Podcasts about chat noir

Jan har viet niesen sin Helene Moo og fått blod på tann; nå er han åpen for business, og vil vie flere par der ute. Han er mindre fornøyd med Harlem, og hageverktøyene de kjøpte sammen med huset. Einar har vært på hytta, med en blanding av avslapping og gjøremål. Begge to reflekterer om de hadde klart å jobbe med døde mennesker.NB: Det blir også JULEPODSHOW på Chat Noir 8. desember! Produsert av Martin Oftedal, PLAN-B Hosted on Acast. See acast.com/privacy for more information.

La créativité sera au rendez-vous à Caen au Chat noir, on en parle avec les co-fondatrices du collectif Creart.

Antes de se tornar um dos artistas mais influentes da história, Vincent van Gogh foi o produto de um entrelaçamento improvável de fé rigorosa, mercado de arte, boemia parisiense e um pequeno vilarejo transformado em laboratório pictórico. Uma exposição no Castelo de Auvers‑sur‑Oise, nos arredores de Paris, propõe revisitar esse percurso, mostrando como religião, autodidatismo, excessos e territórios específicos moldaram um pintor que, mesmo após mais de um século, continua impossível de ser ignorado.  Márcia Bechara, enviada especial da RFI a Auvers-sur-Oise Antes de se tornar um “influenciador” — termo que hoje circula livremente para designar quem molda gostos, estilos e comportamentos — Vincent van Gogh foi, ele próprio, profundamente influenciado. A exposição Van Gogh, influencer, Heranças em Movimento, em Auvers‑sur‑Oise, nos arredores de Paris, parte justamente dessa inversão de perspectiva: a mostra recua no tempo para investigar o caldo cultural, religioso e artístico que moldou o pintor antes de ele se tornar o ícone incontornável da arte moderna. Misturando facsímiles raros de obras do gênio holandês (as obras do período francês estão em sua maior parte reunidas no Museu d'Orsay, na capital francesa) e obras de artistas vivos, a mostra contempla, em efeito de espelho, os ecos da força do pintor nas gerações futuras. “Entre as primeiras influências de Vincent van Gogh, há algo que costuma ser subestimado, mas que é fundamental: a religião”, afirma Wouter van der Veen, pesquisador holandês especializado em história da arte, um dos maiores especialistas internacionais em Vincent van Gogh e diretor científico do Instituto Van Gogh, sediado em Auvers‑sur‑Oise, além de curador da exposição. “Ele nasce filho de um pastor protestante, dentro de uma tradição marcada por uma profunda desconfiança em relação às imagens”. Na Holanda do século 19, o protestantismo calvinista ainda carregava os efeitos de um longo processo de iconoclastia. A produção e o culto às imagens eram vistos, nessas comunidades, como distrações perigosas da fé considerada verdadeira. “A lógica era eliminar as representações visuais, porque elas desviariam o fiel do essencial”, observa Van der Veen. “Isso era vivido de forma bastante concreta nas comunidades de onde Van Gogh veio”. Leia tambémExposição em Paris retraça últimos meses de Van Gogh em 'vilarejo dos impressionistas' Ao mesmo tempo, a família de Vincent reunia um paradoxo social e simbólico. “Os tios de Van Gogh eram marchands de arte. Três deles atuavam no mercado, todos em um nível social elevado”, destaca o curador. Em uma mesma linhagem conviviam, portanto, o rigor moral calvinista e a circulação constante de obras de arte. “As obras passavam de casa em casa, eles se visitavam, trocavam quadros e gravuras. Vincent cresce nesse ambiente”, diz. Desde cedo, Van Gogh demonstra uma relação intensa com a imagem. “Ele recebe uma educação muito sólida, bastante rígida, mas também extremamente completa: aprende quatro línguas, literatura, cultura geral, e, naturalmente, arte”, relata o diretor científico do Instituto Van Gogh. Essa formação cria um terreno fértil. “Ele manifesta muito cedo uma inclinação artística muito clara”, afirma. O aprendizado silencioso do mercado de arte Aos 16 anos, um dos tios aceita acolher Vincent como aprendiz em sua empresa. “Ele entra no mercado de arte muito jovem”, conta Van der Veen, retomando esse período pouco lembrado da biografia do pintor. Não se trata ainda de uma vocação como artista, mas de um trabalho. “Ele não será particularmente bom como marchand, mas passa sete anos nesse meio.” Durante esse período, algo decisivo acontece. “Milhares de gravuras passam pelas mãos dele. Centenas de pinturas”, enumera o curador. Van Gogh observa, compara, memoriza. “Ele tem uma memória visual extraordinária. Tudo isso constrói o que eu chamo de seu ‘catálogo interno'.” O olhar do artista começa a se formar antes mesmo de ele considerar a possibilidade de criar. “Entre os 16 e os 23 anos, ele trabalha nesse comércio de arte sem jamais pensar em se tornar artista”, prossegue o pesquisador holandês. O contato cotidiano com imagens cria um repertório denso, silencioso, acumulado. “Quando ele olha uma imagem mais tarde, ela nunca é neutra: está sempre atravessada por tudo o que ele já viu”. Depois de anos nesse universo, surge a frustração. “Ele passa a achar o mercado de arte um pouco vazio, sem sentido”, observa Van der Veen. Vincent busca outra trajetória. “Ele decide seguir os passos do pai e se tornar pastor”. Essa tentativa ocupa quatro anos de sua vida. “Ele tenta estudar teologia, mas não consegue. Procura trabalhos como evangelizador ou pregador, e não encontra”, relata o curador. Ao final desse percurso errático, a constatação se impõe: “É então que ele se diz: não, eu sou artista”. “Ele combina três coisas fundamentais: a cultura visual acumulada ao longo dos anos, o amor pela literatura e pelas línguas, e uma vontade profunda de dar sentido à existência”, analisa Van der Veen. Dessa combinação emerge o artista que conhecemos. “Mas é importante lembrar: ele começa a pintar seriamente aos 27 anos, o que é muito tarde”. Um autodidata contra todas as regras “A formação artística de Van Gogh é, em grande parte, autodidata”, afirma o curador da mostra. “Ele não entra no ateliê de um mestre, não segue uma escola.” Frequenta cursos esporádicos, aqui e ali, mas nada se sustenta. “O problema é o caráter: ele é absolutamente impossível”. O resultado é um aprendizado solitário, feito por tentativa e erro. “A imensa maioria da formação dele aconteceu sozinho”, diz Van der Veen. Até 1885 ou 1886, Van Gogh desenvolve um estilo muito pessoal, ainda ancorado no ambiente em que vive. Leia tambémNunca exibido em público, quadro de Van Gogh é leiloado por R$ 93 milhões em Paris Até então, ele praticamente não havia saído dos Países Baixos. “É uma região com um clima específico: céu baixo, luz difusa, tons mais fechados”, descreve o pesquisador. As cores de sua chamada fase holandesa refletem isso. “São tonalidades mais cinzentas, mais terrosas, e é isso que ele explora”. A virada ocorre quando Theo, seu irmão mais novo, já estabelecido em Paris como marchand de arte, convida-o a se mudar. “Theo seguiu o caminho que Vincent abandonou: o do mercado de arte”, lembra Van der Veen. Paris, naquele final do século 19, era o epicentro da vida artística europeia — e, em muitos sentidos, mundial. Vincent aceita o convite e passa dois anos vivendo com o irmão. Na capital francesa, ele é confrontado com um universo totalmente novo. “Ele descobre as gravuras japonesas, que o marcam profundamente”, observa o curador. O japonismo era uma moda entre artistas e intelectuais parisienses, mas, no caso de Van Gogh, a paixão assume outra escala. “Ele coleciona centenas e centenas dessas estampas”. Além disso, conhece pessoalmente figuras centrais da vanguarda. “Paul Signac, Émile Bernard, Paul Gauguin, Georges Seurat”, enumera Van der Veen. E vê de perto obras de Monet, Degas, Pissarro. “Há, de um lado, a força gráfica e cromática da arte japonesa; de outro, a abordagem científica da cor, como a de Signac.” Tudo isso se mistura. “Esse conjunto de influências vai construir o estilo Van Gogh.” Montmartre: a pintura mergulha no excesso Há, porém, outra influência decisiva, muitas vezes esquecida: a festa. “E todos os excessos que vêm com ela”, ressalta Van der Veen. Montmartre, naquele período, era um território híbrido. “Metade urbano, metade rural”, descreve o curador. Havia jardins, hortas e pequenos campos ainda ativos. “Van Gogh busca motivos tanto desse lado agreste quanto do outro”. Esse outro lado era o da vida noturna. “Os cabarés, os cafés: a Nouvelle Athènes, o Chat Noir, o Rat Mort”, lista Van der Veen. Espaços históricos onde a boemia parisiense se reunia. “A vida não parava, a festa não parava.” Esses lugares reuniam intelectuais, escritores, pintores, atores e poetas. “Era um mundo lendário”, diz o pesquisador holandês. Paris, à época, era amplamente reconhecida como a capital cultural do planeta. “E Montmartre funcionava como o lado alternativo desse grande palco: o espaço da ousadia, do risco, de ir longe demais.” Van Gogh estava no centro disso tudo. “Sua maneira de repensar a pintura, de romper fronteiras, deve muito a essa imersão no caldeirão cultural francês”, conclui o curador. Leia tambémProvável revólver usado em suicídio de Van Gogh é leiloado por € 162,5 mil Auvers‑sur‑Oise, o "país dos quadros" Ao se aproximar do fim da entrevista, o foco se desloca para Auvers‑sur‑Oise, pequena cidade a cerca de 30 quilômetros de Paris. Para o leitor brasileiro, o nome pode soar discreto. Mas, na história da arte, trata‑se de um território decisivo. “Muito antes de chegar a Auvers‑sur‑Oise, Vincent já conhecia a importância do lugar”, explica Van der Veen. “Quando trabalhava no comércio de arte, ele via constantemente obras criadas ali.” Isso se deve à presença, desde 1860, de Charles‑François Daubigny. “Ele era uma espécie de papa da pintura ao ar livre”, observa o curador. Ao se instalar em Auvers, Daubigny cria uma verdadeira colônia artística. “Isso acontece 30 anos antes da chegada de Van Gogh”. O efeito é duradouro. “Corot vem, depois Pissarro, Cézanne”, lembra Van der Veen. Grandes nomes se instalam naquele vilarejo para desenvolver suas pesquisas pictóricas. “São artistas hoje presentes nos maiores museus do mundo.” Auvers torna‑se um laboratório. “É ali que surgem manifestações iniciais de uma abordagem diferente da pintura”, afirma o diretor científico do Instituto Van Gogh. Cézanne, em particular, deixa marcas profundas que repercutiriam mais tarde na arte abstrata. Van Gogh chega consciente dessa herança. “E, ao final de sua vida, ele tem a certeza de que vai morrer”, relata o curador. Convencido de sofrer de sífilis e atormentado por crises mentais recorrentes, toma uma decisão. “Ele não quer morrer em um hospital ou em uma casa de saúde. Ele quer morrer à sua maneira. E quer fazê‑lo no país dos quadros”, diz Van der Veen. Esse país, para ele, era Auvers‑sur‑Oise. Nos últimos 70 dias de vida, pinta mais de 70 telas. “Qualquer um pode pintar um quadro por dia”, ironiza o curador, “mas não com essa qualidade”. Quando percebe a aproximação de uma nova crise, toma a decisão final e “ele decide assumir o controle da própria vida”. Depois da morte, a influência inevitável A exposição se encerra olhando para o que vem depois. “O que Vincent van Gogh fez foi realmente disruptivo”, afirma o pesquisador. Autodidata, ele criou suas próprias soluções formais. “Inventou coisas que ninguém tinha visto antes”. “Mas muito rapidamente, sobretudo após sua morte, os artistas percebem que ele abriu uma via totalmente nova”, explica o curador. Poucos tentaram pintar como ele, mas o impacto mais profundo foi outro. “Muitos passaram a querer viver como ele.” O exemplo de entrega absoluta à arte se torna, então, um modelo ético. Ao mesmo tempo, sua obra começa a circular intensamente. “É um momento de expansão da indústria da imagem”, observa Van der Veen. Livros ilustrados, fotografia. “As obras de Van Gogh são fotografadas e distribuídas, em preto e branco”. Mesmo assim, o impacto é imenso. Artistas absorvem, transformam, reutilizam. “Eles não podem ignorá‑lo”, afirma o curador. "Esse é o eixo central da exposição. Mesmo quem tenta fugir de Van Gogh não consegue. Depois de Van Gogh, pintar girassóis nunca mais será um gesto neutro”, conclui Van der Veen.  A mostra Van Gogh, influencer, Heranças em Movimento, fica em cartaz até 3 de janeiro de 2027, no Castelo de Auvers, em Auvers‑sur‑Oise.

Nouveaux pilotes, un brin déjantés, à bord de la Libre Antenne sur RMC ! Jean-Christophe Drouet et Julien Cazarre prennent le relais. Après les grands matchs, quand la lumière reste allumée pour les vrais passionnés, place à la Libre Antenne : un espace à part, entre passion, humour et dérision, débats enflammés, franc-parler et second degré. Un rendez-vous nocturne à la Cazarre, où l'on parle foot bien sûr, mais aussi mauvaise foi, vannes, imitations et grands moments de radio imprévisibles !

“Le Chat Noir” is one of the most famous pieces of late 19th century European art, but the artist behind it was also very active in France's anarchist and socialist political groups of the time. Research: Asimakis, Magdalyn. “War, Socialism, and Cats: Théophile-Alexandre Steinlen's Political Artistic Practice.” The Met. Nov. 2, 2017. https://www.metmuseum.org/perspectives/theophile-alexandre-steinlen-cats-socialism-world-war-i Budge, A. “Arts & Decoration Combined with the Spur.” Volumes 19-20. 1923. Accessed online: https://books.google.com/books?id=joAyAQAAIAAJ&vq=steinlen&source=gbs_navlinks_s “Charles Matlack Price letters 1917-1947 [bulk 1918-1923].” The New York Public Library – Archives and Manuscripts. https://archives.nypl.org/mss/18567#:~:text=His%20career%20trajectory%20was%20briefly,to%20friends%2C%20and%20his%20work “Declaration of the Rights of Man – 1789.” Yale Law School. https://avalon.law.yale.edu/18th_century/rightsof.asp Fau-Vincenti, Véronique. “STEINLEN Théophile, Alexandre.” Le Maitron. Nov. 4, 2009. https://maitron.fr/steinlen-theophile-alexandre/ Gegout, E. and Ch. Malato. “Prison fin de siècle : souvenirs de Pélagie.” Paris. G. Charpentier et E. Fasquelle. 1891. https://digital-research-books-beta.nypl.org/read/7581051 Glass, Chloe. “Printmaker Theophile Steinlen Used Art to Advocate for Social Change in 1900s France.” Crystal Bridges Museum of American Art. https://crystalbridges.org/blog/printmaker-theophile-steinlen-used-art-to-advocate-for-social-change-in-1900s-france/ Goldstein, Robert Justin. “Fighting French Censorship, 1815-1881.” The French Review, vol. 71, no. 5, 1998, pp. 785–96. JSTOR, http://www.jstor.org/stable/398913 Guthrie, Christopher E. “History of Censorship in France.” EBSCO. 2023. https://www.ebsco.com/research-starters/politics-and-government/history-censorship-france Kagan, Étienne, et al. “GEGOUT Ernest.”Le Maitron. April 7, 2014. https://maitron.fr/gegout-ernest-charles-joseph-ernest-dit-dictionnaire-des-anarchistes Olsen, Annikka. “The Surprising Story of the Cat-Obsessed Artist Behind the Famed ‘Le Chat Noir’ Poster.” Artnet News. Oct. 28, 2024. https://news.artnet.com/art-world/theophile-alexandre-steinlen-tournee-du-chat-noir-2417712?amp=1 Stefiuk, Eleanor. 2022. “Villiers de L’Isle-Adam’s Anarchism: A Legacy of the Paris Commune.” Dix-Neuf26 (1): 1–17. doi:10.1080/14787318.2021.2010167 See omnystudio.com/listener for privacy information.

Vinkurs på Via i Vika med Merete Bø - Chardonnay fra hele verden - Klikk her for billettVinene denne uforglemmelige kvelden:HviteEtienne Sauzet Bourgogne BlancEsprit Leflaive Auxey-DuressesLeroux Meursault 1er Cru Charmes-Dessus Dom. Denis Corton-Charlemagne Grand Cru RødeAngerville Bourgogne RougeDenis Mortet Gevrey­Chambertin Mes Cinq TerroirsMugnier Nuits-Saint-Georges 1. Cru Clos De La MarechaleTaupenot-Merme Grand Cru Charmes-Chambertin Hosted on Acast. See acast.com/privacy for more information.

durée : 00:58:22 - LSD, la série documentaire - par : Céline du Chéné - L'histoire des cabarets artistiques commence à Montmartre à la fin du XIXe siècle, où deux établissements, le Chat Noir créé en 1881 et le Moulin Rouge en 1889, vont façonner l'image que nous nous faisons encore aujourd'hui des cabarets. - réalisation : Laurent Paulré

durée : 00:58:16 - LSD, la série documentaire - par : Céline du Chéné - Fin 19ᵉ siècle, dans le sillage du Chat Noir, on va retrouver des cabarets artistiques dans toute l'Europe. Mais c'est à Berlin que le cabaret va vivre ses plus belles heures, au point où aujourd'hui encore le cabaret berlinois des années 1920 reste une référence dans l'imaginaire collectif. - réalisation : Laurent Paulré

Ønsker du å booke Merete og Thomas til vin-arrangement? ta kontakt med oss på:booking@ingentingomvin.no Hosted on Acast. See acast.com/privacy for more information.

Tous les matins à 8H10, on vous donne des infos aléatoires du monde.

Ecolos aquittés. 40 ans de Chat Noir. Pas dʹI.A à Noël.

The best of the internet's cat videos came to the big screen earlier this month. CatVideoFest is a 73-minute, G-rated selection of all things feline—silly, cuddly, sentimental and comedic—that's playing in more than 500 independent theaters in the U.S. and Canada. A portion of ticket proceeds benefits cat-focused charities, shelters and animal welfare organizations. Since 2019, it's raised over $1 million. The videos are curated by Will Braden, the Seattle-based creator of the comedically existential shorts, Henri, le Chat Noir. His business cards read: “I watch cat videos.” And it's not a joke or an exaggeration. Braden watches thousands of hours of internet videos to make the annual compilation. “I want to show how broad the idea of a cat video can be, so there's animated things, music videos, little mini documentaries,” Braden said. “It isn't all just what I call ‘America's Funniest Home Cat Videos.' It's not all cats falling into a bathtub. That would get exhausting.” Now in its eighth year, CatVideoFest is bigger than ever, with a global presence that's already extended to the UK and Denmark, and, for the first time, to France, Spain, Japan and Brazil. Last year, the screenings made over $1 million at the box office. In the early days, it was a bit of a process trying to convince independent movie theaters to program CatVideoFest. But Braden and indie distributor Oscilloscope Laboratories have found that one year is all it takes to get past that hurdle. “Everywhere that does it wants to do it again,” Braden said. Current theatrical partners include Alamo Drafthouse, IFC Center, Nitehawk, Vidiots, Laemmle and Music Box. The screenings attract all varieties of audiences, from kids and cat ladies to hipsters and grandparents and everyone in between. “It's one of the only things, maybe besides a Pixar movie or Taylor Swift concert, that just appeals to everybody,” Braden said. And the plan is to keep going. This article was provided by The Associated Press.

Anne-Laure et moi avons vécu une expérience complètement inattendue et très rafraîchissante à Montmartre. Nous étions au Chat noir, version 2025. A la Halle Saint-PIerre se tient une fois par mois une "scène de poésie ouverte". Pourquoi ne pas aller y faire un tour lors de votre prochain passage à Paris? Ou bien, pourquoi ne pas aller y lire un poème que vous aimez. Bienvenue chez vous, au Chat noir.  www.onethinginafrenchday.com  

Montmartre est un quartier de Paris, c'est là où l'aventure a commencé pour de nombreux artistes, poètes ou chansonniers dont les noms résonnent encore sur cette planète. On peut citer tout de suite quelques noms qui font rêver : Suzanne Valadon, Van Gogh, Pissaro, Degas,, Renoir, Picasso, Modigliani, Severini, Alphonse Allais, Emile Goudeau et les Hydropathes, Aristide Bruant, etc. Des lieux aussi : le Chat Noir, le Lapin Agile, le cirque Medrano, le bal du Moulin de la galette.  Et il y a un endroit où toute cette ambiance est particulièrement palpable, c'est le musée de Montmartre.  www.onethinginafrenchday.com

Trump 2.0 har på hver sin måte overgått forventningene til både hans tilhengere og kritikere. Med større makt, mer erfaring, full lojalitet - og en langt bedre forberedt plan - har den amerikanske presidenten rystet USA og verden. Også i Norge er både vår sikkerhet og økonomi tydelig utfordret. Opptaket er fra avslutningen av vår miniturné, fra Chat Noir i Oslo. Hvor våre gode gjester, forsvarssjef Eirik Kristoffersen, Stoltenbergs NATO-stabssjef Stian Jenssen og Storebrand-økonom Olav Chen, bidro til å forstå, forklare og gi strategier for å håndtere de neste 1360 dager igjen av perioden.

Denne uka får du høre live podkasten jeg hadde med to veldig interessante menn om et veldig viktig tema - menns mentale helse. Episoden ble spilt inn på selveste Chat Noir, og vi snakket om blant annet økonomi, skam, samlivsbrudd, fysisk aktivitet, gråt og foreldrerollen. Du får høre to ulike menn som takler utfordringer på veldig forskjellige måter. Det er spennende og ikke minst viktig å forstå hvor ulike vi mennesker er når det kommer til hvordan vi håndterer utfordringene i livene våre. Tusen takk til alle lytterne som kom på live podkast! Det setter jeg utrolig stor pris på ❤️ Og ikke minst, tusen takk til John Arne og Michael for at dere ble med som gjester

Comme d'habitude, une superstition aussi bien ancrée dans les croyances populaires ne peut trouver son origine que dans le passé. Prenons donc le livre poussiéreux de l'Histoire et tournons les pages jusqu'au Moyen-Âge. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

durée : 00:20:25 - À Aubenas, la "Maison Chat Noir", propose une expérience gastronomique unique, inspirée du "wabi-sabi". Sans carte et en circuit court, Joshua Martin et Ava Pongy subliment les produits locaux dans une ambiance chaleureuse. Une immersion où chaque assiette raconte une véritable histoire... Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:20:25 - En cuisine avec Franck Daumas - À Aubenas, la "Maison Chat Noir", propose une expérience gastronomique unique, inspirée du "wabi-sabi". Sans carte et en circuit court, Joshua Martin et Ava Pongy subliment les produits locaux dans une ambiance chaleureuse. Une immersion où chaque assiette raconte une véritable histoire...

Dans cet épisode, Nora vient nous parler de ses romans, de ses inspirations littéraires et de ces ambiances gothiques et sombres qu'elle adore développer dans ses univers. Publiée aux éditions Naos, le Chat Noir et Hurlevent, elle a une bibliographie riche de récits dans ce genre, que vous pouvez retrouver sur le site des maisons d'édition respectives. Vous pouvez également suivre Nora sur son compte Instagram : Noralakeiswriting. Et si vous souhaitez participer au podcast, ou échanger avec moi, en DM, je vous donne rendez-vous sur mon compte Instagram : carolinepeifferautrice

Radarparet er i hovudstaden for å halde leven på sjølvaste Chat Noir. Men kvifor er Leif-Per innkvartert på Hurumlandet, og kva slags overnattingsfaslitetar har Hildegunn er blitt påprakka?Hildegunn & Leif-Per er tilbake på norske scener!Publikum og presse jublar! 9500 selde billettar til no!Sunnmørsposten ga showet terningkast 5 og skriv mellom anna: "Meget tekststerke, og på hugget med timing.""Dette gir puls!""Duoen er så lekende også på dette planet at de durer innom en rekke sjangere, fra det smålune til det helt pompøse, som de bevilger seg sjøl og oss helt mot slutten. Ja takk, alle deler!"Sjekk ut turnéplanen og ledige billettar her:www.zenario.no Hosted on Acast. See acast.com/privacy for more information.

À l'occasion de la Journée internationale de lutte contre les violences faites aux Femmes, nous parlons des violences et viols au sein du couple. En France, en 2022, dans 21% des cas de violences faites aux femmes, c'est le conjoint ou l'ex-conjoint qui était l'auteur des faits. Quant au viol conjugal, il est difficile d'en estimer l'ampleur, car la notion de consentement dans les couples se retrouve souvent éclipsée par le concept contesté de devoir conjugal. Comment protéger les femmes de ces violences au sein même de leur foyer ? Comment prendre en charge le traumatisme des victimes ? Pr Florence Thibaut, professeur de Psychiatrie et d'Addictologie à l'Université Paris-Descartes et praticien hospitalier dans le service de Psychiatrie de l'Hôpital Cochin à Paris. Présidente de l'Association internationale pour la santé mentale des femmes (International association for women's mental health, IAWMH). Chercheure au Centre de Psychiatrie et Neurosciences de l'Institut national de la santé et de la recherche médicale (Inserm U894)  Bénédicte Joan, membre du Conseil d'Administration de l'association Stop au Chat Noir en Côte d'Ivoire, association afro-féministe qui possède un refuge pour femmes et filles survivantes de Violences Sexistes et Sexuelles Aminata Libain Mbengue, psychologue clinicienne et militante féministe, membre du collectif des féministes du Sénégal, collectif qui lutte contre les violences masculines au Sénégal. Témoignage de Charlène, membre de l'association La Voix de Sarah qui lutte contre les violences sexuelles dans le monde du sport, qui raconte, pour la première fois, son histoire au micro de notre reporter Raphaëlle Constant.Programmation musicale :► Yazmin Lacey – Own your own► Ashs the best – Waxtu.

À l'occasion de la Journée internationale de lutte contre les violences faites aux Femmes, nous parlons des violences et viols au sein du couple. En France, en 2022, dans 21% des cas de violences faites aux femmes, c'est le conjoint ou l'ex-conjoint qui était l'auteur des faits. Quant au viol conjugal, il est difficile d'en estimer l'ampleur, car la notion de consentement dans les couples se retrouve souvent éclipsée par le concept contesté de devoir conjugal. Comment protéger les femmes de ces violences au sein même de leur foyer ? Comment prendre en charge le traumatisme des victimes ? Pr Florence Thibaut, professeur de Psychiatrie et d'Addictologie à l'Université Paris-Descartes et praticien hospitalier dans le service de Psychiatrie de l'Hôpital Cochin à Paris. Présidente de l'Association internationale pour la santé mentale des femmes (International association for women's mental health, IAWMH). Chercheure au Centre de Psychiatrie et Neurosciences de l'Institut national de la santé et de la recherche médicale (Inserm U894)  Bénédicte Joan, membre du Conseil d'Administration de l'association Stop au Chat Noir en Côte d'Ivoire, association afro-féministe qui possède un refuge pour femmes et filles survivantes de Violences Sexistes et Sexuelles Aminata Libain Mbengue, psychologue clinicienne et militante féministe, membre du collectif des féministes du Sénégal, collectif qui lutte contre les violences masculines au Sénégal. Témoignage de Charlène, membre de l'association La Voix de Sarah qui lutte contre les violences sexuelles dans le monde du sport, qui raconte, pour la première fois, son histoire au micro de notre reporter Raphaëlle Constant.Programmation musicale :► Yazmin Lacey – Own your own► Ashs the best – Waxtu.

durée : 00:58:27 - LSD, la série documentaire - par : Céline du Chéné - L'histoire des cabarets artistiques commence à Montmartre à la fin du XIXe siècle, où deux établissements, le Chat Noir créé en 1881 et le Moulin Rouge en 1889 vont façonner l'image que nous nous faisons encore aujourd'hui des cabarets. - réalisation : Laurent Paulré

durée : 00:58:21 - LSD, la série documentaire - par : Céline du Chéné - Dès la fin du 19e s., dans le sillage du Chat Noir, on va retrouver des cabarets artistiques dans toute l'Europe. Mais c'est à Berlin que le cabaret va vivre ses plus belles heures, au point où aujourd'hui encore le cabaret berlinois des années 1920 reste une référence dans l'imaginaire collectif. - réalisation : Laurent Paulré

Fluent Fiction - French: Lost in Montmartre: A Hidden Gem Found in Paris Find the full episode transcript, vocabulary words, and more:fluentfiction.org/lost-in-montmartre-a-hidden-gem-found-in-paris Story Transcript:Fr: Par une matinée fraîche et lumineuse à Paris, Amélie porte son vieux chapeau préféré pour se protéger du soleil.En: On a fresh and sunny morning in Paris, Amélie wears her old favorite hat to protect herself from the sun.Fr: Elle élabore un plan pour la journée.En: She plans for the day.Fr: Aujourd'hui, elle veut découvrir l'un des quartiers les plus connus de Paris, Montmartre.En: Today, she wants to explore one of the most famous neighborhoods in Paris, Montmartre.Fr: Avec son sac à dos rempli de croissants, de cartes et de sa laine favorite, Amélie commence sa grande aventure.En: With her backpack filled with croissants, maps, and her favorite wool, Amélie begins her great adventure.Fr: Elle monte les longs escaliers de la Butte Montmartre et admire la vue.En: She climbs the long stairs of the Montmartre Hill and admires the view.Fr: Paris étend son charme devant ses yeux.En: Paris spreads its charm before her eyes.Fr: "Ah, c'est beau," murmure-t-elle.En: "Ah, it's beautiful," she murmurs.Fr: Amélie se perd dans les rues sinueuses de Montmartre.En: Amélie gets lost in the winding streets of Montmartre.Fr: Les murs colorés, les rues en plus vieux pavé, le parfum de la boulangerie locale, tout cela enchante Amélie.En: The colorful walls, the streets paved with old cobblestones, the scent of the local bakery, all enchant Amélie.Fr: Mais, petit à petit, elle a l'impression d'être dans un labyrinthe.En: But gradually, she feels like she's in a maze.Fr: Amélie se gratte la tête, confus.En: Amélie scratches her head, confused.Fr: Elle tourne à droite, puis à gauche, mais chaque rue semble semblable.En: She turns right, then left, but every street seems the same.Fr: Amélie est un peu effrayé.En: Amélie is a little scared.Fr: Pensant qu'elle pourrait demander de l'aide, elle entre dans une petite ruelle et découvre un café étrange caché derrière un grand mur en pierre.En: Thinking she could ask for help, she enters a small alley and discovers a strange café hidden behind a large stone wall.Fr: Un écriteau en bois, pendu de manière inclinée, annonce "Le Chat Noir".En: A wooden sign, hanging askew, announces "Le Chat Noir."Fr: Le café semble calme et charmant.En: The café seems calm and charming.Fr: Poussée par sa curiosité, Amélie pousse la porte et entre.En: Driven by her curiosity, Amélie pushes the door and enters.Fr: L'intérieur du café est aussi unique que son nom.En: The interior of the café is as unique as its name.Fr: Les murs sont peints en noir, avec de nombreux dessins de chats dessus.En: The walls are painted black, with many cat drawings on them.Fr: Il y a des chaises de toutes les tailles et de toutes les couleurs.En: There are chairs of all sizes and colors.Fr: Amélie est fascinée.En: Amélie is fascinated.Fr: Elle commande un chocolat chaud et s'installe dans le coin d'une fenêtre, offrant une vue parfaite sur une petite cour.En: She orders a hot chocolate and settles in a corner by a window, offering a perfect view of a small courtyard.Fr: En la regardant, elle trouve son chemin sur la carte et soupire de soulagement.En: As she looks out, she finds her way on the map and sighs in relief.Fr: Elle n'est pas si perdue après tout.En: She's not so lost after all.Fr: Peu à peu, les gens commencent à remplir le café.En: Gradually, people start filling the café.Fr: Des artistes, des poètes et même des musiciens se joignent au charme du café.En: Artists, poets, and even musicians join in the café's charm.Fr: Amélie se joint à eux, elle partage des rires et des histoires, crée des souvenirs inoubliables.En: Amélie joins them, sharing laughter and stories, creating unforgettable memories.Fr: Lorsque la nuit tombe, Amélie quitte le café avec le sourire.En: As night falls, Amélie leaves the café with a smile.Fr: Elle remercie les nouveaux amis qu'elle a rencontrés.En: She thanks the new friends she has met.Fr: Elle a peut-être pris un mauvais tour, mais finalement, elle a trouvé quelque chose de précieux.En: She may have taken a wrong turn, but in the end, she found something precious.Fr: Retournant à sa maison, Amélie se souvient de cette journée spéciale.En: Returning home, Amélie remembers this special day.Fr: Elle se perd dans Montmartre et trouve un joyau caché, le café du "Chat Noir".En: She got lost in Montmartre and found a hidden gem, the café "Le Chat Noir."Fr: Cette expérience lui apprend que parfois, se perdre peut conduire à des découvertes inattendues et merveilleuses.En: This experience teaches her that sometimes, getting lost can lead to unexpected and wonderful discoveries.Fr: La nuit tombe sur Paris.En: Night falls on Paris.Fr: Amélie retire son chapeau et le pend au crochet près de la porte.En: Amélie takes off her hat and hangs it on the hook near the door.Fr: Elle se met au lit et dit doucement à Paris "à demain".En: She goes to bed and softly says to Paris, "See you tomorrow."Fr: La journée a été longue et belle.En: The day has been long and beautiful.Fr: Demain, elle commencera une nouvelle aventure.En: Tomorrow, she will start a new adventure. Vocabulary Words:sun: soleilParis: ParisAmélie: Améliehat: chapeauneighborhoods: quartiersbackpack: sac à doscroissants: croissantsmaps: carteswool: laineadventure: aventurestairs: escaliersview: vuecharm: charmestreets: ruescobblestones: pavébakery: boulangeriemaze: labyrinthealley: ruellecafé: caféwall: mursign: écriteaudrawings: dessinschairs: chaiseswindow: fenêtrecourtyard: courlaughter: riresstories: histoiresmemories: souvenirsnight: nuitbed: lit

Tous les médecins de Chantal Ladesou meurent les uns après les autres... De quoi avoir peur. Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.

Bonjour! This week, Emily and V look into another fandom neither of them knows much about: Miraculous Ladybug, one of Tumblr's biggest fandoms of 2023. They look into the premise and basic plot of the show, its adorable OTP love square (with only two people), and the long and much-anticipatory road to its premiere in America. Just what makes this show such fandom bait? Do you Miraculous Ladybug?

Monodies, c'est la rencontre de deux voix qui déambulent librement dans les parages d'une orchestration quelque peu anachronique : une performance tangible mêlant musique et poésie au gré de la temporalité.Monodies est le premier spectacle entièrement original créé par Stéphane Branger et Marc-Albéric Lestage, après leur précédente collaboration autour de l'œuvre de Maurice Mac-Nab, l'un des plus célèbres poètes du Chat Noir.Monodies donne à entendre des voix parlées, du kaval, de la basse, un piano jouet, de nombreux éléments d'ambiance…

Monodies, c'est la rencontre de deux voix qui déambulent librement dans les parages d'une orchestration quelque peu anachronique : une performance tangible mêlant musique et poésie au gré de la temporalité.Monodies est le premier spectacle entièrement original créé par Stéphane Branger et Marc-Albéric Lestage, après leur précédente collaboration autour de l'œuvre de Maurice Mac-Nab, l'un des plus célèbres poètes du Chat Noir.Monodies donne à entendre des voix parlées, du kaval, de la basse, un piano jouet, de nombreux éléments d'ambiance…

Jan fridde til Harlem på scenen i Chat Noir. Dagen derpå møttes to slitne, fyllesyke karer i podstudio - før de skal rett ned til Chat Noir for dagen derpå. Jan letter på sløret om hvor lenge siden det var han planla frierier og hva som gikk gjennom hodet hans da det skjedde, mens Einar forteller alt fra sitt perspektiv om hvordan det opplevdes å være femte hjul på vogna.Produsert av Martin Oftedal, PLAN-B Hosted on Acast. See acast.com/privacy for more information.

EVEN MORE about this episode:➡️ http://askjulieryan.com/podcast/419In this episode:Curious about the afterlife? Intrigued by the concept of destiny and free will? Jannecke Øinæs, a spiritual teacher from Norway, delves into these thought-provoking topics in a deep and insightful discussion. As a former child star with a successful acting career, Jannecke's journey took an unexpected turn towards spirituality after a significant personal struggle. Her transformation from performer to spiritual guide is a testament to the resilience of the human spirit and the power of personal growth.Jannecke's wisdom extends beyond personal spiritual exploration. Together, we highlight the importance of St. Lucie Day, a Nordic tradition that coincides with the winter solstice, revealing a fascinating link between cultural traditions and spirituality. We also unravel the complex relationship between wealth and spirituality, providing a fresh perspective on how our material comforts can sometimes cloud our spiritual quests.But, the journey doesn't stop there! Join us as Jannecke enlightens us on the art of manifestation. Learn how to distinguish between manifestations driven by fear or desire and those that emerge from a higher emotional vibration. Moreover, delve into the transformative power of surrendering to the universe and the role it plays in manifestation. Lastly, we will show you how to turn the destructive habit of comparison into a source of inspiration. It's a conversation that will stimulate, inspire, and broaden your perceptions. Unearth new realms of spirituality with Jannecke Øinæs, and let's traverse the universe together!Guest Biography:The entrepreneur Jannecke Øinæs has an important story to tell. Currently there is a rising number of people who suffer from depression and anxiety. Jannecke has suffered from depression herself but has managed to overcome it.She was a celebrated child star during the eighties and nineties and her identity was closely connected to what she could achieve. As an adult she landed several big roles in, amongst others, Hotel Cæsar (A norwegian soap opera), Grease at Chat Noir, Jul i Blåfjell at Folketeatret and Oslo Nye Teater (Christmas in the Blue Mountain, Norwegian Musical). When she lost her voice in 2001 and also had to give up a leading role in the musical “Little Shop of Horrors”, she hit rock bottom. A severe depression followed and her way out of it became the start of something that was in its infant stages at that time.When Jannecke founded Wisdom From North there were very few others on YouTube who were teaching within spirituality. She was one of the pioneers behind the wave of spirituality and life changes we see today. After more than 8 years recording and sharing interviews, she took the brave step to create her own business where she could do what she truly loved to do.Episode Chapters:(0:00:01) - Nordic Spirituality and Mysticism Exploration(0:16:01) - Exploring Spirituality and Cultural Traditions(0:20:20) - From Child Star to Self-Love Advocate(0:33:24) - Journey of Purpose and Spirituality(0:40:20) - Exploring Spirituality and New Perspectives(0:53:24) - Exploring Destiny and Spiritual Guidance(1:05:44) - Manifestation and Overcoming Comparison(1:16:17) - Manifestation and SurrenderPlease join Julie next week with your question.Thursdays at 8pm ET, 7pm CT, 5pm PT.https://askjulieryanshow.com And, please leave a five-star review and subscribe so you can hear all the new episodes. Julie Recommends:Viome's Gut Health Test and use code: JULIERYAN at checkout for $110 discount.Purity Woods' Age-Defying Dream Cream or enter JULIERYAN at checkout for 10% off first order.Zona Health and use code JULIERYAN for $50 discount.The DNA Company's DNA 360 Report for 10% off and use code JULIERYANPrimal Life Organics (Teeth Whitener)Beam Minerals and use code JULIERYAN for 20% offTru47 – Essential Oils and use code JULIE20 for 20% offDanger Coffee and use code JULIERYAN for 10% offAmata Face CreamDr. Maria AmasantiMore Helpful Information: Join Julie for a Zoom “Woo-Woo” Party at Ask Julie Ryan: LIVE on the 4th Tuesday of the month. Get your ticket!For more information go to https://askjulieryan.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pop Arthur, c'est le podcast créé pour assurer les bases indispensables de pop culture pour Arthur et vos enfants. Et leur prouver qu'il y a un monde après Jean-Michel le caribou et les histoires d'amour interdites.

Historiquement Vôtre réunit 3 personnages qui ont commencé au cabaret : l'auteur dramatique et poète Maurice Donnay qui a commencé sur la scène enfumée du cabaret du Chat Noir à Montmartre, et fini sur le fauteuil en velours de l'Académie Française. Puis la danseuse et chanteuse de cabaret Rita Hayworth devenue comédienne de légende avec la sensuelle Gilda qui évoluait dans un cabaret elle aussi… Et la plus célèbre des meneuses de revue qui a passé une grande partie de sa vie au cabaret, celui de son mari, Le Crazy Horse Saloon : Lova Moor.

280 millions de produits dérivés vendus, des récompenses internationales et une entrée au musée Grévin à Paris… Le dessin animé français « Miraculous » connaît un succès mondial depuis son lancement, en 2015. Les aventures parisiennes de la super-héroïne Ladybug et de son acolyte Chat Noir viennent même d'être adaptées sur grand écran, avec « Miraculous, le film ». Doté d'un budget de près de 80 millions d'euros, le long-métrage est sorti en France le 5 juillet, et sera distribué dans plus de 150 pays. Une success story à laquelle les créateurs français de Miraculous, Thomas Astruc et Jeremy Zag, ont toujours cru. Cet épisode de Code source est raconté par Benoît Franquebalme, journaliste au Parisien week-end. Ecoutez Code source sur toutes les plateformes audio : Apple Podcast (iPhone, iPad), Google Podcast (Android), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Ambre Rosala - Production : Raphaël Pueyo, Emma Jacob, Julia Paret et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Hello bestie, bienvenue sur Madame Relatable

Intro Going to biweekly schedule. We cover the top stories from the weeks previous Twitter, Apple Podcast, Google Podcast, Spotify Search GONZO.MOE on your favorite podcast director Number 716.46MOE43 716.466.6343 License Announcements Viz Media, Manga Plus Launch Cipher Academy Manga in English Kodansha USA Licenses Miraculous: Tales of Ladybug & Chat Noir, 15 More Manga Viz Media, Manga Plus Launch Ichigoki's Under Control!! Manga in English Disney to Exclusively Stream Tokyo Revengers: Christmas Showdown Anime in January Kodansha USA Licenses The Shape-Shifting Witch's Kiss, Beast #6 Manga Crunchyroll Reveals 7 New Anime Licenses for 2023 Including Legend of Heroes, Handyman Saitō in Another World Streaming Announcements Crunchyroll Streams Natsume's Book of Friends Season 2 Anime's English Dub Toonami Airs My Hero Academia Season 6 Anime on December 3 (Updated) 12:00AM – My Hero Academia Season 6 12:30AM – Made in Abyss Season 2 1:00AM – Yashahime: Princess Half-Demon - The Second Act 1:30AM – One Piece 2:00AM – Naruto Shippūden 2:30AM – Primal Synduality Anime's New Teaser Reveals More Staff, Disney Global Streaming Writer of Rascal Crunchyroll to Stream Bofuri Season 2, Why Raeliana Ended Up at the Duke's Mansion, A Galaxy Next Door, The Fire Hunter, My Clueless First Friend, More Anime New Anime Jujutsu Kaisen Director Sung Hoo Park Unveils Project Bullet/Bullet Anime Studio 4°C Animates Osamu Tezuka's

The Hosts of the Otaku Spirit Animecast dive into the best music of Summer 2022 Anime Season! Get your earphones ready for some amazing music. 32 Fantastic Songs to Enjoy! Music Featured In This Episode: -Phantom of the Idol ED2 - "Hare Rarura" (Sunny La Lu La) by Asahi Mogami CV Nao Tōyama -Rent a Girlfriend OP - "Himitsu Koi Gokoro" by CHiCO with HoneyWorks -Lycoris Recoil OP - "ALIVE" by ClariS -Lycoris Recoil ED - "Hana no Tou" by Sayuri -Engage Kiss OP - "Darekare Scramble" by halca -Engage Kiss ED - "Renai Nou" by Akari Nanawo -Prima Doll OP - "Tin Toy Melody" by Chat-noir (cast) -Prima Doll ED2 - "Usuhanazakura" (Faint Cherry-Blossom Pink) by Haizakura CV Azumi Waki -RWBY Ice Queendome OP - "Beyond Selves" by Void_Chords feat. L -RWBY Ice Queendome ED - "Awake" by Saori Hayami -Yurei Deco OP - "1,000,000,000,000,000,000,000,000 LOVE" by Clammbon -Classroom of the Elite 2 OP - "Dance In The Game" by ZAQ -Overlord IV OP - "HOLLOW HUNGER" by OxT -Overlord IV ED Not Full Clean - "No Man's Dawn" by Mayu Maeshima -Harem in the Labyrinth of Another World OP - "Oath" by Roxanne (Shiori Mikami) -Uncle from another World OP - "story" by Mayu Maeshima -Dropkick on my Devil X ED - "Ryuusenkei Mayday" by KAF feat. KAFU -Made in Abyss 2nd Season OP - "Katachi" by Riko Azuna -Made in Abyss 2nd Season ED - "Endless Embrace" by MYTH and ROID -Yakuza's Guide To Babysitting OP - "Mirai no Hero Tachi e" by Takeyaki Shou -Call of the Night OP - "Daten" by Creepy Nuts -Call of the Night ED - "Yofukashi no Uta" by Creepy Nuts -Lucifer and the Biscuit Hammer OP - "Gyouko" by Half time Old -Black Summoner OP - "Atamannaka DEAD END unknown Vo 10fu" by Ret Bear -Shadow House 2 OP - "Shall We Dance?" by ReoNa -Shadow House 2 ED - "Masquerade" by ClariS -Devil is a Part Timer 2 OP - "WITH" by Minami Kuribayashi -AoAshi OP2 - "Presence" by Superfly -Summer Time Rendering OP2 - "Natsuyume Noisy" by Asaka -Summer Time Rendering ED2 - "Shitsuren Song Takusan Kiite Naite Bakari no Watashi wa Mou" by Riria. -Utawarerumono Mask of Truth OP - "Hito Nanda" by Suara -Tokyo Mew Mew NEW ED - "Tokimeki☆Ichigo Ichie" by Smewthie (cast) Tips: https://streamelements.com/otakuspirit/tip Patreon: https://www.patreon.com/OtakuSpirit Merch: https://otaku-spirit.creator-spring.com/ YouTube: https://youtube.com/otakuspirit Discord: https://discord.com/invite/BZ8ZN58u6M Website: https://OtakuSpirit.com

Born in Rabat-Morocco Dino / Tarek moved at the age of18 to France for studying History of art, the studied Artand finally Japanese language and civilization.First Singing encounter-First came to Paris and lived right down the stairs ofSacré-Coeur, -Saw a singer with a guitar and decided todo the same.-Spent years busking on the stairs of Montmartresinging all kind of songs.-Performed for three Years at the Sherwood Bar at Opera .-After a long period singing the Blues Dino discovers theearly 20th century music and completely dived into it .-Spent 2 years building a repertoire based on BingCrosby ,Dean Martin and The Mills Brothers songs.-Teamed up with Sheldon Forrest and sung for 4 yearsat the Club Rayé.-3 years singing at the Chat Noir 1881.-Currently performing Thursdays and Fridays at The cozy Café Blanche near the Moulin rouge.Support the show

Jan og Einar møtes etter fire flotte forestillinger på Chat Noir. Jan har vært på dragshow med Geir Lillejord, som også var overraskelsesgjest på podshowet og forvandlet Einar om til en dronning. En frustrert Einar har blitt utestengt fra vaskerommet, men finner ingen støtte hos Jan, som leder inn i en opphetet diskusjon om vaskevaner. De gjør også detektivarbeid på direkten etter at den mistenkte mannen i Snømonsteret dukket opp på P3 Gull rett etter sending. Produsert av Martin Oftedal, PLAN-B See acast.com/privacy for privacy and opt-out information.

Jan og en bollesulten Einar møter i studio etter to forestillinger på Chat Noir dagen før og spiller inn podcast før de to neste. Jan har vært på jakt etter egg, og mener vi i Norge ikke bør ta et nei for et nei. Einar må slukøret innrømme at Vår Staude IKKE er havfruen, men finner trøst i Jans innsats på Gjestorama. Tidsmaskinen er tilbake fra verkstedet og tar oss med til livene deres i 2011.Produsert av Martin Oftedal, PLAN-B See acast.com/privacy for privacy and opt-out information.

We are so pleased to offer up this interview with the always fantastic Chef Joe Youkhan!After being aquatinted with Joe though private events, I've learned quite a bit about his fascinating career, and many accomplishments in the culinary field. Always one to bring best to the table, his humble demeanor hides a treasure trove of talent and passion.Hope that you enjoy this episode with the famed Champion of Chopped and Firemasters!Chef Joe Youkhan is a seasoned culinary artist and crowned champion of Chopped, the popular high-stakes cooking competition show of the Food Network. With outstanding culinary expertise and precision, Chef Joe brings a unique personal touch to delicious global cuisine. Comfort food meets fine dining in his mouth-watering creations, offering guests a truly extraordinary epicurean experience ignited by his passion and love for food.Tapping into his natural instincts and roots in a food-centric family, Chef Joe switched gears from his successful career with motorcycles to follow his passion for food. He joined the Ritz-Carlton, Laguna Niguel culinary team. Chef Joe left the Ritz-Carlton as the Executive Chef of the Special Events/Catering Division to serve as the Executive Chef at Chat Noir in Costa Mesa before his appointment to Corporate Executive Chef, responsible for multiple locations. Chef Joe founded Chef Joe's Tasting Spoon in 2010, operating the first Italian gourmet food truck in Orange County, until selling the concept in 2018.In 2014, Chef Joe partnered with his mates to open Aussie Pie Kitchen, where the traditional Aussie Pie was been re-imagined into remarkable savory pies in a variety of flavors and paired with gourmet sides. Aussie Pie Kitchen had two locations in Santa Monica and Inglewood (near LAX).Currently, Chef Joe is the Co-owner of SmörBurgers with 2 locations - 4th Street Market Place, and Irvine Trade Food Hall. In 2020, Chef Joe partnered with Western Hospitality Catering to provide a fresh innovative dining experience to all. Chef Joe oversees all culinary operations and is engaged in catering, menu development, and restaurant concepting. He is also the National Culinary Director of Western Golf + Hospitality.Chef Joe is available for consulting on both new and existing restaurant concepts. In addition, he conducts personalized, fun, and interactive cooking classes for your family, group of friends or corporate team.Chef Joe pulls from his exposure to a variety of cuisines, his extensive catering background and his incredible palette to create magnificent and memorable cuisine. He loves to share his passion for food with his guests.​ Tune in to learn what mindset it takes to rise to the top and to shine under pressure!