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Send us Fan MailPat, an isolating, military veteran is asked to put his pain aside to be the father his adult son needs when the young man arrives unannounced… but will he be able to?Gary Lamb directs a cast that includes David Purdham as Pat and David Andrew Calvillo as Zayne.Chance Lang is the playwright. New York City born, and Los Angeles raised, Chance is a Writer/Director known for his original works Going Home (2025), Trying (2023), One Take (2021), and Hypocrite (2019), and has collaborated internationally with The Useless Room at Institute Grotowski in Wroclaw and Brzezinka, Poland (2018), and WITKACY/Two Headed Calf at the Divine Comedy Festival in Krakow, Poland, TEATR Studio Warsaw, and REDCAT in Los Angeles.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...
Francis Anderson quit running the day his little brother beat him.Poker was different.That one stuck.Francis grew up in Poughkeepsie, New York, in a competitive family. Road races on the weekends. Soccer. School. A normal path.Then college happened.University of Albany. Accounting major. Study room poker games. $5 and $10 buy-ins.And then Jamie Gold won the 2006 WSOP Main Event.For a lot of people, Moneymaker was the moment.For Francis?It was Jamie Gold talking people into doing the wrong thing for $12 million.From there, poker got serious fast.He started playing online, driving to Turning Stone, grinding $150 nightlies with a tiny bankroll, and building a network through PocketFives and AOL Instant Messenger.Then he satellited into the Sunday Brawl, got 7th for around $10K, and told his mom he was dropping out of college.As one does.In this episode of The Table 1 Podcast, Francis joins Art Parmann and Justin Young to talk through the full ride: ♠️ Finding poker during the Jamie Gold WSOP era ♥️ Dropping out after a Sunday Brawl score ♦️ Black Friday and the Costa Rica online poker migration ♣️ Grinding with David Peters and seeing elite work ethic up close ♠️ Moving to Vegas with a tiny bankroll ♥️ Getting crushed, going nearly broke, and rebuilding ♦️ Wearing a cowboy hat and mask to disguise himself in the Monster Stack ♣️ Turning a $5K bankroll into a massive WSOP score ♠️ Winning the $800 Independence Day event for $500K ♥️ Becoming Main Event chip leader the next day ♦️ Back-to-back WPT final tables ♣️ Why he still shows up early for $800s and $1KsThis one is a real grinder story.Not overnight success.Not one heater.A decade-plus of moving countries, rebuilding bankrolls, firing bullets, getting better, and showing up again the next day.Sometimes in a cowboy hat.
IANR 2623 060626 Line Up4-6pm INTERVIEWSHere's the guest line-up for Sat, June 6, 2026 from 4 to 6pm CST on Indo American News Radio (www.IndoAmerican-news.com), a production of Indo American News. We areon 98.7 FM and you can also listen on the masalaradio app.By Monday, hear the recorded show on Podcast uploaded on Spotify, Apple Podcasts, Pocket Casts, Radio Public and Breaker or go to our website and click on the IANR link. Our Podcast has been rated #2 among 100 Podcasts in Houston by feedspot.com and rated in the Top 20 Apple Podcasts in 13 countries by Podstatus.com. In 6 years and with over 600 Podcasts, we have had thousands of hits.TO SUPPORT THE SHOW, SELECT FOLLOW ON OUR FREE PODCAST CHANNEL AND YOU'LL BE NOTIFIED OF NEWUPDATES.4:20 pm The Southwest Management District handles the TIRZ 20 area bounded from Chimney Rock, along the Westpark Tollroad to Hwy 6 and then south to Hwy 59. Six years ago, it launched the annual Liberty Fest to commemorate Independence Day at Sharpstown Mall. . Liberty Fest has gained in popularity and attendance and has grown to encompass the area's multicultural communities. To tell us more about it, we are joined by District Board DirectorsKenneth Li, David Peters and Raj Adnani.4:50 pm In 1998, Doctors Osama and Lillian Gaber established Nora's Gift Foundation in memory of their 7-year-old daughter Nora, who lost her life in a tragic automobile accident. Since then, Nora's Home has worked to improve the outcome and quality of life for patients suffering end-stageorgan failure, individuals undergoing transplantation, and their families from 41 states and 7 countries. To tell us more about this remarkable accomplishment, we are joined today by Dr. Osama Gaber and Board members Kayla Lehmann & John Zerr.5:20 pm Each month, we feature eminent immigration attorney George Willy to discuss issues that may affect manyof our listeners and each time we have to deal with another new and insidious executive order from President Trump which further solidifies his desire to limit entrance by foreign nationals into this country. George will deal with the latest of these bizarre orders-du-jour and discuss the change proposed to the I-485, Application to Register Permanent Residence or Adjust Status.Also stay tuned in for news roundup, views, sports and movie reviews.TO BE FEATURED ON THE SHOW, OR TO ADVERTISE, PLEASE CONTACT US AT 713-789-NEWS or 6397 or at indoamericannews@yahoo.com Please pick up the print edition of Indo American News which is available all across town at grocery stores. Also visit our website indoamerican-news.com which gets 90,000+ hits to track all current stories.And remember to visit our digital archives from over 18 years. Plus, our entire 45 years of hard copy archives are available in the Fondren Library at Rice University.
Send us Fan MailWhen an older woman comes to a hospital to collect her injured grandson, she meets a young man who turns out to be the grandson's boyfriend. As they wait for news, the two of them grapple with the generational differences between them.Bernadette Armstrong directs a cast that includes Anne Cooper as Debra and Larry Coleman as Jace.Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are Holy Hell, FREE, Snow White Who?, Sex in the Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...
Send us Fan MailElena (she/her) meets up with her daughter Rox (they/them) a day late, to help Rox pack up their apartment after graduation from college with her Master's degree. As they go through the piles of things to pack or discard the conversation between them delves into unresolved mother-child issues.Bernadette Armstrong directs a cast that includes Julia Sanford as Elena and Christine Uhebe as Roxs.Chance Lang is the playwright. New York City born, and Los Angeles raised, Chance is a Writer/Director known for his original works Going Home (2025), Trying (2023), One Take (2021), and Hypocrite (2019), and has collaborated internationally with The Useless Room at Institute Grotowski in Wroclaw and Brzezinka, Poland (2018), and WITKACY/Two Headed Calf at the Divine Comedy Festival in Krakow, Poland, TEATR Studio Warsaw, and REDCAT in Los Angeles. Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...
(0:08:00): PFA server had massive crash, prior radio show was lost, so what now?.... (0:14:18): Major update related to The Lodge raid and shutdown.... (0:39:01): Maurice Hawkins appears on Pokernews podcast to argue with hosts about his bad debts and scamming allegations.... (1:36:15): Dylan Lynde reveals nosebleed stakes tournament player David Peters revealed to be broke and owing him $23k.... (2:12:49): Charlie Carrel and Owen "PR0DIGY" Messere in private game dispute where both accuse each other of unethical behavior.... (3:27:24): CoinPoker in more controversy as major affiliate accuses them of cheating him, plus their terms of service seems to prohibit US and UK players from the platform.... (3:39:32): All of Primm to close down on or before July 4.... (3:49:24): Vegas Megabucks tipping controversy goes viral when major X account shares VitalVegas' post on the matter.
What happens when someone decides a legacy is too important to let fade? In this episode, David Peters shares the story behind Ten Boom Coffee and how Corrie ten Boom's life deeply shaped his family. What began as a vision for a coffee shop in Jerusalem became something much bigger: a mission centered on remembrance, reconciliation, and standing with the Jewish people. Through stories of the Holocaust, faith under pressure, and the healing power of hospitality, this conversation explores how ordinary things - like coffee and conversation - can carry extraordinary meaning. It's a powerful reminder that courage is never just historical. Every generation has to decide what it will do with the stories it inherits. Key Takeaways Corrie ten Boom's legacy continues to impact Jews and Christians today Hospitality and conversation can become acts of reconciliation The Holocaust still shapes Jewish-Christian relationships Standing against antisemitism requires visible action Faith becomes real when it costs something Coffee culture can create meaningful spiritual connection Small acts of remembrance can carry generational impact Chapter Markers 00:00 – Introduction and the missing coffee joke 02:00 – The vision behind Ten Boom Coffee 05:00 – Corrie ten Boom's connection to David's family 08:00 – Coffee, hospitality, and intentional conversations 12:00 – Supporting Israeli agricultural innovation 16:00 – Corrie's stories from the concentration camps 20:00 – Jewish relationships and healing historical wounds 25:00 – The meaning behind the logo and Star of David 29:00 – Navigating antisemitism in today's culture 33:00 – The future of Ten Boom Coffee and café vision Visit https://thejewishroad.com for more conversations exploring Israel, faith, and Jewish-Christian relationships. To learn more about David Peters and support Ten Boom Coffee, visit: https://tenboom.coffee You can also revisit Corrie ten Boom's story through The Hiding Place and continue carrying forward a legacy of courage, reconciliation, and love for the Jewish people.
Send us Fan MailA man and woman separately relate the story of the tragedy that brought them together and the love that redeemed them both.Gary B. Lamb directs a cast that includes himself as The Man and Elaine Mello as The Woman.Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are FREE, Snow White Who?, Sex in The Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...
A majority of American adults say that societal division is a significant source of stress in their lives according to the American Psychological Association. On this episode, we examine how that is impacting our mental health and our communities. We talk with psychologist Lynn Bufka about how the latest stress in America survey shows a crisis in connection. Then we talk with sociologist David Peters about how social involvement in rural communities has decreased since the 1980s. Sociologist Brad Wilcox shares how marriage plays a role in society as marital rates in the U.S. have declined in recent decades. Finally, Kimberly Serrano of the American Immigration Council shares how they're making the case for including belonging when addressing deep fractures in communities.
In the 962nd episode of the PokerNews Podcast, Chad Holloway, Mike Holtz, and Ben Ludlow are back to catch you up on all the latest in the poker world. That includes Daniel "Jungleman" Cates getting kicked off Hustler Casino Live (HCL), a $5-million live-streamed cash game pot, and David Peters getting called out by Dylan Linde over an outstanding debt. The crew also wraps up the U.S. Poker Open, including David Coleman winning the $25K finale and Brock Wilson topping the overall leaderboard to become the U.S. Poker Open champ! Finally, Chad goes one-on-one with Sorel Mizzi to discuss his amazing weight loss and body transformation, which was a part of a $300,000 prop bet with Bill Perkins. Mizzi opens up about his inspiration, life changes, and what he's up to now when it comes to poker. A new PokerNews Podcast drops every Thursday at 8a PT / 11a ET / 4p UK time. Remember to subscribe to our YouTube channel so you do not miss an episode! Time Stamps *Time Topic* 00:00 | Welcome to the show 01:32 | Jungleman gets kicked off HCL 05:31 | $5M pot Largest in Live Stream history 08:40 | David Peters called out by Dylan Linde 13:52 | Interview with Sorel Mizzi 27:00 | 888poker XL Series May 3-12 27:30 | David Coleman wins USPO final 28:20 | Brock Wilson named overall USPO champ 30:22 | Teaser – Art Parmann & Justin Young from Table 1 Podcast
Send us Fan MailA yearslong battle that involved a notorious baseball manager, a marshmallow salesman and a few swinging punches comes to a resolution at a dive bar in Pennsylvania.Mimi Kmet directs a cast that includes Matt Foyer as Daniel, Goreti da Silva as Barb, Kenajuan Bentley as Pete, and Gary Lamb as the Cop. Judith Isacoff is the playwright. She is the author of the books Adventures in Tuscany and Working Girl's Guide to Hong Kong, as well as several short plays, including Vietnam Wives. She is a graduate of the University of Missouri-Columbia.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...
In this inspiring interview, David Peters shares the story behind Ten Boom Coffee, a business inspired by Corrie Ten Boom's awesome legacy. Discover how Corrie Ten Boom's message regarding antisemitism and forgiveness is critical today, and the profound impact that Israeli technology is having on impoverished coffee farmers worldwide. Resources: Ten Boom Coffee Corrie Ten Boom - The Hiding Place Israeli drip irrigation technologySupport the showIf you enjoy our podcast, please consider supporting the show HERE so that our Bible-based message about Israel can continue. God blesses those who bless Israel! We agree with God's Word that He will bless you richly in return!First Century Foundations is a Charity that supports ministries in Jerusalem and many other parts of the country of Israel. Our mission is to turn hearts around the world toward the land, people and God of Israel. LEARN MORE ABOUT US HERE.You can watch this entire episode on OUR YOUTUBE CHANNEL! Make sure you subscribe so you can be notified of First Century Foundations' regular uploads!
Send us Fan MailGifted and successful novelist, Archie Lovecraft, is overworked and over stressed. He drinks too much and feels enormous pressure to stay on top in the literary world. In addition, he hates technology and denounces it at every turn. His best friend and I.T. specialist, George, is desperately trying to bring Archie into the 21st century and rid him of his old- school ways. One Halloween afternoon, Julia, Archie's computer, has somehow come to life and starts verbally berating him. Will this talented writer be able to win this “war of words?”Dennis Gersten directs Allan Wasserman as Archie, Tezz Yancey as George, and Marine de Vachon as Julia. Samuel Sardina is the playwright. His newest play, Lucky Numbers, debuted in New Jersey in February. He is also a producer.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...
Send us Fan MailThe Fall: High on the last branch of an oak tree, two aging leaves cling to one another on the last day of autumn. As others have already fallen, they reflect on warmth, beauty, and the terrifying mystery of what comes next. Their quiet conversation becomes a meditation on life, love, and loss.Bernadette Armstrong directs Camille Ameen as Leaf #1 and Gloria Tsai as Leaf #2. Bart Lovins is the playwright. His other plays include Keep the Faith and Pass the Fettuccini, and four Sherlock Holmes plays, The Sign of Four, A Study in Scarlet, The Valley of Fear, and The Hound of the Baskervilles. He is also an actor and director.A Cup of Jo: A waitress at a diner is fascinated by a handsome and alluring nightly customer named Vlad.Bernadette Armstrong directs Leona Lovemoor as Jo and Peter Bonoff as Vlad.Leona Lovemoor is the playwright. She is also an artist and actor.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...
Today On The Eric Metaxas Show, Eric reflects on his time in Washington with the President's Commission for Religious Liberty, talks with David Peters about the mission behind Ten Boom Coffee and the legacy of Corrie ten Boom, and then sits down with John Zmirak and James Lindsay for a wide ranging conversation on Catholic integralism, religious liberty, anti Israel rhetoric, and why they believe a growing movement on the right is deeply at odds with the American founding. Subscribe for clips from The Eric Metaxas Show to hear politics and culture from a Christian perspective.
Send a textWhile leaving the theatre one night, an actor is confronted by someone from his past.Gary Lamb directs himself as Arlo, Larry Coleman as Spencer.F.J. Hartland is the playwright. Based in Johnstown, Pennsylvania, he is the recipient of an M.F.A. from Carnegie Mellon University. The prolific writer's previous plays include TED, Fat and Fiction, Games of the Mind, A Piano Player with Sad Brown Eyes, What the Puck?, Tina, Be a Guest, Smoke and Fire, and more. He is also a director (over 100 credits) and actor. Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
March 5, 2026 - David Peters, St T's New Head Baseball Coach, joined Byers & Co to talk about their program. Listen to the podcast now!See omnystudio.com/listener for privacy information.
Send a textAlycia and Tyler meet on a flight from Houston to Los Angeles. As they experience extensive turbulence along the way, they distract themselves by sharing intimate secrets with each other.Bernadette Armstrong directs Christine Uhebe as Alycia and David Phurdham as Tyler.Linda Shayne is the playwright. She graduated from UC Berkeley, worked in mental hospitals and published articles about San Quentin State Prison ex-offenders, before she became a writer/director in film and TV. Shayne has written movies for Disney, Showtime, Imagine Entertainment, and directed for Nickelodeon, Warner Bros, and Paramount. Shayne created a dramedy TV series for Quincy Jones, two animated series for Warner Bros, and a dramedy TV series to film in Thailand. She directed an award-winning documentary playing festivals and adapted a WW2 spy book for a Swiss producer. Recently, Shayne was hired to write/direct a rom-com movie.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textIn this moving Christmas drama, a man endeavoring to visit his aunt in a retirement home is mistaken for a priest. He finds himself providing soothing, spiritual comfort to a woman in hospice care.Bernadette Armstrong directs a cast that includes Goreti da Silva as Mary, Gary B. Lamb as Evan, Gloria Tsai as Millie, and Noelle Evangelisti as Nurse June Allen.Glen Sharpe is the playwright. Glen was born in Toronto, and he has been an educator since 1989. For the past twenty years, Glen has been an Education Professor with Nipissing University in North Bay, Ontario. Glen's many interests include volunteerism, promoting Indigenous initiatives, and athletics. Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textAn elderly, grieving widower, with the help of a friend, searches for an image of his late wife in The Cloud so he can sing his beloved a Heavenly Merry Christmas greeting.Bernadette Armstrong directs a cast that includes Christine Uhebe as Sandra and Daamen Krall as Harry.S.J. Roth is the playwright. Based in Santa Monica, he received an MFA from Carnegie Mellon University. His previous plays include Sutton, Ben and Augie, Hell and Back, Losin' It, Blind Kisses, Venice Love, Bonnie's Wanted Man, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textBe careful what you wish for. You just might get it. After Jack rescues an Old Man in distress, Jack finds he now has the ability to instantly manifest anything he wishes. Sounds great? Well, it's not so simple.Gary B. Lamb directs a cast that includes Michael Fletcher as Jack, Caitlin Bell as Laura, Annette Homewood as Sally, and Dennis Gersten as the Old Man.Gary B. Lamb is the playwright. He trained at L.A. City College Theatre Academy, University of California at Irvine, and Carnegie Mellon University. He wrote the book and lyrics for a musical version of The Hunchback of Notre Dame, the book for the musical Fion the Fair, the lyrics for Chicago Christmas Carol, and an adaptation of I'm Just Wild About Harry. He has acted in and directed many plays for Open-Door Playhouse.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textTheater #183: Poetry on the Menu Poetry on the Menu In January 1967, writer/participatory journalist George Plimpton dreamed up a publicity stunt for heavyweight champion Muhammad Ali. He arranged for him to meet Marianne Moore, decorated American poetess – a showman who creates doggerel rhymes, together with one of the finest true poets in the history of the English language. The pair couldn't be more opposite – He a gigantic, athletic man of color, at his physicalpeak, age 25, not formally educated, a Muslim, loud, charismatic, a showman with the burgeoning edge for social causes and advocacy; She, elderly, age 80, pasty white, doggedly Presbyterian, incredibly well educated, shy, frail and a kind of dowager spinster. Ali's poems, so called, which predicted his fights, were little more than expanded limericks. Moore's balletic verses and images won her the Pulitzer Prize, the National Medal in Literature and almost the Nobel Prize. Theirhost that day, Toots Shor, was a rough New York man of Jewish descent, who rubbed elbows, hosted, drank with, and incurred the wrath of entertainment giants of the first two-thirds of the 20th Century: Frank Sinatra, Charlie Chaplin, Ernest Hemingway, Joe DiMaggio, Marilyn Monroe, etc. The meeting only lasted a few minutes and produced a short poem, “On the annihilation of Ernie Terrell,” Ali's next title foe. The playwright has expanded the meeting in a deeper way, as a one-act play, using snippets ofMoore's poetry to frame the time, Ali's immediate and lasting appeal through his pithy quotes uttered over two decades, and foreshadowing his thoughtful future self.Bernadette Armstrong directs a cast that includes Omari Williams as Muhammad Ali, Anne Cooper as Marianne Moore, Gary Lamb as Toots Shor, and Justice Davis as Kandu.James Anthony Merolla is the playwright. A journalist with a career spanning four decades, he is also a director. His most recent play is Jane Austen Ruptured My Spleen!Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA mysterious witch arrives at a suburban Halloween party with cupcakes and a purpose: collecting human fears. As guests fall under her spell, two friends must uncover her secret and stop her.Bernadette Armstrong directs a cast that includes Camille Ameen as Cyber Witch, Jon Paul Burkhart as Jax, and Goreti da Silva as Lana.Jessica Gale is the playwright.Jessica Gale (pen name) is a web content creator and writer based in Las Vegas, Nevada. She graduated from Fordham University in New York City.Jessica has written over a dozen ten-minute plays, several of which have been produced at festivals across the country, as well as a screenplay. Her work blends humor, suspense, and sharp insights into how people adapt to emerging technologies.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textThe play centers on a Times Square tarot and palm reading storefront run by a married pair of grifters. Everything changes when a wealthy and mysterious new client appears.Bernadette Armstrong directs a cast that includes Camille Ameen as Mary, Matt Foyer as Dave and as a flyer distributor, Noelle Evangelista as The Mark, and Allen Wasserman as Happ.Cameron Scott is a Connecticut-based playwright who was educated at NYU. A previous play, That Day Is Coming, Every Day Is Coming, was produced by Open-Door Playhouse. His play Uphill was a winning play at ESTAFest (Eastern States Theatre Association). He has also served in administrative capacities on numerous Broadway shows.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textPat and Robin meet at a dance and then head to Pat's basement apartment. They start watching a televised broadcast of the classic film Dracula. One of them is terrified by the film. The other counsels, “There's no such thing as vampires.” That's right…..Isn't it?Kim Hlavac directs Ann Noble and Rob Nagle. John Cimics, a writer based in Midland, Texas, is the playwright.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textFor reasons he can't explain, Stephen feels compelled to enter a sketchy-looking tattoo parlor that any reasonable person would avoid altogether. Once inside, he encounters a peculiar old woman, who Stephen enlists to become the artist of his baptismal ink job. At the first prick of the needle, Stephen decides to make a move for the door, but the old woman bars his way with a terrifyingplan in store.Miranda Stewart directs a cast that includes Kevin Carr as Stephen/Storyteller, Anne Cooper as the Parlor Owner, Paul Sohm as the Doctor, and Ashley Law as Mrs. Dudley.Greg Burdick is the playwright. A graduate of Slippery Rock University, his previous plays include Accommodation, Insert Token, Secret's Out, Sign Here for All That Remains, Monessen Falls, and I'll Love You ‘Til the Cows Come Home. Also a director, he's helmed nearly one hundred productions.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textDo citizens have the right to judge elected leaders on personal morals? An idealistic voter lost faith in a political candidate and is demanding that he return the contribution she made to his campaign. A man with ties to the candidate appears at her door, offering her money if she will "back off." Can her values stand up to the test?Bernadette Armstrong directs a cast that includes Rosemary Thomas as Agnes and Gilbert Glenn Brown as Evan.Rosemary FrisinoToohey is the playwright. A married mother of four, she resides in Baltimore. Her plays have received over 440 productions, domestically and internationally. Her full-length plays include Gladys in Wonderland, Crazy Quilt Blues, A Very Fowl Thanksgiving, Smoke in the Canyon, The Garbageman, Cornered, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textAllison and Mark have been best friends since grade school. Now, they're fortyish. Allison is a married suburban mom with three kids. Mark is single and gay. Allison has a lifelong fear of the dark. Just what happens when it's Lights Out?Bernadette Armstrong directs a cast that includes Cynthia Gravinese Brown as Allison, Matthew Scott Montgomery as Mark, and Noelle Evangelisti as The Nurse.Michael A. Buzzelli is the playwright. He's a stand-up comedian who has performed at such famous venues as the Ice House, The Improv, and The Comedy Store. He is the author of two books, All I Want for Christmas and Below Average Genius. Based near Pittsburgh, he is a theatre and arts critic, He is also an actor and Moth Grand Slam Storyteller.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textMatt and Lisa always seem to have plenty of money. Neither one of them has jobs. This perplexes and vexes their friends Erin and Tom.Miranda Stewart directs a cast that includes Michael Fletcher as Matt, Caitlin Bell as Lisa, Brittany Vallely as Erin, and Jaime Pla as Tom.Kevin B is the playwright. His recent play, The Jelly Bean, was a selection at the Pittsburgh New Works Festival. His other plays include The Little Match Girl Isn't Going to Die, American Strippers, Does It Rain on Mars?, James Franco and Me: An Unauthorized Satire, Kill the Virgin, The Italian Wife, We Ride at Dawn or Whenever, Beautiful Beautiful Cleopatra, and more. He is also an actor, director and producer.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA wealthy couple is having dinner. They had invited two other couples to join them but the guests left after some sort of disagreement. What was it all about?Rachel Berney Needleman directs Goreti da Silva as Louise and David Trice as Walter.Rosemary FrisinoToohey is the playwright. A married mother of four, she resides in Baltimore. Her plays have received over 280 productions, domestically and internationally. Her full-length plays include Gladys in Wonderland, Crazy Quilt Blues, A Very Fowl Thanksgiving, Smoke in the Canyon, The Garbageman, Cornered, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
In this first episode, I speak with Rev. David Peters, Prior of the Hospitallers of St Martin and author of Post-Traumatic Jesus, about Cain and Moral Pain as part of our 13-part Season Pass edition of God Is a Grunt. Don't miss the next chapter in the #GruntGod series next week, subscribe on Spotify or wherever you listen. Even better, help us build a community grounded in faith, service, and moral clarity:
Send us a textA man gets the surprise of his life when he calls the Suicide Hotline.Rachel Berney Needleman directs a cast that includes Noelle Evangelisti as Anita and Matt Foyer as Charlie.Richard Fouts is the playwright. His previous plays include Running Mate, The Birthday Lottery, My Afternoon with Lenny, Summer Me, Winter Me, Family Secrets, and Dead Serious.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA soap opera addict gets some much-needed advice from a TV spokesman.Bernadette Armstrong directs a cast that includes Zelda Kimble as Beverly, Camille Ameen as Delilah, and Kevin Carr as Todd-Brentley and The Announcer.Lori Londagin is the playwright. Her previous plays include Lockout, Scale, Chipotle, and First Rodeo. Her plays have been performed in Washington, Ohio, North Carolina, New York, and California.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textAfter their father's funeral, adult siblings Sam and Grace, each somewhat embittered in their own way, discover that they had wildly divergent experiences while growing up.Yunyi Zhu directs a cast that includes Christine Uhebe as Grace and Gerald James as Sam.Amber Patterson is the playwright. This is her first play. She is also an actor.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textIn this comedy, a generation gap is explored between a senior customer at a marijuana dispensary and the young dude running the place.Gary Lamb directs a cast that includes Joyce Hananel as Susan and Justice Davis as Tommy.Romney Humphrey is the playwright. An award-winning screenwriter, she is a former media writer and producer. Her many plays include Best Friends, Holidays, Dogs & Nuts, The Visit, The Mailbox, Games, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textIn 2064, Bruce Koinstra, an 85-year-old history professor, passes away in a moon colony senior housing complex. Following his memorial service, his husband of thirty years, Kirby, along with his forty-year old daughter Septima; and teen grandson Plurial gather at Bruce's Midwest Victorian home. They await the reading of Bruce's will and the demolition crew scheduled to raze the house. Reflecting on Bruce's life, they discuss the era when LGBT rights were restricted by archaic laws and when racial discrimination was widespread.Bernadette Armstrong directs a cast that includes Daamen Krall as Bruce, Elaine Mello as Septima, Larry Coleman as Plurial, and Matthew Scott Montgomery as Kirby.Lorenz Qatava is the playwright. He also wrote Speak My Words, Tell My Truth, a performance piece based on the stories and writings of five Black gay writers. He additionally wrote and published a gay romance novel set in the Southern Oregon wildfires called Rain After the Fire, as well as the plays The Rustin Arrest and On the Verge.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textButtercup is a detective in the big city. A woman has been abandoned by her husband, who has absconded with their funds. All the woman has left is a statue of a duck. She's hiring Buttercup to locate her husband (and her money). But Buttercup is finding that the duck comes with strings attached.Rachel Berney Needleman directs a cast that includes Maureen Davis as Buttercup, Annette Homewood as the Wife, Nathan Smythe as the Husband, and Kenajuan Bentley as the noirish Narrator.Ned Eckhardt is the playwright. A professor of television and documentary production at Rowan University, he has produced and directed 16 documentaries. His previous plays include IMP, Redbone, and Porky C.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textSet in the Winslow home in 1935, a wife and mother of five is pregnant again, but she is keenly aware that something is very wrong with this pregnancy.Bernadette Armstrong directs a cast that includes Ayla Rose Barreau as Mary, Gilbert Glenn Brown as James, Omari Williams as Doctor #1, and David Purdham as Doctor #2.Melissa May Curtis is the playwright. Her play The Deal was warmly received at the 2024 Hollywood Fringe Festival. She starred in the Netflix series Pet Stars.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textLooking for a new apartment together is a great way to get to know somebody and their existential despair.Bernadette Armstrong directs Kim Hlavac as Kathleen, Michael Fletcher as Jeremy, and Barika Phillips Bell as the Rental Agent.Nino Greene is the playwright. The recipient of an MFA from San Francisco State University, his previous plays include You Don't Have to Cry and The Undecided Voters of Ballard County, Kentucky, c. 1856.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA man is exceptionally devoted to his mother….much to the chagrin of his wife. No spoilers here, but a diamond is involved.Mimi Kmet directs Grey Gable, Ashley Taylor, and David Baer.Charles Simon is the playwright. A graduate of University of Wisconsin and Jewish Theological Seminary, his previous plays include The Wine Club, Backwards, and Therapisssts.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textThis is the fourth in a series of audio comedies featuring the Penny Slots, a trio of mature ladies who somehow find themselves doing heroic deeds and saving the day when thrown into dangerous adventures.The three superheroines are back by popular demand. In Theatre 80, Part Three; Ladies Fly Home To Vero Beach, Penny Slots Ladies, Kay, Marie and Helen handed in “their wings” after saving their plane from crashing when the pilot fell unconscious from narcolepsy, therefore retiring from the duty of saving lives and returning to live their calm lives in their hometown of Vero Beach, Florida, until...... Kay's husband Bill winds up in the VA hospital after a very freak “accident”. All ladies are visiting in Bill's hospital room when a catastrophic “event” occurs to cause the women to jump back into action and put on their heroine costumes one more time. Are they successful this time? Will they land on the front page of the Florida Herald and make the national news? Have a listen to Part 4, Ladies Visit To Vero Beach VA Hospital, and see if the paparazzi show up to witness another incredible act of heroism or maybe not. Kim Hlavac writes and directs the lovely cast of Carole Goldman, Marla Cotovsky and Goreti da Silva as the Penny Slots, featuring Googy Gress as Bill and Brad David Reed as Archie.Playwright-Director Kim Hlavac graduated from SUNY Purchase and performed in various plays in New York, on TV, and in commercials. Her recent acting credits for Open-Door Playhouse include roles in Remembrance and Small Cat Negotiable.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textA desperate man and woman accidently choose the same bridge to bring their troubles to an end and realize they may have found what they've been missing in each other, but is it too little too late?Yunyi Zhu directs Christine Uhebe as Alina and Larry Coleman as Harris.Rich Nagle is the playwright. He's a musician and songwriter active in the Washington State area who also writes screenplays.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textIn Jerusalem, at the Western Wall, a traumatized Israeli soldier gets into a debate with a rabbi about prayer notes stuck into cracks in the Wall, while nearby air raid sirens wail a warning.Bernadette Armstrong directs Gary Lamb and Dennis Gersten.Peter Prizel is the playwright. He is the author of two fiction books, The FermentedSavior and An Angelic Folly. He also writes poetry. Based in Bedford Falls, New York, he received a Master's Degree from Fordham University.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textThe classic tale of The Little Matchstick Girl is beloved, but also...depressing? That's why the protagonist has decided to take matters into her own hands. Can she avoid her tragic fate without derailing her entire story? A comedy about rewriting your own narrative.Bernadette Armstrong directs Gloria Tsai as The Little Match Girl, Matthew ScottMontgomery as The Duke, and Matt Foyer as The Narrator. Kevin B. is the playwright. His most recent play, The Jelly Bean, was a selection at the Pittsburgh New Works Festival. His other plays include American Strippers, Does It Rain on Mars?,, James Franco and Me: An Unauthorized Satire, Kill the Virgin, The Italian Wife, We Ride at Dawn or Whenever, Beautiful Beautiful Cleopatra, and more. He is also an actor, director and producer.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textSupport the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Send us a textAfter the death of his father, a grief-stricken Hamlet is plagued by psychotic delusions making him think several others have died and that he is at fault. He finds comfort in an unexpected source: the dearly not departed Ophelia.Rachel Berney Needleman directs Kim Hlavac as Ophelia and Omari Williams asHamlet.Allie Costa is the playwright. Remarkably prolific, her many, many plays include Two Girls, Rise Up, Boxes Are Magic, This Used to Be My Playground, Mindstream, A Taste of the Future, Music of the Mind, Safe Distance, and more. She is also a director and actor.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
In this episode, we sit down with David Peters, the author of the compelling book "Accidental." He is a board member of the Hyacinth Fellowship and an advocate for moral injury. David shares his journey of writing and editing his book, the challenges he faced, and the determination required to bring his story to life. He opens up about his personal experience of being on both sides of a fatal accident and how this profound event shaped his perspective. David also discusses the role of creativity in healing and how it can be a powerful tool for overcoming trauma. It is a one-of-a-kind book that can be found anywhere books are sold. Key Points:Introduction to David Peters and his book "Accidental."The tireless work and dedication involved in editing and fighting for the book.David's personal story of experiencing a fatal accident from both perspectives.Insights into the emotional and psychological impact of the accidentThe importance of creativity in the healing process.Encouragement for listeners to find their own creative outlets for healing. If you enjoyed this episode, please subscribe, rate, and review our podcast. Share this episode with anyone who might benefit from David's inspiring story and insights. Follow him on TikTok @DavidWPeters for updates and more inspiring content.Want to support the show? Like, share, subscribe, follow, or leave a review! We have also launched a Patreon for those wanting to contribute with a gift, find more information at Patreon/accidental-hope or our www.accidentalhope.com. Thanks again!Support the show
In memory of President Jimmie Carter, Ken has invited three quests to share their personal reflections on a 100 year long life well lived: historian, professor and prolific author, Dr. Randall Balmer; retired Biola University political science professor, Dr. Dave Peters; and his Beach Talk friend, Betsey Newenhuyse (See Part I). Here In Part Two, Dr. Balmer continues to share his thoughts from his recent article (Published in the L.A. Times, Religious News Service (RNS) and others) entitled, Jimmy Carter rid the presidency of lies. His fellow evangelicals? Not so much. Then, Dr. Dave Peters, a retired professor of Political Science at Biola University, shares his personal meeting with his inspiration, Jimmy Carter first at the Carter Center and also in Plaines, Georgia. Carter was a political model for Peters, a Democrat, who served on the City Council of LaMirada and was elected Mayor of that city for six terms.SHOW NOTESSpecial Guests in Part I: Randall Balmer, Ph.D. and Betsey NewenhuyseRedeemer: The Life of Jimmy Carter (Second Edition) by Randall Balmer, Ph.D.Ken's Substack: Jimmy Carter R.I.P. | Become a PatronSupport the show
Special Guests in Part I: Randall Balmer, Ph.D. and Betsey NewenhuyseIn memory of President Jimmie Carter, Ken invites three quests to share their personal reflections on a 100 year long life well lived: historian, professor and prolific author, Dr. Randall Balmer; retired Biola University political science professor, Dr. Dave Peters; and his Beach Talk friend, Betsey Newenhuyse. In Part One, Dr. Balmer shares his thoughts from his recent article (Published in the L.A. Times, Religious News Service (RNS) and others) entitled, Jimmy Carter rid the presidency of lies. His fellow evangelicals? Not so much. He explains how evangelical enthusiasm for the peanut farmer's victory soured over this four year - and then the powerful legacy he leaves, especially for his exemplary service in his post-presidency years. Betsey shares her life in the 70s as Nixon resigned and Carter beat Gerald Ford in 1976. SHOW NOTESPart II: With Dr. Balmer and Dr. Peters to be released January 9, 2025 Redeemer: The Life of Jimmy Carter (Second Edition) by Randall Balmer, Ph.D.Ken's Substack: Jimmy Carter R.I.P. | Become a PatronSupport the show
David Peters is the principle and co-founder of Magnetic Invest, an investment firm that currently specializes in hotel to residential conversions throughout the US. Prior to the hotel to residential focus, David spent more than a decade running anumber of multifamily syndicates and prior to that was the owner and general contractor at LCS residential. Connect with David: https://www.linkedin.com/in/david-peters-8334554 , david@magneticinvest.com Quote: "If you don't have annual leases on 90% of your units, you can't get that 'fanny freddy' financing." Highlights: 8:00 - Hotel's Death Spiral 11:14 - The "Sweet Spot" Hotel Property 15:10 - The Rise & Fall of Extended Stay 18:51 - David's Process for Conversion / The Appeal 21:38 - Gauging Local Support 23:47 - How to Finance 28:00 - How David Sets Up Management 30:10 - Leases / Primary Clients 38:00 - Rental Rates Recommended Resources: Accredited Investors, you're invited to Join the Cashflow Investor Club to learn how you can partner with Kevin Bupp on current and upcoming opportunities to create passive cash flow and build wealth. Join the Club! If you're a high net worth investor with capital to deploy in the next 12 months and you want to build passive income and wealth with a trusted partner, go to InvestWithKB.com for opportunities to invest in real estate projects alongside Kevin and his team. Looking for the ultimate guide to passive investing? Grab a copy of my latest book, The Cash Flow Investor at KevinBupp.com. Tap into a wealth of free information on Commercial Real Estate Investing by listening to past podcast episodes at KevinBupp.com/Podcast. Learn more about Kevin's investment company and opportunities for Lifetime Cashflow at sunrisecapitalinvestors.com.