Podcasts about space age childhood

Is ‘Glen Powell Summer' over? Not in our hearts. We finish out this spectacular, impromptu series with an animated treat from one of our faves, Richard Linklater, with the 2022 film APOLLO 10 1/2: A SPACE AGE CHILDHOOD (2022)! We talk about the interesting rotoscoped animation, the mundane suburban life made extraordinary at the hands of Linklater, and the voice talents of Jack Black, Zachary Levi, Glen Powell, and many more! We also talk about the 2024 Olympics in Paris, Middle of the Night by Riley Sager (novel), Deadpool & Wolverine (2024), Presumed Innocent (AppleTV+), and we wax nostalgic for pinball machines for some reason! —————————————————————— To see images of the stuff discussed, look at your device's screen while listening! Go here to get some LTAS Merch: tee.pub/lic/huI4z_dwRsI Email: LetsTalkAboutStuffPodcast AT gmail DOT com Follow LTAS on Instagram: www.instagram.com/ltaspod/?hl=en Subscribe to Steven's YouTube channel: youtube.com/@alittlelessprofoundfilms Follow Steven on Letterboxd: letterboxd.com/stevenfisher22 Brent is not on social media. A 5-Star rating on your podcast app is appreciated! And if you like our show, share it with your friends! TRY AS HARD AS YOU MIGHT, IT WILL NEVER BE CLEAN.

Hurra, die hundertste Sendung wird gefeiert! Für die einen sind es sieben Fortsetzungen beliebter Folgen – für die anderen ist es die längste Rückspultaste der Welt. (Außerdem treffen sich Jan & Sebastian am Gelben und fahren Riesenrad.) In Folge 26 gingen wir auf Rundgänge durch unsere Kindheitsviertel – nun folgt die Retro-Lüdenscheid-Stadtrundfahrt mit Gerrit. In Folge 24 waren wir im Kino – jetzt erinnern sich Simon & Sebastian genauer an ihr Coming of Age im Lichtspielsaal. In Folge 51 ließen wir die Hörspiele unserer Kindheit Revue passieren – doch Thorsten & Sebastian produzierten 1991 ein eigenes. Im Vierteiler mit der Nummer 42 flogen wir zum Mond – dorthin kehren Felo & Sebastian mit Richard Linklaters Film "Apollo 10 ½: A Space Age Childhood" zurück. In Folge 49 betrauerten wir die Schließung von Lüdenscheids ältestem italienischen Restaurant – doch seit 2023 ist Marcello da und macht mit seiner Pizza das Rückspul-Team endlich wieder froh. In Folge 88 brachten wir analoge Tontechnik und hohe Bauwerke in freier Natur zusammen – das versuchen Christian & Sebastian erneut. In Folge 17 betrieben wir Konsum-Archäologie – diesmal besuchen Fabian, Jan & Sebastian eine weitere Ruine, so lange sie noch steht. Ein großes Dankeschön an alle Hörerinnen & Hörer, die der Taste schon seit über acht Jahren die Treue halten! PS: Aufgrund der Länge dieser Sendung funktionieren Kapitelmarken leider nicht – wir bitten um Verständnis.

This week, our Richard Linklectures miniseries comes to an end with a trip to the 1960s for Linklater's rich, textured, gorgeously animated portrait of an era, Apollo 10 1/2: A Space Age Childhood.Subscribe to our Patreon for ad-free episodes and bonus conversations on the Linklater films Slacker, School of Rock and Hit Man.Follow us on Twitter or Instagram, or drop us an email at ghibliotheque@gmail.com. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Richard Linklater's animated Space Race coming of age story is wonderfully specific, idiosyncratic, and a pleasure to watch.

Richard Linklater (Dazed and Confused, Slacker, School of Rock) takes you back to the space race era with his film, “Apollo 10½: A Space Age Childhood.” It's an animated period piece that's steeped in ‘60s nostalgia, but also speaks to our world today. He joined Tom when the film first came out to talk about growing up by the NASA space station, what it meant to have a “free-range” childhood, and how it inspired “Apollo 10½.”

Netflix killed password sharing so be sure to talk to your ex or that one friend you never see and let them know to cancel 00:00 new thumbnail 03:39 The Legend of Zelda Breath of the Wild and Tears of the Kingdom 14:20 An Hour to Kill Shill Section: The Twilight Zone 16:28 Spider-Man Into the Spiververse and Across the Spiderverse 24:46 Robitics;Note Elite, Tales of Arise, Lies of P demo and Demon's Souls 35:19 The Babysitter Killer Queen, Mute, The Discovery, The Night House 50:56 Mission: Impossible III and Ghost Protocol 57:11 The Boogeyman, Apollo 10 1/2 A Space Age Childhood, The Meyerowitz Stories (New and Selected), Adventures in Babysitting, A Beautiful Day in the Neighborhood 1:07:28 Queen and Slim, The Idol, Grand Theft Auto III 1:21:49 A Series of Unfortunate Events, Bojack Horseman Season 3 1:30:43 Slumdog Millionare, Omori

On Wednesday's show: School vouchers, online sports betting, and efforts to pass a budget -- we talk through what is and what is not happening in the Texas Legislature in this week's political roundup. We also catch up on debt ceiling negotiations, the impact of the expiration of Title 42, and other developments in Washington. Also this hour: The process for passing Houston's next budget has begun. Mayor Sylvester Turner presented his $6.2 billion proposed budget Tuesday, the final one of his tenure. It includes pay raises for city workers, nearly doubling the amount of spending on the city's drainage and street repair program, and putting more than $400 million in savings, the largest reserves for the city in recent memory. And, while that all sounds fairly rosy, there's still some reason for concern about the city's financial situation in the coming years, according to City Controller Chris Brown. He joins us to talk it over. And we revisit our 2022 conversation with Richard Linklater about his movie Apollo 10½: A Space Age Childhood, which was all about growing up in Houston during the moon landing.

Sam and Ian hope to highlight a little known debate involving the Best Animated Feature category and to witness the 1969 moon landing through the eyes of a fourth grader who was a bit closer to the action than you might think. Squares be damned! It's Richard Linklater's Apollo 10 ½: A Space Age Childhood.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

Steph, Craig, and 40 other animators spent years animating their new film Apollo 10½: A Space Age Childhood only to be told that it wouldn't be considered as an animated movie for the ‘The Best Animated Feature Award'. They created the film using a notoriously time-consuming form of animation called ‘Rotoscoping' where the artists creates animated sequences by tracing over live-action footage frame by frame. They join us to discuss the controversy around their film, how they fought (and won) against the Oscar's decision, and proved their film was animated. We talk about the problems with ‘The Best Animated Feature' award, why films like Avatar aren't considered animated movies, and the new AIanimation technique that's been emerging… “For Apollo, we made a minute and a half a week and that's with 40 animators busting it as fast as they can.' - Steph Swope What is Covered:  The trailer for Apollo 10½: A Space Age Childhood The controversy around the animation of Apollo 10½: A Space Age Childhood. What rotoscoping is and its legitimacy in animation. The problems with ‘The Best Animated Feature' award. How long it took to prove their film was animated. Why Avatar is not considered an animated movie. How close they were to losing the appeal for Apollo 10½: A Space Age Childhood. The new AI animation technique used in Into The Spider-Verse. The possibility of a movie created completely by AI. The research needed before creating an animated film. How Covid affected animators. Resources: Minnow Mountain Animation Apollo 10½: A Space Age Childhood My Year of Dicks The Spine of Night Undone Tower Quantum Cowboys Critical Role The Black Angels Texas Real Food Connect with Steph Swope: LinkedIn Connect with Craig Staggs: Twitter Connect with Host Patrick Scott Armstrong: Instagram: https://instagram.com/patrickscottarmstrong  Email: patrick@texasrealfood.com Follow The Lone Star Plate: Follow us on Instagram: @lonestarplateTX Follow us on TikTok: @lonestarplate Like us on Facebook: https://www.facebook.com/LoneStarPlateTX More From The Lone Star Plate: https://lonestarplate.show Our Sponsor Texas Real Food: https://www.texasrealfood.com Special Thanks To Legendary Austin Singer Bob Schneider For Producing And Narrating Our Podcast Intro/Outro. Follow Bob at https://www.BobSchneider.com

Better bring a ladder to this episode, because we're reaching new heights! Join Robert and Ira as they discuss APOLLO 10 1/2: A SPACE AGE CHILDHOOD and share their top kids' POV movies. Listen for free through iTunes, Stitcher, Spotify, iHeartRadio, or Google Podcast Music. So, if you've ever wondered what it would be like to be a kid growing up in Houston in the late ‘60s and your dad has a not very interesting job at NASA, and you're told by NASA officials the space capsule they built is too small to hold an adult astronaut, so they need you to ride it to the moon and it's a covert operation so you can't tell anyone, and you also reflect on what it was like growing up at that time and reminisce about sneaking into drive-ins with your family and playing with fireworks and riding in the back of trucks and all the TV shows including The Monkees and Janis Joplin on Dick Cavett, and so you went to the moon but you can't tell your family, and finally it's the big day of the Apollo 11 launch and you're glued to the TV with your family watching Walter Cronkite, but of course you've already been there done that, and on the other big day when the astronauts set foot on the moon, instead of watching TV, you're at an amusement park with your siblings riding a really cool ride on tracks in a fake mountain, then this podcast is for you!

Better bring a ladder to this episode, because we're reaching new heights! Join Robert and Ira as they discuss APOLLO 10 1/2: A SPACE AGE CHILDHOOD and share their top kids' POV movies. Listen for free through iTunes, Stitcher, Spotify, iHeartRadio, or Google Podcast Music. So, if you've ever wondered what it would be like to be a kid growing up in Houston in the late ‘60s and your dad has a not very interesting job at NASA, and you're told by NASA officials the space capsule they built is too small to hold an adult astronaut, so they need you to ride it to the moon and it's a covert operation so you can't tell anyone, and you also reflect on what it was like growing up at that time and reminisce about sneaking into drive-ins with your family and playing with fireworks and riding in the back of trucks and all the TV shows including The Monkees and Janis Joplin on Dick Cavett, and so you went to the moon but you can't tell your family, and finally it's the big day of the Apollo 11 launch and you're glued to the TV with your family watching Walter Cronkite, but of course you've already been there done that, and on the other big day when the astronauts set foot on the moon, instead of watching TV, you're at an amusement park with your siblings riding a really cool ride on tracks in a fake mountain, then this podcast is for you!

Media Picks: Joel: On the Count of Three available on Hulu Atsuko Okatsuka: The Intruder available on HBO Moonstruck available for rental The Muppet Christmas Carol available on Disney+ Babylon available in theaters Emily the Criminal available on Netflix Judgment (1999) available on Mubi The Great Muppet Caper available on Disney+ Blade Runner 2049 available on Hulu Avatar: The Way of Water available in theaters Apollo 10 ½ : A Space Age Childhood available on Netflix Resurrection available on Shudder Bethany: Weird: The Al Yankovic Story available on Roku Channel Call Me Miss Cleo available on HBO Yi Yi available on Criterion Sullivan's Travels available on Criterion The Holiday Sitter not available right now The Fugitive Kind available for rental I Married a Witch available on HBO and Criterion White Christmas available on Netflix I Vitelloni available on Criterion Little Women (1933) available on Criterion Little Women (1994) available for rental Little Women (2019) available for rental Roald Dahl's Matilda the Musical available on Netflix Grizzly Man available for rental La Promesse available on Criterion Il Posto available on Criterion The Rules of the Game available on Criterion Strange World available on Disney+ Bullet Train available on Netflix Smile available Paramount+ Tampopo available on Criterion RRR available on Netflix Buffy the Vampire Slayer available on HBO White Noise available on Netflix Buffy the Vampire Slayer available on Hulu The Mayfair Witches available on AMC

Au casting de notre marathon radiophonique annuel, notre intérimaire de choc (et collègue de bureau) Jules Topok, et deux immigrés clandestins en provenance directe de la célèbre émission En attendant Goldman, DocErwan Cadoret et Thomas Kiki Gombaud.Dans cette deuxième émission, après avoir parlé de l'industrie cinématographique que le monde entier nous envie, on cause des films des restes du monde.Comme chaque année, on n'a pas pu en rester là, et on vous offre donc l'opportunité de vous infliger une centaine de minutes cinéphilco-éthyliques supplémentaires.On en parle trop peu mais vous pouvez nous filer un peu de caillasse ici, ça nous permettra (entre autres choses) de boire des bières de meilleure qualité.Nos tops de l'année (cliquez sur les films pour écouter les émissions où on en a causé)Etienne C.Antonin M.As Bestas de Rodrigo Sorogoyen RRR de SS Rajamouli Vortex de Gaspar Noé Avatar 2, la voie de l'eau de James Cameron Au cœur des volcans - Requiem pour Katia et Maurice Krafft de Werner Herzog    RRR de SS Rajamouli / Avatar 2, la voie de l'eau de James CameronAs Bestas de Rodrigo SorogoyenEnquête sur un scandale d'état de Thierry de PerettiArmageddon Time de James GrayNightmare Alley de Guillermo Del ToroPacifiction d'Albert SerraLes Passagers de la Nuit de Mikaël HersRien à foutre d'Emmanuel Marre et Julie LecoustreLa Légende du roi crabe d'Alessio Rigo de Righi et Matteo ZoppisLes Enfants des autres de Rebecca ZlotowskiErwan CadoretThomas GombaudLeila et ses frères de Saeed Roustaee As Bestas de Rodrigo Sorogoyen Vortex de Gaspar Noé La Conspiration du Caire de Tariq Saleh Dédales de Bogdan George Apetri/ La Légende du roi crabe d'alessio Rigo de Righi et Matteo Zoppis Armageddon Time de James Gray Les Nuits de Masshad d'Ali Abbasi Licorice Pizza de PTA / Enquête sur un scandale d'état de Thierry de Peretti Decision to Leave de Park Chan Wook Nightmare Alley de Guillermo Del Toro / Bruno Reidal de Vincent Le Port   Apollo 10½: A Space Age Childhood  de Richard LinklaterLa Légende du Roi Crabe d'Alessio Rigo de Righi et Matteo Zoppis)Jackass Forever de Jeff TremaineAmbulance de Michael BayIl Buco de Michelangelo FrammartinoTop Gun: Maverick de Joseph KosinskiRRR de S.S. RajamouliLa Petite Bande de Pierre SalvadoriAs Bestas de Rodrigo SorogoyenIrma Vep – The Serie d'Olivier Assayas)Russia 1985–1999: TraumaZone : What It Felt Like to Live Through The Collapse of Communism and Democracy d'Adam CurtisAu cœur des volcans - Requiem pour Katia et Maurice Krafft de Werner HerzogJules Topok(Dans le désordre)Pacifiction d'Albert SerraArmageddon time de James GrayThe tragedy of Macbeth de Joel CoenLa Légende du roi crabe d'Alessio Rigo de Righi et Matteo ZoppisAfter blue, paradis sale de Bertrand MandicoVortex de Gaspar NoéEnquête sur un scandale d'état de Thierry de PerettiAs bestas de Rodrigo SorogoyenTriangle of sadness de Ruben OstlundBruno Reidal de Vincent Le PortAucun ours de Jafar Panahi 

David discusses the movies he's been watching, including The Novelist's Film, Everything Everywhere All at Once, Blonde, The Super 8 Years, Apollo 10 1/2: A Space Age Childhood, Babylon, Descendant and Mad God.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For this week's episode, we review the long-awaited blockbuster sequel Avatar: The Way of Water by James Cameron and Rian Johnson's Glass Onion: A Knives Out Mystery. Also, for our streaming homework, we discuss Richard Linklater's animated love letter to 1960s suburban life,  Apollo 10 1/2: A Space Age Childhood. 

Au casting de notre marathon radiophonique annuel, notre intérimaire de choc (et collègue de bureau) Jules Topok, et deux immigrés clandestins en provenance directe de la célèbre émission En attendant Goldman, DocErwan Cadoret et Thomas Kiki Gombaud.Dans cette première émission, on cause du cinéma du pays au 258 fromages, la France du général de Gaulle.On en parle trop peu mais vous pouvez nous filer un peu de caillasse ici, ça nous permettra (entre autres choses) de boire des bières de meilleure qualité.Nos tops de l'année (cliquez sur les films pour écouter les émissions où on en a causé)Etienne C.Antonin M.As Bestas de Rodrigo Sorogoyen RRR de SS Rajamouli Vortex de Gaspar Noé Avatar 2, la voie de l'eau de James Cameron Au cœur des volcans - Requiem pour Katia et Maurice Krafft de Werner Herzog    RRR de SS Rajamouli / Avatar 2, la voie de l'eau de James CameronAs Bestas de Rodrigo SorogoyenEnquête sur un scandale d'état de Thierry de PerettiArmageddon Time de James GrayNightmare Alley de Guillermo Del ToroPacifiction d'Albert SerraLes Passagers de la Nuit de Mikaël HersRien à foutre d'Emmanuel Marre et Julie LecoustreLa Légende du roi crabe d'Alessio Rigo de Righi et Matteo ZoppisLes Enfants des autres de Rebecca ZlotowskiErwan CadoretThomas GombaudLeila et ses frères de Saeed Roustaee As Bestas de Rodrigo Sorogoyen Vortex de Gaspar Noé La Conspiration du Caire de Tariq Saleh Dédales de Bogdan George Apetri/ La Légende du roi crabe d'alessio Rigo de Righi et Matteo Zoppis Armageddon Time de James Gray Les Nuits de Masshad d'Ali Abbasi Licorice Pizza de PTA / Enquête sur un scandale d'état de Thierry de Peretti Decision to Leave de Park Chan Wook Nightmare Alley de Guillermo Del Toro / Bruno Reidal de Vincent Le Port   Apollo 10½: A Space Age Childhood  de Richard LinklaterLa Légende du Roi Crabe d'Alessio Rigo de Righi et Matteo Zoppis)Jackass Forever de Jeff TremaineAmbulance de Michael BayIl Buco de Michelangelo FrammartinoTop Gun: Maverick de Joseph KosinskiRRR de S.S. RajamouliLa Petite Bande de Pierre SalvadoriAs Bestas de Rodrigo SorogoyenIrma Vep – The Serie d'Olivier Assayas)Russia 1985–1999: TraumaZone : What It Felt Like to Live Through The Collapse of Communism and Democracy d'Adam CurtisAu cœur des volcans - Requiem pour Katia et Maurice Krafft de Werner HerzogJules Topok(Dans le désordre)Pacifiction d'Albert SerraArmageddon time de James GrayThe tragedy of Macbeth de Joel CoenLa Légende du roi crabe d'Alessio Rigo de Righi et Matteo ZoppisAfter blue, paradis sale de Bertrand MandicoVortex de Gaspar NoéEnquête sur un scandale d'état de Thierry de PerettiAs bestas de Rodrigo SorogoyenTriangle of sadness de Ruben OstlundBruno Reidal de Vincent Le PortAucun ours de Jafar Panahi 

Today's episode includes: Kevin Conroy, the voice of Batman in Batman: The Animated Series (1955 – 2022) Netflix released the trailer of Scrooge: A Christmas Carol Netflix released the trailer of Guillermo del Toro's Pinocchio Marcel the Shell with Shoes On and Apollo 10 ½: A Space Age Childhood are eligible to be nominated for Best Animated Feature at the Oscars Oculus creator Palmer Luckey created a VR headset that would kill the player if they lose in a video game

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Eric Vilas-Boas who wrote If Rotoscoping Isn't Animation, Nothing Is for Vulture. Here's what I wrote about it:This year director Richard Linklater released the film Apollo 10 ½: A Space Age Childhood, which is animated through rotoscoping. Essentially, live-action footage is painstakingly animated over using a technique that harkens back to the dawn of animation, a process that required a suite of about 200 2D animators for costs upwards of $20 million. The animated film, however, has been rejected by the animation committee of the Academy Awards, arguing it relies on live-action footage even though the film clearly surpasses the requirement 75 percent of running time must be animated. Linklater and company are ticked off, claiming that the branch has been captured by corporations and aimed at children, with 19 of the past 21 awards for Best Animated Feature going to CG-animated kids movies, and with just two independent studies winning.Eric is brilliant on the topic of animation, he was one of the founders of The Dot and Line animation blog and is one of the most plugged-in writers on the topic these days. We spoke about why the awards scene around animated film is chaotic, why it's a demoralizing moment to be in the field, and how streaming has upended the industry. Eric can be found at @e_vb_ and at Vulture.This interview has been condensed and edited. You wrote a really fascinating story about a new film that's coming out from director Richard Linklater. Before we dive into the whole concept of rotoscoping and whatnot, do you want to tell folks a little about your history with animation? You're currently at Vulture, you've got a long history of working in this space. What's been your journey in covering animation so far?I've been interested in this area of coverage for a long time. I always wanted to be an entertainment journalist. I always wanted to angle my career in that direction. A buddy of mine and I looked around at the space of magazine journalism a few years ago and we noticed, "Oh, there's no The New Yorker for animation coverage." No one covers cartoons with what we thought was a level of both consistency and seriousness.We started this website called The Dot and Line based off an iconic Chuck Jones short cartoon; that was in 2016. My friend and I, John Maher, started that site. That site was just our way of covering animation from a fan perspective and a magaziney perspective, a bloggy perspective, and also covering the business through the same lens.We never made any money. The Dot and Line shut down, we gave it a viking funeral in 2020, in the beginning of the pandemic, very lovingly.I always really loved cartoons and animation. I wanted to cover it more deeply and make sure that it had a place in the media ecosystem that I was working in. These days I've parleyed that experience into writing about animation for Vulture, for Thrillist in the past, for Hyperallergic, for The Observer. Now I'm currently in Vulture where I edit most of our streaming coverage, and then also work on the occasional animation and cartoons piece, which brings me to this topic today.I just wanted to make sure that we got that set up, because there's this idea that you've always been reporting on how there's tension in animation, how there aren't a lot of people who treat it seriously, that there's a tremendous amount of effort and art that goes into it but that mainstream sources oftentimes don't necessarily understand what some of the power and appeal of it is. That all really comes to a head in the story. Do you want to talk a little bit about Apollo 10 ½ and how it was made?It definitely hits a lot of points for me. Apollo 10 ½ is a rotoscoped movie directed by Richard Linklater, a very well-regarded indie filmmaker who has done both animated movies like A Scanner Darkly and Waking Life as well as live-action movies like the Before trilogy and Dazed and Confused, and a few other things that you might have seen before. Apollo 10 ½ is basically his latest animated effort. It was made by a large team of around 200 animators through a studio called Minnow Mountain, based in Austin, Texas, where Richard Linklater is also based. Apollo 10 ½ is essentially a coming-of-age fantasy story about a kid who gets to experience sitting in a NASA space mission.The opening hook of the movie is like, "Oh, we made the space capsule too small and now this preteen child must be signed up for a NASA mission." And it's a fantasy. It's meant to be fantastical in a way that live action can't be. Richard Linklater has talked about this, so that's all well and good. Apollo 10 ½ was released on Netflix earlier this year, over the summer. It was also submitted for Academy Award consideration for Best Animated Feature.Best Animated Feature is an interesting category and we can get into why. But long story short, the film was rejected from consideration over the summer on the grounds that it "did not meet the definition of animation" according to the Academy's feature animation committee.That's ticked a lot of folks off, because it is animated with a technique used called rotoscoping which as you wrote, goes back to some of the earliest days of not just animation but film, period. Do you want to talk about what the controversy is there?To give just a definition, rotoscoping is essentially you'll film something in live action. The tool that was invented was literally called the rotoscope, and it was invented by this animator Max Fleischer, who people might know from the Superman cartoons. These old 1940 Superman cartoons are some of the best cartoons of their kind even to this day; they're very well respected. He invented this thing in 1915 called the rotoscope. What the rotoscope is is essentially a multi-plane camera on steroids that allows you to film something in live action, and then to trace the images of what's been filmed into an animated form — to trace the outlines of something and create art out of it, essentially.The Fleischer brothers used this on a number of their animated cartoons. They had this series called Out of the Inkwell: They traced Cab Calloway, the jazz musician, dancing and doing some awesome moves in some of their cartoons. The upshot of all this is that it looks really good. It's an easy way to capture fluidity and a certain level of realism, without having to draw every single thing from nothing, essentially. It's a technique that's been used for decades upon decades by not just the Fleischers but also animators at Disney. Snow White heavily referenced a performer named Marge Belcher using similar techniques.It goes all the way to Ralph Bakshi's 1970s Lord of the Rings film, which famously uses rotoscoping. You can argue one way or another over whether Ralph Bakshi's rotoscoping looks good or not. I think a lot of it looks really good. Lord of the Rings is not a very good-looking movie, but it's interesting, I think.People feel a lot of different ways about rotoscoping. Part of the mystique of animation is that something is artistic and being delivered in front of you, in a moving way that literally tricks you to think that these images that are just layered on top of each other very, very fast are actually moving. That's the point. I think that it takes an element of the mystique out of it, or the artistry out of it, to hear later on, "Oh, that was traced," or something like that. But the reality is this is just a tool, it's just a technique that a lot of animators and a lot of your favorite movies have actually deployed over the years. A lot of movies that you might know.The crux here is that the animated film division of the Academy came to the determination that this wasn't an animated film, because it required rotoscoping as much as it did. And it's got a lot of people ticked off for a lot of different reasons.2D animators obviously have had a hell of a time just continuing their craft. Just in general, the category as you wrote has been really dominated by fairly colossal corporate interest for a while. Do you want to talk a little bit about what specifically this tempest is all about?I think it's really frustrating to anybody who knows about the history of animation to call a decades-old technique used in animation not animation. So that's one side of that argument.Another side of this argument is the corporate aspect of the specific animated feature award. It's not Best Picture, which has been around for forever. It's not as clear-cut as Best Actor or Best Actress or something like that. Best Animated Feature has been around since the year 2001, so it's newer. Ever since 2001, it's always been largely dominated by either 3D CGI movies and/or films that are owned or have been distributed by Disney-Pixar. To pull out some examples, I think Shrek won the first year, and last year Encanto won.I don't have the history in front of me, but every year it's an ongoing joke in the animation community like, "Oh, another CGI movie is going to win." And it's very rare that, number one, a 2D film wins, even more rare I think than that a film that's not owned by a large mega-conglomerate, either Disney or Dreamworks, wins.They've all been Disney, Pixar, Dreamworks, Sony, with the exception of one Aardman picture, and then Spirited Away.Two independent studios have won over the past 20 years, which is like, I personally don't like those numbers. A lot of folks can say otherwise.And then there's this other side of the argument, and I think the animator Phil Lord got into this a little bit when he tweeted last year and a lot of people tweeted: The larger cultural understanding of the animated feature category is that it's made for children. That animation is just for kids, and that this is a juvenile pursuit. I think that the presenters at last year's Academy Awards leaned into that.It was really patronizing, if I recall.Yeah. The tone of that is very patronizing. You look at the animator Richard Williams who passed away a few years ago, this is a person who is known for a hyper-realistic, very, very fluid animated style. He's the reason that Who Framed Roger Rabbit looks as good as it does, because he impressed upon his animators, "You have to make sure the eyelines match up between the cartoon characters and the actors on stage."You look at artists on his level or on a Miyazaki level, or to go back even further a Chuck Jones level, and to say that they are making stuff that's only for kids is, if it were me, if I were in their shoes, I would find it very offensive. I would find it very patronizing.It's an interesting category for a lot of reasons. I looked at it last year because I'm obsessed with the Oscars, and Pixar usually gets a bid, Disney usually gets a bid, Dreamworks usually gets a bid, one of the other biggies gets a bid. And then they'll usually get an international feature or one of the Ghibli, Aardman worlds.It's weird that there's clearly a degree to which the animators within the division have enough clout to get those nominees for those international features and those smaller indie features, but it does seem that the branch is dominated by the kind of folks who just want to give it to Pixar, Disney or Dreamworks.That's the story the numbers seem to tell us. I think one of the frustrations, and I understand why it has to be this way, is that you do want to know how these voting bodies work, but it raises a wide variety of complications if we knew exactly how everybody voted, but a lot of the stuff happens in a very opaque way. Richard Linklater, in my story, when I interviewed him for this Apollo 10 ½ thing, his words I think were, "We really just don't know who's behind this decision making." The only way that he can conceive of it is that like, they must have something against rotoscoping, or, against us, "us" speaking for the independent animators that he works with.To him, to them, it feels like a David and Goliath situation where I'm sure a film like the latest Disney-Pixar thing that is made for $150 or $200 million or whatever it is, they would probably have no trouble getting nominated for anything, for clearing through any of the rules that are stipulated. This film, which is made for $20 million and there's definitely an outsider feeling there on the part of him and his animators, they're running into trouble.It's a challenging category because again, the work is really fairly incredible coming out of even the larger houses, not to diminish any of that. It is just weird.That's the thing too. No value judgment, it's not an artistic judgment on the artistry of a film like Encanto or Turning Red which are stunning, beautiful animated movies. I cried during Encanto not quite like I'd cried in any movie that year that it came out. But I think the tension is really like, "Oh, why is animation only this?" I think that's the question that is on some of these other animators' minds and on Linklater's mind.It's almost entirely 3D animated stuff. Again, I'm a LAIKA stan, and it's just shocking to me that they occasionally get the nominations, but it's a little evident that the body is just going to be predisposed toward 3D computer-animated graphic stuff instead of the 2D stuff, instead of the anime stuff, instead of the rotoscoping and stop-motion stuff.Yeah. LAIKA is a perfect example; just everything that they put out is amazing, it just looks stunning and it feels like if they get a nomination, it's a good year.You also cover a lot about just how the business of animation and streaming has really fundamentally changed; a lot of that, whether it's Crunchyroll merging with Funimation, whether it's all these streaming services jumping directly into the world of animation and then some of them getting cold feet and then getting the hell out. It's been an interesting couple of years for the business itself. Do you maybe want to talk a little bit about streaming and how that's changed some of the math for animated stuff?I'm glad you asked about that because we're in this moment right now, this sense in the animated world that this idea that animation and animators are playing second fiddle constantly to the world of live action. It shouldn't really be that way. These movies and shows take a lot of effort to produce and they do connect with kids and with adults in very, very profound ways. But we're in this moment where it's like, "Oh, you have this corner of the entertainment industry that is doing all this stuff but it feels like it's not getting recognized."Even within that side of the entertainment industry, you have these aspects of it that are, like anything else, it feels like the big dogs are running the show, like the indie animators are doing their own thing, doing something different but then maybe they're being shut out of awards consideration.The same is happening on a macro level. In terms of what I've been covering, to take the streaming wars for example, part of the larger capitalist world in which we operate — for example, Warner Brothers Discovery, the company removed I think 36 titles off of HBO Max without warning over the summer as they were trying to carve down on overhead and slash $3 billion worth of debt which the merged company had inherited.A big part of that was animated shows. A lot of animated shows were in that mix. A few of them, like Infinity Train for example, an amazing show, a brilliant genius show, very not of the same mold as other programming like it, Infinity Train was spiked from the service and all their social media accounts were eliminated. I think the music on Apple Music was removed. This all happened within a span of a few days to a week.I don't know the status of Infinity Train's physical media, but the sense of it was that this show had disappeared off the internet, completely disappeared. And as a fan, you're kind of like, "What the f**k?" As a fan, you're like, "What just happened here?" Offhandedly, I talked to people who worked on the show, and they were also just confused like, "What's going on?" I think that they were all blindsided. The creator of the show, Owen Dennis, wrote a very good Substack post on that exact thing, that feeling of blindsidedness.You've got all these things going on and it's not helping. Animators, or people who are fans of animation, it doesn't help them that some movies are being treated with seemingly a different set of rules as other movies, debatable on whether those rules should exist or not as they pertain to the Academy Awards. It feels like they're being devalued by some of these large companies that own some of the titles that they worked on, either to slash them to just offload debt or to eliminate them entirely for no reason. It seems like the reason is money, which to me doesn't really seem a good reason at all.Then at the same time, something like the Academy Awards, and the award is presented, are we then going to be treated to some hacky line from the last year's best supporting actress or whatever saying, "Oh, animation is so good for kids. It's so great to watch when you grow up, this is what you do when you're a child, and that sense of wonder" or whatever.I don't know, man. If all this stuff is happening to you and you're an animator and you're already baseline underpaid, because everybody's underpaid in Hollywood or anywhere in media, you learn that your work is being devalued by the company you work for. You learn that, an opportunity that I have to go on stage and accept this award is being seen as this purely juvenile pursuit that only appeals to children. Again, we're speaking hypotheticals for all of this, but the multinational company worth billions upon billions of dollars that happens to have billions upon billions of dollars in debt, essentially disappears your cartoon from the service that it was running on?I would be demoralized. I'd be very demoralized.Demoralized is a really good word. It's also fascinating because it's objectively wrong. Adult animation, it's really hit a stride recently; demand is only going up.I alluded to Crunchyroll earlier, but again we've seen demand for anime go through the roof. It seems like it's very much a dated mentality that animated programming is exclusively for kids. It is just a separate art form in a way.You've written a lot in particular about how creatively we've been in a bit of a renaissance when it comes to what one can do with animation and who animation can be for.Yes, absolutely. I don't know, some of the best action filmmaking that I have ever seen has come from Genndy Tartakovsky, director and creator of Primal and Samurai Jack and Dexter's Laboratory. I interviewed him a few years ago and I can't remember the exact quote, I've got to pull it up in my notes. I think I asked him something on the level of, "Would you want to direct a live-action film?" or something like that. And for him, it's not about that. It's not about "graduating" from animation into live action. I can't remember the exact quote, but he told me, basically, it's all about filmmaking. It's all about composing shots, creating storyboards, getting the timing, getting the action and putting a film together.I just saw a tweet today, it's Steven Spielberg getting interviewed about something 30 or 40 years ago. He talks about how animation is the father of live-action filmmaking. The quote is like, "They need to know how a chipmunk rolls into a bank of snow or whatever, because they need to paint every motion of that chipmunk rolling over and over and over across 12 cells per second." This is Steven Spielberg. Steven Spielberg gets it. Why can't anybody else get it?I talk to folks in the comics world who say very similar things, where it's just, they're not trying to storyboard Marvel movies 10 years from now. They're trying to do something in a format that you can uniquely only accomplish in that. You can do things in animation that you cannot do in live action and that's what makes it very cool.It's not for nothing, but the conversations that are happening in the film and TV animated world are probably also happening at the same time in the VFX animation world. We're hearing a lot about these video effects workers on these Marvel movies talking about their labor issues, everything from increased workload leading to overly demanding schedules, and so the product resulting in it looking bad, the product looking not what a movie should look like and not adhering to some of these basic rules of filmmaking, framing and making sure what the stakes are. I think we're just in an interesting period where a lot of these big productions are coming out, you've got Star Wars, you've got all these Marvel movies, you've got the DC Extended Universe. All those require intense special effects like animators. And these two practices are very closely linked, even if they're not going after the same goals.Where can folks find you, Eric? Where can folks find your work and what are you working on these days?Yeah, I'm at Vulture. My Twitter handle is @e_vb_, and anything I write these days typically winds up at vulture.com.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips, or feedback at walt@numlock.news.  Get full access to Numlock News at www.numlock.com/subscribe

Today's episode includes: Illumination and Nintendo released the teaser trailer of The Super Mario Bros. Movie HBO Max released the teaser trailer of Velma Velma is confirmed gay in Trick or Treat Scooby Doo Netflix released the trailer of Wendell & Wild The Academy rejects Apollo 10 ½: A Space Age Childhood from being nominated for Best Animated Feature

00:00 - 12:00 - Getting the Gang Back Together 12:00 - 31:42 - John DeMarsico Interview 31:42 - 1:40:25 - Malcolm's AMC A-List Hour We're doing the podcast again. After us rowdy boys make amends and get back together, we set out a plan for the most epic reunion tour possible. Then, the SNY Broadcast Director for the New York Mets, responsible for so many amazing moments in live baseball this season, joins Eddie for a chat (12m). Finally, we return to Malcolm's AMC A-List Minute (31m). Unfortunately, we haven't done this segment since last time we had a podcast together, so we spent an entire hour catching up on every new release that the three of us have watched during our brief retirement. Movies discussed include RRR, Ambulance, Apollo 10.5 A Space Age Childhood, Father Stu, Everything Everywhere All at Once, The Northman, Marry Me, Benedetta, Zeroes and Ones, Crimes of the Future, Hustle, Elvis, Top Gun: Maverick, Both Sides of the Blade, Barbarian, Vikram, Actors, Nope, The Velvet Underground, Memoria, Memory, France, The Worst Person in the World, The Batman, Matrix Resurrections, Red Rocket, Deep Water, X, and more. See you next time for the first double feature of the tour: Within Our Gates / City Hall, with Shawn Glinis. extendedclippodcast@gmail.com @extendedclip69

The docs are back! This week they discuss the pleasure and pain of Cuphead, dive deep into the Firestarter mythology, and an open conversation about dream logic, history, and film.  Check out our discord and get in on the chat: https://discord.gg/QdAhVhDPVN Questions for us, or about the show? E-mail us lonelyphds@gmail.com  

Join Caitlin and Ira as they get enlisted by NASA for a secret mission to watch Richard Linklater's 2022 rotoscoped semi-autobiographical film Apollo 10 1/2: A Space Age Childhood. After a long strange trip they'll find out what happens when an iconic Gen-X director makes a movie using modern animation techniques! Blast off!~Hosted by Caitlin Cadieux and Ira Marcks@feelingcartoons (Twitter)@feelingcartoons (Instagram)cartoonfeelings.com (Episode Archive)cartoonfeelingspodcast@gmail.com (Write Us Feelings/Questions)

For our 84th episode, Austin covers a random assortment of 2022 titles. All that and more on Medium Cool: A Movie Podcast. Enjoy!0:00 - Introduction & TV Shows3:35 - Pleasure21:55 - Apollo 10 1/2: A Space Age Childhood34.55 - The Bob's Burgers Movie45:25 - Jackass Forever56.25 - On the Count of Three1:09:45 - OutroPlease subscribe to Medium Cool: A Movie Podcast wherever you get your podcasts! Also, follow us on social media to get updates on all of the exciting things we have coming up!Facebook: www.Facebook.com/mediumcoolpodInstagram: MediumCoolPodTwitter: @MediumCoolPod / Host's Twitter: @AustinGliddenLetterboxd: www.letterboxd.com/AustinGliddenYouTube: https://www.youtube.com/channel/UCloDyC7c094vxCxUDlc0-XQEmail: MediumCoolPod@gmail.com

May the 4th be with you!That's exactly how we start our episode as we wish all our listeners a very happy Star Wars week. On this week's episode Snayhil and Antariksh are joined by Abbas Momin to talk everything Star Wars. Abbas is a proud Star Wars fan and he tells us tales about how he got into the mania of arguably one of the greatest franchise in world cinema. The Bollywood connection of Star Wars, India's attempt to recreate it, and the probable cast if we actually make a big budget Bollywood Star Wars rip-off!!!For all this and much more, tune into this week's episode of IVM Likes.Recommendations:Snayhil recommends Biswa Kalyan Rath's new stand up set, Strong Pessimist that is being performed live at comedy studios. Abbas Momin recommends "Apollo 10 1/2: A Space Age Childhood," a movie that you can stream on Netflix. Antariksh recommends a Youtube channel that goes by the name, Comic Breakdown. Tune in for all this and much more.Follow Antariksh on Instagram: https://instagram.com/antarikshtFollow Snayhil on Instagram : https://instagram.com/snayhilFollow Abbas Momin on Instagram: https://instagram.com/abbasmomin88?igshid=YmMyMTA2M2Y=Have topics or things that you'd like for us to cover on the show? Reach out to us at talktous@indusvox.comYou can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.

Timecodes00:01 - Introduction01:17 - Moon Knight16:42 - Apollo 10 ½ 27:20 - Subscriber letters33:53 - Russian Doll48:47 - Metal LordsIn the context of Russian Doll, Jude asks the panel what they'd do if they were stuck in a time loop situation:Abbas: Are you talking about today? If today was happening over and over again?Nainika: Any random day.Abbas: I'm going to say something very depressing. But I mean, don't we all live the same day over and over again? We wake up, dress up, and we go to work and then we hate our job and we're sitting at our cubicle like “I'm going to do something one day when my dreams come true!” But then take a train commute back to the house and just...Nainika: Oh God, Abbas!Abbas: Sit in front of the TV and be like...Nainika: Awful and Awesome was supposed to be about hope. What are you doing?Abbas and Nainika burst out laughing.This and a whole lot of other stuff awful and awesome as Abbas Momin and Nainika Rathore review the films Apollo 10 ½: A Space Age Childhood and Metal Lords; web series Moon Knight and season 2 of Russian Doll. Tune in!PS. The hosts time travel to their favourite TV shows and songs. Beware or you shall enter the time machine.Write to us at newslaundry.com/podcast-letters.NL Sena projectsBulldozing a New Image in MP and The Yogi Who Has It All See acast.com/privacy for privacy and opt-out information.

In this week’s episode, Richard Linklater returns to folky-americana…again with Apollo 10 1/2: A Space Age Childhood, while Jacques Audiard examines sexual attraction with Paris, 13th District.

1969? It happened. Nicole, Jess & Brennan cover Richard Linklater's nostalgia trip Apollo 10 1/2: A Space Age Childhood

Hello and welcome to a brand new episode of Some Like It Scott! On this week's delayed-due-to-COVID episode, the two Scotts are reviewing the latest addition to Richard Linklater's oeuvre, the reminiscent coming-of-age rotoscope-animated tale, APOLLO 10-1/2: A SPACE AGE CHILDHOOD. After giving their full thoughts on Linklater's first since WHERE'D YOU GO, BERNADETTE? in 2019, they share their thoughts on Michael Bay's latest action joint, AMBULANCE, and share their thoughts on a couple recent pieces of news!   Next time: The Northman (Theaters)   Patreon: www.patreon.com/MediaPlugPods

Today Stanford and Rachel are here to talk about a special film on Netflix from director Richard Linklater APOLLO 10 1./2: A SPACE AGE CHILDHOOD For Rachel's review of Apollo 10 1/2 https://rachelsreviews.net/2022/04/14/review-apollo-10-1-2-a-space-age-childhood-or-the-power-of-memories/ Get a #animationjunkie tshirt at https://www.teepublic.com/stores/hallmarkies?utm_campaign=8581&utm_medium=affiliate&utm_source=Hallmarkies For my Family Movie Night review of Arthur Christmas https://www.youtube.com/watch?v=VNAIPlmVIR0 Check out our Obscure Animation playlist https://www.youtube.com/playlist?list=PL7wz447AgL4zf8PPl2jzEX05WdA9GKeLy For our episode on the UPA animated shorts https://youtu.be/XlYHox_T3gI Please support the podcast on patreon at https://www.patreon.com/hallmarkies To see the rest of Obscure/Underappreciated Animation watch this playlist https://www.youtube.com/playlist?list=PL7wz447AgL4zf8PPl2jzEX05WdA9GKeLy Follow Rachel's Reviews on Itunes! https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 The best of anime go to https://www.youtube.com/playlist?list=PL7wz447AgL4yAOV2QxFiqtn7xLOVaiJ0v Follow Stanford on twitter- https://twitter.com/StanfordClark Follow Stanford's blog https://moviespastandpresent.com Follow my blog at https://rachelsreviews.net Follow me on twitter https://twitter.com/rachel_reviews Follow me on facebook https://www.facebook.com/smilingldsgirlreviews/ Learn more about your ad choices. Visit megaphone.fm/adchoices

From the moon to the earth, we take a look at two films currently found on streaming services. A (somehow) PG-13 rated animated story about childhood nostalgia and an independent horror film about loss and ghosts. Weird pairing, but that's how we roll here at Bijou Banter.Featuring: Orson Codd, Daniel McGregor-Huyer, Matthew Huh

On the 235th episode of Piecing It Together, Jason Harris joins me to talk about Richard Linklater's latest, Apollo 10 1/2: A Space Age Childhood. While it's being strangely underpromoted by Netflix, we had a great time with this rotoscoped look back at growing up in Texas. Puzzle pieces include Licorice Pizza, Spy Kids, Once Upon A Time In Hollywood and The 400 Blows.

This week, Brennan, Carrie, and Mandy get together for a spicy game of movie-themed Never Have I Ever!   But first, in Worth Mentioning, Brennan discusses the bonkers kaleidoscope of Daniels' Everything Everywhere All At Once, Carrie breaks down the cannibalistic horror comedy Fresh, and Mandy waxes nostalgic about Richard Linklater's Apollo 10 1/2. Plus, we learn that Carrie can spot Short Round from a mile away!   ***************************************************************** Love the Podcast? Leave us a review! Other places to follow Alternate Ending. Facebook | Instagram | YouTube | Twitter Tim Letterboxd – Rob Letterboxd – Carrie Letterboxd - Brennan Letterboxd Support Alternate Ending and check out our member perks, via our Patreon page!

Has Michael Bay returned to his filmmaking style of the 90's that we undeniably love? We certainly think there are some positive signs of that and enjoy a robust conversation of all things good and bad about his newest film. We also have a brief discussion about Richard Linklater's latest animated work, since we didn't get to it last week.* Note - full spoilers in effect for entire episode *Apollo 10 1/2: A Space Age Childhood - 00:49Ambulance - 20:31Follow & SubscribeAaronTwitterFacebookLetterboxdPatrickTwitterFeelin' FilmFacebookTwitterWebsiteLetterboxdEmail feelinfilm@gmail.comFeelin' Film on Apple PodcastsFeelin' Film on SpotifyFeelin' Film on RepodFeelin' Film on StitcherFeelin' Film on PodchaserJoin the Facebook Discussion GroupRate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!Support this podcast at — https://redcircle.com/feelin-film/donationsAdvertising Inquiries: https://redcircle.com/brands

Welcome to an all-new Films for the Void, Episode 29! In this episode, Eric and Landon dance to the tune of Darren Aronofsky's 2010 film Black Swan! Along with reviews of the latest from director Richard Linklater, two of Hollywood's biggest A-listers, as well as a recap of this year's Oscars - all on this week's episode of Films for the Void!00:00:00 Introduction / Oscars Recap00:07:42 Master00:10:44 The Lost City00:14:50 After Yang00:19:31 Apollo 10½: A Space Age Childhood00:23:40 Black Swan01:17:30 Eric's Recommendation for Next EpisodeFollow us on Twitter: @films_void.Landon: @igotdefeverman (Twitter), @duhfever (Instagram), @landondefever (Letterboxd).Eric: @ericwiththehair (Twitter, Letterboxd), @ericwiththebeard (Instagram)

Korea24 – 2022.04.08. (Friday) News Briefing: Health authorities have revealed that they are mulling a readjustment of the infectious disease level of COVID-19 from a Class One to Class Two disease. This comes as the nation saw the daily caseload remain in the 200-thousand range for a fourth day. (KOO Hee-jin) In-Depth News Analysis (Weekly Economy Review): Concerns over inflation reached new levels this week, after it was revealed that consumer prices for the month of March had risen by 4.1 percent, the highest on-year rise in over 10 years. Economics Professor Yang Jun-sok from the Catholic University of Korea joins us in the studio to assess the situation. We also discuss the national debt, which rose to a record high last year, and negotiations over next year’s minimum wage. Korea Trending with Walter Lee: 1. The UN General Assembly has voted to suspend Russia from the Human Rights Council over serious human rights violations in Ukraine. (러시아, 유엔 인권이사회서 퇴출…93개국 찬성) 2. Former President Park Geun-hye has declared her support for lawyer Yoo Yeong-ha, who is set to run in the Daegu mayoral election in June. (박근혜 "고통스러웠던 시간 함께해"…유영하 지지선언) 3. The Samsung Thunders of the Korean Basketball League has appointed Eun Hee-seok, who heads Yonsei University’s basketball team, as their new coach. (‘파격 인사’ 서울 삼성, 연세대 은희석 감독 선임) Movie Spotlight: The highly-regarded US filmmaker Richard Linklater is back with another coming-of-age animated feature, ‘Apollo 10 1/2: A Space Age Childhood (아폴로 10 1/2: 스페이스 에이지 어드벤처)’. Meanwhile, a new local independent drama has hit movie theaters in Korea: ‘The Girl on a Bulldozer (불도저에 탄 소녀)’ starring the promising young actress Kim Hye-yoon. Critics Jason Bechervaise and Darcy Paquet give their verdict on the films. Next Week From Seoul with Richard Larkin: - Free rapid antigen tests at COVID-19 test sites and public health centers nationwide will be discontinued from next week. - President-elect Yoon Suk Yeol will embark on a regional tour next week, starting with the southeastern city of Daegu. - Ukrainian President Volodymyr Zelenskyy will deliver a virtual speech to the South Korean parliament next Monday.

We weigh the gravity of Moonfall and reminisce about Apollo 10.5: A Space Age Childhood plus we also discuss The Bubble, King Richard, Halo, Atlanta and Moon Knight. 0:00 - Intro 17:30 - Review: Moonfall 48:00 - Other Stuff We Watched: Apollo 10.5: A Space Age Childhood, The Bubble, Moon Knight, Atlanta, Halo, Escape at Dannemora, King Richard, Drive My Car, Belfast 1:46:40 - This Week on DVD, Blu-ray and VOD 1:49:22 - Outro

Recorded - 4/3/2022 On this episode of the Almost Sideways Movie Podcast, we review two new films to hit Netflix from two noteworthy directors. Then we give a power rankings inspired by the unfortunate events of last week's Oscars before we play a little trivia centered on the best of the 1980's. Here are the highlights: March Madness Talk (0:00) Todd's Weekly Update: The Lost City (12:40) Terry's Oscar Update: Wreck-It Ralph, Prisoner of Paradise, Kon-Tiki (15:30) Zach's Weekly Update: Inventing Anna (21:40) Featured Review: Apollo 10 1/2: A Space Age Childhood (26:00) Featured Review: The Bubble (43:00) Power Rankings: Movie/TV Punches/Slaps/Coldcocks (1:01:25) Guessing Adam's Power Rankings (1:34:05) Trivia: Best Movies of the 1980's (1:38:25) Quote of the Day (1:50:40) Find AlmostSideways everywhere! Website almostsideways.com Facebook https://www.facebook.com/AlmostSidewayscom-130953353614569/ AlmostSideways Twitter: @almostsideways Terry's Twitter: @almostsideterry Zach's Twitter: @pro_zach36 Adam's Twitter: @adamsideways Apple Podcasts https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022 Spotify https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m Stitcher https://www.stitcher.com/podcast/almost-sideways-movie-podcast Pandora https://pandora.app.link/hfYGimTce8YouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

Welcome to Weekend Watchlist; Letterboxd's weekly show focused on new movies dropping in theaters and streaming. Join us every Thursday as we discuss our growing watchlists. We'll get through this. Together. This week Mia and Slim talk about Ambulance, Sonic the Hedgehog 2, All the Old Knives, Tony Hawk: Until the Wheels Fall Off and look back at Everything Everywhere All At Once, Morbius, The Bubble, and Apollo 10½: A Space Age Childhood, We also spotlight the movers and shakers on Jack's weekly Top 50 of 2022 list including Mad God, and the new champion of Dave's Letterboxd Top 250 Narrative Feature Films. Also Mia tells us her thoughts on Scanners. Letterboxd reviews and links mentioned: Transcripts of podcast episodes available; Rafael's Ambulance review; Alex's Tony Hawk: Until the Wheels Fall Off review; bbanks2121's Everything Everywhere All at Once review; Ry's Morbius review; Robin's The Bubble review; slim's All The Old Knives review; Dave's Letterboxd Top 250 Narrative Feature Films Credits: This episode was recorded in LA and Philadelphia, and edited by Slim. Facts by Jack. Transcript by Sophie Shin. Theme: ‘IZON' by Trent Walton.

Talk about a multiverse of madness. This week, we're diving into A24's surreal and cerebral Everything Everywhere All at Once from the Daniels, directors of Swiss Army Man. Starring Michelle Yeoh, Ke Huy Quan, Stephanie Hsu, and Jamie Lee Curtis, this sprawling and manic action fantasy is definitely one we won't forget anytime soon. We also review the nostalgic Apollo 10½: A Space Age Childhood, the newest film from Richard Linklater—animated in the same style as his films Waking Life and A Scanner Darkly—now available to stream on Netflix. Show Notes: 00:00:00 – Intro (Morbius? The Bubble? RRR?!) 00:10:30 – Everything Everywhere All at Once review 01:02:40 –Apollo 10½: A Space Age Childhood review Intro Music: “Out of Nothing” by Sam Cross, Jam'addict & Farnell Newton Links: Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Leave us a voicemail using The “Swell” App. We post new prompts every week or so. Check out our Patreon to support Cinemaholics! Email your feedback to cinemaholicspodcast [at] gmail.com. Connect with Cinemaholics on Facebook and Twitter. Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

This week on the InSession Film Podcast, we discuss Richard Linklater's new film Apollo 10½: A Space Age Childhood and continue our Steven Spielberg Movie Series with his 1991 film Hook! - Review: Apollo 10½ (6:23) - Notes / Discussion (49:38) - Steven Spielberg: Hook (1:23:25) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! Apple Podcasts: https://podcasts.apple.com/us/podcast/insession-film-podcast/id605634337 Spotify: https://open.spotify.com/show/5LIi40D5BTFnsRMP57O5nG IHeartRadio: https://www.iheart.com/podcast/269-insession-film-podcast-30916083/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9pbnNlc3Npb25maWxtLmxpYnN5bi5jb20vcnNz?ep=14 Podchaser: https://www.podchaser.com/podcasts/insession-film-podcast-195831 Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/listen-now/

Veteran filmmaker Richard Linklater takes us back to the space race era with his new animated film, Apollo 10½: A Space Age Childhood. TV and comic book writer Marc Bernardin discusses his new graphic novel, Adora and the Distance, which draws on his daughter's experiences with autism. Award-winning poet Tolu Oloruntoba talks about his latest poetry collection, Each One a Furnace, and how it was inspired by his migration experience from Nigeria to Canada.

There was no Oscar slapping this week. We are relieved. Instead, just three news movies! The Marvel/Sony villain Jared Leto movie "Morbius," and then two Netflix movies: Richard Linklater's "Apollo 10 1/2: A Space Age Childhood" and Judd Apatow's "The Bubble." 10:11 "Morbius: 34:33 "Apollo 10 1/2" 57:21 "The Bubble" Thanks to Dylan Mayer and My Friend Mary, both of which are wonderful, for the music. We hope you enjoy. Let us know what you think @griersonleitch on Twitter, or griersonleitch@gmail.com. As always, give us a review on iTunes with the name of a movie you'd like us to review, and we'll discuss it on a later podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Critically Acclaimed, William Bibbiani and Witney Seibold review the new Marvel superhero movie MORBIUS, Richard Linklater's animated nostalgia piece APOLLO 10 1/2: A SPACE AGE CHILDHOOD, Judd Apatow's Netflix quarantine comedy THE BUBBLE, and Justin Kurzel's tragic drama NITRAM. Morbius - 1:04  Apollo 10 1/2 - 41:23  The Bubble - 58:41  Nitram - 1:09:10  Review Round-Up - 1:22:32   Subscribe on Patreon at www.patreon.com/criticallyacclaimednetwork for exclusive content and exciting rewards, like bonus episodes, commentary tracks and much, much more! And visit our TeePublic page to buy shirts, mugs and other exciting merchandise!  Email us at letters@criticallyacclaimed.net, so we can read your correspondence and answer YOUR questions in future episodes! And if you want soap, be sure to check out M. Lopes da Silva's Etsy store: SaltCatSoap! Follow us on Twitter at @CriticAcclaim, join the official Fan Club on Facebook, follow Bibbs at @WilliamBibbiani and follow Witney at @WitneySeibold, and head on over to www.criticallyacclaimed.net for all their podcasts, reviews and more!  Support the show: https://www.patreon.com//criticallyacclaimednetwork See omnystudio.com/listener for privacy information.

In his latest nostalgic reflection on culture and growing up, acclaimed director Richard Linklater delivers a fanciful, animated movie (on Netflix) about a boy secretly traveling to the moon at the dawn of the Space Age. Read the Plugged In review: https://www.pluggedin.com/movie-reviews/apollo-10-1-2-a-space-age-childhood-2022/ If you've listened to any of our podcasts, please give us your feedback: https://focusonthefamily.com/podcastsurvey/

This week is all over the place, with an animated nostalgic semi-biographical fantasy, a generic military spy thriller with a pair of actors proven to be outstanding together, and the often delayed introduction of a comic book vampire (no, not that one) to the big screen.Apollo 10 1/2: A Space Age Childhood - 00:46The Contractor - 07:48Morbius - 14:58Follow & SubscribeAaronTwitterFacebookLetterboxdPatrickTwitterFeelin' FilmFacebookTwitterWebsiteLetterboxdEmail feelinfilm@gmail.comFeelin' Film on Apple PodcastsFeelin' Film on SpotifyFeelin' Film on RepodFeelin' Film on StitcherFeelin' Film on PodchaserJoin the Facebook Discussion GroupMusic: Upbeat Party - Scott Holmes MusicRate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!Support this podcast at — https://redcircle.com/feelin-film/donationsAdvertising Inquiries: https://redcircle.com/brands

LA mayoral candidate and City Attorney Mike Feuer talks about his plan to build affordable housing for people experiencing homelessness, and addresses allegations of corruption. Senator Chuck Grassley is investigating sexual harassment allegations against LA Mayor Eric Garcetti's former aide Rick Jacobs. It's further delaying the mayor's confirmation as ambassador to India. Critics review new film releases: “Morbius,” “The Bubble,” “Nitram,” and “Apollo 10 ½: A Space Age Childhood.” “The Tinder Swindler,” “Inventing Anna,” and “Bad Vegan” are recent Netflix shows about con artists. It's all lazy TV, says the LA Times' Meredith Blake.

Welcome to Weekend Watchlist; Letterboxd's weekly show focused on new movies dropping in theaters and streaming. Join us every Thursday as we discuss our growing watchlists. We'll get through this. Together. This week Mitchell and Slim talk about Morbius, The Bubble, Apollo 10½: A Space Age Childhood, and look back at Everything Everywhere All At Once, The Lost City, and Memoria. We also spotlight the movers and shakers on Jack's weekly Top 50 of 2022 list. Maybe a little watchlist shuffle, too. Letterboxd reviews and links mentioned: Transcripts of podcast episodes available; Mitchell and Matt's Apollo 10 ½ review; Annie's interview; Jay, Kev's The Lost City review; David's Everything Everywhere All At Once review; Mitchell's interview with Apichatpong Weerasethakul; Dave's Letterboxd Top 250 Narrative Feature Films Credits: This episode was recorded in Delaware and Pennsylvania, and edited by Slim. Facts by Jack. Transcript by Sophie Shin. Theme: ‘Izon' by Trent Walton.

Writer and director Richard Linklater joins us to discuss his latest animated film, "Apollo 10 1/2: A Space Age Childhood," a coming of age story combined with a fantastical tale of a child sent to space. The film premieres on Netflix on April 1.

APOLLO 10 1/2: A SPACE AGE CHILDHOOD MOVIE REVIEW Richard Linklater returns to his rotoscoped animation series and to his own childhood with his latest nostalgic remembrance Apollo 10 1/2: A Space Age Childhood. Jack Black narrates this story of coming of age in Houston, Texas in 1969. As the Apollo 11 mission preps to… Read More »Infestation – SXSW 2022: Apollo 10 1/2: A Space Age Childhood

For Episode 285, it's the calm before the storm (aka. our Final Oscar Predictions episode next week). While we're recording this week's episode before the BAFTA and Critics Choice Award winners are revealed (we'll go over those next week), there's still plenty to talk about, including the DGA, CDG, and VES winners, our predictions for what we think will win the PGA, and the trailer for Richard Linklater's "Apollo 10½: A Space Age Childhood." We also go over the polls, announce the staff-voted 2021 NBP Film Awards winners, answer your fan-submitted questions, and more! Here to join me this week, I have Josh Parham, Dan Bayer, and as a guest from Awards Watch, Erik Anderson. Thank you all so very much for your support, and enjoy! Next week is the big one... Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture