Podcasts about machine stops

In this episode of Technology & Security, Dr. Miah Hammond-Errey is joined by Professor Lyria Bennett Moses, one of Australia's foremost experts in technology and law. We explore how government responses to AI often focus on regulating technology rather than addressing the human and social challenges these systems impact. We discuss how to centre humanity in legal responses to technology. We examine regulatory approaches, anti-discrimination laws and governance structures to better address the realities of AI-driven decision-making. As AI is increasingly embedded in daily life, much like past technological shifts, its influence may become invisible, but its impact on knowledge, democracy, and security will be significant.Future leaders must develop systems thinking, recognising the deep interconnections between technology, law, politics, and security. Education must beyond data literacy to equip students with an understanding of how different systems function and their limitations. AI is reshaping how we access information, formulate ideas, and tell stories and it is shifting power in ways we are only beginning to grasp. In this episode, we explore the evolving role of search and AI-generated knowledge and the geopolitical tensions shaping the future of technology. This thought-provoking conversation will change the way you think about AI, law, knowledge creation and the future of regulation.Professor Lyria Bennett Moses is the head of the School of Law, Society and Criminology and a professor at the University of New South Wales. She was previously the director of the Allens Hub for technology and has held many academic leadership and research roles related to law, data, cybersecurity and AI. She's worked on AI standards with Standards Australia and the Institute of Electrical and Electronics Engineers and has published extensively on technology and law. Lyria is a member of numerous editorial boards. She is a fellow of the Australian Academy of Law and Royal Society of New South Wales, and a fellow of the Association of Social Sciences Australia. Resources mentioned in the recording:+ The Rest is History podcast (BBC) www.therestishistory.com+ The Machine Stops, E.M Forster  This podcast was recorded on the lands of the Gadigal people, and we pay our respects to their Elders past, present and emerging. We acknowledge their continuing connection to land, sea and community, and extend that respect to all Aboriginal and Torres Strait Islander people. Music by Dr Paul Mac and production by Elliott Brennan.

This episode is sponsored by The Dawn series by Ray N. Kuili, which you can get on print, audiobook, or kindle here.Join the Hugonauts book club on discord!Or you can watch the episode on YouTube if you prefer videoAll the books in the episode (with YT links to those we've got full episodes on, or search for them in your podcast app): The Hunger GamesRed RisingReady Player OneThe GiverNever Let Me GoThe Children of MenThe Machine StopsClockwork OrangeA Scanner DarklyKallocainFahrenheit 451The Handmaid's TaleBrave New World1984We

This episode contains: Devon's not having it with Dallas or New Found Glory (NFG), and don't get him started on Paramount canceling Lower Decks. Also, what's up with Harry Kim? Devon's got some honest thoughts about his “shortcomings” and how NFG is “punk for preppy kids.” It's all love though, as he and the crew have an “old crusty men talk about old crusty bands” moment. Plus, the reality check of the streaming era: no fanfare for new releases, no excitement for music anymore. What's left for us aging punks? Steven brings up NoFX's final shows: Did anyone really want this? Punk rock legends bowing out—what's next for the scene? Future or Now: Ben takes us into the military's latest climate change defense project—using oysters to fight hurricanes. Yep, DARPA's Reefense program is building hybrid reefs combining manmade structures with live oysters to protect coastal military bases. Will it work? Rutgers and the University of Miami are giving it a go. Could this become the future of coastal protection for civilians too? Learn more about DARPA's Reefense project Devon? Well, he's stressing out—whether it's dark matter or election results, he's following it all and it's not doing him any favors. Can we talk about gravity existing without mass while avoiding existential election dread? Read more about gravity without mass Book Club: Next week's suggestions courtesy of Ben's mom! Clive Barker's Books of Blood series. We'll be focusing on In the Hills, the Cities from Volume 1 and The Body Politic from Volume 4. Expect the weird and the grotesque in these horror short stories. Check out the review of In the Hills, the Cities Also on the table: Eventually we'll be diving into The Langoliers by Stephen King from Four Past Midnight. There's a cool Star Trek reference in there, so you know we're excited. Finally, this week we're revisiting E.M. Forster's The Machine Stops. This 1909 classic predicted the tech-dominated world we'd all be living in by 2020. Spoiler: it's not a happy prediction.  

This episode contains: From deep within the spooky season we bring you an all new episode. Devon learns you have to jump on those bones early. Devon planed to build up his Halloween decoration collection. Ben doesn't know how to say “Megadeth.” We also mention Funko Pop album covers for Iron Maiden. (https://pop-figures.com/franchise/iron-maiden-282) Ben beat Astro Bot, giggling the entire time. Ben also watched the original Dracula film from 1931, available on Amazon Prime Video. (https://www.imdb.com/title/tt0021814/) Devon then recommends the more recent movie, Renfield (2023). Steven is on book 5 of Dungeon Crawler Carl, Devon just finished book 2. Devon is taking a break to read the new Bobiverse book. (https://www.goodreads.com/series/192752-bobiverse)   Future or Now Ben: NASA is working on a plan to replace its space station, but time is running out. Over the next several months, NASA will finalize a strategy for its operations in low-Earth orbit after 2030. Then, toward the end of next year, the space agency will award contracts to one or more private companies to develop small space stations for which NASA and other space agencies will become customers rather than operators. (https://arstechnica.com/space/2024/10/is-nasas-commercial-space-station-program-doomed/). Would you rather go to a space station orbing Earth, or the Moon? Companies are looking into CLDs: Commercial Low-Earth Destinations. Why are we abandoning the ISS? It's old and already has issues, that will only worsen. Also our problematic relationship with Russia. Devon: Evidence of ‘Negative Time' Found in Quantum Physics Experiment. Physicists showed that photons can seem to exit a material before entering it, revealing observational evidence of negative time. (https://www.scientificamerican.com/article/evidence-of-negative-time-found-in-quantum-physics-experiment/) We try to understand this mild blowing experiment and result. (https://arxiv.org/abs/2409.03680) Steven: Agatha All Along. This is great spooky fun. The main character stays true to who she was in WandaVision. Ben also finished Doctor Strange and the Multiverse of Madness. Both deal with the Darkhold. Ben also likes Agatha All Along.   Book Club The Pit and the Pendulum by Edgar Allan Poe (https://www.gutenberg.org/ebooks/2148). The Pit and the Pendulum, Edgar Allan Poe's agonizing tale of terror and suspense, was first published in 1842. One of Poe's many horror stories, The Pit and the Pendulum became famous for its depiction of pure dread. None of us had read this before. Devon was surprised the main character survived. We get side tracked by the Simpsons but eventually talk about the story. Also, “Nobody expects the Spanish Inquisition!” Were we actually horrified reading this story? What was the inspiration for writing this story?   The Poet and the Pendulum by Nightwish. (https://www.youtube.com/watch?v=JKUS2k35cGQ&ab_channel=_Stargazer_) The Inquisitor by Kamelot. (https://www.youtube.com/watch?v=iaKRRGMUCwg&ab_channel=Khan%2CKamelot%26ARKVideos)   Next Week: E. M. Forster, The Machine Stops (https://www.cs.ucdavis.edu/~koehl/Teaching/ECS188/PDF_files/Machine_stops.pdf). Is this the most prophetic story of the twentieth century? Published in 1909 and showing Forster's disdain for technological advancement and the way it would make our lives poorer, this story attracted plenty of new readers in 2020 when so many people's lives ‘went virtual'.

Send us a textI've got two brilliant guests with me to today, Roo Shah and Jens Foell, who have written a phenomenal book called Fighting for the Soul of General Practice: the Aagorithm will see you now. This is a wonderful book, two GPs, one based in London, one based in rural North Wales writing about  patient stories and the values of relational medicine, thinking about what we are at risk of losing as we try wholly appropriately to manage demand, to keep services running when there isn't enough money and there aren't enough staff.But what we're losing by doing it, and whether in fact it's okay to stand up and say, "I don't want to be replaced by a computer". I've long said that the things that are of the most value are those which are not directly measurable and so I absolutely loved Jens and Roo's book.  It's very, very readable and it'll make you think, but it won't hurt your head. It's not difficult. It's not dense text. They are both phenomenal storytellers, and this is really about stories and the value of what lies beneath the iceberg, the tip of the iceberg perhaps being a diagnosis but recognising there is so so much more going on and really what we risk losing if we don't remember that. I love the book and I have really really enjoyed talking to Jens and Roo and I would really strongly encourage you to go and buy yourself a copy of this book as soon as you possibly can.Roo mentions the brilliant short story The Machine Stops  by E M Forster you can read it online here: http://www.public-library.uk/ebooks/59/59.pdf

In a future where human contact is almost eliminated by The Machine, Vashti's tranquil, isolated life is interrupted by a plea from her son, to experience the world outside the Machine's influence. As Vashti struggles to understand his desire to see the stars from the Earth's surface, a profound disconnect between their realities begins to emerge. The Machine Stops by E. M. Forster, that's next on The Lost Sci-Fi Podcast.Our latest 5 star review is from MaddzW via Apple Podcasts, Great Britain, “ Obsessed! My go to podcast! I enjoy the journey of discovering these stories, authors, and their backgrounds. With gripping narration and an incredible voice, I thank you for my new nightly tales!” Thank you MaddzW we appreciate your review and we are proud that our podcast is your obsession! If you haven't already left us a 5 star review on Apple Podcasts we hope you will and if you listen on Spotify could you please leave a 5 star rating? if you think we deserve it of course. Edward Morgan Forster, born in 1879, was a renowned English author celebrated for his novels A Room with a View, Howards End, and A Passage to India. His works have been adapted into well-known films, A Room with a View, which featured Maggie Smith and Helena Bonham Carter, and Howards End, starring Anthony Hopkins and Emma Thompson.Science Fiction fans will perhaps remember him forever for the amazing story you are about to hear. It was the most requested story we had never narrated until today. First published in 1909 this dystopian short story explores a future society where humanity lives underground, entirely dependent on a vast, all-encompassing machine that provides for their every need, The Machine Stops by E. M. Forster…Next on The Lost Sci-Fi Podcast, Ever done anything for no particular reason at all ? Ever feel as if you were arguing with yourself? Do you sometimes get the feeling that you're really two people who are at odds over the basic rights and wrongs of life?. . . The Parasite by Arthur C. Clarke☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsVYouTube - https://www.youtube.com/@VintageSciFiAudiobooksFacebook - https://www.facebook.com/TheLostSciFiPodcastTwitter - https://twitter.com/lost_sci_fi=========================== ❤️ ❤️ Thanks to All Our Listeners Who Bought Us a Coffee$200 Someone$75 James Van Maanenberg$50 Anonymous Listener$25 Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Hosted on Acast. See acast.com/privacy for more information.

When enemies of peace threaten the System, they must be eliminated. There are many ways to do this. And if all else fails, you can always go to war with them. An Enemy of Peace by Robert Silverberg, that's next on The Lost Sci-Fi Podcast.The February 1957 issue of Fantastic magazine contained a story we heard not that long ago, The Mystery of Deneb IV by Robert Silverberg. There was also a story in that magazine on page 86 by Ralph Burke, but it was really written by one of our favorite authors, An Enemy of Peace by Robert Silverberg…Next on The Lost Sci-Fi Podcast, In a future where human contact is almost eliminated by The Machine, Vashti's tranquil, isolated life is interrupted by a plea from her son, to experience the world outside the Machine's influence. As Vashti struggles to understand his desire to see the stars from the Earth's surface, a profound disconnect between their realities begins to emerge.The Machine Stops by E. M. Forster☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsVYouTube - https://www.youtube.com/@VintageSciFiAudiobooksFacebook - https://www.facebook.com/TheLostSciFiPodcastTwitter - https://twitter.com/lost_sci_fi=========================== ❤️ ❤️ Thanks to All Our Listeners Who Bought Us a Coffee$200 Someone$75 James Van Maanenberg$50 Anonymous Listener$25 Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Hosted on Acast. See acast.com/privacy for more information.

This week on The Literary Life, we bring you another episode in our “Best of” series with a throwback to one of our 2021 Summer of the Short Story shows. In this episode, Angelina, Cindy, and Thomas talk about E. M. Forster's short story “The Machine Stops.” If you are interested in more E. M. Forster chat, you can go listen to our hosts discuss “The Celestial Omnibus” in Episode 17. Angelina points out how this story made her think of Dante. Thomas and Cindy share their personal reactions to reading “The Machine Stops.” They marvel at how prescient Forster was to imagine a world that comes so close to our current reality. They also discuss how to stay human in an increasingly de-humanizing world.  Past events mentioned in this episode replay: Back to School 2021 Conference: Awakening Cindy's new edition of Morning Time: A Liturgy of Love Cindy's Charlotte Mason podcast The New Mason Jar Commonplace Quotes: Imagination, in its earthbound quest, Seeks in the infinite its finite rest. Walter de la Mare (from “Books”) from “The Hollow Men” by T. S. Eliot This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man's hand Under the twinkle of a fading star.       Is it like this In death's other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms       In this last of meeting places We grope together And avoid speech Gathered on this beach of the tumid river       Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death's twilight kingdom The hope only Of empty men. Book List: Two Stories and a Memory by Giuseppe Tomasi di Lampedusa Howards End by E. M. Forster The Great Divorce by C. S. Lewis Fahrenheit 451 by Ray Bradbury The Worm Ouroboros by E. R. Eddison 1984 by George Orwell Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

The earth's surface is no longer habitable, and all humanity is sequestered beneath the ground, couched in isolation and contentment. The Machine provides the needs of humanity. But what happens when the Machine stops?  E.M. Forster, today on The Classic Tales Podcast.  Welcome to this Vintage Episode of The Classic Tales Podcast. Thank you for listening.  A Vintage Episode is released every Tuesday. Please help us to continue producing amazing audiobooks by going to http://classictalesaudiobooks.com, and becoming a supporter. New stories are coming your way on Friday.  Keep an ear open for our Kickstarter for The Golden Triangle – the seventh novel in the Arsène Lupin series. We're getting ready with boxed sets, special editions, and more! We'll let you know when we're ready to kick off.  E.M. Forster, largely known for his novels such as A Room with a View, Howard's End, and A Passage to India, also delved in the realm of science fiction, and he was no slouch. Today's story is often heralded as one of the greatest science fiction stories of all time, and was included in the Science Fiction Hall of Fame, Volume 2.  Versions of this story have often made their way into film, including George Lucas' THX 1138 and the original Logan's Run film from 1967 bear similarities to it. Even the Pixar film Wall-E depicts a future where the world in uninhabitable, and humanity is dependent upon machines for survival.  And now, The Machine Stops, by E.M. Forster.  Follow this link to become a monthly supporter:   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:          

With capital punishment in the offing, how can Gulliver escape the land of Lilliput?  Jonathan Swift, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  The Vintage Episode for the week is “The Machine Stops”, by E.M. Forster. Be sure to check out this science fiction classic on Tuesday. If you enjoy the show, please become a monthly supporter, and help us continue to highlight these amazing stories.  Please go to http://classictalesaudiobooks.com and become a monthly supporter for as little as $5 a month. As a thank you gesture, we'll send you a coupon code every month for $8 off any audiobook order. Give more, and you get more! It's a great way to help us keep producing sparkling audiobook content. Go to http://classictalesaudiobooks.com and become a supporter today.   And now, A Voyage to Lilliput, part 3 of 3, from Gulliver's Travels by Jonathan Swift. Follow this link to become a monthly supporter:   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:    Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:   Follow this link to follow us on TikTok:    

Everyone is talking about AI right now. Rishi Sunak's new best friend is Elon Musk, who has been over in Britain to talk about it and the danger it presents. ‘Civilization destruction' is how he described it. But, whilst that might be a long-term concern, isn't the short-term danger of more concern. Liker deep fakes. Or the rising use of energy by data centres and processing power. Or a reliance on an intelligence that just be plain wrong about things – there are some examples in the podcast. Even the wins, like fighting cyber-crime, could they be negated by cyber-criminals using AI to fight AI? And how much of what we are going through was predicted in EM Forster's 1909 short story, The Machine Stops? Hosted on Acast. See acast.com/privacy for more information.

This episode is all about the second half of The Machine Stops by E.M. Forster published in 1928 (from Part 2 The Mending Apparatus if you're reading alongside). The idea of the episode is that I take a book I've never read, split it in two and discuss each half in consecutive podcasts. I'll do a first impressions summary alongside my thoughts and reactions and then raise any interesting ideas so far in the novel (be aware - there may be spoilers.) And then on the last Friday of the month, I'll discuss the second half of the book. We'll see together how the novel concludes and decide whether it's a book we'd recommend to a friend - or not. Of course, you don't have to read the book, you can listen to it, or just follow along without doing either since I'll be summarising what happens (but be aware! - there will be spoilers). You can leave a comment or start a conversation at youtube.com/@BookShook or send an email to bookshook@yahoo.com. The next book I'll be reading is The Death of Ivan Ilyich by Leo Tolstoy (106 pages) —I'll be reading up to half way for the next episode. Thanks for listening to BookShook! RogerNext Reads:The Death of Ivan Ilyich by Leo Tolstoy The Awakening Kate ChopinSatantango László KrasznahorkaiI'm delighted that this podcast has been voted in the '90 best UK Books podcasts worth listening to in 2023' at https://blog.feedspot.com/uk_book_podcasts/) Hosted on Acast. See acast.com/privacy for more information.

This episode of BookShook is all about the first half of The Machine Stops (up to Part 2 ‘the Mending Apparatus) by, EM Forster, first published in 1928.In the podcast, I take a book, split it in two, and discuss each half in consecutive shows. I'll briefly summarise the half alongside my thoughts and reactions and raise any ideas that resonated with me. But be warned - there will be spoilers - but in this episode only up to halfway. I'd love to share your thoughts on the book so send an an email to bookshook @yahoo.com. Also, let me know if any book suggestions you may have. Welcome to BookShook”Next books on my ‘to read' list:The Death of Ivan IlyichSatantangoPhilippa Bailey's review: https://amp.theguardian.com/books/2022/jul/18/tomorrow-and-tomorrow-and-tomorrow-by-gabrielle-zevin-review-when-game-boy-meets-game-girl Bill Gates' review: https://www.gatesnotes.com/Tomorrow-and-Tomorrow-and-Tomorrow I'm delighted that this podcast has been voted in the top '30 best UK Books podcasts' at https://blog.feedspot.com/uk_book_podcasts/ Hosted on Acast. See acast.com/privacy for more information.

David Volodzko talks to Kevin Ray about the philosophy of teaching, how Paulo Freire's “Pedagogy of the Oppressed” has changed education in America, the harms of woke pedagogy, the tragic death of Richard Bilkszto after enduring genocidal rhetoric at the hands of a DEI trainer, and more.Kevin Ray is a theater director and teaching artist with over 20 years of arts education experience in New York City. He has produced and directed Unearthly Visitants, based on ghost stories by Edith Wharton, The Machine Stops, based on the short story by EM Forster, and is now developing a play based on the science-fiction novel We by Russian dissident Yevgeny Zamyatin, premiering October 2024 in Brooklyn. You can find more on his website or find him on Instagram, YouTube and Facebook. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theradicalist.com/subscribe

Welcome to BookShook! This episode is all about the first half of September's book, Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin published in 2022 (up to Chapter 5 'Pivots' on page 211 if you're reading alongside). The idea is that I split a book into two equal halves — a book that I and perhaps you have never read. In the first episode, published on the second Friday of the month, we'll discuss the first half. And then in the second episode (published on the last Friday of the month - $Part2EpisodeDate$ September), we'll look at the second half of the book (in this case from Chapter 5 'Pivots' on page 211). We'll see together how the novel concludes and decide whether it's a book we'd recommend to a friend - or not. Of course, you don't have to read the book, you can listen to it, or just follow along without doing either since I'll be summarising what happens (but be aware! - there will be spoilers). You can leave a comment or start a conversation at youtube.com/@BookShook or send an email to bookshook@yahoo.com. The book we'll be reading for October is The Machine Stops by EM Forster (so get that ready if you're going to read alongside). Thanks for listening to BookShook! RogerContent Warning: There are adult themes throughout the first half: suicide, violence, sexism and misogyny. I don't use any foul language in this podcast. Please check the content of the novel before proceeding.Future Reads:October: The Machine Stops by EM Forster November: The Death of Ivan Ilyich by Leo TolstoyArticle "The Unquenchable Thirst to Understand" by Yvonne Merritt http://itech.fgcu.edu/&/issues/vol2/issue2/rabelais.htm Youtube video of Simon McBurney discussing Rabelais http://itech.fgcu.edu/&/issues/vol2/issue2/rabelais.htmI'm delighted that this podcast has been voted in the '90 best UK Books podcasts worth listening to in 2023' at https://blog.feedspot.com/uk_book_podcasts/ Hosted on Acast. See acast.com/privacy for more information.

This week, the guys dive into the underground world of E. M. Forster's The Machine Stops. People live in pods, communication is done almost solely by instant messaging/video conferencing, and the omnipotent Machine takes care of people's bodily and spiritual needs. The guys analyze the situation and realizations that arise as the machine breaks down and people are condemned to their fate.

Welcome to another episode of Chaos Divided! Your weekly dose of WholesomeHammer! Nurgle_Snurgle and BlushingNoiseMarine are joined by our special guest, Mike from Watch it Paint it. We're chatting with him about his love of classic sci-fi, how he approaches the hobby, and what it feels like to be showcased by Warhammer Community. Mike's an incredible hobbyist and you can find his work on his YouTube Channel, Watch it Paint it. Make sure to subscribe to follow us on this journey as we explore the positivity, creativity, and artistry of Warhammer 40K! Thank you to our listeners, your positivity and excitement drives us forward! Want to connect with us? You can find us on instagram and Youtube with our newly launched channels @ChaosDivided40K and you can connect with us directly @Nurgle_Snurgle and @BlushingNoiseMarine! --- Send in a voice message: https://podcasters.spotify.com/pod/show/chaosdivided/message

Containing Matters of The Worms Timestamps: introductions (0:00) E.M.Forster background, non-spoiler discussion (12:38) spoiler plot summary, spoiler discussion (49:59) Bibliography: Lago, Mary - "Forster on E. M. Forster", Twentieth Century Literature, Summer - Autumn (1985) Moffat, Wendy - "A Great Unrecorded History: A New Life of E. M. Forster" (2010) Rau, Santha Rama - "Remembering E. M. Forster", Grand Street , Summer, 1986, Vol. 5, No. 4 (Summer, 1986) Stone, Wilfred and Forster, EM - "Some Interviews with E. M. Forster", Twentieth Century Literature , Spring, 1997, Vol. 43, No. 1 (Spring, 1997)

Out of the Unknown The Machine Stops

In a world where all physical needs are perfectly met by machines, and all human interaction is forced through a funnel of technology, what would we be giving up? What risks are we willing to take in order to be truly human? Should you bother going into the office at work or just connect on video? This is Part III in a trilogy of episodes on technology, machines, and what makes us special. Connect on Twitter: http://twitter.com/johnrdurant

The Machine Stops by E. M. Forster audiobook. The Machine Stops is a short science fiction story. It describes a world in which almost all humans have lost the ability to live on the surface of the Earth. Each individual lives in isolation in a 'cell', with all bodily and spiritual needs met by the omnipotent, global Machine. Most humans welcome this development, as they are skeptical and fearful of first-hand experience. People forget that humans created the Machine, and treat it as a mystical entity whose needs supersede their own. Those who do not accept the deity of the Machine are viewed as 'unmechanical' and are threatened with "Homelessness". Eventually, the Machine apocalyptically collapses, and the civilization of the Machine comes to an end. 

The Commercial Real Estate Academy podcast was created to demystify the commercial real estate industry for the masses. During our weekly episodes, we interview industry experts on a host of different commercial real estate-related topics. Through these interviews, we hope to arm you with the knowledge, references, and tools you'll need to confidently pursue commercial real estate opportunities as a business owner and/or an investor. Raphael Collazo and Jeff Walston are excited to introduce their guest for this week! In today's episode, we hosted Don Gregor, Executive Vice President at Aurora Realty Consultants, for a lively conversation about the ways social media impacts his business in a positive way. ▶️ During our conversation, we explored topics such as: • What are some of the struggles he faced early on, • What made him decide to focus on retail real estate, • What considerations does he work through with his client prior to them leasing a space, • How has social media impacted his business in a positive way, • As well as much more... ▶️ If you're interested in learning more about Don, feel free to reach out to him via the following links: ▶ LinkedIn: https://www.linkedin.com/in/don-gregor-551bb89/ ▶ Website: auroraconsultants.com ▶ Email: dgregor@auroraconsultants.com Below I've provided links to books that were referenced during the episode: 1. Shopgirl - amazon.com/Shopgirl-Novella-Steve-Martin/dp/0786891076 2. The Machine Stops - https://www.amazon.com/Machine-Stops-M-Forster/dp/1609420667 If you find value in these episodes, please SUBSCRIBE and don't forget to leave us a 5

AI is a subject that we will all benefit from understanding better. In this episode, co-hosts Calum Chace and David Wood review progress in AI from the Greeks to the 2012 "Big Bang".00.05: A prediction01.09: AI is likely to cause two singularities in this pivotal century - a jobless economy, and superintelligence02.22: Counterpoint: it may require AGI to displace most people from the workforce. So only one singularity?03.27: Jobs are nowhere near all that matters in humans04.11: Are the "Three Cs jobs" safe? Those involving Creativity, Compassion, and Commonsense? Probably not.05.15: 2012, the Big Bang in AI05.48: AI now makes money. Google and Facebook ate Rupert Murdoch's lunch06.30: AI might make the difference between military success and military failure. So there's a geopolitical race as well as a commercial race07.18: Defining AI.09.03: Intelligence vs Consciousness10.15: Does the Turing Test test for Intelligence or Consciousness?12.30: Can customer service agents pass the Turing Test?13.07: Attributing consciousness by brain architecture or by behaviour15.13: Creativity. Move 37 in game two of AlphaGo vs Lee Sedol, and Hassabis' three buckets of creativity17.13: Music and art produced by AI as examples19.05: History: Start with the Greeks, Hephaestus (Vulcan to the Romans) built automata, and Aristotle speculated about technological unemployment19.58: AI has featured in science fiction from the beginning, eg Mary Shelley's Frankenstein, Samuel Butler's Erewhon, E.M. Forster's "The Machine Stops"20.55: Post-WW2 developments. Conference in Paris in 1951 on "Computing machines and human thought". Norbert Weiner and cybernetics22.48: The Dartmouth Conference23.55: Perceptrons - very simple models of the human brain25.13: Perceptrons debunked by Minsky and Papert, so Symbolic AI takes over25.49: This debunking was a mistake. More data and better hardware overcomes the hurdles27.20: Two AI winters, when research funding dries up 28.07: David was taught maths at Cambridge by James Lighthill, author of the report which helped cause the first AI winter28.58: The Japanese 5th generation computing project under-delivered in the 1980s. But it prompted an AI revival, and its ambitions have been realised by more recent advances30.45: No more AI winters?Music: Spike Protein, by Koi Discovery, available under CC0 1.0 Public Domain DeclarationFor more about the podcast hosts, see https://calumchace.com/ and https://dw2blog.com/

Poet Cecile Goding first heard her words set to music for a class at the Iowa Writers Workshop. This led her to the idea of creating a new opera inspired by the E.M. Forster short story, “The Machine Stops,” whose setting is a world where people never meet physically, but create relationships through the screen … Continue reading The post Culture Crawl 738 “What Would Zappa Do?” appeared first on Jazz 88.3 KCCK.

A world where everyone occupies a tiny cell, connected to each other only by machines, and where a parent's responsibility to their child ends at birth. Where all knowledge and experience comes secondhand, through the machine. A world where the machine rules everyone's lives.We absolutely love this classic short story, and we're lucky it's old enough to have entered the public domain so we can release this complete audiobook for free! We did a full cast recording with Kiran Subramaniam joining Cody and Brent to voice all the parts.Let us know if you liked (or didn't like) this episode so we can keep doing more (or quit doing) these free audiobooks! Drop us a message to let us know what you think on Instagram or Twitter (search 'Hugonauts Podcast'), or via email at hugonautspodcast@gmail.com.Keep reading y'all!

It is truly unbelievable that this story was written in 1909 - E. M. Forster's dystopian world feels all too real in our increasingly digitally connected and physically isolated real world. The story is about ritual & superstition, resistance to change, the dangers of reliance on an all-powerful authority, the origins of knowledge and creativity, and a tumultuous relationship between a mother and son who see the world in very different ways. We're joined to talk about the story by actor and writer Kiran Subramaniam, who also joined us to record our full cast, unabridged audiobook of this story! No spoilers here as usual, but we do highly recommend listening to the story as well, whether before or after the analysis & review. It's an incredible story and isn't too long - the audiobook episode is just over an hour. You should see that free audiobook available as our episode 19.  As always, we also recommend and discuss some similar books if you are looking for more great books to read. This week we recommend 1984 by George Orwell, Brave New World by Aldous Huxley, Welcome to the Monkey House by Kurt Vonnegut, and Foundation by Isaac Asimov.Or you can watch the show on YouTube here if you prefer video.Happy reading y'all!

New in-depth George series incoming. In the meantime, here is a special episode. E.M. Forster's groundbreaking work on transhumanism and the fate of a technologically advanced consumer society - as read by a history podcaster from Illinois. This was originally a patron-only piece of content, but due to the incoming transhumanist hellscape, I decided everyone needed access to this work. It's a great read - and hopefully a compelling listen. VENMO TIP JAR: @wtadp PATREON: www.patreon.com/wetalkaboutdeadpeople SOUNDCLOUD: @wetalkaboutdeadpeople FACEBOOK: www.facebook.com/wetalkaboutdeadpeople TWITTER: www.twitter.com/wtadppodcast SPOTIFY: open.spotify.com/show/2OJRFxh9MGNb9AhA4JuOeX itunes.apple.com/us/podcast/we-ta…d1282606749?mt=2 #history #comedy #memes #funny #wtadp #wtadppodcast #podcast #true #story

In a world where everything operates via a singular machine, people like Vashti have become conditioned to a bland and lethargic lifestyle. When Kuno notices a significant fault with The Machine, it is up to him to convince his mother to embrace a drastic change.

Barry and Mike discuss the E.M. Forester short story "The Machine Stops" and marvel at how timely it is, over 100 years after it was written. Using the story as a contextual springboard, they discuss the nature of our reliance on technology and the convenience it offers and wonder: is it worth the price? What is the price in the first place?

Please check out the story for free here: https://www.cs.ucdavis.edu/~koehl/Teaching/ECS188/PDF_files/Machine_stops.pdfI also recommend Tony's own story. Check it out: https://www.fictionalcafe.com/surgeon-generals-warning-by-a-r-farina/If you like what we are doing, check out our Patreon: https://www.patreon.com/20cgmedia

In today's episode of the Teaching ELA Podcast, I discuss science fiction short stories for middle school and high school: “The Fun They Had,” “All Summer in a Day, “Examination Day,” “They're Made out of Meat,” “Harrison Bergeron,” “There Will Come Soft Rains,” “The Machine that Won the War,” “The Machine Stops,” and whatever else comes to mindI've got an emergency lesson plan you can get on the board right now. And the One Thing you can teach with any of these stories is in the show title. It's the elements of Science Fiction. By teaching students to analyze the elements of Science Fiction, you'll be hitting standards that involve theme, characterization, setting, and all those other things we discuss when we get all literary up in this mug.TakeawaysScience Fiction isn't just for nerds. You'll get a higher percentage of students who enjoy science fiction short stories than just about any other type.What makes good science fiction stories so good is their ability to connect with readers despite futuristic settings and characters.Teaching the Elements of Science Fiction will make teaching many of the elements of literature easy.Links and ResourcesSFLesson Plans CollectionScience Fiction Short Stories“Harrison Bergeron” lesson plans can be found here.“There Will Come Soft Rains” lesson plans can be found here.“A Sound of Thunder” lesson plans can be found here.Rappacinni's Daughter“The Fun They Had” lesson plans can be found here.“All Summer in a Day” lesson plans can be found here.“The Veldt” Lesson Plans can be found here.

A futuristic story written in 1909 that sounds eerily like the world we live in. Dystopian and visionary tale of people living underground completely dependent on a machine who controls everything. Even though computers did not exist in 1909, the machine acts like a computer. Audiobook. Find it free here https://booksvooks.com/the-machine-stops-pdf-em-forster.html --- Send in a voice message: https://anchor.fm/blueskiesandgreenpastures/message

In another edition of our ongoing Book Club series, we discuss the bafflingly prescient and hugely unknown E.M. Forster proto-science fiction and dystopian story The Machine Stops. This was written in 1909 yet managed to very accurately predict technologies like the internet, including its ability to be used as a device that can allow people to never leave the house: video conferencing, delivering food, clothes, music, literature and even artificial oxygen all to individuals living in isolation in underground chambers, yet connected to thousands and mediated by "the Machine." A harrowing and all-too-familiar vision of a world saturated with social atomization and mechanized order as well the dire consequences they may bring.Support: patreon.com/heatdeathpodGeneral RecommendationsJD's Recommendation: Dune (2021)JNM's Recommendation: The Machine StopsFurther Reading, Viewing, ListeningPublic domain copy of the story: The Machine StopsAudiobook of The Machine Stops"How E.M. Forster's Only Foray Into Sci-Fi Predicted Social Distancing""The Machine Stops" a review by famed neurologist and author Oliver Sacks"The Machine Stops: Science and Its Limits"The Machine Stops: Will Gompertz reviews EM Forster's workJNM's review of The Machine StopsWATCH: 1960s British science fiction anthology series Out of the Unknown included an adaption of "The Machine Stops" as one of their best received episodes (via archive.org)Review of the TV episode adaptation in Radio Times, September 29, 1966Locationless Locationsheatdeathpod.comEvery show-related link is corralled and available here.Twitter: @heatdeathpodPlease send all Letters of Derision, Indifference, Inquiry, Mild Elation, et cetera to: heatdeathoftheuniversepodcast@gmail.comAlso, check out our newly updated YouTube channel for the hell of it

On Sept. 20, Cincinnati surgeons were the first to use the Pulse platform in the U.S.

Raven went back in time to 1909 to read the novella THE MACHINE STOPS with friend of the Apoc-pod, writer and virologist John Skylar!  E. M. Forster was very queer (he wrote MAURICE, after all) and we suspect he had a looking glass into the future because he nailed Zoom Fatigue. Come for a society that has forgotten how to repair the Machine that does EVERYTHING for them, stay for trying to avert an apocalypse with a Strongly Worded Complaint. You can check out John Skylar's writing at Covid Transmissions. Support us at https://www.patreon.com/nellachronism Follow the progress of the Apocalist here. Follow us on twitter @ApocalistC, Email us at ApocalistBookClub@gmail.com CREDITS: Art by Michael Vincent Bramley. Music by Robare Pruyn. Sound editing by Crutch Phrase Studio.

Bob speaks with author and scholar Lawrence Weschler, who shares astonishment that The Machine Stops could — from very few data points — extrapolate our present, so paradoxically connected and detached.* FULL TRANSCRIPT *TEDDY ROOSEVELT: Surely there never was a fight better worth making than the one which we are in.GARFIELD: Welcome to Bully Pulpit. That was Teddy Roosevelt, I'm Bob Garfield. This is Episode 7: Back to the Future.It's a special episode, featuring not an essay or an interview exactly but a conversation — a literary conversation no less — with author Lawrence Weschler. The subject is a 12,000-word novella called The Machine Stops, and the occasion, for reasons that soon will be apparent, is the Venice Architecture Biennale. This is an abridged version of our back-and-forth for that audience.Now you may know Ren Weschler from his decades as a staff writer for the New Yorker, or for his dozen-some books on subjects as varied as Chilean torture, Polish liberation politics and his Boswell-ish engagements with such pioneering artists as David Hockney, Robert Irwin and the maker of hand-inked paper-money facsimiles, JSG Boggs. And so much more, because he is a journalist of astonishing scope and erudition, as you are about to ear-witness.At some points I may interrupt the Venice conversation for a clarifying point. Meantime, for reasons that will also soon be obvious, we will begin not with a description of The Machine Stops, but of Ren reading the first page or two.WESCHLER:Imagine, if you can, a small room, hexagonal in shape, like the cell of a bee. It is lighted neither by window nor by lamp, yet it is filled with a soft radiance. There are no apertures for ventilation, yet the air is fresh. There are no musical instruments, and yet, at the moment that my meditation opens, this room is throbbing with melodious sounds. An armchair is in the centre, by its side a reading-desk — that is all the furniture. And in the armchair there sits swaddled a lump of flesh — a woman, about five feet high, with a face as white as fungus. It is to her that the little room belongs.An electric bell rang.The woman touched a switch and the music went silent.“I suppose I must see who it is”, she thought, and set her chair in motion. The chair, like the music, was worked by machinery and it rolled her to the other side of the room where the bell still rang importuningy.“Who is it?” she called. Her voice was irritable, for she had been interrupted often since the music began. She knew several thousand people, in certain directions human intercourse had advanced considerably.But when she listened into the receiver, her white face wrinkled into smiles, and she said: Very well. Let's talk, I will isolate myself. I do not expect anything important will happen for the next five minutes — for I can give you fully five minutes, Kuno. Then I must deliver my lecture.She touched the isolation knob, so that no one else could speak to her. Then she touched the lighting apparatus, and the little room was plunged into darkness.“Be quick!” She called, her irritation returning. “Be quick, Kuno; here I am in the dark wasting my time.”But it was fully fifteen seconds before the round plate that she held in her hands began to glow. A faint blue light shot across it, darkening to purple, and presently she could see the image of her son, who lived on the other side of the world, and he could see her.“Kuno, how slow you are.”He smiled gravely.“I readily believe you enjoy dawdling.”“I have called you before, mother, but you were always busy or isolated. And I have something particular to say.”“What is it, dearest boy? Be quick. Why could you not send it by pneumatic post?”“Because I prefer saying such a thing. I want  —”“Well?”“I want you to come and see me.”Vashti watched his face in the blue plate.“But I can see you!” she exclaimed. “What more do you want?”“I want to see you not through the Machine,” said Kuno. “I want to speak to you not through the wearisome Machine.”“Oh, hush!” said the mother, vaguely shocked. “You mustn't say anything against the Machine.”“Why not?”“One just mustn't.”“You talk as if a god had made the Machine,” he cried. “I believe that you pray to it when you are unhappy. Man made it, do not forget that. Great men, but men. The Machine is much, but it is not everything. I see something like you in the plate, but I do not see you. I hear something like you through this telephone, but I do not hear you. That is why I want you to come. Pay me a visit, so that we can meet face to face, and talk about the hopes that are in my mind.”And it goes on from there.GARFIELD: Well, thank you, Ren. As you in our audience have by now divined, The Machine Stops is a work of science fiction depicting a techno totalitarian state in which citizens from their hexagonal hive quarters conduct their lives almost entirely mediated by an internet called The Machine. And as we'll discuss, it really kind of nails some of the biggest issues we face as Earthlings in 2021, Ren so far so good. Fair description?WESCHLER: I think that's good. Keep going.GARFIELD: All right. The Machine Stops portrays a dystopian future society, denuded as will learn of trees and of real human contact, where physicality is not really déclassé, but bred out of the species all together. The inhabitants of this world are flaccid and lumpen and pale and depend on the Machine to the limit to deliver them, not just images on the screen, but through that network of tubes the food and oxygen they need to sustain them.WESCHLER: They're all living underground.GARFIELD: Oh, and they're living underground. Stop me if I'm getting any of this wrong, if there's any other additions.WESCHLER: Something appears to have happened on Earth, on the surface, and everybody's been moved underground and is living in a hive of hexagonal rooms.GARFIELD: Exactly. So here's the thing. To read The Machine Stops is to immediately think of other fictional techno dystopias from which such a scenario would seem to derive. George Orwell's 1984, written in 1949. and Aldous Huxley's Brave New Worldfrom the year 1932, each depicting authoritarian societies which controlled the population through centralized media and creature comforts to make individuals docile and compliant. But Ren, you stubbornly refuse to call this story derivative of either Orwell or Huxley. Why is that?WESCHLER: Because it was written in 1909, by E.M. Forster. And it's amazing because we don't think of E.M. Forster, who we associate with those of us who either read it in college or went to the movies, we associate it with A Room with a View, which is a book that came out just before he wrote this, or , which is a book that came out just after. He wrote it in 1909. And as we'll discuss as we go on, it is unbelievable how he nails the current moment. He nailed the current moment even three or four years ago, but after Covid, it completely nails the current moment. It's, it is absolutely amazing that he would have had this vision in 1909. A few thoughts on that and then we'll go back to the story itself. I've been doing some reading of his biography, in various biographies, and all of them quote this very seminal diary entry he had in January, 1908. So this is a year before he wrote the story. And he's all upset because that morning comes news. Well:Last Monday, a man named Farman flew a three quarter mile circuit in one and a half minutes.He's talking about planes, airplanes, the early airplanes.It's coming quickly. And if I live to be old, I shall see the sky as pestilential as the roads. It really is a new civilization coming. I have been born at the end of the age of peace and can't expect to feel anything but despair. Science, instead of freeing man — the Greeks nearly freed him by right feeling — is enslaving him to machines. Nationality will go, but the brotherhood of man will not come. No doubt the men of the past were mistaken in thinking dulce decorum est pro patria mori — it's beautiful to die for one's country — but the war of the future [this is 1909]  will make no pretense of beauty or of being the conflict of ideas. God, what a prospect. The little houses that I'm used to will be swept away. The fields will stink of petrol and the airships will shatter the stars. Man may get a new and perhaps a greater soul for the new conditions, but such a soul as mine will be crushed out.GARFIELD: He was a hell of an extrapolator.WESCHLER: Yeah, you can see it going from there. By the way, it reminds me of an amazing passage from Henry James writing to a friend in 1914. In August, 1914:Black and hideous to me is the tragedy that is gathering and I'm sick beyond cure to have lived on to see it. You and I, the ornaments of our generation should have been spared this wreck of our belief that through the long years we had seen civilization grow and the worst become impossible. The tide that bore us along was then all the while moving to this, it's Grand Niagara. Yet what a blessing we didn't know it.GARFIELD: OK, as threatened, popping in here after the fact to point out what Ren and I failed to remind the audience — which is that Henry James was responding to the outbreak of World War I and the shattering realization that evolved societies can devolve in the worst way — which he simply did not see coming.WESCHLER: Interesting thing there is that in many ways Forster did. And for that matter, it was this fantasy that both Foster and James had that, this was a time of civility and so forth, completely occludes what was, for example, taking place in Africa and in imperialism all over the world and that wasn't going to lead directly to World War I. By the way, one other thing to say about 1909 before we go on is, 1909 is not just an average year. 1909 is the year that Cubism is invented. And in some ways, I would argue and we can go into this later on, that the Cubists, too, are having this sense of the limitations of things and how one needs to think differently, to think in new ways and how to evade the totalitarianism of one point perspective and so forth.GARFIELD: You could say that cubism is extrapolation itself, so they share that in common. You mentioned the air travel. I mean, this is just a couple of years after the Wright Flyer got a few feet off the ground at Kitty Hawk. And he's imagining transcontinental travel, which is just one element of just the jaw dropping list of prescient observations. You referred to the Covid lockdown. Everybody is in absolute isolation. They see other people only through that screen, that blue lighted screen in their hands, which is like a smartphone or an iPad.WESCHLER: They've all gone flaccid and flabby. There's an amazing passage, by the way. He does a flip on several things. He does a flip on eugenics, that in this society, any babies that are born that seem to be strong and athletic are immediately eliminated. This is just the opposite of the fantasy of eugenics at that time. And they're eliminated because, you know, what's the point? It would just make them uncomfortable and it would be embarrassing for everybody else. So they are killed at their very births.GARFIELD: Yeah, and that will become a plot point because they've culled physicality from the species. But the son who we're introduced to in the first passage will actually cultivate his muscles for what will be his escape to the surface.WESCHLER: Right.GARFIELD: Just a couple more things Ren. There's the environmental devastation that I don't know that others anticipated in 1909, but the air is despoiled, the trees are gone. We are forced as a species underground because it is uninhabitable above.WESCHLER: One point where he says that, for our comforts, we despoiled the entire planet and made it unlivable, some phrase, just because we wanted to be more comfortable. Amazing phrase in 1909.GARFIELD: There is also, and again, this was, this was long before globalism and the interconnectivity of the whole world. Distant places were distant and discrete. But what he somehow envisioned was this vast cultural homogeneity as a result of globalism. Every hexagonal hive around the world was the same and all of the media content was the same, and we all lived the same experience.WESCHLER: He has this great line. What's the point of going to Beijing, or Peking as it's called, when when you get there, it's going to look exactly like your own town. He has malls, he has FedEx. He has this great line where he says, we've solved the problem of people having to go places to get things. Things come to people. That solves that. No need to go outside. No need to leave your room. He has this very funny thing about why one of the reasons that the world was despoiled was because all the trees were cut down for pulp, for books.GARFIELD: And newspapers.WESCHLER: And he has a thing that's basically Kindle. And there are no books anymore. There's basically this plate. You can read any book you want on that plate. There is one book, which is the manual for the Machine basically, that's achieved kind of the role of the Bible almost.GARFIELD: Yeah. And there's this recurring theme in the book about the deification of the technology and the ongoing debate between the mother Vashti and the son Kuno about whether they have actually defaulted to the religion that they're nominally not permitted to have in this society. There's one thing about that  iPad or smartphone, the image that is at the very beginning of the story — it comes just about where you left off.WESCHLER: Right. Right.GARFIELD: And I wanted to read this because it's describing the low resolution of the screen.WESCHLER: And we are not unaware of how meta this whole conversation … GARFIELD: Yeah, especially if your Zoom feed is pixelating right now. But it said:She could not be sure, for the machine did not transmit nuances of expression. It gave only a general idea of people, an idea that was good enough for all practical purposes, Vashti thought. The imponderable bloom declared by a discredited philosophy to be the actual essence of intercourse was rightly ignored by the machine, just as the imponderable bloom of the grape was ignored by the manufacturers of artificial fruit. Something good enough had long since been accepted by our race.It's an astonishing observation. And you don't know whether he's talking about the Uncanny Valley, by which animated figures and robots can be seen not to be human because there's a certain light missing from their eyes. Or whether it's a society wide kind of Aspergers where you're blind to nuance of expression. Is it just technological, is it just that there aren't enough pixels on the screen. Or, and this is what I think, is the loss of resolution, the just good enough, a metaphor for the loss of rich experience and rich inquiry and the sense of mystery which the society has forsaken? What the hell is the imponderable bloom, Ren?WESCHLER: Well, I'm reminded of when you go to museums and you see those — using the example he himself uses — the paintings of still lifes, the Dutch still lifes. And they do have that incredible, that little powdery dust on the plum, for example.GARFIELD: Mm hmm.WESCHLER: That is the essence of a plum. And yet you don't — when you go to the store, the supermarket, all the plums have been polished — and so you don't see that at all. For that matter, I'm reminded of, in that context, John McPhee's book, Oranges, in which he asks the question one morning at his breakfast table, why does the orange juice, his packaged orange juice from Florida, taste the same every single time? And that became a whole book of the entire industry, the superstructure of creating oranges and everything that has to happen to make sure that they stay exactly the same. God forbid you should have a separate kind of taste one morning from the other morning. You would, of course, take it back to the supermarket and complain, you know, you would become like one of the satirical characters in this story. I mean, that's how you would respond to it.GARFIELD: I'm no longer surprised, now that you mention the orange thing, which I had been unaware of, that John McPhee also wrote 60,000 words on rice.WESCHLER: Yeah, yeah. Well, that was the good old days at The New Yorker.GARFIELD: Those were the days. And you were in the thick of The New Yorker.WESCHLER: I was in the thick of the rice.GARFIELD: Them days. I just wanna, if I had E.M. Forster here, I would say to him: I got news for you, dude — I grew up in the 50s and 60s and we had artificial grapes that were made of glass and they had some sort of, I don't know, latex around them. And they looked really, really foggy. You know, they had that misty look to them. So we solved that problem motherfucker. You know …WESCHLER: I'm sure the two of you would have gotten along great.GARFIELD: Oh, I have no doubt. So, Ren, obviously it's jaw dropping that he was so prescient in so many ways.WESCHLER: There's a few other ones that I wanted to point out. One of the things that's absolutely amazing is that Vashti's job is essentially she's an influencer. And when she's not influencing, she's a TED lecturer. She basically gives these lectures that everybody all over the world, because she has thousands of friends, that's basically what she has, tune in to her lectures and they are 10 minutes long. They are never more than 10 minutes long. And we were talking a bit about the standardization of the world. All beds are exactly the same size and are the same everywhere. It's basically the IKEA of the world. You realize that for him, this is dystopian and for you this is your life.GARFIELD: There's one big difference between like TED culture and The Machine Stops culture, and that is that these lectures, they mustn't, they mustn't contain new ideas.WESCHLER: Exactly.GARFIELD: It's a beehive. It's also a cow stomach, where you're allowed to digest in ...WESCHLER: Ruminate, as it were.GARFIELD: … different chambers, but you're not allowed to do anything new.WESCHLER: Right.GARFIELD: And again, early in the book, there's something I find astonishing. Can I read one more passage?WESCHLER: Yeah, yeah. Do, do.GARFIELD: In the very first pages, the son is talking to his mother, whose job is to lecture about stuff that people already know. And he talked about his experience when he was on one of these airships of seeing stars take a familiar shape. He says:Do you not know four big stars that form an oblong and three stars close together in the middle of the oblong and hanging from these stars, three other stars?No, I do not, she says, I dislike the stars.But did they give you an idea?How interesting. Tell me.I had an idea they were like a man.I do not understand.The four big stars are the main shoulders and his knees. The three stars in the middle are like the belts that men wore once, and the three stars hanging are like a sword.A sword?Men carried swords about with them to kill animals and other men.He had reinvented the wheel called constellations.WESCHLER: Orion, in particular.GARFIELD: It had vanished from humankind, the notion of looking at the stars and marveling and imagining what images they conjured. This was, this was a revelation. This is how far the society had devolved, that they lost track of the very stars.WESCHLER: And there is the wonderful phrase at one point where Forster says that above them, night was turning to day, day was turning to night. They were completely unaware of the cycle, even that cycle. At one point she does, Vashti does decide to go and they have these airships they are called. They're like kind of like planes, kind of like balloons — it's not quite clear what they are. But they're traveling, and this description of what it is like being on the airship:It was night. For a moment she saw the coast of Sumatra, edged by phosphorescence of waves and crowned by lighthouses still sending forth their disregarded beams. These also vanish, and only the stars distracted her. They were not motionless, but swayed to and fro above her head, thronging out of one skylight into another, as if the universe, and not the airship, were careering. And as often happens on clear nights, they seemed now to be in perspective now on a plane now plied tear beyond tear into the infinite heavens, now concealing an infinity of roof limiting forever the visions of men. In either case, they seemed intolerable. Are we to travel in the dark?, called the passengers angrily. [In other words, in night? And what the hell is this? What are we doing?] And the attendant who had been careless generated the light and pulled down the blinds, a pliable metal. When the airships had been built, the desire to look direct at things still lingered in the world. Hence the extraordinary number of skylights and windows and the proportionate discomfort of those who are civilized and refined. Even in Vashti's cabin, one star peeped through a flaw in the blind, and after a few hours of uneasy slumber, she was disturbed by an unfamiliar glow, which was the dawn.She's furious that there's a rip in the curtain that is allowing this stuff through. Close it, close it. All ideas have to be, at very most, original secondhand and preferably third or fourth hand. And that's all the discourse that's going on.GARFIELD: Hold on. Now, on the subject of intolerable, dude, keep reading because something happens between her and the flight attendant.WESCHLER: Yeah, that's fantastic, too, yeah:People are almost exactly alike all over the world. But the attendant of the airship, perhaps owing to her exceptional duties, had grown a little out of the common. She had often to address passengers with direct speech, and this had given her a certain roughness and originality of manner [originality being a very bad word]. When Vashti swerved away from the sunbeams with a cry, she behaved barbarically. She put her hand out to study her. “How dare you?,” exclaimed the passenger. “Vashti, you forget yourself.” The woman was confused and apologized for not having let her fall. People never touched one another. The custom had become obsolete, owing to the Machine.Welcome to Covidland.GARFIELD: Yeah, the 12:44 is coming in right on schedule.WESCHLER: Right, there it is, outside.GARFIELD: A society denuded not only of trees, but of touch, of human contact. So we've established clearly that Forster was prescient beyond beyond belief, right? But the other thing that's beyond belief is that the person who's writing this is E.M. Forster.WESCHLER: Right.GARFIELD: Because E.M. Forster, A Room with a View, Passage to India, where at least at first glance, the issues that he's concerning himself with are very, very different, in class division and so on. So my question for you is, are they really that different?WESCHLER: Well, there's that.GARFIELD: Is there a line between A Passage to India and The Machine, you know, styles?WESCHLER: Well, a couple of things. First of all, in terms of the immediate background, according to some of the biographies I've been reading, he wrote it, he said at the time, as a counter to some of H.G. Wells's most recent work at the time, which was utopian — where H.G. Wells was imagining actually a happy outcome, where the world, where all these machines were taking care of all these things and so forth, and he was not at all sure about that. So, he also, somebody said, he was writing an encounter to an Oscar Wilde line that he had quoted at one point, who in 1890 — so that would have been 20 years before this — had written this is Oscar Wilde, the Oscar Wilde of Art for Art's Sake, as:… we become more highly organized, the elect spirits of each age, the critical and the cultured spirits, will grow less and less interested in actual life, and will seek to gain their impressions almost entirely from what Art has touched.In other words, that is a different kind of utopianism, where you no longer have to deal directly with life and so forth.GARFIELD: Well, you just described Wilde's actual life because, you know, I think probably into the 20th century, well into the 20th century, art was the stuff of aristocrats.WESCHLER: Yeah, yeah. And so that in turn, of course, aristocrats and bohemians — that great line of Kurt Vonnegut's, that that art is a conspiracy between artists and rich people to make poor people feel stupidGARFIELD: (laughing)WESCHLER: But indeed, I think Forster is very, elsewhere, is very focused on partly the comforts of a certain layer of bourgeois life. But also the underpinnings and the way that there is beginning to be this growing polarization of wealth, you might say — we are in the Gilded Age after all — and the terrible way in which servants and so forth are being treated. He's quite sensitive to that. And oddly enough, one of the things that's interesting here is that the dystopian society has had a solution which is making everybody live in beehives, you know, and so that that class culture has disappeared, but in a kind of dystopian way. I think, though, that some of those passages, the passage of the dawn in Sumatra and the lighthouse, that's pure E.M. Forster, A Passage to India. I mean, this extraordinary sensitivity to the tactile quality of experience. Especially as opposed to the everydayness of most people's lives, his heroes have these moments, these epiphanies.GARFIELD: To the textures, to the smells, to the colors, right, of different cultures — the antithesis of the homogeneity.WESCHLER: You go to Beijing because Peking is different. You go to Delhi because Delhi is different. You go to that cave because, good Lord, is it different than something you would have experienced at home?GARFIELD: That's something else he nailed too, because, you know, increasingly Shanghai is Los Angeles or whatever.WESCHLER: Yeah. And by the way, Los Angeles is Shanghai.GARFIELD: Yes, that's right.WESCHLER: It's just this remarkable thing to come upon and to come upon it now. So part one is basically this, brings out this world. In part two, there's three parts, part two — in what in one sense is the climax of the story — is how Kuno not only is sacrilegious in that he doesn't honor, he says things that, Be quiet, don't say those things. The machine is listening. You know, the machine is our benefactor.GARFIELD: Popping in again, because I also failed to notice this when Ren raised it, but the idea of the Machine is listening. If this were Orwell, or Huxley, or Ray Bradbury, the machine would have been listening like an electronic Stasi, like an omniscient security state — which is not quite the case in Forster or even in our own surveillance society. It's not eavesdropping per se. Yes, in 2021, the Machine does know, because we surrender data willy nilly, and our every click and keystroke are recorded and we spill our guts on social media for eternity. Forster somehow knew that the machine would somehow know. And so Kuno tried to explain to his mom.WESCHLER: And he's saying, no, I want to get out. And she says, well, there's no way to get out. The only way to get out, you take the train to the air thing and then you can take airships but you can't go on land, you just can't go on the land. And he says no but I figured something out. And he has this amazing description of, he — well, as you say, he began exercising, which was like completely crazy. He turned off all the stuff and just would do pushups and so forth to get stronger and stronger because, and then he has this extraordinary line, by the way, let me see if I can find this, this amazing line about what we've lost: We have lost the sense of space. We say space is annihilated. That's from the phrase that the telegraph had annihilated space and time, that it used, when the telegraph and the telephone and eventually email come online, the feeling was that space and time — where it took a long time for a message to get from one place to another, you know, and so forth — had been annihilated by by this incredible thing. Initially, the telegraph or along with the telegraph, exactly along with the telegraph, is the train system because the trains need telegraphs to set up all the signals and so forth. And they were exulting at the annihilation of space and time. Which reminds me, by the way, some other time we should have a conversation, if you will, if you enjoy these conversations, about an amazing book by Wolfgang Schivelbusch called The Railway Journey, in which he goes back and looks at what people's experience of railway's was when it first happened. And he describes people are suddenly going six miles an hour, seven miles an hour. And universally, the letters that everybody's writing each other is about the G forces on their bodies. They're being hurled back into the seat. You know, this is, everybody has this same experience. GARFIELD: Not the soot in their teeth, but but that thrill ride of seven mph.WESCHLER: Right. Anyway, so he goes on:We say space is annihilated, but we have annihilated not space, but the sense thereof. We have lost a part of ourselves. I determined to recover it. And I began by walking up and down the platform of the railway outside my room, up and down until I was tired and so did I recapture the meaning of near and far. Near is a place to which I get quickly on my feet, not a place to which the train or the airship will take me quickly.He's walking, he walks farther and suddenly one day, he comes upon this little pile of rubble on the thing and he looks above and he realizes this must have been when they were building the hives. There must have been a tunnel that went through here up to the, up to a vertical tunnel. And this is left over from the building. And he kind of scratches away and he suddenly finds himself in a tunnel. And he's saying to his mother, there was a ladder. He opens it up and there's this little thing and it goes way straight up, and he says:There was a ladder made of some primeval metal. The light from the railway fell upon its lowest rungs. And I saw that it led straight upwards out of the rubble at the bottom of the shaft. Perhaps our ancestors ran up and down it a dozen times daily in their building. As I climbed the rough edges, cut through my gloves so that my hands bled, the light helped me for a little, and then came darkness and worse still silenced, which pierced my ears like a sword. The machine hums. Did you know it? Oh, that its hum penetrates our blood and may even guide our thoughts. Who knows. I was getting beyond its power then I thought the silence means that I am doing wrong. But I heard voices in the silence and again, that strengthened me. He laughed. I had need of them. The next moment I cracked my head up against something.And he's bumped up against the top and eventually gets out. And there's this amazing moment when he is hurled out of, the air pressure hurls him out into this bowl of grass and the sunshine and so forth. George Lucas and Walter Mirch in 1971 made a film called THX 1138 about an incredibly disposed dystopian world in which everybody is living underground.THX 1138 soundtrackThere has been some kind of calamity on the surface. Everybody is told they can't go on the surface. There is a machine that is in control of everything. And there is Donald Pleasence and Robert Duvall and so forth. And Robert Duvall suddenly decides that he wants to escape. And the climax of the film is his escape. And I just want to show this to you, because the climax of the story I'm going to tell you is that neither of them were aware of The Machine Stops when they wrote and they made this film.THX 1138 clipIt's absolutely staggering. Talk about a weird echoes, and in fact it was Walter Mirch who eventually first showed me The Machine Stops. He says, look at this thing. We didn't know about this. It occurs to me that it also has echoes of the great Chris Marker film from the French New Wave La Jetée, where society is underground. There it's not a tunnel that you go through, but there's some time travel stuff and they keep on sending the character back in time, and he is walking around Paris. And the wonderfulness of the life beforehand — again this is a theme that keeps coming up. But as far as I know, it first shows up in The Machine Stops, in its kind of purest form.GARFIELD: So in this film, the reward for escaping to the surface is kind of splendor. And going back to the extraordinary prescience of The Machine Stops, I think the reward is slightly different. We've all experienced, through Covid, isolation — I believe, a kind of loss of proprioception of time. We don't feel like we have purchase on our lives anymore. We can't quite get a grip on the past and we certainly have trouble envisioning what six months will be like or, you know, in some cases six days. And it's a distracting sensation of just not knowing where you are, which I think is more or less the definition of proprioception, having a sense of where your body parts are. But in this society, that Forster's talking about we, you know, we are completely atrophied. There is no human touch. Light and sound is all controlled by the machine. And we can't fix ourself based on the stars. All of humankind has lost its sense of place and time and self. And that was, I believe, the son's reward for getting to the surface. Maybe we should withhold the consequences of his decision.WESCHLER: Let's withhold that. But just note that there's a whole part three. And without going into too much detail, but it's absolutely fascinating. The machine begins to break down. And it is the most, it breaks down in absolutely the ways it breaks down for us, you know, but we can imagine it continuing to breakdown more and more. Suddenly the air begins to get staler, you know, and the food isn't so good. And there are moments where the iPhone's not working and and so forth, that it kind of climaxes.GARFIELD: I'd like to ask a question, and I'm doing this for a couple of reasons, one, out of genuine curiosity and another for having a natural ending to the podcast version of this. And that is Ren, what have we learned?WESCHLER: I guess this isn't so much a learning as an awakening. You know, I hope that this story wakes us up to the way we've been sleepwalking. I mean, in some sense, if the fantasy of Kuno climbing those stairs allows us — in the short term about Covid, to imagine what it might be to climb out of Covidland — but more importantly, to understand that Covid is just a metaphor in some sense, notwithstanding all the actual damage it's done of what's coming and what's coming more and more and more. And for God's sake, wake up. And engage or, in Forster's words, only connect. Break down the hive walls. And for an architecture biennial, break down the goddamn hive walls.GARFIELD: All right, we're done here. What you have just heard was an abridged version of my conversation with author Lawrence Weschler, as part of his Mr. Weschler's Cabinet of Wonders series for the 17th Venice Architecture Biennale. If you like what you've heard here, do please venture beyond our Great Paywall of Booksmart to be a paid subscriber to our offerings, including the works of professors John McWhorter and Amna Khalid in their respective podcasts Lexicon Valley and Banished. You'll get longer form interviews, access to our hosts and, in my case, my weekly text column — which is, let's just say, “uncompromising,” because that sounds better than “indelicate” or “brutal.” Now then, Bully Pulpit is produced by Mike Vuolo and Matthew Schwartz. Our theme was composed by Julie Miller and the team at Harvest Creative Services in Lansing, Michigan. We had technical help in Europe for this episode from Adrianos Efthymiadis. Bully Pulpit is a production of Booksmart Studios. I'm Bob Garfield. Get full access to Bully Pulpit at bullypulpit.substack.com/subscribe

The story describes a world in which most of the human population has lost the ability to live on the surface of the Earth. Each individual now lives in isolation below ground in a standard room, with all bodily and spiritual needs met by the omnipotent, global Machine. Travel is permitted, but is unpopular and rarely necessary. Communication is made via a kind of instant messaging/video conferencing machine with which people conduct their only activity: the sharing of ideas and what passes for knowledge. The two main characters, Vashti and her son Kuno, live on opposite sides of the world. Vashti is content with her life, which, like most inhabitants of the world, she spends producing and endlessly discussing secondhand 'ideas'. Her son Kuno, however, is a sensualist and a rebel. He persuades a reluctant Vashti to endure the journey (and the resultant unwelcome personal interaction) to his room. There, he tells her of his disenchantment with the sanitised, mechanical world. He confides to her that he has visited the surface of the Earth without permission and that he saw other humans living outside the world of the Machine. However, the Machine recaptures him, and he is threatened with 'Homelessness': expulsion from the underground environment and presumed death. Vashti, however, dismisses her son's concerns as dangerous madness and returns to her part of the world. As time passes, and Vashti continues the routine of her daily life, there are two important developments. First, the life-support apparatus required to visit the outer world is abolished. Most welcome this development, as they are sceptical and fearful of first-hand experience and of those who desire it. Secondly, "Technopoly", a kind of religion, is re-established, in which the Machine is the object of worship. People forget that humans created the Machine, and treat it as a mystical entity whose needs supersede their own. Those who do not accept the deity of the Machine are viewed as 'unmechanical' and threatened with Homelessness. The Mending Apparatus – the system charged with repairing defects that appear in the Machine proper – has also failed by this time, but concerns about this are dismissed in the context of the supposed omnipotence of the Machine itself. --- Support this podcast: https://anchor.fm/hmphaudiobooks/support

Deep space explorers encountering strange new dangers. Mutant powers hidden among us. Futuristic societies with surprising moralities. Cutting edge technology bringing unexpected dilemmas for the people who use it. Created by the pioneering television producer Irene Shubik and featuring some of the leading talents on television on both sides of the lens, Out of the Unknown remains one of the BBC's best science fiction series. Drawing on stories from SF masters such as Isaac Asimov, Ray Bradbury, John Wyndham and John Brunner, as well as original scripts, it remains one of television's most sustained attempts to adapt the mood of literary science fiction. Gareth Preston is joined by Stephen Hatcher and Dylan Rees to discuss the series, which sadly is missing half its episodes, yet what remains is still thrilling and challenging. Along the way they pay particular attention to three key episodes: The Dead Past, Some Lapse of Time and The Machine Stops. Music by Chatri Art chatriart.bandcamp.com Produced by Gareth Preston Follow us on Twitter @FuturesVery or visit garethpreston.blog for more information. --- Send in a voice message: https://anchor.fm/gareth-preston/message

In which technology does what it does best. Transcript of the Episode: https://drive.google.com/file/d/16fniwFGxSQXk5GjJfYqTWyDaLkk5QkJA/view?usp=sharing Support me on Patreon: Patreon.com/TheWeirdTalesPodcast Check out Into the Black, by William Meikle: https://www.audible.com/pd/Into-the-Black-Audiobook/B08F92ZCQ5 And The Re-ignition Theory, by Richard Norton! https://attheendofthelinepodcast.squarespace.com/reignition-theory If you're not dealing well with the condition of the country, and you find yourself in a bad place, mentally, don't hesitate to call the Suicide Prevention Lifeline: 1-800-273-8255.

In which our hero goes for an evening constitutional Transcript of the episode: https://drive.google.com/file/d/1_v5uLjlokRyH0nTEnsOUczXOc4deUHpi/view?usp=sharing Support me on Patreon: Patreon.com/TheWeirdTalesPodcast Check out Into the Black, by William Meikle: https://www.audible.com/pd/Into-the-Black-Audiobook/B08F92ZCQ5 And The Re-ignition Theory, by Richard Norton! https://attheendofthelinepodcast.squarespace.com/reignition-theory If you're not dealing well with the condition of the country, and you find yourself in a bad place, mentally, don't hesitate to call the Suicide Prevention Lifeline: 1-800-273-8255.

This week on The Literary Life, we bring you another episode in our 2021 Summer Short Story series. This week Angelina, Cindy and Thomas talk about E. M. Forster's short story “The Machine Stops.” If you are interested in more E. M. Forster chat, you can go listen to our hosts discuss “The Celestial Omnibus” in Episode 17. Angelina points out how this story made her think of Dante. Thomas and Cindy share their personal reactions to reading “The Machine Stops.” They marvel at how prescient Forster was to imagine a world that comes so close to our current reality. They also discuss how to stay human in an increasingly de-humanizing world. On July 15, 2021, we will be celebrating our 100th episode hosting a LIVE Q&A episode in our Patreon group, and you can ask questions in our Facebook group with hashtag #litlife100. The recording will air on July 20th. We are excited to announce our third annual Literary Life Back to School Online Conference! This year's theme is Awakening: The Pursuit of True Education, and our featured guest speaker is James Daniels. The conference will take place on August 4-7, 2021, and you can learn more and register at morningtimeformoms.com.  Cindy also has some exciting announcements, including the debut of the new expanded edition of her book Morning Time: A Liturgy of Love, is now available! AND she is starting a new Charlotte Mason podcast called The New Mason Jar, set to begin airing on August 5, 2021!  Listen to The Literary Life:   Commonplace Quotes: Imagination, in its earthbound quest, Seeks in the infinite its finite rest. Walter de la Mare (from “Books”) from “The Hollow Men” by T. S. Eliot This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man's hand Under the twinkle of a fading star.       Is it like this In death's other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms       In this last of meeting places We grope together And avoid speech Gathered on this beach of the tumid river       Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death's twilight kingdom The hope only Of empty men. Book List: Two Stories and a Memory by Giuseppe Tomasi di Lampedusa Howards End by E. M. Forster The Great Divorce by C. S. Lewis Fahrenheit 451 by Ray Bradbury The Worm Ouroboros by E. R. Eddison 1984 by George Orwell Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

In which our heroine lives her best life until her kid comes along and ruins it for her. Transcript of the Episode: https://drive.google.com/file/d/1vs4_mRawesRAkkL6Fkq9TmZHS91mJ_lP/view?usp=sharing Please give a follow to the Pride Month Readers: Danyelle Ellett (@mynamesdany) Molly Burdick (@youngcornchip) Ashley Bell (@voicequills) Hannah Raymond-Cox (@challahoutloud) and Callyn Dorval (@CallynDorval) Support me on Patreon: Patreon.com/TheWeirdTalesPodcast Check out Into the Black, by William Meikle: https://www.audible.com/pd/Into-the-Black-Audiobook/B08F92ZCQ5 And The Re-ignition Theory, by Richard Norton! https://attheendofthelinepodcast.squarespace.com/reignition-theory If you're not dealing well with the condition of the country, and you find yourself in a bad place, mentally, don't hesitate to call the Suicide Prevention Lifeline: 1-800-273-8255.

This week we check in with Ágnes Bakk about her research and work in virtual reality storytelling. Want to join the 5th Wall Forum to find your team and develop your own project? Apply today at www.5thWallForum.com -- Join 5WF Discord Community: https://discord.gg/xkDCNpchva -- --- Send in a voice message: https://podcasters.spotify.com/pod/show/brendanabradley/message

Of Now And Then is a podcast that retells fictional stories of the past and future as full audio dramas with rich voiceovers, music and sound effects that is recorded, edited and produced by Aram Vartian."The Machine Stops" by E. M. Forster.After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories. In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.The Machine Stops The describes a world in which most of the human population has lost the ability to live on the surface of the Earth. Each individual now lives in isolation below ground in a standard room, with all bodily and spiritual needs met by the omnipotent, global Machine. Travel is permitted, but is unpopular and rarely necessary. Communication is made via a kind of instant messaging/video conferencing machine with which people conduct their only activity: the sharing of ideas and what passes for knowledge.MUSICCandlepower (Chris Zabriskie)Patriotic songs of America (New York Military Band and the American Quartet)Tomie's Bubbles (Candlegravity)

Of Now And Then is a podcast that retells fictional stories of the past and future as full audio dramas with rich voiceovers, music and sound effects that is recorded, edited and produced by Aram Vartian."The Machine Stops" by E. M. Forster.After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories. In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.The Machine Stops The describes a world in which most of the human population has lost the ability to live on the surface of the Earth. Each individual now lives in isolation below ground in a standard room, with all bodily and spiritual needs met by the omnipotent, global Machine. Travel is permitted, but is unpopular and rarely necessary. Communication is made via a kind of instant messaging/video conferencing machine with which people conduct their only activity: the sharing of ideas and what passes for knowledge.MUSICCandlepower (Chris Zabriskie)Patriotic songs of America (New York Military Band and the American Quartet)Tomie's Bubbles (Candlegravity)

Ask not what you can do with philosophy, but what philosophy can do with you! In this episode, I discuss life from Plato's Cave from a philosophical perspective with Johannes Niederhauser. We discuss, among other things, Heidegger's Essay Plato's Doctrine of Truth. A superficial reading of Plato's Cave might suggest that there are two worlds, and that the truth is something out there to be found like an island out in the ocean (or like a sun-drenched paradise outside the cave). But is that really the case? Heidegger puts forward a radically different interpretation than the two-world theory of Plato's Cave. Truth is not about whether something is correct, but rather about the degree to which it un-hides or reveals what is hidden. Truth happens because we participate in it, and this is not a one-time event but a path we travel over and over again. Also, we better not rush but take the time at each stage to let it reveal itself to us. Enjoy! Mario About Johannes Niederhauser Johannes is the founder of the Halkyon Thinkers' Guild (https://www.halkyonguild.org/), created the youtube channel Classical Philosophy (https://www.youtube.com/c/ClassicalPhilosophy). Johannes' book "Heidegger on Death and Being" is available here: https://link.springer.com/book/10.1007/978-3-030-51375-7. Twitter: https://twitter.com/JohannesAchill Insta: https://www.instagram.com/classical.philosophy/ Here are references to some of the sources that came up in our conversation: - Heidegger (1953), The Fundamental Question of Metaphysics (https://stjuphilosophyreadinggroup.files.wordpress.com/2013/05/fundamental-question-of-metaphysics-the.pdf) - Johannes reading Plato's Cave: https://www.youtube.com/watch?v=qn0OaSWLYpk - E.M. Foster (1909),The Machine Stops (https://en.wikipedia.org/wiki/The_Machine_Stops). Johannes reads and discusses it in this video: https://www.youtube.com/watch?v=2uioIJK0INc  - Heidegger wrote a short essay on Plato's Cave called "Plato's Doctrine of Truth" which is recommended if you have never read anything by him (http://artsingames.free.fr/Heidegger,%20Martin%20-%20Plato's%20Doctrine%20of%20Truth.pdf). The longer version of this is the book The Essence of Truth (https://www.amazon.com/Essence-Truth-Theaetetus-Bloomsbury-Revelations/dp/147252571X) - The other philosophers Johannes mentions are Georg Hegel, Immanuel Kant and Jean Beaudrillard Here's how to contact me if you have any questions or comments: Website: http://www.lifefromplatoscave.com Twitter: https://twitter.com/lifeplatoscave  Insta: https://www.instagram.com/lifefromplatoscave/ Facebook: https://www.facebook.com/lifefromplatoscave  Illustration © by Julien Penning, Light One Art: https://www.instagram.com/light_one_art/ 

First broadcast on FAB RADIO INTERNATIONAL at 19:00 on December 13 2020 In the tenth edition of VISION ON SOUND, because of lockdown restrictions, SANDY and I tried to do our usual thing via a telephone link and it all kind of worked out swimmingly. Mostly. After I share a few musings on THE MACHINE STOPS, SANDY and I have one of our natters which starts with ROADKILL and by way of some musings upon modern ways of viewing television shows, ITV drama, we end up in Sandy's STAR TREK dreams. We also discuss the genius of the 22 minute episode format, WESTWORLD, LoveFilm, THE PRISONER, and the television Westerns of the 1960s. PLEASE NOTE - For Copyright reasons, musical content has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.

Lettura notturna di testi in dominio pubblico

Lettura notturna di testi in dominio pubblico

Lettura notturna di testi in dominio pubblico

Lettura notturna di testi in dominio pubblico

Radio tanambi on air : eSpecial Special “Thx 1138 (1971)” Cine Distópico de los sábados: Thx 1138 wikipedia : https://es.wikipedia.org/wiki/THX_1138 (en español) 00-La cualidad de la radio 6:55 1-The Film Club :Derek Malcolm introduces THX1138 (1985) 3:48 THX 1138 es el primer largometraje del cineasta George Lucas. Fue realizado en 1969 y estrenado en 1971. Esta película fue una versión alargada de un cortometraje anterior de George Lucas, Electronic Labyrinth THX 1138:4EB (1967). La película está ambientada en una distopía subterránea, y comparte temas con las películas The Machine Stops y las novelas Un mundo feliz(Aldous Huxley) y 1984 (George Orwell). Una de las inspiraciones para esta película es el cortometraje 21-87. En el mundo de THX 1138, la humanidad ha evolucionado hasta el punto de crear sociedades subterráneas donde se controla # Radio tanambi on air : eSpecial Special “Thx 1138 (1971)” Cine Distópico de los sábados: Thx 1138 wikipedia : https://es.wikipedia.org/wiki/THX_1138 (en español) 00-La cualidad de la radio 6:55 1-The Film Club :Derek Malcolm introduces THX1138 (1985) 3:48 THX 1138 es el primer largometraje del cineasta George Lucas. Fue realizado en 1969 y estrenado en 1971. Esta película fue una versión alargada de un cortometraje anterior de George Lucas, Electronic Labyrinth THX 1138:4EB (1967). La película está ambientada en una distopía subterránea, y comparte temas con las películas The Machine Stops y las novelas Un mundo feliz(Aldous Huxley) y 1984 (George Orwell). Una de las inspiraciones para esta película es el cortometraje 21-87. En el mundo de THX 1138, la humanidad ha evolucionado hasta el punto de crear sociedades subterráneas donde se controla todo, al estilo de 1984, de George Orwell. Para mantener este sistema, los habitantes de estas ciudades se administran fuertes dosis de sedantes que cumplen, al mismo tiempo, la función de inhibidores de la conducta y catalizadores para conseguir una mayor concentración al desempeñar ciertos trabajos muy delicados. En esta sociedad, la economía es la base que lo mueve todo, incitando a los ciudadanos a trabajar y consumir durante toda su vida. El mismo estado se convierte a sí mismo en una religión, personificada por Om (una pintura del rostro de Jesucristo), que actúa de confesor y sirve de utilidad para controlar mejor a la población. 2-THX 1138 trailer 1:48 3-La fuga de Logan 1:07 La Fuga de Logan wikipedia : https://es.wikipedia.org/wiki/La_fuga_de_Logan (en español) 4-Gojira the Link 47:13

"The Homeless" is the third and final part of E.M. Forster's "The Machine Stops." As it opens, we find Kuno threatened with Homelessness for his transgressions against The Machine.  Written in 1909, this story is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. WORD for WORDcast is Word for Word Theater Company's new podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending). Stay tuned for an announcement about our next story.To maximize your experience, we recommend listening with headphones or good stereo speakers.If you've enjoyed this podcast, please consider a donation at zspace.org/pod. We are committed to paying the creative staff a profession rate for their work.Credits:Directed by Gendell Hing-HernándezCast:Carla Gallardo - The Attendant/EnsembleSusan Harloe* - VashtiDavid Everett Moore* - KunoBrian Rivera* ** - The Speaker/EnsembleRyan Tasker* - The Machine/EnsembleSound Design and Original Music by David R. MolinaSound Engineer - Joe MooreProduction Manager - Colm McNallyStage Manager - Tyler Miller Dramaturgy - Delia MacDougallMarketing and Distribution - Andrew BurmesterPodcast volunteer - Carly Dreame Brethe*AEA **SAG/AFTRA

In "The Mending Apparatus," part 2 of E.M. Forster's "The Machine Stops" we find Vashti shocked by her son Kuno as they grapple with their conflicting views of The Machine.  Written in 1909, this story is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. WORD for WORDcast is Word for Word Theater Company's new podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending).To maximize your experience, we recommend listening with headphones or good stereo speakers. Be sure to subscribe or tune in for part three, "The Homeless," released on  10/1/20.If you've enjoyed this podcast, please consider a donation at zspace.org/pod. We are committed to paying the creative staff a profession rate for their work.Credits:Directed by Gendell Hing-HernándezCastCarla Gallardo - The Attendant/EnsembleSusan Harloe* - VashtiDavid Everett Moore* - KunoBrian Rivera* ** - The Speaker/EnsembleRyan Tasker* - The Machine/EnsembleSound Design and Original Music by David R. MolinaSound Engineer - Joe MooreProduction Manager - Colm McNallyStage Manager - Tyler Miller Dramaturgy - Delia MacDougallMarketing and Distribution - Andrew BurmesterPodcast volunteer - Carly Dreame Brethe*AEA **SAG/AFTRA

We are thrilled to premier the WORD for WORDcast, a podcast from the Word for Word theater company. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This podcast will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending).Our featured story is "The Machine Stops" by E.M. Forster. Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. To maximize your experience, we recommend listening with headphones or good stereo speakers. Be sure to subscribe or tune in for parts two and three, "The Mending Apparatus" (released 9/24) and "The Homeless" (released 10/1).If you've enjoyed this podcast, please consider a donation at zspace.org/pod. We are committed to paying the creative staff a profession rate for their work.Credits:Directed by Gendell Hing-HernándezCastCarla Gallardo - The Attendant/EnsembleSusan Harloe* - VashtiDavid Everett Moore* - KunoBrian Rivera* ** - The Speaker/EnsembleRyan Tasker* - The Machine/EnsembleSound Design and Original Music by David R. MolinaSound Engineer - Joe MooreProduction Manager - Colm McNallyStage Manager - Tyler Miller Dramaturgy - Delia MacDougallMarketing and Distribution - Andrew BurmesterPodcast volunteer - Carly Dreame Brethe*AEA **SAG/AFTRA

News. Beterbiev injured. Canelo Vs Oscar and DAZN. Is the upcoming PBC PPV too pricey. Results and undercards of Yarde Spelman, Kavaliauskas vs Zewski, Chudinov vs Sadiq . A breif look at German/Cuban heavyweight prospect Jose Larduet and possibly the final fight of Danny Williams ( wishful thinking). Also next weeks schedule and a retrospective look at retro boxing game Barry McGuigans Boxing.

Announcing the WORD for WORDcast! We are gearing up for our September 17 release. The debut episodes will feature “The Machine Stops” by E.M. Forester.Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates.  Released in 3 parts:  September 17: "The Air-Ship"September 24: "The Mending Apparatus"October 1: "The Homeless"Directed by Gendell Hing-HernándezCarla Gallardo - The Attendant/EnsembleSusan Harloe* - VashtiDavid Everett Moore* - KunoBrian Rivera* ** - The Speaker/EnsembleRyan Tasker* - The Machine/EnsembleSound Design and Original Music by David R. MolinaSound Engineer - Joe MooreProduction Manager - Colm McNallyStage Manager - Tyler Miller Dramaturgy - Delia MacDougallDirector of Marketing and Distribution - Andrew BurmesterPodcast volunteer - Carly Dreame Brethe*AEA **SAG/AFTRAIf you liked what you heard please consider making a donation at zspace.org/pod to help us support the artists and technicians who make this work possible.

Today on this episode of Welcome to the End, we talk about The Machine Stops by E.M. Forster. Join us as we discuss the prophetic science fiction which predicted the age of the internet. Follow Welcome to the End on Twitter @ twitter.com/TotheEndPod Have a story you think we need to read, email us at welcometotheendpod@gmail.com Music by Lemmino https://docs.google.com/viewer?a=v&pid=sites&srcid=dW5pc2kuaXR8bWljYWxpfGd4OjIwZjJlZWI5ZWRkYjYyZDk --- Support this podcast: https://podcasters.spotify.com/pod/show/welcome-to-the-end/support

Did you know that this amazingly prophetic dystopia was first published in 1909? On this episode we are discussing the masterful insight that Forster had regarding the trajectory of technology and the modern notion of progress. Join us as we touch on just some of the symbols in this story that might actually make you think of a few current conventions and social norms at which we don't even blink an eye.

On the final episode of Short Story Month, the Drunk Guys (and Erik) fuel their machines with beer while they discuss The Machine Stops by EM Forster. They get fuel from drinking Unoccupied Space at Finback Brewery. The Drunk Guys Book Club Podcast can be found on iTunes, Google Play, Spotify,

Cezary Baraniecki, Laura Davis-Chanin, Nathaniel Hanks, Daniel Johnson, and Jennifer Tejada discuss the novel.

Will, Joe and Matthew McQuillan talk everything Union soccer. This week: The Union made it two in a row as they annihilated DC United on Saturday. They face the Houston Dynamo this Wednesday. Plus, an inside look at the Union's recent town hall meeting. Be sure to subscribe to the show on iTunes, Stitcher Radio and SoundCloud and follow us on Twitter @phillysoccerpod. The music in this episode is El Sueño by The RocknRoll Hi-Fives, Number Wunder and The Machine Stops by Miseryslims, and Holy Coast by Holy Coast. creativecommons.org/licenses/by-nc-nd/4.0/ creativecommons.org/licenses/by-nc-sa/3.0/us/

Will, Joe and Matthew McQuillan talk everything Union soccer. This week: The Union snap their winless streak and face DC United on Saturday. Plus, MLS Fantasy tips and the weekend's best games. Be sure to subscribe to the show on iTunes, Stitcher Radio and SoundCloud and follow us on Twitter @phillysoccerpod. The music in this episode is El Sueño by The RocknRoll Hi-Fives, Holy Coast Holy Coast by Holy Coast and The Machine Stops by Miseryslims. creativecommons.org/licenses/by-nc-nd/4.0/ creativecommons.org/licenses/by-nc-sa/3.0/us/

Will, Joe and Matthew McQuillan talk everything Union soccer. This week: The Union squander a three-goal lead and face a tough LA matchup on Saturday. Plus, MLS Fantasy tips and the weekend's best games. Be sure to subscribe to the show on iTunes, Stitcher Radio and SoundCloud and follow us on Twitter @phillysoccerpod. The music in this episode is El Sueño by The RocknRoll Hi-Fives, Number Wunder, and The Machine Stops by Miseryslims, and Holy Coast by Holy Coast. creativecommons.org/licenses/by-nc-nd/4.0/ creativecommons.org/licenses/by-nc-sa/3.0/us/

Will, Joe and Matthew McQuillan talk everything Union soccer. This week they recap the Union's frustrating loss to the Portland Timbers, rail against ownership, and preview their upcoming game against NYCFC. Matthew also gives his MLS Fantasy Tips and the guys present their best non-Union game of the weekend. Be sure to subscribe to the show on iTunes, Stitcher Radio and SoundCloud and follow us on Twitter @phillysoccerpod. The music in this episode is El Sueño by The RocknRoll Hi-Fives, The Machine Stops, and Number Wunder by Miseryslims, and Holy Coast by Holy Coast. creativecommons.org/licenses/by-nc-nd/4.0/ creativecommons.org/licenses/by-nc-sa/3.0/us/

Will, Joe and Matthew McQuillan talk everything Union soccer. This week they recap the Union's disappointing loss to DC United, discuss whether Jim Curtin should be fired, and preview their upcoming game against the Portland Timbers. Matthew also gives his MLS Fantasy Tips and the guys present their best non-Union game of the weekend. Be sure to subscribe to the show on iTunes, Stitcher Radio and SoundCloud and follow us on Twitter @phillysoccerpod. The music in this episode is El Sueño by The RocknRoll Hi-Fives, Holy Coast by Holy Coast, and Number Wunder, The Machine Stops, and Leads by Miseryslims. creativecommons.org/licenses/by-nc-nd/4.0/ creativecommons.org/licenses/by-nc-sa/3.0/us/

Stuart Russell is a Professor of Computer Science and Smith-Zadeh Professor in Engineering, University of California, Berkeley and Adjunct Professor of Neurological Surgery, University of California, San Francisco. He is the author (with Peter Norvig) of Artificial Intelligence: A Modern Approach. Personal website: https://people.eecs.berkeley.edu/~russell/ Story discussed in this podcast: E.M. Forster. 1909. “The Machine Stops.”