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Send us a textLooking for a new apartment together is a great way to get to know somebody and their existential despair.Bernadette Armstrong directs Kim Hlavac as Kathleen, Michael Fletcher as Jeremy, and Barika Phillips Bell as the Rental Agent.Nino Greene is the playwright. The recipient of an MFA from San Francisco State University, his previous plays include You Don't Have to Cry and The Undecided Voters of Ballard County, Kentucky, c. 1856.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA man is exceptionally devoted to his mother….much to the chagrin of his wife. No spoilers here, but a diamond is involved.Mimi Kmet directs Grey Gable, Ashley Taylor, and David Baer.Charles Simon is the playwright. A graduate of University of Wisconsin and Jewish Theological Seminary, his previous plays include The Wine Club, Backwards, and Therapisssts.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textThis is the fourth in a series of audio comedies featuring the Penny Slots, a trio of mature ladies who somehow find themselves doing heroic deeds and saving the day when thrown into dangerous adventures.The three superheroines are back by popular demand. In Theatre 80, Part Three; Ladies Fly Home To Vero Beach, Penny Slots Ladies, Kay, Marie and Helen handed in “their wings” after saving their plane from crashing when the pilot fell unconscious from narcolepsy, therefore retiring from the duty of saving lives and returning to live their calm lives in their hometown of Vero Beach, Florida, until...... Kay's husband Bill winds up in the VA hospital after a very freak “accident”. All ladies are visiting in Bill's hospital room when a catastrophic “event” occurs to cause the women to jump back into action and put on their heroine costumes one more time. Are they successful this time? Will they land on the front page of the Florida Herald and make the national news? Have a listen to Part 4, Ladies Visit To Vero Beach VA Hospital, and see if the paparazzi show up to witness another incredible act of heroism or maybe not. Kim Hlavac writes and directs the lovely cast of Carole Goldman, Marla Cotovsky and Goreti da Silva as the Penny Slots, featuring Googy Gress as Bill and Brad David Reed as Archie.Playwright-Director Kim Hlavac graduated from SUNY Purchase and performed in various plays in New York, on TV, and in commercials. Her recent acting credits for Open-Door Playhouse include roles in Remembrance and Small Cat Negotiable.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA desperate man and woman accidently choose the same bridge to bring their troubles to an end and realize they may have found what they've been missing in each other, but is it too little too late?Yunyi Zhu directs Christine Uhebe as Alina and Larry Coleman as Harris.Rich Nagle is the playwright. He's a musician and songwriter active in the Washington State area who also writes screenplays.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textIn Jerusalem, at the Western Wall, a traumatized Israeli soldier gets into a debate with a rabbi about prayer notes stuck into cracks in the Wall, while nearby air raid sirens wail a warning.Bernadette Armstrong directs Gary Lamb and Dennis Gersten.Peter Prizel is the playwright. He is the author of two fiction books, The FermentedSavior and An Angelic Folly. He also writes poetry. Based in Bedford Falls, New York, he received a Master's Degree from Fordham University.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textThe classic tale of The Little Matchstick Girl is beloved, but also...depressing? That's why the protagonist has decided to take matters into her own hands. Can she avoid her tragic fate without derailing her entire story? A comedy about rewriting your own narrative.Bernadette Armstrong directs Gloria Tsai as The Little Match Girl, Matthew ScottMontgomery as The Duke, and Matt Foyer as The Narrator. Kevin B. is the playwright. His most recent play, The Jelly Bean, was a selection at the Pittsburgh New Works Festival. His other plays include American Strippers, Does It Rain on Mars?,, James Franco and Me: An Unauthorized Satire, Kill the Virgin, The Italian Wife, We Ride at Dawn or Whenever, Beautiful Beautiful Cleopatra, and more. He is also an actor, director and producer.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textSupport the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
In dieser Episode sprechen David Peters und Julia über die Bedeutung der Inkarnationskreuze im Human Design und die Herausforderungen, denen Menschen bei der Anwendung dieses Systems im Alltag begegnen. David teilt seine persönliche Reise und erklärt, was ihn dazu motiviert hat, an der neuen Ausbildung teilzunehmen, die einen innovativen Zugang zu Human Design ermöglicht.
Send us a textAfter the death of his father, a grief-stricken Hamlet is plagued by psychotic delusions making him think several others have died and that he is at fault. He finds comfort in an unexpected source: the dearly not departed Ophelia.Rachel Berney Needleman directs Kim Hlavac as Ophelia and Omari Williams asHamlet.Allie Costa is the playwright. Remarkably prolific, her many, many plays include Two Girls, Rise Up, Boxes Are Magic, This Used to Be My Playground, Mindstream, A Taste of the Future, Music of the Mind, Safe Distance, and more. She is also a director and actor.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textTwo senior citizens, both windowed, meet at a senior citizen event at a Holiday Innconference room. They engage in humorous banter and then discuss their former spouses, each deeply affected by their loss.Bernadette Armstrong directs Gary Lamb as Jesse and Camille Ameen as Sara.Curt Strickland is a playwright who recently received a masters degree in playwriting from Lesley University's graduate program. Inspired by August Wilson, Curt is finishing up his 5th play in a ten play opus on American, each play set in a different decade. You can view other plays by Curt at the New Play Exchange: https://newplayexchange.org/users/68843/curt-strickland and view his political and cultural essays at curtsview.com, Curt is a landscape photographer, and a former owner at Great American Art, one of the largest commercial art corporations in the nation. Curt believes that Art should serve to heal, inspire, provoke, challenge and to offer hope – but most of all to connect, to remind us of our common humanity. Curt recently was awarded the William Faulkner Literary playwriting prize for his full length play, 1968, and Curt just published his book: Democracy Under Siege: (Essays on the Trump Years, 2017-2024).In 2020, Curt received a double lung transplant, an event that had profound effects on both his writing and his life. This experience is the basis of a new play he is developing entitled Double Lung.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textComing appropriately shortly before Valentine's Day Together chronicles the entire timeline of a love story of two people who were meant for each other. There will be evidence of their love for years to come.Sue Gisser directs David Andrew Calvillo as Kyle and Leah Jarvik as Lauren.Playwright Michael Sams is an established playwright in his native Australia. Hisprevious plays include Hunters and The Specialists. He is also an actor. He received his Master's Degree from Macquarie University. His plays have been performed in Sydney, New York, and Dubai.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
In this episode, we sit down with David Peters, the author of the compelling book "Accidental." He is a board member of the Hyacinth Fellowship and an advocate for moral injury. David shares his journey of writing and editing his book, the challenges he faced, and the determination required to bring his story to life. He opens up about his personal experience of being on both sides of a fatal accident and how this profound event shaped his perspective. David also discusses the role of creativity in healing and how it can be a powerful tool for overcoming trauma. It is a one-of-a-kind book that can be found anywhere books are sold. Key Points:Introduction to David Peters and his book "Accidental."The tireless work and dedication involved in editing and fighting for the book.David's personal story of experiencing a fatal accident from both perspectives.Insights into the emotional and psychological impact of the accidentThe importance of creativity in the healing process.Encouragement for listeners to find their own creative outlets for healing. If you enjoyed this episode, please subscribe, rate, and review our podcast. Share this episode with anyone who might benefit from David's inspiring story and insights. Follow him on TikTok @DavidWPeters for updates and more inspiring content.Want to support the show? Like, share, subscribe, follow, or leave a review! We have also launched a Patreon for those wanting to contribute with a gift, find more information at Patreon/accidental-hope or our www.accidentalhope.com. Thanks again!Support the show
In memory of President Jimmie Carter, Ken has invited three quests to share their personal reflections on a 100 year long life well lived: historian, professor and prolific author, Dr. Randall Balmer; retired Biola University political science professor, Dr. Dave Peters; and his Beach Talk friend, Betsey Newenhuyse (See Part I). Here In Part Two, Dr. Balmer continues to share his thoughts from his recent article (Published in the L.A. Times, Religious News Service (RNS) and others) entitled, Jimmy Carter rid the presidency of lies. His fellow evangelicals? Not so much. Then, Dr. Dave Peters, a retired professor of Political Science at Biola University, shares his personal meeting with his inspiration, Jimmy Carter first at the Carter Center and also in Plaines, Georgia. Carter was a political model for Peters, a Democrat, who served on the City Council of LaMirada and was elected Mayor of that city for six terms.SHOW NOTESSpecial Guests in Part I: Randall Balmer, Ph.D. and Betsey NewenhuyseRedeemer: The Life of Jimmy Carter (Second Edition) by Randall Balmer, Ph.D.Ken's Substack: Jimmy Carter R.I.P. | Become a PatronSupport the show
Send us a textThe inevitable part of life, losing someone we love. How much time off from work is fair and just? What happens when the law dictates your allowable grieving time, what are your rights? Law vs human emotion. Which would you decide? Listen in to hear what transpires between an employee and her boss. Will sympathy prevail?"Kim Hlavac directs Goreti da Silva as Tara and Kim Hlavac as Beth.Matthew Moore is the playwright. With a career spanning over fifteen years, Moore has accumulated numerous awards for his work. Exceptionally prolific, Moore's many previous plays include The Fish and the Worm, Superman and the Optometrist, 21 Forever, Misty's Gifts, A Little Blue, The Standing Ovation, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Special Guests in Part I: Randall Balmer, Ph.D. and Betsey NewenhuyseIn memory of President Jimmie Carter, Ken invites three quests to share their personal reflections on a 100 year long life well lived: historian, professor and prolific author, Dr. Randall Balmer; retired Biola University political science professor, Dr. Dave Peters; and his Beach Talk friend, Betsey Newenhuyse. In Part One, Dr. Balmer shares his thoughts from his recent article (Published in the L.A. Times, Religious News Service (RNS) and others) entitled, Jimmy Carter rid the presidency of lies. His fellow evangelicals? Not so much. He explains how evangelical enthusiasm for the peanut farmer's victory soured over this four year - and then the powerful legacy he leaves, especially for his exemplary service in his post-presidency years. Betsey shares her life in the 70s as Nixon resigned and Carter beat Gerald Ford in 1976. SHOW NOTESPart II: With Dr. Balmer and Dr. Peters to be released January 9, 2025 Redeemer: The Life of Jimmy Carter (Second Edition) by Randall Balmer, Ph.D.Ken's Substack: Jimmy Carter R.I.P. | Become a PatronSupport the show
Don McDowell is joined in studio by Jim Lawrence and David Peters, as well as Keith Davis, Chris Rich, and James Gougnhour.
Send us a textThree friends open Christmas crackers at a holiday party. Two contain the usual paper crowns and bad jokes. The third contains something that's absolutely terrifying.Bernadette Armstrong directs a cast that includes Noelle Evangelista, Matt Foyer,Cynthia Gravinese Brown, Kevin Carr, and Gilbert Glenn Brown.John Leslie is the playwright. He is a Los Angeles-based actor and writer. Hisacting credits include 19 seasons as the corrupt Senator Alfred Winston in Theater Forty's production of The Manor at Greystone Mansion. His last appearance was in The Explorer's Club, also with Theater Forty. As a writer, he adapted Bram Stoker's Dracula's Guest for Wicked Lit. His short story Trick was recently published in the anthology Ghosts, Echoes, and Shadows. He combined acting and writing for The Soft Click and Other Stories, his one-man show about his years as a substitute teacher.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA worm tries to convince a fish to eat something else so that they don't end up becoming a fisherman's meal.Kim Hlavac directs Sue Gisser and Jeff S.S. Johnson.Matthew Moore is the playwright. With a career spanning over fifteen years, Moore has accumulated numerous awards for his work. Exceptionally prolific, Moore's many previous plays include Bereavement Days, Superman and the Optometrist, 21 Forever, Misty's Gifts, A Little Blue, The Standing Ovation, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textFoster and Jackson are trudging along in the desert on the hot sands, the sun beating down on them. Foster brags about his Texas chili, while Jackson praises his wife's red beans and rice. How did the two of them end up in the desert in the first place?Gary Lamb directs Peter Bonoff and David Purdham.Robert Nersesian is the playwright. The Washington, D.C.-based writer is the recipient of an M.F.A. in Drama from Yale. He is the former Managing Director of the Youth Theatre of New Jersey.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA man is haunted by his past when he tries to reunite with an old flame.Gary Lamb directs Elaine Mello as Liz and Michael Fletcher as John.Mark SaFranko is the playwright. The New Jersey-based writer is the author of fournovels and over fifty published short stories. His previous plays include The Bitch-Goddess, Incident in the Combat Zone, Interrogation #2, Raw Connections, The Promise, A Harry of Her Own, and Dancing for Men. He is also an actor.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
A young woman impulsively goes on a retreat----but it's not exactly what she had inmind. Rachel Berney Needleman directs Tiana Randall-Quant as Killi and Gita Redd as Suna.Rachel Berney Needleman directs Tiana Randall-Quant as Killi and Gita Reddy as Suna.Allie Costa is the playwright. She is an actor, writer, director, and singer working in film, TV, theatre, and voiceover. Her credits include Spring Awakening, 90210, Alien vs. Musical, Future Shock, Slayers: A Buffyverse Story, and You Me & Her. She's also appeared in commercials and podcasts, narrated audiobooks and documentaries, and lent her voice to video games and animated projects. Her work has been produced internationally, including the critically acclaimed Two Girls, Don't Shoot the Messenger Pigeon, Music of the Mind, Boxes Are Magic, and Can You Keep a Secret? Occasionally, she sleeps. http://www.alliecosta.com http://www.imdb.me/alliecostaSupport the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Sunday sermons from Church Unlimited.
Legendary actress, Joan Crawford awakes to finds herself in the Afterlife Bardo. As she adjusts to the fact that she has died she reflects on the ups and downs of her life and those that she left behind. All the while interacting with two guardians who will assist her transition into the universe that awaits her.Bernadette Armstrong directs Goreti da Silva as Joan, Crawford, Gloria Tsai as Thana, and David Trice as Newsie. Bernadette Armstrong is also the playwright. The founder of Open Door Playhouse, her other plays include The Reading Group, Simple Lives, Covid?, Moments, and Custody.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
October 31 is, of course, Halloween, and Brody and the Dark and Stormy Night iscertainly appropriate for the season.Brody has recently had his heart broken. He goes to a Halloween party and sees his ex with a new boyfriend. Brody steps onto a balcony where he is ultimately joined by a stranger who takes an interest in him. Perhaps Brody's luck is about to change. However, it is Halloween…, Miranda Stewart directs Matthew Scott Montgomery as Brody and David Andrew Calvillo as the Stranger.Montgomery is also the playwright. His previous plays include Dead Boys andFoursome. He is known nationally for his work as an actor on the Disney Channel series So Random! He appeared in the recent Open-Door Playhouse production of He/She/Us. He previously received an acting award from Los Angeles Drama Critics Circle.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
David Peters is the principle and co-founder of Magnetic Invest, an investment firm that currently specializes in hotel to residential conversions throughout the US. Prior to the hotel to residential focus, David spent more than a decade running anumber of multifamily syndicates and prior to that was the owner and general contractor at LCS residential. Connect with David: https://www.linkedin.com/in/david-peters-8334554 , david@magneticinvest.com Quote: "If you don't have annual leases on 90% of your units, you can't get that 'fanny freddy' financing." Highlights: 8:00 - Hotel's Death Spiral 11:14 - The "Sweet Spot" Hotel Property 15:10 - The Rise & Fall of Extended Stay 18:51 - David's Process for Conversion / The Appeal 21:38 - Gauging Local Support 23:47 - How to Finance 28:00 - How David Sets Up Management 30:10 - Leases / Primary Clients 38:00 - Rental Rates Recommended Resources: Accredited Investors, you're invited to Join the Cashflow Investor Club to learn how you can partner with Kevin Bupp on current and upcoming opportunities to create passive cash flow and build wealth. Join the Club! If you're a high net worth investor with capital to deploy in the next 12 months and you want to build passive income and wealth with a trusted partner, go to InvestWithKB.com for opportunities to invest in real estate projects alongside Kevin and his team. Looking for the ultimate guide to passive investing? Grab a copy of my latest book, The Cash Flow Investor at KevinBupp.com. Tap into a wealth of free information on Commercial Real Estate Investing by listening to past podcast episodes at KevinBupp.com/Podcast. Learn more about Kevin's investment company and opportunities for Lifetime Cashflow at sunrisecapitalinvestors.com.
This week we welcome indie developer David Peters to the show! David recently started his career in games with the shoot-em-up Cycle Chaser H-5 and the surreal platformer Somnabuster. Both games are defined by their striking hand drawn art style and arcade like gameplay, both of which we dive deep into on today's show! Featuring music from chiptune artist Mala Society
October is, of course, the month of Halloween, and Monsters Anonymous is certainly appropriate for the season.Dracula wants to be a better monster and feels guilty for his past killings. Determined to stop, he struggles with his addiction to human blood, despite being able to survive on animal blood. He joins Monsters Anonymous (MA), posing as an alcoholic, and meets other monsters with unique addictions: Gaywolf, obsessed with bulking up; Frankenstein, addicted to plastic surgery; and Ghost Girl, who can't stop stalking her ex-girlfriend. Can the group help Dracula resist his urges, or will he relapse into killing again?Bernadette Armstrong directs Kevin Carr, Monique Gonsalves, Gina Elaine, and Larry Coleman.Melissa Marie Watson is the playwright. Melissa won two creative writing scholarship contests and two essay contests at Eureka College, read poetry over the radio in Chicago, and was published in The Quill, The Pantagraph, and The Woodford County Journal. She was recently published in two anthology books: Words of the Wise: Stories of Awakening Journeys and I'm a F*cking Entrepreneur Volume II. Her monologue, Made to Be Alone, was performed by Nomad Theatre in their Ghostlight Project showcase, and her short play, The Lesser of Two Evils was a finalist in Nomad's The Polling Place contest.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
October is, of course, the month of Halloween, and Face Dancers is certainly appropriate for the season.Suzy is trying to get home but is being pursued by a threatening, nameless creature as she runs down the street. She begs entry at one house and finds refuge for the moment as a schoolmate and his grandfather take her in. But the night is still young, and dawn is hours away. Will Suzy be safe, or will unimaginable terrors lie in wait for her?Yunyi Zhu directs Daamen Krall, JayCee Porter, and Michael Harvey Fletcher.Fletcher is also the playwright. He holds a BFA in Creative Writing from Utah ValleyUniversity. A prolific character actor on stage and screen, he recently appeared in the Open-Door Playhouse production of A Skylight in Queens.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Denise and Matt believe they are the legal owners of the contents of an abandoned storage unit. Then along comes a big dude who begs to differ with their appraisal of their circumstances. Sometimes you just can't make a deal.Kim Hlavac directs herself, Jeff LeBeau, and Keith Barber. Kim is also the playwright. A frequent contributor to Open-Door Playhouse as an actor,director, and writer, she graduated from the famed high School of Performing Arts and then attained her BFA from SUNY/Purchase.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
On a dark and stormy night, a distraught young woman seeks the aid of a doctor to release her from the thrall of a deadly entity changing her into….something else. But her immortal Master has yet another, more powerful, unholy being under his control. What can the doctor do?Bernadette Armstrong directs Allan Wasserman, Elaine Mello, and Daaman Krall.Simon Bowler Khan is the playwright. He's written a number of historical dramasincluding a pair of plays about Christopher Marlowe, The Inquisitor, Judgment of the Eye, The Enemy of the State, and The Briefing. He is also a producer, actor, and director (including a production of Hamlet for Amazon.) He is a graduate of the University of Westminster.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
“The Suitcase involves a married couple coming to a major decision about their life together. It has a serious theme with a surprise ending that no one sees coming.”Miranda Stewart directs actors Anne Cooper and David Purdham.Stuart Brown is the playwright. A prolific author of short plays, his works have been presented in Massachusetts, New Jersey, Rhode Island, Texas, and Connecticut. He is the President of the Connecticut Critics Circle. He runs the online 24/7 Broadway radio station SoundsofBroadway.com, featuring the best from Broadway, Off-Broadway, and London stages.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Set in 1863, just after the Emancipation Proclamation, Chess Master tells the story of a confrontation between a defiant plantation owner and a newly freed slave. The owner, desperately clinging to the old order, attempts to coerce his former servant into staying on as an unpaid laborer---a potent allegory for the continuing struggle to create a truly free society.The cast includes Tim Powell, Tazz Yancey, and Dennis Gersten.. Gersten directs.Braddon Mendelson is the playwright. His full-length plays include Provenance,Gallows Falls, Rembrandt Perfected, Resisted Living, and Minor Character. He wrote the book and lyrics for a musical, The Waterway. He is the author and illustrator of a children's book, Have You Seen the Tickle Bug? Mendelson also produced music videos for rap and R& B artists. He is a graduate of Cal State Northridge.Support the PodcastSupport the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Astrid meets Paolo for the first time in almost a year after breaking up.He has convinced her to meet his “new self” at a men's clothing store. When he makes his reveal, she has difficulty adjusting to what he now looks like. The ghost of his former self arrives, and both react intermittently.The cast includes Ivy Jane and Matthew Scott Montgomery. Bernadette Armstrong directs.Susan Kelejian is the playwright. Her previous plays include The Tragedy of Boudicca, The Belles of Bedlam, Woman on the 97th Floor, and Drive. She is the founder of the Ojai Valley Artists Theatre Ensemble. She is also an actor, director and licensed psychotherapist.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
This new comedic play begins with three women and forty-four cats. Simple enough ingredients with which to launch a narrative, yes? Not so fast….The cast includes Reyna Stephanie, Joyce Hananel, and Zelda Kimble. Yunyi Zhudirects.James C. Ferguson is the playwright. The Massachusetts-based writer is the prolific author of a number of short plays, including OMG, Don't Jump the Gun, Lewis & Clark, Alexander the Great, The Wright Brothers, For Whom the Yell Tools, and many more. He directed and co-wrote an indie film, Happy Holidays, and served as a special effects technician on a number of feature films.Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.orgSupport the Show.Support the Show.
A man dies and must decide whether to accept the finality of his death or choose to be reborn and give it another go. Was his one life enough or should he roll the dice and try again?The cast includes Kim Hlavac and Dennis Gersten. Kim Hlavac directs.Mark Saunders is the playwright. Based in Portland, Oregon, he is a prolific writer of short plays. His full-length works include All's Not Okay at the I'm O.K. Corral, Honest Graft, and The Chinese Question. He has also been a gag cartoonist, with over 500 cartoons published.Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.orgSupport the Show.Support the Show.
In the chilly streets of New York, a disillusioned young man is troubled by his recent work as a death doula, prompting him to ponder life's deeper questions. One night, he encounters Chloe, who appears to be on the brink of personal turmoil. Observing her spiral into alcoholism, Ben intervenes and brings her to his apartment. What starts as a promising evening of connection soon unravels into a soul-searching exploration of their own vulnerabilities. As they navigate their existential crises, questions arise: can they confront their isolation and find solace, or will they succumb further to their inner chaos? Bernadette Armstrong directs Sue Gisser and Michael Fletcher. David Robinette is the playwright. The Los Angeles-based writer's previous plays include Eddie, Man Is Wolf, and Crosscut, the latter two plays winning awards at the Hollywood Fringe Festival.Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast like the 1940s and 1950s radio dramas. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.orgSupport the Show.
David Peters is visited in his run-down bedsit by Marie, a researcher for Severn Television, who is collecting material for a documentary about the singer Al Bowlly. David is the editor of the Al Bowlly Appreciation Society fanzine and Marie hopes to secure him as the programme advisor. David is enthusiastic about the offer but has other things on his mind; he has an appointment with an NHS psychiatrist the following day and his anxiety about the meeting, coupled with the novelty of entertaining his beautiful visitor, leads him to make an unwelcome pass at her... --- Support this podcast: https://podcasters.spotify.com/pod/show/ang189/support
Present-day actors rehearsing the roles of Richard III and Queen Margaret are interrupted by the arrival of the real Richard III and Philippa Langley, the British writer and ; producer who played a pivotal role in finding the bones of Richard in 2012. Now, Philippa and Richard are intent on rescuing his reputation.Gary Lamb directs Billy Mendieta, Kevin Carr, Joanne McGee, and Camille Ameen.Sandra Cruze is the playwright. Cruze's previous work includes plays (Grace; She Was Dick's Tracie),, a short film (The Physics of Killing), a web series (We're Not Dead Yet), and a musical (Moonshine Mamas).Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.orgSupport the Show.Support the Show.
Two fellows encounter each other at a party. One insists they have recently been lovers.The other denies anything of the kind, to the irritation of the other man. The story has aconclusion that you won't see coming.Matt Ritchey directs Matthew Scott Montgomery and Kevin Phan.F.J. Hartland is the playwright. Based in Johnstown, Pennsylvania, he is the recipient ofan M.F.A. from Carnegie Mellon University. The prolific writer's previous plays include Fat and Fiction, Games of the Mind, A Piano Player with Sad Brown Eyes, What the Puck?, Tina, Be a Guest, Smoke and Fire, and more. He is also a director (over 100 credits) and actor.During June (Pride Month), Open-Door Playhouse will include in itsprogramming plays that focus on the stories of LGBTQ characters.Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, soundeffects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.orgSupport the Show.
A young sex worker visits the apartment of an old sex worker, who is engaging the young man for his professional services. The old guy cooks a meal for the young fellow, while asserting that things were harder for gays back in the day. The young chap is unconvinced.Gary Lamb directs Daamen Krall and Michael Fletcher.Collin Smith is the playwright. He has written for television (Man-babies) and film(TIME:The Kallef Browder Story). He is also an actor. (Person of Interest, The Young Pope, As the World Turns, more).During June (Pride Month), Open-Door Playhouse will include in itsprogramming plays that focus on the stories of LGBTQ characters.Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, soundeffects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.orgSupport the Show.
David Peters, a master at getting value from his strong hands against any calibre of poker player, showcased his skills during a high stakes tournament at the PokerGO studio in Las Vegas. Peters has already guaranteed himself a podium finish when he decides to get involved in a huge pot against the chip leader, Kristen […] The post WPH #512: HUGE Cooler With $315,000 For 1st! first appeared on Jonathan Little.
Koken, een wasje draaien of je auto opladen is - als er niets gebeurt - is dat allemaal over een paar jaar niet meer vanzelfsprekend. Daarvoor waarschuwen onder meer netbeheerders. Onorthodoxe maatregelen zijn volgens hen en andere betrokkenen nodig om het probleem niet nog verder uit de klauwen te laten lopen. Maar hadden de netbeheerders en de minister dit probleem niet al veel eerder op hun radar moeten hebben? Te gast hierover: * David Peters, een van de directeuren van netbeheerder Stedin * Remco de Boer, energiedeskundige WNL Haagse Lobby is een programma van Omroep WNL. Meer van WNL vind je op onze website en sociale media: ► Website: https://www.wnl.tv ► Facebook: https://www.facebook.com/omroepwnl ► Instagram: https://www.instagram.com/omroepwnl ► Twitter: https://www.twitter.com/wnlvandaag ► Steun WNL, word lid: https://www.steunwnl.tv ► Gratis Nieuwsbrief: https://www.wnl.tv/nieuwsbrief
We moeten verduurzamen en daarvoor is veel meer elektriciteit nodig. Maar onze infrastructuur kan dat nog helemaal niet aan. Zijn er eventueel alternatieven voor het geval verruimen niet lukt? Paul van Liempt stelt jouw vragen aan zijn gasten. Wil je ook een vraag stellen? Stuur dan een tweet naar @bnrdewereld. Te gast zijn opnieuw: - David Peters, chief transition officer bij Stedin - Michel Rademaker, adjunct-directeur en medeoprichter van het Den Haag Centrum voor Strategische Studies. Over deze podcast De Strateeg is een podcast van BNR in samenwerking met het Den Haag Centrum voor Strategische Studies (HCSS). Abonneer je via bnr.nl/destrateeg om geen enkele aflevering te missen. Host: Paul van Liempt Redactie: Michaël Roele Tips, vragen of andere opmerkingen over De Strateeg? Stuur dan een mailtje naar roele@bnr.nl.See omnystudio.com/listener for privacy information.
De energietransitie is één van de grootste uitdagingen van deze tijd. Om die overstap van fossiel naar duurzame energiebronnen te maken is heel veel elektriciteit nodig. Er is alleen een groot probleem. Het elektriciteitsnet zit hartstikke vol! Luister ook | 75 jaar NAVO: Wat valt er te vieren? Onze infrastructuur voor elektriciteit moet dan ook op de schop. Straat na straat moet open. Maar kunnen we daarmee genoeg ruimte creëren? En welke rol ligt daarvoor weggelegd in de nationale en internationale politiek? Dat ga je horen in deze aflevering van De Strateeg van: - David Peters, chief transition officer bij Stedin - Michel Rademaker, adjunct-directeur en medeoprichter van het Den Haag Centrum voor Strategische Studies. Luister ook | Extra: Iraanse aanval op Israël Over deze podcast De Strateeg is een podcast van BNR in samenwerking met het Den Haag Centrum voor Strategische Studies (HCSS). Abonneer je via bnr.nl/destrateeg om geen enkele aflevering te missen. Host: Paul van Liempt Redactie: Michaël Roele Tips, vragen of andere opmerkingen over De Strateeg? Stuur dan een mailtje naar roele@bnr.nl.See omnystudio.com/listener for privacy information.
Multifamily Investing the RIGHT Way with Multifamily Attorney Charles Dobens
Welcome to our podcast where we share a unique perspective on the exciting world of converting hotels to apartments. Join us, Charles Dobens and David Peters, as we discuss our unconventional approach and the essential insights you need, whether you're an experienced investor or a newcomer. Stay tuned as we share the top 10 topics on hotel-to-apartment conversions in 2024. In this episode, we focus on preferred returns, financial benchmarks, and the unique opportunities we identify in distressed properties. Join us on this informative journey, where we're not just doing well but doing good by creating a new market in the real estate landscape.
Are innovations threatening accounting, finance and business — or shoring them up? Samantha Bowling, CPA, CFE, CGMA, joins host David Peters to offer her perspective. She tells the story of how she harnessed the power of technology and general innovative thinking to ascend from a public accounting staff person to a managing partner, all the while collecting a host of other accolades including chairing her state's CPA society, winning the Innovative Practices Award and being named among Maryland's Top 100 Women in Business. Now, she is overseeing a series of tech and procedural innovations that stand to propel her firm far ahead of the competition.Episode HighlightsWhy do CPA firms generally fear innovation? (08:18)How do you go about implementing value-based billing? (12:06)Bringing clients along on business transformation journeys (17:01)‘Fast Food' tax prep (22:00)How do we address the fear of innovation failure?(29:56)Artificial Intelligence (35:35)
Open-Door Playhouse continues to present short plays in podcast form. Its upcomingplay Anti-Soulmate will debut on January 3, 2024 online at http://opendoorplayhouse.orgA man searching for his soulmate finally finds her. There's just one problem. She doesn'tbelieve in soulmates.Miranda Stewart directs Elaine Mello and Peter Bonoff.Alyssa Ahle is the playwright. Her other plays include Lost and Found, Not Knowing, AnEthical Fantasy, Anti-Amour, and An Idealized Nightmare. Her stories have been anthologized in fiction and science fiction collections. She also writes poetry.Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.There's no paywall at the Open-Door Playhouse site, so you can listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.orgSupport the showSupport the show
Multifamily Investing the RIGHT Way with Multifamily Attorney Charles Dobens
Get ready for an insightful episode with 'The Multifamily Attorney', Charles Dobens, as he unveils essential insights in, 'The Five Things Every Syndicator and Passive Investor Should Know About Their Investment When Interest Rates Rise'. Joining the discussion is David Peters, bringing expertise and perspective to the table. Together, they navigate the rising tide of interest rates and its impact on Cap Rates, guiding listeners through a crucial to-do list for investors during rate hikes. Discover the importance of prompt communication with investors, unraveling the triggers behind Bad-Boy Provisions, and gaining clarity on the intricacies of your bank relationship. They'll also cover the critical timing and execution of capital calls, culminating in an exploration of adapting investment strategies, including the intriguing realm of hotel to apartment conversions. Don't miss this episode packed with actionable strategies and valuable insights for navigating multifamily investments in changing interest rate environments. For more information or to get started in multifamily investing, please visit: https://www.multifamilyinvestingacademy.com/.
RUNDOWN Today's episode begins with Hotshot explaining his Starbucks run on the way to the Levy house because he forgot his own and how much money he spends there unlike Mitch. They also chat about the comedy shows they attended on Saturday night and open the listener mailbag in the tease. Then, the guys discuss heckling at comedy shows, the changing landscape of college hoops, and the M's opening series in segment one. A half-dozen guests on the episode beginning with the return of Danny Kelly from The Ringer, a Seahawks free-agent Daily Schnoz with Jeff Legwold, John Fennelly, Curt Popejoy, and Nick Baumgardner, and wrapping up with CPA David Peters. Topics in the “Other Stuff” segment include the latest on Seahawks vets on defense, an appearance by Mr. Playoffs for The Kraken, and the women's NCAA championship game. GUESTS Jeff Legwold | ESPN Senior Writer - Denver Broncos John Fennelly | Giants Wire Curt Popejoy | USA Today Nick Baumgardner | The Athletic Danny Kelly | The Ringer David Peters | David Peters Financial Group TABLE OF CONTENTS 0:00 | How much money has Scott spent versus Mitch saved at Starbucks over the years? 28:50 | Why do people feel inclined to heckle comedians at shows and interrupt everything? 32:57 | The azaleas are in full bloom at Augusta with The Masters week upon us. 36:37 | College basketball may be entering a new era with the transfer portal jeopardizing dominance by the blue bloods. 45:09 | Mitch opened a can of worms by with M's fans by Tweeting his long-running gag about returning above .500. 1:01:21 | GUESTS: Jeff Legwold, John Fennelly, Curt Popejoy, and Nick Baumgardner drop in for a Seahawks Free Agency Daily Schnoz segment. 1:29:40 | GUEST: Back by popular demand, Danny Kelly joins the show to project how the Seahawks will approach the draft with their copious picks. 1:54:24 | GUEST: With the tax deadline approaching, CPA David Peters checks in to provide tips to those of us stressed and procrastinating. 2:13:35 | Today's “Other Stuff” topics range from Seahawks roster rumors to a Kraken postseason update to LSU's upset of Iowa for a national title.