Podcasts about sinfonica

Hoy nos visitan Manolo Mongil con su Retro Vibes, el maestro jorge Laboy para hablarnos de su show con la Sinfonica, Carlitos Ramírez y Anamaris Santiago de “Hasta que el show nos separe” y del True Color Fest los actores José Segarra y Eduardo Rodríguez con la obra “un coqui y un cucubano”.  Grabado desde GW-Cinco Studio como parte de GW5 Network #tunuevatelevisión. Puedes ver toda la programación en www.gwcinco.com. siguenos en instagram @gw_cinco Patreon:   patreon.com/bienabiertas patreon.com/gw5network patreon.com/hablandopop

Pietro Floridia (1860 - 1932) – Sinfonia in re minore (1889)1.       Introduzione ed allegro [0:00]2.       Scherzo [16:26]3.       Andante sostenuto [22:07]4.       Allegro festoso ma moderato [30:10] Orchestra Sinfonica dell'Opera di DonetskSilvano Frontalini, conductor

Alberto Franchetti (1860-1942) – Sinfonia in mi minore (1884)1.       Allegro un poco agitato [00:00]2.       Larghetto [09:58]3.       Intermezzo. Vivace – Trio. Un poco meno mosso [16:39]4.       Allegro vivace [21:18] Orchestra Sinfonica MoldavaSilvano Frontalini, conductor

Cultura em Pauta #747 11/06/2024

CCAM (Connected, Cooperative and Automated Mobility) is not just about self-driving cars but has many public and shared transport applications as well. However, automated or semi-automated driving presents challenges to several groups of passengers, especially in scenarios where no driver is present. This PAVECast will explore existing public transport services in Europe using CCAM-enabled vehicles: What were the successful use cases? What barriers were encountered with respect to accessibility, in particular with potentially vulnerable groups? How were staff deployed (safety driver, on-board assistant or remote operator) and why? Guests will include experts from the SINFONICA project, which is creating strategies, methods, and tools to engage CCAM users, providers, and other stakeholders develop public and shared transport services using CCAM that are inclusive and equitable for all citizens. Invited guests from outside the SINFONICA project will also give their perspectives in a discussion session.

A flautist who has been described by one critic as “playing her way into the hearts of music lovers”, Bridget Bolliger has performed regularly in Australia, Switzerland and Brazil. In Europe, she's played with several orchestras including as principal flute of the St Gallen Symphony Orchestra as well as with the Zurich Opera Orchestra, the Basel Symphony Orchestra and the Zürich Chamber Orchestra. In Brazil, she was principal flute of the Sinfonica de Sao Paulo, and in her country of birth she's played with the Sydney, Melbourne and Queensland Symphony Orchestras amongst many others. She's well and truly settled back in Australia, and in 2008 founded the Sydney Chamber Music Festival. Last year she released her latest album, Pearls, a collaboration with her brother Philip. Bridget takes us on a journey through her remarkable life and career, through the many challenges, inspirations and lighter moments she has experienced, and thoughtfully introduces some of the music that has carrier her along the way.

Cultura em Pauta #661 20/12/2023

Hoy hablamos de música, canto y emociones con la soprano Irma Flores quien presenta el concierto sinfónico "Pegasus Fantasy" sobre los caballeros del zodiaco y Con Fabiola Arriaga Fundadora de Woman Power Team sobre los factores de transferencia, ¿qué son?, ¿para qué sirve?. Sanando emociones a través del canto y el cuerpo con un descubrimiento que ha revolucionado la forma de ver los suplementos alimenticios.

Izpostavljamo drugi abonmajski koncert Simfoničnega orkestra SNG Maribor, ki je v dvorani Ondine Otta Klasinc SNG Maribor nastopil pod vodstvom italijanskega dirigenta Daria Macellarija, kot solist se je v Koncertu za violončelo, novem delu Janija Goloba, predstavil Gorazd Strlič. Nadaljujemo v Narodnem domu Celje, kjer je v sklopu glasbenega abonmaja Hiše kulture Celje gostoval orkester Camerata Sinfonica Austria, ki ga vodi Davorin Mori. Osvetlili bomo tudi uspeh novega opernega dela z naslovom Razcvet slovenskega skladatelja Vita Žuraja na nemških tleh, predstavili nastopa violinista Gala Juvana in klarinetistke Nine Pavšek v ciklu Zvoku mladih ter koncert Nemškega narodnega simfoničnega orkestra v Slovenski filharmoniji, prav ob koncu pa bomo nekaj minut namenili še hornistu Sebastijanu Budi, ki je postal član enega najuglednejših nemških orkestrov – Nürnberških simfonikov.

Hoy conversamos desde nuestro estudio en el Tema del Día con Félix Armando Rivera Hernández, director residente de la Orquesta Sinfónica Juvenil El Salvador, le acompaña Oscar Armando Reyes Hernández, Presidente de la Asociación Siervos de Jesús.

Cultura em Pauta #325 - 03/11/2022

Charlamos con algunos de los integrantes de La Sinfonica Rock una orquesta que toca en vivo un repertorio homenaje al rock nacional Escucha QSR todos los martes de 22 a 23hs por radiocolmena.com

From boosters to breakthrough infections, pandemic vocabulary is still all over the news. On this week's On the Media, why the terms we use to talk about the virus obscure as much as they reveal. And, why the history of medical progress is filled with so many twists and turns. Plus, why a preference for simple stories has made it so hard to keep track of the pandemic.  1. Katherine J. Wu [@KatherineJWu], staff writer at The Atlantic, on the slippery definitions of our pandemic vocabulary. Listen. 2. Dr. Paul Offit [@DrPaulOffit], professor of pediatrics at the Perelman School of Medicine at the University of Pennsylvania, on why medical progress always carries risk. Listen. 3. OTM correspondent Micah Loewinger [@MicahLoewinger] speaks with Soren Wheeler [@SorenWheeler] and Rachael Piltch-Loeb [@Rpiltchloeb] about why the narrative arc of the COVID-19 pandemic has been deeply unsatisfying. With some help from Kurt Vonnegut. Listen. Music: In the Bath - Randy Newman Milestones - Bill Evans Trio Paperback Writer - Quartetto d'Archi Dell'orchestra Sinfonica di Giuseppe Verdi Quizas Quizas Quizas - Ramon Sole  Misterioso - Kronos Quartet Bewitched, Bothered and Bewildered - Brad Mehldau Trio   On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

From boosters to breakthrough infections, pandemic vocabulary is still all over the news. On this week's On the Media, why the terms we use to talk about the virus obscure as much as they reveal. And, why the history of medical progress is filled with so many twists and turns. Plus, why a preference for simple stories has made it so hard to keep track of the pandemic.  1. Katherine J. Wu [@KatherineJWu], staff writer at The Atlantic, on the slippery definitions of our pandemic vocabulary. Listen. 2. Dr. Paul Offit [@DrPaulOffit], professor of pediatrics at the Perelman School of Medicine at the University of Pennsylvania, on why medical progress always carries risk. Listen. 3. OTM correspondent Micah Loewinger [@MicahLoewinger] speaks with Soren Wheeler [@SorenWheeler] and Rachael Piltch-Loeb [@Rpiltchloeb] about why the narrative arc of the COVID-19 pandemic has been deeply unsatisfying. With some help from Kurt Vonnegut. Listen. Music: In the Bath - Randy Newman Milestones - Bill Evans Trio Paperback Writer - Quartetto d'Archi Dell'orchestra Sinfonica di Giuseppe Verdi Quizas Quizas Quizas - Ramon Sole  Misterioso - Kronos Quartet Bewitched, Bothered and Bewildered - Brad Mehldau Trio  

So many great stories of neighbors helping neighbors during Hurricane Nicholas....and the Houston Symphony's Fiesta Sinfonica Returns

In deze aflevering: Guiseppe Verdi, dé operacomponist van Italië. Schepper van maar liefst 26 opera's waaronder Nabucco, Aida, La Traviata. Een man met een turbulent leven. Een muzikale alleskunner voor wie in het 19e-eeuwse Italië honderdduizenden de straat op gingen. Muziek in deze aflevering: Aida – Triomfmars Coro e Orchestra del Teatro alla Scala di Milano o.l.v. Tullio Serafin Nabucco - Slavenkoor Deutsche Oper Berlin o.l.v. Giuseppe Sinopoli La Traviata – Libiamo ne' lieti calici Luciano Pavarotti, Dame Joan Sutherland, London Opera Chorus & National Philharmonic Orchestra o.l.v. Richard Bonynge Cherubini - Sonate voor orgel  Olivier Latry La forza del destino – Ouverture  Berliner Philharmoniker o.l.v. Claudio Abbado Oberto – Ouverture  Academy of St. Martin in the Fields o.l.v. Neville Marriner Oberto – Basta, basta o fedeli! Violeta Urmana, Academy of St. Martin in the Fields o.l.v. Neville Marriner Nabucco – Slavenkoor Deutsche Oper Berlin o.l.v. Giuseppe Sinopoli Attila – Santo di patria, Allor che i forti corrono, Da te questo or m'e concesso Cristina Deutekom, Royal Philharmonic Orchestra o.l.v. Lamberto Gardelli La Traviata – Prelude Berliner Philharmoniker o.l.v. Claudio Abbado La Traviata – Sempre libera  Anna Netrebko, Mahler Chamber Orchestra o.l.v. Claudio Abbado Lady Macbeth – Vieni, t'affretta  Shirley Verrett, Orchestra Teatro alla Scala di Milano o.l.v. Claudio Abbado Aida – Triomfmars  Orchestra del Teatro alla Scala di Milano o.l.v. Tullio Serafin Messa da Requiem – Dies irae: Dies irae  Coro e Orchestra del Teatro alla Scala di Milano o.l.v. Riccardo Muti  Otello – Una Vela! Una Vela! Luciano Pavarotti, Kiri Te Kanawa, Chicago Symphony Orchestra & Chorus o.l.v. Georg Solti  Otello – Niun mi tema  Luciano Pavarotti, Chicago Symphony Orchestra & Chorus o.l.v. Georg Solti  La Traviata – Addio del passato  Maria Callas, Orquestra de Sinfonica del Teatro Nacional de Santa Carlos o.l.v. Franco Ghione

Trump may be out of office, but the GOP's campaign to limit voting rights, free speech, and reproductive rights is still in full-swing. On this week's On the Media, where do you focus your attention when there are little fires everywhere? Plus, a look at a chilling new look for America: the "authoritarian mullet" — culture war in the front, the destruction of democracy in the back. And, how critical race theory became a right-wing bogeyman.  1. Jay Rosen [@jayrosen_nyu], professor of journalism at New York University and media critic for PressThink, on why journalists should still be in "emergency mode." Listen. 2. Jake Grumbach [@JakeMGrumbach], assistant professor of political science at the University of Washington, on how Republican state lawmakers reduce "democratic performance" when they take power. Listen. 3. Ryan P. Delaney [@rpatrickdelaney], education reporter for St. Louis Public Radio, on a Missouri school district's debate over Critical Race Theory, and Adam Harris [@AdamHSays], staff writer at The Atlantic, on how conservatives constructed the critical race theory boogeyman. Listen. Music: Little Motel - Modest Mouse  Auld Lang Syne  - Salsa Celtica  L'Illusionista - Nino Rota   Paperback Writer - Quartetto d'Archi Dell'orchestra Sinfonica di Milano Guiseppe Verdi Milestones - Bill Evans Trio Going Home - Hank Jones & Charlie Haden  (post at 2:24 or 3:07) Quizás, Quizás, Quizás - Ramón Solé (back time this) In the Bath - Randy Newman On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Trump may be out of office, but the GOP's campaign to limit voting rights, free speech, and reproductive rights is still in full-swing. On this week's On the Media, where do you focus your attention when there are little fires everywhere? Plus, a look at a chilling new look for America: the "authoritarian mullet" — culture war in the front, the destruction of democracy in the back. And, how critical race theory became a right-wing bogeyman.  1. Jay Rosen [@jayrosen_nyu], professor of journalism at New York University and media critic for PressThink, on why journalists should still be in "emergency mode." Listen. 2. Jake Grumbach [@JakeMGrumbach], assistant professor of political science at the University of Washington, on how Republican state lawmakers reduce "democratic performance" when they take power. Listen. 3. Ryan P. Delaney [@rpatrickdelaney], education reporter for St. Louis Public Radio, on a Missouri school district's debate over Critical Race Theory, and Adam Harris [@AdamHSays], staff writer at The Atlantic, on how conservatives constructed the critical race theory boogeyman. Listen. Music: Little Motel - Modest Mouse  Auld Lang Syne  - Salsa Celtica  L'Illusionista - Nino Rota   Paperback Writer - Quartetto d'Archi Dell'orchestra Sinfonica di Milano Guiseppe Verdi Milestones - Bill Evans Trio Going Home - Hank Jones & Charlie Haden  (post at 2:24 or 3:07) Quizás, Quizás, Quizás - Ramón Solé (back time this) In the Bath - Randy Newman

A year and a half into the pandemic, we still don't know how it began. This week, a look at how investigating COVID-19's origins became a political and scientific minefield. Plus, how a mistake of microns caused so much confusion about how COVID spreads. And, making sense of the "metaverse." 1. Alina Chan [@Ayjchan], postdoctoral researcher at the Broad Institute of MIT and Harvard, on the lack of investigation into COVID's origins. Listen. 2. Megan Molteni [@MeganMolteni], science writer at Stat News, on the 60-year-old mix-up that helped COVID-10 kill. Listen. 3. Gene Park [@GenePark], gaming reporter for The Washington Post, on what the "metaverse" really means. Listen. 4. Margaret Atwood [@MargaretAtwood], novelist, on submitting a manuscript to a library of the future. Listen. Music from this week's show: Sacred Oracle - John ZornEye Surgery - Thomas Newman   The Old House  - Marcos Ciscar Tomorrow Never Knows -  Quartetto d' Archi Dell'orchestra Sinfonica di Milano Giuseppe Verdi 72 Degrees and Sunny - Thomas NewmanViderunt Omnes - Kronos QuartetOnce in a Lifetime - Talking Heads On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

A year and a half into the pandemic, we still don’t know how it began. This week, a look at how investigating COVID-19’s origins became a political and scientific minefield. Plus, how a mistake of microns caused so much confusion about how COVID spreads. And, making sense of the "metaverse." 1. Alina Chan [@Ayjchan], postdoctoral researcher at the Broad Institute of MIT and Harvard, on the lack of investigation into COVID's origins. Listen. 2. Megan Molteni [@MeganMolteni], science writer at Stat News, on the 60-year-old mix-up that helped COVID-10 kill. Listen. 3. Gene Park [@GenePark], gaming reporter for The Washington Post, on what the "metaverse" really means. Listen. 4. Margaret Atwood [@MargaretAtwood], novelist, on submitting a manuscript to a library of the future. Listen. Music from this week's show: Sacred Oracle - John ZornEye Surgery - Thomas Newman   The Old House  - Marcos Ciscar Tomorrow Never Knows -  Quartetto d’ Archi Dell'orchestra Sinfonica di Milano Giuseppe Verdi 72 Degrees and Sunny - Thomas NewmanViderunt Omnes - Kronos QuartetOnce in a Lifetime - Talking Heads

La musica è u modo per esprimersi e per divertirsi. Queste sono cose che vano sapute fare con arte, proprio come fa il nostro amico Giovanni Zappalorto, compositore ed ideatore della musicomix orchestra.

Nello scegliere i lavori migliori degli anni 60, ci siamo resi conto che volevamo entrambi raccontare la storia di una delle band migliori di tutti i tempi : i Beach Boys!.Qua raccontiamo attraverso un film incredibile come Love & Mercy le imprese del leader Brian Wilson, un genio della musica contemporanea che ha dato alla luce totalmente controcorrente a un disco immortale come "Pet Sounds", Per Alcuni addirittura l'album migliore del 900..Mail: apolloroom.podcast@gmail.com/ .Instagram: https://www.instagram.com/apolloroompodcast/ .Facebook: https://www.facebook.com/apolloroompodcast/ .Twitter: https://twitter.com/RoomApollo/Music by Jason Shaw: https://audionautix.com/.

Alfredo Catalani (1854–1893):- Ero e Leandro (Poema sinfonico)Orchestra Sinfonica di RomaDirettore Francesco La Vecchia- Scherzo in La maggioreOrchestra del Teatro alla ScalaDirettore Riccardo Muti- Andantino in La maggioreOrchetra Sinfonica di RomaDirettore Francesco La Vecchia- ContemplazioneOrchestra del Teatro alla ScalaDirettore Riccardo Muti- Il Mattino "Sinfonia Romantica"Orchestra Sinfonica di RomaDirettore Francesco La Vecchia

"La voce è lo strumento più chiaro", dice la direttrice d'orchestra Simone Young svelandoci il suo amore per la musica lirica. "Quando si canta bene è un suono che va direttamente al cuore".

Vika Getman nos platica su experiencia como músico de distintas agrupaciones y orquestas, su cambio de Ucrania a Mexico y curiosidades de orquestas sinfónicas.

Episodio de 6 del Podcast Tus Notas Musicales, con una invitada de lujo Oriana Silva @flautistazuliana, quien nos contara desde su perspectiva, anécdotas y experiencias como directora de orquesta, acompañados en esta celebración por el cumpleaños de carlos y mas. Aqui te dejamos una lista de las Directoras mas destacadas del momento: Anu TaliMirga Gražinytė-TylaLigia AmadioNazanin AghakhaniKeri-Lynn WilsonSimone YoungShi-Yeon SungInma SharaTeresa HernandezAlondra de la ParraMarin AslopLigia Amadio Gracias por seguirnos.síguenos en todas las redes, consíguenos como Tus Notas Musicales.Hector Mendoza: @h3cm3nJose luis Izaguirre: @joseluis_izaguirreCarlos Laguna: @carloslagunabass

Luca Pirondini, professore d’orchestra alla Sinfonica di Sanremo, è presente al Festival quando Bugo abbandona il palco dell’Ariston nonchè durante le prove dei giorni precedenti e ci racconta qualche curiosità. Partendo da Bohemian Rhapsody per chiudere con Mille Giorni di te e di me durante la chiacchierata emerge la passione per un certo tipo di musica che ci racconta in questa puntata. A questo link trovate album, artisti e canzoni suggeriti da Luca Pirondini https://ascoltaremusica.info/8-i-consigli-di-luca-pirondini-professore-dorchestra/

Conhecendo a Banda Sinfônica Paulista

En este programa Voces de febrero de 2008, entrevisto a Carlos Miguel Prieto, director de la Orquesta Sinfónica Nacional de México. Esta grabación fue realizada tras concluir el último de ocho conciertos ofrecidos en Holanda por la Orquesta Sinfónica Nacional (OSN) de México, como parte de una gira que incluyó además a Alemania, Francia y Bélgica. La gran sala del Concertgebouw de Ámsterdam, acogió a los 127 músicos dirigidos por C

Momus va ad Alicante a parlare con Josep Vicent, direttore artisitco di Adda Sinfonica, una nuova realtà, in occasione della Creazione di Haydn realizzata da La fura dels Baus

BETH GIBBONS & the Polish National Radio Symphony Orchestra perform HENRYK GÓRECKI: SYMPHONY NO. 3, Portishead, Rustin Man, Lamb, Philip Selway Lou Rhodes, Thom Yorke, Neneh Cherry, Massive Attack, Tricky, King Krule, Ghostpoet, Elena Tonra Ex:Re,Yves Tumor, Beak>, Los Beginners feat Emmanuelle Sigal

La orquesta de alientos y percusiones de la Sinfónica del IPN, dirigida por Diego Naser, interpreta a Rossini y Suppé.

I had such a great time spending a week with Diego at Andrés Martin’s bass festival this fall.  Diego is one of the most inspiring double bassists I know, and he's doing great things for the double bass both in Spain and in his home country of Uruguay. About Diego Zecharies: Diego Zecharies is a highly dedicated professional musician who has mastered his art globally, branching out as recording artist, professor, soloist, principal bass, producer and pedagogue, born in Montevideo Uruguay, nowadays based in Spain. Diego began his studies in his hometown, continues in Jerusalem and graduated with the highest qualification in the ÜdK Berlin (University of Arts Berlin) under the guidance of Prof. Rainer Zepperitz, Prof. Klaus Stoll and violin Prof. Ilan Gronich. During his studies, Diego performed as a principal bass at the Mahler Jugend Orchester, the Junge Deutsche Philharmonie and the Jeunesses Musicales World Orchestra. He won the Friczay Stipendium at Deutsche Symphonie Orchester Berlin and played as a substitute with the Rundfunk Symphonie-Orchester Berlin. Diego served as Principal Bass position in The Mahler Chamber Orchestra, the bandArt Orchestra, Brandenburg Symphoniker, Philharmonie Potsdam, and Sinfonica di Milano. He also is assiduously invited as Principal Bass at the Orchestra della Svizzera Italiana (Lugano, Switzerland); the Ensemble Les-Dissonances (Paris) with violinist David Grimal; collaborated with the the Israel Philharmonic; the Jerusalem Chamber Orchestra and the Luzern Festival Orchestra, recording together with Maestro Abbado many concerts for ARTE and for the Deutsche Grammophone. Diego played chamber music concerts with Emmanuel Ax, Christian Zacharias and Elizabeth Leonskaya, symphonic concerts with world-class conductors such as Mehta, Maazel, Abbado, Nagano, Ashkenazy, Temirkanov, Pappano, Sinopoli, Ozawa, Welzer Möst and soloists such as Yo-Yo Ma, Yuri Bashmet, Anna Sophie Mutter, F.P. Zimmerman, Martha Argerich, Alfred Brendel, Maurizio Pollini, Gordan Nikolic and others, always as Principal Bass. Diego is Principal Solo Bass in Galicia Symphony Orchestra from the year 2002. Renowned as a very active and passionate soloist, Diego’s research has brought him to perform some world-premiere material including entire unaccompanied Double Bass recitals, like at the BASS EUROPE Convention in Amsterdam 2014 and ISB World Convention 2015 in Denver (U.S.A) with great appreciation both critics and public. Diego appeared as soloist with: the Chamber Orchestra of Galicia Symphony; the Camerata of the Ministry of Education and Culture of Montevideo; the Galicia Symphony Orchestra; the OJS of Montevideo, the Orquesta de Baja California,among others and gave the opening unaccompanied Double Bass recital for the UNESCO Chair Culture of Peace and Human Rights under the World Peace Forum 2010. Diego has given numerous master classes in Europe, South América and South Korea, been assigned as coach on many youth orchestras across Spain and Germany and has recently been appointed as Director of the International Double Bass Festival of Montevideo and Director of the Double-Bass Cathedra of the Uruguayan National Orchestral Training Plan. This cathedra foresees a minimum of 3 seminars with solo recitals and telematic virtual master classes given throughout the year, plus an international festival every 2 years. In Spain, Diego is the Artistic Director of the “ReSuena Project”, which brings together kids from diverse cultural and social backgrounds, throughout the creation of youth symphony orchestras and choirs all over the city, project originally inspired on Venezuela’s “El Sistema de Orquestas”. Links to Check Out: Diego's website Music For Double Bass Solo, Duo And Quintett (new album) Montevideo International Double Bass Festival Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D’Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Subscribe to the podcast to get these interviews delivered to you automatically!

I've been looking forward to chatting with Milton Masciadri for quite some time! Milton is Distinguished University Professor of the University of Georgia and is a UNESCO Artist for Peace.  He has been highly involved in the international double bass community for over 30 years. More About Milton: Milton Masciadri is a third generation of double bass player. Born in Montevideo, Uruguay, he began his studies with his father and by age 17 was Co-principal Bassist with the Porto Alegre Symphony in Brazil. At 19, he was already on the faculty at Brazil’s Federal University. He completed his Master’s and Doctorate Degrees with work under Gary Karr, Julius Levine and Lawrence Wolfe. In addition to being Professor of Double Bass at the University of Georgia Hugh Hodgson School of Music, Masciadri is also coordinator of the Hodgson School's International & Study Abroad Program, and each year he directs the University of Georgia International Double Bass Symposium. In 2009 Dr. Masciadri received the title of Distinguished University Professor of the University of Georgia, the first faculty member in the fine arts to be so honored in 62 years, and he also holds the title of "Accademico" of the Accademia Filarmonica in Bologna, Italy – Europe’s oldest musical educational institution. He has been awarded the Brazilian Medal of Honor for Academic Achievements for his musical and educational services to the people of Brazil, is listed in the “International Who's Who in Music”, in 1998 was designated a UNESCO Artist for Peace and in 2011 he received the Knighthood honor of the designation of Cavaglieri di San Marco in Venice. Masciadri has presented master classes at such musical institutions as The Juilliard School, Manhattan School of Music, Paris Conservatoire, Guildhall School of Music in London, Moscow Conservatory, Federal University of Rio de Janeiro, Buenos Aires National Conservatory, and Milan Conservatorio, among many others. During the summers he teaches at several international music festivals and double bass conventions in the United States, South America and Europe. His solo recordings have been released on the DMR, Sinfonica, ACA & Fondazione labels. As a performer, Dr. Masciadri has performed chamber music and duets with such artists as George Bolet, Robert Mc Duffie, Aldo Parisot, Sidney Harth, Gary Karr, and Francesco Petracchi, in addition to appearing in collaborations around the world with United Nations musical ambassadors. His solo performances have taken place at such internationally renowned concert venues as New York’s Lincoln Center, Venice’s “La Fenice” Opera House, Teatro Colon in Buenos Aires, Castro Alves Opera House in Salvador (Bahia, Brazil), and the Municipal Theater of Sao Paulo. He is a frequent recitalist and soloist with major symphony orchestras in Europe, Asia, North America, Central America and South America. Masciadri's enthusiasm for enlarging the repertoire of the double bass has led him to publish and premiere works of many contemporary American and South American composers, including works commissioned for him by such institutions as UNESCO and Funarte (Brazilian Foundation for the Arts) as well as making contributions of his own with numerous transcriptions and arrangements. Some of Masciadri 2015 performances included performances in Italy, Spain, France, Uruguay, Argentina, Brazil, Costa Rica, China, Russia, Canada, Slovenia, Croatia and the United States. Masciadri performes on a 320 years old Testore double bass, appears in the International Who’s Who in Music and has solo recordings on DMR, ACA, Fondazione & Sinfonica Labels. Links to Check Out: Milton's University of Georgia faculty page Inside Stories: Milton Masciadri Milton Masciadri Honored with Leonardo da Vinci World Award of Arts Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. The Upton Bass String Instrument Company.  Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr.  Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Check out this video of David Murray "auditioning" his Upton Bass! The Bass Violin Shop, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!

El trompetista José Guadalupe Martínez acompaña hoy a la Orquesta Sinfónica del IPN

PodKiosko es la versión corta de 'Kiosko', programa de Concepto Radial 94.9 FM, que se transmite todos los martes en punto de las 16 horas por www.conceptoradial.com. Esta semana estarás disfrutando de dos especiales que compartimos con otro proyecto alterno que comenzó a partir de 'Kiosko' en este semestre. 'Alegoría Musical' es una producción en conjunto entre Concepto Radial, radiodifusora del Tecnológico de Monterrey, Campus Ciudad de México, y el Instituto Nacional de Bellas Artes. 'Alegoría Musical' transmite todos los sábados de 11 a 13 horas por www.conceptoradial.com, música en exclusiva de la Orquesta Sinfónica Nacional, combinando este material con algunas entrevistas. En este caso, te presentamos la entrevista especial que tuvimos con el maestro Carlos Miguel Prieto, director artístico de la Orquesta Sinfónica Nacional. Atte. Enrique Figueroa Anaya Productor Kiosko www.myspace.com/kiosko

PodKiosko es la versión corta de 'Kiosko', programa de Concepto Radial 94.9 FM, que se transmite todos los martes en punto de las 16 horas por www.conceptoradial.com. Te damos la más calurosa bienvenida a esta nuestra quinta temporada. En esta ocasión te informamos que nuestro programa se amplía a dos horas en su versión en vivo, sin embargo, nuestro PodKiosko sigue siendo esa opción corta para una ciudad tan movida como la nuestra. En esta ocasión disfruta de nuestra entrevista a José I. Jacinto, director ejecutvo de la Orquesta Sinfónica Nacional, que comenzó ya su Temporada 2009 todos los viernes y domingos en el Teatro Hidalgo. Atte. Enrique Figueroa Anaya Productor Kiosko www.kiosko949.blogspot.com