Podcasts about Edmonds

National's finance spokesperson Nicola Willis says she's done Labour's homework for them, laying out a list of opposition policy pledges she says are unfunded. Labour's finance spokesperson Barbara Edmonds spoke to John Campbell.

Labour's pushing back against claims its election promises come with an 18-billion dollar hole. National says the party isn't detailing how it would fund major commitments, including restoring pay equity, and creating a Future Fund that could cost $13bn. Labour's finance spokesperson Barbara Edmonds told Mike Hosking that every party must front-up with the numbers, and Labour's confident it can deliver on every promise it makes. She says all their policies are costed - and their fiscal plan will be released later this year. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Data shows that rentals in Seattle are actually lower than normal during the World Cup with the exception of one match. Edmonds has pulled the plug on their Flock Safety cameras. // Guest: Carly Duke with Lavish Roots, a Burien-based catering company that technically laid off 263 workers at Meta offices, but jobs aren’t actually lost. // The reaction to Karmelo Anthony’s conviction is getting more ridiculous by the minute.

Edmonds mayor Mike Rosen is receiving backlash for not flying the Pride flag. The Seattle City Council voted unanimously to impose a one-year moratorium on new AI data centers. // Democrats are holding their noses as the scandal-laden Graham Platner moves on to the general election in Maine. // Karmelo Anthony has been convicted of murdering Texas high school student Austin Metcalf and a shocking number of people are defending him.

Most real estate insiders agree: AI is disrupting brokerage faster than anyone expected. But what if the biggest shifts come from the human side? Andie Edmonds, a trailblazer in commercial real estate and the new president of the CCIM Institute, reveals why trusted relationships—and human intuition—will remain the backbone of the industry, even as artificial intelligence transforms how deals get done.In this eye-opening conversation, Andie shares her journey from Oregon to Arizona, navigating market changes, industry disruptions, and a slower shift towards tech. You'll discover how AI tools like ChatGPT and Claude are influencing broker decision-making, the undeniable importance of human empathy in client relationships, and the subtle ways ethical dilemmas—like fraud and tenant mix—shape property investments today. Andy also dives into the evolving landscape of healthcare real estate, exploring how demand for behavioral health and senior housing is reshaping asset types, and why landlords need to stay vigilant about new challenges.You'll learn how industry leaders are balancing innovation with trust, and why the future of CRE hinges on mastering both technology and human connection. This episode is perfect for brokers worried about AI replacing their jobs, emerging professionals eager to stay relevant, and anyone interested in how real estate must adapt to survive and thrive in a new era.With decades of experience and a sharp eye on the next generation, Andie Edmonds exemplifies leadership that combines faith, industry insight, and a pioneering spirit. She's a CEO, a CCIM, and now, the president shaping the future of the largest professional designation in commercial real estate—a must-listen for those who want to understand not just what's changing, but how to lead through it.Whether you're a seasoned broker, a future investor, or curious about the ethical dilemmas facing real estate today, this episode offers real talk, actionable insights, and a compelling reminder: Humans are irreplaceable, and trust will always be the most valuable currency in CRE.Thanks To Our Sponsors

About This Episode  Hybrid work is no longer an experiment and has now become the standard operating model for much of the workforce. In this episode of The Future of Work® Podcast, Frank Cottle spoke with Wesley Edmonds, Director of Workplace at OFS, to explore how organizations can create workplaces that employees genuinely want to use.  Drawing from workplace research, design expertise, and conversations with architects, designers, and business leaders, Wesley explains why today's workplace must go far beyond furniture, layouts, and amenities. The discussion examines employee autonomy, workplace experience, culture, productivity, and the growing importance of designing environments that support a wide range of work styles and human needs.  The conversation also explores the role of AI, flexible workspace strategies, coworking environments, and how organizations can prepare for constant change. As companies continue balancing employee expectations with business goals, this episode offers practical insights into creating workplaces that support engagement, performance, and long-term talent retention. 

David worships God by recognizing His majesty! And he helps us better understand majesty by recognizing three emotions we feel around the majesty of God.

What's the Lifetime Roofing lede? Doug goes with the Cardinals. Do people in STL care about the NBA? Jackson defends hoop rock. Talking Cardinals and their win last night. Lars Nootbaar return. Chairman Kurt's movie shoot. NFL relocation revisit. Alec Burleson hitting the lefty hard last night. Andre Pallante's performance last night and the season as a whole. Texters aren't happy we are complimentary of the Cardinals. Pete and Kalen DeBoer. One Day at a Time. Heavy lemminating so far today. TV shows that fell off during season 2. Texting with Edmonds. Why did Martin get a satellite response? Movies where you cry? Getting to the ballpark early for BP. Mark McGwire BP was must-see. Still Tippin. Knicks fans are going crazy after their game 1 victory. Callers upset they get left on hold. Nevin Shapiro thinks Miami will go undefeated. Going through the Hurricanes schedule. Mizzou – Notre Dame matchups. Talking Lars Nootbaar's return to the team. Jackson with a confused report about his status as a CF. Jim Hill. Department stores. What was Doug doing at JC Penny? Fan ran out on the court last night in San Antonio. Michael McGreevy joins the show on the Cardinals off day. Where is he golfing? How important did it feel for the team to avoid the sweep? Talking with Michael about the ALS families he hosted at the game and his grandfather passing away from ALS. Brad Thompson joins the program to talk about the series with the Rangers. We talk the losses on Monday and Tuesday and how they got right last evening. Brad also talks about Andre Pallante's solid start to the 2026 season and who he thinks would be ASG frontrunners for the Redbirds. Design Aire Heating & Cooling EMOTD We are still waiting to hear from Jim Edmonds. James Bond. Martin & Iggy stories. Surprise guest logistics. Putting conversations Jim Edmonds joins the program live from the tractor in Nashville. We talk about his bobblehead day coming up on Saturday. He will not be in attendance due to his children's birthday. Has Jimmy watched much ball this season? Cardinals TV discussion. EMOTD winner. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What's the Lifetime Roofing lede? Doug goes with the Cardinals. Do people in STL care about the NBA? Jackson defends hoop rock. Talking Cardinals and their win last night. Lars Nootbaar return. Chairman Kurt's movie shoot. NFL relocation revisit. Alec Burleson hitting the lefty hard last night. Andre Pallante's performance last night and the season as a whole. Texters aren't happy we are complimentary of the Cardinals. Pete and Kalen DeBoer. One Day at a Time. Heavy lemminating so far today. TV shows that fell off during season 2. Texting with Edmonds. Why did Martin get a satellite response? Movies where you cry? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this kickoff sermon for an entire series in the Psalms, we learn what it means to lead a life of flourishing. Everyone wants to flourish. How do we do that?

Mai 2003, Tyler Edmonds se retrouve en salle d'interrogatoire, il s'accuse d'un meurtre. Très vite, il se retracte, dit avoir été manipulé...mais c'est trop tard, la machine judiciaire est en marche. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Some more leaked audio has gotten the Labour Party in trouble, with MP Barbara Edmonds apologising for off-colour comments directed at the Finance Minister. The audio obtained by the Herald features a moderator asking various Labour MPs whether they'd rather fight "100 duck-sized horses or one horse-sized duck." Edmonds' answer apparently referenced Nicola Willis. Willis says she's accepted Edmonds' apology - but this event says a lot about Labour's conduct this election year. "Step one - demonize your opponent. Step two - waffle on about values. Well, how about just answering the question? I guess that would require some actual policies." LISTEN ABOVESee omnystudio.com/listener for privacy information.

On this Pentecost Sunday, we explore the gift of the Holy Spirit that came upon the church like tongues of fire. The Spirit came to give the church power to serve God and each other.

Barbara Edmonds joined us to talk about the latest government's announced a major shake-up of social housing beginning in this year's Budget - which will boost weekly support for 110,000 families by almost $15 but leave another 80,000 families worse off by $30 a week.

Washington Watch Reporter Mary Stackhouse explains how the anti-weaponization fund language in the reconciliation bill is delaying the Senate vote, where things stand with the War Powers Resolution in the House, and an update on Iran. Mark Harris,

Barbara Edmonds joins us LIVE at 9pm to talk about the latest government's announced a major shake-up of social housing beginning in this year's Budget - which will boost weekly support for 110,000 families by almost $15 but leave another 80,000 families worse off by $30 a week.Tangi Utikere and Chris Bishop were on TVNZ Breakfast this morning talking about the public sector cuts. There was an interesting interaction with the TVNZ hosts where they took government talking points and asked Utikere questions based in National Party opinions as opposed to actual facts.New Zealand has condemned Israeli national security minister Itamar Ben-Gvir, after he taunted detained flotilla activists - including three Kiwis - who tried to breach Israel's blockade of Gaza. Foreign Minister Winston Peters demanded that Israel's ambassador, Alon Roth-Snir, front up to the Ministry of Foreign Affairs for a “please explain”.++++++++++++++++++++Like us on Facebook.com/BigHairyNetwork Follow us on Twitter.com/@bighairynetworkFollowing us on TikTok.com/@bighairynetworkSupport us on Patreon www.patreon.com/c/BigHairyNewsCheck out our merch https://bhn.nz/shop/Donate to our work https://bhn.nz/shop/donation/

We received good news from our station engineer, Phil.

In this message that closes missions month, we learn about extending the Invitation to others. Through the parable of the great banquet, Jesus tells us what to expect as we extend the invitation to others to join God's grand banquet.

Listen to a sermon from our Missions Month as we explore what it looks like to "extend the invitation"

May, 8, 2026 ~ Jamie joins Lloyd and Mark Hollis and talks about her journey, how she's still not used to being the story, instead of telling someone's story and why it's important to find your own angels along the way. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

What do you do when you can't forgive? Gerald Griffin, pastor and coach at Practicing the Way, walks us through a practical, step-by-step process for moving beyond the decision to forgive into deep emotional healing. Key Scripture Passages: Matthew 6v9-15This podcast and its episodes are paid for by The Circle, our community of monthly givers. Special thanks for this episode goes to: Adam from Edmonds, Washington; Logan from Grand Rapids, Michigan; Russ from Dublin, Ohio; Verne from Arlington, Texas; and Steve from Delavan, Illinois. Thank you all so much!If you'd like to pay it forward and contribute toward future resources, you can learn more at practicingtheway.org/give.

Tom Gilovich finds it fun to study the whys and wherefores of how human beings make sense of the information delivered by the world around them. And why not, he explains to interviewer David Edmonds in this Social Science Bites podcast. "We're dynamic, very complicated creatures who do all sorts of things and sometimes make you go, 'Huh?' That's interesting." He adds, "At the same time, some of the things that people do have great consequences," which means understanding how understandings come about also has great import. "A lot of the research on judgment and decision making is that there's a schism between the rational choice and the psychologically compelling choice," Gilovich continues, "and that has provided fertile ground for psychologists like me to explore it: "OK, this is what the rational analysis suggests. Why don't we do that?" And there's often some interesting psychological answers to that. Doesn't make logical sense, but it makes lots of psychological sense." In that spirit, Edmonds and Gilovich, the Irene Blecker Rosenfeld Professor of Psychology in the Department of Psychology at Cornell University, run through what Edmonds calls "the greatest hits" of Gilovich's research findings. These include the "spotlight effect," which posits that individuals often assume others pay more attention to them than they are, and its cousin, "the illusion of transparency," in which people assume others recognize their feelings and emotions accurately. They also look at regret, bias blind spots, and why third-place finishers are happier than second-place ones. Gilovich is the co-director of the Cornell Center for Behavioral Economics and Decision Research. He's written or co-written several books, ranging from the academic (the textbook Social Psychology written with Dacher Keitner, Serena Chen and Richard Nisbett), titles that bridge academia and the general public (2002's The psychology of intuitive judgment: Heuristic and biases written alongside Dale Griffin and Daniel Kahneman), and books that bring psychological insights directly to the public (such as 1999's Why smart people make big money mistakes—and how to correct them: Lessons from the new science of behavioral economics with Gary Belsky and 2015's The wisest in the room: How you can benefit from social psychology's most powerful insights with Lee Ross).  

(00:00-30:08) Doug's comfortable in his little vest. Doug says Nathan Church has a little Edmonds in him. Audio of Church's game-saving homerun robbery. Three in a row in the 'Burgh. Don't catch a spur, you may start leaving. The pickleball fad. Human with bad feet. Getaway day lineup today? Tim's marathon radio day yesterday. How will history remember the LIV era? Trey Wingo.(30:16-56:38) Hall & Oates. Is Martin taking shots at Tom Ackerman? Not far off from Before The Morning After. How many people are going to the Battlehawks game AND The Derby? Now watch me shoot fireworks all over your boy chest. Chairman Steve from Demun is on the line. A generic idea of a person. How does Tim do it? Updated Cardinals odds to make the playoffs.(56:48-1:13:14) Did Doug bet a french kiss? Oli Marmol talking about finding a way to get the win last night and the bullpen effort. Brady Tkachuk talking about the rumors swirling and whether it's becoming a distraction. Strick doesn't know squat. Charlie Marlow has responded to Chairman Steve's Paddy O's allegations.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Doug's comfortable in his little vest. Doug says Nathan Church has a little Edmonds in him. Audio of Church's game-saving homerun robbery. Three in a row in the 'Burgh. Don't catch a spur, you may start leaving. The pickleball fad. Human with bad feet. Getaway day lineup today? Tim's marathon radio day yesterday. How will history remember the LIV era? Trey Wingo.Hall & Oates. Is Martin taking shots at Tom Ackerman? Not far off from Before The Morning After. How many people are going to the Battlehawks game AND The Derby? Now watch me shoot fireworks all over your boy chest. Chairman Steve from Demun is on the line. A generic idea of a person. How does Tim do it? Updated Cardinals odds to make the playoffs.Did Doug bet a french kiss? Oli Marmol talking about finding a way to get the win last night and the bullpen effort. Brady Tkachuk talking about the rumors swirling and whether it's becoming a distraction. Strick doesn't know squat. Charlie Marlow has responded to Chairman Steve's Paddy O's allegations.Nick Saban talking with Paul Finebaum about the possibility of getting back into coaching and if Ms. Terry would approve. What's coming up on Movie Boi? I don't need to be patronized. Herb's pickleball skills. Hakeem Butler.Cardinal broadcaster Brad Thompson joins us talking about the excitement after the first three of the Pirates series. Doug still trying to push this Nathan Church/Jim Edmonds narrative. Brad couldn't reveal today's lineup even if he'd seen it. Going up against Paul Skenes. Brad "Thomas." Are Brad and Chip sideways?Some Cardinals roster news as Hunter Dobbins called up to start today and Ryan Fernandez optioned. The lineup for today is out. They're going for it today with a real lineup. Some wagering analytics for today's getaway day game. Who pulls over and sends that into a radio program? Some old fashioned NBA duels.End of the season Blues questions from Jeremy Rutherford. Going around the dais and letting the guys give their thoughts.Chairman is still taking some down time from writing the album. Is he causing utility bills to go up in the area? How about a Retire 39 song for Kelly Chase? Design Aire Heating & Cooling EMOTD.Time for Jeff Suppan's 12th straight appearance. Morning, Soup. Tough loss for Brody Suppan last night. Recognizing Jackson's broadcast excellence. Expert bunter. Soup loved the "Walk the plank line." A little history lesson on the name Pirates. Stadium talk. Choke n Poke. California and Midwest stereotypes. The History Channel. Oak Island.Chambers you my boy. Mizzou coaches in town last night at Chicken N Pickle. Audio of Eli Drinkwitz talking about naming Austin Simmons the starter. Dennis Gates discussing the expanded NCAA Tournament. Chairman is down on Simmons for being left handed.You gotta think Tim's going to get a sponsor's exemption to the Stifel Classic. Market Moves. Tim's going over today in the Cards/Pirates game. Favorite playoff formats. Jackson's golf game is a leaky boat.And the winner of the Design Aire Heating & Cooling EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, I'm joined by the incredibly talented narrator LaNecia Edmonds for a conversation that is equal parts surprising, insightful, and downright fun. From the moment we dive in, the energy is on point and things only get better when we hit Two Truths and a Lie… where she completely gets me (yes, I was confidently wrong). We explore the art of narration, unexpected truths, and those “ooooh, that's interesting…” moments that make you lean in a little closer. Whether you're here for the laughs, the storytelling, or the behind-the-scenes gems, this episode delivers all of it with ease and authenticity. Get ready for a conversation that keeps you guessing and smiling, until the very end. Mentioned in the podcast was my stylist - Payton Dale. Working with her has been the best thing I've done for me/myself ever. Visit her website to learn more and let her know I (Viviana) sent ya: https://www.thepaytonproject.com Guests: Narrator LaNecia Edmonds Visit Viviana, Enchantress of Books: https://www.vivianaenchantressofbooks.com/2026/04/audiobook-lovin-podcast-s7-ep10.html Support the podcast by becoming a patreon at https://www.patreon.com/AudiobookLovin or Buy Me A Coffee: https://www.buymeacoffee.com/enchantresspr We hope you have enjoyed this production of The Audiobook Lovin' Podcast. Host: Viviana Izzo Podcast Intro & Outro: Emma Wilder Podcast Patreon: Benjamin Charles Editor: Viviana Izzo This has been an Audiobook Lovin' production Copyright 2017 by Viviana Izzo, Enchantress of Books. Production Copyright 2017 by Audiobook Lovin'. Audiobook Lovin' Series, The Audiobook Lovin Podcast is a division of Viviana, Enchantress of Books. Please visit Viviana, Enchantress of Books to learn more about the Audiobook Lovin' Series. All rights reserved. No part of this publication may be reproduced, modified, copied, distributed, repackaged, shared, displayed, revealed, extracted, emailed, transmitted, sold or otherwise transferred, conveyed or used, in a manner inconsistent with the Agreement, or rights of the copyright owner. You shall not redistribute, repackage, transmit, assign, sell, broadcast, rent, share, lend, modify, extract, reveal, adapt, edit, sub-license or otherwise transfer the Content. You are not granted any synchronization, public performance, promotional use, commercial sale, resale, reproduction or distribution rights for the Content. For permission requests, please visit Viviana, Enchantress of Books for more information.

Where does one find bullion? Doug Armstrong will be stopping by the studio at 9:00. A foundation of being uncomfortable. Jeff Suppan follows The Chairman on IG now. One guy's farming in Tennessee, one guy's building a garden. There's not enough people in Huntleigh for there to be a high volume of hotwives. Ron Gant doing local news in Atlanta. Going to Maine is not a flex. Wet Blanket Vaughn. O'Brien's been nails. How's that feel, Martin? Twitter reply guy.Friend of the show, Michael McGreevy might be calling in when he gets to the ballpark. Speedy Quis was butt naked open. What's going on in Martin's phone? Watching movies at a bar. Mizzou and Marquette finalizing an agreement to play in November at The United Center in Chicago. Turks is overrun with the upper middle class. Jackson's carbon footprint. 12 straight losses for the Mets.Cheers to the guy buying Doug a video game at Game Stop. Still some goodness in this world. Joining us from Miami is friend of the show, Michael McGreevy. Just got to the ballpark and decided to check in with us. Gotta be careful stepping out these days. When's the wedding? His brother's baseball skills. What he's seen from the team on this road trip. Some travel issues going from Houston to Miami. No time for sightseeing. Ball striking SZN and gonna try and get 36 in. Driver off the deck. The McGreevy & Papers Show.The Cardinals lineup for the getaway game is out and it's....something. Offering this game up to the Gods. Fernando Mendoza throwing out the first pitch last night. Chairman is zagging and taking the over. Don't trust that Junk. The Twitter reply guys really at their Wheaties today.Doug Armstrong going to join us next. Today's getaway game might be a struggle.Joined by Blues President of Hockey Operations, Doug Armstrong. The slow start to the season. How this team responded in games that meant something. How will the Alexander Steen dynamic look? 12 picks in the upcoming draft. Robert Thomas, his future with the Blues, and the captaincy. Jordan Kyrou's future. How many pieces away are the Blues from being a legit contender? The seasons that felt like missed opportunities.Jackson wants to go to Coachella. Breaking down the Doug Armstrong conversation. Martin's getting emotional. Still a franchise in transition. The 2014 season. Doug forgot to ask about if Armstrong would want the O'Reilly/Tage Thompson trade back. Doug's still not over the Steve Carlton trade.Was 1994 the most culturally significant year of the 90's? A robust comb session. Design Aire Heating & Cooling EMOTD.Keep textin' bro. Surprise, surprise, Soup is back. Soup can't stop singing NCOTR. Cards record is undeniable since he started calling in. Dave Duncan's pitch to contact and let your defense work method. The Edmonds catch in 04 and the Endy Chavez catch in 06. The cement mixer slider. Learning stuff from YouTube. Soup on MLB The Show with a 99 overall rating. Media in St. Louis compared to other places he played. Not a fan of the Businessman's Special.What a show today with Michael McGreevy, Doug Armstrong, and Jeff Suppan. Doug and Chairman both like the over today. Good day to zag?A little housekeeping.Mad Dog's not happy with the NBA Playoff schedule. And the winner of the Design Aire Heating & Cooling EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-13:51) Jackson wants to go to Coachella. Breaking down the Doug Armstrong conversation. Martin's getting emotional. Still a franchise in transition. The 2014 season. Doug forgot to ask about if Armstrong would want the O'Reilly/Tage Thompson trade back. Doug's still not over the Steve Carlton trade.(14:00-27:06) Was 1994 the most culturally significant year of the 90's? A robust comb session. Design Aire Heating & Cooling EMOTD.(27:16-52:24) Keep textin' bro. Surprise, surprise, Soup is back. Soup can't stop singing NCOTR. Cards record is undeniable since he started calling in. Dave Duncan's pitch to contact and let your defense work method. The Edmonds catch in 04 and the Endy Chavez catch in 06. The cement mixer slider. Learning stuff from YouTube. Soup on MLB The Show with a 99 overall rating. Media in St. Louis compared to other places he played. Not a fan of the Businessman's Special.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There's a pill on Amazon called Fukitol.  It contains nothing. And yet people buy it, swear by it, and give it five stars.  Today, Nir Eyal explains the remarkable science behind why placebos work. --- Listen to the bonus episode: https://nudge.kit.com/40414a1b44 Nir's book Beyond Belief: geni.us/beyondbelief Nir's free belief change guide: nirandfar.com/belief-change Join 11,934 readers of the Nudge Newsletter: https://www.nudgepodcast.com/mailing-list Unlock the Nudge Vaults: https://www.nudgepodcast.com/vaults Connect on LinkedIn: https://www.linkedin.com/in/phill-agnew/  --- Today's sources:  Ariel, G., & Saville, W. (1972). Anabolic steroids: The physiological effects of placebos. Medicine and Science in Sports and Exercise, 4(2), 124–126. Branthwaite, A., & Cooper, P. (1981). Analgesic effects of branding in treatment of headaches. British Medical Journal (Clinical Research Ed.), 282(6276), 1576–1578. Dawkins, L., Shahzad, F. Z., Ahmed, S. S., & Edmonds, C. J. (2011). Expectation of having consumed caffeine can improve performance and mood. Appetite, 57(3), 597–600. Draganich, C., & Erdal, K. (2014). Placebo sleep affects cognitive functioning. Journal of Experimental Psychology: Learning, Memory, and Cognition, 40(3), 857–864. Kaptchuk, T. J. (2018). Open-label placebo: Reflections on a research agenda. Perspectives in Biology and Medicine, 61(3), 311–334. Lee, C., Linkenauger, S. A., Bakdash, J. Z., Joy-Gaba, J. A., & Profitt, D. R. (2011). Putting like a pro: The role of positive contagion in golf performance and perception. PLoS One, 6(10), e26016. Plassmann, H., O'Doherty, J., Shiv, B., & Rangel, A. (2008). Marketing actions can modulate neural representations of experienced pleasantness. Proceedings of the National Academy of Sciences, 105(3), 1050–1054. Richter, C. P. (1957). On the phenomenon of sudden death in animals and man. Psychosomatic Medicine, 19(3), 191–198. Rozenkrantz, L., Mayo, A. E., Ilan, T., Hart, Y., Noy, L., & Alon, U. (2017). Placebo can enhance creativity. PLoS One, 12, e0182466. Wager, T. D., Rilling, J. K., Smith, E. E., Sokolik, A., Casey, K. L., Davidson, R. J., et al. (2004). Placebo-induced changes in fMRI in the anticipation and experience of pain. Science, 303(5661), 1162–1167.

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In this heartfelt and healing conversation, I'm joined by Jennifer Edmonds, founder of Element Pilates and Yoga, based in Sydney, Australia.Jennifer shares her powerful personal fertility journey — from being told she had gone through early menopause, to navigating IVF, loss, secondary infertility, and ultimately discovering the profound impact of fertility yoga, breathwork, meditation, and nervous system regulation.This episode is for the woman who feels like she has been doing everything right… the appointments, the supplements, the protocols, the pushing… and still feels disconnected from her body and herself.Together, we explore what happens when we shift from doing to being, from forcing to trusting, and from control to possibility.This is a conversation about healing, rest, body trust, and remembering that your life does not need to be placed on hold while you walk this path.In this episode, we talk about:Jennifer's deeply personal fertility story, including IVF, miscarriage, and natural conceptionBeing diagnosed with early menopause and the emotional impact of that newsHow fertility yoga became the missing piece in her journeyThe connection between stress, cortisol, sleep, and hormone healthWhy high-achieving women often struggle on the fertility pathThe nervous system's role in conception and healingThe power of slowing down and asking your body what she truly needsRebuilding trust after feeling like your body has “failed”Why rest is productive and essentialThe mindset shift from doing more to allowing moreHolding onto joy and not postponing your life during IVFTrusting in possibility, timing, and your baby's path to youMantras and practices that helped Jennifer stay groundedBIO: Jennifer is a Yoga, Pilates, Meditation & Breathwork teacher who specializes in fertility & women's health. During a long & difficult fertility journey of her own, Jennifer eventually found the practice of Fertility Yoga. This practice was able to ease her anxiety while TTC, relieve chronic insomnia, re-balance a thyroid condition…and eventually it helped her to fall pregnant naturally. She now runs an online business, Element Pilates & Yoga, helping women all over the world to overcome fertility challenges & find their way to motherhood.Connect with Jennifer https://www.elementpilatesyoga.com/Get her free fertility yoga guide: https://jennifer-edmonds.mykajabi.com/fertilityyogaguideCONNECT with Lisa & get IVF COACHING SUPPORTDownload IVF Mindset Shift Guide  https://ivfmanifestingamiracle.myflodesk.comBOOK a complimentary DISCOVERY CALL BOOK: ‘HOLD ON, BABY! A Soulful Guide to Navigating the Ups & Downs of Infertility & IVF.'INSTAGRAMWATCH on YOUTUBELISTEN to the PODCAST on Apple and Spotify:**Please Rate the show & Subscribe! THANK YOU so much for your Reviews of the podcast!Music Credit (Closing Song) by Sam Costigan. Follow her on Spotify and IG 

Get ready to dive into some heartwarming vibes as Eric G and John Dudley chat with Art Edmonds, the creative genius behind ABC's new show, *Home for Good*. This episode kicks off with a bang, spotlighting how the show is all about transforming lives through home makeovers, focusing on those who give so much to their communities but often need a little TLC themselves. Art spills some juicy behind-the-scenes secrets, sharing stories of everyday heroes—think first responders and community champions—who are not just surviving their own challenges but thriving while helping others. We're going to laugh, maybe shed a tear or two, and definitely get inspired by the incredible transformations that happen when we come together to support one another. So grab your favorite snack, kick back, and let's get into the good stuff!Takeaways:Art Edmonds shares how 'Home for Good' goes beyond typical makeover shows, focusing on heartfelt stories of community heroes.The series aims to educate viewers about home safety issues while uplifting unsung heroes in our communities through emotional makeovers.Art emphasizes the importance of recognizing the humanity behind first responders, showcasing their personal struggles and triumphs.The show highlights the transformative power of kindness, reminding us that giving back can lead to personal happiness and community improvement.Links referenced in this episode:aroundthehouseonline.comhomeforgoodtvhmpgkiddapawsatlantaCompanies mentioned in this episode:ABCMilitary MakeoverMontelHearst Media Production GroupKidda Fire Protection CompanyPAWS AtlantaThanks for listening to Around the house if you want to hear more please subscribe so you get notified of the latest episode as it posts at https://around-the-house-with-e.captivate.fm/listenIf you want to join the Around the House Insider for access to the back catalog, Exclusive Content and a direct email to Eric G and access to the show early https://around-the-house-with-e.captivate.fm/support We love comments and we would love reviews on how this information has helped you on your house! Thanks for listening! For more information about the show head to https://aroundthehouseonline.com/Information given on the Around the House Show should not be considered construction or design advice for your specific project, nor is it intended to replace consulting at your home or jobsite by a building professional. The views and opinions expressed by those interviewed on the podcast are those of the guests and do not necessarily reflect the views and opinions of the Around the House Show.Mentioned in this episode:InstaBid: Stop losing jobs to slow estimates Turn 3 hours of manual estimating into 5 minutes. Real material prices. Real labor rates. Professional PDF quotes delivered instantly. Try it free at instabid.pro. Use code ATH50 for 50% off your first month. That's instabid.pro — code ATH50InstabidCheck out the smartest hardware with Baldwin Baldwin Hardware, known for its luxurious solid brass craftsmanship, has partnered with Level, an ASSA ABLOY Group brand that combines advanced technology with timeless design. This collaboration pairs Baldwin's iconic style with Level's innovative engineering—featuring a hidden battery housed within the bolt— to set a new standard in secure, stylish, smart-living.Baldwin Hardware Take a second and leave us a review on your favorite podcast player! Quick favor—if you're enjoying the show, the absolute best way you can support us is by leaving a quick review on your favorite podcast player. ROCK THE LOCKSThree full days of killer live rock with over 25 bands on two stages, camping, food, beer gardens, and riverfront vibes the whole family will love. And here's the best part — you can hang out with Eric G from Around the House! Tickets are on sale NOW at Rockthelocks.org. That's Rockthelocks.org.Rock the Locks Subscribe to the podcast Make sure and Subscribe on your favorite podcast player or the link below! Podcast Subscribe 2026InstaBid: Stop losing jobs to slow estimates Turn 3 hours of manual estimating into 5 minutes. Real material prices. Real labor rates. Professional PDF quotes delivered instantly. Try it free at instabid.pro. Use code ATH50 for 50% off your first month. That's instabid.pro — code ATH50InstabidCheck out the smartest hardware with Baldwin Baldwin Hardware, known for its luxurious solid brass craftsmanship, has partnered with Level, an ASSA ABLOY Group brand that combines advanced technology with timeless design. This collaboration pairs Baldwin's iconic style with Level's innovative engineering—featuring a hidden battery housed within the bolt— to set a new standard in secure, stylish, smart-living.Baldwin Hardware

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

April 13, 2026 ~ Jamie Edmonds shares her breast cancer diagnosis. Chris Renwick and Lloyd Jackson offer support. Jamie hopes her story helps others. She will take time off for treatment but will return. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

April 13, 2026 ~ Jamie Edmonds co-host of Jr Morning with Chris Lloyd and Jamie makes a major announcement on Focus with Paul W. Smith. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

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On the latest episode of Syracuse Sports, Brent Axe and syracuse.com football writer Javon Edmonds have some fun and draft teams from the current Syracuse football roster to assemble two offenses for the annual Syracuse football spring game at the Dome. Axe and Edmonds use the draft as a way to go over some of the players and storylines that popped during SU spring ball and some names to look for at the spring game on Saturday. Brent and Javon also give some love to the defense by going over Javon's depth chart following spring practice. Music provided by Just Joe https://www.youtube.com/@JoeAltier Do you want your original music highlighted on Syracuse Sports? Email Brent at baxe@syracuse.com to find out how! Syracuse Sports Insiders get their sports takes and questions highlighted exclusively on the podcast. Become a Syracuse Sports Insider today! Text Brent anytime to get your SU sports questions answered, keep up on the latest news and SU opinions, get your takes heard on the "Syracuse Sports" podcast or just to talk Orange sports with Brent anytime! Sign up to become a Syracuse Sports Insider here ⁠https://joinsubtext.com/c/syracusesports⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailTara and EmKay RETURN for Season 7: Too Much, Too Much to Mention! Kicking off the season is Gregory Maguire's "The Brides of Maracoor," joined by pod squad member Nate Hallett. Rabbit holes include background on the novel, comparisons to Greek and Roman mythology, and more! Stay tuned for Part 2 dropping this Wednesday.Show Notes:Enchant the Night -- A Conversation with Gregory Maguire in Celebration of The Brides of Maracoor.Kirkus ReviewsDrawing Down the Moon: Magic in the Ancient Greco-Roman World by Radcliffe G. Edmonds, IIIBuried Alive: What Happened When a Vestal Virgin Broke Her Oath of Chastity in Ancient RomeOz Wiki - RainInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay ShraderDown the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

In this episode of Crossing Faiths, John speaks with Rev. Marian Edmonds, who works at the intersection of faith, values, and technology. They discuss their shared involvement in the AI and spirituality initiative at Harvard University, as well as their mutual interests in AI, religion, and the concept of "covenantal pluralism." Rev. Marian explains how she has been working to apply AI within religious freedom and human rights spaces, emphasizing the importance of diverse, interfaith engagement to protect the rights of all people. They explore the ethical challenges of using AI in these spaces, including the need for a "moral compass" to navigate bias and ensure that technological tools remain helpful, transparent, and aligned with human values. https://www.marianedmondsallen.com/ Rev. Dr. Marian Edmonds-Allen works at the intersection of faith, values, and technology, serving with the AI & Spirituality Initiative at the Neurospirituality Lab at Harvard Medical School and as Senior Advisor for Moral Compass at American Security Foundation. Her work focuses on the human-centered and ethical development and use of artificial intelligence, with particular attention to how emerging technologies can support spiritual well-being, moral agency, and human dignity. A seasoned pastor and community leader, Dr. Edmonds-Allen brings decades of experience working across lines of difference—religious, ideological, and cultural—to foster collaboration grounded in compassion, conviction, and shared purpose. Her approach is shaped by the principles of covenantal pluralism and a deep commitment to helping people live in alignment with their core beliefs, especially in times of rapid social and technological change. She also serves as Executive Director of Parity, a nonprofit dedicated to healing divides and advancing the dignity of all people. Across all of her work, Dr. Edmonds-Allen is known for building bridges, elevating conscience, and championing the spiritual and moral capacities that make us fully human.

In this Easter message, we explore an important question about the resurrection of Jesus, "Who moved the stone?" This question has been analyzed and debated for centuries and your answer to that question may be one of the most important in your life.

Jens Bodal is a Senior Software Engineer II working independently, focusing on backend systems, software architecture, and building scalable solutions across client projects.This One Shift Makes Developers Obsolete // MLOps Podcast #366 with Jens Bodal, Senior Software Engineer II, Independent Join the Community: https://go.mlops.community/YTJoinInGet the newsletter: https://go.mlops.community/YTNewsletterMLOps GPU Guide: https://go.mlops.community/gpuguide// Abstract AI agents are shifting the role of developers from writing code to defining intent. This conversation explores why specs are becoming more important than implementation, what breaks in real-world systems, and how engineering teams need to rethink workflows in an agent-driven world.// BioJens Bodal is a senior software engineer based in Edmonds, Washington, with nine years of experience building developer tooling, internal platforms, and web infrastructure. He spent seven years as an SDE II at Amazon, working on teams including Amazon Games Studio and the AWS Events Management Platform. His work has focused on developer tooling, CI/CD systems, testing infrastructure, and improving the developer experience for teams operating production services. He is particularly interested in developer experience and the growing ecosystem of local tools that help engineers build and run AI systems on infrastructure they control.// Related LinksWebsite: https://bodal.devhttps://github.com/jensbodalhttps://www.youtube.com/watch?v=Yp7LYdbOuwE~~~~~~~~ ✌️Connect With Us ✌️ ~~~~~~~Catch all episodes, blogs, newsletters, and more: https://go.mlops.community/TYExploreJoin our Slack community [https://go.mlops.community/slack]Follow us on X/Twitter [@mlopscommunity](https://x.com/mlopscommunity) or [LinkedIn](https://go.mlops.community/linkedin)] Sign up for the next meetup: [https://go.mlops.community/register]MLOps Swag/Merch: [https://shop.mlops.community/]Connect with Demetrios on LinkedIn: /dpbrinkmConnect with Jens on LinkedIn: /jensbodalTimestamps:[00:00] Specification vs Code[00:25] Conference Realizations and Insights[09:01] Agents and Orchestration Insights[10:39] Coding Agents and Talent[18:10] Sub-agent Design Concepts[25:18] Evaling on Vibes[33:23] Walled Garden and Proxies [41:48] Spec-Driven Development Limitations[46:56] Code Ownership vs Authorship[50:49] Engineering Ownership and PMs[53:47] Skill Creation and Iteration[58:40] Wrap up

(00:00-27:50) It's a phone bank show. Here we go Blue Note, Yeah Yeah Yeah. Maybe Josh Schertz but The Dish went silent. Job opening in Chapel Hill. Nick Lachey and Sean Miller. Was Martin in the bottle over the weekend? Tim's back on Facebook after his ban. Do whippets count as narcotics? Sentient AF. Good morning, Caller Ellen. Scott Rolen loves this show. Babysitting for Edmonds. Closet beatnik.(27:58-54:02) Vacation Vaughn off again tomorrow. McGreevy's got Friend of the Show written all over him. Producer Joe's fantasy baseball draft last night. Marsh running the board tomorrow as Chairman has a prior commitment. Jackson doesn't communicate by sonar. Herb adjacent folks. White whine in a flask. Producer Joe's mad and needs to call in. Good morning, Producer Joe. Little surly today.(54:12-1:16:56) Is Grateful Dead good golf course music? Audio from The Fast Lane comparing the three shows on 101 ESPN. The pantless Mark McGwire pic that we get every day. And now the picture is being sent in A LOT. Audio of The Fast Lane getting to see the Mark McGwire pic for the first time. Virginia, not Victoria, is on the line with a plea for Cardinal fans. It's Ladies Day on TMA. Al, not Eric, is on the line and wants to know if Doug's married and how to watch the Cardinals. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the latest episode of Syracuse Sports, syracuse.com's Brent Axe and Javon Edmonds update what's been happening at Syracuse Football spring practice. Axe and Edmonds discuss how quarterback Steve Angeli has looked so far as he continues to recover from a torn achilles injury and how new transfer QB's Amari Odom, Malachi Nelson and Danny Lauter look so far. They also discuss what you've seen some players wearing triple digit jerseys, what new DC Vince Kehres is trying to implement into the defense and answer questions from Syracuse Sports Insiders on the offensive line, SU's new running backs and more. Become a Syracuse Sports Insider today to text Brent anytime to get your SU sports questions answered, keep up on the latest news and SU opinions, get your takes heard on the "Syracuse Sports" podcast or just to talk Orange sports with Brent anytime! Sign up to become a Syracuse Sports Insider here ⁠https://joinsubtext.com/c/syracusesports⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On the latest episode of Syracuse Sports, Brent Axe assembles the Syracuse.com football coverage team to preview the start of SU spring football. Axe, Javon Edmonds and Chris Carlson answer your questions on who will be the backup QB, Steve Angeli's health, offensive line, wide receiver room, what new DC Vince Kehres will bring to the table, reasons to be optimistic this season and more!! Our Syracuse Sports Insiders also chimed in with their terrific insight as always. Being a Syracuse Sports Insider gives you direct text message access to Brent Axe anytime for all the latest on SU sports.  Text Brent anytime to get your SU sports questions answered, keep up on the latest news and SU opinions, get your takes heard on the "Syracuse Sports" podcast or just to talk Orange sports with Brent anytime! Sign up to become a Syracuse Sports Insider here https://joinsubtext.com/c/syracusesports Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Women's History Month!  We first talk about a few women in history who dared to stand out because representation matters. These are women in science, medicine, and even espionage who did amazing things to further scientific advances, to help heal people, etc and they deserve to be recognized. For the media segment, we talk about the 1993 movie Orlando, starring the amazing Tilda Swinton. Following that, we close out with happy news about Dolly Parton and children's books.    Show Notes:    Books to read:  Code Girls: The Untold Story of the American Women Code Breakers in World War II, by Liza Mundy  Wonder Women: 25 Innovators, inventors, and trailblazers who changed history, by Sam Maggs  Nurse and Spy in the Union Army: S. Emma E. Edmonds' Riveting Account of Her Service as a Nurse and Spy during the Civil War, by S. Emma Edmonds  Fanny Campbell, the Female Pirate Captain: A Tale of the Revolution, by Maturin Murray Ballou Spy Princess: The Life of Noor Inayat Khan, by Shrabani Basu   Websites:  How to celebrate Women's History Month: https://www.goodgoodgood.co/articles/how-to-celebrate-womens-history-month  Lost Women of Science: https://www.lostwomenofscience.org/  Alice Ball: https://www.womenshistory.org/education-resources/biographies/alice-ball  Rosalind Franklin: https://www.rosalindfranklin.edu/about/facts-figures/dr-rosalind-franklin/  Photo 51 https://en.wikipedia.org/wiki/Photo_51 Jacqueline Felice de Almania: https://www.medievalwomen.org/jacqueline-felice-de-almania.html  Marie Equi: https://www.oregonencyclopedia.org/articles/equi_marie_1872_1952_/  Sarah Emma Edmonds: https://www.battlefields.org/learn/biographies/sarah-emma-edmonds  Elvira Josefina Concepcion de la Fuente Chaudoir: https://www.thetimes.com/comment/register/article/the-good-time-girl-who-fooled-the-nazis-9mgbknm2wjz  Double Cross: the True Story of the D-Day Spies, by Ben Macintyre Noor Inayat Khan: https://engelsbergideas.com/portraits/the-courage-of-noor-inayat-khan/  https://www.nationalarchives.gov.uk/education/resources/who-was-noor-khan/  32 Women who Fueled Innovations in the Automotive Industry: https://www.lelandwest.com/blog/listing.asp?2022/3/32-women-who-fueled-automotive-innovations Celebrating the Women Who Have Driven Auto Innovation https://www.caranddriver.com/features/a35752436/women-driven-auto-innovation/ Mimi Vandermolen – The Mother of Automotive Ergonomics https://womensinnovations.org/women-innovator/mimi-vandermolen-the-mother-of-automotive-ergonomics/   MOGP:  Orlando: https://www.imdb.com/title/tt0107756/?ref_=nv_sr_srsg_6_tt_1_nm_7_in_0_q_Orlando  Where it's streaming: https://www.justwatch.com/us/movie/orlando  Essay on Orlando: https://www.scribd.com/document/237181150/Essay-on-Orlando    Happy News: Dolly Parton has donated more than 270 Million Books to Children: https://www.goodgoodgood.co/articles/dolly-parton-imagination-library  Other appearances: Chris Shelton interviewed us in the beginning of a series on Mormonism on his Speaking of Cults series. Our most recent discussion was on The Unpaid Army of God: https://www.youtube.com/watch?v=de543-d9tME  He has had MANY different fascinating people on so go take a look!  Here is the whole playlist: https://www.youtube.com/watch?v=OpGuS7GcsgA&list=PLGrPM1Pg2h72ADIuv8eYmzrJ-ppLOlw_g   Email: glassboxpodcast@gmail.com  Patreon: https://www.patreon.com/GlassBoxPod  Patreon page for documentary: https://www.patreon.com/SeerStonedProductions BlueSky: @glassboxpodcast.bsky.social  Other BlueSky: @bryceblankenagel.bsky.social and @shannongrover.bsky.social  Instagram: https://www.instagram.com/glassboxpodcast/  Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on "Store" here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com  Venmo: @Shannon-Grover-10  

The Washington Stand's Casey Harper reports on Iran's new Supreme Leader's first statement, an attack on a Michigan Synagogue, the Senate's vote on DHS funding, and their efforts to expose destructive foreign influence on higher education in the

A Seattle resident is stuck in Qatar for the time being amid the war in Iran. Why are Democrats still refusing to fund DHS? Democrats are now defending Dunkin’ Donuts from RFK? // Big Local: A student in Edmonds is suing the school district for giving her a 3.87 GPA when she clearly didn’t warrant one. A Bellingham cougar was euthanized. // You Pick the Topic: The nerds are out for Emerald City Comic Con this weekend.

(00:00-21:40) Salmon sucks, trout's terrific. They're ready to pounce on Jackson today. Stroking it from deep. Just when you were starting to trust the Tigers. Sometimes you just get your ass kicked. Tim's dad likes spotting toupees. Hair hats. Jackson's never pleasured himself to a former Mizzou player.(21:48-36:26) If the Blues can just win all of the rest of their games, they may be able to get in this baby. Trade talks between the Blues and Sabres for Robert Thomas are dead. The women are hearty up there. Not Korean enough. What's Doug's musk like today?(36:34-1:15:04) We really need to send this song to McGreevy. Reports that the Blues are ready to move on from Binnington. Who are the locks to be traded? Enough sports, talk divorcees in Clayton. Audio from a KFDX forecast with an anchor and weatherman having a tense exchange. Just go on the blind date. Doug's folksy wisdom. Not hunting filler. The world record for marriages. Jackson's Ric Flair misstep. Drop seat pajamas. The Late Night Score. Edmonds wants to talk everything but baseball.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Goose Camp Pt. 2 brings serious heart, humor, and inspiration as Jimbo and Matt sit down with Gunnar Kennels founder Addison Edmonds. From starting DU season with Jimbo in North Dakota to ending it together at Goose Camp, this episode is full of stories, reflections, and behind‑the‑brand insight. Addison shares emotional “full circle” moments — from vision‑boarding the DU logo on a kennel to launching new products with DU partners. You'll also hear dog stories, vest launches, camp chaos, and what's coming next for the Gunner brand.You'll hear: • How Gunnar's DU‑exclusive kennels came to life • The North Dakota → Arkansas “start and finish” of the season • Chevy's big blind retrieves & the joy of hunting with dogs • The story behind Gunner's vest launch and Ben Potter's film • New facility, new colors, upcoming collabs, and future releases • The importance of DU partnerships in Gunnar's storyListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Purina Pro Plan: The official performance dog food of Ducks UnlimitedWhether you're a seasoned hunter or just getting started, this episode is packed with valuable insights into the world of waterfowl hunting and conservation.Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.