Podcasts about longest johns

They marched peacefully. They were fired on. They sang anyway. This week on the Irish & Celtic Music Podcast #749, sixteen artists remind us that protest songs aren't history — they're a mirror. Dropkick Murphys, Wild Colonial Bhoys, Medusa's Wake, House of Hamill and more. From Diggers of 1649, to Bloody Sunday 1972, to Minneapolis 2026. Some songs don't age. They just find new reasons to matter. -- Subscribe now at CelticMusicPodcast.com! Amelia Hogan, Dropkick Murphys, Bealtaine, Ed Miller, Black 47, David Rovics, Wild Colonial Bhoys, Eddie Biggins, The Haar, Marc Gunn & The Dubliners' Tabby Cats, The Secret Commonwealth, Redhill Rats, Scythian, House Of Hamill, Medusa's Wake, Melanie Gruben GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2-3 weeks. THIS WEEK IN CELTIC MUSIC 0:09 - Amelia Hogan "No Irish Need Apply" from Transplants: From the Old to the New 5:02 - WELCOME 8:14 - Dropkick Murphys "Who'll Stand With Us?" from For The People (Expanded Edition) 12:03 - Bealtaine "Worker's Song" from Factories & Mills, Shipyards & Mines Written by Ed Pickford in the mid-1970s as a direct response to arguments blaming Britain's economic woes on workers rather than the wealthy. That's a typical tactic that continues today. If we want free and fair elections, we will stop letting billionaires buy our politicians. The was first recorded by Scottish legend Dick Gaughan in 1981, it's been taken up by everyone from the Dropkick Murphys to The Longest Johns. 16:22 - Ed Miller "Blood upon the Grass" from Generations of Change In 1977, Scotland traveled to Chile to play a friendly match at the very stadium where, just four years earlier, Pinochet's regime had tortured and killed political prisoners after the 1973 coup. Back in Scotland, a powerful solidarity campaign urged the Scottish Football Association to pull their team from what would become known as the 'Match of Shame.' Folk singer Adam McNaughtan captured that outrage in his song 'Blood Upon the Grass,' and Edinburgh-born singer Ed Miller later recorded it on his album Generations of Change — keeping this powerful story alive for new generations. 19:16 - Black 47 "San Patricio Brigade" from Rise Up and The Secret World of Celtic Rock 24:18 - FEEDBACK The Great Hunger in Ireland took place from 1845 to 1852. Irish immigrants migrated to the U.S. They were treated as second-class citizens. There are still newspapers that refer to them as lazy and criminals, thus the "No Irish Need Apply" song at the start of the show. These were hungry people. They were just looking for opportunities in a new land. Much like the immigrants of today. But they too were treated inhumanely. They were demonized. So when the Mexican-American War broke out from 1846-1848, many Irish looked at how poorly they were treated in America. They found greater kinship to their Catholic cousins in Mexico. That's why the Saint Patrick's Battalion was formed. Interestingly, it wasn't just Irish Catholics. There were Catholics from throughout Europe in the battalion including: German, Canadian, English, French, Italian, Polish, Scottish, Spanish, Swiss and Mexican. These were people who were attacked and belittled for their culture and their faith. It should serve as a warning and a reminder for all of us today. 30:04 - David Rovics "St. Patrick Battalion" from Historic Times 32:58 - Wild Colonial Bhoys "Dying Rebel" from Century A song that reflects on the human cost of rebellion rather than the glorification of the conflict and the martyrdom of its leaders. Here's what history keeps teaching us. People don't start out wanting to fight. They start out wanting to be heard. On January 30, 1972, in Derry, Northern Ireland, somewhere between ten and fifteen thousand people joined a peaceful civil rights march. They weren't armed. They were protesting the British government's policy of locking people up without trial. Sort of like what's happening in America now. British paratroopers opened fire. Thirteen people were killed. Fourteen others were wounded. The incident caused widespread anger and led to a surge in IRA recruitment. The argument was simple and devastating: peaceful protest could no longer achieve change. I hope to God America never comes to that. But peaceful protesters were murdered in Minneapolis. I lost a fan because I took my kids to a peaceful No Kings Protest last summer. When the state fires on and demonizes its own people, it doesn't end the resistance. It just changes its shape. That's the lesson history keeps trying to teach us. I hope we don't need to learn that the hard way. So please keep peacefully protesting 37:46 - BREAK 39:10 - Eddie Biggins "The Rising of the Moon" from Hey, I'm Singing Over Here! 41:29 - The Haar "Óró Sé Do Bheatha' Bhaile" from The Lost Day "Óró sé do bheatha abhaile" sounds like a joyful welcome song — and once, it was. The original Irish tune dates back centuries, used to greet returning chieftains and even Bonnie Prince Charlie. But the version we know today is something altogether fiercer. Around 1910, Patrick Pearse — poet, teacher, and revolutionary — rewrote the lyrics. He replaced the old imagery with a new vision: Gráinne Mhaol, the legendary 16th century pirate queen, sailing home with soldiers to drive the English from Ireland. Pearse was executed after the 1916 Easter Rising. And his words lived on. The song became a rallying cry, a promise that resistance wasn't finished, that Ireland would be free. That's why it's still sung today. Not as nostalgia, but as defiance. Every generation that lifts their voice in this song is answering Pearse's call across more than a hundred years. 48:04 - Marc Gunn & The Dubliners' Tabby Cats "Patriot Game" from Irish Drinking Songs: The Cat Lover's Companion In my opinion, "Patriot Game" is one of the best Irish rebel songs ever written. It cuts deeper than most rebel songs because it doesn't glorify. It questions. It was written by Dominic Behan in 1961. The song is based on the true story of Fergal O'Hanlon, an IRA volunteer killed during a 1957 border raid in County Fermanagh. He was just nineteen years old. But Behan wasn't writing a hero's ballad. He was writing a warning. The song is sung in the voice of a young man who died for a cause he barely understood. Seduced by romantic notions of patriotism before he had the wisdom to weigh the cost. That's the same as putting the party over the country. Our politicians have fallen into that trap. So I want to ask you to reach out to your representatives. Tell them you've had enough of this insanity. 51:12 - THANKS Back in December, I got an email from Troy of The Secret Commonwealth. He was letting me know about a man who's been part of his community for over 40 years. His friend is being held by ICE for nearly a year. His friend is hospitalized with a serious infection and awaiting heart surgery, all while being denied adequate medical care and due process. He suffers from a cracked vertebra and a history of cardiac issues, yet remains in unsanitary conditions with limited access to clean water or medical attention. My friend said, 'I'm feeling pretty damn rebellious right now,' and honestly, I am too. I'm also sad that I didn't bring this to your attention sooner, especially in the wake of the murders of Renee Good and Alex Pretti by ICE agents in Minneapolis back in Janaury. These are not abstract political issues. These are real people, real families, real communities torn apart. This next song feels like the right response. 'Till Jamie Comes Hame' features traditional words sometimes credited to Robert Burns, with music written by Rob Campbell of the band. And today, it's for everyone waiting for someone to come home. 58:35 - The Secret Commonwealth "Til Jamie Comes Hame" from Last Call 1:02:45 - Redhill Rats "White, Orange and Green" from Some Heroes 1:06:37 - Scythian "Follow Me Up to Carlow" from Immigrant Road Show 1:10:06 - House Of Hamill "Pound A Week Rise" from MARCH THROUGH STORMS 1:14:12 - Medusa's Wake "War of Independence" from War of Independence 1:17:37 - CLOSING "The World Turned Upside Down" was written in 1975, but it reaches back to 1649 — and maybe even further than that. Leon Rosselson based the song on the Diggers, a radical movement in England led by Gerrard Winstanley. After the English Civil War, they began farming common land, declaring simply that the earth belonged to everyone. Not to kings. Not to landlords. Not to those who had seized it by force and called it theirs. They were destroyed for that idea. But here's something worth sitting with. The Irish language doesn't have a word for "to have." You cannot own anything in Irish. Instead, things exist in relationship with you. A book is at you. Hunger is on you. Joy is on you. Even land. Not mine. Just... with me for now. That's not just a quirk of grammar. It's a completely different way of seeing the world. One where ownership itself is the strange idea. The foreign concept. This the idea that declaring land your private property is an act of violence against everyone else. The Diggers lost. The language nearly did too. But both survived. And this song is proof that the idea refuses to die. 1:20:18 - Melanie Gruben "The World Turned Upside Down" from Like a Tide Upon the Land 1:22:37 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. The Executive Producer for St Patrick's Month is John Sharkey White, II. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Clean energy isn't just good for the planet, it's good for your wallet. Solar and wind are now the cheapest power sources in history. But too many politicians would rather protect billionaires than help working families save on their bills. Real change starts when we stop allowing the ultra-rich to write our energy policy and run our government. Let's choose affordable, renewable power. Clean energy means lower costs, more freedom, and a planet that can actually breathe. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. This podcast is for fans of Celtic music. It's about diversity of thoughts and beliefs and about helping indie celtic musicians. So if you find music you love, support the artists financially. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. IRISH & CELTIC MUSIC PODFEST AND ARTS MARKET Join us Sunday, March 8, 2026, from 12 to 6 PM at The Lost Druid Brewery in Avondale Estates, Georgia. Enjoy an afternoon of Celtic and folk music from Kinnfolk, The Muckers, May Will Bloom, and Marc Gunn. Bring your family. Grab a pint. Enjoy the music, and share the energy of a true Celtic gathering. It is free to attend. While the music plays, explore our Arts Market filled with handmade crafts, art, and unique gifts from local creators. It's a celebration of music, creativity, and community — all in one place. Come for the songs. Stay for the spirit. We'll see you at The Lost Druid on March 8.

On Saturday Live this week we'll be looking up, down and all over the place. Dame Maggie Aderin, space scientist, will have us looking to the skies in wonder before David Mearns, shipwreck hunter, takes us down into the ocean deep as we marvel at his life's work - and a man never short of a sense of wonder is writer, actor, comedian, sailor and lover of alpacas...Griff Rhys Jones.Also today, we'll rise from the depths to the surface for some sea shantying from The Longest Johns - and we'll be getting the Inheritance Tracks of Andy Zaltzman. Presenter: Adrian Chiles Producer: Ben Mitchell Assistant Producers: Lowri Morgan and Alice McKee Researcher: Angharad Butler Editor: Glyn Tansley(The live music performed in this programme has been shortened for music rights reasons)

The profound significance of pirate songs and sea shanties is at the forefront of our discussion, as we explore their historical roots and cultural implications. Under the guidance of Joshua Noel, we delve into the unique allure of these musical forms, examining how they encapsulate themes of freedom and rebellion. The conversation navigates the complex interplay between historical narratives of piracy and the joyous camaraderie fostered through collective singing. We reflect on the enduring impact of sea shanties, not only as tools for labor and morale among sailors but also as vessels for community and shared identity. Ultimately, this episode seeks to illuminate the enduring power of music in shaping our understanding of history and our connections to one another. The discussion surrounding the thematic essence of pirate music unveils the cultural significance of sea shanties as communal expressions of identity and rebellion against societal norms.The host reflects on the multifaceted nature of pirate songs, exploring how they serve not only as entertainment but also as a historical lens through which we can examine the lives of marginalized individuals who found solace and camaraderie aboard pirate ships. The episode delves into the juxtaposition of the romanticized pirate life against the grim realities of piracy, revealing the underlying pursuit of freedom that resonates within these musical traditions. The host emphasizes the importance of understanding the historical context in which these songs emerged, linking them to the broader narrative of societal struggles and the quest for autonomy, ultimately arguing that the allure of piracy lies in its embodiment of defiance and the yearning for liberation.Takeaways:In this episode, we explore the significance of pirate songs, particularly sea shanties, in shaping cultural identity and community bonds.The discussion delves into the historical context of pirates, emphasizing their association with freedom and rebellion against societal norms.Sea shanties served practical purposes on ships, providing a rhythmic framework for coordinating labor among sailors, enhancing both efficiency and morale.We reflect on the evolution of pirate music from traditional sea shanties to contemporary interpretations, recognizing the blend of diverse cultural influences.The episode also touches on the themes of camaraderie and shared experiences, illustrating how music fosters connections among marginalized groups.Overall, we affirm that pirate music, while often whimsical, embodies deeper narratives about freedom, struggle, and the human experience..Songs sampled in this episode:Disney's "Pirates of the Caribbean/Yo Ho (A Pirate's Life for Me)" by George Bruns"The Pirates Who Don't Do Anything", by Relient K"Drink", by Alestorm"Drunken Sailor", by the Irish Rovers"Tyme Flies when You're Having Rum", by Pirates for Sail"Chicken on a Raft", by The Longest Johns

Omega interrupts the rocket control unit heist. Scene 19 GM Notes Many of the minions here wield “hatchets and cleavers.” This comes from one of our favorite songs about peasant revolts, “John the Red Nose” (also known as “Cutty Wren”). We're especially fond of the cover by The Longest Johns, which you can find on Bandcamp here. Our music is from Purple Planet Music. Visit them at purple-planet.com. Need context? Jump to the start of the series!

A precursor to Maryland Pirate Weekend, new music from The Longest Johns and more. Support us on PayPal!

New music from The Longest Johns and the last new music from Tom Mason Support us on PayPal!

A HEAVY night in the Inn with new music from The Longest Johns and Ye Banished Privateers Support us on PayPal!

Tað er Skt. Pátríksmessuvikuskifti, og tí verður dentur lagdur á írskan og keltiskan tónleik í Jambalaja í dag. Vit hoyra m.a. Nathan Carter, The Longest Johns, Johnny Cash, Dubliners og Luke Kelly.

Another night of new music from The Longest Johns, Chaste Treasure, East Town Pirates and The Minstrel Rav'n Support us on PayPal!

This week the Buddies discuss scary sounds to hear when you wake up in the middle of the night, Playstation as a generational marker, the show Recess, shaving with a straight razor, and accidentally buying a very expensive bottle of champagne. Share with a friend! Recommendations: Bones in the Ocean by The Longest Johns (song), Burnout Days by flipturn (album), Men In Black (movie) Contact us: Facebook X Email Youtube

Tric and Heppa pay the dwarves of Untdunben another visit. Scene 13 Scene 14 Scene 15 Scene 16 GM Notes There are no trains in the Battle for Wesnoth video game, at least not any of the campaigns I've played. So why do these dwarves have a train? Well, while contemplating this rematch with the dwarves of Untdunben, I rolled on the Mythic GM Emulator's event meaning tables for inspiration and got Develop and Vehicle. Mining tracks are well-established in the video game, so I decided they weren't all for carts—some were for trains. Oh, and if you're interested in the songs that you heard snippets of from Tric's player, one was On the Railroad by The Longest Johns (https://www.youtube.com/watch?v=udICE0keewk), and the other was an American folk song called Red Iron Ore. We like the version performed by Bob Gibson (https://www.youtube.com/watch?v=Sbt6_gmAfqE). Our character art by Del Borovic and the map we refer to (by me!) can be found here. Our music is sampled from Return to Wesnoth by Matthias Westlund (aka West), licensed under CC BY-SA 4.0, part of The Battle for Wesnoth Project. Visit them at wesnoth.org. Need context? Jump to the start of the series!

Jack Nuckols, our newest band mate, brought us this song, a wonderful reflection on the early history of boating up and down the Ohio River, which flows by the communities in our valley.Hearing it, it would be natural for you to assume that “Shawneetown” is a old traditional tune. Actually, though, it is largely a 1970s composition by folk artist Dillon Bustin.The Song's RootsTrue, Bustin based his first verse and chorus on fragments published in 1828, which he found quoted in Leland D. Baldwin's 1941 book, The Keelboat Age on Western Waters. Some rows up, but we rows down, All the way to Shawneetown, Pull away — pull away! Hard upon the beech oar!— She moves too slow!— All the way to Shawneetown, Long while ago.But then, combining these bits and pieces, Bustin composed the tune and several additional verses for the song we have now.The ComposerBesides being a folklorist, singer and songwriter, Bustin is an accomplished filmmaker and playwright.He has made four films in collaboration with Kane-Lewis Productions: Tough, Pretty or Smart: A Portrait of the Patoka Valley Boys (1981); Water from Another Time (1982); Add & Mabel's Punkin Center (1984), and The Pearl Fisher (1985). Each depicts whimsical creativity and quality of life in rural Indiana.After obtaining a degree in folklore and anthropology at Indiana University, Bustin returned to his native Massachusetts to be program coordinator at the state's council on the arts.RecordingsJack learned the Bustin song from the new Voyage album by the British folk group called The Longest Johns, known especially for their performances of sea shanties.But “Shawneetown” has a much older studio history. In the fact, the first recording of it — made shortly after its composition — probably was the 1978 rendering by American folk duo Malcolm Dalglish and Grey Larsen on their First of Autumn album.Meanwhile, in the Floodisphere, the song has even closer ties. Our dear friends Dave Para and his late wife Cathy Barton included “Shawneetown” on their 10th studio album — our all-time favorite — their delightful Living on the River disc, which they released in 2000.But Wait …. Uh, Where's That Again?We assume that folks who live on our river, the beautiful Ohio, all know where Shawneetown is. In case you don't, though, here's an important footnote on the song.Shawneetown is in southern Illinois, just beyond where the Ohio River meets the Wabash. As the first Anglo settlement on the Ohio, it was a major trade center for settlers and Native Americans in the 1820s. Nearby salt mines provided Gallatin County's major commodity.Keelboats were the most efficient commercial boats in those days, but the vessels had to be pulled back upriver against the current on the return trips, grueling work for the strong, often rowdy crews. Floating downriver, a long oar (“the beach oar” referred to in the song's chorus) was used to guide the craft as well as to maneuver it off mud slicks and snags. Shawneetown served as a government administrative center for the Northwest Territory in the early 19th century. The area is subject to frequent flooding. After being completely inundated in the 1937 Flood (the natural disaster, not the band), the town was moved three miles inland to its current location; however, today a small village — called Old Shawneetown — remains on the original site.Our Take on the Tune When Jack Nuckols joined the band late last year, we knew his dynamic drumming would bring spark and sparkling to our jazzy repertoire, but we had a secret agenda as well.We hoped we could also persuade Jack to dust off that fiddle he last played… oh, 20 years ago? … so he could bring it to the mix on our folkier numbers. Well, not only has he done that, Jack has started suggesting tunes — like this one — that would fit his fiddling. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

A rich literary tradition plus an incredible groove builds a great foundation, and goes in unexpected directions from there — including sea shanties? Proud Mary, originally by Creedence Clearwater Revival, covered by Ike and Tina Turner, and by The Longest Johns.  Outro music is Santiana, also by The Longest Johns. 

We get the latest from the International Court of Justice ruling in The Hague. Then: Monocle's Tom Webb and Alexis Self analyse election campaigning here in the UK and Natalie Theodosi reviews the latest Paris-heavy edition of Monocle magazine. Plus: a music session with The Longest Johns.See omnystudio.com/listener for privacy information.

This month's Official Folk Albums Chart Show from Folk on Foot features an interview with Katherine Priddy who is celebrating the success of her second album “The Pendulum Swings”. There's also music from The Breath, Rachel Sermanni, The Longest Johns, Tapir! and Sir Bryn Terfel. --- We rely on support from our listeners to keep this show on the road. If you like what we do please either... Become a patron and get great rewards: patreon.com/folkonfoot Or just buy us a coffee: ko-fi.com/folkonfoot Sign up for our newsletter at www.folkonfoot.com Follow us on Twitter/Facebook/Instagram: @folkonfoot --- Subscribe to the Folk Forecast to explore all the gigs and album news we ran through in the show: https://thefolkforecast.substack.com/

Our 2024 Valentines show with new music from The Longest Johns and Totally Lost Support us on PayPal!

Ahoy, Story Babies! Today we're talking about big ol' babies and singing sea shanties! It's an accidental theme episode! Enjoy!Janey's Sources - KnösViking Folk & Fairy Tales: Ancient Wisdom, Fables & Folkore (edited by JK Jackson)  Full story for free  Relaxing audio recording of the story (Youtube)  Viking hygiene  Max's Sources - Old Stormalong"World Folklore for Storytellers: Tales of Wonder, Wisdom, Fools, and Heroes" by Josepha Sherman "The Legend of Old Stormalong" by Salem Ghosts  Free text of "Old Stormalong" from "Spooky Massachusetts" by S.E. Schlosser  History and lyrics for shanty "Stormalong"  History and lyrics for "General Taylor / Carry Him To His Burying Ground"  The Longest Johns song "General Taylor"  Support the showCheck out our books (and support local bookstores!) on our Bookshop.org affiliate account!Starting your own podcast with your very cool best friend? Try hosting on Buzzsprout (and get a $20 Amazon gift card!)Want more??Visit our website!Join our Patreon!Shop the merch at TeePublic!If you liked these stories, let us know on our various socials!InstagramTiktokGoodreadsAnd email us at sortofthestory@gmail.com

This month's Official Folk Albums Chart Show from Folk on Foot includes music from The Longest Johns, The Sea Song Sessions, Jacko Hooper, Brigid Mae Power, The Lilac Time and Seth Lakeman. Host Matthew Bannister also has the latest news on his 180 mile Big Walk raising money for the charity Help Musicians, which starts at the Wickham Festival in Hampshire on Friday 4th August. --- We rely entirely on support from our listeners to keep this show on the road. If you like what we do please either... Donate to the Folk on Foot Big Walk 2023: folkonfoot.com/bigwalk Become a patron and get great rewards: patreon.com/folkonfoot Or just buy us a coffee: ko-fi.com/folkonfoot Sign up for our newsletter at www.folkonfoot.com Follow us on Twitter/Facebook/Instagram: @folkonfoot --- Subscribe to the Folk Forecast to explore all the gigs and album news we ran through in the show: https://thefolkforecast.substack.com/

Spend a nice day on the river, and throw in a bit of piracy, just to keep the local economy going. Also, Canada is funnier than England — who knew? The Last Saskatchewan Pirate, originally by The Arrogant Worms, covered by The Longest Johns.  Outro music is Hoist Up The Thing, also by The Longest Johns, because England is still funny. 

// Channel Links// Help Support the channel on Patreon ► https://bit.ly/PATREON_FablesD20 New Episodes Premiere on YouTube ► http://bit.ly/JOINYOUTUBE_FablesD20 _________________________________ // Credits // Jarrett: http://bit.ly/Jarrett_insta Aly: http://bit.ly/Aly_insta Carter: http://bit.ly/Carter_insta Lora: http://bit.ly/Lora_insta Jess: http://bit.ly/Jess_insta Carmichael: http://bit.ly/Cmike_tw Series Music by Brian Metolius: https://twitter.com/BrianMetolius Additional Music by Critical Role: https://music.youtube.com/channel/UCHhbBoH-yAE3FAoJGsgGecA Credit Music by The Longest Johns: https://www.youtube.com/@thelongestjohns Character Art by Clara Efferin: https://drive.google.com/file/d/1byHoxONTzy1WQKQv1BUHSS83PLPVvI20/view?usp=sharing https://artstation.com/claraefferin --- Support this podcast: https://anchor.fm/cmikefablesd20/support

Bob and Rick discuss the mystery of The Somerton Man. Who is he? How did he die? Was he a ballet dancer? All will be revealed (-ish) - case closed.--The Longest Johns on YouTube--Contact us at - wtatupod@gmail.com and visit the website at - weirdtalesandtheunexplainable.comBuy bonus episodes at https://bobshoy.bandcamp.com/Support editing time at https://www.patreon.com/bobshoy-Part of The Bob Shoy Podcast Network-Visit http://www.bobshoy.com to discover other podcasts you may enjoy. Hosted on Acast. See acast.com/privacy for more information.

At the Parting Glass, Tric uses his knowledge of Merriver's underground arms purchases as leverage for arranging a meeting with his mother, South Tower's captain of the guard. Scene 11Scene 12Scene 13Scene 14 GM Notes This episode brings our characters to the Parting Glass for the first time. Although our campaign ranges all over Wesnoth and the lands around it, this inn serves as one of the anchor points. It is the setting of our campaign art piece by Del Borovic, in which you can also see both Alric and his falcon, Aderyn. The name of this tavern comes from the traditional Scottish song The Parting Glass. I particularly like the version performed by The Longest Johns, featuring Natalie Holmes. You can find it here: https://www.youtube.com/watch?v=B0lD6y-R6yc The map we refer to (by me!) can be found here. Our music is sampled from Return to Wesnoth by Matthias Westlund (aka West), licensed under CC BY-SA 4.0, part of The Battle for Wesnoth Project. Visit them at wesnoth.org. Need context? Jump to the start of the series!

Tune in for this special winter episode, featuring a holiday reflection and a favorite traditional song, sent to you with love from Mary and Emma. Happy Holidays everyone! Special thank you to The Longest Johns for sharing their cover of Bright Morning Star. About Lady Farmer: Our Website @weareladyfarmer on Instagram Join The Lady Farmer ALMANAC Leave us a voicemail! Call 443-459-1950 and ask a question or share what the good dirt means to you! Email us at thegooddirtpodcast@gmail.com Original music by John Kingsley. The Good Dirt podcast is edited and engineered by Aleksandra van der Westhuizen and produced by Mary Ball. The Good Dirt is a part of the Connectd Podcasts Network.

Tune in for this special winter episode, featuring a holiday reflection and a favorite traditional song, sent to you with love from Mary and Emma. Happy Holidays everyone! Special thank you to The Longest Johns for sharing their cover of Bright Morning Star. About Lady Farmer: Our Website @weareladyfarmer on Instagram Join The Lady Farmer ALMANAC Leave us a voicemail! Call 443-459-1950 and ask a question or share what the good dirt means to you! Email us at thegooddirtpodcast@gmail.com Original music by John Kingsley. The Good Dirt podcast is edited and engineered by Aleksandra van der Westhuizen and produced by Mary Ball. The Good Dirt is a part of the Connectd Podcasts Network.

A new music Monday with Bardy Pardy, The Longest Johns, The Bilge Pumps, The Langer's Ball & Rumahoy Support us!

Author's NotesAnd so we learn a bit more about our two heroines. I don't know if I'm good at these scenes, but in watching the structure of most western narratives, there seems always to be this type of scene. In a quiet moment, people lay out their origin stories to each other. Even in James Gunn's The Suicide Squad, they almost go around the room (well, bus) and do it. It seems so inelegant to me, but the genre demanded it! I hope it works.I originally had Mr. Du Mer as being “my old Mister,” and it almost stayed that way because of a very funny exchange that happened in Part 2. But that darling had to be killed to make for a richer character.Once Ursula was free, healing, and starting her new life, the last thing she expected was love, and suddenly, she stumbled right into it. I didn't want to imply that he “fixed” her or that their love is what made her whole. She had remade herself the way she wanted, and he fell in love with that person. Don't know if that came across, but that was my intention.The odd boom of sea shanties on the internet in 2020 (which I adored) led me to discover a band called The Longest Johns, who had been doing sailing songs for years before it became trendy. I promptly bought everything they had ever recorded and in doing so, found one of my all-time favorite songs. It's called Ashes, and the title of this episode comes from it. You should listen to it and then throw your money at them because they are amazing.

Nessa sexta edição do quadro de recomendações temos: Love Death + Robots; Smiling Friends; The Longest Johns; Cult of The Lamb; James May: Our Man in Italy; The Vast Of Night

Jon “JD” Darley is a member of the chart-topping shanty group The Longest Johns, based out of Bristol, UK. Their rendition of “Wellerman” went viral on TikTok in the early days of 2021 and launched them into stardom. But even prior to that, The Longest Johns were innovating new ways to reach new audiences with their music online. In this episode, we talk to Jon about the whirlwind of the last two years, how they have blended their love of traditional music with their love of video gaming, and how they hope to be a “gateway drug” into the world of shanties and singing. (To be clear, the episode title is a Longest Johns inside joke...listen to find out more!) ⚓︎ Shanties featured:- Opening credits: Paddy Doyle's Boots, trad. arranged by Pressgang Mutiny- Live song: Leave Her Johnny, trad. arranged by Jonathan Darley- Live song: Randy Dandy-O, trad. arranged by The Longest Johns- Live song: Wellerman, trad. arranged by The Longest Johns- Recorded song: Leave Her Johny Community Project, trad. arranged by The Longest Johns- Recorded song: South Australia, trad. arranged by Fishermen's Friends- Live song: Here's a Health to the Company, trad. arranged by Jonathan Darley- Closing credits: Wellerman Community Project, trad. arranged by The Longest Johns⚓︎ Find out more about Jonathan Darley and The Longest Johns at thelongestjohns.com⚓︎ Find out more about Pressgang Mutiny here:- pressgangmutiny.com- facebook.com/pressgangmutiny- TikTok, Twitter, and Instagram: @pressgangmutiny

This week, Craig shills Hooks & Runs' Spotify playlists; the gang discusses Houston signing Yordan Alvarez to a 6-year, $115M contract and also, the 2022 luxury tax results. Check It Out!Rex: Anthrax is releasing their 40 year anniversary record, "Anthrax XL," on July 15 -- they are streaming "Aftershock" as a teaser this week.Andrew: Andrew went fishing this week and came back with sea shanties on the brain. He recommends The the British folk group Longest Johns and the first song on their January 2022 album "Smoke and Oakum," the Stephen Foster tune "Hard Times Come Again No More."Craig: Long-time Craig favorite, The Drive-By Truckers, released their latest LP, "Welcome 2 Club XIII" on May 20th (ATO Records). This is the album's first single, "The Driver." This song is NSFW.Errata: Aaron Judge is actually on pace to hit 64 home runs and drive in 133 runs. The Oakland A's ballpark is called Oakland Coliseum. Hooks & Runs - Website, Twitter, BuzzsproutCraig Estlinbaum on TwitterAndrew Eckhoff on Musical.ly  (dead link)Rex von Pohl (Krazy Karl's Music Emporium) on FacebookOpening and closing music, "Caroline" by Craig Estlinbaum. All rights reserved.This podcast and this episode are copyright Craig Estlinbaum, 2022, all rights reserved. 

Dziś wycieczka na Hebrydy Zewnętrzne. To archipelag około 200 wysp na północnym zachodzie Szkocji. Wyspy są urokliwe, słyną z pięknych plaż, ale warunki do życia na nich panują nieprzyjazne. Powierzchnia pagórkowata i górzysta, ziemia niezbyt żyzna. Niespełna 30 tysięczna populacja utrzymuje się z hodowli bydła i owiec, wyrobu tkanin (słynny tweed) no i oczywiście z rybołówstwa. Ciekawostka - Szkocka odmiana języka gaelickiego ma tam status regionalnego języka urzędowego. Na południu Hebrydów znajduje się niewielki archipelag Wysp Biskupich, inaczej zwanych wyspami Barra od nazwy największej z nich. Wyspy są niewielkie, zamieszkała jest tylko największa z nich – Vatersay. Ale my szukamy innej. 12 mil na południe od Barry leży największa z niezamieszkanych Szkockich Wysp – Mingulay. Mingulay słynie z jednych z najwyższych na Wyspach Brytyjskich klifów, na których gniazdują duże populacje ptaków morskich. Wyspa nie zawsze była niezamieszkana. Przed wiekami mieszały się na niej wpływy celtyckie i nordyckie. Nazwa pochodzi ze staronorweskiego Mikuła co oznacza Wielka Wyspę. Szkoccy językoznawcy są skłonni wierzyć, że nazwa oznacza wyspę ptaków. Miejscowa ludność żyła z hodowli, rybołówstwa, sprzedaży torfu i budowy łodzi. Populacja była zawsze niewielka. W szczytowym okresie, w połowie XIX wieku liczyła niespełna 200 mieszkańców. Od początku XX wieku mieszkańcy powoli opuszczali wyspę i w 1912 została całkowicie wyludniona. Ludność uciekała przed niezwykle trudnymi warunkami życia. Poza mało żyzną ziemią, wyspa wystawiona była (i jest) na ekstremalne warunki pogodowe. Brakowało bezpiecznego portu, stan morza powodował nierzadko wielomiesięczną całkowitą izolację. Dość wspomnieć, że w 1868 roku wielka fala obmyła wzgórze Geirum Mor zabierając ze sobą stado owiec… a wzgórze miało ponad 50 m wysokości. Mingulay pozostaje niezamieszkana do dzisiaj. Niezamieszkana ale słynna. Słynna z powodu przepięknej piosenki Mingulay Boat Song. Piosenka opowiada o trudnej drodze powrotnej rybaków z Mingulay przez fale cieśniny Minch, oddzielającej Hebrydy wewnętrzne od zewnętrznych. Paradoksalnie poza tekstem piosenka z wyspą ma niewiele wspólnego. Napisał ją w 1930 roku kompozytor i dyrygent chóru Sir Hugh Stevenson Roberton zainspirowany opowieścią o rybakach. Niektórzy twierdzą że melodia jest zasłyszana od miejscowych wioślarzy, ale większość znawców tematu jako źródło melodii wspomina starą gaelicką Pieśń Sowy z poematu „Creag Ghuanach” ze wzgórz Lochaber. Mingulay Boat Song to szkocka jak najbardziej piosenka, jednakże w języku jak najbardziej angielskim. Poszperajmy wiec dalej. Mingulay wybrało się w podróż żeby wrócić odmienione. W drugiej połowie XX wieku, Irlandzki pieśniarz, mistrz tradycyjnego stylu sean-nós, Tomás 'Jimmy' Mac Eoin zakochany w pięknej dziewczynie napisał dla niej miłosny wiersz. Wiersz ubrał w melodię Mingulay Boat Song. Piosenkę usłyszał w Belfaście Szkocki piosenkarz Arthur Cormack. Kiedy wrócił do Szkocji z pomocą piosenkarki Christine Primrose przetłumaczył irlandzki tekst na szkocki gaelicki. I tak powstała piosenka „A Chailin Àlainn”, czyli piękna dziewczyna. Paradoksalnie jakby posłuchać tej wersji i Mingulay Boat Song – to można odnieść wrażenie że starsza, oryginalna jest „A Chailin Àlainn” – urok archaicznego szkockiego gaelickiego robi swoje. Warto posłuchać obu wersji. Sail ho Audycja zawiera utwory: “Craegh Guanach” („Mingulay Boat Song”) w wykonaniu „Sudbury & District Pipes and Drums”, muzyka: tradycyjna „Mingulay Boat Song” w wykonaniu „The Longest Johns”, słowa : Sir Hugh Stevenson Roberton, muzyka: Sir Hugh Stevenson Roberton na podstawie “Craegh Guanach” „A Chailin Àlainn” w wykonaniu Tomása Jimmiego MacEoina i Arthura Cormacka, słowa: Arthur Cormacka i Cristine Primrose, muzyka: Sir Hugh Stevenson Roberton na podstawie “Craegh Guanach”

This month's Official Folk Albums Chart Show from Folk on Foot features John Jones of Oysterband talking about their first full studio album for eight years, plus music from Bird In The Belly, DLU, Dean Owens, Barbara Dickson, Samana and the Longest Johns. --- Access over 150 performances from dozens of artists, by signing up to Folk On Foot On Film: https://www.folkonfoot.com/watch We rely entirely on support from our listeners to make Folk on Foot. So please consider becoming a patron. You'll make a small monthly contribution and get great rewards. Find out more at www.patreon.com/folkonfoot. Sign up for our newsletter at www.folkonfoot.com Follow us on Twitter/Facebook/Instagram: @folkonfoot

In this episode, Justin Pearl and Matt Baker discuss several short texts centering on the theme of Ash Wednesday: Nietzsche, Thus Spoke Zarathustra (prologue); Emily Dickinson, Ashes Denote the Fire that Was; Jeffrey Robbins, Radical Theology: A Vision for Change (excerpt); and T.S. Eliot, Ash Wednesday. War Machine is the un///official podcast of the Radical Theology Seminar: https://www.patreon.com/radicaltheology Music for this episode: The Longest Johns, Ashes Nu Alchemist, Love Always 아버지, Frost Graintable, The Rain in the Trees 아버지, Reflection Matt Baker, Nomad's Theme

This month's Official Folk Albums Chart Show from Folk on Foot features an interview with the singer and harpist Rachel Newton about Heal and Harrow - her collaboration with the fiddle player Lauren MacColl. It was inspired by one of the darkest episodes in Scotland's history - the witch trials of the 16th and 17th centuries. There's also music from the Longest Johns, Talisk, Peggy Seeger, Saint Sister, Josienne Clarke and Manran. --- Access over 150 performances from dozens of artists, by signing up to Folk On Foot On Film: https://www.folkonfoot.com/watch We rely entirely on support from our listeners to make Folk on Foot. So please consider becoming a patron. You'll make a small monthly contribution and get great rewards. Find out more at www.patreon.com/folkonfoot. Sign up for our newsletter at www.folkonfoot.com Follow us on Twitter/Facebook/Instagram: @folkonfoot

Join us for a very special show streamed live from Cecil Sharp House. The show looks back at the highlights of 2021, the very first full year of The Official Folk Albums Chart. Hosted by Matthew Bannister with guest co-host Kitty Macfarlane, the show features live performances and interviews with artists that have featured in the chart over the past year including Spiers and Boden, Katherine Priddy, Gwenifer Raymond, Spell Songs and The Longest Johns. --- Access over 150 performances from dozens of artists, by signing up to Folk On Foot On Film: https://www.folkonfoot.com/watch We rely entirely on support from our listeners to make Folk on Foot. So please consider becoming a patron. You'll make a small monthly contribution and get great rewards. Find out more at www.patreon.com/folkonfoot. Sign up for our newsletter at www.folkonfoot.com Follow us on Twitter/Facebook/Instagram: @folkonfoot

We have brand new music from The Longest Johns & Libertalia Support us!

Talking pirate simulators, communal songs, #ShantyTok and the exploding popularity of shanties with the Bristol, U.K.-based band, The Longest Johns, who perform a series of their favorites, including "Wellerman" and "The Mary Ellen Carter" from their upcoming album.

On this week's episode, Bristol sea shanty sensations The Longest Johns talk about their new album, Smoke & Oakum, and their rise to global viral fame.Working Class Writers Festival founder Natasha Carthew speaks to Bristol24/7 Culture Editor Sarski Anderson about this year's festival; and Black History Month Magazine's Sibusiso Tshabalala and Kat Garoës-Hill tell us how they are celebrating Bristol's Black culture.Also, don't miss Meg Houghton-Gilmour, Bristol24/7 Community & Memberships Manager, on all the latest member perks and why everyone should sign up for the Bristol24/7 daily newsletter.

Cozy on up in an Irish cottage with the Irish & Celtic Music Podcast. ÚLLA, Steve Gibb, Willowgreen, Tartanic, Andreas Transø, Marc Gunn, Brobdingnagian Bards, Andrew McKee The Irish Bard, Kinnfolk, The Munster Men, Clann An Drumma, Old Man Flanagan's Ghost, The Badpiper, Celtic Rebels Band,, Loveridge, The Longest Johns, Battlelegs, Screaming Orphans, Blaggards, Ockham's Razor I hope you enjoyed this week's show. If you did, please share the show on social or with a friend. The Irish & Celtic Music Podcast is here to build our diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, buy the albums, shirts, and songbooks, follow the artists on streaming, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast. Every week, you can get Celtic music news in your inbox. The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Subscribe and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 This is our way of finding the best songs and artists each year. Just list the show number, and the name of as many bands in the episode as you like. Your vote helps me create next year's Best Celtic music of 2021 episode.  Vote Now! THIS WEEK IN CELTIC MUSIC 0:05 - ÚLLA "Fr. Kelly Set (Reels)" from Ulla 4:08 - WELCOME 5:01 - Steve Gibb "3 Irish Jigs (The Frieze Breeches, Totes Adorbs, Morgan Rattler)" from The Boatman 10:00 - Willowgreen "From an Irish Cottage" from Inland Sea 13:23 - Tartanic "Dance of the Ice Weasles" from Uncivilized Check out their Pub Story in show #233. 16:07 - Andreas Transø "Winter Broke Me" from The Earth and Everything in It 18:32 - FEEDBACK 20:40 - Marc Gunn, Brobdingnagian Bards, Andrew McKee The Irish Bard “By Amazing Grace” from Selcouth 24:46 - Kinnfolk "Roll the Old Chariot" from Kinnfolk 27:47 - The Munster Men "Good old times / Night hawk" from Tasting The Waters 31:54 - Clann An Drumma "Ghosts of Culloden" from Order of the Stag 36:12 - Old Man Flanagan's Ghost "The Belle of Belfast City (Live)" from LIVE 38:20 - The Badpiper "Scotland's No Slave" from Tradical 40:26 - Celtic Rebels "The Wild Colonial Boy" from Thirty-Two United 43:35 - THANKS 45:42 - Loveridge feat. The Longest Johns "The Doom Bar" from As the Crow Flies 48:32 - Battlelegs "South Australia" from Save The Humans 50:16 - Screaming Orphans "Summerfly" from Sliabh Liag 53:27 - Blaggards "Moonshiner" from BLAGMATIC 56:28 - CLOSING 57:48 - Ockham's Razor "Morning Bell (The Puca's Song)" from Secrets and Silence The Irish & Celtic Music Podcast was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. The show was produced by Marc Gunn, The Celtfather. Subscribe through your favorite podcatcher or on our website where you can become a Patron of the Podcast for as little as $1 per episode. Promote Celtic culture through music at http://celticmusicpodcast.com/.   WELCOME TO CELTIC MUSIC * Helping you celebrate Celtic culture through music. I am Marc Gunn. I am a Celtic musician and podcaster. This show is dedicated to the indie Celtic musicians. Please support these artists. Share the show with your friends. And find more episodes at celticmusicpodcast.com. You can also support this podcast on Patreon. ATTN Celtic Musicians. I'm looking for some good stories to share. You see, I also host the Pub Songs Podcast. I started sharing stories from musicians about their songs. I'd like to do more of those. So if you have a story that you'd like to share about a song, from a gig, or maybe even just a piece of Celtic history that you love. Drop me an email at marc@marcgunn.com. Put “Pub Story” in the show subject. Tell me about your story. Maybe I'll ask you to record your story for the show. THANK YOU PATRONS OF THE PODCAST!Because of Your kind and generous support, this show comes out every week. Your generosity funds the creation, promotion and production of the show. It allows us to attract new listeners and to help our community grow. As a patron, you get to hear episodes before regular listeners. When we hit a milestone, you get an extra-long episode. You can pledge a dollar or more per episode and cap how much you want to spend each month over on Patreon. A super special thanks to our newest patrons:  Dan mcDade, Morgan George, Samir Malak, Carol Baril, Michael Truman Cavanaugh, Miranda Nelson Designs, Nancie Barnett, Kevin Long, Lynda MacNeil, Annie Lorkowski, Travis Senzaki, Shawn Cali You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticpodcast   I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? You can send a written comment along with a picture of what you're doing while listening. Email a voicemail message to celticpodcast@gmail.com Peter Bengston emailed a photo: "Hope this works for you.  You can see finger rock in this photo." Greg Williams emailed photos: "Hi Mark,  Love the show, I'm listening while planning my route for a paramotoring competition called the icarus X trophy. It's a gruelling route flying solo and unsupported for hundreds of miles around the south west of the UK. You're coming on the adventure too, I'm saving up one or two shows to listen to via Bluetooth helmet en route to keep me company. Thanks to you and all of your artists and helpers."

This week I covered Wellerman by The Longest Johns. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/mariela-the-terrible-singer/support

After finally ridding the island of the evil that was lurking, our crew take a little time for themselves, including but not limited to: drinking, gambling, and setting a few magic items on fire. Let's hope they can tie up all the loose ends before setting sail, away from The Last Hope… --- Follow us @dicenaslice on all socials! --- Credits: Take a Chance by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4457-take-a-chance License: http://creativecommons.org/licenses/by/4.0/ Midnight Tale by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4710-midnight-tale License: http://creativecommons.org/licenses/by/4.0/ Virtutes Instrumenti by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4590-virtutes-instrumenti License: http://creativecommons.org/licenses/by/4.0/ Celtic Impulse by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3484-celtic-impulse Licence: http://creativecommons.org/licenses/by/4.0/ Master of the Feast by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4026-master-of-the-feast License: https://filmmusic.io/standard-license Rollin At 5 by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5000-rollin-at-5 License: https://filmmusic.io/standard-license Bossa Antigua by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3454-bossa-antigua License: http://creativecommons.org/licenses/by/4.0/ Scheming Weasel (slower version) by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4327-scheming-weasel-slower-version License: http://creativecommons.org/licenses/by/4.0/ Finding Movement by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3754-finding-movement License: https://filmmusic.io/standard-license Achaidh Cheide by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3338-achaidh-cheide License: https://filmmusic.io/standard-license Bones in the Ocean – The Longest Johns © 2013 The Longest Johns - https://www.thelongestjohns.com/#/ Additional sound effects from https://www.zapsplat.com

In an unexpected twist of Lockdown 3, sea shanties blew up on social media. Suddenly, everyone was singing ‘Wellerman', a mid-19th Century whaling song about life on-board a whaling ship. A song of hope and unity which brought people together via the power of the internet. JD, Dave, Andy and Robbie find themselves at the centre of this shanty storm. They are old friends who together make up The Longest Johns, a sea shanty band from Bristol. Back in 2018, they released a version of Wellerman on their second album, and now - suddenly - it's gone viral. They've been a band for years and they've never exactly been 'mainstream'. But now that 2021 has woken up to shanties, everything is about to change for them... Produced in Bristol by Becky Ripley.

PODCAST: 28 Feb 2021 01 Fat Cat Big Fish – Keith Christmas – Download From His Site 02 Tir Is Sàl – Rachel Walker – Gaol 03 The Banks Of The Nile – Filigree – Living By The Air 04 Police Dog Blues By Blind Blake 1929 – Muireann Bradley – Unreleased 05 Lady Be Good – Tim Edey – I Got Rhythm 06 Calling Me Home – Rhiannon Giddens (With Francesco Turrisi) – They’re Calling Me Home 07 Farewell To The Gold – Brooks Williams, Kris Drever, Boo Hewerdine and Findlay Napier – Single? 08 The Jolly Highwayman – Cohen Braithwaite-Kilcoyne – Rakes & Misfits 09 Cadal Ciarach – Fiona Tyndal – Single 10 John O’Dreams (Live At Adare Manor, 1981, Rté) – Christy Moore – The Early Years: 1969-81 11 Whatever You Say, Say Nothing – Anne Feeney – Dump The Bosses Off Your Back 12 The Moon Shines Bright – Sam Lee – Old Wow 13 The Voyage Of Apollo 8 – Blind Robert Ward – Fonotone Records, Frederick, Maryland [Disc 3]: Some Summer Day 14 I’m A Rover – Ye Vagabond – EP 15 La Iguana – The Chieftains Feat. Ry Cooder – San Patricio 16 Castle Kellys – Damien O’Kane – Avenging & Bright 17 The Bothy Lads – Ye Vagabonds – EP 18 Wellerman – The Longest Johns – Between Wind And Water 19 Help Me Raise Em – The Menhaden Chanteymen – Won’t You Help Me To Raise ‘Em 20 Pretty Girls Of Brummagem – Jon Wilks – Up The Cut 21 I Got Rhythm – Tim Edey – I Got Rhythm 22 Now Westlin Winds – Ray Fisher – All Through The Year 23 The Day Before The War/Like Me & You – Roy Bailey – All Through The Year 24 Hard Times Of Old England – Filigree – Living By The Air 25 Joyful Banner Blazing – Maria Dunn – Joyful Banner Blazing 26 Dust, An Damhsa Dubh – Brian Finnegan – Hunger Of The Skin 27 Homeword Bound – Mossy Christian – Come Nobles And Heroes 28 Connachtman’s Rambles/The Cat In The Corner – Joe Burke and Charlie Lennon – The Bucks Of Oranmore 29 From Dublin With Love – Maria Dunn – Joyful Banner Blazing 30 My Baby Changed The Lock On Her Door – Hans Theesink – Baby Wants To Boogie 31 The Dingle Angle – Brendan Power – Tradish

Thank you guys for listening, todays artist was The Longest Johns. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/woodrow-snow/message

This week the Bois are back to remind you to drink those 5 sips of water, nice and refreshing! They also review some stuff, Pokemon Go, the Longest Johns and something else... I can't quite remember what it is so you'll just have to listen and find out! ~~ Music ~~ Our Theme song is World Goes Wild and was provided by Story Blocks https://www.storyblocks.com/audio/stock/world-goes-wild-rxs-o9xgu0hk4brpvqa.html

It's the last episode of the month, so that means you've got Qs and we've got As. Episode 116 kicks off with a recap of James' Halios Seaforth charity auction and details about a new charity auction in which you can support an amazing charity and get a Rolex (for real). As Jason and James are taking next week off, this episode is an extra long one as the guys dig into a big stack of excellent voicemail questions from all over the world. From mountaineering advice to King Turtles, watch storage, leather straps, women's watches, and a lot more, the guys really appreciate all of the questions (keep recording and send your query to thegreynato@gmail.com). Thanks for listening! 1:45 James' Halios Auction result for The Innocence Project https://bit.ly/2Yu0DaA 3:40 @rolex4eji Rolex OP auction for the Equal Justice Initiative https://bit.ly/2B582UW 15:10 Oris Divers Sixty Five Chronograph https://bit.ly/3dpK9o1 24:30 Seiko “King Turtle” https://bit.ly/37VTRxv 38:50 Jason's experience on Mt. Rainier https://bit.ly/3euA2jp 54:45 Nanuk 910 case https://amzn.to/319Lpt6 58:15 Favre-Leuba Bivouac https://bit.ly/3drAz45 58:20 Oris Propilot Altimeter http://bit.ly/2agBmG5 58:30 Richard Mille with a compass http://bit.ly/2G8W4dN 58:53 Suunto “clipper” compass https://bit.ly/2CCbJSu 1:04:01 Canvas and leather watch strap https://bit.ly/3fSuNtV 1:04:30 Newman Bund strap https://bit.ly/3hWQcE2 1:05:05 Distressed Brown leather watch strap https://bit.ly/3fX6uLB 1:05:27 Sedona leather watch strap https://bit.ly/3ew9gqO 1:05:45 Reid leather watch strap https://bit.ly/2NsXEJf 1:06:30 Kangaroo leather NATO https://bit.ly/2Cuxmnw 1:07:17 Jason's Blancpain Hodinkee LE https://bit.ly/2VcicKa 1:09:25 Halios Universa (prototype) https://bit.ly/2BE67qs 1:10:05 Cartier Tank https://bit.ly/37Vwmoa 1:11:42 Omega PO 37.5mm https://bit.ly/2NsDkYy 1:12:48 Seiko SKX013 http://bit.ly/2DU97Nj 1:21:39 Don't Do That With Your Watch http://bit.ly/2y8Cmvt 1:29:55 The Longest Johns (youtube) https://bit.ly/2Z5JzXn 1:32:16 Donut Media (youtube) https://bit.ly/2BCC81O