Podcast appearances and mentions of carlos jobim

El 19 de marzo de 1963 grabaron "La chica de Ipanema", una canción de bossa nova compuesta en 1962, con letra de Vinícius de Moraes y música de Antônio Carlos Jobim, originalmente bajo el nombre de "Menina que passa".

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Joao Gilberto & Stan Getz -1963-1964 FULL ALBUM TracklisT: 1. The Girl From Ipanema 2. Doralice 3. P'Ra Machucar Meu Coracao 4. Desafinado 5. Corcovado 6. So Danco Samba 7. O Grande Amor 8. Vivo Sonhando Getz/Gilberto es un álbum de jazz/bossa nova del saxofonista estadounidense Stan Getz y el guitarrista brasileño João Gilberto, acompañados del pianista y compositor Antônio Carlos Jobim. Grabado en 1963 y lanzado en marzo de 1964 bajo el sello Verve Records, fue producido por Creed Taylor, quien ya había grabado con el saxofonista sus trabajos previos en el género, siendo Jazz Samba de 1962 el más destacado. En el álbum también participa como vocalista la debutante Astrud Gilberto, colaborando en "The Girl from Ipanema" (también conocida por su nombre original "Garota de Ipanema") y "Corcovado". Getz/Gilberto está conformado en su mayoría por composiciones de Jobim, e incluye dos sambas ("Doralice" y "Para machucar meu coração") demostrando el respeto de los artistas por la música tradicional brasileña de la época pre-bossa nova. Getz/Gilberto es considerado el álbum cumbre de la bossa nova a nivel mundial, responsable de la popularización del género, y uno de los discos de jazz más vendidos de todos los tiempos. Recibió la aclamación de la crítica y fue un éxito comercial, vendiendo 2 millones de copias en 1964 y alcanzando el #2 en el Billboard 200. En los Premios Grammy de 1965 fue nominado en diez categorías, alzándose con cuatro premios: Mejor grabación del año (Astrud Gilberto y Stan Getz por "The Girl from Ipanema"), Álbum del año (João Gilberto y Getz), Mejor interpretación de jazz instrumental - solista o grupo pequeño (Getz) y Mejor arreglo para álbum, no clásica (Phil Ramone). Entre sus múltiples elogios, el álbum ha sido incluido en varias listas de los mejores álbumes de todos los tiempos, como Rolling Stone y Vibe entre otras; además, se convirtió en el primer álbum en recibir el Grammy a Mejor grabación del año y Mejor álbum del año. Firmado por Stan Getz y Joao Gilberto, el disco cuenta también con Tom Jobim al piano, y autor de las canciones, y presenta al mundo a Astrud Gilberto, la joven mujer de Joao. Astrud llegó de casualidad al proyecto y el éxito de los dos temas que cantó la convirtió en una estrella. Getz/Gilberto es el resultado de la unión del saxofonista americano Stan Getz y el guitarrista brasileño João Gilberto. Ambos músicos son considerados leyendas del género y concibieron, con la colaboración del compositor y pianista Antônio Carlos Jobim, un disco que no puede faltar en la colección de cualquier amante del Jazz o Bossa nova. Stanley Gayetzki, más conocido como Stan Getz (Filadelfia, Pennsylvania, 2 de febrero de 1927 - Malibú, condado de Los Ángeles, California, 6 de junio de 1991), fue un saxofonista tenor de jazz estadounidense. Considerado como uno de los más importantes saxofonistas tenores de la historia del jazz, fue conocido por el sobrenombre de The Sound ("El Sonido") debido a su tono cálido y lírico apreciable en temas como su versión de Garota de Ipanema. Destacó en las corrientes del bebop el cool jazz y el bossa nova. A Stan Getz se le sigue llamando “el Sonido” y es que lo que sale de su saxofón es pura ambrosía musical João Gilberto Prado Pereira de Oliveira, conocido como João Gilberto (Juazeiro, 10 de junio de 1931-Río de Janeiro, 6 de julio de 2019),​ fue un cantante, compositor y guitarrista brasileño, considerado junto a Antônio Carlos Jobim y Vinícius de Moraes como uno de los creadores de la bossa nova a fines de los años 1950. En el mundo era frecuentemente llamado "padre del bossa nova" y en su país de origen, Brasil, era referido como "O Mito" (El Mito) o (La Leyenda). Gilberto debutó en 1959 con Chega de Saudade, un disco precioso y redondo que se considera la primera piedra de la bossa nova, una música que es parte de la herencia cultural de Brasil. El cantante inventó una forma de tocar que cambió el rumbo de la música de su país. Astrud Evangelina Weinert (Salvador, Bahía, Brasil, 29 de marzo de 1940-Filadelfia, Pensilvania, Estados Unidos, 5 de junio de 2023),1​ conocida como Astrud Gilberto, fue una cantante de bossa nova, samba, jazz y pintora brasileña. Su vinculación con el mundo de la música comenzó cuando se casó en 1959 con uno de los primeros guitarristas de bossa nova, João Gilberto. En 1963 estaba acompañando a su esposo en Nueva York mientras grababa con el pianista y compositor Antonio Carlos Jobim y con el saxofonista estadounidense Stan Getz un disco de fusión entre el jazz y la bossa nova. A instancias de su esposo (y no de Getz según otras versiones), cantó unas estrofas y gustó tanto su voz que, a pesar de no tener experiencia previa, grabó el disco Getz/Gilberto, aunque no figuró en los créditos del disco en la primera edición. Astrud Gilberto, la voz en el disco que perdura especialmente es la de la joven y por aquél entonces mujer de João, Astrud Gilberto. Curiosamente, la estrella del exitoso single "The Girl from Ipanema" realizó su primera grabación de estudio en este disco, poniendo voz también en el genial "Corcovado". Escucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

"Águas de Março", zu deutsch "Wasser des März", heißt ein Bossa-Nova-Klassiker von Antônio Carlos Jobim, den wir in Folge 17 zum Thema "Monate" gespielt haben. Dieser Song war für uns die Inspiration, unsere Podcast-Folge in diesem März unter das Thema "Wasser" zu stellen. Im ersten Teil unserer "Four Tops" hört ihr Prog Rock, Spiritual und Schlager (!), gleich zwei Bands aus Bremen (!!) und wie immer einiges an Geschichten zu den Songs, unter anderem über die "Underground Railroad". Wer das für eine U-Bahn hält, sollte sich in dieser Folge eines Besseren belehren lassen!

durée : 00:58:36 - " Samba de uma nota só " (Antonio Carlos Jobim / Newton Mendoça) (1960) - par : Laurent Valero - "Thème célèbre composé par l'immense Antônio Carlos Jobim, sorte de défi qu'il s'était donné de créer une mélodie sur une seule note, qui fut regardée à l'époque en 1960, date de sa création, comme une pièce très originale. Les paroles en portugais furent écrites par Newton Mendonça." Laurent Valero

durée : 00:58:36 - " Samba de uma nota só " (Antonio Carlos Jobim / Newton Mendoça) (1960) - par : Laurent Valero - "Thème célèbre composé par l'immense Antônio Carlos Jobim, sorte de défi qu'il s'était donné de créer une mélodie sur une seule note, qui fut regardée à l'époque en 1960, date de sa création, comme une pièce très originale. Les paroles en portugais furent écrites par Newton Mendonça." Laurent Valero

STANDARS SEMANAL.-909. Nunca Habrá Otro Tú (.-VINILOS MITICOS DEL JAZZ.-Getz Gilberto.-JAZZACTUALIDAD.-.NACHO BOTONERO-DESCALZO POR EL BARRO Getz/Gilberto es un álbum de jazz/bossa nova del saxofonista estadounidense Stan Getz y el guitarrista brasileño João Gilberto, acompañados del pianista y compositor Antônio Carlos Jobim. Grabado en 1963 y lanzado en marzo de 1964 bajo el sello Verve Records, fue producido por Creed Taylor, quien ya había grabado con el saxofonista sus trabajos previos en el género, siendo Jazz Samba de 1962 el más destacado. En el álbum también participa como vocalista la debutante Astrud Gilberto, colaborando en "The Girl from Ipanema" (también conocida por su nombre original "Garota de Ipanema") y "Corcovado". Getz/Gilberto está conformado en su mayoría por composiciones de Jobim, e incluye dos sambas ("Doralice" y "Para machucar meu coração") demostrando el respeto de los artistas por la música tradicional brasileña de la época pre-bossa nova. Getz/Gilberto es considerado el álbum cumbre de la bossa nova a nivel mundial, responsable de la popularización del género, y uno de los discos de jazz más vendidos de todos los tiempos. Recibió la aclamación de la crítica y fue un éxito comercial, vendiendo 2 millones de copias en 1964 y alcanzando el #2 en el Billboard 200. En los Premios Grammy de 1965 fue nominado en diez categorías, alzándose con cuatro premios: Mejor grabación del año (Astrud Gilberto y Stan Getz por "The Girl from Ipanema"), Álbum del año (João Gilberto y Getz), Mejor interpretación de jazz instrumental - solista o grupo pequeño (Getz) y Mejor arreglo para álbum, no clásica (Phil Ramone). Entre sus múltiples elogios, el álbum ha sido incluido en varias listas de los mejores álbumes de todos los tiempos, como Rolling Stone y Vibe entre otras; además, se convirtió en el primer álbum en recibir el Grammy a Mejor grabación del año y Mejor álbum del año.1​ NACHO BOTONERO-DESCALZO POR EL BARRO.- «Descalzos por el barro«, hay que decirlo ya, es un trabajo excelente de este quinteto liderado por Nacho Botonero. Un logrado intento para, desde la percepción de su memoria personal y colectiva de todos estos años, conseguir desarrollar de manera brillante durante algo más de cuarenta minutos, una propuesta musical coherente con su trayectoria, y llena de momentos brillantes. El quinteto suena redondo a lo largo de los ocho temas del disco, y consigue momentos de gran belleza, como ese dialogo entre saxo y piano que protagonizan Nacho y Angel Andrés en «Dragones Graciosillos«, y el extraordinario solo de Antonio Montiel en la Kanjira; destacar el excelente solo de Nacho al saxo tenor en «Sutilmente Severo», el tema que cierra el disco, el dialogo de Ángel Andrés y Antonio Montiel en «Ciudadano del mundo«, y el recuerdo a la música de los grandes Boopers con los acordes de «Peligrosamente absurdo«, con Nacho Botonero soleando con maestría al saxo tenor. Nacho Botonero, ya lo sabemos quienes seguimos su trayectoria, forma parte de esta excelente hornada de músicos de jazz contemporáneos que vienen desarrollando su trabajo en Andalucía; y lo mismo podemos decir del quinteto que le acompaña en este disco, músicos ya experimentados en decenas de proyectos con: Ángel Andrés Muñoz, uno de esos pianistas imprescindibles en cualquier contexto jazzístico; Nacho Megina, un consagrado baterista y protagonista de algunos de los mejores episodios jazzísticos en Andalucía; por su parte, el percusionista, Antonio Montiel y el contrabajista, Luis Salto, cubren con soltura e imaginación el soporte armónico del grupo, y Nacho Botonero, está brillante, su sonido es fresco, su fraseo, tanto en los saxos como en la flauta, son muy expresivos y nos brinda momentos extraordinariamente brillantes. Con “Descalzos por el barro«, Juan Ignacio Botonero y su quinteto, nos transmite su pasión por el jazz, franqueza en su discurso musical, y continúa con su firme apuesta por explorar caminos inéditos en el jazz contemporáneo huyendo de los standards como socorrida zona de confort. En este sentido, hay que señalar que las ocho composiciones son propias de Nacho Botonero, demostrando que al mismo tiempo que es un brillante instrumentista, tiene también enormes cualidades para la composición.

On our 700th episode of Jazz After Dark tonight: Billie Holiday, Crazy He Calls Me Nat King Cole, Orange-Colored Sky Louis Prima, Body And Soul Louis Armstrong, When You're Smiling (The Whole World Smiles with You) Mose Allison, Don't Get Around Much Anymore Tony Bennett, (I Left My Heart) In San Francisco Earl Hines, Black Coffee Billy Taylor Trio, On The Street Where You Live Ben Webster, Misty Ella Fitzgerald & Duke Ellington, Duke's Place (Aka C - Jam Blues) The Mills Brothers, Cab Driver Dave Brubeck & Paul Desmond, Koto Song Stanley Turrentine, I Could Never Repay Your Love Antônio Carlos Jobim, Takatanga

James Taylor's songs are so familiar that they seem to have always existed. Onstage at the New Yorker Festival, in 2010, Taylor peeled back some of his influences—the Beatles, Bach, show tunes, and Antônio Carlos Jobim—and played a few of his hits, even giving the staff writer Adam Gopnik a quick lesson.This segment originally aired on July 7, 2017.

Raquel Arnaud, São Paulo, 1935Precursora no mercado de arte brasileira e fundamental para o desenvolvimento e consolidação da arte contemporânea, a Galeria Raquel Arnaud foi criada em 1973, com o nome de Gabinete de Arte. Com espaços marcantes assinados por arquitetos como Lina Bo Bardi, Ruy Ohtake e Felippe Crescenti, o Gabinete passou por diferentes endereços como as avenidas Nove de Julho e Brigadeiro Luís Antônio, além do espaço que havia pertencido ao Subdistrito Comercial de Arte, na rua Artur de Azevedo, em Pinheiros, no qual permaneceu de 1992 a 2011.O foco no segmento da abstração geométrica e a atenção especial dada às investigações da arte contemporânea – arte construtiva e cinética, instalações, esculturas, pinturas, desenhos e objetos – perpetuaram a Galeria Raquel Arnaud no Brasil e no exterior, tanto por sua coerência como pela contribuição singular para valorização e consolidação da arte brasileira. Para isso, contribuíram de forma fundamental artistas como Amilcar de Castro, Willys de Castro, Lygia Clark, Mira Schendel, Sergio Camargo, Waltercio Caldas, Iole de Freitas e Arthur Luiz Piza, entre outros.Atualmente com sede na rua Fidalga, 125, em Vila Madalena, a Galeria Raquel Arnaud representa artistas reconhecidos nacional e internacionalmente – Waltercio Caldas, Carlos Cruz-Díez, Arthur Luiz Piza, Sérvulo Esmeraldo, Iole de Freitas, Maria Carmen Perlingeiro, Carlos Zilio e Tuneu. Os mais jovens atestam a consolidação de novas linguagens contemporâneas – Frida Baranek, Geórgia Kyriakakis, Euvaldo, Alberto Martins, Carla Chaim, Carlos Nunes e Ding Musa. Links: https://raquelarnaud.com/en/homepage/ https://www.artbasel.com/catalog/gallery/1129/Galeria-Raquel-Arnaud?lang=en https://www.sp-arte.com/en/editorial/raquel-arnaud-half-a-century-of-coherence/ https://exame.com/casual/a-dama-das-artes-raquel-arnaud-comemora-50-anos-de-galeria-com-restrospectiva/ https://vejasp.abril.com.br/estabelecimento/gabinete-de-arte-raquel-arnaud https://www.youtube.com/watch?v=OAbbOFbe8Jg Episódio gravado a 17.10.2024 (Conversa com Beatriz Morelli, que leu as repostas enviadas por Raquel Arnaud) Créditos introdução: David Maranha - Flauta e percussão Créditos música final: Wave de António Carlos Jobim (1967) http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes © Appleton, todos os direitos reservados

durée : 00:04:05 - Antônio Carlos Jobim : « Chopin a tout fait avant moi » - par : Max Dozolme - Antônio Carlos Chopin ou Frédéric Jobim ? Difficile d'y voir clair tant l'Orfeu brésilien disparu il y a trente ans, était influencé par la musique de Chopin. Une admiration que l'on peut entendre dans ses compositions "Imagina", "How Insensitive" ou encore "One Note Samba" !

durée : 00:58:14 - "Samba do avião" (Antônio Carlos Jobim) (1962) - par : Laurent Valero - "La chanson écrite pour le film italo-brésilien-francais "Copacabana Palace" dans lequel  Luís Bonfá, Tom Jobim, João Gilberto jouent leur rôle aux côtés de Claude Rich, Mylène Demongeot, Sylvia Koscina... La chanson est interprété par Jula de Palma avec l'Orchestre de Gianni Ferrio" Laurent Valero

durée : 00:58:14 - "Samba do avião" (Antônio Carlos Jobim) (1962) - par : Laurent Valero - "La chanson écrite pour le film italo-brésilien-francais "Copacabana Palace" dans lequel  Luís Bonfá, Tom Jobim, João Gilberto jouent leur rôle aux côtés de Claude Rich, Mylène Demongeot, Sylvia Koscina... La chanson est interprété par Jula de Palma avec l'Orchestre de Gianni Ferrio" Laurent Valero

durée : 01:00:38 - 30 ans après : l'héritage musical d'Antonio Carlos Jobim - par : Aliette de Laleu - Le compositeur et musicien brésilien Antonio Carlos Jobim, dit Tom Jobim, est mort le 8 décembre 1994. 30 ans après, sa musique reste vivante, elle inspire les artistes et continue d'être reprise à travers le monde. Emission hommage avec le musicien Tiago Caetano et l'autrice Isabelle Leymarie. - réalisé par : Max James

durée : 00:08:00 - "Corcovado" d'Antônio Carlos Jobim - "Corcovado a été enregistré pour la première fois en 1960 par João Gilberto. C'est une chanson qui incarne la mélancolie du bonheur en regardant par la fenêtre, la baie silencieuse de Rio de Janeiro la nuit et la statue du Christ rédempteur qui surplombe le Mont Corcovado." Sébastien Llinarès

durée : 00:59:08 - Dans la guitare de Jobim, la révolution en douceur - par : Sébastien Llinares - "Antônio Carlos Jobim (1927-1994) figure emblématique de la musique populaire brésilienne, inventeur de la bossa nova dans les années 1950, auteur de plus de 400 chansons dont de très grands succès internationaux, Tom Jobim incarnait par son style de vie, une forme d'épicurisme." Sébastien Llinarès - réalisé par : Patrick Lérisset

Teatro Dandelión, Lomas De Zamora Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada Segmento Inicial • Enumeración de mitos sobre los insectos Segmento Dispositivo • El juramento en Grecia • "Don't Let Me Down" ♫ (Toca el TSN) The Beatles, Get Back B-Side, enero de 1969. Segmento Humorístico • Cómo comprar el calzado ideal Sordo Gancé / Trío Sin Nombre • Presentación • "Mañana Campestre" ♫ (Arco Iris, Tiempo de Resurrección, 1972) • "Recuerdo Malevo" ♫ (Carlos Gardel/Alfredo Le Pera) Canta Gardel, 1933. • "Todo Un Palo" ♫ (P. Rey y Sus Redonditos de Ricota, Un Baión para el Ojo Idiota, 1988) • "La Vieja Serenata" ♫ (Teófilo Ibáñez/Sandalio Gómez) Alfredo Gobbi y su Orquesta Típica, 1949. • "Blue Suede Shoes" ♫ (Carl Perkins, 1955) Elvis, 1956. • "Insensatez" ♫ (Antônio Carlos Jobim, Vinícius de Moraes) Canta João, 1961. Jobim, 1962. Nara Leão, 1971. • "El Cumbanchero" ♫ (Rafael Hernández Marín, El Jibarito, 1943) Compay Quinto, 1968.

Feria Del Libro de Florencio Varela Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada Segmento Inicial • La pescadería Segmento Dispositivo • La mitología inuit • "Por La Vereda Del Sol (On the Sunny Side of the Street) " ♫ (Jimmy McHugh, Dorothy Fields) Ted Lewis & His Band, 1930) Billie Holiday, 1944. Segmento Humorístico • Consejos para ser un buen peatón Sordo Gancé / Trío Sin Nombre • Presentación • "Mañana Campestre" ♫ (Arco Iris, Tiempo de Resurrección, 1972) • "Kilómetro 11" ♫ (Mario Del Tránsito Cocomarola/Constante Aguer, 1940) • "Sympathy for the devil" ♫ (The Rolling Stones, Beggars Banquet, 1968) • "Insensatez" ♫ (Antônio Carlos Jobim, Vinícius de Moraes) Canta João, 1961. Jobim, 1962. Nara Leão, 1971. • "Vamos Las Bandas" ♫ (P. Rey y Sus Redonditos de Ricota, Un Baión para el Ojo Idiota, 1988)

Programming note: the Tuesday 8 p.m. broadcast is pre-empted by election coverage. This program will play at the Friday 11 p.m. rebroadcast time. Upbeat jazz favorites tonight:  Bunny Berigan (Kay Little vocals), Somebody Else Is Taking My Place Nat King Cole, Route 66 Ella Fitzgerald, Misty Vince Guaraldi, Skating Jacy Parker, Here Comes Trouble Again Duke Ellington and His Orchestra & Oscar Peterson, Take the "A" Train Antônio Carlos Jobim, Takatanga Gerry Mulligan, One to Ten in Ohio Don Ellis, Sidonie Rahsaan Roland Kirk, The Entertainer (Done in the style of The Blues) Hubert Laws, Passacaglia, guitar solo Herb Alpert & Hugh Masekela, Kalahari Nights Paco De Lucía, John McLaughlin & Al Di Meola, Manha de Carnaval

La journaliste Véronique Mortaigne publie « Brésils, Éloge de la déraison », une traversée ébouriffante d'un pays et d'un peuple, habile à s'extraire du chaos. « Qu'est-ce que le Brésil ? ». Une amie me répond, sans hésitation : « La plage ». Elle n'a pas tort. Jamais ennuyeuse, la plage au Brésil est un lieu unique. Neuf mille deux cents kilomètres de rivages, du sable blanc, ocre, doré, des baies, des îles, des caps, des lagunes, des estuaires, des falaises, des mangroves, de la boue, des récifs, des piscines naturelles. Le Brésil a été béni des dieux. De plein de dieux, noirs, blonds, catholiques, le tout fusionné avec les orishas, les divinités vaudoues, et agrémenté de la cosmologie indigène. La multitude de saints, d'anges, d'entités cosmiques, nourrit un mysticisme ardent.« Mais qu'est-ce qu'être Brésilien ? Un mélange de charme, de sensualité, de pouvoir d'attraction, de capacité à créer des situations bordéliques et enchantées. Cerner le caractère profond de ce peuple expérimental en perpétuel mouvement n'est pas une mince affaire. Antônio Carlos Jobim eut un jour cette formule : « Le Brésil n'est pas un pays pour débutants. Amateurs s'abstenir. »Dans ce récit guidé par le hasard, la quête du mystère, du secret et de la magie, Véronique Mortaigne nous invite à découvrir les expériences les plus folles et les plus improbables qu'elle a vécues (Joao Gilberto…), en profondeur, rencontrer un peuple habile à s'extraire du chaos. Plus qu'une déclaration d'amour, cette traversée ébouriffante à travers un Brésil multiple est un éloge de la déraison dans un monde qui étouffe.Véronique Mortaigne est journaliste, longtemps critique musicale au Monde, elle est l'auteure de plusieurs ouvrages (sur Césaria Evora, Manu Chao, Johnny Hallyday, Bernard Lavilliers, Anne Sylvestre) avec une passion particulière pour le Brésil où elle fut professeure de français à Récife (Nordeste brésilien).Playlist de Véronique Mortaigne- Maria Bethânia Ultimo Desejo, extrait de Maria Bethânia Canta Noël Rosa e outras raridades 1965- Caetano Veloso Falso Leblon, extrait deZii e Zie 2009- Luiz Gonzaga Vem Morena, extrait de Gonzagão olha pro céu 1949- Beth Carvalho Vou festeja, extrait deFirme e forte no pagode 1978.X - Instagram (vmobr23) Équateurs. Pour aller plus loin, quelques liens :- Véronique Mortaigne dans Le Monde - Entretien avec le photographe Pierre Verger en 1992.

La journaliste Véronique Mortaigne publie « Brésils, Éloge de la déraison », une traversée ébouriffante d'un pays et d'un peuple, habile à s'extraire du chaos. « Qu'est-ce que le Brésil ? ». Une amie me répond, sans hésitation : « La plage ». Elle n'a pas tort. Jamais ennuyeuse, la plage au Brésil est un lieu unique. Neuf mille deux cents kilomètres de rivages, du sable blanc, ocre, doré, des baies, des îles, des caps, des lagunes, des estuaires, des falaises, des mangroves, de la boue, des récifs, des piscines naturelles. Le Brésil a été béni des dieux. De plein de dieux, noirs, blonds, catholiques, le tout fusionné avec les orishas, les divinités vaudoues, et agrémenté de la cosmologie indigène. La multitude de saints, d'anges, d'entités cosmiques, nourrit un mysticisme ardent.« Mais qu'est-ce qu'être Brésilien ? Un mélange de charme, de sensualité, de pouvoir d'attraction, de capacité à créer des situations bordéliques et enchantées. Cerner le caractère profond de ce peuple expérimental en perpétuel mouvement n'est pas une mince affaire. Antônio Carlos Jobim eut un jour cette formule : « Le Brésil n'est pas un pays pour débutants. Amateurs s'abstenir. »Dans ce récit guidé par le hasard, la quête du mystère, du secret et de la magie, Véronique Mortaigne nous invite à découvrir les expériences les plus folles et les plus improbables qu'elle a vécues (Joao Gilberto…), en profondeur, rencontrer un peuple habile à s'extraire du chaos. Plus qu'une déclaration d'amour, cette traversée ébouriffante à travers un Brésil multiple est un éloge de la déraison dans un monde qui étouffe.Véronique Mortaigne est journaliste, longtemps critique musicale au Monde, elle est l'auteure de plusieurs ouvrages (sur Césaria Evora, Manu Chao, Johnny Hallyday, Bernard Lavilliers, Anne Sylvestre) avec une passion particulière pour le Brésil où elle fut professeure de français à Récife (Nordeste brésilien).Playlist de Véronique Mortaigne- Maria Bethânia Ultimo Desejo, extrait de Maria Bethânia Canta Noël Rosa e outras raridades 1965- Caetano Veloso Falso Leblon, extrait deZii e Zie 2009- Luiz Gonzaga Vem Morena, extrait de Gonzagão olha pro céu 1949- Beth Carvalho Vou festeja, extrait deFirme e forte no pagode 1978.X - Instagram (vmobr23) Équateurs. Pour aller plus loin, quelques liens :- Véronique Mortaigne dans Le Monde - Entretien avec le photographe Pierre Verger en 1992.

La Venganza de los Viernes, el (inesperado) Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:48 Segmento Dispositivo • La bilocaciones de Sor María de Ágreda y los embustes de Sor Patrocinio0:02:15 • "Ropa Sucia" ♫ (Toca el TSN) P. Rey y sus Redonditos de Ricota, ¡Bang! ¡Bang! ¡Estás Liquidado!, 1989. Segmento Humorístico • Cosas que un verdadero hombre debe hacer cuando se encuentra una billetera0:21:13 Segmento Humorístico • ¿Dónde se producen la mayoría de los accidentes?0:48:00 Sordo Gancé / Trío Sin Nombre • Presentación1:16:05 • "Eight Days A Week" ♫ (The Beatles, Beatles for Sale, 1964) • "Seguir Viviendo Sin Tu Amor" ♫ (Luis Alberto Spinetta, Peluson Of Milk, 1991) • "Araca Corazón" ♫ (Enrique Delfino/Alberto Vaccarezza) Canta Gardel, 1927. Julio Sosa, 1963. • "Ain't No Sunshine" ♫ (Bill Withers, Just As I Am, 1971) Michael Jackson, 1972. Tom Jones, 1973. Sivuca, 1973. José James, 2018. • "Insensatez" ♫ (Antônio Carlos Jobim, Vinícius de Moraes) Canta João, 1961. Jobim, 1962. Nara Leão, 1971. • "Hit The Road Jack" ♫ (Percy Mayfield; grabada por Ray Charles y las Raelettes, 1961) Still in peaceful dreams I see, the road leads back to you.

Cine Teatro Renzi, La Banda, Santiago del Estero Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:50 • Fragmento del vals Santiago del Estero, de Andrés Chazarreta0:04:08 Segmento Inicial • Mi novio es nudista y yo no0:05:28 Segmento Dispositivo • La ciencia China0:40:54 • "Yo Ya Sé" ♫ (Toca el TSN) Charly García, La Lógica Del Escorpión, 2024. Segmento Humorístico • Los misterios de la hibernación de los animales0:57:14 Sordo Gancé / Trío Sin Nombre • Presentación1:10:50 • "Mañana Campestre" ♫ (Arco Iris, Tiempo de Resurrección, 1972) • "Kilómetro 11" ♫ (Mario Del Tránsito Cocomarola/Constante Aguer, 1940) • "Sasha, Sissí y el Círculo de Baba" ♫ (Fito Páez, El Amor Después Del Amor, 1992) • "Monte Criollo" ♫ (Homero Manzi/Francisco Pracánico) Azucena Maizani, 1935. • "Blue Suede Shoes" ♫ (Carl Perkins, 1955) Elvis, 1956. • "Garota De Ipanema" ♫ (Antônio Carlos Jobim y Vinicius de Moraes, 1962) Cantan João, Tom, Vinícius & Os Cariocas, 1962. • "Vamos Las Bandas" ♫ (P. Rey y Sus Redonditos de Ricota, Un Baión para el Ojo Idiota, 1988)

Con retraso, su voz se apagó hace un año, un 24 de Julio de 2023, dedicamos este episodio a Leny Andrade. Una voz imprescindible, sofisticada, a la vez que accesible y popular. Una diva de la bossa nova, la samba y el bolero, que ella, como una maestra del scat, transformaba en el más puro jazz. Tracklist. Leny Andrade: Influencia do Jazz (Carlos Lyra); Estamos Ai (Durval Ferreira, Mauricio Einhorn, Regina Werneck); Batida Diferente (Durval Ferreira, Mauricio Einhorn); Cantor Da Noite (Ivan Lins, Vitor Martins); Flor De Liz (Djavan); Trocando Em Miudos (Chico Buarque, Francis Hime); O Negocio E' Amar (Carlos Lyra, Dolores Duran); Vale O Escrito (Aldir Blanc, Filó); Velho Piano (Dori Caymmi, Paulo César Pinheiro); This Masquerade (Leon Russell); Si Me Enamoro (Sergio Mihanovich); Embriagador (Fernando Leporace, Nelson Wellington); Roda Baiana (Ivan Lins, Vitor Martins). Doris Monteiro: Se E por Falta de Adeus (Dolores Durán, Antônio Carlos Jobim).

Dedicamos el episodio al guitarrista Barney Kessel como acompañante de grandes cantantes. Escucharemos grabaciones de las decapadas de 1950 y 1960 con las voces de Julie London, Billie Holiday, Ella Fitzgerald y Sylvia Telles. Tracklist: Julie London: - Cry Me a River (Arthur Hamilton). - I'm Glad There Is You (Paul Madeira & Jimmy Dorsey) - Say It Isn't So (Irving Berlin) - 'S Wonderful (George Gershwin) - It Never Entered My Mind (Richard Rodgers) - No Moon At All (Redd Evans & Dave Mann) - Easy Street (Alan Rankin Jones) Billie Holiday - Speak Low (Ogden Nash & Kurt Weill) - One For My Baby (And One More For The Road); (Harold Arlen. Ella Fitzgerald - Let's Do it (Cole Porter) - Solitude (Irving Mills, Eddie De Lange & Duke Ellington), - In a Sentimental Mood (Duke Ellington, Irving Mills & Manny Kurtz) Silvia Telles - Sábado em Copacabana (Dorival Caymmi, Carlos Guinle) - Estrada do sol (Antônio Carlos Jobim, Dolores Duran) - Meu Amanhã (Aloysio de Oliveira, Roberto Menescal) - Manhã de carnaval(Antônio Maria, Luiz Bonfá) Barney Kessel - Moon River Cha Cha Cha (Henry Mancini)

durée : 01:02:12 - Club Jazzafip - À l'occasion de l'anniversaire d'Antônio Carlos Jobim, figure légendaire de la bossa-nova et en pleine période du pré-carnaval au Brésil, le Club se pare de vert, jaune et bleu !

Summertime sounds tonight: Luiz Bonfá, Manha de Carnaval Sexteto de Sergio Mendes, Samba de uma nota só Vince Guaraldi, On Green Dolphin Street Clare Fischer, So Danco Samba Chet Baker, Sausalito Gabor Szabo, Corcovado Gabor Szabo, Concerto de Aranjuez Yusef Lateef, Sun Dog Antônio Carlos Jobim, Joe Farrell, and Hubert Laws, Stone Flower The Charlie Byrd Trio, Wave (Live) The Charlie Byrd Trio, Trouble In Mind (Live) Ana Caram, Só Tinha de Ser Com Você Francisco Aguabella, Tumbaito Miles Davis and Quincy Jones, Summertime

Yvonnick Prené sort ''Jobim's World'', un nouvel album dans lequel il revisite la musique du Brésilien Carlos Jobim, en duo, avec harmonica et piano.

Extrait : « … Sans Astrud Gilberto, mariée très jeune à Joao Gilberto, chanteur guitariste et père officiel de la bossa nova avec Carlos Jobim et Vinicius de Moraes, il n'est pas impossible que ce genre musical ne serait resté qu'un phénomène local, et n'aurait pas franchi les frontières du Brésil pour conquérir la planète, plus sûrement encore que ne le faisaient Pelé et ses potes, lorsque la Seleçao écrabouillait de sa classe quiconque se mettait sur son chemin vers la gloire … »Pour commenter les épisodes, tu peux le faire sur l'appli en question, ça aide énormément à faire croître l'audience. Mais aussi sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Brazilian songwriter Antônio Carlos Jobim (also called Tom Jobim), born January 25, 1927, is the best known and most prolific of the composers who originated the bossa nova. His compositions have captured the imaginations of jazz musicians from the outset. His lyricism and harmonic imagination have made his tunes popular worldwide, and he is so revered in Brazil, that the Rio de Janero airport is named in his honor, a singular recognition for a popular song writer.

durée : 00:59:45 - Drôles d'oiseaux - par : Nathalie Piolé -

#37 Rhythm is the spirit of Brazilian music, it has always been. In today's episode we dive into the origins of the most appreciated musical styles in Brazil (Choro, Bossa Nova, Samba) through the lenses of rhythm. The tune 'Carinhoso' by the master Choro composer Pixinguinha opens the floor for a journey into the vibrant, rhythmic spirit of Brazil.Luiza - by Antônio Carlos Jobim, Nova Banda | SpotifyFalando De Amor - by Antônio Carlos Jobim | SpotifyThis Is Pixinguinha - playlist by Spotify | SpotifyWhat is Brazilian Music? - RouteNote Create BlogCarinhoso - Pixinguinha, performed by Baden Powell | SpotifyMy Piano Courses:Counterpoint FundamentalsFor a 30% discount on my Counterpoint Course add the code THEMUSICCODE https://www.udemy.com/course/improvising-counterpoint/?couponCode=THEMUSICCODEFollow Alberto L. Ferro:MUSICBLOGYOUTUBEINSTAGRAMFACEBOOKSPOTIFYWhere is the Music Podcast is on:SPOTIFYAPPLEYOUTUBE TUNEINRSS FEEDMentioned in this episode:Patreon

O podcast Farelos Musicais vai falar da música símbolo de um grande encontro da MPB nos anos 70 entre o compositor e cantor Tom Jobim e a grande cantora Elis Regina que gravaram o icônico Elis & Tom em 1974. Além de apresentar um breve histórico biográfico de Antônio Carlos Jobim, vamos mergulhar a fundo na análise da intrincada, poética e belíssima letra deste clássico brasileiro e também mundial, com versão em várias línguas, a inigualável Águas de Março. Pra quem quer saber mais sobre cada detalhe desta letra, vem comigo e clica no play.Para saber mais, acesse: https://esfarelado.com.br ---Site> https://esfarelado.com.br

Kirk digs into the work of master composer Antônio Carlos Jobim via his timeless 1974 duet with Elis Regina on his song "Águas de Marçco," known Stateside as "The Waters of March." He's joined by special guest Frederico Barros, Professor of Musicology at Federal University of Rio De Janeiro.Written by: Antônio Carlos JobimPerformed by: Jobim and Elis ReginaAlbum: Elis & Tom (1974)Listen/Buy via SongwhipALSO DISCUSSED:"The Girl From Ipamena" and "Desefinado" by Tom Jobim from Getz/Gilberto, 1964"Corcovado (Quiet Night of Quiet Stars)," "Triste," and "Bigras Nunca Mais" by Jobim from Elis & Tom, 1974 and Getz/Gilberto, 1964"Felicidade" by Jobim recorded by Vince Maggio and Mark Colby from Reunion, 1999Chega de Saudade by Jobim as recorded by the Dizzy Gillespie Sextet----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsFred's Brazilian music playlist on Spotify and YouTube Music (Notes on each song further down)MERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------MARCH 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyMARCH 2024 HALF-NOTE PATRONSLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyThirteen71Alan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMel DEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo--------------------FRED'S PLAYLIST NOTES:1 x 0 - traditional choro, Pixinguinha playing sax and sort of inventing “Brazilian counterpoint” - in the second part of this piece, when it modulates to G major, you'll hear the sax play a rhythmic figure important to Aquarela do Brasil (see below);Espinha de Bacalhau - choro, played by an orchestra that was created with the aim of playing Brazilian music in the manner of American Big Bands;O Relógio da Vovó - the Trio Surdina was comprised of musicians who worked at the Radio Nacional (where Jobim would also work as an arranger) and whose compositions and way of playing were fundamental to the development of “modern” Brazilian music - yes, Desafinado!;Aquarela Brasileira - Radamés Gnattali was an arranger at Radio Nacional and this arrangement of Ary Barroso's Aquarela do Brasil is kind of an inflexion point - the story is (always) more complicated, but the TL;DR is its importance lies in the use of samba rhythm in the orchestral parts, not only in the percussion section, as was previously usual (attention to the long notes in the melody accompanied by the same chromatic figure played by the tenor sax in 1 x 0 above);Copacabana - there are two versions of the song here, both sung by Dick Farney (Sinatra's influence on him is pretty clear). The first one was arranged by Radamés Gnattali and was a huge hit at the turn of the 1940s to the 50s. The song is kind of a symbol of the stylistic change from live music in cassinos (closed by the government in 1948) to small clubs in Copacabana where Bossa Nova and Samba-jazz would eventually be born;Copacabana (second version) - also sung by Dick Farney, but recorded much later (couldn't find the exact date) now in complete Bossa style - I thought it could be interesting to be able to compare both versions;Chega de Saudade - João Gilberto's 1959 recording of Chega de Saudade. Considered by practically everyone interested in music at that time as sounding absolutely novel and unprecedented: the singing, the lyrics, the arrangement, the guitar playing. Kind of Bossa Nova's inaugural moment, the song has kind of a choro form and I once saw Jobim say in an interview that he had the idea when he saw his mother's housemaid singing the choro Sonoroso and he thought something like “well, it seems people can remember a long melody and all these lyrics, after all…”;Chega de Saudade - following the commentary I made about Chega de Saudade and the choro, here a 1963 version - right in the period where it was all happening - by the old-school mandolinist Jacob do Bandolim;Estamos Aí - sung here by Leny Andrade in her debut album, totally positioned as “Modern Popular Music”, as they would define it, it shows very clearly the new style that was emerging - the whole scat singing section in the middle is really pointing to jazz and the lyrics talk about Bossa Nova itself;Rapaz de Bem - Johnny Alf is one of the unsung heroes and precursor of Bossa Nova: the singing, the harmonic language, the compositional aesthetics… it was all there;Embalo - a typical example of what was called samba-jazz back then;Influência do Jazz - by one of the early Bossa Nova composers, Carlos Lyra, the song talks about how samba was influenced by jazz in a somewhat ambivalent manner and has acquired sort of a symbolic, manifesto-like status - we hear a younger Elis Regina singing it here, in the famous program/series O Fino da Bossa;Preconceito - two versions, first Orlando Silva's old school version (1941), then João Gilberto singing the same song years later (2003) and doing his thing;Aos Pés da Cruz - one of the classic João Gilberto recordings. I added it to the playlist just because it's so beautiful;Elis' first recording of Águas de Março is interesting because the guitar “levada” is sort of middle ground between the “modern samba” that will be so characteristic of her band's playing and the more subdivided earlier style of playing samba;Coisa N. 1 - Moacir Santos was also an arranger (they were called maestros, actually) at Rádio Nacional, where Jobim, Radamés, the Trio Surdina guys and many other important musicians worked. Moacir was the only black maestro of the time and had studied with classically-trained composers like Guerra-Peixe (also a maestro at Rádio Nacional) and H. J. Koellreutter (German composer who fled Germany during the rise of the Nazis and is credited as having introduced dodecaphonism in Brazil). He wrote the “Coisas” (Things) and numbered them as if they were “Opus 1”, “Opus 2” etc. Moacir is an entire chapter in itself and unfortunately one can't find the original 1966 recording of the Coisas on Spotify, which used practically all important “modern” musicians living in Rio de Janeiro at the time. This recording was made in 2001 with Moacir's approval and is true to the original arrangement, though the solos were improvised by the musicians;O Mestre Sala dos Mares - written by Elis' contemporaries João Bosco and Aldir Blanc, we first listen to Bosco's recording of this samba, more in the traditional style, with percussion, cavaquinho, 7-string guitar and all, and then Elis' version with most of the band that recorded Elis & Tom - sorry for insisting with the comparison thing, but I think it's instructive and it takes a lot of examples to start grasping some subtleties;É Com Esse Que Eu Vou - first listen to Elis' version and then the traditional one. This is carnival music, really, and they did this wonderful modern, samba-jazzy version;Como Nossos Pais - another, arguably as important, side of Elis. From 1976, this is perhaps her most famous recording and serves here to show that her repertoire was considerably wider than samba. People get really moved by this recording (understandably, at least to my Brazilian ears) and despite the stylistic differences, this is also the same core band we hear in Elis & Tom.

It's the start of a new playlist, and to get things going, singer/songwriter Corinne Bailey Rae and the Scottish operatic tenor Nicky Spence join Cerys Matthews and Jeffrey Boakye as they add the first five tracks.As well as discussing the five compositions, the four are outnumbered by the London Bulgarian Choir who give a special live performance in the Add to Playlist studio. Also, producer Fraser T Smith sends a message about the recording of one of Adele's biggest hits.Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey BoakyeThe five tracks in this week's playlist:Povela E Yova / Dilmano Dilbero by The London Bulgarian Choir Confrontation and Rescue from Satyagraha by Philip Glass Bad Guy by Billie Eilish Meditation (Meditação) by Antônio Carlos Jobim and Frank Sinatra Set Fire to the Rain by Adele Other music in this episode:A Fifth of Beethoven by Walter Murphy and the Big Apple Band

durée : 01:02:12 - Club Jazzafip - À l'occasion de l'anniversaire d'Antônio Carlos Jobim, figure légendaire de la bossa-nova et en pleine période du pré-carnaval au Brésil, le Club se pare de vert, jaune et bleu !

El jazz, desde la fusión jazz-bossa nova hasta interpretaciones contemporáneas, emotivas y colaboraciones efervescentes. A pesar de las variaciones estilísticas y artistas, comparten el compromiso con la evolución del género y la rica tradición del jazz.  O Grande Amor  Stan Getz, João Gilberto Quintet, Antônio Carlos Jobim   Getz/Gilberto   Mal Du Pays     Harold López-Nussa     Timba a la Americana I Have the Feeling I've Been Here Before Orrin Evans      The Red Door Owl Song 1      Ambrose Akinmusire, Bill Frisell, Herlin Riley      Owl Song 1  Where Are You? Joshua Redman, Gabrielle Cavassa        where are we 'Round Midnight  Bill Evans Trío  The Penthouse Session (Live Seattle '66) Basin Street Blues Wynton Marsalis Louis Armstrong's Hot Fives and Hot Sevens Stardust  Sant Andreu Jazz Band, Joan Chamorro  Jazzing 12 (Vol.1) Escuchar audio

Brasília: Sinfonia da Alvorada é um poema sinfônico composto por Antônio Carlos Jobim com letra de Vinícius de Moraes em 1959 celebrando a inauguração da nova capital do Brasil em 1960, Brasília. A obra é dividida em 5 movimentos, nos quais são discorridos diferentes temas. O primeiro movimento fala da paisagem virgem do planalto central anterior à construção. O segundo movimento conta a chegada do homem branco e o ímpeto heróico de fundar uma cidade. O terceiro movimento conta a chegada dos trabalhadores. O quarto movimento fala do processo de construção da cidade (a parte mais bela do poema na minha opnião - pois aqui ele fala da dor e das saudades do homem comum). O quinto movimento é um canto de exaltação à nova cidade (que, pra mim, é propaganda política pura). É interessante notar que Vinicius de Moraes parece caminhar em entre uma visão critica e ao mesmo tempo bajulatória de todo esse processo. O que pode parecer contraditório, mas é uma contradição metodológica. Vinicius de Moraes parece entrar em conformidade com um certo ideal de sublimação histórica das contradições do passado e do presente pelo alcance de um bem-futuro (e Brasília representava isso) - que é uma coisa muito marcante tanto no movimento marxista-leninista (especialmente estalinista) quanto no ideal dos militares positivas do nosso Exército. Na parte onde ele fala dos bandeirantes, por exemplo, Vinicius de Moraes exaltata-os como heróis ao mesmo tempo que reforça a ideia de que pelas mãos deles os índios foram massacrados. É um duplo e complexo padrão de admiração-repúdio, de “duplipensar”, que torna a chave de interpretação histórica maleável - sujeita aos interesses de quem a controla. O engraçado é que esse vício estalinista é presente até mesmo em quem seria subordinado, caso vingasse uma revolução. Em suma, Brasília: Sinfonia da Alvorada é arquitetura soviética e pensamento positivista em formato sinfônico. É muito bom, é horrivelmente bom.

durée : 00:58:44 - "Águas de Março" (Antônio Carlos Jobim) (1972) - par : Laurent Valero - "Jobim en 1972 s'attelle à son prochain album Matita Perê, c'est lors d'une promenade avec son épouse au mois de mars, c'est à dire pour le Brésil l'automne et le début de la saison des pluies, qu'il a l'idée de la chanson en regardant les ouvriers sur le chantier de sa future maison" Laurent Valero - réalisé par : Taïssia Froidure

durée : 00:58:44 - "Águas de Março" (Antônio Carlos Jobim) (1972) - par : Laurent Valero - "Jobim en 1972 s'attelle à son prochain album Matita Perê, c'est lors d'une promenade avec son épouse au mois de mars, c'est à dire pour le Brésil l'automne et le début de la saison des pluies, qu'il a l'idée de la chanson en regardant les ouvriers sur le chantier de sa future maison" Laurent Valero - réalisé par : Taïssia Froidure

I'm going to nickname this episode Frank's earworms because these were the songs that stuck in my head sometimes for weeks after recording a show. They may not be the most popular of the songs I've played or even among my favorites all the time, but they had a catchy melody or rhythm that I couldn't get out of my head. So get ready for an episode with a lot more music and a lot less of me talking with Volume 100: Frank's Favorites. Credits and copyrights Girl From Ipanema - Nat King Cole written in 1962 by Antônio Carlos Jobim and Vinicius de Moraes Found on Nat King Cole – L-O-V-E  Released in1965 on Capitol Records Featured in Volume 59: Nat's L-O-V-E for Valentine's Day aired on February 13, 2022 Naughty Lady of Shady Lane - Ames Brothers written by Sid Tepper and Roy C. Bennett Recorded on September 8, 1954 Found on 60 Years Of "Music America Loves Best" by various artists released in 1959 by RCA Victor Red Seal Label Featured in Volume 24: Music America Loves Part 1 aired on June 13, 2021 Ciribiribin - Harry James Written-By – Harry James  Recorded April 6, 1939 Found on Harry James' Greatest Hits Reissue Released in 1970 on Columbia Records from Music Recorded: 1939 - 1946 Featured in Volume 4: Harry James Greatest Hits which aired on January 24, 2021 Go Li'l Liza - Coleman Hawkins Quartet  Written by Countess Ada DeLachau Recorded September 9, 1962 Found on the Franklin Mint Collection, Jazz Masters Of The Sax Featured in Volume 66: Sax Master Hawkins which aired April 23, 2022 Please Mr. Columbus, Turn the Ship Around - Lou Monte written by Ray Allen, Wandra Merrell and Sam Saltzberg Recorded in 1962 Found on Lou Monte ‎– Pepino, The Italian Mouse & Other Italian Fun Songs on Reprise Records Featured in Volume 9: Lou Monte and Pepino which aired February 28, 2021 Georgie Girl - Ray Connif Music By – T. Springfield and Lyrics By – J. Dale Recorded in 1970 Found on Ray Conniff And The Singers – This Is My Song And Other Great Hits on Columbia Records Featured in Volume 76: My Song which aired June 12, 2022 Cool Water - Sons of the Pioneers written as a poem by original member Bob Nolan when he was only 16 and first recorded by the Pioneers in 1941. This recording was found on the compilation box set Tumbling Tumbleweeds featuring various artists Featured in Volume 41: Tumbling Tumbleweeds Part 1 which aired October 10, 2021 Seattle - Perry Como composed by Hugo Montenegro with lyrics by Jack Keller and Ernie Sheldon Recorded in 1968 We took that from  Perry Como – Sylvania Presents Perry Como By Special Request a 1976 compliation on RCA Records Featured in Volume 97: Como By Request which aired November 6, 2022 (it's the most recent one I can't get out of my head, other than a TJB one.) South of the Border - Frank Sinatra Written-By – Jimmy Kennedy, Michael Carr in 1939 Recorded November 2, 1953  We took that from Frank Sinatra – This Is Sinatra!, a 1956 compilation album on Capitol. Featured in Volume 71: This Is Sinatra! for Mothers Day which aired on May 8, 2022 Your Other Love - Dean Martin by Mort Shuman and Doc Pomus probably in the Brill Building Recorded in 1964. We took that from Dean Martin – Everybody Loves Somebody on Reprise Records Featured in Volume 75: Everybody Loves Dean which aired on June 5, 2022 I Want To Be Happy - Sammy Davis Jr. Written by Irving Caesar, Vincent Youmans Recorded in 1972 We took that from Sammy Davis Jr. – Now on MGM Records Featured on Volume 56: Sammy is Now which aired Janurary 23, 2022 Featured 78 RPM Kay Kyser And His Orchestra with Woody Woodpecker With vocal chorus from Gloria Wood. Written by Ramey Idriss, George Tibbles Recorded December 31, 1947  We took that from a Columbia 78 RPM disk Featured in Volume 74: 8 Sides from Columbia which aired on May 29, 2022 Zipadee Doo Da - The Roy Meriwether Trio composed by Allie Wrubel with lyrics by Ray Gilbert Recorded in 1966 We took that from The Roy Meriwether Trio – Popcorn & Soul: Groovin' At The Movies on Columbia Records Featured on Volume 62: Popcorn and Soul which aired March 6, 2022 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Tercer programa dedicado al cancionero del gran Ary Barroso. Intervienen: Caetano Veloso, Dominguinhos, Elba Ramalho & Oswaldinho, Jards Macalé, Itamar Assumpçâo & Tetê Espíndola, Carlinhos Vergueiro & Vittor Santos, Cláudio Nucci & Clara Sandroni, Gal Costa, Gal Costa & Raphael Rabello, Leny Andrade, Johnny Alf, Joâo Nogueira, Luiz Melodia & Wagner Tiso, Dorival Caymmi, Monarco, Moreira da Silva, Carmen Costa, O Trio & Leandro Costa, Marlene & Garganta Profunda, Os Cariocas, Edu Lobo & Antônio Carlos Jobim y Silvio Caldas. Escuchar audio

The king welcomes Ana Paula Henkel to discuss the tight presidential election in Brazil to be held Sunday. It pits incumbent president Jair Bolsonaro against leftist ex-con and former president Luiz Inácio Lula da Silva (a.k.a., Lula). This week, leftist judges shut down press freedoms for Bolsonaro supporters and the polling is very tight. Ana is a conservative Brazilian political analyst now living in the US. Formerly, she played for Brazil's National Volleyball Team and competed in four Olympic Games. She is the two-time world champion in beach volleyball, and won the bronze in 1996 in indoor volleyball. Ana's commentary can be found in Revista Oeste and Jovem Pan. You can also find her on Twitter where she has 1.5 million followers. Then Jon talks about the disastrous Fetterman/Oz debate, evaluates the latest midterm news, and elaborates on his viral Ricochet column "We Are No Longer Conservatives; We Are Restorationists." Subscribe to the King of Stuff Spotify playlist featuring picks from the show. Continuing the Brazilian theme, Jon recommends his favorite song of all time, “Águas de Março” by Antônio Carlos Jobim. Learn more about your ad choices. Visit megaphone.fm/adchoices

Plínio Fernandes, hailed as the future of Brazilian guitar, joins us on the latest episode of JAZZIZ Travel. The 27-year-old musician recently released his major label solo album debut, Saudade, on Decca Gold. The record is a collection of interpretations of timeless songs testifying to the rich musical heritage of his native land, from Heitor Villa-Lobos to Antônio Carlos Jobim and beyond. For the most part, these compositions are performed by Fernandes solo on acoustic guitar, showcasing a profound personal connection to them, though special guests join him along the way, including cellist Sheku Kanneh-Mason, violinist Braimah Kanneh-Mason and vocalist Maria Rita. --- Support this podcast: https://anchor.fm/jazziz/support

Born and raised in São Paulo, Brazil, Plínio Fernandes' musical talent has brought him all over the world, including to the Royal Academy of Music in London where he received his master's degree and has lived for the last seven years. With Saudade, an entrancing collection of works for solo guitar, Fernandes makes his auspicious recording debut for Decca Records US, weaving together all his musical loves and telling his complex and captivating international story in sound. “I chose songs that I grew up listening to,” Fernandes explains, “and in many cases I fell in love with the guitar through them.” We hear that boundless love, that charge of artistic talent in early bloom, throughout Saudade.Saudade Tracklist 1. Assanhado — Jacob do Bandolim 2. The Girl From Ipanema — Antônio Carlos Jobim 3. Beatriz — Edu Lobo, Chico Buarque 4. Aquarelle: II. Valseana — Sérgio Assad 5. Aquarela do Brasil — Ary Barroso 6. Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio (feat. Sheku Kanneh-Mason) — Heitor Villa-Lobos 7. Ponta de Areia — Milton Nascimento, Fernando Brant 8. 5 Preludes, W419: No.1 in E Minor — Heitor Villa-Lobos 9. 5 Preludes, W419: No. 2 in E Major — Heitor Villa-Lobos 10. 5 Preludes, W419: No. 3 in A Minor — Heitor Villa-Lobos 11. 5 Preludes, W419: No. 4 in E Minor — Heitor Villa-Lobos 12. 5 Preludes, W419: No. 5 in D Major — Heitor Villa-Lobos 13. O Mundo É Um Moinho (feat. Maria Rita) — Angenor de Oliveira 14. Recuerdos de Ypacarai — Zulema de Mirkin, Demetrio Ortíz 15. Samba do Avião — Antônio Carlos Jobim 16. Gracias A La Vida — Violeta Parra 17. Se todos fossem iguais a você / Águas de Março Medley — Antônio Carlos Jobim 18. Menino (feat. Braimah Kanneh-Mason) — Sérgio AssadPurchase the music (without talk) at:Saudade by Plínio Fernandes on Amazon Music UnlimitedYour purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katlyn Morahan from Morahan Arts and Media. https://khedgecock.podomatic.com/rss2.xml 

Filme que fez explodir a fama do diretor Joachim Trier, A Pior Pessoa do Mundo é, na verdade, o terceiro capítulo da “trilogia de Oslo”, cujas primeiras duas parcelas são Começar de Novo, de 2006, e Oslo, 31 de agosto, de 2011. Os três filmes da trilogia possuem duas características que os tornam únicos: são simultaneamente melancólicos e cômicos, e permitem, com muita sensibilidade e precisão, observar o autêntico comportamento humano. Mérito de roteiros geniais, escritos em parceria com o brilhante Eskil Vogt, e das performances impecáveis de seus atores, em especial da espetacular Renate Reinsve, e de Anders Danielsen Lie, protagonista dos dois filmes anteriores, que, além de ator, é médico e músico. Afinal, quem Julie pensa que ela é? O filme se faz essa pergunta a sério, sem julgamentos e preconceitos. Não deixe de conferir a nossa discussão sobre autoconhecimento, a mutabilidade da identidade (possível apenas na Noruega), sobre “ser você mesmo” em relacionamentos, sobre caprichos e Desejo, e o que realmente significa se intitular a pior pessoa do mundo. Quer fazer um comentário, uma crítica ou uma sugestão? Envie um email a saladeprojecaopodcast@gmail.com ou mande mensagem em nossas redes sociais e responderemos em breve. Ficha do Filme: A Pior Pessoa do Mundo (Verdens verste menneske), 2021. Direção: Joachim Trier. Roteiro: Eskil Vogt e Joachim Trier. Elenco: Renate Reinsve, Anders Danielsen Lie, Herbert Nordrum, Hans Olav Brenner, Helene Bjørneby, Vidar Sandem, Maria Grazia Di Meo. 128 min. Noruega. Créditos: Ilustração: Felipe Sobreiro – sobreiro.com Edição e Identidade Visual: Thiago Vergara - thiagoverg@gmail.com Música de Introdução: https://www.bensound.com Músicas do filme: Bad Feeling (Cobra Man) Feel The Love (Prins Thomas) I will Take You There (Harry Nilsson) Pieces Froides No 2 Trois Danses De Travers (Erik Satie, Klara Kormendi) Poly (Daphni) The Way You Look Tonight (Billie Holiday) Water, Voices & Show (Christophe Chassol) Wersailles (Planeur) (Christophe Chassoll) Música de Crédito ao Editor Águas de Março (Elis Regina - Antônio Carlos Jobim)

Mostly vocals on this episode of Jazz After Dark: Billie Holiday, Sarah Vaughan, Dinah Washington, Peggy Lee, Etta Jones, Ella Fitzgerald, Vince Guaraldi Trio, Astrud Gilberto, Antônio Carlos Jobim, Chet Baker, Lena Horne, Eva Cassidy, Lizz Wright, Eriko Ishihara, and Cassandra Wilson.

Jess is joined in the studio by Brazilian guitarist Plínio Fernandes to share the music they love. Plínio shares his Latin roots with Villa-Lobos, Albéniz and a beautiful duet by Elis Regina and Tom Jobim, and Jess offers up Bartok inspired Jazz from Stan Getz and Eddie Sauter, a fiendishly difficult concerto by John Adams and Scott Walker is lamenting the weather. Playlist: Heitor Villa-Lobos - Bachianas Brasileiras No. 4, W.424; IV. Danza [Michael Tilson Thomas, New World Symphony] Eddie Sauter / Stan Getz - I'm Late, I'm Late Beethoven - Bagatelles, Op. 33: V. Allegro, ma non troppo [Cristian Budu] Scott Walker - It's Raining Today Isaac Albeniz - Suite espanola no. 1, Op.47; III. Sevilla [Julian Bream] John Adams - Saxophone Concerto; II. Molto vivo: a hard, driving pulse [Timothy McAllister (sax), St Louis Symphony, David Robertson] Elis Regina & Antônio Carlos Jobim - Águas de março Johann Sebastian Bach – O Jesu Christ, mein's Lebens Licht Motet, BWV 118 [English Baroque Soloists, The Monteverdi Choir, John Eliot Gardiner]

در اپیزود پنجم پادکست آرتیزان نگاهی به سبک‌ها و وضعیت اجتماعی و اقتصادی هنر تجسمی در اواخر قرن نوزدهم تا نیمه اول قرن بیستم انداختیم ----- تهیه کننده: محمود باقری تهیه و تنظیم محتوا: بهین‌دخت علیپور راوی و تدوینگر: رژین میدانی موسیقی ابتدایی: امیرمهدی حسینی ----- موسیقی‌های استفاده شده در متن به ترتیب Honeysuckle Rose - Ben Webster Fly Me to the Moon - Doris Day The Gift - Eydie Gorme If I Give My Heart To You - Ken Dodd 'Round Midnight - June Christy Speak Low - Sammy Davis Jr Wave - Antônio Carlos Jobim and Frank Sinatra ----- اینستاگرام پادکست آرتیزان

Norwegian musician Sondre Lerche talks about hearing a-ha as he fell asleep, being particular about Major 7th chords, and the greatest song he's ever heard in his entire life: Antônio Carlos Jobim's "Águas de Março"   Lerche recently released his 10th full-length studio album Avatars Of Love, available for streaming and purchase now. You can follow him on all platforms @SondreLerche   @gr8songpod on twitter and instagram @InterranteScott on twitter @ScottInterrante on tiktok Theme music: "Kratos In Love" by Skylar Spence Mixing by Michael Isabella Creative Production by Katherine Mohr

Stroll Down Penny LaneEpisode 5 Yesterday – and the song that got awaySongsYesterday, Lennon and McCartney; performed by Joe Anastasi and Mike Sugar.What's My Line Opening Theme Song - 1968, performed by Mike SugarRabbit Hole Interstitial Music – Live and Let Die Melody, Paul McCartney; arranged and performed by Mike SugarTwilight Zone Opening Theme, Marius Constant; 1962; performed by Mike SugarFandanguillo, Federico Moreno Torroba; performed by Mike SugarChances Are, Robert Allen and Al Stillman; performed by Joe Anastasi and Mike SugarRabbit Hole Interstitial Music – Eleanor Rigby Melody, Lennon and McCartney; arranged and performed by Mike SugarThe Girl from Ipanema, Antônio Carlos Jobim; Portuguese lyrics by Vinícius de Moraes; English lyrics by Norman Gimbel.Help! Lennon and McCartney; performed by performed by Joe Anastasi and Mike SugarFields of Gold, Gordon Sumner and Dusan Bogdanovic; performed by Joe Anastasi and Mike SugarThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)SourcesPlayboy interview; Paul McCartney; 1984Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Beatlesongs; William J. Dowling; Simon & Shuster, New York, 1989.Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006Paul McCartney, Many Years from Now; Barry Miles; Secker &Warburg; 1997McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003The Beatles; Hunter Davis; McGraw-Hill; 1968The Complete Beatles Recording Sessions; Mark Lewisohn; Hamlyn (a division of the Octopus Publishing Group); 1988All You Need Is Ears, George Martin, with Jeremy Hornsby; St. Martin's Griffin; 1979This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007“MOJO COLLECTIONS;” interview of Paul McCartneyevacassidy.orgThe Beatles Anthology; Chronicle Books, 2000Everything You Ever Wanted To Know About The Rosetta Stone; The British MuseumMcCartney: Yesterday and Today, Ray Coleman; Boxtree, 1996.The Beatles as Musicians. The Quarry Men Through Rubber Soul, Walter Everett; Oxford University Press; 2001.A Hard Day's Write - The Stories Behind Every Beatles' Song, Steve Turner; Carbon, 1994.In Search of the Sources of ‘I Saw Her Standing There' and ‘Yesterday,' Ian Hammond; Journal on Media Culture; Old Sweet Songs; http://www.icce.rug.nl/~soundscapes/VOLUME05/Oldsweetsongs.shtmlPaul McCartney in Casual Conversation with Jarvis Cocker at LIPA; August 15, 2018