Podcasts about National Philharmonic Orchestra

Trais poesias da Arnold Spescha han animà Simon Camartin da laschar far in'ovra per vusch da solo ed orchester. Il cumponist ucranais Yuri Laniuk ha scrit «Tezlas» (trais chants per mezzosopran ed orchester da chombra). L'october 2023 ha Simon Camartin dirigì la premiera dal toc «Tezlas» ensemen cun la sopranista Mariana Golovko ed il National Philharmonic Orchestra of Ukraine. Per quella è el viagià ensemen cun sia dunna Oana a Lemberg (Ucraina). L'ovra ha gì bun resun e buna critica. En l'Artg musical prelegia Arnold Spescha sez las trais poesias e Simon Camartin raquinta dal process da lavur fin che l'ovra è stada finida.

Dies ist eine Laya-Meditation, bei der du deinen Körper auf wundervolle Weise zunächst in Licht und Klang badest. Mit der Zeit löst sich dein Körperbild in diesem Licht- und Klangerlebnis auf, und du erfährst dich in großer Weite und innerem Frieden. Dies ist eine ganz besondere Meditation, da meine Stimme vom Londoner National Philharmonic Orchestra und einer wundervollen Solistin begleitet wird. Diese Meditation eignet sich auch dafür, im Liegen gehört zu werden. Die Musik hat den heilenden Grundton von 396 Hz, der Stress, Angst und innere Unruhe auflöst. Das Orchester verwendet Solfeggio-Frequenzen. Hinter diesen Tönen verbirgt sich ein ausgeklügeltes mathematisches und literarisches System, das nicht nur Schuldgefühle und Scham abbaut, sondern auch eine innere Erfahrung von Harmonie und Frieden erzeugt. Die Musik wurde im 3D-Binauralsound aufgenommen. Das bedeutet, über Kopfhörer klingt es so, als ob das Orchester und die Musik überall um dich herum wären – oben, unten, an den Seiten und dahinter. Eine wundervolle Erfahrung. Die Aufnahme fand in den Abbey Road Studios in London mit dem National Philharmonic Orchestra und Chorus statt.

Möchtest du nach einem stressigen Tag tief entspannen? Enge im Kopf und im Körper gerne in die Weite fließen lassen? Dich von Klang und Licht durchströmen lassen und sanft in den Schlaf getragen werden? Dann ist diese Meditation genau das Richtige für dich. Meine Stimme wird von einer 60-köpfigen Streichergruppe des Londoner National Philharmonic Orchesters begleitet, zusammen mit der wundervollen Solistenstimme. Die Meditation hat den heilenden Grundton von 396 Hz, der Stress, Angst und innere Unruhe auflöst. Das Orchester verwendet Solfeggio-Frequenzen. Hinter diesen Tönen verbirgt sich ein ausgeklügeltes mathematisches und literarisches System, das nicht nur Schuldgefühle und Scham abbaut, sondern auch eine innere Erfahrung von Harmonie und Frieden erzeugt. Die Musik wurde im 3D Binaural Sound aufgenommen. Das bedeutet, über Kopfhörer klingt es so, als ob das Orchester und die Musik überall um dich herum wären – oben, unten, an den Seiten und dahinter. Eine wirklich spirituelle Erfahrung. Die Aufnahme fand in den Abbey Road Studios in London mit dem National Philharmonic Orchestra und Chorus statt. Ich wünsche dir ein besonderes Einschlaf-Erlebnis und einen erholsamen Schlaf!

Talking cave visions, glissando lizards, synthesizers, The Magic Tree, magnets, and more with Ender Smith (of AurekFonts)! This is #TheEmpireStrikesBack minutes 61-65. Video version of this episode (with visuals): https://youtu.be/gYGV9Vy_wDs  Timestamps: 0:00 - Hello there! 2:36 - Cue 6M3 "This Is Not A Cave." 5:42 - Demonstrating planing chords on guitar. 11:46 - Mishearing Leia's line. 12:27 - Die Hard director on the purpose of dialogue in films. 16:11 - We love Threepio's scream. 20:27 - Loading up the musical slingshot before jumping to lightspeed. 22:38 - Comparison to the Battle of Hoth. 29:18 - Threepio's backseat piloting. (Is there a supercut of C3PO saying "We're doomed" throughout the 9 saga films?) 32:44 - Space slug! 36:59 - Listener quiz! I play something; you tell me where it appears in the film. 44:31 - Glissando lizard and other Ben Burtt Dagobah creations. 51:31 - The Wildlife of Star Wars: A Field Guide. 56:53 - Yoda's words and syntax. 57:53 - Start of tangent (Yoda's teaching style, religious feelings, the Force, the Dark Side, the devil, temptation, mental health, discipline, curiosity, Darth Sidious, attachment, institutions). 1:23:27 - End of tangent. 1:23:46 - Artoo's vibe check. 1:26:10 - Cue 6M5/7M1 "Magic Tree" 1:36:01 - A specific clarinet tone. 1:37:45 - "Mariiiiia." 1:43:47 - Magic Tree waveform (visual). 1:50:39 - Dark Side motif. Flute grace note melody. 1:55:23 - New layers of animal sounds. 2:06:00 - Raiders of the Lost Ark comparison.sunk 2:12:56 - Synthesizer. (Btw, this is not the first appearance of a synth; there was one in last week's minutes too.) 2:25:54 - Visual aid (transcription of repeated string cells). 2:32:29 - Why was the synth used? Musings about the limitations of acoustically amplified orchestral instruments. 2:36:55 - Cave visions are the best part of Star Wars. 2:43:47 - Comparisons to The Last Jedi cave sequence. 2:46:50 - Start of Jedi Fallen Order spoiler. 2:47:43 - End of JFO spoiler. 2:57:44 - Spooky insecurities. 3:03:45 - Vergences in the Force, magnets, sourdough. 3:06:10 - Molecular people ??? Help plz.

In the first hour of "Connections with Evan Dawson" on Thursday, January 19, 2023, we preview the performances and discuss the emotions behind them. Plus, we'll hear about the latest in local efforts to help the people of Ukraine.

Dianne is in conversation with Chief Executive and Artistic Director, Bongani J Tembe following their last inaugural national tour at Cape Town's City Hall.See omnystudio.com/listener for privacy information.

The final leg of the Mzansi National Philharmonic Orchestra (Mzansi Philharmonic) inaugural national tour closed last evening in a historic event at Cape Town's City Hall. Bongani Tembe is The Chief Executive and Artistic Director of the Mzansi Philharmonic Orchestra, and he joins Abongile to reflect on the tour.See omnystudio.com/listener for privacy information.

The story behind the writing of 'O Holy Night' is as inspiring as the carol itself. God always uses the most unlikely of sources and circumstances for his glory! This Advent, reflect upon how "modern man cannot find God because he won't look low enough."  Excerpt from episode: "However, when Cappeau officially walked away from the faith and became part of the French socialist movement, and church leaders discovered that Adam was a Jew, the Catholic church enforced a sudden ban upon the song. O Holy Night was officially blacklisted, for how could a hymn coming from such unholy origins be any good." Music credits: 'O Holy Night' vocal cover (Petronella and Paul Hoare)Night Garden Waltz (Rebecca E. Tripp)'O Holy Night' (performed by National Philharmonic Orchestra)

Bongani Tembe, Chief Executive and Artistic Director of the Mzansi National Philharmonic Orchestra, spoke about the orchestra's first tour, which will begin on December 15th, what people can expect, and the exciting line-up the audience can expect.See omnystudio.com/listener for privacy information.

Lester speaks to Bongani  Tembe Chief Executive and Artistic Director of Mzansi National Philharmonic Orchestra.See omnystudio.com/listener for privacy information.

Miro Chakaryan | Violinist & Member of The Mzansi National Philharmonic Orchestra See omnystudio.com/listener for privacy information.

Guest: Ismail Mohamed | An accomplished playwright, theatre director and arts administrator joins John to consider the launch of a National Orchestra amid a debate about transformation in the orchestral music sector in South Africa. See omnystudio.com/listener for privacy information.

Dit jaar wordt de onder Grammy's bedolven Hollywoodcomponist John Williams 90. Hoog tijd, vinden Joris en Guido, om eens klassiek te kletsen over filmmuziek. Wat typeert een goede soundtrack? Welke muziek houdt zich buiten de bioscoop staande? En wie was de meester van de oorwurm? Tijdens hun ontdekkingsreis blijven de heren niet hangen in Amerika, maar doen ze ook Polen, Rusland, Italië en ons eigen Nederland aan. O ja, en nog iets: is die Williams niet gewoon een ordinaire jatter? Muziekfragmenten: - Alfred Newman, 20th Century Fox Fanfare - Erich Wolfgang Korngold, Main Title uit Captain Blood, Brandenburg Philharmonic Orchestra Potsdam o.l.v. Richard Kaufman - Erich Wolfgang Korngold, Main Titleuit Kings Row, National Philharmonic Orchestra o.l.v. Charles Gerhardt - John Williams, Main Theme uit Star Wars - John Williams, Main Theme uit Jaws - Antonín Dvorák, Allegro con fuocouit de Negende symfonie, New York Philharmonic o.l.v. Leonard Bernstein - Otto Ketting, Alleman, Concertgebouworkest o.l.v. Piet Ketting, https://www.youtube.com/watch?v=VV6ITZovMdw - Ennio Morricone, Main Theme uit The Good, the Bad and the Ugly - Ennio Morricone, Man with a Harmonicauit Once Upon a Time in the West - Ennio Morricone, Mandolinate uit Le streghe(fragment: La terra vista dalla luna) - Sofia Goebaidoelina, Mowgli, https://www.youtube.com/watch?v=x9PtyyimY6Y - Zbigniew Preisner, Thou shalt not kill uit Dekalog - Tan Dun, After Tonight uit Film Music Sonata, Ralph van Raat

Tom Service meets the mezzo-soprano Magdalena Kožená and conductor Sir Simon Rattle: partners in life and music. The husband-and-wife team talk to Tom about their collaboration on Kurt Weill's Seven Deadly Sins with London Symphony Orchestra. Also, they talk about how this, and other music, has a special resonance in our conflicting times. Tom also hears from musicians in Ukraine about their experiences of the conflict. Viola player Stas Sagdeyev is a member of the orchestra at Odessa Opera House, currently silenced, while conductor Theodor Kuchar has returned to the country to work with the National Philharmonic Orchestra of Ukraine in Lviv, one of the busiest ensembles in the country. And ahead of Mental Health Awareness Week, Tom meets Alyson Frazier of Play for Progress, an organisation which helps young asylum seekers in Croydon, south London, through music. Alyson tells Tom of the progress the young people have been making and some of the remarkable musical talents which have been unearthed. Producer: Juan Carlos Jaramillo

En este episodio, los niños podrán conocer un poco sobre la vida de Giacomo Puccini y su música, en especial, de sus tres óperas más conocidas: La Bohème, Tosca y Madama Butterfly.  LO QUE VAN A ESCUCHAR EN ESTE EPISODIO   00:35 Sonata No. 10  in G Major interpretado por Liuwe Tamminga.  01:53 Marcia No. 45 in D Major interpretado por Liuwe Tamminga.  04:23 Aida, Act I. Se quel guerrier io fossi!...Celeste Aida de Giuseppe Verdi. Interpretado por Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino & Zubin Mehta. 05:15 Turandot, Act II: Gravi, Enormi Ed Imponenti, interpretado por Alexander Rahbari & Malaga Philharmonic Orchestra. 06:45 Le villi, Act I: Se come voi piccina io fossi... Non ti scordar di me!. Interpreado por Lorin Maazel, National Philharmonic Orchestra, Plácido Domingo & Renata Scotto.  09:33 Tosca, Act III: Io De' Sospiri. Interpretado por David Pearl, Zubin Mehta & Philharmonia Orchestra.  11:18 La bohème, Act II: "Arranci, datteri!". Interpretado por Rolando Panerai, Herbert von Karajan, Schonberger Sangerknaben, Chor der Deutschen Oper Berlin, Gianni Maffeo, Luciano Pavarotti, Berlin Philharmonic & Mirella Freni. 13:04 Madama Butterfly, Act II: Un bel dì vedremo. Interpretado por Renata Scotto, Orchestra of the Rome Opera House & Sir John Barbirolli. 14:28 Tosca: "Tre sbirri. Una carozza. Presto" - Te Deum. Interpretado por National Philharmonic Orchestra, Nicola Rescigno & Sherrill Milnes.     Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :)  No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.  Síguenos en: Facebook, Twitter, Instagram y Pinterest.   

durée : 00:16:12 - Disques de légende du jeudi 14 octobre 2021 - Aujourd'hui, retour sur le disque "Rossini Overtures" par le National Philharmonic Orchestra dirigé par Ricardo Chailly, un disque qui célèbre la passion du compositeur italien pour les ouvertures d'opéras.

A cura di Paolo PellegriniIl Trovatorepersonaggi e interpretiManrico, Luciano PavarottiLeonora, Joan SutherlandIl Conte di Luna, Ingvar WixellAzucena, Marilyn HorneFerrando, Nicolai GhiaurovRuiz, Graham ClarkInes, Norma BurrowesUn vecchio zingaro, Peter KnappUn messo, Wynford EvansLondon Opera Chorus; National Philharmonic Orchestra (1976)Richard Bonynge, direttoreregistrazione dell' 8 Settembre 1976

Part two of the ninth episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO continues the analysis and discussion of the music written for the separate cuts of Ridley Scott's 1985 epic dark fantasy adventure film, LEGEND, featuring music by Jerry Goldsmith (European Cut) and Tangerine Dream (American Cut). The conversation continues with an in-depth look at three more sequences; Jack accepting weapons and armour to become The Champion, a bewitched and seduced Lili dancing and the fall of Darkness. Joining fill-in host, Erik Woods, is the host of THE ARCHIVE, Jason Drury, host of OBSCURE SCORES, Robert Daniels and CINEMATIC SOUND RADIO's in-house composer and host of COMPOSER CONVERSATIONS, David Coscina. LEGEND is a 1985 epic dark fantasy adventure directed by Ridley Scott and starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, Cork Hubbert, and Annabelle Lanyon. The film revolves around Jack (Cruise), a pure being who must stop the Lord of Darkness (Curry) who plots to cover the world with eternal night. The original score for the film was composed and conducted by Jerry Goldsmith, performed by The National Philharmonic Orchestra and recorded by the legendary Mike Ross-Trevor. However, due to the massive changes made from the European version to the American version of the film, it was decided to remove Goldsmith's score and have the German electronic group, Tangerine Dream, write and perform a new score. Jerry Goldsmith's original motion picture score is available on Silva Screen Records and Tangerine Dreams score is available through Varese Sarabande Records. Soundtrack Alley Theme by Alexander Schiebel Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, & Alphonse Brown. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The ninth episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO features a bit of a different format than other SOUNDTRACK ALLEY episodes. Regular host, Randy Andrews, decided to skip this episode and left it up to Erik Woods to host and moderate a roundtable discussion about the film, LEGEND. Joining Erik is the host of THE ARCHIVE, Jason Drury, host of OBSCURE SCORES, Robert Daniels and CINEMATIC SOUND RADIO's in-house composer and host of COMPOSER CONVERSATIONS, David Coscina. LEGEND is a 1985 epic dark fantasy adventure directed by Ridley Scott and starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, Cork Hubbert, and Annabelle Lanyon. The film revolves around Jack (Cruise), a pure being who must stop the Lord of Darkness (Curry) who plots to cover the world with eternal night. Although the film wasn't a critical hit it did win the British Society of Cinematographers Award for Best Cinematography for Alex Thomson, as well as being nominated for multiple other awards including an Oscar nomination for Best Makeup and BAFTA nominations for Best Costume Design, Best Makeup Artist, and Best Special Visual Effects. The original score for the film was composed and conducted by Jerry Goldsmith, performed by The National Philharmonic Orchestra and recorded by the legendary Mike Ross-Trevor. However, due to the massive changes made from the European version to the American version of the film, it was decided to remove Goldsmith's score and have the German electronic group, Tangerine Dream, write and perform a new score. In part one of our look at the production of LEGEND and the use of music in both versions, Erik, Jason, Robert and David talk about various topics including when they first saw the film, which version of the film they like, the film's production design, the gorgeous cinematography, Ridley Scott's history as a director, a comparison of Jerry Goldsmith's and Tangerine Dream's scores and a detailed comparison of “The Unicorn” sequence, which Goldsmith and Tangerine both scored. In addition, David Coscina's participation in this discussion offers a unique perceptive to the program as he brings his expertise as a composer to the table and provides detailed musical analysis of both scores and performs specific sections of each score on his piano to help paint a clear picture as to what the composers were bringing to the film. Jerry Goldsmith's original motion picture score is available on Silva Screen Records and Tangerine Dreams score is available through Varese Sarabande Records. Part two of the program, where we compare more cues from each score, will be made available shortly. Soundtrack Alley Theme by Alexander Schiebel Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown &Jonnie Arai. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

In deze aflevering: Guiseppe Verdi, dé operacomponist van Italië. Schepper van maar liefst 26 opera's waaronder Nabucco, Aida, La Traviata. Een man met een turbulent leven. Een muzikale alleskunner voor wie in het 19e-eeuwse Italië honderdduizenden de straat op gingen. Muziek in deze aflevering: Aida – Triomfmars Coro e Orchestra del Teatro alla Scala di Milano o.l.v. Tullio Serafin Nabucco - Slavenkoor Deutsche Oper Berlin o.l.v. Giuseppe Sinopoli La Traviata – Libiamo ne' lieti calici Luciano Pavarotti, Dame Joan Sutherland, London Opera Chorus & National Philharmonic Orchestra o.l.v. Richard Bonynge Cherubini - Sonate voor orgel  Olivier Latry La forza del destino – Ouverture  Berliner Philharmoniker o.l.v. Claudio Abbado Oberto – Ouverture  Academy of St. Martin in the Fields o.l.v. Neville Marriner Oberto – Basta, basta o fedeli! Violeta Urmana, Academy of St. Martin in the Fields o.l.v. Neville Marriner Nabucco – Slavenkoor Deutsche Oper Berlin o.l.v. Giuseppe Sinopoli Attila – Santo di patria, Allor che i forti corrono, Da te questo or m'e concesso Cristina Deutekom, Royal Philharmonic Orchestra o.l.v. Lamberto Gardelli La Traviata – Prelude Berliner Philharmoniker o.l.v. Claudio Abbado La Traviata – Sempre libera  Anna Netrebko, Mahler Chamber Orchestra o.l.v. Claudio Abbado Lady Macbeth – Vieni, t'affretta  Shirley Verrett, Orchestra Teatro alla Scala di Milano o.l.v. Claudio Abbado Aida – Triomfmars  Orchestra del Teatro alla Scala di Milano o.l.v. Tullio Serafin Messa da Requiem – Dies irae: Dies irae  Coro e Orchestra del Teatro alla Scala di Milano o.l.v. Riccardo Muti  Otello – Una Vela! Una Vela! Luciano Pavarotti, Kiri Te Kanawa, Chicago Symphony Orchestra & Chorus o.l.v. Georg Solti  Otello – Niun mi tema  Luciano Pavarotti, Chicago Symphony Orchestra & Chorus o.l.v. Georg Solti  La Traviata – Addio del passato  Maria Callas, Orquestra de Sinfonica del Teatro Nacional de Santa Carlos o.l.v. Franco Ghione

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Racism, colonialism, colonial attitudes, imperialism, depictions of brownface. This is now the second time, in an Oscars series, in which an otherwise pretty fun movie was spoiled by massive, massive racism. Like, our two stars perform in brownface as Afghani villagers for a good chunk of the movie, and it's just treated as a plot point. It’s even worse because Sean Connery has a history of doing this on screen, and also, just, why? Because behind the layers of awful colonial racism (yes, we’re talking about you, Rudyard Kipling, you garbage pile), there’s a deeper story about hubris, privilege, and whiteness to be told here. But John Huston, who is known for telling stories about tragic hubris, is so attached to his source material that he’s missing the forest for the trees. Connery and Michael Caine shine in this movie, but it’s ultimately hampered by its own rigid storytelling and unwillingness to sever ties with the concepts of imperial honor that drag the movie down. Sign the contract and ride out to Kafiristan as we continue our Oscars ‘75 series with The Man Who Would Be King You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “The Man Who Would Be King,” composed and conducted by Maurice Jarre and performed by the National Philharmonic Orchestra. Copyright 1975 Capitol Records, Inc. Clips taken from the film The Man Who Would Be King are © 1975, renewed 2003 Columbia Pictures Industries, Inc. All Rights Reserved. Excerpt taken from “Wouldn’t it Be Nice,” written by Brian Wilson and Tony Asher, and performed by The Beach Boys. Ⓟ© 1966, 2016 Capitol Records, LLC.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Physical abuse, emotional abuse, assassination, sexual harassment, mild mention of racism.. The only thing either of us knew about this week’s movie was that it was incredibly well-respected, and it inspired a lot of great mockumentaries that came after. So imagine our surprise (sort of) when we sat through a sprawling, lackluster, aimless movie that feels more Important(TM) than it is good. Perhaps it’s the relentless cynicism, or the overly ambitious scope of the characters and plot that make this so frustrating, and frustrating it is. This movie is, to put it mildly, wasting the talents of at least a dozen of the 70’s best character actors, though one star’s debut performance does shine through. Still, it’s not enough to save an overly broad and bloated movie that doesn’t really go anywhere at all. We’re meandering through Oscars ‘75 series with the incredibly messy Nashville You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "200 Years" from the film Nashville, written by Henry Gibson and Richard Baskin, and performed by Henry Gibson. Copyright 1975 ABC Records, Inc. Excerpt taken from “The Man Who Would Be King,” composed and conducted by Maurice Jarre and performed by the National Philharmonic Orchestra. Copyright 1975 Capitol Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Workplace abuse, manipulation, discussion of vomiting from 47:00-47:18. You’re never really done with Stanley Kubrick, no matter how hard you try. I mean, yes, we did an entire series on the little tyrant a year ago, and we named an entire rule about him. But at least when we watched those movies, there was something interesting and unique to hold onto. This movie, on the other hand, is a self-indulgent, boring adaptation of a pretty awesome story. I mean, how does the great Stanley Kubrick mess up the first English-language antihero? Perhaps it’s because he’s so focused on creating truly stunning film portraits composed with candlelight that he forgot to, you know, direct. Add to it one of the most uncharismatic lead performances in movie history and folks, we might just have the worst Kubrick movie ever here. Inspect your pistols and aim at Kubrick’s legacy as we continue our Oscars ‘75 series talking about the absolute bore Barry Lyndon NEW MOVIE REVIEW: One Night in Miami You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Sarabande Main Title” from the film Barry Lyndon, composed by Georg Friedrich Handel, adapted and conducted by Leonard Rosenman, and performed by the National Philharmonic Orchestra. Copyright 1975 WEA Recordings Ltd. Excerpt taken from "200 Years" from the film Nashville, written by Henry Gibson and Richard Baskin, and performed by Henry Gibson. Copyright 1975 ABC Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of homophobia and transphobia, robbery, death, police shooting, police violence. It’s finally awards season, and we had so much fun with last year’s Oscar series, we decided to come back for another round of a year in Oscars. And after our Spielberg series, watching and loving Jaws, we saw the list of contenders and realized - we needed to do another full-year series. So welcome to 1975, a year of movies from tons of different directors, actors, and screenwriters from a wide range of stories and styles. And we’re kicking it off with a bank heist movie that’s so much more, even though it’s also a giant mess. What’s good in this movie is great, but what’s bad is really sloppy. Still, there’s several performances worth the price of admission here, including the finale to Al Pacino’s masterful run in the early 70’s that showed us what a range he had. Grab your handkerchiefs, we’re talking about Dog Day Afternoon as we kick off our Oscars ‘75 series of Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken of the introduction to the 48th Annual Academy Awards, arranged and conducted by John Williams, and performed by the Academy Awards Orchestra; and announced by Hank Simms. Excerpt taken from “Amoreena,” written by Elton John and Bernie Taupin, and performed by Elton John. Copyright 1970 This Record Company Limited. Clips from the film Dog Day Afternoon are copyright 1975 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from “Sarabande Main Title” from the film Barry Lyndon, composed by Georg Friedrich Handel, adapted and conducted by Leonard Rosenman, and performed by the National Philharmonic Orchestra. Copyright 1975 WEA Recordings Ltd.

De Engelse muzikant, componist, kunstenaar en conceptenbedenker Brian Eno staat te boek als de uitvinder van de ambient-muziek: muziek die - als de sussende achtergrondklanken in een lift of hotellobby - net zo goed níet als wél gehoord kan worden. In 1978 verscheen de LP Music for airports, met vier van zulke ambient-stukken. De Amerikaanse componist Evan Ziporyn maakte een arrangement voor ensemble. 23.03 CD Classic Film Scores: Casablanca (Sony) Max Steiner: Casablanca (suite) National Philharmonic Orchestra olv Charles Gerhardt 8'40” 23.14 CD Stabat Mater, Marian Motets and instrumental songs (Glossa GCD P31909) Josquin des Prez: Stabat Mater Cantica Symphonia olv Giuseppe Maletto 7'29” 23.22 digi Max Richter - Beethoven - Opus 2020 (Deutsche Grammophon 00028948602667) Max Richter: Opus 2020 Beethoven Orchester Bonn olv Dirk Kaftan & Elisabeth Brauß (piano) 7'45” 23.32 EBU opname SM/2020/11/61/02 d.d. 20200301 Brian Eno, arr. Evan Ziporyn: Music for Airports 1/1 Wojciech Blazejczyk (gitaar) Jacek Kita (piano, elektronica) Mikolaj Palosz (cello) Wojtek Traczyk (contrabas) Hubert Zemler (slagwerk en leiding) 17'19” 23.52 CD Cello (ECM 1464) David Darling: Lament David Darling [cello] 2'54”

The fourth episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO is a discussion between Erik Woods and Randy Andrews about the film and score of the 1979 Ridley Scott directed sci-fi/horror/thriller, ALIEN, starring Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. The film tells the story of the crew of the commercial space tug Nostromo, who encounters an aggressive and deadly Alien creature who is set loose on the ship. The original score for the film was composed by Jerry Goldsmith, performed by The National Philharmonic Orchestra, and conducted by Lionel Newman. The original soundtrack recording was initially released on 20th Century Records on LP in 1979. The expanded edition release of the score was produced by Intrada Records and was released in 2007. Purchased Intrada Records edition by going to http://store.intrada.com/s.nl/it.A/id.5613/.f Soundtrack Alley Theme by Alexander Schiebel —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Description: Two hours of Christmas music to remind us that we are all one world. We also feature great singers you know and love. Danny Lane’s present to you with no interruptions, Merry Christmas. Email us at dannymemorylane@gmail.com and "Like" this episode & please re-post, tell a friend. Here are the songs featured in this episode: 1) Do They Know It's Christmas by Band Aid 2) O Come All Ye Faithful (Adeste Fideles) by Luciano Pavarotti (w/ The National Philharmonic Orchestra) 3) Mele Kalikimaka by Bette Midler 4) Christmas Time Is Here by Vince Guaraldi Trio 5) Pretty Paper by Willie Nelson 6) A Child Is Born Into My Life by Oleta Adams 7) A Spaceman Came Traveling by Chris De Burgh 8) O Little Town Of Bethlehem by Yolanda Adams 9) Christmas Canon (Orchestral w/ Intro) by Trans-Siberian Orchestra 10) All I Want For Christmas Is You by Mariah Carey 11) The Christmas Shoes by NewSong 12) Mary's Boy Child by Harry Belafonte 13) Light of The Stable by Emmylou Harris (w/ Neil Young, Dolly Parton & Linda Rondstadt) 14) Please Come Home For Christmas by Luther Vandross 15) Merry Christmas Darling by Rockapella 16) Thank God It's Christmas by Queen 17) Dominick The Donkey (The Italian Christmas Donkey) by Lou Monte 18) O Holy Night by Mahalia Jackson 19) Christmas In The Caribbean by Jimmy Buffett 20) Rosie Christmas by Donna Summer 21) Happy Christmas (War Is Over) by John Lennon & Yoko Ono & The Plastic Ono Band (w/ The Harlem Community Choir) 22) Christmas (Baby Please Come Home) by Darlene Love 23) Christmas Island by Leon Redbone 24) Do You Hear What I Hear by Linda Eder (w/ The Broadway Gospel Choir) 25) Ay, Ay, Ay It's Christmas by Ricky Martin & Rosie O'Donnell 26) What Child Is This by Vanessa Williams 27) O Holy Night by Tevin Campbell 28) Arbolito De Navidad (Christmas Tree) by Gloria Estefan 29) O Come All Ye Faithful (Adeste Fideles) by Il Divo 30) From A Distance (Christmas Version) by Bette Midler 31) The First Noel by The Nylons 32) O Christmas Tree by Aretha Franklin 33) Silent Night (Oíche Chiúin = Ee'ha k'u'in) [Chorale Version] by Enya

Olá pessoal, trazemos hoje um episódio extra de Conversas Variadas sobre livros que tratam de pandemias. Escolhemos alguns (uma escolha difícil) desde “Decamerão” (1353), de Giovanni Bocaccio; “Um diário do ano da peste” (1722), de Daniel Defoe; “A máscara da morte rubra” (1842), de Edgar Allan Poe; “A peste” (1947), de Alber Camus; “A dança da morte” (1978), de Stephen King, e por fim, “Ensaio sobre a cegueira” (1995), de José Saramago. Conversamos sobre diversos temas como os padrões do comportamento humano diante das grandes epidemias na história; sobre a literatura e as respostas ficcionais para os dramas da realidade; sobre a condição humana e os dilemas diante dos inúmero flagelos e muito mais. Falamos também sobre as adaptações das obras e sobre os paralelos históricos com a pandemia atual. Livros citados: Os contos de Cantuária (1392), de Geoffrey Chaucer Dom Quixote (1605), de Miguel de Cervantes O último homem (1826), de Mary Shelley Guerra dos mundos (1898), de G. H. Wells Drácula (1897), de Bram Stoker Contagion and the state in Europe, 1830-1930 (1999), de Peter Baldwin As origens do totalitarismo (1951), de Hannah Arendt Jangada de pedra (1986), de José Saramago A montanha mágica (1924), de Thomas Mann Cem anos de solidão (1967), de Gabriel García Márquez Música da nossa trilha sonora: La danse macabre – Camille Saint-Saëns – Opus 40 in G minor for violin – National Philharmonic Orchestra, conductor Leopold Stokowski 1348, Sounds of Black Death – Caleb Hennessy Saltatio mortis – Arany Zoltán Es ist nichts Gesundes an meinem Leibe –Johann Sebastain Bach Douce dame jolie – Guillaume de Machaut – Cello version performed by Roxane Genot Night on Bald Mountain – Modest Mussorgsky The Skeleton Dance – Wall Disney – Silly Symphonies (1929)   Deixe seus comentários aqui pra gente. Sempre que acabamos de gravar, lembramos de algo mais que poderia ser dito, logo o tema sempre fica em aberto. Podcast: 00:00:42 Apresentação 00:03:39 Decamerão 00:16:43 Um diário do ano da peste 00:37:01 A máscara da morte rubra 00:52:27 Século XX 00:59:55 A peste 01:17:25 Dança da morte 01:27:11 Ensaio sobre a cegueira 01:33:56 Encerramento Decameron (1971) https://www.imdb.com/title/tt0065622/ The Periwig-Maker (1999) https://www.imdb.com/title/tt0239797/ The Masque of the Red Death (1964) https://www.imdb.com/title/tt0058333/ La peste (1992) https://www.imdb.com/title/tt0105127/ The Stand (1994) https://www.imdb.com/title/tt0108941/ Blindness (2008) https://www.imdb.com/title/tt0861689/ Bird box (2018) https://www.imdb.com/title/tt2737304/ O post #43 Conversas Variadas – Pandemia apareceu primeiro em Chá das Cinco Com Literatura.

Escape!  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  So concludes The Heroes, the sixth and penultimate arc of All Hail Yog. Our villains will return for one final future adventure. Unfortunately, we'll be taking a somewhat longer hiatus than usual. Thanks to the coronavirus, I've been unable to convene the cast and record the finale. Stay tuned to the feed and I'll be sure to update you as soon as a plan presents itself. In the meantime, special thanks to everyone – especially our generous Patrons – who made this arc possible. MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra) and "Symphony No. 6 in D Major" by Antonín Dvorák (performed by the Czech Philharmonic).

Azathomet & Ernst's excellent adventure.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra) and "Jupiter" by Gustav Holst (performed by the Royal Scottish National Orchestra)

One good turn.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Meet Zyzzenxkys.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master and featuring Kate Enge as Zyzzenxkys.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 6 in D Major" by Antonín Dvorák (performed by the Czech Philharmonic).

Food for thought.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

In broad daylight.   Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The fall of the house of Yog.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  This episode was sponsored by Knuckledragger RPG, now on Kickstarter! On a planet called Planet, alien visitor bestow beneficent gifts fo advanced technology upon nine prehistoric races and are promptly bludgeoned to death for their trouble. Interested in combat with no initiative? A GM called a Map Daddy? Rampaging hordes of gun-toting elephant men. Kickstarting now through March 12th – become a backer today!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

The villains gather.  ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Heroes and describes a direct assault upon Yog's homeland and the Vessel itself.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  This episode was sponsored by Knuckledragger RPG, now on Kickstarter! On a planet called Planet, alien visitor bestow beneficent gifts fo advanced technology upon nine prehistoric races and are promptly bludgeoned to death for their trouble. Interested in combat with no initiative? A GM called a Map Daddy? Rampaging hordes of gun-toting elephant men. Kickstarting now through March 12th – become a backer today!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Don't play with your food.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),"Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Teeth and tongues.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),"Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Creatures of pure goodness.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  This episode is brought to you by our podcasting partner, Wild Endeavors! Apart from their fun and fascinating show, you should really check out these folks on social. Find @WildEndeavors on Twitter and Instagram for unique lore and fun segments like "NPC Missed Connections."  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet),  "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic).

Escape!  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  So concludes The Instrument, the third arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back in July with a new cast and a new arc. Special thanks to everyone – especially our generous Patrons – who made this arc possible.  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra) and "Jupiter" by Gustav Holst (performed by the Royal Scottish National Orchestra)

In the nick of time.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic) and "Dies Irae" (performed by Olivier Kiener).

The last temptation of Agnoment.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner), "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra) and "Interpretation of Night on Bald Mountain" arranged and performed by Vaughn Romero.

The hunt ends. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner) and "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra).

The things Desdemonia does for love.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner).

Off to see the wizard.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master. This episode was brought to you by Wild Endeavors, an actual play podcast with an audio drama heart. They're about to start a new campaign – a great time to get onboard!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" (performed by the Schola Antiqua), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra) and "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra).

Wehr's on first.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master. This episode was brought to you by Hit Dice, a real play podcast made by professionals and played for the love of the game. You cannot possibly recommend Hit Dice enough – these folks're the real deal.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" (performed by the Schola Antiqua), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner), "Dies Irae" (performed by Olivier Kiener) and "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra).

The villains gather. ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Instrument and follows Yog's hunt for an ancient artifact, hidden in harmless halfling country. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner).

Find us at: iTunes Spotify Patreon MAJOR CONTENT WARNING: This episode contains frank discussions of sexual violence, abuse, torture and rape, and contains sound clips from the film that suggest similar themes. It also deals with possible gaslighting and manipulation on set. If any of these subjects make you uncomfortable or are triggering in any way, we recommend not listening until you feel safe and comfortable listening. Please stay safe and take care of yourselves. This week, we take on Stanley Kubrick’s most controversial film, 1971’s A Clockwork Orange. Largely considered an unfilmable novel, Kubrick’s uncompromising vision and incredible visual eye are on full display - and his problematic style of directing. It’s not a stretch to say this is the moment that made Kubrick at best negligent, and at worst, a monster. Yet Malcolm McDowell’s charm is so captivating, and the film’s style so stunning, that somehow you can’t look away. Join us for a fascinating discussion of an audacious and problematic film on Macintosh & Maud Haven't Seen What?! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including an upcoming episode on Kubrick's final film, Eyes Wide Shut! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Stitcher or your favorite podcatcher, and tell your friends. Clips used from the film A Clockwork Orange, Copyright 1971 Warner Bros. Entertainment Inc. and Polaris Productions, Inc. All rights reserved. Clips from “Title Music for A Clockwork Orange,” based on Henry Purcell’s “Music for the Funeral of Queen Mary,” and “March from A Clockwork Orange (Ninth Symphony, Fourth Movement, Abridged),” composed and performed by Wendy Carlos © 1972 Warner Bros. Records Inc. Clip from “...Sarabande (Main Title of Barry Lyndon)” composed by Handel and performed by the National Philharmonic Orchestra, conducted by Leonard Rosenman. © 1975 Warner Bros. Records Inc. Clip from “Titles” from Chariots of Fire, written and performed by Vangelis. Copyright 1981 Warner Brothers Music, Ltd. & Spheric, B.V. Clip from “The Imperial March (Darth Vader’s Theme)” from The Empire Strikes Back, composed by John Williams, who conducted the London Symphony Orchestra. © ℗ 1980 Lucasfilm Ltd. Clip from “Atom Heart Mother” written and performed by Pink Floyd. ℗ © 1970, 2016 Pink Floyd Music Ltd. Clip from “Leonard” from Full Metal Jacket, composed by Abigail Mead (aka Vivian Kubrick). © 1987 Warner Bros. Records Inc. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

Hero versus villain. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!)  So concludes The Watchtower, the second arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back at the beginning of May. Special thanks to everyone – especially our generous Patrons – who made this arc possible. MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Dante Symphony" by Franz Lizst (performed by the Berlin Philharmonic) and "Symphony No. 5" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Narcinae summons reinforcements.  Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Dante Symphony" by Franz Lizst (performed by the Berlin Philharmonic).

Battle for the blue flame. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Enter the Soulsworn. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The battle rages. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. This episode is brought to you by Wild Endeavors – a story-centric actual play podcast, edited and mixed like an audio drama. Go give them a listen! If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The plan makes contact with the enemy. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The villains make the crossing. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra).

The villains gather. ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Watchtower and details Yog's attempt to conquer an impregnable fortress, held by the allied forces of good. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra) and "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra).

Witches and breadcrumbs, giant ducks and gingerbread houses. This week we explore one of the most famous fairy tales of all time: Hansel and Gretel.After our surprise Christmas episode, we thought why stop the fun there? We're kicking off 2019 with a bona fide classic!We discover how this story was used in a U.S supreme court ruling, learn how it all started with a terrible famine, and we dissect various highfalutin analyses of this uber famous story. Happy new year everyone! TwitterFacebookInstagram grimmreadingpodcast@gmail.com Theme music: Bicycle Waltz by Goodbye Kumiko Other music: Beethoven's Piano Trio No7 in B-flat Major Op97 / Chopin's Mazurka D major Op.33 no.2 performed by Lubka Kolessa / Hänsel and Gretel Opera: Evening Prayer performed by the National Philharmonic Orchestra and the Ambrosian Singers / Chopin's Liszt Zyczenie (The Maiden's Wish) performed by Brian Young

On this week’s episode of CINEMATIC SOUND RADIO, we will be featuring six new and recent soundtrack releases.You’ll first hear exciting music from Alan Silvestri’s score to Steven Spielberg’s READY PLAYER ONE. You’ll also hear selections from Mark McKenzie’s MAX & ME, James Newton Howard’s RED SPARROW, Ludwig Goransson’s BLACK PANTHER, Christopher Lennertz’s LOST IN SPACE and Bear McCreary’s THE CLOVERFIELD PARADOX. Our John Williams score of the week is THE FURY released in 1978. And our re-recording of the week the unused score to 2001: A SPACE ODYSSEY by Alex North featuring conductor Jerry Goldsmith and the National Philharmonic Orchestra. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

CINEMATIC SOUND RADIO’s composer interview series continues as Jason Dury chats with legendary recording engineer, Mike Ross-Trevor. Mike Ross-Trevor is one of film music finest engineers. Originally recording Pop Music in the 1960s and 70s, Ross-Trevor’s first film score recording could not have been more spectacular, Jerry Goldsmith’s LEGEND in 1985. Ross-Trevor continued an association with Goldsmith for 14 years ending with THE MUMMY in 1999. Mike Ross-Trevor also has been a close collaborator with Bruce Broughton culminating in his recording of TOMBSTONE in 1993 and has worked with other composers including David Arnold, Mark Ayres, Bill Conti and David Julyan. Mike Ross-Trevor has also been involved in score re-recordings, collaborating with James Fitzpatrick in the late 80s with recordings including THE BIG COUNTRY, the Intrada Records Excalibur sessions with The Sinfornia of London and most notably for the 1995 re-recording of Alex North’s A STREETCAR NAMED DESIRE with the National Philharmonic Orchestra conducted by Jerry Goldsmith. In February 2018, for Cinematic Sound Radio, Jason Drury talked to Mike Ross-Trevor at his home in Broadstairs, Kent, England. In the Interview, Mike talks about his early recording career, how he was hired to record Legend and his part in the score’s CD Release, Jerry Goldsmith’s Hungary sessions, the recording session of Tombstone and his association with Whitfield Street Studios. The show also features loads of the memorable music that Mike Ross-Trevor has recorded including LEGEND, RAMBO FIRST BLOOD PART 2, LIONHEART, HOOSIERS, MEDICINE MAN, TOMBSTONE, A STREETCAR NAMED DESIRE and many many more. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this week’s episode of CINEMATIC SOUND RADIO, we will be shining the spotlight again on film, TV and video game re-recordings. Back in August of 2016, we presented a similar re-recording program. We also featured John Williams re-recordings, James Horner re-recordings, Elmer Bernstein re-recordings, and an entire tribute to Charles Gerhardt. Today you will hear selections from EL HOMBRE ESPONJA (THE MAN SPONGE) by Fernando Velazquez, JULIUS CAESER by Miklos Rozsa, SOMETHING WICKED THIS WAY COMES by Geroges Delerue, A STREETCAR NAMED DESIRE by Alex North, A TIME TO KILL by Elliot Goldenthal, UNDER SUSPICION and WHEN THE WHALES CAME by Christopher Gunning, BLUE VELVET, INSIDE THE ACTORS STUDIO and THE TORCH THEME FROM THE BARCELONA SUMMER OLYMPIC by Angelo Badalamenti, and BATTLESTAR GALACTICA by Stu Phillips. Featured conductors include Bruce Broughton, Jerry Goldsmith, Dirk Brosse, Joel McNeely, and Rumon Gamba. Featured orchestras include The Royal Scottish National Orchestra, The National Philharmonic Orchestra, Orquesta Sinfonica de Euskadi, The BBC Philharmonic Orchestra, and The Brussels Philharmonic. And when you are done, check out CINEMATIC SOUND RADIO’s countdown of the top 14 re-recordings of all time by going to http://www.cinematicsound.net/14th-anniversary/ Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

A small step in the evolution of the trumpet. “Ear Trumpet 1”. Photo by Eknath Gomphotherium, used with permission. How did the trumpet morph from a simple horn that announced kings and queens, in to the sophisticated, nuanced instrument it is today? Monumental Brass Quintet trumpet player, public school music teacher, and inventor of the Buzz Clip brass player training tool, Mark DiClaudio tells how Haydn’s Trumpet Concerto and a guy named Anton Weidinger literally poked holes in the instrument and changed it – forevah! Also, thoughts on music education, and SO MUCH MORE. Audio production by Todd “Tiny” Hulslander with belated but no less meaningful birthday wishes from Dacia Clay. Music in this episode: Concerto for Trumpet and Orchestra in E Flat Major, by Franz Joseph Haydn. Played by Wynton Marsalis and the National Philharmonic Orchestra. For more about Mark DiClaudio: www.diclaudiostudios.com

The inaugural interview of THE MAESTRO SERIES, an on-going series dedicated to some of the world's greatest choral and orchestral conductors.  Stanley Engebretson, conductor of the National Philharmonic Chorale drops in on The African American Voice in Classical Music, Patrick D. McCoy to discuss the upcoming performance of the Verdi Requiem at the Music Center at Strathmore with stellar soloists soprano Arianna Zukerman, mezzo-soprano Patricia Miller, tenor Don Bernadini, and bass Kevin Deas with the National Philharmonic Orchestra.   About Stan Engebretson: Dr. Stan Engebretson in addition to his work with the National Philharmonic Chorale is also Director of Choral Studies at George Mason University, teaching conducting and directing the University Symphonic Chorus, University Singers, and three Vocal Jazz Ensembles.  An active guest conductor and clinician, Engebretson holds performance degrees in Voice and Piano from the University of North Dakota, and the Doctor of Musical Arts degree in Conducting from Stanford University.  In addition, he has received several research awards and grants for advanced study in Aspen, San Francisco, New York, and Europe with internationally acclaimed conductors including Gregg Smith, Margaret Hillis, Roger Wagner, Eric Ericson, and Robert Shaw.   In Washington, DC, he is the Director of Music at the historic New York Avenue Presbyterian Church.   An active clinician, Engebretson has appeared in Germany, Switzerland, Spain, Lithuania, and most recently, Iceland, to present workshops in American music.