1979. Composed by Hugues Dufourt. Ensemble D'Instruments Électroniques De L'Itinéraire, electric guitar and synthesizer, Claude Pavy, François Bousch. Peter Huse, “Space Play (1969)” from Carrefour (Musique, Électro-Acoustique/Electroacoustic Music, Canada) (1972, Radio Canada International). Made in the Sonic Research Studio at Simon Fraser University. Huse was assistant director of the World Soundscape Project around this time. About this work he said, “Science fiction cinema taught me to regard all sounds and physical space as materials for music.” This play of sound in space was created using magnetic tape composition. Eric Siday, “Galaxy” from “The Ultra Sonic Perception” (1961 Conroy). Magnetic tape music and effects by Eric Siday for this album of library music for broadcast. John Keating, “Earthshine” from Space Experience 2 (1975 EMI). Produced by John Keating. Keyboards by Francis Monkman. All electronic instruments by ARP including 2600, Odysseynsemble, Pro Soloist, String Ensemble. Claude Dubois, “Une Guitare Des Ondes Et Leur Machine” from Fable D'espace (1978 Pingouin). Music and lyrics, produced by Claude Dubois; Synthesizer, Jean-Yves Labat; Drums, John Wilcox; Guitar, Percussion, Synthesizer, Engineer, John Holbrook; Piano, Clavinet, Bass, Electric Piano Richard Bell. Spirit, “Space Child,” from Twelve Dreams of Dr. Sardonicus (1970 Epic). Composer, keyboards, Moog Synthesizer, John Locke; vocals, guitar, Randy California; vocals, percussion, Jay Ferguson; drums, percussion, Ed Cassidy; bass, vocals, Mark Andes; produced by David Briggs. Lothar and the Hand People, “Space Hymn” from “Space Hymn” (1969 Capitol). ''All electronic music on this album was created and realized by the Hand People on Moog Synthesizer and Lothar, the Theremin.'' Lothar and the Hand People: John Emelin, Kim King, Paul Conly, Rusty Ford, Tom Flye. Written by Tom Flye. Produced by Nickolas Venet. Sun Ra, “Cosmic Explorer (1970)” excerpt, from Nuits De La Fondation Maeght Volume 1 (1971 Shandar). “Intergalactic instruments played by Sun Ra.” Recorded live at Saint Paul de Vence, France, 3/5 August 1970. Compositions by Sun Ra. Minimoog solos by Sun Ra. Percussion by Nimrod Hunt, Lex Humphries, and John Goldsmith. I've included over eight minutes of this 20-minute piece. Isao Tomita, “The Sea Named ‘Solaris' (Bach, Three-Part Invention No. 2 in C Minor-Chorale)," from Kosmos (1978 RCA). This is the complete version of the work that was shortened for use with the Cosmos television series and various greatest hits albums. " Music electronically created by Isao Tomita. Vangelis, “Pulstar” from Albedo 0.39 (1976 RCA). Keyboards, synthesizers, drums, bass, Vangelis. Speaking Clock: Post Office Telecommunications. The term “albedo” refers to the reflecting power of a planet or other non-luminous body. Isao Tomita, “The Earth - A Hollow Vessel” (Tomita: “Dororo”), from The Bermuda Triangle (1979 RCA). Music electronically created by Isao Tomita. Isao Tomita, “The Song Of Venus (Prokofiev: Violin Concerto No. 1, First Movement),” from The Bermuda Triangle (1979 RCA). Music electronically created by Isao Tomita. Archive Mix (two tracks played at the same time). Dick Raaijmakers, “Song of the Second Moon” from Song of the Second Moon (1968 Limelight). Recorded in the Netherlands at the Philips electronic music laboratory in 1962. Sun Ra, “The Star Gazers” (1970)” from Nuits De La Fondation Maeght Volume 1 (1971 Shandar). “Intergalactic instruments played by Sun Ra.” Recorded live at Saint Paul de Vence, France, 3/5 August 1970. Compositions by Sun Ra. Synthesizer [Moog], piano, electric piano, organ [electric], Sun Ra; vocal by Verta Grosvenor.

We take the time to discuss what mental health means and how it affects us. We delve further into how the constructs of society deter people from access and foster stigmas. My special guest Kim King and will hopefully inform and encourage on the subject, so you and yours will be more equipped to help others or yourself. As always FB Live @GumboTalk

“My favorite part of my job is seeing a new funded future…“Andrew Ginsberg was what his friends called the “worst evangelical experience of their lives.” How did he end up as our Executive Vice President of Advancement? What good news and words of encouragement does he have for you?Watch Andrew on Tom Time (start 3:35)https://staff.intervarsity.org/more-partnerships-are-advancing-ministryBook Recommendations:The Language of Science and Faith: Straight Answers to Genuine Questions by Karl W. Giberson and Francis S. CollinsNeither Poverty nor Riches: A Biblical Theology of Possessions by Craig L. BlombergWhen Women Give: The Adventure of a Generous Life by Kim King and Peter Greer

To mark NAIDOC Week, Leanne has a chat with Kim King, the Acting Chairperson of Yenu Allowah Aboriginal Child and Family Centre. Kim shares her story about establishing the integrated service, and its future.

Here with a new episode and new name!  Today I explain the though behind the name change, and talk about mantras! Click here to get the mantra worksheet I mentioned in the podcast. Let me know how it goes! I also spent some time talking to Kim King, an attorney in Florida. She is an awesome mom that makes it work with a heavy and hectic law practice schedule and a husband that works a traditional 9-5. She explains the difference between a real mom and the figure that is Clair Huxtable. Kim also gives her take on mom rules. Kim King's practice Mantra worksheet

Kim King's first book, When Women Give (IVP), was released in the fall of 2017. In our conversation with Kim, she talks about why she wrote the book, some of her expereinces along the way toward becoming a generous giver, and what God has been teaching her. She shares why she thinks this is a critical issue for women in our audience and she invites us to join her in this journey. For show notes or more information, please visit http://thewell.intervarsity.org/podcasts/generous-life-our-podcast-interview-kim-king If you would like to support the work of InterVarsity's Women in the Academy and Professions, including future podcasts such as this episode, you can do so at givetoiv.org/wap. Thank you for listening!

In September 1979 Kim King slipped away from her friends house, made a late night call to her sister and was never seen or heard from again.  Could her case be related to the Oakland County Child Killer?  #unsolved, #Michigan, #missing, #OCCK Support the show.

Our special guest is Kim King, author of the book When Women Give: The Adventure of a Generous Life. Kim is a member of the leadership team of Women Doing Well Initiatives, Inc., an affiliate of Generous Living, which provides education and tools for women to facilitate generosity. She previously served as an attorney and manager in the law department of Exxon Mobil Corporation for over thirty years, and she continues to privately practice assisting nonprofits and the under-served. Kim is passionate about helping women fulfill their purpose to the glory of God. She has served on the boards of various ministries and organizations, including Hope International, the National Christian Foundation-Houston, and the Women’s Council of InterVarsity. She loves to learn, write, and teach, and she has been featured as a keynote speaker at events around the country. She lives in Houston. Women are entrepreneurs, highly paid professionals, and leaders in business. Many of us have skills to give. We are marrying later. Many of us have time to give. Women are also likely to manage the family money for a significant portion of their lives. Many of us have money to give. When Kim King, a former corporate lawyer, began her own giving journey she found herself short on resources that would guide her along the way. She faced many questions: How much do I give? How do I find good organizations that are efficient and effective? What are some of the common methods of giving? How do I find others to join me on this journey? Most of all, she was eager to root all of her decisions in a biblical framework. When Women Give is filled with practical advice and stories to foster growth in giving at any and every level. Kim shares openly from her own story, both from her perspective as a donor and from serving on the boards of several Christian nonprofits. If you want to be a wise steward of what you've been given, then this book is for you. Visit Kim's website at http://womendoingwell.org/people/kim-king/ Follow Women Doing Well on Twitter: @WomenDoingWell.

This week’s Chapel Talk episode features Kim King ’99 in Pioneer Chapel, giving his talk titled: “Toward a Meaning of a Personal Checklist” Episode 24 - Original Speech Date: Apr. 20, 2017

When NCF giver Kim King recommended what she thought was a small grant from her Giving Fund and soon-after received a huge "thank you" call from the ministry's CEO, she knew something wasn't right. Kim did some research and found that she had mistakenly entered a comma instead of a decimal online, which made a huge difference in the amount of her grant ... and her impact.

Kim King '99 earned a Masters of Divinity from the Candler School of Theology at Emory University. He served in various leadership roles in AME congregations in both Atlanta and Chicago, but left pastoral ministry in 2006 to work in higher education. He was first hired at Wabash as the Assistant Director of Admissions in 2008, but left to direct the Office of Admissions at the Chicago Theological Seminary in May of 2011. He returned to Wabash and is currently the Associate Director of Admissions. (Episode 11)

reports from the Broad Street Run at the Navy Yard in Philadelphia.