Podcasts about Midrash

How do you build a creative life that spans music, writing, film, and spiritual practice? Alicia Jo Rabins talks about weaving multiple creative strands into a sustainable career and why the best advice for any creator might simply be: just make the thing. In the intro, backlist promotion strategy [Written Word Media]; Successful author business [Novel Marketing Podcast]; Alliance of Independent Authors Indie Author Bookstore; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Building a sustainable multi-disciplinary creative career through teaching, performance, grants, and donations Trusting instinct in the early generative stages of creativity and separating generation from editing Adapting and reimagining religious and cultural source material through music, writing, and performance The challenges of transitioning from poetry to long-form prose memoir, including choosing a lens for your story Making an independent film on a shoestring budget without waiting for Hollywood's permission Finding your creative voice and building confidence by leaning into vulnerability and returning to the practice of making You can find Alicia at AliciaJo.com. Transcript of the interview with Alicia Jo Rabins Joanna: Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. So welcome to the show, Alicia. Alicia: Thank you so much. I'm delighted to be here. Joanna: There is so much we could talk about. But first up— Tell us a bit more about you and how you've woven so many strands of creativity into your life and career. Alicia: Yes, well, I am a maximalist. What happened in terms of my early life is that I started writing on my own, just extremely young. I'm one of those people who always loved writing, always processed the world and managed my emotions and came to understand myself through writing. So from a very young age, I felt really committed to writing. Then I had the good fortune that my mother saw a talk show about the Suzuki method of learning violin—when you start really young and learn by ear, which is modelled after language learning. It's so much less intellectual and much more instinctual, learning by copying. She was like, that looks like a cool thing. I was three years old at the time and she found out that there was a little local branch of our music conservatory that had a Suzuki violin programme. So when I was three and a half, getting close to four, she took me down and I started playing an extremely tiny violin. Joanna: Oh, cute! Alicia: Yes, and because it was part of this conservatory that was downtown, and we were just starting at the suburban branch where we lived, there was this path that I was able to follow. As I got more and more interested in violin, I could continue basically up through the conservatory level during high school. So I had a really fantastic music education without any pressure, without any expectations or professional goals. I just kept taking these classes and one thing led to another. I grew up being very immersed in both creative writing and music, and I think just having the gift of those two parts of my brain trained and stimulated and delighted so young really changed my brain in some ways. I'll always see the world through this creative lens, which I think I'm also just set up to do personally. Then the last step of my multi-practice career is that in college I got very interested in Jewish spirituality. I'm Jewish, but I didn't grow up very religious. I didn't grow up in a Jewish community really. So I knew some basics, but not a ton. In college I started to study it and also informally learned from other people I met. I ended up going on a pretty intense spiritual quest, going to Jerusalem and immersing myself after college for two years in traditional Jewish study and practice. So that became the third strand of the braid that had already been started with music and writing. Torah study, spiritual study, and teaching became the third, and they all interweave. The last thing I'll say is that because I work in both words and music, and naturally performance because of music, it began to branch a little bit into plays, theatre, and film, just because that's where the intersection of words, performance, and music is. So that's really what brought me into that, as opposed to any specific desire to work in film. It all happened very organically. Joanna: I love this. This is so cool. We are going to circle back to a lot of this, but I have to ask you— What about work for money at any point? How did this turn into more than just hobbies and lifestyle? Alicia: Yes, absolutely. Well, I'm very fortunate that I did not graduate college with loans because my parents were able to pay for college. That was a big privilege that I just want to name, because in the States that's often not the case. So that allowed me to need to support myself, but not also pay loans, which was a real gift. What happened was I went straight from college to that school in Jerusalem, and there I was on loans and scholarship, so I didn't have to worry yet about supporting myself. Then when I came back to the States, I actually found on Craigslist a job teaching remedial Hebrew. It was essentially teaching kids at a Jewish elementary school who either had learning differences or had just entered the school late and needed to be in a different Hebrew class than the other kids in their grade. That was my first experience of really teaching, and I just absolutely fell in love with it. Although in the end, my passion is much more for teaching the text and rituals and the wrestling with the concepts, as opposed to teaching language. So all these years, while doing performance and writing and all these things, I have been teaching Jewish studies. That has essentially supported me, I would say, between 50 and 70 per cent. Then the rest has been paid gigs as a musician, whether as a front person leading a project or as what we call a sideman, playing in someone else's band. Sometimes doing theatre performances, sometimes teaching workshops. That's how I've cobbled it together. I have not had a full-time job all these years and I have supported myself through both earned income and also grants and donations. I've really tried to cultivate a little bit of a donor base, and I took some workshops early on about how to welcome donations. So I definitely try to always welcome that as well. Joanna: That is so interesting that you took a workshop on how to welcome donations. Way back in, I think 2013, I said on this show, I just don't know if I can accept people giving to support the show. Then someone on the podcast challenged me and said, but people want to support creatives. That's when I started Patreon in 2014. It was when The Art of Asking by Amanda Palmer came out and— It was this realisation that people do want to support people. So I love that you said that. Alicia: It's not easy. It's still not easy for me, and I have to grit my teeth every time I even put in my end-of-year newsletter. I just say, just a reminder that part of what makes this possible is your generous donations, and I'm so grateful to you. It's not easy. I think some people enjoy fundraising. I certainly don't instinctively enjoy it, but I have learned to think of it exactly the way that you're saying. I mean, I love donating to support other people's projects. Sometimes it's the highlight of my day. If I'm having a bad day and someone asks for help, either to feed a family or to complete a creative project, I just feel like, okay, at least I can give $36 or $25 and feel like I did something positive in the last hour, even if my project is going terribly and I'm in a fight with my kid or something. So I have to keep in mind that it is actually a privilege to give as well as a privilege to receive. Joanna: Absolutely. So let's get back into your various creative projects. The first thing I wanted to ask you, because you do have so many different formats and forms of your creativity—how do you know when an idea that comes to you should be a song, or something you want to do as a performance, or written, or a film? Tell us a bit about your creative process. Because a lot of your projects are also longer-term. Alicia: Yes. It's funny, I love planning and in some ways I'm an extreme planner. I really drive people in my family bonkers with planning, like family vacations a year in advance. In terms of my creativity, I'm very planful towards goals, but in that early generative state, I am actually pure instinct. I don't think I ever sit down and say, “I have this idea, which genre would it match with?” It's more like I sit on my bed and pick up my guitar, which is where I love to do songwriting, just sitting on my bed cross-legged, and I pick up my guitar and something starts coming out. Then I just work with that kernel. So it's very nebulous at first, very innate, and I just follow that creative spirit. Often I don't even know what a project is, sometimes if it's a larger project, until a year or two in. Once things emerge and take shape, then my planning brain and my strategy brain can jump on it and say, “Okay, we need three more songs to fill out the album, and we need to plan the fundraising and the scheduling.” Then I might take more of an outside-in approach. At the beginning it's just all instinct. Joanna: So if you pick up your guitar, does that mean it always starts in music and then goes into writing? Or is that you only pick up a guitar if it's going to be musical? Alicia: I think I'm responding to what's inside me. It's almost like a need, as opposed to, “I'm going to sit down and work.” I mean, obviously I sit down and work a lot, but I think in that early stage of anything, it's more like my fingers are itching to play something, and so I sit down and pick up my guitar. Sometimes nothing comes out and sometimes the kernel of a song comes out. Or I'm at a café, and I often like to write when I'm feeling a little bit discombobulated, just to go into the complexity of things or use challenging emotions as fuel. I really do use it as a—I don't know if therapeutic is the word, but I think it maybe is. I write often, as I always have, as I said before, to understand what I'm thinking. Like Joan Didion said—to process difficult emotions, to let go of stuck places. So I think I create almost more out of a sense of just what I need in the moment. Sometimes it's just for fun. Sometimes picking up a guitar, I just have a moment so I sit down and mess around. Sometimes it's to help me struggle with something. It doesn't always start in music. That was a random example. I might sit down to write because I have an hour and I think, I haven't written in a while. Or I do have an informal daily writing thing where I'll try to generate one loose draft of something a day, even if it's only ten pages. I mean, sorry, ten words. Joanna: I was going to say! Alicia: No, no. Ten words. I'm sorry. It's often poetry, so it feels like a lot when it's ten words. I'll just sit down with no pressure, no goal, no intention to make anything specific. Just open the floodgates and see what comes out. That's where every single project of mine has started. Joanna: Yes, I do love that. Obviously, I'm a discovery writer and intuitive, same as you. I think very much this idea of, especially when you said you feel discombobulated, that's when you write. I almost feel like I need that. I'm not someone who writes every day. I don't do ten lines or whatever. It's that I'll feel that sense of pressure building up into “this is going to be something.” I will really only write or journal when that spills over into— “I now need to write and figure out what this is.” Alicia: Yes. It's almost a form of hunger. It feels to me similar to when you eat a great meal and then you're good for a while. You're not really thinking of it, and then it builds up, like you said, and then there's a need—at least the first half of creativity. I really separate my generation and my editing. So my generative practice is all openness, no critique, just this maybe therapeutic, maybe curious, wandering and seeing what happens. Then once I have a draft, my incisive editing mind is welcome back in, which has been shut out from that early process. So that's a really different experience. Those early stages of creativity are almost out of need more than obligation. Joanna: Well, just staying with that generative practice. Obviously you've mentioned your study of and practice of Jewish tradition and Jewish spirituality. Steven Pressfield in his books has talked about his prayer to the muse, and I've got on my wall here—I don't talk about this very often, actually — I have a muse picture, a painting of what I think of as a muse spirit in some form. So do you have any spiritual practices around your generative practice and that phase of coming up with ideas? Alicia: I love that question, and I wish I had a beautiful, intentional answer. My answer is no. I think I experience creativity as its own spiritual practice itself. I do love individual prayer and meditation and things like that, but for me those are more to address my specifically spiritual health and happiness and connectedness. I'm just a dive-in kind of person. As a musician, I have friends who have elaborate backstage rituals. I have to do certain things to take care of my voice, but even that, it's mostly vocal rest as opposed to actively doing things. There's a bit of an on/off switch for me. Joanna: That's interesting. Well, I do want to ask you about one of your projects, this collaboration with a high school on a musical performance, I Was a Desert: Songs of the Matriarchs, and also your Girls in Trouble songs about women in the Torah. On your website, I had a look at the school, the high school, and the musical performance. It was extraordinary. I was watching you in the school there and it's just such extraordinary work. It very much inspired me—not to do it myself, but it was just so wonderful. I do urge people to go to your website and just watch a few minutes of it. I'm inspired by elements of religion, Christian and Jewish, but I wondered if you've come up against any issues with adaptation—respecting your heritage but also reinventing it. How has this gone for you. Any advice for people who want to incorporate aspects of religion they love but are worried about responses? Alicia: Well, I have to say, coming from the Jewish tradition, that is a core practice of Judaism—reinterpreting our texts and traditions, wrestling with them, arguing with them, reimagining them. I don't know if you're familiar with Midrash, but just in case some of your listeners aren't sure I'll explain it. There's essentially an ancient form of fanfic called Midrash, which was the ancient rabbis, and we still do it today, taking a biblical story that seems to have some kind of gap or inconsistency or question in it and writing a story to fill that gap or recast the story in an interestingly different light. So we have this whole body of literature over thousands of years that are these alternate or added-on adventures, side quests of the biblical characters. What I'm doing from a Jewish perspective is very much in line with a traditional way of interacting with text. I've certainly never gotten any pushback, especially as I work in progressive Jewish communities. I think if I were in an extremely fundamentalist community, there would be a lot of different issues around gender and things like that. The interpretive process, even in those communities, is part of how we show respect for the text. When I was working with the high school—and I just want to call out the choir director, Ethan Chen, who has an incredible project where he brings in a different artist every two years to work with the choir, and they tend to have a different cultural focus each time. He invited me specifically to integrate my songwriting about biblical women with his amazing high school choir. I was really worried at first because most of them are not Jewish—very few of them, if any. I wanted to respect their spiritual paths and their religious heritages and not impose mine on them. So I spent a lot of time at the beginning saying, this project has religious source material, but essentially it is a creative reinterpretive project. I am not coming to you to bring the religious material to you. I'm coming to take the shared Hebrew Bible myths and then reinterpret those myths through a lens of how they might reflect our own personal struggles, because that's always my approach to these ancient stories. I wanted to really make that clear to the students. It was such a joy to work with them. Joanna: It's such an interesting project. Also, I find with musicians in general this idea of performance. You've written this thing—or this thing specifically with the school—and it doesn't exist again, right? You're not selling CDs of that, I presume. Whereas compared to a book, when we write a book, we can sell it forever. It doesn't exist as a performance generally for an author of a memoir or a novel. It carries on existing. So how does that feel, the performance idea versus the longer-lasting thing? I mean, I guess the video's there, but the performance itself happened. Alicia: I do know what you mean. Absolutely. We did, for that reason, record it professionally. We had the sound person record it and mix it, so it is available to stream. I'm not selling CDs, but it's out there on all the streaming services, if people want to listen. I do also have the scores, so if a choir wanted to sing it. The main point that you're making is so true. I think there's actually something very sacred about live performance—that we're all in the moment together and then the moment is over. I love the artefacts of the writing life. I love writing books. I love buying and reading books and having them around, and there's piles of them everywhere in this room I'm standing in. I feel like being on stage, or even teaching, is a very spiritual practice for me, because it's in some ways the most in-the-moment I ever am. The only thing that matters is what's happening right then in that room. It's fleeting as it goes. I'm working with the energy in the room while we're there. It's different every time because I'm different, the atmosphere is different, the people are different. There's no way to plan it. The kind of micro precision that we all try to bring to our editing—you can't do that. You can practice all you want and you should, but in the moment, who knows? A string breaks or there's loud sound coming from the other room. It is just one of those things. I love being reminded over and over again of the truth that we really don't control what happens. The best that we can do is ride it, surf it, be in it, appreciate it, and then let it go. Joanna: I think maybe I get a glimpse of that when I speak professionally, but I'm far more in control in that situation than I guess you were with—I don't know how many—was it a hundred kids in that choir? It looked pretty big. Alicia: It was amazing. It was 130 kids. Yes. Joanna: 130 kids! I mean, it was magic listening to it. And yes, of course, showing my age there with buying a CD, aren't I? Alicia: Well, I do still sell some CDs of Girls in Trouble on tour, because I have a bunch of them and people still buy them. I'm always so grateful because it was an easier life for touring musicians when we could just bring CDs. Now we have to be very creative about our merch. Joanna: Yes, that's a good point because people are like, “Oh yes, I'll scan your QR code and stream it,” but you might not get the money for that for ages, and it might just be five cents or whatever. Alicia: Streaming is terrible for live musicians. I mean, I don't know if you know the site Bandcamp, but it's essentially self-publishing for musicians. Bandcamp is a great way around that, and a lot of independent musicians use it because that's a place you can upload your music and people can pay $8 for an album. They can stream it on there if they want, or they can download it and have it. But, yes, it's hard out there for touring musicians. Joanna: Yes, for sure. Well, let's come to the book then. Your memoir, When We Are Born We Forget Everything. Tell us about some of the challenges of a book as opposed to these other types of performances. Alicia: Well, I come out of poetry, so that was my first love. That's what I majored in in college. That's what my MFA is in. Poetry is famously short, and I'm not one of those long-form poets. I have been trained for many years to think in terms of a one-page arc, if at all. Arc isn't even really a word that we use in poetry. So to write a full-length prose book was really an incredible education. Writing it basically took ten years from writing to publication, so probably seven years of writing and editing. I felt like there was an MFA-equivalent process in the number of classes I took, books I read, and work that went into it. So that was one of my main joys and challenges, really learning on the job to write long-form prose coming out of poetry. How to keep the engine going, how to think about ending one chapter in a way that leaves you with some torque or momentum so that you want to go into the next chapter. How many characters is too many? Who gets names and who doesn't? Some of these things that are probably pretty basic for fiction writers were all very new to me. That was a big part of my process. Then, of course, poets don't usually have agents. So once it was done, I began to query agents. It was the normal sort of 39 rejections and then one agent who really understood what I was trying to do. She's incredible, and she was able to sell the book. The longevity of just working on something for that long—I have a lot of joy in that longevity—but it does sometimes feel like, is this ever going to happen, or am I on a fool's errand? Joanna: I guess, again, the difference with performance is you have a date for the performance and it's done then. I suppose once you get a contract, then for sure it has to be done. But memoir in particular, you do have to set boundaries, because of course your life continues, doesn't it? So what were the challenges in curating what went into the book? Because many people listening know memoir is very challenging in terms of how personal it can be. Alicia: Yes, and one thing I think is so fascinating about memoir is choosing which lens to put on your story, on your own story. I heard early on that the difference between autobiography and memoir is that autobiography tries to give a really comprehensive view of a life, and memoir is choosing one lens and telling the story of a life through that lens, which is such a beautiful creative concept. I knew early on that I wanted this to be primarily a spiritual memoir, and also somewhat of an artistic memoir, because my creativity and my spirituality are so intertwined. It started off being spiritual, and also about my musical life, and also about my writing life. In the end, I edited out the part about my writing life, because writing about writing was just too navel-gazing. So there's nothing in there about me coming of age as a writer, which used to be in there, but that whole thing got taken out. Now it's spiritual and musical. For me, it really helped to start with those focuses, because I knew there may be things that were hugely important in my life, absolutely foundational, that were not really going to be either mentioned or gone deeply into in the book. For example, my husband teases me a lot about how few pages and words he gets. He's very important in my life, but I actually met him when I was 29, and this book really mainly takes place in the years leading up to that. There's a little bit of winding down in the first few years of my thirties, but this is not a book about my life with him. He is mentioned in it. That story is in there. Having those kinds of limitations around the canvas—there's a quote, I forget if it was Miranda July, but somebody said something like, basically when you put a limitation on your project, that's when it starts to be a work of art. Whatever it is, if you say, “I'm taking this canvas and I'm using these colours,” that's when it really begins, that initial limitation. That was very helpful. Joanna: It's also the beauty of memoir, because of course you can write different memoirs at different times. You can write something about your writing life. You can write something else about your marriage and your family later on. That doesn't all have to be in one book. I think that's actually something I found interesting. And I would also say in my memoir, Pilgrimage, my husband is barely mentioned either. Alicia: Does he tease you too? Joanna: No, I think he's grateful. He is grateful for the privacy. Alicia: That's why I keep saying, you should be grateful! Joanna: Yes. You really should. Like, maybe stop talking now. Alicia: Yes, exactly. I know. Marriage, memoir—those words should strike fear into his heart. Joanna: They definitely should. But let's just come back. When I look at your career— You just seem such an independent creative, and so I wondered why you decided to work with a traditional publisher instead of being an independent. How are you finding it as someone who's not in charge of everything? Alicia: It's a great question. The origin story for this memoir is that I was actually reading poetry at a writing conference called Bread Loaf in the States. This was 16 years ago or something. I was giving a poetry reading and afterwards an agent, not my agent, came up to me and said, you know, you have a voice. You should try writing nonfiction because you could probably sell it. Back to your question about how I support myself, I am always really hustling to make a living. It's not like I have some separate well-paying job and the writing has no pressure on it. So my ears kind of perked up. I thought, wait, getting paid for writing? Because poetry is literally not in the world. It's just not a concept for poets. That's not why we write and it's not a possibility. So a little light turned on in my brain. I thought, wow, that could be a really interesting element to add to my income stream, and it would be flexible and it would be meaningful. For a few years I thought, what nonfiction could I write? And I came up with the idea of writing a book about biblical women from a more scholarly perspective, because I teach that material and I've studied it. I went to speak to another agent and she said, well, you could do that, but if you actually want to sell a book, it's going to have to be more of a trade book. So if you don't want an academic press, which wouldn't pay very much, you would have to have some kind of memoir-like stories in there to just sweeten it so it doesn't feel academic. So then I began writing a little bit of spiritual memoir. I thought, okay, well, I'll write about a few moments. Then once I started writing, I couldn't stop. The floodgates really opened. That's how it ended up being a spiritual memoir with interwoven stories of biblical women. It became a hybrid in that sense. I knew from the beginning that this project—for all my saying earlier that I never plan anything and only work on instinct, I was thinking as I said that, that cannot be true. This time, I actually thought, what if, instead of coming from this pure, heart-focused place of poetry, I began writing with the intention of potentially selling a book? The way my fiction writer friends talked about selling their books. So that was always in my mind. I knew I would continue writing poetry, continue publishing with small presses, continue putting my own music out there independently, but this was a bit of an experiment. What if I try to interface with the publishing world, in part for financial sustainability? And because I had a full draft before I queried, I never felt like anyone was telling me what to write. I can't imagine personally selling a book on proposal, because I do need that full capacity to just swerve, change directions, be responsive to what the project is teaching me. I can't imagine promising that I'll write something, because I never know what I'll write. But writing at least a very solid draft first, I'm always delighted to get notes and make polish and rewrite and make things better. I took care of that freedom in the first seven years of writing and then I interfaced with the agent and publisher. Joanna: I was going to say, given that it's taken you seven to ten years to do this and I can't imagine that you're suddenly a multimillionaire from this book. It probably hasn't fulfilled the hourly rate that perhaps you were thinking of in terms of being paid for your work. I think some people think that everyone's going to end up with the massive book deal that pays for the rest of their life. I guess this book does just fit into the rest of your portfolio career. Alicia: Yes. One of the benefits of these long arcs that I like to work on is, one of them—and probably the primary one—is that the project gets to unfold on its own time. I don't think I could have rushed it if I wanted. The other is that it never really stopped me from doing any of my other work. Joanna: Mm-hmm. Alicia: So it's not like, oh, I gave up months of my life and all I got was this advance or something. It's like, I was living my life and then when I had a little bit of writing time—and I will say, it impacted my poetry. I haven't written as much poetry because I was working on this. So it wasn't like I just added it on top of everything I was already doing, but it was a pleasure to just switch to prose for a while. It was just woven into my life. I appreciated having this side project where no one was waiting for it. There were no deadlines, there was no stress around it, because I always have performances to promote and due dates for all kinds of work. It was just this really lovely arena of slow growth and play. When I wanted a reader, I could do a swap with a writer friend, but no one was ever waiting for it on deadline. So there's actually a lot of pleasure in that. Then I will say, I think I've made more from selling this than my poetry. Probably close to ten times more than I've ever made from any of my poetry. So on a poetry scale, it's certainly not going to pay for my life, but it actually does make a true financial difference in a way that much of my other work is a little more bit by bit by bit. It's actually a different scale. Joanna: Well, that's really good. I'm glad to hear that. I also want to ask you, because you've done so many things, and— I'm fascinated by your independent film, A Kaddish for Bernie Madoff. I have only watched the trailer. You are in it, you wrote it, directed it, and it's also obviously got other people in, and it's fascinating. It's about this particular point in history. I've written quite a lot of screenplay adaptations of my novels, and I've had some various amounts of interest, but the whole film industry to me is just a complete nightmare, far bigger nightmare than the book industry. So I wonder if you could maybe talk about this, because it just seems like you made a film, which is so cool. Alicia: Oh yes, thank you. Joanna: And it won awards, yes, we should say. Alicia: Did we win awards? Yes. It really, for an extremely low-budget indie film, went far further than my team and I could ever have imagined. I will say I never intended to make a film. Like most of the best things in my life, it really happened by accident. When I was living in New York— I lived there for many years—the 2008 financial collapse happened and I happened to have an arts grant that gave a bunch of artists workspace, studio space, in essentially an abandoned building in the financial district. It was an empty floor of a building. The floor had been left by the previous tenant, and there's a nonprofit that takes unused real estate in the financial district and lets artists work in it for a while. So I was on Wall Street, which was very rare for me, but for this year I was working on Wall Street. Even though I was working on poems, the financial collapse happened around me, and I did get inspired by that to create a one-woman show, which was more of a theatre show. That was already a huge leap for me because I had no real theatre experience, but it was experimental and growing out of my poetry practice and my music. It was a musical one-woman show about the financial collapse from a spiritual perspective, apparently. So I performed that. I documented it, and then a friend who lives in Portland, Oregon, where I now live, said, “I'm a theatre producer, I'd like to produce it here.” So then I rewrote it and did a run here in Portland of that show. Essentially, I started to tour it a little bit, but I got tired of it. It was too much work and it never really paid very much, and I thought, this is impacting my life negatively. I just want to do a really good documentation of the show. So I wanted to hire a theatre documentarian to just document the show so that it didn't disappear, like you were saying before about live performance. But one of the people I talked to actually ended up being an artistic filmmaker, as opposed to a documentarian. She watched the archival footage, just a single camera of the show, and said, “I don't think you should do this again and film it with three cameras. I think you should make it into a feature film. And in fact, I think maybe I should direct it, because there's all this music in it and I also direct music videos.” We had this kind of mind meld. Joanna: Mm. Alicia: I never intended to make a film, but she is a visionary director and I had this piece of IP essentially, and all the music and the writing. We adapted it together. We did it here in Portland. We did all the fundraising ourselves. We did not interface with Hollywood really. I think that would be, I just can't imagine. I love Hollywood, but I'm not really connected, and I can't imagine waiting for someone to give us permission or a green light to make this. It was experimental and indie, so we just really did it on the cheap. We had an amazing producer who helped us figure out how to do it with the budget that we had. We worked really hard fundraising, crowdfunding, asking for donations, having parties to raise money, and then we just did it and put it out there. I think my main advice—and I hear this a lot on screenwriting podcasts—is just make the thing. Make something, as opposed to trying to get permission to make something. Because unless you're already in that system, it's going to be really hard to get permission to make it. Once you make something, that leads to something else, which leads to something else. So even if it's a very short thing, or even if it's filmed on your phone, just actually make the thing. That turned out to be the right thing for us. Joanna: Yes, I mean, I feel like that is what underpins us as independent creatives in general. As an independent author, I feel the same way. I'm never asking permission to put a book in the world. No, thank you. Alicia: Exactly. We have a vision and we do it. It's harder in some ways, but that liberation of being able to really fully create our vision without having to compromise it or wait for permission, I think it's such a beautiful thing. Joanna: Well, we're almost out of time, but I do want to ask you about creative confidence. Alicia: Hmm. Joanna: I feel I'm getting a lot of sense about this at the moment, with all the AI stuff that's happening. When you've been creating a long time, like you and I have, we know our voice and we can lean into our voice. We are creatively confident. We'll fail a lot, but we'll just push on and try things and see what happens. Newer creators are struggling with this kind of confidence. How do I know what is my voice? How do I know what I like? How do I lean into this? So give us some thoughts about how to find your voice and how to find that creative confidence if you don't feel you have it. Alicia: I love that. One thing I will say is that I always think whatever is arising is powerful material to create from. So if a lack of confidence is arising, that's a really powerful feeling to directly explore and not just try to ignore. Although sometimes one has to just ignore those feelings. But to actually explore that feeling, because AI can't have that, right? AI can't really feel a crisis of confidence, and humans can. So that's a gift that we have, those kinds of sensitivities. I think to go really deep into whatever is arising, including the sense that we don't have the right to be creating, or we're not good enough, or whatever it is. Then I always do come back to a quote. I think it might have been John Berryman, but I'm forgetting which poet said it. A younger poet said, “How will I ever know if I'm any good?” And this famous poet said something like—I'm paraphrasing—”You'll never know if you're any good. If you have to know, don't write.” That has been really liberating to me, actually. It sounds a little harsh, but it's been really liberating to just let go of a sense of “good enough.” There is no good enough. The great writers never know if they're good enough. Coming back to this idea of just making without permission—the practice of doing the thing is being a writer. Caring and trying to improve our craft, that's the best that we can have. There's never going to be a moment where we're like, yes, I've nailed this. I am truly a hundred per cent a writer and I have found my voice. Everything's always changing anyway. I would say, either go into those feelings or let those feelings be there. Give them a little tea. Tell them, okay, you're welcome to be here, but you don't get to drive the boat. And then return to the practice of making. Joanna: Absolutely. Great. So where can people find you and your books and everything you do online? Alicia: Everything is on my website, which is AliciaJo.com, and also on Instagram at @ohaliciajo. I'd love to say hello to anyone who's interested in similar topics. Joanna: Brilliant. Well, thanks so much for your time, Alicia. That was great. Alicia: Thank you. I love your podcast. I'm so grateful for all that you've given the writing world, Jo.The post Creative Confidence, Portfolio Careers, And Making Without Permission with Alicia Jo Rabins first appeared on The Creative Penn.

This wasn't just another Shabbat. This was the kind of Shabbat that reminds you history isn't something we read, it's something we walk into.At Chabad NDG in Montreal, a Persian-themed Shabbat table became something deeper: a meeting point between ancient Persia and modern Iran. Between the story of Haman and the voices of real Iranian activists fighting for freedom today. Between fear… and courage.Then came the moment no one planned.Walking to synagogue the next morning, before even hearing the news, the streets began to speak. Neighbors stopped, embraced, thanked. By the afternoon, the entire area around Chabad NDG filled with music, celebration, life. And suddenly, an ancient custom, making noise for Haman felt different.Because this isn't just about a villain from 2,500 years ago.From medieval children smashing stones with his name, to the teachings of the Rebbe, to a Midrash where noise literally drives away darkness—this episode explores a powerful idea:Sometimes holiness isn't quiet. Sometimes, the most spiritual thing you can do… is make noise. Not noise of chaos. Noise of clarity. Noise that says: Didan Natzach. We are still here.Key TakeawaysHaman is not just a character, he's a pattern. Every generation meets its version of Amalek. The question isn't if, it's how we respond.Noise can be holy. From ancient Jewish customs to Midrashic stories, making noise isn't childish, it's spiritual resistance. It's the soul refusing to be silent in the face of darkness.Joy is not denial, it's defiance. The celebrations outside weren't ignoring reality. They were transforming it. That's the deepest Purim energy: turning fear into song.The street became a synagogue. When neighbors hug you, when music fills the air, when gratitude replaces tension, you realize holiness doesn't only live inside walls.Children understand something we forget. They bang, they stomp, they erase Haman without overthinking it. There's a purity in that. A clarity adults sometimes lose.“Didan Natzach” is not just a phrase, it's a posture. It means: we don't wait for darkness to pass. We confront it. Together. Loudly. Joyfully.Available now:Paperback: https://www.amazon.com/Forgiveness-Experiment-What-Would-Your/dp/1069217638Kindle: https://www.amazon.com/dp/B0FR2QNJL6Audiobook: https://bit.ly/4tPFZhVSupport the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

The Zohar HaKadosh (Vayikra ק״ד ) teaches that because Hashem is so loving and merciful, when a harsh decree hangs over a person, Hashem sends him a precious gift that can help annul it. That gift often comes in the form of a mitzvah opportunity. The example the Zohar gives is when a poor person comes asking for charity. If the person seizes the opportunity and gives with generosity and a good heart, he draws upon himself a special protection that can ward off the decree. The Midrash in Vayikra Rabbah teaches: יותר ממה שבעל הבית עושה עם העני — העני עושה עם בעל הבית — more than the giver does for the poor man, the poor man does for the giver. The poor man grants the giver life, livelihood, and success. A giver may feel the poor person is indebted to him, but in truth, it is often the other way around. Rabbi Sneer Guetta related a story he heard from someone who knew it firsthand. It took place about forty years ago in Israel. One day a man named Avi was arranging the bins in front of his vegetable store when he noticed an infant lying in a broken carriage, covered with a dirty blanket, with no adult nearby. He began asking the people around if the baby belonged to them, but they all said no. Avi waited several minutes and still no one came. Finally he saw a woman searching through a garbage pail and went over to ask her. She said the baby was hers and apologized for worrying him. Avi immediately understood that she was in desperate financial straits and told her that he wanted to take upon himself the responsibility of supporting her child. He instructed her to come once a month to pick up an envelope with money, and that whenever she needed, she could simply come to the store and take whatever food the baby required. The woman burst into tears and thanked him from the depths of her heart. And indeed, every month she came for the envelope, and often she came for food. This arrangement continued not for one year, not for two years, but for more than twenty years. Avi never told her "enough already." He never limited what she could take. Then one day he received a call from a young man who told him, "You are an angel sent from Heaven." Avi did not understand what he meant. The young man introduced himself as Shimon and said he was engaged to Emily — the girl Avi had been supporting for the past twenty years. Avi was overjoyed to hear she was engaged. Shimon continued that his own family was well-established and from now on he himself would support Emily, so Avi could stop preparing the monthly envelopes. To Shimon's surprise, Avi pleaded with him to allow him to continue supporting her. Shimon could not understand. She no longer needed the money. Why insist? Avi then told him the story. Twenty years earlier, Avi had become entangled with dangerous criminals. One day they came to his store armed with guns and attempted to kill him. Miraculously he escaped. Shaken, he went to a great rabbi to ask what he should do — whether he should flee the country or change his identity. The rabbi told him he was certain that Hashem operates by the principle of מדה כנגד מדה so that if he would give life to another, Hashem would give life to him. He advised Avi to find someone whose life he could sustain. Avi answered that he did not know of anyone. The rabbi told him to pray that Hashem would send him the opportunity. The very next day Avi found that abandoned baby outside his store. From that day forward, he understood that supporting her was the mission that was sustaining his own life. Now he begged to be allowed to continue. Shimon listened, but he still felt that once Emily no longer needed the support, it would not be proper tzedakah. He asked Avi to hold off on sending the next envelope while he considered the matter. That very week, the criminals returned — and this time they took Avi's life. It was clear that his allotted time had come, and that the twenty years Hashem had granted him through that mitzvah had reached their end. The man who told Rabbi Guetta this story had been at Avi's funeral and personally confirmed the details. Most of the time, the effects of giving are not so dramatic or visible. But the lesson remains the same: whenever we help another person or give charity, we must realize that it is we who are gaining the most.

We come to the end of chapter 28 in Exodus but there's a few more things that need to be covered in this chapter.  One is we need to study the Ureem and Thummeem in more detail.  The reason being is there is teaching from the orthodox rabbis that turns the Ureem and Thummeem into objects that are more related to science fiction that reality.  So what did those rabbis teach?  What was it based upon?  Once we see that there teaching is their view, their opinion, not based upon fact, we see their views are more fantasy than something that we'd say is real.  A popular rabbinc view is that the Ureem and Thummeem were related to the stones on the breast piece of the High priest.  It seems possible that this comes from the rabbinic view that the Ureem for instance are lights since they said Ureem is nothing more than the plural for the Hebrew word for light.  See the pictures below. These are summaries of the two Hebrew words.  The top picture is for the word Ureem and the one below is for the Hebrew word Or.  The word Ureeem is masculine and the Hebrew word Or, meaning light, is feminine!  This is just one problem with saying that Ureem is the Hebrew word for lights or the plural of Or.  The second issue is the spelling.  The top picture sows that Ureem's first two letters are אוּ and notice the location of the "dot" or what is known as a dagesh - וּ.  The picture below shows the first two letters of the Hebrew word Or and notice the position of the dagesh אוֹ.  The dagesh is in a different location as one can see - וֹ.  The difference is the first gives the sound UR and the second gives the sound OR.  The spelling is different and the pronunciation is different.  Ureem is NOT the plural of the Hebrew word OR meaning light.  The letters are the same in both words but the dagesh, the "dot" used for specific vowel sounds is different.  It seems that the rabbis dismissed these galring differences, concluded that Ureeem was the plural of Or, and then seemed to say the stones were used as "lights" on the breastpiece.  Understanding the Hebrew shows that is likely fantasy and can not be the truth. The Ureem and Thummeem were real.  They were put in the pocket of the linen breast piece of the High Priest.  The wording implies they were physical objects.  The Torah and the words given to Moses to write down about the Ureem and Thummeem seem to contradict what the orthodox rabbis came up with.  It is part of their midrasheem (what they got from study); it is views and ideas made up by these rabbis to try and explain something that is enigmatic, something hidden, something difficult to understand and know.  I urge you to listen to the podcast I did on Rabbinic Midrasheem or the man made views and ideas the rabbis came up with that in many cases are unbiblical and not based upon reason or fact.  It was their attempt to try and make sense of those things in Torah and seemingly have no answers or are totally beyond our understanding.  Here's the link to that podcast -  https://lightofmenorah.podbean.com/e/the-gospel-according-to-moses-genesis-lesson-47-special-what-is-rabbinc-midrash/ Another issue is to discuss another rabbinic fantasy that the rabbis made up.  "There is a mystical Jewish tradition (in other words a MIDRASH or something a mna made up to explain something) that the high priest of Israel would enter the Holy of Holies in the tabernacle or temple with a rope tied to his foot. The purpose of the rope, according to the tradition, was to retrieve the high priest's body in case he died in the course of his duties within the Holy of Holies."  (See the article, "Did the high priest have a rope tied to him when he entered the Holy of Holies?" found at the Bible study website www.GotQuestions.org or https://www.gotquestions.org/high-priest-rope.html) This is totally false and it is something that the rabbis made up and has stuck with us ever since.  We need to see that this "tradition" is antibiblical and refutes THE VERY WORDS OF GOD as to how the High Priest is to dress when he enters the Holy of Holies once per year on Yom Kippur.  I found it amazing as to how many Christians believe this to be true.  It is clear that most Christians are poorly trained in the Bible.  It is even taught in the Creation and Earth History Museum just outside of San Diego.  The false tradition is portrayed as true and in their description they even go against the Bible and God's word and instruction.   Here's an awesome scholary article on this issue that I believe will only add to your study - "That Rope around the High Priest's Ankle," by Todd Bolen at this link https://www.bibleplaces.com/blog/2009/01/that-rope-around-high-priests-ankle/ Rev. Ferret - who is this guy?  (Ferret - on the Pergamum acropolis in Turkey) What's his background?  Why should I listen to him?  Check his background at this link - https://www.dropbox.com/s/ortnret3oxcicu4/BackgrndTeacher%20mar%2025%202020.pdf?dl=0

In this Parshas Terumah review, Rabbi Aryeh Wolbe focuses on the practical meaning of the Tabernacle (Mishkan) command: “Make Me a sanctuary and I will dwell in them” (Exodus 25:8)—not “in it,” but “in them” (the people). God doesn't need a house; the Mishkan is for building intimate closeness between Hashem and the Jewish people. The Temple (and today synagogues/study halls) is a place of relationship, security, and nurturing divine connection—not a distant monument.Key lessons & practical applications:The Mishkan's purpose — God wants to reside within us (V'shachanti b'tocham). The Holy of Holies had two cherubim facing each other (God & Israel); when Jews follow Torah, they face; when not, they turn away. The home/temple is for private, intimate time with God.Gratitude for seeing descendants — Sarah, Rivka, and Rachel never saw grandchildren; Leah likely saw Asenat. Today's privilege of seeing grandchildren/great-grandchildren is enormous—grandparents must influence positively without interfering (e.g., no naming veto; parents alone decide).Naming & prophecy — Parents receive prophetic guidance at birth/bris (alleged Midrash). Adding a second name (e.g., after deceased relative) is common. Spontaneous additions (like Rabbi's son Yehuda-Noach at bris) reflect divine inspiration.Jealousy vs. knowledge of Hashem — First commandment (“Anochi Hashem…”) and last (“Lo tachmod”) connect: coveting denies Hashem's perfect plan for you. Compare only to your own potential.Modern miracles & awe — Technology (smartphones, Neuralink) reveals Hashem's wonders—don't let them become routine. Israeli survival despite missiles is ongoing splitting of the sea.The rabbi urges bold Jewish pride (yarmulke/tzitzit/tefillin in public), relentless self-improvement, and living with awe: see daily yesh me'ayin (creation from nothing) and thank Hashem constantly._____________This episode of the Parsha Review Podcast is dedicated in honor of Lenny & Teresa FriedmanDownload & Print the Parsha Review Notes:https://drive.google.com/drive/folders/1ncaRyoH5iJmGGoMZs9y82Hz2ofViVouv?usp=sharingRecorded at TORCH Meyerland in the Levin Family Studios (B) to a live audience on February 20, 2026, in Houston, Texas.Released as Podcast on February 22, 2026_____________Subscribe: Apple Podcasts (https://podcasts.apple.com/us/podcast/parsha-review-podcast-rabbi-aryeh-wolbe/id1651930083)Spotify (https://open.spotify.com/show/22lv1kXJob5ZNLaAl6CHTQ) to stay inspired! Share your questions at awolbe@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#Torah, #Parsha, #Exodus, #Shemos, #Terumah, #Mishkan, #Dwell, #JewishPride, #HashemWithin ★ Support this podcast ★

In this Parshas Terumah review, Rabbi Aryeh Wolbe focuses on the practical meaning of the Tabernacle (Mishkan) command: “Make Me a sanctuary and I will dwell in them” (Exodus 25:8)—not “in it,” but “in them” (the people). God doesn't need a house; the Mishkan is for building intimate closeness between Hashem and the Jewish people. The Temple (and today synagogues/study halls) is a place of relationship, security, and nurturing divine connection—not a distant monument.Key lessons & practical applications:The Mishkan's purpose — God wants to reside within us (V'shachanti b'tocham). The Holy of Holies had two cherubim facing each other (God & Israel); when Jews follow Torah, they face; when not, they turn away. The home/temple is for private, intimate time with God.Gratitude for seeing descendants — Sarah, Rivka, and Rachel never saw grandchildren; Leah likely saw Asenat. Today's privilege of seeing grandchildren/great-grandchildren is enormous—grandparents must influence positively without interfering (e.g., no naming veto; parents alone decide).Naming & prophecy — Parents receive prophetic guidance at birth/bris (alleged Midrash). Adding a second name (e.g., after deceased relative) is common. Spontaneous additions (like Rabbi's son Yehuda-Noach at bris) reflect divine inspiration.Jealousy vs. knowledge of Hashem — First commandment (“Anochi Hashem…”) and last (“Lo tachmod”) connect: coveting denies Hashem's perfect plan for you. Compare only to your own potential.Modern miracles & awe — Technology (smartphones, Neuralink) reveals Hashem's wonders—don't let them become routine. Israeli survival despite missiles is ongoing splitting of the sea.The rabbi urges bold Jewish pride (yarmulke/tzitzit/tefillin in public), relentless self-improvement, and living with awe: see daily yesh me'ayin (creation from nothing) and thank Hashem constantly._____________This episode of the Parsha Review Podcast is dedicated in honor of Lenny & Teresa FriedmanDownload & Print the Parsha Review Notes:https://drive.google.com/drive/folders/1ncaRyoH5iJmGGoMZs9y82Hz2ofViVouv?usp=sharingRecorded at TORCH Meyerland in the Levin Family Studios (B) to a live audience on February 20, 2026, in Houston, Texas.Released as Podcast on February 22, 2026_____________Subscribe: Apple Podcasts (https://podcasts.apple.com/us/podcast/parsha-review-podcast-rabbi-aryeh-wolbe/id1651930083)Spotify (https://open.spotify.com/show/22lv1kXJob5ZNLaAl6CHTQ) to stay inspired! Share your questions at awolbe@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#Torah, #Parsha, #Exodus, #Shemos, #Terumah, #Mishkan, #Dwell, #JewishPride, #HashemWithin ★ Support this podcast ★

Purim & The Shabbat Connection Welcome to our daily Bitachon series, and specifically to our special Erev Shabbat edition where we discuss the holiness of the day. As Purim approaches, it is the perfect time to explore the deep connection between Shabbat and the miracle of Purim. The Megillah tells us: "On the seventh day, when the heart of the king was good with wine..." (Esther 1:10). The Gemara is immediately bothered by this. This was the seventh day of the elite Shushan party, which followed 180 days of worldwide celebration. Why, only on day 187, was Achashverosh finally "content" with his wine? The King of the World The Gemara explains a fundamental rule of the Megillah: Whenever it says the word Hamelech (The King) without the name Achashverosh, it can be understood as a reference to God, the King of the World. We even see this in "Hamelech Megillot," where the top of every column begins with that word. Another famous example is "On that night, the sleep of the King was disturbed" (Esther 6:1). This doesn't just mean Achashverosh couldn't sleep; it means the King of the World "awoke," so to speak. Does God Sleep? The Midrash points out a contradiction in Tehillim. One verse says: "Behold, the Guardian of Israel neither slumbers nor sleeps." Yet another verse cries out: "Awake! Why do You sleep, O Lord?" The Gemara explains that this "sleep" depends on us. When we aren't keeping the mitzvot, God is kavyachol (as it were) asleep; He hides His face. This is why Haman said of the Jews, "Yeshno am echad" —there is a certain nation. The word Yeshno can be read as Yashen (sleeping). When we sleep spiritually, God remains in Hester (hiddenness)—the root of the name Esther . But when we awaken ourselves through Teshuvah , God "awakes" for us. Through the repentance of the Jewish people in Shushan, the King's "sleep" was disturbed, and the salvation began. The Contrast of the Seventh Day The Gemara in Masechet Megilla explains that "the seventh day" refers to Shabbat . On that day, the King of the World was "happy with wine." Which wine? The wine of the Jewish Kiddush . God looked at the contrast. The Midrash says that when the Persians celebrated, they spent their time in drunken, crude arguments about whose women were more beautiful. Achashverosh eventually said, "Bring Vashti to show everyone." The rest is history: she refused, she was executed, and the door opened for Esther. The salvation of Purim was birthed on Shabbat because God saw how we celebrate versus how the world celebrates. He saw us sanctifying the day with Kiddush while others were descending into debauchery. The "Et Ratzon" of Shabbat This isn't just a Purim story; it happens every week. The Tur explains that during Shabbat Mincha, we say: "As for me, may my prayer to You, Hashem, be at an auspicious time (Et Ratzon)..." Why is Mincha time on Shabbat so auspicious? The preceding verse in Tehillim mentions those who "sit and drink beer." King David is highlighting a contrast: What do other nations do on their day off? They are in the bars or rolling in the gutters. But what do the Jewish people do? Yes, we ate; yes, we drank; yes, we slept—but here we are, back in Shul for Mincha. When God sees us turn a "day off" into a "holy day," it creates a massive Et Ratzon in Heaven. That is the secret of Purim and the power of every Shabbat. By choosing to use our rest for praise and holiness, we arouse God's presence and bring about our own salvation.

What if the most “frum” thing you can do at work… is simply doing your job well?In this episode, I'm joined by Rav Dovid Gottlieb for a sharp, practical conversation built around a powerful piece from Rav Shlomo Wolbe (Alei Shur)—with guidance that every working Ben Torah needs.Soon after, we take these ideas into one of the hottest and most real-life arenas right now: religious soldiers in the IDF, and the tension of doing what's right while still missing the beis medrash, the minyan, and the Yom Tov experience. The takeaway applies to soldiers and professionals: avoid guilt, stay honest about what you're missing, and keep striving.In this episode:The Midrash about Chanuch the cobbler: how “every stitch” can be holy when your goal is to help peopleRav Wolbe's big idea: there's no such thing as truly “secular” work when you bring the right kavanaThe “Do Your Job” principle: why learning/davening at the wrong time can become a mitzvah haba'ah b'aveirahThe soldier/workforce parallel: no guilt when you're doing what Hashem needs from you now—while still feeling the loss of what you're missingBalancing the three jobs: family, parnassah, and Torah (and why there's no one-size-fits-all formula)A powerful closing charge from Rav Wolbe: Hashem hasn't given up on you—keep striving to grow in Torah“Latent awareness”: how Torah stays with you even when you're fully focused on your missionTo support Religous IDF soliers click here and support Tzalash.If you want to help us grow Shtark Tank, make sure to hit subscribe and leave a 5 star review, thanks!

Different views exist regarding the congregation's "Yeheh Shemeh Rabba" response during Kaddish. All agree that this response is associated with the number 28, but there is a disagreement as to how this association is to be expressed. The significance of this number in the context of the "Yeheh Shemeh Rabba" response is indicated by the Gemara, which speaks of the great rewards for reciting this response "Bechol Koho" – with all one's strength. The word "Koah" ("strength") in Gematria equals 28, and so we associate this response with the number 28. The Abudarham (Spain, 14 th century) maintained that the congregation should respond with 28 letters – "Yeheh Shemeh Rabba" through "Almaya." This response consists of seven words and 28 letters. Rav Yishak Abuhab (Spain, 14 th century), cited by the Bet Yosef, ruled that one should recite 28 words – from "Yeheh Shemeh Rabba" through "Da'amiran Be'alma." The Bet Yosef writes that the first view is incorrect, as one may not end the response after the word "Almaya." He brings a Midrash warning of grave punishment for those who make a separation between this word and the next word, "Yitbarach." This point is emphasized also by the great Kabbalist Rav Yosef Gikatilla (Spain, 13th century), who writes of the importance of not separating between these two words. Accordingly, the Shulhan Aruch writes that those who end their response with the word "Almaya" act incorrectly. The Magen Abraham (Rav Abraham Gombiner, Poland, 1635-1682) understood the Shulhan Aruch to mean that one should continue his response through the word "Be'alma," though the Magen Abraham himself maintained that one should respond only through "Almaya." Regardless, we generally follow the customs of the Arizal, who taught that one should respond through "Da'amiran Be'alma." There are some who respond through "De'Kudsha Berich Hu," but this practice has no halachic basis and is incorrect. Those who are accustomed to doing so should discontinue this practice. Among the Ashkenazim, many have the custom to respond only through "Almaya." This was the view of the Gaon of Vilna (1720-1797). He disputed the view that "Yitbarach" must be recited immediately after the word "Almaya," arguing that "Yitbarach" begins the next sentence. Nevertheless, some Ashkenazim add "Yitbarach" and conclude their response at that point. The Aruch Ha'shulhan (Rav Yechiel Michel Epstein, 1829-1908) observed that this was the prevalent practice among Lithuanian communities, despite the view of the Vilna Gaon. It is worth adding further insight into the connection between Kaddish and the number 28 – which, as mentioned, is the Gematria of the word "Koah." Rashi, in his opening comments to the Humash, writes that the Torah begins with the story of the world's creation in order to establish that the entire world belongs to G-d, as it is He who created it, and He thus had the authority to give Eretz Yisrael to the Jewish People. If the gentiles challenge our rights to our homeland – which they of course do, especially in our day and age – we must know that Hashem created the world and distributed it as He saw fit, and He decided to give us the Land of Israel. Rashi cites the verse in Tehillim (111:6), "Koah Ma'asav Higid Le'amo, La'tet Lahem Nahalat Goyim" – "He told His nation the power of His deeds, in order to give them the nations' territory." The story of G-d's "power," the creation of the world, is our response when nations challenge our right to the territory that we seized from the people of Canaan. Not coincidentally, the opening verse of the Torah ("Bereshit Bara Elokim…") consists of seven words and 28 letters – just like "Yeheh Shemeh Rabba…" – and Rashi links this verse to the verse "Koah Ma'asav Higid Le'amo," which begins with the word "Koah." Through our response to Kaddish, then, we access Hashem's unlimited power, expressed most strikingly through the act of creation, and this gives us the ability to withstand any challenge from our adversaries. It is worth noting in this context the famous Midrashic tradition that Moshe Rabbenu recited 515 prayers asking for the privilege of entering Eretz Yisrael (the numerical value of the word "Va'et'hanan"), and if he would have recited a 516 th prayer, Hashem would have had to grant his request. The commentaries explain that this 516 th prayer that Moshe would have recited was Kaddish, which begins with the words "Yitgadal Ve'yitkadash Shemeh Rabba." The first letters of these words (Yod, Vav, Shin, Resh) have a combined numerical value of 516 (10+6+300+200). This sheds additional light on the connection between Kaddish and Eretz Yisrael. When we recite and respond to Kaddish, we are asking that Hashem's Name should be glorified through our nation living in the land with the Bet Ha'mikdash under the reign of Mashiah, and this prayer has special power and significance. In light of this association between "Yeheh Shemeh Rabba" and the number 28, it is critically important to enunciate each word. If one responds too quickly, he might likely fail to pronounce the word "Min" in the phrase ("Le'ela Min Kol Birchata"), and will thus recite fewer than 28 words. The Poskim write that one should respond "Yeheh Shemeh Rabba" slowly and carefully, ensuring to properly pronounce each word. Summary: Our custom is to respond during Kaddish from "Yeheh Shemeh Rabba" through "Da'amiran Be'alma" – a total of 28 words. This number is very significant, and therefore one must ensure to respond slowly and properly pronounce all the words.

The Rebbe responds to a Tu BiShvat letter, urging him to explain to a poor but G-d-fearing individual the Midrash on the poor person's offering. Drawing on Chassidus and the Zohar, he stresses that the prayer of the poor comes first and encourages speaking from the heart to inspire commitment to Chumash, Tehillim, and Tanya study. https://www.torahrecordings.com/rebbe/igroskodesh/016/005/6054

To be a judge isn't so simple

The Rebbe affirms that involvement with women is not new but deeply rooted in Torah and Midrash, highlighting their precedence even over the angels in song. He blesses this work with great success, especially by expanding both those influenced and those who influence others. https://www.torahrecordings.com/rebbe/igroskodesh/016/005/6053

In Ask Away #29 of the Everyday Judaism podcast, Rabbi Aryeh Wolbe answers a wide range of live and emailed questions on practical halacha, Jewish identity, and intentional living:Seven-grain bread — Still hamotzi (bread) because it is made from the five grains + water with bread-like consistency, texture, and taste—even with added grains/flavors.Pretzel bagels/pretzel buns — Treated as bread (hamotzi) due to consistency; the pretzel topping/flavor doesn't change the halachic status.Matzah — Hamotzi (considered bread, just unleavened); crackers generally fall into mezonot (pas haba b'kisnin/snack category).Matriarchs & grandchildren — No specific tradition explains why Sarah, Rivka, and Rachel never saw grandchildren (Isaac married after Sarah's death; Rivka died before grandchildren returned; Rachel died en route to Bethlehem). Leah likely saw at least Asenat (Dina's daughter). Rabbi emphasizes the privilege of seeing grandchildren/great-grandchildren today and grandparents' responsibility to influence positively without overstepping (e.g., no interference in naming).Naming customs — Parents alone decide children's names (no parental/grandparental veto); alleged Midrash says parents receive prophetic guidance at birth/bris. Adding a second name (e.g., after a deceased relative) is common when appropriate.God/Hashem in English — Many poskim consider “God” (G-O-D) equivalent to writing/saying Hashem's name in English—avoid casual use (“oh my God”); say “Hashem,” “Almighty,” or “Creator” instead. In blessings (e.g., Amidah in English), use “Hashem” with same kavana (focus/intent) as Ado-nai.Public Hamotzi & children — Educational (teaches brachot), but ideally includes hand-washing and actual bread-eating; without these, it's not proper netilat yadayim/hamotzi.Gluten-free bread — If made from five grains + water and bread-like, hamotzi; pure potato starch “bread” is not hamotzi (mezonot or shehakol depending on form).The rabbi stresses halachic precision (e.g., bread vs. snack distinctions), gratitude for seeing grandchildren, and avoiding casual use of God's name in English.Please submit your questions at askaway@torchweb.org_____________The Everyday Judaism Podcast is dedicated to learning, understanding and appreciating the greatness of Jewish heritage and the Torah through the simplified, concise study of Halacha, Jewish Law, thereby enhancing our understanding of how Hashem wants us to live our daily lives in a Jewish way._____________This Podcast Series is Generously Underwritten by Marshall & Doreen LernerDownload & Print the Everyday Judaism Halacha Notes:https://drive.google.com/drive/folders/1RL-PideM42B_LFn6pbrk8MMU5-zqlLG5This episode (Ep. #86) of the Everyday Judaism Podcast by Rabbi Aryeh Wolbe of TORCH is dedicated to my dearest friends, Marshall & Doreen Lerner! May Hashem bless you and always lovingly accept your prayer for good health, success and true happiness!!!Recorded in the TORCH Centre - Levin Family Studio (B) to a live audience on January 11, 2026, in Houston, Texas.Released as Podcast on February 4, 2026_____________Connect with Us:Subscribe to the Everyday Judaism PodcastApple Podcasts: https://podcasts.apple.com/us/podcast/everyday-judaism-rabbi-aryeh-wolbe/id1600622789Spotify: https://open.spotify.com/show/3AXCNcyKSVsaOLsLQsCN1CShare your questions at askaway@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#AskAway, #Torah, #Halacha, #Q&A, #Jewish, #Halacha, #Hamotzi, #Bread, #Blessings, #Matzah, #Pretzel, #Bagel, #NamingChildren, #God ★ Support this podcast ★

In Ask Away #29 of the Everyday Judaism podcast, Rabbi Aryeh Wolbe answers a wide range of live and emailed questions on practical halacha, Jewish identity, and intentional living:Seven-grain bread — Still hamotzi (bread) because it is made from the five grains + water with bread-like consistency, texture, and taste—even with added grains/flavors.Pretzel bagels/pretzel buns — Treated as bread (hamotzi) due to consistency; the pretzel topping/flavor doesn't change the halachic status.Matzah — Hamotzi (considered bread, just unleavened); crackers generally fall into mezonot (pas haba b'kisnin/snack category).Matriarchs & grandchildren — No specific tradition explains why Sarah, Rivka, and Rachel never saw grandchildren (Isaac married after Sarah's death; Rivka died before grandchildren returned; Rachel died en route to Bethlehem). Leah likely saw at least Asenat (Dina's daughter). Rabbi emphasizes the privilege of seeing grandchildren/great-grandchildren today and grandparents' responsibility to influence positively without overstepping (e.g., no interference in naming).Naming customs — Parents alone decide children's names (no parental/grandparental veto); alleged Midrash says parents receive prophetic guidance at birth/bris. Adding a second name (e.g., after a deceased relative) is common when appropriate.God/Hashem in English — Many poskim consider “God” (G-O-D) equivalent to writing/saying Hashem's name in English—avoid casual use (“oh my God”); say “Hashem,” “Almighty,” or “Creator” instead. In blessings (e.g., Amidah in English), use “Hashem” with same kavana (focus/intent) as Ado-nai.Public Hamotzi & children — Educational (teaches brachot), but ideally includes hand-washing and actual bread-eating; without these, it's not proper netilat yadayim/hamotzi.Gluten-free bread — If made from five grains + water and bread-like, hamotzi; pure potato starch “bread” is not hamotzi (mezonot or shehakol depending on form).The rabbi stresses halachic precision (e.g., bread vs. snack distinctions), gratitude for seeing grandchildren, and avoiding casual use of God's name in English.Please submit your questions at askaway@torchweb.org_____________The Everyday Judaism Podcast is dedicated to learning, understanding and appreciating the greatness of Jewish heritage and the Torah through the simplified, concise study of Halacha, Jewish Law, thereby enhancing our understanding of how Hashem wants us to live our daily lives in a Jewish way._____________This Podcast Series is Generously Underwritten by Marshall & Doreen LernerDownload & Print the Everyday Judaism Halacha Notes:https://drive.google.com/drive/folders/1RL-PideM42B_LFn6pbrk8MMU5-zqlLG5This episode (Ep. #86) of the Everyday Judaism Podcast by Rabbi Aryeh Wolbe of TORCH is dedicated to my dearest friends, Marshall & Doreen Lerner! May Hashem bless you and always lovingly accept your prayer for good health, success and true happiness!!!Recorded in the TORCH Centre - Levin Family Studio (B) to a live audience on January 11, 2026, in Houston, Texas.Released as Podcast on February 4, 2026_____________Connect with Us:Subscribe to the Everyday Judaism PodcastApple Podcasts: https://podcasts.apple.com/us/podcast/everyday-judaism-rabbi-aryeh-wolbe/id1600622789Spotify: https://open.spotify.com/show/3AXCNcyKSVsaOLsLQsCN1CShare your questions at askaway@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#AskAway, #Torah, #Halacha, #Q&A, #Jewish, #Halacha, #Hamotzi, #Bread, #Blessings, #Matzah, #Pretzel, #Bagel, #NamingChildren, #God ★ Support this podcast ★

Honouring Yitro

Numerous sources emphasize the great importance and value of answering to Kaddish. In Masechet Berachot (6b), the Gemara teaches that when Hashem comes into the synagogue and sees that there are fewer than ten men present, "Miyad Hu Ko'es" – He immediately becomes angry. The Ben Ish Hai (Rav Yosef Haim of Baghdad, 1833-1909) raised the question of why the Gemara adds the word "Miyad" – "immediately." What is added by telling us that G-d's anger is aroused instantly? The Ben Ish Hai answers by suggesting that "Miyad Hu Ko'es" means that Hashem grows angry because of "Yad" – the letters Yod and Dalet. The letter Yod equals 10, alluding to the minimum of ten Kaddishim which one should hear and respond to each day, and Dalet equals 4 – referring to the four recitations of Nakdishach which a person should hear and respond to each day. When people do not come to the Minyan, Hashem becomes angry – even though the people can pray privately, because they cannot respond to Kaddish or Nakdishach. The Gemara in Masechet Sota (49a) states that although the world's condition has been worsening progressively since the Bet Ha'mikdash was destroyed, it is sustained in the merit of the "Yeheh Shemeh Rabba" response to Kaddish, and of the recitation of the Kidusha De'sidra (a section of the U'ba Le'sion prayer). Moreover, the Gemara in Masechet Shabbat (119b, according to one version of the text) teaches that if a person was deemed worthy of seventy years of suffering, he can have the decree rescinded in the merit of responding "Yeheh Shemeh Rabba" with all his strength. The Gemara further states that the merit of this response can bring a person atonement even for the sin of idolatry. Another passage there in the Gemara teaches that if a person responds "Yeheh Shemeh Rabba" with all his strength, the gates of Gan Eden are opened for him. Similarly, the Sefer Hasidim (Rabbenu Yehuda Ha'hasid, Germany, 1150-1217) writes that one who regularly responds "Amen" in this world earns the privilege of doing so also in the world to come. This is alluded to in the verse in Tehillim (89:53), "Baruch Hashem Le'olam Amen Ve'amen" ("Blessed is G-d forever, Amen and Amen"). The phrase "Amen Ve'amen" alludes to the response of "Amen" both in this world and the next. Another important source is the Gemara's teaching in Masechet Berachot (3a) that when Jews gather in the synagogue and declare, "Yeheh Shemeh Rabba," Hashem exclaims, "Fortunate is the king whose subjects praise him this way!" The Bet Yosef cites the Zohar as explaining that Kaddish is recited in Aramaic, instead of Hebrew, because it has the unique power to oppose the Kelipot ("shells," the harmful spiritual forces). We use the inferior language, Aramaic, so we can attack the Kelipot in their language, as it were, and this has the effect of eliminating the forces of evil from the world. Tosafot (Shabbat 119b) cite a story from the Midrash about Rabbi Yishmael Kohen Gadol, who was shown how the dreadful punishments that are decreed upon Beneh Yisrael are avoided in the merit of the response of "Yeheh Shemeh Rabba." And the Zohar states that the sign of a great Torah scholar is if he fervently looks for opportunities to respond to Kaddish. If a person rushes out of the synagogue before the final Kaddish, then even if he is a scholar, he cannot be considered a true Talmid Hacham. The Gaon of Vilna (1720-1797) writes that those who answer "Yeheh Shemeh Rabba" will be spared the suffering from the upheavals that will occur before the arrival of Mashiah. The Mishna Berura cites a passage from the Midrash describing Hashem's reaction when Jews assemble to learn Torah and then recite Kaddish – He turns to angels and exclaims, "See how My children praise me!" Importantly, however, Rav Moshe Zakuta (1625-1697) writes that one must respond "Amen" with Kavana (concentration). If a person answers mindlessly, without paying attention, then he is included, Heaven forbid, in G-d's warning, "U'bozai Yekalu" – that those who disgrace Him will be shamed (Shemuel I 2:30). It is told that Rav Mordechai Gifter (1915-2001), the esteemed Rosh Yeshiva of Telz in Cleveland, once traveled with eight students to Toronto for a wedding. They were altogether nine men, and thus could not form a Minyan, but they assumed that they would have time upon arriving in Toronto to join a Minyan for Minha. As it happened, however, the plane made an emergency landing in some small town between Cleveland and Toronto. The group needed to recite Minha there, despite not having a Minyan. To their astonishment, a worker in the airport approached them as they were starting to pray and informed them that he was Jewish and wished to join them. He could not even read Hebrew, but he told the group that he wanted to recite Kaddish, and he needed their help. They made a Minyan, and helped him recite Kaddish. Afterward, Rav Gifter spoke to him and asked why he, a Jew without any religious background, wished to pray and recite Kaddish. The man explained that his father passed away several days earlier. The night before he met this group in the airport, his father came to him in a dream and told him he needed him to recite Kaddish for him. The man asked his father how he could recite Kaddish, as he lived in a town without a Jewish community. "Don't' worry," his father said, "tomorrow I'll send you a Minyan so you can recite Kaddish." This story demonstrates how everything happens for a purpose, and that nothing is random – but additionally, it teaches us the importance of Kaddish, and the great benefit it brings to the soul of the deceased when the children recite Kaddish.

Family or a neighbour who is better?

There are several different kinds of Kaddish, the first of which is commonly known as "Hasi Kaddish" – "half-Kaddish." The term "Hasi Kaddish" is actually a misnomer, as the text of this Kaddish is in fact the complete original text, composed either by the Ansheh Kenesset Ha'gedola (Men of the Great Assembly) at the beginning of the Second Commonwealth, or several generations later, by the Tanna'im. The prayers added to the other Kaddish texts were introduced later, during the period of the Geonim or the period of the Rishonim. These other texts are known to us as "Kaddish Titkabal," "Kaddish Yeheh Shelama," and "Kaddish Al Yisrael" (which is also referred to as "Kaddish De'Rabbanan"). "Kaddish Titkabal" includes a request that our prayers be answered, and it is recited after the Amida prayer, and after Shelihot. "Kaddish Yeheh Shelama" is said after the recitation of a text of Torah She'bi'chtab (Tanach), such as following an Arayat. Finally, "Kaddish Al Yisrael" is recited after a session of studying Torah She'be'al Peh (the oral Torah), such as Mishna or Gemara. This text contains a prayer for the wellbeing of the Torah scholars and their students (which is why this Kaddish is also known as "Kaddish De'Rabbanan" – the Rabbis' Kaddish). We recite this Kaddish in the morning after the Korbanot section, which includes the Mishnayot of "Ezehu Mekoman" and the Berayta of Rabbi Yishmael. It is recited again at the end of the prayer service, following the recitation of the Ketoret text which includes passages from the Gemara. This final "Kaddish Al Yisrael" after the Ketoret is known as "Kaddish Yatom" – the mourner's Kaddish, as it is recited by those in mourning for a parent. The Arizal taught that the recitation of this Kaddish by a mourner has the ability to extricate the parent from Gehinnom and bring him or her to Gan Eden. These final three Kaddish texts conclude with a prayer for peace and material blessings. The Rabbis explain that we first pray that "Yitgadal Ve'yitkadash Shemeh Rabba" – that G-d's Name should be glorified and become known throughout the world, before proceeding to ask for our personal needs. This is based on the concept that we must first pray for G-d's sake, so-to-speak, for the glory of His Name, and in this merit our personal requests will be granted. The Tur (Rabbenu Yaakob Ben Asher, Germany-Spain, 1269-1343) brings a teaching of the Midrash that if a person includes in his prayers the plea that Hashem should act for the sake of His Name ("Aseh Lema'an Shemecha, Aseh Lema'an Yeminecha…"), then he will be given the merit to greet the Shechina. We should pray not only for our own benefit, but also for the sake of the glorification of G-d's Name. This notion is alluded to in the first four words of Kaddish – "Yitgadal Ve'yitkadash Shemeh Rabba." These words begin with the letters Yod, Vav, Shin and Resh, which have the combined numerical value of 516. The Sages teach that Moshe Rabbenu prayed 515 times for the privilege of entering the Land of Israel, whereupon G-d commanded him to stop praying. Some commentators explain that Moshe was told to stop because if he had recited a 516 th prayer, then his prayer would have been accepted (and it was decreed that Moshe must not go into the land). Moshe prayed solely for the purpose of "Yitgadal Ve'yitkadash Shemeh Rabba," for the sake of the glorification of the divine Name, and not for his personal benefit, and his prayer therefore would have deserved to be accepted. When our intentions are sincere, when we pray for our needs so we can succeed in our mission in the world, the mission of bringing honor to the Almighty, then we are worthy of having our prayers answered.

התוכן עה"פ בחמישי דפ' בשלח "הנני ממטיר לכם מן מן השמים.. למען אנסנו הילך בתורתי או לא", איתא במדרש "מכאן שלא ניתנה תורה [לידרוש] אלא לאוכלי המן"! וצ"ל: הענין ד"אוכלי המן" בזמננו קאי על אלו שאין להם טירדת הפרנסה, בדוגמת אוכלי המן שראו כל יום איך שה' ממלא צרכיהם וכו', והרי כאו"א מחוייב בתלמוד תורה?! ויובן זה עפמ"ש בגמ' [ע"ז יט.] עה"פ "בתורת ה' חפצו ובתורתו יהגה יומם ולילה" - "בתחילה נקראת על שמו של הקב"ה ולבסוף נקראת על שמו". והיינו, שלימוד התורה יכול להיות באופן שלומדים תורתו של ה' או באופן, נעלה יותר, שהתורה נעשית "תורתו" של האדם. וזהו דיוק הלשון "לא ניתנה תורה אלא לאוכלי המן": למי ניתנת התורה (כי "נותן התורה" לשון הווה - כל פעם שלומד תורה ה"ז נתינת התורה כבתחילה) באופן שתקרא "על שמו", "ובתורתו יהגה", ה"ז דוקא ל"אוכלי המן" - למי שבשעה שמתיישב ללמוד תורה אין לו שום מחשבות המבלבלות (גם לא מחשבות בנוגע לפרנסה שמחוייב בזה)! וזהו לימוד התורה בשלימותו!ב' חלקים משיחת י' שבט ה'תשכ"ז ל"הנחה פרטית" או התרגום ללה"ק של השיחה: https://thedailysicha.com/?date=30-01-2026 Synopsis On the verse (in chamishi of parashas Beshalach), “…I am going to rain down bread for you from the sky…to test them as to whether or not they will follow My Torah,” the Midrash states: “From here we learn that the Torah was given (to be expounded) only to those who ate the mann.” Seemingly, “those who eat the mann” these days refers to those who are free from worries about earning a livelihood (similar to those who ate the mann in the desert, who saw clearly that Hashem fulfilled their needs every day etc.). But seemingly, everyone is obligated in the mitzvah of Torah study? This can be understood based on the Gemara's explanation of the verse, “His desire is in Hashem's Torah, and in his Torah he meditates day and night” – “At first it is called by the name of the Holy One, blessed be He, but in the end it is called by one's own name.” Meaning, one can learn Torah as Hashem's Torah, or in a higher manner, where it becomes the person's Torah – “his Torah.” This is why it says, “The Torah was given only to those who ate the mann”: to whom is the Torah “given” (and every time one learns Torah, it is given anew, which is why we call Hashem the “Giver of the Torah” in the present tense), in such a way that it becomes his – only to those who “eat the mann” – those who sit down to learn without any distracting thoughts (not even thoughts about earning a livelihood, which is an obligation of the Torah). This is the ultimate form of Torah study.2 excerpts from sichah of 10 Shevat 5727 For a transcript in English of the Sicha: https://thedailysicha.com/?date=30-01-2026 לזכות הרה"ת ר' יהושע בן עטא דבורה שי' ליום ההולדת שלו י"ב שבט לשנת ברכה והצלחה, ואריכות ימים ושנים טובות*לזכות מרת שרה ברכה בת חנה רבקה שתחי' ליום ההולדת שלה י"ג שבטלשנת ברכה והצלחה, ואריכות ימים ושנים טובות

Hashem wants us to learn about Him from the way He revealed Himself at Yetziat Mitzrayim. The pesukim tell us again and again how we are meant to see that Hashem is the only One who controls everything that happens in this world. There are people who believe that everything that happens to them is from Hashem, yet when they go through prolonged difficulties, they have complaints, feeling that they are being dealt with unfairly. To know that Hashem controls everything is not enough. We also need to know how loving and merciful He is. When Moshe Rabbeinu asked Hashem, "Why are You dealing so harshly with the Jewish people?" Hashem answered him that He is Hashem. The Targum Yonatan explains that Hashem told him, "I am the Hashem who appeared to you at the burning bush." How do we understand this response? How does this explain why He was dealing with the Jewish people so harshly? The Maharal writes that there are different levels of love between people. When it comes to true friends, each one will participate in the happy occasions of the other. But the greatest expression of love is when one friend is in pain because the other one is hurting. It is much easier to celebrate with a friend than to feel hurt when he is hurt. When a person is in pain because his friend is in pain, that shows that his life is not a life without his friend. He cannot enjoy his own life knowing that his friend is in trouble. When Hashem appeared to Moshe at the burning bush, one of the reasons He came to him in a thorn bush was to show Moshe that He was in pain because of the pain that the Jewish people were experiencing. The Midrash says, look at how much Hashem loves us. He calls us His daughter and His sister and His mother. The Maharal says, if it didn't say it, we wouldn't be allowed to say it ourselves. But everyone knows that a child cannot exist without first having a mother. Although Hashem does not need anyone or anything, He calls us His mother to tell us that because of His great love for us, He makes Himself feel as if He needs us to exist. This love is shown most clearly by Hashem feeling the pain of every single Jew when he is in pain. So when Moshe Rabbeinu asked Hashem, "Why are You treating the Jewish people so harshly in Mitzrayim?" Hashem replied to him by reminding him immediately about the vision he had at the burning bush. If a doctor were operating on a patient and causing the patient pain, a relative of that patient might question the doctor and ask why he was operating in such a painful way when perhaps there was a less painful method. But if the doctor were operating on his own child, no one would ask any questions, because they would know that he is doing the surgery in the best possible way. Hashem was telling Moshe that the question of "Why am I hurting My nation?" is invalid, because I am their loving Father. I am treating them in the best possible way for them. When they are hurting, I am hurting. We must understand how much Hashem loves us. The Midrash asks, why did Hashem appear to Moshe in a thorn bush? One of the answers it gives is because a thorn bush is the lowest of all trees in terms of humility. There is no apparent purpose to it. It does not seem to provide any benefit. So too, that is how the Jewish nation looked in Mitzrayim, like people with nothing going for them. They had fallen almost to the forty-ninth level of tumah. They were idol worshippers. They had no zechuyot to be redeemed. Yet Hashem came and showed Moshe that if He could rest His presence in a thorn bush, He could redeem a nation that looked like a thorn bush. Because Hashem's love for us does not depend on our deeds. He loves us more than a parent could ever love a child. Even though Hashem gave us the mitzvah of Milah and Pesach before we left Mitzrayim, that was after He had already performed nine makkot and had everything set for the geulah. He did not first require us to have zechuyot to be saved. He saved us because He loves us. The Shem mishmuel said on the words "raoh raeety" that Hashem told Moshe, even though I see them after Matan Torah worshipping the Eigel, I am still going to redeem them. Hashem's love for us is unfathomable. If a person asks, "Why is Hashem doing bad to me?" it just means that he has not yet comprehended the love that Hashem has for him. Hashem feels his pain more than he does. He is only doing the best possible thing for him. If we could feel even a small part of the true love that Hashem has for us, we would be able to live more happily no matter what we are going through.

התוכן ברביעי דפ' בשלח מסופר אודות קריעת ים סוף. מסופר במדרש דזה מ"ש הקב"ה "דבר אל בנ"י ויסעו" הוא כי רצה הקב"ה שיהודי יקפוץ לים רק בגלל שכך צוה הקב"ה, ורק לאחר שנחשון בן עמינדב קפץ לים – נבקע הים, ובנ"י ניצלו ממצרים והלכו לקבלת התורה וכו' עד לכניסתם לא"י. וההוראה: גם אם רואים מסביב מניעות ועיכובים ללימוד התורה בהתמדה ושקידה ולקיום רצונו ית' בהידור, הנה כאשר מראים שמ"מ מוסרים נפש כדי לקיים את רצונו ית', אז מתבטלים בדרך ממילא כל המניעות ועיכובים. ובפרט בנוגע לתלמידי הישיבה, שכל ענינם הוא לימוד התורה וקיום מצוותי', ולפעמים נדמה להם שיש להם מניעות קשים ביותר (ובפרט מצד חבריהם הלא-טובים), ועאכו"כ לנצל גם את זמנם הפנוי מסדרי הישיבה ללימוד התורה – הנה כאשר הבחור לא נבהל מכל המניעות אלא "קופץ לים" – "נקרע הים" ומתבטלות המניעות ועיכובים, ולא עוד – אלא שרואה הצלחה בכל עניניו. משיחת אור ליום ד' פ' בשלח, י"ב שבט ה'תשכ"ו, ב"יחידות" להתלמידים שיחיו דישיבת תות"ל במאָנטרעאַל ל"הנחה פרטית" או התרגום ללה"ק של השיחה: https://thedailysicha.com/?date=26-01-2026 Synopsis Revi'i of parashas Beshalach recounts the events of Kerias Yam Suf. The Midrash says that when Hashem says, “Speak to the Jewish people and let them travel,” it is because Hashem wanted a Jew to jump into the sea simply because that is what Hashem commanded. It was only after Nachshon ben Aminadav jumped into the sea that the sea split, saving the Jewish people from Egypt and enabling them to receive the Torah and build the Mishkan etc., and eventually to enter Eretz Yisroel. The lesson is that even if one sees that there are obstacles to learning Torah constantly and diligently, and to fulfilling Hashem's will behidur, when one demonstrates that he is nevertheless prepared to have mesiras nefesh to fulfill Hashem's will, all the obstacles and hindrances fall away automatically. This is especially true for yeshivah students, whose entire function is Torah study and doing mitzvos. While it may sometimes seem to them that they face very difficult obstacles (particularly from not-good friends), and even more so when it comes to using even their free time for Torah study – nevertheless, when a bochur is not fazed by the obstacles and instead “jumps into the sea,” then “the sea splits” – the obstacles will cease to exist, and he will see success in all his endeavors.Sichah of Tuesday night, parashas Beshalach, 12 Shevat 5726 – in Yechidus for the students of Yeshivas Tomchei Temimim Lubavitch Montreal For a transcript in English of the Sicha: https://thedailysicha.com/?date=26-01-2026 לע"נ מרת רבקה רחל בת ר' חיים דוב ע"ה שנור ליום היארצייט שלה ח' שבט. ת.נ.צ.ב.ה.*לזכות רבקה בת שושנה שתחי' ליום ההולדת שלה ט' שבט - לשנת ברכה והצלחה, ואריכות ימים ושנים טובות

What does it take to truly cross from survival into freedom? In this episode, Zvi Hirschfield and Yiscah Smith explore Parshat Beshalach through the lens of trauma, freedom, and spiritual courage. They examine why the Israelites are not ready for battle, why song only emerges after the splitting of the sea, and how freedom requires more than escape—it demands inner transformation. Moving between text, Midrash, and lived experience, the conversation invites listeners to see the crossing of the sea as both a national liberation and a personal call to “jump in” to the unknown on the path to becoming truly free.

0:00 What is Judaism all about?2:00 Did the forefathers know the Name of Hashem or not?4:00 Exodus initiated two seemingly different things: knowledge of Hashem and freedom from bondage5:55 Where does the Torah fit into Exodus?9:00 "Nobody is free but for he who studies Torah" – how does the Torah make a person free?13:15 The prophets' opposition to sacrifices, in contradiction to the Torah18:45 Midrash is the insistence to read verses closely and exactly21:30 The focus of the prophets on da'as Hashem25:45 The response to "I am Hashem" is da'as Hashem29:30 Summary of the points made thus far32:00 Moshe asked to know Hashem, and his request was denied36:30 The contradiction between the Torah and the Prophets about whether Hashem can be seen38:30 Two meanings of "seeing" and two meanings of "knowing"43:00 A creature of super-human intelligence once visited earth and revealed that the totality of human knowledge is folly46:15 It's easy to see Hashem – but then you die48:00 Why sacrifices and da'as Hashem are mutually exclusive50:30 Why suicide is the root problem of philosophy1:02:00 Law is for those who don't have da'as Hashem1:13:00 Moshe thought that his mission was one of bringing da'as Hashem to the people, just like all the prophets1:18:45 Hashem told Moshe that the impossibility of da'as Hashem is also a fundamental component of the Torah1:20:30 The one who has da'as Hashem is truly free, since his mind is the mind of Hashem1:25:15 Judaism is fundamentally about freedom1:28:45 "They did not listen to Moshe because of shortness of spirit and because of hard labor" – they refused to embrace da'as Hashem1:31:30 You cannot understand anything about the Torah without realizing that there are two contradictory paths throughout the Torah1:33:30 Is it impossible to be completely free; human beings cannot allow themselves to be completely free1:36:30 In order to being thinking freely, there must be guardrails beyond which one wouldn't think1:41:45 How the Torah is a function of the servitude in Egypt1:43:30 True da'as Hashem is the hypothetical ideal 1:45:45 How the Torah supports the convincing illusion of da'as Hashem1:47:30 Many people make the mistake of trying to make the Torah make sense and have it replace da'as Hashem1:49:20 The stronger your da'as Hashem, the stronger your Torah needs to be

Women of the BibleIn this study we will take a look at the women within the Bible. We will look at each one of them and see how their story influences our lives today.In this first study we will start with Eve.Eve was the first woman. Independent and curious, she disobeyed Yahweh's commands. She ate the forbidden fruit, (more on this later) setting forth major change in the Garden of Eden - and human history.Although man and woman have different roles to play within marriage, as far as our standing with Yahweh is concerned, we are equal. We are both created in the image of Yahweh. We were both called to subdue the earth. In our last study we began with the story on Eve. We discovered that Eve WAS NOT taken from one of Adam's ribs, but from the image of his side as the Hebrew word for our English word “rib” is “tsay-law'”. We finish up our study in Genesis 3 where we were reading about the Serpent deceiving the woman, Eve. I will begin in Chapter 3 verse 3.So far in this Chapter 3 we seen the serpent (nachash – shining one) talking with Eve. What we have seen here is that Satan's method of operation. Twisting Yahweh's Words! Just as he tried to do in Matthew 4. In our last study I have read to you how Satan comes and goes between heaven and earth as documented in Job Chapters 1 and 2. We also learned how beautiful Satan was in Ezekiel Chapter 28 until sin was found within him. Paul informs us that in 2 Corin. 11:14 Satan can transform into an angel of light.3   tree = from Strongs 6086, “ates” from 6095; now 6086 is tree, from it's firmness, 6095 is “as-tsaw” a prime root, properly to fasten (to make firm) that is, to close (the eyes). The spine [as giving] firmness to the body] backbone.Eat = “aw-kal” a prime root; to eat [literally or figurally] at all, burn up, consume, devour, dine, eat, food, meat.Neither…it = notice, these words are added by the women, check 2:16, 17. There was no word concerning “touching '' in the original prohibition. This exaggeration on the part of the woman, says the Midrash, was the cause of her fall.Touch = “naw-ga”, lay the hand upon for any purpose, to lie with a woman]Compare 2 Corin. 11:3; beguiled = “ex-ap-at-ah-o” wholly seduceLest ye die = misquoted from 2:16, 17, by not repeating the emphatic figure “polyptoton”, thus changing the emphasizes preserved in the word “surely”! Other words, Eve modified the phrase to take away the importance from Yahweh 5     Note, the reason Satan tells Eve that they would be like Eliohim, is Satan himself is trying to be like Elohim. Ezek. 28:13Ye shall be as eliohims = Satan's 2nd lie!6   The woman saw = though the tempter did not tell the woman to eat the fruit, he had woven the spell.good = This is the lust of the flesh.Pleasant = ‘chamad' To desire, to covet, to take pleasure in, to delight in, to be desirable, to delight greatly, to desire greatly, desirableness, preciousness. lust of the eyes [read 1 John 2:16] of a beautiful color, and very inviting to the taste.Desired = (tah-av-aw'); to yearn for, to lust after (used of bodily appetites) a longing; by implication, a delight (subjectively, satisfaction, objectively, a charm): a desire, a wish, longings of one's heart; lust, an appetite, covetousness (in a bad sense)Took = (law-kakh'); to take (in the widest variety of applications): to take, to lay hold of, to receive, to marry, to take a wife, to take to or for a person, to get, to take possession of, to select, to choose, to take in marriage, to receive, to acceptJoin me as we go Chapter by Chapter, Verse by Verse, Unraveling the Words of Yahweh!Have any questions? Feel free to email me; keitner2024@outlook.com

"The Eighth Day" is the day "that God will appear" to the nation. It is purported to be the day in which the Tabernacle/Mishkan reaches its climax - God's fire will descend to the nation.But we reach into the silent gaps in this story through Midrash and Rashi and speak of the hidden drama in this narrative; one of apprehension, guilt and brotherhood.

Vaera | The Makkot Curriculum, by Rav Yitzchak Etshalom A paideia for Pharaoh. How many Makkot were there? We inevitably approach our study of Parashat Va'era with an assumption of 10 Makkot (plagues) with which Hashem smote and 'judged" the Egyptians. However, that number does not appear in the Torah's record of the events and other presentations of the Exodus story in Tanakh highlight only some of these plagues, ending up with a smaller number - and the Midrash famously expands this number by a factor of up to 50, seeing 5 sub-plagues within each one. We look back at the structure of the plagues, following Hashem's directives to Moshe regarding warning - or not warning - Pharaoh before each one and discern a clear pattern which opens up an additional perspective on the purpose of these plagues and their role as didactic, beyond the punitive. Source sheet >>

The pasuk says in this week's parashat Shemot, וַתֵּתַצַּב אֲחֹתוֹ מֵרָחֹק לְדֵעָה מַה־יֵּעָשֶׂה -לוֹ Simply, this refers to Miriam, Moshe's older sister, who was standing by watching what would happen to him when he was put into the Nile River. Rabbi Menashe Reizman quoted the Midrash which explains that this pasuk is referring to the Shechinah, standing there watching from afar. The Midrash proves from other pesukim how every word in that pasuk is a reference to the Shechinah. The Maharsha, Masechet Sotah, explains the Midrash is teaching us that although Moshe being thrown into the river seemed like an act of destruction, the ways of Hashem are very far from us. Miriam had a prophecy that the savior was going to be born, and this looked like a nullification of that prophecy. However, this was actually the way in which the prophecy became fulfilled. It was through this that Moshe was raised safely in the palace by the daughter of Pharoah. It also teaches us that although this took place when the harshest slavery began, it appeared that Hashem was so distant, but He was right there standing with them. During their darkest time, Hashem was making the greatest miracles—causing the daughter of Pharoah to go down to the Nile at the exact time Moshe was placed there, and then making the miracle of her arm stretching out to reach him. Rabbi Reizman pointed out that the Torah only devotes six pesukim to discussing all of the slavery in Mitzrayim. Right after that, begins the story of the redemption—how Moshe was born and how he became the go'el. Even the pesukim that speak about the throwing of the babies into the Nile mention Miryam and Yocheved, the mother and sister of the go'el. Perhaps one explanation of this is that we are not meant to dwell too much on the difficulties that we are given. It is hard for us to comprehend how pain and suffering could possibly be good for us, and therefore it is incumbent upon us not to analyze the details too deeply, but rather to trust in Hashem. When Hashem called to Moshe from the burning bush, the pasuk says that Moshe was afraid to look. Hashem appeared to Moshe in a thorn bush, symbolizing עִמּוֹ אָנֹכִי בְצָרָה -He was with us during that hard time. Moshe did not see all the harsh slave labor because he was in Midyan. The Mefarshim explain that here Hashem began showing Moshe the suffering that the Jewish people were going through, but Moshe was afraid to look because he did not want to lower his level of emunah and potentially have questions on the way Hashem was dealing with them. One of the harshest decrees was that Pharoah was killing 150 babies every morning and another 150 every evening, bathing in their blood because he had tzara'at. When Moshe heard about this, along with the fact that Jewish babies were being built into the walls as bricks, he asked Hashem what they did to deserve this. Hashem told Moshe that all of those babies were from previous generations and were receiving their tikkun. It was all chesed, meant to purify them. Hashem told Moshe that if he really wanted, he could save one—and Moshe did. That one baby-Micha- brought about the worst destruction. He was the one who took the Shem Hashem that Moshe used to bring Yosef's aron out of the sea, threw it into the fire when the Jews were waiting for Moshe to come down from Har Sinai, and caused the Egel(golden calf) to emerge alive. Until today, we are still suffering from the effects of the Egel. He later made an idol when they entered Eretz Yisrael, causing countless tragedies to befall the Jewish people. He was also known as Nevat, the father of Yeravam, who caused the exile of the Ten Tribes. That destruction came from just one of those babies. The Lev Aryeh writes that all those who perished in Mitzrayim were neshamot from earlier generations that returned for a tikkun—the generations of the Mabul, Dor HaPelagah, and the people of Sedom. The Mishnah says in Pirkei Avot, אַל תִּסְתַּכֵּל בַּקַּנְקָן אֶלָּא בְּמַה שֶּׁיֵּשׁ בּוֹ (Avot 4:20) The Lev Aryeh explains homiletically that this also refers to the tragedies in Mitzrayim. The word קן has the numerical value of 150. Do not look at what happened to the 150 babies in the morning and the 150 babies in the evening; rather, look at who those people really were—resha'im who needed a tikkun. Hashem is always standing near us, but He appears to be afar because His ways are so far beyond our understanding. Everything He does is chesed. We do not have the ability to comprehend His ways in this world, but we do have the ability to trust in Him. We should not dwell excessively on the difficulties; rather, we should believe that everything is chesed done out of love. And if we have that emunah, then we will be considered people who are truly loyal. Shabbat Shalom

Moses had every reason to stay comfortable: palace roots, a peaceful life in Midyan, and an age where most people stop reinventing themselves. Then a bush burned and refused to go away.In this class, Rabbi Yisroel Bernath explores the moment that changes everything: not charging forward, not fixing the world, but simply turning your head. Through the burning bush, the Midrashic debate, and Moses' three objections, we uncover how purpose actually shows up, why resistance is part of the calling, and how your deepest struggles may be the doorway to your greatest contribution.This isn't about becoming someone else. It's about finally noticing what's been calling you all along.Key TakeawaysCalling begins with attention, not action. G-d speaks when we notice, not when we're ready.Purpose doesn't consume you; it sustains you. A real mission burns without burning out.You don't need five steps, sometimes a turned head is enough.Insecurity, blame, and perfectionism are spiritual disguises for fear.Your thorn bush is not your weakness, it's your credential.Redemption starts when someone says “Hineni” before knowing how it ends.#Jewish #Judaism #Torah #TorahPortion #Bible #BibleStudy #Moses #moshe #mosesleadership #BurningBush #purpose #calling #hineni #Midrash #destiny #perfectionism #insecurity #Responsibility #soulmission Support the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

Send us a textMoses had every reason to stay comfortable: palace roots, a peaceful life in Midyan, and an age where most people stop reinventing themselves. Then a bush burned and refused to go away.In this class, Rabbi Yisroel Bernath explores the moment that changes everything: not charging forward, not fixing the world, but simply turning your head. Through the burning bush, the Midrashic debate, and Moses' three objections, we uncover how purpose actually shows up, why resistance is part of the calling, and how your deepest struggles may be the doorway to your greatest contribution.This isn't about becoming someone else. It's about finally noticing what's been calling you all along.Key TakeawaysCalling begins with attention, not action. G-d speaks when we notice, not when we're ready.Purpose doesn't consume you; it sustains you. A real mission burns without burning out.You don't need five steps, sometimes a turned head is enough.Insecurity, blame, and perfectionism are spiritual disguises for fear.Your thorn bush is not your weakness, it's your credential.Redemption starts when someone says “Hineni” before knowing how it ends.#Jewish #Judaism #Torah #TorahPortion #Bible #BibleStudy #Moses #moshe #mosesleadership #BurningBush #purpose #calling #hineni #Midrash #destiny #perfectionism #insecurity #Responsibility #soulmission Support the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

התוכן [בי"ב תמוז תש"א אמר מו"ח אדמו"ר שיום זה חוגגים ג' סוגי בנ"י: הוא בעצמו (נשיא בישראל), חסידי חב"ד ו"שומרי תורה ומצוות בכלל"] גם לשני סוגים הראשונים ישנה ההוראה מהסוג של "שומר תורה ומצוות בכלל": גם מי שעסוק בעניני הכלל‏ – ‏הוא "נשיא" בענינו, מדריך את משפחתו, הקהילה, העיר או את המדינה וכיו"ב‏ – ‏יש לו את ההוראה של "שומר תורה ומצוות בכלל": אין לו לשכוח על עצמו כאיש פרטי שהוא צריך בעצמו לקבוע עתים לתורה וכו', ועד"ז בנוגע לבני הקהילה וכיו"ב‏ – ‏לא להסתפק בלדאוג לענינים הכלליים של הקהילה, אלא לדאוג לכאו"א מבני הקהילה בפרט! וזה הי' מבחן האחרון של משה רבינו שהוא ראוי להיות רועה נאמן של ישראל, כמסופר במדרש עה"פ [ברביעי דפ' שמות] "ומשה הי' רועה" שדאגת משה רבינו לשה אחד שברחה מעדרו זו היתה ההוכחה שהוא "רועה נאמן"!‏משיחת י"ב תמוז ה'תשל"א ל"הנחה פרטית" או התרגום ללה"ק של השיחה: https://thedailysicha.com/?date=07-01-2026 Synopsis (On 12 Tammuz, 5701 (1941), my father-in-law, the Rebbe, said that 12 Tammuz is celebrated by three categories of Jews: (1) The Rebbe himself (a Nasi of the Jewish people); (2) Chabad chassidim; and (3) “those who keep Torah and mitzvos in general.” Even the first two categories have a lesson to learn from “those who keep Torah and mitzvos in general”: Even if one is involved in tending to matters of the general public, meaning he is a “Nasi” to his family, community, city, or country etc.– he must not forget about himself as a private individual, and he must set fixed times for personal Torah study etc. Similarly, he must not suffice with tending to the general needs of the community, but must also concern himself with the needs of each person individually. And as the Midrash says on the verse (in revi'i of parashas Shemos), “Moshe was a shepherd,” this was the final test that proved that Moshe Rabbeinu was fit to be the shepherd of the entire Jewish people: when he ran after a lone sheep that had run away from the flock.Excerpt from sichah of 12 Tammuz 5731 For a transcript in English of the Sicha: https://thedailysicha.com/?date=07-01-2026 לזכות מרישה מרים בת חי' שרה שתחי' וויינבוים ליום הולדת שלה ח"י טבתלשנת ברכה והצלחה, ואריכות ימים ושנים טובות‏*לע"נ מרת לאה בת ר' יעקב ע"ה ליום היארצייט שלה ח"י טבת. ת.נ.צ.ב.ה.

JTS Torah Commentary for Parashat Shemot by Rabbi Naomi Kalish, Harold and Carole Wolfe Director of the Center for Pastoral Education; Assistant Professor of Pastoral EducationMusic provided by JJReinhold / Pond

התוכן הוראה ממ"ש בשלישי פ' שמות "ויגדל משה ויצא אל אחיו וירא בסבלותם וירא איש מצרי מכה איש עברי מאחיו", שדבר הראשון ש(מסופר בתורה ש)משה רבינו עשה כשגדל הוא - לצאת מבית פרעה, שם לא הי' חסר לו כלום וכו', לחפש אולי יש יהודי שסובל, וכשרואה שיכול להיות שגוי (או "גוישקייט") יכה יהודי (או אידישקייט) מעמיד את עצמו בסכנה לעזור לו וכו'. ויתירה מזו: מתוך כל הששים רבוא מישראל וכו' הנה הוא מעמיד א"ע בסכנה דוקא עבור ה"פחות שבפחותים" שבישראל - שלומית בת דברי (כמובא במדרש), ה"אחת היתה ופרסמה הכתוב"! ו"הוראה הכי נפלאה" שבכל זה.משיחת מוצש"ק פ' שמות, מבה"ח שבט, אור לכ"ד טבת ה'תש"מ ל"הנחה פרטית" או התרגום ללה"ק של השיחה: https://thedailysicha.com/?date=06-01-2026 Synopsis The verse states in shelishi of parashas Shemos, “Moshe grew and he went out to his brethren and he saw their suffering, and he saw an Egyptian man striking a Hebrew man of his brethren.” That is, the very first thing Moshe Rabbeinu does after growing up is to leave Pharaoh's palace, where he lacked nothing, etc., to go out and see whether there is a Jew suffering. And when he sees that it is possible for a goy to strike a Jew (or for goyishkeit to “strike” Yiddishkeit), he puts himself in danger to help him. Moreover: Moshe puts himself in danger specifically for a Jew who is on the lowest level, Shlomis bas Divri (as the Midrash says), who was the only “one, and the Torah publicized her.” And all of this serves as a wondrous lesson for every Jew.Excerpt from sichah of Motzaei Shabbos parashas Shemos, 23 Teves, 5740 For a transcript in English of the Sicha: https://thedailysicha.com/?date=06-01-2026 לזכות שיינא רוחמה בת שטערנא שרה שתחי' ליום ההולדת שלה י"ז טבתלשנת ברכה והצלחה רבה ומופלגה בכל בגו"ר מתוך בריאות נכונה ומנוחת הנפש והגוףנדבת הורי' ר' חיים ברוך ושטערנא שרה שיחיו אלבסקי

The blessings of Asher teach that Kabbalas Ol (subservience/action, represented by the "foot") is not merely a stepping stone to Intellect (oil), but is actually the foundation that supports and surpasses it, granting the unique power to "gather lost souls" that the holier tribes cannot reach. The Midrash stating that Asher's "beautiful daughters married High Priests" teaches that through the humble "foot-work" of Kabbalas Ol (Asher), a parent merits to raise children of such spiritual caliber that—like the "one child" Isaac—a single one of them provides more Nachas and spiritual impact than a multitude. This class, taught by Rabbi Shais Taub, is based on Parshas Vayechi in Likkutei Sichos Vol. 1.

The air is tight with silence, the court of Yosef unmoving, and then Yehuda steps forward. That one act—crossing an invisible line of protocol—opens a masterclass on courage, responsibility, and the kind of reasoning that can thaw a heart guarded by power. We trace the moment Binyamin's fate hangs by a thread and watch how Yehuda weaves threads into a rope: memory, duty, empathy, and personal guarantee, each linked to the next until justice can breathe.We walk you through the Midrash on “deep waters are counsel in the heart of man,” turning a vivid parable into a practical tool. Imagine a well of ice-cold water no hand can reach; now imagine building a rope, thread by thread, until the bucket touches what lies beneath. That's the framework here—rope-to-rope reasoning—steady, disciplined, and exact. We explore how this method shows up in Yehuda's speech and why it works: it respects truth, invites empathy, and keeps going until the right argument lands.The Malbim adds dimension by distinguishing knowledge you're taught from insight you derive. We connect that to real scenarios—improving prayer and focus, making a case in court, navigating a tough real estate market—showing how to ask better questions, follow causes upstream, and iterate without ego. The takeaway is as simple as it is demanding: don't quit before the well. If the first approach fails, add another rope. Adjust with humility, test with clarity, and keep your hands steady until the bucket rises with something cold, clear, and unmistakably true.If this resonated, subscribe, share the episode with someone who's one step from a breakthrough, and leave a review telling us the next “rope” you'll tie.Support the showJoin The Motivation Congregation WhatsApp community for daily motivational Torah content!------------------Check out our other Torah Podcasts and content! SUBSCRIBE to The Motivation Congregation Podcast for daily motivational Mussar! Listen on Spotify or 24six! Find all Torah talks and listen to featured episodes on our website, themotivationcongregation.org Questions or Comments? Please email me @ michaelbrooke97@gmail.com

In this special episode, Steven sits down with one of his very first disciples from 30 years ago, Phil Ronsley.  Enjoy this heartfelt conversation about long-term discipleship, building deep relationships with children, forming a strong family identity, and why your local community matters now more than ever. Tune in to be encouraged and challenged by what really matters in life. About Abraham's Wallet: Abraham's Wallet exists to inspire and equip Biblical family leaders. Please partner with us in inspiring and equipping multi-gen families at https://abrahamswallet.com/support AW website Apple Podcasts Spotify YouTube Facebook LinkedIn Instagram Chapters (00:00:00) - The Biblical Blueprint for Family(00:00:21) - Abraham's Wallet: A Conversation With Phil Ronsley(00:02:10) - Philip on His discipleship(00:07:08) - Marriage and the Christian disciple(00:11:58) - Steve Kerr on criticism from his children(00:16:23) - Daddy Daughter Dates(00:20:40) - Abraham's Wallet(00:25:50) - A Jewish girl's transformation(00:30:45) - Sukkot: Coming Out of the Culture(00:33:43) - The Rawnsley Family Vision Statement(00:38:59) - "A Midrash in the Fall?"(00:40:11) - Adam Lozzi on the Cincinnati trip(00:44:06) - Midrash and the YAM(00:49:33) - Be faithful with your family

The moment Joseph reveals himself to his brothers is not just a family reunion, it is a soul disclosure. In this class, Rabbi Yisroel Bernath explores why Joseph repeats himself, why he asks his brothers to come closer, and why he insists on reminding them that they sold him into Egypt. Drawing from Torah, Midrash, and Kabbalah, we discover that Joseph's greatest holiness was not forged in comfort, but in confrontation with darkness. His life teaches us that our deepest light often emerges not despite our struggles, but because of them. This is a class about identity, resilience, and the sacred fire hidden within every human journey.Key PointsLight isn't proven in comfort. It is revealed in contrast. Joseph's greatness emerged not in his father's home, but in Egypt's darkness.Your story is not a detour. The very chapters you wish you could erase are often the ones that unlock your deepest purpose.What looks like a mask may be protection. Joseph wasn't hiding his soul, he was carrying it through hostile terrain until it was safe to reveal.Stop living in “if only.” Joseph teaches us that spiritual greatness is not about ideal circumstances, but about faithfulness where you are.Darkness can be a catalyst, not a contradiction. The pit, the prison, and the palace were all part of one divine choreography.You are more than how you appear. Others may misread you, but your soul is not confused about who you are.True brotherhood begins with seeing. Healing starts when we learn to recognize the divine light in one another, even when it's hidden.Your struggle did not weaken you, it refined you. Fire doesn't destroy the coal; it reveals what was already burning inside.#LightOverDarkness #chabad #Torah #TorahPortion #Bible #BibleStudy #Joseph #LightFromDarkness #TheFireInTheCoal #HiddenLight #Kabbalah #chassidus #PurposeThroughPain #NoIfOnly  #SpiritualResilience #SoulIdentity #FromPitToPalace #DarknessToLight #InnerFire #GrowthThroughStruggle #torahwisdom #SeeingTheSoul #RedemptiveJourney Support the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

Send us a textThe moment Joseph reveals himself to his brothers is not just a family reunion, it is a soul disclosure. In this class, Rabbi Yisroel Bernath explores why Joseph repeats himself, why he asks his brothers to come closer, and why he insists on reminding them that they sold him into Egypt. Drawing from Torah, Midrash, and Kabbalah, we discover that Joseph's greatest holiness was not forged in comfort, but in confrontation with darkness. His life teaches us that our deepest light often emerges not despite our struggles, but because of them. This is a class about identity, resilience, and the sacred fire hidden within every human journey.Key PointsLight isn't proven in comfort. It is revealed in contrast. Joseph's greatness emerged not in his father's home, but in Egypt's darkness.Your story is not a detour. The very chapters you wish you could erase are often the ones that unlock your deepest purpose.What looks like a mask may be protection. Joseph wasn't hiding his soul, he was carrying it through hostile terrain until it was safe to reveal.Stop living in “if only.” Joseph teaches us that spiritual greatness is not about ideal circumstances, but about faithfulness where you are.Darkness can be a catalyst, not a contradiction. The pit, the prison, and the palace were all part of one divine choreography.You are more than how you appear. Others may misread you, but your soul is not confused about who you are.True brotherhood begins with seeing. Healing starts when we learn to recognize the divine light in one another, even when it's hidden.Your struggle did not weaken you, it refined you. Fire doesn't destroy the coal; it reveals what was already burning inside.#LightOverDarkness #chabad #Torah #TorahPortion #Bible #BibleStudy #Joseph #LightFromDarkness #TheFireInTheCoal #HiddenLight #Kabbalah #chassidus #PurposeThroughPain #NoIfOnly  #SpiritualResilience #SoulIdentity #FromPitToPalace #DarknessToLight #InnerFire #GrowthThroughStruggle #torahwisdom #SeeingTheSoul #RedemptiveJourney Support the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

Amy is joined by authors and educators Gloria and Bob Rees to discuss midrash --stories we write to interpret scripture and create meaning -- exploring the endless possibilities of imagination and the radical power that women hold to write our own midrash and change the spiritual landscape.Donate to Breaking Down PatriarchyGloria Gardner Rees has taught English in the US, China, India, and Nepal. Her studies include nutrition, gerontology and adult development. Currently, she is involved in interfaith, humanitarian, and environmental work. In addition to writing midrash, she is co-editing a collection of essays by Latter-day Saints titled Pillars of my Faith.Robert A. Rees is a scholar, poet, and humanitarian. He is the author of “Toward a Mormon Feminist Midrash: Mormon Women and the Imaginative Reading of Scripture,” Sunstone (2012) and “The Midrashic Imagination and the Book of Mormon,” Dialogue (Fall 2011). His most recent book is Imagining and Reimagining the Restoration (Kofford Books, 2025).

The JTS Commentary for Vayiggash by Burton L. Visotzky, Nathan and Janet Appleman Professor of Midrash and Interreligious Studies EmeritusThis commentary was originally broadcast in 2020.Music provided by JJReinhold / Pond

The jar of oil was located under the altar. Had they not torn down the existing altar (as an act of piety, to replace it with a new, unblemished altar), they would not have found the famous פַּךְ שֶׁמֶן https://thechesedfund.com/rabbikatz/support-rabbi-katzz-podcast

Living Emunah 2867 The Perfect Measure of Hishtadlut The Midrash at the beginning of this week's parashah says: אַשְׁרֵי הַגֶּבֶר אֲשֶׁר שָׂם ה' מִבְטַחוֹ "Fortunate is the man who places his trust in Hashem." This refers to Yosef, who wholeheartedly trusted in Hashem. The Midrash continues: וְלֹא פָנָה אֶל רְהָבִים — "and he did not turn to the arrogant," which also refers to Yosef, who did not rely on the Sar HaMashkim for help when he was in jail. Yet it also says that because Yosef told the Sar HaMashkim, זְכַרְתַּנִי — "remember me," נִתוֹסַף לוֹ שְׁתֵּי שָׁנִים — two more years were added to his sentence. The mefarshim ask: the Midrash seems to contradict itself. On one hand, it praises Yosef for relying only on Hashem and not on the Sar HaMashkim; on the other hand, it says he was punished for asking the Sar HaMashkim to remember him. Furthermore, the word נִתוֹסַף sounds positive — like תּוֹסֶפֶת כְּתֻבָּה — as if staying longer in prison was somehow beneficial. Rav Leib Diskin explained the following. There is a pasuk in Mishlei: בְּטַח אֶל ה' בְּכָל לִבֶּךָ וְאֶל בִּינָתְךָ אַל־תִּשָּׁעֵן "Trust in Hashem with all your heart, and do not rely on your own understanding." (Mishlei 3:5) The Gaon explains that this pasuk refers to the highest form of bitachon — when a person needs no hishtadlut at all, like Chizkiyahu HaMelekh, when Hashem wiped out 185,000 soldiers while Chizkiyahu slept in his bed. But there is another pasuk: וּבֵרַכְתִּיךָ בְּכֹל אֲשֶׁר תַּעֲשֶׂה "I will bless you in all that you do." (Devarim 15:18) From here we learn that we must act , and then Hashem will bless our efforts. This sounds like full hishtadlut is always required, contradicting the pasuk in Mishlei. Then there is a third pasuk in Tehillim that reconciles the two: גּוֹל אֶל־ה' דַּרְכֶּךָ וּבְטַח עָלָיו וְהוּא יַעֲשֶׂה "Roll your way upon Hashem, and trust in Him, and He will do." (Tehillim 37:5) The word גּוֹל — roll — is the key.: משל למה הדבר דומה ? If someone wants to roll a barrel down a hill, all he must do is give it the initial push — and then it rolls on its own. This is how our hishtadlut must be viewed. We give the minimal beginning effort, showing that we know Hashem is the One accomplishing everything afterward. But if a person keeps checking every second to ensure the barrel rolls exactly as he wants, then he believes that his push is what makes everything happen, and he thinks he must constantly control the outcome. Proper hishtadlut means giving an effort that demonstrates that we recognize that Hashem is the One accomplishing.. That was Yosef's level. It was clear hashgachah that the Sar HaMashkim was placed with Yosef in jail, that Hashem gave him a dream, and that Yosef could interpret it. Yosef did not feel on the level of Chizkiyahu to do nothing, but he also did not want to engage in full hishtadlut. Therefore, he did not plead with the Sar HaMashkim. Instead, he minimally said כי אם זְכַרְתַּנִי — "If you happen to remember this episode, then mention me to Par'oh." He remained calm, composed, and made the smallest gesture that showed he believed his role was merely to begin the process — and Hashem would handle the rest. The Maharil Diskin says: Had Yosef done too much hishtadlut — pushing, begging, strategizing — he might have been released immediately. And perhaps he would have returned to his family. But then Ya'akov and the Shevatim would have had to come to Mitzrayim in chains. Because Yosef made the correct hishtadlut, Hashem allowed him to remain the extra two years — until Par'oh would have the dream that would elevate Yosef to become the viceroy of Egypt. Thus, the Midrash fully praises Yosef for the quality of his hishtadlut. The lesson for us is clear. We must be careful never to overdo our hishtadlut in ways that make us believe we control outcomes. If someone pleads for help in a desperate, panicked tone, he is showing that he thinks the results depend on him. If someone constantly emails a buyer until he gets a response, he thinks it is his pressure that will determine the sale. He may indeed get the response — but had he simply begun the process in the right way, he would have gotten the same outcome without the excess hishtadlut that is against Hashem's will. May Hashem help us realize always that He is the One who accomplishes everything, enabling us to make only the hishtadlut that He desires from us. Shabbat Shalom.

There is an ancient custom to add to the morning Pesukeh De'zimra service the recitation of "Az Yashir," the jubilant song of praise which Beneh Yisrael sung after the miracle of the splitting of the sea. We begin the recitation two verses earlier, with "Va'yosha Hashem…" (Shemot 14:30). This practice appears already in the Siddur of Ram Amram Gaon (Babylonia, 9 th century), though the Rambam does not include this recitation in his text of the prayer service. Regardless, it has been accepted to recite "Az Yashir," and the Arizal and others revealed the great spiritual benefits of this practice. Some suggested that the daily recitation of "Az Yashir" is included in the song's introductory verse, which tells that Beneh Yisrael sang this song "Le'mor" – literally, "to say." This alludes to the fact that this song was written to be sung not only at the shores of Yam Suf, but also for all generations, each day, and even in the times of Mashiah, when we will continue to sing this song to praise Hashem for the miracles He has performed. So significant is the daily recitation of "Az Yashir" that the Midrash Shoher Tob teaches that one who sings this song with Kavana (concentration) is cleansed from his sins. This is inferred from the Torah's account of Moshe leading Beneh Yisrael away from the shores of the sea after they sung this song – "Va'yasa Moshe Et Yisrael Mi'Yam Suf" (Shemot 15:22), which the Midrash explains to mean that the people were brought away from their sins at the sea. Before the miracle, when Beneh Yisrael found themselves trapped by the Egyptian army, they complained bitterly to G-d. Their joyous singing of "Az Yashir" had the effect of atoning for their inappropriately angry protests. By extension, anyone who reenacts our ancestors' jubilant singing of "Az Yashir" is likewise absolved of his wrongdoing. The work Solet Belula instructs that one should sing "Az Yashir" with the Te'amim – the cantillation notes with which this section is chanted when it is read from the Torah in the synagogue. Indeed, the custom in our Syrian community is that the Hazan chants "Az Yashir" with the Te'amim. On the two occasions when the section of "Az Yashir" is included in the congregational Torah reading – namely, Shabbat Parashat Beshalah (Shabbat Shira) and on Shebi'i Shel Pesach – it is customary for the congregation to chant "Az Yashir" all together during Pesukeh De'zimra, with the Te'amim. Several sources teach that whenever a person finds himself in a challenging situation, where he faces a difficult problem, he should read "Az Yashir" with Kavana. This recitation can help "split the sea" for him, bringing him the salvation he needs just as G-d split the sea for our ancestors to rescue them from the pursuing Egyptians. One should recite "Az Yashir" with genuine feelings of joy. We evoke these feelings by taking a moment to reflect on the miracles that G-d performed for our ancestors and the miracles He performs for us even today, protecting us from harm, providing our needs, and helping us achieve what we set out to do. Some Poskim maintained that the joyous "Az Yashir" song should not be recited in a house of mourning. The widespread practice, however, is to recite it even in a house of mourning. Some have the custom to stand during the recitation of "Az Yashir," but our custom is to recite it while seated.

There is an ancient custom to add to the morning Pesukeh De'zimra service the recitation of "Az Yashir," the jubilant song of praise which Beneh Yisrael sung after the miracle of the splitting of the sea. We begin the recitation two verses earlier, with "Va'yosha Hashem…" (Shemot 14:30). This practice appears already in the Siddur of Ram Amram Gaon (Babylonia, 9 th century), though the Rambam does not include this recitation in his text of the prayer service. Regardless, it has been accepted to recite "Az Yashir," and the Arizal and others revealed the great spiritual benefits of this practice. Some suggested that the daily recitation of "Az Yashir" is included in the song's introductory verse, which tells that Beneh Yisrael sang this song "Le'mor" – literally, "to say." This alludes to the fact that this song was written to be sung not only at the shores of Yam Suf, but also for all generations, each day, and even in the times of Mashiah, when we will continue to sing this song to praise Hashem for the miracles He has performed. So significant is the daily recitation of "Az Yashir" that the Midrash Shoher Tob teaches that one who sings this song with Kavana (concentration) is cleansed from his sins. This is inferred from the Torah's account of Moshe leading Beneh Yisrael away from the shores of the sea after they sung this song – "Va'yasa Moshe Et Yisrael Mi'Yam Suf" (Shemot 15:22), which the Midrash explains to mean that the people were brought away from their sins at the sea. Before the miracle, when Beneh Yisrael found themselves trapped by the Egyptian army, they complained bitterly to G-d. Their joyous singing of "Az Yashir" had the effect of atoning for their inappropriately angry protests. By extension, anyone who reenacts our ancestors' jubilant singing of "Az Yashir" is likewise absolved of his wrongdoing. The work Solet Belula instructs that one should sing "Az Yashir" with the Te'amim – the cantillation notes with which this section is chanted when it is read from the Torah in the synagogue. Indeed, the custom in our Syrian community is that the Hazan chants "Az Yashir" with the Te'amim. On the two occasions when the section of "Az Yashir" is included in the congregational Torah reading – namely, Shabbat Parashat Beshalah (Shabbat Shira) and on Shebi'i Shel Pesach – it is customary for the congregation to chant "Az Yashir" all together during Pesukeh De'zimra, with the Te'amim. Several sources teach that whenever a person finds himself in a challenging situation, where he faces a difficult problem, he should read "Az Yashir" with Kavana. This recitation can help "split the sea" for him, bringing him the salvation he needs just as G-d split the sea for our ancestors to rescue them from the pursuing Egyptians. One should recite "Az Yashir" with genuine feelings of joy. We evoke these feelings by taking a moment to reflect on the miracles that G-d performed for our ancestors and the miracles He performs for us even today, protecting us from harm, providing our needs, and helping us achieve what we set out to do. Some Poskim maintained that the joyous "Az Yashir" song should not be recited in a house of mourning. The widespread practice, however, is to recite it even in a house of mourning. Some have the custom to stand during the recitation of "Az Yashir," but our custom is to recite it while seated.

Vayeshev | The Apocrypha and the Midrash, by Rav Yitzchak Etshalom Is there anything legitimately "Jewish" about apocryphal Midrashim?  We are accustomed to thinking of the Apocrypha (the "hidden" or "buried" writings of the 3rd century BCE through the first century CE) as external to our Rabbinic tradition and to reflecting purely sectarian approaches and interpretations. Yet - we sometimes find a common thread between the interpretive approaches taken in these somewhat esoteric books and those found in our "mainstream" Midrashic literature. We examine an unusual passage in the apocryphal "Testament of Judah" and find a curious commonality appearing nearly a millennium later in Midrash Bereishit Rabbati. Source sheet >>

Jews have been using “midrash” as an interpretive tool for centuries. So, what is “midrash,” and how can we relate to it today?Join Rabbinic Intern Rebecca Thau for an exciting conversation with Rabbi Jill Hammer, PhD, where they will delve into these topics and beyond. Author, teacher, midrashist, mystic, poet, essayist, and priestess, Rabbi Hammer is committed to an earth-based and wildly mythic view of the world in which nature, ritual, and story connect us to the body of the cosmos and to ourselves. She is the co-founder of the Kohenet Institute and the Director of Spiritual Education at the Academy for Jewish Religion. Rabbi Hammer is the author of nine books and numerous articles, poems, and stories–including compilations of contemporary women's midrash.

Sometimes there is strife in the home due to a difficult relationship between a father-in-law and a son-in-law. When a son-in-law feels he is being treated unfairly, controlled, or that no matter what he does it is never enough, it can cause great damage to the home and deeply disturb a person's inner peace. We must internalize a fundamental truth: Hashem places every person into our lives. It is not by chance and it is not by mistake. Every relationship is carefully planned by the Master Orchestrator to help each person fulfill his mission in this world. The Torah tells us about one of the most difficult fathers-in-law in all of history. People sometimes complain, "It's not fair, my father-in-law doesn't give me money." Yaakov Avinu's father-in-law not only didn't give him money — he stole from him on a daily basis. The Midrash tells us that Lavan justified his thievery by claiming that Yaakov still owed him fourteen more years of work for Bilhah and Zilpah. He was manipulative and dishonest, changing Yaakov's wages again and again. Chazal tell us it was done a hundred times. He took advantage of Yaakov's devotion and honesty. Yaakov worked seven long years to marry Rachel, and Lavan had no problem switching her for Leah. He felt no guilt whatsoever. Even worse, afterward he justified himself, making it seem as though Yaakov was the one who acted improperly by marrying the younger sister before the older one. Yaakov was forced to endure deception, manipulation, and emotional torture from his father-in-law for twenty years. Yet the Torah testifies about him that his integrity remained perfect. Yaakov understood that this suffering was not random. He knew this was part of his avodat Hashem and an essential piece of his mission in life. For twenty years he lived in Lavan's home, yet remained attached to Hashem with unwavering emunah. Every test, every humiliation, every disappointment, he accepted with one thought in mind: this is me'et Hashem. Of course, Yaakov did his hishtadlut. He took reasonable steps to protect himself. He confronted Lavan respectfully. He negotiated. He acted wisely. But once something happened, he always returned it to Hashem and reminded himself that nothing occurs outside of His will. It is not forbidden to question a person who harms you, but it must be done with dignity, not with rage and not with cruelty. A Jew is not judged only by what he endures, but by how he endures it. The Torah is teaching us something fundamental. When Hashem places difficult people into our lives, it is not to break us, but to build us. Not to humiliate us, but to refine us. Not to weaken us, but to strengthen us. A difficult father-in-law can feel suffocating. He may be critical, controlling, dismissive, or impossible to satisfy. Nothing seems good enough. You may feel constantly judged, unheard, and trapped in a role you never volunteered for. And it hurts precisely because it comes from a place that was meant to be safe. This is where emunah must rise to the surface. Hashem sees every tear. He hears every painful word. He counts every insult that was swallowed in silence. And when a person restrains himself for the sake of shalom in his home, that sacrifice shines brightly in shamayim. Yaakov did not leave Lavan's house defeated. He emerged spiritually powerful. Though Lavan tried to harm him emotionally and physically, Yaakov walked away with a beautiful family, great wealth, and an inner greatness that shaped the future of Klal Yisrael. It is not that Lavan became a better person. It is that Yaakov became a greater one. So many people beg Hashem to change others. But sometimes Hashem is working on changing us instead. And that is far more powerful. The more a person works on his middot and his emunah, the more blessing Hashem pours into his life in ways he could never imagine.

In the beginning of this week's parashah, Vayetzei, Yaakov dreamed of angels going up and down a ladder. The Ramban explains that Hashem was teaching Yaakov about His absolute involvement in everything that takes place in this world. Even when Hashem sends His messengers, the angels, to act in this world, they first go up to Him after seeing their mission and ask exactly what He wants done. Only afterward do they come back down and carry out His will. Nothing happens on its own. Even what people do to us is never truly in their hands. It is only what Hashem wants that can come to pass. A man complained to me that someone had stolen his customer in business, and he could not stop thinking about it. I told him that no human being has the power to take away a customer from another person. If it happened, it was only because Hashem willed it. Even though people have free will, they cannot use that free will to harm another person unless it is decreed by Hashem. When Lavan chased Yaakov and caught up with him, he said, "I have the power to harm you, but the G-d of your father came to me last night and warned me not to touch you." His words contradict themselves. On the one hand, he claims he has the power to harm Yaakov. In the same breath, he admits that Hashem is the One who controls what he can and cannot do. The Be'er HaParashah brings an explanation from Rav Shalom Schwadron on this pasuk, based on a story told by the Alter of Novardok about his own youth. As a young boy, he was learning in an out-of-town yeshivah when his parents sent word that he must come home urgently. He did not have enough money to buy a train ticket. Still, he believed with complete bitachon that Hashem would help him. He traveled for several days until he reached the train station. There, he sat down on a bench, opened his Gemara, and waited for Hashem's salvation. There were still a few hours before the train was scheduled to depart. At one point, a religious Jew arrived and saw the boy sitting and learning. He was thrilled to find another Jew immersed in Torah. He struck up a conversation and invited the boy to sit next to him on the train so they could learn together during the journey. The boy replied that he would love to, but he did not have a ticket. The man told him he had better buy one quickly, because the train would be leaving in a short time. The boy calmly explained that he had no money, but he had complete trust that Hashem would help him. The man was stunned. "You traveled all this way without money for a ticket?" he said. "That's not bitachon, that's foolishness. You can't buy a ticket with faith. You need money." With that, the man shook his head and boarded the train. Time passed. The train was now only minutes from departure. A final boarding call was announced. The boy continued sitting and learning, calm and unshaken. Then, just moments before the train was about to leave, another Jew came running into the station, out of breath and afraid he had missed it. He noticed the yeshivah boy still sitting on the bench and asked him why he was not boarding. When he heard that the boy had no money for a ticket, the man immediately said, "If you need a ticket, I'll gladly buy you one." He rushed to the counter, purchased the ticket, and handed it to the boy. Together, they boarded the train just as the doors closed. The boy thanked the kind Jew for the ticket, and he thanked Hashem for sending him at the final moment. As he looked for a seat, he suddenly saw that first religious man staring at him in disbelief. "How did you get a ticket?" the man asked. The boy told him what had happened and quoted the Midrash that says, "Whoever trusts in Hashem, Hashem will save him." The man shook his head. "If that fellow hadn't come at the last second, you'd still be sitting there. Don't tell me your bitachon helped you. It was that man who saved you." But the truth was the opposite. It was precisely because of the boy's bitachon that Hashem sent that man at the final moment to help him. So too with Lavan. He told Yaakov, "I could have harmed you, but there was just one small problem. At the last second, Hashem told me not to." That means he never had any control. No human being in this world has any power on his own. No one can hurt us, and no one can help us, unless Hashem decrees it. The more clearly we internalize this truth, the more peaceful and tranquil our lives will become. Shabbat Shalom

The Zohar HaKadosh writes that it is worth it for a person to seek out all of the delicacies that the world has to offer, just to be able to say Birkat Hamazon with joy, because Birkat Hamazon, when said properly, brings upon a person the greatest berachot from the Upper Worlds. The more joy and appreciation a person feels during Birkat Hamazon, the greater the blessings that are drawn down to him. The Zohar writes further that when a person says Birkat Hamazon properly, he brings joy to Heaven and to the earth. We should feel tremendous happiness that Hashem gave us the zechut to have the opportunity to say Birkat Hamazon. The Yesod VeShoresh HaAvodah would make a tefillah before Birkat Hamazon, asking Hashem to give him the zechut to say every word with kavanah. And when he succeeded in saying it with kavanah, he would recite a special tefillah afterward, thanking Hashem for granting him such a precious gift. Once, a talmid chacham came to see Rav Shach. When he entered, the Rav had just begun Birkat Hamazon. The visitor watched as Rav Shach said every word slowly from a siddur, as if he were counting precious jewels. It took about fifteen minutes to complete. When he finished, his face was glowing with joy. The talmid chacham asked why he looked so happy, and Rav Shach replied that he had just merited to say Birkat Hamazon properly, and that meant success in all areas of life and long life as well. The sefer Amud Esh relates that a woman once came to the Maharil Diskin, weeping that she had been married many years without meriting to have children. He advised her to accept upon herself to say Birkat Hamazon from a siddur, with kavanah. In time, she had a baby. When people would go to the Stipler for a berachah to have children, he would give them the same counsel, to say Birkat Hamazon from a siddur with kavanah. The Stipler would also say that Birkat Hamazon said properly is a segulah to merit children who are tzaddikim. The Midrash teaches that Hashem said, "Eat, be satisfied, and then bless My Name with Birkat Hamazon, and I will remove sickness from your midst." Rav Mendel of Rimanov found this hinted to in the pasuk that says וּבֵרַך אֶת לַחְמְךָ וְאֶת מֵימֶיךָ וַהֲסִרֹתִי מַחֲלָה מִקִּרְבֶּךָ-when we bless Hashem for our bread and our water, He will remove disease from among us. The Maor VaShemesh taught that when a Jew recites Birkat Hamazon with kavanah, the food he ate is transformed into medicine and heals him from illness. The Kotzker Rebbe said that through Birkat Hamazon, a person can become close to Hashem and acquire deeper yirat shamayim. The Zohar writes that one who recites Birkat Hamazon properly in this world will merit a special place in Gan Eden. Not only that, but the berachot themselves will accompany him and protect him on his way to that place. The Kav HaYashar writes that one who recites Birkat Hamazon with kavanah will be invited to the special seudah that Hashem will prepare for the tzaddikim in the future. The Magen Avraham writes that one who is careful with Birkat Hamazon brings the geulah closer. After the fourth berachah, we have the long series of requests in the HaRachamans. The Chafetz Chaim said that one cannot compare tefillah made before a mitzvah to tefillah made after completing a mitzvah. When a mitzvah is just performed, it becomes an eit ratzon, a special time of Heavenly favor, when prayers are accepted with far greater power. After Birkat Hamazon, the gates of Shamayim are wide open, and Chazal gave us beautiful requests to say so we should not lose that precious opportunity. The Gedolim of last generation have urged us to strengthen ourselves in this wondrous mitzvah. Doing it properly requires more time and attention, but we know that whatever we invest with Hashem returns to us many times over. The Gemara in Berachot tells us that the tzaddikim of earlier generations would spend three hours on each tefillah, which means nine hours a day in prayer. The Gemara asks how they had time to learn Torah and earn a livelihood. It answers that Hashem blessed their learning and their parnasah, enabling them to accomplish in a short time what would normally take many hours. Hashem can stretch a person's day, and He can also extend a person's years. We never lose from spending time on Birkat Hamazon. On the contrary, we gain everything from it. Let us strengthen ourselves to rejoice in the zechut of thanking and praising Hashem for His endless kindness, and to feel deep hakarat hatov as we recite the holy words of Birkat Hamazon.

For a 10% discount on Rabbi David Ashear's new book LIVING EMUNAH ON THE PARASHAH 2 click the link below https://www.artscroll.com/ Books/9781422645581.html We find that some people merit extraordinary heavenly help in their physical lives, while others receive extraordinary help in their spiritual lives. The true purpose of life, however, is not physical comfort or material success—it is spiritual growth . The physical blessings we receive are only given to help us achieve higher levels of spirituality. Our main focus in our tefillot should therefore be for heavenly help in our spiritual lives, and for the spiritual success of our children. No matter how hopeless a situation may appear, Hashem can lift a person from the lowest depths to the highest heights. Rivkah Imenu is the perfect example of this truth. She grew up in a home of spiritual darkness. Her father, Betuel, was a deceitful and corrupt man. Her brother, Lavan, was a greedy trickster. The city of Charan was filled with idolatry, dishonesty, and moral decay. The Midrash tells us that Rivkah's home was filled with the stench of idol worship. Her father was among the leaders of that idolatrous society, and her brother was his enthusiastic disciple. Rivkah was surrounded by tum'ah , but all she wanted was kedushah . How could she possibly lead a life of Torah and mitzvot in such a place? How would she ever find a husband who would lift her toward holiness? And then, one morning, while living the same ordinary life in the same spiritually harmful atmosphere, everything changed. In an instant, she was chosen to marry the son of Avraham Avinu , the Gadol HaDor . She went from the darkest home in Charan to the holiest home in the world. Her tefillot had brought her the greatest yeshuah imaginable. Rivkah became one of the mothers of Klal Yisrael . Hashem lifted her from spiritual darkness to eternal greatness. This lesson remains true for all of us. Hashem can take a person from any environment—no matter how far from holiness—and raise him to the greatest levels of kedushah . Nothing is beyond His power. A man related that his son had moved to another city, far from their family. All his other children lived nearby, and all were shomrei Torah u'mitzvot . This son's new city, however, had a much lower level of Torah observance. The father and mother were heartbroken. Their greatest joy in life was knowing that their children were growing spiritually and learning Torah every day, and now they feared this son would lose that connection. They prayed daily for their son's ruchaniyut . Time passed, and their son remained in that city for many years. One day, they attended a local yeshivah auction and noticed one of the prizes was a Judaica package that included the entire ArtScroll Shas in English. They dreamed of their son learning from those very Gemarot , so they placed a ticket in the raffle—and they won. They now had an entire Shas in boxes in their home. They used it as a reminder and motivation to continue praying for their son's spiritual growth. A few months later, their son called to tell them he was making a siyum . They were stunned. They had no idea he had been learning. Overjoyed, they told him about the Shas they had won and offered it to him as a gift. He was delighted and said he would love to have it. Not long after, their son and his wife found a new home—right next door to a kollel . He arranged to learn there daily and quickly became part of the community. The parents decided to bring the Shas to him personally. They packed the heavy volumes into four large boxes and went to the airport. Each box weighed over eighty pounds. The total excess baggage should have cost them hundreds of dollars. When they arrived at the counter, the agent smiled and said, "Today, we're giving you four extra suitcases free of charge." Without further explanation, he checked in all the boxes. They were able to bring the entire Shas free of charge to their son's new home, where it would be used daily for Torah study. Our tefillot for ourselves and for our children can move mountains. We often pray for livelihood or comfort—but the greatest blessings of all are in the spiritual realm. When we pray for ruchaniyut , Hashem appreciates it so much, because that is the true purpose of life: to grow closer to Him and to help our children do the same. Shabbat Shalom.